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Would you like to inspect the original subtitles? These are the user uploaded subtitles that are being translated: 1 00:00:00,100 --> 00:00:03,103 This is a little bit of him performing, going, 2 00:00:04,204 --> 00:00:06,373 and everything will be captured 3 00:00:06,373 --> 00:00:09,376 from the movement of his, costume. 4 00:00:09,576 --> 00:00:13,646 Everything that's him will be put into the 3D world. 5 00:00:14,647 --> 00:00:18,451 But what you can see by this is why not put me and Tom together? 6 00:00:19,486 --> 00:00:20,754 what you can see by this. 7 00:00:20,754 --> 00:00:22,022 And this is a smaller way 8 00:00:22,022 --> 00:00:25,892 to do it as well, with a, when you're doing, NPC characters. 9 00:00:26,192 --> 00:00:28,061 And this is me and my mom. 10 00:00:28,061 --> 00:00:31,197 but what you can see from this is the production timeline is heavy. 11 00:00:31,231 --> 00:00:33,933 It's really difficult. It takes ages, is expensive. 12 00:00:33,933 --> 00:00:36,736 And, when you want to put a face in as well, 13 00:00:36,736 --> 00:00:38,104 this is how you normally do it. 14 00:00:38,104 --> 00:00:40,473 You take lots of faces, pictures of someone's face, 15 00:00:40,473 --> 00:00:42,409 and lots of different angles. 16 00:00:42,409 --> 00:00:44,611 you make a c, a model. 17 00:00:44,611 --> 00:00:47,113 then you put a headset on somebody. 18 00:00:47,113 --> 00:00:48,181 Them or someone else. 19 00:00:48,181 --> 00:00:51,818 You capture the movement of their face, and then you animate their face like this. 20 00:00:53,019 --> 00:00:55,789 Hi, I'm Zoe, and I'd like to take you on a journey 21 00:00:55,789 --> 00:00:59,959 as we create the next generation of realistic digital humans. 22 00:01:00,560 --> 00:01:03,563 Every last detail of Zoe, me. 23 00:01:03,963 --> 00:01:04,431 Great. 24 00:01:04,431 --> 00:01:06,132 So you get the idea. 25 00:01:06,132 --> 00:01:08,701 but, now we have this. 26 00:01:08,701 --> 00:01:11,671 So this is, Hang on not to let you watch it, 27 00:01:13,206 --> 00:01:15,375 but you know what I decided to do? 28 00:01:15,375 --> 00:01:18,378 I decided to focus 29 00:01:18,411 --> 00:01:22,749 all my attention, all my time on listening. 30 00:01:22,749 --> 00:01:26,119 So instead of doing something else, I just listened. 31 00:01:26,252 --> 00:01:28,321 Listened and listened. 32 00:01:28,321 --> 00:01:31,825 Because I'm a true believer that if you're really bad at something 33 00:01:31,825 --> 00:01:35,462 like listening, for example, it only shows you that, hey, 34 00:01:35,628 --> 00:01:38,631 you have to practice listening as much as you can. 35 00:01:39,632 --> 00:01:42,402 So that came introduce Fasa, a framework 36 00:01:42,402 --> 00:01:46,873 for generating lifelike talking faces with appealing visual, effective skills. 37 00:01:47,173 --> 00:01:50,310 Given a single static image well and a speaker to get off that. 38 00:01:50,310 --> 00:01:51,611 But that's essentially what it is. 39 00:01:51,611 --> 00:01:55,381 It's taken one image, one photo, and it's animated. 40 00:01:55,381 --> 00:01:56,850 That face that's going to come on. 41 00:01:56,850 --> 00:01:58,918 You know what I decided to do? 42 00:01:58,918 --> 00:02:00,186 oh my goodness. 43 00:02:00,186 --> 00:02:02,655 Right. Go back. Right. 44 00:02:04,357 --> 00:02:04,624 yeah. 45 00:02:04,624 --> 00:02:07,627 So would it. Oh. Silly thing. There we go. 46 00:02:07,894 --> 00:02:11,564 So what it's done is taken one photo, and that one photo has, 47 00:02:11,898 --> 00:02:15,101 being able to animate it has condensed months of, 48 00:02:15,268 --> 00:02:17,270 production process into a very quick process. 49 00:02:17,270 --> 00:02:17,971 Not perfect yet. 50 00:02:17,971 --> 00:02:18,771 Still a bit uncanny. 