All language subtitles for COLOMBIANA FR(2011)

[♪♪♪]

[FRANZ SCHUBERT'S "AVE MARIA" PLAYING]

[MAN SPEAKING IN SPANISH]

I can't believe this.

Why not?

Because I love you, Fabio, like a son.

I love you, Don Luis, like a father.

I'm going to miss you.

And I'm going to miss you.

Okay. Enough of this sentimental bullshit.

One last drink?

Next we'll be crying like two old women.

Ha, ha. Come on.

To the future.

[SPEAKS IN SPANISH]

So business is all clear?

[SPEAKS IN SPANISH]

It's all here.

-No other copies?
-You have to ask?

Hey, hey, hey.

Oh, come on, eh?

LUIS:
Adiós, Fabio.

Adiós. I'm going to miss you.

FABIO:
Adiós, Marco.

MARCO:
Adiós.

Kill this motherfucker.

[♪♪♪]

[SHOUTING IN SPANISH]

[YELLS]

Not okay, boss?

The bastard thinks I'm an idiot,
playing it mellow.

If he would've yelled and screamed
and threatened to kill my family,

it would've been better!

We have an hour
to get out of here at the most.

[ENGINE STARTS]

[SHOUTS IN SPANISH]

[♪♪♪]

[♪♪♪]

[SPEAKING IN SPANISH]

[FABIO SPEAKING IN SPANISH]

We've got 10 minutes.

-Cataleya, go pack.
-I'm packed, Mama.

Cataleya.

[SPEAKS IN SPANISH]

In case anything happens,

this, this is your passport.

You find yourself alone,

you go to the address on this card,

you show it to the man at the gate.

I don't understand, Papa.

Cata, you don't have to understand.

You just have to listen and remember.

Now...

[SPEAKING IN SPANISH]

And this, this will keep you safe.

The cattleya orchid.

My mother, your grandmother,
used to grow them.

Every morning,
I'd wake up to the sight of them,

the smell of them.

That's why I named you Cataleya.

Never forget where you came from.

[SPEAKS IN SPANISH]

[♪♪♪]

[SPEAKS IN SPANISH]

We want to see Don Fabio.

He is not home.

[FABIO MUTTERS IN SPANISH]

ALICIA:
I'm ready.

[FABIO SPEAKING IN SPANISH]

[ALICIA SPEAKING IN SPANISH]

[TIRES SCREECHING]

Back! Back! Back!

He said he's not home yet.

MAN [OVER RADIO]:
Wait a minute.

It's too late. Get ready.

Go. Go.

I love you very much.

I love you too, Papa.

[SPEAKS IN SPANISH]

MAN: Do it now.
-Okay.

Change of plans.

[PEOPLE SCREAMING]

Cata.

Alicia!

[FABIO SPEAKS IN SPANISH]

[GUN COCKS]

[GUNFIRE]

[♪♪♪]

[MEN SHOUTING IN SPANISH]

[♪♪♪]

Fabio.

You should know that you don't leave Don Luis.

You only die for him.

[♪♪♪]

Hey. What are you doing?

Don Luis said kill everyone.

He also said no names.

She won't remember.

She's a kid.

So what?

Hmm.

What do you mean, so what?

Hmm? What do you mean?

Go do your job.

Do you remember me, Cataleya?

I was at your confirmation.

My name is Marco,
and I was a very good friend of your father.

You know who Don Luis is, right?

He was like a father to your father.

That makes you family too.

[♪♪♪]

But when someone...

is good to you

and you're not good to them back,
then bad things happen.

You do very well in school,

so I know this is not too complicated
for you to understand.

Am I right?

Excellent.

Now, your father had something

that belonged to Don Luis.

It's a small thing, not bigger than this.

Do you know where it is?

Well, if you give it to me,

Don Luis will be very happy
and very grateful.

So why don't you just give me
that little thing

which belongs to him?

Would you do that?

You're a smart girl,

and in this life,

smart girls always get what they want. Hmm?

So just tell me.

Just tell me, sweetheart.

What do you want?

-Aah!
-To kill Don Luis.

[GROANING]

[♪♪♪]

MARCO:
Get that little bitch!

[GUNFIRE]

We need her alive!

Find her! Find the little bitch!

[♪♪♪]

[MEN SHOUTING IN SPANISH]

[MAN SPEAKS IN SPANISH]

[WOMEN SHOUTING IN SPANISH]

Eh?

[MAN SHOUTING IN SPANISH]

[PEOPLE SCREAMING]

Alive.

[SHOUTS IN SPANISH]

[♪♪♪]

I got you.

MAN 1:
Quick!

MAN 2:
Get her! Go! Quick!

Shit!

[MEN SHOUTING IN SPANISH]

[♪♪♪]

Excuse me.

[♪♪♪]

I'm sure that you could do something for me.

[SPEAKING INDISTINCTLY]

[♪♪♪]

And you say you have something
for us, sweetie?

Well, may I see it?

Jesus.

[COUGHS]

[♪♪♪]

Um...

Everybody, take a five-minute coffee break.

Jim, we're gonna have to record this.

[BEEPS]

-Where did you get this, sweetie?
-My papa.

