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1
00:00:01,000 --> 00:00:02,702
Michael:
MY NAME IS MICHAEL WESTEN.
2
00:00:02,736 --> 00:00:04,038
I USED TO BE A SPY UNTIL...
3
00:00:04,072 --> 00:00:05,339
[ CELLPHONE RINGS ]
4
00:00:05,373 --> 00:00:07,041
MAN: We got a burn notice
on you. You're blacklisted.
5
00:00:07,075 --> 00:00:08,375
[ WHISTLES ]
6
00:00:08,409 --> 00:00:10,711
WHEN YOU'RE BURNED,
YOU'VE GOT NOTHING --
7
00:00:10,743 --> 00:00:12,980
NO CASH, NO CREDIT,
NO JOB HISTORY.
8
00:00:13,012 --> 00:00:15,483
YOU'RE STUCK IN WHATEVER CITY
THEY DECIDE TO DUMP YOU IN.
9
00:00:15,516 --> 00:00:17,318
WHERE AM I?
MIAMI.
10
00:00:17,350 --> 00:00:20,053
YOU DO WHATEVER WORK
COMES YOUR WAY.
11
00:00:20,088 --> 00:00:22,323
YOU RELY ON ANYONE
WHO'S STILL TALKING TO YOU.
12
00:00:22,356 --> 00:00:23,224
[ LAUGHS ]
13
00:00:23,257 --> 00:00:24,858
A TRIGGER-HAPPY GIRLFRIEND...
14
00:00:24,891 --> 00:00:26,327
SHOULD WE SHOOT THEM?
15
00:00:26,359 --> 00:00:28,161
...AN OLD FRIEND WHO USED
TO INFORM ON YOU TO THE FBI...
16
00:00:28,196 --> 00:00:30,897
YOU KNOW SPIES --
A BUNCH OF BITCHY LITTLE GIRLS.
17
00:00:30,931 --> 00:00:33,201
...FAMILY, TOO...
HEY, IS THAT YOUR MOM AGAIN?
18
00:00:33,234 --> 00:00:35,168
...IF YOU'RE DESPERATE....
SOMEONE NEEDS YOUR HELP,
MICHAEL.
19
00:00:35,203 --> 00:00:38,405
...AND A DOWN-AND-OUT SPY
YOU MET ALONG THE WAY.
20
00:00:38,439 --> 00:00:39,906
THAT'S HOW WE DO IT,
PEOPLE.
21
00:00:39,939 --> 00:00:42,743
BOTTOM LINE --
AS LONG AS YOU'RE BURNED,
22
00:00:42,776 --> 00:00:44,777
YOU'RE NOT GOING ANYWHERE.
23
00:00:47,448 --> 00:00:49,116
AYN, I NEED SOMETHING.
24
00:00:50,783 --> 00:00:51,884
I NEED TO DISAPPEAR.
25
00:00:51,918 --> 00:00:53,052
I MIGHT BE ABLE
26
00:00:53,087 --> 00:00:54,588
TO ARRANGE FOR YOU TO HAVE
A LITTLE PRIVACY.
27
00:00:54,621 --> 00:00:56,023
IF YOU HIDE ME,
28
00:00:56,055 --> 00:00:58,759
I THINK IT'S ONLY FAIR
THAT YOU BE THE ONE TO FIND ME.
29
00:00:58,792 --> 00:01:01,262
THAT KIND OF COOPERATION COULD
KNOCK YEARS OFF MY SENTENCE.
30
00:01:01,295 --> 00:01:05,533
SAY HELLO TO TYLER GRAY, THE MAN
WHO MURDERED YOUR BROTHER, NATE.
31
00:01:05,566 --> 00:01:06,599
Michael: GRAY!
32
00:01:06,634 --> 00:01:07,468
[ GRUNTS ]
33
00:01:07,501 --> 00:01:08,468
DON'T MOVE.
34
00:01:09,670 --> 00:01:10,771
I GOT HIM.
35
00:01:10,804 --> 00:01:12,206
NOW WE JUST WAIT
FOR CARD'S EXTRACTION TEAM.
36
00:01:12,239 --> 00:01:14,608
CARD ISN'T SENDING YOU
AN EXTRACTION TEAM.
37
00:01:14,641 --> 00:01:15,709
HOW DO YOU KNOW
ABOUT CARD?
38
00:01:15,742 --> 00:01:17,111
WHO DO YOU THINK
SENT ME OUT HERE?
39
00:01:17,144 --> 00:01:19,480
THIS WAS SUPPOSED TO BE
A SUICIDE MISSION FOR YOU.
40
00:01:19,513 --> 00:01:20,948
HE PLAYED BOTH OF US.
41
00:01:20,980 --> 00:01:22,582
Card: WHAT HAPPENED
TO THE TARGETS?
42
00:01:22,615 --> 00:01:24,718
I HAVE PEOPLE LOOKING --
THEY CAN'T FIND A TRACE.
43
00:01:24,751 --> 00:01:26,787
WHAT, YOU THINK I FORGOT
EVERYTHING YOU TAUGHT ME?
44
00:01:26,819 --> 00:01:28,989
I'm saying
Michael Westen is dead.
45
00:01:29,021 --> 00:01:30,823
I'M PROUD OF YOU, KID.
46
00:01:37,465 --> 00:01:39,633
DO YOU EVER WONDER
WHAT IT WOULD BE LIKE --
47
00:01:39,667 --> 00:01:42,135
ACTUALLY GETTING TO ENJOY
AN AFTERNOON LIKE THIS?
48
00:01:42,170 --> 00:01:44,171
I'M SORRY. WHO ARE YOU?
49
00:01:44,204 --> 00:01:46,340
I CAME HERE WITH MY BOYFRIEND,
MICHAEL WESTEN.
50
00:01:46,373 --> 00:01:48,975
I NEED A REST AS MUCH
AS YOU DO, FI -- BELIEVE ME.
51
00:01:49,009 --> 00:01:50,610
I'M GLAD
TO HEAR YOU SAY THAT.
52
00:01:50,644 --> 00:01:53,480
YOU'VE BEEN GETTING ABOUT AS
MUCH SLEEP AS A P.O.W. LATELY.
53
00:01:53,514 --> 00:01:55,649
ADMITTING THERE'S A PROBLEM
IS THE FIRST STEP.
54
00:01:57,685 --> 00:02:00,353
AFTER WE TAKE CARD DOWN,
WHAT DO YOU SAY WE GO --
55
00:02:00,388 --> 00:02:01,822
[ RUSTLING ]
56
00:02:01,855 --> 00:02:03,856
HEY. WHOA. WHOA. WHOA.
IT'S JUST ME.
57
00:02:03,891 --> 00:02:05,926
IT'S TRUE.
HE CAME ALONE.
58
00:02:05,959 --> 00:02:07,295
WHAT?
YOU BROUGHT A LOOKOUT?
59
00:02:07,328 --> 00:02:08,795
MORE LIKE BACKUP.
60
00:02:08,829 --> 00:02:10,598
IT'S ALMOST LIKE
YOU GUYS DON'T TRUST ME.
61
00:02:10,631 --> 00:02:11,664
WE WERE SUPPOSED TO
LAY LOW.
62
00:02:11,699 --> 00:02:12,865
WHY DID YOU WANT TO MEET?
63
00:02:12,900 --> 00:02:15,169
CARD REACHED OUT TO ME.
HE'S GETTING COMFORTABLE.
64
00:02:15,203 --> 00:02:17,337
I MEAN, OBVIOUSLY,
NOBODY FOUND YOUR BODIES.
65
00:02:17,371 --> 00:02:20,341
HE'S STARTING TO THINK
THAT THE F-18 INCINERATED YOU.
66
00:02:20,373 --> 00:02:22,376
SO, HE WANTS ME TO DO THE SAME
TO YOUR LOFT.
67
00:02:22,409 --> 00:02:24,010
HE TOLD ME
TO SEARCH YOUR PLACE
68
00:02:24,044 --> 00:02:27,046
FOR ANYTHING CONNECTED
TO THIS MESS AND THEN BURN IT.
69
00:02:27,079 --> 00:02:28,348
YOU'VE GOT TO BE
KIDDING ME.
70
00:02:28,382 --> 00:02:31,117
MICHAEL,
YOU CAN'T EXPECT ME TO PLAY DEAD
71
00:02:31,151 --> 00:02:33,152
WHILE THIS BASTARD
TURNS EVERYTHING WE OWN
72
00:02:33,187 --> 00:02:34,354
INTO A PILE OF ASH.
73
00:02:34,388 --> 00:02:35,889
FI,
THIS IS A HUGE BREAK.
74
00:02:35,923 --> 00:02:38,759
WE GET TO FEED CARD WHATEVER
INFORMATION WE WANT HIM TO HAVE.
75
00:02:40,228 --> 00:02:42,195
DO YOU WANT TO HOLD ON
TO ALL OF OUR OLD STUFF,
76
00:02:42,229 --> 00:02:43,997
OR DO YOU WANT TO
NAIL CARD TO THE WALL?
77
00:02:48,602 --> 00:02:50,903
FINE.
78
00:02:50,937 --> 00:02:56,075
BUT I'M NOT LETTING HIM
RANSACK AND TORCH OUR HOME.
79
00:02:56,109 --> 00:02:57,411
WE'LL DO IT TOGETHER.
80
00:03:03,217 --> 00:03:06,719
PLANTING FALSE INFORMATION
FOR AN ENEMY TO FIND
81
00:03:06,753 --> 00:03:08,087
IS A SUBTLE ART.
82
00:03:08,121 --> 00:03:10,390
THERE HAS TO BE
ENOUGH SOLID INFORMATION
83
00:03:10,424 --> 00:03:11,724
TO MAKE IT SEEM CREDIBLE,
84
00:03:11,759 --> 00:03:14,228
BUT NOT SO MUCH
IT CAN BE VERIFIED.
85
00:03:14,262 --> 00:03:16,829
DO IT RIGHT, AND YOU CAN MAKE
YOUR TARGET SO PARANOID,
86
00:03:16,864 --> 00:03:18,064
THEY'LL BE READY TO CRACK.
87
00:03:18,098 --> 00:03:19,400
ALL RIGHT.
88
00:03:19,432 --> 00:03:21,568
THIS SHOULD LOOK LIKE
WE'RE JUST A FEW STEPS AWAY
89
00:03:21,602 --> 00:03:23,236
FROM CONNECTING
ANSON TO CARD.
90
00:03:23,271 --> 00:03:26,105
LOOKS LEGIT.
YOU THINK THERE'S ENOUGH HERE?
91
00:03:26,139 --> 00:03:29,042
BELIEVE ME -- QUESTIONS ARE
SCARIER THAN ANSWERS.
92
00:03:29,075 --> 00:03:31,110
YOU HELP HIM CONNECT THE DOTS,
SHOW HIM HOW WORRIED YOU ARE,
93
00:03:31,144 --> 00:03:32,579
YOU CAN PUSH
FOR MORE INTEL.
94
00:03:32,612 --> 00:03:34,114
HOW MANY MANY OF THESE
DO I GET TO TAKE?
95
00:03:34,146 --> 00:03:36,216
OH, I DON'T KNOW, FI.
TWO OR THREE?
96
00:03:36,250 --> 00:03:39,420
IT HAS TO LOOK LIKE
ALL OF OUR STUFF HAS BURNED,
97
00:03:39,453 --> 00:03:41,788
SO...ALL OF OUR STUFF
HAS TO BURN.
98
00:03:41,822 --> 00:03:42,756
[ SIGHS ]
99
00:03:42,789 --> 00:03:43,924
[ KNOCK ON DOOR ]
100
00:03:43,956 --> 00:03:45,224
WHAT THE HELL WAS THAT?
101
00:03:45,259 --> 00:03:46,960
I THOUGHT NOBODY KNEW
YOU WERE BACK.
NOBODY DOES.
102
00:03:46,993 --> 00:03:50,229
BUT MOST PEOPLE
DON'T KNOW WE'RE DEAD, EITHER.
103
00:03:58,671 --> 00:04:00,441
AND A GOOD EVENING TO YOU,
TOO.
104
00:04:00,473 --> 00:04:02,475
WHAT ARE YOU DOING HERE?
YOU KNOW HER?
105
00:04:02,509 --> 00:04:04,777
I'M AYN. WE GO BACK.
106
00:04:04,812 --> 00:04:07,814
ALL THE WAY BACK
TO ALLAROD FEDERAL PENITENTIARY.
107
00:04:07,848 --> 00:04:09,149
I JUST GOT OUT.
108
00:04:09,181 --> 00:04:11,050
CRIMINAL,
I GOT A SERIOUS PROBLEM.
109
00:04:11,084 --> 00:04:12,319
YOU AND I NEED TO TALK.
110
00:04:18,591 --> 00:04:19,627
IT'S MICHAEL, RIGHT?
111
00:04:19,660 --> 00:04:21,661
I HEARD A BIT ABOUT YOU
FROM THIS ONE.
112
00:04:21,694 --> 00:04:23,297
LOOKS LIKE
SHE WASN'T LYING.
113
00:04:23,331 --> 00:04:24,398
WHO IS THIS PERSON?
114
00:04:24,432 --> 00:04:26,266
HOW -- HOW DID YOU KNOW
WE WERE HERE?
115
00:04:26,300 --> 00:04:29,069
I PAID SOME NEIGHBORHOOD KIDS
TO CALL IF ANYBODY SHOWED UP.
116
00:04:29,101 --> 00:04:30,737
LITTLE HOPPERS
DESERVE A BONUS.
117
00:04:30,771 --> 00:04:32,639
Y'ALL DIDN'T EVEN
TURN ON THE LIGHTS.
118
00:04:32,673 --> 00:04:33,641
OH.
119
00:04:33,673 --> 00:04:36,644
I GUESS I CAN SEE WHY.
NO, NO, NO.
120
00:04:36,677 --> 00:04:39,646
WE'RE NOT ARSONISTS.
IT'S, UH --
NOT MY BUSINESS.
