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These are the user uploaded subtitles that are being translated: 1 00:00:01,602 --> 00:00:03,170 - MY NAME IS MICHAEL WESTEN. 2 00:00:03,204 --> 00:00:05,306 I USED TO BE A SPY UNTIL... 3 00:00:05,339 --> 00:00:06,407 [phone rings] - WE GOT A BURN NOTICE ON YOU. 4 00:00:06,440 --> 00:00:08,308 YOU'RE BLACKLISTED. - [whistles] 5 00:00:08,342 --> 00:00:10,644 WHEN YOU'RE BURNED, YOU'VE GOT NOTHING-- 6 00:00:10,678 --> 00:00:12,880 NO CASH, NO CREDIT, NO JOB HISTORY. 7 00:00:12,913 --> 00:00:15,349 YOU'RE STUCK IN WHATEVER CITY THEY DECIDE TO DUMP YOU IN. 8 00:00:15,382 --> 00:00:17,684 WHERE AM I? - MIAMI. 9 00:00:17,718 --> 00:00:20,019 - YOU DO WHATEVER WORK COMES YOUR WAY. 10 00:00:20,053 --> 00:00:22,356 YOU RELY ON ANYONE WHO'S STILL TALKING TO YOU... 11 00:00:22,390 --> 00:00:23,657 [laughs] 12 00:00:23,690 --> 00:00:24,725 A TRIGGER-HAPPY GIRLFRIEND... 13 00:00:24,757 --> 00:00:26,094 - SHOULD WE SHOOT THEM? 14 00:00:26,126 --> 00:00:28,096 - AN OLD FRIEND WHO USED TO INFORM ON YOU TO THE FBI... 15 00:00:28,129 --> 00:00:30,830 - YOU KNOW SPIES-- BUNCH OF BITCHY LITTLE GIRLS. 16 00:00:30,864 --> 00:00:32,200 - FAMILY TOO... 17 00:00:32,232 --> 00:00:33,201 [phone rings] - HEY, IS THAT YOUR MOM AGAIN? 18 00:00:33,234 --> 00:00:34,201 - IF YOU'RE DESPERATE... 19 00:00:34,234 --> 00:00:35,402 - SOMEONE NEEDS YOUR HELP, MICHAEL. 20 00:00:35,435 --> 00:00:38,405 - AND A DOWN-AND-OUT SPY YOU MET ALONG THE WAY. 21 00:00:38,439 --> 00:00:39,840 - THAT'S HOW WE DO IT, PEOPLE. 22 00:00:39,872 --> 00:00:42,843 - BOTTOM LINE, AS LONG AS YOU'RE BURNED, 23 00:00:42,875 --> 00:00:45,612 YOU'RE NOT GOING ANYWHERE. 24 00:00:45,646 --> 00:00:47,247 - IT'S A DEEP-COVER JOB. 25 00:00:47,280 --> 00:00:49,283 WE'RE GOING AFTER THE LEADER OF A TERRORIST NETWORK. 26 00:00:49,317 --> 00:00:51,719 I NEED YOU TO BRING THEM DOWN NO MATTER WHAT. 27 00:00:51,752 --> 00:00:53,686 - I'M A MAN WHO'S WILLING TO GO EXTREMES 28 00:00:53,720 --> 00:00:55,189 TO DO WHAT I FEEL IS RIGHT. 29 00:00:55,222 --> 00:00:56,624 - THIS GUY JAMES, HE'S GETTING TO YOU. 30 00:00:56,656 --> 00:00:58,792 THEY ALL ARE. 31 00:00:58,826 --> 00:01:01,561 - I'M WORKING WITH THE CIA. 32 00:01:01,594 --> 00:01:04,097 I GAVE UP EVERYTHING, EVEN AFTER THEY BURNED ME, 33 00:01:04,132 --> 00:01:06,134 AND I WASTED MY LIFE. 34 00:01:06,167 --> 00:01:08,936 - YOU HAVE TO TURN ME IN. - WHAT? NO. 35 00:01:08,968 --> 00:01:10,804 - OUR WORK WILL CONTINUE. 36 00:01:10,837 --> 00:01:12,772 - HOW WILL IT CONTINUE WITHOUT A LEADER? 37 00:01:12,805 --> 00:01:15,942 - I SEE TWO LEADERS STANDING RIGHT BEFORE ME. 38 00:01:15,975 --> 00:01:17,611 [phone rings] - MICHAEL, WHERE ARE YOU? 39 00:01:17,644 --> 00:01:19,079 - JAMES IS COMING TO MIAMI. 40 00:01:19,112 --> 00:01:20,781 GET YOUR TEAM READY. 41 00:01:20,813 --> 00:01:24,385 - WAIT A MINUTE. 42 00:01:24,418 --> 00:01:27,320 - SON OF A BITCH. - MIKE SWITCHED SIDES. 43 00:01:31,158 --> 00:01:34,162 - YOU STAY THE HELL OUT OF MY WAY, SAM. 44 00:01:36,096 --> 00:01:37,497 FI... 45 00:01:37,531 --> 00:01:39,432 - I THOUGHT YOU SAID SHE WOULDN'T BE A PROBLEM. 46 00:01:39,466 --> 00:01:40,801 - I JUST NEED TO FIGURE THIS OUT. 47 00:01:40,834 --> 00:01:42,102 - THERE'S NOTHING TO FIGURE OUT, MICHAEL. 48 00:01:42,135 --> 00:01:43,771 JAMES IS HERE. - I'LL FIGURE THIS OUT. 49 00:01:43,804 --> 00:01:45,406 - THE CIA IS CLOSING IN. 50 00:01:45,438 --> 00:01:47,240 WE HAVE TO FINISH THIS NOW. 51 00:01:47,275 --> 00:01:49,442 IF YOU WON'T DO IT, I WILL. 52 00:01:49,477 --> 00:01:51,478 [gunshot] 53 00:01:53,514 --> 00:01:56,516 - EVERY SPY LIVES IN FEAR OF LOSING HIMSELF. 54 00:01:56,549 --> 00:01:57,817 - [echoing] THE CIA IS CLOSING IN. 55 00:01:57,850 --> 00:01:59,753 WE HAVE TO FINISH THIS NOW. 56 00:01:59,787 --> 00:02:01,855 - DO WHAT YOU THINK IS RIGHT. 57 00:02:01,888 --> 00:02:02,956 - WHEN YOU WORK UNDERCOVER, 58 00:02:02,989 --> 00:02:05,626 THE LINES BETWEEN LOYALTY AND BETRAYAL 59 00:02:05,659 --> 00:02:08,027 CAN BECOME SO BLURRED, SO GREY, 60 00:02:08,061 --> 00:02:09,962 THAT AFTER A WHILE YOU DON'T KNOW 61 00:02:09,997 --> 00:02:12,199 WHAT YOU'RE FIGHTING FOR ANYMORE. 62 00:02:12,233 --> 00:02:14,768 - MICHAEL, THINK OF ALL THE GOOD THINGS WE COULD DO TOGETHER. 63 00:02:14,801 --> 00:02:15,968 - YOU END UP CAUGHT IN THE MIDDLE 64 00:02:16,002 --> 00:02:17,805 AS YOUR FRIENDS BECOME YOUR ENEMIES 65 00:02:17,837 --> 00:02:19,806 AND YOUR ENEMIES BECOME YOUR FRIENDS. 66 00:02:19,840 --> 00:02:22,475 - IF THIS IS WHAT YOU WANT, THE MAN I LOVE IS GONE. 67 00:02:22,509 --> 00:02:24,211 - IF YOU WON'T DO IT, I WILL. 68 00:02:24,245 --> 00:02:26,347 - THE MAN I LOVE IS GONE. 69 00:02:26,379 --> 00:02:30,150 - UNTIL THE TIME COMES WHEN YOU'RE FORCED TO MAKE A CHOICE. 70 00:02:30,183 --> 00:02:31,919 [gunshot] 71 00:02:41,194 --> 00:02:43,697 - AAH! 72 00:02:46,234 --> 00:02:50,002 THIS IS JAMES KENDRICK TO ALL OPERATIVES. 73 00:02:50,037 --> 00:02:54,508 FORGIVE ME. I HAVE MADE AN ERROR. 74 00:02:54,542 --> 00:02:56,243 MICHAEL WESTEN HAS BETRAYED US. 75 00:02:56,276 --> 00:02:59,179 HE AND FIONA GLENANNE ARE ON THE ROOFTOP OF THE FACILITY. 76 00:02:59,212 --> 00:03:02,550 YOUR ORDERS ARE TO ELIMINATE THEM. 77 00:03:02,582 --> 00:03:03,883 NO MERCY. 78 00:03:03,917 --> 00:03:06,753 - SIR, THE CIA TEAM IS APPROACHING. 79 00:03:06,787 --> 00:03:10,189 - IS IT SAFE TO LAND? - NO, SIR. 80 00:03:10,223 --> 00:03:12,725 - GET US OUT OF HERE. 81 00:03:14,861 --> 00:03:16,697 [door opens] 82 00:03:16,729 --> 00:03:19,233 [gunshot] 83 00:03:24,472 --> 00:03:27,240 - WE HAVE TO GO. 84 00:03:33,447 --> 00:03:35,081 [door opens] 85 00:03:42,289 --> 00:03:44,824 [gunfire] 86 00:03:48,496 --> 00:03:50,030 - YOU SHOULDN'T HAVE COME BACK FOR ME. 87 00:03:50,062 --> 00:03:52,432 - IT'S A LITTLE LATE FOR THAT. 88 00:03:52,466 --> 00:03:54,634 - I NEED TO GET YOU OUT OF HERE, FIONA. 89 00:03:54,668 --> 00:03:56,736 I'LL COVER YOU AS BEST I-- - NO, I'M NOT RUNNING. 90 00:03:56,770 --> 00:03:58,038 - FI, LOOK OUT THERE. 91 00:03:58,070 --> 00:03:59,606 THEY GOT A HUMVEE FULL OF GUARDS COMING IN. 92 00:03:59,639 --> 00:04:01,609 WE CAN'T HOLD THEM OFF. 93 00:04:01,641 --> 00:04:05,913 [gunfire] 94 00:04:05,945 --> 00:04:07,848 - MICHAEL, THOSE AREN'T GUARDS IN THAT HUMVEE. 