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Would you like to inspect the original subtitles? These are the user uploaded subtitles that are being translated: 1 00:00:40,774 --> 00:00:43,575 [SIRENS BLARING] 2 00:00:57,457 --> 00:00:58,590 [DIAL TONE] 3 00:00:58,592 --> 00:01:01,293 [DIALING] 4 00:01:03,696 --> 00:01:06,698 Woman: YES, I'LL HOLD. 5 00:01:07,367 --> 00:01:09,635 UNCLE NEIL. 6 00:01:09,637 --> 00:01:12,438 HI. IT'S JESSICA. 7 00:01:13,540 --> 00:01:16,442 HOW ARE YOU? 8 00:01:17,744 --> 00:01:19,478 REALLY? 9 00:01:21,381 --> 00:01:25,084 YEAH. I'M IN HOLLYWOOD. 10 00:01:31,858 --> 00:01:33,559 SO WHAT HAVE YOU BEEN DOING 11 00:01:33,561 --> 00:01:36,728 FOR THE PAST 5 YEARS? 12 00:01:43,570 --> 00:01:45,204 YEAH? 13 00:01:51,511 --> 00:01:53,779 I MISS YOU. 14 00:01:56,282 --> 00:01:58,617 A LOT. 15 00:02:00,153 --> 00:02:03,422 WHEN CAN I COME AND VISIT YOU? 16 00:02:05,391 --> 00:02:09,528 WELL, CAN YOU COME AND VISIT ME? 17 00:02:09,530 --> 00:02:13,866 I'D LOVE IT IF YOU CAME AND VISITED ME. 18 00:02:16,536 --> 00:02:19,571 I DON'T CARE ABOUT THAT. 19 00:02:19,573 --> 00:02:21,140 IT DOESN'T MATTER ANYMORE. 20 00:02:21,142 --> 00:02:24,343 I JUST WANT TO SEE YOU. 21 00:02:27,881 --> 00:02:30,182 OK, I'LL TRY. 22 00:02:33,920 --> 00:02:36,355 ARE YOU READY? 23 00:02:40,560 --> 00:02:48,233 ♪ AMAZING GRACE 24 00:02:48,235 --> 00:02:53,872 ♪ HOW SWEET THE SOUND 25 00:02:53,874 --> 00:03:04,383 ♪ THAT SAVED A WRETCH LIKE ME ♪ 26 00:03:04,385 --> 00:03:10,589 ♪ I ONCE WAS LOST 27 00:03:10,591 --> 00:03:15,761 ♪ BUT NOW AM FOUND 28 00:03:15,763 --> 00:03:27,506 ♪ WAS BLIND, BUT NOW I SEE ♪ 29 00:03:33,780 --> 00:03:36,615 YES. OK. 30 00:03:38,284 --> 00:03:39,718 BYE. 31 00:03:44,557 --> 00:03:48,760 CAPTIONING MADE POSSIBLE BY TRIMARK PICTURES 32 00:04:57,697 --> 00:05:00,332 HEY, HEATHER, CAN I GET A BEER? 33 00:05:00,334 --> 00:05:01,633 YOU GOT MONEY? 34 00:05:01,635 --> 00:05:02,601 I DO. 35 00:05:02,603 --> 00:05:05,304 HAVEN'T SEEN YOU AROUND IN A WHILE. 36 00:05:05,306 --> 00:05:06,772 AIN'T BEEN AROUND IN A WHILE. 37 00:05:06,774 --> 00:05:08,507 I'VE BEEN KEEPING MY EYE ON THE COVER OF ROLLING STONE. 38 00:05:08,509 --> 00:05:10,976 AIN'T SEEN YOU THERE EITHER. 39 00:05:10,978 --> 00:05:13,412 KEEP WATCHING. 40 00:05:13,746 --> 00:05:14,680 RIGHT. 41 00:05:14,682 --> 00:05:16,648 EXCUSE ME. 42 00:05:21,688 --> 00:05:24,556 MR. BLACK CLOUD. 43 00:05:30,697 --> 00:05:32,831 HOW YOU DOING? 44 00:05:32,833 --> 00:05:33,832 OK. 45 00:05:33,834 --> 00:05:35,334 HOW ARE YOU? 46 00:05:35,336 --> 00:05:37,436 I WANT TO TALK TO YOU. 47 00:05:37,438 --> 00:05:38,970 I WANT TO TALK TO YOU, TOO. 48 00:05:38,972 --> 00:05:39,971 HEY, BOBBY. 49 00:05:39,973 --> 00:05:43,875 LOOK AT THIS ONE THAT PAULINA SHOWED ME. 50 00:05:43,877 --> 00:05:48,447 I DON'T KNOW HOW TO GET INTO IT VERY GRACEFULLY. 51 00:05:48,449 --> 00:05:52,017 Bobby: YEAH, THAT'S-- THAT'S, UH, REAL SEXY. 52 00:05:52,019 --> 00:05:52,918 I LIKE THAT. 53 00:05:52,920 --> 00:05:55,087 YOU DO? YEAH. 54 00:05:55,089 --> 00:05:56,521 MAKE SURE THIS GUY PAYS YOU 55 00:05:56,523 --> 00:05:59,558 BEFORE YOU SHOW HIM ANY TIT, THOUGH. 56 00:05:59,959 --> 00:06:01,059 ARE WE OPEN? 57 00:06:01,061 --> 00:06:03,128 YES, MA'AM, WE ARE OPEN. 58 00:06:03,130 --> 00:06:04,796 WE ARE? YES. 59 00:06:04,798 --> 00:06:08,100 LOOK AT THE DIFFERENCE BETWEEN THAT EYE AND THAT EYE. 60 00:06:08,102 --> 00:06:11,703 THAT'S LIKE A HALF A CENTIMETER MORE. 61 00:06:11,705 --> 00:06:12,938 AND YOU CAN'T PUT THAT OUT. 62 00:06:12,940 --> 00:06:13,972 Bobby: ANYBODY SEEN JO? 63 00:06:13,974 --> 00:06:16,108 NO. I THINK SHE WENT OUTSIDE. 64 00:06:16,110 --> 00:06:17,843 SHE'S PROBABLY OUT SUCKING SOME GUY'S COCK. 65 00:06:17,845 --> 00:06:21,113 WHEN SHE SHOWS UP, YOU TELL HER TO COME IN THE OFFICE. 66 00:06:21,115 --> 00:06:22,447 TELL HER YOURSELF. 67 00:06:22,449 --> 00:06:23,982 Woman: BOBBY? YEAH. 68 00:06:23,984 --> 00:06:25,150 SIMONE'S GOING UP FOR ME. 69 00:06:25,152 --> 00:06:28,587 HEY. WHATEVER HAPPENS OUTSIDE THIS CLUB'S NONE OF MY BUSINESS, 70 00:06:28,589 --> 00:06:30,555 BUT WHAT HAPPENS IN HERE IS MY BUSINESS. 71 00:06:30,557 --> 00:06:31,723 IF HE GIVES YOU ANY SHIT, 72 00:06:31,725 --> 00:06:37,696 I AM IN CONTROL. I'M JUST TRYING TO GET UNSTONED. 73 00:06:37,698 --> 00:06:39,164 OK. HURRY UP. YOU'RE UP. 74 00:06:39,166 --> 00:06:41,767 Bobby: HURRY UP AND GET DRESSED, PLEASE. 75 00:06:41,769 --> 00:06:44,469 [COUGHING] 76 00:06:51,077 --> 00:06:53,812 OH, FUCK. 77 00:06:55,882 --> 00:06:58,750 [ROCK'N'ROLL PLAYING] 78 00:06:58,752 --> 00:07:02,654 I'M GETTING SIGNED RIGHT NOW, SO... 79 00:07:02,656 --> 00:07:03,722 CONGRATULATIONS. 80 00:07:03,724 --> 00:07:05,457 LIKE IT'S FINALLY TURNING AROUND. 81 00:07:05,459 --> 00:07:07,459 THAT'S SO GOOD BECAUSE I NEED SOME MONEY 82 00:07:07,461 --> 00:07:08,894 BECAUSE I NEED TO BE ABLE TO GET THINGS 83 00:07:08,896 --> 00:07:12,998 FOR THE LITTLE BOY THAT-- OR THE LITTLE GIRL-- 84 00:07:13,000 --> 00:07:14,032 SO, LISTEN. 85 00:07:14,034 --> 00:07:16,802 I REALLY WANT TO PARTY, YOU KNOW? 86 00:07:16,804 --> 00:07:18,670 OK. COULD YOU JUST NOT PARTY 87 00:07:18,672 --> 00:07:19,838 FOR, LIKE, A COUPLE OF DAYS 88 00:07:19,840 --> 00:07:22,707 BECAUSE--AND IF WE MEET WITH THIS LADY 89 00:07:22,709 --> 00:07:24,709 AND YOU'RE NOT HIGH FOR A LITTLE WHILE, 90 00:07:24,711 --> 00:07:26,511 THEN SHE'LL THINK THAT WE'RE BOTH STABLE, 91 00:07:26,513 --> 00:07:28,580 AND YOU CAN TELL HER THAT YOU'RE GONNA GET A DEAL 92 00:07:28,582 --> 00:07:30,148 AND YOU'RE JUST GONNA MAKE A LOT OF MONEY-- 93 00:07:30,150 --> 00:07:32,884 AM I GONNA SIGN SOMETHING? 94 00:07:32,886 --> 00:07:35,053 UM, NO. WELL, YOU MIGHT 95 00:07:35,055 --> 00:07:37,722 BUT YOU COULD PROBABLY USE A FAKE NAME 96 00:07:37,724 --> 00:07:39,858 IF YOU, UM, KNOW THE SOCIAL SECURITY-- 97 00:07:39,860 --> 00:07:40,959 OK, WAIT. SO I SIGN SOMETHING, 98 00:07:40,961 --> 00:07:44,763 AND YOU'RE GONNA GET A FULL-GROWN CHILD? 99 00:07:44,765 --> 00:07:46,631 NO. HE WOULD BE, 100 00:07:46,633 --> 00:07:49,935 LIKE, A 6- OR 7-YEAR-OLD PROBABLY. 101 00:07:49,937 --> 00:07:51,503 I'LL DO IT. 102 00:07:51,505 --> 00:07:53,538 OH, THANK YOU, CHARLIE. 103 00:07:53,540 --> 00:07:56,641 CHECK THIS OUT, BOBBY. 104 00:07:56,643 --> 00:07:57,609 NICO. 105 00:07:57,611 --> 00:07:58,877 YEAH, CARRIE CRAWFORD? 106 00:07:58,879 --> 00:08:02,013 EDDIE HAZELL FROM THE BLUE IGUANA. 107 00:08:02,015 --> 00:08:05,650 RIGHT. WELL, WE'D LIKE TO, UM, TO GET NICO IN 108 00:08:05,652 --> 00:08:07,853 FOR A PARTY THAT WE'RE HAVING DOWN HERE NEXT WEEK, 109 00:08:07,855 --> 00:08:10,989 AND SHE WOULD BE, UH--SHE WOULD BE A GREAT ADDITION 110 00:08:10,991 --> 00:08:14,960 TO OUR PROGRAM, HAVING HER AS A FEATURED DANCER. 111 00:08:14,962 --> 00:08:17,796 SHE HAS TIME IN HER SCHEDULE? 112 00:08:17,798 --> 00:08:19,998 YEAH. NO. WE'RE REAL HAPPY. 113 00:08:20,000 --> 00:08:22,133 WELL, LOOK. WHY DON'T YOU GIVE ME A CALL BACK? 114 00:08:22,135 --> 00:08:25,003 MY NUMBER'S 937-4444. 115 00:08:25,005 --> 00:08:27,272 EDDIE HAZELL. BLUE IGUANA. 116 00:08:27,274 --> 00:08:30,075 OK. I'LL TALK TO YOU THEN. 117 00:08:30,077 --> 00:08:31,610 ♪ BABY 118 00:08:31,612 --> 00:08:33,879 THIS AIN'T GONNA BE CHEAP. 119 00:08:33,881 --> 00:08:36,281 I AIN'T WORRIED ABOUT CHEAP, BABY. 120 00:08:36,283 --> 00:08:40,852 SHE'S GETTING 300, 400 GUYS A NIGHT. 121 00:08:40,854 --> 00:08:43,221 THERE'S A REASON WHY. 122 00:08:43,223 --> 00:08:46,858 Eddie: MY, OH, MY, WE GOT US A FULL HOUSE. 123 00:08:46,860 --> 00:08:48,059 HOW Y'ALL DOING? GOOD, GOOD. 124 00:08:48,061 --> 00:08:49,861 HEY, GIRL. HOW YOU DOING? 125 00:08:49,863 --> 00:08:55,066 THAT ONE'S FOR YOU. COME TO MY OFFICE LATER. 126 00:08:55,068 --> 00:08:56,167 I GOT TO TALK TO YOU. 127 00:08:56,169 --> 00:08:57,269 THAT'S FOR YOU, SWEETIE. 128 00:08:57,271 --> 00:08:58,603 THANKS FOR YOUR HELP. 129 00:08:58,605 --> 00:09:02,908 I THINK SHE WENT OUTSIDE. 130 00:09:02,910 --> 00:09:03,875 HEY, BABY. 131 00:09:03,877 --> 00:09:04,743 HEY, EDDIE. 132 00:09:04,745 --> 00:09:07,045 WHAT DO YOU MEAN, WHERE THE FUCK HAVE I BEEN? 133 00:09:07,047 --> 00:09:07,979 I'M RIGHT HERE. 134 00:09:07,981 --> 00:09:09,080 MY SHIT IS HERE. WHAT? 135 00:09:09,082 --> 00:09:12,117 THANK YOU FOR THE FLOWER. 136 00:09:12,119 --> 00:09:14,219 Jo: WHERE'S MY FLOWER? 137 00:09:14,221 --> 00:09:15,287 YOUR FLOWER? 138 00:09:15,289 --> 00:09:17,255 JO, DON'T YOU THINK IT'S EVER GONNA BE 139 00:09:17,257 --> 00:09:19,090 THAT EASY. UH-UH, UH-UH. 140 00:09:19,092 --> 00:09:20,158 YOU COME IN HERE LATE. 141 00:09:20,160 --> 00:09:21,560 YOU COME IN HERE ACTING UP, SMOKING-- 142 00:09:21,562 --> 00:09:23,628 FUCK YOU, FUCK YOU, FUCK YOU. 143 00:09:23,630 --> 00:09:26,064 YOU CAN COME GET IT LATER ON IF YOU GOOD. 144 00:09:26,066 --> 00:09:28,667 Jo: I WAS SICK, EDDIE. I WAS SICK, OK? 145 00:09:28,669 --> 00:09:31,136 SHUT UP, SHUT UP, YOU FUCKING HYENA. 146 00:09:31,138 --> 00:09:33,572 BY THE WAY, I WOULD APPRECIATE IT IF YOU DIDN'T, LIKE, 147 00:09:33,574 --> 00:09:35,040 GET ALL OVER THAT BLACK GUY. 148 00:09:35,042 --> 00:09:37,609 Jo: THE BLACK GUY WITH THE JHERI CURL? 149 00:09:37,611 --> 00:09:39,144 THAT'S ONE OF YOUR REGULARS? 150 00:09:39,146 --> 00:09:41,346 OH, MY GOD! HE'S SUCH A FUCKING FREAK. 151 00:09:41,348 --> 00:09:42,614 YOU KNOW, I WOULD APPRECIATE IT 152 00:09:42,616 --> 00:09:43,882 IF YOU TOOK THAT GUY BACK 153 00:09:43,884 --> 00:09:45,150 BECAUSE HE'S JUST AN ASSHOLE. 154 00:09:45,152 --> 00:09:46,885 LET ME GIVE YOU A SUGGESTION, SWEETHEART-- 155 00:09:46,887 --> 00:09:47,953 SHE HAS TO GET TO HER LOCKER. 156 00:09:47,955 --> 00:09:49,754 YOU SHOULD GET A TIT JOB. 157 00:09:49,756 --> 00:09:50,855 OW! FUCK! 158 00:09:50,857 --> 00:09:54,025 D.J.: GIVE A BIG ROUND OF APPLAUSE... 159 00:09:54,027 --> 00:09:55,860 Jo: SHUT UP, YOU FUCKING PSYCHO! 160 00:09:55,862 --> 00:09:58,029 GET--GET UP. COME HERE. 161 00:09:58,031 --> 00:10:00,632 D.J.: ...IS JASMINE. 162 00:10:00,634 --> 00:10:02,634 Jo: I THINK I THREW MY VERTEBRAE OUT. 163 00:10:02,636 --> 00:10:03,868 YOU KNOW WHAT. JUST TAKE THAT MONEY YOU-- 164 00:10:03,870 --> 00:10:06,771 SHUT UP. SHUT THE FUCK UP! 165 00:10:06,773 --> 00:10:09,107 I WILL SUSPEND BOTH OF Y'ALL. 166 00:10:09,109 --> 00:10:10,175 DON'T CALL MY BLUFF. 167 00:10:10,177 --> 00:10:12,777 THANK YOU. IT'S JUST JEALOUSLY. 168 00:10:12,779 --> 00:10:14,846 Man: ♪ I WISH I WAS A HUNTER 169 00:10:14,848 --> 00:10:16,781 ♪ IN SEARCH OF DIFFERENT FOOD ♪ 170 00:10:16,783 --> 00:10:18,216 ♪ I WISH I WAS THE ANIMAL 171 00:10:18,218 --> 00:10:20,218 ♪ WHICH FITS INTO THAT MOOD ♪ 172 00:10:20,220 --> 00:10:21,820 ♪ I WISH I WAS A PERSON 173 00:10:21,822 --> 00:10:23,355 ♪ WITH UNLIMITED BREATH 174 00:10:23,357 --> 00:10:25,156 ♪ I WISH I WAS A HEARTBEAT ♪ 175 00:10:25,158 --> 00:10:26,691 ♪ THAT NEVER COMES TO REST ♪ 176 00:10:26,693 --> 00:10:29,394 ♪ KOMM ZU MIR 177 00:10:30,196 --> 00:10:31,930 ♪ KOMM ZU MIR 178 00:10:31,932 --> 00:10:33,832 HERE'S YOUR DRINK. OH, THANK YOU. 179 00:10:33,834 --> 00:10:36,034 NO, NO, NO. IT'S ON ME. 180 00:10:36,036 --> 00:10:37,068 OH, THANK YOU. 181 00:10:37,070 --> 00:10:39,971 ♪ KOMM ZU MIR 182 00:10:40,640 --> 00:10:42,073 ♪ I WISH I WAS A STRANGER 183 00:10:42,075 --> 00:10:43,675 ♪ WHO WANDERS DOWN THE SKY ♪ 184 00:10:43,677 --> 00:10:44,943 ♪ I WISH I WAS A STARSHIP... ♪ 185 00:10:44,945 --> 00:10:45,977 DUDE, DO YOU BELIEVE THAT? 186 00:10:45,979 --> 00:10:47,312 ♪ IN SILENCE FLYING BY 187 00:10:47,314 --> 00:10:49,080 ♪ I WISH I WAS A PRINCESS ♪ 188 00:10:49,082 --> 00:10:51,149 ♪ WITH ARMIES AT HER HAND ♪ 189 00:10:51,151 --> 00:10:52,784 ♪ I WISH I WAS A RULER 190 00:10:52,786 --> 00:10:56,121 ♪ WHO'D MAKE THEM UNDERSTAND ♪ 191 00:10:56,123 --> 00:10:57,288 Man: NO. I GOT MY OWN. 192 00:10:57,290 --> 00:11:00,025 DUDE, RIGHT NOW, I'M GONNA SHOW YOU 193 00:11:00,027 --> 00:11:02,027 HOW IT'S DONE, ALL RIGHT, BOYS? 194 00:11:02,029 --> 00:11:03,128 OOH, YEAH! 195 00:11:03,130 --> 00:11:04,696 HERE YOU GO. 196 00:11:04,698 --> 00:11:05,730 HA HA! 197 00:11:05,732 --> 00:11:08,266 ♪ WIR SPRENGTEN JEDEN RAHMEN ♪ 198 00:11:08,268 --> 00:11:11,770 ♪ WAR'S WIE EINE EXPLOSION, UND ICH SCHWOR' ♪ 199 00:11:11,772 --> 00:11:13,171 ♪ ICH SPUR' DIE ERSCHUTTERUNG IMMER NOCH ♪ 200 00:11:13,173 --> 00:11:14,673 ♪ ICH WEISS DU RENNST UND DOCH ♪ 201 00:11:14,675 --> 00:11:15,907 ♪ BIST DU ERST NAH UND DA ♪ 202 00:11:15,909 --> 00:11:17,709 ♪ WENN DU IN MEINEN ARMEN LIEGST ♪ 203 00:11:17,711 --> 00:11:19,411 ♪ ICH GEH' ZU BODEN WENN DU NICHT ♪ 204 00:11:19,413 --> 00:11:22,814 ♪ OH BABY, BITTE BITTE LAUF LAUF ♪ 205 00:11:22,816 --> 00:11:23,782 ♪ GIB NICHT AUF 206 00:11:23,784 --> 00:11:26,117 ♪ ES FRESSEN MICH DAMONEN AUF ♪ 207 00:11:26,119 --> 00:11:29,387 ♪ ICH TU' WAS DU VERLANGST HAB' KEINE ANGST ♪ 208 00:11:29,389 --> 00:11:31,956 ♪ ICH LASS' DICH NICHT ALLEIN DENN UNS ♪ 209 00:11:31,958 --> 00:11:34,159 Man on radio: IT'S 10 MINUTES PAST 3:00... 210 00:11:34,161 --> 00:11:38,296 AND YOU'RE LISTENING TO L.A.'S CHOICE FOR TODAY'S SOUND. 211 00:11:38,298 --> 00:11:39,764 A MELLOW 78 DEGREES... 212 00:11:39,766 --> 00:11:41,166 YEAH? 213 00:11:41,168 --> 00:11:44,302 OH, FUCK. WHAT TIME IS IT? 214 00:11:44,304 --> 00:11:46,137 NO. I FORGOT. 215 00:11:46,139 --> 00:11:48,039 OK, I FORGOT. NO. I HAVE IT. 216 00:11:48,041 --> 00:11:49,841 I HAVE IT. I HAVE IT. 217 00:11:49,843 --> 00:11:51,443 SO, UM-- NO. I'LL BE THERE. 218 00:11:51,445 --> 00:11:53,778 I'LL BE THERE IN, LIKE, 10 MINUTES. 219 00:11:53,780 --> 00:11:55,914 ALL RIGHT. 220 00:11:55,916 --> 00:11:58,717 OHH. 221 00:12:00,753 --> 00:12:01,453 HEY, JOHNNY. 222 00:12:01,455 --> 00:12:02,921 HEY, HOW YOU DOING? 223 00:12:02,923 --> 00:12:04,155 YOU'VE GOT THE MONEY? 224 00:12:04,157 --> 00:12:05,190 YEAH. HERE YOU GO. 225 00:12:05,192 --> 00:12:06,124 WHAT THE FUCK IS THIS? 226 00:12:06,126 --> 00:12:07,826 I TOLD YOU 40. I TOLD YOU 40. 227 00:12:07,828 --> 00:12:09,928 NO, YOU DIDN'T TELL ME 40. 228 00:12:09,930 --> 00:12:11,730 OH! 229 00:12:11,732 --> 00:12:13,198 [COUGHING] 230 00:12:13,200 --> 00:12:15,066 YOU ALL RIGHT? 231 00:12:16,335 --> 00:12:17,302 YOU ALL RIGHT? 232 00:12:17,304 --> 00:12:23,441 I'LL GIVE IT TO YOU NEXT WEEK, OK? SEE YOU LATER. 233 00:12:23,443 --> 00:12:25,310 FUCK IT. 234 00:12:25,745 --> 00:12:28,780 Man on radio: ♪ ECHOES THROUGH MY HEAD 235 00:12:28,782 --> 00:12:34,385 ♪ I JUST WANT YOU HOME AGAIN ♪ 236 00:12:36,789 --> 00:12:40,058 ♪ ...HAS COME AND GONE AT LAST ♪ 237 00:12:40,060 --> 00:12:44,496 ♪ I JUST WANT YOU HOME AGAIN ♪ 238 00:12:45,531 --> 00:12:47,132 TWO. 239 00:12:47,967 --> 00:12:49,300 OH, YOU GOT THEM FROM IN THERE? 240 00:12:49,302 --> 00:12:50,235 YEAH. 241 00:12:50,237 --> 00:12:52,837 $2.00 EACH. 242 00:12:52,839 --> 00:12:55,774 YOU DANCE AT THE BLUE IGUANA, RIGHT, RIGHT? 243 00:12:55,776 --> 00:12:57,075 I JUST SAW YOU THERE. 244 00:12:57,077 --> 00:12:58,076 YEAH. 245 00:12:58,078 --> 00:13:00,378 JASMINE, RIGHT, JASMINE? MM-HMM. 246 00:13:00,380 --> 00:13:02,013 JORGE. HI, JORGE. 247 00:13:02,015 --> 00:13:03,014 NICE TO MEET YOU. 248 00:13:03,016 --> 00:13:03,915 GOOD TO MEET YOU. 249 00:13:03,917 --> 00:13:07,218 YEAH. I SHOULD BE THERE SOON. YEAH. 250 00:13:07,220 --> 00:13:08,787 CAN I HAVE MY BOOKS? 251 00:13:08,789 --> 00:13:10,054 YEAH. THANKS. 252 00:13:10,056 --> 00:13:12,323 BYE, HANDSOME. SAY HI. 253 00:13:12,325 --> 00:13:14,125 I WILL. 254 00:13:15,796 --> 00:13:19,197 I DIDN'T KNOW YOU WENT TO STRIP CLUBS, MAN. 255 00:13:19,199 --> 00:13:20,932 WHAT ARE YOU TALKING ABOUT? 256 00:13:20,934 --> 00:13:22,267 SHE'S A STRIPPER. 257 00:13:22,269 --> 00:13:24,569 SHE COMES TO MY POETRY READINGS. 258 00:13:24,571 --> 00:13:27,305 NO. SHE DANCES AT THE BLUE IGUANA, THOUGH, MAN. 259 00:13:27,307 --> 00:13:29,307 SHE'S A STRIPPER. 260 00:13:29,309 --> 00:13:31,876 WHY DON'T YOU GO IN THE BACK AND STACK? 261 00:13:31,878 --> 00:13:33,578 ALL RIGHT. 262 00:13:34,113 --> 00:13:35,980 SHE SAID THAT I WAS HANDSOME, MAN. 263 00:13:35,982 --> 00:13:38,950 HEY, IT'S A BIG DAY. 264 00:13:54,066 --> 00:13:57,468 Eddie: YEAH, THIS IS EDDIE HAZELL FROM THE BLUE IGUANA. 265 00:13:57,470 --> 00:13:59,337 RIGHT. I JUST WANTED TO INVITE YOU DOWN. 266 00:13:59,339 --> 00:14:00,405 I GOT YOUR CARD DOWN HERE, 267 00:14:00,407 --> 00:14:01,573 AND I WANTED TO INVITE YOU DOWN. 268 00:14:01,575 --> 00:14:03,074 I'M JESSIE. HEY, JESSIE. I'M BOBBY. 