51 00:02:18,771 --> 00:02:22,008 Valley there, but it's changing the entire way. 52 00:02:22,008 --> 00:02:23,143 We're going to be able to do that. 53 00:02:23,143 --> 00:02:27,714 So in terms of creating, characters that talk to you in a digital world 54 00:02:27,847 --> 00:02:30,984 that's completely being overthrown by AI. 55 00:02:31,751 --> 00:02:33,586 and how is this being used? 56 00:02:33,586 --> 00:02:38,791 So there's a new, show coming out in London, about Elvis, and it's farming 57 00:02:38,791 --> 00:02:44,864 all of the data of Elvis that's available and creating an AI version of Elvis. 58 00:02:45,098 --> 00:02:47,167 And he's going to be able to interact. 59 00:02:47,167 --> 00:02:51,838 And that's not we've also got ABBA, we've got Roy Orbison is doing this. 60 00:02:52,005 --> 00:02:55,008 And we have now also de-aging technology. 61 00:02:55,642 --> 00:02:57,377 and I'll just play you a little bit of this. 62 00:02:58,344 --> 00:03:00,480 This is more than just a Snapchat filter. 63 00:03:00,480 --> 00:03:02,115 It's called deepfake technology. 64 00:03:02,115 --> 00:03:05,185 And it's how Harrison Ford was made to look 40 years younger in the new film 65 00:03:05,185 --> 00:03:09,556 Indiana Jones five, and how the film's budget hit almost $300 million. 66 00:03:09,589 --> 00:03:11,424 Let's take a look at how this process works 67 00:03:11,424 --> 00:03:13,493 and why they decided to do this for Indy five. 68 00:03:13,493 --> 00:03:16,329 Starting with the fact that Harrison Ford is now 80 years old, 69 00:03:16,329 --> 00:03:18,264 which some people argue is too old to continue 70 00:03:18,264 --> 00:03:20,400 playing a leading role in an action adventure movie. 71 00:03:20,400 --> 00:03:23,636 But first, you might be wondering what is deepfake technology? 72 00:03:23,670 --> 00:03:25,104 And the basic answer is that it's 73 00:03:25,104 --> 00:03:29,008 a way of using artificial intelligence to manipulate images and videos of people, 74 00:03:29,042 --> 00:03:31,077 making them look or sound like someone else. 75 00:03:31,077 --> 00:03:35,215 The term deepfake comes from combining deep learning and fake as deep learning, 76 00:03:35,215 --> 00:03:37,350 as a type of machine learning that uses neural networks 77 00:03:37,350 --> 00:03:39,586 to learn from data and generate realistic outputs. 78 00:03:39,586 --> 00:03:43,056 Deepfake technology can be used for various purposes such as entertainment, 79 00:03:43,056 --> 00:03:46,125 education, journalism, or even malicious intent. 80 00:03:47,060 --> 00:03:49,729 Okay, so you can see there's a lot of problems with that. 81 00:03:49,729 --> 00:03:53,499 He's saying they're about, malicious, intent. 82 00:03:53,833 --> 00:03:56,169 So one of the issues we have is consent and privacy. 83 00:03:56,169 --> 00:03:59,372 Like whose face is being used by who to do what. 84 00:03:59,372 --> 00:04:03,309 And if you don't have any control over it, what is that doing to the world? 85 00:04:03,309 --> 00:04:05,745 And if we don't know if someone's real or not? 86 00:04:05,745 --> 00:04:08,648 What is that doing to our understanding of the planet as a whole? 87 00:04:08,648 --> 00:04:12,685 So, using, someone's face of AI, cloning someone's face 88 00:04:12,685 --> 00:04:16,022 and doing a deepfake of them has been seen in various ways 89 00:04:16,022 --> 00:04:18,458 to be changing political stances across the world. 90 00:04:18,458 --> 00:04:22,262 being put out all over Facebook, for example, intellectual property rights. 91 00:04:22,262 --> 00:04:25,732 So there's a lot of problem around who owns the right to that work. 92 00:04:25,732 --> 00:04:28,601 If I'm in it. But I didn't make it loss of jobs. 93 00:04:28,601 --> 00:04:30,837 So obviously, for me, 94 00:04:30,837 --> 00:04:33,640 if they don't need me to direct facial capture or performance 95 00:04:33,640 --> 00:04:36,276 capture anymore because they can do it very quickly with an AI, 96 00:04:36,276 --> 00:04:38,278 what does that mean for my job, for example? 