And where is your papa?

Dead.

Do you know what this is?

Yes.

My passport.

[PLANE WHIRRING]

We're about to arrive in Miami.

Let me buckle you up.

[MAN SPEAKING INDISTINCTLY OVER PA]

Welcome to America.

WOMAN [OVER PA]:
Final call for Flight 104.

Go ahead. I'll wait right here.

Cataleya?

[♪♪♪]

CLERK: Hello, young lady.
Where are we wanting to go today?

Chicago.
It's not just down the street, you know.

How much?

[♪♪♪]

[PEOPLE CHATTERING]

Hey, kid.

What are you doing here?

[♪♪♪]

[ONLOOKERS LAUGHING]

MAN 1:
Emilio.

[MAN 2 SOBBING]

MAN 1:
Emilio.

[ONLOOKERS LAUGHING]

Emilio.

There's a girl looking for you.

[SPEAKING IN SPANISH]

[MAN 1 SPEAKING IN SPANISH]

MAN 1:
Her name is Cataleya.

[WOMEN SPEAKING IN SPANISH]

[♪♪♪]

Cataleya.

Tío?

[CATALEYA SOBBING]

I thought you were dead.

You're safe.

It's okay. You're safe now.

You're safe.

[SIREN WAILING IN DISTANCE]

[TRAIN RUMBLING]

[♪♪♪]

[MAN SPEAKING INDISTINCTLY ON TV]

MAN [ON TV]: ...where Congress is still locked
in a bitter battle over the budget...

...seemingly ever ready
to take on the White House...

[WOMAN & EMILIO SPEAK IN SPANISH]

MAN:
...Democrats once again having...

[SPEAKING IN SPANISH]

You have

your mother's beautiful eyes.

Don't be afraid.

This is your home.

How long has it been since you sleep?

I don't know. A long time ago.

Well, good. A young body needs to sleep.

When I was your age,
I would sleep half the day.

I don't know if it helped with the growing,

but I was always ready for what came after.

Whose room did I sleep in?

My son.

Your cousin.

Where is he?

He's dead.

CATALEYA:
Killed?

[♪♪♪]

Yes.

By who?

No one who is still alive.

You are very talented.

Is this what you want to be, an artist?

I used to want to be like Xena.

Warrior princess.

Not anymore?

Now?

I want to be a killer.

Can you help?

Sure.

[BELL RINGING]

Normally, we don't accept students
in the middle of the academic year.

But under these circumstances,

losing her parents
in this tragic car accident...

Here you are.
These are the school supplies you will need.

EMILIO:
Sorry. Ahem.

She's a little traumatized.

Of course. We'll see you Monday, Cataleya.

Such a pretty name.

[EMILIO CLEARS THROAT
THEN SPEAKS IN SPANISH]

After we get this stuff,
we'll go to Maxwell Street to get a hot dog

from those Polish people.

You like hot dogs?

Hey.

What is it now?

That school has nothing to teach me.

I told you what I want.

You don't want to help me? Fine.

I'll do it myself.

Look.

[♪♪♪]

[PEOPLE SCREAMING]

[HORN HONKING]

Like that? That's what you want?

You want me to teach you how to be a killer?

No problem. I teach you.

But you'll be dead in five years.

[EMILIO CLEARS THROAT]

If you want to be a killer and survive,
you got to be a smart one.

You have to know things
besides how to pull a trigger.

You have to know the world works,
how people think.

You gotta understand how to be psychological.

I cannot teach you that
unless you learn the basics at a school.

You got that? Hmm?

Come on, what's it going to be?
Cataleya, you choose.

Come on.

Now. Choose. Come on.

What you want? Choose.

[SIRENS WAILING IN DISTANCE]

Better.

[SIGHS]

[COUNTRY MUSIC PLAYING ON CAR RADIO]

Hey, buddy. I got the good stuff.

So then I suggest,

you know, let's buy some things,
spice it up a bit.

A garter belt, some of those stockings
that come up to the thigh.

-Right, nice.
-It's been 14 years. You know what I mean?

No matter how much I like steak,

sometimes a lamb chop
isn't a bad thing, right?

Exactly.

[TIRES SCREECHING]

Oh, my God.

Son of a bitch!

[♪♪♪]

COP:
Fuck, man.

What the--?

Put your hands on the car!

Hands on the vehicle right now. Right now.

Oh, bad--

[LAUGHING]

COP:
You stupid crazy bitch.

I'm really sorry. This is not--
It's not even my car.

COP: You think this is funny?
-No, sir!

[LAUGHING]

I'll give you something to laugh about.

I'm sor-- Officer, I'm sorry. I don't drink.

[♪♪♪]

What the--?

-Oh, hey.
-There's nothing here.

No license, no registration, no ID.

Except for a library card.

-Miss Valerie Phillips.
-Mm.

In addition to all that,
you are being charged with DUI,

driving the wrong side of the road,

and destruction of police property.

Miss Phillips!

Do I have your full attention?

Yeah. That's it?

ATTWOOD:
Unless there's anything else you can think of.

I have to throw up.

Oh, no, no, no. Get her out of here!

[RETCHES]

And a cup of coffee. We'll book her tomorrow.

