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Would you like to inspect the original subtitles? These are the user uploaded subtitles that are being translated: 1 00:00:01,001 --> 00:00:03,663 ANNOUNCER: Last on the Six Million Dollar Man... 2 00:00:03,770 --> 00:00:07,001 Steve Austin had watched his fiance, Jaime Sommers... 3 00:00:07,107 --> 00:00:10,201 the world's first bionic woman die. 4 00:00:10,310 --> 00:00:13,473 But was she really dead? (BIONIC EYE SOUND EFFECT) 5 00:00:17,050 --> 00:00:18,950 I saw Jaime today, alive. 6 00:00:19,052 --> 00:00:20,349 Steve, you don't under... 7 00:00:20,454 --> 00:00:22,632 Don't start the training number with me, Oscar! I know what I saw! 8 00:00:22,656 --> 00:00:23,520 Steve, listen to me. 9 00:00:23,624 --> 00:00:24,784 Five seconds. 10 00:00:24,892 --> 00:00:26,257 Alright. 11 00:00:28,495 --> 00:00:31,464 It's Jaime. She's alive. 12 00:00:33,066 --> 00:00:36,365 ANNOUNCER: Doctor Michael Marchetti had performed a startling operation... 13 00:00:36,470 --> 00:00:38,836 using revolutionary cryogenic techniques... 14 00:00:38,939 --> 00:00:40,998 which had literally brought Jaime back to life. 15 00:00:41,108 --> 00:00:43,201 (DEFIBRILLATOR CLICKS) 16 00:00:45,412 --> 00:00:47,539 ANNOUNCER: But when Jaime saw Steve again... 17 00:00:48,715 --> 00:00:49,807 Who are you? 18 00:00:51,885 --> 00:00:54,217 ANNOUNCER: Jaime had suffered brain damage. 19 00:00:54,321 --> 00:00:55,549 Her memory was gone. 20 00:00:55,656 --> 00:00:58,648 I told you before, by attempting to stimulate Jaime's memory... 21 00:00:58,759 --> 00:01:01,887 we could bring back the pain that she felt so intensely. 22 00:01:03,196 --> 00:01:06,495 Then it's best that she doesn't know anything about us. 23 00:01:07,100 --> 00:01:09,068 What we shared. 24 00:01:09,169 --> 00:01:13,868 ANNOUNCER: Steve could only watch as Jaime grew closer to Michael. 25 00:01:15,375 --> 00:01:18,105 Then Jaime began to have flashes of memory... 26 00:01:18,211 --> 00:01:20,179 but with the memory came pain. 27 00:01:22,950 --> 00:01:23,939 What's the matter? 28 00:01:24,051 --> 00:01:27,020 Steve, sometimes I feel like I'm just on the edge of remembering... 29 00:01:27,120 --> 00:01:29,145 and then... and then it hurts. 30 00:01:29,256 --> 00:01:32,123 And it's so frustrating, cause I... 31 00:01:32,225 --> 00:01:33,749 It's driving me crazy. 32 00:01:33,860 --> 00:01:37,796 ANNOUNCER: So they considered taking Jaime back to her hometown. 33 00:01:37,898 --> 00:01:41,595 Just suppose somebody comes up on the street and recognizes her. 34 00:01:41,702 --> 00:01:44,796 We'll have to avoid that. Keep her off the streets. 35 00:01:44,905 --> 00:01:47,100 Keep the whole thing controlled. 36 00:01:47,207 --> 00:01:49,903 ANNOUNCER: Now Steve is taking Jaime home... 37 00:01:50,010 --> 00:01:52,672 but no one knows what lies ahead. 38 00:01:53,647 --> 00:01:57,913 ANNOUNCER: And now the Return of The Bionic Woman, Part Two... 39 00:01:58,018 --> 00:02:00,384 on The Six Million Dollar Man. 40 00:02:03,824 --> 00:02:05,068 FLIGHT COM: It's looks good at NASA One. 41 00:02:05,092 --> 00:02:06,059 B- 52 >PILOT: Roger. 42 00:02:06,159 --> 00:02:07,524 BCS Arm switch is on. 43 00:02:07,628 --> 00:02:08,595 FLIGHT COM: Okay, Victor. 44 00:02:08,695 --> 00:02:10,773 B-52 PILOT: Landing Rocket Arm switch is on. Here comes the throttle. 45 00:02:10,797 --> 00:02:12,856 Circuit breakers in. 46 00:02:12,966 --> 00:02:13,966 STEVE: We have separation. 47 00:02:14,101 --> 00:02:16,092 B-52 PILOT: Inboard and outboards are on. 48 00:02:16,203 --> 00:02:18,103 I'm comin' forward with the side stick. 49 00:02:18,205 --> 00:02:19,229 FLIGHT COM: Looks good. 50 00:02:19,573 --> 00:02:20,471 PILOT: Ah, Roger. 51 00:02:20,574 --> 00:02:21,884 STEVE: I've got a blowout in damper three. 52 00:02:21,908 --> 00:02:23,052 SR-71 PILOT: Get your pitch to zero. 53 00:02:23,076 --> 00:02:24,805 STEVE: Pitch is out. I can't hold altitude! 54 00:02:24,911 --> 00:02:27,846 B-52 PILOT: Correction. Alpha Hold is off. Threat selector is emergency. 55 00:02:27,948 --> 00:02:30,788 STEVE: Flight Com. I can't hold it! She's breaking up! She's breaking... 56 00:02:38,759 --> 00:02:41,091 ANNOUNCER: Steve Austin. Astronaut. 57 00:02:41,194 --> 00:02:43,594 A man barely alive. 58 00:02:45,799 --> 00:02:48,597 Gentlemen, we can rebuild him. 59 00:02:48,702 --> 00:02:51,500 We have the technology. 60 00:02:51,605 --> 00:02:55,769 We have the capability to make the world's first bionic man. 61 00:02:59,680 --> 00:03:03,480 Steve Austin will be that man. 62 00:03:03,583 --> 00:03:06,108 Better than he was before. 63 00:03:06,953 --> 00:03:11,390 Better, stronger, faster. 64 00:03:11,491 --> 00:03:14,460 (MAIN TITLE THEME) 65 00:03:30,310 --> 00:03:33,279 ('7OS POP MUSIC) 66 00:03:51,164 --> 00:03:53,132 It's beautiful country, Steve. 67 00:03:53,233 --> 00:03:54,495 Yeah, I've always thought so. 68 00:03:54,601 --> 00:03:56,535 You know this country pretty well, huh? 69 00:03:56,636 --> 00:03:58,968 Well, I was raised here. 70 00:04:09,549 --> 00:04:12,814 What did that sign say? It said, Astronaut Steve Austin? 71 00:04:12,919 --> 00:04:13,943 Yeah. 72 00:04:14,054 --> 00:04:15,180 You didn't tell me that. 73 00:04:15,288 --> 00:04:16,812 Did you go into space? 