All language subtitles for The.Wonder.Years.S03E05.DVDRip.x264-DEiMOS-ing

af Afrikaans
ak Akan
sq Albanian
am Amharic
ar Arabic
hy Armenian
az Azerbaijani
eu Basque
be Belarusian
bem Bemba
bn Bengali
bh Bihari
bs Bosnian
br Breton
bg Bulgarian
km Cambodian
ca Catalan
ceb Cebuano
chr Cherokee
ny Chichewa
zh-CN Chinese (Simplified)
zh-TW Chinese (Traditional)
co Corsican
hr Croatian
cs Czech
da Danish
nl Dutch
en English
eo Esperanto
et Estonian
ee Ewe
fo Faroese
tl Filipino
fi Finnish
fr French
fy Frisian
gaa Ga
gl Galician
ka Georgian
de German
el Greek
gn Guarani
gu Gujarati
ht Haitian Creole
ha Hausa
haw Hawaiian
iw Hebrew
hi Hindi
hmn Hmong
hu Hungarian
is Icelandic
ig Igbo
id Indonesian
ia Interlingua
ga Irish
it Italian
ja Japanese
jw Javanese
kn Kannada
kk Kazakh
rw Kinyarwanda
rn Kirundi
kg Kongo
ko Korean
kri Krio (Sierra Leone)
ku Kurdish
ckb Kurdish (Soranî)
ky Kyrgyz
lo Laothian
la Latin
lv Latvian
ln Lingala
lt Lithuanian
loz Lozi
lg Luganda
ach Luo
lb Luxembourgish
mk Macedonian
mg Malagasy
ms Malay
ml Malayalam
mt Maltese
mi Maori
mr Marathi
mfe Mauritian Creole
mo Moldavian
mn Mongolian
my Myanmar (Burmese)
sr-ME Montenegrin
ne Nepali
pcm Nigerian Pidgin
nso Northern Sotho
no Norwegian
nn Norwegian (Nynorsk)
oc Occitan
or Oriya
om Oromo
ps Pashto
fa Persian
pl Polish
pt-BR Portuguese (Brazil)
pt Portuguese (Portugal)
pa Punjabi
qu Quechua
ro Romanian
rm Romansh
nyn Runyakitara
ru Russian
sm Samoan
gd Scots Gaelic
sr Serbian
sh Serbo-Croatian
st Sesotho
tn Setswana
crs Seychellois Creole
sn Shona
sd Sindhi
si Sinhalese
sk Slovak
sl Slovenian
so Somali
es Spanish Download
es-419 Spanish (Latin American)
su Sundanese
sw Swahili
sv Swedish
tg Tajik
ta Tamil
tt Tatar
te Telugu
th Thai
ti Tigrinya
to Tonga
lua Tshiluba
tum Tumbuka
tr Turkish
tk Turkmen
tw Twi
ug Uighur
uk Ukrainian
ur Urdu
uz Uzbek
vi Vietnamese
cy Welsh
wo Wolof
xh Xhosa
yi Yiddish
yo Yoruba
zu Zulu
Would you like to inspect the original subtitles? These are the user uploaded subtitles that are being translated: 1 00:00:01,468 --> 00:00:06,282 -♪ WHAT WOULD YOU DO IF I SANG OUT OF TUNE? ♪ 2 00:00:06,306 --> 00:00:11,521 ♪ WOULD YOU STAND UP AND WALK OUT ON ME? ♪ 3 00:00:11,545 --> 00:00:17,461 ♪ LEND ME YOUR EARS, AND I'LL SING YOU A SONG ♪ 4 00:00:17,485 --> 00:00:21,164 ♪ I WILL TRY NOT TO SING OUT OF KEY, YEAH ♪ 5 00:00:21,188 --> 00:00:25,368 ♪ OH, BABY, I GET BY ♪ - ♪ BY WITH A LITTLE HELP FROM MY FRIENDS ♪ 6 00:00:25,392 --> 00:00:26,836 -♪ ALL I NEED IS MY BUDDIES ♪ 7 00:00:26,860 --> 00:00:29,906 -♪ HIGH WITH A LITTLE HELP FROM MY FRIENDS ♪ 8 00:00:29,930 --> 00:00:35,145 -♪ I'M SAYIN' I'M GONNA GET HIGHER ♪ - ♪ TRY WITH A LITTLE HELP FROM MY FRIENDS ♪ 9 00:00:35,169 --> 00:00:40,739 - ♪ WHOA-OA-OA-OA, YEAH ♪ - ♪ OOH, OOH, OOH ♪ 10 00:00:47,181 --> 00:00:49,292 -ROBERT F. KENNEDY JUNIOR HIGH 11 00:00:49,316 --> 00:00:53,063 HAD A LONG, PROUD THEATRICAL TRADITION. 12 00:00:53,087 --> 00:00:55,298 WHO COULD FORGET SCOTTY GRUENWALD'S 13 00:00:55,322 --> 00:00:58,534 TORTURED JOHN PROCTOR IN "THE CRUCIBLE" 14 00:00:58,558 --> 00:01:01,237 OR TONY FARANUCCI'S TOWERING TEVYE 15 00:01:01,261 --> 00:01:03,273 IN "FIDDLER ON THE ROOF"? 16 00:01:03,297 --> 00:01:05,175 SURE, IT WASN'T BROADWAY. 17 00:01:05,199 --> 00:01:09,212 BUT FOR MANY OF US, THE EXCITEMENT OF AN OPENING NIGHT 18 00:01:09,236 --> 00:01:11,914 BROUGHT OUT ONE UNDENIABLE FEELING. 19 00:01:11,938 --> 00:01:14,584 TOTAL APATHY. 20 00:01:18,846 --> 00:01:21,624 -STUDENTS, IF I MAY, A MOMENT OF YOUR TIME. 21 00:01:23,951 --> 00:01:26,796 STUDENTS! 22 00:01:26,820 --> 00:01:28,331 - WHO'S THAT? - SHH. 23 00:01:28,355 --> 00:01:31,134 IT'S MR. WEBER, THE NEW DRAMATICS TEACHER. 24 00:01:31,158 --> 00:01:33,736 -GEEK. 25 00:01:33,760 --> 00:01:35,171 -DEFINITE GEEK. 26 00:01:35,195 --> 00:01:37,139 -HE'S NOT A GEEK. 27 00:01:37,163 --> 00:01:39,676 HE'S JUST... DRAMATIC. 