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1
00:00:01,959 --> 00:00:05,959
[♪♪]
2
00:00:02,000 --> 00:00:07,000
Downloaded from
YTS.MX
3
00:00:08,000 --> 00:00:13,000
Official YIFY movies site:
YTS.MX
4
00:00:09,917 --> 00:00:13,083
[TYPEWRITER KEYS CLICKING]
5
00:00:18,250 --> 00:00:19,875
[CARRIAGE RETURN BELL DINGS,
CARRIAGE SLIDES]
6
00:00:31,125 --> 00:00:32,875
[♪♪]
7
00:00:32,959 --> 00:00:35,875
HO, HO, HO.
MERRY CHRISTMAS.
8
00:00:37,000 --> 00:00:38,000
THANK YOU.
9
00:00:38,083 --> 00:00:39,250
MERRY CHRISTMAS.
10
00:00:39,333 --> 00:00:41,000
MERRY CHRISTMAS.
THANK YOU.
11
00:00:42,083 --> 00:00:44,583
[IMPATIENTLY] EXCUSE ME.
12
00:00:46,041 --> 00:00:47,291
EXCUSE--
EXCUSE YOU!
13
00:00:49,625 --> 00:00:51,291
MERRY CHRISTMAS.
THANK YOU.
14
00:00:51,375 --> 00:00:52,625
EXCUSE ME.
15
00:00:52,709 --> 00:00:54,875
THANK YOU.
MERRY CHRISTMAS.
16
00:00:57,542 --> 00:00:58,542
YOU'RE SO KIND.
17
00:00:58,625 --> 00:01:00,458
THANK YOU SO MUCH.
MERRY CHRISTMAS.
18
00:01:00,542 --> 00:01:02,500
I DON'T THINK SO.
[CONDESCENDING CHUCKLE]
19
00:01:02,583 --> 00:01:05,375
IT'S CAROL. GET ME KENDRA.
20
00:01:05,458 --> 00:01:08,291
[♪♪]
21
00:01:24,041 --> 00:01:27,041
NO, I DON'T NEED TO CHECK
WITH CAROL ON THIS, ED.
22
00:01:27,125 --> 00:01:28,458
I'M THE SENIOR EDITOR,
23
00:01:28,542 --> 00:01:29,875
SECOND IN COMMAND
AT SPRINGWOOD,
24
00:01:29,959 --> 00:01:32,875
AND THIS IS MY CALL,
SO YOU'D BETTER START LISTENING.
25
00:01:32,959 --> 00:01:35,000
[WHISPERS]
CAROL'S ON THE PHONE FOR YOU.
26
00:01:35,083 --> 00:01:35,959
THAT'S MY FINAL OFFER, ED.
27
00:01:36,041 --> 00:01:37,208
LET ME KNOW. [CLICK]
28
00:01:37,291 --> 00:01:38,458
THIS IS KENDRA.
29
00:01:38,542 --> 00:01:39,542
IT'S ME.
30
00:01:39,625 --> 00:01:42,417
CAROL? WHERE ARE YOU?
31
00:01:42,500 --> 00:01:44,041
WAIT,
ARE YOU ON FOOT?
32
00:01:44,125 --> 00:01:45,375
TRAFFIC WAS AWFUL,
33
00:01:45,458 --> 00:01:47,000
AND SITTING
IN THE CAR SERVICE
34
00:01:47,083 --> 00:01:48,417
WAS JUST EATING THE DAY AWAY.
35
00:01:48,500 --> 00:01:49,458
I HATE THE HOLIDAYS.
36
00:01:49,542 --> 00:01:51,166
ARE YOU OKAY?
37
00:01:51,250 --> 00:01:53,458
I KNOW HOW
TO WALK, KENDRA.
38
00:01:53,542 --> 00:01:54,625
LISTEN, MY CALL TO BERLIN
FELL THROUGH.
39
00:01:54,709 --> 00:01:56,542
I WANT TO PUSH
THE 11:00 MEETING UP.
40
00:01:56,625 --> 00:01:57,542
UH... SURE.
41
00:01:57,625 --> 00:01:58,709
WHAT TIME WERE YOU THINKING?
42
00:01:58,792 --> 00:02:01,041
NOW. HAVE EVERYONE READY.
43
00:02:01,125 --> 00:02:02,583
[DIAL TONE HUMS]
44
00:02:03,625 --> 00:02:06,083
OKAY, UH...
45
00:02:10,709 --> 00:02:12,333
FOLKS, MAY I HAVE
YOUR ATTENTION,
46
00:02:12,417 --> 00:02:14,041
PLEASE?
47
00:02:14,125 --> 00:02:17,000
QUICKLY, EVERYONE,
STOP WHAT YOU'RE DOING.
48
00:02:17,083 --> 00:02:18,375
IT'S IMPORTANT.
49
00:02:19,458 --> 00:02:20,333
OKAY, PEOPLE,
50
00:02:20,417 --> 00:02:21,583
TWO QUICK THINGS.
51
00:02:21,667 --> 00:02:23,250
ONE, FOR THOSE OF YOU
52
00:02:23,333 --> 00:02:24,500
WHO REQUESTED
CHRISTMAS OFF TOMORROW...
53
00:02:25,458 --> 00:02:27,458
CAROL HAS DENIED
YOUR REQUESTS.
54
00:02:27,542 --> 00:02:30,166
AND TWO, THE 11:00 MEETING
HAS BEEN PUSHED UP.
55
00:02:30,250 --> 00:02:31,375
DON'T WORRY,
WE'LL BE READY!
56
00:02:31,458 --> 00:02:32,417
IT'S NOW.
57
00:02:32,500 --> 00:02:33,959
OH, GOD HELP US.
58
00:02:34,041 --> 00:02:35,542
[GROUP PROTESTING, PANICKING]
59
00:02:35,625 --> 00:02:36,542
OKAY, GREAT.
60
00:02:36,625 --> 00:02:39,041
[AGITATED MURMURING]
61
00:02:40,709 --> 00:02:43,291
WHICH OF THESE SUBTITLES
SHOULD WE GO WITH?
62
00:02:43,375 --> 00:02:45,083
"LOSE WEIGHT FASTER"
OR "GET SLIMMER QUICKER?"
63
00:02:45,166 --> 00:02:46,083
OH, THEY'RE BOTH BAD.
64
00:02:46,166 --> 00:02:47,208
- THEY ARE?
- YEAH.
65
00:02:47,291 --> 00:02:48,542
OH, GOD,
CAROL WANTS A NEW SUBTITLE.
66
00:02:48,625 --> 00:02:49,625
WHAT SHOULD I DO?
67
00:02:49,709 --> 00:02:51,500
UH... IMPROVISE.
68
00:02:51,583 --> 00:02:53,083
IMPROVISE...
69
00:02:53,166 --> 00:02:54,125
OH, KENDRA.
70
00:02:54,208 --> 00:02:55,500
- DO YOU HAVE JUST--
- NO, TANYA.
71
00:02:55,583 --> 00:02:57,125
- I REALLY WOULD JUST--
- NO, TANYA.
72
00:02:57,208 --> 00:02:59,125
OH, OKAY, THANK YOU.
73
00:02:59,208 --> 00:03:00,625
SHH. QUIET!
74
00:03:00,709 --> 00:03:01,709
SHE'S COMING.
75
00:03:01,792 --> 00:03:04,000
[HIGH-HEELED FOOTSTEPS
MARCHING CLOSER]
76
00:03:04,083 --> 00:03:05,041
[GASPING IN FRIGHT]
77
00:03:08,250 --> 00:03:09,709
LOOK ALIVE,
PEOPLE.
78
00:03:09,792 --> 00:03:12,208
COME ON, GO, GO, GO, GO!
79
00:03:12,291 --> 00:03:13,291
OH, YOUR HAIR...
80
00:03:13,375 --> 00:03:14,291
LET'S GO. OKAY.
81
00:03:14,375 --> 00:03:15,834
BREATHE, BREATHE.
82
00:03:41,166 --> 00:03:43,959
LET'S GO.
83
00:03:44,041 --> 00:03:45,458
GOOD MORNING,
MS. HUFFLER.
84
00:03:45,542 --> 00:03:46,667
WE'LL SEE.
85
00:03:48,834 --> 00:03:50,375
UM, OKAY, UM...
86
00:03:50,458 --> 00:03:52,083
CHRISTMAS NUMBERS
ARE GOOD,
87
00:03:52,166 --> 00:03:55,166
BUT MAINLY DUE TO A SURGE
IN ONLINE SHOPPING.
88
00:03:55,250 --> 00:03:56,375
AND WHAT ABOUT RETAIL?
89
00:03:56,458 --> 00:03:58,667
THE BIG THREE AREN'T MOVING
AS MANY VOLUMES
90
00:03:58,750 --> 00:04:00,166
AS WE HAD HOPED.
91
00:04:00,250 --> 00:04:01,417
TELL THEM IF WE DON'T
GET BETTER PLACEMENT,
92
00:04:01,500 --> 00:04:02,417
WE'LL PULL OUR STOCK.
93
00:04:02,500 --> 00:04:04,458
[CHUCKLES IN DISBELIEF]
UH, REALLY?
94
00:04:04,542 --> 00:04:06,417
[CHUCKLES MOCKINGLY]
95
00:04:06,500 --> 00:04:07,417
YES.
96
00:04:07,500 --> 00:04:08,375
NEXT.
97
00:04:11,125 --> 00:04:14,417
UM, THE PRINCESS DOESN'T LIKE
HER NEW GHOST WRITER.
98
00:04:14,500 --> 00:04:17,125
PRINCESS POP
OR PRINCESS ROYALTY?
99
00:04:17,208 --> 00:04:18,417
PRINCESS ROYALTY.
100
00:04:18,500 --> 00:04:19,750
WELL, THEN,
GET HER A NEW WRITER.
101
00:04:19,834 --> 00:04:21,792
BUT THIS IS
THE FOURTH ONE.
102
00:04:21,875 --> 00:04:23,458
THEN FIND HER A FIFTH.
103
00:04:24,625 --> 00:04:27,375
FRED, LET'S HEAR IT
FOR THE "THE 59-SECOND WORKOUT."
104
00:04:27,458 --> 00:04:29,208
[CLEARS THROAT]
105
00:04:29,291 --> 00:04:31,500
WELL, UM...
106
00:04:31,583 --> 00:04:33,542
YOU-- YOU SEE, UH...
107
00:04:35,667 --> 00:04:37,750
UH...
108
00:04:37,834 --> 00:04:40,208
WELL, UM...
109
00:04:40,291 --> 00:04:41,083
FRED?
110
00:04:41,166 --> 00:04:42,291
UM...
111
00:04:42,375 --> 00:04:45,500
DIDN'T YOU TELL ME,
"FITNESS THE FAST WAY?"
112
00:04:45,583 --> 00:04:46,792
- GREAT.
- YEAH--
113
00:04:46,875 --> 00:04:48,375
THEN WE CAN FOLLOW IT UP
WITH THE FAST "ER"
114
00:04:48,458 --> 00:04:49,375
AND FAST "EST."
115
00:04:49,458 --> 00:04:50,834
HELL, WE CAN BUNDLE IT
WITH E-BOOKS--
116
00:04:50,917 --> 00:04:52,750
"FRY YOUR LIFE AWAY,"
AND THEN YOU GOT SOMETHING.
117
00:04:52,834 --> 00:04:54,583
FAT AND FITNESS
AT THE SAME TIME? LOVE IT.
118
00:04:54,667 --> 00:04:55,667
ANYTHING ELSE?
119
00:04:56,667 --> 00:04:57,625
NO.
120
00:04:57,709 --> 00:04:58,667
LOVELY.
121
00:04:58,750 --> 00:05:00,291
CAROL, IF-- IF I COULD JUST--
122
00:05:00,375 --> 00:05:01,750
TANYA,
I DON'T THINK THAT'S--
123
00:05:01,834 --> 00:05:03,125
MS. HUFFLER,
IT JUST TAKES A MINUTE.
124
00:05:03,208 --> 00:05:04,041
THAT'S ALL I--
125
00:05:04,125 --> 00:05:05,166
YOU'VE GOT 10 SECONDS.
126
00:05:05,250 --> 00:05:07,458
- OH, UH, OKAY--
- 10, NINE, EIGHT--
127
00:05:07,542 --> 00:05:09,333
OKAY, HERE IT IS.
128
00:05:09,417 --> 00:05:11,291
PAM JACOBS HAS SUBMITTED
129
00:05:11,375 --> 00:05:15,291
THE BEST DEBUT NOVEL
I'VE READ IN YEARS, AND...
130
00:05:15,375 --> 00:05:17,291
I THINK WE SHOULD MAKE AN OFFER.
131
00:05:17,375 --> 00:05:18,875
CORRECT ME IF I'M WRONG,
132
00:05:18,959 --> 00:05:20,583
BUT YOU'RE
THE CLASSICS EDITOR, RIGHT?
133
00:05:20,667 --> 00:05:21,583
YES.
134
00:05:21,667 --> 00:05:23,208
THAT'S STRANGE.
135
00:05:23,291 --> 00:05:24,750
I WASN'T AWARE THAT
DEAD AUTHORS MADE SUBMISSIONS.
136
00:05:24,834 --> 00:05:27,166
IS IT A LONG-LOST
MASTERPIECE?
137
00:05:27,250 --> 00:05:29,208
[STAMMERING] UM, NO--
I MEAN, NOT YET, BUT--
138
00:05:29,291 --> 00:05:30,750
SO, IT'S A NEW BOOK?
139
00:05:30,834 --> 00:05:31,792
YES--
140
00:05:31,875 --> 00:05:33,417
THEN THE LOGICAL
QUESTION WOULD BE,
141
00:05:33,500 --> 00:05:35,208
WHY IS SOMEONE IN CLASSICS
PITCHING ME A NEW BOOK?
142
00:05:35,291 --> 00:05:37,417
BECAUSE...
143
00:05:37,500 --> 00:05:38,834
IT'S A SEMINAL WORK.
144
00:05:38,917 --> 00:05:41,166
IT'S... IT'S A ONE-OF-A-KIND.
145
00:05:41,250 --> 00:05:44,208
IT'S A TRUE VOICE.
146
00:05:44,291 --> 00:05:45,500
AND IF--
147
00:05:45,583 --> 00:05:48,458
IF YOU DON'T GIVE IT A CHANCE...
148
00:05:48,542 --> 00:05:51,542
YOU'LL BE MAKING
A... HUGE MISTAKE.
149
00:05:52,583 --> 00:05:54,333
REALLY?
150
00:05:54,417 --> 00:05:56,250
YOU HAVE TO BELIEVE ME.
151
00:05:56,333 --> 00:06:00,333
THIS BOOK IS THE REASON
THAT WE'RE ALL HERE
152
00:06:00,417 --> 00:06:02,667
DOING WHAT IT IS WE DO.
153
00:06:02,750 --> 00:06:03,917
IT'S WHAT LITERATURE
IS ALL ABOUT.
154
00:06:04,000 --> 00:06:06,917
IT'S WHAT PEOPLE
SHOULD BE READING, AND, WELL...
155
00:06:07,000 --> 00:06:09,375
IT'S WHAT
WE SHOULD BE PUBLISHING.
156
00:06:09,458 --> 00:06:11,667
YOU REALLY MEAN IT, DON'T YOU?
157
00:06:11,750 --> 00:06:12,625
I DO.
158
00:06:12,709 --> 00:06:13,875
YOU'RE FIRED.
159
00:06:14,750 --> 00:06:16,291
WHAT?
160
00:06:16,375 --> 00:06:18,667
YOU BROKE THE FIRST RULE
IN PUBLISHING.
161
00:06:18,750 --> 00:06:21,208
IT'S NOT ABOUT
WHAT BOOKS SHOULD BE READ.
162
00:06:21,291 --> 00:06:23,417
IT'S ABOUT WHAT BOOKS
CAN BE SOLD.
163
00:06:24,834 --> 00:06:25,834
[STAMMERING IN INDIGNATION]
WH...
164
00:06:25,917 --> 00:06:28,250
CAROL HUFFIER, YOU KNOW...
165
00:06:28,333 --> 00:06:30,250
YOU ARE A HEARTLESS TYRANT,
166
00:06:30,333 --> 00:06:31,250
AND-- AND
167
00:06:31,333 --> 00:06:32,542
YOU WOULDN'T KNOW
A GOOD BOOK
168
00:06:32,625 --> 00:06:35,250
IF IT BIT YOU
ON THE... BUTT!
169
00:06:35,333 --> 00:06:37,709
BEAUTIFUL CHOICE
OF WORDS, NO LESS.
170
00:06:37,792 --> 00:06:39,500
YOU WILL GET
WHAT'S COMING TO YOU.
171
00:06:39,583 --> 00:06:41,959
I ALREADY HAVE.
172
00:06:42,041 --> 00:06:44,250
LONG LIVE THE NOVEL!
173
00:06:44,333 --> 00:06:45,542
NOT A GREAT EXIT LINE.
174
00:06:45,625 --> 00:06:46,500
TELL ME ABOUT IT.
175
00:06:46,583 --> 00:06:47,542
- SHH!
- SORRY.
176
00:06:52,792 --> 00:06:55,875
ANY MORE PITCHES TODAY?
177
00:06:55,959 --> 00:06:57,417
I DIDN'T THINK SO.
178
00:07:05,458 --> 00:07:07,583
WAS THAT REALLY
NECESSARY, CAROL?
179
00:07:07,667 --> 00:07:09,417
SHE'S A SINGLE MOTHER
180
00:07:09,500 --> 00:07:10,625
WITH TWO KIDS.
181
00:07:10,709 --> 00:07:11,834
I DIDN'T MAKE THAT MISTAKE.
182
00:07:11,917 --> 00:07:13,291
SHE LOVES THE BOOK.
183
00:07:13,375 --> 00:07:16,250
SHE WAS JUST FIGHTING
FOR WHAT SHE BELIEVES IN.
184
00:07:16,333 --> 00:07:17,417
[SIGHS]
185
00:07:17,500 --> 00:07:18,834
I MEANT ABOUT HAVING KIDS.
186
00:07:18,917 --> 00:07:20,959
WELL...
187
00:07:22,667 --> 00:07:23,834
UH, WAIT, KENDRA?
188
00:07:23,917 --> 00:07:25,291
"TALK TO KENDRA."
189
00:07:25,375 --> 00:07:27,667
WHAT AM I SUPPOSED TO
TALK TO YOU ABOUT?
190
00:07:27,750 --> 00:07:30,333
TODAY WAS THE DAY
YOU WERE GOING TO...
191
00:07:30,417 --> 00:07:31,667
MAKE YOUR DECISION.
192
00:07:31,750 --> 00:07:34,333
DECISION?
193
00:07:34,417 --> 00:07:35,458
ABOUT WHAT?
194
00:07:35,542 --> 00:07:36,750
THE TRANSFER?
195
00:07:36,834 --> 00:07:37,959
TO LONDON?
196
00:07:38,041 --> 00:07:40,333
MY BOYFRIEND, ZAC,
197
00:07:40,417 --> 00:07:41,500
HAS A TWO-YEAR CONTRACT
198
00:07:41,583 --> 00:07:42,792
IN LONDON,
199
00:07:42,875 --> 00:07:43,792
AND I REQUESTED A TRANSFER.
200
00:07:43,875 --> 00:07:44,917
WHEN?
201
00:07:45,000 --> 00:07:45,959
A YEAR AGO,
202
00:07:46,041 --> 00:07:47,917
THE DAY HE WON HIS BID.
203
00:07:48,000 --> 00:07:50,583
WE'VE HAD SEVERAL CONVERSATIONS
ABOUT THIS, CAROL--
204
00:07:50,667 --> 00:07:53,458
AH, AH, RIGHT, RIGHT,
NO, I-- I REMEMBER,
205
00:07:53,542 --> 00:07:54,500
AND, UH...
206
00:07:57,834 --> 00:07:59,291
I'VE THOUGHT ABOUT IT A LOT.
207
00:07:59,375 --> 00:08:01,458
I JUST DON'T THINK
IT'S THE RIGHT FIT FOR YOU.
208
00:08:01,542 --> 00:08:03,875
YOU KNOW I WANT TO GET INTO
FOREIGN RIGHTS.
209
00:08:03,959 --> 00:08:05,458
IT'S THE PERFECT FIT.
210
00:08:08,041 --> 00:08:09,458
WHAT, YOU DON'T YOU THINK
I CAN DO IT?
211
00:08:09,542 --> 00:08:13,834
WELL, IF I DID, YOU WOULD.
212
00:08:16,125 --> 00:08:17,625
LISTEN, KENDRA,
213
00:08:17,709 --> 00:08:20,250
YOU'RE MY SENIOR EDITOR,
MY RIGHT-HAND WOMAN.
214
00:08:20,333 --> 00:08:21,959
EVERYTHING YOU'RE GOING TO LEARN
ABOUT PUBLISHING
215
00:08:22,041 --> 00:08:23,583
YOU'RE GOING TO LEARN
RIGHT HERE.
216
00:08:23,667 --> 00:08:25,458
EVER SINCE EVE
PASSED AWAY,
217
00:08:25,542 --> 00:08:26,959
I'VE MANAGED TO TURN
THIS PLACE AROUND,
218
00:08:27,041 --> 00:08:30,417
AND NOW I'M COUNTING ON YOU
TO SUPPORT ME.
219
00:08:31,834 --> 00:08:33,500
LISTEN.
220
00:08:33,583 --> 00:08:35,000
LET ME GIVE YOU
A LITTLE PIECE OF ADVICE--
221
00:08:35,083 --> 00:08:38,625
NEVER PLAN YOUR LIFE
AROUND A MAN.
222
00:08:38,709 --> 00:08:42,375
THEY'D NEVER GIVE YOU
THE SAME COURTESY.
223
00:08:47,375 --> 00:08:49,041
[DOOR SLAMS]
224
00:08:55,625 --> 00:08:56,917
GLORIA, IT'S WORK.
225
00:08:57,000 --> 00:08:59,834
SOMEONE HAS TO
KEEP THE LIGHTS ON.
226
00:08:59,917 --> 00:09:01,083
BUT MS. HUFFLER,
IT'S CHRISTMAS.
227
00:09:01,166 --> 00:09:02,500
TRUST ME,
228
00:09:02,583 --> 00:09:04,500
MY MOTHER OF ALL PEOPLE
WOULD UNDERSTAND.
229
00:09:04,583 --> 00:09:05,959
SHE WORKED EVERY HOLIDAY
WHEN I WAS A KID.
230
00:09:06,041 --> 00:09:09,667
BUT IT WOULD JUST MEAN
SO MUCH TO HER.
231
00:09:09,750 --> 00:09:11,542
YOU MISSED LAST YEAR,
AND I JUST THINK--
232
00:09:11,625 --> 00:09:12,750
GLORIA--
233
00:09:12,834 --> 00:09:14,667
[SIGHS]
234
00:09:14,750 --> 00:09:16,834
AND THERE MIGHT NOT BE THAT
MANY MORE CHRISTMASES LEFT.
235
00:09:16,917 --> 00:09:18,583
GLORIA!
236
00:09:18,667 --> 00:09:21,792
PLEASE, JUST STICK
TO YOUR JOB DESCRIPTION,
237
00:09:21,875 --> 00:09:23,792
AND KEEP AN EYE
ON MY MOTHER, NOT ME.
238
00:09:23,875 --> 00:09:25,792
YOU UNDERSTAND?
239
00:09:25,875 --> 00:09:26,875
YES, MA'AM.
240
00:09:26,959 --> 00:09:27,959
GOOD.
241
00:09:28,041 --> 00:09:30,709
SO, GOODBYE, GLORIA.
242
00:09:30,792 --> 00:09:33,709
MERRY CHRISTMAS,
MS. HUFFLER.
243
00:09:37,041 --> 00:09:38,875
[SIGHS IN DISAPPOINTMENT]
244
00:09:48,792 --> 00:09:50,583
THIS IS MY
FAVORITE MOVIE,
245
00:09:50,667 --> 00:09:51,667
"SCROOGE."
246
00:09:51,750 --> 00:09:55,792
I WATCH IT EVERY YEAR.
247
00:09:55,875 --> 00:09:58,709
AND SO DO I.
248
00:09:58,792 --> 00:10:01,792
YOU SHALL BEHOLD VISIONS
OF A CHRISTMAS PAST,
249
00:10:01,875 --> 00:10:05,208
A CHRISTMAS PRESENT,
250
00:10:05,291 --> 00:10:07,959
AND A CHRISTMAS YET TO COME!
251
00:10:08,041 --> 00:10:12,917
EXPECT THE FIRST
WHEN THE CLOCK STRIKES MIDNIGHT.