269 00:14:03,076 --> 00:14:04,976 I'M HERE FOR THE AUDITION. HI, BOBBY. 270 00:14:04,978 --> 00:14:05,877 YEAH, YOU'RE LATE. 271 00:14:05,879 --> 00:14:07,345 I'M SORRY. I LIKE YOUR HAIR. 272 00:14:07,347 --> 00:14:08,847 Eddie: DEFINITELY WANT YOU HERE. 273 00:14:08,849 --> 00:14:12,050 COME ON BY AND JUST ASK FOR EDDIE HAZELL. 274 00:14:12,052 --> 00:14:13,618 OK. THANKS. 275 00:14:13,620 --> 00:14:14,919 HELLO, MR. HAZELL. 276 00:14:14,921 --> 00:14:16,588 WHO ARE YOU? MY NAME'S JESSIE. 277 00:14:16,590 --> 00:14:18,122 I'M HERE FOR THE AUDITION. 278 00:14:18,124 --> 00:14:19,190 ALL RIGHT. NICE. 279 00:14:19,192 --> 00:14:20,859 I LIKE YOUR GLASSES. 280 00:14:20,861 --> 00:14:21,593 THANK YOU. 281 00:14:21,595 --> 00:14:22,861 FILL THIS OUT. 282 00:14:22,863 --> 00:14:23,561 THANK YOU. 283 00:14:23,563 --> 00:14:25,964 YEAH. I DANCED AT CHEETAH'S FOR 6 MONTHS. 284 00:14:25,966 --> 00:14:28,900 DO YOU GOT A PEN? OH, HERE WE GO. 285 00:14:28,902 --> 00:14:30,235 YOU GOT I.D.? 286 00:14:30,237 --> 00:14:32,303 UM, ACTUALLY, I DON'T HAVE IT ON ME. 287 00:14:32,305 --> 00:14:33,571 IT'S AT THE APARTMENT. 288 00:14:33,573 --> 00:14:35,206 Eddie: WE'RE GONNA NEED TO SEE SOME I.D. 289 00:14:35,208 --> 00:14:39,510 WE GOT ALL KINDS OF VICE PEOPLE, A.B.C., COMING IN, 290 00:14:39,512 --> 00:14:43,214 WERE YOU PLANNING ON STABBING SOMEONE TONIGHT? 291 00:14:44,250 --> 00:14:46,551 NO. IT'S JUST A JOKE. 292 00:14:46,553 --> 00:14:48,353 THIS IS SOFT. 293 00:14:48,355 --> 00:14:49,287 SO, UH... 294 00:14:49,289 --> 00:14:51,356 WHERE'D YOU GET THIS? 295 00:14:51,358 --> 00:14:52,223 YEAH. 296 00:14:52,225 --> 00:14:54,125 JIMMY? YEAH? 297 00:14:54,127 --> 00:14:55,627 PUT IT ON. 298 00:14:55,928 --> 00:14:58,396 Man: ♪ YOU OR I COULD TELL THE STORY... ♪ 299 00:14:58,398 --> 00:15:03,968 HI. I'M OK. AND YOU? GOOD. 300 00:15:03,970 --> 00:15:06,204 ♪ BUT ATTENTION FELL 301 00:15:06,206 --> 00:15:11,175 ♪ BEFORE THE LIGHTS CAME ON AGAIN ♪ 302 00:15:11,977 --> 00:15:15,580 ♪ WITHOUT THE SENSE OF HEARING ♪ 303 00:15:15,582 --> 00:15:20,218 ♪ MY THOUGHTS ARE DISAPPEARING ♪ 304 00:15:20,220 --> 00:15:27,492 ♪ AND ALL TIME WILL TELL 305 00:15:27,993 --> 00:15:31,229 ♪ IS THAT ANYONE 306 00:15:31,231 --> 00:15:36,334 ♪ CAN DECIDE 307 00:15:36,336 --> 00:15:38,569 ♪ I LOST THE FIGHT... 308 00:15:38,571 --> 00:15:40,505 Eddie: YEAH. 309 00:15:40,507 --> 00:15:42,674 WE OPEN UP 7:00. 310 00:15:42,676 --> 00:15:46,144 I'LL PUT YOU IN THE LINEUP. 311 00:15:46,146 --> 00:15:48,212 DON'T FORGET YOUR I.D. 312 00:15:48,214 --> 00:15:49,447 THANK YOU, EDDIE. 313 00:15:49,449 --> 00:15:52,216 I'LL SEE YOU TONIGHT. 314 00:15:53,252 --> 00:15:55,086 Bobby: WE RUN A PRETTY TIGHT JOINT HERE. 315 00:15:55,088 --> 00:15:59,624 NO DRUGS, NO HAND JOBS. NO BLOW JOBS, AND NO FUCKING. 316 00:15:59,626 --> 00:16:02,293 YOU ARE SO HANDSOME. 317 00:16:02,295 --> 00:16:04,162 THANK YOU. DID ANYONE EVER TELL YOU THAT? 318 00:16:04,164 --> 00:16:06,097 YEAH, I GET IT ALL THE TIME. 319 00:16:06,099 --> 00:16:08,566 BRAD PITT'S GOT NOTHING ON ME. 320 00:16:08,568 --> 00:16:10,301 I THINK YOU'RE A DOLL. 321 00:16:10,303 --> 00:16:13,638 Man on tape: THE WORD ANGLE 322 00:16:13,640 --> 00:16:19,978 IS SPELLED A-N-G-L-E, 323 00:16:19,980 --> 00:16:30,054 WHILST THE WORD ANGEL IS SPELLED A-N-G-E-L. 324 00:16:30,056 --> 00:16:31,489 ANGEL. 325 00:16:32,358 --> 00:16:34,058 ANGLE. 326 00:16:34,060 --> 00:16:35,059 ANGLE. 327 00:16:35,061 --> 00:16:36,060 ANGEL. 328 00:16:36,062 --> 00:16:37,495 ANGEL. 329 00:16:41,500 --> 00:16:43,568 HOW MANY NIGHTS? 330 00:16:43,570 --> 00:16:45,269 ONE. 331 00:16:45,271 --> 00:16:47,105 IT'S 30 PLUS TAX. 332 00:16:47,107 --> 00:16:49,640 THAT IS $34.20. 333 00:16:55,281 --> 00:16:59,550 L.A. PAPER. COMPLIMENTARY. 334 00:17:27,312 --> 00:17:30,715 Man on tape: LISTEN AND CHECK YOUR ANSWERS. 335 00:17:30,717 --> 00:17:33,351 PRACTICE SAYING THEM. 336 00:17:33,353 --> 00:17:37,088 A: HE WEARS A UNIFORM. 337 00:17:37,090 --> 00:17:37,789 HE WEARS A UNIFORM. 338 00:17:37,791 --> 00:17:40,625 Woman on tape: SHE'S A PILOT. 339 00:17:40,627 --> 00:17:43,795 SHE FLIES ALL OVER THE WORLD. 340 00:17:43,797 --> 00:17:45,430 SHE'S A PILOT. 341 00:17:45,432 --> 00:17:46,764 PETER HAS TWO CHILDREN. 342 00:17:46,766 --> 00:17:48,232 Jo: ANGEL. 343 00:17:48,234 --> 00:17:52,603 Woman: IN WINTER, ALICE GOES SKIING, 344 00:17:52,605 --> 00:17:56,274 AND IN SUMMER, SHE PLAYS GOLF. 345 00:17:56,276 --> 00:18:02,246 E: BERNADETTE LIVES IN A FLAT IN PARIS. 346 00:18:02,248 --> 00:18:04,115 D.J.: LADIES AND GENTLEMEN, 347 00:18:04,117 --> 00:18:09,320 SHE FELL FROM THE SKY, THE CELESTIAL ANGEL. 348 00:18:14,827 --> 00:18:18,863 [LES MISERY PLAYING] 349 00:18:19,565 --> 00:18:20,731 [MAN WHISTLES] 350 00:18:20,733 --> 00:18:24,235 WHOO-HOO! 351 00:18:33,512 --> 00:18:35,379 Woman: PORTIA, YOU GOT MY NEGLIGEE? 352 00:18:35,381 --> 00:18:37,682 Jasmine: UM, YOU KNOW, HI. YOU KNOW, EXCUSE ME. 353 00:18:37,684 --> 00:18:41,119 UM, YOU'RE SITTING IN SOMEONE'S SEAT. 354 00:18:41,121 --> 00:18:43,788 IT'S ANGEL'S SEAT, SO WHY DON'T YOU SIT, UH-- 355 00:18:43,790 --> 00:18:45,423 YEAH, SIT IN JO'S SEAT. 356 00:18:45,425 --> 00:18:46,824 I'M JESSIE, BY THE WAY. 357 00:18:46,826 --> 00:18:48,793 HI, JESSIE. I'M JASMINE. 358 00:18:48,795 --> 00:18:50,228 YOU HAVE BEAUTIFUL LIPS. 359 00:18:50,230 --> 00:18:51,829 DO YOU USE COLLAGEN? 360 00:18:51,831 --> 00:18:53,831 NO. THEY'RE NATURAL. 361 00:18:53,833 --> 00:18:56,834 HANGING OUTSIDE IN A GREEN CADILLAC? 362 00:18:56,836 --> 00:18:58,336 Jessie: I SAW HIM. 363 00:18:58,338 --> 00:18:59,270 DID YOU SEE HIM? 364 00:18:59,272 --> 00:19:02,707 WE OUGHT TO TALK TO BOBBY ABOUT THAT, GET HIM TO-- 365 00:19:02,709 --> 00:19:03,708 I SAW HIM TWICE LAST WEEK. 366 00:19:03,710 --> 00:19:04,775 STORMY, DID YOU SEE HIM? 367 00:19:04,777 --> 00:19:07,145 DID YOU SEE HIM? NO. 368 00:19:07,147 --> 00:19:08,246 IS HE THERE NOW? 369 00:19:08,248 --> 00:19:09,914 DON'T YOU REMEMBER THAT GUY LAST WEEK 370 00:19:09,916 --> 00:19:10,848 WHO FOLLOWED ME HOME? 371 00:19:10,850 --> 00:19:11,816 DON'T GO OUT THERE THOUGH. 372 00:19:11,818 --> 00:19:13,885 DON'T GO OUTSIDE. JUST TELL BOBBY. 373 00:19:13,887 --> 00:19:16,487 JUST TALK TO HIM. TELL HIM TO FUCK OFF 374 00:19:16,489 --> 00:19:18,222 IF HE'S THERE. 375 00:19:24,363 --> 00:19:25,863 Man: YEAH! 376 00:19:27,499 --> 00:19:29,901 [MAN WHISTLES] 377 00:20:03,368 --> 00:20:05,570 Jo: I DON'T FUCKING BELIEVE THIS. 378 00:20:05,572 --> 00:20:10,408 NEW GIRL, BARBIE, YOU'RE SITTING IN MY SEAT. 379 00:20:10,410 --> 00:20:11,409 THIS IS MY SEAT. 380 00:20:11,411 --> 00:20:13,277 YOU MIGHT NOTICE THAT THERE'S, UH, 381 00:20:13,279 --> 00:20:14,478 STUFF IN FRONT OF IT, 382 00:20:14,480 --> 00:20:15,746 THERE'S A JACKET ON THE BACK OF IT. 383 00:20:15,748 --> 00:20:17,415 JASMINE, HOW COULD YOU LET THIS GIRL 384 00:20:17,417 --> 00:20:20,685 YOU HAVE TO FIND YOUR OWN SPACE, SWEETHEART. 385 00:20:20,687 --> 00:20:21,719 IF YOUSE FIND YOUR OWN SPACE, 386 00:20:21,721 --> 00:20:22,687 WE'RE ALL GONNA GET ALONG. 387 00:20:22,689 --> 00:20:23,888 Woman: FUCKING GUY'S BACK AGAIN. 388 00:20:23,890 --> 00:20:26,324 Second woman: NO WAY. HE'S BACK? 389 00:20:26,326 --> 00:20:30,261 I'M TELLING YOU. 390 00:20:42,942 --> 00:20:46,811 Angel: JASMINE, YOU KNOW THAT GUY WHO LOOKS LIKE, 391 00:20:46,813 --> 00:20:50,414 UM--WHO LOOKS LIKE COLONEL SANDERS? 392 00:20:50,416 --> 00:20:51,549 WHICH ONE? 393 00:20:51,551 --> 00:20:53,384 Jo: HEY, BITCH, YOU'RE UP. 394 00:20:53,386 --> 00:20:55,286 I JUST CAME OFFSTAGE. 395 00:20:55,288 --> 00:20:56,621 NO, NOT YOU, CORNFLAKE. 396 00:20:56,623 --> 00:20:57,989 I'M TALKING TO JASMINE. 397 00:20:57,991 --> 00:20:59,657 JASMINE, IT'S YOUR TURN TO GO UP. 398 00:20:59,659 --> 00:21:01,525 I'M NOT GOING UP. I'M NOT EVEN READY. 399 00:21:01,527 --> 00:21:02,960 I HAVE TO LET MY RUBBER BREATHE. 400 00:21:02,962 --> 00:21:04,862 Jasmine: IT'S JO. THEY'RE SAYING JO. 401 00:21:04,864 --> 00:21:06,330 WHAT? THEY'RE NOT SAYING JO. 402 00:21:06,332 --> 00:21:07,798 I CAN'T GO UP NOW. I'M NOT READY. 403 00:21:07,800 --> 00:21:08,799 Jessie: I'LL GO. 404 00:21:08,801 --> 00:21:09,867 YOU WILL? YEAH. 405 00:21:09,869 --> 00:21:11,302 YOU'LL GO FOR ME? 406 00:21:11,304 --> 00:21:12,403 YOU'LL DO THAT FOR ME? 407 00:21:12,405 --> 00:21:14,772 HEY, YOU'RE A REALLY SWEET GIRL, 408 00:21:14,774 --> 00:21:15,706 YOU KNOW THAT? 409 00:21:15,708 --> 00:21:18,276 SHE'S A NEW ADDITION TO OUR DRESSING ROOM. 410 00:21:18,278 --> 00:21:19,610 SHE GETS ALONG WITH EVERYBODY. 411 00:21:19,612 --> 00:21:21,946 WE LOVE LITTLE JESSIE HERE AT THE BLUE IGUANA. 412 00:21:21,948 --> 00:21:26,817 GO ON. GO ON UP. YOU'RE GONNA MISS YOUR--YEAH. 413 00:21:27,686 --> 00:21:30,788 [TECHNO MUSIC PLAYING AT BLUE IGUANA] 414 00:21:59,084 --> 00:22:01,485 D.J.: AND NOW MAKING HER STAGE DEBUT-- 415 00:22:01,487 --> 00:22:04,822 SHE'S YOUNG, SHE'S BEAUTIFUL, SHE'S PERFECTION. 416 00:22:04,824 --> 00:22:07,558 LADIES AND GENTLEMEN, PUT YOUR HANDS TOGETHER 417 00:22:07,560 --> 00:22:09,860 FOR JESSIE. 418 00:22:09,862 --> 00:22:12,530 [APPLAUSE] 419 00:22:12,532 --> 00:22:14,065 [MAN WHISTLES] 420 00:22:19,037 --> 00:22:24,709 Singers: ♪ SO HERE WE ARE 421 00:22:24,711 --> 00:22:29,647 ♪ THIS IS THE TIME 422 00:22:29,649 --> 00:22:33,551 ♪ TAKE OFF YOUR CLOTHES 423 00:22:33,553 --> 00:22:40,391 ♪ JUST LIKE I'LL TAKE OFF MINE ♪ 424 00:22:40,393 --> 00:22:45,596 ♪ LIE DOWN WITH ME 425 00:22:45,598 --> 00:22:49,934 ♪ LOOK IN MY EYES... 426 00:22:49,936 --> 00:22:54,505 JUST WONDERING. DID YOU EVER GET HER I.D.? 427 00:22:54,507 --> 00:22:57,641 YEAH, I KNOW WHO SHE IS. 428 00:22:57,643 --> 00:23:00,077 TALKED TO BILLY. 429 00:23:08,920 --> 00:23:11,722 ♪ ANGEL 430 00:23:11,724 --> 00:23:14,125 HEY, MAN, THAT CALL COME FROM NICO YET, MAN? 431 00:23:14,127 --> 00:23:19,096 COME ON, BOBBY. YOU SAID YOU WERE GONNA TELL ME, RIGHT? 432 00:23:19,098 --> 00:23:20,631 MM-HMM. DAMN. 433 00:23:20,633 --> 00:23:22,400 I'M TELLING YOU. 434 00:23:22,534 --> 00:23:32,943 ♪ I WAITED MANY MOONS FOR NOW ♪ 435 00:23:32,945 --> 00:23:37,715 ♪ I KNOW YOU WELL 436 00:23:37,717 --> 00:23:42,052 ♪ LET ME SHOW YOU HOW 437 00:23:43,855 --> 00:23:48,993 ♪ DON'T BE AFRAID 438 00:23:48,995 --> 00:23:54,131 ♪ IT'S ONLY ME 439 00:23:54,133 --> 00:23:58,469 ♪ JUST CLOSE OUR EYES 440 00:23:58,471 --> 00:24:04,875 ♪ AND BE WHAT WE WILL BE ♪ 441 00:24:04,877 --> 00:24:06,577 Man: YEAH. 442 00:24:12,050 --> 00:24:15,686 ♪ ANGEL 443 00:24:21,960 --> 00:24:27,097 HI, UH, EDDIE HAZELL, THIS IS NICO. 444 00:24:27,099 --> 00:24:29,600 SO IT LOOKS LIKE WE'RE ON, BABY. 445 00:24:29,602 --> 00:24:30,501 I'LL BE THERE. 446 00:24:30,503 --> 00:24:34,004 UH, YOU HAVE MY NUMBERS. BYE. 447 00:24:34,006 --> 00:24:35,139 [BEEP] 448 00:24:35,141 --> 00:24:37,875 [WOMAN CRYING] 449 00:25:07,873 --> 00:25:09,006 Jo: OK? Man: YEAH. 450 00:25:09,008 --> 00:25:10,841 YOU DOING OK, KID? YEP. 451 00:25:10,843 --> 00:25:11,909 OK. 452 00:25:11,911 --> 00:25:12,943 YES. DON'T YOU WORRY. 453 00:25:12,945 --> 00:25:14,178 MY GLASSES? MY GLASSES. 454 00:25:14,180 --> 00:25:15,646 YEAH. WHY DON'T YOU TAKE THEM OFF? 455 00:25:15,648 --> 00:25:16,647 WE'LL PUT THEM RIGHT HERE. 456 00:25:16,649 --> 00:25:17,915 YOU CAN FIND THEM AFTERWARDS. 457 00:25:17,917 --> 00:25:19,250 YOU CAN SEE OK WITHOUT THEM. 458 00:25:19,252 --> 00:25:22,586 ALL RIGHT, SWEETIE. OK. HOW'S THAT? 459 00:25:22,588 --> 00:25:25,689 YOU WANT TO SEE THE BAD SIDE? YEAH. 460 00:25:25,691 --> 00:25:26,891 ALL RIGHT. YEAH. 461 00:25:26,893 --> 00:25:28,526 HERE WE GO. 462 00:25:28,528 --> 00:25:29,994 OH, GOD. 463 00:25:33,064 --> 00:25:34,665 HI. 464 00:25:35,867 --> 00:25:37,968 JESSIE. 465 00:25:41,106 --> 00:25:42,273 GOT ANY PLANS TONIGHT? 466 00:25:42,275 --> 00:25:45,576 NO. LET'S GO. 467 00:25:49,147 --> 00:25:52,616 ♪ I'M THE ONE THAT CAN'T HIDE ♪ 468 00:25:52,618 --> 00:25:55,019 ♪ GO STEP INSIDE 469 00:25:55,021 --> 00:25:58,856 ♪ TO MAKE A MESS 470 00:25:58,858 --> 00:26:04,728 ♪ I FOUND WINGS TIED TO YOUR ARMS ♪ 471 00:26:04,730 --> 00:26:06,997 ♪ NO ONE'S CHARMS... 472 00:26:06,999 --> 00:26:09,733 I DON'T HAVE ANY MONEY FOR THIS. 473 00:26:09,735 --> 00:26:11,268 I'LL MAKE AN EXCEPTION. 474 00:26:11,270 --> 00:26:13,337 ♪ MAKE ME OVERCOME 475 00:26:13,339 --> 00:26:17,675 ♪ ALL FEARS 476 00:26:20,879 --> 00:26:22,947 Eddie: LISTEN TO THIS. 477 00:26:22,949 --> 00:26:26,817 [WOMAN CRYING ON ANSWERING MACHINE] 478 00:26:49,741 --> 00:26:52,843 THAT'S NOT THE MESSAGE I SAVED. 479 00:26:58,283 --> 00:27:01,051 [WOMAN CRYING] 480 00:27:34,386 --> 00:27:37,788 [SPEAKING RUSSIAN] 481 00:27:55,173 --> 00:27:58,242 Woman: "I REALIZE OUR ANCESTRAL HUMOR 482 00:27:58,244 --> 00:28:01,311 "GOES TO COMMON LONGING AND RESISTANCE. 483 00:28:01,313 --> 00:28:04,348 "I KNOW THE EFFORTS YOU WILL NOT MAKE 484 00:28:04,350 --> 00:28:07,117 "UNTIL YOU ARE READY TO ACCEPT 485 00:28:07,119 --> 00:28:10,287 I AM NOT A WAR." 486 00:28:10,289 --> 00:28:12,222 OH, THAT WAS GREAT. 487 00:28:12,224 --> 00:28:13,924 GREAT JOB. THANK YOU, FIONA. 488 00:28:13,926 --> 00:28:16,126 YOU KNOW, I FORGOT TO MENTION EARLIER. 489 00:28:16,128 --> 00:28:17,695 WE PUT SOME FLIERS ON THE CHAIRS 490 00:28:17,697 --> 00:28:19,296 REFERRING TO THE UPCOMING POETRY SLAM 491 00:28:19,298 --> 00:28:23,834 UM, AS YOU KNOW, IT IS THE MOST IMPORTANT POETRY EVENT 492 00:28:23,836 --> 00:28:26,036 SO BE SURE TO CHECK IT OUT, ALL RIGHT? 493 00:28:26,038 --> 00:28:27,404 NOW, WITHOUT FURTHER ADO, 494 00:28:27,406 --> 00:28:29,139 I'D LIKE TO BRING UP SOPHIE DELVAUX, 495 00:28:29,141 --> 00:28:32,443 WHOSE LATEST COLLECTION, UM, AUTUMN SOPRANOS, 496 00:28:32,445 --> 00:28:37,047 WILL SOON BE PUBLISHED BY THE HUBCAP POETS LIBRARY. 497 00:28:37,049 --> 00:28:38,716 SOPHIE. 498 00:28:43,922 --> 00:28:45,756 DREAM BOAT. 499 00:28:45,758 --> 00:28:50,027 "SLEEP IS A BOAT MOORED IN THIS ROOM AT NIGHT 500 00:28:50,029 --> 00:28:51,962 "AND AGAIN AT DAWN. 501 00:28:51,964 --> 00:28:56,200 "IN BETWEEN, IT JOURNEYS OVER THE WORLD, 502 00:28:56,202 --> 00:29:00,304 "TRAVELS INSIDE THE SKIN OF THINGS, 503 00:29:00,306 --> 00:29:03,807 "MOVES OUT OVER THE STARS, 504 00:29:03,809 --> 00:29:06,777 "COMES SAILING INTO PORT, 505 00:29:06,779 --> 00:29:09,780 ITS CARGO IMAGES..." 506 00:29:09,782 --> 00:29:13,050 YOU NEVER READ. 507 00:29:13,052 --> 00:29:15,385 NO. 508 00:29:15,387 --> 00:29:18,122 SO WHAT'S THAT ON YOUR PAPER, 509 00:29:18,124 --> 00:29:19,890 YOUR LAUNDRY LIST OR SOMETHING? 510 00:29:19,892 --> 00:29:21,325 MM-HMM. 511 00:29:21,327 --> 00:29:24,461 WELL, MAYBE YOU SHOULD COME AND READ YOUR LAUNDRY LIST. 512 00:29:24,463 --> 00:29:29,233 " ...AND PLACES, PALACES, FACES." 513 00:29:29,235 --> 00:29:30,501 MAYBE NOT. 514 00:29:30,503 --> 00:29:31,835 Stormy: HEY. 515 00:29:31,837 --> 00:29:33,270 Man: HEY, BABY. 516 00:29:33,272 --> 00:29:34,805 HEY, STORMY. YEAH? 517 00:29:34,807 --> 00:29:38,342 DON'T KNOW A MARIE HUGHES, DO YOU? 518 00:29:39,477 --> 00:29:42,412 MARIE HUGHES? RING A BELL? 519 00:29:42,414 --> 00:29:44,948 I DON'T KNOW. SOME ATTORNEY TYPE DROPPED IT OFF-- 520 00:29:44,950 --> 00:29:46,316 UH, 10 MINUTES AGO. 521 00:29:46,318 --> 00:29:48,452 SAID MAKE SURE SHE GETS IT. 522 00:29:48,454 --> 00:29:49,787 UH, I'LL GIVE IT TO HER. 523 00:29:49,789 --> 00:29:53,056 I'LL GIVE IT TO HER. DO YOU KNOW WHO IT IS? 524 00:29:53,058 --> 00:29:55,225 YEAH. IT'S, UH, IT'S ME. 525 00:29:55,227 --> 00:29:56,293 YOU? YEAH. 526 00:29:56,295 --> 00:29:58,495 FAN MAIL? 527 00:29:59,063 --> 00:30:03,200 USE YOUR STAGE NAME, NOT YOUR REAL NAME. 528 00:30:04,135 --> 00:30:06,403 YOU HEAR ME? 529 00:30:13,945 --> 00:30:15,479 [CRYING] 530 00:30:25,323 --> 00:30:27,858 [WHISPERS] Oh, my God. 531 00:30:41,339 --> 00:30:44,241 OH, MY GOD. 532 00:31:06,931 --> 00:31:09,933 [TOILET FLUSHES] 533 00:31:21,379 --> 00:31:23,146 I THINK I'M PREGNANT. 534 00:31:23,148 --> 00:31:24,214 NO, YOU'RE NOT. 535 00:31:24,216 --> 00:31:27,017 YEAH. LOOK AT THIS. 536 00:31:27,019 --> 00:31:28,185 WHAT THE FUCK IS THAT? 537 00:31:28,187 --> 00:31:32,022 THAT MEANS THAT IT'S RIGHT WHEN YOU'RE PREGNANT. 538 00:31:32,024 --> 00:31:33,123 WHERE DID YOU GET THIS? 539 00:31:33,125 --> 00:31:34,258 UH, IN THE BATHROOM. 