28 00:01:42,469 --> 00:01:45,181 -THE FALL PLAY THIS YEAR 29 00:01:45,205 --> 00:01:48,251 WILL BE THORNTON WILDER'S "OUR TOWN." 30 00:01:48,275 --> 00:01:51,588 AUDITIONS WILL TAKE PLACE THIS AFTERNOON. 31 00:01:51,612 --> 00:01:53,690 I INVITE ALL OF YOU TO COME. 32 00:01:53,714 --> 00:02:00,385 BE A PART OF THIS HAUNTING TAPESTRY OF MEMORY AND DREAMS. 33 00:02:06,894 --> 00:02:09,205 -AT THE BUZZER. HE SHOOTS. 34 00:02:09,229 --> 00:02:10,874 -DO YOU THINK I SHOULD DO IT? 35 00:02:10,898 --> 00:02:12,108 -DO WHAT? 36 00:02:12,132 --> 00:02:13,243 -TRY OUT FOR THE PLAY. 37 00:02:13,267 --> 00:02:14,510 -YOU'RE KIDDING, RIGHT? 38 00:02:14,534 --> 00:02:17,013 -I'D HAD SOME EXPERIENCE IN THIS FIELD MYSELF... 39 00:02:17,037 --> 00:02:19,048 LAST YEAR IN MISS WHITE'S CLASS... 40 00:02:19,072 --> 00:02:21,451 SO I KNEW WHEREOF I SPOKE. 41 00:02:21,475 --> 00:02:22,919 -NO. THAT'D BE A BAD IDEA, WINNIE. 42 00:02:22,943 --> 00:02:25,755 -WHY? I THINK IT COULD BE FUN. 43 00:02:25,779 --> 00:02:27,623 -FUN? 44 00:02:27,647 --> 00:02:30,126 DO YOU KNOW HOW MANY SPEECHES YOU HAVE TO MEMORIZE? 45 00:02:30,150 --> 00:02:32,228 I MEAN, IT'S LIKE TAKING 18 BIOLOGY TESTS. 46 00:02:32,252 --> 00:02:33,730 -I'M A PRETTY GOOD MEMORIZER. 47 00:02:33,754 --> 00:02:35,631 NOT TO MENTION IT'S HORRIBLE. 48 00:02:35,655 --> 00:02:38,067 I MEAN, YOU'RE STANDING OUT THERE ALL ALONE, 49 00:02:38,091 --> 00:02:39,736 AND YOUR... YOUR EARS START TO SWEAT. 50 00:02:39,760 --> 00:02:41,640 NO. NO. I DON'T RECOMMEND IT. 51 00:02:43,163 --> 00:02:46,076 -I PROBABLY WOULDN'T BE GOOD ANYWAY. 52 00:02:46,100 --> 00:02:48,745 -OKAY, SO I'D RAINED ON HER PARADE. 53 00:02:48,769 --> 00:02:50,714 I HAD TO SET HER STRAIGHT. 54 00:02:50,738 --> 00:02:54,751 NO ONE IN THEIR RIGHT MIND VOLUNTEERS TO BE IN A PLAY. 55 00:02:54,775 --> 00:02:57,220 -I'M GONNA TRY OUT FOR THAT PLAY. HOW ABOUT YOU? 56 00:02:57,244 --> 00:03:00,957 -SAYS HERE YOU GET OUT OF SEVENTH PERIOD FOR REHEARSALS. 57 00:03:00,981 --> 00:03:03,226 -SEVENTH PERIOD? 58 00:03:03,250 --> 00:03:05,729 GYM?! 59 00:03:05,753 --> 00:03:07,297 -COUNT ME IN. 60 00:03:07,321 --> 00:03:10,566 -WELCOME. THANK YOU ALL FOR COMING. 61 00:03:10,590 --> 00:03:12,602 -MAYBE THIS GUY WEBER WAS A GEEK, 62 00:03:12,626 --> 00:03:15,404 BUT HE WAS A SMART GEEK. 63 00:03:15,428 --> 00:03:20,042 -THEATER OFFERS YOU A CHANCE TO SURPRISE YOURSELF, 64 00:03:20,066 --> 00:03:23,780 TO FIND A PART OF YOU YOU DIDN'T KNOW YOU HAVE. 65 00:03:23,804 --> 00:03:28,618 CHOOSE A ROLE THAT SPEAKS TO YOU IN SOME WAY. 66 00:03:28,642 --> 00:03:31,187 -I THINK I'LL TRY OUT FOR THE STAGE MANAGER. 67 00:03:31,211 --> 00:03:32,255 -ARE YOU CRAZY? 68 00:03:32,279 --> 00:03:34,323 THAT'S THE BIGGEST PART IN THE PLAY. 69 00:03:34,347 --> 00:03:36,693 -YEAH. I NOTICED. 70 00:03:36,717 --> 00:03:41,163 -THAT WAS PAUL FOR YOU... PART HAM, MOSTLY BALONEY. 71 00:03:41,187 --> 00:03:44,133 ME, I WAS LOOKING FOR SOMETHING WITH LESS VISIBILITY, 72 00:03:44,157 --> 00:03:46,203 PREFERABLY WITH NO LINES TO LEARN, 73 00:03:46,227 --> 00:03:48,793 SOMETHING SIMPLE, LIKE... 74 00:03:50,731 --> 00:03:52,141 -BINGO. 75 00:03:52,165 --> 00:03:54,544 - SPOTLIGHT OPERATOR. 76 00:03:54,568 --> 00:03:56,946 EAT YOUR HEART OUT, SEVENTH PERIOD. 77 00:03:56,970 --> 00:03:59,515 PAUL PFEIFFER. 78 00:03:59,539 --> 00:04:02,919 "THE NAME OF OUR TOWN IS GROVER'S CORNERS, NEW HAMPSHIRE, 79 00:04:02,943 --> 00:04:05,221 JUST ACROSS THE MASSACHUSETTS LINE." 80 00:04:05,245 --> 00:04:08,023 -YEP. NOT FOR ME, THE PRESSURES OF AUDITIONING. 81 00:04:08,047 --> 00:04:10,293 HECK, THIS THING WOULDN'T EVEN BE TURNED ON 82 00:04:10,317 --> 00:04:12,062 TILL THE NIGHT BEFORE THE PLAY. 83 00:04:12,086 --> 00:04:14,363 -"THE FIRST ACT SHOWS A DAY IN OUR TOWN. 84 00:04:14,387 --> 00:04:18,000 "THE DATE IS MAY 7, 1901. 