NOT WHY I'M HERE.
121
00:04:39,680 --> 00:04:41,281
WHY A YOU HERE?
WELL, YOU KNOW,
122
00:04:41,314 --> 00:04:42,983
GIRLFRIEND HERE
HELPED SPRING ME.
123
00:04:43,016 --> 00:04:45,952
BUT SO FAR, BEING OUT
ISN'T MUCH BETTER THAN PRISON.
124
00:04:45,985 --> 00:04:49,021
I GOT A COP AFTER ME --
A DIRTY DETECTIVE NAMED GARZA.
125
00:04:49,055 --> 00:04:50,858
WELL,
THAT DIDN'T TAKE LONG.
126
00:04:50,891 --> 00:04:52,826
HEY. I'VE BEEN KEEPING
MY NOSE CLEAN.
127
00:04:52,860 --> 00:04:53,927
THIS IS OLD BUSINESS.
128
00:04:53,961 --> 00:04:55,829
GARZA'S BEEN HAUNTING ME
SINCE I GOT HOME.
129
00:04:55,862 --> 00:04:57,764
YESTERDAY HE CAUGHT UP TO ME
ON THE STREET,
130
00:04:57,798 --> 00:04:58,798
TOLD ME POINT BLANK,
131
00:04:58,831 --> 00:05:00,300
"YOU'RE GONNA WISH
YOU STAYED IN."
132
00:05:00,334 --> 00:05:01,834
WHAT DO YOU THINK
HE'S GONNA DO?
133
00:05:01,869 --> 00:05:04,504
I DON'T KNOW.
BUT I KNOW I NEED HELP.
134
00:05:04,538 --> 00:05:06,406
IT'S JUST THAT RIGHT NOW'S
NOT A GOOD TIME.
135
00:05:07,641 --> 00:05:09,410
BUT WE'RE GONNA HELP YOU
ANYWAY.
136
00:05:12,713 --> 00:05:13,947
HERE'S MY NUMBER.
137
00:05:13,980 --> 00:05:15,014
[ SIGHS ]
138
00:05:15,048 --> 00:05:17,817
FI, CAN I TALK TO YOU
FOR A MINUTE?
139
00:05:17,850 --> 00:05:19,519
NOW IS NOT A GOOD TIME.
140
00:05:19,552 --> 00:05:20,853
YOU CALL ME FIRST THING.
141
00:05:20,887 --> 00:05:23,223
WE'LL GO OVER THE DETAILS,
AND WE'LL GET TO WORK, OKAY?
142
00:05:23,255 --> 00:05:24,492
THANKS.
143
00:05:24,524 --> 00:05:27,360
I'LL LET YOU GET BACK TO...
WHATEVER THIS IS.
144
00:05:29,562 --> 00:05:30,963
[ DOOR CLOSES ]
145
00:05:30,997 --> 00:05:32,298
WHAT WAS THAT?
146
00:05:32,331 --> 00:05:33,834
WE'RE SUPPOSED TO BE
PLAYING DEAD.
147
00:05:33,867 --> 00:05:35,968
WELL, I WOULD HAVE BEEN DEAD
IF IT WEREN'T FOR AYN.
148
00:05:36,002 --> 00:05:37,370
SHE SAVED MY LIFE
IN PRISON.
149
00:05:37,404 --> 00:05:38,838
I KNOW THE TIMING
ISN'T GREAT,
150
00:05:38,872 --> 00:05:40,139
BUT HER PROBLEM
ISN'T GONNA WAIT
151
00:05:40,173 --> 00:05:41,375
TILL IT'S CONVENIENT FOR US.
152
00:05:41,408 --> 00:05:44,343
WE CAN'T GO UP AGAINST A COP
RIGHT NOW. WE JUST CAN'T.
153
00:05:44,377 --> 00:05:47,848
FINE.
154
00:05:47,880 --> 00:05:50,149
WELL, IF THAT'S THE WAY
YOU FEEL, I'LL DO IT MYSELF.
155
00:05:50,182 --> 00:05:52,886
WHAT THE HELL
ARE YOU LOOKING AT?
156
00:05:52,920 --> 00:05:55,755
YOU'RE SUPPOSED TO BE
BURNING DOWN MY HOUSE.
157
00:06:05,098 --> 00:06:07,535
[ CELLPHONE RINGS ]
158
00:06:07,567 --> 00:06:09,101
[ CELLPHONE BEEPS ]
159
00:06:09,136 --> 00:06:10,336
TOOK YOU LONG ENOUGH,
BUCKO.
160
00:06:10,370 --> 00:06:11,439
IT'S NOT DONE YET.
161
00:06:11,471 --> 00:06:13,173
Then why are you interrupting
my "me" time?
162
00:06:13,206 --> 00:06:14,374
I FOUND SOMETHING.
163
00:06:14,408 --> 00:06:16,175
IT LOOKS LIKE WESTEN
WAS PUTTING SOMETHING TOGETHER.
164
00:06:16,209 --> 00:06:19,846
WHAT? THE --
165
00:06:19,879 --> 00:06:22,048
YOU KNOW WHAT? NEVER MIND.
THIS ISN'T THE TIME.
166
00:06:22,081 --> 00:06:23,182
YOU JUST GO AHEAD
167
00:06:23,216 --> 00:06:25,084
AND GRAB WHATEVER'S GOT
YOUR PANTIES IN A BUNCH.
168
00:06:25,117 --> 00:06:26,086
LIGHT A MATCH.
169
00:06:26,119 --> 00:06:27,588
You can brief me tomorrow.
170
00:06:27,620 --> 00:06:28,755
[ CELLPHONE BEEPS ]
171
00:06:28,788 --> 00:06:30,591
MISSION ACCOMPLISHED.
CARD'S SPOOKED.
172
00:06:30,624 --> 00:06:32,625
TIME TO LIGHT THIS PLACE UP.
173
00:06:32,659 --> 00:06:33,927
[ SIGHS ]
174
00:06:33,961 --> 00:06:36,196
WE CAN TAKE IT FROM HERE.
175
00:06:36,228 --> 00:06:37,898
WHY DON'T YOU
GIVE US A MINUTE?
176
00:06:47,139 --> 00:06:48,908
ARE YOU OKAY?
YOU OKAY?
177
00:06:54,247 --> 00:06:56,550
[ SIGHS ]
178
00:06:56,584 --> 00:06:59,552
IT'S THE ONLY HOME
WE'VE SHARED.
179
00:06:59,586 --> 00:07:00,653
IT WON'T BE THE LAST.
180
00:07:05,291 --> 00:07:07,160
[ BREATHES DEEPLY ]
181
00:07:09,797 --> 00:07:11,163
[ SIGHS ]
182
00:07:11,197 --> 00:07:13,533
[ DEVICE BEEPS ]
183
00:08:03,817 --> 00:08:04,884
THANKS FOR WAITING UP.
184
00:08:04,918 --> 00:08:08,055
I'M SORRY
WE HAVE TO MEET LIKE THIS.
185
00:08:08,088 --> 00:08:09,856
THIS STORY
THAT WE'VE ALL BEEN KILLED --
186
00:08:09,889 --> 00:08:11,658
YOU WON'T HAVE TO PRETEND
MUCH LONGER.
187
00:08:14,995 --> 00:08:16,863
YOU SMELL LIKE A BARBECUE.
188
00:08:19,098 --> 00:08:21,401
YEAH, WE HAD TO...
BURN THE LOFT.
189
00:08:21,434 --> 00:08:25,172
"HAD TO."
190
00:08:25,204 --> 00:08:27,940
LIKE YOU "HAD TO" WORK WITH
THE MAN WHO KILLED YOUR BROTHER?
191
00:08:28,908 --> 00:08:29,877
DID YOU THINK
I WAS STUPID?
192
00:08:29,910 --> 00:08:32,546
YOU GO TO PANAMA
TO CATCH TYLER GRAY.
193
00:08:32,580 --> 00:08:34,380
IT OCCURRED TO ME
THIS MORNING...
194
00:08:34,413 --> 00:08:36,082
I HAVEN'T HEARD
HIS NAME SINCE.
195
00:08:36,115 --> 00:08:37,684
I'M SORRY.
I DIDN'T WANT TO --
196
00:08:37,717 --> 00:08:39,385
I KNOW DAMN WELL WHY
YOU DIDN'T WANT TO TELL ME.
197
00:08:39,418 --> 00:08:41,520
TOM CARD IS THE REASON
NATE'S DEAD.
198
00:08:41,554 --> 00:08:45,424
TYLER GRAY IS --
HE'S JUST A GUN.
199
00:08:45,457 --> 00:08:48,360
YEAH, WELL,
I WANT TO TALK TO THE "GUN."
200
00:08:48,394 --> 00:08:50,931
MOM, HE WON'T BE ABLE TO
GIVE YOU THE ANSWERS YOU NEED.
201
00:08:50,963 --> 00:08:52,399
WELL, MAYBE NOT.
202
00:08:52,432 --> 00:08:56,536
BUT I LOST MY SON,
AND I GET TO ASK THE QUESTIONS.
203
00:08:56,570 --> 00:08:58,138
SET IT UP.
204
00:09:00,607 --> 00:09:03,009
[ INDISTINCT CONVERSATIONS ]
205
00:09:03,043 --> 00:09:05,278
WELL, YOUR PAL'S GOT
A NICE PLACE HERE.
206
00:09:05,312 --> 00:09:08,280
I'M STARTING TO THINK MIKE HAD
THE RIGHT IDEA OPTING OUT.
207
00:09:08,315 --> 00:09:09,349
[ SIGHS ]
208
00:09:09,381 --> 00:09:11,118
HE OPTED OUT
BECAUSE HE'S BEING AN ASS.
209
00:09:11,150 --> 00:09:13,253
YOU KNOW HOW MANY JOBS
I'VE HELPED HIM WITH?
210
00:09:13,285 --> 00:09:15,221
OKAY, BUT HOW MANY
OF THOSE JOBS HAPPENED
211
00:09:15,254 --> 00:09:17,090
WHILE YOU WERE
SUPPOSED TO BE PLAYING DEAD?
212
00:09:17,124 --> 00:09:18,859
I MEAN, HELL,
THE ONLY REASON I'M HERE
213
00:09:18,892 --> 00:09:21,427
IS TO KEEP YOU FROM
BLOWING UP A POLICE STATION
AND BLOWING OUR COVER.
214
00:09:21,461 --> 00:09:23,029
THE POINT IS, YOU'RE HERE.
215
00:09:23,062 --> 00:09:24,197
YEAH, WELL,
I WISH I WASN'T.
216
00:09:24,230 --> 00:09:25,698
I'M NOT TOO THRILLED
ABOUT GOING TO BAT
217
00:09:25,732 --> 00:09:27,200
FOR SOMEBODY
WHO JUST GOT OUT OF JAIL.
218
00:09:27,234 --> 00:09:30,638
HI. ARE YOU THE PEOPLE
WHO ARE SUPPOSED TO HELP MY MOM?
219
00:09:30,671 --> 00:09:32,304
YEAH, WE ARE.
220
00:09:32,338 --> 00:09:33,774
RIGHT, SAM?
221
00:09:33,807 --> 00:09:35,375
[ CHUCKLES ]
222
00:09:35,408 --> 00:09:37,309
HEY.
[ CHUCKLES ]
223
00:09:41,782 --> 00:09:45,885
WHEN I WENT IN, AMARI DIDN'T
KNOW HOW TO ASK FOR BREAKFAST.
224
00:09:45,918 --> 00:09:48,587
NOW HE MAKES ME EGGS
EVERY MORNING.
225
00:09:48,621 --> 00:09:51,457
I'VE ALREADY MISSED
TOO MUCH OF THAT BOY'S LIFE.
226
00:09:51,490 --> 00:09:54,293
TELL US ABOUT THIS COP
THAT'S COMING AFTER YOU.
227
00:09:54,326 --> 00:09:55,495
WHAT'S HIS PROBLEM?
228
00:09:55,528 --> 00:09:57,831
THE MAN I WENT TO PRISON
FOR KILLING.
229
00:09:57,865 --> 00:09:59,432
MY BROTHER-IN-LAW, MARCUS.
230
00:09:59,466 --> 00:10:01,500
HE WAS
DETECTIVE GARZA'S C.I.
231
00:10:01,533 --> 00:10:03,636
AND SHE'S THE GOOD GUY
IN THIS SCENARIO?
232
00:10:03,671 --> 00:10:05,938
HEY, I THOUGHT YOU SAID
THIS GUY WAS COOL.
233
00:10:05,972 --> 00:10:07,307
NO, ACTUALLY,
I'M N THAT COOL --
234
00:10:07,340 --> 00:10:09,241
NOT WHEN IT COMES
TO KILLING POLICE INFORMANTS.
235
00:10:09,275 --> 00:10:10,442
HOW ABOUT WIFE-BEATERS?
236
00:10:10,476 --> 00:10:13,245
THE SON OF A BITCH
NEARLY KILLED MY SISTER,
237
00:10:13,279 --> 00:10:14,815
AND GARZA LET HIM DO IT.
238
00:10:14,847 --> 00:10:17,317
I GUESS YOU DID
WHAT YOU HAD TO DO.
239
00:10:17,350 --> 00:10:20,120
WHY WAS GARZA
PROTECTING HIM?
240
00:10:20,153 --> 00:10:22,322
MARCUS WAS FEEDING HIM DIRT
ON THE GARDEN TERRACE MAFIA.
241
00:10:22,355 --> 00:10:23,990
GARZA HATES THAT CREW.
242
00:10:24,024 --> 00:10:25,258
THEY KILLED HIS PARTNER,
243
00:10:25,292 --> 00:10:27,427
AND HE'S BEEN OUT FOR REVENGE
EVER SINCE.
244
00:10:27,460 --> 00:10:29,028
MOM!
THERE'S POLICEMEN OUTSIDE!
245
00:10:34,835 --> 00:10:35,903
THAT'S GARZA.
246
00:10:38,171 --> 00:10:40,472
AND HE BROUGHT MY P.O.