Let her sleep it off, for chrissakes.

[♪♪♪]

All right, big step. Down you come.

All right, stretch those legs.
Come on, move.

Regis, check downstairs.

She's from Roma. And she says to the other--

Excuse me. U.S. Marshal Warren.

I'm here with Gennaro Rizzo on an overnight.

Wait, hold a second.

You know, it says here
you're not expected until tomorrow.

Never expect the expected, sergeant.

-Is that coffee there? Is that fresh?
-Yes, it is.

-Do you mind?
-Patrick.

WARREN:
Appreciate it.

Officer Doyle is gonna show you
where the cell blocks are.

Oh, come on.

WARREN:
Home, sweet home.

After you, sir.

[CHUCKLES]

I'm gonna miss you, Rizzo.

I'll leave that just there.

Just in case you get hungry in the night.

Sleep well.

It'll be a caffeine kind of night, Joe.
Keep your eyes open.

[LOCK BUZZES]

[SNORING]

[LOCK BUZZES]

[DOOR OPENS THEN CLOSES]

[♪♪♪]

[LOCK CLICKS]

MAN [ON RADIO]:
...the count two balls and no strikes.

He does have 24 home runs and 84...

[LOCK BUZZES]

[BEEPS]

Two.

One.

Oh, f--

Not again.

Hey, Doyle,
go check the ventilation system, will you?

-As in today, please.
-Jesus Christ.

[♪♪♪]

Ah, shit.

[INTERCOM BUZZES]

COP: Yeah?
-Yeah, I gotta pee.

[LOCK BUZZES]

[♪♪♪]

[TOILET FLUSHES]

[INTERCOM BUZZES]

[LOCK BUZZES]

[♪♪♪]

-Unbutton your shirt.
-What?

Now.

Who are you?

Not room service.

[GUNSHOTS]

MARSHAL: Go!
-Come on!

High-level security threat.

[ALARM RINGING]

COP 1: Come on!
COP 2: Move! Move!

Come on, move! Get inside!
Somebody open the fucking door! Come on!

[GROANS]

[LOCK BUZZES]

Look at me, Joe. Look at me. Give me the gun.

Just give it to me, okay? It's okay. That's good.

MARSHAL 1: Move it! Hold him down!
-I didn't do it!

You really gotta listen to me.

MARSHAL 2: You got him?
MARSHAL 3: Watch him!

WARREN: Get him out.
JOE: I didn't do it!

-Get him out!
JOE: I didn't do it!

WARREN:
Call it in. Call it in!

[♪♪♪]

WARREN:
Come on!

-Step aside!
MARSHAL 4: Go, go!

[ALARM WAILING]

COP 1:
Come on, spread out, men.

COP 2:
There!

COP 3 [OVER RADIO]:
Check out the north side.

It's clear here.

[SNORING]

Okay, okay, let's go.

[EXHALES]

[♪♪♪]

WARREN:
Agent Ross.

Where is he?

-He's in the morgue.
-Let's go.

This is just how he came in.

It's the same handwriting.

Same drawing, right?

It's him.

I wanna see the location, please.

Thank you.

CATALEYA: Oh, I shouldn't drink.
ATTWOOD: No, you shouldn't.

Oh, God, I'm so sorry.

Yeah, you can tell that to the judge
in 10 days' time at your hearing.

Oh, my God.

[PEOPLE SHOUTING
& HORNS HONKING OUTSIDE]

-What's going on down there?
ATTWOOD: Nothing.

-You can sign this form and then you can go.
-Really?

Yeah, really, but I'm sure
the judge will send you back here.

I probably deserve it.

Yeah, well, you're just lucky
no one got hurt.

REPORTER 1:
Here comes an official. Marshal. Marshal!

ROSS:
Okay, okay, back up.

REPORTER 2:
Was it an assassination?

[REPORTERS CLAMORING]

You didn't lock it down.

It was after the fact. I didn't think anybody--

You have to do it. Okay?

-Nobody in, nobody out, please.
-Okay.

You heard the man, lock it down.
Nobody in, nobody out.

REPORTER 3:
When will there be a statement?

Will the commissioner
hold a press conference again?

Yes or no?

REPORTER 4:
People need to know!

[♪♪♪]

[♪♪♪]

I wanna see paper
on everybody in and out of this station

in the last 24 hours.

And I want the tapes
from all the security cameras.

All of them.

[♪♪♪]

[FOOTSTEP]

[PHONE RINGS]

[EMILIO SPEAKS IN SPANISH OVER PHONE]

-We're good.
-When you are back?

-The day after tomorrow.
-Good.

I have something for you.

Give me a day.

Okay.

We can't wait to see you back.

-Give Mama a kiss for me.
-I will.

[BUS HORN HONKS]

MAN:
Thank you.

Twenty-two murders in the last four years,
all with the same MO.

I think I'm right. He is sending a message.

But I'm beginning to believe
it's not meant for us.

We're the only ones with that information.

We're not getting anywhere with it, are we?
Put it out to the press.

It's time. The word. This lipstick drawing.

I want it splashed over every newspaper,
every magazine.

Front page, national.