95 00:04:12,752 --> 00:04:13,954 [tires screeching] 96 00:04:13,986 --> 00:04:15,556 - FIGURED WE COULD USE A BIGGER RIDE. 97 00:04:15,588 --> 00:04:18,559 LET'S GET THE HELL OUT OF HERE. 98 00:04:18,591 --> 00:04:21,961 - GO. 99 00:04:37,276 --> 00:04:38,678 - YOU'RE LYING TO PROTECT THE GUY 100 00:04:38,711 --> 00:04:39,812 YOU'RE SUPPOSED TO BE TAKING DOWN. 101 00:04:39,846 --> 00:04:41,081 - IF YOU SHUT THIS DOWN, 102 00:04:41,113 --> 00:04:42,949 YOU LOSE ALL HOPE OF STOPPING HIM. 103 00:04:42,983 --> 00:04:44,951 - YOU'RE NOT JUST HELPING 'EM, YOU'RE ONE OF 'EM. 104 00:04:44,985 --> 00:04:46,653 - SO I'M ASKING YOU TO TRUST ME. 105 00:04:46,687 --> 00:04:47,821 [gunshot] 106 00:04:47,855 --> 00:04:49,856 - ALL RIGHT. 107 00:04:49,889 --> 00:04:51,425 I DUMPED THE HUMVEE IN A LOT DOWN THE ROAD. 108 00:04:51,459 --> 00:04:52,625 HOPEFULLY IT WON'T BE FOUND UNTIL NIGHTFALL, 109 00:04:52,659 --> 00:04:53,694 IF WE'RE LUCKY. 110 00:04:53,726 --> 00:04:54,694 - I TOSSED THE PHONES 111 00:04:54,728 --> 00:04:55,696 IN A GARBAGE TRUCK HEADING NORTH. 112 00:04:55,728 --> 00:04:56,930 IF ANYBODY TRACKS 'EM, 113 00:04:56,963 --> 00:04:57,965 THEY'LL BE DIGGING THROUGH LANDFILL. 114 00:04:57,997 --> 00:05:00,166 - WE HAVE SOME BREATHING ROOM FOR NOW. 115 00:05:04,471 --> 00:05:08,375 - YEAH, MIKE, UM, WE GOTTA FIGURE OUT OUR NEXT STEPS HERE. 116 00:05:10,377 --> 00:05:12,946 - YOU GUYS SHOULD JUST GO. 117 00:05:12,980 --> 00:05:14,848 MY MOM AND CHARLIE SHOULD BE AT THE RALLY POINT. 118 00:05:14,882 --> 00:05:16,315 YOU NEED TO GET THEM OUT OF MIAMI. 119 00:05:16,350 --> 00:05:17,617 - WELL, WHAT ABOUT YOU? 120 00:05:17,651 --> 00:05:20,052 - I'LL, UH-- I'LL FIGURE SOMETHING OUT. 121 00:05:20,086 --> 00:05:22,055 JUST GO. - MIKE... 122 00:05:22,088 --> 00:05:23,790 WE'RE NOT LEAVING YOU HERE, MAN. YOU CRAZY? 123 00:05:23,824 --> 00:05:25,858 WE GOT PROBLEMS-- - PROBLEMS I CAUSED. 124 00:05:25,893 --> 00:05:27,961 - MICHAEL, YOU LOST YOUR WAY. 125 00:05:27,995 --> 00:05:30,329 - I BETRAYED THE MISSION, FI, 126 00:05:30,363 --> 00:05:31,632 AND I TURNED ON ALL OF YOU. 127 00:05:31,665 --> 00:05:32,665 - MIKE, JUST STOP RIGHT THERE. 128 00:05:32,699 --> 00:05:33,901 WE DIDN'T RISK OUR NECKS SAVING YOU 129 00:05:33,933 --> 00:05:35,235 JUST TO LEAVE YOU BEHIND. 130 00:05:35,268 --> 00:05:36,903 THE CIA IS GONNA WANT TO KNOW WHAT THE HELL 131 00:05:36,937 --> 00:05:39,973 WENT DOWN BACK THERE, AND WE NEED YOUR HELP TO SORT IT OUT. 132 00:05:40,007 --> 00:05:42,810 NOW, YOU WITH US? 133 00:05:42,843 --> 00:05:45,211 MIKE, ARE YOU IN? 134 00:05:53,220 --> 00:05:56,723 ALL RIGHT, GOOD. WE SHOULD GET GOING. 135 00:05:56,757 --> 00:06:00,226 IT'S A LONG-ASS WALK INTO TOWN. 136 00:06:07,968 --> 00:06:09,502 - IN THE FIELD, THERE'S NOTHING HARDER 137 00:06:09,536 --> 00:06:12,238 THAN WHEN YOU LET YOUR TEAM DOWN. 138 00:06:12,271 --> 00:06:14,074 APOLOGIES AND REGRETS DO NO GOOD. 139 00:06:14,106 --> 00:06:17,978 YOU ALL JUST HAVE TO MOVE ON AND MAKE THE BEST OF THE SITUATION. 140 00:06:19,980 --> 00:06:21,848 - HEY, YOU GUYS HAVE PREPAID CELL PHONES? 141 00:06:21,882 --> 00:06:24,283 - BY THE WINDOW. - THANK YOU. 142 00:06:28,288 --> 00:06:29,956 - IT'S CRUCIAL TO STAY FOCUSED 143 00:06:29,990 --> 00:06:32,725 TO TRY TO KEEP YOUR MIND OFF THE PAST. 144 00:06:32,759 --> 00:06:34,894 - MICHAEL, ANYONE COMING? 145 00:06:34,927 --> 00:06:37,430 - BUT THERE ARE TIMES WHEN THAT'S JUST NOT POSSIBLE. 146 00:06:37,465 --> 00:06:40,300 - MICHAEL? - I HESITATED... 147 00:06:40,332 --> 00:06:42,134 BACK THERE ON THE ROOF. 148 00:06:42,168 --> 00:06:45,305 AFTER ALL WE'VE BEEN THROUGH TOGETHER, 149 00:06:45,338 --> 00:06:48,875 I ALMOST DIDN'T PULL THAT TRIGGER. 150 00:06:48,908 --> 00:06:51,077 - BUT YOU DID. 151 00:06:53,913 --> 00:06:56,216 - WHY DID YOU COME BACK, FI? 152 00:06:56,249 --> 00:06:58,084 I DIDN'T DESERVE IT. 153 00:06:58,117 --> 00:07:01,053 - I DIDN'T DO IT BECAUSE YOU DESERVED IT. 154 00:07:01,088 --> 00:07:04,156 - THERE'S NO WAY YOU COULD HAVE KNOWN YOU'D MAKE IT OUT ALIVE. 155 00:07:04,190 --> 00:07:08,896 - I KNEW THAT IF I WAS WRONG ABOUT YOU... 156 00:07:08,928 --> 00:07:14,468 IT DIDN'T MATTER IF I GOT OUT OF THERE ALIVE. 157 00:07:15,668 --> 00:07:18,071 [upbeat music] 158 00:07:18,105 --> 00:07:22,141 * 159 00:07:22,175 --> 00:07:25,077 - OKAY, I'M GOOD. 160 00:07:25,112 --> 00:07:27,447 - WHAT THE HELL'S ALL THIS? - SUPPLIES. 161 00:07:27,480 --> 00:07:29,415 FIGURED WE COULD USE SOME DUCT TAPE, YOU KNOW? 162 00:07:29,449 --> 00:07:30,850 ONE FOR EVERYONE. JUST IN CASE. 163 00:07:30,884 --> 00:07:32,451 - AND YOU'RE GETTING BEER. 164 00:07:32,485 --> 00:07:34,187 YOU REALIZE WE'RE ON THE RUN, RIGHT? 165 00:07:34,221 --> 00:07:37,925 - YES, WHICH MEANS THIS COULD BE OUR LAST SIX-PACK. 166 00:07:37,957 --> 00:07:39,526 - OKAY. 167 00:07:39,560 --> 00:07:40,694 WELL, IN THAT CASE, GET SOMETHING IMPORTED, 168 00:07:40,728 --> 00:07:43,295 'CAUSE I'M NOT DRINKING THAT CRAP. 169 00:07:43,329 --> 00:07:45,264 [gun clicks] 170 00:07:45,298 --> 00:07:47,300 - HANDS WHERE I CAN SEE 'EM. 171 00:07:53,005 --> 00:07:54,206 - WHAT SEEMS TO BE THE PROBLEM HERE? 172 00:07:54,240 --> 00:07:58,011 - WELL, YOU TELL ME. 173 00:07:58,045 --> 00:08:00,180 YOU'RE THE GUYS THAT THE COPS ARE LOOKING FOR. 174 00:08:00,213 --> 00:08:03,951 NEWS SAYS THERE'S A $50,000 REWARD. 175 00:08:03,983 --> 00:08:05,853 WELL, LOOKS LIKE WE JUST HIT THE LOTTERY. 176 00:08:05,886 --> 00:08:08,521 AIN'T THAT RIGHT, MARCOS? [gun clicks] 177 00:08:13,492 --> 00:08:16,963 [electricity crackles, engine starts] 178 00:08:16,997 --> 00:08:19,165 $50,000 EACH, RIGHT? 179 00:08:19,199 --> 00:08:20,567 - HEY, FELLAS, CAN WE TALK? 180 00:08:20,600 --> 00:08:21,869 - SURE WE CAN WORK SOMETHING OUT. 181 00:08:21,901 --> 00:08:23,536 I MEAN, DO WE LOOK ARMED AND DANGEROUS TO YOU? 182 00:08:23,571 --> 00:08:25,973 - HEY, SHUT UP! 183 00:08:26,005 --> 00:08:28,908 AND THE NEWS DIDN'T SAY NOTHING THAT YOU GOTTA BE ALIVE. 184 00:08:28,942 --> 00:08:31,011 YEAH, I GOT THIS HERE BALD-HEADED ONE, 185 00:08:31,043 --> 00:08:32,980 YEAH, AND THE ONE WITH THE CHIN. 186 00:08:33,013 --> 00:08:35,883 - WHAT IS TAKING JESSE AND SAM SO LONG? 187 00:08:35,915 --> 00:08:38,586 WE GOT TO GET OUT OF HERE. 188 00:08:38,619 --> 00:08:40,653 - LOOK THERE, THE BACK OF THE STORE. 189 00:08:40,687 --> 00:08:43,190 - OH, GOD, MICHAEL, WE HAVE TO GET IN THERE. 190 00:08:43,222 --> 00:08:45,192 ALL I HAVE IN MY PURSE IS SOME C-4. 