THIS IS GONNA BE BAD.
247
00:10:40,506 --> 00:10:42,142
HE'S GONNA
VIOLATE MY PAROLE.
248
00:10:42,174 --> 00:10:44,476
IS THERE SOME OTHER WAY
OUT OF HERE, LIKE A BACK WINDOW?
249
00:10:44,510 --> 00:10:46,113
THEY'VE ALL GOT BARS
ON THEM.
250
00:10:46,145 --> 00:10:47,547
WELL, THEN, WE'RE JUST
GONNA HAVE TO BUST OUT.
251
00:10:47,580 --> 00:10:49,048
GOT A LAUNDRY ROOM?
END OF THE HALL.
252
00:10:49,081 --> 00:10:50,383
OKAY.
WE'LL GO OUT THAT WAY.
253
00:10:50,417 --> 00:10:52,485
I CAN'T GO WITH YOU.
AYN --
254
00:10:52,519 --> 00:10:54,520
IF I RUN FROM MY P.O.,
I REALLY AM GUILTY.
255
00:10:54,553 --> 00:10:56,155
THERE'LL BE NO WAY
TO GET ME OUT.
256
00:10:56,188 --> 00:10:58,658
AMARI WILL GO
BACK INTO FOSTER CARE.
257
00:10:58,692 --> 00:11:00,293
I CAN'T WATCH THAT
HAPPEN AGAIN.
258
00:11:00,326 --> 00:11:02,361
PLEASE, TAKE HIM WITH YOU.
259
00:11:07,234 --> 00:11:11,604
WE NEED TO MOVE IT.
THEY'RE ON THEIR WAY UP.
260
00:11:15,241 --> 00:11:17,210
FI, GIVE ME A HAND HERE.
261
00:11:19,678 --> 00:11:21,715
MOST
LATE-MODEL WASHING MACHINES
262
00:11:21,749 --> 00:11:24,884
SPIN AT SPEEDS
OF OVER 1,200 RPMs
263
00:11:24,918 --> 00:11:27,220
AND CREATE
MORE THAN 100 G's OF FORCE.
264
00:11:27,254 --> 00:11:29,856
THAT'S MORE THAN ENOUGH
TO RIP OFF YOUR FINGER...
265
00:11:29,889 --> 00:11:33,025
OR PULL A CURTAIN ROD THROUGH
A COUPLE LAYERS OF DRYWALL.
266
00:11:33,059 --> 00:11:35,562
[ WASHING MACHINE WHIRS ]
267
00:11:39,432 --> 00:11:41,835
[ BANGING ON DOOR ]
268
00:11:41,869 --> 00:11:43,903
HOLD ON!
I'M GETTING DRESSED!
269
00:11:43,937 --> 00:11:48,008
Garza: OPEN UP, REEDS! COME ON!
I GOT YOUR P.O. OVER HERE!
270
00:11:48,040 --> 00:11:49,408
DENY US ENTRY,
271
00:11:49,442 --> 00:11:51,577
I'M GONNA THROW YOUR SORRY ASS
BACK IN JAIL. YOU HEAR ME?
272
00:11:51,610 --> 00:11:52,578
[ BANGING ON DOOR ]
273
00:11:52,611 --> 00:11:55,682
JESUS.
WHAT ARE YOU, DEAF, WOMAN?
274
00:11:55,715 --> 00:11:58,018
GOT A TIP YOU WERE SCORING DRUGS
DOWN THE BLOCK.
275
00:11:58,051 --> 00:11:59,418
GO ON.
SEARCH IT.
276
00:11:59,451 --> 00:12:01,855
IS YOUR BOY HERE?
277
00:12:01,889 --> 00:12:03,289
Ayn: YOU LEAVE MY BOY
OUT OF THIS.
278
00:12:03,322 --> 00:12:04,691
I'VE NEVER DONE DRUGS
IN MY LIFE.
279
00:12:04,724 --> 00:12:06,125
YOU GOT NO RIGHT
COMING IN HERE.
280
00:12:06,158 --> 00:12:07,059
[ CHUCKLES ]
281
00:12:07,094 --> 00:12:08,461
BACK HER UP.
BACK THIS GIRL UP.
282
00:12:10,898 --> 00:12:13,633
CALM DOWN, MA'AM.
YOU NEED TO CALM DOWN.
283
00:12:15,467 --> 00:12:16,970
WHOA, WHOA, WHOA.
LOOK AT THIS.
284
00:12:18,138 --> 00:12:20,106
SURPRISE, SURPRISE.
285
00:12:20,139 --> 00:12:22,274
LOOKS LIKE YOU'LL BE FINISHING
YOUR SENTENCE AFTER ALL.
286
00:12:22,308 --> 00:12:23,710
THAT'S NOT MINE!
287
00:12:23,743 --> 00:12:24,977
YES, IT IS.
288
00:12:25,011 --> 00:12:26,312
YOU KILL A MAN, YOU DO THE TIME
AND PAY THE PRICE.
289
00:12:26,346 --> 00:12:28,380
HE PLANTED THAT!
290
00:12:28,414 --> 00:12:29,716
SHUT YOUR MOUTH.
291
00:12:29,749 --> 00:12:32,786
OKAY, AMARI. HERE WE GO.
JUST A LITTLE TRIP.
292
00:12:32,820 --> 00:12:35,054
EASY-PEASY.
293
00:12:35,087 --> 00:12:36,489
[ GRUNTS ]
294
00:12:36,523 --> 00:12:38,158
OKAY, YEAH, YEAH.
DON'T -- DON'T GET THE NECK.
295
00:12:38,191 --> 00:12:39,225
THERE WE GO.
296
00:12:39,259 --> 00:12:40,894
Garza: NOW, GO ON.
KEEP SEARCHING.
297
00:12:40,927 --> 00:12:42,796
THE KID'S GOT TO BE HERE
SOMEWHERE.
298
00:12:42,830 --> 00:12:45,298
HANG ON, ALL RIGHT?
HERE WE GO.
299
00:12:45,331 --> 00:12:47,734
[ GRUNTS ]
300
00:12:47,767 --> 00:12:49,568
Officer:
WHAT THE HELL WAS THAT?
301
00:12:49,601 --> 00:12:51,904
DON'T KNOW.
KID'S NOT HERE.
302
00:12:51,938 --> 00:12:54,441
LET HIM BE.
HE'S AT HIS GRANDMA'S HOUSE.
303
00:12:54,474 --> 00:12:57,244
DON'T TELL ME WHAT TO DO,
KILLER. NOW, LET'S GO.
304
00:12:57,277 --> 00:13:00,113
I'M GONNA TAKE YOU
BACK WHERE YOU BELONG.
305
00:13:10,356 --> 00:13:12,091
Sam:
THERE YOU GO. FREE CANDY.
306
00:13:12,125 --> 00:13:13,592
FOR REAL?
YEP.
307
00:13:13,625 --> 00:13:15,327
I'M FRIENDS WITH THE LADY
WHO OWNS THIS PLACE,
308
00:13:15,361 --> 00:13:16,729
SO YOU CAN HAVE
WHATEVER YOU WANT.
309
00:13:18,164 --> 00:13:21,100
NOW, LOOK, UH...I KNOW YOU'RE
WORRIED ABOUT YOUR MOM.
310
00:13:21,134 --> 00:13:23,536
BUT WE'RE GONNA GET HER OUT,
OKAY?
311
00:13:23,570 --> 00:13:24,703
I PROMISE YOU.
312
00:13:30,743 --> 00:13:33,446
IF YOU NEED THIS GUY TO COP TO
PLANTING DRUGS ON YOUR FRIEND,
313
00:13:33,480 --> 00:13:35,148
BLACKMAIL
IS THE EASIEST WAY TO GO.
314
00:13:35,182 --> 00:13:36,816
YOU KNOW
WHAT I WOULD LIKE TO DO?
315
00:13:36,850 --> 00:13:38,817
I WOULD LIKE TO MARCH
INTO THE NEAREST POLICE STATION
316
00:13:38,851 --> 00:13:40,153
AND TELL THEM
THAT HE'S DIRTY.
317
00:13:40,187 --> 00:13:42,956
BUT I CAN'T
BECAUSE I AM TRAPPED
318
00:13:42,990 --> 00:13:45,158
IN THE WORLD'S NICEST
SAFE HOUSE.
319
00:13:45,192 --> 00:13:47,527
FI, WHAT YOU NEED
IS PROOF HE'S DIRTY.
320
00:13:47,559 --> 00:13:49,996
GARZA'S NEVER BEEN ABLE
TO FIND ANOTHER C.I.
321
00:13:50,029 --> 00:13:52,532
TO TAKE DOWN THE CREW
THAT KILLED HIS PARTNER.
322
00:13:52,565 --> 00:13:53,700
LET'S GIVE HIM ONE.
323
00:13:53,732 --> 00:13:55,001
WELL,
A NEW FRIEND LIKE THAT
324
00:13:55,034 --> 00:13:56,536
COULD TALK HIM
INTO DOING SOME DIRT.
325
00:13:56,568 --> 00:13:58,538
MAYBE STEAL SOME EVIDENCE
FROM POLICE IMPOUND --
326
00:13:58,571 --> 00:13:59,838
THAT WOULD BE ENOUGH.
327
00:13:59,873 --> 00:14:02,875
BUT, OF COURSE,
THE QUESTION IS,
328
00:14:02,909 --> 00:14:07,714
WHO COULD PASS
FOR A...GANG MEMBER?
329
00:14:11,018 --> 00:14:12,019
WHAT?
330
00:14:12,052 --> 00:14:13,086
Michael:
I HATE TO ASK.
331
00:14:13,120 --> 00:14:14,053
WOW.
332
00:14:14,086 --> 00:14:15,388
SERIOUSLY? GUYS?
333
00:14:15,422 --> 00:14:17,423
NOW IS GOOD TIME
TO GO AFTER A COP
334
00:14:17,456 --> 00:14:18,691
ON BEHALF
OF A CONVICTED MURDERER?
335
00:14:18,725 --> 00:14:19,725
NO, THANK YOU.
336
00:14:19,759 --> 00:14:21,528
GARZA DOESN'T DESERVE
TO CALL HIMSELF A COP.
337
00:14:21,561 --> 00:14:23,763
AND YOU'RE WRONG ABOUT AYN.
338
00:14:23,796 --> 00:14:26,033
SHE'S A GOOD PERSON.
339
00:14:26,066 --> 00:14:27,200
SHE KILLED A GUY, FI.
340
00:14:27,234 --> 00:14:28,567
SO, AS A PERSON,
I'D GIVE HER, LIKE, A "C."
341
00:14:28,600 --> 00:14:29,568
C-PLUS TOPS.
342
00:14:29,601 --> 00:14:31,571
JESSE, IF YOU DON'T HELP,
343
00:14:31,604 --> 00:14:34,573
THAT KID IS GONNA GROW UP
WITHOUT A MOTHER.
344
00:14:34,606 --> 00:14:35,741
[ SIGHS ]
345
00:14:35,774 --> 00:14:37,543
YOU KNOW SOMETHING
ABOUT THAT.
346
00:14:37,576 --> 00:14:38,912
JUST GIVE ME
THE DAMN PHONE.
347
00:14:38,946 --> 00:14:41,081
LET ME CALL THIS BASTARD
BEFORE I CHANGE MY MIND.
348
00:14:48,087 --> 00:14:50,090
WHEN POSING
AS A HARD-CORE CRIMINAL,
349
00:14:50,123 --> 00:14:51,790
THE KEY IS TO COME ON STRONG.
350
00:14:51,823 --> 00:14:54,394
YOU SIT IN THE POWER POSITION
IN THE ROOM
351
00:14:54,427 --> 00:14:56,763
AND TAKE UP AS MUCH SPACE
AS POSSIBLE.
352
00:14:56,796 --> 00:14:57,965
DETECTIVE. YO.
353
00:14:57,998 --> 00:14:59,631
WHAT'S GOING ON, BABY?
354
00:14:59,665 --> 00:15:03,602
AND YOU NEVER, EVER SHOW
ANY RESPECT FOR THE POLICE.
355
00:15:03,635 --> 00:15:05,138
I'M YOUR DATE,
PLAYBOY.
356
00:15:05,172 --> 00:15:06,572
LUCKY YOU, RIGHT?
SHH! SHH-SHH-SHH.
357
00:15:06,605 --> 00:15:07,941
YOU WANT TO GET DOWN
ON SOME FOOD?
358
00:15:07,975 --> 00:15:09,642
LISTEN,
THANKS FOR MAKING THE DRIVE,
359
00:15:09,676 --> 00:15:11,278
BUT YOU GOT TO KEEP YOUR
GODDAMN VOICE DOWN, ALL RIGHT?
360
00:15:11,311 --> 00:15:12,778
MY BAD.
361
00:15:12,812 --> 00:15:14,480
Waitress:
HERE YOU GO, DETECTIVE.
362
00:15:14,514 --> 00:15:15,648
HOW YOU DOING?
363
00:15:15,682 --> 00:15:18,418
JACE ROBINSON'S GONNA SOLVE
ALL MY PROBLEMS
364
00:15:18,451 --> 00:15:19,986
WITH THE G.T. MAFIA, HUH?
365
00:15:20,019 --> 00:15:21,788
DON'T BE COMING UP IN HERE
USING MY REAL NAME, MAN.
366
00:15:21,821 --> 00:15:23,789
I TOLD YOU ON THE PHONE --
YOU CALL ME J-TRAIN.
367
00:15:23,822 --> 00:15:25,993
[ LAUGHS ]
368
00:15:26,025 --> 00:15:28,628
I THINK I WOULD REMEMBER
AN A.K.A. THAT STUPID.
369
00:15:28,661 --> 00:15:30,397
WE GOT NO RECORD OF YOU.
370
00:15:30,429 --> 00:15:32,399
SO,
WHO THE HELL ARE YOU?
371
00:15:32,432 --> 00:15:34,634
LOOK, I AIN'T GONNA BE
ALL UP IN YOUR SYSTEM, MAN.