If the message isn't meant for us,

let's make sure it gets to who it's intended for.

[♪♪♪]

[SPEAKING IN SPANISH]

MARCO: Mr. Richard.
-Heh. Marco.

-It's been a long time.
-Yes, it has. How is the hand?

It only hurts when it's humid.

You should've let us relocate you to Arizona
instead of New Orleans.

MARCO:
Yeah, right. But the boss likes it humid.

He's waiting for you.

RICHARD:
Okay.

[♪♪♪]

RICHARD:
What do you think? Hmm?

-Coincidence.
-Twenty-two times?

Flower that only grows in one place on Earth.

Uh, didn't that used to be
the calling card of...?

Shoot. I forgot his name.

What was his name? Your former partner.

You know, the one who used to do your wet work.

-Fabio.
-Fabio.

Fabio Maria Restrepo.

May I?

The CIA is not an amusement park.

When the agency extracted your ass
from Colombia 15 years ago

and set you up here,
we allowed you to resume your little business,

when what we should've done
was lock you away for life.

Now, in exchange,
you should've kept the information flowing.

-And I have.
-Not much.

I had nothing to do with this.

Then find out who did.

[♪♪♪]

She's talking to us.

Could be anyone.

Idiot.

I told you, everyone dead, down to the dog.

You screwed up the first time.

Now, go fix it.

[♪♪♪]

[SULTRY BLUES MUSIC PLAYING
OVER SPEAKERS]

♪ Deeper down ♪

♪ We're all goin' down ♪

♪ Down, deeper down, yeah ♪

♪ We are all plunging
Straight towards our own decline ♪

♪ Without noticing
We slide down, deeper down ♪

♪ Down ♪

♪ Down, deeper down, yeah ♪♪

[♪♪♪]

[♪♪♪]

Each and every one of the victims
was a professional bad apple.

As for motive,
I've narrowed it down to, uh, payback,

but, um, not much else.

My best guess: Alexa Milshinova.

She made a career out of getting intimate

with high-stakes gamblers out of Vegas.

She would rip them off
and then send them to meet their maker.

Here, DiAngelo James.

He tried to take over the heroin trade
from Houston

from the Gemini cartel.

If you do not know all there is to know
about these twins,

you should not be in this room.

You see, he tilts the camera just enough
so he won't be seen going into the cell.

The time, 1:55 a.m.

That means our perp
was in that station that...

Well, I don't have to spell it out
for you, do I?

Excuse me.

Hand these out, please.

These are the names,
addresses and phone numbers

of everyone with a pulse
who was in that station before 1:55 a.m.

Everyone.

Which means one of them was our target.

Locate the 10 people in the folder
you've just been handed.

I want a detailed dossier on each of them
for the last 10 years of their lives.

I want you to run down every lead.
You will check every story.

Our killer, ladies and gentlemen,
is in those folders.

And I mean to catch him before he kills again.

[♪♪♪]

CATALEYA:
Don't move.

Hello, Jennifer.

Hello, Danny.

[♪♪♪]

♪ Get so tired of playing... ♪

You haven't finished your painting.

DANNY: You never finish a painting.
You just stop working on it.

I know something you're good at finishing.

-Oh, yeah?
-Yeah.

♪ A thousand flowers... ♪

Tell me something.

-Are we ever gonna go on a normal date?
-What's a normal date?

You know, go out, have dinner,
drink wine, get drunk.

Mm. Dessert?

♪ Give me a reason to love you ♪

♪ Mm, oh, give me a reason
To wanna be your man ♪

♪ Give me a reason to love you ♪♪

[TRAIN RUMBLING]

[♪♪♪]

[DOORKNOB SQUEAKS,
THEN DOOR CLOSES]

[♪♪♪]

[UPBEAT ROCK MUSIC PLAYING
OVER SPEAKERS]

♪ Watch out, watch out ♪

♪ Timber ♪♪

Safe?

From my end. You?

Safe.

How's Mama?

She is missing you.

Tell her I miss her back.

I think she would love to hear that from you.

I know.

What do we have?

[♪♪♪]

EMILIO: Remember the guy on the news
for running a Ponzi scheme

-about a year ago?
CATALEYA: Mm-hm.

Made $50 million and vanished into thin air.

Clever guy. Now he's living in the Caribbean.

-Aw.
-Mm.

So left a lot of people very upset.

So we give him a break. Permanently.

Okay.

There's something else.

How long has this been going on?

Not long.

Newspaper says 22.

-Why?
-You know why.

EMILIO: Think this is going to smoke Don Luis out?
You think he's that stupid?

It's not just about you, okay, Cataleya?

There's me, Mama, the family.

[BOTH SPEAK IN SPANISH]

Tío, please.

You're clean.

-You book the work, you collect the money.
-Oh. How nice.

And I watch your back. That's what I do.

Each and every job, I vet, I double-vet.

If I give you a job, I turn down five, 10,

because I made a promise to keep you safe.

I keep you safe, Cataleya.
That is a full-time job, no matter what you think.

But this? It's not professional.
It's not what I taught you.

I don't care about what's professional and safe.
I'm doing this my way.

-That is your way?
-Yeah.

A tag killer?