191 00:08:45,225 --> 00:08:47,027 OUR GUNS ARE EMPTY. WE'RE GONNA HAVE TO BLUFF IT. 192 00:08:47,059 --> 00:08:48,696 - AS AN OPERATIVE, IT'S YOUR JOB 193 00:08:48,729 --> 00:08:51,230 TO DETERMINE HOW LIKELY A PARTICULAR PLAN 194 00:08:51,264 --> 00:08:53,734 IS TO SUCCEED, AND IF SOMETHING LOOKS 195 00:08:53,767 --> 00:08:56,168 LIKE A SUICIDE MISSION, TO CALL IT OFF. 196 00:08:56,202 --> 00:08:58,337 YEAH...THAT'S THE PLAN. 197 00:08:58,370 --> 00:09:00,774 LET'S GO IN AND BLUFF. - YEAH. 198 00:09:00,807 --> 00:09:03,176 - OF COURSE, THAT ONLY MATTERS 199 00:09:03,210 --> 00:09:04,577 IF YOU CARE IF YOU LIVE OR DIE. 200 00:09:04,611 --> 00:09:07,847 - MICHAEL, WHAT ARE YOU DOING? MICHAEL! 201 00:09:07,880 --> 00:09:09,682 MICHAEL, OPEN THE DOOR! MICHAEL! 202 00:09:09,716 --> 00:09:11,951 [tires screeching] 203 00:09:22,962 --> 00:09:24,697 - OOH! [gunshots] 204 00:09:24,731 --> 00:09:26,298 - [grunts] 205 00:09:32,272 --> 00:09:33,774 STAY DOWN. - JESUS, MIKE. 206 00:09:33,807 --> 00:09:36,576 YOU ALL RIGHT? 207 00:09:36,610 --> 00:09:38,946 - [grunts] YEAH. 208 00:09:38,979 --> 00:09:40,614 IT JUST GRAZED ME. - MICHAEL! 209 00:09:40,648 --> 00:09:42,282 WHAT THE HELL? 210 00:09:42,315 --> 00:09:43,582 YOU COULD HAVE BEEN KILLED. 211 00:09:43,616 --> 00:09:47,153 - I WASN'T. LET'S GO. 212 00:09:55,796 --> 00:10:01,134 [phone rings] 213 00:10:01,168 --> 00:10:03,003 - YEAH? - IT'S ME. 214 00:10:03,035 --> 00:10:04,437 - I WAS WONDERING IF YOU WERE GONNA CALL. 215 00:10:04,471 --> 00:10:06,505 [sirens wail] - STRONG, MY FRIENDS AND I 216 00:10:06,538 --> 00:10:08,240 ARE ALL OVER THE NEWS. 217 00:10:08,274 --> 00:10:09,677 - YEAH, THERE'S GOOD REASON FOR THAT. 218 00:10:09,710 --> 00:10:11,144 BECAUSE YOU'RE THE MOST WANTED PEOPLE IN THE STATE RIGHT NOW, 219 00:10:11,177 --> 00:10:12,178 IF NOT THE COUNTRY. 220 00:10:12,211 --> 00:10:13,613 - WELL, YOU HAVE TO CALL THIS OFF. 221 00:10:13,647 --> 00:10:15,816 - DON'T YOU DARE TELL ME WHAT I HAVE TO DO! 222 00:10:15,849 --> 00:10:17,017 THE LAST I HEARD FROM YOU, 223 00:10:17,049 --> 00:10:18,985 WE WERE SUPPOSED TO BE CAPTURING KENDRICK. 224 00:10:19,019 --> 00:10:21,120 ONLY WHEN I GOT THERE, DO YOU KNOW WHAT I FOUND? 225 00:10:21,153 --> 00:10:23,155 NO TARGET, NO AGENT. 226 00:10:23,190 --> 00:10:25,091 JUST SONYA LYING DEAD ON THE HELIPAD. 227 00:10:25,125 --> 00:10:28,095 I ASSUME THAT WAS YOUR WORK? 228 00:10:28,128 --> 00:10:29,495 - YEAH, THAT WAS ME. 229 00:10:29,528 --> 00:10:31,331 - I DON'T KNOW WHAT THE HELL HAPPENED OUT THERE, 230 00:10:31,364 --> 00:10:32,765 BUT I KNOW THIS: 231 00:10:32,799 --> 00:10:34,634 YOU AND YOUR FRIENDS HAVE DESTROYED 232 00:10:34,668 --> 00:10:36,003 THIS ENTIRE OPERATION. 233 00:10:36,036 --> 00:10:37,470 - LOOK, MY FRIENDS HAD NOTHING TO DO WITH THAT. 234 00:10:37,504 --> 00:10:38,838 LEAVE THEM OUT OF THIS. 235 00:10:38,871 --> 00:10:40,206 I'LL COME IN, I'LL-- - SAVE YOUR BREATH, 236 00:10:40,240 --> 00:10:42,341 'CAUSE THE CIA IS FRESH OUT OF DEALS FOR MICHAEL WESTEN. 237 00:10:42,375 --> 00:10:44,110 YOU PROMISED THEM KENDRICK'S NETWORK, 238 00:10:44,144 --> 00:10:45,345 AND THEY DIDN'T GET IT. 239 00:10:45,378 --> 00:10:47,014 THIS OPERATION'S OVER. 240 00:10:47,047 --> 00:10:49,048 MY CAREER IS OVER. 241 00:10:49,081 --> 00:10:53,485 AND AS FOR YOU... 242 00:10:53,519 --> 00:10:55,355 IF YOU THINK IT WAS TOUGH BEING BURNED, 243 00:10:55,388 --> 00:10:58,225 YOU HAVEN'T SEEN ANYTHING YET. 244 00:11:02,662 --> 00:11:05,365 - A SPY'S ABILITY TO OPERATE DEPENDS ON SECRECY. 245 00:11:05,398 --> 00:11:07,900 YOUR ANONYMITY IS YOUR GREATEST WEAPON. 246 00:11:07,934 --> 00:11:10,136 IT ALLOWS YOU TO OPERATE ANYWHERE, 247 00:11:10,169 --> 00:11:12,873 TO DECEIVE YOUR ENEMIES, AND WHEN IT'S ALL OVER, 248 00:11:12,905 --> 00:11:14,741 TO SLIP BACK INTO THE SHADOWS. 249 00:11:14,774 --> 00:11:17,376 - WE'VE OBTAINED INFORMATION THAT FEDERAL AUTHORITIES 250 00:11:17,409 --> 00:11:19,211 BELIEVE THAT THE SUSPECTS MAY HAVE BEEN INVOLVED 251 00:11:19,245 --> 00:11:20,748 IN TERRORIST ACTIVITIES. 252 00:11:20,780 --> 00:11:22,381 - WHEN THE WORLD KNOWS YOUR FACE, 253 00:11:22,414 --> 00:11:24,583 YOUR OPTIONS GET A LOT MORE LIMITED. 254 00:11:24,616 --> 00:11:28,054 AT THAT POINT, ALL YOU CAN REALLY DO IS ATTACK. 255 00:11:28,087 --> 00:11:29,389 WE GO AFTER KENDRICK DIRECTLY. 256 00:11:29,422 --> 00:11:30,990 - MIKE, COME ON. YOU CAN'T BE SERIOUS. 257 00:11:31,024 --> 00:11:32,591 YOU WANT TO GO AFTER HIM NOW? 258 00:11:32,625 --> 00:11:35,028 - THE CIA, THEY'RE SENDING EVERYTHING THEY HAVE AFTER US, 259 00:11:35,062 --> 00:11:37,264 BUT THEY WANT JAMES. THEY WANT HIS NETWORK. 260 00:11:37,297 --> 00:11:39,231 I THINK IT'S THE ONLY CARD WE HAVE LEFT TO PLAY. 261 00:11:39,265 --> 00:11:41,835 - COME ON, AFTER EVERYTHING THAT JUST WENT DOWN, THAT'S SUICIDE. 262 00:11:41,869 --> 00:11:45,605 - I HAVE TO TRY, WHATEVER THE CONSEQUENCE. 263 00:11:45,638 --> 00:11:47,606 SONYA MENTIONED A SATELLITE EXPERT IN MIAMI. 264 00:11:47,639 --> 00:11:49,509 HE WAS MAKING A COMMUNICATION CENTER FOR JAMES. 265 00:11:49,542 --> 00:11:52,511 IF I CAN LOCATE HIM, I MIGHT HAVE A CHANCE TO PULL THIS OFF. 266 00:11:52,544 --> 00:11:55,014 YOU GUYS LAY LOW-- - UH-UH, BROTHER. 267 00:11:55,048 --> 00:11:56,884 IF YOU THINK WE'RE ALL GONNA JUST HIDE IN A HOLE SOMEWHERE 268 00:11:56,917 --> 00:11:58,518 WHILE YOU DO THIS, IT'S NOT GONNA HAPPEN. 269 00:11:58,551 --> 00:12:00,620 - IT'S MY DECISION. - MIKE, ENOUGH! WE'RE IN THIS. 270 00:12:00,653 --> 00:12:02,889 YOU'RE IN NO POSITION TO DO THIS BY YOURSELF. 271 00:12:02,923 --> 00:12:04,557 AND THERE'S A COMMUNICATIONS GUY I USED TO WORK WITH. 272 00:12:04,591 --> 00:12:06,625 I TRUST HIM. I'LL TALK TO HIM. 273 00:12:06,658 --> 00:12:09,897 MAYBE HE CAN HELP US FIND JAMES' GUY. 274 00:12:09,929 --> 00:12:13,133 - WE'LL WORK ON THIS. 275 00:12:13,166 --> 00:12:16,668 YOU NEED TO GO SEE YOUR MOM. 276 00:12:27,746 --> 00:12:30,482 [knock at door] 277 00:12:32,019 --> 00:12:34,586 - MICHAEL. I WAS AFRAID-- 278 00:12:34,620 --> 00:12:36,456 - MOM, IT'S ALL RIGHT. IT'S ALL RIGHT. 279 00:12:36,489 --> 00:12:38,424 - WHAT DOES THAT MEAN? 280 00:12:38,457 --> 00:12:39,927 - FI GOT TO ME. 281 00:12:39,960 --> 00:12:43,096 SHE GOT TO ME BEFORE IT WAS TOO LATE. 282 00:12:43,129 --> 00:12:45,832 - [sighs] 283 00:12:45,865 --> 00:12:47,100 WHERE IS EVERYBODY? 284 00:12:47,134 --> 00:12:48,268 I THOUGHT WE'RE SUPPOSED TO MEET HERE 285 00:12:48,301 --> 00:12:49,802 AT THE RALLY POINT IF THINGS WENT WRONG. 286 00:12:49,836 --> 00:12:52,572 - PLANS HAVE CHANGED. 287 00:12:52,605 --> 00:12:55,341 THIS PHONE IS GONNA BE FOR EMERGENCIES. 288 00:12:55,375 --> 00:12:58,577 YOU NEED TO STAY OUT OF SIGHT FOR JUST A LITTLE WHILE LONGER. 