252
00:10:13,000 --> 00:10:13,875
[♪♪]
253
00:10:16,875 --> 00:10:18,166
[♪♪]
254
00:10:51,291 --> 00:10:54,959
[JAZZY VERSION] ♪ OH, DASHING
THROUGH THE SNOW ♪
255
00:10:55,041 --> 00:10:57,917
♪ IN A ONE-HORSE OPEN SLEIGH
256
00:10:58,000 --> 00:11:01,000
♪ OVER THE FIELDS WE GO
257
00:11:01,083 --> 00:11:02,709
♪ LAUGHING ALL THE WAY...
258
00:11:02,792 --> 00:11:04,542
REMEMBER WHEN EVE
RAN THINGS?
259
00:11:04,625 --> 00:11:07,166
WE GOT TWO WEEKS OFF
FOR THE HOLIDAYS.
260
00:11:07,250 --> 00:11:09,500
ISN'T WORKING
ON CHRISTMAS ILLEGAL?
261
00:11:09,583 --> 00:11:10,667
YEAH.
262
00:11:10,750 --> 00:11:12,208
SOMEWHERE
IT'S GOT TO BE.
263
00:11:12,291 --> 00:11:13,959
WELL, WHAT ARE YOU
GOING TO DO?
264
00:11:14,041 --> 00:11:15,583
REVOLT.
265
00:11:15,667 --> 00:11:16,583
NO, I'M SERIOUS!
266
00:11:16,667 --> 00:11:18,083
WHAT IF THE WHOLE OFFICE
STAYED HOME?
267
00:11:18,166 --> 00:11:19,625
WHAT WOULD SHE DO,
FIRE ALL OF US?
268
00:11:19,709 --> 00:11:20,709
YES.
269
00:11:20,792 --> 00:11:21,750
SHE'D HAVE NOTHING.
270
00:11:21,834 --> 00:11:23,041
WE'RE THE BACKBONE
OF SPRINGWOOD.
271
00:11:23,125 --> 00:11:24,834
I MEAN, WE'RE THE ONES
WITH THE POWER.
272
00:11:24,917 --> 00:11:26,792
WE SHOULD ORGANIZE
OUR FORCES,
273
00:11:26,875 --> 00:11:28,291
GET TOGETHER, AND REBEL
AGAINST CAROL HUFFLER
274
00:11:28,375 --> 00:11:30,583
AND PUT AN END
TO HER TYRANNICAL RULE.
275
00:11:30,667 --> 00:11:31,834
COME ON,
WHO'S WITH ME?
276
00:11:31,917 --> 00:11:33,083
SHE'S HERE.
277
00:11:33,166 --> 00:11:36,625
YOU LOOK SPECTACULAR
TONIGHT, MS. HUFFLER.
278
00:11:39,250 --> 00:11:40,458
I HATE HER.
279
00:11:40,542 --> 00:11:42,041
[WENDY]: WAY TO
GIVE IT TO HER, FRED.
280
00:11:42,125 --> 00:11:43,750
[QUIETLY] POWER
TO THE PEOPLE.
281
00:11:43,834 --> 00:11:44,834
AMEN, SISTER.
CHEERS.
282
00:11:44,917 --> 00:11:46,000
[WENDY]:
YOU TOLD HER.
283
00:11:46,083 --> 00:11:48,291
[CHUCKLING QUIETLY]
284
00:11:54,083 --> 00:11:55,125
I LOVED YOUR LAST BOOK.
285
00:11:55,208 --> 00:11:57,041
WHAT WAS THE GENESIS FOR THAT?
286
00:11:57,125 --> 00:11:59,083
AND HOW MUCH INPUT
DID YOUR WRITING PARTNER
287
00:11:59,166 --> 00:12:00,166
HAVE IN THIS ONE?
288
00:12:00,250 --> 00:12:01,792
KENDRA!
289
00:12:01,875 --> 00:12:02,917
THERE YOU ARE.
290
00:12:03,000 --> 00:12:05,041
OH, HI, CAROL.
291
00:12:05,125 --> 00:12:07,667
WOW, YOU LOOK BEAUTIFUL.
292
00:12:07,750 --> 00:12:08,792
THANK YOU.
293
00:12:08,875 --> 00:12:10,208
YOU LOOK BEAUTIFUL,
TOO, BABY.
294
00:12:10,291 --> 00:12:12,625
CAROL, YOU
REMEMBER ZAC,
295
00:12:12,709 --> 00:12:14,250
DON'T YOU?
296
00:12:14,333 --> 00:12:16,291
I, UM...
297
00:12:16,375 --> 00:12:17,166
ONE MORE TIME?
298
00:12:17,250 --> 00:12:19,542
MY BOYFRIEND?
299
00:12:19,625 --> 00:12:21,291
THE ONE WHO'S
GOING TO LONDON
300
00:12:21,375 --> 00:12:22,959
FOR TWO YEARS?
301
00:12:23,041 --> 00:12:23,917
OH, RIGHT,
302
00:12:24,000 --> 00:12:25,208
THAT ONE.
303
00:12:25,291 --> 00:12:27,083
THE FOOD'S TERRIBLE.
304
00:12:27,166 --> 00:12:29,041
HAVE A WONDERFUL TRIP.
305
00:12:29,125 --> 00:12:32,083
UH, OKAY, THANKS FOR THAT.
306
00:12:32,166 --> 00:12:34,000
CAN I GET YOU
ANYTHING TO DRINK?
307
00:12:34,083 --> 00:12:34,959
WATER.
308
00:12:35,041 --> 00:12:36,291
NOT TOO MUCH ICE.
309
00:12:37,458 --> 00:12:39,750
GOTCHA. WATER.
310
00:12:40,792 --> 00:12:42,667
CAROL,
HOW ARE YOU?
311
00:12:42,750 --> 00:12:44,166
YOU HAVEN'T RETURNED
ANY OF MY CALLS.
312
00:12:44,250 --> 00:12:45,875
I'M COMING WITH YOU.
313
00:12:45,959 --> 00:12:47,250
HELLO, PAM.
314
00:12:47,333 --> 00:12:50,750
SO I HEARD YOU FIRED TANYA
FOR PITCHING MY WRITER.
315
00:12:50,834 --> 00:12:51,750
IT'S NOTHING
PERSONAL.
316
00:12:51,834 --> 00:12:52,834
OH, I BELIEVE THAT.
317
00:12:52,917 --> 00:12:54,709
HOW COULD IT EVER
BE PERSONAL WITH YOU?
318
00:12:54,792 --> 00:12:57,166
THERE'S A HUNDRED OTHER
PUBLISHERS HERE TONIGHT, PAM.
319
00:12:57,250 --> 00:12:58,875
WHY DON'T YOU TALK TO ONE
WHO WANTS TO LISTEN?
320
00:12:58,959 --> 00:12:59,917
BECAUSE I'M NO FOOL.
321
00:13:00,000 --> 00:13:02,250
YOU HAVE
THE LARGEST MARKET SHARE,
322
00:13:02,333 --> 00:13:04,041
AND I WANT YOU
TO MEET THE AUTHOR.
323
00:13:04,125 --> 00:13:05,125
OH, BEN!
324
00:13:05,208 --> 00:13:07,333
YOU BROUGHT HIM
HERE TONIGHT?
325
00:13:07,417 --> 00:13:08,625
BEN WOODLEY!
326
00:13:08,709 --> 00:13:09,709
WHAT DID YOU
JUST SAY?
327
00:13:09,792 --> 00:13:11,208
COME HERE.
328
00:13:12,709 --> 00:13:13,959
NOT ONLY IS HE BRILLIANT,
HE'S CUTE,
329
00:13:14,041 --> 00:13:14,917
A MARKETING SLAM DUNK.
330
00:13:15,000 --> 00:13:17,250
BENJAMIN WOODLEY,
CAROL HUFFLER,
331
00:13:17,333 --> 00:13:20,041
PRESIDENT OF
SPRINGWOOD PUBLISHING.
332
00:13:20,125 --> 00:13:21,083
HI, CAROL.
333
00:13:21,166 --> 00:13:23,417
BEN.
334
00:13:23,500 --> 00:13:24,834
HOW ARE YOU?
335
00:13:24,917 --> 00:13:25,917
I'M GOOD.
336
00:13:26,000 --> 00:13:27,417
HOW ARE YOU?
337
00:13:28,458 --> 00:13:29,375
OKAY.
338
00:13:29,458 --> 00:13:31,959
WAIT A MINUTE, HOLD THE PHONE.
339
00:13:32,041 --> 00:13:33,166
YOU TWO
ALREADY KNOW EACH OTHER?
340
00:13:33,250 --> 00:13:34,333
YEAH, WE DO.
341
00:13:34,417 --> 00:13:35,875
YEAH. WE DO.
342
00:13:37,000 --> 00:13:38,000
OH.
343
00:13:38,083 --> 00:13:39,667
[AWKWARD CHUCKLE]
WHO KNEW, RIGHT?
344
00:13:41,291 --> 00:13:43,250
WELL, YOU DON'T NEED ME HERE
TO MESS THIS UP.
345
00:13:43,333 --> 00:13:44,625
- EXCUSE ME.
- PAM!
346
00:13:44,709 --> 00:13:47,166
[SIGHS AWKWARDLY]
347
00:13:47,250 --> 00:13:49,208
SO, UM...
348
00:13:49,291 --> 00:13:51,083
FUNNY SEEING YOU HERE.
349
00:13:51,166 --> 00:13:52,750
OH, I'M NOT AN IDIOT, BEN.
350
00:13:52,834 --> 00:13:54,834
I KNOW YOU PLANNED
THIS LITTLE SURPRISE.
351
00:13:54,917 --> 00:13:56,125
WHAT ARE YOU-- WHAT?
352
00:13:56,208 --> 00:13:57,917
THIS AMBUSH
SO I'D BUY YOUR BOOK.
353
00:13:58,000 --> 00:13:59,959
NO, NO. HANG-- HANG ON.
354
00:14:00,041 --> 00:14:02,333
I SPECIFICALLY ASKED PAM
NOT TO SEND YOU MY BOOK.
355
00:14:02,417 --> 00:14:04,041
WHAT? THAT'S RIDICULOUS.
356
00:14:04,125 --> 00:14:05,375
YOU'D BE A FOOL
NOT TO SEND IT TO ME.
357
00:14:05,458 --> 00:14:07,375
[STAMMERS]
UH, EXCUSE ME?
358
00:14:07,458 --> 00:14:08,792
I THOUGHT YOU JUST SAID
359
00:14:08,875 --> 00:14:09,792
THAT YOU...
360
00:14:09,875 --> 00:14:11,667
UH, I'M CONFUSED.
361
00:14:11,750 --> 00:14:13,041
AM I STILL
NOT GOOD ENOUGH FOR YOU?
362
00:14:13,125 --> 00:14:14,333
IS THAT WHAT
YOU'RE TRYING TO SAY?
363
00:14:14,417 --> 00:14:16,166
YOU'RE NOT GOOD ENOUGH FOR ME?
364
00:14:16,250 --> 00:14:17,917
[SCOFFS]
365
00:14:18,000 --> 00:14:20,333
LOOK, CAROL, I DON'T CARE IF
YOU READ MY BOOK OR NOT, OKAY?
366
00:14:20,417 --> 00:14:21,750
OBVIOUSLY.
367
00:14:21,834 --> 00:14:23,667
I MEAN...
368
00:14:23,750 --> 00:14:26,000
LOOK, I WOULD LOVE
369
00:14:26,083 --> 00:14:28,000
FOR YOU TO READ MY BOOK, OKAY,
370
00:14:28,083 --> 00:14:29,792
BUT I DON'T EXPECT YOU TO,
371
00:14:29,875 --> 00:14:30,959
NOT AFTER
WHAT WE'VE BEEN THROUGH.
372
00:14:31,041 --> 00:14:34,875
THAT'S ALL I MEANT.
373
00:14:34,959 --> 00:14:37,041
WHAT'S IT ABOUT?
374
00:14:37,125 --> 00:14:39,333
THE LAST 10 YEARS OF MY LIFE.
375
00:14:39,417 --> 00:14:41,041
STARTING THE DAY YOU LEFT?
376
00:14:41,125 --> 00:14:45,083
I LIKE TO THINK OF IT
AS THE DAY YOU STAYED.
377
00:14:45,166 --> 00:14:46,750
I HAD A JOB, BEN, REMEMBER?
378
00:14:46,834 --> 00:14:48,250
SOMEBODY HAD TO KEEP
THE LIGHTS ON.
379
00:14:48,333 --> 00:14:49,792
THAT'S RIGHT. RIGHT.
380
00:14:49,875 --> 00:14:52,000
YOU KNOW, I NEVER ASKED YOU
TO TAKE CARE OF ME.
381
00:14:52,083 --> 00:14:54,375
BUT I DID,
BECAUSE THE WAY I REMEMBER IT,
382
00:14:54,458 --> 00:14:56,417
YOU COULDN'T
TAKE CARE OF YOURSELF.
383
00:14:57,458 --> 00:14:59,834
I TURNED OUT JUST FINE,
THANK YOU VERY MUCH.
384
00:14:59,917 --> 00:15:01,041
WELL, THEN, YOU'RE WELCOME.
385
00:15:01,125 --> 00:15:03,041
HOW'S OUR REUNION
COMING ALONG?
386
00:15:03,125 --> 00:15:04,291
IT'S OVER.
387
00:15:05,458 --> 00:15:07,208
THIS WHOLE
HEARTLESS THING
388
00:15:07,291 --> 00:15:10,000
IS JUST A PHASE
WITH HER, RIGHT?
389
00:15:10,083 --> 00:15:12,000
YOU KNOW WHERE TO FIND ME.
390
00:15:12,083 --> 00:15:14,166
[CHATTING QUIETLY]
391
00:15:14,250 --> 00:15:16,000
WHAT'S HAPPENING
OVER THERE?
392
00:15:16,083 --> 00:15:18,000
[FRED]: OH, MY...
393
00:15:20,041 --> 00:15:21,083
THIS IS GOOD.
394
00:15:21,166 --> 00:15:22,750
MM...
395
00:15:22,834 --> 00:15:24,208
SHE'S HAVING
A BAD DAY.
396
00:15:24,291 --> 00:15:25,792
- OH, MY GOODNESS.
- TELL ME ABOUT IT.
397
00:15:25,875 --> 00:15:27,458
DID YOU SEE THOSE SHOES?
398
00:15:27,542 --> 00:15:29,333
[SNEERING LAUGHTER]
399
00:15:29,417 --> 00:15:31,125
CHEERS.
400
00:15:33,333 --> 00:15:35,792
[SIGHS]
401
00:15:42,041 --> 00:15:44,125
YOU OKAY?
402
00:15:44,208 --> 00:15:46,250
I'M FINE.
403
00:15:46,333 --> 00:15:48,125
YOU DON'T SEEM
FINE.
404
00:15:48,208 --> 00:15:50,917
THANKS. VERY NICE.
405
00:15:51,000 --> 00:15:53,333
YOU LOOK LIKE YOU COULD
USE A LITTLE HUG.
406
00:15:53,417 --> 00:15:54,583
YOU KNOW WHAT,
407
00:15:54,667 --> 00:15:56,709
I'M NOT BIG ON HUGGING STRANGERS
IN BATHROOMS.
408
00:15:56,792 --> 00:15:59,166
WHO SAID ANYTHING
ABOUT STRANGERS?
409
00:15:59,250 --> 00:16:00,542
NOW, TURN AROUND
AND GIVE YOUR OLD BUDDY
410
00:16:00,625 --> 00:16:02,250
A LITTLE SQUEEZE.
411
00:16:02,333 --> 00:16:03,625
[GASPING IN TERROR]
412
00:16:05,166 --> 00:16:06,333
EVE?
413
00:16:06,417 --> 00:16:07,333
EVE MAILER?
414
00:16:07,417 --> 00:16:09,333
IN THE FLESH.
415
00:16:10,417 --> 00:16:13,875
WELL, MAYBE NOT IN THE FLESH,
BUT YEAH, IT'S ME.
416
00:16:13,959 --> 00:16:17,291
WHAT-- WAIT, WAIT,
WHAT'S GOING ON?
417
00:16:17,375 --> 00:16:18,458
IT'S OKAY.
418
00:16:18,542 --> 00:16:19,750
NO, IT'S NOT OKAY.
419
00:16:19,834 --> 00:16:20,792
YOU'RE DEAD!
420
00:16:20,875 --> 00:16:23,083
MAYBE, BUT YOU'RE RUDE.
421
00:16:23,166 --> 00:16:25,125
NO, I'M HALLUCINATING.
422
00:16:25,208 --> 00:16:27,166
IT'S FINE.
423
00:16:27,250 --> 00:16:28,458
THEY DID SAY
424
00:16:28,542 --> 00:16:30,208
THAT YOU MIGHT HAVE
SOME TROUBLE WITH THIS.
425
00:16:30,291 --> 00:16:33,125
THEY? WHO ARE THEY?
426
00:16:33,208 --> 00:16:34,875
MY BOSSES.
427
00:16:34,959 --> 00:16:36,041
BOSSES?
428
00:16:36,125 --> 00:16:38,166
THE SPIRITUAL ENTITIES
429
00:16:38,250 --> 00:16:40,041
WHO OVERSEE
THE BALANCE OF THINGS.
430
00:16:40,125 --> 00:16:41,834
WE CALL THEM
431
00:16:41,917 --> 00:16:43,625
"THE BOARD OF CORRECTORS."
432
00:16:43,709 --> 00:16:45,125
WHAT?
433
00:16:45,208 --> 00:16:47,625
IT-- IT'S FUNNIER
IF YOU'RE DEAD.
434
00:16:47,709 --> 00:16:51,500
OH, SOMEBODY MUST HAVE
PUT SOMETHING IN MY DRINK.
435
00:16:53,041 --> 00:16:54,083
YOU'RE NOT REAL.
436
00:16:54,166 --> 00:16:55,500
NONE OF THIS
437
00:16:55,583 --> 00:16:57,959
IS REAL.
438
00:17:10,333 --> 00:17:12,333
WHAT THE...
439
00:17:16,208 --> 00:17:18,792
[BEATBOX POUNDING]
440
00:17:18,875 --> 00:17:20,083
WHAT'S GOING ON?
441
00:17:21,333 --> 00:17:23,625
WHAT'S GOING ON?
442
00:17:23,709 --> 00:17:25,000
WHERE AM I?
443
00:17:25,083 --> 00:17:27,417
YOU GONNA THROW UP?
SOME PEOPLE ACTUALLY THROW UP.
444
00:17:27,500 --> 00:17:28,500
WHY IS IT DAYTIME?
445
00:17:28,583 --> 00:17:30,166
WELL,
A BETTER QUESTION MIGHT BE,
446
00:17:30,250 --> 00:17:31,959
WHY IS IT 1985?
447
00:17:36,709 --> 00:17:38,583
IT'S NOT POSSIBLE.
448
00:17:42,083 --> 00:17:43,583
NO...
449
00:17:43,667 --> 00:17:44,542
IT CAN'T BE.
450
00:17:45,500 --> 00:17:49,041
OH, MAN...
451
00:17:49,125 --> 00:17:50,500
YOU'RE GONNA VOMIT,
AREN'T YOU?
452
00:17:50,583 --> 00:17:53,041
I AM GETTING THE HECK
AWAY FROM YOU.
453
00:17:53,125 --> 00:17:55,208
AND DON'T YOU FOLLOW ME.
JUST LEAVE ME ALONE!
454
00:18:12,041 --> 00:18:13,959
YOU'VE GOT A LITTLE LAMPPOST
455
00:18:14,041 --> 00:18:15,125
ON YOUR FACE.
456
00:18:15,208 --> 00:18:16,083
[GASPING IN PANIC]
457
00:18:16,917 --> 00:18:18,041
LOOK, LOOK,
458
00:18:18,375 --> 00:18:20,333
YOU ARE FREAKING OUT,
AND THAT IS TOTALLY NORMAL.
459
00:18:20,417 --> 00:18:22,417
YOU NEED TO STOP
TALKING TO ME.
460
00:18:22,500 --> 00:18:23,500
I KNOW THIS IS HARD
461
00:18:23,583 --> 00:18:25,125
FOR YOU TO WRAP
YOUR BRAIN AROUND,
462
00:18:25,208 --> 00:18:27,417
BUT IF YOU'LL JUST
GIVE YOURSELF OVER
463
00:18:27,500 --> 00:18:28,417
TO THE WHOLE EXPERIENCE--
464
00:18:28,500 --> 00:18:29,500
WHOLE EXPERIENCE?
465
00:18:29,583 --> 00:18:31,083
YOU MEAN THE FACT
THAT I'M DREAMING?
466
00:18:31,166 --> 00:18:32,458
BECAUSE THAT'S WHAT'S HAPPENING
RIGHT NOW, THAT'S IT.
467
00:18:32,542 --> 00:18:33,333
I'M DREAMING.
468
00:18:33,417 --> 00:18:34,959
THIS IS NOT A DREAM.
469
00:18:35,041 --> 00:18:36,291
YOU KNOW WHAT, YOU'RE RIGHT.
470
00:18:36,375 --> 00:18:37,834
IT'S A NIGHTMARE.
471
00:18:37,917 --> 00:18:39,208
COME TO THINK OF IT,
472
00:18:39,291 --> 00:18:42,250
MAYBE IF I STOP TALKING TO YOU,
IT'LL ALL GO AWAY.
473
00:18:42,333 --> 00:18:44,250
LOOK, CAROL,
YOUR LIFE IS OFF COURSE,
474
00:18:44,333 --> 00:18:45,917
AND I'M HERE TO HELP YOU
GET IT BACK ON--
475
00:18:46,000 --> 00:18:48,250
[HUMMING LOUDLY IN DENIAL]
476
00:18:48,333 --> 00:18:49,083
LISTEN TO ME...
477
00:18:49,166 --> 00:18:50,375
CAROL HUFFLER!
478
00:18:51,667 --> 00:18:54,417
I'VE ONLY GOT ONE NIGHT
TO MAKE THIS WORK,
479
00:18:54,500 --> 00:18:55,917
SO YOU'VE GOT TO WISE UP
480
00:18:56,000 --> 00:18:57,917
AND REALIZE IT'S TIME FOR YOU
TO MAKE A CHANGE.
481
00:18:58,000 --> 00:19:01,000
LOOK, THIS COULD BE
THE BEGINNING
482
00:19:01,083 --> 00:19:02,375
OF A WHOLE NEW LIFE FOR YOU,
483
00:19:02,458 --> 00:19:04,000
BUT ONLY IF YOU WANT IT.
484
00:19:04,083 --> 00:19:05,125
IN THE END,
485
00:19:05,208 --> 00:19:07,125
THE CHOICE IS YOURS,
AND YOURS ALONE.
486
00:19:07,208 --> 00:19:10,417
DO YOU UNDERSTAND?
487
00:19:11,458 --> 00:19:15,417
MAYBE I'M IN A COMA.
488
00:19:21,250 --> 00:19:23,208
[MAN, OVER P.A.]:
JUST A REMINDER, SHOPPERS,
489
00:19:23,291 --> 00:19:26,333
WE HAVE A SPECIAL ON LEGWARMERS
ON THE THIRD FLOOR--
490
00:19:26,417 --> 00:19:28,083
BUY TWO, GET ONE FREE.
491
00:19:28,166 --> 00:19:29,291
WHAT THE...?
492
00:19:33,625 --> 00:19:35,417
IS THIS...?
493
00:19:37,625 --> 00:19:40,000
I HAVEN'T THOUGHT
ABOUT THIS PLACE SINCE...
494
00:19:40,083 --> 00:19:43,291
1985?
495
00:19:43,375 --> 00:19:46,375
IT MUST BE AN OLD MEMORY
FROM MY SUBCONSCIOUS.
496
00:19:46,458 --> 00:19:48,250
HAPPENS ALL THE TIME
IN DREAMS.
497
00:19:48,333 --> 00:19:49,625
REALLY?
498
00:19:49,709 --> 00:19:51,583
I TALKED TO GLORIA
ABOUT MY MOTHER EARLIER,
499
00:19:51,667 --> 00:19:55,125
I MUST HAVE FALLEN ASLEEP
THINKING ABOUT HER,
500
00:19:55,208 --> 00:19:56,250
AND HERE WE ARE.
501
00:19:56,333 --> 00:19:57,583
ALL RIGHT, THEN,
502
00:19:57,667 --> 00:19:59,375
LET'S SEE HOW THIS
GRABS YOU, THEN.
503
00:20:02,333 --> 00:20:04,041
MOM?
504
00:20:04,125 --> 00:20:05,041
MOM!
505
00:20:05,125 --> 00:20:07,333
SHE CAN'T HEAR YOU.
506
00:20:07,417 --> 00:20:10,291
YOU'RE A SPECTATOR
THIS TIME.
