All language subtitles for 3rd.Rock.from.the.Sun.S03E03.Tricky.Dick.1080p.DVD.DD.2.0.H.265.-EDGE2020_track3_[eng]

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Would you like to inspect the original subtitles? These are the user uploaded subtitles that are being translated: 1 00:00:03,971 --> 00:00:06,472 DICK, I AM TELLING YOU, YOU NEED A VEST! 2 00:00:06,474 --> 00:00:07,973 I'M WEARING A VEST. 3 00:00:07,975 --> 00:00:10,509 YEAH, BUT IT'S WOOL. YOU NEED KEVLAR. 4 00:00:10,511 --> 00:00:12,411 I'M JUST GOING TO THE OFFICE. 5 00:00:12,413 --> 00:00:15,514 YEAH. THE OFFICE WHERE YOU WORK WITH YOUR EX-FIANCEE. 6 00:00:15,516 --> 00:00:18,516 YOU REMEMBER HER-- THE BITTER WOMAN WHO WANTS YOU DEAD. 7 00:00:18,518 --> 00:00:21,986 OH, THAT. OH, LOOK, MARY'S HAD AN ENTIRE NIGHT TO SLEEP ON IT. 8 00:00:21,988 --> 00:00:23,988 BESIDES, DEEP DOWN SHE LOVES ME. 9 00:00:23,990 --> 00:00:27,359 AND I SAID I WAS SORRY. WHAT MORE COULD SHE ASK FOR? 10 00:00:27,361 --> 00:00:32,531 OK. DICK, I AM PRACTICALLY A WOMAN, OK? 11 00:00:32,533 --> 00:00:34,533 I BASICALLY KNOW HOW WOMEN FEEL, 12 00:00:34,535 --> 00:00:37,803 AND SHE'S GONNA WANT A WHOLE LOT MORE THAN "I'M SORRY." 13 00:00:37,805 --> 00:00:39,304 SO YOU HAVE A CHOICE. 14 00:00:39,306 --> 00:00:40,672 THE VEST OR ME. 15 00:00:42,209 --> 00:00:45,878 OH, FINE. YOU CARRY MY LUNCHBOX. 16 00:00:45,880 --> 00:00:48,980 DON'T BRUISE MY BANANA. 17 00:01:02,429 --> 00:01:04,496 CLEAR! 18 00:01:04,498 --> 00:01:07,933 YOU SEE, SALLY, THERE'S NOTHING TO BE CONCERNED ABOUT. 19 00:01:07,935 --> 00:01:09,901 YOU'VE GOT TO GET-- 20 00:01:09,903 --> 00:01:11,402 OH, MY GOD! 21 00:01:11,404 --> 00:01:12,904 MR. POTATO MAN! 22 00:01:12,906 --> 00:01:15,574 WHO WOULD DO SUCH A THING? 23 00:01:15,576 --> 00:01:17,542 HELLO, DICK. OH, SALLY. 24 00:01:17,544 --> 00:01:19,010 HOW COULD YOU DO THIS? 25 00:01:19,012 --> 00:01:21,013 I WAS MAD AT YOU, 26 00:01:21,015 --> 00:01:23,916 AND I GUESS I TOOK IT OUT ON A PERFECTLY INNOCENT... 27 00:01:23,918 --> 00:01:25,517 PLASTIC POTATO. 28 00:01:25,519 --> 00:01:27,753 BE GLAD IT WASN'T YOUR BUTT. 29 00:01:29,622 --> 00:01:31,623 LOOK, WHY CAN'T YOU JUST DROP THIS? 30 00:01:31,625 --> 00:01:35,627 FINE. I GOT ENGAGED TO YOU AND DIDN'T TELL YOU I HAD A WIFE. 31 00:01:35,629 --> 00:01:37,129 I SAID I WAS SORRY. 32 00:01:37,131 --> 00:01:38,630 IT MADE ME FEEL TERRIBLE, 33 00:01:38,632 --> 00:01:40,966 BUT I'VE STOPPED BEATING MYSELF UP ABOUT IT. 34 00:01:40,968 --> 00:01:43,468 WELL, THAT MAKES ONE OF YOU. 35 00:01:43,470 --> 00:01:44,936 IT'S OK, NINA. NOTHING TO WORRY ABOUT. 36 00:01:44,938 --> 00:01:46,939 I'M OVER IT. I'M AN ADULT. 37 00:01:46,941 --> 00:01:48,440 I'M MOVING ON. 38 00:01:48,442 --> 00:01:50,108 IN FACT, SALLY, I'M GLAD YOU'RE HERE. 39 00:01:50,110 --> 00:01:53,111 I HAVE MY YOGA CLASS TONIGHT AND JUDITH CAN'T MAKE IT. 40 00:01:53,113 --> 00:01:55,113 I HAVE A GROIN PULL. 41 00:01:55,115 --> 00:01:57,916 I'D LOVE FOR YOU TO JOIN ME. 42 00:01:57,918 --> 00:01:59,717 WHY? 43 00:01:59,719 --> 00:02:01,153 BECAUSE I'M AN ADULT, 44 00:02:01,155 --> 00:02:03,321 AND WHAT DICK DID DOES NOT AFFECT OUR FRIENDSHIP. 45 00:02:03,323 --> 00:02:05,724 DON AND I ARE GOING TO THE RUTHERFORD RENAISSANCE FAIR TONIGHT. 46 00:02:05,726 --> 00:02:06,958 OH, NO, YOU'RE NOT. 47 00:02:06,960 --> 00:02:08,960 YOU'RE CANCELING YOUR PLANS AND GOING WITH MARY. 48 00:02:08,962 --> 00:02:10,462 THERE'S NO WAY I'M GONNA DO-- 49 00:02:10,464 --> 00:02:11,462 FINE! 50 00:02:11,464 --> 00:02:12,497 THANK YOU. 51 00:02:12,499 --> 00:02:14,499 [BLOWS RASPBERRY] 52 00:02:14,501 --> 00:02:17,068 THERE, YOU SEE? I CAN BE AN ADULT, TOO. 53 00:02:17,070 --> 00:02:18,670 I'M SURE YOU CAN. 54 00:02:18,672 --> 00:02:21,940 THAT'S WHY I'M GOING TO CONTINUE TO ALLOW YOU TO USE MY OFFICE. 55 00:02:21,942 --> 00:02:23,741 YOUR OFFICE? IT'S OUR OFFICE. 56 00:02:23,743 --> 00:02:25,243 CHECK THE DOOR, DICK! 57 00:02:25,245 --> 00:02:26,644 IT'S MY OFFICE! 