289 00:12:58,610 --> 00:13:02,014 - MICHAEL, WHAT'S GOING ON? 290 00:13:03,216 --> 00:13:05,618 ANSWER ME. WHAT IS GOING ON? 291 00:13:05,652 --> 00:13:08,120 - THE CIA FOUND OUT WHAT I WAS DOING. 292 00:13:08,154 --> 00:13:11,024 THEY'RE HUNTING FOR US. 293 00:13:11,057 --> 00:13:12,692 - SO WHAT ARE YOU GONNA DO? 294 00:13:12,725 --> 00:13:14,660 - I'M GOING AFTER JAMES AND HIS NETWORK. 295 00:13:14,693 --> 00:13:15,495 IT'S OUR ONLY CHANCE. 296 00:13:15,528 --> 00:13:17,029 - MICHAEL, PLEASE, 297 00:13:17,063 --> 00:13:18,664 I'VE SEEN WHAT THOSE PEOPLE CAN DO. 298 00:13:18,697 --> 00:13:19,832 I DON'T WANT YOU GOING. PLEASE-- 299 00:13:19,866 --> 00:13:22,701 - I'VE MADE UP MY MIND. 300 00:13:24,904 --> 00:13:29,275 - I DON'T WANT TO LOSE ANOTHER SON. 301 00:13:29,308 --> 00:13:33,312 - MOM, I CAN'T MAKE ANY PROMISES. 302 00:13:33,346 --> 00:13:35,648 SOMETIMES SACRIFICES HAVE TO BE MADE. 303 00:13:41,153 --> 00:13:43,155 - CHARLIE'S BIRTHDAY IS COMING UP SOON. 304 00:13:43,190 --> 00:13:45,993 AND WHEN I ASKED HIM WHO HE WANTED THERE, 305 00:13:46,025 --> 00:13:49,863 THE FIRST PERSON HE SAID WAS UNCLE MICHAEL. 306 00:13:49,897 --> 00:13:51,298 - I DON'T THINK YOU UNDERSTAND. 307 00:13:51,331 --> 00:13:53,966 - WE'RE HAVING STRAWBERRY ICE CREAM. 308 00:13:54,000 --> 00:13:58,671 DO YOU REMEMBER WHO ELSE LOVED STRAWBERRY ICE CREAM? 309 00:13:58,705 --> 00:14:01,640 - NATE. 310 00:14:01,673 --> 00:14:04,677 - IF YOU CAN'T MAKE IT TO THE PARTY, 311 00:14:04,711 --> 00:14:05,979 WHAT AM I SUPPOSED TO TELL CHARLIE 312 00:14:06,013 --> 00:14:09,015 WHEN HE ASKS WHERE YOU ARE? 313 00:14:22,695 --> 00:14:25,032 - I HAVE TO GO. 314 00:14:26,798 --> 00:14:29,769 [door opens, closes] 315 00:14:35,274 --> 00:14:36,475 [car door opens] 316 00:14:38,644 --> 00:14:39,778 - OOH. - HOW'D YOU DO? 317 00:14:39,812 --> 00:14:41,380 - MY BUDDY CAME THROUGH. 318 00:14:41,413 --> 00:14:43,250 SNUCK ME INTO THE RESEARCH OFFICE. 319 00:14:43,283 --> 00:14:45,085 WE CHECKED OUT ALL THE TOP SATELLITE EXPERTS IN MIAMI. 320 00:14:45,118 --> 00:14:47,086 I THINK WE HIT THE JACKPOT. 321 00:14:47,120 --> 00:14:48,855 THAT'S MAX LYSTER. CONTRACTS FOR THE NSA, MOSTLY. 322 00:14:48,888 --> 00:14:50,623 BUT GET THIS. 323 00:14:50,657 --> 00:14:52,259 A FEW MONTHS AGO, HE TOOK A LEAVE FROM HIS FIRM 324 00:14:52,292 --> 00:14:53,793 TO WORK ON A SPECIAL PROJECT. 325 00:14:53,826 --> 00:14:55,095 NOBODY KNOWS WHAT IT WAS. 326 00:14:55,128 --> 00:14:56,629 - JAMES' COMMUNICATION CENTER. 327 00:14:56,663 --> 00:14:58,730 - TIME FRAME FITS PERFECTLY. 328 00:14:58,764 --> 00:15:00,432 HE'S OUR GUY. THAT'S THE GOOD NEWS. 329 00:15:00,466 --> 00:15:02,701 THE BAD NEWS IS HE'S A SECURITY NUT. 330 00:15:02,735 --> 00:15:04,703 LIVES IN A GATED COMMUNITY IN THE GABLES, 331 00:15:04,736 --> 00:15:06,139 CONSULTS AT A NAVAL BASE IN THE EVERGLADES. 332 00:15:06,173 --> 00:15:08,774 - WHAT ABOUT HITTING HIM IN TRANSIT? 333 00:15:08,807 --> 00:15:09,908 - MY THOUGHTS EXACTLY. SAM AND FI ARE ON IT. 334 00:15:09,942 --> 00:15:11,744 THEY'RE GETTING SUPPLIES. 335 00:15:11,778 --> 00:15:14,147 - JESSE, I NEED TO ASK YOU SOMETHING. 336 00:15:14,181 --> 00:15:16,649 WHEN WE DO THIS TOMORROW, I NEED YOU TO WATCH OVER 337 00:15:16,682 --> 00:15:18,618 MY MOM AND CHARLIE. 338 00:15:18,650 --> 00:15:19,952 - MIKE, YOU GUYS ARE GONNA HAVE 339 00:15:19,986 --> 00:15:21,721 YOUR HANDS FULL TAKING DOWN JAMES. 340 00:15:21,754 --> 00:15:22,922 I NEED TO BE THERE. - I CAN'T DO THIS 341 00:15:22,956 --> 00:15:25,958 WITHOUT KNOWING THAT THEY'RE SAFE. 342 00:15:25,993 --> 00:15:29,162 PLEASE. 343 00:15:29,196 --> 00:15:31,831 - ALL RIGHT, MAN. 344 00:15:31,864 --> 00:15:34,734 I GUESS THAT'S HOW WE DO IT. 345 00:15:34,767 --> 00:15:37,203 [engine turns] 346 00:15:41,874 --> 00:15:45,511 - GRABBING SOMEONE ON THE MOVE IS ALL ABOUT SURPRISE. 347 00:15:45,544 --> 00:15:47,913 THE GOAL IS TO GET YOUR TARGET OUT OF HIS CAR 348 00:15:47,947 --> 00:15:52,119 AND INTO YOURS BEFORE HE KNOWS WHAT'S HAPPENING. 349 00:15:52,152 --> 00:15:53,753 IF YOU HAVE THE MANPOWER, 350 00:15:53,786 --> 00:15:56,288 IT'S BEST TO SEPARATE INTO TWO TEAMS. 351 00:15:56,322 --> 00:15:58,424 ONE TO TRACK THE TARGET'S CAR... [phone rings] 352 00:15:58,457 --> 00:16:00,592 AND ONE TO PREPARE THE AMBUSH. 353 00:16:00,626 --> 00:16:02,461 - YEAH, WHAT'S GOING ON? - LYSTER'S HEADED YOUR WAY. 354 00:16:02,495 --> 00:16:05,498 - OKAY, I'M PUTTING EVERYTHING IN PLACE RIGHT NOW. 355 00:16:14,073 --> 00:16:16,543 OKAY, ALL SET. WHAT'S YOUR E.T.A.? 356 00:16:16,576 --> 00:16:17,943 - 20 SECONDS. TAKE COVER. 357 00:16:17,976 --> 00:16:19,912 - COPY THAT. 358 00:16:26,519 --> 00:16:29,255 OKAY, HERE WE GO. 359 00:16:31,691 --> 00:16:35,062 IMPACT IN THREE, TWO... 360 00:16:37,563 --> 00:16:39,566 SON OF A BITCH. 361 00:16:39,599 --> 00:16:42,534 [rock music] 362 00:16:42,568 --> 00:16:44,071 * 363 00:16:44,104 --> 00:16:45,871 [tires screeching] 364 00:16:48,941 --> 00:16:51,711 YOU GOTTA BE KIDDING ME. 365 00:16:51,744 --> 00:16:53,145 YEAH, GUYS, WE GOT A PROBLEM. 366 00:16:53,179 --> 00:16:55,648 THE TIRES DIDN'T BLOW. THE CAR IS ARMORED. 367 00:16:55,682 --> 00:16:56,849 - CATCH HIM, FI. 368 00:16:56,883 --> 00:16:58,217 - REALITY CHECK: IT'S NOT GONNA HAPPEN. 369 00:16:58,250 --> 00:17:00,552 - WE HAVE TO, SAM. HE KNOWS WE'RE AFTER HIM. 370 00:17:00,586 --> 00:17:01,921 IF HE ALERTS JAMES, IT'S OVER. 371 00:17:01,953 --> 00:17:03,755 - OKAY, HOW? THE CAR JUST TOOK 372 00:17:03,789 --> 00:17:06,425 A COUPLE SHOTS OF BUCKSHOT AT 10 FEET WITHOUT A DENT. 373 00:17:06,459 --> 00:17:10,028 WHAT THE HELL ARE YOU GONNA DO? 374 00:17:10,063 --> 00:17:11,763 - FI, YOU STILL HAVE THAT C-4 IN YOUR BAG? 375 00:17:11,798 --> 00:17:14,767 - YES, BUT WHAT ARE YOU GONNA-- - STAY WITH HIM! 376 00:17:14,800 --> 00:17:16,603 - MICHAEL, ARE YOU GONNA-- - DON'T LOSE HIM! 377 00:17:16,635 --> 00:17:19,471 PULL UP ALONGSIDE HIM. GET CLOSER. 378 00:17:21,307 --> 00:17:23,776 CLOSER, FI. 379 00:17:23,809 --> 00:17:25,678 [tires screeching] 380 00:17:25,711 --> 00:17:28,548 - MICHAEL, ARE YOU SURE? - STAY WITH HIM! 381 00:17:36,888 --> 00:17:39,726 - MICHAEL? 382 00:17:42,961 --> 00:17:48,567 [tires screeching] 383 00:17:53,005 --> 00:17:56,942 - SMALL EXPLOSIVE CHARGES WON'T PENETRATE AN ARMORED CAR, 384 00:17:56,976 --> 00:17:57,910 BUT THAT DOESN'T MEAN THEY'RE USELESS. 385 00:17:57,943 --> 00:17:59,878 IF YOU'RE DESPERATE ENOUGH, 386 00:17:59,912 --> 00:18:02,249 A WELL-PLACED CHARGE CAN COME IN HANDY. 