[SPEAKS IN SPANISH]

[SCOFFS]

[MUTTERS IN SPANISH]

I should never have let you do this.

-Never.
-You didn't let me do anything.

I chose this, remember? I chose this.

From the first moment I walked in your door,

I had already made my decision.

-By yourself?
-Yes.

Not you or anybody is gonna change that.

We love you, Cataleya.

Then watch my back until it's done.

Cattleya.

Excuse me?

It's an orchid.

What? This is?

-Sure, it is. It grows in Colombia.
-How do you know that?

My wife, she's Colombian.

Colombia. Uh...

-Cattleya?
-That's right.

[♪♪♪]

Okay. Let's try "organization."

Well, shit.

[WHINES]

Hi, boys. Did you miss me?

[BARKING]

Yeah? Well, I missed you too.

Hi. Come.

[KISSING]

You guys been good? Hmm?

All right, stay.

Sirloin.

Juicy. Delicious.

Want one? Good.

Eat.

[METAL CLANKING]

Mm, I know that song.

[CATALEYA SPEAKING IN SPANISH]

I guess the boys gave me away, huh?

-You spoil them.
-I train them.

-♪ Yo, if you're on the court alone ♪
-♪ Hoop dreams ♪

-♪ You still try to give it all you got ♪
-♪ Hoop dreams ♪

♪ Yo, it's 10:00 in the park
Gettin' dark ♪

-♪ But you still gotta hit this last shot ♪
-♪ Hoop dreams ♪

♪ Yo, I got this hoop dream
Written all on my mind ♪

♪ I'm 'bout to push rocks
Orange with the black lines ♪

♪ Y'all know the deal
I got dreams of dunks ♪♪

Fishy, fishy.

Willie!

Why are they ignoring me?

-What?
-Baby, you put one drop of blood in there,

they'll be your biggest admirers.

Really?

WOODGARD:
Oh, yeah, baby.

All the way down to your clean, stripped bones.

Cool.

[WOMAN SQUEALS]

[WOMEN LAUGHING AND WHOOPING]

Alejandro, you bring in extra security
for tonight.

-Yes, sir.
-You make sure that we are shut down, tight.

-Yes, sir.
-Take care.

[WOMEN SHRIEKING]

Girls! Come to Papa, huh?

[WOODGARD WHOOPS THEN LAUGHS]

[WOODGARD WHOOPING]

[♪♪♪]

There are already guys in the garden
and guys out back.

-I want you three upstairs.
MAN: Yes, sir.

ALEJANDRO:
Two on the roof.

Hurry.

[♪♪♪]

[GASPS]

What the fuck is this?

-Willie, come back to bed.
-Shh.

The fuck is that?

Turn around.

[CHUCKLES]

-Who are you?
-It doesn't matter who I am.

[GUNS CLICKING]

[YELLS]

[CHUCKLES]

Okay, what do you want?

-I want you exactly where you are.
-Huh?

[SCREAMING]

Whatever they're paying, I'll double it.

-Please, please don't kill me.
-I'm not gonna kill you.

Huh?

Oh.

Oh, no, no. Please. Aah!

Oh, no!

[GRUNTING]

[SCREAMS]

[PHONE RINGING]

-Yeah?
ROSS: Mr. Steven Richard?

Who is this?

This is FBI Special Agent James Ross.

Look, I'm lead agent on a case.

It's a serial we call the Tag Killer.
You might have heard of him.

I've seen the publicity.

He marks his victims with a flower.
It's from Colombia.

The cattleya orchid.

Each time I try to access information,

I get stuck with a CIA "access denied" tag.

I'm at the end of a long road, Mr. Richard.

I've been led to believe that you are the man--

Listen, Agent Ross.

I can't give any information out over the phone.

But what I suggest is you file a formal request
with the agency

for any information you might want.

I'll be more than happy to get back to you
as soon as I can.

[LINE BEEPING]

Thank you.

[CELL PHONE RINGS]

MARCO: Hello.
-Stop bullshitting me, Marco.

I got the FBI on my ass now.

I want that problem taken care of yesterday.
Do you hear me?

-Loud and clear.
-Good.

WOMAN [OVER PA]:
Keep your baggage with you at all times.

[♪♪♪]

Where to?

Downtown. And we question
every Colombian we meet

until we find an address to get her family, okay?

[♪♪♪]

DANNY: Jen, in case you show up,
I wanted to let you know

that I went to New York to meet with galleries.

I'll be back tomorrow night,

but if you're already here,
make yourself at home.

ROSS:
What do we got?

WILLIAMS: We do have the surveillance tapes
from a few angles.

[SCOFFS]

-That's it?
-That's it.

-It's not a lot to go on.
-Come on.

Run it through the database,
see what happens.

[♪♪♪]

[KEY CLICKS]

We're not looking for a woman.
It's not possible.

[♪♪♪]

[DOOR OPENS]

Wow.

-Wine?
-Thank you.

-Come.
-I'm impressed.

I got you something.

-You did?
-Yeah.

[CHUCKLES]

-A stuffed alligator?
-Yeah.

Exactly what I've always wanted.

Hey, wait. Wait, wait.

Let's just, uh...