58 00:02:26,646 --> 00:02:28,814 ALWAYS WAS, ALWAYS WILL BE! 59 00:02:28,816 --> 00:02:32,650 [CALM VOICE] BUT I SAY THAT JUST TO LET YOU KNOW. 60 00:02:32,652 --> 00:02:35,253 I DON'T STRESS IT. I JUST GLOSS OVER IT. 61 00:02:35,255 --> 00:02:37,322 SEE? ADULT. 62 00:02:42,496 --> 00:02:44,997 NINA, I WANT MY NAME PAINTED ON THIS DOOR, 63 00:02:44,999 --> 00:02:49,368 AND I WANT IT TWICE THE SIZE OF HERS-- 3 TIMES THE SIZE! 64 00:02:49,370 --> 00:02:52,703 I'M GOING TO BE THE BIGGEST ADULT IN THIS WHOLE STUPID OFFICE! 65 00:03:33,547 --> 00:03:34,546 SOLOMON! 66 00:03:34,548 --> 00:03:36,414 YOU GOT A GUITAR, RIGHT? 67 00:03:36,416 --> 00:03:37,415 NO. 68 00:03:37,417 --> 00:03:38,716 YES, YOU DO. 69 00:03:38,718 --> 00:03:40,585 Tommy: NO, NOT REALLY. YOU ANY GOOD? 70 00:03:40,587 --> 00:03:42,186 YES, YOU ARE. 71 00:03:42,188 --> 00:03:43,688 WE'RE FORMING A NEW BAND. 72 00:03:43,690 --> 00:03:45,189 A NEW BAND? 73 00:03:45,191 --> 00:03:47,692 WELL, WHAT HAPPENED TO STATE OF CONTUSION? 74 00:03:47,694 --> 00:03:49,193 CREATIVE DIFFERENCES. 75 00:03:49,195 --> 00:03:51,195 NOW WE'RE WHISKEY KITTEN. 76 00:03:51,197 --> 00:03:53,364 AND YOU'RE OUR LEAD GUITARIST. 77 00:03:53,366 --> 00:03:55,734 I'VE ALWAYS WANTED TO DATE A GUY IN A BAND. 78 00:03:55,736 --> 00:03:58,870 AND THAT'S EXACTLY WHY I'M JOINING THIS BAND. 79 00:03:58,872 --> 00:04:00,371 THAT'S THE SPIRIT, SOLOMON. 80 00:04:00,373 --> 00:04:03,641 REHEARSAL TONIGHT. YOUR PLACE. 81 00:04:03,643 --> 00:04:06,344 [STRUMS ELECTRIC GUITAR] 82 00:04:09,649 --> 00:04:11,649 CAN I BE YOUR ROADIE? 83 00:04:11,651 --> 00:04:12,950 CAN I? 84 00:04:12,952 --> 00:04:15,453 SO YOU WANT TO LUG AROUND HEAVY EQUIPMENT FOR US 85 00:04:15,455 --> 00:04:16,854 WHILE WE TREAT YOU LIKE DIRT? 86 00:04:16,856 --> 00:04:18,856 YEAH. 87 00:04:18,858 --> 00:04:22,894 PLUS I GET MY PICK OF THE LESS ATTRACTIVE WOMEN. 88 00:04:22,896 --> 00:04:24,162 [JANGLING] 89 00:04:25,866 --> 00:04:27,899 [JANGLING] 90 00:04:27,901 --> 00:04:29,467 SALLY! 91 00:04:29,469 --> 00:04:30,969 SHALL WE GO, MILADY? 92 00:04:30,971 --> 00:04:33,237 I'M SORRY, DON, I'M RUNNING LATE FOR SOMETHING! 93 00:04:33,239 --> 00:04:35,607 I'LL CALL YOU LATER. BYE-BYE! 94 00:04:35,609 --> 00:04:37,742 DON'T FORGET TO TELL MARY 95 00:04:37,744 --> 00:04:40,412 THAT I'M ROLLER-SKATING WITH SUPERMODELS! 96 00:04:40,414 --> 00:04:42,113 WHAT THE HELL WAS THAT? 97 00:04:42,115 --> 00:04:45,083 SHE JUST MADE ME LOOK LIKE A COMPLETE JACKASS. 98 00:04:46,252 --> 00:04:49,187 AH... 99 00:04:49,189 --> 00:04:51,022 WOMEN. 100 00:04:51,024 --> 00:04:52,190 I HEAR YOU, MY FRIEND. 101 00:04:52,192 --> 00:04:53,258 A WOMAN MAY SAY 102 00:04:53,260 --> 00:04:55,127 THAT SHE WANTS A MAN TO BE OBEDIENT AND NICE, 103 00:04:55,129 --> 00:04:56,260 BUT DOES SHE REALLY WANT THAT? 104 00:04:56,262 --> 00:04:58,362 YES, SHE DOES. 105 00:04:58,364 --> 00:04:59,698 NO, SHE DOESN'T, 106 00:04:59,700 --> 00:05:01,566 BECAUSE THEN SHE'LL JUST WALK ALL OVER YOU. 107 00:05:01,568 --> 00:05:03,869 AMEN TO THAT, MY FRIEND. 108 00:05:03,871 --> 00:05:05,370 WOMEN ARE MADDENING. 109 00:05:05,372 --> 00:05:07,372 THEY PRETEND TO BE SO ADULT, 110 00:05:07,374 --> 00:05:08,874 BUT JUST LIKE THAT, 111 00:05:08,876 --> 00:05:11,876 THEY'LL SINK ALL THE WAY DOWN TO YOUR LEVEL. 112 00:05:13,646 --> 00:05:15,146 TELL ME, MY FRIEND, 113 00:05:15,148 --> 00:05:16,681 IS THAT FAIR? 114 00:05:16,683 --> 00:05:18,182 YES, IT IS. 115 00:05:18,184 --> 00:05:19,684 NO, IT'S NOT. 116 00:05:19,686 --> 00:05:22,687 LET ME ASK YOU SOMETHING, MY FRIEND. 117 00:05:22,689 --> 00:05:24,890 DO YOU WANT SALLY TO WANT YOU MORE THAN EVER? 118 00:05:24,892 --> 00:05:26,257 NO, HE DOESN'T. 119 00:05:26,259 --> 00:05:27,391 YES, I DO. 120 00:05:27,393 --> 00:05:29,894 THIS JUST ISN'T MY DAY. 121 00:05:29,896 --> 00:05:32,396 THEN YOU'VE GOT TO SHOW HER WHO'S BOSS. 122 00:05:32,398 --> 00:05:33,898 LAY DOWN THE LAW. 123 00:05:33,900 --> 00:05:35,399 YOU THINK? I KNOW. 124 00:05:35,401 --> 00:05:36,801 BE FIRM, MY FRIEND. 