387 00:18:02,281 --> 00:18:04,616 [explosion] 388 00:18:08,019 --> 00:18:09,455 AN ARMORED CAR WON'T DRIVE 389 00:18:09,489 --> 00:18:12,825 IF ITS WHEELS AREN'T ON THE GROUND. 390 00:18:22,868 --> 00:18:24,871 - [grunts] 391 00:18:28,974 --> 00:18:30,143 WHO ARE YOU? 392 00:18:30,176 --> 00:18:32,444 - WHO WE ARE ISN'T IMPORTANT. - WHAT DO YOU WANT? 393 00:18:32,479 --> 00:18:34,012 - YOU SET UP A SECRET COMMUNICATION CENTER 394 00:18:34,046 --> 00:18:35,182 FOR JAMES KENDRICK. 395 00:18:35,214 --> 00:18:37,083 WHERE IS IT? 396 00:18:37,115 --> 00:18:39,085 - I DON'T KNOW WHAT YOU'RE TALKING ABOUT. 397 00:18:39,117 --> 00:18:41,253 - MAX... [gunshot] 398 00:18:41,288 --> 00:18:43,623 IT'S NOT A GOOD IDEA TO LIE TO PEOPLE 399 00:18:43,655 --> 00:18:45,525 WITH THIS MUCH GAS AROUND. [gunshot] 400 00:18:45,557 --> 00:18:46,526 - WHAT ARE YOU DOING? YOU'RE GONNA KILL BOTH OF US! 401 00:18:46,558 --> 00:18:48,027 [gunshot] - YES, I AM, 402 00:18:48,059 --> 00:18:49,528 UNLESS YOU ANSWER MY QUESTION! [gunshot] 403 00:18:49,561 --> 00:18:51,096 - MICHAEL! - WHERE IS IT? 404 00:18:51,130 --> 00:18:54,000 - OKAY! STOP! JUST STOP! 405 00:18:54,032 --> 00:18:56,502 OKAY, LISTEN, SOME GUYS CAME TO ME. 406 00:18:56,536 --> 00:18:57,769 THEY GAVE ME A BUNCH OF MONEY. 407 00:18:57,804 --> 00:19:00,873 SO I DID A JOB FOR 'EM, AND THEY CAME BACK, 408 00:19:00,906 --> 00:19:05,545 AND THEY SAID IF I EVER SAID ANYTHING, I WAS DEAD. 409 00:19:05,577 --> 00:19:08,146 IT'S IN A BUILDING DOWNTOWN, ALL RIGHT? 410 00:19:08,181 --> 00:19:10,317 - GOOD. YOU'RE GONNA TAKE US TO IT. 411 00:19:15,153 --> 00:19:18,124 - JAMES HAS A COMMUNICATION CENTER IN THERE? 412 00:19:18,156 --> 00:19:20,026 I DON'T BUY IT. - I SWEAR. 413 00:19:20,058 --> 00:19:21,728 IT'S THE OLD MIAMI CHRONICLE BUILDING. 414 00:19:21,760 --> 00:19:23,962 THEY CONDEMNED IT AFTER THE LAST HURRICANE. 415 00:19:23,996 --> 00:19:26,298 - THESE GUYS COULD GET ANY BUILDING THEY WANT. 416 00:19:26,333 --> 00:19:27,967 WHY WOULD THEY USE SOME MOLDY, OLD PLACE? 417 00:19:28,000 --> 00:19:29,134 - THE BUILDING HAD ALL THE TECH ALREADY-- 418 00:19:29,167 --> 00:19:31,203 SATELLITE HOOKUPS, MICROWAVE DISH ARRAY, 419 00:19:31,238 --> 00:19:32,704 ALL OF IT. 420 00:19:32,739 --> 00:19:33,740 THEY BOUGHT IT FROM THE DEMOLITION TEAM. 421 00:19:33,772 --> 00:19:35,342 I JUST HOOKED INTO WHAT WAS THERE. 422 00:19:35,375 --> 00:19:36,576 - IT MAKES SENSE, SAM. 423 00:19:36,608 --> 00:19:37,710 NEAR A MAIN ROAD, NO ONE WOULD NOTICE 424 00:19:37,743 --> 00:19:38,810 ANYONE GOING IN OR OUT. 425 00:19:38,845 --> 00:19:40,813 - PERFECTLY HIDDEN IN PLAIN SIGHT. 426 00:19:40,846 --> 00:19:42,382 UNBELIEVABLE. 427 00:19:42,414 --> 00:19:44,150 - HOW MANY PEOPLE ARE IN THERE? HOW MANY GUARDS? 428 00:19:44,182 --> 00:19:45,984 - IT'S UNMANNED. IT'S JUST A RELAY STATION. 429 00:19:46,018 --> 00:19:47,487 THEY PICK UP SECURE SIGNALS, THEY DECRYPT THEM, 430 00:19:47,519 --> 00:19:48,555 THEY PASS 'EM ON. 431 00:19:48,587 --> 00:19:49,989 - ARE THERE BACKUPS TO THE SYSTEM? 432 00:19:50,021 --> 00:19:52,191 - PLEASE, HE'LL KILL ME. 433 00:19:52,224 --> 00:19:55,261 - IF WE SUCCEED, HE'S IN NO POSITION TO KILL ANYONE. 434 00:19:55,295 --> 00:19:57,930 IF WE DON'T, WELL, YOU'RE DEAD ANYWAY. 435 00:20:01,634 --> 00:20:02,934 - HARD DRIVE. 436 00:20:02,969 --> 00:20:05,337 RECORDS EVERYTHING IN CASE THE POWER GOES OUT. 437 00:20:05,372 --> 00:20:07,105 - THAT'S WHAT WE'LL BRING TO THE CIA. 438 00:20:07,138 --> 00:20:09,107 YOU'RE GONNA TELL US WHERE TO FIND IT AND HOW TO GET IT. 439 00:20:09,141 --> 00:20:10,576 - AND THEN CAN I GO? 440 00:20:10,609 --> 00:20:11,778 - THEN YOU CAN GO BACK INTO THE TRUNK UNTIL IT'S OVER. 441 00:20:11,810 --> 00:20:13,346 - [chuckles] 442 00:20:13,380 --> 00:20:15,882 - HE'S SERIOUS. SHUT UP. 443 00:20:15,914 --> 00:20:17,284 - WHEN BREAKING INTO A BUILDING, 444 00:20:17,317 --> 00:20:20,252 IT'S GENERALLY BEST NOT TO USE THE DOOR. 445 00:20:20,287 --> 00:20:25,892 ANY ENTRANCE YOUR ENEMY KNOWS YOU'D USE IS TOO RISKY. 446 00:20:25,924 --> 00:20:29,461 WHICH MEANS THE SAFEST WAY IN IS OFTEN THE HARDEST. 447 00:20:38,971 --> 00:20:41,374 - BEFORE WE DO THIS, WE NEED TO TALK. 448 00:20:41,407 --> 00:20:43,742 - SHE'S RIGHT, MIKEY. IT'S IMPORTANT. 449 00:20:43,776 --> 00:20:46,913 - WHAT YOU DID EARLIER, PLOWING INTO THAT STORE 450 00:20:46,945 --> 00:20:49,147 AND THEN JUMPING ON THE CAR, ALMOST INCINERATING YOURSELF-- 451 00:20:49,181 --> 00:20:50,450 - IT WAS A CALCULATED RISK. 452 00:20:50,482 --> 00:20:51,951 I NEEDED INFORMATION AND-- - MIKE, DON'T. 453 00:20:51,983 --> 00:20:53,486 WE'VE KNOWN EACH OTHER TOO LONG. 454 00:20:53,519 --> 00:20:55,587 THERE'S A DIFFERENCE BETWEEN A NECESSARY RISK 455 00:20:55,622 --> 00:20:57,557 AND A DEATH WISH, AND YOU KNOW IT. 456 00:20:57,589 --> 00:20:58,958 - [sighs] 457 00:20:58,990 --> 00:21:00,792 MICHAEL, I KNOW YOU'RE HURTING. 458 00:21:00,826 --> 00:21:03,229 I KNOW YOU REGRET WHAT YOU'VE DONE. 459 00:21:03,261 --> 00:21:05,964 BUT WHAT IS KILLING YOURSELF GONNA PROVE? 460 00:21:05,998 --> 00:21:08,968 - WE'RE WASTING TIME. 461 00:21:09,000 --> 00:21:09,969 LET'S DO THIS. [device beeps] 462 00:21:10,001 --> 00:21:11,971 [explosion] 463 00:21:21,381 --> 00:21:23,082 - NOW WE KNOW WHY JAMES DIDN'T NEED GUARDS. 464 00:21:23,115 --> 00:21:26,385 - YEAH, HE TAKES HIS BOOBY TRAPS SERIOUSLY. 465 00:21:42,669 --> 00:21:45,003 WELL, IT'S A HELL OF A PLACE FOR A COMM CENTER. 466 00:21:52,644 --> 00:21:55,047 - [sighs] MOMENT OF TRUTH. 467 00:21:55,080 --> 00:21:57,016 [keypad beeps] 468 00:21:57,048 --> 00:21:59,986 [door clicks open] - AFTER YOU. 469 00:22:00,019 --> 00:22:02,521 - OKAY. 470 00:22:02,555 --> 00:22:05,458 THAT SHOULD BE EVERYTHING YOU AND CHARLIE NEED. 471 00:22:05,491 --> 00:22:06,826 [rattling] 472 00:22:06,858 --> 00:22:09,127 IT'S A LITTLE OVERSTUFFED, 473 00:22:09,161 --> 00:22:10,863 BUT IT JUST HAS TO LAST TILL WE SETTLE DOWN SOMEPLACE. 474 00:22:10,896 --> 00:22:13,031 - WHEN WILL THAT BE? 475 00:22:13,065 --> 00:22:13,965 - HONESTLY, I DON'T KNOW. 476 00:22:14,000 --> 00:22:15,968 SOON, HOPEFULLY. 477 00:22:16,001 --> 00:22:19,204 MAYBE, UH-- - NEVER? 478 00:22:19,238 --> 00:22:20,972 - I DON'T LIKE TO THINK THAT WAY. 479 00:22:21,007 --> 00:22:24,544 BUT IT'S BEST TO BE PREPARED, RIGHT? 480 00:22:34,921 --> 00:22:37,656 IT'S GONNA BE OKAY. 481 00:22:37,690 --> 00:22:38,924 IT IS. WE'RE TOGETHER. 482 00:22:38,958 --> 00:22:40,426 WE'RE GONNA TAKE CARE OF EACH OTHER. 