All language subtitles for The Six Million Dollar Man - S02E13 - Lost Love.en

(DRAMATIC MUSIC)

Should be coming out
pretty soon, though.

Remember, go easy with that stuff.

Lisbon wants the merchandise
delivered in good shape.

Okay, thank you very much.

You know, Oscar, there's something
I've been meaning to ask you.

Don't you ever have a leisurely meal?

Only on weekends, pal,
and sometimes not even then.

OSCAR: Girl in black?

(BIONIC EYE SOUND EFFECT)
STEVE: Yeah.

I agree with you,
she's a knockout.

I know I know her, Oscar...
very well.

I'll meet you back
in the office then, huh?

Oscar, why don't I meet you
back at the office?

Okay, pal.

WAITER: Everything all right,
Mrs. Thatcher?

Fine, Harry, thank you.

More coffee?
No, no thanks.

(ROMANTIC MUSIC)

Steve?

Hello, Barbara.

Sit down.

You haven't changed.

I'm older.

And more beautiful.

You always did say things like that.

Nice things.

Well, | always thought them,
why shouldn't I say them?

Steve Austin...

brash, impulsive, outspoken...

How long has it been now?

Seven years.

Seven years.

Are you happy?

As much as can be expected.

Well, what kind of answer is that?

What kind of a question's that?

Okay, no more sparring.

I'm just darn glad to see you.

Me, too.

Would you like something else?

I... have an appointment.

Break it.

I can't.

I'll walk you to your car.

Fine.

There she is now.

Let's move.

MAN ♪1: Hold it.

She's not alone anymore.

I really don't want to say goodbye.

Well, then don't.

Good-bye, Steve.

I've seen him somewhere before.

Let's check him out.

And I'll call Lisbon
for further instructions.

FLIGHT COM:
It looks good at NASA One.

B- 52 >PILOT:
Roger.

BCS Arm switch is on.

FLIGHT COM:
Okay, Victor.

B-52 PILOT:
Landing Rocket Arm switch is on.
Here comes the throttle.

Circuit breakers in.

STEVE:
We have separation.

B-52 PILOT:
Inboard and outboards are on.

I'm comin' forward with the side stick.

FLIGHT COM:
Looks good.

PILOT:
Ah, Roger.

STEVE:
I've got a blowout in damper three.

SR-71 PILOT:
Get your pitch to zero.

STEVE:
Pitch is out. I can't hold altitude!

B-52 PILOT: Correction. Alpha Hold is off.
Threat selector is emergency.

STEVE: Flight Com. I can't hold it!
She's breaking up! She's breaking...

ANNOUNCER:
Steve Austin. Astronaut.

A man barely alive.

Gentlemen, we can rebuild him.

We have the technology.

We have the capability
to make the world's first bionic man.

Steve Austin will be that man.

Better than he was before.

Better, stronger, faster.

(MAIN TITLE THEME)

We had the 2:00 meeting
without you.

Hello, Oscar.

The meeting wasn't that important...

but I did get a little concerned when I saw
you walking by the office building...

three or four times.

Oh, did I?

Sometimes it helps to talk
about it, pal.

She meant a lot to me
at one time, Oscar.

I gathered that.

How long has it been
since you've seen her?

Seven years.

We had a little more than
a casual romance though, Oscar.

We even talked seriously
about marriage.

What happened?

I went into Astronaut training.

You know how demanding
that is on your time.

I sure do.

Well, I thought Barbara
understood, too.

But I guess I was wrong.

She felt I was ignoring her,
that I didn't really care...

and she married another man.

That's a rough one, pal.

Yeah.

You know, I can still remember
that day in Houston when I got her letter.

Like a sharp knife
between my shoulder blades.

I tried to call her,
I wanted to see her.

Well, I couldn't break training.

So, I lost her.

It happens, pal,
but you can't let it beat you.

I had a friend once who...