372
00:15:34,667 --> 00:15:36,168
I'M NEW BLOOD.
I'M FROM QUEENS.
373
00:15:36,202 --> 00:15:38,105
I WASN'T GETTING MY DUE
UP IN THE APPLE.
374
00:15:38,138 --> 00:15:39,306
I CAME DOWN HERE LAST YEAR.
375
00:15:39,338 --> 00:15:40,673
KA-BLOOEY.
I'M BLOWING UP.
376
00:15:40,706 --> 00:15:42,475
YOU'RE "BLOWING UP," HUH?
THAT'S RIGHT.
377
00:15:42,509 --> 00:15:44,076
AND YOU THOUGHT
YOUR NEXT LOGICAL STEP
378
00:15:44,110 --> 00:15:45,177
IS TO BECOME A SNITCH?
379
00:15:45,211 --> 00:15:47,413
OKAY, "A,"
LET'S NOT USE THAT WORD.
380
00:15:47,447 --> 00:15:48,648
THAT'S AN UGLY WORD.
381
00:15:48,681 --> 00:15:51,283
"B,"
I WANT TO BE YOUR C.I.
382
00:15:51,317 --> 00:15:53,485
BECAUSE THE ONLY THING
BETWEEN ME AND THE TOP
383
00:15:53,519 --> 00:15:54,653
IS THE BOSS.
384
00:15:54,687 --> 00:15:56,288
I CAN HELP YOU
TAKE HIM OUT.
385
00:15:56,322 --> 00:15:58,658
YOU'RE GONNA HELP ME
TAKE DOWN SHERROD WASHINGTON,
386
00:15:58,691 --> 00:16:00,994
THE MAN THAT KILLED
MY PARTNER?
387
00:16:01,028 --> 00:16:03,163
I THINK YOU'RE PLAYING AN ANGLE,
AND I DON'T LIKE IT.
OF COURSE
I'M PLAYING AN ANGLE.
388
00:16:03,196 --> 00:16:04,596
WHAT THE HELL
YOU THINK I'M DOING?
389
00:16:04,630 --> 00:16:06,633
LOOK, SHERROD AND HIS BOYS
GO DOWN,
390
00:16:06,666 --> 00:16:08,967
THAT'S WHAT YOU CALL
A REGIME CHANGE, SON.
391
00:16:09,001 --> 00:16:10,503
HAPPENS ALL THE TIME.
392
00:16:10,537 --> 00:16:13,639
AND GUESS WHO'S GOT NEXT.
OOH. OOH.
393
00:16:13,673 --> 00:16:17,110
YOU DO THIS, DETECTIVE, YOU GET
A NICE, LITTLE, SHINY MEDAL,
394
00:16:17,144 --> 00:16:20,246
YOU GET PEACE IN THE TERRACE,
AND YOU GET A PARTNER.
395
00:16:23,482 --> 00:16:24,616
HOW CLOSE TO SHERROD
ARE YOU?
396
00:16:24,650 --> 00:16:26,186
WHAT I SAY?
WE TIGHT, MAN.
397
00:16:26,219 --> 00:16:27,287
OKAY.
398
00:16:27,320 --> 00:16:29,155
LET'S GO FIND OUT
HOW TIGHT YOU ARE, HUH?
399
00:16:29,188 --> 00:16:32,058
YEAH, LET'S DO THAT.
400
00:16:39,032 --> 00:16:40,232
YOU WANT TO WORK TOGETHER,
401
00:16:40,267 --> 00:16:42,034
YOU'RE GONNA HAVE TO
SHOW ME SOMETHING, J-TRAIN.
402
00:16:42,068 --> 00:16:44,671
SHERROD'S BAR
RIGHT BEHIND ME.
403
00:16:44,703 --> 00:16:47,073
YOU NEED TO GET INSIDE
AND GO TO HIS PRIVATE OFFICE
404
00:16:47,106 --> 00:16:49,076
AND TAKE A PICTURE OF IT
WITH YOUR PHONE.
405
00:16:49,109 --> 00:16:50,476
OKAY.
406
00:16:50,509 --> 00:16:52,312
NOW.
407
00:16:52,345 --> 00:16:54,380
NO PROBLEM, MAN.
I'LL BE BACK.
408
00:17:05,758 --> 00:17:07,227
FI: Hey, Jesse.
How's it going?
409
00:17:07,259 --> 00:17:08,394
UH, THAT DEPENDS.
410
00:17:08,428 --> 00:17:10,230
HOW FAST CAN YOU GET DOWN
TO ALIZE IN OVERTOWN?
411
00:17:10,262 --> 00:17:11,498
20 MINUTES.
412
00:17:11,530 --> 00:17:12,432
BETTER MAKE IT 10.
413
00:17:12,464 --> 00:17:14,000
GARZA'S GOT ME
ON A SCAVENGER HUNT.
414
00:17:14,032 --> 00:17:16,435
I GOT TO GET A PICTURE OF
THE INSIDE OF SHERROD'S OFFICE.
415
00:17:16,469 --> 00:17:19,538
IT'S GUARDED
BY A GIGANTIC HUMAN BEING.
416
00:17:19,571 --> 00:17:21,039
AND JUDGING BY THE LOOKS
OF THIS PLACE,
417
00:17:21,074 --> 00:17:22,075
I'M BETTING IT'S LOCKED.
418
00:17:22,108 --> 00:17:23,776
I'LL BE THERE.
Thank you.
419
00:17:30,782 --> 00:17:32,085
HERE WE GO.
420
00:17:32,118 --> 00:17:35,422
GRAY IS HEADED OVER.
421
00:17:35,454 --> 00:17:37,690
HEY.
SORRY I'M LATE.
422
00:17:37,723 --> 00:17:38,924
NO WORRIES.
423
00:17:38,958 --> 00:17:41,760
THIS IS, UH...
424
00:17:41,794 --> 00:17:43,863
THIS IS SOME HEAT WE'RE HAVING,
HUH?
425
00:17:43,895 --> 00:17:46,065
IT'S FINE WITH ME.
I LIKE SUNNY DAYS.
426
00:17:46,098 --> 00:17:47,967
WHAT DID HE SAY?
427
00:17:48,000 --> 00:17:49,902
SOMETHING ABOUT SUNNY DAYS.
428
00:17:49,935 --> 00:17:50,936
THE WEATHER.
429
00:17:50,970 --> 00:17:52,939
THAT'S CARD'S
FAVORITE RECOGNITION CODE.
430
00:17:52,971 --> 00:17:55,407
HE HAD DIFFERENT SIGNALS
FOR ALL HIS FIELD OPS.
431
00:17:55,442 --> 00:17:56,976
WHAT?
DO YOU THINK WE'RE BLOWN?
I DON'T KNOW.
432
00:17:57,009 --> 00:17:58,545
BUT HE MUST BE WORRIED
SOMEONE'S LISTENING IN.
433
00:17:58,577 --> 00:17:59,945
WAIT, WAIT.
MIKE, MIKE, HANG ON. HANG ON.
434
00:17:59,979 --> 00:18:02,582
I MEAN, MAYBE GRAY'S
JUST GIVING HIM THE ALL-CLEAR.
435
00:18:02,615 --> 00:18:05,251
LET'S NOT JUMP SHIP
UNTIL WE KNOW WHERE IT'S GOING.
436
00:18:06,919 --> 00:18:08,387
SEE WHAT I MEAN?
437
00:18:08,421 --> 00:18:12,625
WESTEN WAS LOOKING FOR PEOPLE
WHO WANTED ANSON DEAD.
438
00:18:12,659 --> 00:18:13,759
LONG LIST.
439
00:18:13,792 --> 00:18:15,194
I THINK HE KNEW
YOU WERE ON IT.
440
00:18:17,329 --> 00:18:19,398
WHY DO YOU THINK
WE CLOSED THE LOOP?
441
00:18:19,432 --> 00:18:22,000
IT WASN'T 'CAUSE MICHAEL
STOPPED SENDING ME
CHRISTMAS CARDS.
442
00:18:22,034 --> 00:18:24,936
I GET IT. BUT IF HE
WAS ONTO YOU, HE MIGHT
HAVE TOLD SOMEONE.
443
00:18:24,971 --> 00:18:27,240
IT'S UNDER CONTROL.
444
00:18:27,273 --> 00:18:29,476
BACK OFF THE CAFFEINE,
CHAMP.
445
00:18:29,509 --> 00:18:32,244
SOMETHING IS WRONG, SAM.
HE'S SOFT-SELLING IT.
446
00:18:32,278 --> 00:18:35,748
HOW ABOUT IF WE GIVE THE MAN
30 WHOLE SECONDS TO PITCH THIS?
447
00:18:35,781 --> 00:18:36,982
IF YOU'RE SO CONFIDENT,
448
00:18:37,016 --> 00:18:39,286
HOW COME I'M PULLING TRIGGERS
AND BURNING LOFTS?
449
00:18:39,318 --> 00:18:40,787
THAT'S A NEED-TO-KNOW,
TYLER.
450
00:18:40,819 --> 00:18:42,855
WELL, WHATEVER THIS IS,
I'M A PART OF IT NOW.
451
00:18:42,888 --> 00:18:45,090
THERE'S BLOOD ON MY HANDS.
452
00:18:45,124 --> 00:18:47,826
READ...ME...IN.
453
00:18:47,859 --> 00:18:50,363
FINE.
454
00:18:50,396 --> 00:18:51,498
BUT NOT HERE.
455
00:18:51,530 --> 00:18:52,832
FRIDAY.
456
00:18:52,865 --> 00:18:54,834
I'LL SHOW YOU THE BRIEFING
MATERIAL, THE WHOLE LID.
457
00:18:56,202 --> 00:18:58,637
WE'RE DONE.
YOU'LL HEAR FROM ME.
458
00:18:58,671 --> 00:19:00,207
OKAY. SEE?
HE DIALED IT IN.
459
00:19:00,240 --> 00:19:03,210
I THINK HE JUST -- OKAY.
DAMN IT. MIKE.
460
00:19:07,747 --> 00:19:10,048
WHAT THE HELL WAS THAT?
WHAT WAS WHAT?
461
00:19:10,082 --> 00:19:11,718
WE REHEARSED THIS
FIVE TIMES.
462
00:19:11,750 --> 00:19:14,153
AND IN NO VERSION
WAS THERE A RECOGNITION CODE.
463
00:19:14,186 --> 00:19:15,054
I SAID NO SURPRISES!
464
00:19:15,086 --> 00:19:16,189
HE ASKED ABOUT THE HEAT.
465
00:19:16,222 --> 00:19:18,023
HE WANTED TO KNOW
IF I'D BEEN FOLLOWED.
466
00:19:18,057 --> 00:19:19,692
I HAD TO LET HIM KNOW
WE WERE CLEAR.
467
00:19:19,726 --> 00:19:21,861
YOU DIDN'T PUSH
FOR ONE HARD PIECE OF INTEL!
468
00:19:21,894 --> 00:19:23,563
IF YOU'RE RUNNING
SOME DOUBLE GAME --
469
00:19:23,596 --> 00:19:26,031
BACK OFF!
I KNOW WHAT I'M DOING!
470
00:19:26,065 --> 00:19:27,165
CARD IS SPOOKED.
471
00:19:27,200 --> 00:19:29,701
IF I HAD PUSHED TOO HARD,
HE WOULD'VE SHUT DOWN.
472
00:19:29,736 --> 00:19:30,970
GIVE ME TIME.
473
00:19:31,002 --> 00:19:32,505
I'LL REEL HIM IN.
474
00:19:32,538 --> 00:19:34,340
I WILL GET WHAT WE NEED.
475
00:19:34,374 --> 00:19:35,875
YOU BETTER.
476
00:19:47,586 --> 00:19:50,021
OH, NICE NECKLACE.
477
00:19:50,056 --> 00:19:51,857
YOU KNOW, I THINK I HAVE
A MATCHING BRACELET
478
00:19:51,891 --> 00:19:53,393
IF YOU'D LIKE TO BORROW IT
SOMETIME.
479
00:19:53,425 --> 00:19:55,994
YOU GOT JOKES.
480
00:19:56,028 --> 00:19:58,096
THE OFFICE IS BACK THERE.
THE BOSS IS OVER THERE.
481
00:19:58,130 --> 00:20:01,233
AND BEEFY "T" HAS NOT MOVED
SINCE I CALLED YOU.
482
00:20:01,268 --> 00:20:03,903
[ SIGHS ]
483
00:20:03,935 --> 00:20:05,238
UH, CHAMPAGNE?
484
00:20:05,271 --> 00:20:07,374
THE ONE ON THE TOP SHELF.
485
00:20:07,406 --> 00:20:12,244
AND CAN I KEEP
THE CORK AND THE CAGE?
486
00:20:12,278 --> 00:20:13,445
I'M A COLLECTOR.
487
00:20:15,914 --> 00:20:17,250
CAN WE NOT CELEBRATE
JUST YET?
488
00:20:17,284 --> 00:20:18,750
YOU STILL GOT TO
PICK YOUR WAY IN.
489
00:20:18,785 --> 00:20:20,386
DID YOU GET SOME TOOLS?
490
00:20:20,420 --> 00:20:22,054
WHAT DO YOU THINK
I'M COLLECTING?
491
00:20:22,087 --> 00:20:24,290
CLEVER GIRL.
492
00:20:24,324 --> 00:20:26,759
SO, HOW YOU GONNA CLEAR BIG BOY
OUT OF THE WAY?
493
00:20:26,792 --> 00:20:29,496
I'LL TAKE CARE OF IT.
WISH ME LUCK.
494
00:20:32,765 --> 00:20:34,433
PARTY PEOPLE, WHAT IS UP?
495
00:20:34,467 --> 00:20:36,234
[ CHUCKLES ]
496
00:20:36,269 --> 00:20:38,237
YOU.
497
00:20:38,270 --> 00:20:40,239
YOU.
YOU LOOK LIKE A PLAYER.