507
00:20:11,333 --> 00:20:12,542
[TALKING SOFTLY]
508
00:20:12,625 --> 00:20:14,417
IS THAT...
509
00:20:14,500 --> 00:20:16,417
ME?
510
00:20:16,500 --> 00:20:19,709
WELL, IT'S NOT ELVIS.
511
00:20:24,500 --> 00:20:26,750
SHE WAS A HARD
WORKER, WASN'T SHE?
512
00:20:26,834 --> 00:20:29,125
SHE ALWAYS USED TO SAY,
513
00:20:29,208 --> 00:20:30,458
"WORK TO LIVE,
514
00:20:30,542 --> 00:20:33,458
DON'T LIVE TO WORK,"
515
00:20:33,542 --> 00:20:35,208
BUT SHE NEVER HAD
A DAY OFF.
516
00:20:38,250 --> 00:20:39,750
EXCUSE ME, MISS HUFFLER?
517
00:20:39,834 --> 00:20:40,792
YOUR SHIFT IS OVER.
518
00:20:40,875 --> 00:20:42,083
YOU CAN PUNCH OUT NOW.
519
00:20:42,166 --> 00:20:43,792
OH, IS IT TIME ALREADY?
520
00:20:43,875 --> 00:20:45,166
HERE'S YOUR FINAL CHECK,
521
00:20:45,250 --> 00:20:47,291
AND THANK YOU FOR YOUR HELP
THIS HOLIDAY SEASON.
522
00:20:47,375 --> 00:20:49,041
UM, SIR? EXCUSE ME...
523
00:20:49,125 --> 00:20:50,250
DO YOU REMEMBER
LAST WEEK
524
00:20:50,333 --> 00:20:51,667
WHEN I ASKED ABOUT
ANY FULL-TIME POSITIONS
525
00:20:51,750 --> 00:20:53,000
OPENING UP?
526
00:20:53,083 --> 00:20:54,709
I'M SORRY, BUT THE JOB
WAS TEMPORARY.
527
00:20:54,792 --> 00:20:56,959
WE DON'T HAVE
ANYTHING RIGHT NOW.
528
00:20:57,041 --> 00:20:58,625
OKAY, BUT IT'S JUST,
529
00:20:58,709 --> 00:20:59,750
I REALLY LOVE
WORKING HERE,
530
00:20:59,834 --> 00:21:01,625
AND I'LL WORK
IN ANY DEPARTMENT.
531
00:21:01,709 --> 00:21:04,041
I'M SORRY.
532
00:21:06,458 --> 00:21:08,166
COME ON, HONEY.
533
00:21:08,250 --> 00:21:10,208
LET'S GO.
534
00:21:10,291 --> 00:21:11,458
DON'T WANT TO BE LATE.
535
00:21:11,542 --> 00:21:13,667
WHERE ARE YOU GOING?
536
00:21:13,750 --> 00:21:15,500
SHE PICKED UP SHIFTS
537
00:21:15,583 --> 00:21:16,750
WAITING TABLES
AT A DINER.
538
00:21:16,834 --> 00:21:20,333
HOW DOES THAT
MAKE YOU FEEL?
539
00:21:21,375 --> 00:21:23,333
[DISDAINFULLY]
HOW DOES THAT MAKE ME FEEL?
540
00:21:23,417 --> 00:21:25,458
ANNOYED.
541
00:21:25,542 --> 00:21:28,291
YOU KNOW, THIS IS JUST A SILLY,
SAPPY, IRRELEVANT DREAM,
542
00:21:28,375 --> 00:21:30,333
AND YOU KNOW WHAT?
543
00:21:30,417 --> 00:21:32,041
THIS WHOLE THING
IS INSANE.
544
00:21:32,125 --> 00:21:33,750
I DON'T EVEN KNOW WHY
I'M STILL TALKING TO YOU.
545
00:21:33,834 --> 00:21:35,625
WE'RE NOT DONE YET, CAROL.
546
00:21:35,709 --> 00:21:37,291
YEAH, WELL, I AM,
547
00:21:37,375 --> 00:21:38,583
SO YOU CAN DO
WHATEVER THE HECK YOU WANT,
548
00:21:38,667 --> 00:21:39,667
BUT I'M OUT OF HERE.
549
00:21:44,458 --> 00:21:46,667
WHAT'S GOING ON?
550
00:21:48,625 --> 00:21:49,583
WHAT JUST HAPPENED?
551
00:21:49,667 --> 00:21:51,125
ABOUT 15 YEARS.
552
00:21:51,208 --> 00:21:53,333
OKAY, I'LL GIVE YOU THIS,
553
00:21:53,417 --> 00:21:56,834
THIS IS THE REALEST DREAM
THAT I HAVE EVER EXPERIENCED.
554
00:21:56,917 --> 00:21:58,375
HOW MANY TIMES
DO I HAVE TO TELL YOU,
555
00:21:58,458 --> 00:22:00,250
THIS IS NOT--
556
00:22:00,333 --> 00:22:03,250
OH, NEVER MIND, I GIVE UP.
557
00:22:04,250 --> 00:22:05,208
WAIT A SECOND.
558
00:22:08,291 --> 00:22:10,250
IS THIS...
559
00:22:10,333 --> 00:22:12,417
JIM'S BOOKSTORE?
560
00:22:12,500 --> 00:22:14,375
HEY, IT'S YOUR DREAM.
YOU TELL ME.
561
00:22:15,667 --> 00:22:18,750
I HAVEN'T THOUGHT ABOUT
THIS PLACE IN YEARS.
562
00:22:18,834 --> 00:22:22,208
WHY AM I THINKING ABOUT THIS?
563
00:22:22,291 --> 00:22:24,583
YOU USED TO LOVE
COMING HERE.
564
00:22:24,667 --> 00:22:25,792
IS THAT ME?
565
00:22:25,875 --> 00:22:28,333
I LOOKED GOOD.
566
00:22:29,834 --> 00:22:32,750
THIS PLACE WAS
YOUR SANCTUARY.
567
00:22:32,834 --> 00:22:34,417
I MEAN, WHEN WAS
THE LAST TIME
568
00:22:34,500 --> 00:22:37,583
THAT YOU GOT LOST
IN A REALLY GOOD BOOK?
569
00:22:37,667 --> 00:22:40,333
YOU KNOW, I GOT TO
HAND IT TO MYSELF,
570
00:22:40,417 --> 00:22:41,542
EVEN IN MY DREAMS,
571
00:22:41,625 --> 00:22:43,625
YOU'RE STILL
THE SAME OLD EVE.
572
00:22:43,709 --> 00:22:45,542
OH, WHAT'S THAT
SUPPOSED TO MEAN?
573
00:22:45,625 --> 00:22:46,750
IT WAS ALWAYS ABOUT
574
00:22:46,834 --> 00:22:49,250
"GETTING LOST"
IN THE PAGES OF GREAT NOVELS,
575
00:22:49,333 --> 00:22:51,500
OR GOING
ON LITERARY ADVENTURES.
576
00:22:51,583 --> 00:22:55,125
YOU WERE ALWAYS
SUCH A SENTIMENTALIST.
577
00:22:55,208 --> 00:22:57,417
THIS IS WHAT WE DO, CAROL.
578
00:22:57,500 --> 00:23:00,709
WE PROVIDE THE WORLD
WITH THESE GREAT STORIES.
579
00:23:00,792 --> 00:23:02,875
THAT IS WHAT PUBLISHING
IS ABOUT.
580
00:23:02,959 --> 00:23:04,667
NO, IT'S NOT, EVE.
581
00:23:04,750 --> 00:23:05,750
IT'S ABOUT MONEY.
582
00:23:06,792 --> 00:23:07,709
THAT'S WHAT
YOU NEVER GOT.
583
00:23:07,792 --> 00:23:09,083
IT'S ABOUT
MOVING PRODUCT,
584
00:23:09,166 --> 00:23:11,500
AND THAT'S HOW I TURNED
YOUR QUAINT LITTLE SHOP
585
00:23:11,583 --> 00:23:12,917
INTO
THE GLOBAL PUBLISHING EMPIRE
586
00:23:13,000 --> 00:23:13,917
THAT YOU SEE TODAY.
587
00:23:14,000 --> 00:23:15,875
BIGGER DOESN'T ALWAYS
MEAN BETTER.
588
00:23:15,959 --> 00:23:17,208
REALLY?
589
00:23:17,291 --> 00:23:19,208
GIVE ME ONE EXAMPLE
WHERE THAT'S THE CASE.
590
00:23:19,291 --> 00:23:20,959
JUST ONE?
591
00:23:21,041 --> 00:23:22,333
UH, TUMORS,
592
00:23:22,417 --> 00:23:23,625
HOLES IN THE ROOF,
593
00:23:23,709 --> 00:23:25,125
BUDGETS, COCKROACHES--
594
00:23:25,208 --> 00:23:26,166
OKAY, FINE.
595
00:23:26,250 --> 00:23:27,583
YOU LACKED VISION, EVE.
596
00:23:27,667 --> 00:23:28,875
IT'S THAT SIMPLE.
597
00:23:28,959 --> 00:23:31,250
I CREATED A FAMILY
598
00:23:31,333 --> 00:23:32,750
AND PEOPLE WHO CARED
ABOUT EACH OTHER
599
00:23:32,834 --> 00:23:34,333
AND THE COMPANY THEY WORKED FOR.
600
00:23:34,417 --> 00:23:35,375
THAT'S VISION.
601
00:23:35,458 --> 00:23:36,917
YOU NEVER COMPETED.
602
00:23:37,000 --> 00:23:38,542
YOU NEVER PUSHED THEM
603
00:23:38,625 --> 00:23:40,542
TO BECOME ANYTHING MORE
THAN THEIR AVERAGE SELVES.
604
00:23:40,625 --> 00:23:42,291
WE WERE HAPPY!
605
00:23:42,375 --> 00:23:43,667
HAPPY? HOW CAN YOU BE HAPPY
606
00:23:43,750 --> 00:23:45,375
WHEN YOUR COMPANY'S
ON THE BRINK OF FAILURE?
607
00:23:45,458 --> 00:23:46,917
WE HAD INTEGRITY.
608
00:23:47,000 --> 00:23:48,709
FINE, YOU DIED
WITH INTEGRITY.
609
00:23:48,792 --> 00:23:49,959
AND A MOUNTAIN OF DEBT
610
00:23:50,041 --> 00:23:51,875
THAT I'VE TURNED INTO
A MOUNTAIN OF PROFIT.
611
00:23:53,375 --> 00:23:54,667
BEST THING
YOU EVER DID, EVE...
612
00:23:55,792 --> 00:23:56,792
WAS HIRE ME.
613
00:23:56,875 --> 00:23:57,875
[SCOFFS]
614
00:23:57,959 --> 00:23:59,041
I KEEP HOPING.
615
00:24:00,500 --> 00:24:02,375
SO WE'RE JUST
GOING TO SIT HERE
616
00:24:02,458 --> 00:24:04,208
AND WATCH ME READ
ALL DAY?
617
00:24:04,291 --> 00:24:05,417
IF THIS IS YOUR SHOW,
618
00:24:05,500 --> 00:24:07,041
HOW ABOUT SHOWING ME SOMETHING?
619
00:24:08,917 --> 00:24:11,125
THIS WAS THE FIRST DAY
YOU CAME HERE.
620
00:24:11,208 --> 00:24:12,458
SO WHAT?
621
00:24:12,542 --> 00:24:15,166
YOU DON'T REMEMBER
WHAT HAPPENED ON THAT DAY?
622
00:24:15,250 --> 00:24:17,000
NO...
623
00:24:17,083 --> 00:24:18,542
WHAT COULD BE SO IMPORTANT
624
00:24:18,625 --> 00:24:20,291
OTHER THAN...
625
00:24:20,375 --> 00:24:23,875
PICKING UP A GOOD BOOK OR...
626
00:24:23,959 --> 00:24:26,500
[ENTRY BELL JINGLES]
627
00:24:35,458 --> 00:24:36,458
HEY, MAN.
628
00:24:39,417 --> 00:24:42,333
IT'S THE FIRST DAY I MET BEN.
629
00:24:47,667 --> 00:24:48,583
HEY.
630
00:24:48,667 --> 00:24:50,000
LISTEN, YEAH,
GOOD TO SEE YOU.
631
00:24:50,083 --> 00:24:51,208
HOW'S IT GOING?
632
00:24:51,291 --> 00:24:53,166
YEAH, I PICKED UP THIS
OLD COLLECTION OF TWAIN
633
00:24:53,250 --> 00:24:54,417
FROM THIS ENGLISH
PROFESSOR AT DePAUL.
634
00:24:54,500 --> 00:24:55,500
WOW.
635
00:24:55,583 --> 00:24:57,291
YEAH, IT'S ALL
BOXED UP IN THE BACK
636
00:24:57,375 --> 00:24:58,291
IF YOU WANT
TO TAKE A LOOK.
637
00:24:58,375 --> 00:24:59,250
- OKAY, YEAH.
- YEAH? WICKED.
638
00:24:59,333 --> 00:25:02,875
- OKAY. THANKS, JIM.
- CHEERS.
639
00:25:04,583 --> 00:25:05,750
WOW...
640
00:25:05,834 --> 00:25:07,417
IS HE EVER CUTE.
641
00:25:07,500 --> 00:25:08,709
HE'S AVERAGE.
642
00:25:09,750 --> 00:25:12,250
YOU DON'T KNOW WHAT
YOU'RE TALKING ABOUT.
643
00:25:12,333 --> 00:25:14,583
HE WAS MY BOYFRIEND.
644
00:25:14,667 --> 00:25:16,333
YES. YES, HE SURE WAS.
645
00:25:16,417 --> 00:25:18,250
HE'S THE ONLY PERSON
YOU EVER LOVED.
646
00:25:18,333 --> 00:25:20,417
HE TAUGHT YOU
THE MEANING OF THE WORD.
647
00:25:21,500 --> 00:25:22,458
YOU'RE RIGHT.
648
00:25:22,542 --> 00:25:24,959
HE TAUGHT ME
THAT IT WAS JUST A WORD.
649
00:25:25,041 --> 00:25:27,959
YOU SURE ABOUT THAT?
650
00:25:30,333 --> 00:25:31,250
HI.
651
00:25:31,333 --> 00:25:32,792
HI.
652
00:25:34,667 --> 00:25:35,500
YOU SEE THAT?
653
00:25:35,583 --> 00:25:37,834
NOW, THAT'S MAGIC.
654
00:25:37,917 --> 00:25:38,792
MAGIC?
655
00:25:38,875 --> 00:25:39,959
IT'S A CRUSH.
656
00:25:40,041 --> 00:25:41,875
A CHEMICAL REACTION
IN THE BRAIN.
657
00:25:41,959 --> 00:25:43,583
THE PERFECT STORM
OF LUST, YOUTH,
658
00:25:43,667 --> 00:25:45,625
AND INEXPERIENCE
659
00:25:45,709 --> 00:25:47,458
COMING
CRASHING TOGETHER.
660
00:25:47,542 --> 00:25:49,792
WHAT DO YOU WANT
FROM ME, I'M HUMAN.
661
00:25:49,875 --> 00:25:50,792
REALLY?
662
00:25:50,875 --> 00:25:52,834
'CAUSE I WAS STARTING
TO WONDER.
663
00:25:56,125 --> 00:25:57,083
GOOD BOOK.
664
00:25:58,875 --> 00:25:59,917
OH.
665
00:26:00,000 --> 00:26:03,667
IT CHANGED MY LIFE, ACTUALLY.
666
00:26:03,750 --> 00:26:04,959
UM... ME TOO.
667
00:26:05,041 --> 00:26:06,458
REALLY?
668
00:26:06,542 --> 00:26:07,834
BUT I HAVEN'T
READ IT IN YEARS.
669
00:26:07,917 --> 00:26:08,834
WELL...
670
00:26:10,709 --> 00:26:12,667
WHO ELSE DO YOU LIKE READING,
671
00:26:12,750 --> 00:26:14,375
IF YOU DON'T MIND MY ASKING?
672
00:26:14,458 --> 00:26:16,333
UH...
673
00:26:16,417 --> 00:26:17,709
HUGO, DICKENS,
674
00:26:17,792 --> 00:26:20,625
DOSTOYEVSKI...
675
00:26:20,709 --> 00:26:21,750
[TOGETHER]: TOLSTOY.
676
00:26:21,834 --> 00:26:23,583
[BOTH LAUGH]
677
00:26:23,667 --> 00:26:24,375
AM I THAT OBVIOUS?
678
00:26:24,458 --> 00:26:25,959
NO, NO.
679
00:26:26,041 --> 00:26:27,667
NO, I JUST, UH...
680
00:26:27,750 --> 00:26:28,709
WELL, YOU JUST LISTED
681
00:26:28,792 --> 00:26:32,500
ALL OF THE GREATEST WRITERS
EVER.
682
00:26:35,667 --> 00:26:38,750
HEY, IF YOU LIKE THOSE GUYS,
HAVE YOU READ THIS?
683
00:26:38,834 --> 00:26:39,750
GABRIEL GARCIA MARQUEZ,
684
00:26:39,834 --> 00:26:41,041
"ONE HUNDRED YEARS
OF SOLITUDE?"
685
00:26:41,125 --> 00:26:42,542
NO.
686
00:26:42,625 --> 00:26:43,792
IT'S...
687
00:26:43,875 --> 00:26:45,375
I MEAN, TALK ABOUT ROMANTIC.
688
00:26:45,458 --> 00:26:46,834
IT'S MYSTICAL,
689
00:26:46,917 --> 00:26:49,458
KIND OF A HISTORY OF...
690
00:26:49,542 --> 00:26:51,125
A HISTORY OF...
691
00:26:51,208 --> 00:26:53,250
LIFE?
I DON'T KNOW--
692
00:26:53,333 --> 00:26:54,667
[SHUDDERS IN DISGUST] UGH.
693
00:26:54,750 --> 00:26:56,333
SERIOUSLY?
694
00:26:56,417 --> 00:26:58,333
"A HISTORY OF LIFE?"
695
00:26:58,417 --> 00:27:01,417
THAT'S THE CORNIEST THING
I'VE EVER HEARD.
696
00:27:04,875 --> 00:27:06,875
DO YOU SEE THIS, HUH?
697
00:27:06,959 --> 00:27:08,542
I MEAN, WHEN WAS THE LAST TIME
698
00:27:08,625 --> 00:27:09,709
YOU HAD THAT LOOK IN YOUR EYES?
699
00:27:09,792 --> 00:27:11,667
THE LOOK OF A NAIVE GIRL?
700
00:27:11,750 --> 00:27:14,000
IT'S BEEN A WHILE.
701
00:27:14,083 --> 00:27:15,625
AND WHAT ABOUT HIM, HUH?
702
00:27:15,709 --> 00:27:18,458
CHECK OUT HOW MUCH LIFE
HE HAS INSIDE HIMSELF.
703
00:27:18,542 --> 00:27:20,709
HE'S TRULY INSPIRED!
704
00:27:20,792 --> 00:27:21,667
IS THAT WHAT YOU SEE?
705
00:27:21,750 --> 00:27:23,125
BECAUSE
I SEE A DREAMER
706
00:27:23,208 --> 00:27:25,458
WHO WILL NEVER BE
WILLIAM FAULKNER.
707
00:27:25,542 --> 00:27:28,083
THIS IS A BOY WHO BELIEVES
IN WHAT HE LOVES.
708
00:27:29,709 --> 00:27:30,667
AND THAT'S A GIRL
709
00:27:30,750 --> 00:27:33,667
WHO LOVES
WHO SHE BELIEVES IN.
710
00:27:33,750 --> 00:27:35,083
[SCOFFS]
711
00:27:35,166 --> 00:27:36,542
SORRY.
712
00:27:36,625 --> 00:27:37,667
NOT BUYIN' IT.
713
00:27:49,000 --> 00:27:50,709
AGAIN?
714
00:27:50,792 --> 00:27:51,750
COULD YOU WARN ME
715
00:27:51,834 --> 00:27:53,083
NEXT TIME
YOU'RE GONNA DO THAT?
716
00:27:53,166 --> 00:27:54,709
NO.
717
00:27:56,542 --> 00:27:57,792
WAIT A MINUTE.
718
00:27:57,875 --> 00:28:00,583
I KNOW THIS PLACE.
719
00:28:00,667 --> 00:28:01,583
THIS WAS...
720
00:28:01,667 --> 00:28:03,542
OUR FIRST APARTMENT,
721
00:28:03,625 --> 00:28:05,166
AND IT HAS
A HUNDRED STAIRS.
722
00:28:05,250 --> 00:28:06,500
WELL, YOU WANTED PRE-WAR,
723
00:28:06,583 --> 00:28:08,917
AND THAT MEANS
NO ELEVATOR.
724
00:28:09,000 --> 00:28:10,709
I MEANT WORLD WAR II,
NOT CIVIL WAR.
725
00:28:10,792 --> 00:28:11,917
SERIOUSLY?
726
00:28:12,000 --> 00:28:13,583
THERE WAS NOTHING
ON THE GROUND FLOOR?
727
00:28:13,667 --> 00:28:14,667
NOPE.
728
00:28:14,750 --> 00:28:17,709
BESIDES, THEN WE
WOULDN'T HAVE OUR VIEW.
729
00:28:28,709 --> 00:28:31,208
WELL...
WELCOME HOME.
730
00:28:31,291 --> 00:28:33,959
SAME TO YOU.
731
00:28:45,709 --> 00:28:47,959
WHAT'S THAT?
732
00:28:48,959 --> 00:28:50,250
REMEMBER?
733
00:28:50,333 --> 00:28:51,250
I DON'T KNOW,
734
00:28:51,333 --> 00:28:53,959
MAYBE THE LAST TENANTS
LEFT IT BEHIND.
735
00:28:56,500 --> 00:28:58,125
[CHUCKLING]
736
00:28:58,208 --> 00:29:00,625
WHAT IS THIS?
737
00:29:00,709 --> 00:29:03,208
DID YOU, UM...
738
00:29:04,583 --> 00:29:06,959
WHAT DID YOU DO?
739
00:29:12,208 --> 00:29:13,875
IT'S A HOUSEWARMING GIFT.
740
00:29:13,959 --> 00:29:17,041
WOW...
741
00:29:21,750 --> 00:29:25,625
REMIND ME, IS THAT
HOW YOU SPELL "CRUSH"?
742
00:29:25,709 --> 00:29:28,583
THANK YOU SO MUCH.
743
00:29:28,667 --> 00:29:32,333
NOW NOTHING THAT'S STOPPING YOU
FROM WRITING THAT NOVEL.
744
00:29:36,041 --> 00:29:39,250
[♪♪]
745
00:29:49,500 --> 00:29:51,625
[LAUGHS]
746
00:30:07,250 --> 00:30:09,709
LOOK HOW GENEROUS
YOU WERE.
747
00:30:09,792 --> 00:30:13,250
AND WHEN YOU GAVE BEN A GIFT
THAT CHANGED HIS LIFE,
748
00:30:13,333 --> 00:30:15,834
YOU ENCOURAGED HIM
TO PURSUE HIS DREAM.
749
00:30:15,917 --> 00:30:18,000
OH, RIGHT.
750
00:30:18,083 --> 00:30:19,166
THE GLORIOUS DREAM
751
00:30:19,250 --> 00:30:22,208
OF BECOMING A POOR,
UNRECOGNIZED GENIUS.
752
00:30:22,291 --> 00:30:23,667
HEY, LOOK, HE WANTED
TO BE A WRITER.
753
00:30:23,750 --> 00:30:25,667
YOU CAN'T FAULT HIM FOR THAT.
754
00:30:25,750 --> 00:30:27,041
I FAULT HIM
FOR NOT BEING REALISTIC.
755
00:30:27,125 --> 00:30:29,166
WE WERE BUILDING
A LIFE TOGETHER,
756
00:30:29,250 --> 00:30:30,500
AND HE WOULD'VE BEEN CONTENT
757
00:30:30,583 --> 00:30:32,917
LIVING LIKE A PAUPER
IN SOME BOHEMIAN FANTASY.
758
00:30:33,000 --> 00:30:35,291
IT'S HARDLY A FANTASY
759
00:30:35,375 --> 00:30:36,792
TO BELIEVE IN YOUR DREAM.
760
00:30:36,875 --> 00:30:38,083
WITHOUT MONEY,
761
00:30:38,166 --> 00:30:39,834
THERE'S NO POINT TO DREAMING,
IS THERE?
762
00:30:39,917 --> 00:30:41,875
HEY, WHEN DID YOU LOSE
YOUR SOUL,
763
00:30:41,959 --> 00:30:43,625
CAROL?
764
00:30:43,709 --> 00:30:44,709
GOODBYE, EVE.
765
00:30:44,792 --> 00:30:47,041
WHERE ARE YOU
GOING?
