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“And now”: Gilbert Bécaud
“Old-fashioned pleasures”: Charles Aznavour
# We have been coming back since like on a pilgrimage.
# To dance in the smoke to cut with a knife.
# Come let's discover you and me old-fashioned pleasures.
# Your heart against my heart despite the crazy rhythms.
# I want to feel my body by your married body.
# Let's dance cheek to cheek.
# Let's dance cheek to cheek.
# Come drowned in the crowd, but dissociated from the noise.
# As if on Earth it was just us.
# Let's slide with half-closed eyes until the end of the night.
# Let's dance cheek to cheek.
# Let's dance cheek to cheek.
# Come drowned in the crowd, but dissociated from the noise.
# As if on Earth it was just us.
# Let's slide with half-closed eyes until the end of the night.
# Let's dance cheek to cheek.
# Let's dance cheek to cheek.
# Let's dance cheek to cheek.
“La Paloma”.
“The Unearther”: Georgette Plana.
“The bathiest of javas”.
Vittorio De Sicas: “Parlami d’amore Mariù”
# Come sei bella più bella stasera Mariú!
# Splende un sorriso di stella Negli occhi tuoi blu.
# Reed se avverso il destino domani sarà ...
# oggi ti sono vicino, perched sospirar?
# Parlami d'amore, Mariù!
# Tutta la mia vita sei tu.
# Gli occhi tuoi belli brillano.
#Come due star scintillano.
# Dimmi che illusione non é!
# Dimmi che sei tutta per me!
# Qui sul tuo heart non soffro più.
# Parlami d'amore, Mariù!
#So che una bella e maliarda sirena sei tu.
# So che si perde chi guarda What you see is blue.
# My che mi importa si il mondo si burla di me?
# Meglio nel gorgo deep my semper con you.
# Parlami d'amore, Mariù!
# Tutta la mia vita sei tu!
# Gli occhi tuoi belli brillano.
#Come due star scintillano.
# Dimmi che illusione non é!
“I’ll wait”: Rina Kitty
# The day and the night,
# I will always wait for your return.
# I'll wait.
# Because the bird that flees comes to seek oblivion in its nest.
# Time passes and runs short.
# Beating sadly in my heart so heavy.
# And yet, I will wait for your return.
# The wind brings me distant noises.
# Watching my door.
# I listen in vain.
# Alas, nothing more, nothing more comes.
# I'll wait.
# The day and the night, I will always wait for your return.
# I'll wait.
# Because the bird that flees comes to seek oblivion in its nest.
# Time passes and runs short.
# Beating sadly in my heart so heavy.
“Tchi-tchi”: Tino Rossi
# Listen to love calling you, chi-chi.
# Why say no now?
# Ah, ah.
# You have to take advantage when it's time.
# Ah, ah.
# Later when you are old, tchi-tchi,
# you'll say, lowering the ear, tchi-tchi,
# if I had known at that time.
# Ah, ah.
# Oh my beautiful Catalinetta!
"We'll hang our laundry on the Siegfried line"
#And soon the whole regiment intoned cheerfully.
# We'll go hang our laundry on the Siegfried Line.
# To wash clothes, here is the moment.
# We'll go hang our laundry on the Siegfried Line.
# Beautiful white linen is ours.
#We're gonna hang out the washing on the Siegfried Line.
#Have you any dirty washing, mother dear?
#We're gonna hang out the washing on the Siegfried Line.
# 'Cause the washing day is here.
# Whether the weather may be wet or fine...
“Lili Marleen”: Lale Andersen
# We are Lili Marleen.
# We are Lili Marleen.
# We are Lili Marleen.
# Wenn sich die späten Nebel drehen, werd' ich bei der Laterne stehen.
# We are Lili Marleen.
# We are Lili Marleen.
# Wenn sich die späten Nebel drehen, werd' ich bei der Laterne stehen.
# We are Lili Marleen.
“Piloten”: Lale Andersen
#DennPiloten, I die gray Piloten,
# wollen nicht nur ein Lächeln, wollen immer noch mehr.
# Und Piloten, I have gray pilots,
# nein, nein zu sagen, ach, das ist schrecklich schwer.
#DennPiloten, I have gray pilots,
# denen schenkt jedes Mädchen, gar zu gerne sein Herz.
# Und es träumt der Emil lasted by Wolken
# gradewegs bis in den Himmel rein.
#Wenn sie jetzt nach Hause kommen sollten,
#wird's ein Himmel auf der Erde sein.
