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One day, a secret that was at the bottom of the sea
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and hush-hush (wind noise)
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(wind noise)
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ran away
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to embrace the golden sun and the silver moon.
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(wind noise)
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Time passed
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and after nine months
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like a pregnant woman
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a "femminiello" was born on a rock
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beautiful as the sun is beautiful
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mysterious as the moon is mysterious
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as deep as the bottom of the sea.
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This creature, new and old together brought joy and awe
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like all the sacred things of this world
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that while they warm the heart make you shiver.
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Where is it?
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How did he write?
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“Marcello Colasurdo, the man of the “iuta” in Montevergine, thrilling!”
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I participated since I was a child, a boy.
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They accompanied me on this Holy Staircase in Montevergine.
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Our Blessed Mother of Montevergine is also known as the "Mamma Schiavona" (Slave Mother).
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And we organized these "departures", let's say we used to leave the village by bus
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and go to the sanctuary of Montevergine in procession.
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We used to perform this liturgy, let’s call it so.
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When, as a child, they used to take me to Montevergine or to Madonna dell'Arco
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I felt that they belonged to me, you understand?
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They were "paranze", families who sang and played
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around these circles with this drum in hand.
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The "femminielli" participate in this ritual because she is their mother
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she is our mother
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the one who created us!
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She created us males and females
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from the hermaphrodite earth that gave birth to males and females
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at the same time
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I will never forget when I saw a “tammorraro”,the one who sells “tammorre”
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who made a little girl dance on a drum.
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He had to test the drums to see if they were good
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he used to sell them, he made them and sold them.
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He took the drum, he put it on the ground upside down, of course
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not with the skin underneath but on top!
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He would put the girl on top, he would play
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and she would dance on the drum
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so it is also called "o ball ncopp o tambur"
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it means “the ball on top of the drum”.
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Candlemas is nothing other than the celebration of the fecundation
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which takes place in front of Mother Earth
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the mother of Montevergine
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the female and mother earth who gave birth on that day
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and during the celebration of the fecundation that took place
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she brought forth that seed that blossomed and took on its first light
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It is the blessing of the seed that is also of our life seed.
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We go to Montevergine every second of February and then we return in September to thank Mamma Schiavona
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we go to bless the seed, the seed of life.
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The women, the priestesses carried their virgin children up the Holy Ladder
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and with a sowing gesture
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with a gesture that is just a gesture
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they blessed from the head touching up to the genitals of both the little virgin boy and girl
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and with a sowing gesture they threw it to the Great Mother.
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It is said "And also the seed of these children of yours, Virgin
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must proliferate for seasons to come"
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This is the true sacred celebration connected with the moon and the sun, understand?
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And it's called "Candlemas, Candlemas summer in and winter out
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everything for you is done, Mamma Schiavona".
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When Jesus Christ was presented to the temple
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the Church initiated the virgins and the virginal Jesus to the priests of the temple
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that's why the virgins are mentioned
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but we were already doing it before that!
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I want to show you something, I always have it here
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about how Christianity has taken a lot from the pre-Christian.
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Look at this, this is the Partenope mermaid, you see?
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Parthenius, Parthenos, Virgin!
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This is the Partenope mermaid, who is a griffin
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and look at what she is holding, look at her breast pressing for milk!
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You see the mermaid and you see this Madonna: it's the same thing, with breasts!
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It's a transition from pre-Christianity to Christianity.
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I boldly restored the Holy Ladder that was no longer being climbed.
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I put on a shawl as well!
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This shawl was given to me by a lady, a woman climbing the Holy Ladder.
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She said "you, who could be my son outside of sin I can't take this anymore, you have to do it!"
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She put it on me and now I'm wearing this and woe if I lose it!
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It's like my mother gave it to me!
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She used to sing, she was a "cantatora"who walked the way to the monastery on her knees.
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I said "ma'am I'll do it for you too!"
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Every time I go up there, I'll do it for you too, don't worry
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And so it was!
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Sister, Madonna!
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Schiavona!
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Schiavona!
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Tell me what are you doing, here in the chapel?
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Candlemas, Candlemas
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Summer inside, winter outside
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We can do everything for You, Mamma Schiavona
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I said "this Holy Staircase must be climbed" because it was no longer being used.
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and I had the courage to do it, when the other abbot was there.
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He wanted to stop me but I studied the history:
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he sent the police against women who were climbing the Holy Ladder in the 1950s.
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And I said "Don't do this! Those were our moms, our grandmas, don't do that anymore!"
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Call the police!
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I want to see where the sin is, where is the blasphemy
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This day is ours, it's everyone's day!
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I let him know, I said:"I like confrontation you have to tell me where the sin is!"