540 00:31:34,260 --> 00:31:35,592 I WAS PEEING IN THE BATHROOM, 541 00:31:35,594 --> 00:31:38,528 AND I FOUND IT BENEATH THE TOILET. 542 00:31:38,530 --> 00:31:39,963 DID YOU PISS ON IT? 543 00:31:39,965 --> 00:31:43,066 WELL, I WAS STANDING-- I WAS, YOU KNOW, HOVERING 544 00:31:43,068 --> 00:31:44,167 BECAUSE THE TOILET IS GROSS, 545 00:31:44,169 --> 00:31:46,637 SO I WAS PEEING, AND THEN I LOOKED DOWN, 546 00:31:46,639 --> 00:31:48,605 AND I SAW THIS RIGHT BENEATH THE TOILET, 547 00:31:48,607 --> 00:31:51,041 AND I--I THINK I MIGHT HAVE, LIKE, 548 00:31:51,043 --> 00:31:53,243 DRIBBLED ON IT OR SOMETHING. 549 00:31:53,245 --> 00:31:56,179 THERE'S PISS ON IT, AND I MIGHT HAVE BEEN-- 550 00:31:56,181 --> 00:31:58,282 I MIGHT HAVE DRIBBLED ON IT BECAUSE-- 551 00:31:58,284 --> 00:31:59,650 WHO YOU FUCKING? 552 00:31:59,652 --> 00:32:01,618 WELL, NOBODY RIGHT NOW, BUT I-- 553 00:32:01,620 --> 00:32:03,253 I HEARD ON THE DISCOVERY CHANNEL 554 00:32:03,255 --> 00:32:05,355 THAT SPERM CAN LIVE A REALLY LONG TIME. 555 00:32:05,357 --> 00:32:07,624 WHEN'S THE LAST TIME YOU FUCKED ANYONE? 556 00:32:07,626 --> 00:32:10,928 UM, LIKE 6 OR 7 MONTHS. IT'S NOT YOURS. 557 00:32:10,930 --> 00:32:13,130 Castle: NO, HONEY. THAT'S NOT MINE. 558 00:32:13,132 --> 00:32:16,166 SEE? IT'S MINE. NO, IT'S NOT. IT'S NOT. 559 00:32:16,168 --> 00:32:17,301 GIRLS, THIS ISN'T YOURS? 560 00:32:17,303 --> 00:32:18,368 ANGE, HONEY, YOU KNOW WHAT? 561 00:32:18,370 --> 00:32:19,269 YOU KNOW, YOU DIDN'T PISS ON IT. 562 00:32:19,271 --> 00:32:23,073 WELL, I'VE BEEN WANTING TO GET PREGNANT. 563 00:32:23,075 --> 00:32:24,641 HEY, UM, JESSIE, IS THIS YOURS? 564 00:32:24,643 --> 00:32:26,176 Jo: GET YOUR HANDS OFF OF MY SHIT 565 00:32:26,178 --> 00:32:27,644 FOR ONE MINUTE, JESSIE. 566 00:32:27,646 --> 00:32:30,414 I'D APPRECIATE IT. THANKS. 567 00:32:30,416 --> 00:32:35,352 JASMINE, IT MAY HAVE PISS ON IT OR NOT BECAUSE I-- 568 00:32:35,354 --> 00:32:38,722 WHOO! 569 00:32:45,229 --> 00:32:47,664 Man: THAT'S THE THING! 570 00:32:47,666 --> 00:32:48,632 OH! 571 00:32:48,634 --> 00:32:51,168 ANGE, DON'T. WHY DO YOU WANT TO KEEP IT 572 00:32:51,170 --> 00:32:53,704 IF SOMEONE PISSED ON THAT? IT'S NOT YOURS. 573 00:32:53,706 --> 00:32:56,707 WHOO! 574 00:32:56,709 --> 00:33:02,145 OK, KIDS, GOING UPTOWN! 575 00:33:05,216 --> 00:33:08,251 [MAN WHISTLING] 576 00:33:10,221 --> 00:33:14,157 AAH! AAH! AAH! AAH! 577 00:33:14,159 --> 00:33:20,297 STORMY, WHAT DO YOU GET FOR A BLOW JOB? 578 00:33:20,299 --> 00:33:23,767 $100. 579 00:33:23,769 --> 00:33:26,036 OK. 580 00:33:36,514 --> 00:33:39,716 AAH! 581 00:33:48,226 --> 00:33:50,761 WHY? JUST MAKE IT-- JUST GIVE IT TO ME. 582 00:33:50,763 --> 00:33:52,029 JO, IS THIS YOURS? 583 00:33:52,031 --> 00:33:54,498 WHAT IS IT? LOOK. HELLO? IT'S A-- 584 00:33:54,500 --> 00:33:55,599 WHAT DO YOU THINK IT IS? 585 00:33:55,601 --> 00:33:56,767 I DON'T KNOW WHAT THE FUCK IT IS. 586 00:33:56,769 --> 00:33:57,801 WHAT IS IT? IT STINKS. 587 00:33:57,803 --> 00:33:59,636 GET IT AWAY FROM ME. 588 00:33:59,638 --> 00:34:00,771 SIT DOWN. 589 00:34:00,773 --> 00:34:02,205 SIT DOWN. WHAT? 590 00:34:02,207 --> 00:34:04,207 ARE YOU PREGNANT? 591 00:34:04,209 --> 00:34:05,042 WHAT? 592 00:34:05,044 --> 00:34:06,376 ARE YOU PREGNANT? 593 00:34:06,378 --> 00:34:09,613 DO I LOOK LIKE I'M PREGNANT? NO. 594 00:34:09,615 --> 00:34:12,516 I'M NOT PREGNANT. WHAT'S GOING ON? 595 00:34:12,518 --> 00:34:13,517 BECAUSE ANGEL FOUND IT, 596 00:34:13,519 --> 00:34:14,484 AND SHE THINKS IT'S HERS, 597 00:34:14,486 --> 00:34:15,519 BUT IT'S OBVIOUSLY NOT HERS. 598 00:34:15,521 --> 00:34:16,653 WELL, IF ANGEL FOUND IT, 599 00:34:16,655 --> 00:34:17,654 IT'S PROBABLY HERS. 600 00:34:17,656 --> 00:34:20,223 ANGEL, HONEY, ARE YOU PREGNANT? 601 00:34:20,225 --> 00:34:22,092 JO. CONGRATULATIONS! 602 00:34:22,094 --> 00:34:23,760 JO! ANGEL! 603 00:34:23,762 --> 00:34:25,829 AW, YOU'LL MAKE SUCH A GOOD MOTHER. 604 00:34:25,831 --> 00:34:28,765 JUST DON'T LEAVE THE BABY IN THE PARK, OK? 605 00:34:28,767 --> 00:34:30,434 Jasmine: JO, SIT DOWN. 606 00:34:30,436 --> 00:34:34,471 WILL YOU LOOK AT ME? ARE YOU PREGNANT? 607 00:34:34,473 --> 00:34:35,572 NO. 608 00:34:35,574 --> 00:34:36,640 HOW LATE ARE YOU? 609 00:34:36,642 --> 00:34:38,175 I'M NOT LATE. 610 00:34:38,177 --> 00:34:39,609 I'M NOT LATE. I'M NOT LATE. 611 00:34:39,611 --> 00:34:41,445 OK. SO SHE'S NOT PREGNANT. 612 00:34:41,447 --> 00:34:45,715 WILL YOU JUST LEAVE YOUR HANDS OFF OF MY PILLS? 613 00:34:53,392 --> 00:34:56,426 WHAT THE FUCK IS THE MATTER WITH YOU PEOPLE? 614 00:34:56,428 --> 00:34:57,661 HOW LATE ARE YOU? 615 00:34:57,663 --> 00:34:59,830 I'M NOT LATE, OK? 616 00:34:59,832 --> 00:35:02,265 ALL RIGHT. I GOT-- 617 00:35:02,267 --> 00:35:04,835 CAN'T--GIVE ME THIS. 618 00:35:07,538 --> 00:35:08,772 ALL RIGHT. WHAT'S THAT MEAN? 619 00:35:08,774 --> 00:35:10,340 IT MEANS YOU'RE PREGNANT. 620 00:35:10,342 --> 00:35:11,641 IT'S A-- IT'S A PLUS. 621 00:35:11,643 --> 00:35:14,544 THAT IS A LITTLE BLUE PLUS SIGN RIGHT THERE. 622 00:35:14,546 --> 00:35:16,580 ALL RIGHT, SWEETHEART. I'M NOT A MORON. 623 00:35:16,582 --> 00:35:18,115 I READ THE BOX, OK? 624 00:35:18,117 --> 00:35:20,250 ALL RIGHT. IT'S A PLUS SIGN, OK? 625 00:35:20,252 --> 00:35:21,318 ARE YOU GONNA KEEP IT? 626 00:35:21,320 --> 00:35:23,854 NO, I'M NOT GONNA KEEP IT. I'M GONNA THROW IT AWAY. 627 00:35:23,856 --> 00:35:26,356 THAT'S DISGUSTING. WHAT DO YOU THINK? 628 00:35:26,358 --> 00:35:31,595 NO. YOU KNOW I THINK, WHAT HAPPENED IS I GOT A DEFECTIVE E.P.T. 629 00:35:31,597 --> 00:35:34,464 BECAUSE IT WAS IN MY-- 630 00:35:34,466 --> 00:35:37,134 OH, IT'S SO BEAUTIFUL. 631 00:35:37,136 --> 00:35:39,269 HONEY, THEY HAVE A DOCTOR IN CULVER CITY 632 00:35:39,271 --> 00:35:41,738 THAT CAN TAKE CARE OF IT, ALL RIGHT? 633 00:35:41,740 --> 00:35:43,140 OK. YEAH. ALL RIGHT. 634 00:35:43,142 --> 00:35:44,441 CAN YOU MAKE AN APPOINTMENT FOR ME? 635 00:35:44,443 --> 00:35:47,310 BECAUSE I DON'T WANT TO CARRY IT AROUND. 636 00:35:47,312 --> 00:35:48,912 IT'S OK. IT'S OK. 637 00:35:51,282 --> 00:35:53,583 HEY, BOBBY. 638 00:35:53,585 --> 00:35:55,719 BOBBY, HAVE YOU SEEN CHARLIE? 639 00:35:55,721 --> 00:35:57,387 YEAH, I'VE SEEN HIM. 640 00:35:57,389 --> 00:35:59,523 HE GAVE ME A TIP. 641 00:35:59,525 --> 00:36:01,191 FUCKING ASSHOLE. 642 00:36:01,193 --> 00:36:03,894 I HAVE TO ARRANGE SOMETHING WITH HIM. 643 00:36:03,896 --> 00:36:05,795 YOU REALLY WANT TO KNOW? 644 00:36:05,797 --> 00:36:07,664 YEAH. WHY? WHAT HAPPENED? 645 00:36:07,666 --> 00:36:09,566 COME ON. LET'S GO FOR A SMOKE. 646 00:36:09,568 --> 00:36:12,469 WHY? WHAT HAPPENED? WHAT-- 647 00:36:14,372 --> 00:36:17,340 ASSHOLE! GOD! THE MOTHERFUCKER! 648 00:36:17,342 --> 00:36:19,809 I MEAN, WHAT AM I SUPPOSED TO DO NOW, HUH? 649 00:36:19,811 --> 00:36:24,314 HE TOLD ME THAT HE WAS GONNA COME TO THE MEETING WITH ME. 650 00:36:24,316 --> 00:36:28,218 I GET HIM SOMETHING, AND THEN HE WAS GONNA BE MY FIANCé, 651 00:36:28,220 --> 00:36:29,286 AND HE MADE ME A PROMISE. 652 00:36:29,288 --> 00:36:30,353 HE TOLD ME TO MY FACE. 653 00:36:30,355 --> 00:36:31,788 HE SAID, "I'M GONNA COME WITH YOU," 654 00:36:31,790 --> 00:36:34,891 AND THEN HE GOES OFF WITH THE FIRST FUCKING LITTLE-- 655 00:36:34,893 --> 00:36:36,660 WELL, YOU NEED THE LEECH? 656 00:36:36,662 --> 00:36:38,595 HERE. HERE. CALM DOWN. 657 00:36:38,597 --> 00:36:42,532 OH, FUCK, AND I NEED HIM TO SHOW THAT I'M, LIKE, 658 00:36:42,534 --> 00:36:47,270 YOU KNOW, A WHOLE PERSON WHO'S GONNA GET MARRIED AND STUFF SO THAT-- 659 00:36:47,272 --> 00:36:49,839 SIT DOWN. SIT DOWN. SIT DOWN. 660 00:36:49,841 --> 00:36:51,708 RELAX. 661 00:36:53,345 --> 00:36:56,379 YOU CAN DO A LOT BETTER THAN CHARLIE. 662 00:36:56,381 --> 00:36:59,983 SOME KID'S GONNA BE REAL LUCKY TO HAVE YOU AS A MOM. 663 00:36:59,985 --> 00:37:03,286 SEE, HE WASN'T EVEN GONNA BE THERE WITH ME. 664 00:37:03,288 --> 00:37:06,389 HE WAS JUST GONNA GO TO THE INTERVIEW. 665 00:37:06,391 --> 00:37:08,892 NOW WHAT AM I GONNA DO? 666 00:37:08,894 --> 00:37:11,795 GIVE ME THAT FUCKING TIP HE GAVE YOU. 667 00:37:11,797 --> 00:37:13,830 HMM? 668 00:37:15,533 --> 00:37:18,368 WHAT THE FUCK YOU DOING? THAT'S MY MONEY. 669 00:37:18,370 --> 00:37:19,436 THAT'S MY MONEY! THAT'S-- 670 00:37:19,438 --> 00:37:20,503 THAT'S CHARLIE'S MONEY. 671 00:37:20,505 --> 00:37:22,005 HERE. YOU CAN HAVE THIS. 672 00:37:22,007 --> 00:37:24,641 DICKHEAD. 673 00:37:30,281 --> 00:37:31,581 TELL YOU WHAT. 674 00:37:31,583 --> 00:37:34,351 AND I'LL GIVE YOU A RIDE HOME, ALL RIGHT? 675 00:37:34,353 --> 00:37:36,653 I'LL LOVE YOU A LONG TIME, BOBBY. 676 00:37:36,655 --> 00:37:38,822 OK. 677 00:37:45,029 --> 00:37:48,665 Woman: MISS WILLOW? YOU CAN COME IN NOW. 678 00:37:48,667 --> 00:37:50,867 THANKS. 679 00:37:52,536 --> 00:37:53,703 MISS WILLOW, 680 00:37:53,705 --> 00:37:57,641 WHY DO YOU WANT TO FOSTER A CHILD? 681 00:37:57,643 --> 00:37:58,642 WELL, UM, 682 00:37:58,644 --> 00:38:00,744 BECAUSE I REALLY LOVE CHILDREN 683 00:38:00,746 --> 00:38:05,348 AND I REALLY FEEL THAT I COULD GIVE THEM 684 00:38:05,350 --> 00:38:08,051 A SAFE AND HAPPY PLACE TO BE 685 00:38:08,053 --> 00:38:09,986 WHILE THEY'RE WAITING FOR THEIR PARENTS 686 00:38:09,988 --> 00:38:13,023 TO GET OUT OF REHAB OR JAIL. 687 00:38:13,025 --> 00:38:16,026 THESE--SOMETIMES THE KIDS DO COME 688 00:38:16,028 --> 00:38:17,594 FROM VERY DISTURBED BACKGROUNDS, 689 00:38:17,596 --> 00:38:21,298 AND IT'S IMPORTANT TO HAVE A SAFE AND SECURE ENVIRONMENT 690 00:38:21,300 --> 00:38:22,766 AND SOMEONE WITH AN OPEN MIND. 691 00:38:22,768 --> 00:38:25,468 YEAH. I HAVE A VERY OPEN MIND. 692 00:38:25,470 --> 00:38:29,439 IT SAYS "THE HAND OF FRIENDSHIP HAS NO COLOR." 693 00:38:29,441 --> 00:38:32,409 LIKE, I DON'T LOOK DOWN ON MICHAEL JACKSON 694 00:38:32,411 --> 00:38:34,944 FOR CHANGING THE COLOR OF HIS SKIN. 695 00:38:34,946 --> 00:38:36,946 WE HAVE PEOPLE IN MY BUILDING 696 00:38:36,948 --> 00:38:39,449 THAT ARE-- THERE'S 3 LESBIANS 697 00:38:39,451 --> 00:38:40,583 LIVING IN ONE APARTMENT, 698 00:38:40,585 --> 00:38:42,786 AND ALL OF THEM SLEEP IN THE SAME BED, 699 00:38:42,788 --> 00:38:44,788 AND THEY'RE, LIKE, THE MOST NORMAL PEOPLE 700 00:38:44,790 --> 00:38:47,891 THEY'RE--EVEN THOUGH THEY SLEEP TOGETHER, 701 00:38:47,893 --> 00:38:49,025 THEY'RE SO NICE. 702 00:38:49,027 --> 00:38:50,427 OH, I'M SURE THEY-- 703 00:38:50,429 --> 00:38:52,595 ACTUALLY, YOU LIVE IN THE SAME BUILDING, 704 00:38:52,597 --> 00:38:55,732 SO THIS IS AN APARTMENT ON, UM... 705 00:38:55,734 --> 00:38:56,866 WHITSET? 706 00:38:56,868 --> 00:39:00,970 NO. IT'S RIGHT AROUND THE CORNER FROM WHITSET. 707 00:39:00,972 --> 00:39:02,706 THAT WAS THE DIRECTION. 708 00:39:02,708 --> 00:39:04,574 OK. SO... 709 00:39:04,576 --> 00:39:07,977 OK. AND SO, HOW LONG HAVE YOU LIVED IN LOS ANGELES? 710 00:39:07,979 --> 00:39:10,680 6 YEARS? AND WHERE DID YOU GROW UP? 711 00:39:10,682 --> 00:39:13,583 SO YOU MOVED HERE FROM OKLAHOMA? 712 00:39:13,585 --> 00:39:16,953 WELL, NO, I-- I WAS IN LAS VEGAS. 713 00:39:16,955 --> 00:39:18,922 WHAT WERE YOU DOING IN VEGAS? 714 00:39:18,924 --> 00:39:20,690 OH, I WAS ENGAGED. 715 00:39:20,692 --> 00:39:22,659 DID YOU GET MARRIED? 716 00:39:22,661 --> 00:39:26,596 I WOULD HAVE, BUT HE DIDN'T WANT TO MARRY ME 717 00:39:26,598 --> 00:39:28,531 BECAUSE I, UM-- 718 00:39:28,533 --> 00:39:29,733 HE WAS A VERY WEALTHY MAN, 719 00:39:29,735 --> 00:39:31,134 BUT HE HAD SOME CHARACTER FLAWS. 720 00:39:31,136 --> 00:39:34,838 SOME CHAR--WELL, LIKE, WHAT KIND OF CHARACTER FLAWS? 721 00:39:34,840 --> 00:39:37,040 HE LIKED REALLY YOUNG WOMEN. 722 00:39:37,042 --> 00:39:40,744 I CAN'T IMAGINE HIM FINDING SOMEONE MORE YOUNGER 723 00:39:40,746 --> 00:39:41,978 OR ATTRACTIVE THAN YOU. 724 00:39:41,980 --> 00:39:45,115 WELL, THANKS, BUT WHEN I TURNED 25, 725 00:39:45,117 --> 00:39:48,585 I WAS JUST KIND OF KICKED OUT. 726 00:39:48,587 --> 00:39:50,587 DO YOU HAVE A SIGNIFICANT OTHER NOW? 727 00:39:50,589 --> 00:39:52,689 MM-HMM. THAT, UM, CHARLIE. 728 00:39:52,691 --> 00:39:54,023 HE'S MY FIANCé, 729 00:39:54,025 --> 00:39:56,025 AND HE WAS GONNA COME WITH ME TODAY, 730 00:39:56,027 --> 00:39:59,095 AND I KNOW YOU MIGHT BE WORRIED THAT HE'S NOT HERE, 731 00:39:59,097 --> 00:40:00,764 BUT HE HAS A BIG RECORD DEAL, 732 00:40:00,766 --> 00:40:02,432 AND THEY NEEDED HIM IN NEW YORK 733 00:40:02,434 --> 00:40:07,871 BECAUSE HE MIGHT, UM, BE DOING SOME MUSIC WITH YANNI 734 00:40:07,873 --> 00:40:10,039 OR SOME OTHER PEOPLE. 735 00:40:10,041 --> 00:40:12,509 THAT'S VERY-- THAT'S VERY SOULFUL. 736 00:40:12,511 --> 00:40:13,410 MM-HMM. 737 00:40:13,412 --> 00:40:16,913 OK. IT'S VERY SOULFUL. 738 00:40:16,915 --> 00:40:18,448 WHAT DO YOU-- 739 00:40:18,450 --> 00:40:21,951 WHAT DO YOU FEAR MOST IN LIFE? 740 00:40:22,520 --> 00:40:23,820 UM... 741 00:40:23,822 --> 00:40:27,524 WHAT DOES THAT BRING UP FOR YOU? 742 00:40:27,526 --> 00:40:29,726 NOT BEING ABLE TO LIVE. 743 00:40:29,728 --> 00:40:33,863 AND WHAT ABOUT THE MOST PLEASURABLE THING? 744 00:40:33,865 --> 00:40:35,031 LOVE. 745 00:40:35,033 --> 00:40:37,967 LOVE. YEAH. 746 00:40:37,969 --> 00:40:39,102 MISS WILLOW... 747 00:40:39,104 --> 00:40:40,837 MM-HMM? 748 00:40:40,839 --> 00:40:42,105 WHAT DO YOU THINK-- 749 00:40:42,107 --> 00:40:46,443 WHAT DO YOU THINK YOU CAN GIVE A CHILD? 750 00:40:46,445 --> 00:40:49,512 UM, WELL, UM, I HAVE A TEDDY BEAR 751 00:40:49,514 --> 00:40:51,915 THAT I HAD WHEN I WAS A KID, 752 00:40:51,917 --> 00:40:53,850 AND, UM, I--I--I-- 753 00:40:53,852 --> 00:40:56,820 I MAKE A REALLY GOOD FLUFFERNUTTER SANDWICH. 754 00:40:56,822 --> 00:40:59,722 YOU ARE--YOU'RE-- YOU'RE VERY CHARMING. 755 00:40:59,724 --> 00:41:03,226 I WANT YOU TO UNDERSTAND SOMETHING. 756 00:41:03,228 --> 00:41:05,795 FOSTERING A CHILD IS NOT A HOBBY, 757 00:41:05,797 --> 00:41:07,597 AND IT'S NOT LIKE AN ACTIVITY-- 758 00:41:07,599 --> 00:41:08,565 OH, NO. I KNOW. 759 00:41:08,567 --> 00:41:09,899 IT'S VERY-- IT'S SERIOUS. 760 00:41:09,901 --> 00:41:11,034 IT'S AN OCCUPATION, 761 00:41:11,036 --> 00:41:13,203 A COMMITMENT THAT YOU'RE GONNA MAKE. 762 00:41:13,205 --> 00:41:17,240 I--I HAVE TOO MANY HOBBIES ALREADY. 763 00:41:17,242 --> 00:41:19,509 HA HA HA HA! OK. 764 00:41:19,511 --> 00:41:21,845 [SPEAKING RUSSIAN] 765 00:42:04,221 --> 00:42:05,855 Jasmine: JO, WOULD YOU LOOK AT MY ASS? 766 00:42:05,857 --> 00:42:07,257 THERE'S SOMETHING IN IT. 767 00:42:07,259 --> 00:42:09,859 IT STINKS. IS IT WARTS OR SOMETHING? 768 00:42:09,861 --> 00:42:11,127 NO, IT'S NOT. NO, SWEETHEART. 769 00:42:11,129 --> 00:42:12,595 YOU JUST CUT YOUR ASSHOLE, THAT'S ALL. 770 00:42:12,597 --> 00:42:14,030 YOU SHOULD JUST PUT A LITTLE SOLVENT--WAIT. 771 00:42:14,032 --> 00:42:15,732 Angel: YOU MIGHT FEEL SORRY FOR ME 772 00:42:15,734 --> 00:42:17,834 BECAUSE I ONLY MADE ONE DOLLAR. HA! 773 00:42:17,836 --> 00:42:19,602 Woman: OH, PLEASE. 774 00:42:19,604 --> 00:42:21,771 Jessie: JESUS, ANGEL. 775 00:42:21,773 --> 00:42:24,007 WAY TO GO. 776 00:42:24,309 --> 00:42:27,210 PUT SOME ALOE VERA ON THAT, JASMINE. 777 00:42:27,212 --> 00:42:28,811 I'VE BEEN THINKING ABOUT LITTLE JO 778 00:42:28,813 --> 00:42:32,015 BECAUSE I THINK IT WOULD BE REALLY EASY TO REMEMBER 779 00:42:32,017 --> 00:42:33,883 BECAUSE IT'S LIKE YOUR NAME. 780 00:42:33,885 --> 00:42:36,953 AND IT WOULD BE GOOD FOR A GIRL OR A BOY. 781 00:42:36,955 --> 00:42:39,722 [WHISTLING] 782 00:42:49,800 --> 00:42:54,337 Man: ♪ DON'T TAKE MY SOUL 783 00:42:57,608 --> 00:43:03,313 ♪ NOT FROM ME NOW 784 00:43:04,715 --> 00:43:11,721 ♪ DON'T SEND NO ROSES 785 00:43:11,723 --> 00:43:15,325 ♪ MY PENANCE IS DUE 786 00:43:15,327 --> 00:43:17,727 HEY. CAN I JUST GET YOUR ATTENTION? 787 00:43:17,729 --> 00:43:20,196 HELLO, TIFFANY. PARTY AT MY HOUSE. 788 00:43:20,198 --> 00:43:22,799 BIG PARTY AT MY HOUSE DAY AFTER TOMORROW 789 00:43:22,801 --> 00:43:27,003 AND SOMETIMES PEOPLE CAN PISS OFF PEOPLE, 790 00:43:27,005 --> 00:43:28,004 AND THE THING IS-- 791 00:43:28,006 --> 00:43:31,608 FOR MY FOSTER KID THE DAY AFTER TOMORROW. 792 00:43:31,610 --> 00:43:34,043 I'M GONNA MAKE A MAP FOR EVERYBODY SO EVERYONE KNOWS 793 00:43:34,045 --> 00:43:36,946 HOW TO GET TO MY APARTMENT, OK? 794 00:43:45,255 --> 00:43:48,925 Man: REMEMBER THESE GLASSES? 