# 1,000 Vöglein werden jubileeren,
# 1,000 Blumen blühn am Gartenzaun.
# Madchenaugen Fragen, Mädchenlippen sagen:
# "Grauer Bursche, darf man dir vertraun?”
#DennPiloten, I die gray Piloten,
# wollen nicht nur ein Lächeln, wollen immer noch mehr.
# Und Piloten, I have gray pilots,
# nein, nein zu sagen, ach, das ist schrecklich schwer.
# Eines Tags He was born with Monika.
# Andern Tags It's the same as Ursula.
# Und Brigitte muss mit in das Kämmerlein.
#UndMarie, Selbst Marie knows nothing to do.
# Wir Piloten, I have gray pilots,
# wollen nicht nur ein Lächeln, wollen immer noch mehr.
#DennPiloten, I have gray pilots,
# denen schenkt jedes Mädchen, gar zu gerne sein Herz.
“Serenade without hope”: Rina Kitty
# Nightly
# tenderly I hear singing under my window.
# Nightly
# a lover comes back to me to move me.
# If, if, if, It’s just a serenade.
# Yes, yes, yes, serenade without hope.
# In the dark I hear her singing for me with all his being.
# But alas in my heart and in my house it is dark.
# If, if, if, It’s just a serenade.
# Yes, yes, yes, serenade without hope.
# He thought that I once loved him.
# He wants to believe it again.
# But my heart closed forever.
# It is in vain that he implores me.
#.. sadly he comes to sing under my window.
“Flower of Paris”: Maurice Chevalier
# Old Paris that smiles.
# Because it is the flower of return,
# the return of sunny days.
# For four years in our hearts she kept her colors.
# Blue White Red, with hope it blossomed.
#Flower of Paris.
# It’s a local flower.
# It bloomed everywhere.
# Because it is the flower of return,
# the return of sunny days.
# For four years in our hearts she kept her colors.
# Blue White Red, she truly was above all else.
# Flower from home.
# It’s a local flower.
# It bloomed everywhere.
# Because it is the flower of return,
# the return of sunny days.
# For four years in our hearts she kept her colors.
# Blue White Red, she truly was above all else.
# Flower from home.
“Tha-Ma-Ra-Boom-Di-Hey”
“The bathiest of javas”
Let's face the music and dance.
“Nocturnal Harlem”.
"La vie en rose".
“If you go to Rio”: Dario Moreno *
# If you go to Rio
# don't forget to go up there in a small village.
# Hidden under the wildflowers on the slope of a hill.
# It's in Madureira.
# You will see the cariocas
# get out of the houses to go to the party,
# at the samba party.
# And you will see climbing along the hills
# girls with thin waists take small steps.
# And the brass bands in this happy din
#take the weird flow samba schools.
# Who are preparing the ball
# and go to Carnival.
# Repeat cadence of the wildest dances,
that of Madureira.
# And you will see climbing along the hills
# girls with thin waists take small steps.
# And the brass bands in this happy din
#take the weird flow samba schools.
# And you will see climbing along the hills
# girls with thin waists take small steps.
# And the brass bands in this happy din
#take the weird flow samba schools.
# If you go to Rio
# don't forget to go up there
# in a small village.
# Hidden under the wildflowers on the slope of a hill.
# If you go to Rio.
# If you go to Rio.
# If you go to Rio.
“Love, castanets and tango”.
Medley "Brazil", "El negro zumbon".
# Lalalalala lalalalala.
#La-la-la-la-la-la-la.
#La-la-la-la-la-la-la.
