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These are the user uploaded subtitles that are being translated: 1 00:00:04,437 --> 00:00:07,973 >>> IT'S AMAZING THAT THERE WAS A TIME WHEN WHAT YOU SAID COULD 2 00:00:07,975 --> 00:00:10,209 A TIME WHEN WHAT YOU SAID COULD GET YOU LOCKED UP IN PRISON. 3 00:00:10,211 --> 00:00:13,545 GET YOU LOCKED UP IN PRISON. >> I HAD A REPUTATION FOR BEING 4 00:00:13,547 --> 00:00:14,913 >> I HAD A REPUTATION FOR BEING IRREV RANT. 5 00:00:14,915 --> 00:00:16,382 IRREV RANT. >> SUBJECT MATTER IS ANOTHER 6 00:00:16,384 --> 00:00:16,615 >> SUBJECT MATTER IS ANOTHER STORY. 7 00:00:16,617 --> 00:00:18,450 STORY. >> THIS IS GOING TO BE A GOOD 8 00:00:18,452 --> 00:00:18,717 >> THIS IS GOING TO BE A GOOD SHOW. 9 00:00:18,719 --> 00:00:20,519 SHOW. >> ANY SUBJECTS THAT ARE NEVER 10 00:00:20,521 --> 00:00:21,954 >> ANY SUBJECTS THAT ARE NEVER APPROPRIATE FOR HUMANS? 11 00:00:21,956 --> 00:00:24,256 APPROPRIATE FOR HUMANS? >> PEOPLE SAY A GOOD COMEDIAN 12 00:00:24,258 --> 00:00:25,824 >> PEOPLE SAY A GOOD COMEDIAN DOESN'T HAVE TO CUT. 13 00:00:25,826 --> 00:00:28,894 DOESN'T HAVE TO CUT. I THOUGHT THAT'S RUBBISH. 14 00:00:28,896 --> 00:00:31,363 I THOUGHT THAT'S RUBBISH. >> WHY IS ALL THAT SO FUNNY? 15 00:00:31,365 --> 00:00:33,599 >> WHY IS ALL THAT SO FUNNY? >> WHAT YOU ARE ABOUT TO HEAR IS 16 00:00:33,601 --> 00:00:34,867 >> WHAT YOU ARE ABOUT TO HEAR IS SHOCKING AND DISGUSTING. 17 00:00:34,869 --> 00:00:36,668 SHOCKING AND DISGUSTING. >> YOU HAVE TO DO IT RIGHT. 18 00:00:36,670 --> 00:00:37,870 >> YOU HAVE TO DO IT RIGHT. THERE IS NOTHING WORSE THAN 19 00:00:37,872 --> 00:00:38,437 THERE IS NOTHING WORSE THAN THAT. 20 00:00:38,439 --> 00:00:40,305 THAT. >> YOU MUST PROMISE ME 21 00:00:40,307 --> 00:00:40,572 >> YOU MUST PROMISE ME SOMETHING. 22 00:00:40,574 --> 00:00:45,644 SOMETHING. YOU WON'T GET ME IN ANY TROUBLE 23 00:00:45,646 --> 00:01:16,442 YOU WON'T GET ME IN ANY TROUBLE ON THE SHOW TONIGHT. 24 00:01:16,444 --> 00:01:23,148 ON THE SHOW TONIGHT. >> JUST SO YOU KNOW, I WILL. 25 00:01:23,150 --> 00:01:25,350 >> JUST SO YOU KNOW, I WILL. DON'T [ BLEEP ] IGNORE ME. 26 00:01:25,352 --> 00:01:30,122 DON'T [ BLEEP ] IGNORE ME. >> USING THAT WORD IS ALLOWING A 27 00:01:30,124 --> 00:01:32,324 >> USING THAT WORD IS ALLOWING A GUITARIST TO USE THE CORD E. 28 00:01:32,326 --> 00:01:34,460 GUITARIST TO USE THE CORD E. WHY THE [ BLEEP ] WOULD YOU 29 00:01:34,462 --> 00:01:34,960 WHY THE [ BLEEP ] WOULD YOU BOTHER. 30 00:01:34,962 --> 00:01:36,929 BOTHER. >> DON'T WAVE YOUR FINGER AT ME. 31 00:01:36,931 --> 00:01:39,398 >> DON'T WAVE YOUR FINGER AT ME. YOU KNEW WHEN YOU GOT HERE THERE 32 00:01:39,400 --> 00:01:39,898 YOU KNEW WHEN YOU GOT HERE THERE WOULD BE CUSSING. 33 00:01:39,900 --> 00:01:42,000 WOULD BE CUSSING. >> THE LAST THING THEY NEED IS 34 00:01:42,002 --> 00:01:43,502 >> THE LAST THING THEY NEED IS TO BE POLITE. 35 00:01:43,504 --> 00:01:46,472 TO BE POLITE. THE WORLD WAS NEVER CHANGED BY 36 00:01:46,474 --> 00:01:47,840 THE WORLD WAS NEVER CHANGED BY ANYONE BEING WELL MANNERED OR 37 00:01:47,842 --> 00:01:48,373 ANYONE BEING WELL MANNERED OR QUIET. 38 00:01:48,375 --> 00:01:50,542 QUIET. >> THERE IS AN EXHILARATION IN 39 00:01:50,544 --> 00:01:53,879 >> THERE IS AN EXHILARATION IN PUSHING THE BOUNDARIES. 40 00:01:53,881 --> 00:01:54,680 PUSHING THE BOUNDARIES. >> I HAD THE MEMORY OF BEING 41 00:01:54,682 --> 00:01:57,116 >> I HAD THE MEMORY OF BEING LIKE THREE AND I WOULD SHOWER 42 00:01:57,118 --> 00:02:00,285 LIKE THREE AND I WOULD SHOWER WITH MY MOTHER. 43 00:02:00,287 --> 00:02:03,689 WITH MY MOTHER. MY MOM GOT HER WATER FROM THE 44 00:02:03,691 --> 00:02:11,263 MY MOM GOT HER WATER FROM THE SHOWER HEAD AND THE WATER WOULD 45 00:02:11,265 --> 00:02:11,663 SHOWER HEAD AND THE WATER WOULD CA 46 00:02:11,665 --> 00:02:18,804 CA CAUSE KAD DOWN HER 70s JEW BUSH. 47 00:02:18,806 --> 00:02:21,273 CAUSE KAD DOWN HER 70s JEW BUSH. I WAS RAISED BY PARENTS WHO 48 00:02:21,275 --> 00:02:24,743 I WAS RAISED BY PARENTS WHO SPOKE EXPLICITLY. 49 00:02:24,745 --> 00:02:25,644 SPOKE EXPLICITLY. THERE IS SOMETHING ABOUT GROWING 50 00:02:25,646 --> 00:02:27,246 THERE IS SOMETHING ABOUT GROWING UP NOT KNOWING THAT TALKING 51 00:02:27,248 --> 00:02:31,650 UP NOT KNOWING THAT TALKING ABOUT YOUR VAGINA OR PENISES WAS 52 00:02:31,652 --> 00:02:32,050 ABOUT YOUR VAGINA OR PENISES WAS TABOO. 53 00:02:32,052 --> 00:02:37,222 TABOO. >> NOW IF YOU HAVEN'T DONE IT 54 00:02:37,224 --> 00:02:40,726 >> NOW IF YOU HAVEN'T DONE IT BEFORE, LATDIES, GIVE YOUR MAN 55 00:02:40,728 --> 00:02:43,428 BEFORE, LATDIES, GIVE YOUR MAN LITTLE PUSH PUSH IN THE TUSH 56 00:02:43,430 --> 00:02:43,629 LITTLE PUSH PUSH IN THE TUSH TUSH. 57 00:02:43,631 --> 00:02:44,830 TUSH. GIVE HIM A LITTLE ATARI. 58 00:02:44,832 --> 00:02:46,798 GIVE HIM A LITTLE ATARI. MY WHOLE CAREER. 59 00:02:46,800 --> 00:02:48,100 MY WHOLE CAREER. I HAVE BEEN TOLD TO BE LESS 60 00:02:48,102 --> 00:02:49,735 I HAVE BEEN TOLD TO BE LESS DIRTY AND I WOULD GET MORE WORK 61 00:02:49,737 --> 00:02:52,204 DIRTY AND I WOULD GET MORE WORK IF I TONED IT DOWN A LITTLE BIT. 62 00:02:52,206 --> 00:02:55,841 IF I TONED IT DOWN A LITTLE BIT. IT'S CRAZE TOW ME THAT A HIGH 63 00:02:55,843 --> 00:02:58,177 IT'S CRAZE TOW ME THAT A HIGH BROW PUBLICATION LIKE THE NEW 64 00:02:58,179 --> 00:02:59,478 BROW PUBLICATION LIKE THE NEW YORKER WOULD BE INTERESTED IN 65 00:02:59,480 --> 00:03:05,050 YORKER WOULD BE INTERESTED IN INTERVIEWING ME ABOUT WHY I FIND 66 00:03:05,052 --> 00:03:09,955 INTERVIEWING ME ABOUT WHY I FIND IT FUNNY TO BUTT FINGER A MAN. 67 00:03:09,957 --> 00:03:14,159 IT FUNNY TO BUTT FINGER A MAN. >> NO SUBJECT IS OFF LIMITS. 68 00:03:14,161 --> 00:03:17,696 >> NO SUBJECT IS OFF LIMITS. TOTAL STRANGER TOLD ME TO SUCK A 69 00:03:17,698 --> 00:03:18,964 TOTAL STRANGER TOLD ME TO SUCK A BAG OF [ BLEEP ]. 70 00:03:18,966 --> 00:03:23,735 BAG OF [ BLEEP ]. A BAG OF THEM. 71 00:03:23,737 --> 00:03:25,771 A BAG OF THEM. >> WHAT WE CONSIDER OFFENSIVELY 72 00:03:25,773 --> 00:03:32,144 >> WHAT WE CONSIDER OFFENSIVELY BLUE EVOLVES WITH EVERY 73 00:03:32,146 --> 00:03:32,444 BLUE EVOLVES WITH EVERY GENERATION. 74 00:03:32,446 --> 00:03:35,981 GENERATION. >> FOR THE FIRST TIME, COMEDY 75 00:03:35,983 --> 00:03:38,817 >> FOR THE FIRST TIME, COMEDY BECOMES AN INDUSTRY. 76 00:03:38,819 --> 00:03:42,588 BECOMES AN INDUSTRY. >> OUR FATHER DIED OF THROAT 77 00:03:42,590 --> 00:03:42,821 >> OUR FATHER DIED OF THROAT TROUBLE. 78 00:03:42,823 --> 00:03:44,156 TROUBLE. THEY HUNG HIM. 79 00:03:44,158 --> 00:03:46,458 THEY HUNG HIM. >> THAT'S CREATED COMMERCIAL LOW 80 00:03:46,460 --> 00:03:50,062 >> THAT'S CREATED COMMERCIAL LOW TO CLEAN UP HUMOR. 81 00:03:50,064 --> 00:03:52,064 TO CLEAN UP HUMOR. THERE IS NO CURSING AND 82 00:03:52,066 --> 00:03:52,397 THERE IS NO CURSING AND BLASPHEMY. 83 00:03:52,399 --> 00:03:54,032 BLASPHEMY. THEY WANT MEN, WOMEN, AND 84 00:03:54,034 --> 00:03:54,967 THEY WANT MEN, WOMEN, AND CHILDREN TO COME THERE. 85 00:03:54,969 --> 00:04:03,642 CHILDREN TO COME THERE. THEY WANT A BIGGER AUDIENCE. 86 00:04:03,644 --> 00:04:05,744 THEY WANT A BIGGER AUDIENCE. >> A VAUDEVILLIAN DID SOMETHING 87 00:04:05,746 --> 00:04:07,346 >> A VAUDEVILLIAN DID SOMETHING ON STAGE THAT WAS OBJECTIONABLE, 88 00:04:07,348 --> 00:04:09,214 ON STAGE THAT WAS OBJECTIONABLE, THEY WOULD SEND A BLUE ENVELOPE 89 00:04:09,216 --> 00:04:11,250 THEY WOULD SEND A BLUE ENVELOPE BACK STAGE WITH THE MATERIAL 90 00:04:11,252 --> 00:04:13,752 BACK STAGE WITH THE MATERIAL THEY WANTED TO EXCISE FROM THEIR 91 00:04:13,754 --> 00:04:14,119 THEY WANTED TO EXCISE FROM THEIR ACT. 92 00:04:14,121 --> 00:04:15,921 ACT. THAT BECAME THE WHOLE IDEA OF 93 00:04:15,923 --> 00:04:16,822 THAT BECAME THE WHOLE IDEA OF THAT PHRASE. 94 00:04:16,824 --> 00:04:17,723 THAT PHRASE. BLUE MATERIAL. 95 00:04:17,725 --> 00:04:19,324 BLUE MATERIAL. >> SAY GOOD NIGHT. 96 00:04:19,326 --> 00:04:20,959 >> SAY GOOD NIGHT. >> GOOD NIGHT. 97 00:04:20,961 --> 00:04:22,861 >> GOOD NIGHT. >> HUH VAUDEVILLE COMEDY THAT 98 00:04:22,863 --> 00:04:26,598 >> HUH VAUDEVILLE COMEDY THAT WAS ACCESSIBLE TO ALL. 99 00:04:26,600 --> 00:04:28,367 WAS ACCESSIBLE TO ALL. AT THE SAME TIME YOU HAD ANOTHER 100 00:04:28,369 --> 00:04:35,040 AT THE SAME TIME YOU HAD ANOTHER STYLE OF COMEDY THAT WAS 101 00:04:35,042 --> 00:04:37,542 STYLE OF COMEDY THAT WAS DIFFERENT. 102 00:04:37,544 --> 00:04:39,978 DIFFERENT. BURLESQUE ROCKED AND THEY HAD 103 00:04:39,980 --> 00:04:45,550 BURLESQUE ROCKED AND THEY HAD THE DEFERRAL STYLES AND PEOPLE 104 00:04:45,552 --> 00:04:46,752 THE DEFERRAL STYLES AND PEOPLE PERFORMING WITHIN THEM. 105 00:04:46,754 --> 00:04:50,922 PERFORMING WITHIN THEM. NOW WE ARE GETTING TO THE POINT. 106 00:04:50,924 --> 00:04:55,794 NOW WE ARE GETTING TO THE POINT. >> BECAUSE BURLESQUE'S PRIMARY 107 00:04:55,796 --> 00:05:02,634 >> BECAUSE BURLESQUE'S PRIMARY ATTRACTION WAS SCANTILY CLAD 108 00:05:02,636 --> 00:05:06,838 ATTRACTION WAS SCANTILY CLAD LADIES, THEY WOULD DO A DIRTYISH 109 00:05:06,840 --> 00:05:07,673 LADIES, THEY WOULD DO A DIRTYISH COMEDY. 110 00:05:07,675 --> 00:05:09,308 COMEDY. >> I'M A MAGICIAN. 111 00:05:09,310 --> 00:05:11,310 >> I'M A MAGICIAN. SHE DOES ONE TRICK THAT IS 112 00:05:11,312 --> 00:05:12,511 SHE DOES ONE TRICK THAT IS AMAZING AND MYSTIFYING. 113 00:05:12,513 --> 00:05:15,047 AMAZING AND MYSTIFYING. SHE TAKES A RUBBER BALL AND 114 00:05:15,049 --> 00:05:16,715 SHE TAKES A RUBBER BALL AND BOUNCES IT UP AND DOWN. 115 00:05:16,717 --> 00:05:18,383 BOUNCES IT UP AND DOWN. AND SHE STANDS WITH HER LEGS 116 00:05:18,385 --> 00:05:19,551 AND SHE STANDS WITH HER LEGS LIKE THIS. 117 00:05:19,553 --> 00:05:25,223 LIKE THIS. THE BALL BOUNCES UP AND DOWN AND 118 00:05:25,225 --> 00:05:27,993 THE BALL BOUNCES UP AND DOWN AND DISAPPEARS. 119 00:05:27,995 --> 00:05:31,363 DISAPPEARS. >> WHAT ARE YOU BRAGGING ABOUT. 120 00:05:31,365 --> 00:05:33,098 >> WHAT ARE YOU BRAGGING ABOUT. MY WIFE DOES THE SAME THING WITH 121 00:05:33,100 --> 00:05:33,699 MY WIFE DOES THE SAME THING WITH A BASKETBALL. 