795 00:43:48,927 --> 00:43:50,994 I WAS WONDERING IF, UH, 796 00:43:50,996 --> 00:43:54,063 MAYBE YOU COULD, UH, HOLD THEM 797 00:43:54,065 --> 00:43:55,898 WHILE I, UH... 798 00:43:55,900 --> 00:44:00,403 I STRAIGHTEN IT OUT WITH THE LANDLORD. 799 00:44:00,405 --> 00:44:02,138 STRAIGHT IT OUT? 800 00:44:02,140 --> 00:44:06,042 THOSE ARE--THOSE WERE MY WIFE'S. 801 00:44:06,044 --> 00:44:07,410 SHE LOVED THEM, AND, UH, 802 00:44:07,412 --> 00:44:11,948 IT'S THE ONLY MEMENTO I GOT OF HER. 803 00:45:10,240 --> 00:45:12,041 D.J.: THAT'S STORMY. 804 00:45:12,043 --> 00:45:14,977 [APPLAUSE] 805 00:45:18,148 --> 00:45:25,021 EDDIE, HARRY LEFT HIS BINOCULARS HERE FOR YOU. 806 00:45:25,023 --> 00:45:26,155 HARRY LEFT THESE? 807 00:45:26,157 --> 00:45:28,224 YEAH. 808 00:45:29,293 --> 00:45:31,060 THANKS. 809 00:45:31,062 --> 00:45:32,161 HEY, DESIREE. 810 00:45:32,163 --> 00:45:33,996 YEAH? 811 00:45:33,998 --> 00:45:34,897 YOU OK? 812 00:45:34,899 --> 00:45:38,367 YEAH, I'M FINE. 813 00:46:13,303 --> 00:46:19,008 UH, HI. IT'S ROOM 208. 814 00:46:19,010 --> 00:46:23,379 YES. NO, I AM NOT GOING. 815 00:46:23,381 --> 00:46:25,982 YES. I STAY ONE MORE NIGHT. 816 00:46:25,984 --> 00:46:30,052 Man: ♪ LIFT ME LIKE AN OLIVE BRANCH ♪ 817 00:46:30,054 --> 00:46:33,156 ♪ BE MY HOMEWARD DOVE 818 00:46:33,158 --> 00:46:35,925 ♪ AND DANCE ME 819 00:46:35,927 --> 00:46:39,996 ♪ TO THE END OF LOVE 820 00:46:39,998 --> 00:46:42,131 OH. NO PROBLEM. 821 00:46:42,133 --> 00:46:44,066 HEY THERE. 822 00:46:53,076 --> 00:46:54,343 YOU WANT ME TO GET OUT OF YOUR WAY? 823 00:46:54,345 --> 00:46:55,478 HMM? YOU WANT ME TO GO? 824 00:46:55,480 --> 00:46:58,581 NO. I AIN'T GOT NOWHERE TO GO. 825 00:47:04,588 --> 00:47:06,455 LIGHT ME ONE, WILL YOU? 826 00:47:06,457 --> 00:47:08,491 YEAH. SURE. 827 00:47:20,604 --> 00:47:22,939 HE'S HERE, BOBBY. 828 00:47:22,941 --> 00:47:25,074 WHO? 829 00:47:25,076 --> 00:47:27,210 SULLIVAN. 830 00:47:27,212 --> 00:47:29,445 YOUR BROTHER? 831 00:47:31,148 --> 00:47:33,115 YES. 832 00:47:38,322 --> 00:47:40,456 HE WANTS ME TO GO SEE HIM. 833 00:47:40,458 --> 00:47:41,924 GONNA? 834 00:47:41,926 --> 00:47:44,093 HE'S STAYING AT THE SUNSET HILTON. 835 00:47:44,095 --> 00:47:48,397 YOU KNOW WHERE THAT IS? 836 00:47:48,399 --> 00:47:52,201 YEAH. YEAH. 837 00:47:52,203 --> 00:47:56,005 HE'S GETTING MARRIED. 838 00:47:56,007 --> 00:47:58,608 HE'S GONNA BE A DADDY. 839 00:47:58,610 --> 00:48:00,643 YOU'RE GONNA BE AN AUNT. 840 00:48:00,645 --> 00:48:02,879 FUCK YOU. 841 00:48:05,148 --> 00:48:08,351 FUCK, NO. I DON'T WANT TO SEE HIM. 842 00:48:11,154 --> 00:48:14,323 HOW'D WE DO TONIGHT? 843 00:48:14,325 --> 00:48:16,425 DID ALL RIGHT. 844 00:48:19,897 --> 00:48:21,964 WANT SOME ADVICE? 845 00:48:21,966 --> 00:48:23,199 WAIT TILL CHRISTMAS. 846 00:48:23,201 --> 00:48:25,067 YOU BUY THEM ALL NICE LITTLE GIFTS. 847 00:48:25,069 --> 00:48:26,202 YOU GO HOME. YOU HUG THEM. 848 00:48:26,204 --> 00:48:28,137 YOU TAKE A PICTURE. YOU GO HOME. 849 00:48:28,139 --> 00:48:30,640 I DON'T WANT ANY ADVICE. 850 00:48:31,608 --> 00:48:34,210 I WANT TO SEE HIM. 851 00:48:34,212 --> 00:48:37,346 Bobby: '74 FLEETWOOD. 852 00:48:37,348 --> 00:48:40,583 Stormy: WE DROVE ACROSS THE COUNTRY IN THAT CAR. 853 00:48:40,585 --> 00:48:44,120 I ALWAYS WANTED TO DO THAT. 854 00:48:44,122 --> 00:48:47,590 BEST MEMORIES OF MY LIFE. 855 00:48:52,663 --> 00:48:54,597 HE'S RIGHT THERE. WHERE? 856 00:48:54,599 --> 00:48:57,667 RIGHT THERE. MY BROTHER. 857 00:48:57,669 --> 00:48:59,035 HOW DO YOU KNOW? 858 00:48:59,037 --> 00:49:00,536 I KNOW. 859 00:49:01,471 --> 00:49:03,339 I KNOW HE'S ON, UH, 860 00:49:03,341 --> 00:49:05,241 ON THE LEFT SIDE OF THE BED, 861 00:49:05,243 --> 00:49:08,277 AND HE'S SMOKING A CIGARETTE, 862 00:49:08,279 --> 00:49:11,047 AND HE'S THINKING. 863 00:49:18,121 --> 00:49:19,221 I'M NOT GOING UP. 864 00:49:19,223 --> 00:49:21,724 I DON'T WANT TO GO UP THERE. 865 00:49:24,227 --> 00:49:25,294 YOU WANT TO GO BACK TO MY PLACE? 866 00:49:25,296 --> 00:49:26,495 NO. JUST, YOU KNOW, TAKE ME BACK 867 00:49:26,497 --> 00:49:29,365 TO MY CAR, ALL RIGHT? 868 00:49:29,367 --> 00:49:31,467 ALL RIGHT. 869 00:49:31,469 --> 00:49:33,235 [STARTS ENGINE] 870 00:49:33,237 --> 00:49:37,473 Man: OK. THIS IS AN EXCELLENT GUITAR, SO... 871 00:49:37,475 --> 00:49:40,009 THANK YOU. 872 00:49:40,011 --> 00:49:42,278 WHOA. 873 00:49:45,682 --> 00:49:48,117 BABY, COME HERE. 874 00:49:48,119 --> 00:49:50,486 Charlie: HERE. HERE. LET ME TELL YOU. 875 00:49:50,488 --> 00:49:51,520 YOU HEAR THAT SOUND? 876 00:49:51,522 --> 00:49:54,156 YEAH. THIS IS A '59 GIBSON LES PAUL. 877 00:49:54,158 --> 00:49:58,627 THIS--THERE IS MORE HISTORY BEHIND THIS INSTRUMENT. 878 00:49:58,629 --> 00:50:01,430 YOU GOT TO HOLD IT LIKE A PRECIOUS BABY. 879 00:50:01,432 --> 00:50:02,298 Jessie: OH, BABY. 880 00:50:02,300 --> 00:50:04,100 THINK BABY JESUS CHRIST. 881 00:50:04,102 --> 00:50:07,003 GOT THE GOODS. 882 00:50:07,738 --> 00:50:10,272 I AM SO PROUD OF YOU. 883 00:50:10,274 --> 00:50:13,175 Man: CASH OR-- 884 00:50:13,177 --> 00:50:14,110 OH, CASH. 885 00:50:14,112 --> 00:50:16,579 IT'S CASH. TAKE THAT. 886 00:50:16,581 --> 00:50:18,147 OK. EXCELLENT. 887 00:50:18,149 --> 00:50:19,081 ARE YOU HAPPY? 888 00:50:19,083 --> 00:50:21,217 THANK YOU, HONEY. 889 00:51:01,525 --> 00:51:05,094 Man: ♪ DANCE ME TO YOUR BEAUTY ♪ 890 00:51:05,096 --> 00:51:08,831 ♪ WITH A BURNING VIOLIN 891 00:51:08,833 --> 00:51:11,801 ♪ DANCE ME THROUGH THE PANIC ♪ 892 00:51:11,803 --> 00:51:16,105 ♪ TILL I'M GATHERED SAFELY IN ♪ 893 00:51:16,107 --> 00:51:19,775 ♪ LIFT ME LIKE AN OLIVE BRANCH ♪ 894 00:51:19,777 --> 00:51:23,312 ♪ AND BE MY HOMEWARD DOVE 895 00:51:23,314 --> 00:51:25,815 ♪ AND DANCE ME 896 00:51:25,817 --> 00:51:29,585 ♪ TO THE END OF LOVE 897 00:51:30,554 --> 00:51:33,189 ♪ YEAH, DANCE ME 898 00:51:33,191 --> 00:51:36,325 ♪ TO THE END OF LOVE 899 00:51:37,794 --> 00:51:40,563 ♪ LET ME SEE YOUR BEAUTY 900 00:51:40,565 --> 00:51:45,734 ♪ WHEN THE WITNESSES ARE GONE... ♪ 901 00:51:45,736 --> 00:51:48,370 Jasmine: ANGE, I GOT ALL THIS REALLY, REALLY GREAT STUFF 902 00:51:48,372 --> 00:51:51,707 AT THE 99 CENT STORE, AND I THOUGHT--WAKE UP-- 903 00:51:51,709 --> 00:51:53,709 AND I GOT THIS REALLY, REALLY GREAT SNORKEL. 904 00:51:53,711 --> 00:51:56,645 THE KID CAN USE IT AS A SNORKEL IN THIS POOL. 905 00:51:56,647 --> 00:51:59,115 OH, THAT'S SO CUTE! 906 00:51:59,117 --> 00:52:02,151 WHERE'S JO? WHERE IS EVERYBODY? 907 00:52:02,153 --> 00:52:03,252 I THINK THAT EVERYBODY 908 00:52:03,254 --> 00:52:05,221 HAD AN APPOINTMENT OR SOMETHING. 909 00:52:05,223 --> 00:52:06,789 I HAVEN'T HEARD FROM ANYBODY. 910 00:52:06,791 --> 00:52:08,190 OK. YOU KNOW THAT GUY 911 00:52:08,192 --> 00:52:10,526 WHO THROWS THAT SHIT UP ONSTAGE? 912 00:52:10,528 --> 00:52:11,861 YEAH. 913 00:52:11,863 --> 00:52:16,732 SO I THINK THAT WE SHOULD SMOKE IT RIGHT NOW. 914 00:52:16,734 --> 00:52:18,601 YEAH. BECAUSE WE NEED TO ORGANIZE. 915 00:52:18,603 --> 00:52:20,703 WE NEED TO CONCENTRATE. 916 00:52:20,705 --> 00:52:23,239 Jasmine: OH, MY GOD. DID YOU MOVE THE COUCH? 917 00:52:23,241 --> 00:52:24,507 YEAH. BECAUSE I'M WORKING 918 00:52:24,509 --> 00:52:26,542 ON THE FENG SHUI. WHOA. 919 00:52:26,544 --> 00:52:28,644 WHAT THE FUCK IS FENG SHUI? 920 00:52:28,646 --> 00:52:31,881 IT'S--AREN'T YOU FROM, LIKE, ASIA? 921 00:52:31,883 --> 00:52:34,383 NO. I'M FROM SEATTLE, HONEY. 922 00:52:34,385 --> 00:52:38,254 WELL, FENG SHUI IS LIKE THE ANCIENT OREAL-- 923 00:52:38,256 --> 00:52:41,924 ORIENTAL RITUAL OF DECORATING YOUR HOUSE 924 00:52:41,926 --> 00:52:44,593 WHERE YOU MOVE ALL OF YOUR FURNITURE 925 00:52:44,595 --> 00:52:46,795 SO THAT THE CHI-- 926 00:52:46,797 --> 00:52:47,930 OH, MY GOD. 927 00:52:47,932 --> 00:52:50,466 ENERGY CAN GO THROUGH THE HOUSE. 928 00:52:50,468 --> 00:52:52,334 IT BLOWS FROM ONE END TO THE OTHER. 929 00:52:52,336 --> 00:52:54,837 OK. WE CAN WORK WITH THAT. 930 00:52:54,839 --> 00:52:56,906 [COUGHING] 931 00:52:57,240 --> 00:52:58,707 ANGE... Angel: WHAT? 932 00:52:58,709 --> 00:53:00,809 IT'S A FUCKING STY IN HERE. 933 00:53:00,811 --> 00:53:01,877 OH, I KNOW. I'M GONNA-- 934 00:53:01,879 --> 00:53:04,480 I'M GONNA-- I'M DOING IT RIGHT NOW. 935 00:53:04,482 --> 00:53:06,782 I WAS JUST WAITING FOR EVERYONE TO GET HERE. 936 00:53:06,784 --> 00:53:09,351 YEAH. WELL, WHERE'S THE KID GONNA SLEEP? 937 00:53:09,353 --> 00:53:10,553 HE'S GONNA SLEEP IN HERE, 938 00:53:10,555 --> 00:53:12,388 AND I'M GONNA SLEEP OUT ON THE COUCH. 939 00:53:12,390 --> 00:53:14,256 HE'S GONNA SLEEP ON A FUCKING HEART-SHAPED BED? 940 00:53:14,258 --> 00:53:17,359 I WAS THINKING I WOULD TURN IT UPSIDE DOWN, 941 00:53:17,361 --> 00:53:19,261 AND IT WOULD LOOK LIKE A SPACESHIP. 942 00:53:19,263 --> 00:53:21,664 AND YOU GOT TO GET RID OF THIS SHEET. 943 00:53:21,666 --> 00:53:22,965 GET HIM SPACESHIP SHEETS. 944 00:53:22,967 --> 00:53:24,533 GOOD IDEA. THAT'S A GOOD IDEA. 945 00:53:24,535 --> 00:53:28,270 OH, MY GOD. AND YOU HAVE TO FIX THIS HOLE. 946 00:53:28,272 --> 00:53:30,673 I'LL TELL BOBBY TO FIX THIS FUCKING HOLE. 947 00:53:30,675 --> 00:53:32,508 WE SHOULD MAKE A LIST. 948 00:53:32,510 --> 00:53:35,211 OK. DICTATE. 949 00:53:35,979 --> 00:53:38,347 FIX THE HOLE. 950 00:53:39,316 --> 00:53:42,351 UM, BUY WALLPAPER. 951 00:53:42,353 --> 00:53:44,386 BOBBY WILL KNOW WHERE TO BUY WALLPAPER. 952 00:53:44,388 --> 00:53:46,388 HE WILL? MM-HMM. 953 00:53:46,390 --> 00:53:48,324 OK. 954 00:53:48,525 --> 00:53:49,625 FIX THE AIR CONDITIONING. 955 00:53:49,627 --> 00:53:50,793 IT'S SO FUCKING HOT IN HERE. 956 00:53:50,795 --> 00:53:52,895 WELL, I CAN'T FIX THE AIR CONDITIONING THING 957 00:53:52,897 --> 00:53:55,598 BECAUSE THERE'S SOME RATS LIVING IN IT. 958 00:53:55,600 --> 00:53:57,933 ANGEL, YOU CAN'T LIVE WITH RATS! 959 00:53:57,935 --> 00:53:59,902 NO. WE GOT TO GET RID OF THEM! 960 00:53:59,904 --> 00:54:01,804 JASMINE! JASMINE, DON'T. 961 00:54:01,806 --> 00:54:03,973 WHAT AM I GONNA DO? I'M NOT GONNA KILL THEM. 962 00:54:03,975 --> 00:54:05,641 YEAH. YOU HAVE TO KILL THE RATS. 963 00:54:05,643 --> 00:54:07,676 WE'LL GET BOBBY TO KILL THE RATS. 964 00:54:07,678 --> 00:54:09,345 SHE'S NOT GONNA LET YOU KEEP THE KID 965 00:54:09,347 --> 00:54:11,880 I'M NOT--I WON'T KEEP THE RATS. 966 00:54:11,882 --> 00:54:13,315 I'LL PUT THEM AT YOUR HOUSE. 967 00:54:13,317 --> 00:54:14,717 I AM NOT KEEPING RATS! 968 00:54:14,719 --> 00:54:19,922 AND WE CAN JUST PUT IT AT YOUR HOUSE FOR THE TIME BEING. 969 00:54:19,924 --> 00:54:21,991 NO, NO! THE KID NEEDS AIR CONDITIONING, 970 00:54:21,993 --> 00:54:25,527 SHE'S NOT GONNA LET YOU KEEP THE KID IF YOU HAVE RATS. 971 00:54:25,529 --> 00:54:27,896 WELL, I'M AGAINST KILLING THEM. 972 00:54:27,898 --> 00:54:31,400 SACRIFICE THE FUCKING RATS. 973 00:54:33,503 --> 00:54:36,472 I'M HUNGRY. 974 00:54:36,640 --> 00:54:38,674 MAYBE WE SHOULD WORK ON THE LIST OUTSIDE, 975 00:54:38,676 --> 00:54:39,908 AND WE'LL WORK ON OUR TANS. 976 00:54:39,910 --> 00:54:42,378 DO YOU WANT SOME PIZZA? 977 00:54:42,380 --> 00:54:43,412 YEAH. 978 00:54:43,414 --> 00:54:44,947 WHAT KIND DO YOU WANT? 979 00:54:44,949 --> 00:54:48,384 BECAUSE MR. SHERMAN-- THAT, LIKE, 980 00:54:48,386 --> 00:54:50,753 100-YEAR-OLD MAN ALWAYS LOOKS-- WHO'S THAT? 981 00:54:50,755 --> 00:54:52,821 THAT'S MY-- MY DAD. 982 00:54:52,823 --> 00:54:54,757 YOUR DAD IS ADAM WEST? 983 00:54:54,759 --> 00:54:58,327 WELL, HE'S WHO I LIKE TO THINK OF AS MY DAD. 984 00:54:58,329 --> 00:54:59,928 BUT DON'T YOU THINK HE KIND OF LOOKS LIKE ME? 985 00:54:59,930 --> 00:55:02,965 LIKE, LOOK AT HIS JAW AND HIS MOUTH-- IT'S JUST-- 986 00:55:02,967 --> 00:55:05,868 EVEN HIS WHOLE NOSE AND EVERYTHING. IT LOOKS-- 987 00:55:05,870 --> 00:55:09,571 LOOK AT THE--LOOK. IF I STOOD THIS WAY? 988 00:55:09,573 --> 00:55:10,539 MM-HMM. 989 00:55:10,541 --> 00:55:13,042 YOU DON'T LOOK LIKE HIM. 990 00:55:13,678 --> 00:55:16,478 IT'S OK. YOU DON'T HAVE TO LOOK LIKE HIM. 991 00:55:16,480 --> 00:55:21,550 DON'T TELL THE LADY THAT YOUR DAD IS BATMAN. 992 00:55:21,552 --> 00:55:23,018 WHY? 993 00:55:23,020 --> 00:55:25,321 ELLEN. ELLEN TAYLOR. 994 00:55:25,323 --> 00:55:28,023 AND WE'LL CALL YOU WHEN WE'RE READY. 995 00:55:28,025 --> 00:55:30,092 OK. 996 00:55:33,563 --> 00:55:35,831 Woman: YOUR NAME'S ELLEN? 997 00:55:35,833 --> 00:55:38,567 THAT'S WHAT WE WANT TO NAME THE BABY 998 00:55:38,569 --> 00:55:41,370 AFTER MY HUSBAND'S GRANDMA. 999 00:55:41,372 --> 00:55:42,671 IT'S KIND OF AN OLD-FASHIONED NAME, 1000 00:55:42,673 --> 00:55:44,840 BUT IT'S SO PRETTY. 1001 00:55:44,842 --> 00:55:47,109 UM, EXCUSE ME, ELLEN, 1002 00:55:47,111 --> 00:55:48,043 YOU CAN'T SMOKE IN HERE. 1003 00:55:48,045 --> 00:55:49,945 THERE'S NO SMOKING IN HERE. 1004 00:55:49,947 --> 00:55:50,979 OH, I'M SORRY. 1005 00:55:50,981 --> 00:55:52,648 BECAUSE IT'S A DOCTOR'S OFFICE. 1006 00:55:52,650 --> 00:55:54,817 YOU KNOW, YOU SHOULD PROBABLY REALLY SERIOUSLY CONSIDER 1007 00:55:54,819 --> 00:55:58,087 STOPPING SMOKING AT THIS POINT, YOU KNOW? 1008 00:55:58,089 --> 00:56:01,523 WELL, I MEAN, IT'S REALLY BAD FOR THE BABY. 1009 00:56:01,525 --> 00:56:03,692 I'M SORRY. ELLEN... MM-HMM? 1010 00:56:03,694 --> 00:56:04,893 YOU MIGHT BE ABLE TO SMOKE OUTSIDE, 1011 00:56:04,895 --> 00:56:08,430 BUT YOU CAN'T SMOKE IN HERE, AND IT'S-- 1012 00:56:08,432 --> 00:56:12,768 LIKE I SAID, IT'S REALLY BAD FOR THE BABY. 1013 00:56:12,770 --> 00:56:14,837 YOU KNOW, A GIRLFRIEND OF MINE-- 1014 00:56:14,839 --> 00:56:15,971 SHE WENT FOR ACUPUNCTURE-- 1015 00:56:15,973 --> 00:56:17,139 YOU KNOW WHAT? I DON'T GIVE A FUCK 1016 00:56:17,141 --> 00:56:19,475 ABOUT THE GIRLFRIEND OF YOURS, OK? 1017 00:56:19,477 --> 00:56:22,111 EVERYBODY DOESN'T HAVE A HAPPY, CHEERFUL, 1018 00:56:22,113 --> 00:56:24,713 CHIRPY LIFE LIKE YOU DO, ALL RIGHT? 1019 00:56:24,715 --> 00:56:27,049 OK? EVERYBODY'S NOT HERE TO HAVE A BABY. 1020 00:56:27,051 --> 00:56:29,451 SOME OF US--FUCK YOU! 1021 00:56:29,453 --> 00:56:30,552 FUCK YOU, BITCH! 1022 00:56:30,554 --> 00:56:32,688 SOME OF US ARE HERE TO HAVE ABORTIONS! 1023 00:56:32,690 --> 00:56:33,689 DID YOU EVER THINK OF THAT? 1024 00:56:33,691 --> 00:56:35,057 DID YOU EVER THINK OF THAT? 1025 00:56:35,059 --> 00:56:36,725 DID YOU EVER THINK OF THAT? 1026 00:56:36,727 --> 00:56:38,494 DID YOU EVER THINK OF THAT? 1027 00:56:38,496 --> 00:56:39,528 NO. BECAUSE YOU DON'T THINK. 1028 00:56:39,530 --> 00:56:40,696 YOU JUST RATTLE ON AND ON 1029 00:56:40,698 --> 00:56:42,097 ABOUT YOUR HAPPY LITTLE HUSBAND 1030 00:56:42,099 --> 00:56:44,833 AND YOUR HAPPY LITTLE GRANDMOTHER NAMED ELLEN, 1031 00:56:44,835 --> 00:56:45,968 AND YOU DON'T GIVE A FUCK 1032 00:56:45,970 --> 00:56:46,969 ABOUT OTHER PEOPLE! 1033 00:56:46,971 --> 00:56:48,971 YOU HAVE A PROBLEM, LADY. 1034 00:56:48,973 --> 00:56:50,105 YOU THINK YOU'RE THE ONLY PERSON 1035 00:56:50,107 --> 00:56:51,707 WITH REPRODUCTIVE ORGANS? 1036 00:56:51,709 --> 00:56:53,008 I'M GONNA HAVE THIS FUCKING BABY. 1037 00:56:53,010 --> 00:56:54,143 I'M GONNA HAVE THIS BABY, 1038 00:56:54,145 --> 00:56:55,611 AND MY BABY IS GONNA SELL DRUGS 1039 00:56:55,613 --> 00:56:56,912 TO YOUR BABY ON THE PLAYGROUND! 1040 00:56:56,914 --> 00:57:01,483 YOU KNOW THAT? YOU FUCKING BITCH! 1041 00:57:02,719 --> 00:57:05,454 OH, MY GOD. 1042 00:57:05,456 --> 00:57:07,723 WHAT THE FUCK IS THAT? 1043 00:57:07,725 --> 00:57:08,724 Angel: OH, MY GOD. 1044 00:57:08,726 --> 00:57:10,192 Jasmine: WHO ARE THESE FOR? 1045 00:57:10,194 --> 00:57:14,430 Jimmy: THESE ARE FOR ANGEL. 1046 00:57:14,432 --> 00:57:16,098 HA HA HA HA! 1047 00:57:16,100 --> 00:57:19,168 Jasmine: WHO ARE THEY FROM? IS THERE A CARD? 1048 00:57:19,170 --> 00:57:21,103 WELL, THE DRIVER SAID HE WASN'T ALLOWED 1049 00:57:21,105 --> 00:57:22,805 TO TELL ME WHO PAID FOR THEM. 1050 00:57:22,807 --> 00:57:24,206 Angel: WHAT ARE YOU-- 1051 00:57:24,208 --> 00:57:25,941 WHAT ARE YOU TALKING ABOUT? 1052 00:57:25,943 --> 00:57:27,009 THEY'RE FROM A FUNERAL PARLOR. 1053 00:57:27,011 --> 00:57:30,112 THEY'RE FOR-- I'M NOT DEAD. 1054 00:57:30,114 --> 00:57:31,980 BUT THEY LOOK LIKE THEY'RE BIG. 1055 00:57:31,982 --> 00:57:34,216 THESE ARE SO BEAUTIFUL. 1056 00:57:34,218 --> 00:57:36,885 NICE, ANGEL. YOU SCORED. 