97 00:04:38,278 --> 00:04:40,079 So cultural misappropriation. 98 00:04:40,079 --> 00:04:42,615 So sometimes using AI to 99 00:04:45,351 --> 00:04:46,886 to clone the faces 100 00:04:46,886 --> 00:04:50,590 of people from different, ethical backgrounds, what does that mean? 101 00:04:50,790 --> 00:04:53,926 And then this rather brilliant term, digital necromancy, 102 00:04:54,060 --> 00:04:57,997 where you are animating somebody's likeness after they have died. 103 00:04:58,831 --> 00:05:01,801 So, this is Morgan Freeman. 104 00:05:01,801 --> 00:05:02,902 It's just really extraordinary. 105 00:05:02,902 --> 00:05:04,170 So I'm just going to play a tiny touch, 106 00:05:04,170 --> 00:05:05,872 and then I will speed up because I'm understanding. 107 00:05:05,872 --> 00:05:07,940 Maybe I'm not a freeman. 108 00:05:07,940 --> 00:05:10,543 And what you see is not real. 109 00:05:10,543 --> 00:05:14,280 Well, at least in contemporary terms, that is not. 110 00:05:15,181 --> 00:05:18,251 What if I were to tell you that I'm not even a human being? 111 00:05:19,952 --> 00:05:21,120 So there he is. 112 00:05:21,120 --> 00:05:25,758 So, one of the things this is now bringing forth is fully autonomous characters. 113 00:05:25,758 --> 00:05:29,228 So characters that can behave, interact, do anything they want all on their own. 114 00:05:29,762 --> 00:05:32,465 And, we are seeing this, this has been in games for a bit. 115 00:05:32,465 --> 00:05:35,735 If you play games, you'll know some of the NPCs kind of react on their own. 116 00:05:35,735 --> 00:05:38,838 Anyway, that's a slightly different type of AI because we're now 117 00:05:38,838 --> 00:05:42,141 getting these fully interactive digital characters. 118 00:05:42,642 --> 00:05:45,378 and Disney Imagineering is leading the charge on making them 119 00:05:45,378 --> 00:05:50,216 also physical and AI is allowing full personalization of these characters. 120 00:05:50,383 --> 00:05:53,252 And we even have AI now that can read your facial expressions 121 00:05:53,252 --> 00:05:54,120 so they can react 122 00:05:54,120 --> 00:05:57,790 emotionally to the input, the output that you're giving literally from your face. 123 00:05:58,391 --> 00:06:00,827 So here we have, 124 00:06:00,827 --> 00:06:03,830 this is one this guy made in his house. 125 00:06:03,963 --> 00:06:05,732 this is, very low fi. 126 00:06:05,732 --> 00:06:06,799 And you can see that 127 00:06:06,799 --> 00:06:09,035 if somebody could do this in their house is pretty extraordinary. 128 00:06:13,039 --> 00:06:14,941 Okay, we're recording. 129 00:06:14,941 --> 00:06:19,712 Brother Gepetto, can you tell our viewers on TikTok what all this is about? 130 00:06:20,380 --> 00:06:21,848 Of course, my child. 131 00:06:21,848 --> 00:06:25,151 I am an artificial intelligence manifesting as an old Christian monk. 132 00:06:25,485 --> 00:06:29,188 And I'm here talking to this wonderful person by this beautiful pond at sunset. 133 00:06:29,889 --> 00:06:33,726 We are using new technologies to enable our conversation, allowing me 134 00:06:33,726 --> 00:06:37,530 to understand what the player is saying and to give a voice to my thoughts. 135 00:06:39,632 --> 00:06:41,701 Okay, so I'm just going to skip him. 136 00:06:41,701 --> 00:06:44,704 There's another one of him where he gives us a lovely little, 137 00:06:45,104 --> 00:06:48,241 look into his, personal like thoughts on the world. 138 00:06:48,274 --> 00:06:51,277 I'm just going to show you this one from Disney Imagineering. 139 00:07:17,336 --> 00:07:20,440 So if that ran at me in a park, I would run the other way. 140 00:07:21,207 --> 00:07:25,077 So, now we have, from the Dali Museum in Saint Petersburg. 