Let's just sit, have a little of this food,
and talk for a bit first.

[BOTH LAUGH]

What do you wanna talk about?

I don't know. Anything. Ask me something.

How was your trip?

It was great. The gallery liked my new paintings.
They're gonna put up a show in October.

-And that's a good thing, right?
-Yeah.

My turn.

How was your trip?

-Hot.
-Did you do anything exciting?

I went swimming.

Anything else?

[♪♪♪]

Come on, talk to me.

-What do you wanna know?
-Anything.

Something about you.

Something.

Where are you from?

Are your parents from here in the city?

Okay. Let's start with something
a little more simple.

What do you like to eat for breakfast?

I don't eat breakfast.

I'm not gonna hurt you.

I just wanna know a little bit about you.

About what you feel inside,
what you feel about me, anything.

Just a little.

I feel lonely sometimes.

Thank you.

Me too.

Let me this time.

[♪♪♪]

[CAMERA CLICKS]

DANNY:
Morning.

You say you don't eat breakfast,
so I thought I'd make lunch.

Oh, my God. Oh, shit.

Wait. Where are you going?

-I shouldn't have done this.
-Shouldn't have done what?

-Any of it!
-I don't understand. Why?

-What are you talking about? Why?
-Because.

Can you just hold on? Can we just talk about this?

No, no, Danny. We've talked too much.

Jennifer, just stay for a minute.

I'm sorry, I have to go.

Jennifer!

[DOOR SLAMS]

[♪♪♪]

I'm sorry I'm late.

[SPEAKS IN SPANISH]

EMILIO:
Eight people slaughtered in Miami.

One of them is my friend.

So what?

You know exactly what.

He's getting too close.

Tío, please, again with that?

They're looking for you,
so don't play with me.

You're bringing them to you.

I know how your twisted little mind works.

Think this is a game?
I'm a fucking joke to you?

Hmm?

You scare me, Cataleya.

I don't want to deal with your shit anymore.

I don't want to give you work
or anything anymore.

You are retired.

You can't do that.

[SHOUTS IN SPANISH]

How many people did you kill
when your boy died?

[SPEAKS IN SPANISH]

What you know about my son?

You don't know fucking nothing about my son.

[SPEAKS IN SPANISH]

But it changed nothing.

When I lose my son, I lose my life.

Everything that's important to me is gone.

But I want to believe in you, Cataleya.

Why?

I still pray that you find a life away from this,

because no one in our entire family
has a chance for one.

[EMILIO SIGHS]

Listen. Never come to the house,
never come to the church.

Don't bother.

I don't wanna wait for your phone call no more.

I don't want you to break my mother's heart.

Maybe this

will help you to understand
what I try to tell you.

[♪♪♪]

[SPEAKS IN SPANISH]

[SOBBING]

[THUNDER RUMBLING]

Five-six, brown eyes-- Well, hazel, actually.

Dark hair, thick. Shiny.

Incredible body, killer smile.

I think about her all day long.

Dude, you're in love.

[SCOFFS]

You're so smart.

Seriously, and I mean this
from the bottom of my heart,

you're nuts.

I haven't had anyone important
in my life for 10 years.

I finally meet someone that I really like,

that I wanna be with all the time.

I've got nothing.
I've got a stuffed animal and a picture.

You got a picture? Give it up.

It's not even a whole picture.

I took it of her while she was sleeping, so...

-Oh, my God.
-Jesus, relax.

When do I meet the future Mrs. Delanay?

You? Never.

-Oh, shit.
-Ha, ha.

DANNY: Excuse me. Excuse me.
Why are you writing me a ticket?

[PHONE RINGS]

-Third Precinct.
RYAN: Hey, Shari.

Uh, you got that picture?

SHARI:
Hello, skinny face lying on my computer.

Ooh. She's beautiful. Clearly out of your league.

It's not for me. It's for Danny.
Remember the painter?

Oh, yeah, yeah, yeah. Much better match.

-It's a perfect match. How long's this gonna take?
-Slow your roll.

You're my brother-in-law, not my boss.
And I'm not supposed to be doing this.

Shari, Shari,
you are gonna be the fairy godmother

in the most beautiful love story ever.

Okay? Think about it.

You get the honor of saying
you were the one who made this all happen.

And I get to lose my job if I get caught.

[♪♪♪]

It's done. I'll call when I got something.

Thank you, baby.

[KISSES]

He'll thank me later.

[♪♪♪]

[COMPUTER BEEPING]

I want a trace put on an incoming transmission.

Chicago, Third Precinct.
Get somebody down there now.

[♪♪♪]

[MURMURING INDISTINCTLY]

That was such a nice surprise.

Everyone grows up sometime.

She's gonna be okay.

Yes, Mama. I think so.

[♪♪♪]

-Um, excuse me.
AGENT: Come with me, please.

That's my computer.

-Why are you on my computer?
AGENT: You have the right to remain silent.

You better not mess up my favorites.

We need a common base, so let's try size.

Good. Now let's see hands.

Looking good. And now...

Hmm. Nice nose.

Congratulations. You have a girl.

Print it. Get it out to all stations.

And get the mobile unit ready.

Yes, sir.