74 00:04:16,923 --> 00:04:18,151 Well, I went to the moon. 75 00:04:18,258 --> 00:04:19,691 The moon? 76 00:04:20,894 --> 00:04:24,455 Wow, what's it like to walk around on a strange new world? 77 00:04:26,066 --> 00:04:30,059 Never mind. I think I know exactly how it feels. 78 00:04:39,713 --> 00:04:41,613 JAIME: So, this is your place, huh? 79 00:04:41,681 --> 00:04:42,579 STEVE: Yep. 80 00:04:42,682 --> 00:04:46,083 JAIME: Well, it suits you. It's warm and friendly just like the countryside. 81 00:04:46,186 --> 00:04:47,363 STEVE: Would you like to see some more? 82 00:04:47,387 --> 00:04:48,376 JAIME: Oh, yes. 83 00:04:48,488 --> 00:04:49,565 STEVE: Come on, I'll show you around. 84 00:04:49,589 --> 00:04:51,113 JAIME: Okay. 85 00:04:55,195 --> 00:04:56,457 ('7OS POP MUSIC) 86 00:04:56,563 --> 00:05:01,000 J‘ It's been fun, lots of laughs, Jaime J‘ 87 00:05:01,902 --> 00:05:05,303 I It always is when friends meet again I 88 00:05:06,973 --> 00:05:11,000 I But lately, it's gone flat for me, Jaime J‘ 89 00:05:11,945 --> 00:05:16,314 J‘ I don't like seeing you now and then I 90 00:05:17,684 --> 00:05:20,312 J‘ Our friendship is finished I 91 00:05:20,420 --> 00:05:22,854 J‘ That's true J‘ 92 00:05:22,956 --> 00:05:27,290 I But there's hope, a way to make it through I 93 00:05:28,595 --> 00:05:32,622 J‘ Because, sweet Jaime, I love you I 94 00:05:34,501 --> 00:05:38,130 J‘ I never wanna say goodbye to you I 95 00:05:39,306 --> 00:05:43,504 J‘ Sweet Jaime, I'll love you foreverJ‘ 96 00:05:45,378 --> 00:05:49,337 J‘ I know we'll never part I 97 00:05:50,617 --> 00:05:54,485 J‘ I love you like I loved no otherJ‘ 98 00:05:55,956 --> 00:06:00,393 I Make room for me in your heart I 99 00:06:08,368 --> 00:06:10,393 JAIME: Michael? Hi, it's Jaime. 100 00:06:10,503 --> 00:06:12,869 I just wanted to call you and let you know we got here. 101 00:06:12,939 --> 00:06:14,634 I'm glad to hear it. 102 00:06:15,809 --> 00:06:17,003 How are you feeling? 103 00:06:17,110 --> 00:06:19,635 Good. We're at Steve's ranch now. 104 00:06:19,746 --> 00:06:21,907 And it's just... it's really, uh... 105 00:06:26,086 --> 00:06:27,348 (LOUD WHOOSH & CHIMES) 106 00:06:27,454 --> 00:06:29,718 It's really... 107 00:06:33,159 --> 00:06:34,126 MICHAEL: Jaime? 108 00:06:34,227 --> 00:06:35,194 Yeah, I'm here. 109 00:06:35,295 --> 00:06:37,991 You're sure you're not having any problems? 110 00:06:40,533 --> 00:06:42,558 No, no problems. 111 00:06:42,669 --> 00:06:45,365 No problem except that you're not here. When are you coming up? 112 00:06:46,640 --> 00:06:49,336 Oh, good. Maybe we can have breakfast then, huh? 113 00:06:49,442 --> 00:06:52,206 Oh, that would be lovely. 114 00:06:52,312 --> 00:06:54,803 Um, Michael? 115 00:06:54,915 --> 00:06:56,280 What is it? 116 00:06:57,751 --> 00:06:59,582 I'll tell you tomorrow. Maybe. 117 00:06:59,686 --> 00:07:02,314 Bye bye. 118 00:07:02,422 --> 00:07:04,356 (HANGS UP) 119 00:07:04,457 --> 00:07:05,947 (LOUD WHOOSH) 120 00:07:06,993 --> 00:07:08,324 Could we go for a walk? 121 00:07:10,797 --> 00:07:12,526 Sure. 122 00:07:12,599 --> 00:07:13,919 Don't you want your orange juice? 123 00:07:15,101 --> 00:07:16,193 Not right now. 124 00:07:22,342 --> 00:07:24,310 Oh, it's just so peaceful here. 125 00:07:24,411 --> 00:07:25,571 Yep. 126 00:07:27,280 --> 00:07:29,225 Steve, you're my friend. Tell me something honestly. 127 00:07:29,249 --> 00:07:30,910 I'll try. 128 00:07:32,118 --> 00:07:33,278 What do you think of Michael? 129 00:07:34,921 --> 00:07:38,857 Well, he's a brilliant, talented, dedicated scientist. 130 00:07:38,959 --> 00:07:40,620 I know all that, but, um... 131 00:07:40,727 --> 00:07:42,524 what do you think of him as a person? 132 00:07:44,297 --> 00:07:45,457 I like him. 133 00:07:46,499 --> 00:07:47,523 Me too. 134 00:07:48,868 --> 00:07:50,267 Do you think he likes me? 135 00:07:57,978 --> 00:07:59,275 (LOUD WHOOSH) 136 00:07:59,346 --> 00:08:00,904 (BIONIC SOUND EFFECT) 137 00:08:03,383 --> 00:08:04,748 What's the matter? 138 00:08:04,851 --> 00:08:07,581 Nothing, I... I... 139 00:08:07,687 --> 00:08:09,018 You alright? 140 00:08:10,123 --> 00:08:11,556 Yeah. Really. 141 00:08:12,826 --> 00:08:15,818 This must've been a really nice place to grow up. 142 00:08:15,929 --> 00:08:18,124 Yeah, it was for me. 143 00:08:18,231 --> 00:08:20,042 I used to go fishing just over that hill there. 144 00:08:20,066 --> 00:08:21,829 Is there a lake near here? 145 00:08:21,935 --> 00:08:23,732 Yeah. Just over that hill there. 146 00:08:23,837 --> 00:08:25,566 Can we go there? 147 00:08:25,672 --> 00:08:27,230 Sure, I guess so. 148 00:08:42,389 --> 00:08:44,533 Did you ever get the feeling that you've been somewhere before? 149 00:08:44,557 --> 00:08:45,524 Sure. Lots of times. 150 00:08:45,625 --> 00:08:48,185 Kind of feel that way now. 151 00:08:48,294 --> 00:08:51,092 Guess I'll probably feel that way off and on for the rest of my life. 152 00:08:52,632 --> 00:08:53,690 Hey, can we go into town? 153 00:08:55,235 --> 00:08:56,896 Well, there's not much to see there. 154 00:08:57,003 --> 00:08:59,836 Well, I would like to go anyway. So plan on it. 155 00:08:59,939 --> 00:09:02,601 Well, maybe. 156 00:09:17,157 --> 00:09:18,749 Gee, aren't these fun? 157 00:09:21,161 --> 00:09:23,652 Kind of makes you feel like someone's been here before. 