483 00:22:40,460 --> 00:22:42,060 WE JUST NEED TO GET OUT OF STATE, 484 00:22:42,094 --> 00:22:44,896 FIND A PLACE TO LAY LOW, SET UP SOME NEW I.D.s. 485 00:22:44,931 --> 00:22:45,932 WE'LL BE GOOD. 486 00:22:45,964 --> 00:22:47,866 - JESSE, HOW CAN YOU DO THIS? 487 00:22:47,900 --> 00:22:52,439 WITH EVERYTHING THAT'S HAPPENED, YOU'RE STILL HERE FOR MICHAEL. 488 00:22:52,471 --> 00:22:55,074 - WHAT MAKES YOU THINK I'M JUST HERE FOR MICHAEL? 489 00:22:55,106 --> 00:22:58,176 - YOU'RE TALKING ABOUT GOING INTO HIDING FOR YEARS, MAYBE, 490 00:22:58,210 --> 00:23:00,880 WITH A BUNCH OF PEOPLE WHO HAVE NOT MADE YOUR LIFE VERY EASY. 491 00:23:00,913 --> 00:23:05,284 HAVEN'T YOU EVER WANTED TO JUST...GO? 492 00:23:07,920 --> 00:23:12,724 - I HAVE ASKED MYSELF THAT SAME QUESTION MANY, MANY TIMES. 493 00:23:12,759 --> 00:23:14,926 I JUST--I DON'T KNOW. 494 00:23:14,961 --> 00:23:18,263 WHEN I WAS A KID, IT WAS JUST ME AND MY MOM. 495 00:23:18,297 --> 00:23:23,102 AND THEN SHE GOT KILLED, AND THEN IT WAS JUST ME. 496 00:23:23,134 --> 00:23:25,771 JUST ME... 497 00:23:25,805 --> 00:23:28,540 UNTIL I MET YOU GUYS. 498 00:23:28,575 --> 00:23:30,375 I NEVER HAD A FAMILY, 499 00:23:30,409 --> 00:23:32,044 AND NOW I GOT ONE. 500 00:23:32,077 --> 00:23:33,412 - [sniffles] 501 00:23:33,445 --> 00:23:36,082 YOU DO HAVE A FAMILY, JESSE. 502 00:23:36,115 --> 00:23:38,684 SORRY. [laughter] 503 00:23:40,819 --> 00:23:43,189 - ALL RIGHT. 504 00:23:44,355 --> 00:23:45,356 - [grunts] 505 00:23:47,192 --> 00:23:48,760 GOT 'EM. LET'S GO. 506 00:23:48,795 --> 00:23:50,930 [phones ringing] 507 00:23:50,962 --> 00:23:52,163 - UH, IT'S ME. - UH, NO, FI. 508 00:23:52,198 --> 00:23:56,001 IT'S NOT JUST YOU. IT'S ALL OUR PHONES. 509 00:23:56,035 --> 00:23:58,104 THIS IS BAD. [phones continue ringing] 510 00:23:58,136 --> 00:24:00,472 ANYBODY HAVE OUR NUMBERS BESIDES MADDY? 511 00:24:00,507 --> 00:24:01,641 - NO. [phone beeps] 512 00:24:01,673 --> 00:24:02,974 HELLO? 513 00:24:03,009 --> 00:24:04,175 - YOU BROKE MY HEART, MICHAEL. 514 00:24:04,210 --> 00:24:08,180 GAVE YOU EVERYTHING, AND YOU BROKE MY HEART. 515 00:24:08,213 --> 00:24:09,981 - IT'S OVER, JAMES. 516 00:24:10,016 --> 00:24:12,117 WE HAVE YOUR ENTIRE NETWORK. 517 00:24:12,151 --> 00:24:13,486 IT IS OVER. 518 00:24:13,519 --> 00:24:15,521 - NO, MICHAEL. I DON'T THINK IT IS OVER. 519 00:24:15,555 --> 00:24:17,923 REMEMBER THE CONVENIENCE STORE YOU ROBBED YESTERDAY? 520 00:24:17,957 --> 00:24:20,759 YOU STOLE SOME MOBILE PHONES THERE. 521 00:24:20,792 --> 00:24:22,761 WELL, I TRACKED THEM DOWN, AND THEY LED ME 522 00:24:22,795 --> 00:24:26,532 TO MY VERY OWN RELAY STATION. 523 00:24:26,566 --> 00:24:27,933 KNOCK, KNOCK, 524 00:24:27,967 --> 00:24:30,269 WE'RE RIGHT OUTSIDE THE CONTROL ROOM, MICHAEL. 525 00:24:30,301 --> 00:24:32,939 OH, AND ONE MORE THING. 526 00:24:32,971 --> 00:24:38,978 YOU WILL NEVER GUESS WHERE THOSE OTHER TWO PHONES LED ME. 527 00:24:39,010 --> 00:24:40,378 - ALL RIGHT, MADDY, THIS IS IT. YOU ALL SET? 528 00:24:40,412 --> 00:24:43,950 - YEAH. GOT THIS...GOT THIS. 529 00:24:43,982 --> 00:24:45,317 - LET'S DO IT. 530 00:24:45,351 --> 00:24:47,686 [grunts] OH, MY GOODNESS. 531 00:24:52,423 --> 00:24:53,826 [tires screeching] 532 00:24:53,859 --> 00:24:57,229 - WHAT IS IT, JESSE? 533 00:24:57,262 --> 00:24:59,065 - JAMES, THIS IS BETWEEN YOU AND ME. 534 00:24:59,097 --> 00:25:01,867 - NOT ANYMORE, MICHAEL. I LIKE YOUR MAMA. 535 00:25:01,901 --> 00:25:05,336 AND YOUR NEPHEW CHARLIE'S A LOVELY BOY. 536 00:25:05,371 --> 00:25:07,138 AND EVEN THOUGH IT PAINS ME, I WILL NOT HESITATE 537 00:25:07,173 --> 00:25:10,809 TO SHOOT THEM DOWN LIKE DOGS JUST LIKE YOU KILLED MY SONYA. 538 00:25:10,843 --> 00:25:12,545 - LEAVE MY FAMILY OUT OF THIS. 539 00:25:12,578 --> 00:25:14,881 THE BOY IS ONLY THREE YEARS OLD. 540 00:25:14,913 --> 00:25:16,515 - MICHAEL, IF YOU WANT TO SAVE THEM, 541 00:25:16,548 --> 00:25:19,151 YOU WILL SURRENDER, YOU WILL TELL ME WHAT YOU'VE DONE, 542 00:25:19,184 --> 00:25:22,253 AND THEN YOU WILL DIE. 543 00:25:24,957 --> 00:25:26,057 - AND MY FRIENDS? 544 00:25:26,092 --> 00:25:29,528 - I COULD USE SOME BARGAINING CHIPS WITH THE CIA. 545 00:25:29,561 --> 00:25:32,699 DO AS I TELL YOU, AND THEY'LL LIVE. 546 00:25:34,133 --> 00:25:37,970 - I JUST NEED JUST A LITTLE MORE TIME. 547 00:25:40,239 --> 00:25:41,708 - I KNOW YOU. 548 00:25:41,740 --> 00:25:45,111 YOU ARE LOOKING FOR THE ANSWER, THE WAY OUT. 549 00:25:45,144 --> 00:25:46,945 THERE IS NO WAY OUT. 550 00:25:46,979 --> 00:25:49,515 THERE'S ONLY THE RECKONING NOW. 551 00:25:49,548 --> 00:25:53,786 YOU ARE OUT OF TIME, MICHAEL WESTEN! 552 00:25:53,819 --> 00:25:56,221 - WOULD YOU ALLOW ME TO CALL MY MOTHER? 553 00:25:56,255 --> 00:25:57,789 THEN I'LL COME OUT QUIETLY. 554 00:25:57,824 --> 00:26:00,593 - TWO MINUTES, NO MORE. 555 00:26:00,626 --> 00:26:01,928 [phone beeps] - MICHAEL, YOU-- 556 00:26:01,961 --> 00:26:03,695 - OKAY, LOOK-- - NO. 557 00:26:03,730 --> 00:26:07,098 [phone dialing] 558 00:26:07,133 --> 00:26:10,301 - HELLO? - MOM, LISTEN TO ME. 559 00:26:10,336 --> 00:26:12,137 ARE THERE MEN OUTSIDE? - YES. 560 00:26:12,171 --> 00:26:13,873 - I HAVE A LOT TO EXPLAIN TO YOU. 561 00:26:13,905 --> 00:26:16,541 - THERE'S NO NEED TO EXPLAIN. HE'S USING US. 562 00:26:16,575 --> 00:26:18,810 - YES, MOM, AND ANY MOVE I MAKE 563 00:26:18,845 --> 00:26:20,646 IS GONNA GET THE THREE OF YOU KILLED. 564 00:26:20,680 --> 00:26:23,816 SO I'M GONNA HAVE TO GIVE HIM WHAT HE WANTS. 565 00:26:23,849 --> 00:26:25,917 - NO! DON'T YOU GIVE THAT MAN A DAMN THING. 566 00:26:25,951 --> 00:26:27,318 - MA, YOU DON'T UNDERSTAND. YOU AND CHARLIE-- 567 00:26:27,353 --> 00:26:29,288 - I DO UNDERSTAND, MICHAEL. 568 00:26:29,320 --> 00:26:31,923 AND CHARLIE'S GONNA BE FINE. 569 00:26:31,958 --> 00:26:34,326 - WHAT ARE YOU TALKING ABOUT? 570 00:26:34,359 --> 00:26:35,927 - I FOUND A WAY TO BUY JESSE AND CHARLIE 571 00:26:35,961 --> 00:26:38,163 A CHANCE TO GET OUT OF HERE. 572 00:26:38,197 --> 00:26:40,132 - MA, I DON'T KNOW WHAT YOU'RE PLANNING, BUT-- 573 00:26:40,165 --> 00:26:41,667 - MICHAEL! 574 00:26:41,701 --> 00:26:43,001 YOU SAID IT YOURSELF. 575 00:26:43,035 --> 00:26:46,572 SOMETIMES... SACRIFICES MUST BE MADE. 576 00:26:46,605 --> 00:26:51,711 IN THE BAG OF SUPPLIES, THERE WAS AN EXPLOSIVE CHARGE. 