Oscar, please,
no cheer-up stories, huh?

Not even one?

Not even one.

Okay, pal.

Is she living in Washington
with her husband?

You know, I didn't even ask her?

I didn't even ask about her husband,
if she had any children anything.

All I could do was
make small talk.

Ha, right.

I guess she's living here, though.

She's married to a scientist,
an older man.

You might know him,
he did some work for the government.

Orin Thatcher?

Orin Thatcher?
Are you sure that's his name?

Sure, I'm sure.

Knew him very well.

OSCAR: He did some work
for us on a project.

But Steve, Orin Thatcher
was killed three months ago.

He was lost in a plane crash at sea.

(OMINOUS MUSIC)

He was what?

Killed in a plane crash at sea.

Yes, sir, we've been following him
and found out his name is Steve Austin.

And he works for Oscar Goldman.

MARKOS: I don't care who he is
or who he works for, take care of him.

Now it's very important that you get
Mrs. Thatcher within the next few days.

MAN ♪I: We'll take care of it
as soon as possible, sir.

(DOORBELL RINGS)

Hello, Barbara.

Steve!

I got your address
out of the phone book.

Well, come on in, please.

Ah, can I get you something,
something to drink?

No, thanks.

This is a surprise.

Barbara, why didn't you tell me
about your husband's accident?

Well, I...

I didn't quite know how.

Oh, I wanted to tell you, Steve.

I just couldn't be sure
how you felt about me.

How I felt?

Not after the way I hurt you before.

Well, I got over the hurt.

I just never got over the feeling.

Seeing you again today...

touching you... brought back all
the old memories for me, too.

That's good.

I was afraid, Steve.

Afraid of being swept back
into that whirl-pool.

I'm still a little afraid.

Look, I'm not trying to rush you.

I just want to be a part
of your life again.

I'll take it slow and easy,
believe me.

(ROMANTIC MUSIC)

Now then, how about tonight?

Tonight?

Sure, we'll go out for dinner.

Tomorrow afternoon
we'll go horse-back riding...

and tomorrow night a play...

Wait a minute!

Did the Air Force teach
you to rush in like that?

No, but they did teach me to
carefully select a target...

and then zero in at top speed.

But you're not gonna
rush me, right?

Look, I just figure we gotta
lot of lost time to make up for...

and I want to spend
every possible minute with you.

You can't blame me for that, huh?

Of course not.

As long as we take it
slow and easy.

(HAPPY MUSIC)

(BIONIC EYE SOUND EFFECT)

No, I remember
one time at home...

you promised me that you were
gonna win a kewpie doll for me...

and I stood at that stand for one full
hour watching you throw baseballs.

I must admit,
your aim has improved.

Well, I spent all my
spare time practicing.

Aren't you gonna come in?

I promised not to rush things,
remember?

But... how about lunch tomorrow?

Okay.

I'll pick you up at noon.

Good night, Barbara.

Good night.

(DRAMATIC MUSIC)

Pass out normal
and you won't get hurt.

(BIONIC SOUND EFFECT)

Hurry up!

More!

(BIONIC SOUND EFFECT)

BARBARA: Steve?

Steve?

Hey, take it easy.

It's all right, they're gone now.

You all right?

I'm just a little dizzy.

Do you have any idea who it was?

No, I don't know.
(CAR ENGINE STARTS)

Have you ever seen them before?

No, I'm sure I didn't.
Steve, I was so frightened.

(TIRES SCREECHING)

STEVE: And she didn't recognize
either one of them, Oscar...

or did she have any idea why
anyone would want to try to kidnap her.

I think I could answer that.

Orin Thatcher was working for
a project that was very important to us.

He was trying to perfect a gas formula
that would purify the atmosphere...

in the event of a
biological warfare attack.

Now that might be something.

It says he was on his way to a conference
in Lisbon when his plane went down.

All we found was the wreckage.

He had with him all of his notes
and top secret information.