122 00:05:33,701 --> 00:05:35,000 A BASKETBALL. SHE DOES IT THE HARD WAY. 123 00:05:35,002 --> 00:05:36,768 SHE DOES IT THE HARD WAY. SHE IS NOT ME. 124 00:05:36,770 --> 00:05:39,838 SHE IS NOT ME. >> VAUDEVILLE IS CLEAN. 125 00:05:39,840 --> 00:05:41,273 >> VAUDEVILLE IS CLEAN. BURLESQUE IS DIRTY. 126 00:05:41,275 --> 00:05:42,507 BURLESQUE IS DIRTY. THAT AUDIENCE IS ALL MALE. 127 00:05:42,509 --> 00:05:46,178 THAT AUDIENCE IS ALL MALE. YOU ARE NOT GOING TO SEE THE 128 00:05:46,180 --> 00:05:46,478 YOU ARE NOT GOING TO SEE THE COMIC. 129 00:05:46,480 --> 00:05:46,678 COMIC. OKAY? 130 00:05:46,680 --> 00:05:54,953 OKAY? YOU ARE GOING TO SEE THE BOOBS. 131 00:05:54,955 --> 00:05:57,089 YOU ARE GOING TO SEE THE BOOBS. >> THE DEAN MARTIN CELEBRITY 132 00:05:57,091 --> 00:06:01,126 >> THE DEAN MARTIN CELEBRITY ROAST COMING TO YOU FROM THE MGM 133 00:06:01,128 --> 00:06:01,760 ROAST COMING TO YOU FROM THE MGM GRAND HOTEL. 134 00:06:01,762 --> 00:06:03,962 GRAND HOTEL. >> I WOULD LIKE YOU TO KNOW THAT 135 00:06:03,964 --> 00:06:08,767 >> I WOULD LIKE YOU TO KNOW THAT I CANCELED A PROCTOLOGIST 136 00:06:08,769 --> 00:06:12,671 I CANCELED A PROCTOLOGIST APPOINTMENT TO BE HERE TONIGHT. 137 00:06:12,673 --> 00:06:16,541 APPOINTMENT TO BE HERE TONIGHT. AND I THINK I MADE A MISTAKE. 138 00:06:16,543 --> 00:06:20,245 AND I THINK I MADE A MISTAKE. >> SO IN THE LATE 60s AND 1970s, 139 00:06:20,247 --> 00:06:22,514 >> SO IN THE LATE 60s AND 1970s, THEY WOULD TELEVISE THE ROASTS, 140 00:06:22,516 --> 00:06:25,150 THEY WOULD TELEVISE THE ROASTS, BUT THEY WERE SANITIZED VERSIONS 141 00:06:25,152 --> 00:06:27,719 BUT THEY WERE SANITIZED VERSIONS OF WHAT YOU WOULD SEE AT THE 142 00:06:27,721 --> 00:06:28,019 OF WHAT YOU WOULD SEE AT THE CLUB. 143 00:06:28,021 --> 00:06:30,055 CLUB. >> THERE IS A LOT OF REASON YES 144 00:06:30,057 --> 00:06:31,857 >> THERE IS A LOT OF REASON YES WE SHOULD HONOR THIS MAN. 145 00:06:31,859 --> 00:06:36,261 WE SHOULD HONOR THIS MAN. HE'S ITALIAN AND I LOVE THE 146 00:06:36,263 --> 00:06:36,995 HE'S ITALIAN AND I LOVE THE ITALIAN PEOPLE. 147 00:06:36,997 --> 00:06:41,433 ITALIAN PEOPLE. IT WAS IN BROOKLYN ON A SATURDAY 148 00:06:41,435 --> 00:06:42,601 IT WAS IN BROOKLYN ON A SATURDAY NIGHT. 149 00:06:42,603 --> 00:06:44,836 NIGHT. >> THE TELEVISED ROASTS WERE 150 00:06:44,838 --> 00:06:49,341 >> THE TELEVISED ROASTS WERE ALWAYS SO FUNNY AND IT WAS FUN 151 00:06:49,343 --> 00:06:58,550 ALWAYS SO FUNNY AND IT WAS FUN TO SEE. 152 00:06:58,552 --> 00:07:00,819 TO SEE. THE FACT THAT THEY WERE THESE 153 00:07:00,821 --> 00:07:05,757 THE FACT THAT THEY WERE THESE HUGE STARS, THE PUBLIC CAN ONLY 154 00:07:05,759 --> 00:07:07,426 HUGE STARS, THE PUBLIC CAN ONLY HEAR IT ON TV OR THE RADIO. 155 00:07:07,428 --> 00:07:09,194 HEAR IT ON TV OR THE RADIO. YOU GOT ANOTHER SIDE OF IT. 156 00:07:09,196 --> 00:07:13,298 YOU GOT ANOTHER SIDE OF IT. >> LIKE MOST PERFORMERS, DON HAS 157 00:07:13,300 --> 00:07:15,100 >> LIKE MOST PERFORMERS, DON HAS THOUSANDS OF ACQUAINTANCES. 158 00:07:15,102 --> 00:07:16,802 THOUSANDS OF ACQUAINTANCES. PROFESSIONAL PEOPLE HE KNOWS. 159 00:07:16,804 --> 00:07:18,837 PROFESSIONAL PEOPLE HE KNOWS. HE IS ONE OF THE PEOPLE WHO HAS 160 00:07:18,839 --> 00:07:20,605 HE IS ONE OF THE PEOPLE WHO HAS CLOSE FRIENDS AND I LIKE TO FEEL 161 00:07:20,607 --> 00:07:21,540 CLOSE FRIENDS AND I LIKE TO FEEL I AM ONE. 162 00:07:21,542 --> 00:07:23,241 I AM ONE. I DON'T WANT TO SPEAK FOR ONE. 163 00:07:23,243 --> 00:07:25,143 I DON'T WANT TO SPEAK FOR ONE. I AM ONE OF HIS VERY CLOSE 164 00:07:25,145 --> 00:07:29,214 I AM ONE OF HIS VERY CLOSE FRIENDS AND I THINK THAT'S 165 00:07:29,216 --> 00:07:31,349 FRIENDS AND I THINK THAT'S IMPORTANT TO DON. 166 00:07:31,351 --> 00:07:36,121 IMPORTANT TO DON. BECAUSE QUEERS NEED FRIENDS. 167 00:07:36,123 --> 00:07:38,523 BECAUSE QUEERS NEED FRIENDS. >> THE VAUDEVILLE STYLE OF 168 00:07:38,525 --> 00:07:42,594 >> THE VAUDEVILLE STYLE OF COMEDY AND THE BURLESQUE 169 00:07:42,596 --> 00:07:43,128 COMEDY AND THE BURLESQUE TRADITION CAME TOGETHER. 170 00:07:43,130 --> 00:07:46,164 TRADITION CAME TOGETHER. >> IT'S GOOD WHEN AN ARTIST CAN 171 00:07:46,166 --> 00:07:49,100 >> IT'S GOOD WHEN AN ARTIST CAN EXPRESS THEMSELVES IN A WAY THAT 172 00:07:49,102 --> 00:07:50,869 EXPRESS THEMSELVES IN A WAY THAT MAY NOT BE ACCEPTABLE. 173 00:07:50,871 --> 00:07:52,838 MAY NOT BE ACCEPTABLE. >> OUTSIDE THAT FREE SPEECH. 174 00:07:52,840 --> 00:07:54,639 >> OUTSIDE THAT FREE SPEECH. >> THERE IS A TIME AND A PLACE. 175 00:07:54,641 --> 00:07:58,844 >> THERE IS A TIME AND A PLACE. THAT'S THE TIME AND PLACE. 176 00:07:58,846 --> 00:08:00,111 THAT'S THE TIME AND PLACE. >> IT WILL BE PROBABLY AS LONG 177 00:08:00,113 --> 00:08:24,436 >> IT WILL BE PROBABLY AS LONG AS IT TAKES TO GET 178 00:08:24,438 --> 00:08:27,539 AS IT TAKES TO GET >> I BECAME OFFENSIVE. 179 00:08:27,541 --> 00:08:29,341 >> I BECAME OFFENSIVE. >> AT THAT TIME THERE WAS ON THE 180 00:08:29,343 --> 00:08:31,243 >> AT THAT TIME THERE WAS ON THE BOOK AROUND OBSCENITY. 181 00:08:31,245 --> 00:08:32,878 BOOK AROUND OBSCENITY. YOU COULDN'T SAY [ BLEEP ]. 182 00:08:32,880 --> 00:08:34,746 YOU COULDN'T SAY [ BLEEP ]. YOU COULDN'T SAY [ BLEEP ]. 183 00:08:34,748 --> 00:08:37,482 YOU COULDN'T SAY [ BLEEP ]. YOU COULDN'T SAY [ BLEEP ]. 184 00:08:37,484 --> 00:08:38,483 YOU COULDN'T SAY [ BLEEP ]. YOU CAN IMAGINE THAT? 185 00:08:38,485 --> 00:08:44,322 YOU CAN IMAGINE THAT? >> I LIKE TO PERHAPS GIVE YOU A 186 00:08:44,324 --> 00:08:44,923 >> I LIKE TO PERHAPS GIVE YOU A FOUR-LETTER WORD THAT STARTS 187 00:08:44,925 --> 00:08:49,060 FOUR-LETTER WORD THAT STARTS WITH AN S AND ENDS WITH A T. 188 00:08:49,062 --> 00:08:50,529 WITH AN S AND ENDS WITH A T. THE FIRST TIME I'M NOT GOING TO 189 00:08:50,531 --> 00:08:52,130 THE FIRST TIME I'M NOT GOING TO LOOK AT YOU WHEN I SAY THIS. 190 00:08:52,132 --> 00:08:53,398 LOOK AT YOU WHEN I SAY THIS. YOU DON'T KNOW WHO SAID IT. 191 00:08:53,400 --> 00:08:58,236 YOU DON'T KNOW WHO SAID IT. THE BAND SAID IT. 192 00:08:58,238 --> 00:09:00,405 THE BAND SAID IT. STARTS WITH AN S AND ENDS WITH A 193 00:09:00,407 --> 00:09:02,741 STARTS WITH AN S AND ENDS WITH A T AND THE WORD IS SNOT. 194 00:09:02,743 --> 00:09:04,442 T AND THE WORD IS SNOT. >> HE SAW HIMSELF AS A SOCIAL 195 00:09:04,444 --> 00:09:06,912 >> HE SAW HIMSELF AS A SOCIAL CRITIC AND PART OF THAT WAS 196 00:09:06,914 --> 00:09:09,414 CRITIC AND PART OF THAT WAS CHALLENGING OUR LANGUAGE AND WHY 197 00:09:09,416 --> 00:09:10,815 CHALLENGING OUR LANGUAGE AND WHY CERTAIN WORDS WERE TABOO. 198 00:09:10,817 --> 00:09:13,051 CERTAIN WORDS WERE TABOO. >> THE JEW HAD NO CONCEPT THAT 199 00:09:13,053 --> 00:09:22,928 >> THE JEW HAD NO CONCEPT THAT THERE WAS A DIRTY WORD GRAPH. 200 00:09:22,930 --> 00:09:28,266 THERE WAS A DIRTY WORD GRAPH. THE RABBIS AND PRIESTS. 201 00:09:28,268 --> 00:09:30,602 THE RABBIS AND PRIESTS. ONLY ONE F-U-C-K. 202 00:09:30,604 --> 00:09:34,606 ONLY ONE F-U-C-K. >> IF YOU LISTEN TO MY FATHER'S 203 00:09:34,608 --> 00:09:35,140 >> IF YOU LISTEN TO MY FATHER'S ROU 204 00:09:35,142 --> 00:09:36,508 ROU ROUTINES, YOU CAN HEAR THE CURSE 205 00:09:36,510 --> 00:09:37,809 ROUTINES, YOU CAN HEAR THE CURSE WORDS OR BLUE MATERIAL. 206 00:09:37,811 --> 00:09:40,245 WORDS OR BLUE MATERIAL. HE DID NOT USE THEM FOR SHOCK 207 00:09:40,247 --> 00:09:40,445 HE DID NOT USE THEM FOR SHOCK VALUE. 208 00:09:40,447 --> 00:09:42,280 VALUE. THEY HAD A PURPOSE AND A REASON 209 00:09:42,282 --> 00:09:43,348 THEY HAD A PURPOSE AND A REASON AND THEY WERE LEADING TO A 210 00:09:43,350 --> 00:09:44,082 AND THEY WERE LEADING TO A POINT. 211 00:09:44,084 --> 00:09:45,884 POINT. >> THERE WAS A DIFFERENCE 212 00:09:45,886 --> 00:09:49,988 >> THERE WAS A DIFFERENCE BETWEEN A BIG PIECE OF ART WITH 213 00:09:49,990 --> 00:09:54,559 BETWEEN A BIG PIECE OF ART WITH [ BLEEP ] IN THE MIDDLE AND A 214 00:09:54,561 --> 00:10:00,999 [ BLEEP ] IN THE MIDDLE AND A BIG PETE OF [ BLEEP ] WITH ART 215 00:10:01,001 --> 00:10:02,801 BIG PETE OF [ BLEEP ] WITH ART IN THE MIDDLE. 216 00:10:02,803 --> 00:10:05,003 IN THE MIDDLE. IF HE WAS JUST PLAYING SMALL 217 00:10:05,005 --> 00:10:06,871 IF HE WAS JUST PLAYING SMALL JOINTS, NOBODY WOULD BOTHER HIM, 218 00:10:06,873 --> 00:10:08,673 JOINTS, NOBODY WOULD BOTHER HIM, BUT HIS POPULARITY STARTED TO 219 00:10:08,675 --> 00:10:08,873 BUT HIS POPULARITY STARTED TO GROW. 220 00:10:08,875 --> 00:10:10,241 GROW. SOMETHING OF A FORCE AND 221 00:10:10,243 --> 00:10:11,576 SOMETHING OF A FORCE AND SOMETHING OF AN INFLUENCE. 222 00:10:11,578 --> 00:10:12,544 SOMETHING OF AN INFLUENCE. HE STARTED TO QUESTION AUTHORITY 223 00:10:12,546 --> 00:10:17,515 HE STARTED TO QUESTION AUTHORITY AND HE STARTED TO STEP ON TOES. 224 00:10:17,517 --> 00:10:22,921 AND HE STARTED TO STEP ON TOES. >> LOOK AT THE EARTH AND THEY 225 00:10:22,923 --> 00:10:25,523 >> LOOK AT THE EARTH AND THEY SAID AT LEAST THE BOOK IS 226 00:10:25,525 --> 00:10:26,791 SAID AT LEAST THE BOOK IS BOMBING DOWN THERE. 227 00:10:26,793 --> 00:10:28,693 BOMBING DOWN THERE. SO THEY FLY TO NEW YORK AND SAY 228 00:10:28,695 --> 00:10:36,234 SO THEY FLY TO NEW YORK AND SAY WHAT'S PLAYING IN ST. PATS. 229 00:10:36,236 --> 00:10:39,938 WHAT'S PLAYING IN ST. PATS. THEY WOULD BE RELATING TO LOVE 230 00:10:39,940 --> 00:10:42,007 THEY WOULD BE RELATING TO LOVE AND CRIES WOULD BE CONFUSED. 231 00:10:42,009 --> 00:10:45,610 AND CRIES WOULD BE CONFUSED. THAT TOOK THEM TO STANNISH 232 00:10:45,612 --> 00:10:45,977 THAT TOOK THEM TO STANNISH HARLEM. 233 00:10:45,979 --> 00:10:48,313 HARLEM. THEY WONDER WHAT 40 PUERTO 234 00:10:48,315 --> 00:10:52,984 THEY WONDER WHAT 40 PUERTO RICANS ARE DOING LIVING IN ONE 235 00:10:52,986 --> 00:10:54,719 RICANS ARE DOING LIVING IN ONE ROOM. 236 00:10:54,721 --> 00:10:56,955 ROOM. >> WHAT ABOUT TRAMPLING ON OTHER 237 00:10:56,957 --> 00:10:58,423 >> WHAT ABOUT TRAMPLING ON OTHER PEOPLE'S RELIGION? 238 00:10:58,425 --> 00:11:02,594 PEOPLE'S RELIGION? >> I DISCUSS RELIGIONS AND MANY 239 00:11:02,596 --> 00:11:03,828 >> I DISCUSS RELIGIONS AND MANY POINTS OF VIEW. 240 00:11:03,830 --> 00:11:05,764 POINTS OF VIEW. I'M INTERESTED. 