577 00:26:54,012 --> 00:26:55,513 - MOM...DON'T. 578 00:26:55,547 --> 00:26:57,182 PLEASE, DON'T DO-- - LISTEN TO ME. 579 00:26:57,215 --> 00:26:58,517 THERE'S NO REMOTE DETONATOR, MICHAEL, 580 00:26:58,549 --> 00:27:00,185 AND THERE'S NO TIME TO BUILD ONE. 581 00:27:00,219 --> 00:27:03,288 MICHAEL, YOU HAVE PROTECTED ME ENOUGH, 582 00:27:03,321 --> 00:27:05,324 AND NOW YOU NEED MY HELP. 583 00:27:05,356 --> 00:27:08,359 IF SAVING YOU MEANS I DON'T GET OUT OF HERE, 584 00:27:08,394 --> 00:27:10,429 IT'S FINE WITH ME. 585 00:27:10,461 --> 00:27:14,165 GOD KNOWS I'VE FAILED YOU ENOUGH TIMES IN THE PAST. 586 00:27:14,200 --> 00:27:17,869 GIVE ME THIS, PLEASE. 587 00:27:17,903 --> 00:27:21,373 MICHAEL, LISTEN TO ME. 588 00:27:21,406 --> 00:27:23,041 YOU MADE MISTAKES. 589 00:27:23,075 --> 00:27:25,144 WE ALL DID. 590 00:27:28,146 --> 00:27:31,282 BUT I AM SO PROUD OF THE MAN YOU ARE. 591 00:27:31,317 --> 00:27:35,688 I ALWAYS HAVE BEEN. 592 00:27:35,721 --> 00:27:39,525 I LOVE YOU, MICHAEL. 593 00:27:43,996 --> 00:27:47,333 - I LOVE YOU. 594 00:27:47,365 --> 00:27:50,301 - GOOD-BYE, BABY. 595 00:27:50,336 --> 00:27:53,338 - GOOD-BYE, MOM. 596 00:27:59,945 --> 00:28:01,814 - IT'S TIME. 597 00:28:01,847 --> 00:28:06,551 - MADDY... THERE HAS TO BE ANOTHER WAY. 598 00:28:06,585 --> 00:28:08,019 - THERE IS NO OTHER WAY. 599 00:28:08,054 --> 00:28:11,390 THOSE MEN OUTSIDE ARE ABOUT TO BREAK IN HERE, 600 00:28:11,423 --> 00:28:15,527 AND SOMEBODY'S GOTTA BE HERE TO...USE THIS THING. 601 00:28:15,560 --> 00:28:17,429 - NO! THIS IS CRAZY. I'M NOT LETTING YOU DO THIS. 602 00:28:17,462 --> 00:28:19,999 - JESSE, THIS HAS NOTHING TO DO WITH YOU AND ME. 603 00:28:20,031 --> 00:28:22,401 IT HAS EVERYTHING TO DO WITH THAT BOY. 604 00:28:22,433 --> 00:28:26,271 THIS IS JUST A DISTRACTION, AND IT'LL TAKE A LOT OF THEM OUT, 605 00:28:26,305 --> 00:28:27,705 BUT YOU GOTTA FIGHT YOUR WAY OUT OF HERE. 606 00:28:27,740 --> 00:28:29,407 I CAN'T DO THAT. YOU CAN. 607 00:28:29,441 --> 00:28:33,779 IT'S AS SIMPLE AS THAT. 608 00:28:37,316 --> 00:28:40,352 CHARLIE, HONEY? COME HERE, BABY. 609 00:28:40,385 --> 00:28:42,121 THAT'S MY BOY. COME HERE. 610 00:28:42,153 --> 00:28:45,691 COME HERE, SWEETHEART. HMM. 611 00:28:45,723 --> 00:28:47,726 LOOK AT ME. 612 00:28:47,759 --> 00:28:49,260 DO YOU KNOW GRANDMA LOVES YOU? 613 00:28:49,295 --> 00:28:53,464 AND SHE WOULD DO ANYTHING, ANYTHING IN THE WORLD 614 00:28:53,499 --> 00:28:54,732 TO PROTECT YOU. 615 00:28:54,767 --> 00:28:56,402 NOW, I WANT YOU TO GO WITH JESSE. 616 00:28:56,434 --> 00:28:57,936 AND YOU'RE GONNA PLAY A GAME, OKAY? 617 00:28:57,970 --> 00:29:00,538 YOU'RE GONNA HIDE AND JUST SHUT YOUR EYES REALLY TIGHT, 618 00:29:00,571 --> 00:29:02,107 AND YOU COVER YOUR EARS. 619 00:29:02,141 --> 00:29:04,410 YOU DO THAT FOR ME? 620 00:29:04,442 --> 00:29:06,478 YOU GIVE ME A HUG. 621 00:29:06,511 --> 00:29:10,115 COME HERE, BABY. 622 00:29:28,366 --> 00:29:30,602 YOU GOTTA GO NOW. 623 00:29:30,635 --> 00:29:34,339 GO, JESSE, PLEASE. 624 00:29:34,373 --> 00:29:37,442 BYE, CHARLIE. 625 00:29:43,781 --> 00:29:47,019 - MIKE, YOU GOTTA CALL HER BACK! THIS IS CRAZY! 626 00:29:50,288 --> 00:29:52,258 [phone beeps] - THE SUBSCRIBER YOU HAVE CALLED 627 00:29:52,290 --> 00:29:53,791 IS NOT AVAILABLE. PLEASE HANG UP AND-- 628 00:29:53,826 --> 00:29:56,327 - SON OF A BITCH! [thud] 629 00:30:01,299 --> 00:30:04,435 - MICHAEL, WE DON'T HAVE MUCH TIME. 630 00:30:04,470 --> 00:30:06,471 WHAT DO YOU WANT TO DO? 631 00:30:06,505 --> 00:30:09,441 - I WANNA FIGHT. 632 00:30:09,474 --> 00:30:12,010 I'M GONNA TAKE JAMES DOWN. 633 00:30:12,044 --> 00:30:13,980 I'M GONNA GET THE DRIVES TO THE CIA. 634 00:30:14,012 --> 00:30:17,482 NOW, MY MOM BOUGHT ME A SECOND CHANCE. 635 00:30:17,516 --> 00:30:19,151 I OWE IT TO HER TO USE IT. 636 00:30:19,184 --> 00:30:22,320 - ALL RIGHT, BROTHER. 637 00:30:22,354 --> 00:30:24,222 LET'S DO THIS. 638 00:30:24,256 --> 00:30:28,660 - FIVE SECONDS. WE GO ON MY SIGNAL. 639 00:30:28,693 --> 00:30:30,296 - JAMES, I'M COMING OUT! 640 00:30:30,328 --> 00:30:31,329 [guns click] 641 00:30:31,363 --> 00:30:32,898 - MICHAEL! 642 00:30:32,932 --> 00:30:36,468 I WAS BEGINNING TO WONDER IF WE UNDERSTOOD EACH OTHER. 643 00:30:36,501 --> 00:30:39,238 - WE UNDERSTAND EACH OTHER FINE. 644 00:30:39,270 --> 00:30:41,039 FIONA'S COMING OUT. 645 00:30:41,073 --> 00:30:44,343 SHE'S GONNA TALK TERMS FOR THE OTHERS. 646 00:30:44,375 --> 00:30:46,345 - [chuckles] THERE'S NOTHING TO NEGOTIATE, 647 00:30:46,377 --> 00:30:51,317 BUT IF SHE WANTS TO TALK, WE WILL TALK. 648 00:30:51,349 --> 00:30:54,819 BESIDES, I'D LIKE HER TO WATCH YOU DIE. 649 00:30:54,853 --> 00:30:57,855 THAT'S FAR ENOUGH, MICHAEL. YOU CAN STOP RIGHT THERE. 650 00:31:00,858 --> 00:31:02,861 - [softly] SHALL WE SHOOT THEM? 651 00:31:05,964 --> 00:31:09,401 [rock music] 652 00:31:09,434 --> 00:31:12,371 [gunfire] 653 00:31:16,875 --> 00:31:19,278 - I ONLY GOT ONE. - I ONLY GOT ONE. 654 00:31:33,558 --> 00:31:36,461 - TOMMY! GET HIM! 655 00:31:38,096 --> 00:31:42,901 MOVE IN, KILL MADELINE WESTEN AND THE BOY, NOW. 656 00:32:00,685 --> 00:32:03,288 - THIS ONE'S FOR MY BOYS. 657 00:32:03,321 --> 00:32:04,355 [detonator beeps] 658 00:32:18,836 --> 00:32:20,705 [gunfire] 659 00:32:25,344 --> 00:32:27,980 - LOOK AT ME. YOU STAY RIGHT HERE, OKAY? 660 00:32:28,013 --> 00:32:29,681 DO NOT MOVE. COVER YOUR EARS, BUDDY. 661 00:32:29,714 --> 00:32:32,151 COVER 'EM UP. 662 00:32:35,354 --> 00:32:37,423 [gunshots] 663 00:32:37,455 --> 00:32:38,789 - [grunts] 664 00:32:38,824 --> 00:32:41,527 - YOU READY TO GO, BUDDY? 665 00:32:41,559 --> 00:32:44,395 LET'S GO. 666 00:32:54,405 --> 00:32:56,407 [gunfire] 667 00:33:20,865 --> 00:33:22,933 [gunfire] 668 00:33:25,503 --> 00:33:27,205 [gun clicks] - AAH! 669 00:33:27,239 --> 00:33:28,473 I'M OUT. 670 00:33:28,507 --> 00:33:30,209 - I HAVE HALF A CLIP. 671 00:33:30,241 --> 00:33:32,144 - IT'S A VALIANT EFFORT, MICHAEL! 672 00:33:32,177 --> 00:33:34,180 NOBLE! 673 00:33:34,212 --> 00:33:37,083 YOU'RE ONLY DELAYING THE INEVITABLE! 674 00:33:37,115 --> 00:33:40,385 THIS IS OVER! [gunshots] 675 00:33:40,419 --> 00:33:42,520 YOU KNOW IT! 676 00:33:42,554 --> 00:33:44,556 [gun clicks] 677 00:33:49,060 --> 00:33:51,096 - JAMES' MEN ARE DEVOTED TO HIM. 678 00:33:51,130 --> 00:33:52,864 IF I MAKE A RUN FOR HIM, 679 00:33:52,897 --> 00:33:54,532 THEY'LL COME OUT FROM COVER TO DEFEND HIM. 680 00:33:54,566 --> 00:33:58,036 IF YOU'RE FAST, YOU CAN TAKE OUT THE LAST TWO. 681 00:33:58,069 --> 00:33:59,538 - AND THEN WHAT? 682 00:33:59,570 --> 00:34:01,839 YOU DON'T EVEN HAVE A GUN. 683 00:34:01,873 --> 00:34:03,409 - YOU'LL HAVE TO LEND ME YOURS. 684 00:34:03,442 --> 00:34:06,545 - WELL, THAT'S NOT POSSIBLE. 