What are you getting at, Oscar?

There are other countries that are
also working toward this formula.

I'm sure they'd be interested in knowing
what Thatcher might have discovered.

And they might think Barbara
has some of that information?

Well, why else would they want to
kidnap the wife of a dead scientist?

Well, you're right.
That is a possibility.

I'll assign a team to guard her.

Well, I can handle that.

24 hours a day?

I can't handle that.

As long as you're there,
Steve, keep your eyes open.

Maybe you can find out if she
knows anything about his work.

Did your husband ever
discuss his work with you?

No, not really.

Oh, in generalities,
yes, but nothing specific.

Well, just what did he tell you?

Well, I know he was terribly
concerned about biological warfare...

and the effect that it might
have on the entire world.

Well, I know about that,
but did he mention the formula?

Not that I can remember.

He did say that there was another
scientist in a foreign country...

was working on the same
kind of formula...

a Professor Kosoyin,
his name was.

What if they thought you might know
something that could help this Kosoyin?

Steve, I think
you're grasping at straws.

I don't care what
Oscar Goldman says.

Well, you could be right.

At any rate, for the time being
you're under Oscar's protection.

What does that mean?

See the man in the tweed coat?

BARBARA: Who is he?
STEVE: One of Oscar's agents.

You mean he's following me?

Guarding you is more like it.

Now, don't complain.
It's better to be safe.

If you say so.

Now then, what about tonight?
Where would you like to go?

Nowhere.

I thought I'd fix dinner
at my place tonight.

At your place?

Yeah, a little home cooking
for a change.

Home cooking...

I'm a very good cook.

Lam!

Okay, you got a date.
Talked me into it.

BARBARA: It's strange...

I've gotten used to sitting
in front of this fireplace alone.

STEVE: I'm glad that's over for you now.

BARBARA: I'm glad, too...

Want some more brandy?

STEVE: No, I'm just fine.

How about some coffee?

Barbara, there's nothing
in the world I want...

if it means you having to move
away from me right now.

(PHONE RINGS)

(GROANS)

I'd better answer it.

(RINGING CONTINUES)

Hello? Hello??
OPERA TOR: Hello.

Is this Mrs. Barbara Thatcher?

Yes, this is Barbara Thatcher.

We have a call from Lisbon.

From where?
Can we connect you?

Yes, of course.

It's long distance, from Lisbon.

OPERA TOR: Are you holding?

Yes, operator, I am holding.

Go ahead, Lisbon.

(DIALING)

Hello, Mrs. Thatcher...

there's someone here who's
very anxious to speak with you.

Barbara? Barbara?

Barbara, It's me... Orin.

Oh, my God, Orin.

Orin, is that really you?

How is that possible?

I'm alive, Barbara,
alive and well.

I've been here at the Bagarian
Embassy for the past three months.

All this time?
And you didn't let me know?

I... don't understand.

It was necessary, dear.

I had to continue
my work in secrecy.

But at a foreign embassy?
Orin, this is not making sense to me.

Barbara, now, listen to me...
this is very important.

I want you to fly here to Lisbon at once.

I want you to join me
as quickly as possible.

I don't know.

Barbara, please,
it is of the utmost urgency.

I'm so confused, Orin,
I need time to think.

I know, dear, I understand.

But I can not impress upon you enough
how critical it is that you come here at once.

Barbara, I need you, darling,
I need you very much.

I'll think about it, Orin...

but you have got to explain to me
why you've done all this.

Please, tell me exactly what happened.

I can explain it all to you
when | see you in person.

Please, Barbara, please come?

(DIAL TONE)
Hello? Orin?

Orin?
(TAPPING RECEIVER)

Where is he, Barbara?

In Lisbon at the Bagarian Embassy.

No explanation, just come.

Steve, I don't know what to do.

Well, that depends on what you want.

I want the happiness
I had five minutes ago.