241 00:11:05,766 --> 00:11:07,932 I'M INTERESTED. I'M SEARCHING FOR AN ANSWER AS 242 00:11:07,934 --> 00:11:09,868 I'M SEARCHING FOR AN ANSWER AS BILLY GRAHAM IS. 243 00:11:09,870 --> 00:11:11,503 BILLY GRAHAM IS. >> AT THIS TIME PRIESTS AND 244 00:11:11,505 --> 00:11:13,605 >> AT THIS TIME PRIESTS AND PEOPLE OF THE CLOTH, YOU BOWED 245 00:11:13,607 --> 00:11:15,907 PEOPLE OF THE CLOTH, YOU BOWED TO THEM. 246 00:11:15,909 --> 00:11:16,541 TO THEM. PEOPLE GOT VERY ANGRY BECAUSE 247 00:11:16,543 --> 00:11:18,810 PEOPLE GOT VERY ANGRY BECAUSE THEY ARE TALKING ABOUT THEIR 248 00:11:18,812 --> 00:11:20,478 THEY ARE TALKING ABOUT THEIR BELIEF SYSTEM AND YOU PLAY WITH 249 00:11:20,480 --> 00:11:21,579 BELIEF SYSTEM AND YOU PLAY WITH THEIR BELIEF SYSTEM AND 250 00:11:21,581 --> 00:11:22,747 THEIR BELIEF SYSTEM AND RELIGION, YOU HAVE A PROBLEM. 251 00:11:22,749 --> 00:11:28,486 RELIGION, YOU HAVE A PROBLEM. THEY GOT THE POWERS THAT BE 252 00:11:28,488 --> 00:11:29,621 THEY GOT THE POWERS THAT BE CRAZY. 253 00:11:29,623 --> 00:11:30,422 CRAZY. SHUT HIM UP. 254 00:11:30,424 --> 00:11:32,223 SHUT HIM UP. YOU HAVE TO SILENCE HIM. 255 00:11:32,225 --> 00:11:33,892 YOU HAVE TO SILENCE HIM. >> SOMEONE SAW LENNY BRUCE AND 256 00:11:33,894 --> 00:11:35,760 >> SOMEONE SAW LENNY BRUCE AND HE WAS MAKING JOKES ABOUT THE 257 00:11:35,762 --> 00:11:37,028 HE WAS MAKING JOKES ABOUT THE POPE OR SOMETHING. 258 00:11:37,030 --> 00:11:38,930 POPE OR SOMETHING. TWO DETECTIVES WENT UP ON STAGE 259 00:11:38,932 --> 00:11:40,565 TWO DETECTIVES WENT UP ON STAGE BECAUSE OF THAT REMARK AND 260 00:11:40,567 --> 00:11:41,866 BECAUSE OF THAT REMARK AND HANDCUFFED HIM IN FRONT OF THE 261 00:11:41,868 --> 00:11:45,937 HANDCUFFED HIM IN FRONT OF THE AUDIENCE AND TOOK HIM AWAY. 262 00:11:45,939 --> 00:11:48,339 AUDIENCE AND TOOK HIM AWAY. YOU CAN'T IMAGINE THAT TODAY. 263 00:11:48,341 --> 00:11:50,241 YOU CAN'T IMAGINE THAT TODAY. >> THEY FOUND IT WAS OBSCENE 264 00:11:50,243 --> 00:11:52,410 >> THEY FOUND IT WAS OBSCENE ENOUGH TO PUT ME IN A JAIL CELL 265 00:11:52,412 --> 00:11:53,678 ENOUGH TO PUT ME IN A JAIL CELL FOR 24 HOURS. 266 00:11:53,680 --> 00:11:56,481 FOR 24 HOURS. I WISH THEY WOULD ME WHAT WORDS 267 00:11:56,483 --> 00:11:57,649 I WISH THEY WOULD ME WHAT WORDS WERE OBSCENE. 268 00:11:57,651 --> 00:12:00,318 WERE OBSCENE. >> IN COURT THE COP IS RECITING 269 00:12:00,320 --> 00:12:05,724 >> IN COURT THE COP IS RECITING WHAT HE THINKS THAT MY FATHER IS 270 00:12:05,726 --> 00:12:07,225 WHAT HE THINKS THAT MY FATHER IS TALKING ABOUT WHEN MY FATHER HAD 271 00:12:07,227 --> 00:12:10,395 TALKING ABOUT WHEN MY FATHER HAD THE MICROPHONE AND HE WAS DOING 272 00:12:10,397 --> 00:12:11,463 THE MICROPHONE AND HE WAS DOING THIS, HE WAS IMITATING A PRIEST 273 00:12:11,465 --> 00:12:13,798 THIS, HE WAS IMITATING A PRIEST DOING THE HOLY WATER IN THE 274 00:12:13,800 --> 00:12:13,998 DOING THE HOLY WATER IN THE PEWS. 275 00:12:14,000 --> 00:12:17,502 PEWS. THE COPS WROTE IT DOWN THAT IT 276 00:12:17,504 --> 00:12:21,372 THE COPS WROTE IT DOWN THAT IT LOOKED LIKE HE WAS PRETENDING 277 00:12:21,374 --> 00:12:21,740 LOOKED LIKE HE WAS PRETENDING MASTURBATION. 278 00:12:21,742 --> 00:12:23,108 MASTURBATION. IT GOS FIERCE. 279 00:12:23,110 --> 00:12:23,475 IT GOS FIERCE. REALLY FIERCE. 280 00:12:23,477 --> 00:12:25,643 REALLY FIERCE. >> IT WAS FUNNY GREAT COMEDIANS 281 00:12:25,645 --> 00:12:30,515 >> IT WAS FUNNY GREAT COMEDIANS AND THEY CHOSE HIM. 282 00:12:30,517 --> 00:12:36,154 AND THEY CHOSE HIM. TO MAKE SOME RIDICULOUS POINTS 283 00:12:36,156 --> 00:12:40,091 TO MAKE SOME RIDICULOUS POINTS AND TOOK AWAY RIGHTS. 284 00:12:40,093 --> 00:12:45,697 AND TOOK AWAY RIGHTS. IF I PICKED ON THE CUSHION 285 00:12:45,699 --> 00:12:46,297 IF I PICKED ON THE CUSHION STORE, THE TIKI GOD AND THE 286 00:12:46,299 --> 00:12:51,302 STORE, THE TIKI GOD AND THE HAWAIIAN GOD. 287 00:12:51,304 --> 00:12:53,772 HAWAIIAN GOD. THAT WOULD HAVE BEEN COOL. 288 00:12:53,774 --> 00:12:55,673 THAT WOULD HAVE BEEN COOL. AND THAT'S WHERE I SCREWED UP. 289 00:12:55,675 --> 00:12:57,108 AND THAT'S WHERE I SCREWED UP. >> NO MATTER HOW MANY TIMES HE 290 00:12:57,110 --> 00:12:59,544 >> NO MATTER HOW MANY TIMES HE WOULD GET ARRESTED, NO MATTER 291 00:12:59,546 --> 00:13:01,479 WOULD GET ARRESTED, NO MATTER HOW MANY TIMES HE WAS DRAGGED 292 00:13:01,481 --> 00:13:03,181 HOW MANY TIMES HE WAS DRAGGED OFF THE STAGE, NO MATTER HOW 293 00:13:03,183 --> 00:13:05,483 OFF THE STAGE, NO MATTER HOW MANY TIMES HE HAD TO GO TO 294 00:13:05,485 --> 00:13:07,685 MANY TIMES HE HAD TO GO TO COURT, MY FATHER BELIEVED THAT 295 00:13:07,687 --> 00:13:11,122 COURT, MY FATHER BELIEVED THAT HE THE RIGHT TO FREE SPEECH. 296 00:13:11,124 --> 00:13:14,959 HE THE RIGHT TO FREE SPEECH. MY DAD WENT FROM MAKING $150,000 297 00:13:14,961 --> 00:13:20,064 MY DAD WENT FROM MAKING $150,000 A YEAR TO BEING REGISTERED AS A 298 00:13:20,066 --> 00:13:22,000 A YEAR TO BEING REGISTERED AS A POPPER WE HAD NO MONEY. 299 00:13:22,002 --> 00:13:29,107 POPPER WE HAD NO MONEY. ALL THE MONEY WENT ON LAWYERS. 300 00:13:29,109 --> 00:13:29,741 ALL THE MONEY WENT ON LAWYERS. THE WAY HE WAS BEATEN DOWN AND 301 00:13:29,743 --> 00:13:32,844 THE WAY HE WAS BEATEN DOWN AND BEATEN DOWN AND BEAT UH DOWN, 302 00:13:32,846 --> 00:13:37,182 BEATEN DOWN AND BEAT UH DOWN, COUPLED WITH DRUG USE IS WHAT 303 00:13:37,184 --> 00:13:38,316 COUPLED WITH DRUG USE IS WHAT KILLED HIM. 304 00:13:38,318 --> 00:13:40,418 KILLED HIM. >> LENNY TOOK THE BLOWS. 305 00:13:40,420 --> 00:13:41,820 >> LENNY TOOK THE BLOWS. HE WAS THE MARTYR AND CLEARED 306 00:13:41,822 --> 00:13:45,223 HE WAS THE MARTYR AND CLEARED THE WAY FOR THE NEW OPENNESS 307 00:13:45,225 --> 00:13:45,857 THE WAY FOR THE NEW OPENNESS WHICH WAS HAPPENING IN ALL SORTS 308 00:13:45,859 --> 00:13:48,593 WHICH WAS HAPPENING IN ALL SORTS OF MEDIA IN THE 60s AND IT TOOK 309 00:13:48,595 --> 00:13:50,829 OF MEDIA IN THE 60s AND IT TOOK GUYS LIKE THIS TO PUSH THE 310 00:13:50,831 --> 00:13:52,263 GUYS LIKE THIS TO PUSH THE BOUNDARIES AND GO TO JAIL FOR 311 00:13:52,265 --> 00:13:52,697 BOUNDARIES AND GO TO JAIL FOR IT. 312 00:13:52,699 --> 00:13:55,266 IT. >> NOT ONE PIECE OF COMEDY BEING 313 00:13:55,268 --> 00:13:58,770 >> NOT ONE PIECE OF COMEDY BEING DONE TODAY THAT DIDN'T COME OUT 314 00:13:58,772 --> 00:14:03,408 DONE TODAY THAT DIDN'T COME OUT OF SOMETHING LENNY BRUCE SAID. 315 00:14:03,410 --> 00:14:06,811 OF SOMETHING LENNY BRUCE SAID. REALLY. 316 00:14:06,813 --> 00:14:08,613 REALLY. >> DID HE TAKE THE HIT FOR ALL 317 00:14:08,615 --> 00:14:09,113 >> DID HE TAKE THE HIT FOR ALL OF US? 318 00:14:09,115 --> 00:14:12,217 OF US? I IMAGINE HE DID. 319 00:14:12,219 --> 00:14:15,720 I IMAGINE HE DID. THANK GOD FOR LENNY BRUCE. 320 00:14:15,722 --> 00:14:16,621 THANK GOD FOR LENNY BRUCE. >> LET'S SEE. 321 00:14:16,623 --> 00:14:19,424 >> LET'S SEE. WHAT'S NICE TO FOLLOW A GOOD 322 00:14:19,426 --> 00:14:31,569 WHAT'S NICE TO FOLLOW A GOOD HEAVY THING LIKE 323 00:14:31,571 --> 00:14:34,272 HEAVY THING LIKE >> ONE TIME, LENNY BRUCE WAS 324 00:14:34,274 --> 00:14:36,507 >> ONE TIME, LENNY BRUCE WAS PERFORMING AND GEORGE CARLIN WAS 325 00:14:36,509 --> 00:14:38,543 PERFORMING AND GEORGE CARLIN WAS IN THE AUDIENCE AND THE POLICE 326 00:14:38,545 --> 00:14:40,044 IN THE AUDIENCE AND THE POLICE BUSTED LENNY BRUCE. 327 00:14:40,046 --> 00:14:42,413 BUSTED LENNY BRUCE. >> AS CARLIN TOLD IT, THE COPS 328 00:14:42,415 --> 00:14:44,749 >> AS CARLIN TOLD IT, THE COPS WANTED TO CHECK EVERYBODY'S ID 329 00:14:44,751 --> 00:14:46,751 WANTED TO CHECK EVERYBODY'S ID BECAUSE THEY COULD GET SOMEONE 330 00:14:46,753 --> 00:14:49,153 BECAUSE THEY COULD GET SOMEONE UNDER AGE. 331 00:14:49,155 --> 00:14:51,389 UNDER AGE. THEY COULD WREAK HAVOC AND YOU 332 00:14:51,391 --> 00:14:53,458 THEY COULD WREAK HAVOC AND YOU HAVE YOUNG GEORGE CARLIN TRYING 333 00:14:53,460 --> 00:14:56,327 HAVE YOUNG GEORGE CARLIN TRYING TO BE ARRESTED TO BE ABLE TO 334 00:14:56,329 --> 00:14:57,896 TO BE ARRESTED TO BE ABLE TO RIDE IN THE PADDY WAGON WITH 335 00:14:57,898 --> 00:14:58,196 RIDE IN THE PADDY WAGON WITH HIM. 336 00:14:58,198 --> 00:15:00,398 HIM. >> THEY ARE GOING TO BUST HIM 337 00:15:00,400 --> 00:15:01,165 >> THEY ARE GOING TO BUST HIM AND ME. 338 00:15:01,167 --> 00:15:03,935 AND ME. IT GIVES ME GOOSE BUMPS THINKING 339 00:15:03,937 --> 00:15:06,871 IT GIVES ME GOOSE BUMPS THINKING ABOUT THAT. 340 00:15:06,873 --> 00:15:12,911 ABOUT THAT. LENNY SAID HOW DID YOU GET THAT. 341 00:15:12,913 --> 00:15:16,214 LENNY SAID HOW DID YOU GET THAT. AND THEY CAN OPERATE WITH THE 342 00:15:16,216 --> 00:15:16,447 AND THEY CAN OPERATE WITH THE POLICE. 343 00:15:16,449 --> 00:15:24,822 POLICE. WHAT ARE YOU, A SHMUCK? 344 00:15:24,824 --> 00:15:27,358 WHAT ARE YOU, A SHMUCK? >> GEORGE CAME UP AS A 345 00:15:27,360 --> 00:15:29,727 >> GEORGE CAME UP AS A TRADITIONAL SHORT HAIR COMIC. 346 00:15:29,729 --> 00:15:35,500 TRADITIONAL SHORT HAIR COMIC. HE WAS QUITE SUCCESSFUL ON ED 347 00:15:35,502 --> 00:15:40,672 HE WAS QUITE SUCCESSFUL ON ED SULLIVAN GIGS. 348 00:15:40,674 --> 00:15:43,441 SULLIVAN GIGS. >> TONIGHT'S FORECAST, DARK. 349 00:15:43,443 --> 00:15:45,543 >> TONIGHT'S FORECAST, DARK. >> CARLIN AT FIRST WANTED TO 350 00:15:45,545 --> 00:15:47,211 >> CARLIN AT FIRST WANTED TO HAVE SUCCESS. 351 00:15:47,213 --> 00:15:49,113 HAVE SUCCESS. HE GOT THAT SUCCESS AND THEN 352 00:15:49,115 --> 00:15:51,049 HE GOT THAT SUCCESS AND THEN FELT HE WAS GETTING THAT SUCCESS 353 00:15:51,051 --> 00:15:53,751 FELT HE WAS GETTING THAT SUCCESS IN A WAY THAT DIDN'T SPEAK TO 354 00:15:53,753 --> 00:15:54,686 IN A WAY THAT DIDN'T SPEAK TO HIS HEART. 355 00:15:54,688 --> 00:15:56,688 HIS HEART. >> I USED TO BE THIS GUY AND 356 00:15:56,690 --> 00:15:58,957 >> I USED TO BE THIS GUY AND MAYBE THIS GUY USED TO BE ME. 357 00:15:58,959 --> 00:16:01,426 MAYBE THIS GUY USED TO BE ME. WE WERE EACH OTHER AT ONE TIME. 358 00:16:01,428 --> 00:16:02,393 WE WERE EACH OTHER AT ONE TIME. THAT WAS LONG AGO. 359 00:16:02,395 --> 00:16:03,628 THAT WAS LONG AGO. I LIKED HIM. 360 00:16:03,630 --> 00:16:05,063 I LIKED HIM. HE WAS GOOD AND FUNNY AND I HAD 361 00:16:05,065 --> 00:16:08,766 HE WAS GOOD AND FUNNY AND I HAD A LOT OF FUN WITH HIM. 362 00:16:08,768 --> 00:16:11,736 A LOT OF FUN WITH HIM. HE WAS LIKE NOTHING BEHIND HIM. 363 00:16:11,738 --> 00:16:13,805 HE WAS LIKE NOTHING BEHIND HIM. HE WAS KIND OF JUST SUPERFICIAL. 