766
00:30:48,959 --> 00:30:50,041
AWAY FROM YOU.
767
00:30:50,125 --> 00:30:51,709
AND THIS TIME,
768
00:30:51,792 --> 00:30:53,291
DON'T FOLLOW ME.
769
00:30:53,375 --> 00:30:55,291
OKAY, I WON'T.
770
00:31:04,667 --> 00:31:07,917
LOOK WHO'S HERE.
771
00:31:08,000 --> 00:31:09,041
[SLAMS DOOR]
772
00:31:09,875 --> 00:31:10,959
WHAT HAPPENED,
FORGET YOUR KEYS?
773
00:31:15,000 --> 00:31:15,875
WOW,
774
00:31:15,959 --> 00:31:17,083
HAVE I MISSED YOU.
775
00:31:17,166 --> 00:31:18,917
YOU KNOW WHAT? STOP IT!
776
00:31:21,125 --> 00:31:23,000
I HAVE HAD--
777
00:31:27,000 --> 00:31:30,750
YOU KNOW,
THERE'S ONE CONSTANT
778
00:31:30,834 --> 00:31:32,291
IN EVERY GOOD STORY.
779
00:31:32,375 --> 00:31:34,834
THERE'S A BEGINNING
AND A MIDDLE
780
00:31:34,917 --> 00:31:36,333
AND AN END.
781
00:31:36,417 --> 00:31:37,417
ALL I'M SAYING IS
782
00:31:37,500 --> 00:31:40,000
THERE'S PLENTY OF ROOM
AT SPRINGWOOD
783
00:31:40,083 --> 00:31:41,041
FOR MORE PROFITABLE BOOKS.
784
00:31:41,125 --> 00:31:42,291
WE CAN STILL HAVE
GREAT LITERATURE
785
00:31:42,375 --> 00:31:44,750
AND SELL MORE COMMERCIAL BOOKS
786
00:31:44,834 --> 00:31:46,792
THAT HAVE A BROADER APPEAL.
787
00:31:46,875 --> 00:31:48,709
WE CAN MAKE THE COMPANY
MORE COMPETITIVE
788
00:31:48,792 --> 00:31:50,792
INSTEAD OF SITTING
ON THE SIDELINES.
789
00:31:50,875 --> 00:31:51,875
AND WHAT DOES EVE SAY?
790
00:31:51,959 --> 00:31:53,667
THE SAME THING
SHE ALWAYS SAYS,
791
00:31:53,750 --> 00:31:56,250
IT'LL RUIN
OUR REPUTATION,
792
00:31:56,333 --> 00:31:59,834
AND WE'LL LOSE THE AUTHORS
WE ALREADY HAVE.
793
00:31:59,917 --> 00:32:01,291
- WELL, SHE'S GOT A POINT.
- YEAH, WELL, SO DO I.
794
00:32:01,375 --> 00:32:02,834
AND I'M GOING TO
TAKE THAT POINT
795
00:32:02,917 --> 00:32:04,875
TO THE BOARD OF DIRECTORS
NEXT WEEK,
796
00:32:04,959 --> 00:32:06,291
WITH OR WITHOUT HER SUPPORT.
797
00:32:10,917 --> 00:32:11,959
WHAT?
798
00:32:12,041 --> 00:32:13,083
WELL, I MEAN...
799
00:32:13,166 --> 00:32:15,834
EVE'S DONE
SO MUCH FOR YOU,
800
00:32:15,917 --> 00:32:19,000
AND SO NOW YOU'RE JUST
GOING TO PUSH HER ASIDE?
801
00:32:19,083 --> 00:32:21,834
SPRINGWOOD CAN BARELY
KEEP ITS DOORS OPEN
802
00:32:21,917 --> 00:32:23,375
BECAUSE EVE'S GOT
HER HEAD IN THE CLOUDS.
803
00:32:23,458 --> 00:32:25,333
THE COMPANY NEEDS
A NEW DIRECTION,
804
00:32:25,417 --> 00:32:28,000
AND I HAVE A PLAN.
805
00:32:28,083 --> 00:32:29,208
WOW.
806
00:32:29,291 --> 00:32:31,166
IT'S BUSINESS, BEN.
YOU WOULDN'T UNDERSTAND.
807
00:32:31,250 --> 00:32:32,834
REALLY?
808
00:32:32,917 --> 00:32:35,291
YEAH, SERIOUSLY,
YOU SIT THERE IN JUDGMENT,
809
00:32:35,375 --> 00:32:37,709
BUT IT'S NOT LIKE
YOU'RE THAT...
810
00:32:39,000 --> 00:32:40,959
WHAT?
811
00:32:41,041 --> 00:32:43,208
NOTHING.
812
00:32:43,291 --> 00:32:45,125
NO, SERIOUSLY, I WANT TO KNOW.
813
00:32:45,208 --> 00:32:46,875
WHAT?
814
00:32:49,875 --> 00:32:52,208
[SIGHS]
815
00:32:52,291 --> 00:32:54,667
IT'S NOT LIKE
YOU'RE THAT AMBITIOUS,
816
00:32:54,750 --> 00:32:55,709
BEN.
817
00:32:56,875 --> 00:32:58,375
WRITING A NOVEL
ISN'T AMBITIOUS?
818
00:32:58,458 --> 00:32:59,834
NO.
819
00:32:59,917 --> 00:33:01,834
WRITING A NOVEL ISN'T.
820
00:33:01,917 --> 00:33:03,417
GETTING ON
THE BEST-SELLER LIST IS.
821
00:33:03,500 --> 00:33:04,709
ARE YOU SERIOUS?
822
00:33:04,792 --> 00:33:06,166
THAT'S WHAT YOU THINK
I SHOULD BE DOING?
823
00:33:06,250 --> 00:33:08,834
I THINK ALL AUTHORS
SHOULD BE DOING THAT.
824
00:33:08,917 --> 00:33:11,000
OTHERWISE YOU'RE JUST
WALLOWING IN MEDIOCRITY.
825
00:33:11,083 --> 00:33:13,166
SO, IN YOUR MIND,
826
00:33:13,250 --> 00:33:16,667
RECOGNITION IS WHAT DEFINES
A GOOD WRITER?
827
00:33:16,750 --> 00:33:18,083
NO, SUCCESS
DEFINES A GOOD WRITER.
828
00:33:18,166 --> 00:33:20,875
IF YOU CAN KEEP YOUR LIGHTS ON,
YOU'RE DOING YOUR JOB.
829
00:33:23,041 --> 00:33:25,208
YOU KNOW, I...
830
00:33:25,291 --> 00:33:29,083
I KNOW THAT YOU HAD A ROUGH TIME
AS A KID, CAROL--
831
00:33:29,166 --> 00:33:32,375
YOUR MOM WORKING
ALL THE TIME
832
00:33:32,458 --> 00:33:34,083
AND STILL NOT BEING ABLE
TO SCRAPE TWO NICKELS TOGETHER.
833
00:33:34,166 --> 00:33:35,750
YOU DON'T KNOW
ANYTHING ABOUT IT--
834
00:33:35,834 --> 00:33:36,792
NO, LISTEN.
835
00:33:36,875 --> 00:33:39,417
BUT YOU MADE A CHOICE,
836
00:33:39,500 --> 00:33:42,250
TO NEVER HAVE TO
WORRY ABOUT MONEY.
837
00:33:42,333 --> 00:33:43,250
I UNDERSTAND.
838
00:33:43,333 --> 00:33:47,667
I MADE THE SAME CHOICE,
839
00:33:47,750 --> 00:33:49,375
BUT THE DIFFERENCE
BETWEEN US IS
840
00:33:49,458 --> 00:33:52,250
THAT I DON'T NEED MONEY
TO FEEL SECURE.
841
00:33:52,333 --> 00:33:57,166
I DON'T NEED MONEY
TO FEEL... HAPPY.
842
00:33:59,000 --> 00:34:01,000
YOU'RE RIGHT.
843
00:34:01,083 --> 00:34:02,083
THAT'S A BIG DIFFERENCE
844
00:34:02,166 --> 00:34:05,083
BETWEEN US.
845
00:34:05,166 --> 00:34:06,917
YOU'VE CHANGED.
846
00:34:07,000 --> 00:34:09,834
IT'S CALLED GROWING UP, BEN.
847
00:34:09,917 --> 00:34:14,792
CALL IT WHAT YOU WANT,
BUT I MISS WHO YOU WERE.
848
00:34:14,875 --> 00:34:15,917
I MISS THE GIRL
849
00:34:16,000 --> 00:34:18,792
WHO USED TO LOVE
READING BOOKS,
850
00:34:18,875 --> 00:34:21,875
WHO DIDN'T CARE SO MUCH
ABOUT PROMOTIONS
851
00:34:21,959 --> 00:34:24,291
AND BOTTOM LINES.
852
00:34:24,375 --> 00:34:26,750
I MISS THE GIRL
853
00:34:26,834 --> 00:34:30,917
WHO GAVE ME
THAT TYPEWRITER.
854
00:34:32,375 --> 00:34:34,458
I'M STARTING TO REGRET
THAT I EVER DID.
855
00:34:58,709 --> 00:35:01,250
GOODBYE, CAROL.
856
00:35:03,417 --> 00:35:07,250
YOU KNOW SOMETHING?
857
00:35:07,333 --> 00:35:08,417
I SHOULDN'T HAVE SAID THAT.
858
00:35:08,500 --> 00:35:10,375
WHAT?
859
00:35:10,458 --> 00:35:13,166
ABOUT REGRETTING
GIVING HIM THE REMINGTON.
860
00:35:13,250 --> 00:35:14,333
REALLY?
861
00:35:14,417 --> 00:35:15,458
WELL, THE TRUTH IS,
862
00:35:15,542 --> 00:35:17,125
IF I'D NEVER GIVEN HIM
THE TYPEWRITER,
863
00:35:17,208 --> 00:35:18,458
WE MIGHT STILL BE TOGETHER,
864
00:35:18,542 --> 00:35:21,083
AND MAYBE
865
00:35:21,166 --> 00:35:24,875
I MIGHT NOT HAVE BECOME
THE WOMAN THAT I AM TODAY.
866
00:35:24,959 --> 00:35:29,291
OH, YOU MEAN THE LONELY WOMAN
WITH NO FRIENDS
867
00:35:29,375 --> 00:35:32,208
AND A HOCKEY PUCK FOR A HEART?
868
00:35:34,125 --> 00:35:35,875
GOODBYE, EVE.
869
00:35:35,959 --> 00:35:37,667
WHERE ARE YOU GOING?
870
00:35:37,750 --> 00:35:41,625
TO DO WHAT I SHOULD HAVE DONE
A LONG TIME AGO.
871
00:35:41,709 --> 00:35:43,291
END THIS.
872
00:35:45,208 --> 00:35:46,500
OH, COME ON.
873
00:35:46,583 --> 00:35:48,208
DO WE REALLY HAVE TO
GO THROUGH THIS AGAIN, CAROL?
874
00:35:48,291 --> 00:35:49,417
YOU KNOW YOU CAN'T JUST
875
00:35:49,500 --> 00:35:50,500
WALK AWAY.
876
00:35:50,583 --> 00:35:52,625
I'M NOT WALKING THIS TIME, EVE.
877
00:35:52,709 --> 00:35:56,291
CAN'T DIE IN A DREAM, SO...
SEE YOU ON THE OTHER SIDE.
878
00:35:56,375 --> 00:35:57,417
CAROL!
879
00:35:57,500 --> 00:35:58,417
IT'S BEEN...
880
00:35:58,500 --> 00:36:00,458
WELL, IT'S BEEN.
881
00:36:00,542 --> 00:36:01,500
WAIT!
882
00:36:01,583 --> 00:36:04,458
[SCREAMS, CRASHES]
883
00:36:04,542 --> 00:36:06,375
[CAT MEOWS, CAN ROLLS]
884
00:36:10,667 --> 00:36:12,667
IT WAS A DREAM.
885
00:36:17,333 --> 00:36:21,250
[♪♪]
886
00:36:30,333 --> 00:36:31,291
EVE MAILER.
887
00:36:31,375 --> 00:36:33,125
NOW, THERE
WAS A CLASSY LADY.
888
00:36:33,208 --> 00:36:34,417
HEAR! HEAR!
889
00:36:34,500 --> 00:36:36,208
TWO WEEKS OFF
FOR THE HOLIDAYS...
890
00:36:36,291 --> 00:36:39,083
A NICE LITTLE BONUS
IN OUR STOCKING EVERY YEAR.
891
00:36:39,166 --> 00:36:41,041
AND SHE HAD
IMPECCABLE TASTE.
892
00:36:41,125 --> 00:36:43,000
MM, IT'S TRUE.
893
00:36:43,083 --> 00:36:45,083
SHE COULD PICK A BEST-SELLER
OUT OF THE SLUSH PILE.
894
00:36:45,166 --> 00:36:47,041
NO, I WAS TALKING
ABOUT HER WARDROBE.
895
00:36:47,125 --> 00:36:49,208
YOU KNOW, I HAVE AN EYE
FOR THAT SORT OF THING.
896
00:36:50,709 --> 00:36:52,041
WHAT'S THE DIFFERENCE?
897
00:36:52,125 --> 00:36:54,125
CAROL HUFFLER
IS GOING TO BE OUR BOSS FOREVER.
898
00:36:54,208 --> 00:36:55,542
NO, NOT IF WE ORGANIZE
899
00:36:55,625 --> 00:36:58,000
AND STAND UP TO
THAT STALIN IN STILETTOS.
900
00:36:58,083 --> 00:36:59,583
PLEASE STOP WITH
THE REBELLION TALK, FRED.
901
00:36:59,667 --> 00:37:01,041
I'M TRYING
TO ENJOY MY DRINK.
902
00:37:01,125 --> 00:37:02,417
LOOK,
WE WORK WITH THE AUTHORS,
903
00:37:02,500 --> 00:37:03,667
NEGOTIATE THE DEALS,
EDIT THE BOOKS,
904
00:37:03,750 --> 00:37:05,041
GET THEM ON THE SHELVES,
905
00:37:05,125 --> 00:37:06,250
AND THEN WHO GETS
ALL THE CREDIT?
906
00:37:06,333 --> 00:37:07,542
[TOGETHER] CAROL.
907
00:37:07,625 --> 00:37:08,625
EXACTLY.
908
00:37:08,709 --> 00:37:09,875
I MEAN, WHAT'S SO SPECIAL
ABOUT HER?
909
00:37:09,959 --> 00:37:12,083
WHY DO WE EVEN NEED HER?
910
00:37:12,166 --> 00:37:13,458
TO SIGN OUR PAYCHECKS.
911
00:37:13,542 --> 00:37:15,375
WELL, WHAT IF WE SIGNED
OUR OWN PAYCHECKS?
912
00:37:15,458 --> 00:37:17,291
FORGERY IS
A FELONY, FRED.
913
00:37:17,375 --> 00:37:19,375
I'M NOT TALKING ABOUT FORGERY!
914
00:37:19,458 --> 00:37:22,750
I'M TALKING ABOUT
STARTING OUR OWN COMPANY.
915
00:37:25,000 --> 00:37:26,542
DO YOU NEED
TO LIE DOWN?
916
00:37:26,625 --> 00:37:29,208
LOOK, THE AUTHORS HAVE
A RELATIONSHIP WITH US,
917
00:37:29,291 --> 00:37:30,375
NOT THE COMPANY.
918
00:37:30,458 --> 00:37:32,000
THEY DON'T LIKE CAROL
ANY MORE THAN WE DO,
919
00:37:32,083 --> 00:37:34,125
SO WHY DON'T WE JUST
CALL THEM UP AND ASK,
920
00:37:34,208 --> 00:37:37,625
AND THEN WE CAN BE THE
MASTERS OF OUR OWN FATE.
921
00:37:37,709 --> 00:37:39,542
AND RUIN CAROL
IN THE PROCESS.
922
00:37:39,625 --> 00:37:40,750
HMM.
923
00:37:40,834 --> 00:37:42,667
WHAT WOULD WE CALL IT?
924
00:37:44,041 --> 00:37:46,125
REVOLUTION PUBLISHING.
925
00:37:48,250 --> 00:37:50,375
VIVA LA REVOLUCION!
926
00:37:57,375 --> 00:37:58,291
NOW WHAT?
927
00:37:58,375 --> 00:37:59,542
WE SHOUT IT FROM
THE MOUNTAIN TOPS.
928
00:37:59,625 --> 00:38:00,500
LET'S JUST
MAKE SOME CALLS.
929
00:38:00,583 --> 00:38:02,125
THAT WORKS.
930
00:38:02,208 --> 00:38:04,125
OKAY, COOL.
931
00:38:04,208 --> 00:38:05,125
HEY, J.K.
932
00:38:05,208 --> 00:38:06,166
HI, ANGELINA?
933
00:38:09,750 --> 00:38:11,792
[SIGHING IN RELIEF]
934
00:38:13,333 --> 00:38:14,500
HELLO!
935
00:38:14,583 --> 00:38:16,000
[BREATHING SHAKILY]
936
00:38:16,083 --> 00:38:18,458
OH, COME ON, NOW,
DON'T FREAK OUT, PLEASE--
937
00:38:18,542 --> 00:38:20,458
DON'T FREAK OUT?
ARE YOU KIDDING?
938
00:38:20,542 --> 00:38:22,041
I'M BEING HAUNTED
BY MY DEAD EX-BOSS,
939
00:38:22,125 --> 00:38:23,750
AND YOU'RE TELLING ME
NOT TO FREAK OUT?
940
00:38:23,834 --> 00:38:25,583
YES, BUT THE THING IS--
941
00:38:25,667 --> 00:38:27,083
PLEASE!
942
00:38:27,166 --> 00:38:29,458
I CAN'T DO THIS.
943
00:38:29,542 --> 00:38:31,166
JUST LEAVE ME ALONE.
944
00:38:31,250 --> 00:38:34,083
OH, COME ON,
THE NIGHT IS STILL YOUNG.
945
00:38:35,417 --> 00:38:36,291
WAIT A SECOND.
946
00:38:37,250 --> 00:38:39,000
I KNOW THIS STORY.
947
00:38:39,083 --> 00:38:42,500
YES? YOU DO?
948
00:38:42,583 --> 00:38:44,333
YEAH...
949
00:38:44,417 --> 00:38:46,125
IT'S CHRISTMAS EVE,
950
00:38:46,208 --> 00:38:48,709
AND YOU'VE COME
TO WARN ME
951
00:38:48,792 --> 00:38:50,291
THAT I AM SQUANDERING
MY LIFE.
952
00:38:50,375 --> 00:38:52,458
OH, WHAT'S IT CALLED, UM...
953
00:38:52,542 --> 00:38:54,375
MIRACLE ON 34th STREET?
954
00:38:54,458 --> 00:38:55,542
NO.
955
00:38:55,625 --> 00:38:56,625
IT'S A
WONDERFUL LIFE?
956
00:38:56,709 --> 00:38:57,709
NO!
957
00:38:57,792 --> 00:38:58,709
NOT STAR WARS?
958
00:38:58,792 --> 00:38:59,750
NO.
959
00:38:59,834 --> 00:39:01,041
"A CHRISTMAS CAROL"
960
00:39:01,125 --> 00:39:02,208
BY CHARLES DICKENS.
961
00:39:02,291 --> 00:39:04,375
OH, WELL, YOU'RE RIGHT,
962
00:39:04,458 --> 00:39:08,166
EXCEPT IN THIS CASE,
"CAROL'S CHRISTMAS."
963
00:39:08,250 --> 00:39:09,250
YOU SEE WHAT I DID THERE?
964
00:39:09,333 --> 00:39:10,250
I FLIPPED IT.
965
00:39:13,291 --> 00:39:14,709
ALL RIGHT, YOU'RE RIGHT.
966
00:39:14,792 --> 00:39:16,208
PEOPLE LIKE ME
967
00:39:16,291 --> 00:39:18,208
HAVE BEEN COMING DOWN HERE
TO HELP PEOPLE LIKE YOU
968
00:39:18,291 --> 00:39:19,542
FOR GENERATIONS.
969
00:39:19,625 --> 00:39:21,667
CHUCK WAS JUST THE FIRST GUY
TO WRITE ABOUT IT.
970
00:39:21,750 --> 00:39:23,291
DID YOU JUST SAY CHUCK?
971
00:39:23,375 --> 00:39:24,583
AS IN DICKENS?
972
00:39:24,667 --> 00:39:26,417
INCREDIBLY SWEET GUY,
973
00:39:26,500 --> 00:39:28,208
OBVIOUSLY AWESOME WRITER.
974
00:39:28,291 --> 00:39:31,458
BUT HE JUST-- HE HAD A TENDENCY
TO EMBELLISH A LITTLE BIT.
975
00:39:31,542 --> 00:39:33,125
YOU KNOW, LIKE,
976
00:39:33,208 --> 00:39:35,709
THREE GHOSTS INSTEAD OF ONE,
977
00:39:35,792 --> 00:39:38,208
AND THEN TURKEY,
978
00:39:38,291 --> 00:39:40,125
INSTEAD OF JUST
A SLAB OF MUTTON.
979
00:39:40,208 --> 00:39:41,291
YOU KNOW,
LITTLE THINGS LIKE THAT,
980
00:39:41,375 --> 00:39:42,500
BUT THEY DO ADD UP.
981
00:39:42,583 --> 00:39:43,792
OKAY, WELL, FINE,
982
00:39:43,875 --> 00:39:45,750
BUT LET ME TELL YOU SOMETHING.
983
00:39:45,834 --> 00:39:48,500
I ALWAYS SAW SCROOGE
AS THE VICTIM IN THAT STORY.
984
00:39:48,583 --> 00:39:49,750
MM-HMM.
985
00:39:49,834 --> 00:39:52,625
HE WAS JUST A MODEST,
RESPONSIBLE BUSINESSMAN
986
00:39:52,709 --> 00:39:56,834
WHO WAS BULLIED INTO BECOMING
A SENTIMENTAL SPENDTHRIFT.
987
00:39:56,917 --> 00:39:58,750
WELL, TAKE HEART, CAROL,
988
00:39:58,834 --> 00:40:01,667
BECAUSE YOU'RE HEADED
FOR A LONELY EXISTENCE
989
00:40:01,750 --> 00:40:04,291
AND AN ETERNITY OF REGRET
990
00:40:04,375 --> 00:40:06,375
IF YOU DON'T CHANGE YOUR LIFE.
991
00:40:06,458 --> 00:40:08,375
I'LL TAKE MY CHANCES.
992
00:40:08,458 --> 00:40:10,458
LET'S GO.
993
00:40:10,542 --> 00:40:13,250
WHOA, AREN'T WE
A LITTLE EAGER BEAVER NOW.
994
00:40:13,333 --> 00:40:15,083
WELL, SINCE I'M BEING FORCED
995
00:40:15,166 --> 00:40:16,875
TO TAKE YOUR LITTLE
MAGIC CARPET RIDE WITH YOU,
996
00:40:16,959 --> 00:40:18,333
I MIGHT AS WELL
GET IT OVER WITH.
997
00:40:18,417 --> 00:40:20,417
SO...
998
00:40:20,500 --> 00:40:22,125
LET'S NOT WASTE
ANY MORE TIME, SHALL WE?
999
00:40:22,208 --> 00:40:23,500
WHAT YEAR ARE WE HEADED TO?
1000
00:40:23,583 --> 00:40:25,792
THIS ONE.
1001
00:40:25,875 --> 00:40:26,875
JUST SECONDS AWAY.
1002
00:40:28,375 --> 00:40:29,625
[CAROL SCREAMS]
1003
00:40:29,709 --> 00:40:30,792
[SCREAM ECHOES]
1004
00:40:30,875 --> 00:40:32,792
[SCREAMING]
1005
00:40:34,291 --> 00:40:35,583
OOF!
1006
00:40:35,667 --> 00:40:38,250
[GRUNTING]
1007
00:40:43,417 --> 00:40:44,667
ARE YOU HAVING FUN?
1008
00:40:46,417 --> 00:40:48,625
A TOTAL BLAST.
1009
00:40:48,709 --> 00:40:50,250
SWEET OF YOU TO ASK, THOUGH.
1010
00:40:51,667 --> 00:40:53,583
WHERE ARE WE?
1011
00:40:53,667 --> 00:40:55,792
HERE, FOLLOW ME.
1012
00:40:55,875 --> 00:40:57,667
I GOT SOMETHING
TO SHOW YOU.
1013
00:40:57,750 --> 00:40:58,583
OH, GOSH.
1014
00:40:58,667 --> 00:41:00,041
WHOSE HOUSE IS THIS?
1015
00:41:00,125 --> 00:41:01,208
WHERE ARE WE?