158 00:09:23,763 --> 00:09:25,594 Yeah. 159 00:09:25,698 --> 00:09:27,029 Is your name on here? 160 00:09:27,133 --> 00:09:29,431 No, no. I don't think so. 161 00:09:31,905 --> 00:09:33,497 You know what I'd like to do? 162 00:09:33,573 --> 00:09:34,562 What's that? 163 00:09:39,579 --> 00:09:41,979 (DRILLING SOUND) 164 00:09:52,525 --> 00:09:55,824 What every woman wants: a bionic fingernail. 165 00:10:00,366 --> 00:10:02,800 (DRILLING SOUND) 166 00:10:28,194 --> 00:10:30,321 (CHIMES) 167 00:10:40,240 --> 00:10:42,435 (CHIMES) 168 00:10:59,792 --> 00:11:01,123 (DIALS ROTARY PHONE) 169 00:11:01,227 --> 00:11:05,129 (PHONE RINGING) 170 00:11:06,666 --> 00:11:08,031 Hello? 171 00:11:08,134 --> 00:11:09,863 STEVE: Hi, Dad. 172 00:11:09,969 --> 00:11:11,834 Steve! Where are you? 173 00:11:11,938 --> 00:11:14,338 Well, I'm here. At the ranch. 174 00:11:14,440 --> 00:11:16,965 Oh, your mother will be so disappointed. 175 00:11:17,076 --> 00:11:19,772 She's at your Aunt Berdine's in Bakersfield. 176 00:11:19,879 --> 00:11:21,039 You be here long? 177 00:11:21,147 --> 00:11:24,116 Well, I don't know. Can you come over? 178 00:11:25,518 --> 00:11:28,487 Sure. What's wrong? 179 00:11:29,155 --> 00:11:30,850 I need to talk to you, Dad. 180 00:11:30,957 --> 00:11:34,188 There's something you better know before you get here. 181 00:11:34,294 --> 00:11:35,625 What is it? 182 00:11:35,728 --> 00:11:37,662 It's about Jaime. 183 00:11:37,764 --> 00:11:40,324 (CHIMES) 184 00:11:53,279 --> 00:11:55,076 STEVE'S DAD: It's unreal, Steve. 185 00:11:55,181 --> 00:11:57,274 Like I'm seeing a ghost. 186 00:11:57,383 --> 00:11:58,816 STEVE: Yeah, I know. 187 00:11:58,918 --> 00:12:00,798 STEVE'S DAD: And she hasn't remembered anything? 188 00:12:00,887 --> 00:12:03,185 Even since you brought her here? 189 00:12:03,289 --> 00:12:05,534 STEVE: No, and there's a constant danger that if she sees too much... 190 00:12:05,558 --> 00:12:08,288 or accidentally heard too much from someone in town... 191 00:12:08,394 --> 00:12:10,919 it might seriously damage her psychologically. 192 00:12:11,030 --> 00:12:13,464 So I've really got to keep her clear of town. 193 00:12:18,504 --> 00:12:21,337 This must be harder for you than I can even imagine. 194 00:12:22,942 --> 00:12:25,137 That's why I called you. 195 00:12:25,245 --> 00:12:27,304 I just had to have somebody to talk to. 196 00:12:32,218 --> 00:12:33,583 (POURS DRINK) 197 00:12:33,686 --> 00:12:35,085 It is getting to me, Dad. 198 00:12:35,188 --> 00:12:38,954 Taking her to all the places she and I used to go as kids. 199 00:12:39,058 --> 00:12:41,925 Places we went again last spring. 200 00:12:42,629 --> 00:12:44,392 Seems so long ago now. 201 00:12:47,667 --> 00:12:50,397 I guess that's what hurts the most. 202 00:12:50,503 --> 00:12:53,404 Finding her last spring and then... 203 00:12:53,506 --> 00:12:56,737 realizing what we'd been missing all those years. 204 00:12:57,744 --> 00:12:59,644 Coming so close to marrying her. 205 00:13:01,547 --> 00:13:03,947 Then losing her that night at the hospital. 206 00:13:05,585 --> 00:13:06,745 And now? 207 00:13:06,853 --> 00:13:10,186 Now, losing her all over again. 208 00:13:12,125 --> 00:13:14,889 Yeah. 209 00:13:14,994 --> 00:13:18,486 Dad, this morning out by the lake, I... 210 00:13:18,598 --> 00:13:20,566 I just wanted to grab her and... 211 00:13:20,667 --> 00:13:23,727 And make her remember me. Remember us. 212 00:13:25,405 --> 00:13:28,340 You're pretty remarkable. Do you know that? 213 00:13:29,909 --> 00:13:34,243 You've been so busy worrying about how Ojai would effect Jaime... 214 00:13:34,347 --> 00:13:36,959 that you haven't taken time to worry about how it would effect you. 215 00:13:36,983 --> 00:13:38,848 I guess I'll be alright. 216 00:13:41,888 --> 00:13:45,449 Thanks for helping me unload a little bit. It helps. 217 00:13:45,558 --> 00:13:48,220 I wish I could help more. 218 00:13:51,097 --> 00:13:53,793 Now where'd she go? Come on, let's have a look. 219 00:14:00,740 --> 00:14:01,900 Jaime? 220 00:14:05,144 --> 00:14:07,009 Jaime! 221 00:14:07,980 --> 00:14:09,447 Where'd she go? 222 00:14:11,184 --> 00:14:13,675 (BIONIC EYE SOUND EFFECT) 223 00:14:25,998 --> 00:14:27,363 STEVE: The back gate's open. 224 00:14:27,467 --> 00:14:29,387 She must be headed for town. I've gotta stop her. 225 00:14:30,103 --> 00:14:33,334 (BIONIC SOUND EFFECT) 226 00:15:44,377 --> 00:15:47,346 (BIONIC EYE SOUND EFFECT) 227 00:16:04,730 --> 00:16:06,061 Edward! 228 00:16:06,599 --> 00:16:07,588 WOMAN: Edward. 229 00:16:07,700 --> 00:16:08,826 (BIONIC EAR SOUND EFFECT) 230 00:16:08,935 --> 00:16:11,460 Didn't that look like Jaime Sommers? 231 00:16:15,141 --> 00:16:17,109 Edward. 232 00:16:27,220 --> 00:16:30,986 (TENNIS PLAYERS CHATTER) 233 00:16:46,138 --> 00:16:49,107 (CHIMES) 234 00:17:13,833 --> 00:17:15,596 Hey, my game, Armando. 235 00:17:15,701 --> 00:17:16,929 Okay, you buy the beer, huh? 236 00:17:18,604 --> 00:17:21,129 Make it cold. 237 00:17:22,542 --> 00:17:25,511 (CHIMES) 238 00:17:40,626 --> 00:17:42,924 Steve? Steve Austin! 239 00:17:43,029 --> 00:17:44,257 Hi, Mrs. Raymond. How are you? 240 00:17:44,363 --> 00:17:46,297 It's very good to see you again. 