364 00:16:13,807 --> 00:16:15,173 HE WAS KIND OF JUST SUPERFICIAL. JUST THE SURFACE. 365 00:16:15,175 --> 00:16:16,441 JUST THE SURFACE. HE WAS ALL CHARACTERS. 366 00:16:16,443 --> 00:16:21,245 HE WAS ALL CHARACTERS. I FOUND OUT I WAS NOT IN MY OWN 367 00:16:21,247 --> 00:16:21,479 I FOUND OUT I WAS NOT IN MY OWN ACT. 368 00:16:21,481 --> 00:16:23,915 ACT. HE BASICALLY GOES RIGHT AFTER 369 00:16:23,917 --> 00:16:25,116 HE BASICALLY GOES RIGHT AFTER THE TABOOS AGAIN. 370 00:16:25,118 --> 00:16:26,884 THE TABOOS AGAIN. HE IS CONSTANTLY PICKING AND 371 00:16:26,886 --> 00:16:29,153 HE IS CONSTANTLY PICKING AND PICKING AND PICKING. 372 00:16:29,155 --> 00:16:31,622 PICKING AND PICKING. >> AND THE IRISH PRIESTS WERE 373 00:16:31,624 --> 00:16:32,924 >> AND THE IRISH PRIESTS WERE HEAVILY INTO PUNISHMENT. 374 00:16:32,926 --> 00:16:37,195 HEAVILY INTO PUNISHMENT. THEY GIVE YOU A COUPLE TO DO AND 375 00:16:37,197 --> 00:16:44,802 THEY GIVE YOU A COUPLE TO DO AND THE FIRST FRIDAYS AND FIVE. 376 00:16:44,804 --> 00:16:48,606 THE FIRST FRIDAYS AND FIVE. THAT WAS ONE OF THE THINGS THAT 377 00:16:48,608 --> 00:16:51,042 THAT WAS ONE OF THE THINGS THAT BOTHERED ME ABOUT MY RELIGION. 378 00:16:51,044 --> 00:16:53,011 BOTHERED ME ABOUT MY RELIGION. THE CONFLICT BETWEEN PAIN AND 379 00:16:53,013 --> 00:16:53,277 THE CONFLICT BETWEEN PAIN AND PLEASURE. 380 00:16:53,279 --> 00:16:55,079 PLEASURE. YOU WERE PUSHING FOR PAIN AND 381 00:16:55,081 --> 00:16:56,814 YOU WERE PUSHING FOR PAIN AND PULLING FOR PLEASURE. 382 00:16:56,816 --> 00:16:58,750 PULLING FOR PLEASURE. >> GEORGE CARLIN WAS A WORD 383 00:16:58,752 --> 00:17:01,552 >> GEORGE CARLIN WAS A WORD SMITH AND EACH OF HIS ROUTINES 384 00:17:01,554 --> 00:17:03,187 SMITH AND EACH OF HIS ROUTINES WERE POETRY. 385 00:17:03,189 --> 00:17:04,422 WERE POETRY. CARLIN WOULD SPEND A YEAR 386 00:17:04,424 --> 00:17:06,457 CARLIN WOULD SPEND A YEAR PRACTICING THE ROUTINES. 387 00:17:06,459 --> 00:17:08,059 PRACTICING THE ROUTINES. EVERY WORD WAS THERE FOR A 388 00:17:08,061 --> 00:17:08,459 EVERY WORD WAS THERE FOR A REASON. 389 00:17:08,461 --> 00:17:11,329 REASON. NOTHING WAS THERE BY ACCIDENT. 390 00:17:11,331 --> 00:17:13,264 NOTHING WAS THERE BY ACCIDENT. >> TROUBLE WAS I WANTED A LIST. 391 00:17:13,266 --> 00:17:15,767 >> TROUBLE WAS I WANTED A LIST. HERE ARE THE WORDS I'M NOT 392 00:17:15,769 --> 00:17:16,267 HERE ARE THE WORDS I'M NOT SUPPOSED TO SAY. 393 00:17:16,269 --> 00:17:18,536 SUPPOSED TO SAY. LET'S HAVE A LOOK AT THEM. 394 00:17:18,538 --> 00:17:20,705 LET'S HAVE A LOOK AT THEM. I WILL BE GLAD TO AVOID THEM IF 395 00:17:20,707 --> 00:17:25,376 I WILL BE GLAD TO AVOID THEM IF I CAN JUST SEE THEM AND KNOW 396 00:17:25,378 --> 00:17:31,182 I CAN JUST SEE THEM AND KNOW WHAT THEY ARE. 397 00:17:31,184 --> 00:17:34,886 WHAT THEY ARE. >> MORE THAN ANYONE ELSE AND 398 00:17:34,888 --> 00:17:36,421 >> MORE THAN ANYONE ELSE AND MORE THAN LENNY BRUCE BEFORE 399 00:17:36,423 --> 00:17:42,627 MORE THAN LENNY BRUCE BEFORE HIM, HE HAD FUN WITH VULGARITY 400 00:17:42,629 --> 00:17:44,729 HIM, HE HAD FUN WITH VULGARITY AND THAT DROVE PEOPLE CRAZY. 401 00:17:44,731 --> 00:17:46,831 AND THAT DROVE PEOPLE CRAZY. >> I HAD MORE WAYS TO DESCRIBE 402 00:17:46,833 --> 00:17:48,399 >> I HAD MORE WAYS TO DESCRIBE DIRTY WORDS THAN THERE WERE 403 00:17:48,401 --> 00:17:50,001 DIRTY WORDS THAN THERE WERE DIRTY WORDS. 404 00:17:50,003 --> 00:17:56,874 DIRTY WORDS. DIRTY, BAD, FILTY, VILE, VULGAR. 405 00:17:56,876 --> 00:17:58,576 DIRTY, BAD, FILTY, VILE, VULGAR. OFF COLOR. 406 00:17:58,578 --> 00:18:01,712 OFF COLOR. BLUE. 407 00:18:01,714 --> 00:18:10,755 BLUE. IN POOR TASTE. 408 00:18:10,757 --> 00:18:14,692 IN POOR TASTE. [ BLEEP ] [ BLEEP ] [ BLEEP ]. 409 00:18:14,694 --> 00:18:16,561 [ BLEEP ] [ BLEEP ] [ BLEEP ]. >> AS YOU WATCHED THE BIT, HE 410 00:18:16,563 --> 00:18:18,830 >> AS YOU WATCHED THE BIT, HE GETS THE SHOCK LAUGH AND THEN HE 411 00:18:18,832 --> 00:18:23,401 GETS THE SHOCK LAUGH AND THEN HE BEGINS INSERTING THESE 412 00:18:23,403 --> 00:18:25,236 BEGINS INSERTING THESE VULGARITIES INTO VERY NORMAL 413 00:18:25,238 --> 00:18:26,904 VULGARITIES INTO VERY NORMAL COMFORTABLE MUSICAL AND LYRICAL 414 00:18:26,906 --> 00:18:29,774 COMFORTABLE MUSICAL AND LYRICAL LANGUAGE TO SHOW YOU HOW 415 00:18:29,776 --> 00:18:30,475 LANGUAGE TO SHOW YOU HOW RIDICULOUS IT IS. 416 00:18:30,477 --> 00:18:32,143 RIDICULOUS IT IS. >> THE TICKETS. 417 00:18:32,145 --> 00:18:34,245 >> THE TICKETS. YOU WANT THE TICKETS? 418 00:18:34,247 --> 00:18:35,613 YOU WANT THE TICKETS? YOU WANT THE TICKETS? 419 00:18:35,615 --> 00:18:38,416 YOU WANT THE TICKETS? >> ALSO WORDS ARE BEAUTIFUL 420 00:18:38,418 --> 00:18:40,318 >> ALSO WORDS ARE BEAUTIFUL INGREDIENTS TO A GREAT MELODY. 421 00:18:40,320 --> 00:18:42,286 INGREDIENTS TO A GREAT MELODY. THE GREAT WAY TO START AN 422 00:18:42,288 --> 00:18:42,920 THE GREAT WAY TO START AN ORCHESTRA. 423 00:18:42,922 --> 00:18:45,089 ORCHESTRA. >> I GOT CARLIN RECORDS AND 424 00:18:45,091 --> 00:18:46,691 >> I GOT CARLIN RECORDS AND REMEMBER MY DAD WAS LISTENING TO 425 00:18:46,693 --> 00:18:47,859 REMEMBER MY DAD WAS LISTENING TO IT WITH ME. 426 00:18:47,861 --> 00:18:51,329 IT WITH ME. MY DAD WAS AN ENGLISH MAJOR. 427 00:18:51,331 --> 00:18:52,029 MY DAD WAS AN ENGLISH MAJOR. ANYTHING WITH WORD PLAY AND 428 00:18:52,031 --> 00:18:56,167 ANYTHING WITH WORD PLAY AND LANGUAGE, HE WAS ALWAYS INTO IT. 429 00:18:56,169 --> 00:18:57,468 LANGUAGE, HE WAS ALWAYS INTO IT. DESPITE THE LANGUAGE, HE WOULD 430 00:18:57,470 --> 00:18:58,703 DESPITE THE LANGUAGE, HE WOULD LET ME HEAR IT. 431 00:18:58,705 --> 00:18:59,737 LET ME HEAR IT. >> THE UNITED STATES SUPREME 432 00:18:59,739 --> 00:19:01,639 >> THE UNITED STATES SUPREME COURT RULED THAT THE GOVERNMENT 433 00:19:01,641 --> 00:19:03,674 COURT RULED THAT THE GOVERNMENT CAN ACT AGAINST BROADCASTER WHO 434 00:19:03,676 --> 00:19:05,576 CAN ACT AGAINST BROADCASTER WHO IS PRESENT OFFENSIVE MATERIAL. 435 00:19:05,578 --> 00:19:09,347 IS PRESENT OFFENSIVE MATERIAL. THE 5-4 DECISION UPHELD THE 436 00:19:09,349 --> 00:19:09,981 THE 5-4 DECISION UPHELD THE REPRIMAND OF A RADIO STATION 437 00:19:09,983 --> 00:19:14,051 REPRIMAND OF A RADIO STATION THAT BROADCAST A RECORD BY 438 00:19:14,053 --> 00:19:16,120 THAT BROADCAST A RECORD BY GEORGE CARLIN. 439 00:19:16,122 --> 00:19:18,389 GEORGE CARLIN. >> THEY PLAYED A CUT FROM AN 440 00:19:18,391 --> 00:19:20,525 >> THEY PLAYED A CUT FROM AN ALBUM WITH WHAT THEY CALLED WAS 441 00:19:20,527 --> 00:19:22,093 ALBUM WITH WHAT THEY CALLED WAS THE DIRTY WORDS. 442 00:19:22,095 --> 00:19:23,961 THE DIRTY WORDS. SEVEN WORDS THAT YOU CAN NEVER 443 00:19:23,963 --> 00:19:25,062 SEVEN WORDS THAT YOU CAN NEVER LAYED ON TELEVISION. 444 00:19:25,064 --> 00:19:26,731 LAYED ON TELEVISION. THEY HAD A PROGRAM THEY WERE 445 00:19:26,733 --> 00:19:29,200 THEY HAD A PROGRAM THEY WERE DOING IN MID-AFTERNOON ABOUT 446 00:19:29,202 --> 00:19:30,768 DOING IN MID-AFTERNOON ABOUT CONTEMPORARY LANGUAGE AND 447 00:19:30,770 --> 00:19:31,169 CONTEMPORARY LANGUAGE AND ATTITUDES. 448 00:19:31,171 --> 00:19:34,739 ATTITUDES. THE FCC TOOK ISSUE BASED ON A 449 00:19:34,741 --> 00:19:39,510 THE FCC TOOK ISSUE BASED ON A COMPLAINT WITH A LISTENER IN HIS 450 00:19:39,512 --> 00:19:40,545 COMPLAINT WITH A LISTENER IN HIS AUTOMOBILE AT THE TIME. 451 00:19:40,547 --> 00:19:43,481 AUTOMOBILE AT THE TIME. HE CLAIMED IT WAS INDECENT. 452 00:19:43,483 --> 00:19:47,418 HE CLAIMED IT WAS INDECENT. HIS SON SHOULDN'T BE OBJECTED TO 453 00:19:47,420 --> 00:19:48,052 HIS SON SHOULDN'T BE OBJECTED TO THAT. 454 00:19:48,054 --> 00:19:49,520 THAT. >> THEY DON'T EXIST BEFORE 455 00:19:49,522 --> 00:19:50,721 >> THEY DON'T EXIST BEFORE GEORGE CARLIN. 456 00:19:50,723 --> 00:19:56,494 GEORGE CARLIN. THOSE ARE 7 WORDS YOU CAN'T PLAY 457 00:19:56,496 --> 00:19:59,463 THOSE ARE 7 WORDS YOU CAN'T PLAY ON TELEVISION. 458 00:19:59,465 --> 00:20:02,533 ON TELEVISION. AND THE FCC, EVERYBODY PRETENDS 459 00:20:02,535 --> 00:20:05,736 AND THE FCC, EVERYBODY PRETENDS THAT THESE ARE THE ACTUAL WORDS. 460 00:20:05,738 --> 00:20:08,072 THAT THESE ARE THE ACTUAL WORDS. HE CREATED THE VERY BATTLE THAT 461 00:20:08,074 --> 00:20:13,444 HE CREATED THE VERY BATTLE THAT WAS FOUGHT AGAINST HIM. 462 00:20:13,446 --> 00:20:16,347 WAS FOUGHT AGAINST HIM. >> WBAI WAS WRONG IN PLAYING HER 463 00:20:16,349 --> 00:20:16,581 >> WBAI WAS WRONG IN PLAYING HER RECORD. 464 00:20:16,583 --> 00:20:19,050 RECORD. THEY IMPOSED NO PUNISHMENT 465 00:20:19,052 --> 00:20:19,850 THEY IMPOSED NO PUNISHMENT IMMEDIATELY, BUT THE SUPREME 466 00:20:19,852 --> 00:20:20,785 IMMEDIATELY, BUT THE SUPREME COURT AGREED. 467 00:20:20,787 --> 00:20:24,755 COURT AGREED. >> I WAS RAISED IN A TIME WHERE 468 00:20:24,757 --> 00:20:25,823 >> I WAS RAISED IN A TIME WHERE USING BAD LANGUAGE WAS 469 00:20:25,825 --> 00:20:27,959 USING BAD LANGUAGE WAS ASSOCIATED WITH PEOPLE WITH LOW 470 00:20:27,961 --> 00:20:29,627 ASSOCIATED WITH PEOPLE WITH LOW INTELLIGENCE. 471 00:20:29,629 --> 00:20:30,895 INTELLIGENCE. HE HELPED BREAK THAT STEREOTYPE. 472 00:20:30,897 --> 00:20:32,730 HE HELPED BREAK THAT STEREOTYPE. THERE IS NO SUCH THING AS BAD 473 00:20:32,732 --> 00:20:32,930 THERE IS NO SUCH THING AS BAD WORDS. 474 00:20:32,932 --> 00:20:35,800 WORDS. BAD INTENTIONS, BUT NOT BAD 475 00:20:35,802 --> 00:20:36,267 BAD INTENTIONS, BUT NOT BAD WORDS. 476 00:20:36,269 --> 00:20:39,637 WORDS. THAT WAS FREEDOM. 477 00:20:39,639 --> 00:20:40,905 THAT WAS FREEDOM. >> AS SOON AS SOMETHING IS 478 00:20:40,907 --> 00:20:41,639 >> AS SOON AS SOMETHING IS DESEN 479 00:20:41,641 --> 00:20:42,240 DESEN DESENSITIZED, IT IS NORMAL. 480 00:20:42,242 --> 00:20:43,874 DESENSITIZED, IT IS NORMAL. WHEN IT'S NORMAL, IT'S NOT 481 00:20:43,876 --> 00:20:44,208 WHEN IT'S NORMAL, IT'S NOT OFFENSIVE. 482 00:20:44,210 --> 00:20:45,543 OFFENSIVE. WHEN SOMETHING IS NOT OFFENSIVE, 483 00:20:45,545 --> 00:20:48,312 WHEN SOMETHING IS NOT OFFENSIVE, WE ARE NOT AFRAID OF IT ANYMORE. 