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Would you like to inspect the original subtitles? These are the user uploaded subtitles that are being translated: 1 00:00:01,377 --> 00:00:02,545 ONCE UPON A TIME, 2 00:00:02,837 --> 00:00:06,090 THERE WERE THREE LITTLE GIRLS WHO WENT TO THE POLICE ACADEMY. 3 00:00:17,060 --> 00:00:22,357 AND THEY WERE EACH ASSIGNED VERY HAZARDOUS DUTIES. 4 00:00:22,649 --> 00:00:24,442 BUT I TOOK THEM AWAY FROM ALL THAT, 5 00:00:24,734 --> 00:00:28,404 AND NOW THEY WORK FOR ME. MY NAME IS CHARLIE. 6 00:02:53,257 --> 00:02:54,257 HEY, WHAT'S GOING ON...?! 7 00:04:19,010 --> 00:04:23,014 PHALAENOPSIS AMABILIS; SUPERB! 8 00:04:23,306 --> 00:04:29,562 MARVIN, ALWAYS SO THOUGHTFUL, SO GENEROUS. 9 00:04:29,854 --> 00:04:33,524 A FILMMAKER, A REGULAR WALT DISNEY. 10 00:04:33,816 --> 00:04:37,528 BUT GUS, HIS PAPA, HE SHOULD REST IN PEACE, 11 00:04:37,820 --> 00:04:41,240 HE WAS A REAL SHTARKER! 12 00:04:41,532 --> 00:04:43,701 HE WAS RUN DOWN BY A BEER TRUCK. 13 00:04:43,993 --> 00:04:45,077 DID MARVIN TELL YOU? 14 00:04:45,369 --> 00:04:47,455 HE DID SAY YOU WERE WIDOWED, MRS. GOLDMAN. 15 00:04:47,747 --> 00:04:51,751 GUS ALMOST SURVIVED THE CRASH. 16 00:04:52,043 --> 00:04:56,339 IF ONLY THE TRUCK HAD BEEN EMPTY. 17 00:04:56,631 --> 00:04:59,133 SUCH A SHTARKER! 18 00:05:01,052 --> 00:05:06,557 AFTER MY STROKE, MARVIN BUILT ME THIS, MY REFUGE. 19 00:05:06,849 --> 00:05:09,727 MY SALVATION. 20 00:05:10,019 --> 00:05:12,563 SUCH A BOY. 21 00:05:13,731 --> 00:05:15,525 MAMA LIKES FLOWERS. 22 00:05:15,817 --> 00:05:18,110 DID HE TELL YOU HE WAS THREATENED LAST WEEK? 23 00:05:18,402 --> 00:05:19,737 NO, HE DIDN'T. 24 00:05:20,029 --> 00:05:21,364 TWICE HE WAS THREATENED. 25 00:05:21,656 --> 00:05:23,533 HOW WERE YOU THREATENED, MR. GOLDMAN? 26 00:05:23,825 --> 00:05:25,117 CALL HIM MARVIN. 27 00:05:26,702 --> 00:05:28,120 PHONE CALLS, IT MEANT NOTHING. 28 00:05:28,412 --> 00:05:30,748 IT MEANT NOTHING, HEH. 29 00:05:31,040 --> 00:05:33,876 LAST NIGHT THEY ALMOST COOKED HIM TO A CRISP. 30 00:05:34,168 --> 00:05:37,129 AND HE STILL WOULDN'T LET ME CALL PROFESSIONAL HELP. 31 00:05:37,421 --> 00:05:38,798 I CALLED THE INSURANCE COMPANY. 32 00:05:39,090 --> 00:05:40,508 THEY CALLED THE POLICE. 33 00:05:40,800 --> 00:05:42,718 AND WHAT ELSE IS THERE TO DO? 34 00:05:45,555 --> 00:05:47,139 HOW CAN THEY HELP? 35 00:05:47,431 --> 00:05:49,976 HOW CAN THEY HURT? 36 00:05:55,439 --> 00:05:57,650 ANGELS, I'VE MADE ARRANGEMENTS FOR ONE OF YOU 37 00:05:57,942 --> 00:05:59,694 TO TALK TO A TECHNICIAN AT THE POLICE LAB. 38 00:05:59,986 --> 00:06:01,362 I'LL GET ON IT RIGHT AWAY, CHARLIE. 39 00:06:01,654 --> 00:06:04,073 IN THE MEANTIME, WE'RE STILL WONDERING WHY MR. GOLDMAN 40 00:06:04,365 --> 00:06:07,451 WAS SO RELUCTANT TO HAVE HIS MOTHER HIRE US. 41 00:06:07,743 --> 00:06:10,997 I DID SOME CHECKING ON MR. GOLDMAN'S BUSINESS AFFAIRS. 42 00:06:11,289 --> 00:06:12,665 CALL HIM MARVIN. 43 00:06:12,957 --> 00:06:16,252 YES, WELL MARVIN HAS SEVERAL SILENT PARTNERS. 44 00:06:16,544 --> 00:06:18,754 MAYBE THEY CAN GIVE YOU AN ANGLE, ABOUT HIS, UH, 45 00:06:19,046 --> 00:06:20,965 HIS RELUCTANCE. 46 00:06:21,257 --> 00:06:23,759 WE'LL CHECK THEM OUT, CHARLIE. 47 00:06:24,051 --> 00:06:26,429 CHARLIE, WHOEVER BROKE INTO MARVIN'S LAB 48 00:06:26,721 --> 00:06:29,265 WENT FOR THE FILM STORAGE ROOM SPECIFICALLY. 49 00:06:29,557 --> 00:06:32,310 LUCKILY IT WAS AIRTIGHT AND MARVIN GOT THE DOOR SHUT 50 00:06:32,602 --> 00:06:33,602 AND SMOTHERED THE FLAMES. 51 00:06:33,853 --> 00:06:35,093 SO, WHATEVER THIS IS ALL ABOUT, 52 00:06:35,313 --> 00:06:36,553 CHARLIE, IT MUST HAVE SOMETHING 53 00:06:36,689 --> 00:06:37,969 TO DO WITH A PIECE OF THAT FILM. 54 00:06:38,190 --> 00:06:40,443 WHICH MEANS WE'RE GOING TO HAVE TO LOOK AT ALL OF IT. 55 00:06:40,735 --> 00:06:41,735 ALL OF IT? 56 00:06:41,819 --> 00:06:43,988 ALL OF IT. 57 00:06:44,280 --> 00:06:46,949 GOOD THINKING. I'D PURSUE THAT. 58 00:06:47,241 --> 00:06:49,118 OH, BY THE WAY, CHARLIE, HOW'S MILLICENT? 59 00:06:49,410 --> 00:06:51,621 NOT FEELING TOO WELL, I'M AFRAID, JILL. 60 00:06:51,913 --> 00:06:53,289 SHE'S STILL BELLY UP. 61 00:06:53,581 --> 00:06:54,581 GLORIA'S WITH HER NOW. 62 00:06:54,749 --> 00:06:55,749 OH, WHO 'S GLORIA? 63 00:06:55,791 --> 00:06:57,710 AN ICHTHYOLOGIST I'VE SUMMONED. 64 00:06:58,002 --> 00:06:59,002 VERY BRIGHT LADY. 65 00:06:59,211 --> 00:07:00,713 WE'LL SAY A PRAYER FOR GLORIA. 66 00:07:01,005 --> 00:07:02,298 YOU MEAN MILLICENT. 67 00:07:02,590 --> 00:07:04,383 HER TOO. BYE, CHARLIE. 68 00:07:19,607 --> 00:07:20,900 MISS MUNROE? YES? 69 00:07:21,192 --> 00:07:22,192 PAUL BAYLOR. 70 00:07:22,276 --> 00:07:26,072 OUR DEPUTY DISTRICT ATTORNEY? HI. 71 00:07:26,364 --> 00:07:27,684 YOU WERE IN THERE ASKING QUESTIONS 72 00:07:27,740 --> 00:07:29,075 ABOUT THE FIRE IN THE GOLDMAN LAB. 73 00:07:29,367 --> 00:07:30,510 WELL, MY BOSS MADE ARRANGEMENTS. 74 00:07:30,534 --> 00:07:31,534 YOUR BOSS? 75 00:07:31,744 --> 00:07:32,744 CHARLES TOWNSEND. 76 00:07:32,995 --> 00:07:33,996 THE TOWNSEND AGENCY. 77 00:07:34,288 --> 00:07:35,608 I'M NOT USED TO PRIVATE DETECTIVES 78 00:07:35,831 --> 00:07:37,083 GETTING INVOLVED IN MY CASES, 79 00:07:37,375 --> 00:07:40,294 OH, YOU HAVE A CASE, I MEAN SOMEONE TO PROSECUTE? 