1016
00:41:01,291 --> 00:41:03,917
HAVEN'T YOU EVER BEEN
TO TANYA'S HOUSE?
1017
00:41:06,959 --> 00:41:09,166
I DIDN'T KNOW
TANYA HAD KIDS.
1018
00:41:09,250 --> 00:41:10,792
THEY'RE PRECIOUS, NO?
1019
00:41:10,875 --> 00:41:13,500
"PRECIOUS,"
FROM THE LATIN "PRETIOSUS"
1020
00:41:13,583 --> 00:41:14,667
MEANING "EXPENSIVE."
1021
00:41:14,750 --> 00:41:17,500
IT'S ALSO THE LATIN ROOT
FOR "PRICE,"
1022
00:41:17,583 --> 00:41:19,458
AS IN "PRICELESS."
1023
00:41:21,834 --> 00:41:23,458
OF COURSE
YOU'RE SHOWING ME THIS.
1024
00:41:23,542 --> 00:41:25,625
KEEP WATCHING.
1025
00:41:25,709 --> 00:41:27,166
[CHILD]: WHAT ARE THOSE FOR?
1026
00:41:27,250 --> 00:41:32,291
WELL, SANTA'S REINDEER
NEED A SNACK, TOO, RIGHT?
1027
00:41:35,500 --> 00:41:36,792
CAN YOU READ THAT?
1028
00:41:36,875 --> 00:41:39,125
"DEAR SANTA, MAKE IT GOOD."
1029
00:41:39,208 --> 00:41:40,417
[GASPS IN SHOCK]
1030
00:41:40,500 --> 00:41:42,208
KIDDING!
1031
00:41:42,291 --> 00:41:43,959
[TANYA AND KIDS LAUGH]
1032
00:41:44,041 --> 00:41:46,959
ALL RIGHT, WELL,
1033
00:41:47,041 --> 00:41:48,875
YOU NEVER KNOW WHAT
TIME SANTA'S COMING,
1034
00:41:48,959 --> 00:41:51,333
SO IT'S TIME
FOR BED.
1035
00:41:51,417 --> 00:41:53,500
OKAY?
1036
00:41:55,375 --> 00:41:56,792
GIVE ME A HUG.
1037
00:41:56,875 --> 00:41:59,208
I LOVE YOU GUYS.
1038
00:41:59,291 --> 00:42:01,625
OKAY, OFF YOU GO.
1039
00:42:03,333 --> 00:42:06,667
SO WHERE'S DADDY?
1040
00:42:06,750 --> 00:42:09,834
DIED IN A CAR ACCIDENT
TWO YEARS AGO.
1041
00:42:09,917 --> 00:42:10,917
SHE'S ALONE NOW.
1042
00:42:11,917 --> 00:42:13,667
HOW WAS I
SUPPOSED TO KNOW THAT?
1043
00:42:15,291 --> 00:42:16,792
EVERYONE
IN THE OFFICE KNEW,
1044
00:42:16,875 --> 00:42:17,917
BUT DON'T WORRY.
1045
00:42:18,000 --> 00:42:19,000
KENDRA COVERED FOR YOU.
1046
00:42:19,083 --> 00:42:20,375
SHE SENT FLOWERS.
1047
00:42:37,959 --> 00:42:38,875
WHAT'S SHE DOING?
1048
00:42:38,959 --> 00:42:40,417
SHE HAS TO RETURN
THEIR PRESENTS
1049
00:42:40,500 --> 00:42:41,375
TO SAVE MONEY.
1050
00:42:41,458 --> 00:42:43,917
LOOK, SHE SHOULD'VE KNOWN BETTER
1051
00:42:44,000 --> 00:42:45,500
THAN TO PITCH ME A NEW BOOK.
1052
00:42:45,583 --> 00:42:47,583
SHE WAS JUST TRYING
TO DO HER JOB.
1053
00:42:47,667 --> 00:42:49,375
THAT'S NOT HER JOB!
1054
00:42:49,458 --> 00:42:50,542
SHE SHOULD'VE BEEN HAPPY
1055
00:42:50,625 --> 00:42:52,000
WITH THE ONE
SHE ALREADY HAD,
1056
00:42:52,083 --> 00:42:53,375
LIKE EVERYONE ELSE
WHO WORKS FOR ME.
1057
00:42:53,458 --> 00:42:54,625
WHOA, WAIT, BACK IT UP.
1058
00:42:54,709 --> 00:42:56,083
BACK IT UP.
1059
00:42:56,166 --> 00:42:58,917
YOU THINK THAT EVERYONE
THAT WORKS FOR YOU IS HAPPY?
1060
00:42:59,000 --> 00:43:00,917
WHY WOULDN'T THEY BE?
1061
00:43:01,000 --> 00:43:02,500
[LAUGHS]
1062
00:43:03,375 --> 00:43:04,750
I-- WAIT.
1063
00:43:04,834 --> 00:43:06,125
I JUST--
1064
00:43:06,208 --> 00:43:07,917
I HAVE TO CAPTURE THIS LOOK
OF TOTAL CLUELESSNESS.
1065
00:43:08,000 --> 00:43:09,959
HANG ON A SECOND HERE.
1066
00:43:10,041 --> 00:43:11,709
ALL RIGHT, SAY CHEESE.
1067
00:43:11,792 --> 00:43:13,000
[SHUTTER CLICKS]
1068
00:43:13,083 --> 00:43:17,583
[MUSIC AND LAUGHTER]
1069
00:43:17,667 --> 00:43:18,750
WHAT? WHAT'S THIS?
1070
00:43:18,834 --> 00:43:19,875
[ALL CHEERING] YES!
1071
00:43:19,959 --> 00:43:21,458
WAY TO GO, GIRLS!
1072
00:43:21,542 --> 00:43:23,917
SEE?
THEY'RE HAVING FUN.
1073
00:43:24,000 --> 00:43:25,792
THEY'RE GETTING THERE.
1074
00:43:25,875 --> 00:43:26,834
[CELL PHONES RINGING]
1075
00:43:26,917 --> 00:43:28,291
SHH, SHH, SHH!
1076
00:43:28,375 --> 00:43:30,291
THIS IS FRED.
1077
00:43:30,375 --> 00:43:31,583
UH-HUH.
1078
00:43:31,667 --> 00:43:33,709
THE ENTIRE STAFF OF
THE CHICAGO GUARDIAN, IN!
1079
00:43:33,792 --> 00:43:35,250
[CHEERING IN TRIUMPH]
1080
00:43:35,333 --> 00:43:37,417
OH YES!
1081
00:43:37,500 --> 00:43:38,458
- ANOTHER ONE SCORED!
- ANOTHER ROUND!
1082
00:43:38,542 --> 00:43:41,667
IN? IN FOR WHAT?
1083
00:43:41,750 --> 00:43:45,375
THEY'RE PLANNING A LITTLE
CHRISTMAS SURPRISE.
1084
00:43:45,458 --> 00:43:47,709
YOU KNOW, I NEVER
THOUGHT I'D SAY THIS,
1085
00:43:47,792 --> 00:43:49,834
BUT I CAN'T WAIT TO SEE
THE LOOK ON CAROL'S FACE
1086
00:43:49,917 --> 00:43:51,959
WHEN SHE COMES IN
TOMORROW.
1087
00:43:52,041 --> 00:43:55,041
I HOPE
SHE GETS A WRINKLE.
1088
00:43:55,125 --> 00:43:56,917
YES.
1089
00:43:57,000 --> 00:43:58,375
RIGHT WHERE
EVERYONE CAN SEE IT!
1090
00:43:58,458 --> 00:43:59,875
RIGHT HERE.
1091
00:43:59,959 --> 00:44:02,709
VIVA LA REVOLUCION!
1092
00:44:02,792 --> 00:44:05,834
VIVA LA REVOLUCION!
1093
00:44:05,917 --> 00:44:07,125
DO YOU KNOW
WHAT'S GOING ON?
1094
00:44:10,208 --> 00:44:11,917
WHEN I TOLD THE PRINCESS
1095
00:44:12,000 --> 00:44:14,000
WE WERE STARTING
OUR OWN PUBLISHING COMPANY,
1096
00:44:14,083 --> 00:44:16,083
SHE SAID,
"DO ME A FAVOR
1097
00:44:16,166 --> 00:44:18,458
AND STICK IT
TO CAROL FOR ME."
1098
00:44:18,542 --> 00:44:20,834
[LAUGHING]
1099
00:44:20,917 --> 00:44:22,500
THEIR OWN PUBLISHING COMPANY?
1100
00:44:22,583 --> 00:44:24,041
NO, THAT'S IMPOSSIBLE.
1101
00:44:24,125 --> 00:44:25,417
CAN YOU IMAGINE?
1102
00:44:25,500 --> 00:44:26,583
OH, SO FUNNY.
1103
00:44:26,667 --> 00:44:28,291
IS THIS A COUP?
1104
00:44:28,375 --> 00:44:29,250
I MEAN, I WON'T
STAND FOR THIS.
1105
00:44:29,375 --> 00:44:30,917
STAND FOR IT?
1106
00:44:31,000 --> 00:44:33,041
YOU'D BETTER MAKE SURE
YOU CAN SURVIVE IT FIRST.
1107
00:44:33,125 --> 00:44:34,917
I WANT YOU
TO TAKE ME HOME RIGHT NOW.
1108
00:44:35,000 --> 00:44:36,834
AH, CAN'T DO IT.
1109
00:44:36,917 --> 00:44:37,959
I DEMAND IT!
1110
00:44:38,041 --> 00:44:40,500
OH, YOU DEMAND IT.
1111
00:44:40,583 --> 00:44:42,875
STILL, NOT GOING TO HAPPEN.
1112
00:44:45,625 --> 00:44:46,500
HEADS UP!
1113
00:44:46,583 --> 00:44:48,959
[CORK POPS, CAROL SHRIEKS]
1114
00:44:53,750 --> 00:44:55,834
THANKS FOR COMING WITH ME.
1115
00:44:55,917 --> 00:44:56,875
ALWAYS.
1116
00:44:56,959 --> 00:44:58,625
[SIGHING]
1117
00:44:58,709 --> 00:45:00,917
OKAY, SO WHERE
ARE WE NOW?
1118
00:45:01,000 --> 00:45:02,375
OH, WE'RE TRYING TO SEE
1119
00:45:02,458 --> 00:45:04,834
IF ANYONE'S
STILL LEFT IN YOUR CORNER.
1120
00:45:04,917 --> 00:45:06,458
I WONDER WHY CAROL
DISAPPEARED FROM THE PARTY.
1121
00:45:06,542 --> 00:45:08,959
SERIOUSLY?
1122
00:45:09,041 --> 00:45:11,500
WE'RE HAVING
A PERFECTLY NICE TIME,
1123
00:45:11,583 --> 00:45:13,083
AND YOU HAVE TO BRING UP
THE MOTHER OF SATAN.
1124
00:45:13,166 --> 00:45:15,834
SHE'S JUST--
1125
00:45:15,917 --> 00:45:17,917
I'M WORRIED ABOUT HER,
THAT'S ALL.
1126
00:45:18,000 --> 00:45:19,750
WHY?
1127
00:45:19,834 --> 00:45:22,166
IT'S NOT LIKE
SHE CARES ABOUT YOU.
1128
00:45:22,250 --> 00:45:26,166
WHAT MAKES YOU SAY THAT?
1129
00:45:26,250 --> 00:45:28,709
UH, WELL, LET'S SEE.
1130
00:45:28,792 --> 00:45:31,834
UM, SHE TREATS YOU
LIKE DIRT,
1131
00:45:31,917 --> 00:45:33,959
SHE DIDN'T GIVE YOU
THE TRANSFER,
1132
00:45:34,041 --> 00:45:35,458
AND, WORST OF ALL,
1133
00:45:35,542 --> 00:45:38,500
SHE'S MET THE MAN YOU LOVE
MORE THAN A DOZEN TIMES
1134
00:45:38,583 --> 00:45:40,041
AND SHE CAN'T
REMEMBER MY NAME!
1135
00:45:40,125 --> 00:45:41,917
SHE'S NOT
THAT BAD, ZAC.
1136
00:45:42,000 --> 00:45:43,583
SHE'S JUST
LOOKING OUT FOR ME.
1137
00:45:45,083 --> 00:45:47,041
LOOKING OUT FOR YOU?
1138
00:45:47,125 --> 00:45:49,583
YEAH.
1139
00:45:49,667 --> 00:45:52,041
[SIGHS IN DISBELIEF]
1140
00:45:52,125 --> 00:45:54,000
LOOK, KENDRA,
1141
00:45:54,083 --> 00:45:56,750
I'M THE ONE WHO'S
LOOKING OUT FOR YOU, OKAY?
1142
00:45:56,834 --> 00:45:59,625
I JUST THINK THAT
YOU SHOULD QUIT YOUR JOB
1143
00:45:59,709 --> 00:46:00,750
AND COME TO LONDON.
1144
00:46:00,834 --> 00:46:03,208
AND DO WHAT?
1145
00:46:03,291 --> 00:46:04,750
WRITE.
1146
00:46:04,834 --> 00:46:06,208
YOU'VE ALWAYS WANTED TO,
1147
00:46:06,291 --> 00:46:08,250
AND NOW IS
THE PERFECT TIME.
1148
00:46:08,333 --> 00:46:10,625
I DIDN'T KNOW KENDRA
WANTED TO BE A WRITER.
1149
00:46:10,709 --> 00:46:13,500
THERE'S A LOT
YOU DON'T KNOW ABOUT KENDRA,
1150
00:46:13,583 --> 00:46:15,750
INCLUDING HOW MUCH INFLUENCE
YOU HAVE OVER HER.
1151
00:46:15,834 --> 00:46:17,750
[KENDRA]:
ZAC, DON'T YOU SEE
1152
00:46:17,834 --> 00:46:19,625
THAT I'M IN THE SAME PLACE
CAROL WAS
1153
00:46:19,709 --> 00:46:20,917
WHEN SHE WAS MY AGE?
1154
00:46:21,000 --> 00:46:22,125
[ZAC]: BUT CAROL
NEVER WANTED TO BE
1155
00:46:22,208 --> 00:46:24,125
SOMETHING ELSE, KENDRA.
1156
00:46:24,208 --> 00:46:25,750
IT'S DIFFERENT.
1157
00:46:25,834 --> 00:46:26,750
WELL...
1158
00:46:26,834 --> 00:46:28,959
THINGS CHANGE, ZAC.
1159
00:46:29,041 --> 00:46:31,000
I HAVE A FUTURE
AT THE COMPANY NOW.
1160
00:46:33,500 --> 00:46:35,667
FINE.
1161
00:46:35,750 --> 00:46:37,083
WHAT ABOUT OUR FUTURE?
1162
00:46:40,667 --> 00:46:41,792
I DON'T KNOW.
1163
00:46:48,083 --> 00:46:50,917
AMAZING HOW HISTORY
REPEATS ITSELF.
1164
00:46:51,000 --> 00:46:51,959
YEAH, BUT THE BIG
DIFFERENCE IS,
1165
00:46:52,041 --> 00:46:53,291
UNLIKE YOU,
1166
00:46:53,375 --> 00:46:55,166
I DON'T PLAN ON GETTING HIT
BY A BUS ANYTIME SOON.
1167
00:46:55,250 --> 00:46:59,583
I DIDN'T PLAN
ON GETTING HIT BY A BUS.
1168
00:46:59,667 --> 00:47:04,000
YOU KNOW, I'M NOT RESPONSIBLE
FOR KENDRA'S DECISION,
1169
00:47:04,083 --> 00:47:05,917
OR ANYONE ELSE'S,
FOR THAT MATTER.
1170
00:47:08,208 --> 00:47:09,458
YOU KNOW,
1171
00:47:09,542 --> 00:47:10,458
LIFE IS ABOUT CHOICES,
1172
00:47:10,542 --> 00:47:13,875
AND KENDRA'S
GOING TO RUIN HER LIFE,
1173
00:47:13,959 --> 00:47:14,834
IRONICALLY ENOUGH,
1174
00:47:14,917 --> 00:47:17,083
WAITING AROUND
TO BECOME YOU.
1175
00:47:17,166 --> 00:47:18,750
WELL, THEN, KENDRA
SHOULD CHOOSE TO DO
1176
00:47:18,834 --> 00:47:20,041
WHATEVER IT IS
THAT SHE WANTS.
1177
00:47:20,125 --> 00:47:21,959
OR YOU COULD CHOOSE
TO GIVE HER THE TRANSFER
1178
00:47:22,041 --> 00:47:23,083
AND LET HER BE WITH ZAC!
1179
00:47:23,166 --> 00:47:24,583
WHY SHOULD I?
1180
00:47:24,667 --> 00:47:26,667
OH, GOD, LET'S SEE.
1181
00:47:26,750 --> 00:47:29,208
OH, BECAUSE SHE'S BEEN
INCREDIBLY LOYAL TO YOU.
1182
00:47:29,291 --> 00:47:30,542
TO MAKE HER HAPPY.
1183
00:47:30,625 --> 00:47:32,792
OH, HAPPY. HAPPY!
1184
00:47:32,875 --> 00:47:33,667
HAPPY. WHY?
1185
00:47:33,750 --> 00:47:35,667
WHY SHOULD I TRY?
1186
00:47:35,750 --> 00:47:36,834
I TRIED TO MAKE BEN HAPPY,
1187
00:47:36,917 --> 00:47:38,083
AND LOOK
WHERE IT GOT ME.
1188
00:47:38,166 --> 00:47:40,709
WHY SHOULD I BOTHER
MAKING ANYONE HAPPY?
1189
00:47:46,875 --> 00:47:48,208
LET ME SHOW YOU.
1190
00:47:51,709 --> 00:47:54,000
I'M...
1191
00:47:54,083 --> 00:47:57,041
I'M SCARED.
1192
00:48:09,917 --> 00:48:10,792
[BIG THUMP]
1193
00:48:10,875 --> 00:48:12,000
I CAN'T SEE--
1194
00:48:12,083 --> 00:48:12,917
HANG ON, HANG ON,
I GOT IT.
1195
00:48:13,000 --> 00:48:14,041
WHERE ARE WE?
1196
00:48:14,125 --> 00:48:16,667
- OW! THAT'S MY FOOT!
- SORRY, SORRY.
1197
00:48:17,709 --> 00:48:19,834
SORRY, SORRY
ABOUT THE CLOSET.
1198
00:48:19,917 --> 00:48:22,583
I WAS NEVER
THAT GOOD OF A DRIVER.
1199
00:48:22,667 --> 00:48:25,000
ARE WE BACK
IN THE PAST?
1200
00:48:25,083 --> 00:48:26,834
NO, IT'S STILL YOUR ROOM,
1201
00:48:26,917 --> 00:48:29,333
JUST THE WAY
YOU LEFT IT.
1202
00:48:30,333 --> 00:48:32,917
SHE... SHE HASN'T CHANGED
A THING.
1203
00:48:33,000 --> 00:48:35,291
YOUR MOM LIKED IT THIS WAY.
1204
00:48:35,375 --> 00:48:36,917
WAIT.
1205
00:48:37,000 --> 00:48:39,333
CHECK THIS OUT.
1206
00:48:42,250 --> 00:48:44,625
SHE REMEMBERED HOW IMPORTANT
IT WAS TO YOU.
1207
00:48:46,041 --> 00:48:48,667
SHE KEPT THEM ALL.
1208
00:48:51,375 --> 00:48:53,250
YOU KNOW, I REMEMBER
1209
00:48:53,333 --> 00:48:55,583
WHEN YOU FIRST CAME IN
FOR YOUR INTERVIEW,
1210
00:48:55,667 --> 00:48:57,750
AND YOU WENT ON AND ON AND ON
1211
00:48:57,834 --> 00:49:00,333
ABOUT ALL THESE BOOKS
THAT YOU LOVED.
1212
00:49:00,417 --> 00:49:01,250
WELL...
1213
00:49:01,333 --> 00:49:03,750
HERE THEY ALL ARE.
1214
00:49:06,041 --> 00:49:08,583
I HAD NO IDEA
SHE STILL HAD THEM.
1215
00:49:09,917 --> 00:49:12,083
THEY'RE SORT OF
PIECES OF YOU, RIGHT?
1216
00:49:14,917 --> 00:49:16,291
[DISHES CLATTERING]
1217
00:49:16,375 --> 00:49:18,959
[MOM]: GLORIA, YOU CAN
AT LEAST LET ME HELP.
1218
00:49:19,041 --> 00:49:22,208
[GLORIA]: NO. YOU JUST STOP
ARGUING WITH ME.
1219
00:49:22,291 --> 00:49:23,834
YOU KNOW, I CAN MANAGE
ALL THIS STUFF ON MY OWN.
1220
00:49:23,917 --> 00:49:24,834
WELL, MAYBE YOU CAN,
1221
00:49:24,917 --> 00:49:27,417
BUT MAYBE I CAN'T.
1222
00:49:27,500 --> 00:49:28,834
[CHUCKLING]
1223
00:49:30,709 --> 00:49:32,166
THANK YOU.
1224
00:49:32,250 --> 00:49:34,208
IT'S BEEN A WHILE,
HASN'T IT?
1225
00:49:34,291 --> 00:49:35,959
NOW, I'VE GOT
EVERYTHING WE NEED
1226
00:49:36,041 --> 00:49:38,125
FOR DINNER
TOMORROW NIGHT.
1227
00:49:38,208 --> 00:49:40,291
GLORIA, IT'S
CHRISTMAS TOMORROW.
1228
00:49:40,375 --> 00:49:42,834
YOU'VE GOT TO GO HOME
AND BE WITH YOUR FAMILY.
1229
00:49:42,917 --> 00:49:44,250
HUSH, NOW.
WE TALKED ABOUT THIS.
1230
00:49:44,333 --> 00:49:47,709
THEY'RE ALL OUT OF TOWN,
AND BESIDES...
1231
00:49:47,792 --> 00:49:50,834
YOU ARE FAMILY.
1232
00:49:57,792 --> 00:49:59,083
I REALLY MISS HER, GLORIA.
1233
00:50:01,166 --> 00:50:03,417
I KNOW YOU DO, DEAR.
1234
00:50:03,500 --> 00:50:08,166
I JUST WISH SHE WOULD
DROP BY TOMORROW, THAT'S ALL.
1235
00:50:08,250 --> 00:50:09,959
I KNOW.
1236
00:50:10,041 --> 00:50:11,417
BUT I UNDERSTAND.
1237
00:50:11,500 --> 00:50:12,834
SHE IS SO VERY BUSY.
1238
00:50:12,917 --> 00:50:16,959
SHE HAS SO MANY
BIG THINGS GOING ON
1239
00:50:17,041 --> 00:50:19,500
AND PEOPLE TO SEE, AND...
1240
00:50:22,208 --> 00:50:24,750
I JUST MISS HER.
1241
00:50:26,041 --> 00:50:27,166
[CRYING SOFTLY]
1242
00:50:27,250 --> 00:50:29,125
OOH,
1243
00:50:29,208 --> 00:50:31,250
I ALMOST FORGOT!
1244
00:50:31,333 --> 00:50:35,375
THIS CAME FOR YOU TODAY
WHILE YOU WERE OUT.
1245
00:50:38,333 --> 00:50:40,000
WHAT?
1246
00:50:40,083 --> 00:50:43,709
FROM...
IS IT FROM CAROL?
1247
00:50:43,792 --> 00:50:46,500
I'M SO SORRY
I FORGOT.
1248
00:50:48,834 --> 00:50:50,834
KENDRA.
1249
00:50:50,917 --> 00:50:52,917
AGAIN.
1250
00:50:53,000 --> 00:50:56,041
YOU SEE A PATTERN
EMERGING AT ALL?
1251
00:50:56,125 --> 00:51:01,041
SHE'S ALWAYS
LOOKING OUT FOR YOU.
1252
00:51:02,417 --> 00:51:03,834
OH...
1253
00:51:03,917 --> 00:51:05,875
OH, THAT'S...
1254
00:51:05,959 --> 00:51:08,667
OH...
1255
00:51:08,750 --> 00:51:11,208
I REMEMBER THAT CHRISTMAS.
1256
00:51:11,291 --> 00:51:13,208
YOU TWO LOOK SO HAPPY TOGETHER.
1257
00:51:13,291 --> 00:51:15,500
YEAH. YEAH.
1258
00:51:16,792 --> 00:51:17,750
YOU MISS HER,
DON'T YOU?
1259
00:51:17,834 --> 00:51:19,792
OF COURSE I DO.
1260
00:51:19,875 --> 00:51:23,166
THEN WHY DON'T YOU
GO SEE HER MORE OFTEN?