484 00:20:48,314 --> 00:20:50,881 WE ARE NOT AFRAID OF IT ANYMORE. >> EVERYTHING GEORGE CARLIN SAID 485 00:20:50,883 --> 00:20:52,516 >> EVERYTHING GEORGE CARLIN SAID WAS HIM LOOKING AT THE WORLD 486 00:20:52,518 --> 00:20:56,721 WAS HIM LOOKING AT THE WORLD GOING GROW UP, GROW UP, GROW UP. 487 00:20:56,723 --> 00:20:59,590 GOING GROW UP, GROW UP, GROW UP. >> [ BLEEP ] [ BLEEP ] [ BLEEP ] 488 00:20:59,592 --> 00:21:04,395 >> [ BLEEP ] [ BLEEP ] [ BLEEP ] AND TITS. 489 00:21:04,397 --> 00:21:13,371 AND TITS. WE ADDED FAR, TURD AND WATT. 490 00:21:13,373 --> 00:21:14,472 WE ADDED FAR, TURD AND WATT. WE ARE LOOKING AT THEM ALL. 491 00:21:14,474 --> 00:21:16,307 WE ARE LOOKING AT THEM ALL. SOME OF YOUR FAVORITES MIGHT 492 00:21:16,309 --> 00:21:17,875 SOME OF YOUR FAVORITES MIGHT MAKE THE LIST THIS YEAR. 493 00:21:17,877 --> 00:21:23,180 MAKE THE LIST THIS YEAR. HARD ON, TITS, BLUE BALLS, 494 00:21:23,182 --> 00:21:25,149 HARD ON, TITS, BLUE BALLS, NOOKY, SNATCH, BOX. 495 00:21:25,151 --> 00:21:32,223 NOOKY, SNATCH, BOX. [ BLEEP ] [ BLEEP ] [ BLEEP ] 496 00:21:32,225 --> 00:21:36,427 [ BLEEP ] [ BLEEP ] [ BLEEP ] DORK, POON TANG. 497 00:21:36,429 --> 00:21:49,173 DORK, POON TANG. CORN HOLE AND 498 00:21:56,615 --> 00:22:00,785 >> UNTIL RED FOXX CAME ALONG, NOBODY HAD RECORDED A STAND UP 499 00:22:00,787 --> 00:22:03,721 NOBODY HAD RECORDED A STAND UP ACT AND REREECE LEASED IT AS 500 00:22:03,723 --> 00:22:05,990 ACT AND REREECE LEASED IT AS KNOW ALBUM. 501 00:22:05,992 --> 00:22:08,793 KNOW ALBUM. HE INVENTED ESSENTIALLY THE 502 00:22:08,795 --> 00:22:12,363 HE INVENTED ESSENTIALLY THE STAND UP COMEDY RECORD. 503 00:22:12,365 --> 00:22:14,298 STAND UP COMEDY RECORD. >> EVERYBODY IN MY HOMETOWN WAS 504 00:22:14,300 --> 00:22:15,833 >> EVERYBODY IN MY HOMETOWN WAS BUT A JACKASS. 505 00:22:15,835 --> 00:22:17,535 BUT A JACKASS. THE PREACHER'S WIFE HAD THE 506 00:22:17,537 --> 00:22:19,103 THE PREACHER'S WIFE HAD THE BIGGEST AS IN TOWN. 507 00:22:19,105 --> 00:22:22,707 BIGGEST AS IN TOWN. I KNOW BECAUSE I RODE HER BIG AS 508 00:22:22,709 --> 00:22:24,275 I KNOW BECAUSE I RODE HER BIG AS ALL THE TIME. 509 00:22:24,277 --> 00:22:25,976 ALL THE TIME. SOMETIMES I WOULD RIDE IT SO 510 00:22:25,978 --> 00:22:28,512 SOMETIMES I WOULD RIDE IT SO LONG, I WOULD SLIP BACK OFF OF 511 00:22:28,514 --> 00:22:30,348 LONG, I WOULD SLIP BACK OFF OF HER BIG SWEATY AS. 512 00:22:30,350 --> 00:22:34,552 HER BIG SWEATY AS. >> RED FOX WAS MAKING SEXUAL 513 00:22:34,554 --> 00:22:36,320 >> RED FOX WAS MAKING SEXUAL BLUE OR OFF COLOR RECORDS SOLD 514 00:22:36,322 --> 00:22:38,255 BLUE OR OFF COLOR RECORDS SOLD IN AFRICAN-AMERICAN COMMUNITIES. 515 00:22:38,257 --> 00:22:40,491 IN AFRICAN-AMERICAN COMMUNITIES. EVERYBODY I KNEW WHEN I WAS 516 00:22:40,493 --> 00:22:43,661 EVERYBODY I KNEW WHEN I WAS GROWING UP HAD RED FOXX RECORDS. 517 00:22:43,663 --> 00:22:45,329 GROWING UP HAD RED FOXX RECORDS. AFRICAN-AMERICANS ON A MASSIVE 518 00:22:45,331 --> 00:22:45,563 AFRICAN-AMERICANS ON A MASSIVE LEVEL. 519 00:22:45,565 --> 00:22:48,499 LEVEL. HE WAS UNKNOWN IN MAINSTREAM 520 00:22:48,501 --> 00:22:48,799 HE WAS UNKNOWN IN MAINSTREAM SOCIETY. 521 00:22:48,801 --> 00:22:54,538 SOCIETY. >> WHERE ARE THE PARTY RECORDS? 522 00:22:54,540 --> 00:23:02,713 >> WHERE ARE THE PARTY RECORDS? >> YES. 523 00:23:02,715 --> 00:23:08,686 >> YES. >> THERE IS A NEW BIKINI MONTH. 524 00:23:08,688 --> 00:23:14,458 >> THERE IS A NEW BIKINI MONTH. TWO BAND KADS. 525 00:23:14,460 --> 00:23:17,128 TWO BAND KADS. >> MY PARENTS HAD THE RED FOXX 526 00:23:17,130 --> 00:23:35,346 >> MY PARENTS HAD THE RED FOXX DIRTY JOKES IN THE HOUSE. 527 00:23:35,348 --> 00:23:36,480 DIRTY JOKES IN THE HOUSE. KNOWING HOW DIFFICULT IT IS, I 528 00:23:36,482 --> 00:23:46,223 KNOWING HOW DIFFICULT IT IS, I SAID IT FOR YOU IN THIS ALBUM. 529 00:23:46,225 --> 00:23:53,764 SAID IT FOR YOU IN THIS ALBUM. YOU HAVE TO ASK FOR THESE 530 00:23:53,766 --> 00:23:56,834 YOU HAVE TO ASK FOR THESE ALBUMS. 531 00:23:56,836 --> 00:24:02,006 ALBUMS. AND YOU NEED ASSISTANCE FOR THE 532 00:24:02,008 --> 00:24:02,206 AND YOU NEED ASSISTANCE FOR THE STORE. 533 00:24:02,208 --> 00:24:04,508 STORE. THEY WERE THOUGHT TO BE TOO 534 00:24:04,510 --> 00:24:04,809 THEY WERE THOUGHT TO BE TOO SCANDALOUS. 535 00:24:04,811 --> 00:24:07,044 SCANDALOUS. IT'S A MIRACLE YOU ARE ABLE TO 536 00:24:07,046 --> 00:24:09,713 IT'S A MIRACLE YOU ARE ABLE TO SELECT THE LINES ON TELEVISION. 537 00:24:09,715 --> 00:24:13,083 SELECT THE LINES ON TELEVISION. >> THE PARTY RECORDS THAT WORK 538 00:24:13,085 --> 00:24:14,285 >> THE PARTY RECORDS THAT WORK UNDERGROUND. 539 00:24:14,287 --> 00:24:15,419 UNDERGROUND. UNDERGROUND TO MAINSTREAM 540 00:24:15,421 --> 00:24:15,653 UNDERGROUND TO MAINSTREAM SOCIETY. 541 00:24:15,655 --> 00:24:16,987 SOCIETY. THEY DIDN'T KNOW ANYTHING ABOUT 542 00:24:16,989 --> 00:24:20,524 THEY DIDN'T KNOW ANYTHING ABOUT IT AND DIDN'T WANT TO BE PART OF 543 00:24:20,526 --> 00:24:21,592 IT AND DIDN'T WANT TO BE PART OF IT AT THAT POINT. 544 00:24:21,594 --> 00:24:23,461 IT AT THAT POINT. >> AIN'T NO WAY TO GET A HANDLE 545 00:24:23,463 --> 00:24:29,533 >> AIN'T NO WAY TO GET A HANDLE ON THE GHETTO. 546 00:24:29,535 --> 00:24:32,136 ON THE GHETTO. SOME DUDES WOULD TALK TO YOU. 547 00:24:32,138 --> 00:24:34,505 SOME DUDES WOULD TALK TO YOU. WHY YOU WANT TO [ BLEEP ] WITH 548 00:24:34,507 --> 00:24:36,640 WHY YOU WANT TO [ BLEEP ] WITH ME, MAN? 549 00:24:36,642 --> 00:24:39,009 ME, MAN? SOMEBODY GET THIS [ BLEEP ] OFF 550 00:24:39,011 --> 00:24:40,678 SOMEBODY GET THIS [ BLEEP ] OFF OF ME. 551 00:24:40,680 --> 00:24:44,081 OF ME. I DIDN'T KNOW THE [ BLEEP ] WAS 552 00:24:44,083 --> 00:24:44,281 I DIDN'T KNOW THE [ BLEEP ] WAS BLIND. 553 00:24:44,283 --> 00:24:44,915 BLIND. >> I DON'T KNOW HOW YOU FEEL 554 00:24:44,917 --> 00:24:46,684 >> I DON'T KNOW HOW YOU FEEL ABOUT THE TITLE OF YOUR ALBUM, 555 00:24:46,686 --> 00:24:48,519 ABOUT THE TITLE OF YOUR ALBUM, BUT I FIND IT DIFFICULT TO SAY. 556 00:24:48,521 --> 00:24:49,453 BUT I FIND IT DIFFICULT TO SAY. >> YOU DO? 557 00:24:49,455 --> 00:24:53,123 >> YOU DO? IT'S HARD TO SAY CRAZY. 558 00:24:53,125 --> 00:24:54,658 IT'S HARD TO SAY CRAZY. >> YOU TELL THEM. 559 00:24:54,660 --> 00:24:57,261 >> YOU TELL THEM. >> THE TITLE OF THE ALBUM IS 560 00:24:57,263 --> 00:24:59,296 >> THE TITLE OF THE ALBUM IS THAT [ BLEEP ]'S CRAZY. 561 00:24:59,298 --> 00:25:02,266 THAT [ BLEEP ]'S CRAZY. >> CAN YOU SAY THAT? 562 00:25:02,268 --> 00:25:05,302 >> CAN YOU SAY THAT? >> IT USED TO BE I WOULD PUNCH 563 00:25:05,304 --> 00:25:05,536 >> IT USED TO BE I WOULD PUNCH YOU OUT. 564 00:25:05,538 --> 00:25:07,304 YOU OUT. >> RICHARD PRYOR WAS INFLUENCED 565 00:25:07,306 --> 00:25:11,342 >> RICHARD PRYOR WAS INFLUENCED BY RED FOX, BUT HE DID BRING 566 00:25:11,344 --> 00:25:13,344 BY RED FOX, BUT HE DID BRING SOME OF THAT SENSIBILITY TO THE 567 00:25:13,346 --> 00:25:13,878 SOME OF THAT SENSIBILITY TO THE MAINSTREAM. 568 00:25:13,880 --> 00:25:15,779 MAINSTREAM. A GUY WHO HAD BEEN DEVELOPING 569 00:25:15,781 --> 00:25:19,316 A GUY WHO HAD BEEN DEVELOPING THIS NEW PROVOCATIVE MATERIAL TO 570 00:25:19,318 --> 00:25:20,518 THIS NEW PROVOCATIVE MATERIAL TO A MAINSTREAM AUDIENCE WAS A BIG 571 00:25:20,520 --> 00:25:20,918 A MAINSTREAM AUDIENCE WAS A BIG MOMENT. 572 00:25:20,920 --> 00:25:24,588 MOMENT. >> A LOT OF PEOPLE HERE MIGHT BE 573 00:25:24,590 --> 00:25:25,222 >> A LOT OF PEOPLE HERE MIGHT BE OFFENDED. 574 00:25:25,224 --> 00:25:27,958 OFFENDED. I'M GOING TO SAY [ BLEEP ] AND 575 00:25:27,960 --> 00:25:28,692 I'M GOING TO SAY [ BLEEP ] AND SUCK. 576 00:25:28,694 --> 00:25:32,496 SUCK. AND [ BLEEP ] AND DOO DOO. 577 00:25:32,498 --> 00:25:36,300 AND [ BLEEP ] AND DOO DOO. >> PRYOR USED PROFANITY IN A WAY 578 00:25:36,302 --> 00:25:38,168 >> PRYOR USED PROFANITY IN A WAY THAT EVEN EXCEEDED LENNY BRUCE 579 00:25:38,170 --> 00:25:39,503 THAT EVEN EXCEEDED LENNY BRUCE AND ALL THAT CAME BEFORE HIM. 580 00:25:39,505 --> 00:25:41,539 AND ALL THAT CAME BEFORE HIM. HE MADE THE USE OF THOSE TERMS 581 00:25:41,541 --> 00:25:43,541 HE MADE THE USE OF THOSE TERMS SEEM TO BE A PART OF EVERYDAY 582 00:25:43,543 --> 00:25:45,809 SEEM TO BE A PART OF EVERYDAY LIFE AND MADE THE PEOPLE 583 00:25:45,811 --> 00:25:48,345 LIFE AND MADE THE PEOPLE LISTENING TO HIS COMEDY CARE TO 584 00:25:48,347 --> 00:25:49,213 LISTENING TO HIS COMEDY CARE TO SAY THEM WHO THEY WERE. 585 00:25:49,215 --> 00:25:52,016 SAY THEM WHO THEY WERE. THIS IS A WAY THE PEOPLE TALKED. 586 00:25:52,018 --> 00:25:54,051 THIS IS A WAY THE PEOPLE TALKED. HE CHANGED THIS LOW COMEDY TO 587 00:25:54,053 --> 00:25:58,722 HE CHANGED THIS LOW COMEDY TO HIGH ART IN A WAY THAT NO ONE 588 00:25:58,724 --> 00:26:01,191 HIGH ART IN A WAY THAT NO ONE HAD DONE BEFORE. 589 00:26:01,193 --> 00:26:05,129 HAD DONE BEFORE. >> HE COULD MAKE A [ BLEEP ] 590 00:26:05,131 --> 00:26:07,798 >> HE COULD MAKE A [ BLEEP ] LAUGH ON A SUNDAY CHRISTMAS DAY. 591 00:26:07,800 --> 00:26:09,500 LAUGH ON A SUNDAY CHRISTMAS DAY. >> IT WAS ABOUT MAKING SURE HE 592 00:26:09,502 --> 00:26:11,168 >> IT WAS ABOUT MAKING SURE HE TOLD THE TRUTH AND HE SAID ON 593 00:26:11,170 --> 00:26:12,469 TOLD THE TRUTH AND HE SAID ON SEVERAL OCCASIONS THAT'S WHAT HE 594 00:26:12,471 --> 00:26:15,506 SEVERAL OCCASIONS THAT'S WHAT HE WAS TRYING TO DO. 595 00:26:15,508 --> 00:26:18,709 WAS TRYING TO DO. >> MY DAD WOULD SAY IF ONLY YOU 596 00:26:18,711 --> 00:26:21,278 >> MY DAD WOULD SAY IF ONLY YOU KNEW LENNY BRUCE. 597 00:26:21,280 --> 00:26:22,179 KNEW LENNY BRUCE. I DIDN'T UNDERSTAND UNTIL LATER. 598 00:26:22,181 --> 00:26:27,017 I DIDN'T UNDERSTAND UNTIL LATER. FOR MY DAD, THAT WAS KIND OF THE 599 00:26:27,019 --> 00:26:28,786 FOR MY DAD, THAT WAS KIND OF THE BEGINNING OF SPEAKING TRUTH TO 600 00:26:28,788 --> 00:26:30,287 BEGINNING OF SPEAKING TRUTH TO POWER, THEY SAY. 601 00:26:30,289 --> 00:26:33,390 POWER, THEY SAY. POLITICALLY AND CONSCIOUSLY. 602 00:26:33,392 --> 00:26:35,359 POLITICALLY AND CONSCIOUSLY. >> I WOULD LIKE TO THANK THE 603 00:26:35,361 --> 00:26:36,894 >> I WOULD LIKE TO THANK THE CAMERA BHOUN HAD DONE A 604 00:26:36,896 --> 00:26:38,662 CAMERA BHOUN HAD DONE A WONDERFUL JOB IN GETTING RID OF 605 00:26:38,664 --> 00:26:45,035 WONDERFUL JOB IN GETTING RID OF THE BLACK CAMERAMAN. 