80 00:07:40,586 --> 00:07:45,132 NO, UH, WHAT I'VE GOT IS AN ANONYMOUS PHONE CALL, 81 00:07:45,424 --> 00:07:46,424 ABOUT A WEEK AGO. 82 00:07:46,592 --> 00:07:47,802 I'M NOT FOLLOWING YOU. 83 00:07:48,094 --> 00:07:48,636 THE CALLER SAID THAT THE GOLDMAN LAB 84 00:07:48,928 --> 00:07:49,929 WAS WORTH WATCHING. 85 00:07:50,221 --> 00:07:51,221 FOR WHAT? 86 00:07:51,347 --> 00:07:52,473 WELL, THAT HE DIDN'T SAY 87 00:07:52,765 --> 00:07:54,141 AND I'VE BEEN PLAYING IT BY EAR. 88 00:07:54,433 --> 00:07:56,620 AND THEN WHEN I HEARD THAT YOU WERE HERE ASKING QUESTIONS... 89 00:07:56,644 --> 00:07:58,354 YOU THOUGHT I MIGHT HAVE SOME INFORMATION. 90 00:07:58,646 --> 00:07:59,772 WELL, MAYBE I WAS HOPING. 91 00:08:00,064 --> 00:08:03,859 ANYWAY, YOU'RE HERE, AND IF THE LEFT HAND 92 00:08:04,151 --> 00:08:05,631 KNEW WHAT THE RIGHT HAND WERE DOING... 93 00:08:05,695 --> 00:08:07,697 MAYBE WE COULD FIND SOME ANSWERS, TOGETHER. 94 00:08:07,989 --> 00:08:09,740 - WOULD YOU MIND? - ARE YOU KIDDING? 95 00:08:10,032 --> 00:08:11,885 YOU'RE THE MAN WITH THE TERRIFIC BATTING AVERAGE. 96 00:08:11,909 --> 00:08:13,786 I MEAN, MR. CRIME-BUSTER HIMSELF. 97 00:08:14,078 --> 00:08:18,165 WELL, THERE ARE SOME WHO THINK I'M OVERLY ZEALOUS. 98 00:08:18,457 --> 00:08:20,001 OH, THE MANESCU CASE. 99 00:08:20,292 --> 00:08:21,532 YOU'VE BEEN READING THE PAPERS. 100 00:08:21,669 --> 00:08:24,922 UH-HUH, PAUL BAYLOR, THE AVENGING ANGEL. 101 00:08:25,214 --> 00:08:28,884 YEAH. 102 00:08:29,176 --> 00:08:31,470 LISTEN, I'VE GOT TO RUN. 103 00:08:31,762 --> 00:08:35,474 CAN WE, LUNCH LATER, COMPARE NOTES? 104 00:08:35,766 --> 00:08:36,766 THAT'S A GOOD IDEA. 105 00:08:36,809 --> 00:08:39,145 HOW ABOUT DONATELLO'S? 106 00:08:39,437 --> 00:08:41,147 12:30? 107 00:08:41,439 --> 00:08:43,482 YOU'RE ON. 108 00:09:06,172 --> 00:09:07,214 IS THAT HER? 109 00:09:07,506 --> 00:09:08,674 THAT'S HER. 110 00:09:08,966 --> 00:09:10,176 SO, WHAT DOES SHE KNOW? 111 00:09:10,468 --> 00:09:12,595 NOTHING, YET. 112 00:09:12,887 --> 00:09:17,808 IF SHE GETS TOO CLOSE, THEN WHAT? 113 00:09:18,100 --> 00:09:21,437 I GUESS WE'LL JUST HAVE TO USE THESE AGAIN. 114 00:09:26,275 --> 00:09:27,860 OH BOY. 115 00:09:28,152 --> 00:09:29,820 I'M TELLING YOU, MY EYES HURT. 116 00:09:30,112 --> 00:09:31,392 HAVE I GOT SOMETHING IN THIS EYE? 117 00:09:31,530 --> 00:09:32,656 I DON'T THINK SO. 118 00:09:32,948 --> 00:09:33,991 IT HURTS. 119 00:09:34,283 --> 00:09:36,786 YOU TWO LOOK BLOODSHOT. YEAH. 120 00:09:37,078 --> 00:09:38,318 MARVIN'S BEEN SHOWING US ENOUGH 121 00:09:38,412 --> 00:09:40,623 FOOTAGE FOR A MINOR FILM FESTIVAL. 122 00:09:40,915 --> 00:09:42,684 DID YOU COME UP WITH ANYTHING AT THE POLICE LAB? 123 00:09:42,708 --> 00:09:43,908 NO FINGERPRINTS, NO TIRE MARKS 124 00:09:44,001 --> 00:09:45,681 THAT THEY COULD ISOLATE IN THE PARKING LOT. 125 00:09:45,711 --> 00:09:46,711 BUT THEY'RE STILL TRYING 126 00:09:46,921 --> 00:09:48,273 TO TRACE THE CONTENTS OF THE CANISTER. 127 00:09:48,297 --> 00:09:50,132 FIGURES. 128 00:09:52,718 --> 00:09:54,261 CHECK RUN THIS. 129 00:09:54,553 --> 00:09:56,305 THE CLIENTS ARE WAITING IN THE WAITING ROOM. 130 00:09:56,597 --> 00:09:58,265 MARVIN... HM? 131 00:09:58,557 --> 00:10:00,494 YOU KNOW THOSE THREATENING PHONE CALLS THAT YOU RECEIVED? 132 00:10:00,518 --> 00:10:03,354 CAN YOU TELL ME EXACTLY AGAIN WHAT THE CALLER SAID TO YOU? 133 00:10:03,646 --> 00:10:06,857 HE WARNED... WARNED ME TO SHUT DOWN MY BUSINESS. 134 00:10:07,149 --> 00:10:08,275 AND DO WHAT? 135 00:10:08,567 --> 00:10:10,444 WELL, HE DIDN'T SUGGEST A NEW LINE OF WORK. 136 00:10:10,736 --> 00:10:12,363 PAUL BAYLOR, THE DEPUTY D.A. 137 00:10:12,655 --> 00:10:15,533 ALSO RECEIVED AN ANONYMOUS PHONE CALL ABOUT THIS LAB. 138 00:10:15,825 --> 00:10:17,076 HE DID? LAST WEEK. 139 00:10:17,368 --> 00:10:18,744 HE SAID THE CALLER TOLD HIM 140 00:10:19,036 --> 00:10:20,996 THAT THE FILM LAB WOULD BEAR WATCHING. 141 00:10:21,288 --> 00:10:23,749 BEAR WATCHING WHAT? WHAT DOES THAT MEAN? 142 00:10:24,041 --> 00:10:25,041 HE DIDN'T KNOW I... 143 00:10:38,639 --> 00:10:41,142 JILL, DO ME A FAVOR. 144 00:10:41,433 --> 00:10:43,435 NO, YOU'RE NOT HALLUCINATING. 145 00:10:43,727 --> 00:10:46,480 THAT WAS LITTLE BO PEEP WASN'T IT? 146 00:10:46,772 --> 00:10:48,649 AND HER SHEEP. I THINK SO. 147 00:10:48,941 --> 00:10:51,318 ER, WE HAVE A SOUND STAGE IN THE BACK. 148 00:10:51,610 --> 00:10:52,987 WE RENT IT OUT. 149 00:10:53,279 --> 00:10:55,114 THEY'RE FILMING SOME CHILDREN'S STORIES. 150 00:10:55,406 --> 00:10:56,406 OH. 151 00:10:56,615 --> 00:10:58,576 AFTER YOU, LADIES. 152 00:11:03,956 --> 00:11:07,668 I NEVER REALIZED LITTLE BO PEEP WAS SO MATURE. 153 00:11:16,677 --> 00:11:18,804 WHAT'S HE GOING TO DO? 154 00:11:19,096 --> 00:11:20,096 BAYLOR, I MEAN. 155 00:11:20,306 --> 00:11:21,432 NOTHING YET. 156 00:11:21,724 --> 00:11:23,764 WELL, DON'T YOU HAVE ANY IDEA WHAT HE'S GOING TO DO? 157 00:11:24,018 --> 00:11:26,145 NO, I DON'T, MARVIN. 158 00:11:26,437 --> 00:11:30,441 ALL RIGHT, ROLL THEM, KARL. 159 00:11:58,260 --> 00:12:01,597 UH, MARVIN, WHAT IS THIS? 160 00:12:30,834 --> 00:12:32,670 THANK YOU, KARL. 161 00:12:36,840 --> 00:12:40,094 INTERESTING FILM, MARVIN. 162 00:12:40,386 --> 00:12:45,474 WHO WAS THE GUY WITH THE EARRING WITH THE WHITE BREAD? 163 00:12:45,766 --> 00:12:47,059 WHO KNOWS? WHO KNOWS? 