1261
00:51:23,250 --> 00:51:24,709
IT'S JUST BECAUSE--
1262
00:51:24,792 --> 00:51:26,333
IT COULDN'T BE
BECAUSE WHEN YOU SEE HER,
1263
00:51:26,458 --> 00:51:27,750
IT REMINDS YOU
1264
00:51:27,834 --> 00:51:29,500
OF THE TOUGH TIMES
YOU HAD
1265
00:51:29,583 --> 00:51:30,542
WHEN YOU WERE A KID?
1266
00:51:30,625 --> 00:51:33,417
LOOK, I JUST--
I'M A BUSY WOMAN,
1267
00:51:33,500 --> 00:51:35,917
AND I...
THERE'S NOT A LOT OF TIME.
1268
00:51:36,000 --> 00:51:38,834
YOU HAVE TO MAKE THE TIME
1269
00:51:38,917 --> 00:51:39,875
FOR THE PEOPLE THAT YOU LOVE.
1270
00:51:39,959 --> 00:51:40,834
WAIT A SECOND,
1271
00:51:40,917 --> 00:51:42,875
WHAT ARE YOU DOING?
1272
00:51:42,959 --> 00:51:44,083
ARE YOU TRYING TO SAY
THAT I DON'T LOVE
1273
00:51:44,166 --> 00:51:45,208
MY OWN MOTHER?
1274
00:51:45,291 --> 00:51:46,834
OF COURSE NOT--
1275
00:51:46,917 --> 00:51:48,291
BECAUSE I PAY FOR THIS HOUSE,
1276
00:51:48,375 --> 00:51:49,250
FOR THE GROCERY BILLS,
1277
00:51:49,333 --> 00:51:51,083
FOR GLORIA'S SALARY.
1278
00:51:51,166 --> 00:51:52,458
- EVERYTHING!
- YEAH, THAT'S GREAT.
1279
00:51:52,542 --> 00:51:54,917
BUT YOU ALSO
HAVE TO GIVE HER TIME.
1280
00:51:55,000 --> 00:51:56,375
TIME IS EXPENSIVE.
1281
00:51:56,458 --> 00:51:57,375
ACTUALLY, NO,
1282
00:51:57,458 --> 00:51:59,083
TIME DOESN'T HAVE A PRICE.
1283
00:51:59,166 --> 00:52:00,208
YOU CAN'T BUY IT,
1284
00:52:00,291 --> 00:52:02,083
AND ONCE IT'S GONE,
IT'S GONE FOR GOOD.
1285
00:52:02,166 --> 00:52:04,041
OH, HERE WE GO,
THE REQUISITE LECTURE
1286
00:52:04,125 --> 00:52:06,208
ABOUT HOW TIME
SLIPS THROUGH YOUR FINGERS.
1287
00:52:06,291 --> 00:52:08,041
EVERY MOMENT
I DON'T SPEND WORKING
1288
00:52:08,166 --> 00:52:09,208
IS MONEY LOST.
1289
00:52:09,291 --> 00:52:11,875
REMEMBER
WHAT YOUR MOTHER SAID?
1290
00:52:11,959 --> 00:52:14,291
"DON'T LIVE TO WORK.
YOU WORK TO LIVE."
1291
00:52:14,375 --> 00:52:16,125
ALL SHE EVER DID WAS WORK!
1292
00:52:16,208 --> 00:52:17,750
YEAH, BUT SHE DIDN'T
HAVE A CHOICE.
1293
00:52:17,834 --> 00:52:18,917
YOU DO.
1294
00:52:19,000 --> 00:52:19,917
WHAT ARE YOU DOING?
1295
00:52:20,000 --> 00:52:21,083
GIVE THAT BACK.
1296
00:52:21,166 --> 00:52:22,834
THAT'S MY BOOK!
1297
00:52:31,041 --> 00:52:32,750
WAIT.
1298
00:52:32,834 --> 00:52:36,250
YOU DID IT AGAIN.
1299
00:52:36,333 --> 00:52:37,792
WHERE ARE WE?
1300
00:52:37,875 --> 00:52:40,542
WE ARE AT
SUSAN JOHNSON'S HOUSE.
1301
00:52:40,625 --> 00:52:43,333
I DON'T KNOW WHO THAT IS.
1302
00:52:46,333 --> 00:52:49,083
[PLAYFUL GROWLING,
THUMPING]
1303
00:52:49,166 --> 00:52:51,583
GUESS WHO
CAN'T SHAKE ME.
1304
00:52:51,667 --> 00:52:52,583
TOP ROPE! [GRUNTING]
1305
00:52:52,667 --> 00:52:54,125
I GOT YOU!
1306
00:52:54,208 --> 00:52:55,291
BEN?
1307
00:52:55,375 --> 00:53:00,333
WAIT. HE'S MARRIED
WITH KIDS?
1308
00:53:00,417 --> 00:53:03,000
HE IS NOT MARRIED,
YOU IDIOT.
1309
00:53:03,083 --> 00:53:04,166
WELL, THEN,
EXPLAIN THIS.
1310
00:53:04,250 --> 00:53:05,917
OH, YEAH?
1311
00:53:06,000 --> 00:53:07,417
LAY OFF YOUR UNCLE, BOYS,
1312
00:53:07,500 --> 00:53:09,166
HE'S AN OLD MAN NOW.
1313
00:53:09,250 --> 00:53:10,000
AW, NOT THE CHICKEN WING!
1314
00:53:10,333 --> 00:53:11,917
GO BRUSH YOUR TEETH
AND GET IN BED.
1315
00:53:12,000 --> 00:53:13,458
AW, FIVE MORE MINUTES.
1316
00:53:13,542 --> 00:53:14,500
NO. NOW, PLEASE.
1317
00:53:14,583 --> 00:53:16,000
THANK YOU.
1318
00:53:16,083 --> 00:53:18,125
HEY, WHERE'S MY HUG?
GOOD NIGHT.
1319
00:53:18,208 --> 00:53:20,083
- GOOD NIGHT, UNCLE BEN.
- GOOD NIGHT.
1320
00:53:20,166 --> 00:53:22,083
I'LL BE UP IN A MINUTE
TO TUCK YOU IN.
1321
00:53:22,166 --> 00:53:23,875
- GOOD NIGHT!
- GOOD NIGHT.
1322
00:53:23,959 --> 00:53:25,250
PHEW!
[SHE CHUCKLES]
1323
00:53:25,333 --> 00:53:27,041
FINE.
1324
00:53:27,125 --> 00:53:28,875
OR IT'S HIS SISTER.
1325
00:53:28,959 --> 00:53:30,625
LET'S MOVE ON.
1326
00:53:30,709 --> 00:53:32,500
THEY LOVE
HAVING YOU AROUND.
1327
00:53:32,583 --> 00:53:33,917
SO DOES BILL.
1328
00:53:34,000 --> 00:53:35,250
HE GETS TO WAKE UP WITHOUT
BLACK AND BLUE MARKS
1329
00:53:35,333 --> 00:53:37,041
ALL OVER HIS BODY.
1330
00:53:38,458 --> 00:53:40,166
THEY'RE GOOD KIDS.
1331
00:53:40,250 --> 00:53:42,125
I ENVY YOU GUYS.
1332
00:53:42,208 --> 00:53:44,959
I MEAN, WHAT GOOD IS CHRISTMAS
WITHOUT KIDS, HUH?
1333
00:53:45,041 --> 00:53:47,959
WELL, TRADE IN
THE BACHELOR LIFESTYLE
1334
00:53:48,041 --> 00:53:49,291
AND HAVE SOME, THEN.
1335
00:53:49,375 --> 00:53:51,166
I'VE ALWAYS WANTED
TO BE AN AUNT.
1336
00:53:52,333 --> 00:53:55,041
GOT TO FIND THE GIRL FIRST.
1337
00:53:55,125 --> 00:53:57,041
AND YOU GOT TO GET OVER
THE OLD ONE
1338
00:53:57,125 --> 00:53:59,000
BEFORE YOU CAN
DO THAT.
1339
00:53:59,083 --> 00:54:00,917
COME ON, BEN.
1340
00:54:01,000 --> 00:54:02,583
I'M THE BIG SISTER.
I KNOW EVERYTHING.
1341
00:54:02,667 --> 00:54:04,291
OF COURSE YOU DO.
1342
00:54:04,375 --> 00:54:06,542
I SAW HOW NERVOUS YOU WERE
EARLIER TONIGHT
1343
00:54:06,625 --> 00:54:08,333
BEFORE THE PARTY, OKAY?
1344
00:54:08,417 --> 00:54:10,625
JUST THE THOUGHT OF SEEING CAROL
HAD YOU ALL WORKED UP.
1345
00:54:10,709 --> 00:54:12,208
OH, COME ON.
1346
00:54:14,375 --> 00:54:16,125
YOU CAN'T LIE
TO ME.
1347
00:54:16,208 --> 00:54:19,083
I DON'T KNOW
WHAT YOU'RE TALKING ABOUT.
1348
00:54:19,166 --> 00:54:20,083
REALLY?
1349
00:54:20,417 --> 00:54:22,333
WELL, THEN, TELL ME THIS.
DID YOU SEE HER?
1350
00:54:26,333 --> 00:54:27,917
OKAY, YOU WANT TO KNOW?
1351
00:54:28,000 --> 00:54:29,208
FINE.
1352
00:54:29,291 --> 00:54:32,125
YES, I SAW HER,
AND IT DIDN'T GO SO GREAT.
1353
00:54:34,125 --> 00:54:35,291
I MEAN, WE SAID HELLO,
1354
00:54:35,375 --> 00:54:38,333
AND BEFORE I KNEW IT,
WE WERE FIGHTING AGAIN.
1355
00:54:38,417 --> 00:54:39,625
RIGHT BACK WHERE WE LEFT OFF.
1356
00:54:39,709 --> 00:54:41,333
WAIT, YOU GUYS DON'T
SEE EACH OTHER
1357
00:54:41,417 --> 00:54:43,000
FOR WHAT, 10 YEARS,
1358
00:54:43,083 --> 00:54:45,208
AND THE FIRST THING YOU DO
IS HAVE AN ARGUMENT?
1359
00:54:45,291 --> 00:54:46,291
WHY?
1360
00:54:46,375 --> 00:54:48,166
WHY? BECAUSE
THAT'S WHAT WE DO.
1361
00:54:49,417 --> 00:54:52,166
LOOK, YOU KNOW,
IT'S...
1362
00:54:52,250 --> 00:54:54,166
IT'S FINE, OKAY?
1363
00:54:54,250 --> 00:54:56,417
SERIOUSLY.
1364
00:54:56,500 --> 00:54:58,583
IT JUST PROVES THAT
I WAS RIGHT TO WALK AWAY
1365
00:54:58,667 --> 00:55:00,750
IN THE FIRST PLACE.
1366
00:55:00,834 --> 00:55:02,917
DON'T.
1367
00:55:03,000 --> 00:55:06,417
YOU STILL CARE
ABOUT HER.
1368
00:55:06,500 --> 00:55:07,709
- HANG ON--
- BEN...
1369
00:55:07,792 --> 00:55:09,291
DON'T GET ME WRONG.
1370
00:55:09,375 --> 00:55:10,333
I DON'T WANT YOU TO GET HURT,
1371
00:55:10,417 --> 00:55:11,709
BUT THE FACT IS
1372
00:55:11,792 --> 00:55:14,125
YOU GUYS WERE JUST KIDS
WHEN YOU BROKE UP,
1373
00:55:14,208 --> 00:55:17,333
AND YOU DIDN'T TRY THAT HARD
TO STAY TOGETHER.
1374
00:55:17,417 --> 00:55:18,959
AND IF YOU'RE STILL FIGHTING
AFTER ALL THIS TIME,
1375
00:55:19,041 --> 00:55:20,500
THERE'S FEELINGS THERE,
1376
00:55:20,583 --> 00:55:23,417
AND IF YOU'RE STILL
IN LOVE WITH HER,
1377
00:55:23,500 --> 00:55:27,291
YOU'VE GOT
TO TELL HER.
1378
00:55:31,500 --> 00:55:33,709
NO.
1379
00:55:33,792 --> 00:55:35,667
THE WOMAN I SAW
TONIGHT
1380
00:55:35,750 --> 00:55:38,583
IS NOT THE WOMAN
I FELL IN LOVE WITH,
1381
00:55:38,667 --> 00:55:41,625
NOT ANYMORE.
1382
00:55:41,709 --> 00:55:43,333
SEE, NOW,
I DID NOT KNOW
1383
00:55:43,417 --> 00:55:45,458
THAT HE WAS GOING
TO SAY THAT,
1384
00:55:45,542 --> 00:55:46,625
AND I'M NOT SURE
1385
00:55:46,709 --> 00:55:50,667
THAT THAT'S NECESSARILY
HOW HE REALLY FEELS.
1386
00:55:52,250 --> 00:55:53,625
CAROL?
1387
00:55:55,333 --> 00:55:58,208
[ANGRILY]
WHY WOULD YOU SHOW ME THAT?
1388
00:56:03,291 --> 00:56:07,041
WHERE DID YOU GO?
1389
00:56:09,500 --> 00:56:13,041
OH, IS THAT IT?
1390
00:56:13,125 --> 00:56:16,291
IS THAT WHAT
I'M SUPPOSED TO LEARN?
1391
00:56:16,375 --> 00:56:18,291
HMM?
1392
00:56:19,375 --> 00:56:23,542
YOU SHOW ME THAT I'M NOT ALONE,
1393
00:56:23,625 --> 00:56:29,000
TELL ME I DON'T CARE
ABOUT MY MOTHER,
1394
00:56:29,083 --> 00:56:34,250
AND THEN YOU SHOW ME THAT
BEN DOESN'T LOVE ME ANYMORE.
1395
00:56:38,458 --> 00:56:41,291
SHOW YOURSELF, YOU COWARD.
1396
00:56:49,375 --> 00:56:51,500
ANSWER ME.
1397
00:57:02,500 --> 00:57:05,750
PLEASE.
1398
00:57:05,834 --> 00:57:07,875
[LETS OUT A SHAKY BREATH]
1399
00:57:24,291 --> 00:57:25,375
OKAY,
1400
00:57:25,458 --> 00:57:28,250
WHAT'S IN STORE, EVE MAILER?
1401
00:57:33,917 --> 00:57:35,834
LET'S SEE HERE.
1402
00:57:41,917 --> 00:57:45,583
GHOST OF CHRISTMAS PAST,
THAT'S OVER.
1403
00:57:45,667 --> 00:57:48,166
THEN WE'VE GOT
A CHRISTMAS PRESENT.
1404
00:57:48,250 --> 00:57:52,250
A TON OF FUN.
1405
00:57:52,333 --> 00:57:56,041
SO, WHAT'S NEXT?
1406
00:57:56,125 --> 00:57:57,166
OKAY, HERE WE GO...
1407
00:57:58,500 --> 00:58:01,125
AH, CHRISTMAS FUTURE.
1408
00:58:01,208 --> 00:58:04,083
"IN THE ORIGINAL DICKENS STORY
AND SUBSEQUENT VERSIONS,
1409
00:58:04,166 --> 00:58:06,375
"THE APPARITION
APPEARS TO THE PROTAGONIST
1410
00:58:06,458 --> 00:58:08,875
"AS THE ANGEL OF DARKNESS
1411
00:58:08,959 --> 00:58:10,583
"OR THE GRIM REAPER,
1412
00:58:10,667 --> 00:58:14,125
"MORE COMMONLY KNOWN AS...
1413
00:58:14,208 --> 00:58:15,750
DEATH"?
1414
00:58:15,834 --> 00:58:18,250
[STAIR CREAKS, CAROL GASPS]
1415
00:58:20,417 --> 00:58:21,792
EVE?
1416
00:58:21,875 --> 00:58:22,792
WERE YOU SCARED?
1417
00:58:24,417 --> 00:58:26,625
TOOK YOU LONG ENOUGH.
1418
00:58:26,709 --> 00:58:29,208
I THOUGHT YOU MIGHT NEED
SOME TIME TO COOL OFF.
1419
00:58:32,834 --> 00:58:36,709
IT WAS BETTER IN REHEARSALS,
BUT YOU GET THE GENERAL IDEA.
1420
00:58:36,792 --> 00:58:38,458
SO, THE FUTURE?
1421
00:58:38,542 --> 00:58:40,542
LISTEN, I DON'T WANT TO RUIN IT
OR ANYTHING, BUT...
1422
00:58:40,625 --> 00:58:41,500
I KNOW I DIE IN THE END.
1423
00:58:41,583 --> 00:58:43,208
REALLY?
1424
00:58:43,291 --> 00:58:44,583
YEAH, EVERYONE DOES.
1425
00:58:44,667 --> 00:58:46,834
YOU CAN'T REALLY
GET AROUND THAT ONE, CAN YOU?
1426
00:58:46,917 --> 00:58:50,959
YOU MIGHT JUST
FIND YOURSELF SURPRISED.
1427
00:59:00,125 --> 00:59:02,166
THIS DOESN'T LOOK
VERY FUTURISTIC.
1428
00:59:02,250 --> 00:59:05,709
OH, YOU'RE COMING UP ON 40
PRETTY QUICK, LITTLE LADY.
1429
00:59:05,792 --> 00:59:08,542
THIS IS BASICALLY
NEXT WEEK FOR YOU.
1430
00:59:10,625 --> 00:59:12,125
I DIDN'T EXPECT THAT.
1431
00:59:12,208 --> 00:59:13,750
WHERE ARE WE?
1432
00:59:13,834 --> 00:59:16,250
IT'S CHRISTMAS MORNING,
AND THIS IS YOUR FAMILY.
1433
00:59:16,333 --> 00:59:17,375
WHOA, WHOA, WHOA.
1434
00:59:18,458 --> 00:59:20,875
THESE ARE ALL MINE?
1435
00:59:20,959 --> 00:59:24,250
YEAH, YOU AND BEN
HAD THREE KIDS, AND...
1436
00:59:24,333 --> 00:59:25,792
ONE, TWO,
1437
00:59:25,875 --> 00:59:27,875
THREE GRANDKIDS SO FAR.
1438
00:59:27,959 --> 00:59:29,166
[SON]: YOU'RE
SPOILING THEM AGAIN.
1439
00:59:29,250 --> 00:59:30,792
WE'RE THE GRANDPARENTS.
1440
00:59:30,875 --> 00:59:32,417
IT'S IN OUR
JOB DESCRIPTION.
1441
00:59:32,500 --> 00:59:34,208
HOLD ON.
1442
00:59:34,291 --> 00:59:36,417
SO...
1443
00:59:36,500 --> 00:59:39,500
THIS IS MY FAMILY,
1444
00:59:39,583 --> 00:59:41,625
AND THAT...
1445
00:59:41,709 --> 00:59:43,458
THAT'S ME?
1446
00:59:43,542 --> 00:59:45,250
AND THAT'S BEN.
1447
00:59:45,333 --> 00:59:47,375
PRETTY BEAUTIFUL
VISION OF THE FUTURE, NO?
1448
00:59:47,458 --> 00:59:49,875
OH, MY GOD...
1449
00:59:50,792 --> 00:59:51,875
I THINK YOUR PRESENT
IS THEIR FAVORITE ONE.
1450
00:59:51,959 --> 00:59:54,792
SWEET, ISN'T IT?
1451
00:59:54,875 --> 00:59:57,333
SO, WHAT DO YOU THINK?
1452
00:59:57,417 --> 00:59:59,709
[BOTH CAROLS TOGETHER]:
NOT TOO SHABBY.
1453
00:59:59,792 --> 01:00:01,834
YEAH, NOT
TOO SHABBY AT ALL.
1454
01:00:01,917 --> 01:00:03,667
[TEARING PAPER]
1455
01:00:03,750 --> 01:00:05,709
OKAY, SO WHY THREE KIDS?
1456
01:00:05,792 --> 01:00:09,333
I MEAN, DO I LIVE
ON A FARM NOW, OR WHAT?
1457
01:00:09,417 --> 01:00:10,834
GRANDMA, LOOK!
1458
01:00:10,917 --> 01:00:11,834
LOOK AT THIS.
1459
01:00:11,917 --> 01:00:13,917
WHERE DID YOU GET THIS, EMMA?
1460
01:00:14,000 --> 01:00:16,375
SANTA BROUGHT ME
THE DOLL I WANTED!
1461
01:00:16,458 --> 01:00:18,417
SANTA BROUGHT THIS TO YOU?
1462
01:00:19,792 --> 01:00:20,709
AS IN SANTA CLAUS
1463
01:00:20,792 --> 01:00:22,917
WHO DELIVERS PRESENTS
1464
01:00:23,000 --> 01:00:25,792
TO ALL THE LITTLE GIRLS AND BOYS
WHO WERE GOOD LAST YEAR?
1465
01:00:29,291 --> 01:00:31,917
THEN YOU MUST HAVE BEEN
A VERY GOOD GIRL.
1466
01:00:33,333 --> 01:00:34,417
DOES SHE HAVE
A NAME?
1467
01:00:34,500 --> 01:00:36,834
I LIKE "KATIE."
1468
01:00:36,917 --> 01:00:39,750
SO DO I, SWEETHEART.
1469
01:00:39,834 --> 01:00:40,875
AWW.
1470
01:00:40,959 --> 01:00:43,625
SHOW YOUR MOMMY.
1471
01:00:43,709 --> 01:00:44,709
WHAT HAVE YOU
GOT THERE?
1472
01:00:44,792 --> 01:00:45,834
HEY, CAN I
TELL YOU SOMETHING?
1473
01:00:45,917 --> 01:00:47,792
THANK YOU.
1474
01:00:47,875 --> 01:00:48,834
FOR WHAT?
1475
01:00:48,917 --> 01:00:51,375
FOR GIVING ME
ANOTHER SHOT.
1476
01:00:53,709 --> 01:00:55,417
AND WITHOUT MISTLETOE, FOLKS!
1477
01:00:59,667 --> 01:01:01,333
SO THAT'S IT?
1478
01:01:01,417 --> 01:01:03,750
A HAPPY ENDING?
1479
01:01:03,834 --> 01:01:06,750
WELL, YOU WERE RIGHT,
BECAUSE I AM SURPRISED.
1480
01:01:06,834 --> 01:01:08,834
OH, THIS,
THIS ISN'T YOUR FUTURE.
1481
01:01:08,917 --> 01:01:10,208
YOU'RE TEASING ME?
1482
01:01:10,291 --> 01:01:13,625
THIS IS JUST ONE
OF MANY POSSIBLE FUTURES.
1483
01:01:13,709 --> 01:01:15,750
THIS IS BASICALLY
WHAT'S BEHIND DOOR NUMBER ONE.
1484
01:01:15,834 --> 01:01:19,417
AND I'M GUESSING
WHAT'S BEHIND DOOR NUMBER TWO
1485
01:01:19,500 --> 01:01:20,959
ISN'T GOING TO BE
SUCH A PARTY.
1486
01:01:21,041 --> 01:01:21,875
OH, NOT AT ALL.
1487
01:01:21,959 --> 01:01:25,417
[THUNDER RUMBLES]
1488
01:01:26,375 --> 01:01:27,625
[RAIN PATTERING]
1489
01:01:33,500 --> 01:01:34,625
WHAT NOW?
1490
01:01:34,709 --> 01:01:37,625
TURN AROUND.
THIS WAY.
1491
01:01:37,709 --> 01:01:39,583
UGH.
1492
01:01:46,041 --> 01:01:47,583
NO DATE?
1493
01:01:47,667 --> 01:01:48,583
WELL, I'D TELL YOU,
1494
01:01:48,667 --> 01:01:50,709
BUT THEN I'D
HAVE TO KILL YOU.
1495
01:01:51,875 --> 01:01:54,834
HEY, IT'S JUST ANOTHER DOOR.
1496
01:01:54,917 --> 01:01:56,959
WELL, LIKE I SAID,
1497
01:01:57,041 --> 01:01:59,500
EVERYONE DIES.
1498
01:01:59,583 --> 01:02:01,500
TRUE,
1499
01:02:01,583 --> 01:02:04,834
BUT EVERYONE DOESN'T NECESSARILY
DIE ALONE.
1500
01:02:07,875 --> 01:02:11,417
IT'S ALREADY OVER?
1501
01:02:11,500 --> 01:02:12,458
NO ONE CAME?
1502
01:02:12,542 --> 01:02:14,750
OH, SOMEONE DID.
1503
01:02:14,834 --> 01:02:16,417
SHE JUST GOT HERE LATE.
1504
01:02:16,500 --> 01:02:19,000
HOW ABOUT THAT...
1505
01:02:20,125 --> 01:02:21,542
I DIDN'T GET YOU FLOWERS
1506
01:02:21,625 --> 01:02:23,667
BECAUSE I KNOW
YOU HATE THEM, SO...
1507
01:02:24,834 --> 01:02:27,792
SHE'S THE NEW PRESIDENT
1508
01:02:27,875 --> 01:02:29,583
AND, IN HONOR
OF YOUR MEMORY,
1509
01:02:29,667 --> 01:02:32,375
SHE DEEMED TODAY
A WORK DAY.