606 00:26:45,037 --> 00:26:47,438 THE BLACK CAMERAMAN. >> LENNY LIT THAT FIRE AND MY 607 00:26:47,440 --> 00:26:49,907 >> LENNY LIT THAT FIRE AND MY DAD AND CARLIN TOOK IT THIS WAY 608 00:26:49,909 --> 00:26:52,910 DAD AND CARLIN TOOK IT THIS WAY AND IT NEVER STOPPED. 609 00:26:52,912 --> 00:26:54,678 AND IT NEVER STOPPED. >> RICHARD IS THE THAT MADE ME 610 00:26:54,680 --> 00:26:55,379 >> RICHARD IS THE THAT MADE ME WANT TO DO COMIC. 611 00:26:55,381 --> 00:26:58,148 WANT TO DO COMIC. I USED TO GO OUT ON STAGE AT 15 612 00:26:58,150 --> 00:27:00,417 I USED TO GO OUT ON STAGE AT 15 AND TALK AND ACT AND WALK AND 613 00:27:00,419 --> 00:27:02,386 AND TALK AND ACT AND WALK AND EVERYTHING LIKE RICHARD PRYOR 614 00:27:02,388 --> 00:27:04,221 EVERYTHING LIKE RICHARD PRYOR AND MY MOTHER WOULD WATCH HER 615 00:27:04,223 --> 00:27:07,825 AND MY MOTHER WOULD WATCH HER SON SAYING OUTLANDISH [ BLEEP ]. 616 00:27:07,827 --> 00:27:10,260 SON SAYING OUTLANDISH [ BLEEP ]. MY ACT WAS ABOUT TAKING A 617 00:27:10,262 --> 00:27:11,462 MY ACT WAS ABOUT TAKING A [ BLEEP ] BECAUSE THAT'S ALL I 618 00:27:11,464 --> 00:27:13,631 [ BLEEP ] BECAUSE THAT'S ALL I HAD DONE AT 15. 619 00:27:13,633 --> 00:27:16,567 HAD DONE AT 15. >> SOME AFRICAN-AMERICAN WAS 620 00:27:16,569 --> 00:27:17,735 >> SOME AFRICAN-AMERICAN WAS INSPIRED BY RICHARD PRYOR. 621 00:27:17,737 --> 00:27:19,536 INSPIRED BY RICHARD PRYOR. HE USED IT MORE OUT OF I'M 622 00:27:19,538 --> 00:27:21,572 HE USED IT MORE OUT OF I'M TRYING TO SHOCK YOU. 623 00:27:21,574 --> 00:27:23,841 TRYING TO SHOCK YOU. >> I HAVE PEOPLE WHO CAME OVER 624 00:27:23,843 --> 00:27:25,009 >> I HAVE PEOPLE WHO CAME OVER TO THE UNITED STATES. 625 00:27:25,011 --> 00:27:26,910 TO THE UNITED STATES. NEW YORK IT LIKE A TOURIST 626 00:27:26,912 --> 00:27:27,311 NEW YORK IT LIKE A TOURIST PLACE. 627 00:27:27,313 --> 00:27:29,680 PLACE. THEY CATCH DILEERUOUS AND CAN'T 628 00:27:29,682 --> 00:27:30,514 THEY CATCH DILEERUOUS AND CAN'T SPEAK ENGLISH. 629 00:27:30,516 --> 00:27:34,051 SPEAK ENGLISH. ALL THE GUYS CURSES. 630 00:27:34,053 --> 00:27:38,188 ALL THE GUYS CURSES. FOREIGNERS ARE GOING EDDIE 631 00:27:38,190 --> 00:27:38,856 FOREIGNERS ARE GOING EDDIE MURPHY! 632 00:27:38,858 --> 00:27:39,456 MURPHY! [ BLEEP ] YOU! 633 00:27:39,458 --> 00:27:42,726 [ BLEEP ] YOU! >> I LOVE THAT. 634 00:27:42,728 --> 00:27:44,628 >> I LOVE THAT. SUCK MY [ BLEEP ], HOW. 635 00:27:44,630 --> 00:27:48,198 SUCK MY [ BLEEP ], HOW. SUCK IT, YOU BLACK [ BLEEP ]. 636 00:27:48,200 --> 00:27:51,035 SUCK IT, YOU BLACK [ BLEEP ]. >> I SAW RAW AND DILIRIOUS WHEN 637 00:27:51,037 --> 00:27:52,703 >> I SAW RAW AND DILIRIOUS WHEN I WAS LIKE IN SECOND GRADE. 638 00:27:52,705 --> 00:27:56,774 I WAS LIKE IN SECOND GRADE. I KNEW THEN HE IS NASTY. 639 00:27:56,776 --> 00:27:58,609 I KNEW THEN HE IS NASTY. HE IS NAUGHTY AND NOT SUPPOSED 640 00:27:58,611 --> 00:27:59,843 HE IS NAUGHTY AND NOT SUPPOSED TO BE SAYING THAT. 641 00:27:59,845 --> 00:28:02,413 TO BE SAYING THAT. THOSE ARE BAD, BAD WORDS. 642 00:28:02,415 --> 00:28:03,747 THOSE ARE BAD, BAD WORDS. IT IS HILARIOUS. 643 00:28:03,749 --> 00:28:06,316 IT IS HILARIOUS. >> YOU WATCHED THE BILL COSBY 644 00:28:06,318 --> 00:28:06,517 >> YOU WATCHED THE BILL COSBY SHOW? 645 00:28:06,519 --> 00:28:07,351 SHOW? I DO TOO. 646 00:28:07,353 --> 00:28:09,953 I DO TOO. I HAVE BEEN A BIG FAN OF BILL 647 00:28:09,955 --> 00:28:10,154 I HAVE BEEN A BIG FAN OF BILL COSBY. 648 00:28:10,156 --> 00:28:12,122 COSBY. NEVER MET THE MAN AND HE CALLED 649 00:28:12,124 --> 00:28:15,025 NEVER MET THE MAN AND HE CALLED ME UP AND CHAZITIZED ME ON THE 650 00:28:15,027 --> 00:28:20,197 ME UP AND CHAZITIZED ME ON THE PHONE FOR BEING TOO DIRTY. 651 00:28:20,199 --> 00:28:24,535 PHONE FOR BEING TOO DIRTY. I CALLED RICHARD PRYOR'S HOUSE 652 00:28:24,537 --> 00:28:27,905 I CALLED RICHARD PRYOR'S HOUSE AND I SAID BILL COSBY SAID I WAS 653 00:28:27,907 --> 00:28:32,076 AND I SAID BILL COSBY SAID I WAS TOO DIRTY. 654 00:28:32,078 --> 00:28:32,609 TOO DIRTY. DO 655 00:28:42,587 --> 00:28:44,888 >>> MY IMITATION OF DOLLY PARTON. 656 00:28:44,890 --> 00:28:47,057 PARTON. DOLLY PARTON'S MOTHER. 657 00:28:47,059 --> 00:28:51,195 DOLLY PARTON'S MOTHER. DOLLY PARTON'S BROTHER. 658 00:28:51,197 --> 00:28:53,530 DOLLY PARTON'S BROTHER. >> YOU ARE MAKING FUN OF THE 659 00:28:53,532 --> 00:29:01,972 >> YOU ARE MAKING FUN OF THE BROTHER OF A CELEBRITY'S 660 00:29:01,974 --> 00:29:02,239 BROTHER OF A CELEBRITY'S TESTICLES! 661 00:29:02,241 --> 00:29:04,908 TESTICLES! >> I HAD WITH BIRTH CONTROL AND 662 00:29:04,910 --> 00:29:06,844 >> I HAD WITH BIRTH CONTROL AND ANOTHER WITH A DIAPHRAGM AND 663 00:29:06,846 --> 00:29:08,445 ANOTHER WITH A DIAPHRAGM AND ANOTHER WITH AN IUD. 664 00:29:08,447 --> 00:29:10,247 ANOTHER WITH AN IUD. IT NEVER CAME OUT. 665 00:29:10,249 --> 00:29:12,583 IT NEVER CAME OUT. I HAD SUSPICIONS BECAUSE THAT 666 00:29:12,585 --> 00:29:15,486 I HAD SUSPICIONS BECAUSE THAT KID PICKS UP HBO. 667 00:29:15,488 --> 00:29:16,553 KID PICKS UP HBO. >> WATCH SHOW TIME. 668 00:29:16,555 --> 00:29:18,822 >> WATCH SHOW TIME. GET THE [ BLEEP ] OUT OF MY 669 00:29:18,824 --> 00:29:19,423 GET THE [ BLEEP ] OUT OF MY FACE! 670 00:29:19,425 --> 00:29:23,127 FACE! >> AS GUYS LIKE PRYOR AND CARLIN 671 00:29:23,129 --> 00:29:25,929 >> AS GUYS LIKE PRYOR AND CARLIN SHOCKED YOU AND TALKED ABOUT 672 00:29:25,931 --> 00:29:28,432 SHOCKED YOU AND TALKED ABOUT SEX, EACH NEW SCANNED UP 673 00:29:28,434 --> 00:29:29,900 SEX, EACH NEW SCANNED UP COMEDIAN CAME ALONG AND THERE 674 00:29:29,902 --> 00:29:31,802 COMEDIAN CAME ALONG AND THERE WERE LESS AND LESS TO 675 00:29:31,804 --> 00:29:32,136 WERE LESS AND LESS TO BREAKTHROUGH. 676 00:29:32,138 --> 00:29:33,437 BREAKTHROUGH. THEY REACHED FURTHER AND FURTHER 677 00:29:33,439 --> 00:29:38,342 THEY REACHED FURTHER AND FURTHER TO DO SOMETHING TO SHOCK THE 678 00:29:38,344 --> 00:29:41,678 TO DO SOMETHING TO SHOCK THE AUDIENCE. 679 00:29:41,680 --> 00:29:47,284 AUDIENCE. CAR ARE SAM EMS THE 80s ERA OF 680 00:29:47,286 --> 00:29:47,684 CAR ARE SAM EMS THE 80s ERA OF COMEDY. 681 00:29:47,686 --> 00:29:48,719 COMEDY. PEOPLE WERE DOING CHARACTERS 682 00:29:48,721 --> 00:29:51,889 PEOPLE WERE DOING CHARACTERS THAT WERE EXTENSIONS OF 683 00:29:51,891 --> 00:29:52,456 THAT WERE EXTENSIONS OF THEMSELVES. 684 00:29:52,458 --> 00:29:56,426 THEMSELVES. SAM KINSON WAS SAM KINSON, BUT 685 00:29:56,428 --> 00:29:59,797 SAM KINSON WAS SAM KINSON, BUT HE WAS A CHARACTER AS OPPOSED TO 686 00:29:59,799 --> 00:30:00,831 HE WAS A CHARACTER AS OPPOSED TO THE MAN. 687 00:30:00,833 --> 00:30:02,232 THE MAN. >> EVER BEEN MARRIED? 688 00:30:02,234 --> 00:30:04,034 >> EVER BEEN MARRIED? WHAT'S YOUR NAME? 689 00:30:04,036 --> 00:30:04,268 WHAT'S YOUR NAME? MICHAEL? 690 00:30:04,270 --> 00:30:05,869 MICHAEL? IF YOU THINK ABOUT GETTING 691 00:30:05,871 --> 00:30:07,171 IF YOU THINK ABOUT GETTING MARRIED, YOU THINK YOU MET THE 692 00:30:07,173 --> 00:30:08,605 MARRIED, YOU THINK YOU MET THE RIGHT WOMAN AND YOU WANT TO 693 00:30:08,607 --> 00:30:10,007 RIGHT WOMAN AND YOU WANT TO SETTLE DOWN AND CHANGE YOUR 694 00:30:10,009 --> 00:30:11,308 SETTLE DOWN AND CHANGE YOUR LIFE, WILL YOU DO ME A FAVOR? 695 00:30:11,310 --> 00:30:15,546 LIFE, WILL YOU DO ME A FAVOR? REMEMBER THIS FACE. 696 00:30:15,548 --> 00:30:17,648 REMEMBER THIS FACE. >> THAT WAS THE EXPRESSION OF 697 00:30:17,650 --> 00:30:19,750 >> THAT WAS THE EXPRESSION OF THE HEARTBROKEN MAN. 698 00:30:19,752 --> 00:30:21,852 THE HEARTBROKEN MAN. WE OWE IT TO HIM BECAUSE WE ARE 699 00:30:21,854 --> 00:30:22,986 WE OWE IT TO HIM BECAUSE WE ARE CIVILIZE AND TRYING TO DO THE 700 00:30:22,988 --> 00:30:23,921 CIVILIZE AND TRYING TO DO THE RIGHT THING. 701 00:30:23,923 --> 00:30:26,824 RIGHT THING. A LOT GOES ON EMOTIONALLY THAT 702 00:30:26,826 --> 00:30:28,025 A LOT GOES ON EMOTIONALLY THAT WE CAN'T EXPRESS. 703 00:30:28,027 --> 00:30:30,828 WE CAN'T EXPRESS. TO HAVE THAT MONSTER PUT IT OUT 704 00:30:30,830 --> 00:30:33,931 TO HAVE THAT MONSTER PUT IT OUT THERE LIKE THAT, IT'S LIKE A 705 00:30:33,933 --> 00:30:34,932 THERE LIKE THAT, IT'S LIKE A RELIEF VALVE. 706 00:30:34,934 --> 00:30:37,067 RELIEF VALVE. >> SAM DID NOT CARE IF THE 707 00:30:37,069 --> 00:30:38,669 >> SAM DID NOT CARE IF THE AUDIENCE HATED HIM AND WOULD 708 00:30:38,671 --> 00:30:40,337 AUDIENCE HATED HIM AND WOULD EVEN BAIT THEM. 709 00:30:40,339 --> 00:30:42,639 EVEN BAIT THEM. HE WOULD CHALLENGE THEM TO LEAVE 710 00:30:42,641 --> 00:30:44,308 HE WOULD CHALLENGE THEM TO LEAVE IF HE DIDN'T LIKE IT. 711 00:30:44,310 --> 00:30:45,809 IF HE DIDN'T LIKE IT. WHEN YOU DON'T CARE, THAT'S WHEN 712 00:30:45,811 --> 00:30:48,212 WHEN YOU DON'T CARE, THAT'S WHEN YOU GET THE BEST RESULTS. 713 00:30:48,214 --> 00:30:50,848 YOU GET THE BEST RESULTS. >> VERY SELDOM SOMEONE COMES 714 00:30:50,850 --> 00:30:52,382 >> VERY SELDOM SOMEONE COMES ALONG WHO IS DIFFERENT AND GIFT 715 00:30:52,384 --> 00:30:54,117 ALONG WHO IS DIFFERENT AND GIFT AND CREATIVE AND PRESENTS 716 00:30:54,119 --> 00:31:00,290 AND CREATIVE AND PRESENTS SOMETHING THAT IS UNUSUAL. 717 00:31:00,292 --> 00:31:03,193 SOMETHING THAT IS UNUSUAL. AND THE MONEY FROM LAST WEEK. 718 00:31:03,195 --> 00:31:06,430 AND THE MONEY FROM LAST WEEK. >> SAM KINSON TOOK IT TO AN 719 00:31:06,432 --> 00:31:07,931 >> SAM KINSON TOOK IT TO AN EXTREME WITH THE SHOUTING AND 720 00:31:07,933 --> 00:31:10,100 EXTREME WITH THE SHOUTING AND THE LANGUAGE AND THE TABOO 721 00:31:10,102 --> 00:31:10,634 THE LANGUAGE AND THE TABOO SUBJECTS. 722 00:31:10,636 --> 00:31:12,135 SUBJECTS. >> I READ THE PAPER THAT SAID 723 00:31:12,137 --> 00:31:18,842 >> I READ THE PAPER THAT SAID THAT A GROUP OF HOMOSEXUAL N 724 00:31:18,844 --> 00:31:21,144 THAT A GROUP OF HOMOSEXUAL N NECROFEEL YACKS HAVE BEEN 725 00:31:21,146 --> 00:31:23,380 NECROFEEL YACKS HAVE BEEN OFFERING THE MORTUARIES MONEY TO 726 00:31:23,382 --> 00:31:25,249 OFFERING THE MORTUARIES MONEY TO LET THEM COME IN AT NIGHT AND 727 00:31:25,251 --> 00:31:29,419 LET THEM COME IN AT NIGHT AND SPEND A COUPLE OF HOURS 728 00:31:29,421 --> 00:31:30,921 SPEND A COUPLE OF HOURS UNDISTURBED WITH THE FRESHEST 729 00:31:30,923 --> 00:31:31,455 UNDISTURBED WITH THE FRESHEST MALE CORPSE. 