498
00:20:40,272 --> 00:20:41,641
AM I RIGHT, LADIES?
AM I RIGHT?
499
00:20:41,673 --> 00:20:43,108
IS HE A PLAYER?
LOOK AT HIM.
500
00:20:43,142 --> 00:20:44,277
WHY DON'T YOU
GET UP OUT OF HERE, MAN?
501
00:20:44,310 --> 00:20:46,211
NO, NO. SHH. LISTEN.
LISTEN. LISTEN.
502
00:20:46,244 --> 00:20:47,413
SERIOUSLY.
503
00:20:47,447 --> 00:20:48,414
I'M DOWN HERE FROM JACKSONVILLE
ON BUSINESS,
504
00:20:48,448 --> 00:20:49,816
AND I GOT A DEAL FOR YOU,
HOMEY.
505
00:20:49,848 --> 00:20:52,250
MY MAN SAID GET OUT OF HERE.
I NEED YOU TO --
506
00:20:52,285 --> 00:20:53,786
HEY, MALIK!
507
00:20:53,819 --> 00:20:55,587
NO!
I DIDN'T WANT TO DO THAT.
508
00:20:55,622 --> 00:20:56,388
WHO'S MALIK?
509
00:20:56,423 --> 00:20:57,457
HEY, NO, NO.
510
00:20:57,490 --> 00:20:59,157
WE DON'T NEED MALIK
INVOLVED IN THIS.
511
00:20:59,191 --> 00:21:00,460
NO.
FALSE ALARM, MALIK.
512
00:21:00,492 --> 00:21:02,295
WE'RE GOOD. WE'RE GOOD.
WE'RE GOOD. WE'RE GOOD.
513
00:21:02,328 --> 00:21:03,829
BACK TO YOUR BUSINESS.
514
00:21:03,863 --> 00:21:04,963
BOUNCE THIS FOOL.
515
00:21:06,465 --> 00:21:09,969
NO, NO BOUNCING. LOOK,
I JUST WANT TO TALK TO YOU.
516
00:21:10,001 --> 00:21:12,003
[ GRUNTING ]
517
00:21:19,378 --> 00:21:22,248
WHEN YOU IN MY CLUB...
518
00:21:22,280 --> 00:21:23,249
YOU...
519
00:21:23,281 --> 00:21:24,683
BEST...
520
00:21:24,717 --> 00:21:25,718
LISTEN!
521
00:21:30,856 --> 00:21:33,192
THAT WAS FUN.
THAT WAS FUN.
522
00:21:33,224 --> 00:21:34,861
WE ALL LEARNED SOME THINGS.
523
00:21:34,894 --> 00:21:36,528
YOU GUYS DON'T LIKE MONEY.
I DIG IT.
524
00:21:36,563 --> 00:21:37,763
DON'T LET ME SEE YOU AGAIN.
525
00:21:37,797 --> 00:21:39,198
THAT'S SOME GOOD ADVICE.
526
00:21:40,400 --> 00:21:43,234
HERE YOU GO.
527
00:21:48,474 --> 00:21:51,210
WHOO.
528
00:21:51,242 --> 00:21:53,278
[ CHUCKLES ]
HEY, HEY.
529
00:21:53,311 --> 00:21:54,346
SO, WHAT HAPPENED?
530
00:21:54,381 --> 00:21:55,647
WHAT CAN I SAY, MAN?
531
00:21:55,682 --> 00:21:57,517
SHERROD LOVES HIS DRINK.
IT'S A PARTY UP IN THERE.
532
00:21:57,549 --> 00:21:58,851
RIGHT.
DID YOU GET THE SHOT OR NOT?
533
00:21:58,884 --> 00:22:00,787
WHAT?
THE PICTURE.
DO YOU HAVE IT?
534
00:22:00,819 --> 00:22:04,056
AH, YEAH, YEAH, YEAH.
YEAH, MAN.
535
00:22:04,089 --> 00:22:05,692
WHOOP. BOOM.
536
00:22:05,724 --> 00:22:08,361
JUST LIKE YOU ASKED.
537
00:22:10,229 --> 00:22:11,196
ALL RIGHT, MR. TRAIN.
538
00:22:11,230 --> 00:22:12,699
IT LOOKS LIKE
YOU'RE FOR REAL.
539
00:22:12,731 --> 00:22:15,201
WHY DON'T YOU
GO TAKE A NAP SOMEWHERE?
540
00:22:15,233 --> 00:22:16,301
WE'LL BE TALKING REAL SOON.
541
00:22:16,335 --> 00:22:17,869
CAN'T WAIT.
542
00:22:22,608 --> 00:22:25,444
[ GROANS ]
543
00:22:27,513 --> 00:22:29,315
I JU-- OW!
OW! OW!
544
00:22:29,347 --> 00:22:30,883
YOU SHOULD HAVE
LET ME STOP THEM.
545
00:22:30,916 --> 00:22:31,884
I COULD HAVE STOPPED THEM.
546
00:22:31,917 --> 00:22:33,685
YEAH. THAT'S DEBATABLE.
547
00:22:33,720 --> 00:22:36,556
THAT ONE DUDE WAS THREE BILLS,
EASY.
548
00:22:36,588 --> 00:22:38,257
[ Groaning ] OUCH.
549
00:22:38,289 --> 00:22:39,892
I HATE THIS JOB SO MUCH.
550
00:22:39,925 --> 00:22:41,993
WELL, THE HARD PART'S OVER.
YOU'RE IN.
551
00:22:42,028 --> 00:22:43,229
NOW ALL YOU HAVE TO DO
552
00:22:43,261 --> 00:22:45,597
IS CONVINCE GARZA TO STEAL A GUN
FROM POLICE LOCKUP,
553
00:22:45,632 --> 00:22:48,233
WE'LL GET HIM ON TAPE,
AND AYN GETS HER LIFE BACK.
554
00:22:48,267 --> 00:22:49,367
YEAH, I GET IT.
555
00:22:49,402 --> 00:22:50,836
BUT IF GARZA CATCHES ME
WEARING A WIRE,
556
00:22:50,869 --> 00:22:52,404
MY KIDNEYS ARE
GONNA GET ANOTHER WORKOUT.
557
00:22:52,439 --> 00:22:53,905
YOU DON'T HAVE TO WORRY
ABOUT THAT.
558
00:22:53,940 --> 00:22:55,842
I HAVE SAM
WORKING ON SOMETHING.
559
00:22:55,875 --> 00:22:58,376
WE'RE GONNA CATCH THE BASTARD
ON TAPE FROM DOWN THE BLOCK.
560
00:23:03,883 --> 00:23:06,352
HEY, YOU WANT TO HELP?
561
00:23:06,384 --> 00:23:07,420
HELP DO WHAT?
562
00:23:07,453 --> 00:23:08,921
[ LAUGHS ] SMART MAN.
563
00:23:08,954 --> 00:23:10,189
COME OVER HERE.
564
00:23:10,221 --> 00:23:12,023
ALWAYS ASK THAT QUESTION.
565
00:23:12,057 --> 00:23:14,093
I GET MYSELF
INTO SO MUCH TROUBLE
566
00:23:14,125 --> 00:23:16,895
HELPING PEOPLE WITH STUFF
WITHOUT ASKING WHAT.
567
00:23:16,929 --> 00:23:18,931
SIT DOWN.
568
00:23:18,964 --> 00:23:22,034
YOU WANT TO HELP US
TAKE DOWN THE GUY THAT
SENT YOUR MOM TO PRISON?
569
00:23:22,067 --> 00:23:23,803
TELL ME WHAT TO DO.
570
00:23:23,836 --> 00:23:27,539
Michael:
THE TWO MOST CHALLENGING PARTS
OF PLANTING A LISTENING DEVICE
571
00:23:27,574 --> 00:23:30,276
ARE QUICK CONCEALMENT
AND POWER.
572
00:23:30,308 --> 00:23:32,878
IF YOUR TARGET
WEARS A RADIO FOR WORK,
573
00:23:32,912 --> 00:23:34,447
YOU CAN KILL TWO BIRDS
WITH ONE STONE
574
00:23:34,480 --> 00:23:38,150
BY BUGGING A DUPLICATE POWER
PACK AND SWITCHING THEM OUT.
575
00:23:38,183 --> 00:23:40,152
DO IT RIGHT,
AND YOU GET A BUG
576
00:23:40,185 --> 00:23:42,387
THAT YOUR TARGET
CARRIES EVERYWHERE HE GOES.
577
00:23:42,421 --> 00:23:45,525
OKAY.
LET'S TEST IT.
578
00:23:47,159 --> 00:23:48,326
CHICKEN BUTT.
579
00:23:48,359 --> 00:23:49,327
[ LAUGHS ]
580
00:23:49,361 --> 00:23:51,262
I READ THAT, 10-BY-10.
581
00:23:51,297 --> 00:23:52,298
YOU READY, JESSE?
582
00:23:52,330 --> 00:23:54,099
YEAH,
JUST GIVE ME THE THING.
583
00:23:54,133 --> 00:23:57,670
THANKS --
FOR HELPING MY MOM.
584
00:24:00,006 --> 00:24:01,106
SURE THING, LITTLE MAN.
585
00:24:07,145 --> 00:24:09,615
[ SIREN CHIRPING ]
586
00:24:09,648 --> 00:24:12,618
[ POLICE RADIO CHATTER ]
587
00:24:12,652 --> 00:24:15,354
I ASKED YOU
TO KEEP THIS ON THE LOW.
588
00:24:15,386 --> 00:24:16,923
YOU GOT ME STROLLING
UP TO A POLICE STATION?
589
00:24:16,955 --> 00:24:18,990
YOU LAZY MOTHER--
DON'T YOU WORRY ABOUT IT.
590
00:24:19,025 --> 00:24:21,961
NO, NO.
I'M WORRIED ABOUT IT.
591
00:24:21,993 --> 00:24:24,430
MATTER OF FACT, GIVE ME
YOUR PHONE AND YOUR RADIO.
592
00:24:24,462 --> 00:24:25,597
[ LAUGHS ]
593
00:24:25,632 --> 00:24:27,098
I'M SERIOUS.
REALLY?
594
00:24:27,133 --> 00:24:28,934
I'M TURNING
BOTH THEM BITCHES OFF.
595
00:24:28,968 --> 00:24:30,368
I AIN'T GETTING BUGGED TODAY.
596
00:24:30,402 --> 00:24:31,871
THERE.
597
00:24:37,676 --> 00:24:40,179
WAIT. WHAT?
YOU TAKING THEM APART?
598
00:24:40,211 --> 00:24:41,313
YOU'RE DAMN STRAIGHT.
599
00:24:41,346 --> 00:24:43,682
MY BOY TINY'S
DOING 10 TO 15
600
00:24:43,715 --> 00:24:45,852
BECAUSE OF SOME ELECTRONIC
VOODOO THE FEDS PULLED.
601
00:24:45,884 --> 00:24:47,452
JUST TELL ME
WHAT WE'RE PUTTING ON SHERROD
602
00:24:47,486 --> 00:24:48,887
SO I CAN GET THE HELL
OUT OF HERE, MAN.
603
00:24:48,921 --> 00:24:50,557
JUST A DIME BAG.
604
00:24:50,589 --> 00:24:52,724
I FIGURE I CAN PULL A STREET
RIP LATER, AND WHATEVER I --
A DIME BAG? HELL NO.
605
00:24:52,759 --> 00:24:54,226
HOW AM I
SUPPOSED TO STEP UP
606
00:24:54,259 --> 00:24:55,862
IF SHERROD'S GONNA BE
OUT ON BAIL THE NEXT DAY, MAN?
607
00:24:55,894 --> 00:24:57,529
I COULD HAVE FRAMED HIM
FOR POSSESSION MY DAMN SELF.
608
00:24:57,564 --> 00:24:59,731
I CAME TO YOU TO PUT HIM AWAY
FOR GOOD. COME ON, NOW.
609
00:24:59,766 --> 00:25:02,167
WHAT EXACTLY
DID YOU HAVE IN MIND?
610
00:25:02,201 --> 00:25:03,869
YOU GO GET A GUN
FROM AN UNSOLVED CASE.
611
00:25:03,903 --> 00:25:05,738
WHAT? NO.
I'M NOT DOING THAT.
612
00:25:05,771 --> 00:25:07,205
YOU FIRE A FEW SHOTS
INTO A PHONE BOOK,
613
00:25:07,239 --> 00:25:08,740
I PLANT THE SHELLS
IN SHERROD'S DESK.
614
00:25:08,775 --> 00:25:09,842
I SAID I'M NOT DOING THAT.
615
00:25:09,875 --> 00:25:11,009
PLANTING A LITTLE WEED
IS ONE THING,
616
00:25:11,042 --> 00:25:12,077
BUT STEALING EVIDENCE
FROM IMPOUND?
617
00:25:12,111 --> 00:25:13,078
THAT'S TOO MUCH.
COME ON, MAN!
MAN!
618
00:25:13,112 --> 00:25:14,380
YOU GOT THIS REP
619
00:25:14,413 --> 00:25:16,347
LIKE YOU THIS OUTLAW COP
WHO BREAKS ALL THE RULES.
620
00:25:16,382 --> 00:25:18,718
"OOH, GARZA, HE'S A BAD MAN.
YOU BETTER WATCH YOUR ASS."
621
00:25:18,750 --> 00:25:21,053
AND NOW WHAT? YOU SCARED?
I THOUGHT YOU DID WHAT IT TAKES.
622
00:25:21,086 --> 00:25:23,388
I THOUGHT
YOU GOT THINGS DONE.
623
00:25:23,422 --> 00:25:26,057
[ SIGHS ]
624
00:25:26,092 --> 00:25:27,058
FINE.
625
00:25:27,093 --> 00:25:29,228
YEAH,
THAT'S WHAT I THOUGHT.
626
00:25:29,260 --> 00:25:31,063
NOW, YOU MEET ME
AT RIVER PARK -- 2:00.
627
00:25:31,096 --> 00:25:32,263
YOU BRING THE GUN.