85 00:04:18,024 --> 00:04:22,839 THE TIME IS JUST BEFORE DAWN." 86 00:04:22,863 --> 00:04:24,307 -THANK YOU, MR. PFEIFFER. 87 00:04:24,331 --> 00:04:25,575 THAT WAS, UH... 88 00:04:25,599 --> 00:04:27,911 UNIQUE. 89 00:04:27,935 --> 00:04:29,600 -THANKS! 90 00:04:31,138 --> 00:04:32,615 -AH. 91 00:04:32,639 --> 00:04:35,418 GWENDOLYN COOPER READING FOR THE PART OF EMILY. 92 00:04:35,442 --> 00:04:36,775 -BUT WAIT A MINUTE. 93 00:04:39,546 --> 00:04:40,956 -WINNIE, WHAT ARE YOU DOING? 94 00:04:40,980 --> 00:04:44,560 -"AS FOR ME, I'D RATHER HAVE MY CHILDREN HEALTHY 95 00:04:44,584 --> 00:04:46,195 THAN BRIGHT." 96 00:04:46,219 --> 00:04:48,164 -"I'M BOTH, MAMA. YOU KNOW I AM. 97 00:04:48,188 --> 00:04:50,834 "I'M THE BRIGHTEST GIRL IN SCHOOL FOR MY AGE. 98 00:04:50,858 --> 00:04:52,657 I HAVE A WONDERFUL MEMORY." 99 00:04:54,294 --> 00:04:56,372 -WELL, SHE COULDN'T SAY I DIDN'T WARN HER. 100 00:04:56,396 --> 00:04:58,975 -"EMILY, WALK SIMPLY. 101 00:04:58,999 --> 00:05:00,476 WHO DO YOU THINK YOU ARE TODAY?" 102 00:05:00,500 --> 00:05:01,811 -"PAPA, YOU'RE TERRIBLE. 103 00:05:01,835 --> 00:05:03,646 "ONE MINUTE YOU'RE TELLING ME TO STAND UP STRAIGHT, 104 00:05:03,670 --> 00:05:05,414 AND THE NEXT MINUTE, YOU CALL ME NAMES." 105 00:05:05,438 --> 00:05:07,383 -STILL, SHE WASN'T AWFUL. 106 00:05:07,407 --> 00:05:09,919 -"I JUST CAN'T SLEEP YET, PAPA. 107 00:05:09,943 --> 00:05:11,954 "THE MOONLIGHT'S SO WONDERFUL. 108 00:05:11,978 --> 00:05:15,191 AND THE SMELL OF MRS. GIBBS'..." 109 00:05:15,215 --> 00:05:17,060 -HELIOTROPE. 110 00:05:17,084 --> 00:05:18,761 - "...HELIOTROPE." 111 00:05:19,786 --> 00:05:22,019 "CAN YOU SMELL IT?" 112 00:05:23,557 --> 00:05:26,336 -YOU HAD TO ADMIRE HER GUTS. 113 00:05:26,360 --> 00:05:29,161 -THANK YOU, GWENDOLYN. 114 00:05:34,734 --> 00:05:36,546 -I JUST HOPED SHE WOULDN'T BE TOO CRUSHED 115 00:05:36,570 --> 00:05:38,014 WHEN SHE DIDN'T GET THE PART. 116 00:05:38,038 --> 00:05:39,516 -I GOT THE PART! 117 00:05:39,540 --> 00:05:43,118 -YEAH. WELL, UH... I FIGURED YOU WOULD. 118 00:05:43,142 --> 00:05:44,621 -ISN'T IT AMAZING?! 119 00:05:44,645 --> 00:05:45,755 -YEAH. 120 00:05:45,779 --> 00:05:47,690 UH, I MEAN NO. 121 00:05:47,714 --> 00:05:49,025 -I HAVE TO GO. 122 00:05:49,049 --> 00:05:51,560 I HAVE TO CALL MY MOM AT HOME AND MY DAD IN CHICAGO. 123 00:05:51,584 --> 00:05:53,552 WHAT TIME IS IT IN CHICAGO? 124 00:05:56,657 --> 00:05:58,697 -WELL, IT WAS GOOD TO SEE HER SMILING. 125 00:06:02,328 --> 00:06:05,674 BUT THERE'S A BROKEN HEART FOR EVERY LIGHT ON BROADWAY. 126 00:06:05,698 --> 00:06:08,044 STRUCK OUT. 127 00:06:08,068 --> 00:06:09,579 -YOU DIDN'T GET A PART? 128 00:06:09,603 --> 00:06:13,015 -NOT EVEN THE BELLIGERENT MAN IN THE BACK OF THE AUDITORIUM. 129 00:06:13,039 --> 00:06:16,920 "IS THERE NO ONE IN TOWN AWARE OF SOCIAL INJUSTICE 130 00:06:16,944 --> 00:06:19,022 AND INDUSTRIAL INEQUALITY?" 131 00:06:19,046 --> 00:06:20,523 -HUH? 132 00:06:20,547 --> 00:06:22,491 -THAT'S THE BELLIGERENT MAN'S LINE. 133 00:06:22,515 --> 00:06:25,328 I COULDN'T GET IT. 134 00:06:25,352 --> 00:06:26,463 NOW WE'LL NEVER KNOW 135 00:06:26,487 --> 00:06:28,898 IF THERE IS A PART OF ME I DIDN'T KNOW I HAD. 136 00:06:30,256 --> 00:06:31,433 -I'LL TELL YOU WHAT. 137 00:06:31,457 --> 00:06:33,936 WHY DON'T YOU WORK THE SPOTLIGHT WITH ME? 138 00:06:33,960 --> 00:06:35,304 -THE SPOTLIGHT? 139 00:06:35,328 --> 00:06:36,339 -YEAH. WHY NOT? 140 00:06:36,363 --> 00:06:38,107 YOU KNOW, MR. WEBER SAYS THAT LIGHTING 141 00:06:38,131 --> 00:06:40,110 IS LIKE ANOTHER CHARACTER IN THE PLAY. 142 00:06:40,134 --> 00:06:41,811 -HE SAID THAT? 143 00:06:41,835 --> 00:06:43,912 -AND BESIDES, WE GET OUT OF SEVENTH PERIOD AND... 144 00:06:43,936 --> 00:06:45,347 -A MAJOR CHARACTER? 