# Lalalalala lalalalala.
# Lalalalala lalalalala.
#La-la-la-la-la-la-la.
#La-la-la-la-la.
#La-la-la-la-la-la.
“Tutti frutti”: Cliff Richard
# Tutti frutti, oh Rudy.
# Tutti frutti, oh Rudy.
# Tutti frutti, oh Rudy.
# Tutti frutti, oh Rudy. Wop-bop-a-loom-a-blop-bam-boom.
#I got a gal named Sue, she knows just what to do.
#I got a gal named Sue, she knows just what to do.
# Well, I've been to the east, and I've been to the west.
# She's the gal I love best.
# Tutti frutti, oh Rudy.
# Tutti frutti, oh Rudy.
# Tutti frutti, oh Rudy. Wop-bop-a-loom-a-blop-bam-boom.
#Yeah, go!
#I got a gal named Daisy, she almost drives me crazy.
#I got a gal named Daisy, she almost drives me crazy.
# She knows how to love me, yes, indeed.
# Boy, I don't know what you're doin' to me.
# Tutti frutti, oh Rudy.
# Tutti frutti, oh Rudy.
# Tutti frutti, oh Rudy. Wop-bop-a-loom-a-blop-bam-boom.
“Only you”: The Platters.
#Onlyyou can make all this world seem right.
#Onlyyou can make the darkness bright.
# Only you and you alone can thrill me like you do.
# And fill my heart with love for only you.
#Onlyyou can make all this change in me.
# For it's true, you are my destiny.
# When you hold my hand I understand the magic that you do.
# You're my dream comes true.
# My one and only you.
“Michelle”: Beatles.
# My beautiful Michelle.
# These are words that goes together well.
#MyMichelle.
# My beautiful Michelle.
# Are the words which go very well together,
# Very good together.
#I love you, I love you, I love you.
#That's all I want to say.
#Until I find a way
# I will say the only words I know that you'll understand.
# My beautiful Michelle.
# Are the words which go very well together,
# Very good together.
# I will say the only words I know that you'll understand.
#MyMichelle.
“You’re OK”: Ottawan
# You're OK.
# You're bad.
# You're in.
# You're OK.
# You're bad.
# You're in.
# I need tenderness. I have so many problems.
# Give me your adress. I want someone who loves me.
# You need tenderness. You have so many problems.
# Support your youth. Come and have a café crème.
# You're OK.
# You're bad.
# You're in.
# You're OK.
# You're bad.
# You're in.
# You tell me that I'm a great girl,
# but I love my freedom too much.
# You're cute, you're nice, you seem sincere to me,
# but I'm not going to marry you.
# You can call me after eight hours at 310-24-32.
# We will be able to if you want to go to the movies.
# And if you're not tired, then we will share
# the best Strawberry Sunday Champs Elysées.
# You're OK. You're OK.
# You're bad. You're bad.
# You're in. You're in.
# You're OK. You're OK.
# You're bad. You're stupid.
# You're in. You're in.
# Life is easier when we experience it together.
# Happiness is less fragile when we are in love.
# Life is easier when we experience it together.
# But one day a girl will make you unhappy.
# You're OK. You're OK.
# You're bad. You're bad.
# You're in. You're in.
# You're OK. You're OK.
# You're bad. You're stupid.
# You're in. You're in.
# You're OK. You're OK.
# You're bad. You're stupid.
# You're in. You're in.
# You tell me that I'm a great girl,
# but you are not the first.
# You're cute, you're nice, you seem sincere to me,
# but I'm not going to marry you.
# Instead of standing there philosophizing
#come dance instead, come and sing instead.
# You're OK. You're OK.
# You're bad. You're stupid.
# You're in. You're in.
# You're OK. You're OK.
# You're bad. You're stupid.
# You're in. You're in.
# You're OK. You're OK.
# You're bad. You're bad.
# You're in. You're in.
# You're OK. You're OK.
# You're bad. You're bad.
# You're in. You're in.
“What remains of our loves”: Charles Trenet
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