164 00:12:47,351 --> 00:12:49,895 LOOK I DON'T MAKE MOVIES, I DEVELOP FILM. 165 00:12:50,187 --> 00:12:52,606 A LOT OF CRAZIES COME IN HERE ALL THE TIME. 166 00:12:52,898 --> 00:12:55,150 THAT WAS, ER, TOLCHUK! 167 00:12:55,442 --> 00:12:57,361 MY NECK. 168 00:12:57,653 --> 00:13:00,239 THERE'S GOATS. 169 00:13:07,997 --> 00:13:10,165 LITTLE BO PEEP? 170 00:13:10,457 --> 00:13:13,460 SHE MEETS A SHEPHERD. 171 00:13:13,752 --> 00:13:15,254 SHE MEETS A SHEPHERD. 172 00:13:15,546 --> 00:13:18,674 LET'S GET SOME AIR. 173 00:13:18,966 --> 00:13:20,759 I'LL BE BACK IN A MINUTE. 174 00:13:29,059 --> 00:13:30,686 WE'RE REALLY GROPING, YOU KNOW? 175 00:13:30,978 --> 00:13:32,688 I MEAN STARING AT ALL THAT FILM 176 00:13:32,980 --> 00:13:34,820 MARVIN KEEPS FEEDING US, AND WE DON'T EVEN KNOW 177 00:13:34,857 --> 00:13:36,177 - WHAT WE'RE LOOKING FOR. - MM-HM. 178 00:13:36,442 --> 00:13:38,211 WELL, I'M HAVING LUNCH WITH PAUL BAYLOR THIS AFTERNOON. 179 00:13:38,235 --> 00:13:40,279 MAYBE HE CAN HELP US GET A HANDLE ON THIS. 180 00:13:40,571 --> 00:13:41,571 THANKS. 181 00:13:41,780 --> 00:13:43,198 LOVE TO MEET HIM. RIGHT? 182 00:13:43,490 --> 00:13:45,784 RIGHT. BOSLEY AND I HAVE TO CHECK OUT A LIST 183 00:13:46,076 --> 00:13:47,911 OF MARVIN'S SILENT PARTNERS. 184 00:13:48,203 --> 00:13:50,122 WELL, I THINK I BETTER DO THIS ONE SOLO. 185 00:13:50,414 --> 00:13:52,017 - YES, RIGHT, UH-HUH. - LET ME EXPLAIN WHY. 186 00:13:52,041 --> 00:13:53,518 IF HE FINDS OUT CHARLIE HAS THREE OF US 187 00:13:53,542 --> 00:13:55,342 WORKING ON HIS SIDE OF THE STREET, HE'S LIABLE 188 00:13:55,586 --> 00:13:57,026 - TO GET A LITTLE UPTIGHT. - LOGICAL. 189 00:13:57,129 --> 00:13:58,889 YOU MEAN HE LOOKS AS GOOD AS HIS NEWS PHOTOS, 190 00:13:59,006 --> 00:14:01,067 - AND YOU DON'T WANT TO SHARE HIM. - WELL, UGLY HE ISN'T. 191 00:14:01,091 --> 00:14:03,218 - SEE YA LATER. - HAVE A NICE LUNCH. 192 00:14:03,510 --> 00:14:04,762 I WILL. 193 00:14:05,054 --> 00:14:07,222 SHE GETS BAYLOR AND I GET MARVIN. 194 00:14:07,514 --> 00:14:09,641 LISTEN, SUFFERING... IT BUILDS CHARACTER. 195 00:14:09,933 --> 00:14:11,161 - RIGHT. - YOU KNOW WHAT I MEAN? 196 00:14:11,185 --> 00:14:12,185 YEAH. 197 00:14:24,656 --> 00:14:26,241 EXCUSE ME. 198 00:14:26,533 --> 00:14:27,743 EXCUSE ME. 199 00:14:28,035 --> 00:14:30,621 EXCUSE ME, TOLCHUK? 200 00:14:30,913 --> 00:14:32,331 HOW DO YOU KNOW, TOLCHUK? 201 00:14:32,623 --> 00:14:36,835 YOUR EARRING I SAW YOUR FILM, I DIDN'T UNDERSTAND IT. 202 00:14:37,127 --> 00:14:38,504 YOU WEREN'T SUPPOSED TO UNDERSTAND. 203 00:14:38,796 --> 00:14:39,796 IT WAS IN CODE. 204 00:14:39,922 --> 00:14:42,716 OH. 205 00:14:43,008 --> 00:14:46,720 WELL YOU THINK YOU COULD EXPLAIN IT TO ME THEN? 206 00:14:47,012 --> 00:14:48,972 WHY SHOULD TOLCHUK TALK TO YOU? 207 00:14:49,264 --> 00:14:52,142 WELL, YOU SEE I'M A REPORTER FOR THE BROWN EARTH GAZETTE. 208 00:14:52,434 --> 00:14:53,769 AND EVERY YEAR WE DO AN ANNUAL 209 00:14:54,061 --> 00:14:56,421 AND I THOUGHT THIS YEAR MAYBE WE COULD USE YOU ON THE COVER. 210 00:14:56,647 --> 00:15:00,901 I MEAN, WELL, THE BACK OF YOUR HEAD. 211 00:15:02,486 --> 00:15:04,905 THE FILM IS ABOUT WHITE BREAD. 212 00:15:05,197 --> 00:15:07,658 WHITE BREAD? 213 00:15:07,950 --> 00:15:10,994 THE RAPE OF THE WHEAT! 214 00:15:11,286 --> 00:15:12,621 HOW DO YOU RAPE WHEAT? 215 00:15:12,913 --> 00:15:13,913 NOT ME! 216 00:15:13,956 --> 00:15:16,125 THEM! OH, I DIDN'T MEAN YOU. 217 00:15:16,417 --> 00:15:18,210 I DIDN'T MEAN YOU. 218 00:15:25,259 --> 00:15:28,887 THE GREAT ENERGY COMES FROM THE GOD SUN, 219 00:15:29,179 --> 00:15:32,766 AND IT HAMMERS ITS RAYS INTO THE EARTH, 220 00:15:33,058 --> 00:15:38,355 AND THE GREAT WATER GOD IN THE SKY SPITS DOWN THE RAINS. 221 00:15:38,647 --> 00:15:39,857 SPITS IT... 222 00:15:40,149 --> 00:15:43,318 AND THE PLOW RUPTURES THE DIRT, 223 00:15:43,610 --> 00:15:45,154 AND OUT OF THE ANGUISH 224 00:15:45,446 --> 00:15:50,200 AND THE AGONY, THE SEED QUIETLY EXPLODES! 225 00:15:53,954 --> 00:15:56,498 AND THEN IT BECOMES WHEAT, 226 00:15:56,790 --> 00:15:59,334 AND IT SACRIFICES ITS VIRGIN STALK 227 00:15:59,626 --> 00:16:03,172 UNDER THE DEADLY BLADE OF THE SCYTHE. 228 00:16:04,590 --> 00:16:06,091 AND, AND THEN, 229 00:16:06,383 --> 00:16:11,972 THIS... THIS RICH, GOLDEN BOUNTY, 230 00:16:12,264 --> 00:16:15,476 IS RAPED BY YOUR MODERN PROCESSING PLANT. 231 00:16:19,021 --> 00:16:20,272 I NEVER THOUGHT OF IT THAT WAY. 232 00:16:20,564 --> 00:16:25,152 COMES THE REVOLUTION, YOU WILL! 233 00:16:57,267 --> 00:16:59,811 I'M TELLING YOU, SHE'S GETTING TOO CLOSE. 234 00:17:00,103 --> 00:17:03,524 WE'RE GOING TO HAVE TO WASTE HER. 235 00:18:10,465 --> 00:18:13,010 MRS. EVERS? 236 00:18:13,302 --> 00:18:14,386 YES? 237 00:18:14,678 --> 00:18:15,762 I STOPPED BY YOUR HOUSE 238 00:18:16,054 --> 00:18:17,454 AND YOUR MAID TOLD ME YOU WERE HERE, 239 00:18:17,598 --> 00:18:18,724 SO I TOOK A SMALL LIBERTY... 240 00:18:19,016 --> 00:18:21,226 DID YOU ENJOY IT? 241 00:18:21,518 --> 00:18:22,936 ENJOY, WHAT? 242 00:18:23,228 --> 00:18:25,230 TAKING A SMALL LIBERTY WITH MY MAID? 243 00:18:25,522 --> 00:18:30,110 OH, NO, NO, NOT WITH HER, WITH YOU. 244 00:18:30,402 --> 00:18:34,906 THAT IS, WHAT I MEAN IS SHE... I WANTED TO TALK WITH YOU, 245 00:18:35,198 --> 00:18:36,908 SO I TOOK THE SMALL LIBERTY OF COMING DOWN. 246 00:18:37,200 --> 00:18:39,077 I'M GLAD WE WORKED THAT OUT. 247 00:18:42,623 --> 00:18:45,375 I UNDERSTAND THAT YOU HAVE AN ASSOCIATE, MR. GOLDMAN? 