145 00:06:45,371 --> 00:06:47,216 -UH-OH. I KNEW THAT LOOK... 146 00:06:47,240 --> 00:06:50,252 THE LOOK OF A MAN POSSESSED. 147 00:06:50,276 --> 00:06:51,887 -I THINK IT SOUNDS LIKE FUN. 148 00:06:51,911 --> 00:06:54,557 I USED TO LOVE SCHOOL PLAYS. 149 00:06:54,581 --> 00:06:56,960 -WHAT ARE YOU PLAYING, A BUTTERCUP? 150 00:06:56,984 --> 00:06:57,960 HEH. 151 00:06:57,984 --> 00:06:59,395 - "OUR TOWN." 152 00:06:59,419 --> 00:07:02,364 THAT'S THE ONE ABOUT THE GIRL WHO FALLS IN LOVE 153 00:07:02,388 --> 00:07:03,766 AND THEN SHE DIES, 154 00:07:03,790 --> 00:07:06,569 BUT SHE COMES BACK FOR ONE LAST VISIT TO SEE HER FAMILY? 155 00:07:06,593 --> 00:07:09,004 -MOM, "OUR TOWN" IS AN INDICTMENT 156 00:07:09,028 --> 00:07:10,607 OF THE MEANINGLESSNESS 157 00:07:10,631 --> 00:07:12,975 OF BOURGEOIS MIDDLE-CLASS EXISTENCE. 158 00:07:12,999 --> 00:07:14,744 -OH. 159 00:07:14,768 --> 00:07:17,112 -HOW MUCH IS IT GONNA COST ME? 160 00:07:17,136 --> 00:07:19,982 -DAD, AS ALWAYS, HAD HIS OWN PERSPECTIVE ON THE ARTS. 161 00:07:20,006 --> 00:07:21,050 -JACK. 162 00:07:21,074 --> 00:07:22,640 -JUST ASKING. 163 00:07:24,144 --> 00:07:25,588 -WHO ELSE IS IN IT? 164 00:07:25,612 --> 00:07:28,557 -UH, NO ONE... 165 00:07:28,581 --> 00:07:30,459 EXCEPT WINNIE. 166 00:07:30,483 --> 00:07:32,928 -WELL, THEN WE HAVE TO GO. 167 00:07:32,952 --> 00:07:34,363 -HUH? 168 00:07:34,387 --> 00:07:36,265 -NICE GOING, BUTTHEAD. 169 00:07:36,289 --> 00:07:37,433 -LOOK, MOM, IT'S REALLY NOT... 170 00:07:37,457 --> 00:07:39,690 -KEVIN, GET TICKETS FOR ALL OF US. 171 00:07:44,764 --> 00:07:46,709 -I ALWAYS EXPECT A MAN TO BE PERFECT, 172 00:07:46,733 --> 00:07:48,277 AND I THINK HE SHOULD BE. 173 00:07:48,301 --> 00:07:52,715 -OH, I-I DON'T THINK IT'S POSSIBLE TO BE PERFECT, EMILY. 174 00:07:52,739 --> 00:07:56,518 -MY OWN OPINION WAS MY DAD HAD THE RIGHT IDEA. 175 00:07:56,542 --> 00:07:58,621 WHAT WAS THE BIG DEAL ABOUT ALL THIS? 176 00:07:58,645 --> 00:08:00,289 -CANDLEPOWER. 177 00:08:00,313 --> 00:08:01,257 -HUH? 178 00:08:01,281 --> 00:08:03,393 -DID YOU KNOW THIS BABY PUMPS OUT 179 00:08:03,417 --> 00:08:05,495 750,000 CANDLES OF LIGHT? 180 00:08:05,519 --> 00:08:07,830 -PAUL, IT'S NOT EVEN TURNED ON YET. 181 00:08:07,854 --> 00:08:10,933 -YEAH, BUT WHEN SHE DOES, POW-WEE. 182 00:08:10,957 --> 00:08:12,702 -I SHOULD HAVE SEEN IT COMING. 183 00:08:12,726 --> 00:08:15,204 PAUL HAD FOUND HIS CALLING. 184 00:08:15,228 --> 00:08:18,107 -YOU KNOW, KEV, IT ONLY TAKES ONE GUY TO RUN THIS THING, 185 00:08:18,131 --> 00:08:20,276 AND I WAS JUST WONDERING IF, YOU KNOW... 186 00:08:20,300 --> 00:08:21,478 -PAUL. 187 00:08:21,502 --> 00:08:24,213 YOU WANT TO RUN THE SPOTLIGHT? FINE WITH ME. 188 00:08:24,237 --> 00:08:27,005 -REALLY? YOU DON'T MIND? 189 00:08:27,975 --> 00:08:29,752 THANKS, KEV. I WON'T LET YOU DOWN. 190 00:08:29,776 --> 00:08:32,989 I'M GONNA RUN THE BEST SPOTLIGHT THIS SCHOOL EVER SAW. 191 00:08:33,013 --> 00:08:35,012 AND YOU CAN STILL BE MY ASSISTANT. 192 00:08:36,983 --> 00:08:38,294 -ASSISTANT? 193 00:08:38,318 --> 00:08:39,829 -DARN IT! 194 00:08:39,853 --> 00:08:41,563 I FORGOT MY LINE AGAIN. 195 00:08:41,587 --> 00:08:43,900 -I GUESS WINNIE WAS HAVING PROBLEMS OF HER OWN. 196 00:08:43,924 --> 00:08:46,268 -I JUST CAN'T SEEM TO REMEMBER ANYTHING. 197 00:08:46,292 --> 00:08:47,903 -JUST RELAX, GWENDOLYN. 198 00:08:47,927 --> 00:08:50,606 LET'S TAKE IT FROM, UH, "GIVING AWAY MY DAUGHTER." 199 00:08:50,630 --> 00:08:53,175 -I'M GIVING AWAY MY DAUGHTER, GEORGE. 