730 00:31:31,457 --> 00:31:40,998 MALE CORPSE. THEY HAVE BEEN LAYING OUT ON 731 00:31:41,000 --> 00:31:41,398 THEY HAVE BEEN LAYING OUT ON SLAPS. 732 00:31:41,400 --> 00:31:44,735 SLAPS. IT WAS PRETTY HARD TO FACE UP 733 00:31:44,737 --> 00:31:44,902 IT WAS PRETTY HARD TO FACE UP TO. 734 00:31:44,904 --> 00:31:47,204 TO. I'M GLAD I WENT THROUGH IT AND 735 00:31:47,206 --> 00:31:49,373 I'M GLAD I WENT THROUGH IT AND I'M READY TO BE WITH JESUS AND 736 00:31:49,375 --> 00:31:57,681 I'M READY TO BE WITH JESUS AND ROCK OF AGES. 737 00:31:57,683 --> 00:31:59,349 ROCK OF AGES. WHAT IS THIS? 738 00:31:59,351 --> 00:31:59,483 WHAT IS THIS? . 739 00:31:59,485 --> 00:32:02,452 . I DON'T BELIEVE THIS. 740 00:32:02,454 --> 00:32:07,257 I DON'T BELIEVE THIS. THERE IS A GUY'S [ BLEEP ] IN MY 741 00:32:07,259 --> 00:32:07,424 THERE IS A GUY'S [ BLEEP ] IN MY AS! 742 00:32:07,426 --> 00:32:09,426 AS! >> THAT MOMENT. 743 00:32:09,428 --> 00:32:10,827 >> THAT MOMENT. THAT WAS FUNNY. 744 00:32:10,829 --> 00:32:12,429 THAT WAS FUNNY. >> NO LAUGHING MATTER. 745 00:32:12,431 --> 00:32:14,064 >> NO LAUGHING MATTER. THAT'S WHAT CRITICS ARE SAYING 746 00:32:14,066 --> 00:32:15,999 THAT'S WHAT CRITICS ARE SAYING ABOUT ROUTINES THAT ARE PASSED 747 00:32:16,001 --> 00:32:17,701 ABOUT ROUTINES THAT ARE PASSED OFF AS COMEDY THESE DAYS. 748 00:32:17,703 --> 00:32:20,404 OFF AS COMEDY THESE DAYS. IS IT THE CUTTING EDGE OF SOCIAL 749 00:32:20,406 --> 00:32:23,907 IS IT THE CUTTING EDGE OF SOCIAL SAT IRE OR THE ADULT EXPRESS OF 750 00:32:23,909 --> 00:32:28,412 SAT IRE OR THE ADULT EXPRESS OF WHAT CHILDREN WRITE ON 751 00:32:28,414 --> 00:32:34,017 WHAT CHILDREN WRITE ON SIDEWALKS? 752 00:32:34,019 --> 00:32:35,285 SIDEWALKS? >> LITTLE MISS MUST HAVE ET SAT 753 00:32:35,287 --> 00:32:37,621 >> LITTLE MISS MUST HAVE ET SAT ON A TOUGH ET. 754 00:32:37,623 --> 00:32:43,794 ON A TOUGH ET. ALONG CAME A SPIDER AND SAT DOWN 755 00:32:43,796 --> 00:32:46,763 ALONG CAME A SPIDER AND SAT DOWN BESIDE HER AND SAID HEY, WHAT'S 756 00:32:46,765 --> 00:32:48,966 BESIDE HER AND SAID HEY, WHAT'S IN THE BOWL, PITCH? 757 00:32:48,968 --> 00:32:49,933 IN THE BOWL, PITCH? OH! 758 00:32:49,935 --> 00:32:51,435 OH! >> WHAT MADE DIES DIFFERENT IS 759 00:32:51,437 --> 00:32:55,005 >> WHAT MADE DIES DIFFERENT IS HIS DIRTY WAS CONTROVERSIAL. 760 00:32:55,007 --> 00:32:57,107 HIS DIRTY WAS CONTROVERSIAL. >> I REALLY DON'T UNDERSTAND WHY 761 00:32:57,109 --> 00:33:00,978 >> I REALLY DON'T UNDERSTAND WHY WOMEN GO TO HEAR DIES CLAY. 762 00:33:00,980 --> 00:33:03,814 WOMEN GO TO HEAR DIES CLAY. TO ME IT'S LIKE A JEW GOING TO A 763 00:33:03,816 --> 00:33:05,682 TO ME IT'S LIKE A JEW GOING TO A HITLER RALLY. 764 00:33:05,684 --> 00:33:10,854 HITLER RALLY. >> FOR CHRISTMAS I BOUGHT MY 765 00:33:10,856 --> 00:33:13,056 >> FOR CHRISTMAS I BOUGHT MY GIRLFRIEND THIS BEAUTIFUL DOVE 766 00:33:13,058 --> 00:33:14,524 GIRLFRIEND THIS BEAUTIFUL DOVE TAIL WITH HER NAME ENGRAVED AND 767 00:33:14,526 --> 00:33:16,360 TAIL WITH HER NAME ENGRAVED AND I TOOK IT OUT AND YOU OUGHT TO 768 00:33:16,362 --> 00:33:18,261 I TOOK IT OUT AND YOU OUGHT TO SEE THE LOOK ON HER [ BLEEP ] 769 00:33:18,263 --> 00:33:19,029 SEE THE LOOK ON HER [ BLEEP ] FACE. 770 00:33:19,031 --> 00:33:26,737 FACE. >> THE GUY IS A CHAUVINISTIC 771 00:33:26,739 --> 00:33:26,937 >> THE GUY IS A CHAUVINISTIC MORON. 772 00:33:26,939 --> 00:33:28,638 MORON. I WOULDN'T HANG OUT WITH HIM IF 773 00:33:28,640 --> 00:33:29,840 I WOULDN'T HANG OUT WITH HIM IF HE MEANT THOSE THINGS. 774 00:33:29,842 --> 00:33:31,408 HE MEANT THOSE THINGS. NOT EVEN AS A GUY. 775 00:33:31,410 --> 00:33:34,144 NOT EVEN AS A GUY. HE IS DERANGED. 776 00:33:34,146 --> 00:33:37,647 HE IS DERANGED. AS A COMEDIAN, IT'S FUNNY AND IT 777 00:33:37,649 --> 00:33:39,149 AS A COMEDIAN, IT'S FUNNY AND IT DOESN'T HURT ANYBODY. 778 00:33:39,151 --> 00:33:41,318 DOESN'T HURT ANYBODY. >> TO BE OUTRAGEOUS AND BAD BOY 779 00:33:41,320 --> 00:33:44,654 >> TO BE OUTRAGEOUS AND BAD BOY AND BREAKING THE RULES IS 780 00:33:44,656 --> 00:33:45,989 AND BREAKING THE RULES IS EXTREMELY LUCRATIVE. 781 00:33:45,991 --> 00:33:56,533 EXTREMELY LUCRATIVE. IT IS PANDERING. 782 00:33:56,535 --> 00:34:03,373 IT IS PANDERING. IT'S CONNECTING WITH THE 783 00:34:03,375 --> 00:34:05,876 IT'S CONNECTING WITH THE AUDIENCE. 784 00:34:05,878 --> 00:34:07,744 AUDIENCE. >> I FOUND AT LEAST ONE REMARK I 785 00:34:07,746 --> 00:34:09,012 >> I FOUND AT LEAST ONE REMARK I COULD SAY ON THE AIR. 786 00:34:09,014 --> 00:34:10,814 COULD SAY ON THE AIR. HE DESCRIBES HIS SEXUAL 787 00:34:10,816 --> 00:34:13,683 HE DESCRIBES HIS SEXUAL TECHNIQUE AND I QUOTE, SO I SAY 788 00:34:13,685 --> 00:34:15,752 TECHNIQUE AND I QUOTE, SO I SAY TO THE PITCH, LOSE THE BRA OR 789 00:34:15,754 --> 00:34:16,653 TO THE PITCH, LOSE THE BRA OR I'LL CUT YOU. 790 00:34:16,655 --> 00:34:19,589 I'LL CUT YOU. >> YOU ARE ASKING ME TO DEFEND 791 00:34:19,591 --> 00:34:21,191 >> YOU ARE ASKING ME TO DEFEND ANDREW DIES CLAY? 792 00:34:21,193 --> 00:34:23,293 ANDREW DIES CLAY? >> I'M ASKING IF IT'S FUNNY. 793 00:34:23,295 --> 00:34:25,195 >> I'M ASKING IF IT'S FUNNY. >> I DON'T KNOW WHAT THE CONTEXT 794 00:34:25,197 --> 00:34:25,362 >> I DON'T KNOW WHAT THE CONTEXT IS. 795 00:34:25,364 --> 00:34:26,563 IS. IT'S NOT FUNNY. 796 00:34:26,565 --> 00:34:29,099 IT'S NOT FUNNY. THE FACT IS FOR ME THAT WHAT HE 797 00:34:29,101 --> 00:34:30,634 THE FACT IS FOR ME THAT WHAT HE DOES AS A CHARACTER AND WHEN HE 798 00:34:30,636 --> 00:34:33,203 DOES AS A CHARACTER AND WHEN HE IS UP THERE AND ON STAGE, IT'S A 799 00:34:33,205 --> 00:34:33,670 IS UP THERE AND ON STAGE, IT'S A COMEDIAN. 800 00:34:33,672 --> 00:34:35,305 COMEDIAN. >> HOW ARE YOU IN. 801 00:34:35,307 --> 00:34:37,674 >> HOW ARE YOU IN. >> WHO IS DIES AND WHO IS ANDREW 802 00:34:37,676 --> 00:34:39,609 >> WHO IS DIES AND WHO IS ANDREW CLAY AND THE JEWISH KID AND WHO 803 00:34:39,611 --> 00:34:46,183 CLAY AND THE JEWISH KID AND WHO IS THE GUY UP THERE? 804 00:34:46,185 --> 00:34:51,321 IS THE GUY UP THERE? YOU WANT TO KNOW WHO HE IS? 805 00:34:51,323 --> 00:34:54,758 YOU WANT TO KNOW WHO HE IS? I'LL TELL YOU. 806 00:34:54,760 --> 00:34:58,095 I'LL TELL YOU. ANDREW CLAY CAME OUT ABOUT 10 807 00:34:58,097 --> 00:34:58,962 ANDREW CLAY CAME OUT ABOUT 10 YEARS AGO. 808 00:34:58,964 --> 00:35:01,665 YEARS AGO. AND BROKE HIS AS. 809 00:35:01,667 --> 00:35:04,334 AND BROKE HIS AS. YOU KNOW WHAT I MEAN? 810 00:35:04,336 --> 00:35:06,536 YOU KNOW WHAT I MEAN? BROKE HIS AS. 811 00:35:06,538 --> 00:35:08,638 BROKE HIS AS. HE BELIEVED IN HIMSELF AND 812 00:35:08,640 --> 00:35:12,742 HE BELIEVED IN HIMSELF AND BECAME THE HARDEST COMIC IN THE 813 00:35:12,744 --> 00:35:13,043 BECAME THE HARDEST COMIC IN THE WORLD. 814 00:35:13,045 --> 00:35:15,445 WORLD. ANYBODY WHO DOESN'T LIKE IT CAN 815 00:35:15,447 --> 00:35:16,646 ANYBODY WHO DOESN'T LIKE IT CAN WIPE THEIR AS WITH WHATEVER THEY 816 00:35:16,648 --> 00:35:17,614 WIPE THEIR AS WITH WHATEVER THEY SAY ABOUT ME. 817 00:35:17,616 --> 00:35:18,982 SAY ABOUT ME. >> THAT WAS NOT DIES. 818 00:35:18,984 --> 00:35:20,050 >> THAT WAS NOT DIES. THAT WAS ANDREW. 819 00:35:20,052 --> 00:35:23,120 THAT WAS ANDREW. THE BACKLASH WAS SO STRONG IT 820 00:35:23,122 --> 00:35:24,221 THE BACKLASH WAS SO STRONG IT GOT PAST THE DIES CHARACTER AND 821 00:35:24,223 --> 00:35:27,124 GOT PAST THE DIES CHARACTER AND GOT TO THE ANDREW GUY AND MADE 822 00:35:27,126 --> 00:35:29,359 GOT TO THE ANDREW GUY AND MADE HIM FEEL BAD FOR WHAT WAS BEING 823 00:35:29,361 --> 00:35:29,559 HIM FEEL BAD FOR WHAT WAS BEING SAID. 824 00:35:29,561 --> 00:35:31,328 SAID. DID IT CELEBRATE A CERTAIN TYPE 825 00:35:31,330 --> 00:35:36,766 DID IT CELEBRATE A CERTAIN TYPE OF THINKING THAT DOESN'T NEED 826 00:35:36,768 --> 00:35:37,234 OF THINKING THAT DOESN'T NEED ANY MORE CELEBRATING? 827 00:35:37,236 --> 00:35:39,703 ANY MORE CELEBRATING? MAYBE. 828 00:35:39,705 --> 00:35:42,639 MAYBE. DID IT MAKE HIM LOOK STUPID AS 829 00:35:42,641 --> 00:35:53,016 DID IT MAKE HIM LOOK STUPID AS WELL AND 830 00:35:53,018 --> 00:35:55,385 WELL AND >> THERE IS NO WORSE LIFE 831 00:35:55,387 --> 00:35:56,720 >> THERE IS NO WORSE LIFE AVAILABLE TO A HUMAN THAN BEING 832 00:35:56,722 --> 00:35:59,055 AVAILABLE TO A HUMAN THAN BEING A CAUGHT CHILD MOLESTER AND YET 833 00:35:59,057 --> 00:36:00,891 A CAUGHT CHILD MOLESTER AND YET THEY STILL DO IT. 834 00:36:00,893 --> 00:36:03,860 THEY STILL DO IT. YOU CAN ONLY REALLY SURMISE THAT 835 00:36:03,862 --> 00:36:07,063 YOU CAN ONLY REALLY SURMISE THAT IT MUST BE REALLY GOOD. 836 00:36:07,065 --> 00:36:09,499 IT MUST BE REALLY GOOD. FROM THAT POINT OF VIEW. 837 00:36:09,501 --> 00:36:12,602 FROM THAT POINT OF VIEW. NOT OURS, BUT FROM THEIR POINT 838 00:36:12,604 --> 00:36:13,503 NOT OURS, BUT FROM THEIR POINT OF VIEW. 839 00:36:13,505 --> 00:36:16,173 OF VIEW. >> OFF LIMITS IS NOT A PERMANENT 840 00:36:16,175 --> 00:36:16,406 >> OFF LIMITS IS NOT A PERMANENT ADDRESS. 841 00:36:16,408 --> 00:36:19,543 ADDRESS. IT'S A MARKER THAT KEEPS GETTING 842 00:36:19,545 --> 00:36:21,011 IT'S A MARKER THAT KEEPS GETTING MOVED. 843 00:36:21,013 --> 00:36:24,014 MOVED. YOU COULDN'T SAY PREGNANT ON TV 844 00:36:24,016 --> 00:36:28,084 YOU COULDN'T SAY PREGNANT ON TV WHEN LUCILLE BALL WAS PREGNANT. 845 00:36:28,086 --> 00:36:31,121 WHEN LUCILLE BALL WAS PREGNANT. WHEN IT'S OFF LIMITS, ENJOY THE 846 00:36:31,123 --> 00:36:32,689 WHEN IT'S OFF LIMITS, ENJOY THE NEXT 10 MINUTES BECAUSE THAT'S 847 00:36:32,691 --> 00:36:34,791 NEXT 10 MINUTES BECAUSE THAT'S HOW LONG IT WILL LAST. 848 00:36:34,793 --> 00:36:38,495 HOW LONG IT WILL LAST. >> THE THING YOU CAN'T MAKE FUN 849 00:36:38,497 --> 00:36:40,063 >> THE THING YOU CAN'T MAKE FUN OF AT THIS MOMENT. 850 00:36:40,065 --> 00:36:44,034 OF AT THIS MOMENT. TRANSGENDERED PEOPLE. 851 00:36:44,036 --> 00:36:44,901 TRANSGENDERED PEOPLE. SEE? 852 00:36:44,903 --> 00:36:47,070 SEE? YOU CAN'T DO IT. 853 00:36:47,072 --> 00:36:48,805 YOU CAN'T DO IT. CAN'T MAKE FUN OF THEM. 854 00:36:48,807 --> 00:36:50,273 CAN'T MAKE FUN OF THEM. IT'S TOO SENSITIVE. 