248 00:18:45,667 --> 00:18:46,668 GOLDMAN? 249 00:18:46,960 --> 00:18:49,338 NO, NO, I DON'T KNOW ANYONE BY THAT NAME. 250 00:18:49,630 --> 00:18:51,965 WELL FROM THE INFORMATION I'VE RECEIVED, 251 00:18:52,257 --> 00:18:54,301 YOU'VE HELPED FINANCE MR. GOLDMAN. 252 00:18:54,593 --> 00:18:57,888 NOW LOOK, I TOLD YOU I DON'T KNOW A MR. GOLDMAN, 253 00:18:58,180 --> 00:18:59,556 AND IF YOU DON'T LEAVE ME ALONE, 254 00:18:59,848 --> 00:19:04,978 I'LL MAKE CERTAIN YOU REGRET HAVING TAKEN THAT SMALL LIBERTY. 255 00:19:10,108 --> 00:19:11,652 HE HAS A SMOOTH STROKE. 256 00:19:13,028 --> 00:19:14,112 HE HAD TWO. 257 00:19:48,480 --> 00:19:49,731 MR. PARMADOOR? 258 00:19:50,023 --> 00:19:51,023 THAT'S ME. 259 00:19:51,149 --> 00:19:53,193 I AM IN THE MARKET FOR A GIFT. 260 00:19:53,485 --> 00:19:55,904 WHAT SORT OF GIFT DID YOU HAVE IN MIND? 261 00:19:56,196 --> 00:20:01,451 WELL, A GIFT OF INFORMATION, ACTUALLY, ABOUT MR. GOLDMAN? 262 00:20:01,743 --> 00:20:04,621 I DON'T KNOW ANYBODY BY THAT NAME. 263 00:20:04,913 --> 00:20:08,709 WELL, YOU'RE ONE OF HIS INVESTORS. 264 00:20:09,000 --> 00:20:10,460 AREN'T YOU? 265 00:20:10,752 --> 00:20:11,878 YOU'RE MISTAKEN. 266 00:20:12,170 --> 00:20:13,170 I DON'T THINK SO. 267 00:20:13,380 --> 00:20:14,580 LADY, GET THE HELL OUT OF HERE 268 00:20:14,798 --> 00:20:15,799 BEFORE YOU GET HURT. 269 00:20:16,091 --> 00:20:19,177 I'LL GIVE MARVIN YOUR REGARDS. 270 00:20:27,018 --> 00:20:28,770 BYE. 271 00:20:52,210 --> 00:20:54,755 EXCUSE ME, I'M HOLDING THAT SEAT FOR A YOUNG LADY. 272 00:20:59,509 --> 00:21:01,344 WHITE WINE, PLEASE. 273 00:21:01,636 --> 00:21:04,973 I'M SORRY I'M LATE. YOU'RE LOOKING WELL, HELLO. 274 00:21:05,265 --> 00:21:06,850 WHAT'S LEFT FOR ME TO SAY? 275 00:21:07,142 --> 00:21:09,412 YOU CAN TELL ME YOU'VE GOT VITAL INFORMATION THAT'LL HELP US 276 00:21:09,436 --> 00:21:10,729 GET A HANDLE ON THIS CASE. 277 00:21:11,021 --> 00:21:13,040 WHAT I GOT IS ANOTHER ANONYMOUS PHONE CALL ABOUT YOUR CLIENT. 278 00:21:13,064 --> 00:21:14,064 WHEN? 279 00:21:14,149 --> 00:21:15,692 ABOUT AN HOUR AGO. 280 00:21:15,984 --> 00:21:17,194 AND? 281 00:21:17,486 --> 00:21:19,172 AND THE SAME VAGUE REFERENCE ABOUT WATCHING THE LAB. 282 00:21:19,196 --> 00:21:20,989 LISTEN. THIS COULD BE DANGEROUS. 283 00:21:21,281 --> 00:21:22,383 IF YOU COME UP WITH SOMETHING, 284 00:21:22,407 --> 00:21:25,285 I WANT YOU TO CALL ME IMMEDIATELY. 285 00:21:25,577 --> 00:21:26,897 IF THERE'S NO ANSWER AT MY OFFICE, 286 00:21:26,995 --> 00:21:27,995 CALL THIS OTHER NUMBER. 287 00:21:28,163 --> 00:21:29,414 WHICH IS? 288 00:21:29,706 --> 00:21:31,100 I'VE ASKED FOR HELP FROM THE POLICE DEPARTMENT. 289 00:21:31,124 --> 00:21:37,172 AN OFFICER CAN BE REACHED AT THAT NUMBER AT ALL TIMES. 290 00:21:37,464 --> 00:21:40,550 THIS CASE... EVERY TIME I TURN A CORNER 291 00:21:40,842 --> 00:21:42,511 I COME UP STARING AT MYSELF. 292 00:21:42,803 --> 00:21:47,557 AND WHEN YOU STARE AT YOURSELF, WHAT DO YOU FEEL? 293 00:21:47,849 --> 00:21:50,811 CONFUSION. 294 00:21:51,102 --> 00:21:53,102 IT'S HARD, TO SEE OURSELVES AS OTHER PEOPLE SEE US, 295 00:21:53,355 --> 00:21:54,397 AS THEY THINK WE ARE. 296 00:21:54,689 --> 00:21:55,857 BUT YOU AND I, TO DO OUR JOBS 297 00:21:56,149 --> 00:22:00,278 WE'VE REALLY GOT TO KNOW OURSELVES, MAKE DECISIONS. 298 00:22:00,570 --> 00:22:02,781 - IT'S TOUGH. - BUT YOU DO IT SO WELL. 299 00:22:03,073 --> 00:22:05,113 YOU'VE GOT THE BEST RATE OF CONVICTION IN THE STATE. 300 00:22:05,367 --> 00:22:08,620 WELL, LET'S HOPE WE HAVE AS MUCH LUCK 301 00:22:08,912 --> 00:22:09,912 WITH OUR LITTLE PUZZLE. 302 00:22:10,163 --> 00:22:12,374 LET'S HOPE. 303 00:23:25,030 --> 00:23:28,575 MARVIN, LOOK, WHEN CAN WE SEE THE FILM WE SHOT YESTERDAY? 304 00:23:28,867 --> 00:23:30,911 WE BETTER HOLD OFF A COUPLE OF DAYS. 305 00:23:31,202 --> 00:23:33,362 AND WILL YOU TRY TO KEEP THE SHEEP OUT OF THE HALLWAYS! 306 00:23:33,580 --> 00:23:36,041 YEAH, YEAH, YEAH. JUST GET ME THE FILM WILL YOU? 307 00:24:29,010 --> 00:24:32,973 IS, UH, THAT WHAT YOU CALL A PHOTOPLAY? 308 00:24:39,145 --> 00:24:40,355 IS IT? 309 00:24:41,481 --> 00:24:42,481 WHAT? 310 00:24:42,732 --> 00:24:45,276 A PHOTOPLAY, FOR MAKING MOVIES. 311 00:24:45,568 --> 00:24:46,569 A SCRIPT, YOU MEAN. 312 00:24:46,861 --> 00:24:50,281 ARE YOU IN THE MOVIES? 313 00:24:50,573 --> 00:24:53,284 I'M A DIRECTOR. 314 00:24:53,576 --> 00:24:54,786 YEAH? 315 00:24:55,078 --> 00:24:56,246 GUESS WHAT? 316 00:24:56,538 --> 00:24:59,332 YOU ALWAYS WANTED TO BE AN ACTRESS. 317 00:24:59,624 --> 00:25:02,127 HOW'D YOU KNOW THAT? 318 00:25:02,419 --> 00:25:08,133 I GUESS YOU MIGHT SAY I'VE GOT AN EYE FOR... TALENT. 319 00:25:08,425 --> 00:25:09,050 I'M FAMOUS FOR IT. 320 00:25:09,342 --> 00:25:12,137 I BET YOU ARE. 321 00:25:14,764 --> 00:25:20,979 YOU KNOW, I'D DO ANYTHING TO GET IN A MOVIE. 322 00:25:21,271 --> 00:25:22,271 YOU WOULD, HUH? 323 00:25:24,232 --> 00:25:25,483 YEAH. 324 00:25:29,654 --> 00:25:31,156 WHAT KIND OF MOVIES DO YOU MAKE? 325 00:25:35,285 --> 00:25:36,619 FREE-FORM. 326 00:25:38,496 --> 00:25:39,496 YEAH? 327 00:25:39,706 --> 00:25:42,125 FREE-FORM? 328 00:25:43,835 --> 00:25:47,338 WHAT EXACTLY IS FREE-FORM? 329 00:25:47,630 --> 00:25:50,633 SHOW THEM, BOSLEY. 