241 00:17:46,399 --> 00:17:47,798 You know the funniest thing? 242 00:17:47,900 --> 00:17:51,267 We just passed a girl back there who looked just like Jaime Sommers. 243 00:17:51,370 --> 00:17:53,050 You did? Where? She was the spitting image. 244 00:17:53,105 --> 00:17:55,117 I said to Edward, didn't that look like Jaime Sommers? 245 00:17:55,141 --> 00:17:56,218 Mrs. Raymond, where did you see her? 246 00:17:56,242 --> 00:17:57,209 Oh, at the park. 247 00:17:57,310 --> 00:17:58,572 Thank you. I'll see you later. 248 00:18:08,521 --> 00:18:10,148 Hey! 249 00:18:10,256 --> 00:18:12,383 Hi. You want to hit a couple back? 250 00:18:27,807 --> 00:18:31,004 Oh. Come on. Come on. Here's an easier one. 251 00:18:39,251 --> 00:18:42,414 Oh. Wow. That was great. 252 00:18:42,521 --> 00:18:44,182 Hey. Try another one. 253 00:19:14,153 --> 00:19:16,678 I get the feeling I'm being hustled. 254 00:19:23,896 --> 00:19:26,023 Hey, I am being hustled. 255 00:19:26,132 --> 00:19:27,463 You're Jaime Sommers. 256 00:19:28,968 --> 00:19:31,027 Yeah, I saw you on TV last year. When was that? 257 00:19:31,137 --> 00:19:34,265 In the finals last spring. 258 00:19:34,373 --> 00:19:36,341 (LOUD WHOOSH) 259 00:19:37,076 --> 00:19:39,943 Hey, you were some kind of player. 260 00:19:41,547 --> 00:19:43,481 You living in Ojai now? 261 00:19:45,117 --> 00:19:47,711 No. (LOUD WHOOSH) 262 00:19:49,722 --> 00:19:51,562 I would really like for my friends to meet you. 263 00:19:51,824 --> 00:19:53,155 Oh, no. 264 00:19:53,259 --> 00:19:55,921 It'll just take a minute. I'll be right back, okay? 265 00:20:00,566 --> 00:20:01,931 (LOUD WHOOSH) 266 00:20:02,034 --> 00:20:03,126 No! 267 00:20:09,275 --> 00:20:11,539 (HIGH-PITCHED TONE & CHIMES) 268 00:20:13,579 --> 00:20:15,444 STEVE: Jaime? Jaime. 269 00:20:17,083 --> 00:20:20,712 Oh, Steve, I... it hurts. 270 00:20:20,820 --> 00:20:22,788 I remembered so much pain. 271 00:20:22,888 --> 00:20:23,877 Come on. 272 00:20:30,930 --> 00:20:33,592 I was a tennis player? He said... he said that... 273 00:20:33,699 --> 00:20:34,927 Yeah. 274 00:20:35,034 --> 00:20:38,367 I had a flash of memory, but there was a pain with it. 275 00:20:38,471 --> 00:20:40,996 It was like a hot knife cutting and... 276 00:20:41,107 --> 00:20:43,371 I wish Michael was here. 277 00:20:43,476 --> 00:20:45,467 We'll call him. Come on. 278 00:20:51,917 --> 00:20:53,714 (DOOR OPENS) 279 00:20:58,758 --> 00:21:00,118 Hey, get a good night's rest, huh? 280 00:21:02,389 --> 00:21:02,495 I'll pick you up for the breakfast in the morning, okay? 281 00:21:02,496 --> 00:21:04,486 Michael will be here? 282 00:21:04,897 --> 00:21:06,558 Yeah. 283 00:21:06,632 --> 00:21:08,862 Goodnight. Goodnight. 284 00:21:16,842 --> 00:21:19,106 RECEPTIONIST: Phone call for Colonel Austin. 285 00:21:22,281 --> 00:21:23,270 Colonel Austin. 286 00:21:23,382 --> 00:21:24,942 STEVE'S DAD: Steve? You found her okay? 287 00:21:25,050 --> 00:21:26,642 Oh, Hi, Dad. 288 00:21:26,752 --> 00:21:28,811 Yeah, I, uh... I found her. 289 00:21:28,921 --> 00:21:32,357 Good. I was pretty worried about her. 290 00:21:33,425 --> 00:21:35,416 And I'm still pretty worried about you. 291 00:21:35,528 --> 00:21:37,359 Oh, I'll be okay. 292 00:21:37,463 --> 00:21:39,431 Thanks again, you know, Dad? 293 00:21:39,532 --> 00:21:41,227 I know, and Steve... 294 00:21:42,668 --> 00:21:45,466 I can't remember ever being more proud of you, son. 295 00:21:48,207 --> 00:21:49,640 Do you think she'll be alright now? 296 00:21:50,810 --> 00:21:53,745 Yes, she's, uh... she's resting quietly. 297 00:21:53,846 --> 00:21:55,370 Good. 298 00:21:57,783 --> 00:22:01,549 (DRAMATIC MUSIC) 299 00:22:16,268 --> 00:22:19,362 (LOUD WHOOSH, CHIMES) 300 00:22:19,972 --> 00:22:21,098 (SCREAMS) 301 00:22:39,825 --> 00:22:41,019 No! 302 00:22:45,831 --> 00:22:47,924 Jaime. Jaime, what's the matter? What happened? 303 00:22:48,033 --> 00:22:51,332 Just more visions and pain in my head. 304 00:22:52,071 --> 00:22:53,351 Call Dr. Wells or Dr. Marchetti. 305 00:22:53,439 --> 00:22:55,168 No, it's alright. 306 00:22:55,274 --> 00:22:56,468 Are you sure? 307 00:22:56,542 --> 00:22:58,635 Yes. I know what it is. 308 00:22:58,744 --> 00:23:01,008 She'll be alright. 309 00:23:02,781 --> 00:23:04,510 I realize why you brought me here now. 310 00:23:04,617 --> 00:23:05,606 What do you mean? 311 00:23:06,685 --> 00:23:08,653 I grew up in Ojai, too, didn't I? 312 00:23:11,790 --> 00:23:13,314 Yeah. 313 00:23:13,425 --> 00:23:15,655 And I guess you thought by me seeing the area again... 314 00:23:15,761 --> 00:23:17,922 it would help restore my memory... 315 00:23:18,030 --> 00:23:19,554 but it's no good, Steve. 316 00:23:20,099 --> 00:23:24,001 Every time I start to think back, there's so much pain. 317 00:23:24,103 --> 00:23:25,934 I mean, pain I can't even tell you about. 318 00:23:27,539 --> 00:23:29,439 Boy, I want to look back. 319 00:23:29,541 --> 00:23:31,372 There's so much there. 320 00:23:31,477 --> 00:23:34,810 And I even feel like there's... There's someone that I left behind. 321 00:23:35,848 --> 00:23:40,114 Like someone that I loved, but that pain... it just keeps coming. 322 00:23:40,219 --> 00:23:43,086 Look, I understand. How can I help you? 323 00:23:45,024 --> 00:23:46,286 Help me go forward. 