Well, then write him and tell him that.

Tell him about us.

I can't do that.

I've loved him and respected him
for seven years.

We've always been honest
with one another, Steve...

we've always talked things out.

It doesn't sound like he's
been honest with you.

Letting you think he's been dead
these past three months.

He said that he could
explain that to me in person.

Steve, he sounded so... desperate.

I have to go see him.

(MELANCHOLY MUSIC)

Because he needs you?

Or to tell him about us?

Oh... for both those reasons.

I have to find out
what happened to him.

And I owe him the courtesy of telling
him face to face about you and me.

All right.

If you go, I'm going with you.

You can see Orin, talk to him,
but we're taking the next flight back.

To Lisbon?

We've made up our minds, Oscar.

We're taking a flight this evening.

Well, maybe that wasn't
her husband's voice?

Maybe this whole thing's a trick?
Maybe it was an impersonation.

Listen, they tried to kidnap her already.

That's why I'm going along,
just in case.

I still say you shouldn't go.

Oscar, this is a personal matter,
it's not official business.

You know, I'm sure that...

I'm sure that he defected, huh?

Well, it seems that way.

Why else would he want his wife
and his country to think he's dead?

He's staying in a foreign Embassy.

Listen, I think this whole thing is
too dangerous for you to walk into.

Oscar, I've told you,
now Barbara wants to go.

And if she goes, I go.

That's the way it is.

I'll be in touch.

Steve...

Yeah.

I'd go, too, I'd risk it.

Thanks, pal.

(DRAMATIC MUSIC)

There he is.

Go!

(TIRES SCREECHING)

(BIONIC SOUND EFFECT)

(BIONIC EYE SOUND EFFECT)

Flight 75, arriving from London, England.

That's right, Oscar,
we just came through customs.

What about that license number
I gave you?

All right, we traced the car
to a leasing agency.

They used false credentials to rent it.

Any sign of Thatcher?

No sign of anyone.

If nobody meets us,
we'll take a cab to the Embassy.

I'll check with you later.

Did you see him yet?

No, not yet.

Let's check out front.

Mrs. Thatcher?
Yes.

My name is Andre Markos.

I'm Charge de' affaire at the embassy.

I'm at your service.

How do you do? I had expected
my husband would meet me.

Well, unfortunately,
Dr. Thatcher is extremely busy...

working on his experiments
at the Embassy.

He hopes you'll forgive him.

I see.

This is Colonel Austin.

The Colonel Austin?
Yes.

This is a pleasure, Colonel.

Colonel Austin is my escort.

Oh?

You mean he's to accompany you
when you go to meet your husband?

Exactly.

Either Colonel Austin
is welcome at the Embassy...

or I have no intention
of going there myself.

Well, of course
you're welcome, Colonel.

Well, why are we talking here?

The limousine is waiting just outside.

(OMINOUS MUSIC)

Markos.
Emil.

Will you tell Dr. Thatcher
that his wife is here?

Yes, sir.

He and Professor Kosoyin
are still working in the laboratory.

Oh, well, perhaps
we better not disturb them.

Mrs. Thatcher would like to see
her husband right away, Mr. Markos.

Well, I assure you, Colonel,
they won't be working much longer.

Meantime, Emil can show you
to your rooms and you can freshen up.

Emil, select a room for the Colonel
and one for Mrs. Thatcher.

Uh, Mr. Markos,
that won't be necessary.

We won't need the rooms.

I don't understand?

Mrs. Thatcher came here simply
to talk to her husband.

Now, you either produce Dr. Thatcher
or we'll go to a hotel until you can.

Of course, I'm most
embarrassed by the delay.

Oh, don't be embarrassed.
Just send for the doctor if he's here.

But of course he's here,
why makes you think he isn't?

Barbara...

Oh, Orin.
Oh, Barbara, darling.

Oh, darling...

I'm sorry I had to put you
through all this. I'm terribly sorry.