628
00:25:32,298 --> 00:25:34,066
WE'LL POP A COUPLE OFF.
AND WE FINISH THIS.
629
00:25:47,378 --> 00:25:49,048
WELL, WHERE'S GRAY?
630
00:25:49,080 --> 00:25:51,049
HE'S DOWN BY THE DOCKS.
631
00:25:51,083 --> 00:25:52,618
MOM, ARE YOU SURE
YOU WANT TO DO THIS?
632
00:25:52,652 --> 00:25:54,854
I NEED TO DO THIS.
I'VE SEEN THIS BEFORE.
633
00:25:54,886 --> 00:25:57,288
A VICTIM WANTS TO MEET THE
CRIMINAL, AND IT NEVER HELPS.
634
00:25:57,323 --> 00:25:58,557
MICHAEL, JUST STOP.
635
00:25:58,590 --> 00:26:00,893
I JUST DON'T WANT YOU TO PUT
YOURSELF THROUGH SOMETHING
636
00:26:00,926 --> 00:26:02,361
THAT'S JUST
GONNA MAKE IT WORSE.
637
00:26:02,394 --> 00:26:05,632
TRUST ME --
THAT'S NOT POSSIBLE.
638
00:26:08,400 --> 00:26:10,102
[ SIGHS ]
639
00:26:18,243 --> 00:26:19,211
Gray: MA'AM.
640
00:26:19,244 --> 00:26:22,280
MADELINE WESTEN.
641
00:26:22,314 --> 00:26:25,785
THANK YOU
FOR AGREEING TO MEET.
642
00:26:25,817 --> 00:26:29,087
I WANT TO START BY SAYING
HOW SORRY I AM --
643
00:26:29,121 --> 00:26:30,321
I DON'T GIVE A DAMN
ABOUT THAT.
644
00:26:30,355 --> 00:26:33,893
ALL I WANT FROM YOU
IS HONEST ANSWERS.
645
00:26:33,925 --> 00:26:37,763
I WANT TO KNOW WHAT GOES ON
IN THE MIND OF SOMEONE LIKE YOU.
646
00:26:42,835 --> 00:26:44,435
WHAT'S YOUR TRAINING?
647
00:26:44,470 --> 00:26:46,238
I WAS A SNIPER
IN THE MARINES.
648
00:26:46,271 --> 00:26:47,906
WHY'D YOU JOIN THE CIA?
649
00:26:47,940 --> 00:26:50,076
I WANTED
TO SERVE MY COUNTRY.
650
00:26:50,108 --> 00:26:52,611
THAT'S ALL? HUH?
651
00:26:54,113 --> 00:26:58,116
DO YOU HAVE A HARD TIME
GETTING CLOSE TO PEOPLE?
652
00:26:58,150 --> 00:26:59,250
BAD CHILDHOOD?
653
00:26:59,285 --> 00:27:01,319
IS THAT WHY
CARD PICKED YOU?
654
00:27:01,353 --> 00:27:03,588
'CAUSE YOU LIKE
HURTING PEOPLE?
655
00:27:03,622 --> 00:27:05,657
HE PICKED ME BECAUSE I'M
VERY GOOD AT WHAT I DO.
656
00:27:05,692 --> 00:27:11,663
THEN WHY DID MY SON DIE...
IF YOU'RE SO GOOD?
657
00:27:11,698 --> 00:27:15,300
I WAS WORRIED
ABOUT THE WIND --
658
00:27:15,334 --> 00:27:17,970
SPEED,
TRAJECTORY, DISTANCE.
659
00:27:18,003 --> 00:27:21,173
AND SO I SWITCHED
TO A HIGHER-CALIBER GUN.
660
00:27:21,207 --> 00:27:24,143
I KNEW IT WOULD GO THROUGH.
661
00:27:24,175 --> 00:27:27,645
I TOOK THE SHOT ANYWAY.
662
00:27:27,680 --> 00:27:28,681
IT WAS MY JOB.
663
00:27:28,714 --> 00:27:29,882
[ SIGHS ]
664
00:27:29,915 --> 00:27:32,483
[ Voice breaking ]
DID YOU EVEN KNOW WHO HE WAS?
665
00:27:32,518 --> 00:27:34,019
NO.
666
00:27:34,052 --> 00:27:35,688
HE WAS MY BABY BOY.
667
00:27:35,721 --> 00:27:37,189
[ SNIFFLES ]
668
00:27:37,222 --> 00:27:40,960
HE LIKED CARS, ACTION MOVIES,
AND GRAPHIC DESIGN.
669
00:27:40,992 --> 00:27:43,695
HE LOVED HIS FAMILY.
670
00:27:43,730 --> 00:27:48,968
HIS NAME WAS
NATHANIEL ELIAS WESTEN.
671
00:27:49,000 --> 00:27:53,372
THE NEXT TIME YOU FIRE A BULLET
THAT COULD END SOMEONE'S LIFE,
672
00:27:53,404 --> 00:27:56,041
YOU KNOW THEIR NAME.
673
00:27:56,075 --> 00:27:57,876
YES, MA'AM.
674
00:27:57,910 --> 00:27:59,811
I'M SORRY.
675
00:27:59,846 --> 00:28:00,846
[ SIGHS ]
676
00:28:10,422 --> 00:28:11,589
OKAY.
677
00:28:11,623 --> 00:28:12,825
It's been an hour.
678
00:28:12,858 --> 00:28:14,359
When are we pulling the plug
on "Candid Camera"?
679
00:28:14,393 --> 00:28:15,827
AS A SPY,
680
00:28:15,862 --> 00:28:18,564
YOUR JOB IS OFTEN TO GET PEOPLE
TO BREAK THE RULES.
681
00:28:18,596 --> 00:28:21,400
OKAY. THAT'S HIM.
HERE WE GO.
682
00:28:21,432 --> 00:28:23,736
YOU USE THEIR GREED,
THEIR FEAR, OR THEIR RAGE
683
00:28:23,769 --> 00:28:26,105
TO MAKE THEM BETRAY THE THINGS
THEY VALUE MOST.
684
00:28:26,137 --> 00:28:29,407
WITH A PROFESSIONAL SPY
PUSHING THEM HARD,
685
00:28:29,441 --> 00:28:31,410
MOST PEOPLE
ABANDON THEIR PRINCIPLES.
686
00:28:31,442 --> 00:28:32,912
WHAT THE HELL
IS ALL THIS?
687
00:28:32,944 --> 00:28:35,681
BUT SOMETIMES,
VERY OCCASIONALLY, THEY WON'T.
688
00:28:35,713 --> 00:28:37,249
WHAT'S WRONG WITH YOU?
YOU BRING THE GUN OR WHAT?
689
00:28:37,282 --> 00:28:40,551
I THOUGHT ABOUT YOUR PLAN.
690
00:28:40,586 --> 00:28:42,888
SORRY.
I'M NOT DOING IT.
691
00:28:42,922 --> 00:28:46,424
THAT'S KIND OF THE OPPOSITE
OF WHAT WE WANTED ON TAPE.
692
00:28:46,458 --> 00:28:50,061
AND WHEN A TARGET DECIDES
TO STICK TO HIS PRINCIPLES,
693
00:28:50,096 --> 00:28:53,132
YOU CAN SUDDENLY FIND A MISSION
GOING VERY, VERY BADLY.
694
00:28:53,164 --> 00:28:54,566
WHAT? NOW ALL THE SUDDEN
YOU'RE CAPTAIN AMERICA?
695
00:28:54,599 --> 00:28:55,634
PLEASE, I'M --
[ GRUNTS ]
696
00:28:55,666 --> 00:28:57,135
YOU DON'T THINK
I CAN BE?
697
00:28:57,169 --> 00:28:58,436
OKAY, WHAT THE HELL?
698
00:28:58,470 --> 00:28:59,738
HEY, HEY, FI,
HANG ON. HANG ON.
699
00:28:59,771 --> 00:29:01,039
Garza: YOU THINK YOU KNOW ME?
YOU'RE WRONG.
700
00:29:01,073 --> 00:29:03,041
SHERROD KILLED MY PARTNER.
701
00:29:03,075 --> 00:29:04,576
HE SHOT HIM DOWN
IN FRONT OF WITNESSES,
702
00:29:04,609 --> 00:29:05,912
ONLY NO ONE CAME FORWARD
TO TESTIFY,
703
00:29:05,944 --> 00:29:07,046
SO THE CASE FELL APART.
704
00:29:07,078 --> 00:29:08,380
I HAD NOTHING TO DO WITH THAT,
MAN.
705
00:29:08,413 --> 00:29:09,816
YOU'RE ALL THE SAME --
EVERY C.I. I EVER WORKED WITH.
706
00:29:09,848 --> 00:29:11,482
I'M NOT GONNA MAKE
THIS MISTAKE AGAIN.
707
00:29:11,517 --> 00:29:13,751
ARE YOU CRACKED?
I THOUGHT YOU WANTED REVENGE.
NO.
708
00:29:13,786 --> 00:29:15,586
WHAT I WANT IS MY PARTNER --
YOU HEAR ME?
709
00:29:15,621 --> 00:29:17,588
THAT'S WHAT I WANT.
I WANT MY PARTNER BACK.
710
00:29:17,623 --> 00:29:19,826
SO, WHAT? NOW YOU FOLDING UP
SHOP? IT'S JUST A GUN, MAN.
711
00:29:19,858 --> 00:29:22,994
I SAID I'M NOT STEALING EVIDENCE
FROM ANY CASE TO CLOSE MINE.
712
00:29:23,028 --> 00:29:27,133
I'M NOT SCREWING COPS.
I'M NOT SCREWING VICTIMS.
713
00:29:27,165 --> 00:29:28,233
THAT'S NOT WHO I AM.
714
00:29:28,267 --> 00:29:29,768
YOU WANT TO RUN
THE GARDEN TERRACE,
715
00:29:29,801 --> 00:29:31,136
YOU MIGHT JUST
GET YOUR CHANCE.
716
00:29:31,170 --> 00:29:32,805
BUT IF I'M STILL ALIVE
TO SEE IT,
717
00:29:32,838 --> 00:29:34,140
I'M GONNA TAKE YOU DOWN,
TRAIN.
718
00:29:34,173 --> 00:29:35,507
MAN, HOLD ON.
WE HAD A DEAL.
719
00:29:35,540 --> 00:29:37,643
NO.
NOW WE'VE GOT A NEW DEAL.
720
00:29:37,675 --> 00:29:39,778
YOU STAY THE HELL AWAY FROM
THE TERRACE THIS AFTERNOON.
721
00:29:39,811 --> 00:29:41,012
AND KEEP YOUR MOUTH SHUT.
722
00:29:41,047 --> 00:29:43,182
OH, SO, WHAT? YOU GONNA
TAKE ON SHERROD IN HIS PROJECT.
723
00:29:43,214 --> 00:29:46,218
WELL, HIS PROJECT
HAPPENS TO BE IN MY CITY.
724
00:29:50,355 --> 00:29:51,323
[ ENGINE TURNS OVER ]
725
00:29:51,356 --> 00:29:52,357
HEY, YOU GO DOWN THERE,
726
00:29:52,391 --> 00:29:53,692
YOU'RE GONNA GET THROWN
OFF A ROOF, MAN.
727
00:29:53,724 --> 00:29:55,461
[ TIRES SCREECH ]
YEAH?
728
00:29:55,493 --> 00:29:57,864
WELL, THEN MAYBE THIS TIME
HE'LL GO DOWN FOR KILLING A COP.
729
00:29:57,896 --> 00:30:00,231
[ TIRES SQUEAL ]
730
00:30:06,172 --> 00:30:07,605
Sam: HEY, MAN.
731
00:30:07,638 --> 00:30:09,641
MY GOD.
THAT BASTARD'S CRAZY.
732
00:30:09,674 --> 00:30:11,809
YEAH, WELL, HE'S NOT THE BASTARD
WE THOUGHT HE WAS.
733
00:30:11,844 --> 00:30:14,346
HE'S GONNA GET HIMSELF KILLED
TRYING TO BUST SHERROD HEAD-ON.
734
00:30:14,380 --> 00:30:17,182
AND IF THAT HAPPENS,
AYN ROTS IN PRISON,
735
00:30:17,215 --> 00:30:18,650
AMARI GOES TO FOSTER CARE...
736
00:30:18,683 --> 00:30:21,519
AND WE GOT A COP KILLED.
737
00:30:24,990 --> 00:30:26,858
Michael:
FI, WHAT'S WRONG?
738
00:30:26,893 --> 00:30:30,628
AYN'S COP JUST CHOSE
A VERY INCONVENIENT TIME
739
00:30:30,662 --> 00:30:33,499
TO DECIDE TO BECOME
A BETTER MAN.
740
00:30:33,531 --> 00:30:35,401
AND THAT MAKES YOU UPSET?
741
00:30:35,433 --> 00:30:38,237
HE'S ABOUT TO GET HIMSELF KILLED
IN OVERTOWN.
742
00:30:38,269 --> 00:30:40,873
SAM AND JESSE
ARE ON THEIR WAY,
743
00:30:40,906 --> 00:30:42,273
BUT I DON'T KNOW
IF THEY'RE GONNA MAKE IT.
744
00:30:47,546 --> 00:30:50,182
[ SIGHS ]
NOW YOU'RE IN?
745
00:30:50,215 --> 00:30:52,084
I SHOULD HAVE BEEN IN
FROM THE BEGINNING.
746
00:30:57,423 --> 00:31:00,893
Jesse:
JUST MAKE SURE YOU APPROACH
ON HOWARD FROM THE NORTHEAST.
747
00:31:00,926 --> 00:31:02,728
YEAH.
748
00:31:02,760 --> 00:31:03,930
FI'S ON HER WAY.
749
00:31:03,962 --> 00:31:05,696
SHE'S BRINGING MIKE
AND A TRUNKLOAD OF WEAPONS.
750
00:31:05,730 --> 00:31:06,999
[ SIREN WAILING ]
751
00:31:07,032 --> 00:31:08,433
HERE COMES GARZA.