1057 00:57:36,887 --> 00:57:37,753 OH, MY GOD. 1058 00:57:37,755 --> 00:57:38,987 WELL, WHO ARE THEY FROM? 1059 00:57:38,989 --> 00:57:41,223 Jimmy: DRIVER SAID HE WASN'T ALLOWED TO TELL ME. 1060 00:57:41,225 --> 00:57:43,225 DID THEY GIVE A CARD? 1061 00:57:43,227 --> 00:57:44,493 JIMMY, DID THEY GIVE A CARD? 1062 00:57:44,495 --> 00:57:47,229 NO, NO, NO. I DON'T KNOW NOTHING ELSE. 1063 00:57:47,231 --> 00:57:49,565 THEY'RE--I BET THEY'RE FROM DALE. 1064 00:57:49,567 --> 00:57:51,967 YOU KNOW, THE GUY WITH THE BALD HEAD. 1065 00:57:51,969 --> 00:57:53,869 THE REALLY SWEET BIG MAN. 1066 00:57:53,871 --> 00:57:55,103 HE'S, LIKE, KIND OF NERDY. 1067 00:57:55,105 --> 00:57:57,773 YEAH. BUT SOMETIMES THOSE NERDY GUYS-- 1068 00:57:57,775 --> 00:58:00,976 YOU DON'T KNOW, THEY'RE, LIKE, FROM SILICON VALLEY. 1069 00:58:00,978 --> 00:58:02,244 HE'S A POOR NERD. 1070 00:58:02,246 --> 00:58:03,946 NO, NO, NO. HE'S JUST POOR. 1071 00:58:03,948 --> 00:58:05,247 Jimmy: WELL, I'LL SEE YOU LATER. 1072 00:58:05,249 --> 00:58:06,849 ANGEL, IT'S, LIKE, 200 BUCKS. 1073 00:58:06,851 --> 00:58:08,484 LIKE, 300 BUCKS. 1074 00:58:08,486 --> 00:58:13,121 SO I HAVE, LIKE, AN INDEPENDENTLY WEALTHY SECRET ADMIRER. 1075 00:58:13,123 --> 00:58:16,191 MAYBE THEY'RE FROM CHARLIE. YOU NEVER KNOW. 1076 00:58:16,193 --> 00:58:18,994 HIS RECORD DEAL MIGHT HAVE COME THROUGH. 1077 00:58:18,996 --> 00:58:20,662 JUST KIDDING. 1078 00:58:20,664 --> 00:58:22,264 JUST KIDDING, SWEETIE. 1079 00:58:22,266 --> 00:58:25,534 OH, MY GOD, I CAN'T BELIEVE IT. 1080 00:58:25,536 --> 00:58:33,008 I KNOW. IT'S, LIKE-- I'M, LIKE, SO LUCKY. 1081 00:58:36,846 --> 00:58:39,648 [JAZZ MUSIC PLAYING] 1082 00:59:08,812 --> 00:59:11,880 WE'RE GONNA KICK IT INTO THE NEXT GEAR RIGHT NOW 1083 00:59:11,882 --> 00:59:15,050 BECAUSE COMING TO THE STAGE IS OUR RESIDENT WILD CHILD. 1084 00:59:15,052 --> 00:59:18,153 IT'S JO! 1085 00:59:18,155 --> 00:59:21,056 [WHISTLING AND CHEERING] 1086 00:59:24,961 --> 00:59:27,729 Man: COME ON, GIRL! 1087 00:59:27,731 --> 00:59:29,932 Different man: YEAH, DO IT! 1088 00:59:29,934 --> 00:59:32,200 GET ON THAT POLE! 1089 00:59:32,202 --> 00:59:34,136 [MEN SHOUTING] 1090 00:59:34,138 --> 00:59:35,837 YEAH! YEAH! 1091 00:59:35,839 --> 00:59:36,972 WHOO! 1092 00:59:36,974 --> 00:59:37,873 RIGHT HERE! 1093 00:59:37,875 --> 00:59:41,109 GET ON THAT POLE! 1094 00:59:41,111 --> 00:59:42,277 [SHOUTING] 1095 00:59:42,279 --> 00:59:43,679 JO, IT'S ENOUGH. 1096 00:59:43,681 --> 00:59:45,113 DAVE, DAVE, GET OVER HERE. 1097 00:59:45,115 --> 00:59:47,049 GET HER OFF THE STAGE! 1098 00:59:47,051 --> 00:59:49,284 WHAT THE FUCK IS THE MATTER WITH YOU? 1099 00:59:49,286 --> 00:59:50,986 WHAT THE FUCK IS THE MATTER WITH YOU? 1100 00:59:50,988 --> 00:59:52,988 WHAT THE FUCK IS THE MATTER WITH YOU? 1101 00:59:52,990 --> 00:59:54,756 GET HER OFF THE STAGE! 1102 00:59:54,758 --> 00:59:56,758 JO! JO, GET OFF THE STAGE! 1103 00:59:56,760 --> 00:59:59,728 GET HER OFF THE STAGE NOW! 1104 00:59:59,730 --> 01:00:01,830 [INDISTINCT SCREAMING] 1105 01:00:01,832 --> 01:00:03,699 GET HER OUT! 1106 01:00:03,701 --> 01:00:04,967 GET HER OFF THE STAGE! 1107 01:00:04,969 --> 01:00:06,301 [JO SCREAMING] 1108 01:00:06,303 --> 01:00:09,972 ANGEL, GET OUT ONSTAGE! GET ONSTAGE! 1109 01:00:09,974 --> 01:00:11,907 I THINK YOU NEED TO CALM DOWN, ALL RIGHT? 1110 01:00:11,909 --> 01:00:14,309 D.J.: ANGEL TO THE STAGE. ANGEL TO THE STAGE. 1111 01:00:14,311 --> 01:00:16,011 GET ON NOW! 1112 01:00:16,013 --> 01:00:17,980 ALL RIGHT. OK. HERE WE GO. 1113 01:00:17,982 --> 01:00:20,148 JO! 1114 01:00:20,150 --> 01:00:21,083 OH, FUCK! 1115 01:00:21,085 --> 01:00:23,852 [MUSIC PLAYING] 1116 01:00:24,253 --> 01:00:26,922 Jo: WHAT THE FUCK?! GET OFF ME! 1117 01:00:26,924 --> 01:00:28,156 TAKE YOUR HANDS OFF ME! 1118 01:00:28,158 --> 01:00:30,959 [MUSIC PLAYING] 1119 01:00:34,365 --> 01:00:37,165 WHAT THE FUCK IS THE MATTER WITH YOU? 1120 01:00:37,167 --> 01:00:39,034 [GLASS BREAKING] 1121 01:00:39,036 --> 01:00:41,903 IS THIS HER SHIT? IS THIS HER SHIT? 1122 01:00:41,905 --> 01:00:43,739 YES. IS THIS HER SHIT? 1123 01:00:43,741 --> 01:00:45,240 [JO SCREAMING] 1124 01:00:45,242 --> 01:00:47,275 GET THE FUCK OUT! 1125 01:00:47,277 --> 01:00:48,343 GET OUT OF HERE! 1126 01:00:48,345 --> 01:00:50,245 Jo: YOU'RE A BIG MAN, AREN'T YOU? 1127 01:00:50,247 --> 01:00:51,813 Jo: YOU'RE A BIG MAN! 1128 01:00:51,815 --> 01:00:55,017 GET YOUR HANDS OFF ME, YOU SHIT! 1129 01:00:55,019 --> 01:00:56,818 YOU SHIT! LET HER GO! 1130 01:00:56,820 --> 01:00:59,287 ALL RIGHT, DAVE. KEEP HER OUT OF HERE. 1131 01:00:59,289 --> 01:01:02,424 Jo: MY STUFF! I WANT MY STUFF, JESSIE! 1132 01:01:02,426 --> 01:01:05,360 I WANT MY STUFF! GIVE ME MY STUFF! 1133 01:01:05,362 --> 01:01:07,396 HERE'S YOUR BAG. 1134 01:01:19,175 --> 01:01:22,411 OK. THIS ONE'S FROM ME. 1135 01:01:22,413 --> 01:01:23,879 "PALE SHADES OF GRAY 1136 01:01:23,881 --> 01:01:27,816 "LEFT THE CLOUDS ABOVE THE BED HAVE FILLED. 1137 01:01:27,818 --> 01:01:30,886 "THERE IS NO SMILE IN THIS ROOM, 1138 01:01:30,888 --> 01:01:33,722 "NO LAUGH DURING LOVE. 1139 01:01:33,724 --> 01:01:36,958 "A PALL GENTLY DESCENDS OVER THE SPACE 1140 01:01:36,960 --> 01:01:41,396 "ONCE A SANCTUM, NOW A HOLLOW SHAPE 1141 01:01:41,398 --> 01:01:43,231 "AS THE SUN RISES 1142 01:01:43,233 --> 01:01:46,101 AND MY EYES FILL WITH BLACK." 1143 01:01:46,103 --> 01:01:48,170 [APPLAUSE] 1144 01:01:48,172 --> 01:01:50,138 THANK YOU. 1145 01:01:50,140 --> 01:01:53,809 I'VE GOT A VERY SPECIAL SURPRISE FOR US TODAY. 1146 01:01:53,811 --> 01:01:56,211 I DECIDED TO BRING UP A SPECIAL MYSTERY GUEST, 1147 01:01:56,213 --> 01:01:58,380 AND IT'S SOMEONE WHO'S ACTUALLY NEVER READ BEFORE, 1148 01:01:58,382 --> 01:02:01,450 I WANT YOU TO GIVE A REALLY BIG ENCOURAGEMENT. 1149 01:02:01,452 --> 01:02:04,720 LET'S HEAR IT FOR JASMINE. 1150 01:02:08,024 --> 01:02:10,058 JASMINE... 1151 01:02:10,060 --> 01:02:11,793 COME ON UP. 1152 01:02:11,894 --> 01:02:12,894 YOU DON'T WANT TO READ? 1153 01:02:12,896 --> 01:02:14,162 COME ON UP. GIVE IT A TRY. 1154 01:02:14,164 --> 01:02:15,931 LET'S GIVE HER ENCOURAGEMENT, GUYS. 1155 01:02:15,933 --> 01:02:18,467 Woman: YEAH! 1156 01:02:20,436 --> 01:02:22,838 Dennis: WE'VE ALL BEEN THERE. 1157 01:02:26,909 --> 01:02:29,244 MY NAME IS CATHY. 1158 01:02:39,322 --> 01:02:43,492 "IF, IN THE SKYLARK TONGUING AFTERNOON A DRIFT OF HAIR, 1159 01:02:43,494 --> 01:02:47,462 "IT'S ONLY LOVE BUT GONE IN THE WAY OF EVERYTHING. 1160 01:02:47,464 --> 01:02:49,364 "IF, IN THE MORNING OF YOUR SOUL 1161 01:02:49,366 --> 01:02:52,067 "A BRUSH OF TENDERLY IMAGINED LIPS, 1162 01:02:52,069 --> 01:02:56,772 "IT'S ONLY LOVE BUT GONE IN THE WAY OF EVERYTHING. 1163 01:02:56,774 --> 01:03:00,208 "IF, IN THE MESSY COCKTAIL DREGS OF A MIDNIGHT GLASS 1164 01:03:00,210 --> 01:03:01,810 "A TEARDROP FALLS, 1165 01:03:01,812 --> 01:03:06,515 "IT'S ONLY LOVE BUT GONE IN THE WAY OF EVERYTHING. 1166 01:03:06,517 --> 01:03:09,317 "IF, IN THE SINGING TWILIGHT OF THE DAWN, 1167 01:03:09,319 --> 01:03:11,787 "YOU GIVE YOUR HEART UNWANTED, 1168 01:03:11,789 --> 01:03:15,791 "IT'S ONLY LOVE BUT GONE IN THE WAY OF EVERYTHING. 1169 01:03:15,793 --> 01:03:20,529 "THEN WHAT IN THE HOURS OF YOUR LIFE IS LOVE? 1170 01:03:20,531 --> 01:03:22,798 "IT'S HERE AND GONE... 1171 01:03:22,800 --> 01:03:26,401 AND GIVES ITS NAME TO EVERYTHING." 1172 01:03:26,403 --> 01:03:29,104 [APPLAUSE] 1173 01:03:36,045 --> 01:03:37,045 Dennis: ALL RIGHT. 1174 01:03:37,047 --> 01:03:39,948 WELL, THAT'S IT FOR TODAY, 1175 01:03:39,950 --> 01:03:42,050 SO WE'LL SEE EVERYBODY NEXT TIME, 1176 01:03:42,052 --> 01:03:43,985 AND THANKS A LOT. 1177 01:03:55,431 --> 01:03:56,598 WHY DID YOU CALL MY NAME? 1178 01:03:56,600 --> 01:03:58,867 I DIDN'T ASK YOU TO CALL MY NAME. 1179 01:03:58,869 --> 01:04:01,203 I DON'T EVEN KNOW YOU. 1180 01:04:01,205 --> 01:04:04,139 THAT POEM WAS REALLY GREAT. 1181 01:04:05,341 --> 01:04:08,176 CATHY, I-- 1182 01:04:08,477 --> 01:04:09,578 IT WAS REALLY GREAT. 1183 01:04:09,580 --> 01:04:13,215 I DON'T KNOW WHAT TO SAY. 1184 01:04:13,217 --> 01:04:14,416 YEAH, WELL, THANKS. 1185 01:04:14,418 --> 01:04:17,385 LOOK, HAVE YOU GOT ANY MORE? 1186 01:04:20,057 --> 01:04:22,324 YOU GOT TO GET UP AND READ. 1187 01:04:22,326 --> 01:04:23,191 I MEAN, THAT'S ALL. 1188 01:04:23,193 --> 01:04:25,260 YOU GOT TO GET UP AND READ. 1189 01:04:25,262 --> 01:04:26,595 WHY? BECAUSE YOU'RE GOOD. 1190 01:04:26,597 --> 01:04:27,863 I HATE TO DISAPPOINT YOU, 1191 01:04:27,865 --> 01:04:31,066 BUT YOU'RE REALLY GOOD. 1192 01:04:34,370 --> 01:04:35,971 WHO IS IT? 1193 01:04:35,973 --> 01:04:37,239 IT'S, UH-- 1194 01:04:37,241 --> 01:04:39,441 IT'S ME. 1195 01:04:39,443 --> 01:04:40,642 IT'S YOU? 1196 01:04:40,644 --> 01:04:44,279 YEAH, IT WAS SITTING AROUND MY APARTMENT. 1197 01:04:45,314 --> 01:04:47,148 THAT'S ME. 1198 01:04:48,084 --> 01:04:53,021 THIS WOMAN I USED TO BE WITH--MARIA-- 1199 01:04:53,023 --> 01:04:54,422 SHE'S BEAUTIFUL. 1200 01:04:54,424 --> 01:04:56,291 SHE WAS A PAINTER. 1201 01:04:56,293 --> 01:04:58,960 SHE PAINTED THAT THING. 1202 01:04:58,962 --> 01:05:00,061 SHE WAS NORTH AFRICAN. 1203 01:05:00,063 --> 01:05:03,098 SHE HAD THIS PRETTY HEAVY ACCENT, MAN, 1204 01:05:03,100 --> 01:05:05,267 AND LIVED IN PARIS, NEW YORK-- 1205 01:05:05,269 --> 01:05:10,038 AND SHE HAD ME SIT 5 WEEKS-- 1206 01:05:10,040 --> 01:05:11,573 5 WEEKS TO DO THAT THING. 1207 01:05:11,575 --> 01:05:14,109 YOU SIT STILL FOR 5 WEEKS, HUH? 1208 01:05:14,111 --> 01:05:17,479 YOU CAN'T SIT STILL FOR 5 MINUTES. 1209 01:05:17,481 --> 01:05:19,147 YEAH... 1210 01:05:19,149 --> 01:05:21,216 AND SHE WOULD TALK TO ME. 1211 01:05:21,218 --> 01:05:23,952 SHE WOULD TALK ABOUT, UH... 1212 01:05:23,954 --> 01:05:28,123 SHAPES AND COLORS... 1213 01:05:28,125 --> 01:05:29,925 LIGHT, SHADOW-- 1214 01:05:29,927 --> 01:05:32,193 ALL THE STUFF, YOU KNOW-- PAINTER SHIT, YOU KNOW? 1215 01:05:32,195 --> 01:05:35,397 AND THEN SHE WOULD USE ALL OF THAT, 1216 01:05:35,399 --> 01:05:39,000 AND THAT'S WHAT POPPED THIS THING TO LIFE. 1217 01:05:39,502 --> 01:05:42,504 LIKE, SHE COULD LOOK AT YOUR BODY, 1218 01:05:42,506 --> 01:05:44,439 AND SHE WOULD PAINT YOU, 1219 01:05:44,441 --> 01:05:48,443 BUT SHE WOULD BRING OUT SHIT THAT YOU NEVER, EVER SEE, 1220 01:05:48,445 --> 01:05:50,545 YOU KNOW WHAT I MEAN? 1221 01:05:51,080 --> 01:05:53,481 SHE WAS A WILD GIRL, TOO, MAN. 1222 01:05:53,483 --> 01:05:55,350 WHEN SHE GOT TIRED IN THE AFTERNOON, 1223 01:05:55,352 --> 01:05:59,421 SHE'D SAY, "EDDIE, WANT TO EAT?" 1224 01:06:03,960 --> 01:06:07,529 I WAS ALONE IN THIS ROOM, 1225 01:06:07,531 --> 01:06:09,197 AND, UH... THIS APARTMENT 1226 01:06:09,199 --> 01:06:13,168 WITH THIS GUY I USED TO LIVE WITH IN SEATTLE-- 1227 01:06:13,170 --> 01:06:17,205 SO I WOULD JUST, YOU KNOW, SIT AND READ ALL DAY, 1228 01:06:17,207 --> 01:06:20,141 AND ONE DAY, I JUST COULDN'T STAND IT ANY LONGER, 1229 01:06:20,143 --> 01:06:23,611 AND I, YOU KNOW, SHUT ALL THE BLINDS, 1230 01:06:23,613 --> 01:06:24,746 AND... 1231 01:06:24,748 --> 01:06:25,547 [SIGH] 1232 01:06:25,549 --> 01:06:29,584 AND I WAS, LIKE, BAWLING MY EYES OUT, 1233 01:06:29,586 --> 01:06:32,687 AND I WROTE IT. 1234 01:06:33,656 --> 01:06:36,157 I TORE IT UP. 1235 01:06:36,492 --> 01:06:39,627 I CAN'T BELIEVE YOU WANT TO HEAR THIS STUFF. 1236 01:06:39,629 --> 01:06:42,430 WERE YOU STRIPPING THEN? 1237 01:06:44,066 --> 01:06:45,333 UH, YEAH. 1238 01:06:45,335 --> 01:06:46,701 YEAH, I WAS WORKING UP IN SEATTLE. 1239 01:06:46,703 --> 01:06:51,439 OH, THIS KID WHO WORKS FOR ME SAID HE SAW YOU DANCE. 1240 01:06:51,441 --> 01:06:52,474 OH, YEAH? YEAH. 1241 01:06:52,476 --> 01:06:56,211 IN THIS DREAM I HAD LAST NIGHT-- 1242 01:06:56,213 --> 01:06:59,614 THAT I GOT IN A FIGHT WITH DOWN IN SAN DIEGO? 1243 01:06:59,616 --> 01:07:02,317 I DON'T REMEMBER HIM ON PURPOSE. 1244 01:07:02,319 --> 01:07:06,554 MY HAND JUST CUTTING HIM, CUTTING HIM, CUTTING HIS FACE, 1245 01:07:06,556 --> 01:07:08,390 MAN, BLOOD JUST GETTING ON EVERYTHING, 1246 01:07:08,392 --> 01:07:10,392 BLOOD GETTING ALL OVER. 1247 01:07:14,498 --> 01:07:18,433 THEN I COULDN'T WASH MY HANDS. 1248 01:07:24,507 --> 01:07:26,207 REMEMBER THAT PHONE CALL? 1249 01:07:26,209 --> 01:07:29,244 THE GIRL CRYING I PLAYED FOR YOU THE OTHER DAY? 1250 01:07:29,246 --> 01:07:31,312 ERASE IT. 1251 01:07:31,747 --> 01:07:33,448 NO, I WOULD HAVE ERASED IT LAST WEEK. 1252 01:07:33,450 --> 01:07:36,251 I WOULD HAVE SAID "FUCK THE BITCH," MAN, 1253 01:07:36,253 --> 01:07:37,652 BUT...I DON'T KNOW. 1254 01:07:37,654 --> 01:07:39,821 THIS WEEK, I CAN'T SAY FUCK THE BITCH, 1255 01:07:39,823 --> 01:07:41,823 YOU KNOW WHAT I MEAN? 1256 01:07:47,596 --> 01:07:50,432 YOU GOT SOME HERB WITH YOU? 1257 01:07:51,067 --> 01:07:52,567 YEAH. 1258 01:07:54,470 --> 01:07:57,305 WHY DON'T YOU ROLL US A JOINT? 1259 01:07:58,407 --> 01:08:01,576 SO DO YOU--DO YOU GO TO STRIP CLUBS? 1260 01:08:01,578 --> 01:08:04,379 YEAH, YOU DON'T SEEM LIKE THE TYPE. 1261 01:08:04,381 --> 01:08:05,246 YEAH? 1262 01:08:05,248 --> 01:08:06,281 WHAT'S THE TYPE? 1263 01:08:06,283 --> 01:08:10,385 UH-HUH. YEAH, THERE'S THIS KID WHO WORKS FOR ME-- 1264 01:08:10,387 --> 01:08:12,720 OH, YEAH. HE'S THE KIND OF KID THAT GOES. 1265 01:08:12,722 --> 01:08:15,356 YEAH, HE SAID YOU WERE ON A BILLBOARD. 1266 01:08:15,358 --> 01:08:16,724 YEAH, THE BLUE IGUANA HAS A COUPLE. 1267 01:08:16,726 --> 01:08:19,394 I'M ONLY ON ONE OF THEM SINCE MY TITS ARE SMALL, 1268 01:08:19,396 --> 01:08:21,196 BUT I'M GOING TO GET THEM DONE. 1269 01:08:21,198 --> 01:08:24,199 SO ARE YOU THE KIND OF GUY WHO LIKES BIG TITS? 1270 01:08:24,201 --> 01:08:29,270 I'M NOT REALLY USED TO THAT LINE OF QUESTIONING, 1271 01:08:29,272 --> 01:08:32,407 UH, TO TELL YOU THE TRUTH. 1272 01:08:32,409 --> 01:08:36,311 DO YOU HAVE ANY OTHER WRITERS AT YOUR CLUB? 1273 01:08:36,313 --> 01:08:38,346 YOU KNOW, MAYBE WE COULD CHANGE THE WHOLE VENUE. 1274 01:08:38,348 --> 01:08:41,449 I DON'T KNOW WHAT YOU'RE DOING WITH ME. 1275 01:08:41,451 --> 01:08:44,619 YOU SHOULD BE WITH, LIKE, THAT FRENCH GIRL. 1276 01:08:44,621 --> 01:08:47,188 SHE'S A GOOD POET. 1277 01:08:52,161 --> 01:08:54,729 I REALLY WANT TO KISS YOU. 1278 01:08:55,532 --> 01:08:59,200 NO. I REALLY WANT TO KISS YOU. 1279 01:08:59,902 --> 01:09:02,704 I WANT TO KISS THE POET. 1280 01:09:22,424 --> 01:09:25,493 DO YOU HAVE A PROBLEM WITH ME DANCING? 1281 01:09:25,495 --> 01:09:27,195 NO. 1282 01:09:36,572 --> 01:09:37,872 [MUSIC PLAYING IN THE DISTANCE] 1283 01:09:37,874 --> 01:09:39,707 Woman: ANGEL... 1284 01:09:39,709 --> 01:09:41,910 YEAH? 1285 01:09:41,912 --> 01:09:44,712 I HAVE SOMETHING FOR YOU. 1286 01:09:45,915 --> 01:09:47,615 AGAIN? 1287 01:09:47,617 --> 01:09:49,584 OH, MY GOD! 1288 01:09:49,586 --> 01:09:50,585 WHAT IS IT? 1289 01:09:50,587 --> 01:09:52,453 OPEN IT UP. 1290 01:09:52,922 --> 01:09:55,390 WHA-- 1291 01:09:56,458 --> 01:09:58,860 OH, MY GOSH! 1292 01:09:58,862 --> 01:10:00,662 THAT IS LOVELY. 1293 01:10:00,664 --> 01:10:03,431 LOOK AT THAT. LOOK AT THAT. 1294 01:10:04,400 --> 01:10:06,267 OH, MY GOD. 1295 01:10:06,269 --> 01:10:09,504 JEWELS. YES, IT'S JEWELS. 1296 01:10:09,506 --> 01:10:13,308 OH, AND LOOK... 1297 01:10:13,642 --> 01:10:16,611 CHARLIE? 1298 01:10:16,613 --> 01:10:19,214 CHARLIE? 1299 01:10:19,415 --> 01:10:20,515 HEY, BABY! AAH! 1300 01:10:20,517 --> 01:10:21,916 WHAT A MINUTE! AHH! 1301 01:10:21,918 --> 01:10:23,785 GUESS WHAT! CHARLIE! 1302 01:10:23,787 --> 01:10:24,652 CHARLIE! 1303 01:10:24,654 --> 01:10:25,720 THEY DON'T WANT ME. 1304 01:10:25,722 --> 01:10:26,654 CHARLIE! AAH! 1305 01:10:26,656 --> 01:10:27,855 WANT TO KNOW WHY? 1306 01:10:27,857 --> 01:10:31,259 BECAUSE I HANG OUT WITH SKANKS LIKE YOU! 1307 01:10:31,261 --> 01:10:32,393 CHARLIE! 1308 01:10:32,395 --> 01:10:33,861 PLEASE STOP IT! 1309 01:10:33,863 --> 01:10:35,964 YOU'RE HURTING ME! CHARLIE! 1310 01:10:35,966 --> 01:10:37,665 AREN'T YOU PRETTY? JUST FUCK MORALS! 1311 01:10:37,667 --> 01:10:38,800 CHARLIE, I'M SORRY! 1312 01:10:38,802 --> 01:10:39,667 COME HERE! 1313 01:10:39,669 --> 01:10:41,269 I'M SORRY, CHARLIE. 1314 01:10:41,271 --> 01:10:44,572 AAH! I'M SORRY, CHARLIE. 1315 01:10:45,407 --> 01:10:47,742 I MET SOMEONE. 1316 01:10:49,812 --> 01:10:51,446 OK. WHAT'S HIS NAME? 1317 01:10:51,448 --> 01:10:52,914 DENNIS. 1318 01:10:52,916 --> 01:10:54,616 DENNIS, AND... 1319 01:10:54,618 --> 01:10:56,484 AND... 1320 01:10:59,355 --> 01:11:02,890 AND I THINK-- I DON'T KNOW. 1321 01:11:04,793 --> 01:11:06,728 HE'S A POET. 1322 01:11:07,263 --> 01:11:09,530 HE RUNS THAT THING AT THE COFFEE GROUND, 1323 01:11:09,532 --> 01:11:10,531 AND... 1324 01:11:10,533 --> 01:11:12,267 HE LIKES MY POETRY, SO... 1325 01:11:12,269 --> 01:11:14,502 SO YOU'RE GONNA GO TO SAN FRANCISCO WITH DENNIS? 