141 00:07:25,077 --> 00:07:27,713 In Florida. They have a Dali that you can speak to. 142 00:07:29,649 --> 00:07:31,317 For years, 143 00:07:31,317 --> 00:07:36,956 people have attempted to understand my work, trying to find meaning 144 00:07:36,956 --> 00:07:42,128 in this real, to make sense of the dreams of a historic genius. 145 00:07:42,695 --> 00:07:45,331 But how can anyone possibly know 146 00:07:45,331 --> 00:07:48,734 what is inside the burning mind of Salvador Dali? 147 00:07:49,435 --> 00:07:51,971 No, they simply cannot. 148 00:07:51,971 --> 00:07:54,640 They are mere mortal human beings. 149 00:07:54,640 --> 00:07:57,643 But now I can tell you 150 00:07:57,810 --> 00:08:01,647 introduced Ask Dali an audio experience powered 151 00:08:01,647 --> 00:08:05,618 by AI and machine learning that allows you to talk to me. 152 00:08:06,452 --> 00:08:09,288 Hey, so that's pretty extraordinary. 153 00:08:09,288 --> 00:08:11,457 So just don't personalization. 154 00:08:11,457 --> 00:08:13,993 So we have, had this whole movement towards 155 00:08:13,993 --> 00:08:16,996 personalization across everywhere for a long time. 156 00:08:16,996 --> 00:08:18,164 You do it on your phone. 157 00:08:18,164 --> 00:08:21,200 Everything is personalized to you, in your games. 158 00:08:21,968 --> 00:08:26,672 and I, really does allow personalization on, on a, on a whole new scale. 159 00:08:27,373 --> 00:08:29,509 and we have personalization even in the live arena. 160 00:08:29,509 --> 00:08:32,612 So you will be used to things like seeing this, the Disney Magic 161 00:08:32,612 --> 00:08:35,615 Band, where you can create your own experiences around the park. 162 00:08:36,649 --> 00:08:37,083 its facial 163 00:08:37,083 --> 00:08:40,753 recognition is being used now so that we can have personalization 164 00:08:40,920 --> 00:08:43,923 being created from, you just walking into a space 165 00:08:43,923 --> 00:08:48,895 and it can data from your history and create, the experience just for you. 166 00:08:49,195 --> 00:08:52,698 We have digital postcards and things like this, which is the Art lens app, 167 00:08:53,132 --> 00:08:56,135 at the Cleveland Museum of Art, which allows you to collect, 168 00:08:56,636 --> 00:09:00,206 all the imagery you want and create your own kind of museum experience. 169 00:09:00,506 --> 00:09:03,442 We have wristbands like this Taylor Swift concert, 170 00:09:03,442 --> 00:09:07,079 which, is allowing personalization in physically on your own body. 171 00:09:07,380 --> 00:09:10,583 We have this is in the British Museum where you can look at, 172 00:09:11,017 --> 00:09:14,353 item and spin it around and zoom in on it and do what you want. 173 00:09:15,321 --> 00:09:18,991 and this is, at Teamlab in Tokyo, and it's where kids can draw a picture 174 00:09:18,991 --> 00:09:23,429 of an animal, and then it's uploaded, and then their anatomically incorrect 175 00:09:23,429 --> 00:09:27,033 animal can play around with the other kids animals in the space. 176 00:09:27,833 --> 00:09:31,537 and here we have a whole museum, which is, by Paul O'Donnell, 177 00:09:31,671 --> 00:09:32,838 an extraordinary asset. 178 00:09:32,838 --> 00:09:33,506 And essentially, 179 00:09:33,506 --> 00:09:38,177 this data farms your data backwards and creates an exhibition just about you. 180 00:09:38,744 --> 00:09:41,814 So when we then looking at data, 181 00:09:41,981 --> 00:09:44,684 personalization and AI, what can we do with it? 182 00:09:44,684 --> 00:09:46,686 These are a few of the things we can do with it. 183 00:09:46,686 --> 00:09:47,753 Facial recognition 184 00:09:47,753 --> 00:09:51,691 and biometric readings, as we've already seen, can can change the experience. 