Orin... this is Steve Austin.

Your wife's escort, Doctor.
Colonel Austin.

It's nice to meet you,
Colonel Austin.

STEVE: Doctor.

Thank you for seeing
that my wife got here safely.

Oh, my colleague,
Professor Kosoyin.

Professor, my wife, Barbara,
Colonel Austin.

Mrs. Thatcher, Colonel Austin,
so nice to meet you both.

Orin, you are indeed a lucky man
to have such a lovely wife.

I agree, Professor.

I'm sure you and your wife have
a great deal to talk about, Doctor.

You can use my office,
if you'd like.

Thank you. Barbara?

Excuse us, Colonel.

Well, I must
get back to my work.

I hope you enjoy your stay here,
Colonel Austin.

Thank you.

(DOOR CLOSES)

Well, it's nice to see a couple like
the Thatchers reunited...

don't you agree, Colonel?

Oh, I'm just as sentimental
as the next guy.

But I'm also curious about Thatcher.

Yes, I understand.

You're wondering how he comes
to be here in our Embassy?

That.

And why he let his wife and country believe
he'd been dead the past three months?

Well, he's come over to us,
it's as simple as that.

There's no point in making a fuss
in the world press?

It would only interfere with his work.

Work that he's now doing for you.

The fortunes of...
well, hardly war, eh, Colonel?

Hardly.

Ah, Emil, have you finished
with the luggage?

Yes, sir, it is in their rooms.

Ah, good.

Now perhaps you would
like to freshen up, Colonel?

Unless, of course, as you said before,
you're not going to stay?

Well, I would like to freshen up, but
we didn't intend to spend the night.

Neither you nor Mrs. Thatcher?

That's right.

Emil? Show the Colonel to his room.

This way, sir.

Are you the Colonel Austin
that we all saw land on the moon?

That's right.

It is a pleasure to have you
at the embassy, sir.

Thank you.

(OMINOUS MUSIC)

(BIONIC EYE SOUND EFFECT)

(LOCK CLICKS)

(DRAMATIC MUSIC)

(JIGGLES DOOR HANDLE)

(BIONIC SOUND EFFECT)

Barbara...

Yes, what is it, Colonel Austin?

Have you told him yet?

Steve...

Told me what?

Barbara?

Well, it's not quite
as simple as all that, Steve.

(DOOR OPENS)
Pardon the intrusion, my friends.

Colonel?
What are you doing here?

Well, I'm very good at climbing
up and down walls...

and I don't like being
locked in a room.

Locked in?
Oh, come now, Colonel...

the locks in this old house
may be undependable...

but it wasn't intentional.

Well, it doesn't matter.

Mrs. Thatcher and I are leaving now.

Oh? Is that so,
Mrs. Thatcher?

No, as a matter of fact,
it's not.

I'm sorry, Steve.

The things we talked about before...

all that's changed now.

I'll be staying here with Orin
for as long as he wishes.

He has my complete loyalty,
and my love.

More cognac, Colonel?

No, thank you.

Anyone?

Your dinner was so sumptuous,
Andre, we have no more room.

Yes, but I noticed that Mrs. Thatcher
hardly touched her food...

and you didn't seem
very hungry, Colonel.

Perhaps the flight over
was too unsettling?

Not as unsettling as the reception
I received here.

Oh, come now, Colonel, I've already
apologized for that unfortunate lock matter.

And you have expressed
a desire to stay on.

Surely the past can be forgotten.

That's an interesting way of looking
at things, isn't it, Mrs. Thatcher?

Do you believe the past
should be forgotten?

I believe my wife feels as I do...

that today is more
important than yesterday.

Colonel Austin, I must apologize.

When we were first introduced,
I did not recognize your name.

But later, as I was working,
I said to myself...

"Could that be the
famous Steve Austin?"

KOSOYIN: I've read a great deal
about you, sir.