1326 01:11:14,504 --> 01:11:15,803 YEAH, HE INVITED ME UP THERE. 1327 01:11:15,805 --> 01:11:18,606 THERE'S THIS BIG SLAM, AND... 1328 01:11:20,777 --> 01:11:24,479 AND YOU'RE GONNA SUPPORT HIM STRIPPING? 1329 01:11:24,481 --> 01:11:25,680 NO. 1330 01:11:25,682 --> 01:11:28,349 I DON'T KNOW. NO. 1331 01:11:33,555 --> 01:11:36,958 I THOUGHT WE'D JUST KIND OF WRITE TOGETHER, 1332 01:11:36,960 --> 01:11:38,626 AND... 1333 01:11:40,896 --> 01:11:42,997 DOES HE KNOW WHAT YOU DO? 1334 01:11:42,999 --> 01:11:46,768 HE'S, LIKE, TOTALLY FINE WITH IT. 1335 01:11:47,504 --> 01:11:50,905 HE REALLY FUCKING LOVES MY POETRY. 1336 01:11:50,907 --> 01:11:54,008 SO HE THINKS THAT I CAN, YOU KNOW... 1337 01:11:54,543 --> 01:11:58,012 I DON'T KNOW, GET PUBLISHED OR SOMETHING, YOU KNOW? 1338 01:12:03,652 --> 01:12:05,887 DOES HE LOVE YOU? 1339 01:12:07,424 --> 01:12:10,758 I JUST MET HIM, LIKE, 3 DAYS AGO. 1340 01:12:13,496 --> 01:12:18,399 I THINK THAT YOU SHOULD GO TO SAN FRANCISCO WITH DENNIS THE POET, 1341 01:12:18,401 --> 01:12:20,368 WHO YOU MET 3 DAYS AGO 1342 01:12:20,370 --> 01:12:25,506 AND WRITE POETRY AND SUPPORT HIM. 1343 01:12:29,878 --> 01:12:33,014 I NEED SOME MORE FUCKING CIGARETTES. 1344 01:12:35,451 --> 01:12:36,651 Jo: BAD! YOU ARE BAD! 1345 01:12:36,653 --> 01:12:40,688 YOU ARE VERY, VERY, VERY, VERY, VERY BAD! 1346 01:12:40,690 --> 01:12:42,090 VERY BAD! VERY BAD! 1347 01:12:42,092 --> 01:12:43,958 I'VE HAD A BAD WEEK AND BEEN TERRIBLE. 1348 01:12:43,960 --> 01:12:45,093 I DON'T CARE ABOUT YOUR WEEK. 1349 01:12:45,095 --> 01:12:46,894 DO I GIVE A FUCK ABOUT YOUR WEEK? 1350 01:12:46,896 --> 01:12:48,763 I DON'T CARE ABOUT YOUR WEEK. 1351 01:12:48,765 --> 01:12:49,664 ARE YOU HUNGRY? 1352 01:12:49,666 --> 01:12:50,665 YES, MISTRESS, STARVING. 1353 01:12:50,667 --> 01:12:52,700 ALL RIGHT, THERE YOU GO. 1354 01:12:52,702 --> 01:12:54,569 BLESS YOU, MISTRESS. THANK YOU. 1355 01:12:54,571 --> 01:12:58,373 IT'S TIME TO TAKE THE LITTLE WORMY FOR A WALK. 1356 01:12:58,375 --> 01:13:04,912 GET DOWN ON THE GROUND AND CRAWL! CRAWL! CRAWL! CRAWL! 1357 01:13:04,914 --> 01:13:07,515 CRAWL LIKE THE SUBHUMAN CREATURE THAT YOU ARE! 1358 01:13:07,517 --> 01:13:08,716 [KNOCK ON DOOR] 1359 01:13:08,718 --> 01:13:09,817 YOU'RE A FUCK-- 1360 01:13:09,819 --> 01:13:12,987 ALL RIGHT, YOU JUST STAY RIGHT HERE, OK? 1361 01:13:12,989 --> 01:13:15,590 I'M FINE. 1362 01:13:18,894 --> 01:13:20,461 JESSIE, WHAT ARE YOU DOING HERE? 1363 01:13:20,463 --> 01:13:22,630 I JUST THOUGHT-- IT'S 3:00 IN THE MORNING. 1364 01:13:22,632 --> 01:13:25,900 I JUST THOUGHT THAT MAYBE YOU NEEDED A LITTLE COMPANY. 1365 01:13:25,902 --> 01:13:27,535 WELL, SWEETHEART, YOU THOUGHT WRONG. 1366 01:13:27,537 --> 01:13:29,003 I HAVE COMPANY. GOOD-BYE. 1367 01:13:29,005 --> 01:13:30,838 WHO IS THAT? JESSIE! 1368 01:13:30,840 --> 01:13:32,440 JESSIE, I'M RIGHT IN THE MIDDLE OF SOMETHING. 1369 01:13:32,442 --> 01:13:34,909 CAN'T YOU TELL? I HAVE A LIFE. CAN YOU GO, PLEASE? 1370 01:13:34,911 --> 01:13:36,978 ANGEL SAID YOU MIGHT NEED SOME COMPANY 1371 01:13:36,980 --> 01:13:38,746 ON ACCOUNT OF THE BABY AND ALL. 1372 01:13:38,748 --> 01:13:41,783 COMPANY IS THE LAST FUCKING THING I NEED. 1373 01:13:41,785 --> 01:13:43,718 YOU'VE GOT TO GO. GOOD-BYE. 1374 01:13:43,720 --> 01:13:44,819 NO. 1375 01:13:44,821 --> 01:13:49,590 Jo: ALL RIGHT. DON'T TALK TO HIM. HE'S BEING PUNISHED, OK? 1376 01:13:49,592 --> 01:13:50,725 ANYWAY, HE DOESN'T EXIST. 1377 01:13:50,727 --> 01:13:52,560 HE'S JUST A LITTLE, PATHETIC WORM. 1378 01:13:52,562 --> 01:13:53,828 GET DOWN ON THE FLOOR! 1379 01:13:53,830 --> 01:13:55,563 DID I TELL YOU TO SIT UP? 1380 01:13:55,565 --> 01:13:56,898 GET DOWN ON THE FLOOR! 1381 01:13:56,900 --> 01:13:58,900 I DON'T NEED ANY CONVERSATION FROM YOU. 1382 01:13:58,902 --> 01:14:00,835 JESSIE, COME ON. GET UP OFF THE FLOOR. 1383 01:14:00,837 --> 01:14:03,471 I HAVE, MISTRESS. I'VE BEEN TERRIBLE. 1384 01:14:03,473 --> 01:14:06,774 ALL RIGHT. STOP! STOP, ALL RIGHT? STOP! 1385 01:14:06,776 --> 01:14:09,644 YOU, DON'T TALK TO HER. DON'T TALK TO HER, OK? 1386 01:14:09,646 --> 01:14:12,213 CAN'T YOU SEE WE'RE IN THE MIDDLE OF SOMETHING? 1387 01:14:12,215 --> 01:14:14,482 JESSIE, COME ON. HERE. SIT DOWN. SIT DOWN. 1388 01:14:14,484 --> 01:14:19,987 DOES THIS PATHETIC THING LOOK LIKE SOMETHING I WOULD HAVE FUN WITH? 1389 01:14:19,989 --> 01:14:23,458 THIS IS NOT A FRIEND OF MINE. THIS IS A CLIENT. 1390 01:14:23,460 --> 01:14:24,792 DO YOU MIND IF I STAY? 1391 01:14:24,794 --> 01:14:27,995 SHUT UP! GET DOWN ON THE GROUND! 1392 01:14:27,997 --> 01:14:29,030 RIGHT AWAY, MISTRESS. 1393 01:14:29,032 --> 01:14:30,231 ARE YOU HUNGRY, WORM? 1394 01:14:30,233 --> 01:14:31,098 OH, YES. 1395 01:14:31,100 --> 01:14:34,101 DRINK! DRINK THE FUCKING VODKA! 1396 01:14:34,103 --> 01:14:36,471 KEEP YOUR HEAD ON THE-- 1397 01:14:36,473 --> 01:14:37,171 JESSIE! 1398 01:14:37,173 --> 01:14:41,209 DON'T YOU DRINK THAT. IT'S DIRTY. GET UP. 1399 01:14:41,211 --> 01:14:44,479 NO, YOU ARE NOT HAVING TWO MISTRESSES THIS EVENING. 1400 01:14:44,481 --> 01:14:46,981 JESSIE, THAT DOES IT. YOU'VE GOT TO GET OUT OF HERE. 1401 01:14:46,983 --> 01:14:48,783 GO ON, GO ON. GET OUT OF HERE. GO ON. 1402 01:14:48,785 --> 01:14:50,785 NO. NO, JO. PLEASE LET ME STAY. 1403 01:14:50,787 --> 01:14:53,187 JO, I HAVE NOWHERE TO GO. 1404 01:14:53,189 --> 01:14:55,723 LET'S NOT GET ALL MELODRAMATIC. 1405 01:14:55,725 --> 01:14:58,059 ALL RIGHT. COME HERE. GET UP. STAND UP. 1406 01:14:58,061 --> 01:15:00,928 DO YOU MIND IF I STAY TONIGHT? 1407 01:15:00,930 --> 01:15:03,264 SEE, HE DOESN'T MIND IF I STAY. 1408 01:15:03,266 --> 01:15:05,933 YOUR OPINION DOES NOT COUNT. 1409 01:15:05,935 --> 01:15:07,902 JESSIE... 1410 01:15:07,904 --> 01:15:11,839 WHAT THE FUCK IS THIS? WHO DID THAT TO YOU? 1411 01:15:11,841 --> 01:15:15,576 NO, I JUST WANT TO HAVE A SLUMBER PARTY. 1412 01:15:15,578 --> 01:15:17,979 DO YOU WANT TO HAVE A SLUMBER PARTY? 1413 01:15:17,981 --> 01:15:19,680 CAN YOU STAY OUT OF THIS, OK? 1414 01:15:19,682 --> 01:15:22,116 I WANT TO HAVE A SLUMBER PARTY. 1415 01:15:22,118 --> 01:15:24,585 DON'T. YOU DON'T KNOW WHERE HE'S BEEN. 1416 01:15:24,587 --> 01:15:27,154 YOU NEED TO LIE DOWN AND SLEEP IT OFF. 1417 01:15:27,156 --> 01:15:28,990 THIS IS NOT A PLACE FOR KIDS. 1418 01:15:28,992 --> 01:15:30,925 COME ON, JO. I WANT TO PLAY. 1419 01:15:30,927 --> 01:15:33,861 YOU CAN STAY HERE, BUT YOU CAN'T STAY HERE 1420 01:15:33,863 --> 01:15:35,129 FOR MORE THAN ONE NIGHT, 1421 01:15:35,131 --> 01:15:36,964 BECAUSE I HAVE, FRANKLY, A LIFE. 1422 01:15:36,966 --> 01:15:38,099 BUT I WANT TO PLAY, JO. 1423 01:15:38,101 --> 01:15:41,135 NO. NO. YOU LIE HERE AND BE REALLY QUIET 1424 01:15:41,137 --> 01:15:47,975 AND DON'T BOTHER ME WHEN I'M DOING MY BUSINESS WITH THE NICE MAN, OK? 1425 01:15:47,977 --> 01:15:50,011 JUST WHEN YOU GET BACK... 1426 01:16:06,862 --> 01:16:09,664 [MUSIC PLAYING] 1427 01:16:11,900 --> 01:16:15,937 Man: ♪ THERE'S THIS GIRL CECILIA ♪ 1428 01:16:18,006 --> 01:16:19,941 ♪ WHO WAS A SWEETHEART 1429 01:16:19,943 --> 01:16:23,210 ♪ AS A CHILD 1430 01:16:52,741 --> 01:16:54,075 [WHISTLES] 1431 01:16:54,077 --> 01:16:56,177 OFFICER? 1432 01:16:56,179 --> 01:16:57,378 OFFICER, COULD-- 1433 01:16:57,380 --> 01:17:01,248 COULD YOU HELP ME TAKE A PICTURE OF MY-- 1434 01:17:01,250 --> 01:17:03,250 I WANT TO TAKE A PICTURE OF MYSELF 1435 01:17:03,252 --> 01:17:04,785 IN FRONT OF THIS BILLBOARD. 1436 01:17:04,787 --> 01:17:05,853 IS THAT YOU? 1437 01:17:05,855 --> 01:17:07,688 YEAH. REALLY? 1438 01:17:07,690 --> 01:17:11,892 I'M A LOT SMALLER IN PERSON, 1439 01:17:11,894 --> 01:17:14,362 BUT, UM... 1440 01:17:15,098 --> 01:17:19,100 I THINK I'M ONLY GETTING MY HAT. 1441 01:17:19,102 --> 01:17:21,869 [RADIO BEEPING] 1442 01:17:22,237 --> 01:17:25,740 YOU REALIZE YOU'RE NOT SUPPOSED TO BE DOWN HERE? 1443 01:17:25,742 --> 01:17:27,308 UM...SORRY. 1444 01:17:27,310 --> 01:17:28,843 I'M GONNA LEAVE AS SOON AS I-- 1445 01:17:28,845 --> 01:17:32,013 I JUST WANTED TO GET A GOOD SHOT OF MY-- 1446 01:17:32,015 --> 01:17:34,015 ALL RIGHT. MY PICTURE. 1447 01:17:34,017 --> 01:17:35,316 THANKS. 1448 01:17:35,318 --> 01:17:36,751 IS IT READY TO GO? 1449 01:17:36,753 --> 01:17:38,919 YEAH. THERE. 1450 01:17:38,921 --> 01:17:39,920 THANKS. 1451 01:17:39,922 --> 01:17:43,024 COULD YOU JUST TAKE IT A LITTLE WIDER? 1452 01:17:43,026 --> 01:17:44,291 YOU MEAN BACK? YEAH. 1453 01:17:44,293 --> 01:17:46,027 HOW'S THAT? 1454 01:17:46,029 --> 01:17:47,895 I GOT IT ALL. 1455 01:17:47,897 --> 01:17:49,664 READY? CHEESE. 1456 01:17:49,666 --> 01:17:50,965 CHEESE. CHEESE. 1457 01:17:50,967 --> 01:17:51,899 [CLICK] 1458 01:17:51,901 --> 01:17:52,967 HA! THANK YOU. 1459 01:17:52,969 --> 01:17:56,971 DID ANYONE EVERY TELL YOU YOU LOOK A LOT LIKE FRED GWYNNE? 1460 01:17:56,973 --> 01:17:58,806 YOU KNOW, THE GUY WHO WAS HERMAN MUNSTER. 1461 01:17:58,808 --> 01:18:01,008 NO. NO ONE'S EVER TOLD ME THAT BEFORE. 1462 01:18:01,010 --> 01:18:01,842 YOU DO. 1463 01:18:01,844 --> 01:18:03,844 I REALLY LIKED HIM. 1464 01:18:03,846 --> 01:18:06,447 HE WAS, LIKE, THE GREAT--FUCK! 1465 01:18:06,449 --> 01:18:07,982 SHIT! 1466 01:18:07,984 --> 01:18:10,184 I FUCKING LOCKED MY KEYS IN MY CAR, 1467 01:18:10,186 --> 01:18:12,853 AND I'VE GOT TO BE AT WORK. 1468 01:18:12,855 --> 01:18:14,288 OH, NO. 1469 01:18:14,290 --> 01:18:15,456 DAMN IT. 1470 01:18:15,458 --> 01:18:16,757 DO YOU HAVE A HANGER? 1471 01:18:16,759 --> 01:18:18,959 THIS SIDE'S OPEN. 1472 01:18:18,961 --> 01:18:21,295 WILL YOU UNLOCK THIS DOOR FOR ME? 1473 01:18:21,297 --> 01:18:23,831 SURE. THANKS. 1474 01:18:24,833 --> 01:18:25,833 YEAH. 1475 01:18:25,835 --> 01:18:26,934 THIS RIGHT HERE. 1476 01:18:26,936 --> 01:18:30,471 THIS IS THE LOCK RIGHT-- 1477 01:18:30,473 --> 01:18:33,240 MA'AM, IS THIS MARIJUANA? 1478 01:18:33,909 --> 01:18:35,776 UM... 1479 01:18:35,778 --> 01:18:38,979 IT'S JUST--IT'S AN HERBAL CIGARETTE. 1480 01:18:38,981 --> 01:18:42,383 YOU WANT TO STEP AROUND THE SIDE OF THE CAR, PLEASE? 1481 01:18:42,385 --> 01:18:44,885 I--I DID NOT INHALE. 1482 01:18:44,887 --> 01:18:47,188 STEP AROUND THE SIDE OF THE CAR. 1483 01:18:47,190 --> 01:18:48,923 THIS WILL ONLY TAKE A MINUTE. 1484 01:18:48,925 --> 01:18:51,325 IT'S PROBABLY JUST OREGANO. 1485 01:18:51,327 --> 01:18:52,760 YOU SHOULD PROBABLY HAVE IT EXAMINED 1486 01:18:52,762 --> 01:18:54,361 BECAUSE I DON'T EVEN FEEL STONED. 1487 01:18:54,363 --> 01:18:57,098 I WILL HAVE IT EXAMINED. 1488 01:18:57,232 --> 01:18:59,033 IT'LL JUST TAKE A SECOND, OK? 1489 01:18:59,035 --> 01:19:02,303 DO--DO YOU HAVE TO HANDCUFF ME? 1490 01:19:02,305 --> 01:19:07,908 BUT YOU CAN FIND ME AT THE BLUE IGUANA, LIKE, EVERY DAY. 1491 01:19:07,910 --> 01:19:09,777 I'M REALLY A GOOD PERSON, 1492 01:19:09,779 --> 01:19:12,012 MA'AM, I'M JUST GONNA ASK YOU TO STAND STILL 1493 01:19:12,014 --> 01:19:13,447 JUST FOR A FEW MINUTES, OK? OK. 1494 01:19:13,449 --> 01:19:15,783 I'M JUST GONNA TAKE A LOOK IN THE CAR 1495 01:19:15,785 --> 01:19:19,854 OK, BUT IT'S JUST THAT I HAVE RESPONSIBILITIES 1496 01:19:19,856 --> 01:19:23,157 AND CHILDREN THAT I MIGHT NEED TO BE A ROLE MODEL FOR, 1497 01:19:23,159 --> 01:19:26,093 AND IF I GET A RECORD, IT WOULD BE REALLY BAD. 1498 01:19:26,095 --> 01:19:28,162 WHERE-- IS THIS YOUR PURSE? 1499 01:19:28,164 --> 01:19:31,499 YEAH, THAT FUZZY-- THE PINK-- 1500 01:19:32,334 --> 01:19:34,401 THIS? YEAH. 1501 01:19:35,804 --> 01:19:38,939 OFFICER, IS THERE ANY WAY YOU COULD MAYBE-- 1502 01:19:38,941 --> 01:19:43,511 I GOT AN EXTENSION ON IT, AND I'M GONNA-- 1503 01:19:43,513 --> 01:19:48,048 IT'S THE ONE THAT SAYS "BAD MOTHERFUCKER" ON IT. 1504 01:19:48,050 --> 01:19:50,184 HA! DID YOU EVER SEE PULP FICTION? 1505 01:19:50,186 --> 01:19:55,356 WELL, YOU KNOW, JOHN TRAVOLTA'S CAREER CAME BACK AFTER THAT. 1506 01:19:55,358 --> 01:20:00,394 I WAS SICK WHEN THEY TOOK THAT PICTURE. 1507 01:20:02,864 --> 01:20:04,165 OFFICER... 1508 01:20:04,167 --> 01:20:05,566 A LOT OF BILLS, MA'AM. 1509 01:20:05,568 --> 01:20:08,536 YEAH, THEY'RE ALL ONES, BUT, UM... 1510 01:20:08,538 --> 01:20:11,472 YOU CAN HAVE SOME. 1511 01:20:13,542 --> 01:20:14,508 WHAT ARE THESE? 1512 01:20:14,510 --> 01:20:17,178 THEY'RE MY FRIEND JO'S VITAMINS 1513 01:20:17,180 --> 01:20:21,248 FOR HER PREGNANCY, I THINK. 1514 01:20:24,419 --> 01:20:26,520 IS THERE ANY WAY THAT, UM, OFFICER, 1515 01:20:26,522 --> 01:20:28,189 THAT MAYBE YOU COULD FORGET ABOUT THIS, 1516 01:20:28,191 --> 01:20:31,292 BECAUSE I'M REALLY A GOOD PERSON. 1517 01:20:31,294 --> 01:20:33,961 YOU KNOW, YOU COULD COME DOWN TO THE BLUE IGUANA, 1518 01:20:33,963 --> 01:20:37,198 AND THEY LET L.A.P.D. IN THERE ALL THE TIME FOR FREE 1519 01:20:37,200 --> 01:20:39,466 BECAUSE WE'RE A REALLY CLEAN CLUB. 1520 01:20:39,468 --> 01:20:42,002 AND EDDIE GETS MAD-- OUR MANAGER-- 1521 01:20:42,004 --> 01:20:44,438 SOMETIMES HE CAN'T EVEN GET THEM OUT OF THE CLUB 1522 01:20:44,440 --> 01:20:50,177 AND MY FRIEND JO, SHE WORKS WITH A LOT OF L.A.P.D. GUYS, AND-- 1523 01:20:50,179 --> 01:20:52,880 SHE'S REALLY BEAUTIFUL. I'M SURE SHE'D-- 1524 01:20:52,882 --> 01:20:53,948 I'M GONNA ASK-- 1525 01:20:53,950 --> 01:20:56,884 WELL, I'M HAPPY TO HEAR THAT. 1526 01:20:56,886 --> 01:20:58,385 I'M GONNA ASK YOU TO STAY BY THE CAR 1527 01:20:58,387 --> 01:21:02,890 WHILE I GO RUN THE LICENSE AND REGISTRATION, ALL RIGHT? 1528 01:21:02,892 --> 01:21:09,363 BUT, OFFICER, UM, IS THIS GONNA BE, LIKE, ON THE NEWS OR ANYTHING? 1529 01:21:09,365 --> 01:21:10,464 NO, NO, NO, NO, NO. 1530 01:21:10,466 --> 01:21:13,367 BECAUSE I DON'T-- I REALLY CAN'T-- 1531 01:21:13,369 --> 01:21:16,036 I DON'T-- I'VE ALWAYS WANTED TO BE IN THE ENQUIRER 1532 01:21:16,038 --> 01:21:18,606 BUT NOT FOR, LIKE, GETTING ARRESTED. 1533 01:21:18,608 --> 01:21:21,642 I THOUGHT MAYBE IF I HAD, LIKE, A HANDSOME HUNK 1534 01:21:21,644 --> 01:21:24,011 OR A NICE DRESS OR SOMETHING-- 1535 01:21:24,013 --> 01:21:26,881 IS THERE-- IS-- 1536 01:21:26,948 --> 01:21:28,916 SHIT! IT WON'T TAKE A MINUTE. 1537 01:21:28,918 --> 01:21:30,584 OK. 1538 01:21:30,586 --> 01:21:32,419 SHIT! 1539 01:21:43,932 --> 01:21:45,199 HI, EDDIE. 1540 01:21:45,201 --> 01:21:46,634 WHERE'S JASMINE? 1541 01:21:46,636 --> 01:21:50,004 UM, SHE WASN'T FEELING TOO WELL. 1542 01:21:51,606 --> 01:21:53,073 Eddie: ARE YOU OK? 1543 01:21:53,075 --> 01:21:54,541 YEAH. 1544 01:22:08,323 --> 01:22:11,158 [LEONARD COHEN'S DANCE ME TO THE END OF LOVE PLAYING] 1545 01:22:11,160 --> 01:22:15,930 Cohen: ♪ DANCE ME TO THE WEDDING NOW ♪ 1546 01:22:15,932 --> 01:22:19,400 ♪ DANCE ME ON AND ON 1547 01:22:19,402 --> 01:22:22,937 ♪ DANCE ME VERY TENDERLY 1548 01:22:22,939 --> 01:22:26,106 ♪ AND DANCE ME VERY LONG 1549 01:22:26,108 --> 01:22:30,945 ♪ WE'RE BOTH OF US BENEATH OUR LOVE... ♪ 1550 01:22:30,947 --> 01:22:32,212 OH, FUCK! 1551 01:22:32,214 --> 01:22:33,314 WHAT'S THE MATTER? 1552 01:22:33,316 --> 01:22:34,148 FUCK! FUCK! 1553 01:22:34,150 --> 01:22:35,582 YOU HAVE TO GO TO WORK? 1554 01:22:35,584 --> 01:22:38,319 YOU WANT ME TO CALL YOUR BOSS? NO, NO, NO. 1555 01:22:38,321 --> 01:22:40,154 NO. I'LL CALL HIM. NO. FUCK OFF! 1556 01:22:40,156 --> 01:22:41,021 NO. DON'T CALL HIM. 1557 01:22:41,023 --> 01:22:42,623 FUCK OFF? WHAT'S HIS NAME? 1558 01:22:42,625 --> 01:22:45,359 OK. I'D LIKE TO TALK TO MR. NOTHING, PLEASE. 1559 01:22:45,361 --> 01:22:47,394 NO! STOP IT! NO, NO, NO. 1560 01:22:47,396 --> 01:22:50,364 DON'T. I WANT TO STAY HERE. 1561 01:22:50,366 --> 01:22:52,132 OK. 1562 01:22:53,568 --> 01:22:56,270 BUT I WANT TO SMOKE. 1563 01:22:56,438 --> 01:22:58,105 YOU HAVE A GREAT ASS. 1564 01:22:58,107 --> 01:23:01,275 I DON'T WANT TO HIT IT. I WANT TO KISS IT. 1565 01:23:01,277 --> 01:23:04,011 YOU WANT TO KISS MY ASS? 1566 01:23:05,080 --> 01:23:07,081 [KISS] 1567 01:23:09,250 --> 01:23:11,151 THANK YOU. 1568 01:23:13,355 --> 01:23:20,194 Susan Tedeschi: ♪ LORD, I LOVE YOU IN SO MANY WAYS ♪ 1569 01:23:20,196 --> 01:23:26,133 ♪ LORD, I LOVE YOU EACH AND EVERY DAY ♪ 1570 01:23:26,135 --> 01:23:32,072 ♪ BUT NOW IS THE TIME WHEN I MUST ASK YOU WHY ♪ 1571 01:23:32,074 --> 01:23:37,044 ♪ WHY MUST YOU LIVE AND WHY MUST YOU DIE? ♪ 1572 01:23:37,046 --> 01:23:40,581 ♪ WELL, I'M LOOKING FOR ANSWERS ♪ 1573 01:23:40,583 --> 01:23:47,354 ♪ LOOKING FOR ANSWERS THAT NOBODY KNOWS... ♪ 1574 01:23:48,556 --> 01:23:50,190 HI, EDDIE. 