324 00:23:49,395 --> 00:23:51,090 It just hurts too much to go back. 325 00:23:51,931 --> 00:23:53,831 At least for now. 326 00:23:53,933 --> 00:23:56,493 I think I have to leave Ojai and everything that went with it. 327 00:23:56,602 --> 00:23:57,864 Just leave it behind. 328 00:24:01,073 --> 00:24:02,097 Alright. 329 00:24:03,142 --> 00:24:05,007 And I need more than that, Steve. 330 00:24:05,110 --> 00:24:08,910 I want Oscar to put me to work. Use these bionics he gave me. 331 00:24:09,014 --> 00:24:10,606 Jaime, I don't know. 332 00:24:10,716 --> 00:24:12,650 Steve, I've gotta work. 333 00:24:12,751 --> 00:24:14,946 I've gotta get my mind on some new things. 334 00:24:16,322 --> 00:24:17,799 Look, I know what you're saying, but... 335 00:24:17,823 --> 00:24:19,882 I know I'll be alright, Steve. 336 00:24:19,992 --> 00:24:24,088 Between my bionics and your friendship, and Michael's help, we can't lose. 337 00:24:24,196 --> 00:24:27,063 Really. 338 00:24:42,181 --> 00:24:45,173 (DRAMATIC MUSIC) 339 00:25:03,402 --> 00:25:06,269 (MYSTERIOUS MUSIC, CHIMES) 340 00:25:06,372 --> 00:25:08,567 OSCAR: She's progressing at a rapid rate, isn't she? 341 00:25:08,674 --> 00:25:11,666 RUDY: Looks like it. Beth? 342 00:25:11,777 --> 00:25:14,268 Punch up the other videotapes. 343 00:25:15,647 --> 00:25:18,514 RUDY: Michael's cryogenic therapy has worked wonders. 344 00:25:18,617 --> 00:25:21,313 It's also helped us overcome her bionic rejection problem. 345 00:25:21,420 --> 00:25:24,685 And Michael's presence has helped a lot too. 346 00:25:33,132 --> 00:25:34,497 Rudy, what condition is she in? 347 00:25:34,600 --> 00:25:37,467 Well, if I had another month... 348 00:25:37,569 --> 00:25:39,696 I'd keep a close eye on her bionic neural link... 349 00:25:39,772 --> 00:25:41,000 Rudy. 350 00:25:41,106 --> 00:25:43,506 Okay, okay. 351 00:25:43,609 --> 00:25:46,043 It's good. It's very good. 352 00:25:46,145 --> 00:25:48,045 Physically, yes, but what about mentally? 353 00:25:48,814 --> 00:25:51,942 I have to go along with Jaime's estimate of her condition. 354 00:25:52,051 --> 00:25:53,143 It's accurate. 355 00:25:54,420 --> 00:25:57,514 Well then, you think it's just Ojai that upset her so much. 356 00:25:57,623 --> 00:26:00,114 Sure. What else could it have been? 357 00:26:02,795 --> 00:26:05,263 I also have to go along with her suggestion... 358 00:26:05,364 --> 00:26:09,323 that we find her something new and challenging. 359 00:26:09,435 --> 00:26:11,596 STEVE: Well, that's what we'll have to let her do. 360 00:26:11,703 --> 00:26:14,069 I suppose you've got something in mind already, huh? 361 00:26:14,773 --> 00:26:17,173 Yes. For both of you. 362 00:26:17,276 --> 00:26:19,267 It's urgent, important. 363 00:26:19,378 --> 00:26:20,538 Dangerous? 364 00:26:23,415 --> 00:26:25,727 Well, that'll give her something new to think about, right? 365 00:26:25,751 --> 00:26:28,720 (MELANCHOLY MUSIC) 366 00:26:50,876 --> 00:26:54,175 Steve, I'm feeling a little guilty, alright? 367 00:26:54,246 --> 00:26:58,182 I told you I wouldn't purposely undermine your relationship with Jaime, but... 368 00:26:58,250 --> 00:27:00,775 But you're not made of iron, huh? 369 00:27:01,653 --> 00:27:03,052 No, I guess I'm not. 370 00:27:04,523 --> 00:27:07,117 You're just so... 371 00:27:07,226 --> 00:27:10,923 Hey, you're talking to the guy that fell in love with her when she was eight years old. 372 00:27:11,029 --> 00:27:12,189 I understand. 373 00:27:12,297 --> 00:27:13,924 Yeah, I'm sure you do. 374 00:27:14,733 --> 00:27:17,600 Besides, I, uh... I haven't given up yet. 375 00:27:17,703 --> 00:27:19,534 I don't blame you. 376 00:27:20,672 --> 00:27:21,832 And I don't blame you. 377 00:27:24,910 --> 00:27:27,344 Okay, let's get this show on the road. 378 00:27:39,525 --> 00:27:40,822 Take care. 379 00:27:40,893 --> 00:27:42,758 I will. Come home safely. 380 00:27:42,861 --> 00:27:45,853 Well, I got my big brother here to make sure I do. 381 00:27:50,669 --> 00:27:52,694 (ENGINE STARTS) 382 00:28:04,216 --> 00:28:05,740 OSCAR: Here is your adversary. 383 00:28:05,851 --> 00:28:08,979 His name is Carlton Harris. 384 00:28:09,087 --> 00:28:10,179 Very dashing. 385 00:28:10,289 --> 00:28:13,258 He considers himself quite a lady killer too. 386 00:28:14,393 --> 00:28:18,193 Harris is an American national who has a huge oil refinery... 387 00:28:18,297 --> 00:28:20,857 on the free Caribbean Island of Melanique. 388 00:28:20,966 --> 00:28:22,661 Sounds real legitimate. 389 00:28:22,768 --> 00:28:25,703 Only trouble is he's arming a group of militants... 390 00:28:25,804 --> 00:28:29,501 who in return will give him more oil holdings as soon as they take power. 391 00:28:29,608 --> 00:28:32,008 Ah, that's very illegitimate. 392 00:28:32,110 --> 00:28:34,135 Melanique government has asked us to intervene... 393 00:28:34,246 --> 00:28:37,704 which we can't, of course, officially, because he's on foreign soil. 394 00:28:37,816 --> 00:28:40,341 So we're gonna do a little unofficial intervening... 395 00:28:40,452 --> 00:28:42,579 and 86 the weapons and munitions, huh? 396 00:28:42,688 --> 00:28:43,780 OSCAR: Right. 397 00:28:43,889 --> 00:28:46,449 Harris' security is incredibly tight. 398 00:28:46,558 --> 00:28:49,671 Even with your bionics, it'll take the two of you to get into the storage area... 399 00:28:49,695 --> 00:28:51,856 plant the charges and get out of there in one piece. 