It seems I've heard your name
mentioned too, Professor.

Only I heard you were
in your own country?

He was, and working on the identical project
I was working on in the United States.

Unfortunately, it was too large an
undertaking for one man.

Working alone, neither
Dr. Thatcher nor myself...

had much chance to
perfect the formula.

Andre, perhaps we could
show our guests the laboratory.

The doctor and I have
a very unusual set-up here.

I don't see why not.

Come, please.

Don't be too long.

It's getting late, I'm sure
our guests are becoming tired.

I promise.

I'm sure you will
especially enjoy this, Colonel.

The lab is right off this hallway.

Doctor, in my office if you please.

By all means.

As you can see, the embassy
was most accommodating.

They even provided two computers,
one for the doctor's data and one for mine.

We have to talk.

Not now.

I'll come to your room later,
which one is it?

Off the stairs to the left.

Colonel... please, over here.

And I'll show you a sample
readout on my computer.

Of course I didn't know
he was coming!

But the fact is he's here!

He's an American agent!

My government would hardly
condone his being treated as a guest...

here in the embassy.

Then ask him to leave.
You're in charge here.

I'm glad we
agree on that, Doctor.

Now I'll explain our policy to him and
tell him why I have to ask him to leave.

If he agrees, you can tell your wife
about his departure tomorrow.

Very well, then.
Is there anything else?

No, you may join the others.

(BUZZES)

Yes, Mr. Markos.

You'll have a second chance
at Austin later tonight!

Yes, sir.

Excuse me!

Colonel Austin?

Mr. Markos...

I'm glad to see you're still awake.

Well, I don't sleep well lately.

I was going to come up
and have a chat with you...

but perhaps we can talk
down here in my office, instead.

All right.

I was just discussing our rather unique
situation with Dr. Thatcher.

Unique situation?

Well, it's hardly usual for us
to accommodate an officer...

from the United States
here in the embassy.

Well, as you know,
it wasn't my original intention.

Oh, yes, I'm aware of that.

Take him to the basement.

Lock him in securely.

I'll decide how to dispose of him later.

(OMINOUS MUSIC)

Okay.

(WOOD CREAKING)

(DRAMATIC MUSIC)

(BIONIC SOUND EFFECT)

(BIONIC SOUND EFFECT)

Steve...

I was so afraid you weren't gonna come.

Well, I must admit, the switching
back and forth you're doing...

has gotten me a little confused.

I'm sorry, I had no choice.

Would you like to explain that?

Well, Orin told me that if Markos thought
I didn't want to stay here...

he'd have me killed.

Well, that makes sense.

But why did Orin ask you
here in the first place?

Markos ordered him to call me and try
and persuade me to come by myself.

Or else he would have
had me brought here by force.

Barbara, how could you
believe a man like Thatcher?

He's lied every step of the way.

(DOOR SLAMS)

I'm sorry you have such
a low opinion of me, Colonel Austin.

Forgive me, Barbara,
but I heard your voices.

Then you heard what I think of you.

I've learned not to allow
adverse opinions to faze me.

You get dressed, Barbara,
we're leaving here tonight.

No, I'm afraid I can't allow that.

I will not have my work
here jeopardized.

In other words, if we leave,
your new bosses will be unhappy with you.

He might no longer trust me
on the project, yes.

Well, that's the way things
go when you...

Thatcher, I don't know if you're
lying or not, but it doesn't matter.

Steve, please... let him be.

I'll just get dressed and then we'll leave.

No! Barbara, no!

You don't have
any more to say, Doctor.

Now you might want to stay here and
sell out our country but she doesn't.

I did not sell out my country!
Please, you don't understand...

Oh, I understand.
You're here and you're working for them.

I am working in the only possible way
to develop the formula.

What you do not understand
is that we've already succeeded!

We already have the formula!

You're lying.

If you just let me go of me,
I can explain!

Steve, please.