200 00:08:53,199 --> 00:08:55,011 DO YOU THINK YOU CAN TAKE CARE OF HER? 201 00:08:55,035 --> 00:08:57,313 -MR. WEBB, I WANT TO. I WANT TO TRY. 202 00:08:57,337 --> 00:08:59,749 EMILY, I'M GONNA DO MY BEST. 203 00:08:59,773 --> 00:09:01,750 I LOVE YOU, EMILY. I NEED YOU. 204 00:09:01,774 --> 00:09:03,719 -WELL, IF YOU LOVE ME, THEN HELP ME. 205 00:09:03,743 --> 00:09:05,621 ALL I WANT IS SOMEONE TO LOVE ME. 206 00:09:05,645 --> 00:09:08,747 -I WILL, EMILY. EMILY, I'LL TRY. 207 00:09:10,984 --> 00:09:12,628 - "AND I MEAN..." 208 00:09:12,652 --> 00:09:14,897 -AND I MEAN... 209 00:09:14,921 --> 00:09:16,065 - "...FOREVER..." 210 00:09:16,089 --> 00:09:18,234 FOREVER. 211 00:09:18,258 --> 00:09:20,003 -"DON'T YOU HEAR? FOREVER AND EVER." 212 00:09:21,661 --> 00:09:24,940 -LET'S TAKE FIVE, PEOPLE. 213 00:09:24,964 --> 00:09:26,542 -OH, HEY, KEV. MAKE A NOTE. 214 00:09:26,566 --> 00:09:28,377 WE'RE GONNA NEED ANOTHER CHAMOIS. 215 00:09:28,401 --> 00:09:29,645 -WHAT? 216 00:09:29,669 --> 00:09:31,714 -WELL, SINCE YOU'RE MY ASSISTANT, 217 00:09:31,738 --> 00:09:33,783 I THOUGHT YOU MIGHT KEEP A LIST. 218 00:09:33,807 --> 00:09:36,151 -PAUL, I'M NOT GONNA KEEP A LIST. 219 00:09:36,175 --> 00:09:37,653 -OKAY. FINE. I'LL DO IT MYSELF. 220 00:09:37,677 --> 00:09:40,456 BUT WE'RE GONNA HAVE TO TALK ABOUT YOUR ATTITUDE. 221 00:09:40,480 --> 00:09:42,792 -PAUL WAS TAKING THIS WHOLE THING A LITTLE TOO SERIOUSLY. 222 00:09:43,984 --> 00:09:45,661 -KEVIN, DID YOU SEE WHAT HAPPENED TODAY? 223 00:09:45,685 --> 00:09:46,962 -COME TO THINK OF IT, 224 00:09:46,986 --> 00:09:49,098 EVERYONE WAS TAKING THIS PLAY TOO SERIOUSLY. 225 00:09:49,122 --> 00:09:50,466 -I FORGOT ALL MY LINES. 226 00:09:50,490 --> 00:09:52,001 -YEAH. WELL, IT'S... 227 00:09:52,025 --> 00:09:54,336 -I NEVER FORGET THINGS. I'M A GOOD MEMORIZER. 228 00:09:54,360 --> 00:09:56,239 -WINNIE, I WOULDN'T WORRY ABOUT IT. 229 00:09:56,263 --> 00:09:57,540 I'M SURE YOU'LL BE FINE. 230 00:09:57,564 --> 00:09:59,542 -BUT WHAT IF I'M NOT? 231 00:09:59,566 --> 00:10:01,210 WHAT IF IT GETS WORSE? 232 00:10:01,234 --> 00:10:03,245 WHAT IF I WRECK THE WHOLE PLAY? 233 00:10:03,269 --> 00:10:05,648 -WELL, WINNIE, YOU DON'T HAVE TO DO IT IF YOU DON'T WANT TO. 234 00:10:05,672 --> 00:10:07,316 I MEAN, IT'S JUST A PLAY. 235 00:10:07,340 --> 00:10:10,307 AND IT'S ALL JUST TO GET OUT OF SEVENTH PERIOD, ANYWAY. 236 00:10:12,946 --> 00:10:14,590 -THAT'S THE MOST INSENSITIVE THING 237 00:10:14,614 --> 00:10:15,991 I'VE EVER HEARD IN MY LIFE. 238 00:10:16,015 --> 00:10:17,660 YOU DON'T UNDERSTAND ANYTHING, KEVIN. 239 00:10:17,684 --> 00:10:20,518 YOU DON'T UNDERSTAND ANYTHING AT ALL. 240 00:10:24,324 --> 00:10:26,858 -ACTORS. 241 00:10:28,595 --> 00:10:29,839 OVER THE NEXT TWO WEEKS, 242 00:10:29,863 --> 00:10:32,341 I LEARNED A VALUABLE LESSON ABOUT SHOW FOLK. 243 00:10:32,365 --> 00:10:33,609 -CAN'T TALK NOW, KEVIN. 244 00:10:33,633 --> 00:10:37,046 -THEY MAKE LOUSY LUNCH COMPANIONS. 245 00:10:37,070 --> 00:10:39,648 MEANWHILE, I HAD PROBLEMS OF MY OWN. 246 00:10:39,672 --> 00:10:42,618 MY RELATIONSHIP WITH PAUL HAD DETERIORATED 247 00:10:42,642 --> 00:10:45,822 INTO A CLASSIC LABOR-MANAGEMENT CONFRONTATION. 248 00:10:45,846 --> 00:10:47,723 -KEVIN, I NEED YOU TO DO SOMETHING FOR ME. 249 00:10:47,747 --> 00:10:49,025 -NO. I'M ON BREAK. 250 00:10:49,049 --> 00:10:51,093 -LOOK, KEV, I KNOW YOU'RE HAVING TROUBLES 251 00:10:51,117 --> 00:10:53,295 TAKING ORDERS FROM ME 'CAUSE I'M YOUR FRIEND. 252 00:10:53,319 --> 00:10:55,631 -PAUL, I'M HAVING TROUBLES TAKING ORDERS FROM YOU 253 00:10:55,655 --> 00:10:57,633 'CAUSE YOU'VE COMPLETELY LOST YOUR MIND. 254 00:10:57,657 --> 00:11:00,235 I MEAN, YOU CAN'T EVEN TURN THAT THING ON TILL NEXT MONDAY. 255 00:11:00,259 --> 00:11:02,671 SO WHY DON'T YOU JUST SIT BACK, RELAX, AND ENJOY IT? 256 00:11:02,695 --> 00:11:04,507 -I'M RELAXED. 