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You have to tell me why we don't have to invoke our “Schiavona”, why are we bothering you?
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It's Carnival time and when we arrive up here and say "this celebration is all for you"
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I put on a mask I put on make-up in order to look better in front of you
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you Madonna, you Mother, you Great Mother
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and I do it to show respect!
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And so be it!
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The abbot was blocking me, and I said:
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"No, you cannot block me"
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not because I am Colasurdo
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but because we come here with devotion and you cannot shut up the prayer with silence
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you cannot tell me to shut up, I won't shut up!
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This is our day!
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It happens once a year that we come up here
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we carry this day in our hearts for the whole year and you can't say "shut up!"
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Even my songs are prayers...
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"And when the drum plays in a church, I said: It's not blasphemy!"
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That is sacredness!
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This is an instrument that it is sacralised in a sacred context
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The people, they can play!
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We meet once a year
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Bless us, Mamma
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You don’t hold it
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You don’t hold it
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You bless us on the Earth
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to those who are devoted
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to the Mother of all the mothers
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Sister, Madonna
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Sister, the Madonna!
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To the coming year!
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When you hear the “cantatore” singing, making the invocation
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“ausuliate”, listen to what the singer is saying
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those are prayers and invocations
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they are not offensive things!
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For you, let's say, we are pagans, profanes
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but when we come here, we say:
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"Madonna how beautiful you are, why are you in this chapel?"
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it is not a Hail Mary, but...
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"In that wounded and furrowed land you have brought light today
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with the moon and the sun under your mantle”
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And these are prayers!
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Oì Madonna! Oì Madonna!
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Many “femminielli” come here
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they come because they are children of the Schiavona
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they are sons of the Mother Earth.
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It is this relationship with the Great Mother, with our mother that is important, get it?
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Because she doesn't discriminate, she's there and she welcomes us all!
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In front of you, we are all beautiful sons
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The main myth of Naples is the mermaid
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and the mermaid is double, half fish and half woman.
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So, even mythologically, this is a land disposed for doubles
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Man is not central to this situation but the land is central
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The “femminiello” could be born only around here, clearly over time it changes shape.
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But I am very attached to this name of the “femminiello”
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because it is not a term like “homosexual” or “gay” which reduce the person to sexuality
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the "femminiello" is a very delicate, affectionate word
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as if to say "I recognise in you a brushstroke of pink".
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In this place there is a story which says that two people, two young men
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caught in the act of love were condemned to death
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by freezing or being mauled by wolves in this very place.
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And these two poor men were coldly awaiting their death
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when a warm, blessing and luminous lady appeared and freed them.
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This is the story that keeps the base,first of all in the place
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that is to say, this is a place that gives us the possibility to live, as to say, motherly
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the maternal is what welcomes!
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All kinds of maternal greet, even a male can be maternal
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the maternal does not have a sexuality
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it does not have a penis, it does not have a vagina
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it is a way of being in the world
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Therefore places can also be maternal
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and this is a maternal place
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What down there they call "diversity" here becomes a cenacle
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here it becomes more harmonic
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because it is as if everyone is recognised as having an interiority
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where categories are no longer necessary, although they are probably useful
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because in social environments we have to give ourselves a little rule
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but then we always have to find a place
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where we have to reveal ourselves from our rules,
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even from our masks
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in order to remind ourselves thatwe also belong to a naked world,
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a world without many categories.
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First of all, the “femminiello’s” tradition belongs to a very precise category which is the popular one, the “vascio”
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It is the place that makes you more adherent to a thought
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that, in a crude way, is called “pagan”.
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It's a historical and cultural movement that brings changes
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I am inhabited by many things, gays are an expression of the modern
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The thing that could mortify us “femminelle” and could mortify them is that there is no historical knowledge
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and not only is there no historical knowledge, but there is a total rejection of everything that existed before
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I come here because of a tradition because right now I'm not coming alone
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I'm coming with all the “femminelle” who brought me here for the first time
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I'm coming with everything that can't be seen
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it's a reproposal of myself as if I were not only an aesthetic fact but also an ethical and historical one
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What brings us together, the old and the new, the pre-Cristian and the Christian
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is the sacred religiosity of the ritual, of the faith and love we bear towards this great mother who is Mother Earth.
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When I speak of religiosity, of sacredness that has no time
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I don't necessarily have to mention Christianity or some other religion
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it is the popular sacredness, a millenary tradition that has no time.
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Those people have invented and created these beautiful things
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belonging to the image of themselves, to their reflection
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Here it is, I said it!
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All this feast is made for You
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This life of mine!
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Hurray!
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Wishes for one hundred years!
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In memory of Marcello ColasurdoSongwriter, interpreter of the Neapolitan tradition, artist and voice of the Montevergine Family.
19578
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