1510
01:02:32,458 --> 01:02:33,959
SHE THOUGHT YOU'D APPROVE.
1511
01:02:35,875 --> 01:02:37,083
I WOULD HAVE.
1512
01:02:37,166 --> 01:02:39,083
BUT I THINK YOU KNOW
1513
01:02:39,166 --> 01:02:40,834
THAT NO ONE
WOULD HAVE COME ANYWAY.
1514
01:02:42,917 --> 01:02:44,583
SHE LOOKS
DIFFERENT.
1515
01:02:46,125 --> 01:02:47,166
SHE LOOKS...
1516
01:02:47,250 --> 01:02:48,208
SAD?
1517
01:02:54,208 --> 01:02:57,083
[CELL PHONE RINGS]
1518
01:03:00,250 --> 01:03:02,542
THIS IS KENDRA.
1519
01:03:02,625 --> 01:03:04,834
NO, NOW WORKS. I'M JUST
WALKING OUT OF A MEETING.
1520
01:03:04,917 --> 01:03:07,709
TELL ME...
1521
01:03:07,792 --> 01:03:09,500
THEN DUMP HIM.
1522
01:03:09,583 --> 01:03:10,709
HE'S COSTING US MONEY
1523
01:03:10,792 --> 01:03:12,542
AND WE NEED TO
KEEP THE LIGHTS ON.
1524
01:03:12,625 --> 01:03:14,333
I'M IN CHARGE,
AND IT'S MY CALL.
1525
01:03:14,417 --> 01:03:15,834
A CHIP OFF THE OLD BLOCK,
1526
01:03:15,917 --> 01:03:18,000
HUH?
1527
01:03:18,083 --> 01:03:21,000
SO THE COMPANY SURVIVED?
1528
01:03:21,083 --> 01:03:21,834
THERE WAS NO REVOLT?
1529
01:03:21,917 --> 01:03:24,583
OH, NO, THERE WAS A REVOLT,
1530
01:03:24,667 --> 01:03:27,959
AND PEOPLE HAD A TOUGH TIME
FOR A WHILE, BUT...
1531
01:03:28,041 --> 01:03:30,166
I WON.
1532
01:03:30,250 --> 01:03:34,166
YEAH, YOU FIRED
EVERYONE BUT KENDRA,
1533
01:03:34,250 --> 01:03:38,917
AND YOU ESTABLISHED
YOUR REPUTATION
1534
01:03:39,000 --> 01:03:40,750
AS A WOMAN TO BE FEARED.
1535
01:03:40,834 --> 01:03:44,125
AND IN THE END...
1536
01:03:45,458 --> 01:03:48,417
I'M ALONE.
1537
01:03:50,166 --> 01:03:53,875
IS THERE
A DOOR NUMBER THREE?
1538
01:03:53,959 --> 01:03:57,000
THAT'S ENTIRELY
UP TO YOU.
1539
01:04:03,166 --> 01:04:04,208
EVE?
1540
01:04:06,625 --> 01:04:09,625
EVE, WAIT.
1541
01:04:10,667 --> 01:04:11,500
EVE!
1542
01:04:13,083 --> 01:04:14,917
I DON'T WANT TO BE ALONE.
1543
01:04:15,000 --> 01:04:16,709
YOU'RE RIGHT.
1544
01:04:16,792 --> 01:04:18,000
I WANT TO CHANGE!
1545
01:04:18,083 --> 01:04:20,667
PLEASE.
1546
01:04:20,750 --> 01:04:23,125
HELP ME.
1547
01:04:23,208 --> 01:04:25,041
I DON'T KNOW HOW
TO DO IT!
1548
01:04:40,208 --> 01:04:43,208
[♪♪]
1549
01:04:53,917 --> 01:04:57,625
♪ FOR THE "SORRIES"
OH, THE "SORRIES" OF YOUR SOUL ♪
1550
01:04:57,709 --> 01:04:59,875
♪ THEY ARE YOUR WORRIES
ARE YOUR WORRIES ♪
1551
01:04:59,959 --> 01:05:01,750
♪ OF MY HOUSEHOLD
1552
01:05:01,834 --> 01:05:05,667
♪ I HEAR THE WIND A-HOWLING
AT MY SWINGING DOOR ♪
1553
01:05:05,750 --> 01:05:07,834
♪ BUT AT YOUR HOUSE
THE WEATHER'S PLEASANT ♪
1554
01:05:07,917 --> 01:05:12,792
♪ NOTHING MORE
1555
01:05:12,875 --> 01:05:16,792
♪ I AM BEHIND
1556
01:05:16,875 --> 01:05:20,166
♪ I AM BEHIND
1557
01:05:20,250 --> 01:05:22,917
♪ NEVER MIND
I WILL NOT PINE ♪
1558
01:05:23,000 --> 01:05:24,917
♪ FOR I AM MINE...
1559
01:05:25,000 --> 01:05:26,500
HI. I--
1560
01:05:26,583 --> 01:05:27,917
I DON'T NEED A NUMBER.
1561
01:05:28,000 --> 01:05:31,542
COULD YOU TELL ME
WHAT DAY IT IS?
1562
01:05:31,625 --> 01:05:34,500
WELL, THEN,
MERRY CHRISTMAS, GOOD SIR!
1563
01:05:34,583 --> 01:05:35,792
OH, SORRY.
1564
01:05:35,875 --> 01:05:38,250
HAPPY HANUKKAH.
1565
01:05:43,041 --> 01:05:46,917
♪ YOU DECIDED
YOU WOULD EDUCATE ME ♪
1566
01:05:47,000 --> 01:05:53,834
♪ WHILE CONVERSING
OVER A NICE SPOT OF TEA ♪
1567
01:05:53,917 --> 01:05:58,000
♪ I AM BEHIND
1568
01:05:58,083 --> 01:06:01,750
♪ I AM BEHIND
1569
01:06:01,834 --> 01:06:02,959
♪ WELL, NEVER MIND
1570
01:06:03,041 --> 01:06:06,750
♪ I WILL NOT PINE
FOR I AM MINE... ♪
1571
01:06:06,834 --> 01:06:08,000
NICE ONE, EVE.
1572
01:06:08,083 --> 01:06:10,000
[LAUGHS]
1573
01:06:10,083 --> 01:06:11,625
THAT'S FUNNY.
1574
01:06:11,709 --> 01:06:15,583
♪ I AM BEHIND
1575
01:06:15,667 --> 01:06:17,792
♪ NEVER MIND
I WILL NOT PINE ♪
1576
01:06:17,875 --> 01:06:21,208
♪ FOR I AM MINE
1577
01:06:21,291 --> 01:06:25,625
♪ I AM BEHIND
1578
01:06:25,709 --> 01:06:29,792
♪ I AM BEHIND
1579
01:06:29,875 --> 01:06:32,500
♪ NEVER MIND
I WILL NOT PINE ♪
1580
01:06:32,583 --> 01:06:34,667
♪ FOR I AM MINE ♪
1581
01:06:39,917 --> 01:06:40,917
HI.
1582
01:06:43,583 --> 01:06:45,166
IT'S GRACE, RIGHT?
1583
01:06:45,250 --> 01:06:47,125
HOW DO YOU KNOW MY NAME?
1584
01:06:47,208 --> 01:06:48,875
UH... I, UM...
1585
01:06:48,959 --> 01:06:50,709
I'M YOUR MOMMY'S BOSS AT WORK.
1586
01:06:54,458 --> 01:06:55,792
WE WORK TOGETHER.
1587
01:06:55,875 --> 01:06:58,333
ARE YOU THE LADY
WHO FIRED HER?
1588
01:06:58,417 --> 01:07:01,208
UM, WELL, I, UM--
1589
01:07:05,250 --> 01:07:08,000
[KNOCKING INSISTENTLY]
1590
01:07:09,333 --> 01:07:10,875
[KNOCKING]
1591
01:07:12,000 --> 01:07:14,291
[GASPS IN SHOCK]
1592
01:07:14,375 --> 01:07:15,208
WHAT ARE YOU DOING HERE?
1593
01:07:15,291 --> 01:07:17,250
MERRY CHRISTMAS, TANYA.
1594
01:07:17,333 --> 01:07:18,875
OH!
1595
01:07:18,959 --> 01:07:21,250
THESE ARE FOR
YOUR BEAUTIFUL CHILDREN,
1596
01:07:21,333 --> 01:07:23,875
AND THERE'S A LITTLE SOMETHING
IN THERE FOR YOU, TOO.
1597
01:07:28,875 --> 01:07:30,083
[KNOCKING PERSISTENTLY]
1598
01:07:30,166 --> 01:07:32,166
IT'S CHRISTMAS MORNING.
1599
01:07:32,250 --> 01:07:33,208
IS NOTHING SACRED?
1600
01:07:33,291 --> 01:07:34,959
I READ BEN'S MANUSCRIPT,
1601
01:07:35,041 --> 01:07:35,959
AND YOU WERE RIGHT.
1602
01:07:36,041 --> 01:07:37,166
IT'S...
1603
01:07:37,250 --> 01:07:38,291
IT'S AMAZING.
1604
01:07:38,375 --> 01:07:40,166
I CAME HERE TO TELL YOU THAT,
1605
01:07:40,250 --> 01:07:43,208
AND ALSO TO TELL YOU THAT...
1606
01:07:46,041 --> 01:07:47,417
I'M SORRY.
1607
01:07:47,500 --> 01:07:48,750
ARE YOU DRUNK?
1608
01:07:48,834 --> 01:07:49,750
YOU HAVE
EVERY REASON, TANYA,
1609
01:07:49,834 --> 01:07:51,125
TO BE ANGRY WITH ME,
1610
01:07:51,208 --> 01:07:52,125
BUT I AM SERIOUS
ABOUT THIS BOOK.
1611
01:07:52,208 --> 01:07:54,125
I WANT TO
PUBLISH IT IMMEDIATELY,
1612
01:07:54,208 --> 01:07:56,208
AND DO YOU WANT
TO KNOW WHY?
1613
01:07:57,709 --> 01:07:59,959
BECAUSE
IT DESERVES TO BE READ.
1614
01:08:00,041 --> 01:08:02,166
SO? PUBLISH IT.
1615
01:08:02,250 --> 01:08:03,125
WHAT DO I CARE?
1616
01:08:03,208 --> 01:08:05,000
BECAUSE I WAS WRONG,
1617
01:08:05,083 --> 01:08:06,959
AND I WANT TO TRY
AND MAKE AMENDS.
1618
01:08:07,041 --> 01:08:09,917
[SIGHS HEAVILY]
1619
01:08:11,750 --> 01:08:13,000
I WANT YOU
TO COME BACK TO WORK.
1620
01:08:13,083 --> 01:08:14,000
[SCOFFING]
1621
01:08:14,083 --> 01:08:15,375
ARE YOU KIDDING ME?
1622
01:08:16,834 --> 01:08:19,375
OKAY, LISTEN TO ME.
1623
01:08:19,458 --> 01:08:24,375
I WOKE UP THIS MORNING,
AND I FELT LIKE A NEW WOMAN,
1624
01:08:24,458 --> 01:08:26,041
LIKE THIS BURDEN
1625
01:08:26,125 --> 01:08:27,750
HAD BEEN LIFTED
OFF OF MY SHOULDERS,
1626
01:08:27,834 --> 01:08:28,792
AND YOU WANT TO KNOW WHY?
1627
01:08:28,875 --> 01:08:30,333
NEW MATTRESS?
1628
01:08:30,417 --> 01:08:33,709
BECAUSE I WILL NEVER, EVER,
HAVE TO WORK FOR YOU AGAIN.
1629
01:08:36,250 --> 01:08:37,208
WAIT, WAIT!
1630
01:08:37,291 --> 01:08:38,166
JUST...
1631
01:08:38,250 --> 01:08:39,041
GET OFF MY DOOR.
1632
01:08:39,125 --> 01:08:40,166
NO, WILL YOU--
1633
01:08:40,250 --> 01:08:41,291
I WILL CALL THE COPS!
1634
01:08:41,375 --> 01:08:43,083
JUST LISTEN TO ME!
1635
01:08:43,166 --> 01:08:45,000
FINE.
1636
01:08:45,083 --> 01:08:46,375
YOU'VE GOT 10 SECONDS.
1637
01:08:46,458 --> 01:08:48,959
ALL RIGHT, OKAY, 10 SECONDS.
1638
01:08:49,041 --> 01:08:50,375
NINE, EIGHT...
1639
01:08:50,458 --> 01:08:51,333
OKAY, OKAY!
1640
01:08:51,417 --> 01:08:56,417
[DEEP BREATH] HERE I GO.
1641
01:08:56,500 --> 01:08:59,250
TANYA, I WANT YOU TO BE
THE EDITOR FOR THIS BOOK,
1642
01:08:59,333 --> 01:09:01,917
AND I WANT YOU TO HELP ME
REBUILD SPRINGWOOD
1643
01:09:02,000 --> 01:09:05,208
INTO THE COMPANY
THAT EVE LEFT BEHIND.
1644
01:09:05,291 --> 01:09:06,917
I NEED YOU TO MAKE US BETTER.
1645
01:09:09,458 --> 01:09:10,417
I WANT A RAISE.
1646
01:09:10,500 --> 01:09:11,834
NO PROBLEM.
1647
01:09:11,917 --> 01:09:13,000
AND TWO WEEKS' VACATION.
1648
01:09:13,083 --> 01:09:14,166
YOU GOT IT.
1649
01:09:14,250 --> 01:09:15,417
AND FULL BENEFITS
FOR THE WHOLE OFFICE.
1650
01:09:15,500 --> 01:09:17,250
WOW.
1651
01:09:17,333 --> 01:09:19,959
OKAY, YOU KNOW WHAT, UM...
1652
01:09:20,041 --> 01:09:22,375
WE HAVE A REALLY BIG
OVERHEAD ALREADY, AND--
1653
01:09:22,458 --> 01:09:23,875
OH, HEY! WAIT.
1654
01:09:23,959 --> 01:09:24,959
DUT, DUT, DUT...
1655
01:09:25,041 --> 01:09:28,083
LOOKING FORWARD TO IT.
1656
01:09:28,166 --> 01:09:29,208
IS IT A DEAL?
1657
01:09:35,917 --> 01:09:37,000
[GIGGLES IN DISBELIEF]
1658
01:09:37,083 --> 01:09:40,792
[♪♪]
1659
01:09:44,834 --> 01:09:47,458
LADIES, LET'S DO THIS.
1660
01:09:51,333 --> 01:09:53,208
MERRY CHRISTMAS, GUYS.
1661
01:09:54,875 --> 01:09:55,959
KENDRA.
1662
01:09:57,208 --> 01:09:58,291
EVERYTHING OKAY?
1663
01:09:58,375 --> 01:09:59,875
NEVER BETTER.
1664
01:09:59,959 --> 01:10:01,875
WE SHOULD TELL HER.
1665
01:10:01,959 --> 01:10:03,125
SHE'LL FIND OUT
SOON ENOUGH.
1666
01:10:03,208 --> 01:10:04,959
TELL ME WHAT?
1667
01:10:05,041 --> 01:10:06,000
UH, WE'RE FORMING
A NEW--
1668
01:10:06,083 --> 01:10:07,041
WENDY!
1669
01:10:07,125 --> 01:10:09,041
SHE SHOULD KNOW.
SHE'S ONE OF US.
1670
01:10:09,125 --> 01:10:10,125
OKAY,
WHAT'S GOING ON, GUYS?
1671
01:10:10,208 --> 01:10:12,417
WE'RE REVOLTING.
1672
01:10:12,500 --> 01:10:13,917
WAIT, THAT DIDN'T
SOUND RIGHT.
1673
01:10:14,000 --> 01:10:15,000
UH, WE'RE REBELLING.
1674
01:10:15,083 --> 01:10:16,291
AGAINST?
1675
01:10:16,375 --> 01:10:17,417
UH, CAROL?
1676
01:10:17,500 --> 01:10:18,875
WE'RE FORMING A NEW COMPANY,
1677
01:10:18,959 --> 01:10:20,250
AND TAKING ALL OF
SPRINGWOOD'S BUSINESS WITH US.
1678
01:10:20,333 --> 01:10:22,083
EXCUSE ME?
1679
01:10:22,166 --> 01:10:23,375
THE ONLY QUESTION
YOU NEED TO ASK, KENDRA--
1680
01:10:23,458 --> 01:10:26,333
ARE YOU WITH US
OR AGAINST US?
1681
01:10:27,375 --> 01:10:28,375
UH, HOLD ON
A SEC, GUYS--
1682
01:10:28,709 --> 01:10:31,125
TIME FOR TALK'S OVER, KENDRA!
TIME FOR ACTION!
1683
01:10:31,208 --> 01:10:32,125
BUT--
1684
01:10:32,208 --> 01:10:33,291
VIVA LA REVOLUCION!
1685
01:10:33,375 --> 01:10:35,125
[OTHER TWO CHANT]:
VIVA LA REVOLUCION!
1686
01:10:35,208 --> 01:10:36,041
CAROL HUFFLER,
1687
01:10:36,125 --> 01:10:37,417
YOUR ERA OF TYRANNY IS...
1688
01:10:39,166 --> 01:10:40,125
SHE'S NOT HERE.
1689
01:10:40,208 --> 01:10:41,125
WEIRD.
1690
01:10:41,208 --> 01:10:42,959
[SIGH]
1691
01:10:43,041 --> 01:10:45,458
HUH?
1692
01:11:02,166 --> 01:11:03,125
WHAT...?
1693
01:11:04,667 --> 01:11:06,166
MERRY CHRISTMAS, EVERYONE.
1694
01:11:09,041 --> 01:11:10,583
OH, MY GOODNESS, IS HE OKAY?
1695
01:11:10,667 --> 01:11:11,959
OH, YEAH, HE'S FINE.
1696
01:11:12,041 --> 01:11:14,166
IT HAPPENS ALL THE TIME.
HE'LL JUST BE A MINUTE.
1697
01:11:14,250 --> 01:11:15,166
WAKE UP.
1698
01:11:15,250 --> 01:11:16,500
OKAY, COME ON.
WAKE UP.
1699
01:11:16,583 --> 01:11:17,458
HEY, SWEETIE.
1700
01:11:17,542 --> 01:11:18,417
I DON'T WANNA GO TO SCHOOL.
1701
01:11:18,500 --> 01:11:20,083
WAKE UP!
1702
01:11:26,625 --> 01:11:27,875
NOW, I KNOW
1703
01:11:27,959 --> 01:11:29,125
YOU'RE ALL
A LITTLE CONFUSED,
1704
01:11:29,208 --> 01:11:30,375
SO I'M GOING TO CUT
RIGHT TO THE CHASE,
1705
01:11:30,750 --> 01:11:32,875
BECAUSE I DON'T WANT TO KEEP YOU
ANY LONGER THAN NECESSARY.
1706
01:11:32,959 --> 01:11:35,208
YOU'RE FREAKING US OUT.
1707
01:11:35,291 --> 01:11:36,625
BELIEVE ME WHEN I TELL YOU
1708
01:11:36,709 --> 01:11:39,500
THE CAROL HUFFLER
THAT YOU'VE COME TO KNOW...
1709
01:11:39,583 --> 01:11:42,375
AND HATE...
1710
01:11:42,458 --> 01:11:43,542
IS A THING OF THE PAST.
1711
01:11:45,041 --> 01:11:47,291
I'M TURNING OVER
A NEW LEAF.
1712
01:11:47,375 --> 01:11:49,291
I'M GOING TO BE
A BETTER PERSON.
1713
01:11:49,375 --> 01:11:54,125
I REALIZE THAT I'M GOING TO
HAVE TO EARN YOUR TRUST,
1714
01:11:54,208 --> 01:11:57,625
BUT I'M HOPING THAT
THIS CAN BE THE FIRST STEP.
1715
01:11:59,542 --> 01:12:02,500
PASS THE REST OF
THESE OUT. THANK YOU.
1716
01:12:02,583 --> 01:12:03,959
WHAT'S THIS?
1717
01:12:04,041 --> 01:12:05,625
SOMETHING THAT'S LONG OVERDUE.
1718
01:12:05,709 --> 01:12:07,458
IT'S A BONUS!
1719
01:12:07,542 --> 01:12:08,542
NOPE,
1720
01:12:08,625 --> 01:12:10,583
IT'S PROFIT SHARING,
1721
01:12:10,667 --> 01:12:12,208
BECAUSE FROM
THIS POINT ON,
1722
01:12:12,291 --> 01:12:14,250
YOU'RE ALL
BOARD MEMBERS.
1723
01:12:14,333 --> 01:12:15,875
IT'S A NEW DAY.
1724
01:12:15,959 --> 01:12:20,375
EVE MAILER FOUNDED THIS COMPANY
ON ONE SIMPLE CONCEPT,
1725
01:12:20,458 --> 01:12:22,041
THE LOVE OF GOOD BOOKS.
1726
01:12:22,125 --> 01:12:23,917
AND YOU ALL
ENTERED PUBLISHING
1727
01:12:24,000 --> 01:12:25,250
FOR THE SAME REASON.
1728
01:12:25,333 --> 01:12:28,458
SO IT'S TIME
THAT WE GO BACK TO OUR ROOTS.
1729
01:12:28,542 --> 01:12:30,375
SPRINGWOOD, FROM NOW ON,
1730
01:12:30,458 --> 01:12:32,583
WILL NOT ONLY PUBLISH
BOOKS THAT SELL,
1731
01:12:32,667 --> 01:12:35,000
BUT BOOKS THAT SHOULD BE READ.
1732
01:12:35,083 --> 01:12:36,500
[ALL SIGHING IN DELIGHT]
1733
01:12:36,583 --> 01:12:37,542
I PRESENT
1734
01:12:37,625 --> 01:12:39,250
THE FOLLOWING MOTION
TO THE BOARD.
1735
01:12:39,333 --> 01:12:40,959
TWO WEEKS OF CHRISTMAS VACATION,
1736
01:12:41,041 --> 01:12:42,166
PAID,
1737
01:12:42,250 --> 01:12:44,125
EFFECTIVE IMMEDIATELY.
1738
01:12:44,208 --> 01:12:44,959
ALL IN FAVOR, SAY "AYE."
1739
01:12:45,041 --> 01:12:46,375
[EVERYONE]: AYE!
1740
01:12:46,458 --> 01:12:48,583
[CHEERING AND APPLAUSE]
1741
01:12:48,667 --> 01:12:51,125
WE WON, FRED.
1742
01:12:51,208 --> 01:12:52,959
WE WON!
1743
01:12:53,041 --> 01:12:55,917
[EMPLOYEES WHISPERING]
1744
01:12:56,000 --> 01:12:58,250
AND I PRESENT
ANOTHER MOTION.
1745
01:12:59,500 --> 01:13:03,166
THAT CAROL HUFFLER
REMAIN THE PRESIDENT
1746
01:13:03,250 --> 01:13:04,625
OF SPRINGWOOD
PUBLISHING.
1747
01:13:04,709 --> 01:13:06,041
AYE!
1748
01:13:06,125 --> 01:13:07,250
[CLEARING THROAT OFFICIALLY]
1749
01:13:07,333 --> 01:13:09,125
ALL IN FAVOR?
1750
01:13:09,208 --> 01:13:10,250
AYE!
1751
01:13:10,333 --> 01:13:12,291
[EVERYONE]: AYE.
1752
01:13:12,375 --> 01:13:13,208
[APPLAUSE]
1753
01:13:13,291 --> 01:13:14,333
THANK YOU.
1754
01:13:16,000 --> 01:13:18,375
WE DID IT!
1755
01:13:18,458 --> 01:13:19,959
I PROMISE
I WON'T LET YOU DOWN.
1756
01:13:20,041 --> 01:13:23,709
NOW, THERE'S A TON OF FOOD,
EGG NOG,
1757
01:13:23,792 --> 01:13:25,667
COME ON IN AND JOIN.
1758
01:13:25,750 --> 01:13:27,291
MERRY CHRISTMAS.
1759
01:13:27,375 --> 01:13:28,583
[CHUCKLING AND CHATTING]
1760
01:13:28,667 --> 01:13:30,417
A LOT
OF GOOD FOOD.
1761
01:13:30,500 --> 01:13:32,166
STILL A LITTLE HYPOGLYCEMIC...
1762
01:13:34,417 --> 01:13:36,041
- MERRY CHRISTMAS.
- THANKS.
1763
01:13:36,125 --> 01:13:39,083
OH, LOOK AT ALL THIS FOOD.