330 00:25:50,925 --> 00:25:54,554 NOW HERE'S SOME FILM MARVIN DIDN'T WANT US TO SEE. 331 00:25:58,767 --> 00:26:01,478 ♪ LITTLE BO PEEP 332 00:26:01,770 --> 00:26:05,356 ♪ HAS LOST HER SHEPHERD ♪ 333 00:26:05,648 --> 00:26:09,652 OH, LITTLE BO PEEP. 334 00:26:09,944 --> 00:26:11,404 THAT IS NOT THE LITTLE BO PEEP 335 00:26:11,696 --> 00:26:12,989 I KNEW AND LOVED AS A CHILD. 336 00:26:13,281 --> 00:26:16,409 YEAH, WELL THIS IS THE UNABRIDGED EDITION. 337 00:26:20,830 --> 00:26:24,834 OH, HOW DO THEY DO THAT? 338 00:26:25,126 --> 00:26:28,505 VERY CAREFULLY. 339 00:26:35,804 --> 00:26:37,555 I'M CONFUSED. 340 00:26:37,847 --> 00:26:39,909 OH, ALL RIGHT, ASK QUESTIONS AND I'LL TRY TO EXPLAIN. 341 00:26:39,933 --> 00:26:41,851 OH NO, THIS PLOT I GOT FIGURED. 342 00:26:42,143 --> 00:26:44,771 QUESTION IS, WHAT DO WE DO WHEN OUR CLIENT TURNS OUT 343 00:26:45,063 --> 00:26:46,564 TO BE A LIAR AND A PORNOGRAPHER. 344 00:26:46,856 --> 00:26:49,025 WELL, WE'RE NOT HERE TO EXAMINE HIS MORAL FIBER, 345 00:26:49,317 --> 00:26:51,528 WE'RE SUPPOSED TO FIND OUT WHO'S TRYING TO BURN HIM 346 00:26:51,820 --> 00:26:53,196 OUT OF BUSINESS AND WHY. 347 00:26:53,488 --> 00:26:54,728 THAT'S TRUE, BUT THERE IS A LAW 348 00:26:54,948 --> 00:26:56,199 AGAINST THIS SORT OF THING. 349 00:26:56,491 --> 00:26:57,700 SHE'S RIGHT. 350 00:26:57,992 --> 00:26:59,392 JILL'S GOT PAUL BAYLOR'S CONFIDENCE. 351 00:26:59,577 --> 00:27:01,257 IF HE FINDS OUT WHAT MARVIN'S BEEN DOING... 352 00:27:01,287 --> 00:27:02,287 AND HE WILL. 353 00:27:02,330 --> 00:27:03,330 GIVE ME THE PHONE. 354 00:27:03,456 --> 00:27:04,776 MEANING, YOU'RE GOING TO TELL HIM. 355 00:27:04,999 --> 00:27:06,918 YOU'VE GOT IT. 356 00:27:45,874 --> 00:27:47,959 MM-HM. 357 00:27:48,251 --> 00:27:49,919 MM-HM. 358 00:27:50,211 --> 00:27:53,047 I'LL TAKE CARE OF IT. 359 00:27:53,339 --> 00:27:54,507 I'M SORRY. 360 00:27:54,799 --> 00:27:55,799 YOU WERE SAYING? 361 00:27:56,009 --> 00:27:57,844 I WAS SAYING, YOU REALIZE, 362 00:27:58,136 --> 00:27:59,888 I'M IN A DIFFICULT POSITION WITH MY CLIENT. 363 00:28:00,180 --> 00:28:01,260 I WAS HIRED TO PROTECT HIM. 364 00:28:01,472 --> 00:28:03,349 AND NOW I'M GOING TO BLOW THE WHISTLE ON HIM. 365 00:28:03,641 --> 00:28:05,685 YOU CAN'T COVER FOR HIM IF HE'S BREAKING THE LAW. 366 00:28:05,977 --> 00:28:08,188 I GUESS THAT'S TRUE. 367 00:28:08,479 --> 00:28:13,443 YOU BUST DRUGS, PROSTITUTION, YOU GET ORGANIZED CRIME. 368 00:28:13,735 --> 00:28:15,175 IT'S THE SAME THING WITH PORNOGRAPHY. 369 00:28:15,403 --> 00:28:17,739 MAYBE MARVIN GOT MIXED UP WITH SOME HEAVYWEIGHTS. 370 00:28:18,031 --> 00:28:21,326 THAT WOULD EXPLAIN HIS RELUCTANCE IN HIRING US. 371 00:28:21,618 --> 00:28:28,499 I WOULD BE WILLING TO SLAP HIS WRISTS, CONFISCATE THE FILM 372 00:28:28,791 --> 00:28:29,500 AND LET IT GO AT THAT, 373 00:28:29,792 --> 00:28:31,294 IF HE'LL COOPERATE. 374 00:28:31,586 --> 00:28:32,837 THAT SURPRISES ME. 375 00:28:33,129 --> 00:28:35,006 BECAUSE I'M WILLING TO DEAL? 376 00:28:35,298 --> 00:28:36,633 UH-HUH, 377 00:28:36,925 --> 00:28:39,093 AND BECAUSE I THINK COMPROMISING IS DIFFICULT FOR YOU. 378 00:28:39,385 --> 00:28:42,805 I ADMIT I'VE NEVER MADE AN OFFER LIKE THIS BEFORE. 379 00:28:43,097 --> 00:28:46,267 AND YOU'RE RIGHT, IT'S NOT EASY FOR ME. 380 00:28:46,559 --> 00:28:47,268 WHY THEN? 381 00:28:47,560 --> 00:28:51,022 CALL IT A FAVOR. 382 00:28:51,314 --> 00:28:53,233 FOR ME? 383 00:28:53,524 --> 00:28:54,776 DO YOU MIND? 384 00:28:55,068 --> 00:28:56,110 SHOULD I? 385 00:28:56,402 --> 00:28:58,738 NO, I'M THE ONE WITH THE DEVIL AT HIS BACK. 386 00:28:59,030 --> 00:29:00,030 THE DEVIL? 387 00:29:00,198 --> 00:29:05,245 MY OLD MAN WAS A PREACHER. 388 00:29:05,536 --> 00:29:08,873 A SURE ENOUGH, TEXAS BORN, HELLFIRE DUST ROAD PREACHER. 389 00:29:09,165 --> 00:29:12,752 AND HE ALWAYS TOLD ME WALK BRISKLY TOWARD THE LORD, 390 00:29:13,044 --> 00:29:15,505 BECAUSE IF YOU LOOK BACK YOU'LL SEE THE DEVIL'S FACE 391 00:29:15,797 --> 00:29:16,798 AND TURN TO STONE. 392 00:29:19,133 --> 00:29:21,094 SO I GUESS I'VE BEEN FAST FORWARD ALL MY LIFE. 393 00:29:21,386 --> 00:29:24,013 I THINK YOU'VE DONE GREAT IN FAST FORWARD. 394 00:29:28,017 --> 00:29:30,436 I'M GOING TO HAVE A LITTLE HEART TO HEART WITH MARVIN, 395 00:29:30,728 --> 00:29:32,355 THEN I'LL GET BACK TO YOU. OKAY? 396 00:29:32,647 --> 00:29:34,107 COULD YOU PUT A RUSH ON THAT? 397 00:29:34,399 --> 00:29:35,608 A RUSH? 398 00:29:35,900 --> 00:29:36,900 IN GETTING BACK TO ME. 399 00:29:37,151 --> 00:29:41,364 COMPLIMENT NOTED. 400 00:29:41,656 --> 00:29:42,907 AND ACCEPTED. 401 00:29:44,534 --> 00:29:46,119 WHEN... 402 00:29:46,411 --> 00:29:47,491 WHEN THIS IS ALL CLEARED UP 403 00:29:47,745 --> 00:29:49,747 AND I HAVEN'T GOT A CLOCK AT MY BACK, 404 00:29:51,624 --> 00:29:53,668 I'M GOING TO COME AT YOU LIKE A FREIGHT TRAIN. 405 00:29:53,960 --> 00:29:55,378 OH, YOU ARE? 406 00:29:55,670 --> 00:29:56,754 I ARE. 407 00:29:59,048 --> 00:30:00,967 LISTEN, I'VE GOT TO RUN, 408 00:30:01,259 --> 00:30:02,779 GOT A LATE MEETING WITH THE GRAND JURY. 409 00:30:03,011 --> 00:30:04,554 THE MANESCU CASE? 410 00:30:04,846 --> 00:30:06,347 WE GO TO TRIAL NEXT WEEK. 411 00:30:06,639 --> 00:30:10,143 THE AVENGING ANGEL BACK IN ACTION. 412 00:30:10,435 --> 00:30:11,769 KEEP IN TOUCH? 