257 00:11:04,531 --> 00:11:08,144 I-IT'S JUST THAT WHAT IF THE BULB BURNS OUT DURING THE SHOW? 258 00:11:08,168 --> 00:11:10,779 -PAUL, IT'S A BRAND-NEW BULB THAT'S NEVER BEEN USED ONCE. 259 00:11:10,803 --> 00:11:14,116 -YOU CAN'T GUARANTEE THAT, CAN YOU? 260 00:11:14,140 --> 00:11:16,219 I THINK WE SHOULD TIME HOW LONG IT'LL TAKE 261 00:11:16,243 --> 00:11:18,888 TO GET TO THE UTILITY ROOM AND BACK WITH A NEW BULB. 262 00:11:18,912 --> 00:11:20,355 -GOOD IDEA. 263 00:11:20,379 --> 00:11:21,524 YOU DO IT. 264 00:11:21,548 --> 00:11:23,125 -FINE. 265 00:11:23,149 --> 00:11:26,150 YOU THINK YOU CAN TIME ME, OR IS THAT TOO MUCH TO ASK? 266 00:11:28,021 --> 00:11:29,587 -GO. 267 00:11:32,592 --> 00:11:35,571 -THERE. AT LAST. A LITTLE PEACE AND QUIET. 268 00:11:35,595 --> 00:11:37,706 -NO, NO, NO, NO, NO. 269 00:11:37,730 --> 00:11:40,209 YOU CAN'T PLAY MRS. SOAMES SILLY. 270 00:11:40,233 --> 00:11:41,944 SHE HA... 271 00:11:41,968 --> 00:11:43,346 SHE HAS DIGNITY. 272 00:11:43,370 --> 00:11:45,982 CAN WE HOLD THE WORK, PLEASE?! 273 00:11:46,006 --> 00:11:48,217 -EVEN MR. WEBER WAS SHOWING THE PRESSURE. 274 00:11:48,241 --> 00:11:51,008 -SHE HAS DIGNITY. 275 00:11:55,682 --> 00:11:58,961 "DON'T KNOW WHEN I'VE SEEN SUCH A LOVELY WEDDING. 276 00:11:58,985 --> 00:12:02,331 "BUT I ALWAYS CRY. 277 00:12:02,355 --> 00:12:05,301 "DON'T KNOW WHY IT IS... 278 00:12:05,325 --> 00:12:08,437 "BUT I ALWAYS CRY. 279 00:12:08,461 --> 00:12:12,430 "I JUST LIKE TO SEE YOUNG PEOPLE HAPPY, DON'T YOU? 280 00:12:14,834 --> 00:12:18,647 OH, I THINK IT'S LOVELY." 281 00:12:20,307 --> 00:12:21,750 NONE OF THAT. 282 00:12:21,774 --> 00:12:23,986 WE HAVE BARELY A WEEK TO GO. GWENDOLYN? 283 00:12:24,010 --> 00:12:25,821 -THE FACT WAS, WITH JUST A FEW DAYS LEFT, 284 00:12:25,845 --> 00:12:27,823 WINNIE SEEMED MORE LOST THAN EVER. 285 00:12:27,847 --> 00:12:31,393 WHY CAN'T I STAY FOR A WHILE, JUST AS I AM? 286 00:12:31,417 --> 00:12:32,728 LET'S GO AWAY. 287 00:12:32,752 --> 00:12:35,197 -NO, NO, EMILY. NOW, STOP AND THINK A MINUTE. 288 00:12:35,221 --> 00:12:37,688 -DON'T YOU REMEMBER WHAT YOU USED TO SAY? 289 00:12:42,762 --> 00:12:44,640 -HECK, EVEN I KNEW THE LINES BY NOW. 290 00:12:44,664 --> 00:12:47,276 -"ALL THE TIME, YOU USED TO SAY..." 291 00:12:47,300 --> 00:12:50,401 -ALL THE TIME, YOU USED TO SAY... 292 00:12:55,107 --> 00:12:58,109 I CAN'T DO THIS! I'LL NEVER BE ABLE TO DO IT! 293 00:12:59,412 --> 00:13:01,623 -THIS WASN'T JUST STAGE FRIGHT. 294 00:13:01,647 --> 00:13:02,958 THIS GIRL WAS IN TROUBLE. 295 00:13:02,982 --> 00:13:05,093 - KEVIN, WHAT WAS MY TIME? - I GOT TO GO. 296 00:13:05,117 --> 00:13:07,930 -ONE THING I ASKED OF YOU... ONE THING! 297 00:13:07,954 --> 00:13:10,132 -WINNIE! 298 00:13:10,156 --> 00:13:12,134 WINNIE, WAIT UP! 299 00:13:12,158 --> 00:13:13,835 -WHAT'S YOUR ADVICE NOW? 300 00:13:13,859 --> 00:13:17,206 QUIT SCHOOL, LOCK MYSELF IN MY ROOM, CHANGE MY NAME? 301 00:13:17,230 --> 00:13:18,830 -OKAY. FORGET IT. 302 00:13:20,967 --> 00:13:23,979 I'M JUST TRYING TO HELP. 303 00:13:24,003 --> 00:13:26,181 -MR. WEBER SAYS IT'S QUITE NATURAL. 304 00:13:26,205 --> 00:13:29,184 ALL ACTORS GO THROUGH THIS, EVEN LAURENCE OLIVIER. 305 00:13:29,208 --> 00:13:33,189 -OH. WELL, THAT'S GOOD, I GUESS. 306 00:13:35,581 --> 00:13:38,093 YOU WERE RIGHT. I SHOULDN'T HAVE DONE THIS. 307 00:13:38,117 --> 00:13:40,796 I SHOULD JUST QUIT. I HAVE AN UNDERSTUDY. 308 00:13:40,820 --> 00:13:43,032 I'M SURE SHE'D BE BETTER THAN ME. 309 00:13:43,056 --> 00:13:45,589 LET'S FACE IT. SHE COULDN'T BE ANY WORSE. 310 00:13:48,795 --> 00:13:51,529 WHAT DO YOU THINK I SHOULD DO? 311 00:13:54,667 --> 00:13:57,780 -I THINK YOU SHOULD... 312 00:13:57,804 --> 00:13:59,915 DO WHATEVER YOU WANT TO DO. 313 00:13:59,939 --> 00:14:01,783 -I WANT TO QUIT. 314 00:14:01,807 --> 00:14:03,552 -THEN I THINK YOU SHOULD QUIT. 315 00:14:03,576 --> 00:14:05,187 - I CAN'T QUIT. - WHY NOT? 316 00:14:05,211 --> 00:14:07,411 -MY FATHER'S COMING TO SEE ME. 317 00:14:12,685 --> 00:14:16,131 HE'S FLYING IN FROM CHICAGO JUST TO SEE THE PLAY. 318 00:14:16,155 --> 00:14:19,756 MOM AND DAD HAVEN'T SEEN EACH OTHER FOR TWO MONTHS. 