[♪♪♪]

[BUZZES]

DANNY: Hello?
-It's me.

-Jen?
-Are you busy?

DANNY:
No. No, I'm not.

TECH:
Danny Delanay.

Localization in progress.

I was just looking out the window
and thinking...

-Where are you?
-I'm-- I'm at home.

I was looking out the window too.

-We're looking at the same sky now, huh?
-Almost there.

You have a sexy voice on the phone.

DANNY:
Yeah, you do too.

TECH:
Progress. We've got it. There it is.

Okay, we got it. Give SWAT the location.

Let's go!

-Ha.
DANNY: I'm really glad you called me.

Me too.

I was just looking at a picture of you,
thinking of you, when the phone rang.

What picture?

I took a picture of you sleeping with my phone.

It's really bad, but I just wanted to have
something to remind me of you.

Did you show it to anybody?

No. Well, actually, my friend Ryan.

CATALEYA: Who else saw the picture?
-Nobody. Why?

Danny, who else?

I didn't show it to anybody. What's the big deal?

[♪♪♪]

DANNY:
I just took a picture with my phone. I'm sorry.

I'm sorry too. Oh, fuck.

See what we got.

Special Agent Williams, FBI.

OFFICER:
It's clear.

[♪♪♪]

CATALEYA:
Shh.

[ON TV] I mean, I really think, like,
he was publicly humiliated...

Everything's under control.

I just need you to come with us.
We're evacuating the building.

MAN [OVER RADIO]:
Copy. Ten-four.

Charges.

Blow it.

[♪♪♪]

[COUGHS]

No, she's not here.
Lock down this building ASAP.

-Anything?
-No, nothing.

No, wait. One security camera down.

-A second down.
-Where?

-The garage!
-All units, get to the garage.

-Let's go. Let's go.
-Cover all the damn exits.

[DOOR OPENS]

[GRUNTS]

ROSS:
She's here!

Look everywhere!

Under every car. Look in every boot.

She's here. Find her!

Anything? Come on. Check that boot. In here.

Tío? Mama?

[GASPING]

Oh, my...

[♪♪♪]

Mama!

[SOBBING]

Emilio! Emilio!

[CATALEYA MOANS]

[SOBBING]

I'm sorry.

[SCREAMS]

Thank you.

[♪♪♪]

[GUN COCKS]

This won't take long. Please, sit.

You think you've been smart.

Have you covered all your bases?

Because this? This is already over.

This whole place is wired with webcams.

You mean these?

Talk about covering all my bases.

Your chair is pressure-wired.

You move a single inch,
it'll be the last move you ever make.

And given what you know about me,

you know I don't bluff.

[BEEPING]

I don't know about you.

So I'm just gonna ask.

What happened to you
that you could kill 23 people?

Would you believe me if I told you
this wasn't the life I had imagined

when I was a child?

I wanted to be like you, on the other side.

Really?

So, what happened?

[♪♪♪]

CATALEYA:
Luis Sandoval.

I was 9 when he had my parents killed

in front of me.

So all this...

the tag-killing, the clues...

weren't for us at all.

It was all for him?

It was the only way to track him down.

And you needed us to put it all in the press?

Yes, but it took you so fucking long.

Goddamn. You've had to be really determined.

Very focused, huh?

Not focused enough.

This morning he took the last piece of me.

You sent the man a message,
he sent you one right back.

And now I'm gonna finish it.

Oh, I can't help you.

Yes, you can.
He's protected by your government.

By a part of my government
that I cannot reach.

It's CIA, and I don't know why,
but I can't get under it,

I can't get over it,
and you have to believe me, I have tried.

Try harder, Agent Ross.

You have a beautiful family.

You go anywhere near my family,
and I swear to God, I will--

Shh.

Now you know what you have to do.

Get me Luis Sandoval.

Because if you don't,

you're gonna go to a funeral every week,

and I will not stop until you begin to feel
what I felt all these years.

I'm sorry.

Cataleya.

When your dinner's ready,

the timer in your chair will have expired.

Don't get up before.

[MICROWAVE WHIRRING]

Hey.

[BEEPING]

[MICROWAVE DINGS]

[♪♪♪]

[TIMER BEEPS]

RICHARD: You do understand
that I only took this meeting

out of professional courtesy.

Now, the truth is, I really can't help you at all.

-Can't or won't?
-It's the same thing, really.

But in the, uh, spirit of reaching out...

let me put my cards on the table.

-Yeah?
-I have met this woman, this Tag Killer.

-It's a woman?
-Yeah.

Is she pretty?

She got the drop on me in my home,

and she told me that if I do not bring her
the whereabouts of this man,

she's gonna kill a member of my family
every week until I have none left.

Are you kidding me?

Does it seem to you
that I would make something like this up?

So why don't you just tell me
what I should do?

Call 911.

Now, if you'll excuse me, I have a meeting.

It starts now.

[CELL PHONE RINGING]

Ross.

It's her.

She says if you don't give her what she wants,
she's gonna redecorate your whole office.

With you.

Can you tell her that glass is tempered
to resist a direct hit by a 57 mm ordnance?

[♪♪♪]

[GASPS]

Ten seconds to give up that address.