413 00:30:14,272 --> 00:30:15,773 WATCH OUT FOR THE DEVIL. 414 00:30:35,376 --> 00:30:37,712 HI BREE, IT'S JILL. 415 00:30:38,004 --> 00:30:40,298 MM-HM, I THINK EVERYTHING'S GOING TO BE OKAY. 416 00:30:40,590 --> 00:30:42,568 HEY, I'M TOO TIRED TO DRIVE OUT TO THE BEACH TONIGHT. 417 00:30:42,592 --> 00:30:44,302 CAN I STAY AT YOUR PLACE? 418 00:30:44,594 --> 00:30:46,429 I HAVE MY GARAGE KEY. 419 00:30:46,721 --> 00:30:47,721 OH, THANK YOU. 420 00:30:47,889 --> 00:30:48,931 I'LL TIPPY-TOE. 421 00:30:49,223 --> 00:30:50,224 BYE. 422 00:34:12,009 --> 00:34:13,469 DO YOU KNOW THE PRICE 423 00:34:13,761 --> 00:34:14,905 OF AN IMPORTED PHALAENOPSIS AMABIL IS? 424 00:34:14,929 --> 00:34:16,681 I NEVER DROVE ONE. 425 00:34:16,973 --> 00:34:18,253 YOU DON'T DRIVE IT, YOU SMELL IT! 426 00:34:18,349 --> 00:34:19,892 IT HAPPENS TO BE A RARE WHITE ORCHID 427 00:34:20,184 --> 00:34:21,686 THAT CAN ONLY BE FOUND IN MALAYA. 428 00:34:21,978 --> 00:34:25,606 AS YOU PROBABLY NOTICED, MY MOTHER ACQUIRED 429 00:34:25,898 --> 00:34:27,098 A FONDNESS FOR THEM LAST YEAR. 430 00:34:27,358 --> 00:34:28,401 OH, COME ON MARVIN. 431 00:34:28,693 --> 00:34:30,653 YOU'RE NOT GOING TO BLAME ALL THIS ON YOUR MOTHER! 432 00:34:30,695 --> 00:34:31,737 AND HER FLOWERS? 433 00:34:32,029 --> 00:34:33,990 LOOK, MARVIN, WE APPRECIATE YOUR EXPENSES, 434 00:34:34,282 --> 00:34:36,659 BUT JILL WAS NEARLY KILLED LAST NIGHT, 435 00:34:36,951 --> 00:34:38,786 NOW YOU HAVE GOT TO LEVEL WITH US. 436 00:34:39,078 --> 00:34:40,288 I WAS GOING TO TELL YOU. 437 00:34:40,580 --> 00:34:42,123 I REALLY WAS. 438 00:34:42,415 --> 00:34:44,834 BUT IF MY MOTHER EVER KNEW WHAT I WAS DOING... 439 00:34:45,126 --> 00:34:50,506 MARVIN, I TALKED TO AN INVESTOR OF YOURS, MRS. EVERS. 440 00:34:50,798 --> 00:34:52,967 WELL, HOW'D YOU GET TO KNOW HER? 441 00:34:53,259 --> 00:34:54,779 THERE'S ALSO A CERTAIN MR. PARMADOOR... 442 00:34:55,011 --> 00:34:56,554 NOW HE NEARLY FED HIMSELF TO HIS FISH 443 00:34:56,846 --> 00:34:57,930 WHEN I MENTIONED YOUR NAME. 444 00:34:58,222 --> 00:34:59,241 WELL, THEY HAVE NO COMPLAINTS WITH ME. 445 00:34:59,265 --> 00:35:00,325 THEY'VE MADE MONEY WITH ME. 446 00:35:00,349 --> 00:35:01,349 YOU GET ALONG WITH THEM? 447 00:35:01,517 --> 00:35:02,517 NO PROBLEMS? 448 00:35:02,602 --> 00:35:06,272 WELL, YES. 449 00:35:06,564 --> 00:35:09,900 IT TOOK A LITTLE PERSUADING TO, UH, 450 00:35:10,192 --> 00:35:13,279 GET THEM TO AGREE TO INVEST. 451 00:35:13,571 --> 00:35:15,156 WHAT KIND OF PERSUASION, MARVIN? 452 00:35:15,448 --> 00:35:19,327 WELL, THEY ASKED TO SEE EXAMPLES OF MY WORK. 453 00:35:19,619 --> 00:35:23,414 THEY MUST HAVE LIKED WHAT THEY SAW. 454 00:35:23,706 --> 00:35:24,707 NOT REALLY. 455 00:35:24,999 --> 00:35:26,083 THEN WHY DID THEY INVEST? 456 00:35:26,375 --> 00:35:31,922 WELL, THEY COMMITTED CERTAIN INDISCRETIONS 457 00:35:32,214 --> 00:35:34,425 AT A MOTEL THAT I OWN. 458 00:35:34,717 --> 00:35:38,429 AND THESE INDISCRETIONS 459 00:35:38,721 --> 00:35:44,060 WERE CAPTURED, ER, CINEMATICALLY. 460 00:35:44,352 --> 00:35:45,512 WAIT A MINUTE, WAIT A MINUTE, 461 00:35:45,603 --> 00:35:48,397 ARE YOU SAYING THAT YOUR INVESTORS 462 00:35:48,689 --> 00:35:53,027 WERE UNKNOWING PARTICIPANTS IN THE EXAMPLES 463 00:35:53,319 --> 00:35:55,404 THAT YOU SHOWED THEM OF YOUR WORK? 464 00:35:56,364 --> 00:35:57,365 YES. 465 00:35:57,657 --> 00:35:59,241 OH, BOY. 466 00:35:59,533 --> 00:36:00,533 OH, MARVIN, 467 00:36:00,743 --> 00:36:03,245 YOU ARE A VERY ENTERPRISING FELLOW. 468 00:36:03,537 --> 00:36:07,833 NOT TO MENTION A LIAR, A PORNOGRAPHER, A BLACKMAILER. 469 00:36:08,125 --> 00:36:10,211 WELL, I NEVER SAID I WAS PERFECT. 470 00:36:11,671 --> 00:36:12,880 OKAY. 471 00:36:13,172 --> 00:36:14,298 WHERE DO WE GO FROM HERE? 472 00:36:14,590 --> 00:36:17,176 WELL, 473 00:36:17,468 --> 00:36:19,804 FIRST WE TRY TO TIE UP A FEW OF THESE PIECES. 474 00:36:20,096 --> 00:36:22,431 OKAY. 475 00:36:22,723 --> 00:36:24,493 YOU SAY YOU RECEIVED THE FIRST THREATENING PHONE CALL, 476 00:36:24,517 --> 00:36:26,185 - TEN DAYS AGO. - YES. 477 00:36:26,477 --> 00:36:27,728 WERE YOU, UH, WERE YOU SHOOTING 478 00:36:28,020 --> 00:36:29,522 ONE OF YOUR EPIDERMAL EPICS THEN? 479 00:36:29,814 --> 00:36:32,024 SAL L Y OF SIN CI TY. 480 00:36:32,316 --> 00:36:34,610 THAT IS A PROVOCATIVE TITLE. 481 00:36:34,902 --> 00:36:36,112 I THOUGHT OF IT MYSELF. 482 00:36:36,404 --> 00:36:38,489 OH. I'VE GOT A TITLE FOR YOU, MARVIN. 483 00:36:38,781 --> 00:36:41,075 IT'S CALLED "SHOW US THE NAUGHTY FILM." 484 00:36:41,367 --> 00:36:43,077 YEAH, WELL I'VE GOT A TITLE FOR YOU TOO. 485 00:36:43,369 --> 00:36:45,996 IT'S CALLED "GO TELL CHARLIE WHAT'S GOING ON." 486 00:36:46,288 --> 00:36:49,500 YES. 487 00:36:49,792 --> 00:36:54,296 KARL, RUN SALLY OF SIN CITY, ALIAS LITTLE BO PEEP. 488 00:36:54,588 --> 00:36:57,174 LITTLE BO PEEP? 489 00:37:01,095 --> 00:37:03,013 MARVIN, REALLY. 490 00:37:03,305 --> 00:37:04,305 THERE ARE JUST SCENES. 491 00:37:04,473 --> 00:37:06,434 WE HAVEN'T PUT THE PICTURE TOGETHER YET. 492 00:37:06,726 --> 00:37:09,895 TACKY, MARVIN, THIS IS VERY TACKY STUFF. 493 00:37:20,614 --> 00:37:23,409 - HEY WAIT A MINUTE. - WHAT'S WRONG? 