685 00:34:06,577 --> 00:34:08,547 IF THIS IS ABOUT YOUR DEATH WISH-- 686 00:34:08,579 --> 00:34:11,048 - I WANT TO LIVE. 687 00:34:11,083 --> 00:34:13,552 MAYBE MORE THAN I EVER HAVE. 688 00:34:22,927 --> 00:34:25,597 - WHEN YOU PUT IT THAT WAY... 689 00:34:41,447 --> 00:34:43,449 [gunfire] 690 00:34:43,481 --> 00:34:45,951 - [grunts] 691 00:34:53,492 --> 00:34:55,460 - MICHAEL! 692 00:35:00,498 --> 00:35:04,269 - [grunts] 693 00:35:15,514 --> 00:35:18,083 [panting] 694 00:35:18,115 --> 00:35:21,686 - IT'S OVER, JAMES. 695 00:35:22,688 --> 00:35:24,989 - SO WHAT NOW? 696 00:35:25,023 --> 00:35:26,992 YOU GONNA TURN ME IN? 697 00:35:27,025 --> 00:35:30,661 YOU GONNA HAND ME OVER TO THE CIA? 698 00:35:32,130 --> 00:35:34,766 WHAT ARE YOU LOOKING FOR? 699 00:35:34,800 --> 00:35:36,302 REDEMPTION? 700 00:35:36,335 --> 00:35:37,969 YOU WANT YOUR OLD LIFE BACK? 701 00:35:38,003 --> 00:35:39,438 IT'S GONE. 702 00:35:39,471 --> 00:35:41,507 IT WAS GONE WHEN YOU DECIDED 703 00:35:41,539 --> 00:35:44,476 THAT SHE WAS MORE IMPORTANT THAN ANYTHING ELSE. 704 00:35:44,510 --> 00:35:47,077 - I KNOW. 705 00:35:49,079 --> 00:35:51,782 TIME TO GO. - NOT GONNA HAPPEN. 706 00:35:51,817 --> 00:35:53,219 - YOU DON'T HAVE A CHOICE. 707 00:35:53,251 --> 00:35:56,387 - THERE'S ALWAYS A CHOICE, MICHAEL. 708 00:35:56,422 --> 00:36:01,559 THOSE EXPLOSIVES YOU SAW ON THE WAY IN... 709 00:36:01,592 --> 00:36:06,130 THEY'RE NOT JUST FOR KEEPING PEOPLE OUT. 710 00:36:06,164 --> 00:36:07,532 - MICHAEL, THAT'S A DEAD MAN SWITCH. 711 00:36:07,565 --> 00:36:09,335 - IT DIDN'T HAVE TO BE THIS WAY. 712 00:36:09,367 --> 00:36:10,568 WE COULD HAVE DONE AMAZING THINGS TOGETHER. 713 00:36:10,601 --> 00:36:13,704 WE COULD HAVE CHANGED THE WORLD. 714 00:36:13,739 --> 00:36:15,873 AH! ANOTHER LIFE. 715 00:36:15,907 --> 00:36:19,010 [rapid beeping] 716 00:36:19,043 --> 00:36:22,012 [somber music] 717 00:36:22,047 --> 00:36:30,121 * 718 00:37:11,228 --> 00:37:13,965 - THANKS FOR COMING. - WELL, WE DIDN'T HAVE A CHOICE. 719 00:37:13,998 --> 00:37:15,800 YOUR GUYS WALKED US IN FROM THE DETENTION AREA. 720 00:37:15,833 --> 00:37:20,306 - I KNOW THIS HAS BEEN A HARD TIME FOR A LOT OF REASONS. 721 00:37:20,338 --> 00:37:23,074 I CAN'T REALLY GET INTO ALL THE DETAILS, 722 00:37:23,108 --> 00:37:25,143 BUT I WANTED YOU TO KNOW THAT WE HAVE TRACKED DOWN 723 00:37:25,175 --> 00:37:28,280 OVER A HUNDRED OPERATIVES WORLDWIDE WHO WERE WORKING 724 00:37:28,313 --> 00:37:30,282 FOR JAMES' NETWORK, AND THEY WERE IN A POSITION 725 00:37:30,315 --> 00:37:32,784 TO DO A LOT OF DAMAGE. 726 00:37:32,818 --> 00:37:35,786 - WELL, I GUESS THAT'S SOMETHING TO THINK ABOUT... 727 00:37:35,820 --> 00:37:37,989 DURING THE LONG NIGHTS IN OUR CELLS. 728 00:37:38,023 --> 00:37:42,293 - ABOUT YOUR DETENTION, THERE ARE A LOT OF PEOPLE HERE 729 00:37:42,327 --> 00:37:44,329 WHO WANT TO LEAVE YOU THERE. 730 00:37:44,362 --> 00:37:46,130 THEY'RE JUST NOT IN A FORGIVING MOOD. 731 00:37:46,164 --> 00:37:50,168 - [scoffs] WELL...FIGURES AS MUCH. 732 00:37:50,201 --> 00:37:53,170 YOU KNOW SPIES... BUNCH OF BITCHY LITTLE GIRLS. 733 00:37:53,204 --> 00:37:54,505 [slurps drink] 734 00:37:54,539 --> 00:37:57,976 - YEAH, SOMETIMES. 735 00:37:58,009 --> 00:38:02,112 FACT IS, YOU'RE THE HEROES OF THIS OP. 736 00:38:02,146 --> 00:38:04,615 SO I PLAYED A LITTLE BUREAUCRATIC HARDBALL, 737 00:38:04,650 --> 00:38:06,617 AND, UH, I GOT YOU CLEARED. 738 00:38:06,652 --> 00:38:09,253 YOU CAN GO. 739 00:38:09,286 --> 00:38:10,822 - WHAT DO YOU MEAN? 740 00:38:10,856 --> 00:38:13,692 - I MEAN THERE'S A CAR WAITING FOR YOU DOWNSTAIRS. 741 00:38:13,724 --> 00:38:17,161 THEY'LL TAKE YOU. 742 00:38:17,195 --> 00:38:19,530 OH, HEY, UM, ONE MORE THING. 743 00:38:19,565 --> 00:38:23,335 THE WALL DOWNSTAIRS, THE MEMORIAL TO THE AGENTS 744 00:38:23,369 --> 00:38:25,003 FALLEN IN THE LINE OF DUTY? 745 00:38:25,036 --> 00:38:29,173 MICHAEL'S GONNA GET HIS STAR. 746 00:38:29,206 --> 00:38:32,210 - THANK YOU. 747 00:38:32,242 --> 00:38:36,614 [drumroll] 748 00:38:36,648 --> 00:38:38,384 [gunshots] 749 00:38:38,416 --> 00:38:41,387 [bagpipe playing somber music] 750 00:38:41,420 --> 00:38:46,291 - A SPY IS NEVER TRULY DONE BEING A SPY UNTIL HE'S DEAD. 751 00:38:46,324 --> 00:38:50,195 IT'S PART OF YOU. THE SKILLS, THE SECRETS... 752 00:38:50,228 --> 00:38:52,398 THEY NEVER GO AWAY. 753 00:38:52,431 --> 00:38:55,400 AND AS LONG AS YOU CAN BE USEFUL TO SOMEONE, 754 00:38:55,434 --> 00:38:58,235 IT'S YOUR FATE TO ALWAYS BE A SPY. 755 00:38:58,268 --> 00:39:01,572 * 756 00:39:01,606 --> 00:39:04,710 BUT IF THERE'S ONE THING SPIES ARE BAD AT, 757 00:39:04,742 --> 00:39:08,079 IT'S ACCEPTING FATE. 758 00:39:08,112 --> 00:39:16,121 * 759 00:39:59,465 --> 00:40:03,702 - WELL, THEY MISSED A GOOD FUNERAL. 760 00:40:03,735 --> 00:40:05,536 WHERE DO YOU THINK THEY ARE? 761 00:40:05,570 --> 00:40:07,371 - HARD TO SAY. 762 00:40:07,405 --> 00:40:11,376 LOT OF PLACES IN THE WORLD WITH C-4 AND YOGURT. 763 00:40:11,409 --> 00:40:13,411 WE'LL HEAR FROM THEM WHEN THE TIME IS RIGHT. 764 00:40:13,445 --> 00:40:15,045 - YEAH. 765 00:40:15,079 --> 00:40:17,615 - GOT ANY PLANS? 766 00:40:17,648 --> 00:40:20,318 - NOT REALLY, NO. YOU? 767 00:40:20,351 --> 00:40:22,788 - I'M SUPPOSED TO MEET A GUY LATER AT THE CARLITO. 768 00:40:22,820 --> 00:40:25,422 FRIEND OF ELSA'S. - YEAH? WHAT ABOUT? 769 00:40:25,456 --> 00:40:28,393 - I DON'T KNOW. SOME KIND OF PROBLEM. 770 00:40:28,425 --> 00:40:32,563 SOUNDED PRETTY DESPERATE ON THE PHONE. 771 00:40:32,597 --> 00:40:36,434 WANNA COME WITH? 772 00:40:36,467 --> 00:40:37,335 - YOU BUYING THE MOJITOS? 773 00:40:37,367 --> 00:40:41,438 - DEAL. 774 00:40:41,472 --> 00:40:46,443 GOOD LUCK, MIKE... WHEREVER YOU ARE. 775 00:40:46,478 --> 00:40:49,447 [gentle music] 776 00:40:49,481 --> 00:40:57,489 * 777 00:41:28,519 --> 00:41:30,387 - HOW'S HE DOING? - I THINK HE'S OKAY. 778 00:41:30,420 --> 00:41:32,489 HE JUST FELL ASLEEP LIKE THIS. 779 00:41:32,523 --> 00:41:35,626 SHOULD I, UM-- 780 00:41:35,661 --> 00:41:38,664 - OH, NO, I THINK HE'S FINE. 781 00:41:45,570 --> 00:41:47,237 - WHAT WILL I TELL HIM WHEN HE'S OLDER? 782 00:41:47,271 --> 00:41:51,208 - ABOUT WHAT? 783 00:41:51,242 --> 00:41:53,945 - ABOUT ME. 784 00:41:55,947 --> 00:41:59,050 - TELL HIM THE TRUTH. 785 00:42:01,186 --> 00:42:04,590 - WHERE WOULD I START? 786 00:42:07,192 --> 00:42:10,896 - START FROM THE BEGINNING. 787 00:42:10,929 --> 00:42:13,664 START WITH... 788 00:42:13,699 --> 00:42:18,536 "MY NAME IS MICHAEL WESTEN. I USED TO BE A SPY." 53206

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