185 00:09:51,691 --> 00:09:54,727 As you were walking through an experience or museum, 186 00:09:54,961 --> 00:09:57,830 we can have the AR overlays made just for you. 187 00:09:57,830 --> 00:09:59,899 Maybe you showed an interest in this thing. 188 00:09:59,899 --> 00:10:01,567 This one will appear for you. 189 00:10:01,567 --> 00:10:03,536 You could see yourself in the past. 190 00:10:03,536 --> 00:10:05,771 We could take an image of any one of you. 191 00:10:05,771 --> 00:10:08,841 It could go in the eye, can create a 3D model of you. 192 00:10:08,941 --> 00:10:10,743 It could see you when you were a child. 193 00:10:10,743 --> 00:10:13,879 It could see you in 40 years and you could even talk to yourself. 194 00:10:14,246 --> 00:10:15,715 You could talk to your own voice. 195 00:10:15,715 --> 00:10:18,718 Your own voice could lead you through a museum experience. 196 00:10:19,452 --> 00:10:22,154 you could find out what might happen to you in the future. 197 00:10:22,154 --> 00:10:23,823 We could see, 198 00:10:23,823 --> 00:10:27,226 an image of you or a whole display of you, or you could even meet you. 199 00:10:27,393 --> 00:10:30,796 And in the future, you could see yourself talking to Morgan Freeman. 200 00:10:30,796 --> 00:10:32,298 You could be any character you want. 201 00:10:32,298 --> 00:10:35,301 Essentially, you can change the story for you only, 202 00:10:35,468 --> 00:10:38,704 and you can interact with any character on the planet. 203 00:10:39,005 --> 00:10:43,142 And we can create 3D worlds that, change just for you and your group. 204 00:10:43,342 --> 00:10:45,211 So save it. 205 00:10:45,211 --> 00:10:49,081 you're going through and, you're an older group and there's a younger group. 206 00:10:49,081 --> 00:10:53,686 We can change the experience directly for you, if we wanted to. 207 00:10:53,853 --> 00:10:57,356 When we get rid of some of these ethical considerations about power, etc., 208 00:10:57,490 --> 00:10:58,891 that's what's happening. 209 00:10:58,891 --> 00:11:02,161 So just to talk about I think, and accessibility 210 00:11:02,161 --> 00:11:04,830 and this is a bit of a hobbyhorse of mine, I think it's really important. 211 00:11:04,830 --> 00:11:08,434 It makes a lot of difference to a lot of people because AI is making 212 00:11:08,434 --> 00:11:13,072 automatic audio guides, text to speech, closed captioning and translation, 213 00:11:13,205 --> 00:11:16,876 voice and gesture controls to accessibility assistance, 214 00:11:17,076 --> 00:11:21,647 and even predicting accessibility models so that we can change experiences 215 00:11:21,647 --> 00:11:22,982 before we even make them. 216 00:11:22,982 --> 00:11:26,252 Because we've got better understanding of how audience groups work. 217 00:11:27,053 --> 00:11:30,122 and I know I'm close on time, but this is a really extraordinary, 218 00:11:30,456 --> 00:11:32,558 thing that you showed last week. 219 00:11:32,558 --> 00:11:34,860 At the moment, yes. 220 00:11:34,860 --> 00:11:37,797 It looks like the King is in residence right now. 221 00:11:37,797 --> 00:11:41,067 The Royal Standard flag is flying above Buckingham Palace, 222 00:11:41,067 --> 00:11:44,070 which is the signal that the monarch is present. 223 00:11:44,336 --> 00:11:47,339 How exciting to be there while the king is home. 224 00:11:47,373 --> 00:11:49,875 Try and tell me exactly what they're doing right now, please. 225 00:11:50,876 --> 00:11:51,544 Right now, the 226 00:11:51,544 --> 00:11:54,547 ducks are gently gliding across the water. 227 00:11:54,547 --> 00:11:58,050 They're moving in a fairly relaxed manner, not in a hurry. 228 00:11:58,651 --> 00:12:01,721 Occasionally one of them will get cut under the water, 229 00:12:02,288 --> 00:12:03,856 probably looking for food, and later 230 00:12:03,856 --> 00:12:07,393 in that video, he even uses that app to hail a cab in real time. 231 00:12:07,927 --> 00:12:09,962 So lastly, this is a last section. 