494 00:37:23,701 --> 00:37:24,785 RUN THE FILM BACK. 495 00:37:25,077 --> 00:37:26,620 OH, NO, NO, NO. 496 00:37:26,912 --> 00:37:28,807 THIS MAN DIDN'T... HE WASN'T SUPPOSED TO BE IN THIS SHOT. 497 00:37:28,831 --> 00:37:30,183 NO, THERE'S A BETTER SEGMENT COMING UP. 498 00:37:30,207 --> 00:37:31,333 I DON'T CARE ABOUT THAT. 499 00:37:31,625 --> 00:37:33,794 RUN THE FILM BACK. I WANT TO SEE THAT MAN'S FACE. 500 00:37:34,962 --> 00:37:35,962 RUN THE FILM BACK, KARL. 501 00:37:36,130 --> 00:37:37,131 AND KEEP RE-RUNNING IT. 502 00:37:37,423 --> 00:37:38,783 I WANT TO GET A CLOSER LOOK AT HIM. 503 00:37:38,966 --> 00:37:39,966 KEEP RE-RUNNING IT, KARL. 504 00:37:40,050 --> 00:37:41,469 WHAT IS IT? 505 00:37:41,761 --> 00:37:44,241 YOU KNOW THAT MAN WHO SHOT AT ME THE OTHER NIGHT IN THE GARAGE? 506 00:37:44,430 --> 00:37:45,430 YEAH? 507 00:37:45,598 --> 00:37:48,517 HE WAS ABOUT THE SAME SIZE, THAT SAME BLOND HAIR. 508 00:37:48,809 --> 00:37:49,810 YOU SURE? 509 00:37:50,102 --> 00:37:52,062 NO, IT'S, IT'S JUST A FEELING I HAVE. 510 00:37:52,354 --> 00:37:53,564 THE BLOND HAIR. 511 00:37:53,856 --> 00:37:55,542 WELL, WAIT. SO, SO WHAT YOU'RE SAYING IS THAT 512 00:37:55,566 --> 00:37:56,566 THIS IS THE PIECE OF FILM 513 00:37:56,817 --> 00:37:58,569 THAT WAS SUPPOSED TO BE BURNED IN THE FIRE? 514 00:37:58,861 --> 00:38:00,362 MAYBE. 515 00:38:00,654 --> 00:38:02,174 WELL, WHY? YOU CAN'T EVEN SEE HIS FACE. 516 00:38:02,323 --> 00:38:04,158 WELL, THAT MAN DOESN'T KNOW THAT. 517 00:38:04,450 --> 00:38:05,659 RIGHT! AND FOR SOME REASON 518 00:38:05,951 --> 00:38:08,913 HE DOESN'T WANT TO BE SEEN THERE, NOW. 519 00:38:11,665 --> 00:38:15,503 MARVIN, STOP THE FILM THIS TIME. 520 00:38:21,592 --> 00:38:24,637 MARVIN WHAT'S UP THE HILL FROM THAT BUILDING? 521 00:38:24,929 --> 00:38:26,972 NOTHING. JUST AN OLD APARTMENT HOUSE. 522 00:38:27,264 --> 00:38:28,744 I'M GOING TO GO THERE AND HAVE A LOOK. 523 00:38:28,933 --> 00:38:29,975 WHAT FOR? 524 00:38:30,267 --> 00:38:32,144 I DON'T KNOW, IT'S JUST A FEELING. 525 00:38:32,436 --> 00:38:34,581 MARVIN, CAN YOU GET ME A BLOW-UP OF THAT PIECE OF FILM? 526 00:38:34,605 --> 00:38:36,357 - A CLOSE-UP ON THE CAR? - SURE. 527 00:38:36,649 --> 00:38:37,649 THE LICENSE PLATE? 528 00:38:37,775 --> 00:38:39,193 LISTEN, UH, KELLY, 529 00:38:39,485 --> 00:38:41,296 WHAT'S THAT GUY'S NAME THAT WE WENT TO THE ACADEMY WITH 530 00:38:41,320 --> 00:38:42,320 WHO WORKS AT THE DMV? 531 00:38:42,530 --> 00:38:43,548 - LT. CANTRELL. - ED CANTRELL. 532 00:38:43,572 --> 00:38:45,449 OKAY, LISTEN, I'LL CALL HIM. 533 00:38:45,741 --> 00:38:47,535 HE'LL PROBABLY PUT A RUSH ON IT FOR US. 534 00:38:47,827 --> 00:38:49,507 OKAY, LOOK I'LL STAY HERE, GET THE BLOW-UP, 535 00:38:49,578 --> 00:38:50,738 CALL YOU AT CANTRELL'S OFFICE 536 00:38:50,913 --> 00:38:52,057 - THAT WAY WE'LL SAVE TIME. - RIGHT. 537 00:38:52,081 --> 00:38:53,561 I'VE GOT TWO MORE MINUTES ON THIS REEL 538 00:38:53,833 --> 00:38:56,033 AND I THINK WE HAVE A BETTER ANGLE ON THE LICENSE PLATE. 539 00:38:56,210 --> 00:38:57,562 LET ME KNOW IF YOU FIND SOMETHING. ALL RIGHT. 540 00:38:57,586 --> 00:38:58,906 WHY DON'T YOU ROLL THE REST OF IT. 541 00:38:59,004 --> 00:39:01,966 KEEP ON ROLLING IT, KARL. ALL OF IT. 542 00:39:45,009 --> 00:39:46,135 OH, HELLO, YES, 543 00:39:46,427 --> 00:39:49,722 CAN I HAVE LIEUTENANT ED CANTRELL'S OFFICE, PLEASE? 544 00:39:50,014 --> 00:39:52,474 THANK YOU. 545 00:39:52,766 --> 00:39:56,562 ED, THIS IS KELLY GARRETT. IS SABRINA THERE? 546 00:39:56,854 --> 00:39:58,564 MARVIN, WHAT WAS IT AGAIN? 547 00:39:58,856 --> 00:40:02,943 2-9-4... 548 00:40:03,235 --> 00:40:06,447 O-D-L. 549 00:40:06,739 --> 00:40:09,408 SABRINA, I'VE GOT IT. 550 00:40:09,700 --> 00:40:13,245 LICENSE NUMBER 294 ODL. 551 00:40:13,537 --> 00:40:14,663 OKAY, YOU START ON IT. 552 00:40:14,955 --> 00:40:16,373 I'LL BE DOWN IN A MINUTE. 553 00:40:16,665 --> 00:40:17,665 BYE. 554 00:40:20,085 --> 00:40:23,589 MARVIN, WE MAY PULL YOU OUT OF THIS YET. 555 00:41:20,729 --> 00:41:21,730 MANESCU. 556 00:41:22,022 --> 00:41:23,857 THAT'S BAYLOR'S CASE. 557 00:42:21,248 --> 00:42:22,916 MOBIL E OPERA TOR. 558 00:42:32,968 --> 00:42:33,968 YEAH. 559 00:42:34,178 --> 00:42:35,763 THIS IS JILL MUNROE. 560 00:42:36,055 --> 00:42:37,335 PAUL BAYLOR GAVE ME THIS NUMBER. 561 00:42:37,473 --> 00:42:38,807 I UNDERSTAND. 562 00:42:39,099 --> 00:42:40,699 OH, THEN YOU KNOW ABOUT THE GOLDMAN CASE? 563 00:42:40,768 --> 00:42:42,603 YES, AND I'VE BEEN ALERTED 564 00:42:42,895 --> 00:42:45,147 TO HELP YOU IN ANY POSSIBLE WAY I CAN, MISS MUNROE. 565 00:42:45,439 --> 00:42:46,439 GREAT. 566 00:42:46,690 --> 00:42:48,043 I'M AT THE CORNER OF EIGHTH AND LAGRANDE. 567 00:42:48,067 --> 00:42:49,943 WOULD YOU LIKE ME TO COME RIGHT DOWN THERE? 568 00:42:50,235 --> 00:42:53,447 YES, I THINK I'VE STUMBLED ON SOMETHING. 569 00:42:53,739 --> 00:42:54,739 I 'M ON MY WA Y. 570 00:42:54,948 --> 00:42:57,326 THANK YOU. 571 00:43:32,694 --> 00:43:34,174 DID YOU FIND OUT WHOSE LICENSE IT WAS? 572 00:43:34,404 --> 00:43:36,573 YEAH, WE'VE GOT TO GET TO JILL, FAST! 573 00:43:37,908 --> 00:43:39,118 HELLO, MOBILE? 574 00:43:39,409 --> 00:43:41,036 MOBILE OPERATOR THIS IS AN EMERGENCY. 575 00:44:19,199 --> 00:44:20,199 MISS MUNROE? 576 00:44:20,284 --> 00:44:21,785 YES? 577 00:44:22,077 --> 00:44:23,453 I'M DETECTIVE SERGEANT DANNER. 578 00:44:23,745 --> 00:44:26,373 THIS IS DETECTIVE LEMBECK. 579 00:44:26,665 --> 00:44:28,041 I APPRECIATE Y'ALL COMING. 