319 00:14:21,494 --> 00:14:23,294 -OH. 320 00:14:30,569 --> 00:14:32,647 IS THERE ANYTHING I CAN DO? 321 00:14:32,671 --> 00:14:34,783 -YOU COULD TELL ME TO BREAK A LEG. 322 00:14:34,807 --> 00:14:37,086 -BUT THE PLAY'S NOT FOR A WEEK. 323 00:14:37,110 --> 00:14:38,988 -NO, I MEAN REALLY BREAK A LEG. 324 00:14:39,012 --> 00:14:40,890 THAT WAY, I WON'T HAVE TO DO IT. 325 00:14:40,914 --> 00:14:43,781 -THEN... BREAK A LEG. 326 00:14:47,486 --> 00:14:49,999 -BUT JUST WINNIE'S LUCK, THE NIGHT OF THE PERFORMANCE, 327 00:14:50,023 --> 00:14:52,368 SHE WAS STILL IN PERFECT HEALTH. 328 00:15:00,333 --> 00:15:02,867 I GUESS EVERYONE WAS FEELING A LITTLE TENSE... 329 00:15:08,908 --> 00:15:12,310 ESPECIALLY WINNIE'S PARENTS. 330 00:15:17,217 --> 00:15:18,928 BUT AT LEAST I COULD RELAX. 331 00:15:18,952 --> 00:15:21,463 I HAD COMPLETE CONFIDENCE IN PAUL. 332 00:15:21,487 --> 00:15:23,198 -PAUL? PAUL? 333 00:15:24,456 --> 00:15:25,890 -AH. KEVIN. 334 00:15:26,959 --> 00:15:28,069 PAUL IS ILL. 335 00:15:28,093 --> 00:15:29,405 - ILL?! - JUST A LITTLE CASE OF NERVES 336 00:15:29,429 --> 00:15:30,939 BUT YOU'LL HAVE TO RUN THE SPOTLIGHT. 337 00:15:30,963 --> 00:15:32,908 -BUT PAUL KNOWS THE CUES! I CAN'T... 338 00:15:32,932 --> 00:15:35,277 -THERE'S NO TIME. YOU'LL JUST, UH, HAVE DO THE BEST YOU CAN. 339 00:15:35,301 --> 00:15:37,446 -WAIT. MR. WEBER! 340 00:15:39,372 --> 00:15:40,416 -GREAT. 341 00:15:40,440 --> 00:15:41,784 PAUL HAD BEEN STRICKEN 342 00:15:41,808 --> 00:15:44,186 WITH THE WORLD'S FIRST DOCUMENTED CASE 343 00:15:44,210 --> 00:15:45,453 OF BACKSTAGE FRIGHT, 344 00:15:45,477 --> 00:15:48,090 AND I HAD TO PICK UP THE PIECES... 345 00:15:48,114 --> 00:15:51,316 IN THE DARK. 346 00:15:58,224 --> 00:16:01,470 -THIS PLAY IS CALLED "OUR TOWN." 347 00:16:06,532 --> 00:16:09,945 WELL, I'D BETTER SHOW YOU HOW OUR TOWN LIES. 348 00:16:09,969 --> 00:16:12,748 -I DIDN'T EVEN KNOW HOW THIS THING WORKED. 349 00:16:15,641 --> 00:16:18,443 -UP THERE IS MAIN STREET. 350 00:16:20,447 --> 00:16:23,292 UH, THAT... THAT IS, UP THERE. 351 00:16:23,316 --> 00:16:24,527 -IT WAS HORRIBLE. 352 00:16:24,551 --> 00:16:26,228 I COULD FEEL MY EARS STARTING TO SWEAT. 353 00:16:26,252 --> 00:16:30,733 -WAY BACK THERE IS THE RAILWAY STATION. 354 00:16:30,757 --> 00:16:33,524 TRACKS GO THAT WAY. 355 00:16:41,201 --> 00:16:46,215 -IT WAS HUMILIATING. I WANTED TO JUST WALK AWAY. 356 00:16:46,239 --> 00:16:50,219 -THERE ARE THE CHILDREN COMING HOME FROM SCHOOL ALREADY. 357 00:16:50,243 --> 00:16:51,620 -BUT THEN... 358 00:16:51,644 --> 00:16:54,490 -I CAN'T, LOIS. I'VE GOT TO GO HOME AND HELP MY MOTHER. 359 00:16:54,514 --> 00:16:55,757 I PROMISED. 360 00:16:55,781 --> 00:16:57,626 -THEN I REALIZED I COULDN'T WALK AWAY. 361 00:16:57,650 --> 00:17:01,196 -EMILY. WALK SIMPLY. WHO DO YOU THINK YOU ARE TODAY? 362 00:17:01,220 --> 00:17:02,397 -PAPA, YOU'RE TERRIBLE. 363 00:17:02,421 --> 00:17:04,266 ONE MINUTE YOU TELL ME TO STAND UP STRAIGHT, 364 00:17:04,290 --> 00:17:06,001 AND THE NEXT MINUTE, YOU CALL ME NAMES. 365 00:17:06,025 --> 00:17:08,304 I JUST DON'T LISTEN TO YOU. 366 00:17:08,328 --> 00:17:09,571 -GOLLY. 367 00:17:09,595 --> 00:17:13,142 I NEVER GOT A KISS FROM SUCH A GREAT LADY BEFORE. 368 00:17:13,166 --> 00:17:15,544 -SHE LOOKED BEAUTIFUL... 369 00:17:15,568 --> 00:17:18,035 AND TERRIFIED. 370 00:17:20,106 --> 00:17:22,073 AND I KNEW SHE NEEDED ME. 371 00:17:34,086 --> 00:17:35,630 THOSE NEXT FEW MINUTES 372 00:17:35,654 --> 00:17:38,000 SEEMED TO LAST A THOUSAND YEARS. 373 00:17:38,024 --> 00:17:41,103 EVERY MOMENT WAS POTENTIAL DISASTER. 374 00:17:41,127 --> 00:17:44,206 -WHY CAN'T I STAY FOR A WHILE, JUST AS I AM? 375 00:17:44,230 --> 00:17:46,330 -WE WERE BOTH STRUGGLING. 