400 00:28:51,964 --> 00:28:55,559 Is it bad form at all at this point to tell you I'm really scared? 401 00:28:57,302 --> 00:28:58,564 That's okay. 402 00:28:58,637 --> 00:28:59,626 (BUZZER SOUNDS) 403 00:28:59,738 --> 00:29:02,172 STEVE: We're over the drop zone. 404 00:29:09,815 --> 00:29:12,010 (LOUD WHOOSH, CHIMES) 405 00:29:16,922 --> 00:29:18,082 (LOUD CLUNK) 406 00:29:24,529 --> 00:29:25,723 (BUZZES TWICE) 407 00:29:25,831 --> 00:29:28,163 Austin, I can't! I can't! 408 00:29:28,267 --> 00:29:29,427 Come on, Jaime. You can lead. 409 00:29:29,534 --> 00:29:30,432 No. 410 00:29:33,105 --> 00:29:34,595 I'll be right with you. No, I can't! 411 00:29:34,706 --> 00:29:36,105 Come on. (YELLS) 412 00:30:15,280 --> 00:30:16,480 STEVE: Steve to pilot, come in. 413 00:30:16,515 --> 00:30:18,847 We've landed safely, and we're on our way to the refinery. 414 00:30:18,950 --> 00:30:20,713 Roger, Colonel Austin. Over and out. 415 00:30:23,622 --> 00:30:26,591 (DRAMATIC MUSIC) 416 00:30:52,851 --> 00:30:54,751 (LOUD WHOOSH) 417 00:30:56,421 --> 00:30:57,945 (NO AUDIBLE DIALOGUE) 418 00:31:09,234 --> 00:31:12,203 (BIONIC EYE SOUND EFFECT) 419 00:31:30,389 --> 00:31:32,186 What's going on down there? 420 00:31:32,290 --> 00:31:34,053 There's Harris himself. 421 00:31:34,159 --> 00:31:37,128 (BIONIC EYE SOUND EFFECT) 422 00:31:40,665 --> 00:31:41,654 What is it? 423 00:31:44,636 --> 00:31:47,434 STEVE: Looks like some sort of relay switch. 424 00:31:47,539 --> 00:31:50,064 Can you pick up what they're saying? 425 00:31:52,677 --> 00:31:55,237 (BIONIC EAR SOUND EFFECT) 426 00:31:55,347 --> 00:31:57,781 HARRIS: And this will complete our security precautions. 427 00:31:57,883 --> 00:32:00,545 They're talking about security precautions. 428 00:32:02,320 --> 00:32:04,413 There's a switch just like this one... 429 00:32:04,489 --> 00:32:07,947 JAIME: There's a switch just like this one in the main control room. 430 00:32:08,894 --> 00:32:12,557 And the only way to gain entrance to the vault in munitions... 431 00:32:12,664 --> 00:32:14,894 is by turning both switches simultaneously. 432 00:32:15,000 --> 00:32:18,629 Otherwise, the booby trap charges set in the door will blow up in their faces. 433 00:32:18,737 --> 00:32:20,705 Oh, that's terrific. 434 00:32:20,806 --> 00:32:23,434 How are we gonna get in there to plant the explosives... 435 00:32:23,542 --> 00:32:24,919 without getting blown up at the door? 436 00:32:24,943 --> 00:32:27,741 I'll have to get into the control room somehow and throw the switch... 437 00:32:27,846 --> 00:32:30,144 while you throw that one down there at the vault. 438 00:32:30,248 --> 00:32:31,909 No. 439 00:32:33,585 --> 00:32:34,711 What're you doing? 440 00:32:34,820 --> 00:32:36,947 Let me handle the inside work. 441 00:32:37,055 --> 00:32:38,044 No way. 442 00:32:38,156 --> 00:32:39,418 Steve, it makes sense. 443 00:32:39,524 --> 00:32:41,856 Now the plant security is incredibly tight. Oscar says... 444 00:32:41,960 --> 00:32:43,120 I don't care what Oscar said. 445 00:32:43,195 --> 00:32:45,390 And he also said that Harris is a ladies man. 446 00:32:45,497 --> 00:32:46,464 Lady killer. 447 00:32:46,565 --> 00:32:49,125 I admit the "killer" part doesn't thrill me so much... 448 00:32:49,234 --> 00:32:51,114 but I do have a better chance at it than you do. 449 00:32:51,203 --> 00:32:53,194 I can tell him I'm a reporter or something. 450 00:32:53,271 --> 00:32:54,135 No, Jaime. 451 00:32:54,239 --> 00:32:56,639 Steve, I know I'm right and so do you. 452 00:32:56,741 --> 00:32:59,266 Now you're cute, but he's not gonna look twice at your legs. 453 00:32:59,377 --> 00:33:00,605 Come on, cut the kidding. 454 00:33:00,712 --> 00:33:02,690 Not more than five minutes ago, you had one of those... 455 00:33:02,714 --> 00:33:04,477 Hey, I'm fine. Really, I'm fine, Steve. 456 00:33:04,583 --> 00:33:06,346 Please let me do this. 457 00:33:06,451 --> 00:33:08,578 I gotta prove something to myself too. 458 00:33:08,687 --> 00:33:10,780 I mean that I can be worth something. 459 00:33:10,889 --> 00:33:13,119 I can be useful. 460 00:33:15,327 --> 00:33:16,351 Alright, alright. 461 00:33:17,295 --> 00:33:19,729 Okay. Let's see. 462 00:33:19,831 --> 00:33:21,628 It is 1:40 now. 463 00:33:21,733 --> 00:33:24,566 Give me until 2:20, and then flip your switch, okay? 464 00:33:24,669 --> 00:33:25,863 You got it. 465 00:33:25,971 --> 00:33:27,029 Okay. Good luck. 466 00:33:27,138 --> 00:33:30,107 (DRAMATIC MUSIC) 467 00:33:35,647 --> 00:33:37,171 (LOUD WHOOSH) 468 00:33:43,188 --> 00:33:44,155 Jaime. 469 00:33:46,658 --> 00:33:48,785 (LOUD WHOOSH, CHIMES) Jaime! 470 00:33:58,770 --> 00:34:01,739 (DRAMATIC MUSIC) 471 00:34:05,210 --> 00:34:07,838 (DRAMATIC MUSIC) 472 00:34:07,946 --> 00:34:09,924 Yeah, I'll check that area. Everything should be alright. 473 00:34:09,948 --> 00:34:11,415 I think that's just... 474 00:34:14,553 --> 00:34:16,578 Oh, that's it now. 475 00:34:19,791 --> 00:34:20,883 Miss Stroud? 476 00:34:20,992 --> 00:34:23,324 Hello, but please call me Jaime, okay? 477 00:34:23,428 --> 00:34:27,865 Of course. Jaime. My, what a lyrical name. 478 00:34:27,966 --> 00:34:30,992 And I, of course, am Carlton. 