125 00:05:36,803 --> 00:05:37,902 POWER! 126 00:05:37,904 --> 00:05:40,805 IT'S THE ONLY LANGUAGE WOMEN UNDERSTAND. 127 00:05:40,807 --> 00:05:43,474 YOU SHOW SALLY WHO WEARS THE PANTS, MY FRIEND. 128 00:05:43,476 --> 00:05:45,810 THAT'S THE WAY. 129 00:05:45,812 --> 00:05:48,579 THANK YOU, MY FRIENDS. 130 00:05:48,581 --> 00:05:49,914 YOU'RE RIGHT! 131 00:05:49,916 --> 00:05:51,850 I WEAR THE PANTS! 132 00:05:57,724 --> 00:06:00,391 AND INHALE... 133 00:06:00,393 --> 00:06:02,594 AND EXHALE. 134 00:06:03,663 --> 00:06:05,162 ISN'T THIS GREAT EXERCISE? 135 00:06:05,164 --> 00:06:07,866 YEAH. I HAVEN'T HAD THIS HARD A WORKOUT 136 00:06:07,868 --> 00:06:10,801 SINCE THE LAST TIME I WENT BREATHING. 137 00:06:10,803 --> 00:06:14,405 WELL, THAT'S IT, EVERYBODY. THANKS FOR COMING. 138 00:06:15,875 --> 00:06:18,943 DOESN'T IT MAKE YOU FEEL TALLER? 139 00:06:21,781 --> 00:06:25,283 OH, GOD. I KNEW THAT DWEEB WAS LOOKIN' OVER HERE. 140 00:06:25,285 --> 00:06:27,285 HERE COMES THE OLD PICKUP. 141 00:06:27,287 --> 00:06:28,286 EXCUSE ME. 142 00:06:28,288 --> 00:06:29,287 YEAH. 143 00:06:29,289 --> 00:06:30,888 I HOPE THIS ISN'T BEING RUDE-- 144 00:06:30,890 --> 00:06:32,790 JUST GET IT OVER WITH. 145 00:06:32,792 --> 00:06:35,793 I WAS JUST WONDERING, IS YOUR FRIEND ATTACHED? 146 00:06:35,795 --> 00:06:37,229 LOOK, I'M NOT-- 147 00:06:40,533 --> 00:06:42,033 HER? 148 00:06:42,035 --> 00:06:45,036 MM-HMM. COULD I INTEREST YOU IN SOME COFFEE? 149 00:06:45,038 --> 00:06:46,604 OH, NO, THANK YOU. 150 00:06:46,606 --> 00:06:50,141 I'M SORRY, BUT DID YOU SEE ME? 151 00:06:50,143 --> 00:06:53,078 YES, YES. AND YOU DID JUST FINE FOR A BEGINNER. 152 00:06:53,080 --> 00:06:54,579 ARE YOU SURE? 153 00:06:54,581 --> 00:06:56,348 OH, POSITIVE. 154 00:06:56,350 --> 00:06:57,515 THANKS. 155 00:06:57,517 --> 00:07:00,384 WELL--LOOK AT ME. 156 00:07:00,386 --> 00:07:01,586 [SQUEAKY VOICE] ME! 157 00:07:05,658 --> 00:07:08,960 DR. ALBRIGHT! DR. ALBRIGHT! 158 00:07:08,962 --> 00:07:10,728 YOU GOT SOMETHING FROM THE WHITE HOUSE! 159 00:07:10,730 --> 00:07:12,363 OPEN IT! WHAT?! 160 00:07:12,365 --> 00:07:13,698 OPEN IT! 161 00:07:13,700 --> 00:07:15,199 "DEAR DR. MARY ALBRIGHT, 162 00:07:15,201 --> 00:07:17,201 "IN RECOGNITION OF YOUR ACHIEVEMENTS 163 00:07:17,203 --> 00:07:19,704 "IN THE FIELD OF UNDERGRADUATE EDUCATION, 164 00:07:19,706 --> 00:07:22,206 "YOU ARE HEREBY INVITED TO THE PRESIDENT'S DINNER 165 00:07:22,208 --> 00:07:24,109 HONORING ACADEMIC EXCELLENCE." 166 00:07:25,612 --> 00:07:26,611 OH, MY GOD. 167 00:07:26,613 --> 00:07:28,112 "ENCLOSED ITINERARY..." 168 00:07:28,114 --> 00:07:29,113 BLAH, BLAH, BLAH... 169 00:07:29,115 --> 00:07:30,615 "CHERRY TREE INN ON THE POTOMAC. 170 00:07:30,617 --> 00:07:32,116 "LOOKING FORWARD TO MEETING YOU, 171 00:07:32,118 --> 00:07:34,619 "SINCERELY, BILL AND HILLARY RODHAM-- 172 00:07:34,621 --> 00:07:36,054 POTATO HEAD." 173 00:07:37,824 --> 00:07:40,825 HA HA HA HA HA HA HA! 174 00:07:40,827 --> 00:07:44,029 AH HA HA HA HA HA HA HA! 175 00:07:46,032 --> 00:07:47,264 VERY FUNNY. 176 00:07:47,266 --> 00:07:48,666 I'M SORRY! 177 00:07:48,668 --> 00:07:50,401 I'M SORRY! I JUST HAD TO! 178 00:07:50,403 --> 00:07:51,936 HA HA HA HA HA! 179 00:07:51,938 --> 00:07:53,771 THIS WAS STUPID AND CHILDISH. 180 00:07:53,773 --> 00:07:56,507 I KNOW. BUT WE'RE EVEN NOW, RIGHT? 181 00:07:56,509 --> 00:07:58,009 OH, YEAH. LIVE THAT FANTASY. 182 00:07:58,011 --> 00:08:00,011 DID YOU SEE THE PART ABOUT THE CHERRY-- 183 00:08:00,013 --> 00:08:02,513 I GOT A WORK ORDER TO PAINT THE DOOR. 184 00:08:02,515 --> 00:08:04,015 OHH! OH, YES. RIGHT. 185 00:08:04,017 --> 00:08:05,516 YEAH, RIGHT HERE. 186 00:08:05,518 --> 00:08:06,918 RIGHT OVER THIS NAME. 187 00:08:06,920 --> 00:08:08,519 AND BIGGER! AND BOLDER! 