376 00:17:47,500 --> 00:17:50,713 -DON'T YOU REMEMBER WHAT YOU USED TO SAY? 377 00:17:50,737 --> 00:17:53,805 ALL THE TIME, YOU USED TO SAY... 378 00:18:01,247 --> 00:18:04,493 -AND THEN A WEIRD THING HAPPENED. 379 00:18:04,517 --> 00:18:06,495 I WAS HOLDING THE LIGHT ON WINNIE 380 00:18:06,519 --> 00:18:08,552 WHEN EVERYTHING GOT VERY QUIET. 381 00:18:12,157 --> 00:18:15,171 AND I FELT SOMETHING. I DON'T KNOW WHAT IT WAS. 382 00:18:15,195 --> 00:18:21,109 I FELT LIKE I WAS HOLDING HER UP WITH THAT LIGHT... 383 00:18:21,133 --> 00:18:24,413 THAT WE WERE CONNECTED BY THE LIGHT. 384 00:18:24,437 --> 00:18:27,438 AND I WOULDN'T LET HER FALL. 385 00:18:32,211 --> 00:18:33,321 -COME ON. 386 00:18:33,345 --> 00:18:35,212 JUST KEEP GOING. 387 00:18:40,953 --> 00:18:43,164 - THAT I WAS YOUR GIRL. 388 00:18:43,188 --> 00:18:45,568 THERE MUST BE LOTS OF PLACES WE CAN GO. 389 00:18:45,592 --> 00:18:48,404 I'LL WORK FOR YOU. I CAN KEEP THE HOUSE. 390 00:18:48,428 --> 00:18:51,795 -NO MATTER WHAT, I WOULDN'T LET HER FALL. 391 00:18:55,000 --> 00:18:56,945 -OH, MAMA, JUST LOOK AT ME FOR A MOMENT 392 00:18:56,969 --> 00:18:58,480 AS THOUGH YOU REALLY SAW ME. 393 00:18:58,504 --> 00:19:00,849 -THAT NIGHT, I LEARNED SOMETHING 394 00:19:00,873 --> 00:19:04,186 ABOUT COURAGE... AND MAYBE ABOUT LOVE. 395 00:19:04,210 --> 00:19:06,788 -MAMA, 14 YEARS HAVE GONE BY. 396 00:19:06,812 --> 00:19:07,789 I'M DEAD. 397 00:19:07,813 --> 00:19:10,214 YOU'RE A GRANDMOTHER, MAMA. 398 00:19:12,818 --> 00:19:15,531 BUT JUST FOR A MOMENT NOW, WE'RE ALL TOGETHER... 399 00:19:15,555 --> 00:19:18,533 MAMA, JUST FOR A MOMENT, LET'S BE HAPPY. 400 00:19:18,557 --> 00:19:20,057 LET'S LOOK AT ONE ANOTHER. 401 00:19:24,631 --> 00:19:27,175 I CAN'T. I CAN'T GO ON! 402 00:19:27,199 --> 00:19:29,411 IT GOES SO FAST. 403 00:19:29,435 --> 00:19:32,815 WE DON'T HAVE TIME TO LOOK AT ONE ANOTHER. 404 00:19:32,839 --> 00:19:37,619 TAKE ME BACK... UP THE HILL TO MY GRAVE. 405 00:19:37,643 --> 00:19:40,923 BUT FIRST... 406 00:19:40,947 --> 00:19:42,925 WAIT. 407 00:19:42,949 --> 00:19:46,116 ONE MORE LOOK. 408 00:19:50,956 --> 00:19:53,202 GOODBYE. 409 00:19:53,226 --> 00:19:56,505 GOODBYE, WORLD. 410 00:19:56,529 --> 00:19:59,708 GOODBYE, GROVER'S CORNERS... 411 00:19:59,732 --> 00:20:01,432 MAMA AND PAPA. 412 00:20:05,304 --> 00:20:07,716 GOODBYE TO CLOCKS TICKING... 413 00:20:07,740 --> 00:20:09,818 AND MAMA'S SUNFLOWERS... 414 00:20:09,842 --> 00:20:12,621 AND FOOD AND COFFEE... 415 00:20:12,645 --> 00:20:14,556 AND NEW, IRONED DRESSES... 416 00:20:14,580 --> 00:20:18,627 AND HOT BATHS AND SLEEPING AND WAKING UP. 417 00:20:18,651 --> 00:20:23,120 OH, EARTH, YOU'RE TOO WONDERFUL FOR ANYBODY TO REALIZE YOU. 418 00:20:44,744 --> 00:20:48,223 DO ANY HUMAN BEINGS EVER REALIZE LIFE WHILE THEY LIVE IT, 419 00:20:48,247 --> 00:20:50,514 EVERY, EVERY MINUTE? 420 00:20:51,850 --> 00:20:53,228 -NO. 421 00:20:53,252 --> 00:20:55,531 THE SAINTS AND POETS, MAYBE. 422 00:20:55,555 --> 00:20:57,455 THEY DO, SOME. 423 00:21:06,566 --> 00:21:08,265 -I'M READY TO GO BACK. 424 00:21:21,613 --> 00:21:24,359 HMM. 11:00 IN GROVER'S CORNERS. 425 00:21:24,383 --> 00:21:27,584 YOU GET A GOOD REST, TOO. GOOD NIGHT. 426 00:21:48,240 --> 00:21:50,485 -I COULDN'T EXACTLY SAY WE MADE THEATER HISTORY 427 00:21:50,509 --> 00:21:51,887 THAT AUTUMN EVENING. 428 00:21:51,911 --> 00:21:54,222 MAYBE WE WEREN'T EVEN VERY GOOD. 429 00:21:54,246 --> 00:21:56,758 THE THING IS, IT DIDN'T MATTER. 430 00:21:56,782 --> 00:21:58,381 WE MADE IT THROUGH. 431 00:22:02,021 --> 00:22:05,156 AND THE CRITICS WERE KIND. 432 00:22:09,896 --> 00:22:11,506 AND A WEEK LATER, 433 00:22:11,530 --> 00:22:14,765 MR. COOPER MOVED BACK IN WITH HIS FAMILY. 29690

Can't find what you're looking for?
Get subtitles in any language from opensubtitles.com, and translate them here.