479 00:34:31,102 --> 00:34:33,570 My security guard didn't exaggerate at all. 480 00:34:33,672 --> 00:34:36,140 You are very, very lovely. 481 00:34:36,241 --> 00:34:37,833 Thank you. 482 00:34:37,943 --> 00:34:41,071 And I really appreciate you taking the time for this interview. 483 00:34:41,179 --> 00:34:43,044 Well, I'm sure the pleasure will be all mine. 484 00:34:44,115 --> 00:34:45,844 You know, your complex is so huge. 485 00:34:45,951 --> 00:34:48,362 I would really like to walk around while we talk. Is that alright? 486 00:34:48,386 --> 00:34:49,910 Of course, please. Come. 487 00:34:50,021 --> 00:34:51,113 Thank you. 488 00:34:53,758 --> 00:34:56,727 (BIONIC SOUND EFFECT) 489 00:35:00,865 --> 00:35:03,595 HARRIS: A very interesting view from here. 490 00:35:04,703 --> 00:35:06,694 JAIME: Oh, my. 491 00:35:07,305 --> 00:35:10,069 How did you achieve your success here on Melanique? 492 00:35:10,175 --> 00:35:12,507 Oh, that's very simple. 493 00:35:12,611 --> 00:35:16,138 Always know who your competition is or your enemies are... 494 00:35:16,247 --> 00:35:19,512 and then stay one step ahead of them. 495 00:35:19,618 --> 00:35:21,552 Oh, really? 496 00:35:24,556 --> 00:35:26,524 (DRAMATIC MUSIC) 497 00:35:31,363 --> 00:35:33,729 (BIONIC SOUND EFFECT) 498 00:35:47,979 --> 00:35:51,471 You know, Jaime, I'm still not sure why your readers would be interested in me. 499 00:35:51,583 --> 00:35:53,107 Oh, Carlton, come on. 500 00:35:53,218 --> 00:35:54,776 You're wealthy and you're powerful... 501 00:35:54,886 --> 00:35:57,150 and if I may say so, you're very attractive. 502 00:35:58,323 --> 00:36:00,621 Thank you. 503 00:36:00,725 --> 00:36:03,193 Perhaps after our little tour... 504 00:36:03,294 --> 00:36:06,024 you might be interested in joining me for dinner. 505 00:36:06,131 --> 00:36:09,589 I have a wonderful chef who would surely be delighted to surprise you. 506 00:36:10,568 --> 00:36:13,298 Well, actually, I could be tempted. 507 00:36:13,972 --> 00:36:15,098 Good. 508 00:36:20,345 --> 00:36:23,314 (LOUD WHOOSH) 509 00:36:27,886 --> 00:36:31,447 It must take a small army to operate this place. 510 00:36:31,556 --> 00:36:34,889 Yes, it does, but it's mostly automated. 511 00:36:34,993 --> 00:36:37,757 Well then, that means you have a main control room or something? 512 00:36:37,862 --> 00:36:40,296 Oh, yes. Excuse me, I'll show you. 513 00:36:40,398 --> 00:36:42,366 (LOUD WHOOSH) 514 00:36:45,970 --> 00:36:48,097 Follow me this way, please. Okay. 515 00:37:02,620 --> 00:37:04,781 (BIONIC SOUND EFFECT) 516 00:37:18,603 --> 00:37:21,265 (BIONIC EYE SOUND EFFECT) 517 00:37:45,296 --> 00:37:48,026 Now this is the nerve center of the entire complex. 518 00:37:49,634 --> 00:37:51,966 There's a lot of controls in here. 519 00:38:06,985 --> 00:38:08,714 Fantastic. 520 00:38:08,820 --> 00:38:11,914 I don't know how you manage to know which switch does what. It's... 521 00:38:15,827 --> 00:38:18,625 (LOUD WHOOSH) 522 00:38:22,534 --> 00:38:25,162 It's incredible. 523 00:38:25,737 --> 00:38:28,365 And, uh, this switch. What does it do? 524 00:38:29,107 --> 00:38:29,801 Jaime! 525 00:38:29,874 --> 00:38:30,863 (LOUD WHOOSH) 526 00:38:30,942 --> 00:38:32,204 Jaime! 527 00:38:32,310 --> 00:38:34,801 (VOICE ECHOES) Jaime! 528 00:38:36,881 --> 00:38:38,314 Jaime! 529 00:38:39,250 --> 00:38:41,150 Someone's in trouble. 530 00:38:41,252 --> 00:38:42,184 What? 531 00:38:44,022 --> 00:38:47,253 Jaime? What is it? 532 00:38:48,893 --> 00:38:51,259 (HIGH-PITCHED TONE) 533 00:38:52,630 --> 00:38:54,530 It's Steve. 534 00:38:56,000 --> 00:38:58,093 It must be Steve. Uh... 535 00:39:01,272 --> 00:39:03,206 (WHOOSH, HIGH-PITCHED TONE) 536 00:39:03,842 --> 00:39:06,640 Steve's in trouble, and I have to get him. 537 00:39:07,712 --> 00:39:08,906 Jaime? 538 00:39:12,450 --> 00:39:14,145 Let me go! 539 00:39:14,252 --> 00:39:16,686 (BIONIC SOUND EFFECT) 540 00:39:40,612 --> 00:39:42,102 Plant Security! 541 00:40:05,703 --> 00:40:07,534 (BIONIC EYE SOUND EFFECT) 542 00:40:29,694 --> 00:40:32,219 (LOUD CRUNCH) 543 00:40:42,106 --> 00:40:44,836 (METAL CREAKING) 544 00:40:56,454 --> 00:40:59,423 (DRAMATIC MUSIC) 545 00:41:06,864 --> 00:41:08,126 Steve? 546 00:41:08,232 --> 00:41:09,893 Jaime! 547 00:41:13,338 --> 00:41:15,533 Steve's in trouble and I have to get him. 548 00:41:33,124 --> 00:41:35,524 That way. Call the gate. Have them cut her off! 549 00:41:35,626 --> 00:41:36,923 Right, sir. 550 00:41:46,104 --> 00:41:47,571 (BIONIC SOUND EFFECT) 551 00:41:57,715 --> 00:41:58,647 Jaime! 552 00:41:58,750 --> 00:42:00,581 Steve! I thought you were in trouble. 553 00:42:00,685 --> 00:42:01,947 I heard you calling me. What? 554 00:42:02,053 --> 00:42:04,578 I heard you calling me in the rain. 555 00:42:04,689 --> 00:42:06,987 (LOUD WHOOSH) 556 00:42:26,110 --> 00:42:28,806 (BIONIC SOUND EFFECT) 557 00:42:49,133 --> 00:42:50,122 There! Shoot! 558 00:42:50,234 --> 00:42:51,792 (GUNSHOTS) 559 00:42:51,903 --> 00:42:54,770 (BIONIC SOUND EFFECT) 560 00:43:04,816 --> 00:43:07,785 (GUNSHOTS) 561 00:43:17,428 --> 00:43:20,192 OSCAR: She heard you calling her in the rain? 562 00:43:20,298 --> 00:43:21,560 STEVE: That's right. 563 00:43:21,666 --> 00:43:23,361 In the rain. 564 00:43:25,536 --> 00:43:30,803 She must've been having some memory of the night she died. 565 00:43:30,908 --> 00:43:33,775 We put her out in the field too soon, Michael. 