188 00:08:08,521 --> 00:08:10,521 SO WHEN ONE APPROACHES THE DOOR, 189 00:08:10,523 --> 00:08:13,024 A MERE GLANCE WILL ESTABLISH JUST WHO'S WHO... 190 00:08:13,026 --> 00:08:15,060 IN THIS OFFICE. 191 00:08:15,062 --> 00:08:17,595 HA HA HA HA HA HA! 192 00:08:17,597 --> 00:08:20,765 OOH HOO HOO HOO HOO! 193 00:08:20,767 --> 00:08:23,134 OH, NO, NO, NO, NO, NO. NO. 194 00:08:23,136 --> 00:08:25,070 OH, HE'D BE VERY UPSET. 195 00:08:25,072 --> 00:08:26,571 OH HO HO. 196 00:08:26,573 --> 00:08:28,073 THIS SAYS "DICK SOLOMON." 197 00:08:28,075 --> 00:08:30,075 HE GETS THAT A LOT. 198 00:08:30,077 --> 00:08:31,576 IT'S DICK... 199 00:08:31,578 --> 00:08:34,979 S-A-L-M-O-N. 200 00:08:36,783 --> 00:08:38,283 SALMON. 201 00:08:38,285 --> 00:08:41,919 YOU KNOW, LIKE THE BIG, PINK, STINKY FISH. 202 00:08:41,921 --> 00:08:43,688 [BAND PLAYING] 203 00:08:51,597 --> 00:08:52,763 ALL RIGHT, 204 00:08:52,765 --> 00:08:54,098 LET'S ROCK. 205 00:08:54,100 --> 00:08:56,301 Drummer: 1, 2, 3, 4! 206 00:09:02,142 --> 00:09:05,209 HEY, HEY, HEY, HEY. WHAT ARE YOU DOING? 207 00:09:05,211 --> 00:09:06,510 PLAYING. 208 00:09:06,512 --> 00:09:08,880 COME ON, MAN. WE'RE A SPEED METAL BAND. 209 00:09:08,882 --> 00:09:11,182 NO, WE'RE NOT. WE'RE A DEF METAL BAND. 210 00:09:11,184 --> 00:09:13,818 IT'S NOT ABOUT LABELS, OK? IT'S ABOUT THE MUSIC. 211 00:09:13,820 --> 00:09:16,253 ABOUT THAT MUSIC, UM, HOW MANY SONGS DO WE HAVE? 212 00:09:16,255 --> 00:09:17,621 JUST THE ONE. 213 00:09:17,623 --> 00:09:18,856 WE NEED MORE THAN ONE SONG. 214 00:09:18,858 --> 00:09:20,591 THIS ISN'T ABOUT COUNTING SONGS, SOLOMON. 215 00:09:20,593 --> 00:09:22,059 THIS IS ABOUT THE MUSIC. 216 00:09:22,061 --> 00:09:23,561 WELL, AS FAR AS I'M CONCERNED, 217 00:09:23,563 --> 00:09:25,062 IT'S ABOUT IMPRESSING AUGUST, 218 00:09:25,064 --> 00:09:26,731 AND ONE SONG AIN'T GONNA CUT IT. 219 00:09:26,733 --> 00:09:28,867 HEY, MAN, IF YOU'RE TRUE TO THE MUSIC, 220 00:09:28,869 --> 00:09:30,267 WOMEN, THEY CAN SENSE IT. 221 00:09:30,269 --> 00:09:34,271 WELL, IF THE WOMEN CAN COUNT, WE'RE SCREWED. 222 00:09:34,273 --> 00:09:35,406 LET'S ROCK. 223 00:09:42,816 --> 00:09:45,617 ♪ ONE MO'! ♪ 224 00:09:45,619 --> 00:09:46,985 ♪ ONE MO'! ♪ 225 00:09:46,987 --> 00:09:49,087 WHOOOOO! 226 00:09:49,089 --> 00:09:51,155 OOOOOHHH! 227 00:09:51,157 --> 00:09:52,991 ♪ ONE MO'! ♪ 228 00:09:56,329 --> 00:09:57,629 I'M SORRY. 229 00:10:01,668 --> 00:10:02,767 MATTHEW? 230 00:10:04,203 --> 00:10:05,637 HEY, MATTHEW? 231 00:10:06,907 --> 00:10:08,239 MATTHEW! 232 00:10:10,076 --> 00:10:11,075 YES. 233 00:10:11,077 --> 00:10:13,845 YOU--YOU LOOK REALLY NICE TODAY. 234 00:10:15,281 --> 00:10:17,649 IS THERE A PROBLEM? 'CAUSE I'M REALLY BUSY. 235 00:10:17,651 --> 00:10:21,152 YEAH. I THINK I PULLED MY BUTT MUSCLE! 236 00:10:21,154 --> 00:10:25,022 LET ME SEE IF I CAN GO RUN DOWN A NURSE FOR YOU. 237 00:10:25,024 --> 00:10:26,023 [DOOR CLOSES] 238 00:10:26,025 --> 00:10:26,991 DAMN! 239 00:10:30,963 --> 00:10:32,897 HI. ARE YOU FROM THE SWEDISH MOTOR PLACE? 240 00:10:32,899 --> 00:10:34,765 [SPANISH ACCENT] SÍ. I AM SWEDISH. 241 00:10:36,669 --> 00:10:39,670 YEAH. IT'S THE RED VOLVO, UM, OVER THERE. 242 00:10:39,672 --> 00:10:43,141 WHEN I CHANGE GEARS, IT MAKES A GRINDING NOISE. 243 00:10:43,143 --> 00:10:44,642 IS A GRINDING? 244 00:10:44,644 --> 00:10:46,343 YES! IS A GRINDING. 245 00:10:46,345 --> 00:10:49,380 AH! RECOGNITION AT LAST. 246 00:10:49,382 --> 00:10:52,984 NOW ALL WHO PASS THROUGH THE HALLOWED GATES OF HUFF HALL 247 00:10:52,986 --> 00:10:55,452 WILL KNOW THAT THIS OFFICE IS OCCUPIED 248 00:10:55,454 --> 00:10:58,556 BY DR. DICK SALMON. 249 00:11:08,701 --> 00:11:12,703 CUANDO EL CAR CHANGES LAS GEARS, 250 00:11:12,705 --> 00:11:13,838 UH, NO ES BUENO. 251 00:11:13,840 --> 00:11:15,206 UH, IT MAKES A... 252 00:11:15,208 --> 00:11:16,941 RRRRRRRR! 253 00:11:16,943 --> 00:11:18,143 RRRRRRRR! 254 00:11:18,145 --> 00:11:19,543 YES. RRRRRRR! 255 00:11:19,545 --> 00:11:21,779 RRRRRRR! 