Give him a chance.

We perfected the formula
three days ago.

Markos doesn't know.

We've concealed
the final notes from him.

We?

Yes, Kosoyin is with us.

I don't quite buy that.

I met him at a symposium
in Vienna last year.

He told me then he wanted to defect,
but he was too closely guarded.

So I hit upon this scheme.

That you would defect?

That I would pretend to defect on condition
that they would send the professor here...

on neutral ground,
so we could work together.

At least here he has
a chance to escape.

You say you both want to escape.

Why haven't you tried,
if the formula's been completed?

Because Markos has the earlier notes.

He keeps them locked
in a safe in the laboratory.

But, Orin...

Why didn't you tell me this
when we talked earlier?

Barbara, I held
a colleague's life in my hand.

I felt I shouldn't reveal that
knowledge to anyone, until now.

I believe him.

I think he's telling the truth.

All right.

You say the notes you need are locked
up in a safe in the laboratory.

Let's go get them now.

It's impossible.

Markos is the only one who knows
the combination to the safe.

Just get me to the safe,
I can open it.

Then we can all get out of here.

All right, I'll try.

Barbara, you get dressed,
find the professor...

tell him we're leaving here tonight.

(DRAMATIC MUSIC)

You'll need some equipment
to break that safe.

I've got all I need.

Don't be shocked by what
you're about to see, Doctor.

I'll explain later.

(METAL CREAKING)

You rang for us,
Mr. Markos?

Yes, go down and get Austin.
Bring him up and take him to the car.

I've decided we'll use the dock section.

Yes, sir.

(METAL CREAKING)

(CLICKING)

He's gone. Let's go!

Get your notes, Doc.

He's not there anymore!

He's gone.

Hurry, Doc.

MARKOS: The laboratory!

I have everything.

Ssh.

(ELECTRICITY BUZZING)

MARKOS: The lights!
What happened to the lights?

MAN ♪1:
I can't see.

(BIONIC EYE SOUND EFFECT)

MAN ♪1:
There he is, kill him!

MARKOS: Make sure you kill Austin.

But I want the Doctor alive.

(BIONIC EYE SOUND EFFECT)

(GROANS)

MARKOS: Get him, you fools.

Ahh...

Okay, Markos,
now it's your turn to play.

No, please...

Do exactly as I say
or I'll break your neck.

All right, anything you want.

You've got a call to make
on the house phone.

Fine.
Come on.

I did as you ordered, sir.

Your car is waiting outside.

Fine, fine...

Is... everything all right, sir?

Of course it is!
I won't need you anymore tonight, Emil!

Or you, Rudi.

I'm sure you'll want
to see us out, Mr. Markos.

Mr. Markos,
thanks for the hospitality.

Okay, Thatcher?

Okay!

Ready!

Kosoyin!

Yes, Markos, I'm leaving, too.

But that's not part of the deal!

I agreed to get you the car
and let Thatcher go!

That's not part of the deal!

(TIRES SCREECHING)

We made it!
We actually made it!!

(DRAMATIC MUSIC)

Here we are, Mrs. Thatcher.

Thank you, Howard.

Hello, Barbara.

I thought I was early,
it's not quite 12:00.

I've been here since 11:30.

Courage building?

You know...

You know, Orin is such
a good, decent man.

He risked everything,
he risked his name...

his honor, even his life.

Hey, hey, hey...
you don't have to sell me.

Your husband is a brave man.
He deserves the best.

I think he has the best.

Then you already know
I've decided to stay with him?

Yeah.

I understand what you're going
through, I feel the same way...

but we both know that
this is the right thing to do.

Oh, Steve...

You have a wonderful way
of making things easier...

and harder at the same time.

Well, now that that's settled,
why don't I buy you lunch.

I can't stay.

(MELANCHOLY MUSIC)

Will the young lady
be coming back, sir?

She won't be coming back.

(END THEME MUSIC)