752
00:31:16,942 --> 00:31:19,077
Garza:
OUR FATHER WHO ART IN HEAVEN,
HALLOWED BE THY NAME.
753
00:31:19,111 --> 00:31:20,578
AND LEAD US NOT
INTO TEMPTATION,
754
00:31:20,612 --> 00:31:21,747
BUT DELIVER US FROM EVIL.
755
00:31:21,779 --> 00:31:23,249
HOW CLOSE ARE MIKE AND FI?
ABOUT FIVE MINUTES.
756
00:31:23,281 --> 00:31:24,282
OKAY.
757
00:31:24,316 --> 00:31:25,917
WELL, I THINK
THEY'RE GONNA BE TOO LATE
758
00:31:25,951 --> 00:31:28,253
BECAUSE GARZA
IS GETTING READY TO DIE.
759
00:31:28,287 --> 00:31:32,857
...FOR THEY KINGDOM IS THE GLORY
AND POWER FOREVER AND EVER.
760
00:31:32,891 --> 00:31:33,858
AMEN.
761
00:31:33,892 --> 00:31:37,096
MAYBE HE'S...
JUST REALLY RELIGIOUS.
762
00:31:39,965 --> 00:31:43,301
SHERROD, COME OUT HERE AND FACE
ME LIKE A MAN, YOU LITTLE BITCH!
763
00:31:43,335 --> 00:31:45,270
NOPE, YOU'RE RIGHT.
HE'S GONNA DIE.
764
00:31:45,304 --> 00:31:47,472
YOUR TIME IS UP.
765
00:31:52,611 --> 00:31:53,912
SHERROD!
766
00:31:53,945 --> 00:31:55,381
I KNOW YOU'RE HOME!
767
00:31:55,413 --> 00:31:57,383
SOMEBODY
GOT TO STOP HIM.
WITH WHAT?
A BUTTERFLY NET?
768
00:31:57,415 --> 00:31:59,317
WELL, I'M NOT JUST GONNA SIT
HERE AND WATCH A COP GET KILLED.
769
00:31:59,351 --> 00:32:01,220
IF HE'S NOT CALLING FOR BACKUP,
I'LL DO IT FOR HIM.
770
00:32:01,252 --> 00:32:02,453
[ CELLPHONE BEEPS ]
771
00:32:02,488 --> 00:32:03,654
I'M TAKING YOU IN!
772
00:32:06,258 --> 00:32:08,227
THERE YOU ARE.
773
00:32:08,259 --> 00:32:10,328
SHERROD WASHINGTON,
774
00:32:10,362 --> 00:32:12,897
YOU'RE WANTED FOR QUESTIONING
ABOUT YOUR INVOLVEMENT
775
00:32:12,931 --> 00:32:14,932
IN THE SALE AND DISTRIBUTION
OF COCAINE.
776
00:32:14,967 --> 00:32:17,568
YOU'RE WANTED FOR QUESTIONING
ABOUT YOUR INVOLVEMENT
777
00:32:17,603 --> 00:32:19,438
IN THE PROSTITUTION
OF UNDERAGE WOMEN.
778
00:32:19,471 --> 00:32:21,807
AND YOU'RE WANTED
FOR QUESTIONING
779
00:32:21,839 --> 00:32:25,111
ABOUT YOUR INVOLVEMENT
IN THE DEATH OF MY PARTNER,
780
00:32:25,144 --> 00:32:26,912
OFFICER ANTON SPROLES.
781
00:32:26,944 --> 00:32:28,146
I'M TAKING YOU IN.
782
00:32:28,180 --> 00:32:29,815
DAMN, GARZA.
783
00:32:29,847 --> 00:32:33,751
YOU TURNED THIS PLACE
INTO A GHOST TOWN.
784
00:32:33,785 --> 00:32:36,422
I GUESS WE'RE JUST MISSING
A GHOST, HUH?
785
00:32:36,454 --> 00:32:38,190
YOU'RE JUST MAKING THINGS
EASIER ON ME, SHERROD.
786
00:32:42,193 --> 00:32:44,630
GOOD. NOW I'M TAKING YOU IN
FOR ASSAULTING A POLICE OFFICER.
787
00:32:44,663 --> 00:32:45,530
[ GRUNTS ]
788
00:32:52,671 --> 00:32:54,173
[ SIGHS ]
HOW'S IT GOING, BOYS?
789
00:32:54,205 --> 00:32:55,641
WHAT?
DID YOU STOP FOR COFFEE?
790
00:32:55,673 --> 00:32:57,276
GARZA'S OVER THERE
GETTING BEATEN TO DEATH.
791
00:32:57,308 --> 00:32:58,977
Jesse:
YEAH, AND THEY GOT NO PROBLEM
DOING IT RIGHT OUT IN THE OPEN.
792
00:32:59,010 --> 00:33:00,278
ALL RIGHT, THEN.
793
00:33:00,311 --> 00:33:01,946
LET'S SHOW THEM HOW
PROFESSIONALS SEND A MESSAGE.
794
00:33:01,980 --> 00:33:03,815
GIVE ME THE RADIO.
795
00:33:03,848 --> 00:33:06,684
FI -- THAT CAR.
796
00:33:06,718 --> 00:33:08,186
JESSE -- THAT CAR.
797
00:33:08,220 --> 00:33:09,020
BIG?
798
00:33:09,055 --> 00:33:10,622
BIGGER.
799
00:33:10,655 --> 00:33:12,324
USE THE TRACER ROUNDS.
800
00:33:12,357 --> 00:33:14,526
WHEN I OPEN UP, YOU JOIN IN.
801
00:33:14,559 --> 00:33:17,528
WE'LL MAKE IT LOOK LIKE HELL
IS RAINING DOWN ON THEIR HEADS.
802
00:33:17,563 --> 00:33:18,797
[ LAUGHS ]
803
00:33:18,829 --> 00:33:20,865
MIKE, I HAVE SO MUCH MORE FUN
WHEN YOU'RE HERE.
804
00:33:28,507 --> 00:33:30,842
HEY.
YO, HOLD UP. YO, HOLD UP.
805
00:33:35,913 --> 00:33:36,815
[ GARZA COUGHING ]
806
00:33:36,847 --> 00:33:37,915
MAN,
YOU SHOULD HAVE NEVER
807
00:33:37,949 --> 00:33:39,585
STEPPED FOOT ON THE TERRACE
BY YOURSELF.
808
00:33:39,617 --> 00:33:40,719
[ GUN COCKS ]
809
00:33:40,751 --> 00:33:43,088
ATTENTION,
SHERROD WASHINGTON.
810
00:33:43,122 --> 00:33:45,590
STEP AWAY
FROM THE DETECTIVE.
811
00:33:45,624 --> 00:33:47,093
TELL ME YOU HEAR ME,
SHERROD.
812
00:33:47,125 --> 00:33:49,027
WE CAN HEAR EVERY WORD
YOU'RE SAYING.
813
00:33:52,931 --> 00:33:53,898
WHO IS THIS?
814
00:33:53,932 --> 00:33:55,433
WELL,
THAT'S A GOOD QUESTION.
815
00:33:55,467 --> 00:33:57,769
ALLOW ME TO INTRODUCE MYSELF.
MY NAME IS...
816
00:34:00,605 --> 00:34:01,940
AND I'M FROM
THE DEPARTMENT OF...
817
00:34:01,972 --> 00:34:03,108
[ DEVICE BEEPS ]
818
00:34:05,211 --> 00:34:06,244
WHOA!
WHOA!
819
00:34:06,278 --> 00:34:08,012
You want to find out
where the next one is,
820
00:34:08,045 --> 00:34:09,414
OR DO YOU WANT TO
BACK AWAY?
821
00:34:09,447 --> 00:34:11,048
Y'ALL CAN HAVE
THIS PIG! WE'RE OUT!
822
00:34:16,788 --> 00:34:18,956
NO, I DON'T THINK SO.
YOU'RE NOT GOING ANYWHERE.
823
00:34:18,989 --> 00:34:21,092
WHAT THE HELL
DO Y'ALL WANT?!
824
00:34:21,126 --> 00:34:23,628
I want you all to surrender
your weapons to Detective Garza.
825
00:34:23,661 --> 00:34:24,730
[ SIRENS WAILING ]
826
00:34:24,762 --> 00:34:26,632
AFTER ALL,
HE JUST ARRESTED YOU.
827
00:34:29,168 --> 00:34:31,969
[ TIRES SCREECH ]
828
00:34:32,003 --> 00:34:33,704
YOU HEARD THE MAN.
DROP YOUR WEAPONS.
829
00:34:33,739 --> 00:34:36,474
[ GUN CLATTERS ]
830
00:34:36,507 --> 00:34:39,545
THANK YOU.
THANK YOU, WHOEVER YOU ARE.
831
00:34:39,577 --> 00:34:40,811
BE GOOD, GARZA.
832
00:34:42,313 --> 00:34:43,514
[ HANDCUFFS CLICKING ]
833
00:34:59,297 --> 00:35:00,931
OH, AWESOME!
834
00:35:00,965 --> 00:35:01,833
[ CHUCKLES ]
835
00:35:01,867 --> 00:35:03,101
SAY, "THANK YOU."
836
00:35:03,135 --> 00:35:04,902
THANK YOU.
837
00:35:04,936 --> 00:35:05,903
Sam: YOU'RE WELCOME.
838
00:35:05,936 --> 00:35:07,338
I DON'T KNOW HOW YOU DID IT,
GIRL.
839
00:35:07,373 --> 00:35:09,307
WHEN THEY PULLED ME
OUT OF LOCKUP THIS MORNING
840
00:35:09,340 --> 00:35:11,143
AND SAID THAT I WAS FREE TO GO,
I THOUGHT,
841
00:35:11,177 --> 00:35:13,778
"THAT CRIMINAL
IS STONE-COLD MAGIC."
842
00:35:13,811 --> 00:35:14,980
WELL,
I GOT A LOT OF HELP.
843
00:35:15,012 --> 00:35:16,648
I EVEN GOT A LITTLE
FROM GARZA HIMSELF,
844
00:35:16,681 --> 00:35:18,583
BUT YOU PROBABLY DON'T WANT
TO HEAR ABOUT THAT.
845
00:35:18,617 --> 00:35:20,786
OH, I THINK I DO.
846
00:35:20,818 --> 00:35:24,623
WELL, WE TRIED ENTRAPMENT,
AND WE WERE GONNA BLACKMAIL HIM.
847
00:35:24,655 --> 00:35:25,990
THAT DIDN'T HAPPEN.
848
00:35:26,023 --> 00:35:29,527
HE JUST -- HE JUST DECIDED
TO DO THIS.
849
00:35:29,561 --> 00:35:31,496
SOMETIMES WHEN YOU PUSH PEOPLE
PAST THEIR LIMITS,
850
00:35:31,530 --> 00:35:32,864
THEY REALIZE
THEY HAVE NO BUSINESS
851
00:35:32,898 --> 00:35:33,998
STANDING SO CLOSE TO THE LINE.
852
00:35:34,032 --> 00:35:37,268
WELL, GOOD FOR HIM.
853
00:35:37,302 --> 00:35:39,938
MAN LEARNED SOMETHING
TOOK ME SIX YEARS TO REALIZE.
854
00:35:39,971 --> 00:35:43,108
SOME CHOICES WE MAKE...
855
00:35:43,141 --> 00:35:45,543
YOU WANT TO TAKE THEM BACK,
BUT YOU CAN'T.
856
00:35:45,577 --> 00:35:48,713
I'M JUST GLAD
TO HAVE A SECOND CHANCE.
857
00:35:50,081 --> 00:35:51,250
ME TOO.
858
00:35:59,557 --> 00:36:01,193
[ DOOR OPENS ]
859
00:36:02,728 --> 00:36:04,230
Madeline: MICHAEL.
860
00:36:04,262 --> 00:36:06,697
Michael: HEY, MOM.
BIG DAY TOMORROW.
861
00:36:06,731 --> 00:36:08,733
WE START GATHERING EVIDENCE
AGAINST CARD --
862
00:36:08,766 --> 00:36:10,969
THE SECRETS HE'S KEEPING,
THE REASON NATE DIED.
863
00:36:11,001 --> 00:36:12,403
THERE'S NO REASON
NATE DIED.
864
00:36:12,438 --> 00:36:14,005
I UNDERSTAND HOW YOU FEEL,
MOM.
865
00:36:14,039 --> 00:36:16,208
I WANT YOU TO KNOW THAT
HE'S GONNA PAY FOR WHAT HE DID.
866
00:36:16,242 --> 00:36:17,742
I PROMISE YOU THAT.
867
00:36:17,775 --> 00:36:21,045
AND ALL THE THINGS I'VE DONE,
THEY'LL BE WORTH IT.
868
00:36:21,079 --> 00:36:24,181
MICHAEL,
I'M LEAVING MIAMI.
869
00:36:27,353 --> 00:36:29,387
I GUESS THAT WOULD BE
A GOOD IDEA.
870
00:36:29,420 --> 00:36:32,056
IT WILL SELL THE STORY
THAT WE REALLY DIED IN --
871
00:36:32,090 --> 00:36:35,092
NO, IT'S NO RUSE.
IT'S PERMANENT.
872
00:36:35,126 --> 00:36:36,927
YOUR AUNT JILL SAID
I COULD STAY WITH HER,
873
00:36:36,961 --> 00:36:38,764
AND I'VE BEEN MISSING HER
FOR A LONG TIME.
874
00:36:38,797 --> 00:36:39,831
SO, THAT'LL WORK.
875
00:36:39,864 --> 00:36:41,432
DON'T YOU THINK
IT'S A LITTLE DRASTIC?
876
00:36:45,237 --> 00:36:48,239
I CAN'T KEEP WATCHING YOU
TURN YOUR SOUL INSIDE OUT,
877
00:36:48,273 --> 00:36:50,708
WORKING
WITH THESE MONSTERS --
878
00:36:50,742 --> 00:36:53,679
TYLER GRAY AND CARD
AND WHOEVER'S NEXT.