256 00:11:21,781 --> 00:11:22,780 WHAT? 257 00:11:22,782 --> 00:11:23,781 ALLOW ME, MARY. 258 00:11:23,783 --> 00:11:25,416 CON PERMISO, SEÑOR. 259 00:11:25,418 --> 00:11:27,919 LA PALANCA DEL CARRO DE LA SEÑORA 260 00:11:27,921 --> 00:11:29,921 SALTA CUANDO HACE EL CAMBIO. 261 00:11:29,923 --> 00:11:32,223 OH, SÍ, SÍ. 262 00:11:32,225 --> 00:11:34,759 TAMBIEN, QUIERE QUE LE INSTALE 263 00:11:34,761 --> 00:11:36,761 UN EQUIPO EN STEREO 264 00:11:36,763 --> 00:11:38,262 DE DOSCIENTOS MATIOS 265 00:11:38,264 --> 00:11:39,764 CON ESOS PALANTES GIGANTES 266 00:11:39,766 --> 00:11:41,766 EN LA PARTE DE ATRAS. 267 00:11:41,768 --> 00:11:43,234 AH! NO HAY PROBLEMA. 268 00:11:43,236 --> 00:11:44,302 OH, GREAT. 269 00:11:44,304 --> 00:11:46,036 Y...POR FAVOR, 270 00:11:46,038 --> 00:11:47,538 A LOS COSTADOS, 271 00:11:47,540 --> 00:11:50,441 PINTE LLAMAS DE COLOR NARANJA ENCENDIDO. 272 00:11:50,443 --> 00:11:51,876 ESO SERá MUY CARO. 273 00:11:51,878 --> 00:11:53,378 OH, NO HAY PROBLEMA. 274 00:11:53,380 --> 00:11:55,380 ELLA ESTA LLENA DE DINERO. 275 00:11:55,382 --> 00:11:58,249 ¡BUENO, BUENO! 276 00:11:58,251 --> 00:12:00,084 THANK YOU VERY MUCH, DICK. 277 00:12:00,086 --> 00:12:01,852 NO PROBLEMA. 278 00:12:02,989 --> 00:12:06,490 THE TIME HAS COME TO LAY DOWN THE LAW. 279 00:12:06,492 --> 00:12:10,494 IF YOU'RE NOT READY TO GIVE THIS RELATIONSHIP 110%... 280 00:12:10,496 --> 00:12:14,431 THEN MAYBE WE SHOULD START SEEING OTHER PEOPLE. 281 00:12:14,433 --> 00:12:17,368 DON! I CAN'T BELIEVE YOU'RE SAYING THIS. 282 00:12:17,370 --> 00:12:18,869 WELL, I AM. 283 00:12:18,871 --> 00:12:21,772 IF IT TURNS OUT THERE'S SOMEBODY THAT WE WANT, 284 00:12:21,774 --> 00:12:24,074 WE SHOULD BE FREE TO JUST MOVE ON. 285 00:12:24,076 --> 00:12:26,810 DON, IT'S LIKE YOU CAN READ MY MIND! 286 00:12:26,812 --> 00:12:28,646 IT IS? 287 00:12:28,648 --> 00:12:31,649 YEAH. YOU SEE, THERE'S THIS GUY I MET--MATTHEW-- 288 00:12:31,651 --> 00:12:34,152 AND I GOTTA LEVEL WITH YOU. I WANT HIM BAD! 289 00:12:35,288 --> 00:12:36,620 YOU DO? 290 00:12:36,622 --> 00:12:37,922 WELL... 291 00:12:37,924 --> 00:12:39,123 GOOD. 292 00:12:39,125 --> 00:12:41,759 NO NEED WASTING PRECIOUS SECONDS PINING OVER DON. 293 00:12:41,761 --> 00:12:43,260 EXACTLY! 294 00:12:43,262 --> 00:12:45,863 OH, DON, YOU REALLY UNDERSTAND ME. 295 00:12:45,865 --> 00:12:47,765 I MEAN, YOU KNOW WHAT I NEED 296 00:12:47,767 --> 00:12:49,767 AND YOU TELL ME TO GO FOR IT. 297 00:12:49,769 --> 00:12:51,268 IT'S LIKE... 298 00:12:51,270 --> 00:12:54,205 YOU'RE THE BEST FRIEND A GAL LIKE ME COULD HAVE. 299 00:12:54,207 --> 00:12:56,373 SALLY, WOULD YOU DO ME A FAVOR? 300 00:12:56,375 --> 00:12:57,374 ABSOLUTELY. 301 00:12:57,376 --> 00:12:59,443 HOLD ON TO MY GUN. 302 00:13:00,947 --> 00:13:06,016 [BAND PLAYING LOUDLY] 303 00:13:06,018 --> 00:13:07,518 [MUSIC DROWNS OUT CONVERSATION] 304 00:13:07,520 --> 00:13:09,420 GET ME SOME PARSLEY! 305 00:13:11,724 --> 00:13:13,290 NO. PARSLEY! 306 00:13:15,929 --> 00:13:17,428 NO, NOT PEPPER! PARSLEY! 307 00:13:17,430 --> 00:13:18,796 THIS IS PEPPER! 308 00:13:18,798 --> 00:13:20,064 PEPPER! PARSLEY! 309 00:13:23,669 --> 00:13:25,669 TURN IT DOWN! 310 00:13:25,671 --> 00:13:27,171 [TURNS AMPLIFIER OFF] 311 00:13:27,173 --> 00:13:30,441 THIS ROCK AND ROLL MUSIC HAS GOT TO STOP! 312 00:13:30,443 --> 00:13:31,542 WHY? 313 00:13:31,544 --> 00:13:33,043 BECAUSE IT'S LOUD! 314 00:13:33,045 --> 00:13:34,345 AND RHYTHMIC! 315 00:13:34,347 --> 00:13:36,414 AND RHYTHM CAN LEAD TO DANCING. 316 00:13:36,416 --> 00:13:39,417 ROCK AND ROLL MUSIC PREACHES A GOSPEL 317 00:13:39,419 --> 00:13:41,852 OF EASY SEXUALITY AND RELAXED MORALITY, 318 00:13:41,854 --> 00:13:44,389 AND I WILL NOT ENDORSE AN ENTERPRISE 319 00:13:44,391 --> 00:13:46,524 WHICH IS AS FRAUGHT WITH PERIL 320 00:13:46,526 --> 00:13:49,527 AS I BELIEVE THIS ONE TO BE! 321 00:13:54,033 --> 00:13:56,533 SO, YOU RESENT US FOR BEING YOUNG 322 00:13:56,535 --> 00:13:59,036 AND LIVING IN A WORLD FULL OF CARNAL POSSIBILITIES 323 00:13:59,038 --> 00:14:00,672 WHICH YOU CAN'T POSSIBLY ENJOY. 