580 00:44:28,333 --> 00:44:30,252 YOU SAID THAT YOU STUMBLED ON SOMETHING. 581 00:44:30,544 --> 00:44:33,130 YES. PAUL BAYLOR TOLD YOU, WE WERE STUDYING THE GOLDMAN FILM? 582 00:44:33,422 --> 00:44:34,506 YES. 583 00:44:34,798 --> 00:44:35,465 DID YOU FIND SOMETHING? 584 00:44:35,757 --> 00:44:39,553 WELL, LET ME SHOW YOU. 585 00:44:39,845 --> 00:44:43,432 WHEN THEY WERE FILMING HERE, A MAN CAME OUT OF THIS ALLEY, 586 00:44:43,724 --> 00:44:46,894 SORT OF PANICKED WHEN HE SAW THE CAMERAS, HE TURNED AROUND, 587 00:44:47,186 --> 00:44:49,426 GOT INTO A CAR THAT WAS PARKED RIGHT THERE AND DROVE AWAY 588 00:44:49,605 --> 00:44:50,605 WITH ANOTHER MAN. 589 00:44:50,814 --> 00:44:52,274 A MAN. COULD YOU IDENTIFY HIM? 590 00:44:52,566 --> 00:44:55,485 NO, OTHER THAN HE HAD BLONDE HAIR, AND IT WAS DARK. 591 00:44:55,777 --> 00:44:58,530 SO I FIGURED I'D COME DOWN HERE, AND LOOK AROUND FOR MYSELF. 592 00:44:58,822 --> 00:45:00,365 LOOK AROUND, FOR WHAT? 593 00:45:00,657 --> 00:45:01,783 WELL, I DIDN'T KNOW. 594 00:45:02,075 --> 00:45:04,953 BUT LOOK I FOUND OUT, IN THAT REAR APARTMENT 595 00:45:05,245 --> 00:45:07,623 IN THE CORNER THAT'S WHERE MANESCU LIVES. 596 00:45:07,915 --> 00:45:09,208 MANESCU? 597 00:45:09,499 --> 00:45:11,210 YOU KNOW, MANESCU, 598 00:45:11,501 --> 00:45:16,048 THAT'S THE MAN PAUL BAYLOR INDICTED FOR MURDER. 599 00:45:16,340 --> 00:45:19,176 HIS TRIAL IS DUE TO START SOMETIME NEXT WEEK. 600 00:45:19,468 --> 00:45:20,761 THAT'S RIGHT. 601 00:45:21,053 --> 00:45:23,889 MANESCU IS SUPPOSED TO LIVE HERE IN THIS AREA, RIGHT? 602 00:45:24,181 --> 00:45:25,515 OH, I'M SORRY. 603 00:45:25,807 --> 00:45:27,100 I'M NOT FAMILIAR WITH THAT CASE. 604 00:45:27,392 --> 00:45:30,145 OH, WELL, PAUL BAYLOR TOLD ME 605 00:45:30,437 --> 00:45:32,981 HE RECEIVED SOME CALLS TELLING HIM 606 00:45:33,273 --> 00:45:35,525 TO KEEP AN EYE ON THE GOLDMAN LAB. 607 00:45:35,817 --> 00:45:38,987 AND I KNEW HE WAS IN THE MIDDLE OF THE MANESCU TRIAL, SO, 608 00:45:39,279 --> 00:45:41,907 I FIGURED THERE WAS SOME SORT OF CONNECTION. 609 00:45:42,199 --> 00:45:43,700 POSSIBLE. 610 00:46:08,892 --> 00:46:12,521 UM, WELL, THE NEWSPAPERS SAY 611 00:46:12,813 --> 00:46:14,147 THAT MANESCU CLAIMED 612 00:46:14,439 --> 00:46:16,775 THE EVIDENCE WAS PLANTED IN HIS APARTMENT. 613 00:46:17,067 --> 00:46:18,067 I'M NOT FOLLOWING YOU. 614 00:46:18,318 --> 00:46:24,199 WELL, THE BLOND MAN, YOU KNOW HE... 615 00:46:24,491 --> 00:46:30,706 UH, I EXPLAINED IT, WHEN HE WAS... 616 00:46:32,958 --> 00:46:35,544 WELL, LET ME SHOW YOU OKAY? 617 00:46:43,677 --> 00:46:45,679 DON'T! 618 00:46:45,971 --> 00:46:47,055 HOLD IT! 619 00:47:19,713 --> 00:47:20,881 I'M SORRY. 620 00:47:21,173 --> 00:47:22,549 ME TOO. 621 00:47:22,841 --> 00:47:27,346 ALL THOSE YEARS, FAST FORWARD. 622 00:47:31,266 --> 00:47:33,060 NOW I GUESS I'LL HAVE TO LOOK BACK. 623 00:47:34,895 --> 00:47:36,146 WATCH OUT FOR THE DEVIL. 624 00:47:46,615 --> 00:47:49,326 BEFORE YOU CONDEMN BAYLOR AND US, REMEMBER, 625 00:47:49,618 --> 00:47:52,120 HE'S GOT THE BEST DAMN CONVICTION RATE IN THE STATE. 626 00:47:52,412 --> 00:47:54,998 HOW MANY TIMES HAVE YOU PLANTED EVIDENCE? 627 00:47:55,290 --> 00:47:58,627 WE DID WHAT WAS NECESSARY, WHEN IT WAS NECESSARY. 628 00:47:58,919 --> 00:48:02,005 AND THAT'S THE MOST FRIGHTENING THING I'VE HEARD TODAY. 629 00:48:11,640 --> 00:48:13,600 YOU OKAY? 630 00:48:13,892 --> 00:48:15,227 I'VE HAD BETTER DAYS. 631 00:48:15,519 --> 00:48:16,519 YEAH. 632 00:48:30,700 --> 00:48:32,536 JILL, THE ANONYMOUS PHONE CALLS 633 00:48:32,828 --> 00:48:35,539 BAYLOR CLAIMS TO HAVE RECEIVED: THERE WERE NONE? 634 00:48:35,831 --> 00:48:38,417 NO, HE WAS JUST BAITING ME INTO WORKING WITH HIM 635 00:48:38,708 --> 00:48:40,268 SO HE'D KNOW IF I WAS GETTING TOO CLOSE. 636 00:48:40,335 --> 00:48:42,462 ESTHER GOLDMAN CALLED ME. SHE'S VERY GRATEFUL. 637 00:48:42,754 --> 00:48:44,034 I TAKE IT SHE DOESN'T KNOW ABOUT 638 00:48:44,297 --> 00:48:46,675 MARVIN'S CINEMATIC INDISCRETIONS? 639 00:48:46,967 --> 00:48:49,636 MARVIN'S TAKEN HER ON A SHORT CRUISE. 640 00:48:49,928 --> 00:48:51,197 HOPEFULLY BY THE TIME HE GETS BACK, 641 00:48:51,221 --> 00:48:52,341 THE MEDIA WILL HAVE MOVED ON 642 00:48:52,556 --> 00:48:55,100 TO SOME OTHER FORM OF CURRENT EVENTS. 643 00:48:55,392 --> 00:48:57,394 SINCE MARVIN WAS COOPERATIVE 644 00:48:57,686 --> 00:48:58,979 THERE WON'T BE ANY CHARGES FILED. 645 00:48:59,271 --> 00:49:01,082 BY THE WAY, CHARLIE, HOW'S MILLICENT, YOUR FISH? 646 00:49:01,106 --> 00:49:05,735 STILL BELLY UP. I'M AFRAID. 647 00:49:06,027 --> 00:49:09,156 WHAT ABOUT THE ICHTHYOLOGIST, GLORIA? 648 00:49:09,448 --> 00:49:10,490 OH, ABOUT THE SAME. 649 00:49:10,782 --> 00:49:13,368 I'M STILL SAYING A PRAYER FOR HER, CHARLIE. 650 00:49:13,660 --> 00:49:14,661 GLORIA? 651 00:49:14,953 --> 00:49:16,413 NO, MILLICENT. GLORIA'S PRAYERS 652 00:49:16,705 --> 00:49:18,025 HAVE ALREADY BEEN ANSWERED BY NOW. 653 00:49:18,081 --> 00:49:21,460 I'M DOING MY BEST TO KEEP HER FAITH INTACT. 654 00:49:21,751 --> 00:49:23,295 BYE, ANGELS. 655 00:49:26,465 --> 00:49:29,926 BY THE WAY, WHAT IS AN ICHTHYOLOGIST? 656 00:49:30,218 --> 00:49:31,761 IT DOESN'T MATTER, BOSLEY. 657 00:49:32,053 --> 00:49:33,972 IT DOESN'T MATTER. 43262

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