879
00:36:53,711 --> 00:36:55,347
IT DOESN'T MATTER.
880
00:36:55,380 --> 00:36:58,516
THERE'S NO ONE NEXT.
AFTER THIS, NO ONE.
881
00:36:58,550 --> 00:37:00,251
RIGHT.
882
00:37:00,286 --> 00:37:02,353
I NEED YOU.
883
00:37:02,387 --> 00:37:04,021
I CAN'T.
884
00:37:04,054 --> 00:37:06,190
I CAN'T GO ON
LIVING IN A PLACE
885
00:37:06,224 --> 00:37:09,394
WHERE EVERYTHING REMINDS ME
OF THE SONS I'VE LOST.
886
00:37:09,427 --> 00:37:10,795
I'M STILL HERE.
887
00:37:12,297 --> 00:37:13,798
I DON'T KNOW ABOUT THAT.
888
00:37:15,434 --> 00:37:18,403
I NEED A NEW BEGINNING,
MICHAEL.
889
00:37:18,436 --> 00:37:21,407
AND I WANT YOU
TO DO ME A FAVOR.
890
00:37:21,440 --> 00:37:25,277
WHEN THIS BUSINESS WITH CARD
IS OVER...
891
00:37:25,311 --> 00:37:28,146
I WANT YOU TO START OVER,
TOO.
892
00:37:35,920 --> 00:37:38,123
Westen:
WHEN YOU'RE ON A HIGH-STAKES
893
00:37:38,155 --> 00:37:40,291
INTELLIGENCE-GATHERING
OPERATION,
894
00:37:40,326 --> 00:37:41,592
CONCENTRATION IS KEY.
895
00:37:41,626 --> 00:37:43,829
WHETHER YOU'RE IN A CAR
OR ON THE STREET
896
00:37:43,862 --> 00:37:45,963
OR DOING YOUR SURVEILLANCE
POOLSIDE,
897
00:37:45,996 --> 00:37:47,965
YOU HAVE TO STAY FOCUSED
AT ALL TIMES.
898
00:37:47,998 --> 00:37:50,735
Jesse: LOOK ALIVE.
GRAY'S HERE FOR THE MEETING.
899
00:37:50,768 --> 00:37:53,304
ALL CLEAR OVER HERE.
WE'LL STAND BY.
900
00:37:53,338 --> 00:37:55,440
BECAUSE EVEN
THE SLIGHTEST DETAIL
901
00:37:55,474 --> 00:37:56,807
CAN MEAN THE DIFFERENCE
902
00:37:56,842 --> 00:37:59,478
BETWEEN A SUCCESSFUL MISSION
AND A COMPLETE DISASTER.
903
00:38:02,514 --> 00:38:04,315
YOU'RE A LITTLE EDGY THERE,
BUDDY.
904
00:38:04,349 --> 00:38:05,650
DON'T.
WE HAVE A JOB TO DO.
905
00:38:05,684 --> 00:38:07,284
YOU'RE WORRIED ABOUT YOUR MOM.
IT'S OKAY.
906
00:38:07,318 --> 00:38:08,286
IT'S PERFECTLY NORMAL.
907
00:38:08,320 --> 00:38:09,286
QUIET.
908
00:38:09,320 --> 00:38:10,655
[ KNOCK ON DOOR, DOOR OPENS ]
909
00:38:10,688 --> 00:38:12,458
Card:
GOOD TO SEE YOU, TYLER.
910
00:38:12,490 --> 00:38:13,492
ANOTHER SUNNY DAY.
911
00:38:13,525 --> 00:38:15,092
Gray:
IT'S A SCORCHER.
912
00:38:15,126 --> 00:38:16,994
YOU GONNA INVITE ME IN, OR ARE
WE GONNA TALK IN THE HALL--
913
00:38:17,027 --> 00:38:17,996
[ STATIC CRACKLES ]
914
00:38:18,028 --> 00:38:19,664
OKAY. WHAT THE HELL?
WE JUST LOST HIM.
915
00:38:19,697 --> 00:38:20,965
WAIT. IS THAT?
916
00:38:20,998 --> 00:38:22,300
NO SIGNAL.
917
00:38:22,333 --> 00:38:24,369
FREQUENCY JAMMER.
THAT'S NOT GOOD.
918
00:38:27,038 --> 00:38:28,440
AND THAT'S NOT GOOD,
EITHER.
919
00:38:28,474 --> 00:38:30,041
CARD BROUGHT A TEAM.
920
00:38:30,074 --> 00:38:33,512
WAIT.
MIKE, HOLD ON.
921
00:38:33,545 --> 00:38:34,846
LOOK, LOOK,
IF HE WANTED GRAY DEAD,
922
00:38:34,880 --> 00:38:36,347
HE WOULDN'T HAVE BROUGHT
ALL THESE GUYS.
923
00:38:36,382 --> 00:38:37,449
HE'S NOT GONNA KILL HIM.
924
00:38:37,483 --> 00:38:38,550
HE'S GONNA BRING GRAY IN
925
00:38:38,583 --> 00:38:40,351
AND HANG EVERYTHING
AROUND HIS NECK --
926
00:38:40,385 --> 00:38:42,387
PANAMA, NATE,
ANSON, ALL OF IT.
927
00:38:42,420 --> 00:38:44,523
WE GOT TO HAUL CARD
OUT IN CUFFS
928
00:38:44,556 --> 00:38:47,659
AND TAKE OUR CHANCES NOW
BEFORE HIS TEAM'S IN PLACE.
929
00:38:51,597 --> 00:38:52,898
[ ELEVATOR BELL DINGS ]
930
00:38:57,702 --> 00:38:58,670
KEEP AN EYE OUT.
931
00:38:58,704 --> 00:38:59,804
I SHOULD GO IN WITH YOU.
932
00:38:59,838 --> 00:39:01,873
IF CARD'S PEOPLE ARE COMING,
I NEED A HEADS-UP.
933
00:39:01,907 --> 00:39:03,909
GET DOWN TO THE WINDOW
AT THE END OF THE HALL
934
00:39:03,942 --> 00:39:05,175
AND KEEP AN EYE OUT.
935
00:39:17,889 --> 00:39:18,889
HELLO, THERE.
936
00:39:18,923 --> 00:39:20,057
SHOW ME YOUR HANDS, TOM.
937
00:39:21,460 --> 00:39:22,893
WHAT ARE YOU DOING?
938
00:39:22,927 --> 00:39:25,362
GRAY, HE HAS A WEAPON
TRAINED ON YOU.
939
00:39:28,567 --> 00:39:31,702
MICHAEL WESTEN.
940
00:39:31,737 --> 00:39:32,838
BACK FROM THE DEAD.
941
00:39:32,871 --> 00:39:34,405
NOT JUST ME, TOM.
942
00:39:34,440 --> 00:39:36,206
THE WHOLE TEAM.
IT'S OVER.
943
00:39:36,240 --> 00:39:37,608
THE TRUTH'S COMING OUT.
944
00:39:37,643 --> 00:39:38,909
PUT THE WEAPON DOWN.
945
00:39:38,943 --> 00:39:39,777
RIGHT.
946
00:39:39,811 --> 00:39:42,179
RIGHT AFTER YOU, KILLER.
947
00:39:42,213 --> 00:39:44,449
TOM, DROP THE WEAPON.
948
00:39:44,483 --> 00:39:47,885
THIS IS BETWEEN HIM AND ME,
SPORT.
949
00:39:47,918 --> 00:39:49,920
I SHOULD HAVE KNOWN
SOMETHING WAS GOING ON.
950
00:39:49,954 --> 00:39:53,425
ESPECIALLY WITH THOSE
JUST-TOO-CUTE FILES
951
00:39:53,458 --> 00:39:54,592
THAT SHOWED UP
FROM YOUR LOFT.
952
00:39:54,626 --> 00:39:55,793
TOM.
953
00:39:55,827 --> 00:39:57,496
PUT THE WEAPON DOWN.
954
00:40:00,965 --> 00:40:01,932
DON'T DO --
955
00:40:01,967 --> 00:40:02,967
[ WHISTLES ]
956
00:40:05,670 --> 00:40:08,273
WHAT ARE YOU GONNA DO?
SHOOT ME?
957
00:40:08,306 --> 00:40:10,541
YOU'RE NOT THE ONLY GUY IN
THE ROOM WHO HAS A TEAM OUTSIDE.
958
00:40:10,576 --> 00:40:14,713
I TOLD MY PEOPLE THAT I WAS
COMING TO SEE AN UNSTABLE ASSET.
959
00:40:14,746 --> 00:40:16,280
GOD DAMN IT!
960
00:40:16,313 --> 00:40:18,617
I DON'T WANT TO DO THIS.
I DON'T WANT TO DO THIS.
961
00:40:18,650 --> 00:40:19,784
I DON'T WANT TO DO THIS!
962
00:40:19,818 --> 00:40:20,952
DON'T! DON'T.
963
00:40:20,985 --> 00:40:23,822
I'M SO SORRY.
964
00:40:23,855 --> 00:40:25,623
HE PAINTED ME INTO A CORNER
965
00:40:25,657 --> 00:40:27,659
THE MINUTE
HE KICKED DOWN THAT DOOR.
966
00:40:27,693 --> 00:40:29,126
NO. NO, TOM.
967
00:40:29,159 --> 00:40:30,829
HE KILLED YOUR BROTHER!
968
00:40:34,132 --> 00:40:35,333
HANDS ON YOUR HEAD!
969
00:40:35,365 --> 00:40:37,503
HANDS ON YOUR HEAD!
970
00:40:38,603 --> 00:40:39,737
LISTEN TO ME, MICHAEL.
971
00:40:39,771 --> 00:40:41,806
GRAY KILLED ANSON.
GRAY SHOT YOUR BROTHER.
972
00:40:41,840 --> 00:40:44,141
HE MURDERED NATE.
HE DID THAT.
973
00:40:44,175 --> 00:40:45,510
RIGHT THERE.
HE DID THAT.
974
00:40:45,543 --> 00:40:48,112
YOU ORDERED HIM TO.
YOU'RE RESPONSIBLE.
975
00:40:48,146 --> 00:40:49,981
I NEVER WANTED NATE DEAD.
976
00:40:50,014 --> 00:40:51,916
I WOULD NEVER
HAVE TAKEN THAT SHOT!
977
00:40:51,949 --> 00:40:53,018
YOU TRIED TO HAVE ME KILLED.
978
00:40:53,050 --> 00:40:55,152
AND THAT IS
MY OWN PERSONAL HELL.
979
00:40:55,186 --> 00:40:57,355
IT WASN'T
SUPPOSED TO GO LIKE THAT.
980
00:40:57,387 --> 00:40:58,623
YOU WERE LIKE A SON TO ME.
981
00:41:03,795 --> 00:41:06,431
[ Chuckling ] YOU ARE
OUT OF YOUR MIND.
982
00:41:06,463 --> 00:41:10,668
WE BOTH KNOW THAT IT IS A BIG,
BAD WORLD OUT THERE, MICHAEL.
983
00:41:10,702 --> 00:41:13,838
AND GUYS LIKE YOU AND ME --
WE MAKE CALLS.
984
00:41:13,871 --> 00:41:14,873
WE GET UP IN THE MORNING
985
00:41:14,905 --> 00:41:16,675
AND WE KNOW THE ENDS
JUSTIFY THE MEANS.
986
00:41:16,708 --> 00:41:19,143
WHY DO YOU THINK ANSON
HAD TO GO? I'LL TELL YOU WHY.
987
00:41:19,177 --> 00:41:21,713
BECAUSE HE KNEW
WHAT I HAD GOING ON IN YEMEN,
988
00:41:21,746 --> 00:41:25,516
IN CHINA, IN PAKISTAN.
989
00:41:25,550 --> 00:41:28,519
SOMEONE HAS TO CARRY THE BAG
ON THE FRONT LINE.
990
00:41:28,554 --> 00:41:34,659
SO...I PULL THE TRIGGER ON
A COUPLE OF REALLY BAD GUYS...
991
00:41:37,027 --> 00:41:38,697
...OR WE ROLL THE DICE
992
00:41:38,730 --> 00:41:41,331
ON A COUPLE
OF REALLY BAD CONFLICTS.
993
00:41:44,101 --> 00:41:45,670
YOU'RE TALKING ABOUT TREASON,
TOM.
994
00:41:45,704 --> 00:41:49,507
MIGHT BE TIME FOR YOU
TO GROW UP, MY FRIEND.
995
00:41:49,541 --> 00:41:50,708
YOU'RE NOT MY FRIEND.
996
00:41:50,742 --> 00:41:53,043
BUT I WAS.
AND I DAMN SURE CAN BE AGAIN.
997
00:41:53,077 --> 00:41:55,380
WE CAN DO THINGS, MICHAEL --
GREAT THINGS.
998
00:41:55,413 --> 00:41:57,347
NECESSARY THINGS.
999
00:41:57,382 --> 00:42:00,818
THERE'S A LONG TO-DO LIST, AND
THERE'S NOBODY LEFT TO DO THEM.
1000
00:42:00,851 --> 00:42:02,688
YOU WIPED OUT
THE LAST BATCH.
1001
00:42:02,721 --> 00:42:04,956
IT'S JUST YOU AND ME NOW.
1002
00:42:06,958 --> 00:42:09,360
CLOCK'S TICKING.
1003
00:42:09,393 --> 00:42:11,128
WHAT DO YOU THINK?
1004
00:42:12,931 --> 00:42:16,568
CAN WE -- CAN WE PUT
ALL THIS BEHIND US?
1005
00:42:16,601 --> 00:42:20,405
HUH?
CAN WE MOVE INTO THE FUTURE?
1006
00:42:39,257 --> 00:42:40,425
I'M SO PROUD OF YOU, SON.
1007
00:42:41,992 --> 00:42:43,128
[ GUNSHOT ]
1008
00:42:44,429 --> 00:42:45,630
[ BODY THUDS ]
68757
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