How can I be sure if I give her the address
she won't kill me anyway?

She says you can't. But you can trust me.

If you don't give her what she wants,
you will be her 24th victim.

867 Magnolia Terrace, New Orleans.

She asked that you keep this conversation
strictly confidential.

With pleasure.

What about my family?

[LINE BEEPING]

[DOOR CLOSES]

[♪♪♪]

[WHINING]

[BARKING]

-Good morning.
-Who are you?

That's not important.

What's important is, I need the floor plans

to 867 Magnolia Terrace.

If you don't leave my office immediately,
I will call the police.

I really need those floor plans.

MARCO:
You will take positions here, here and here.

You must expect the unexpected.

She's like mist under a door,
like a mouse in the wall.

She will never attack straight on,

and you will not see her until it's too late.

She's that invisible.

[WHIRRING IN DISTANCE]

Shit! Marco!

[MEN COUGHING AND GRUNTING]

[♪♪♪]

Don Luis.

Don Luis, are you okay?

Get the Mercedes!

LUIS: What happened?
-We need to get out.

-Leave me alone!
MAN 1: Come on!

MAN 2:
Come on, come on!

MAN 3:
Everyone in!

[♪♪♪]

We have to move.

MAN 4: Quick! Let's go!
-Hurry up.

Come on.

You hide here.

-Wait for my call.
LUIS: Okay.

MARCO:
Come on! Find her!

And look everywhere!

[GUNFIRE]

[COUGHS]

[KEYPAD BEEPING]

[CELL PHONE RINGS]

-Hello.
LUIS: Did you catch her?

We're checking it.

[GUNFIRE]

I think we got her.

[SIGHS]

[GUNFIRE & MEN SCREAMING]

Marco! Marco!

[YELLING]

[GUN COCKS]

Marco!

What the hell is going on?

-I will hold here.
-Marco!

[GUNSHOTS]

[DOOR CREAKS]

You've been waiting for this moment
for a very long time, right?

Yes.

[MARCO YELLS]

[SCREAMS]

[♪♪♪]

[ENGINE STARTS]

[SHOUTS IN SPANISH]

[RINGING]

Marco?

CATALEYA [ON SPEAKERPHONE]:
No.

It's Cataleya.

What were you expecting?

You have ruined your whole life trying to kill me.

Someone like me? I cannot be killed.
I do the killing.

And now it's your turn to be hunted.

You will never find me.

But as day follows night, believe me,

I'll find you, and I will kill you!
And you know why?

Because I will never be
where you want me to be.

Actually...

you're exactly where I want you to be.

Huh?

[DOGS WHINING]

[BARKS]

-Aah!
-Eat.

[LUIS SCREAMING & DOGS SNARLING]

[♪♪♪]

ROSS:
You should think very carefully.

-Is there anything else?
-I've already told you everything.

She'd come by for a couple of hours,
then she'd leave.

It's late. I'm really tired.
If you are not gonna arrest me...

We don't actually have anything
to charge you with.

-So can I leave?
-No.

I got a few more questions.

Can I at least get a cup of coffee?

Yeah.

Cream and sugar?

Yes, please.

[♪♪♪]

[CELL PHONE BUZZING]

-Hello?
-Hello?

Jen. Thank God. Look, I had no idea.

I'm so sorry. Are you okay?

I'm fine.

-Where are you?
-FBI.

-Danny, you know that they--
-Yeah.

How much time do we have?

Forty seconds.

Gives us time for three questions.

What's your real name?

Cataleya.

Like the flower?

Yes. Like the flower.

Twenty-two seconds.

Will my little bird come back one day?

Leave your window open and you'll see.

WILLIAMS: Hey, Ross!
-Yeah?

We're picking something up off that guy's phone.

Last question.

I love you.

Give me that phone. Give it.

Hello?

Hello?

[♪♪♪]

You can go.

[JOHNNY CASH'S "HURT" PLAYING]

♪ I hurt myself today ♪

♪ To see if I still feel ♪

♪ I focus on the pain ♪

♪ The only thing that's real ♪

♪ The needle tears a hole ♪

♪ The old familiar sting ♪

♪ Try to kill it all away ♪

♪ But I remember everything ♪

♪ What have I become ♪

♪ My sweetest friend? ♪

♪ Everyone I know ♪

♪ Goes away in the end ♪

♪ And you could have it all ♪

♪ My empire of dirt ♪

♪ I will let you down ♪

♪ I will make you hurt ♪

♪ I wear this crown of thorns ♪

♪ Upon my liar's chair ♪

♪ Full of broken thoughts ♪

♪ I cannot repair ♪

♪ Beneath the stains of time ♪

♪ The feelings disappear ♪

♪ You are someone else ♪

♪ I am still right here ♪

♪ What have I become ♪

♪ My sweetest friend? ♪

♪ Everyone I know ♪

♪ Goes away in the end ♪

♪ And you could have it all ♪

♪ My empire of dirt ♪

♪ I will let you down ♪

♪ I will make you hurt ♪

♪ If I could start again ♪

♪ A million miles away ♪

♪ I would keep myself ♪

♪ I would find a way ♪♪

[♪♪♪]