1575 01:23:50,192 --> 01:23:51,258 SORRY I'M LATE. 1576 01:23:51,260 --> 01:23:52,659 BETTER MAKE IT GOOD, GIRL. 1577 01:23:52,661 --> 01:23:54,228 I KNOW. I HAD REALLY BAD CRAMPS. 1578 01:23:54,230 --> 01:23:55,629 OH. YOU HAD REALLY BAD CRAMPS? 1579 01:23:55,631 --> 01:23:56,797 SORRY. I'M HERE! 1580 01:23:56,799 --> 01:24:01,101 WHAT THE FUCK, YOU'RE HERE? YOU'RE HERE LATE, GODDAMN IT. 1581 01:24:01,103 --> 01:24:02,269 WHERE THE FUCK WERE YOU? 1582 01:24:02,271 --> 01:24:04,571 YOU COULDN'T CALL? 1583 01:24:04,773 --> 01:24:07,708 I NEED V.I.P. NIGHT OFF. 1584 01:24:08,243 --> 01:24:10,044 GODDAMN, YOU'RE PRICELESS. EDDIE-- 1585 01:24:10,046 --> 01:24:13,213 I CAN'T WORK ANYWAYS. MY FUCKING CRAMPS ARE SO BAD. 1586 01:24:13,215 --> 01:24:14,348 OH, YOUR CRAMPS ARE KILLING YOU? 1587 01:24:14,350 --> 01:24:17,351 IT DOESN'T MATTER. I WAS TALKING TO JO AND ANGEL-- 1588 01:24:17,353 --> 01:24:19,086 HOW LONG YOU WORKED HERE? A YEAR, RIGHT? YEAH. 1589 01:24:19,088 --> 01:24:21,555 WHEN WAS THE LAST TIME YOU GOT OFF FOR CRAMPS? NEVER! 1590 01:24:21,557 --> 01:24:22,589 WHAT THE FUCK IS YOUR PROBLEM? 1591 01:24:22,591 --> 01:24:25,793 MY PROBLEM IS I WANT YOU TO JUST DON'T TELL ME A GODDAMN LIE! 1592 01:24:25,795 --> 01:24:28,228 I'M JUST SAYING, JO AND ANGEL HAVE, LIKE, 3 OTHER PEOPLE-- 1593 01:24:28,230 --> 01:24:30,497 THIS AIN'T ABOUT JO AND ANGEL! 1594 01:24:30,499 --> 01:24:31,832 I RUN THIS MOTHERFUCKER. 1595 01:24:31,834 --> 01:24:35,269 I'M ASKING YOU WHAT THE GODDAMN DEAL REALLY IS. 1596 01:24:35,271 --> 01:24:37,071 I DIDN'T ASK YOU ABOUT NO GODDAMN PERIOD, 1597 01:24:37,073 --> 01:24:39,440 SO DON'T TELL ME ABOUT NO FATHERFUCKING PERIOD! 1598 01:24:39,442 --> 01:24:41,108 I CAN'T. I CAN'T. I CAN'T. 1599 01:24:41,110 --> 01:24:44,111 I'LL WORK ALL THE REST OF THE WEEK. 1600 01:24:44,113 --> 01:24:45,079 I NEED THE WEEKEND OFF. 1601 01:24:45,081 --> 01:24:46,447 TOMORROW NIGHT, YOU'RE DANCING. 1602 01:24:46,449 --> 01:24:47,748 YOU'RE ONE OF MY STAR GIRLS. 1603 01:24:47,750 --> 01:24:49,650 I NEED YOU IN HERE, SO DON'T FUCK WITH ME, OK? 1604 01:24:49,652 --> 01:24:52,653 YOU COME IN HERE LATE AND GONNA ASK FOR TOMORROW OFF? 1605 01:24:52,655 --> 01:24:53,787 WHAT IS THE BIG FUCKING DEAL? 1606 01:24:53,789 --> 01:24:56,323 THE BIG FUCKING DEAL IS I NEED TO KNOW. 1607 01:24:56,325 --> 01:24:58,358 WHAT? 1608 01:24:58,360 --> 01:25:00,427 THE TRUTH. 1609 01:25:00,862 --> 01:25:03,564 THE GODDAMN TRUTH! 1610 01:25:03,631 --> 01:25:05,432 DON'T FUCK WITH ME, JASMINE. 1611 01:25:05,434 --> 01:25:08,168 YOU TELL ME WHAT'S UP. 1612 01:25:09,170 --> 01:25:11,371 I CAN'T. I CAN'T. 1613 01:25:11,373 --> 01:25:13,107 WHAT THE FUCK DO YOU CARE? 1614 01:25:13,109 --> 01:25:15,242 WHAT THE FUCK DO YOU CARE ABOUT ANYWAYS? 1615 01:25:15,244 --> 01:25:17,611 YOU CAN GET ANYONE ELSE IN HERE. 1616 01:25:17,613 --> 01:25:20,681 I CARE BECAUSE I CARE, GODDAMN IT! 1617 01:25:20,683 --> 01:25:21,782 DON'T TREAT ME LIKE NO TRASH! 1618 01:25:21,784 --> 01:25:23,550 I AM NOT. I AM NOT TREATING YOU LIKE-- 1619 01:25:23,552 --> 01:25:25,652 I WAS TELLING YOU THAT I HAVE A FUCKING LIFE 1620 01:25:25,654 --> 01:25:30,824 YOU AIN'T GOT NO FUCKING LIFE! THIS IS YOUR LIFE! 1621 01:25:31,259 --> 01:25:33,293 YOU GOT THAT? 1622 01:25:33,295 --> 01:25:36,563 BECAUSE TWO MINUTES AFTER YOU WALK OUT OF HERE, 1623 01:25:36,565 --> 01:25:37,898 ONE OF YOUR DOUBLE-CROSSING FRIENDS 1624 01:25:37,900 --> 01:25:41,702 IS GONNA COME IN HERE AND SNITCH ON YOUR ASS! 1625 01:25:42,770 --> 01:25:43,904 DON'T FUCK WITH ME. 1626 01:25:43,906 --> 01:25:44,771 I FUCKING QUIT! 1627 01:25:44,773 --> 01:25:46,240 GODDAMN YOU! I'M SORRY! 1628 01:25:46,242 --> 01:25:51,311 EDDIE, YOU KNOW, YOU HAVE YOUR LIFE, AND I'LL HAVE MINE, OK? 1629 01:25:51,313 --> 01:25:53,180 YOU AIN'T GOT A LIFE! 1630 01:25:53,182 --> 01:25:54,715 [DOOR CLOSES] 1631 01:26:22,744 --> 01:26:24,912 MISS WILLOW? 1632 01:26:24,914 --> 01:26:26,513 IT'S SARAH. 1633 01:26:30,652 --> 01:26:32,653 [KNOCK ON DOOR] 1634 01:26:32,655 --> 01:26:34,588 MISS WILLOW? 1635 01:26:36,457 --> 01:26:39,226 [KNOCK ON DOOR] 1636 01:26:39,627 --> 01:26:41,328 BECKY? 1637 01:26:42,597 --> 01:26:44,264 HELLO? 1638 01:26:44,266 --> 01:26:46,600 [KNOCK ON DOOR] 1639 01:26:46,602 --> 01:26:51,939 [ANSWERING MACHINE CLICKS ON AND BEEPS] 1640 01:26:51,941 --> 01:26:53,607 Dennis, on machine: HEY, IT'S ME. 1641 01:26:53,609 --> 01:26:55,275 UM, OK, UH, LET'S SEE. 1642 01:26:55,277 --> 01:26:57,277 I'VE TAKEN CARE OF THE REGISTRATION. 1643 01:26:57,279 --> 01:26:59,813 AND I GOT OUR NAMES, YOU KNOW, SIGNED UP, 1644 01:26:59,815 --> 01:27:02,916 SO I PUT YOUR NAME UP THERE FOR THE OPEN READ. 1645 01:27:02,918 --> 01:27:04,818 THERE'S A LOT OF PEOPLE IN IT, 1646 01:27:04,820 --> 01:27:06,720 AND THERE'S STRENGTH IN NUMBERS. 1647 01:27:06,722 --> 01:27:08,488 IT'S GONNA BE REALLY GOOD, 1648 01:27:08,490 --> 01:27:09,756 SO, UH, CALL ME BACK 1649 01:27:09,758 --> 01:27:12,259 SO I KNOW WHAT TIME TO GET TOGETHER WITH YOU. 1650 01:27:12,261 --> 01:27:14,561 OK. BYE. 1651 01:27:14,563 --> 01:27:15,762 [BEEP] 1652 01:27:15,764 --> 01:27:16,830 Bobby: JIMMY, WHAT'S YOUR FAVORITE? 1653 01:27:16,832 --> 01:27:18,265 Jimmy: AND GOD SPOKE. 1654 01:27:18,267 --> 01:27:21,635 YOU GOT THIS PLACE LOOKING A LITTLE DIFFERENT, JIMMY. 1655 01:27:21,637 --> 01:27:23,670 HEY, EDDIE. WHAT IT IS? 1656 01:27:23,672 --> 01:27:24,671 ALL RIGHT. 1657 01:27:24,673 --> 01:27:26,607 OK, UH, RUN OUT TO MY CAR 1658 01:27:26,609 --> 01:27:28,875 AND GET A COUPLE BOXES I LEFT IN THERE. 1659 01:27:28,877 --> 01:27:29,876 SURE. NO PROBLEM. 1660 01:27:29,878 --> 01:27:31,411 HEY, BOBBY, UM... 1661 01:27:31,413 --> 01:27:34,648 START THINGS UP WITH THIS. 1662 01:27:34,650 --> 01:27:35,749 Bobby: YEAH. 1663 01:27:35,751 --> 01:27:37,651 OH, YEAH, UM... 1664 01:27:37,653 --> 01:27:38,952 YEAH, CALL JO. 1665 01:27:38,954 --> 01:27:40,721 I'M NOT CALLING HER, MAN. 1666 01:27:40,723 --> 01:27:42,889 IF YOU WANT TO CALL HER, YOU CALL HER. 1667 01:27:42,891 --> 01:27:44,858 ALL RIGHT. I'LL CALL HER. 1668 01:27:44,860 --> 01:27:47,427 YOU'RE BRINGING HER BACK IN HERE TO WORK? 1669 01:27:47,429 --> 01:27:50,664 SO ANYWAY, YOU GOT TO RENT BEHIND THE GREEN DOOR 1670 01:27:50,666 --> 01:27:53,767 BECAUSE THE TRAPEZE SCENE IS SO FUCKING HOT. 1671 01:27:55,671 --> 01:27:58,772 YOU SEEN THEM GLASSES THAT WERE ON MY DESK? 1672 01:27:58,774 --> 01:28:02,643 I SAW THEM LAST NIGHT. THEY WERE SITTING THERE. 1673 01:28:03,011 --> 01:28:04,344 THEY AIN'T HERE NOW, MAN. 1674 01:28:04,346 --> 01:28:06,046 WELL, I DON'T HAVE THEM! 1675 01:28:06,048 --> 01:28:09,349 MOTHERFUCKING BROADS! 1676 01:28:09,351 --> 01:28:11,318 HEY, MAYBE THE GIRLS WENT TO THE OPERA 1677 01:28:11,320 --> 01:28:13,053 AND HAD TO BORROW THEM. 1678 01:29:05,840 --> 01:29:08,775 [FAINT MUSIC IN BACKGROUND] 1679 01:29:23,958 --> 01:29:26,793 [LOUD MUSIC PLAYING] 1680 01:29:28,629 --> 01:29:30,430 [MAN WHISTLES] 1681 01:29:30,698 --> 01:29:33,100 [MAN WHISTLES] 1682 01:29:34,702 --> 01:29:37,037 [MAN WHISTLES] 1683 01:29:38,439 --> 01:29:40,807 [MAN WHISTLES] 1684 01:29:45,813 --> 01:29:48,448 HELLO. HA HA! 1685 01:29:48,450 --> 01:29:49,816 HEY. HOW ARE YOU? 1686 01:29:49,818 --> 01:29:51,818 WELL, BABY-- 1687 01:29:51,820 --> 01:29:54,688 THAT'S OK. DON'T WORRY ABOUT IT. 1688 01:29:54,690 --> 01:29:56,056 MMM. 1689 01:29:56,058 --> 01:29:58,859 Jo: NO. I CAN PICK IT UP UNTIL NEXT WEEK 1690 01:29:58,861 --> 01:30:01,628 BECAUSE THEY'RE-- HEY, EDDIE. 1691 01:30:03,165 --> 01:30:06,400 NICO, WHY DON'T YOU SIT RIGHT THERE? 1692 01:30:06,402 --> 01:30:10,070 Bobby: THAT USED TO BE ANGEL'S SEAT. 1693 01:30:10,072 --> 01:30:11,938 BOBBY, THAT'S ANGEL'S STUFF! 1694 01:30:11,940 --> 01:30:14,107 YOU NEED ANYTHING, YOU JUST LET ME KNOW. 1695 01:30:14,109 --> 01:30:16,576 Jo: YOU HAD TOO MUCH TO DRINK. 1696 01:30:16,578 --> 01:30:18,645 NO. JUST LIE DOWN AND SLEEP IT OFF. 1697 01:30:18,647 --> 01:30:21,615 OK. THERE WE GO. CAREFUL. CAREFUL. CAREFUL. 1698 01:30:21,617 --> 01:30:22,849 WHOOPSIE. HA HA! 1699 01:30:22,851 --> 01:30:23,850 EXCUSE ME. 1700 01:30:23,852 --> 01:30:25,152 YEAH? THAT'S ANGEL'S SEAT. 1701 01:30:25,154 --> 01:30:26,953 Jasmine: EDDIE GAVE IT TO HER. 1702 01:30:26,955 --> 01:30:28,955 HELLO? PORN STAR? 1703 01:30:28,957 --> 01:30:30,056 THIS IS ANGEL'S SEAT. 1704 01:30:30,058 --> 01:30:31,525 Bobby: JO, MIND YOUR OWN BUSINESS. 1705 01:30:31,527 --> 01:30:32,893 GET BACK TO WORK. DON'T START WITH ME. 1706 01:30:32,895 --> 01:30:35,495 THIS HAS ALWAYS BEEN ANGEL'S SEAT. 1707 01:30:35,497 --> 01:30:36,563 ANGEL HAS SENIORITY. 1708 01:30:36,565 --> 01:30:37,831 GET YOUR ASS OUT ON THE FLOOR! 1709 01:30:37,833 --> 01:30:39,800 FUCK YOU, BOBBY. YOU SHOULD TAKE CARE OF THIS. 1710 01:30:39,802 --> 01:30:42,002 EVERYBODY TAKES ADVANTAGE OF ANGEL. 1711 01:30:42,004 --> 01:30:43,537 THANK YOU. 1712 01:30:43,539 --> 01:30:46,139 AW, THAT'S SO SWEET. 1713 01:30:46,141 --> 01:30:47,941 THANKS. 1714 01:30:47,943 --> 01:30:51,945 Dennis: ALL RIGHT. UM, I'D LIKE TO SEE JASMINE, PLEASE. 1715 01:30:51,947 --> 01:30:56,116 IS IT IMPORTANT? WE'RE A BIT BUSY TONIGHT. 1716 01:30:56,118 --> 01:30:57,117 OH. YEAH. 1717 01:30:57,119 --> 01:30:58,852 I'M A FRIEND OF HERS. 1718 01:30:58,854 --> 01:31:03,223 GIVE IT UP, EVERYBODY. THAT WAS JESSIE! 1719 01:31:03,225 --> 01:31:04,991 Woman: HEY, SHAMA LAMA, YOU UP NEXT, GIRL? 1720 01:31:04,993 --> 01:31:07,861 D.J.: IF YOU WANT A CHANCE TO GET YOUR PICTURE TAKEN 1721 01:31:07,863 --> 01:31:11,798 WITH THE ADULT FILM STAR NICO, IT'S ONLY $10... 1722 01:31:11,800 --> 01:31:12,732 HEY, JASMINE. WHAT? 1723 01:31:12,734 --> 01:31:15,068 I GOT A DENNIS OUT FRONT. 1724 01:31:15,070 --> 01:31:17,838 WANT ME TO TOSS HIM? 1725 01:31:18,673 --> 01:31:20,907 NO. I'M UP NEXT, AREN'T I? YEAH. 1726 01:31:20,909 --> 01:31:23,076 GIVE HIM A GOOD SEAT. HE CAN WATCH ME. 1727 01:31:23,078 --> 01:31:27,881 I'LL THROW THE LITTLE BOY TO THE LIONS. 1728 01:31:31,252 --> 01:31:32,619 D.J.: ALL RIGHT, LADIES AND GENTLEMEN, 1729 01:31:32,621 --> 01:31:37,591 LET'S PLEASE WELCOME TO THE STAGE JASMINE. 1730 01:31:37,593 --> 01:31:38,792 [CLAPPING] 1731 01:31:38,794 --> 01:31:42,929 [MOBY'S PORCELAIN PLAYING] 1732 01:31:47,869 --> 01:31:50,203 [MAN WHISTLES] 1733 01:32:36,250 --> 01:32:43,890 ♪ IN MY DREAMS, I'M DYING ALL THE TIME ♪ 1734 01:32:46,561 --> 01:32:53,900 ♪ AS I WAKE ITS KALEIDOSCOPIC MIND ♪ 1735 01:32:57,071 --> 01:33:02,208 ♪ I NEVER MEANT TO HURT YOU 1736 01:33:02,944 --> 01:33:07,647 ♪ I NEVER MEANT TO LIE 1737 01:33:10,284 --> 01:33:14,754 ♪ SO THIS IS GOOD-BYE 1738 01:33:15,856 --> 01:33:19,893 ♪ THIS IS GOOD-BYE 1739 01:33:28,669 --> 01:33:30,804 [MAN WHISTLES] 1740 01:33:37,378 --> 01:33:39,613 ♪ TELL THE TRUTH 1741 01:33:39,615 --> 01:33:44,150 ♪ YOU NEVER WANTED ME 1742 01:33:46,320 --> 01:33:49,055 ♪ TELL ME 1743 01:33:58,366 --> 01:34:00,800 [MAN WHISTLES] 1744 01:34:06,408 --> 01:34:14,814 ♪ IN MY DREAMS, I'M JEALOUS ALL THE TIME ♪ 1745 01:34:17,151 --> 01:34:23,723 ♪ AS I WAKE, I'M GOING OUT OF MY MIND ♪ 1746 01:34:23,725 --> 01:34:27,827 THERE SOMETHING I CAN DO FOR YOU TONIGHT? 1747 01:34:28,029 --> 01:34:30,363 HOW MUCH FOR A BLOW? 1748 01:34:30,365 --> 01:34:32,799 HUNDRED BUCKS. 1749 01:34:33,801 --> 01:34:36,770 YEAH. I CAN HANDLE THAT. 1750 01:34:39,407 --> 01:34:41,174 LOOK AT-- LOOK AT ME. 1751 01:34:41,176 --> 01:34:43,677 LOOK IN MY EYES. 1752 01:34:44,011 --> 01:34:46,079 YEAH. 1753 01:34:54,955 --> 01:34:55,955 HEY. 1754 01:34:55,957 --> 01:34:57,857 HI. 1755 01:35:17,011 --> 01:35:20,280 DO YOU WANT TO SIT DOWN? 1756 01:35:20,282 --> 01:35:22,315 SURE. 1757 01:35:53,748 --> 01:35:56,049 HEY, UH... 1758 01:36:04,892 --> 01:36:07,026 OHH... 1759 01:36:07,028 --> 01:36:09,496 I'M SO SORRY. 1760 01:36:09,864 --> 01:36:13,333 NO. THERE'S NOTHING TO BE SORRY ABOUT. 1761 01:36:13,335 --> 01:36:15,401 NO. 1762 01:36:17,071 --> 01:36:20,406 THERE'S NOTHING TO BE SORRY ABOUT. 1763 01:36:32,453 --> 01:36:37,090 I'M LOOKING AT THIS ROOM WITH YOU IN IT. 1764 01:36:44,999 --> 01:36:47,066 [CRYING] 1765 01:36:53,541 --> 01:36:55,074 I FEEL SAFE. 1766 01:36:55,076 --> 01:36:57,944 I FEEL SAFE NOW. 1767 01:37:16,363 --> 01:37:18,998 MMM. 1768 01:37:20,467 --> 01:37:23,536 MAKE LOVE TO ME. 1769 01:37:24,305 --> 01:37:26,439 I CAN'T. I CAN'T. 1770 01:37:26,441 --> 01:37:28,441 OK. 1771 01:37:35,049 --> 01:37:36,049 I'M GETTING MARRIED. 1772 01:37:36,051 --> 01:37:37,483 SHH, SHH, SHH, SHH. 1773 01:37:37,485 --> 01:37:40,954 NO, NO, NO, NO, NO ,NO, NO. 1774 01:37:44,024 --> 01:37:46,459 [BOTH CRYING SOFTLY] 1775 01:37:55,136 --> 01:38:01,007 [ECHO AND THE BUNNYMEN'S LIPS LIKE SUGAR PLAYING] 1776 01:38:09,617 --> 01:38:13,219 ♪ SHE FLOATS LIKE A SWAN 1777 01:38:14,021 --> 01:38:17,590 ♪ GRACE ON THE WATER 1778 01:38:17,958 --> 01:38:21,294 ♪ LIPS LIKE SUGAR 1779 01:38:21,595 --> 01:38:23,563 ♪ LIPS LIKE SUGAR 1780 01:38:23,565 --> 01:38:28,234 ♪ JUST WHEN YOU THINK YOU'VE CAUGHT HER ♪ 1781 01:38:28,236 --> 01:38:31,938 ♪ SHE GLIDES ACROSS THE WATER 1782 01:38:31,940 --> 01:38:35,608 ♪ SHE CALLS FOR YOU TONIGHT 1783 01:38:35,610 --> 01:38:38,578 ♪ TO SHARE THIS MOONLIGHT 1784 01:38:38,580 --> 01:38:42,048 ♪ YOU'LL FLOW DOWN HER RIVER 1785 01:38:42,050 --> 01:38:46,085 ♪ SHE'LL ASK, AND YOU'LL GIVE HER ♪ 1786 01:38:46,087 --> 01:38:49,322 ♪ LIPS LIKE SUGAR 1787 01:38:49,324 --> 01:38:53,026 ♪ SUGAR KISSES 1788 01:38:53,028 --> 01:38:56,629 ♪ LIPS LIKE SUGAR 1789 01:38:56,631 --> 01:39:01,000 ♪ SUGAR KISSES 1790 01:39:04,538 --> 01:39:07,540 YEAH! ALL RIGHT! 1791 01:39:07,542 --> 01:39:09,575 YEAAAAH! 1792 01:39:14,081 --> 01:39:17,684 YEAH. IS, UH, HARRY GOLDBERG IN? 1793 01:39:18,218 --> 01:39:20,420 IT'S ED HAZELL. 1794 01:39:20,422 --> 01:39:23,222 I'M A FRIEND. 1795 01:39:24,959 --> 01:39:27,327 WELL, HAS HE GONE AWAY? 1796 01:39:27,329 --> 01:39:29,429 NO? 1797 01:39:33,500 --> 01:39:35,201 YEAH. 1798 01:39:36,603 --> 01:39:39,172 YEAH. THANKS A LOT. 1799 01:39:44,378 --> 01:39:48,081 D.J.: LADIES AND GENTLEMEN, THE FABULOUS NICO! 1800 01:39:48,083 --> 01:39:49,983 THE ONE AND ONLY! 1801 01:39:49,985 --> 01:39:52,118 [CHEERING] 1802 01:39:57,658 --> 01:39:59,492 LADIES AND GENTLEMEN, 1803 01:39:59,494 --> 01:40:01,094 THE HEAVENLY... 1804 01:40:01,096 --> 01:40:03,196 ANGEL. 1805 01:40:04,098 --> 01:40:05,531 Nico: ARE YOU ANGEL? 1806 01:40:05,533 --> 01:40:06,366 WHAT? 1807 01:40:06,368 --> 01:40:07,767 I THINK YOU'RE UP. 1808 01:40:07,769 --> 01:40:09,769 OH, FUCK. 1809 01:40:09,771 --> 01:40:12,171 OH, SHIT. 1810 01:40:14,341 --> 01:40:17,210 OH, FUCK. NEVER MIND. 1811 01:40:18,379 --> 01:40:21,447 OK. NEVER MIND. FUCK IT. 1812 01:40:23,050 --> 01:40:26,452 [BUBBLE'S SPARKLESTAR PLAYING] 1813 01:40:26,620 --> 01:40:29,756 ♪ ...CRASHIN' ON YOUR DOORSTEP 1814 01:40:29,758 --> 01:40:34,761 ♪ YOUR SMILE IN MY HEAD 1815 01:40:34,763 --> 01:40:37,764 ♪ YOU ALWAYS WALK AWAY 1816 01:40:37,766 --> 01:40:40,633 ♪ EVERY TIME I LOOK AT YOU 1817 01:40:40,635 --> 01:40:47,807 ♪ I CAN'T BELIEVE I'LL EVER LOVE AGAIN ♪ 1818 01:40:49,243 --> 01:40:51,310 [MAN WHISTLES] 1819 01:40:51,612 --> 01:40:55,114 ♪ DIDN'T MEAN TO MAKE YOU CRY 1820 01:40:55,116 --> 01:40:57,483 ♪ OR MAKE YOU LOVE SO HARD 1821 01:40:57,485 --> 01:41:01,220 ♪ DIDN'T MEAN TO MAKE YOU SAY GOOD-BYE ♪ 1822 01:41:01,222 --> 01:41:04,424 ♪ OR FALL APART TRYIN' 1823 01:41:04,426 --> 01:41:07,260 ♪ SHAKIN' ON THE FLOOR 1824 01:41:07,262 --> 01:41:10,763 ♪ COME ON AND STEAL MY SOUL 1825 01:41:10,765 --> 01:41:13,132 HEH HEH. THANK YOU. 1826 01:41:13,134 --> 01:41:14,100 HA HA! 1827 01:41:14,102 --> 01:41:16,069 ALL RIGHT. 1828 01:41:16,403 --> 01:41:19,539 ♪ I'M WISHIN' I COULD MAKE YOU UNDERSTAND ♪ 1829 01:41:19,541 --> 01:41:22,241 HEY, FELLAS. HOW'S IT GOING? 1830 01:41:22,243 --> 01:41:24,510 EXCUSE MY BREASTS. I'M LACTATING. 