324 00:14:02,509 --> 00:14:03,775 YES! 325 00:14:03,777 --> 00:14:05,743 NOW KNOCK IT OFF! 326 00:14:05,745 --> 00:14:08,179 AH, DON'T LISTEN TO HIM, BOYS. 327 00:14:08,181 --> 00:14:10,247 I LOVE ROCK AND ROLL. 328 00:14:10,249 --> 00:14:13,384 I USED TO BE A GROUPIE FOR THE KINGSTON TRIO. 329 00:14:13,386 --> 00:14:16,087 OK. I'M SORRY, BUT YOU'RE GOING TO HAVE TO GO. 330 00:14:16,089 --> 00:14:18,589 I HAD AN ALL-ACCESS PASS. 331 00:14:18,591 --> 00:14:21,592 AS A MATTER OF FACT, SO DID THEY. 332 00:14:21,594 --> 00:14:22,993 ALL RIGHT, WE GET IT. 333 00:14:26,132 --> 00:14:29,833 DR. SOLOMON, COME ON, ENOUGH WITH THE PRACTICAL JOKES. 334 00:14:29,835 --> 00:14:32,836 BUT, NINA, THERE'S NOTHING PRACTICAL ABOUT THIS JOKE. 335 00:14:32,838 --> 00:14:36,273 IT'S AN UTTERLY POINTLESS, HURTFUL, AND ASININE WASTE OF TIME. 336 00:14:36,275 --> 00:14:37,342 [GIGGLES] 337 00:14:37,344 --> 00:14:39,210 YOU SURE YOU DON'T WANT THIS FURNITURE? 338 00:14:39,212 --> 00:14:40,210 ABSOLUTELY NOT. 339 00:14:40,212 --> 00:14:43,147 AS A STUDENT OF THE ANCIENT CHINESE ART 340 00:14:43,149 --> 00:14:44,649 OF FENG SHUI, 341 00:14:44,651 --> 00:14:47,652 I CAN ASSURE YOU THAT THE SPIRITUAL HARMONY OF THIS ROOM 342 00:14:47,654 --> 00:14:49,853 WAS UPSET BY HAVING THAT BITCH SITTING THERE. 343 00:14:51,357 --> 00:14:52,856 [GIGGLING] 344 00:14:52,858 --> 00:14:55,859 THANKS FOR COMING OVER ON SUCH SHORT NOTICE, DON. 345 00:14:55,861 --> 00:14:58,662 I KNEW YOU'D CALL, SALLY. IT WAS JUST A MATTER OF TIME. 346 00:14:58,664 --> 00:15:00,664 I NEED YOU, DON. I NEED YOU BAD. 347 00:15:00,666 --> 00:15:02,033 WELL, YOU'RE LUCKY I WAS AVAILABLE. 348 00:15:02,035 --> 00:15:05,669 YOU KNOW, I GOT A LOT ON MY PLATE RIGHT NOW. 349 00:15:05,671 --> 00:15:08,672 YOU KNOW, MY--MY LADY PLATE. 350 00:15:08,674 --> 00:15:10,742 LISTEN, YOU CAN DO SOMETHING FOR ME 351 00:15:10,744 --> 00:15:12,576 THAT NOBODY ELSE CAN DO. 352 00:15:12,578 --> 00:15:14,678 I KNOW I CAN, BABY. 353 00:15:14,680 --> 00:15:18,182 BUT IF YOU EXPECT ME TO COME CRAWLING BACK TO YOU NOW, 354 00:15:18,184 --> 00:15:19,683 YOU GOT ANOTHER THINK COMING. 355 00:15:19,685 --> 00:15:21,385 OH, NO, I DON'T WANT THAT AT ALL. 356 00:15:21,387 --> 00:15:25,156 ARE YOU SURE? 'CAUSE I CAN CRAWL LIKE A BAT OUT OF HELL. 357 00:15:25,158 --> 00:15:26,156 OH, NO. 358 00:15:26,158 --> 00:15:28,158 THANKS, SWEETIE, BUT WHAT I NEED FROM YOU 359 00:15:28,160 --> 00:15:29,660 IS A BACKGROUND CHECK ON MATTHEW. 360 00:15:29,662 --> 00:15:31,161 WHO IS HE? WHAT ARE HIS WEAKNESSES? 361 00:15:31,163 --> 00:15:33,130 HOW CAN I CUT HIM OUT OF THE HERD AND BRING HIM DOWN? 362 00:15:33,132 --> 00:15:36,633 WHY BOTHER WHEN YOU HAVE A SICK, HOBBLED WILDEBEEST 363 00:15:36,635 --> 00:15:38,535 RIGHT IN YOUR OWN FRONT YARD? 364 00:15:38,537 --> 00:15:42,306 [RHYTHMIC BANGING] 365 00:15:42,308 --> 00:15:43,474 HEY, TOMMY. 366 00:15:43,476 --> 00:15:45,309 HOW'S THE BAND? 367 00:15:45,311 --> 00:15:48,479 WELL, UH, WE'VE AVOIDED THE TRAP OF OVER-REHEARSING, 368 00:15:48,481 --> 00:15:51,949 WHICH CAN BE A PROBLEM, YOU KNOW, WHEN YOU'VE ONLY GOT ONE SONG. 369 00:15:51,951 --> 00:15:54,218 I WROTE A SONG. 370 00:15:54,220 --> 00:15:55,686 DID YOU? 371 00:15:55,688 --> 00:16:01,459 [SINGING BADLY] ♪ PICTURE WINDOW PAINTS MY MIND ♪ 372 00:16:03,529 --> 00:16:11,736 ♪ BLACK HORIZON'S VALENTINE ♪ 373 00:16:11,738 --> 00:16:15,539 ROCK AND ROLL, BABY! 374 00:16:24,750 --> 00:16:26,284 MARY. 375 00:16:28,621 --> 00:16:30,120 DICK. 376 00:16:30,122 --> 00:16:33,057 YOUR DESK WAS GONE WHEN I GOT HERE. 377 00:16:33,059 --> 00:16:35,125 I BELIEVE YOU. 378 00:16:35,127 --> 00:16:37,395 HA HA HA HA HA HA! 379 00:16:37,397 --> 00:16:38,896 IT WAS ME! 380 00:16:38,898 --> 00:16:41,399 I HAD THEM TAKE AWAY YOUR DESK! ME! 381 00:16:41,401 --> 00:16:42,767 HA HA HA HA HA HA! 382 00:16:42,769 --> 00:16:44,034 THIS HAS GOT TO STOP. 383 00:16:44,036 --> 00:16:46,971 OH, YOU JUST WANT TO QUIT 'CAUSE YOU CAN'T WIN. 384 00:16:46,973 --> 00:16:49,039 OH, MY POOR DEFEATED MARY. 385 00:16:49,041 --> 00:16:50,541 YOU'RE JUST OUTMATCHED, THAT'S ALL. 386 00:16:50,543 --> 00:16:52,910 BUT IT TAKES A BIG WOMAN TO ADMIT THAT. 387 00:16:52,912 --> 00:16:55,313 AND JUST TO SHOW THERE ARE NO HARD FEELINGS, 388 00:16:55,315 --> 00:16:56,447 I'M GOING TO-- 389 00:17:02,755 --> 00:17:04,622 MY ARM IS STUCK. 