1764
01:13:39,166 --> 01:13:43,583
[♪♪]
1765
01:13:47,375 --> 01:13:49,750
[SIGHING]
1766
01:13:52,458 --> 01:13:54,458
IF YOU'RE ON MEDICATIONS,
1767
01:13:54,542 --> 01:13:55,667
YOU NEED TO KEEP TAKING THEM
1768
01:13:56,000 --> 01:13:58,500
BECAUSE IF YOU SNAP OUT OF THIS
AND BREAK THEIR HEARTS,
1769
01:13:58,583 --> 01:14:00,375
THAT WOULD JUST BE CRUEL.
1770
01:14:00,458 --> 01:14:03,375
KENDRA, I'VE NEVER
FELT BETTER IN MY LIFE,
1771
01:14:03,458 --> 01:14:04,375
AND DON'T WORRY,
1772
01:14:04,458 --> 01:14:05,458
I'M NOT GOING TO
DISAPPOINT THEM.
1773
01:14:05,542 --> 01:14:07,458
THIS IS GOING TO
WORK OUT FOR EVERYONE,
1774
01:14:07,542 --> 01:14:08,417
SO YOU KNOW WHAT?
1775
01:14:08,500 --> 01:14:10,166
WHAT?
1776
01:14:10,250 --> 01:14:11,250
I'M LETTING YOU GO.
1777
01:14:12,417 --> 01:14:14,458
WAIT, YOU'RE FIRING ME?
1778
01:14:14,542 --> 01:14:15,792
NO, NOT FIRED.
1779
01:14:15,875 --> 01:14:18,667
OFFICIALLY,
A ONE-YEAR SABBATICAL,
1780
01:14:18,750 --> 01:14:20,458
PAID.
1781
01:14:20,542 --> 01:14:22,750
I WANT YOU TO GO TO EUROPE
AND START WRITING.
1782
01:14:24,458 --> 01:14:25,792
WHAT?
1783
01:14:25,875 --> 01:14:26,792
WAIT, HOW DID YOU--
1784
01:14:26,875 --> 01:14:29,458
IT'S NOT IMPORTANT HOW I KNOW.
1785
01:14:29,542 --> 01:14:31,000
WHAT'S IMPORTANT
IS THAT YOU DO IT.
1786
01:14:31,083 --> 01:14:34,208
I THOUGHT I WASN'T SUPPOSED TO
PLAN MY LIFE AROUND A MAN.
1787
01:14:34,291 --> 01:14:36,583
YOU'RE PLANNING A LIFE
WITH YOUR MAN.
1788
01:14:36,667 --> 01:14:37,667
IT'S DIFFERENT.
1789
01:14:40,667 --> 01:14:43,458
[SIGHS HEAVILY]
1790
01:14:43,542 --> 01:14:45,625
WHY ARE YOU DOING THIS?
1791
01:14:45,709 --> 01:14:47,792
YOU'VE DONE SO MUCH FOR ME,
KENDRA, OVER THE YEARS--
1792
01:14:47,875 --> 01:14:49,291
IT'S MY JOB.
1793
01:14:49,375 --> 01:14:51,083
NO, GETTING MY MOTHER
A CHRISTMAS PRESENT
1794
01:14:51,166 --> 01:14:52,709
BECAUSE YOU KNEW I'D FORGET,
THAT'S NOT YOUR JOB.
1795
01:14:54,583 --> 01:14:55,542
THANK YOU SO MUCH
1796
01:14:55,625 --> 01:14:57,333
FOR EVERYTHING.
1797
01:14:57,417 --> 01:14:59,041
I JUST-- I WANT TO MAKE SURE
1798
01:14:59,125 --> 01:15:00,667
YOU DON'T WIND UP
ANYTHING LIKE ME,
1799
01:15:00,750 --> 01:15:03,542
BECAUSE I'D NEVER BE ABLE
TO FORGIVE MYSELF.
1800
01:15:05,208 --> 01:15:06,542
I'M SO SORRY.
1801
01:15:07,667 --> 01:15:10,208
IT'S OKAY.
1802
01:15:10,291 --> 01:15:12,125
IT'S OKAY. THANK YOU.
1803
01:15:12,208 --> 01:15:13,834
THANK YOU.
1804
01:15:15,458 --> 01:15:17,792
NOW, IF YOU'LL EXCUSE ME...
1805
01:15:17,875 --> 01:15:20,208
WAIT. WHERE ARE YOU GOING?
1806
01:15:23,333 --> 01:15:24,583
[SIGHS]
1807
01:15:24,667 --> 01:15:26,041
TO SEE IF I CAN FIX
1808
01:15:26,125 --> 01:15:27,875
THE MOST IMPORTANT THING
IN MY LIFE.
1809
01:15:36,500 --> 01:15:37,792
[LETS OUT A BREATH]
1810
01:15:45,834 --> 01:15:47,458
IT WAS SO NICE OF THEM
TO HAVE US OVER.
1811
01:15:47,542 --> 01:15:49,583
YES, IT WAS.
1812
01:15:56,208 --> 01:15:58,417
WHAT?
1813
01:15:58,500 --> 01:16:02,208
WHAT IS ALL THIS?
1814
01:16:02,291 --> 01:16:05,166
ARE WE
IN THE RIGHT HOUSE?
1815
01:16:08,667 --> 01:16:09,750
HI, MOM.
1816
01:16:11,417 --> 01:16:13,333
MERRY CHRISTMAS.
1817
01:16:13,417 --> 01:16:14,417
HI, SWEETHEART.
1818
01:16:24,333 --> 01:16:26,583
I'M SO SORRY, MOM.
1819
01:16:26,667 --> 01:16:29,333
IT'S OKAY.
1820
01:16:29,417 --> 01:16:32,125
IT'S FINE.
1821
01:16:32,208 --> 01:16:33,875
YOU'RE HOME NOW.
1822
01:16:36,291 --> 01:16:37,750
AND GLORIA,
1823
01:16:37,834 --> 01:16:39,375
I'M SORRY I WAS SO AWFUL
1824
01:16:39,458 --> 01:16:40,834
BEFORE.
1825
01:16:40,917 --> 01:16:41,834
REALLY?
1826
01:16:41,917 --> 01:16:42,875
WHICH TIME?
1827
01:16:44,709 --> 01:16:46,500
[ALL CHUCKLING]
1828
01:16:46,583 --> 01:16:47,875
YOU'RE A PART OF THIS FAMILY,
1829
01:16:47,959 --> 01:16:50,542
AND THANK YOU FOR TAKING
SUCH GOOD CARE OF MY MOTHER.
1830
01:16:50,625 --> 01:16:52,625
YOU'RE WELCOME.
1831
01:16:58,458 --> 01:17:00,875
NOW, YOU TWO
GET CAUGHT UP.
1832
01:17:00,959 --> 01:17:03,375
I'M GONNA GET
MY KITCHEN HUMMING.
1833
01:17:07,166 --> 01:17:08,458
THE DECORATIONS ARE BEAUTIFUL.
1834
01:17:09,500 --> 01:17:11,500
I'M GLAD YOU KEPT THEM ALL.
1835
01:17:11,583 --> 01:17:14,291
WELL, I ALWAYS HOPED
I'D GIVE THEM TO YOU ONE DAY.
1836
01:17:16,417 --> 01:17:18,542
WOULD YOU... LIKE SOME TEA?
1837
01:17:18,625 --> 01:17:20,542
I'D LOVE THAT.
1838
01:17:21,875 --> 01:17:24,834
I LOVED YOUR PRESENT.
1839
01:17:24,917 --> 01:17:26,458
YEAH, ABOUT THAT--
1840
01:17:26,542 --> 01:17:29,875
NO, NO, I LOVED IT.
1841
01:17:32,875 --> 01:17:35,417
MOM, I KNOW HOW HARD
YOU HAD TO WORK
1842
01:17:35,500 --> 01:17:36,583
WHEN I WAS A LITTLE GIRL.
1843
01:17:36,667 --> 01:17:40,166
HONEY, IT MUST HAVE BEEN
HARD FOR YOU, TOO,
1844
01:17:40,250 --> 01:17:42,375
BEING DRAGGED AROUND
FROM JOB TO JOB.
1845
01:17:42,458 --> 01:17:45,166
BUT YOU ALWAYS MADE SURE
I HAD A GREAT BOOK TO READ.
1846
01:17:46,500 --> 01:17:47,792
NOW, WITHOUT MY BOOKS,
1847
01:17:47,875 --> 01:17:49,542
I WOULDN'T HAVE
MY WONDERFUL LIFE.
1848
01:17:49,625 --> 01:17:51,208
I OFTEN WONDER
1849
01:17:51,291 --> 01:17:52,792
WHAT YOU MUST HAVE THOUGHT
ABOUT ME BACK THEN.
1850
01:17:52,875 --> 01:17:54,917
I THOUGHT YOU WERE
A DEVOTED MOTHER
1851
01:17:55,000 --> 01:17:56,583
WHO LOVED ME VERY MUCH.
1852
01:17:57,917 --> 01:18:00,667
I JUST WANTED YOU TO HAVE
THE OPPORTUNITIES THAT I DIDN'T.
1853
01:18:02,375 --> 01:18:06,375
AND IF I'VE NEVER
SAID IT BEFORE,
1854
01:18:06,458 --> 01:18:07,709
THANK YOU.
1855
01:18:10,875 --> 01:18:13,333
[SIGHS HEAVILY]
1856
01:18:13,417 --> 01:18:15,792
I'M SORRY I HAVEN'T BEEN
AROUND MUCH LATELY.
1857
01:18:17,417 --> 01:18:18,875
THAT'S OKAY, HONEY.
1858
01:18:18,959 --> 01:18:20,041
YOU'VE BEEN BUSY.
1859
01:18:21,291 --> 01:18:24,500
WORK TO LIVE, MOM,
NOT LIVE TO WORK.
1860
01:18:24,583 --> 01:18:26,291
THOSE WERE YOUR WORDS.
1861
01:18:26,375 --> 01:18:28,375
WISE WORDS.
1862
01:18:28,458 --> 01:18:30,667
FROM A WISE WOMAN.
1863
01:18:34,417 --> 01:18:36,834
I...
1864
01:18:36,917 --> 01:18:39,917
I HAD THE STRANGEST DREAM
ABOUT YOU LAST NIGHT.
1865
01:18:40,000 --> 01:18:41,333
YOU DID?
1866
01:18:41,417 --> 01:18:42,417
YEAH.
1867
01:18:42,500 --> 01:18:44,792
IT-- IT WAS YOU,
BUT YOU WERE OLDER.
1868
01:18:44,875 --> 01:18:47,417
YOU WERE ABOUT MY AGE.
1869
01:18:47,500 --> 01:18:49,583
IT WAS CHRISTMAS, AND...
1870
01:18:49,667 --> 01:18:50,583
YOU HAD YOUR FAMILY
1871
01:18:50,667 --> 01:18:52,583
ALL AROUND YOU.
1872
01:18:52,667 --> 01:18:55,834
ADORING CHILDREN
LOOKING UP.
1873
01:18:55,917 --> 01:18:56,792
THERE WAS A MAN.
1874
01:18:56,875 --> 01:19:00,709
HE WAS...
1875
01:19:00,792 --> 01:19:02,792
IT WAS BEN.
1876
01:19:02,875 --> 01:19:04,542
DO YOU REMEMBER BEN?
1877
01:19:04,625 --> 01:19:06,500
THAT BOY
YOU USED TO DATE?
1878
01:19:06,583 --> 01:19:09,291
HE WAS SO CUTE.
1879
01:19:09,375 --> 01:19:11,625
YOU TWO SEEMED SO HAPPY.
1880
01:19:13,458 --> 01:19:14,625
WE WERE.
1881
01:19:17,417 --> 01:19:18,500
AND THEN...
1882
01:19:18,583 --> 01:19:20,792
HE LEANED OVER
1883
01:19:20,875 --> 01:19:22,375
AND WHISPERED SOMETHING
IN YOUR EAR,
1884
01:19:22,458 --> 01:19:23,792
AND...
1885
01:19:23,875 --> 01:19:24,875
WHAT WAS IT HE SAID?
1886
01:19:24,959 --> 01:19:26,709
IT WAS, UH...
1887
01:19:29,583 --> 01:19:33,625
[♪♪]
1888
01:19:33,709 --> 01:19:36,041
HE THANKED ME FOR GIVING HIM
1889
01:19:36,125 --> 01:19:37,667
ANOTHER CHANCE.
1890
01:19:41,500 --> 01:19:42,458
RIGHT.
1891
01:19:44,500 --> 01:19:48,291
WELL, THEN, MAYBE YOU SHOULD.
1892
01:19:50,500 --> 01:19:51,750
I THINK IT'S TOO LATE, MOM.
1893
01:19:51,834 --> 01:19:53,834
NO, HONEY.
1894
01:19:53,917 --> 01:19:56,375
IT'S NEVER TO LATE.
1895
01:19:56,500 --> 01:19:58,667
MEN NEVER KNOW WHAT THEY WANT
UNTIL YOU TELL THEM.
1896
01:19:58,750 --> 01:20:01,625
[CHUCKLES]
1897
01:20:01,709 --> 01:20:06,041
[♪♪]
1898
01:20:13,000 --> 01:20:15,667
[SIGHS UNEASILY]
1899
01:20:20,041 --> 01:20:23,667
OKAY.
1900
01:20:23,750 --> 01:20:26,333
ALL RIGHT.
1901
01:20:26,417 --> 01:20:28,041
I'LL BE BACK.
1902
01:20:28,125 --> 01:20:29,041
WISH ME LUCK.
1903
01:20:29,125 --> 01:20:30,041
OKAY.
1904
01:20:30,125 --> 01:20:32,417
I LOVE YOU, MOM.
1905
01:20:32,500 --> 01:20:34,500
I LOVE YOU TOO.
1906
01:20:37,375 --> 01:20:39,083
WHERE'D CAROL GO?
1907
01:20:39,166 --> 01:20:41,959
UM...
1908
01:20:42,041 --> 01:20:43,458
TO GET HER MAN.
1909
01:20:49,166 --> 01:20:50,542
[RINGS DOORBELL]
1910
01:20:50,625 --> 01:20:53,709
[SIGHS NERVOUSLY]
1911
01:20:54,625 --> 01:20:55,583
HI, SUSAN,
1912
01:20:55,667 --> 01:20:58,333
IT... IT'S ME, CAROL HUFFLER.
1913
01:20:58,417 --> 01:20:59,417
YEAH.
1914
01:20:59,500 --> 01:21:00,583
I REMEMBER YOU.
1915
01:21:00,667 --> 01:21:02,500
UM... WHAT ARE YOU DOING HERE?
1916
01:21:02,583 --> 01:21:04,583
WELL, I...
THOUGHT BEN WAS HERE.
1917
01:21:04,667 --> 01:21:05,625
HE'S NOT.
1918
01:21:06,792 --> 01:21:08,125
OH.
1919
01:21:08,208 --> 01:21:09,667
HE LEFT
THIS MORNING.
1920
01:21:09,750 --> 01:21:10,834
REALLY?
1921
01:21:10,917 --> 01:21:11,834
I-- I THOUGHT MAYBE THAT--
1922
01:21:11,917 --> 01:21:13,792
HE ALWAYS
SPENDS CHRISTMAS ALONE.
1923
01:21:15,000 --> 01:21:16,333
I DIDN'T KNOW THAT.
1924
01:21:16,417 --> 01:21:17,875
WELL, HE DIDN'T ALWAYS DO IT.
1925
01:21:17,959 --> 01:21:20,875
HE...
STARTED WHEN YOU GUYS...
1926
01:21:22,917 --> 01:21:25,542
WELL, YOU KNOW.
1927
01:21:27,208 --> 01:21:28,583
DO YOU KNOW WHERE HE WENT?
1928
01:21:28,667 --> 01:21:32,583
HE MIGHT BE GONE THROUGH
TO THE NEW YEAR OR LONGER.
1929
01:21:32,667 --> 01:21:34,083
I COULDN'T SAY.
1930
01:21:36,041 --> 01:21:38,166
WELL...
1931
01:21:38,250 --> 01:21:39,959
THANKS.
1932
01:21:41,542 --> 01:21:43,166
IS THAT...?
1933
01:21:46,542 --> 01:21:47,458
YEAH.
1934
01:21:47,542 --> 01:21:49,417
HE, UM...
1935
01:21:49,500 --> 01:21:50,500
HE LEFT IT BEHIND.
1936
01:21:50,583 --> 01:21:52,917
SAID HE DIDN'T
WANT IT ANYMORE, AND...
1937
01:21:53,000 --> 01:21:55,500
HE TOLD ME TO SELL IT.
1938
01:21:56,583 --> 01:21:57,709
MAY I?
1939
01:21:57,792 --> 01:21:59,458
OH, SURE.
1940
01:22:08,792 --> 01:22:09,875
CAN I GET YOU
ANYTHING?
1941
01:22:09,959 --> 01:22:11,083
NO.
1942
01:22:11,166 --> 01:22:13,208
THANKS. I'M FINE.
1943
01:22:15,000 --> 01:22:16,959
LISTEN,
1944
01:22:17,041 --> 01:22:19,250
I KNOW YOU AND BEN HAVE HAD
YOUR PROBLEMS IN THE PAST,
1945
01:22:19,333 --> 01:22:21,583
BUT IF I HEAR FROM HIM,
1946
01:22:21,667 --> 01:22:23,542
SHALL I TELL HIM
YOU DROPPED BY?
1947
01:22:23,625 --> 01:22:25,417
NO, IT'S OKAY.
1948
01:22:25,500 --> 01:22:27,041
HE'S BETTER OFF NOT KNOWING.
1949
01:22:31,291 --> 01:22:32,500
I'LL JUST LET MYSELF OUT,
1950
01:22:32,583 --> 01:22:34,625
IF YOU WOULDN'T MIND.
1951
01:22:34,709 --> 01:22:36,083
TAKE YOUR TIME.
1952
01:22:36,166 --> 01:22:37,959
THANKS.
1953
01:22:38,041 --> 01:22:39,250
MERRY CHRISTMAS.
1954
01:22:40,250 --> 01:22:42,000
MERRY CHRISTMAS.
1955
01:23:05,917 --> 01:23:08,792
CAROL? UH...
1956
01:23:08,875 --> 01:23:10,041
I THOUGHT YOU LEFT.
1957
01:23:12,000 --> 01:23:13,667
WELL, I DID, BUT I, UH...
1958
01:23:13,750 --> 01:23:14,709
I CAME BACK.
1959
01:23:14,792 --> 01:23:16,625
WHAT FOR?
1960
01:23:17,834 --> 01:23:19,709
SOME THINGS YOU CAN'T JUST
WALK AWAY FROM.
1961
01:23:19,792 --> 01:23:21,208
BEN, I...
1962
01:23:21,291 --> 01:23:22,250
I'M SORRY.
1963
01:23:22,333 --> 01:23:23,834
I'M SORRY FOR EVERYTHING--
1964
01:23:23,917 --> 01:23:25,291
- WAIT, UH, CAROL--
- LET ME TALK.
1965
01:23:25,375 --> 01:23:26,625
LISTEN TO ME.
1966
01:23:26,709 --> 01:23:28,709
I... YOU WERE RIGHT.
I DID CHANGE.
1967
01:23:28,792 --> 01:23:29,917
I...
1968
01:23:30,000 --> 01:23:32,792
TURNED INTO SOMEONE
THAT I'M NOT PROUD OF,
1969
01:23:32,875 --> 01:23:34,709
AND I DON'T
WANT TO BE HER ANYMORE.
1970
01:23:34,792 --> 01:23:37,125
[SIGHING] LISTEN--
1971
01:23:37,208 --> 01:23:39,166
NO, I NEED TO BE
A BETTER PERSON, BEN.
1972
01:23:39,250 --> 01:23:40,208
DON'T YOU SEE THAT?
1973
01:23:40,291 --> 01:23:42,125
AND I'M ASKING YOU
1974
01:23:42,208 --> 01:23:43,583
TO HELP ME GET THERE.
1975
01:23:43,667 --> 01:23:47,959
I KNOW WHO I WAS
AND WHERE I CAME FROM,
1976
01:23:48,041 --> 01:23:50,959
AND NOW I KNOW
WHERE I WANT TO GO.
1977
01:23:52,375 --> 01:23:53,291
OH, CAROL...
1978
01:23:53,375 --> 01:23:54,250
BUT I CAN'T
DO IT ALONE
1979
01:23:54,333 --> 01:23:56,875
ANYMORE, BEN.
1980
01:23:56,959 --> 01:24:00,125
WE'RE NOT MEANT TO BE ALONE.
1981
01:24:00,208 --> 01:24:02,208
I KNOW THAT NOW.
1982
01:24:05,250 --> 01:24:10,041
I PUSHED YOU AWAY
WHEN YOU NEEDED ME THE MOST,
1983
01:24:10,125 --> 01:24:13,041
AND FOR THAT, I'M SO SORRY.
1984
01:24:13,125 --> 01:24:16,709
I KNOW NOW
1985
01:24:16,792 --> 01:24:22,709
SHARING LIFE IS WHAT
MAKES LIFE WORTH LIVING,
1986
01:24:22,792 --> 01:24:27,250
AND I WANT TO SHARE
MY LIFE WITH YOU.
1987
01:24:30,208 --> 01:24:31,542
[LETS OUT A BREATH]
1988
01:24:31,625 --> 01:24:34,208
I, UH, I THOUGHT YOU SAID
YOU COULDN'T WALK AWAY.
1989
01:24:34,291 --> 01:24:37,208
WELL, I MEANT
FROM THE TYPEWRITER.
1990
01:24:37,291 --> 01:24:38,625
WHAT?
1991
01:24:38,709 --> 01:24:39,583
YEAH.
1992
01:24:39,667 --> 01:24:40,750
IN THAT CONDITION,
1993
01:24:40,834 --> 01:24:42,959
IT'S WAY TOO VALUABLE
JUST TO SELL IT.
1994
01:24:44,000 --> 01:24:45,375
YOU SON-OF-A...
1995
01:24:54,333 --> 01:24:57,166
I REALLY,
REALLY LIKED YOUR SPEECH.
1996
01:24:57,250 --> 01:24:59,375
[LAUGHING] YOU'RE MEAN.
1997
01:24:59,458 --> 01:25:01,083
NO, I LEARNED FROM THE BEST.
1998
01:25:02,375 --> 01:25:03,834
I READ YOUR MANUSCRIPT.
1999
01:25:03,917 --> 01:25:04,834
YEAH?
2000
01:25:04,917 --> 01:25:05,875
WHAT DID YOU THINK?
2001
01:25:06,917 --> 01:25:10,083
WELL, I THINK THAT, UM,
2002
01:25:10,166 --> 01:25:13,208
YOU NEED A COMPANY THAT CAN TAKE
REALLY GOOD CARE OF YOU.
2003
01:25:13,291 --> 01:25:15,291
YOU THINK
I NEED TO BE TAKEN CARE OF?
2004
01:25:15,375 --> 01:25:17,125
WE ALL DO.
2005
01:25:17,208 --> 01:25:18,875
[♪♪]
2006
01:25:18,959 --> 01:25:22,041
♪ AT THIS SPECIAL TIME
OF YEAR ♪
2007
01:25:22,125 --> 01:25:25,667
♪ I'M SO VERY GLAD
YOU'RE HERE ♪
2008
01:25:25,750 --> 01:25:28,834
♪ MERRY CHRISTMAS
2009
01:25:28,917 --> 01:25:32,709
♪ MERRY CHRISTMAS
2010
01:25:32,792 --> 01:25:36,125
♪ A FIELD OF FRESHLY
FALLEN SNOW ♪
2011
01:25:36,208 --> 01:25:39,375
♪ AND WE'VE GOT
NOWHERE ELSE TO GO ♪
2012
01:25:39,458 --> 01:25:43,041
♪ MERRY CHRISTMAS
2013
01:25:43,125 --> 01:25:49,709
♪ MERRY CHRISTMAS TO YOU...
2014
01:25:49,792 --> 01:25:53,041
THE BEST CHRISTMAS
IN A VERY LONG TIME.
2015
01:25:53,125 --> 01:25:54,000
MERRY CHRISTMAS.
2016
01:25:54,083 --> 01:25:55,125
MERRY CHRISTMAS.
2017
01:25:55,208 --> 01:25:57,166
♪ AND SONGS SUNG BY A CHOIR
2018
01:25:57,250 --> 01:26:01,375
♪ IT'S SNOWING
AND IT'S BLOWING ♪
2019
01:26:01,458 --> 01:26:05,208
♪ SO LET'S STAY HERE
BY THE FIRE ♪
2020
01:26:05,291 --> 01:26:08,959
♪ MERRY CHRISTMAS
2021
01:26:09,291 --> 01:26:17,500
♪ MERRY CHRISTMAS TO YOU...
2022
01:26:18,500 --> 01:26:21,583
[♪♪]
121995
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