1831 01:41:24,512 --> 01:41:28,181 ♪ YOU ALWAYS WALK AWAY 1832 01:41:28,183 --> 01:41:30,116 I CAN'T GET TOO EXCITED 1833 01:41:30,118 --> 01:41:32,118 BECAUSE THEN MY RUBBER ROLLS UP. 1834 01:41:32,120 --> 01:41:37,390 ♪ I'LL NEVER LOVE AGAIN 1835 01:41:37,392 --> 01:41:41,094 ♪ NO 1836 01:41:41,096 --> 01:41:46,432 ♪ YOU KNOW YOU'VE GOT TO TRUST ME ♪ 1837 01:41:46,434 --> 01:41:53,272 ♪ EVEN WHEN I'M GOIN' WRONG 1838 01:41:53,474 --> 01:41:58,845 ♪ YOU KNOW YOU GOTTA LOVE ME 1839 01:41:58,847 --> 01:42:04,183 ♪ OVER AND OVER AGAIN 1840 01:42:04,185 --> 01:42:09,655 ♪ TILL IT'S GONE 1841 01:42:19,399 --> 01:42:21,234 ♪ OOH HOO 1842 01:42:21,236 --> 01:42:24,237 Man: YEAH, BABY! 1843 01:42:29,877 --> 01:42:32,245 ♪ OOH HOO HOO 1844 01:42:32,247 --> 01:42:35,381 ♪ I'M CRASHIN' ON YOUR DOORSTEP ♪ 1845 01:42:35,383 --> 01:42:41,787 ♪ YOUR SMILE AND KISSES ON MY HEAD ♪ 1846 01:42:41,789 --> 01:42:44,190 ♪ OH, DON'T YOU WALK AWAY 1847 01:42:44,192 --> 01:42:45,858 OH, GOD. 1848 01:42:45,860 --> 01:42:47,593 DAVE? 1849 01:42:47,595 --> 01:42:48,761 DON'T MOVE. 1850 01:42:48,763 --> 01:42:51,797 IT'S YOU, ISN'T IT? 1851 01:42:51,799 --> 01:42:53,866 DAVE? DON'T MOVE. 1852 01:42:53,868 --> 01:42:57,503 DAVE, CAN YOU HELP ME WITH MY MONEY, PLEASE? 1853 01:42:57,505 --> 01:42:58,704 COULD YOU... PICK UP-- 1854 01:42:58,706 --> 01:43:02,775 SHOW HER YOUR LOVE. ANGEL, EVERYBODY. 1855 01:43:02,777 --> 01:43:03,876 COME ON. WHAT DO YOU SAY? 1856 01:43:03,878 --> 01:43:07,647 IT'S THE ONE, THE FLOWER-- 1857 01:43:07,649 --> 01:43:08,381 JASMINE? 1858 01:43:08,383 --> 01:43:09,715 JASMINE, IT'S THE-- 1859 01:43:09,717 --> 01:43:12,785 THE GUY-- THE FLOWER GUY IS OUT THERE. 1860 01:43:12,787 --> 01:43:15,521 HE'S THE MOST DREAMY THING YOU EVER-- 1861 01:43:15,523 --> 01:43:18,524 YOU KNOW, THE GUY WITH THE RED DRESS, JASMINE? 1862 01:43:18,526 --> 01:43:22,862 DO YOU HAVE ANYTHING TO STRAIGHTEN ME OUT? 1863 01:43:22,864 --> 01:43:24,730 HUH? 1864 01:43:25,799 --> 01:43:27,600 OH, FUCK. 1865 01:43:27,602 --> 01:43:31,871 [ERIC CLAPTON'S RIVER OF TEARS PLAYING] 1866 01:43:41,315 --> 01:43:43,616 WOO WOO! 1867 01:43:47,888 --> 01:43:50,389 [MAN WHISTLES] 1868 01:44:09,610 --> 01:44:14,480 ♪ IT'S 3 MILES TO THE RIVER 1869 01:44:17,451 --> 01:44:21,354 ♪ THAT WOULD CARRY ME AWAY 1870 01:44:23,590 --> 01:44:28,261 ♪ AND TWO MILES TO THE DUSTY STREET ♪ 1871 01:44:30,530 --> 01:44:34,533 ♪ THAT I SAW YOU ON TODAY 1872 01:44:36,303 --> 01:44:41,474 ♪ IT'S 4 MILES TO MY LONELY ROOM ♪ 1873 01:44:44,044 --> 01:44:48,381 ♪ WHERE I WILL HIDE MY FACE 1874 01:44:49,950 --> 01:44:55,521 ♪ AND ABOUT HALF A MILE TO THE DOWNTOWN BAR ♪ 1875 01:44:57,424 --> 01:45:01,594 ♪ THAT I RAN FROM IN DISGRACE 1876 01:45:02,863 --> 01:45:08,834 ♪ LORD, HOW LONG HAVE I GOT TO KEEP ON RUNNING? ♪ 1877 01:45:09,536 --> 01:45:15,608 ♪ 7 HOURS, 7 DAYS, OR 7 YEARS? 1878 01:45:16,076 --> 01:45:20,946 ♪ ALL I KNOW IS, SINCE YOU'VE BEEN GONE ♪ 1879 01:45:20,948 --> 01:45:24,517 ♪ FEEL LIKE I'M DROWNING 1880 01:45:24,519 --> 01:45:27,353 ♪ IN A RIVER 1881 01:45:28,021 --> 01:45:31,957 ♪ DROWNING 1882 01:45:32,559 --> 01:45:38,898 ♪ IN A RIVER OF TEARS 1883 01:45:40,567 --> 01:45:43,903 ♪ DROWNING IN A RIVER 1884 01:45:47,074 --> 01:45:51,510 ♪ FEEL LIKE I'M DROWNING 1885 01:45:53,413 --> 01:45:56,682 ♪ DROWNING IN A RIVER 1886 01:46:30,417 --> 01:46:32,151 ♪ IN 3 MORE DAYS 1887 01:46:32,153 --> 01:46:35,788 ♪ I'LL LEAVE THIS TOWN 1888 01:46:37,057 --> 01:46:41,427 ♪ AND DISAPPEAR WITHOUT A TRACE... ♪ 1889 01:46:43,630 --> 01:46:45,831 WHAT? WHAT? 1890 01:46:45,833 --> 01:46:48,934 WHAT ARE YOU GOING AWAY FOR? 1891 01:46:48,936 --> 01:46:50,836 WAIT A MINUTE! 1892 01:46:50,838 --> 01:46:54,774 ♪ WHERE NO ONE KNOWS MY FACE 1893 01:46:57,444 --> 01:47:02,014 ♪ I WISH THAT I COULD HOLD YOU 1894 01:47:02,849 --> 01:47:04,550 ♪ ONE MORE TIME 1895 01:47:04,552 --> 01:47:07,920 ♪ TO EASE THE PAIN 1896 01:47:24,137 --> 01:47:26,605 OH, MY GOD. 1897 01:47:27,941 --> 01:47:30,009 OH, MY GOD. 1898 01:47:30,944 --> 01:47:32,912 OH, MY-- 1899 01:47:35,949 --> 01:47:38,184 OH, MY GOD. 1900 01:47:39,953 --> 01:47:42,555 OH, MY GOD. 1901 01:47:42,989 --> 01:47:46,025 OH, MY GOD. HA! 1902 01:47:46,626 --> 01:47:48,894 [DOOR CLOSES] 1903 01:48:05,712 --> 01:48:07,713 Jo: JESSIE? 1904 01:48:07,715 --> 01:48:09,515 YEAH? 1905 01:48:10,050 --> 01:48:12,551 I CAN'T SLEEP. 1906 01:48:12,553 --> 01:48:14,620 ARE YOU OK? 1907 01:48:17,224 --> 01:48:20,226 DO YOU WANT TO COME JOIN ME? 1908 01:48:21,728 --> 01:48:23,762 SURE. 1909 01:48:47,554 --> 01:48:49,922 SING SOMETHING. 1910 01:48:57,864 --> 01:49:06,238 ♪ RIVER RUNNING DEEP 1911 01:49:06,240 --> 01:49:13,979 ♪ CARRY ME IN MY SLEEP 1912 01:49:13,981 --> 01:49:21,854 ♪ I WANT TO ESCAPE THIS NIGHT ♪ 1913 01:49:21,856 --> 01:49:29,862 ♪ AND WAIT TILL THE CALM DAYLIGHT ♪ 1914 01:49:29,864 --> 01:49:32,665 ♪ 'CAUSE TOMORROW 1915 01:49:32,667 --> 01:49:34,667 ♪ WILL BE 1916 01:49:34,669 --> 01:49:37,803 ♪ A GOOD THING 1917 01:49:43,310 --> 01:49:44,944 OHH. 1918 01:49:54,721 --> 01:49:57,089 DO YOU HAVE A LIGHT? 1919 01:49:59,125 --> 01:50:02,728 YEAH, I HAVE. 1920 01:50:06,833 --> 01:50:08,000 THANK YOU. 1921 01:50:08,002 --> 01:50:10,069 YOU CAN GO HOME NOW, YOU KNOW. 1922 01:50:10,071 --> 01:50:11,737 YEAH. 1923 01:50:13,340 --> 01:50:14,673 CAN I? 1924 01:50:14,675 --> 01:50:16,108 YEAH. 1925 01:50:20,981 --> 01:50:22,948 WHAT TIME IS IT? 1926 01:50:23,650 --> 01:50:25,818 I DON'T KNOW. 3:30. 1927 01:50:28,622 --> 01:50:31,123 WHY ARE YOU STILL HERE? 1928 01:50:31,291 --> 01:50:32,958 WHY ARE YOU STILL HERE? 1929 01:50:32,960 --> 01:50:35,828 GOOD FUCKING QUESTION. 1930 01:50:38,999 --> 01:50:40,699 WHO KNOWS? 1931 01:50:40,701 --> 01:50:43,102 I GUESS I FELL ASLEEP. 1932 01:50:43,104 --> 01:50:44,203 IS THAT WHAT HAPPENED? 1933 01:50:44,205 --> 01:50:47,139 YEAH. YOU WERE ASLEEP FOR A LONG TIME. 1934 01:50:47,141 --> 01:50:49,708 COULD BE WORSE. 1935 01:50:53,213 --> 01:50:55,881 YOU HAVE PRETTY HAIR. 1936 01:50:56,282 --> 01:50:58,350 THANKS. 1937 01:51:00,287 --> 01:51:04,223 I FOR--I FORGOT YOUR NAME. 1938 01:51:06,226 --> 01:51:08,861 SO DO I. 1939 01:51:09,295 --> 01:51:13,699 IT'S, UH...NICO. 1940 01:51:13,701 --> 01:51:14,767 NICO. 1941 01:51:14,769 --> 01:51:16,702 YEAH. 1942 01:51:18,138 --> 01:51:20,739 WHAT ARE YOU WRITING? 1943 01:51:20,741 --> 01:51:22,207 WHAT? 1944 01:51:28,114 --> 01:51:31,350 I'M JUST TRYING TO KEEP YOU HERE. 1945 01:51:33,019 --> 01:51:35,421 I HATE THIS PART. 1946 01:51:35,423 --> 01:51:37,156 GOING HOME? 1947 01:51:37,158 --> 01:51:38,857 NO. 1948 01:51:38,859 --> 01:51:43,729 IT'S AN AWKWARD FUCKING TRANSITION, YOU KNOW. 1949 01:51:46,032 --> 01:51:47,366 IT'S LIKE... 1950 01:51:47,368 --> 01:51:52,838 IT'S JUST 3 MORE HOURS TILL SUNSET--SUNRISE. 1951 01:51:58,878 --> 01:52:01,113 WHERE'S YOUR NEXT GIG? 1952 01:52:01,115 --> 01:52:03,882 TRAVEL AROUND A LOT, RIGHT? 1953 01:52:03,884 --> 01:52:06,385 YEAH. YEAH. 1954 01:52:06,387 --> 01:52:09,354 SO, WHERE DO YOU, LIKE, LIVE? 1955 01:52:10,023 --> 01:52:13,258 HOTEL. HOTELS. 1956 01:52:13,260 --> 01:52:16,361 WHERE DO YOU-- WHERE DO YOU LIVE? 1957 01:52:16,796 --> 01:52:19,765 I LOST MY HOUSE. 1958 01:52:19,767 --> 01:52:21,033 OH. 1959 01:52:21,035 --> 01:52:23,235 NO BIG DEAL. 1960 01:52:33,179 --> 01:52:36,215 WHAT ARE YOU WRITING? 1961 01:52:36,217 --> 01:52:38,183 WHAT? 1962 01:52:38,752 --> 01:52:40,986 YOU WRITE, RIGHT? 1963 01:52:41,187 --> 01:52:43,522 THAT'S WHAT YOU DO. YOU WRITE. 1964 01:52:43,524 --> 01:52:46,425 YEAH. YOU'RE A WRITER. 1965 01:52:46,427 --> 01:52:48,227 IT'S SO FUCKING FUNNY. 1966 01:52:48,229 --> 01:52:50,496 I MEAN, IT'S, LIKE, WRITERS, YOU KNOW, 1967 01:52:50,498 --> 01:52:55,234 YOU ALL WRITE, AND THEN YOU NEVER WANT TO READ WHAT YOU WROTE. 1968 01:52:55,935 --> 01:52:57,469 SO, YOU STRIP ALL NIGHT HERE, 1969 01:52:57,471 --> 01:53:00,539 AND THEN YOU SIT BACK HERE AND WRITE. 1970 01:53:05,211 --> 01:53:06,445 YEAH, I'M SAFE. 1971 01:53:06,447 --> 01:53:09,915 I WON'T REMEMBER IT TOMORROW. 1972 01:53:17,023 --> 01:53:19,158 IS IT, UM... 1973 01:53:19,160 --> 01:53:21,026 IS IT A SONG? 1974 01:53:21,028 --> 01:53:24,062 NO. I DON'T WRITE SONGS. 1975 01:53:24,564 --> 01:53:28,567 IS IT, UM... IS IT A STORY? 1976 01:53:29,169 --> 01:53:30,569 NO. 1977 01:53:34,474 --> 01:53:37,009 I WRITE POEMS. 1978 01:53:38,411 --> 01:53:40,112 AH. 1979 01:53:40,114 --> 01:53:42,314 OH, POETRY. 1980 01:53:42,316 --> 01:53:46,185 I HAVE A FRIEND-- UH, I HAD A FRIEND 1981 01:53:46,187 --> 01:53:48,821 WHO USED TO WRITE POETRY. 1982 01:53:48,823 --> 01:53:53,826 HE USED TO CALL ME, AND HE'D READ THEM TO ME. 1983 01:53:53,828 --> 01:53:55,594 HUH. 1984 01:53:55,596 --> 01:53:57,262 YEAH. 1985 01:53:57,463 --> 01:54:00,332 HE WROTE REALLY GOOD POEMS. 1986 01:54:00,334 --> 01:54:01,200 YEAH? 1987 01:54:01,202 --> 01:54:03,435 YEAH, HE DID. 1988 01:54:04,103 --> 01:54:06,205 YEAH. IT'S HARD TO WRITE GOOD POEMS. 1989 01:54:06,207 --> 01:54:07,973 YEAH. 1990 01:54:11,411 --> 01:54:14,012 IT WOULD REALLY, UM... 1991 01:54:15,248 --> 01:54:18,517 BE NICE TO HEAR A POEM AGAIN. 1992 01:54:20,320 --> 01:54:22,521 PLEASE? 1993 01:54:35,201 --> 01:54:38,337 "WHEN LIGHT SHATTERED ACROSS THE FLOOR 1994 01:54:38,339 --> 01:54:42,207 "AND BRIEFLY THERE WAS A THUNDER BETWEEN US, 1995 01:54:42,209 --> 01:54:43,609 "IF YOUR EYES HAD HELD WATER, 1996 01:54:43,611 --> 01:54:46,445 "IT WOULD HAVE NOT SPILLED, 1997 01:54:46,447 --> 01:54:48,313 "AND WHEN WE PEELED ASIDE THE DREAMS, 1998 01:54:48,315 --> 01:54:52,451 "THE SKIN UNDERNEATH WAS STILL YOUNG. 1999 01:54:52,453 --> 01:54:56,388 "YOU SMOOTHED ASIDE THE WORDS AND SAID, 2000 01:54:56,390 --> 01:54:58,457 "IT'S THERE, THE LIGHT. 2001 01:54:58,459 --> 01:55:03,896 WHEN YOU WANT IT, IT'LL BE WAITING FOR YOU." 2002 01:55:03,898 --> 01:55:07,599 "A CERTAIN PEACE CAME INTO YOUR EYES... 2003 01:55:07,601 --> 01:55:09,935 "THAT THIS WAS NO DIFFERENT, 2004 01:55:09,937 --> 01:55:11,336 "THAT THIS WAS SO DIFFERENT, 2005 01:55:11,338 --> 01:55:13,472 "YET EVERY BIT THE SAME. 2006 01:55:13,474 --> 01:55:17,576 "AND YOUR HANDS STILLED WITH SATISFACTION. 2007 01:55:17,578 --> 01:55:20,913 "YOU DID THIS WITHOUT TOUCH... 2008 01:55:20,915 --> 01:55:26,418 "YOUR HANDS STOOD, SHAPED LIKE SHELTERS. 2009 01:55:26,420 --> 01:55:29,321 "ALL AROUND ME, THERE WAS ROOM, 2010 01:55:29,323 --> 01:55:34,593 "THE HALLWAYS OUTSIDE WERE LIKE CAVERNS. 2011 01:55:34,595 --> 01:55:37,396 "AND AROUND THE CORNER AND DOWN THE STAIRS, 2012 01:55:37,398 --> 01:55:41,133 "THERE LURKED, AS ALWAYS, LIGHT... 2013 01:55:41,135 --> 01:55:44,403 AS EVER, LIGHT." 2014 01:55:50,476 --> 01:55:53,478 IS IT ABOUT A GUY? 2015 01:55:53,480 --> 01:55:55,447 NO. 2016 01:56:00,586 --> 01:56:02,988 IS IT ABOUT YOU? 2017 01:56:08,461 --> 01:56:10,295 NO. 2018 01:56:15,601 --> 01:56:17,703 MAYBE. 2019 01:56:19,439 --> 01:56:23,408 I'M SORRY. I JUST HAD A BAD DAY. 2020 01:56:27,380 --> 01:56:29,214 DO YOU HAVE A LIGHT? 2021 01:56:29,216 --> 01:56:31,049 YEAH. 2022 01:56:41,427 --> 01:56:44,129 WHAT'S IT ABOUT? 2023 01:56:47,367 --> 01:56:49,601 IT'S ABOUT... 2024 01:56:51,070 --> 01:56:53,105 IT'S ABOUT... 2025 01:56:56,376 --> 01:57:00,178 YOU KNOW HOW-- YOU KNOW HOW, LIKE, 2026 01:57:00,180 --> 01:57:02,547 WHEN YOU'RE IN HERE, 2027 01:57:02,549 --> 01:57:05,083 AND IT'S ALWAYS DARK. 2028 01:57:05,085 --> 01:57:10,555 IT'S ALWAYS, LIKE, 1:00 IN THE MORNING. 2029 01:57:12,558 --> 01:57:18,063 IT'S ABOUT, YOU KNOW, MORNING... 2030 01:57:18,398 --> 01:57:20,232 STUFF INSIDE YOU. 2031 01:57:20,234 --> 01:57:23,435 STUFF INSIDE YOU. 2032 01:57:25,204 --> 01:57:27,039 ME, TOO. 2033 01:57:31,077 --> 01:57:33,412 IT'S A NICE POEM. 2034 01:57:35,448 --> 01:57:37,416 THANK YOU. 2035 01:57:37,550 --> 01:57:40,619 YOU KNOW WHAT A CRYPTOGRAPHER IS? 2036 01:57:40,621 --> 01:57:43,822 I NEVER PAID ATTENTION IN SCHOOL. 2037 01:57:44,657 --> 01:57:46,792 IT'S A CODE BREAKER. 2038 01:57:46,794 --> 01:57:47,626 AHH. 2039 01:57:47,628 --> 01:57:49,561 DURING THE WAR... 2040 01:57:50,196 --> 01:57:52,364 THAT'S WHAT HARRY WAS. 2041 01:57:54,300 --> 01:57:57,769 THERE ARE ONLY TWO OR THREE OF THEM IN THE WHOLE WORLD, 2042 01:57:57,771 --> 01:58:00,305 AND HARRY WAS ONE OF THEM. 2043 01:58:00,606 --> 01:58:03,075 HE WAS THE BEST, MAN. 2044 01:58:06,245 --> 01:58:08,847 THAT SHIT'S GONNA KILL YOU, BOY. 2045 01:58:08,849 --> 01:58:10,649 HOPE SO. 2046 01:58:14,687 --> 01:58:16,421 WANT TO GET SOMETHING TO EAT? 2047 01:58:16,423 --> 01:58:18,156 SURE. 2048 01:58:19,759 --> 01:58:22,727 YOU KNOW, I'LL GIVE THAT OLD JEW ONE THING. 2049 01:58:22,729 --> 01:58:23,695 HOPE TO GOD WHEN I'M THAT OLD, 2050 01:58:23,697 --> 01:58:26,131 I STILL LOVE PUSSY LIKE HE DOES, 2051 01:58:26,133 --> 01:58:30,168 EVEN IF I'VE GOT TO USE BINOCULARS TO SEE IT. 2052 01:58:31,471 --> 01:58:34,306 Bobby: HAVE YOU EVER SANG? 2053 01:58:34,308 --> 01:58:38,844 YEAH, LIKE IN PUBLIC, IN FRONT OF PEOPLE? 2054 01:58:39,345 --> 01:58:40,779 YEAH, A LONG TIME AGO. 2055 01:58:40,781 --> 01:58:42,447 YOU DID? 2056 01:58:42,548 --> 01:58:44,616 DID YOU GET NERVOUS? 2057 01:58:45,651 --> 01:58:47,219 YEAH. 2058 01:58:47,221 --> 01:58:48,520 YEAH, BECAUSE, UH, 2059 01:58:48,522 --> 01:58:50,355 JESSIE'S GOING OVER TO DIMPLES THIS AFTERNOON. 2060 01:58:50,357 --> 01:58:52,757 YOU KNOW, THE PLACE OVER IN BURBANK-- KARAOKE-- 2061 01:58:52,759 --> 01:58:55,260 AND, UH, A BUNCH OF THE GIRLS ARE GOING, 2062 01:58:55,262 --> 01:58:56,161 SO, UM-- 2063 01:58:56,163 --> 01:58:57,295 WHAT, OUR GIRLS? 2064 01:58:57,297 --> 01:58:59,431 JESSIE SAID EVERYBODY CAN SING, 2065 01:58:59,433 --> 01:59:00,832 SO I THOUGHT, YOU KNOW, 2066 01:59:00,834 --> 01:59:01,766 WHAT THE FUCK? 2067 01:59:01,768 --> 01:59:03,201 OUR GIRLS CAN SING? 2068 01:59:03,203 --> 01:59:04,402 YEAH. 2069 01:59:04,404 --> 01:59:06,805 GODDAMN. 2070 01:59:07,773 --> 01:59:11,276 THIS RUSSIAN MOTHERFUCKER GOT SHOT... 2071 01:59:11,511 --> 01:59:12,377 AND SOME SHOT. 2072 01:59:12,379 --> 01:59:14,479 RIGHT THROUGH THE HEART, 2073 01:59:14,481 --> 01:59:18,250 IN THE WINDOW OF HIS HOUSE OVER IN WOODLAND HILLS. 2074 01:59:18,718 --> 01:59:19,584 DAMN! 2075 01:59:19,586 --> 01:59:21,520 QUICK WAY TO GO. 2076 01:59:21,522 --> 01:59:23,522 SO, I THOUGHT, IF YOU WEREN'T DOING ANYTHING, 2077 01:59:23,524 --> 01:59:27,192 IF YOU DROP BY, WE COULD, LIKE, 2078 01:59:27,194 --> 01:59:28,927 DO IT TOGETHER, LIKE A DUET, 2079 01:59:28,929 --> 01:59:30,495 A FRANK AND SAMMY KIND OF THING. 2080 01:59:30,497 --> 01:59:31,663 WHAT TIME IS THAT? 2081 01:59:31,665 --> 01:59:32,631 3:00. 2082 01:59:32,633 --> 01:59:35,233 NO, MAN. 2083 01:59:35,235 --> 01:59:37,369 I'LL BE ASLEEP. 2084 01:59:37,637 --> 01:59:40,305 CAPTIONING MADE POSSIBLE BY TRIMARK PICTURES 2085 01:59:40,307 --> 01:59:44,843 CAPTIONED BY THE NATIONAL CAPTIONING INSTITUTE --www.ncicap.org-- 2086 02:00:03,663 --> 02:00:07,599 ♪ WITH EYES OF FIRE 2087 02:00:09,735 --> 02:00:13,271 ♪ NO ONE CAN SEE 2088 02:00:14,740 --> 02:00:20,345 ♪ THE SMOKE FROM THE SWEET GRASS ♪ 2089 02:00:20,880 --> 02:00:24,449 ♪ COVERS ME 2090 02:00:35,795 --> 02:00:39,397 ♪ I AM DRAWN 2091 02:00:41,567 --> 02:00:44,469 ♪ I AM DRAWN 2092 02:00:44,471 --> 02:00:46,972 ♪ TO HER 2093 02:00:48,407 --> 02:00:52,777 ♪ LIKE A MOTH TO THE FLAME 2094 02:00:52,779 --> 02:00:54,913 ♪ SHE LEADS ME DOWN 2095 02:00:54,915 --> 02:00:59,584 ♪ UNBOUND 2096 02:01:01,487 --> 02:01:04,356 ♪ UNBOUND 2097 02:01:09,528 --> 02:01:12,497 ♪ UNBOUND 2098 02:01:12,499 --> 02:01:16,334 ♪ I AM LOST 2099 02:01:18,304 --> 02:01:21,806 ♪ I AM LOST 2100 02:01:24,443 --> 02:01:28,580 ♪ HAS ANYBODY SEEN ME? 2101 02:01:29,649 --> 02:01:33,485 ♪ I AM LOST 2102 02:01:35,288 --> 02:01:39,557 ♪ OH, NOTHING IS FORGOTTEN 2103 02:01:41,527 --> 02:01:45,363 ♪ ONLY LEFT BEHIND 2104 02:01:46,799 --> 02:01:50,468 ♪ WHEREVER I AM 2105 02:01:52,004 --> 02:01:55,940 ♪ SHE LEADS ME DOWN 2106 02:01:57,777 --> 02:02:01,012 ♪ UNBOUND 2107 02:02:03,416 --> 02:02:06,551 ♪ NO BORDERS 2108 02:02:06,553 --> 02:02:08,987 ♪ NO FENCES 2109 02:02:08,989 --> 02:02:12,357 ♪ NO WALLS 2110 02:02:14,760 --> 02:02:17,562 ♪ NO BORDERS 2111 02:02:17,564 --> 02:02:21,766 ♪ NO FENCES 2112 02:02:35,715 --> 02:02:40,118 ♪ LIKE A MOTH TO THE FLAME 2113 02:02:40,120 --> 02:02:41,953 ♪ SHE LEADS ME DOWN 2114 02:02:41,955 --> 02:02:47,125 ♪ UNBOUND 2115 02:02:48,794 --> 02:02:52,397 ♪ UNBOUND 2116 02:02:54,400 --> 02:02:57,435 ♪ NO BORDERS 2117 02:02:57,437 --> 02:03:00,038 ♪ NO FENCES 2118 02:03:00,040 --> 02:03:03,041 ♪ UNBOUND 2119 02:03:05,811 --> 02:03:08,480 ♪ NO BORDERS 2120 02:03:08,482 --> 02:03:11,116 ♪ NO FENCES 2121 02:03:11,118 --> 02:03:14,152 ♪ UNBOUND 2122 02:03:16,922 --> 02:03:19,724 ♪ UNBOUND 2123 02:03:20,025 --> 02:03:22,694 ♪ UNBOUND 143641