566 00:43:33,878 --> 00:43:35,743 Listen, the next time that you two go out... 567 00:43:35,847 --> 00:43:37,678 There can't be a next time, Oscar. What? 568 00:43:37,782 --> 00:43:39,545 Not... not with me. Not for a long time. 569 00:43:39,650 --> 00:43:42,016 Steve, you're just upset because the mission aborted. 570 00:43:42,120 --> 00:43:43,720 Oscar, we barely got away with our lives! 571 00:43:43,821 --> 00:43:45,880 Jaime knows that she messed up. 572 00:43:45,990 --> 00:43:49,255 OSCAR: She told us so. She was thinking of Ojai. 573 00:43:49,360 --> 00:43:52,124 She shouldn't go through that experience again. 574 00:43:52,230 --> 00:43:54,198 All it brought up was painful memories. 575 00:43:54,298 --> 00:43:57,267 We just have to not go back there again. Do you understand? 576 00:43:57,368 --> 00:43:59,359 It's not Ojai, Oscar. It's me. 577 00:44:00,304 --> 00:44:02,067 What're you talking about? 578 00:44:03,774 --> 00:44:06,334 Ojai was disturbing to her subconscious. 579 00:44:06,444 --> 00:44:10,881 Think of what I must be doing to her every time she looks at me. 580 00:44:23,561 --> 00:44:25,256 I'm not good for Jaime. 581 00:44:28,266 --> 00:44:30,200 Steve, you got it all wrong. 582 00:44:30,301 --> 00:44:32,792 You're too close to the problem. 583 00:44:32,904 --> 00:44:36,340 Oscar, you're talking to a test pilot, remember? 584 00:44:36,440 --> 00:44:39,568 You're talking to a man who's been trained as an objective observer. 585 00:44:39,677 --> 00:44:43,306 To pull back from any situation and look at it in the cold light of day. 586 00:44:44,382 --> 00:44:46,782 I can read my own telemetry, Oscar. 587 00:44:48,920 --> 00:44:51,548 In Ojai, even before that. 588 00:44:51,656 --> 00:44:53,146 Right here in Rudy's lab. 589 00:44:53,257 --> 00:44:55,452 There were times when she looked at me. 590 00:44:55,560 --> 00:44:57,425 I could already sense it. 591 00:44:57,528 --> 00:45:01,294 I could... I could feel that the sight of me was gnawing away at her subconscious. 592 00:45:03,401 --> 00:45:05,926 Then on the mission. 593 00:45:06,037 --> 00:45:09,063 There was no Ojai there. Only Jaime and me. 594 00:45:10,074 --> 00:45:13,134 The memories and the pain that I brought her. 595 00:45:13,244 --> 00:45:16,509 Intensified to such a high level by the stress situation. 596 00:45:17,782 --> 00:45:19,181 I am right, aren't I, Michael? 597 00:45:20,585 --> 00:45:21,552 Steve... 598 00:45:21,652 --> 00:45:24,212 Michael, forget the personal involvements. 599 00:45:24,322 --> 00:45:26,381 Scientist to test pilot. 600 00:45:26,490 --> 00:45:27,752 I am right, aren't I? 601 00:45:30,428 --> 00:45:31,895 I think you are. Yes. 602 00:45:42,073 --> 00:45:44,507 Well, what'll we do? 603 00:45:44,609 --> 00:45:47,806 Send her to Rudy's other complex in Colorado Springs. 604 00:45:47,912 --> 00:45:50,904 Away from here. Away from Ojai. 605 00:45:53,517 --> 00:45:56,577 OSCAR: Away from you? 606 00:45:56,687 --> 00:45:57,949 STEVE: Away from me. 607 00:45:58,055 --> 00:45:59,488 For how long? 608 00:46:03,127 --> 00:46:04,594 For as long as it takes. 609 00:46:10,801 --> 00:46:12,894 Alright, pal. 610 00:46:13,004 --> 00:46:15,097 I'll make the arrangements. 611 00:46:15,206 --> 00:46:17,174 (MELANCHOLY MUSIC) 612 00:46:30,087 --> 00:46:31,076 Michael? 613 00:46:31,188 --> 00:46:32,155 Yeah, Steve? 614 00:46:38,996 --> 00:46:41,965 You brought her back to life and put her in my hands again. 615 00:46:46,804 --> 00:46:49,295 Now I'm putting her into yours. 616 00:46:50,841 --> 00:46:52,570 Okay. 617 00:47:26,210 --> 00:47:27,268 Ready to go? 618 00:47:27,378 --> 00:47:28,572 Yes. 619 00:47:36,487 --> 00:47:39,285 Hi. I was looking for you. 620 00:47:39,390 --> 00:47:42,257 Did you hear that Rudy's sending me to his complex in Colorado Springs? 621 00:47:42,360 --> 00:47:44,624 Yeah, I heard that. He told me. 622 00:47:44,762 --> 00:47:47,754 It's beautiful there. Very peaceful. 623 00:47:47,865 --> 00:47:49,958 That's what I need. 624 00:47:50,067 --> 00:47:51,159 Michael's going along. 625 00:47:52,470 --> 00:47:56,463 But I have decided that what I need is to get to know myself... 626 00:47:56,574 --> 00:47:58,439 before I can be good for anyone else. 627 00:48:00,644 --> 00:48:02,703 I mean anyone else. 628 00:48:07,885 --> 00:48:09,614 So what about you? Where are you gonna be? 629 00:48:12,323 --> 00:48:15,383 You know Oscar. He's always finding something for me to do. 630 00:48:18,562 --> 00:48:20,257 I'm gonna miss you, Steve. 631 00:48:23,401 --> 00:48:25,801 Yeah. I, uh... miss you too. 632 00:48:29,273 --> 00:48:31,741 I don't know what it is... 633 00:48:31,842 --> 00:48:36,541 sometimes I look at you and I get a feeling like there's something more. 634 00:48:36,647 --> 00:48:37,636 Was there? 635 00:48:40,384 --> 00:48:42,181 I'm your friend, Jaime. 636 00:48:42,286 --> 00:48:43,947 Always was. Always will be. 637 00:48:54,031 --> 00:48:55,055 Bye. 638 00:48:56,066 --> 00:48:57,090 Bye. 639 00:48:58,803 --> 00:49:01,636 (DRAMATIC MUSIC) 640 00:49:01,739 --> 00:49:03,764 (ENGINE STARTS) 641 00:49:39,743 --> 00:49:42,712 (END TITLE THEME)45686

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