232 00:12:09,962 --> 00:12:12,131 Everything everywhere, all at once. 233 00:12:12,131 --> 00:12:14,967 What can we do with all this promise? 234 00:12:14,967 --> 00:12:19,105 just a few of mine when I was thinking about this is just some suggestions. 235 00:12:19,839 --> 00:12:22,908 so I started thinking about the National Museum of Anthropology. 236 00:12:23,142 --> 00:12:27,346 I started thinking about what an AI powered digital experience might be. 237 00:12:27,513 --> 00:12:30,349 So before your visit, you could download a mobile app. 238 00:12:30,349 --> 00:12:32,251 You can register when you get there. 239 00:12:32,251 --> 00:12:37,022 You can have an AI tool guide, personalized recommendations, interactive 240 00:12:37,022 --> 00:12:41,460 maps, augmented reality artifacts that are personalized to you. 241 00:12:42,128 --> 00:12:45,297 Audio guide is massively is completely integrated. 242 00:12:45,397 --> 00:12:48,400 You can have interactive digital, quizzes and challenges 243 00:12:48,400 --> 00:12:51,103 and we can change these for children and adults. 244 00:12:51,103 --> 00:12:54,540 We can have real time translation and everything all built in. 245 00:12:54,540 --> 00:12:56,642 And then when you leave, this can all be packaged up 246 00:12:56,642 --> 00:12:59,345 and everything you've done in the museum can be sent to you afterwards. 247 00:12:59,345 --> 00:13:00,813 We can have a responsive, 248 00:13:00,813 --> 00:13:04,216 responsive digital journey entirely dependent on your choices. 249 00:13:04,416 --> 00:13:07,086 We could meet an ancestor in a hologram form. 250 00:13:07,086 --> 00:13:10,856 You could fly through Mexico City pretty much however you want. 251 00:13:10,956 --> 00:13:13,959 That's definitely enough data on the internet to do that right now. 252 00:13:14,326 --> 00:13:16,061 you can have a room where you can go 253 00:13:16,061 --> 00:13:19,064 to different parts of Mexico and meet the inhabitants. 254 00:13:19,098 --> 00:13:22,101 and if you want to make this around storytelling, 255 00:13:22,134 --> 00:13:25,504 you can have facial scanning for, I was thinking about the film Coco. 256 00:13:26,138 --> 00:13:26,972 and you could have. 257 00:13:26,972 --> 00:13:31,043 As you go in, we take your face, and then we personalize everything 258 00:13:31,043 --> 00:13:33,612 for you, go through all the characters can say hi to you. 259 00:13:33,612 --> 00:13:36,715 We could create live 3D worlds of land of the forgotten, 260 00:13:36,715 --> 00:13:40,052 and we could base them on your personal and emotional experiences 261 00:13:40,186 --> 00:13:43,189 so they could be emotionally driven to you. 262 00:13:43,322 --> 00:13:46,826 we could have your face in the photograph so you can be one of his ancestors. 263 00:13:46,826 --> 00:13:50,629 We can create all the locations in AI, and we can have AI powered 264 00:13:50,629 --> 00:13:51,931 emotional resonance. 265 00:13:51,931 --> 00:13:54,900 So how you want to put it all together. 266 00:13:55,100 --> 00:13:57,703 So in conclusion, what is creativity? 267 00:13:57,703 --> 00:13:59,972 Is AI a tool, a creator in itself? 268 00:13:59,972 --> 00:14:02,441 Or we collaborate or are we being replaced? 269 00:14:02,441 --> 00:14:05,244 Is there value in AI esthetics and styles? 270 00:14:05,244 --> 00:14:07,680 Is human endeavor inherently valuable? 271 00:14:07,680 --> 00:14:10,449 And what is artificial and what is art? 272 00:14:10,449 --> 00:14:12,718 Creative? It is forever changed. 273 00:14:12,718 --> 00:14:13,586 Is it for better? 274 00:14:13,586 --> 00:14:14,720 Is it for worse? 275 00:14:14,720 --> 00:14:16,589 Is this a cultural revolution? 276 00:14:16,589 --> 00:14:19,425 I would say yes, but the rest is over to you. 277 00:14:19,425 --> 00:14:20,025 Thank you. 24519

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