390 00:17:05,758 --> 00:17:07,758 THAT'S STRANGE. SO IS THIS ONE. 391 00:17:07,760 --> 00:17:10,861 IT'S ALMOST AS IF THERE WAS GLUE ON MY DESK. 392 00:17:10,863 --> 00:17:12,362 DICK, DON'T BE RIDICULOUS. 393 00:17:12,364 --> 00:17:13,997 IT COULDN'T BE GLUE. 394 00:17:13,999 --> 00:17:17,067 IT MUST BE THERMAL BOND EPOXY. 395 00:17:17,069 --> 00:17:18,302 NO! 396 00:17:18,304 --> 00:17:20,638 UHHHH! 397 00:17:20,640 --> 00:17:21,772 UHH! 398 00:17:21,774 --> 00:17:23,007 OHH! 399 00:17:24,844 --> 00:17:27,078 HA HA HA HA HA HA! 400 00:17:28,648 --> 00:17:29,781 MISTAKE. 401 00:17:29,783 --> 00:17:31,215 HUGE MISTAKE. 402 00:17:32,285 --> 00:17:33,284 OH, THANKS. 403 00:17:33,286 --> 00:17:35,486 OH, WAIT A SECOND. 404 00:17:35,488 --> 00:17:37,055 THAT'S BETTER. 405 00:17:42,361 --> 00:17:43,728 OHH! 406 00:17:43,730 --> 00:17:44,729 YOU CAME! 407 00:17:44,731 --> 00:17:46,630 HOW COULD I REFUSE? 408 00:17:46,632 --> 00:17:48,632 WELL, WHAT WAS IT THAT CONVINCED YOU? 409 00:17:48,634 --> 00:17:50,901 THE FLOWERS? THE RADIO DEDICATIONS? 410 00:17:50,903 --> 00:17:52,603 THE SKYWRITING? 411 00:17:52,605 --> 00:17:54,505 YOU HIRED A SKYWRITER. 412 00:17:54,507 --> 00:17:56,274 WELL, HE WAS MORE OF A CROP DUSTER, 413 00:17:56,276 --> 00:17:59,977 BUT HE WROTE "SALLY" OVER YOUR HOUSE WITH DIOPROPYLENE, SO... 414 00:17:59,979 --> 00:18:01,746 THAT EXPLAINS THE VOMITING. 415 00:18:01,748 --> 00:18:03,247 YEAH. 416 00:18:03,249 --> 00:18:04,748 LOOK, I'VE GOT TO TELL YOU, 417 00:18:04,750 --> 00:18:06,918 I HAVE NEVER HAD A WOMAN WORK SO HARD 418 00:18:06,920 --> 00:18:08,419 TO GET MY ATTENTION. 419 00:18:08,421 --> 00:18:09,553 IT'S FLATTERING. 420 00:18:09,555 --> 00:18:11,823 MEANING...YOU WANT TO GO OUT WITH ME? 421 00:18:11,825 --> 00:18:12,823 SURE. 422 00:18:12,825 --> 00:18:15,259 YES! 423 00:18:15,261 --> 00:18:16,260 HA! 424 00:18:16,262 --> 00:18:17,394 I GOT YOU. 425 00:18:17,396 --> 00:18:18,896 YOU GOT ME. 426 00:18:18,898 --> 00:18:19,897 HA! 427 00:18:19,899 --> 00:18:20,898 OHH! 428 00:18:20,900 --> 00:18:23,067 [LAUGHS] 429 00:18:28,908 --> 00:18:30,440 WELL, NOW WHAT? 430 00:18:31,710 --> 00:18:35,212 OK, I WAS THINKING YOU COULD START OFF IN JEANS, 431 00:18:35,214 --> 00:18:38,482 BUT THEN YOU COULD CHANGE INTO VINTAGE TUXEDOS BETWEEN SONGS. 432 00:18:38,484 --> 00:18:40,484 BETWEEN SONGS? 433 00:18:40,486 --> 00:18:43,420 WE ONLY HAVE ONE SONG! 434 00:18:43,422 --> 00:18:47,057 WELL, YOU COULD CHANGE DURING THE DRUM SOLO. 435 00:18:47,059 --> 00:18:49,293 THE SONG PROBLEM IS OVER, TOMMY. 436 00:18:49,295 --> 00:18:51,428 I WROTE 4 NEW SONGS LAST NIGHT. 437 00:18:51,430 --> 00:18:54,565 EXCUSE ME, BUT SINCE WHEN ARE YOU IN THIS BAND? 438 00:18:54,567 --> 00:18:56,466 TOMMY, TELL THEM. 439 00:18:56,468 --> 00:18:58,802 TELL THEM WHAT? YOU'RE NOT IN THE BAND. 440 00:18:58,804 --> 00:19:00,737 WELL, IF THAT'S HOW YOU FEEL, 441 00:19:00,739 --> 00:19:02,239 I QUIT THE BAND. 442 00:19:02,241 --> 00:19:04,809 WELL, MAYBE YOU SHOULD REPHRASE THAT TO ACKNOWLEDGE THE FACT 443 00:19:04,811 --> 00:19:08,879 THAT YOU WERE NEVER IN THIS PATHETIC, NON-PERFORMING BAND! 444 00:19:08,881 --> 00:19:10,481 YOU KNOW, THAT IS IT, SOLOMON. 445 00:19:10,483 --> 00:19:12,883 YOUR ATTITUDE IS JUST TEARING THIS BAND APART. 446 00:19:12,885 --> 00:19:14,818 YOU'RE OUT OF THE BAND! 447 00:19:14,820 --> 00:19:16,653 I NEVER WANTED TO BE IN THE BAND! 448 00:19:16,655 --> 00:19:18,655 I'M SORRY, BUT YOU'RE GONNA HAVE TO GO. 449 00:19:18,657 --> 00:19:19,656 WHAT? 450 00:19:19,658 --> 00:19:21,158 HARRY! 451 00:19:21,160 --> 00:19:23,728 WE'LL SEND YOU A T-SHIRT. 452 00:19:26,799 --> 00:19:30,000 WHEN I LOOK AT YOU, I WONDER, WHAT TOOK ME SO LONG TO-- 453 00:19:30,002 --> 00:19:31,168 UH-HUH. 454 00:19:31,170 --> 00:19:34,271 I MEAN, YOU'RE BEAUTIFUL, YOU'RE SEXY. 455 00:19:34,273 --> 00:19:35,239 UH-HUH. 456 00:19:40,212 --> 00:19:41,345 UHHH! UHHH! 457 00:19:41,347 --> 00:19:42,346 OW! 458 00:19:42,348 --> 00:19:43,347 YEOW! 459 00:19:43,349 --> 00:19:44,348 OW! 460 00:19:44,350 --> 00:19:46,850 OH, DICK, I'M SO EMBARRASSED. 461 00:19:46,852 --> 00:19:49,020 WHEN WE BROKE UP, I WAS SO MAD AT YOU, 462 00:19:49,022 --> 00:19:51,722 BUT NOW I'VE JUST MADE IT WORSE BY ACTING LIKE A CHILD. 463 00:19:51,724 --> 00:19:52,723 TRUCE? 464 00:19:52,725 --> 00:19:53,857 TRUCE. 465 00:19:53,859 --> 00:19:56,827 GREAT. NOW WE CAN GO BACK TO ACTING LIKE ADULTS. 466 00:19:56,829 --> 00:19:58,228 YES, MARY. 467 00:19:58,230 --> 00:19:59,296 ADULTS. 468 00:19:59,298 --> 00:20:00,297 [WHIMPERING] 469 00:20:00,299 --> 00:20:02,799 [MUSIC BOOMING] 470 00:20:02,801 --> 00:20:07,304 MARY, IT APPEARS YOUR VOLVO IS BACK FROM THE SHOP. 471 00:20:07,306 --> 00:20:08,573 WHAT?! 472 00:20:11,811 --> 00:20:13,276 DAMN! 473 00:20:13,278 --> 00:20:16,513 HEE HEE HEE HA HA HA! 474 00:20:16,515 --> 00:20:18,582 HA HA HA HA HA HA HA! 475 00:20:21,720 --> 00:20:22,719 WOMEN. 476 00:20:22,721 --> 00:20:23,720 WOMEN. 477 00:20:23,722 --> 00:20:25,222 WOMEN. 478 00:20:25,224 --> 00:20:26,657 [HIGH-PITCHED SQUEAL] ♪ WOMEN! ♪ 479 00:20:29,294 --> 00:20:30,627 YOU CAN'T LIVE WITH 'EM, 480 00:20:30,629 --> 00:20:34,331 AND YOU CAN'T HAVE HETEROSEXUAL SEX WITHOUT 'EM. 481 00:20:34,333 --> 00:20:36,767 THAT'S PROBABLY TRUE. 482 00:20:37,970 --> 00:20:40,337 WELL, I'M OUTTA HERE. 483 00:20:40,339 --> 00:20:42,907 WHEN SALLY SHOWS UP WITH MR. YOGA, 484 00:20:42,909 --> 00:20:45,676 I'M LIABLE TO GO MEDIEVAL ON HIS ASS. 485 00:20:45,678 --> 00:20:47,311 BYE, DON. 486 00:20:49,148 --> 00:20:51,281 WHAT CAN YOU DO? YOU DO THINGS YOUR WAY, THEY'RE NOT HAPPY. 487 00:20:51,283 --> 00:20:53,284 YOU DO THINGS THEIR WAY, THEY'RE STILL NOT HAPPY. 488 00:20:53,286 --> 00:20:56,654 WHEN ARE WE GONNA LEARN YOU CAN'T DEAL WITH WOMEN? 489 00:20:56,656 --> 00:21:00,291 THE FEMALE FEIGNS WEAKNESS ONLY TO USE IT AS A WEAPON. 490 00:21:00,293 --> 00:21:03,093 IT'S LIKE THE PRAYING MANTIS. YEAH. 491 00:21:03,095 --> 00:21:05,629 SHE ACTS SO FRAGILE AND WILLOWY, 492 00:21:05,631 --> 00:21:06,863 BUT WHEN THE MALE APPROACHES, 493 00:21:06,865 --> 00:21:09,700 SHE SPRAYS POISONOUS MUCUS FROM HER EYELIDS, 494 00:21:09,702 --> 00:21:12,002 AND HE BURSTS INTO FLAMES. 495 00:21:13,572 --> 00:21:15,238 PRAYING MANTISES DON'T DO THAT. 496 00:21:16,475 --> 00:21:20,277 SO WHAT? THE ANALOGY STANDS. 497 00:21:20,279 --> 00:21:22,345 YOU CAN'T NEGOTIATE WITH THEM, TOMMY. 498 00:21:22,347 --> 00:21:23,814 YOU GOTTA GIVE AS GOOD AS YOU GET. 499 00:21:23,816 --> 00:21:25,315 NOW, MARY FOUND THAT OUT. 500 00:21:25,317 --> 00:21:26,817 OH, YEAH. 501 00:21:26,819 --> 00:21:28,218 THE HARD WAY. 502 00:21:29,388 --> 00:21:30,421 WHY ARE THERE OFFICE SUPPLIES 503 00:21:30,423 --> 00:21:34,357 STUCK TO THE SIDE OF YOUR HEAD? 504 00:21:34,359 --> 00:21:36,393 THAT'S WHERE I KEEP THEM. 505 00:21:41,300 --> 00:21:42,966 1, 2, 3, 4! 506 00:21:44,637 --> 00:21:45,636 WOMEN! 507 00:21:45,638 --> 00:21:49,005 WHOOOO-HOOO! 508 00:21:54,347 --> 00:21:55,278 HEY! 509 00:21:57,650 --> 00:21:59,650 WHAT ARE YOU DOING?! 510 00:21:59,652 --> 00:22:01,652 THAT'S MY DAD'S GUITAR! 511 00:22:01,654 --> 00:22:03,086 HE'S GONNA KILL ME! 512 00:22:05,357 --> 00:22:07,958 I GUESS I'M GONNA HAVE TO GO. 513 00:22:07,960 --> 00:22:10,894 CAPTIONED BY THE NATIONAL CAPTIONING INSTITUTE --www.ncicap.org-- 36317

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