855 00:36:50,275 --> 00:36:52,108 IT'S TOO SENSITIVE. IN FACT, YOU CAN'T EVEN CALL 856 00:36:52,110 --> 00:36:57,514 IN FACT, YOU CAN'T EVEN CALL THEM CHICKS WITH DICKS ANYMORE. 857 00:36:57,516 --> 00:36:57,881 THEM CHICKS WITH DICKS ANYMORE. NO. 858 00:36:57,883 --> 00:36:58,281 NO. NO. 859 00:36:58,283 --> 00:37:03,453 NO. YOU HAVE TO CALL THEM MEN WHO 860 00:37:03,455 --> 00:37:05,222 YOU HAVE TO CALL THEM MEN WHO TALK TOO MUCH. 861 00:37:05,224 --> 00:37:08,191 TALK TOO MUCH. >> THERE HAS BEEN SO MANY DIRTY 862 00:37:08,193 --> 00:37:08,925 >> THERE HAS BEEN SO MANY DIRTY JOKES. 863 00:37:08,927 --> 00:37:11,461 JOKES. YOU CAN'T DO SOME CLICHE JOKE 864 00:37:11,463 --> 00:37:13,763 YOU CAN'T DO SOME CLICHE JOKE THAT EVERYBODY HEARD OR BIG 865 00:37:13,765 --> 00:37:15,465 THAT EVERYBODY HEARD OR BIG PUSSY JOKE. 866 00:37:15,467 --> 00:37:16,900 PUSSY JOKE. YOU BETTER DO SOMETHING FRESH 867 00:37:16,902 --> 00:37:18,535 YOU BETTER DO SOMETHING FRESH AND NEW THAT NOBODY TALKED ABOUT 868 00:37:18,537 --> 00:37:19,302 AND NEW THAT NOBODY TALKED ABOUT BEFORE. 869 00:37:19,304 --> 00:37:21,504 BEFORE. >> MOST WOMEN WON'T LET THEIR 870 00:37:21,506 --> 00:37:22,872 >> MOST WOMEN WON'T LET THEIR HUSBANDS WATCH WHEN THEY ARE 871 00:37:22,874 --> 00:37:24,474 HUSBANDS WATCH WHEN THEY ARE GOING THROUGH A MISCARRIAGE. 872 00:37:24,476 --> 00:37:25,775 GOING THROUGH A MISCARRIAGE. I SAT MY HUSBAND DOWN IN FRONT 873 00:37:25,777 --> 00:37:27,777 I SAT MY HUSBAND DOWN IN FRONT OF ME WHEN I SAT ON THE TOILET 874 00:37:27,779 --> 00:37:30,013 OF ME WHEN I SAT ON THE TOILET AND SAID NOW YOU LOOK. 875 00:37:30,015 --> 00:37:32,115 AND SAID NOW YOU LOOK. YOU WATCH THE WHOLE THING. 876 00:37:32,117 --> 00:37:33,650 YOU WATCH THE WHOLE THING. HE FELT SO BAD FOR ME. 877 00:37:33,652 --> 00:37:36,720 HE FELT SO BAD FOR ME. I USED IT AS LEVERAGE AND HELD 878 00:37:36,722 --> 00:37:39,122 I USED IT AS LEVERAGE AND HELD THAT [ BLEEP ] OVER HIS HEAD FOR 879 00:37:39,124 --> 00:37:40,557 THAT [ BLEEP ] OVER HIS HEAD FOR A MONTH AND GOT HIM TO DO 880 00:37:40,559 --> 00:37:41,958 A MONTH AND GOT HIM TO DO WHATEVER THE [ BLEEP ] I WANTED 881 00:37:41,960 --> 00:37:43,360 WHATEVER THE [ BLEEP ] I WANTED HIM TO DO FOR 30 DAYS. 882 00:37:43,362 --> 00:37:46,229 HIM TO DO FOR 30 DAYS. HE TOOK ME TO SEE BEYONCE, HE 883 00:37:46,231 --> 00:37:49,032 HE TOOK ME TO SEE BEYONCE, HE BOUGHT ME A BIKE OFF OF 884 00:37:49,034 --> 00:37:50,233 BOUGHT ME A BIKE OFF OF CRAIGSLIST. 885 00:37:50,235 --> 00:37:51,434 CRAIGSLIST. THAT'S MY MISCARRIAGE BIKE AND I 886 00:37:51,436 --> 00:37:52,435 THAT'S MY MISCARRIAGE BIKE AND I LOVE IT VERY MUCH. 887 00:37:52,437 --> 00:37:54,671 LOVE IT VERY MUCH. FOR 30 DAYS, I FINALLY HAD THE 888 00:37:54,673 --> 00:37:57,974 FOR 30 DAYS, I FINALLY HAD THE MARRIAGE I ALWAYS WANTED. 889 00:37:57,976 --> 00:38:00,477 MARRIAGE I ALWAYS WANTED. >> IF YOU ARE FILTHY, THE LOWER 890 00:38:00,479 --> 00:38:03,446 >> IF YOU ARE FILTHY, THE LOWER YOU GO, YOU FUNNIER YOU BETTER 891 00:38:03,448 --> 00:38:03,847 YOU GO, YOU FUNNIER YOU BETTER BE. 892 00:38:03,849 --> 00:38:05,849 BE. THERE IS FILTH THAT I ADORE AND 893 00:38:05,851 --> 00:38:07,517 THERE IS FILTH THAT I ADORE AND IF IT'S JUST ALL YOU HAVE, YOU 894 00:38:07,519 --> 00:38:09,152 IF IT'S JUST ALL YOU HAVE, YOU SHOULDN'T BE HERE. 895 00:38:09,154 --> 00:38:11,955 SHOULDN'T BE HERE. >> GIRLS GREW UP SO FAST. 896 00:38:11,957 --> 00:38:13,757 >> GIRLS GREW UP SO FAST. IT'S LIKE THEY DON'T HAVE 897 00:38:13,759 --> 00:38:14,591 IT'S LIKE THEY DON'T HAVE CHILDHOODS ANYMORE. 898 00:38:14,593 --> 00:38:17,594 CHILDHOODS ANYMORE. THEY ARE SEXUALIZED SO EARLY. 899 00:38:17,596 --> 00:38:19,329 THEY ARE SEXUALIZED SO EARLY. A GIRLFRIEND OF MINE HAS A BABY 900 00:38:19,331 --> 00:38:20,964 A GIRLFRIEND OF MINE HAS A BABY GIRL AND I BABY-SAT HER. 901 00:38:20,966 --> 00:38:27,570 GIRL AND I BABY-SAT HER. I CHANGED HER DIAPER. 902 00:38:27,572 --> 00:38:32,542 I CHANGED HER DIAPER. TOTALLY SHAVED. 903 00:38:32,544 --> 00:38:34,044 TOTALLY SHAVED. SIX MONTHS OLD. 904 00:38:34,046 --> 00:38:35,712 SIX MONTHS OLD. >> IT'S ALWAYS ABOUT BUSTING 905 00:38:35,714 --> 00:38:38,048 >> IT'S ALWAYS ABOUT BUSTING THINGS THAT ARE TABOO. 906 00:38:38,050 --> 00:38:40,450 THINGS THAT ARE TABOO. UNLESS YOU ARE BRAVE ENOUGH TO 907 00:38:40,452 --> 00:38:43,253 UNLESS YOU ARE BRAVE ENOUGH TO LOSE PEOPLE, WHY ARE YOU DOING 908 00:38:43,255 --> 00:38:43,520 LOSE PEOPLE, WHY ARE YOU DOING THIS? 909 00:38:43,522 --> 00:38:45,088 THIS? >> SOME PEOPLE START WITH 910 00:38:45,090 --> 00:38:47,390 >> SOME PEOPLE START WITH FRIENDLY MATERIAL AND THEY BUILD 911 00:38:47,392 --> 00:38:48,825 FRIENDLY MATERIAL AND THEY BUILD UP TO THE INTENSE STUFF LATER 912 00:38:48,827 --> 00:38:49,092 UP TO THE INTENSE STUFF LATER ON. 913 00:38:49,094 --> 00:38:51,861 ON. I LIKE TO WALK OUT THERE AND DO 914 00:38:51,863 --> 00:38:55,398 I LIKE TO WALK OUT THERE AND DO MY MOST OFFENSIVE JOKE FIRST IN 915 00:38:55,400 --> 00:38:56,399 MY MOST OFFENSIVE JOKE FIRST IN THE HOPE THAT THE PEOPLE WHO ARE 916 00:38:56,401 --> 00:39:03,006 THE HOPE THAT THE PEOPLE WHO ARE GOING TO WALK AWAY WILL WALK OUT 917 00:39:03,008 --> 00:39:03,273 GOING TO WALK AWAY WILL WALK OUT NOW. 918 00:39:03,275 --> 00:39:08,011 NOW. THEN WE CAN ENJOY OURSELVES. 919 00:39:08,013 --> 00:39:10,613 THEN WE CAN ENJOY OURSELVES. >> BILL COSBY! 920 00:39:10,615 --> 00:39:13,083 >> BILL COSBY! IT TURNS OUT THAT BILL COSBY IS 921 00:39:13,085 --> 00:39:14,017 IT TURNS OUT THAT BILL COSBY IS A RAPIST. 922 00:39:14,019 --> 00:39:15,185 A RAPIST. I KNOW. 923 00:39:15,187 --> 00:39:18,488 I KNOW. I USED TO WATCH HIM AS A KID AND 924 00:39:18,490 --> 00:39:21,958 I USED TO WATCH HIM AS A KID AND THINK TO MYSELF, I BET HE 925 00:39:21,960 --> 00:39:22,826 THINK TO MYSELF, I BET HE DOESN'T RAPE. 926 00:39:22,828 --> 00:39:24,561 DOESN'T RAPE. I HAVE BEEN WRONG BEFORE AND I 927 00:39:24,563 --> 00:39:28,298 I HAVE BEEN WRONG BEFORE AND I WILL BE WRONG AGAIN. 928 00:39:28,300 --> 00:39:31,301 WILL BE WRONG AGAIN. >> HE'S A COMEDIAN AND A TROUBLE 929 00:39:31,303 --> 00:39:31,801 >> HE'S A COMEDIAN AND A TROUBLE MAKER. 930 00:39:31,803 --> 00:39:35,572 MAKER. HE'S AN ICONIC AND A 931 00:39:35,574 --> 00:39:36,806 HE'S AN ICONIC AND A GOOD-NATURED TROUBLE MAKER. 932 00:39:36,808 --> 00:39:39,676 GOOD-NATURED TROUBLE MAKER. THEREFORE HE MUST RECOGNIZE THE 933 00:39:39,678 --> 00:39:41,411 THEREFORE HE MUST RECOGNIZE THE EXISTENCE OF CERTAIN TABOOS. 934 00:39:41,413 --> 00:39:43,113 EXISTENCE OF CERTAIN TABOOS. >> FREE SPEECH INVOLVES GETTING 935 00:39:43,115 --> 00:39:45,648 >> FREE SPEECH INVOLVES GETTING FREE SPEECH COMING BACK AT YOU. 936 00:39:45,650 --> 00:39:50,754 FREE SPEECH COMING BACK AT YOU. A RAPE JOKE IS A GOOD EXAMPLE. 937 00:39:50,756 --> 00:39:53,723 A RAPE JOKE IS A GOOD EXAMPLE. YOU ARE A DOUCHE BAG AND YOU 938 00:39:53,725 --> 00:39:55,325 YOU ARE A DOUCHE BAG AND YOU SHOULD NEVER MAKE THAT JOKE. 939 00:39:55,327 --> 00:39:58,361 SHOULD NEVER MAKE THAT JOKE. IT'S MY FIRST AMENDMENT RYES TO 940 00:39:58,363 --> 00:40:00,797 IT'S MY FIRST AMENDMENT RYES TO CALL YOU A [ BLEEP ] [ BLEEP ] 941 00:40:00,799 --> 00:40:02,565 CALL YOU A [ BLEEP ] [ BLEEP ] [ BLEEP ]. 942 00:40:02,567 --> 00:40:04,734 [ BLEEP ]. FREE SPEECH, MOTHER [ BLEEP ]. 943 00:40:04,736 --> 00:40:06,836 FREE SPEECH, MOTHER [ BLEEP ]. >> THERE IS MORE FREE SPEECH 944 00:40:06,838 --> 00:40:08,538 >> THERE IS MORE FREE SPEECH THAN EVER BEFORE. 945 00:40:08,540 --> 00:40:13,276 THAN EVER BEFORE. THEY LIKE RED FOXX AND RICHARD 946 00:40:13,278 --> 00:40:14,277 THEY LIKE RED FOXX AND RICHARD PRYOR AND THEY MARTYRED 947 00:40:14,279 --> 00:40:15,412 PRYOR AND THEY MARTYRED THEMSELVES WHO GOT IN TROUBLE 948 00:40:15,414 --> 00:40:17,981 THEMSELVES WHO GOT IN TROUBLE FOR SAYING INNOCUOUS THINGS AND 949 00:40:17,983 --> 00:40:22,685 FOR SAYING INNOCUOUS THINGS AND WE OWE THEM A LOT OF CREDIT. 950 00:40:22,687 --> 00:40:25,622 WE OWE THEM A LOT OF CREDIT. IT'S GOING TO GET SO MUCH 951 00:40:25,624 --> 00:40:26,689 IT'S GOING TO GET SO MUCH [ BLEEP ] WORSE. 952 00:40:26,691 --> 00:40:29,726 [ BLEEP ] WORSE. >> ANYBODY WHO TALKS 953 00:40:29,728 --> 00:40:31,461 >> ANYBODY WHO TALKS GRAPHICALLY, WE OWE LENNY BRUCE. 954 00:40:31,463 --> 00:40:33,696 GRAPHICALLY, WE OWE LENNY BRUCE. THAT WAS DONE FOR US BY HIM. 955 00:40:33,698 --> 00:40:35,999 THAT WAS DONE FOR US BY HIM. WE ALL KNOW HOW TO WORK CLEAN. 956 00:40:36,001 --> 00:40:40,270 WE ALL KNOW HOW TO WORK CLEAN. I SAY [ BLEEP ] TOO MUCH. 957 00:40:40,272 --> 00:40:40,537 I SAY [ BLEEP ] TOO MUCH. NO DOUBT. 958 00:40:40,539 --> 00:40:40,770 NO DOUBT. I CAN. 959 00:40:40,772 --> 00:40:42,138 I CAN. >> DO YOU REMEMBER BEFORE WE 960 00:40:42,140 --> 00:40:46,643 >> DO YOU REMEMBER BEFORE WE LEAVE, THE SEVEN WORDS? 961 00:40:46,645 --> 00:40:47,877 LEAVE, THE SEVEN WORDS? >> GOD. 962 00:40:47,879 --> 00:40:48,678 >> GOD. OH, GEEZ. 963 00:40:48,680 --> 00:40:50,413 OH, GEEZ. I HAD THEM MEMORIZED AND I WAS 964 00:40:50,415 --> 00:40:52,348 I HAD THEM MEMORIZED AND I WAS NOT PREPARED TO DO IT. 965 00:40:52,350 --> 00:40:55,685 NOT PREPARED TO DO IT. >> I NEVER COMMITTED THEM TO 966 00:40:55,687 --> 00:40:55,919 >> I NEVER COMMITTED THEM TO MEMORY. 967 00:40:55,921 --> 00:41:02,392 MEMORY. I DON'T TOP THE SAY THEM NOW. 968 00:41:02,394 --> 00:41:05,195 I DON'T TOP THE SAY THEM NOW. >> TITS [ BLEEP ] [ BLEEP ] 969 00:41:05,197 --> 00:41:06,262 >> TITS [ BLEEP ] [ BLEEP ] [ BLEEP ] [ BLEEP ]. 970 00:41:06,264 --> 00:41:08,731 [ BLEEP ] [ BLEEP ]. DID I MISS ONE? 971 00:41:08,733 --> 00:41:09,999 DID I MISS ONE? THE PROBLEM IS I DON'T THINK THE 972 00:41:10,001 --> 00:41:11,401 THE PROBLEM IS I DON'T THINK THE WORDS ARE DIRTY. 973 00:41:11,403 --> 00:41:13,837 WORDS ARE DIRTY. I DON'T REMEMBER WHAT THE 974 00:41:13,839 --> 00:41:15,038 I DON'T REMEMBER WHAT THE [ BLEEP ] THEY ARE. 975 00:41:15,040 --> 00:41:19,542 [ BLEEP ] THEY ARE. >> I'M MISSING ONE. 976 00:41:19,544 --> 00:41:23,580 >> I'M MISSING ONE. OH, [ BLEEP ]. 977 00:41:23,582 --> 00:41:26,850 OH, [ BLEEP ]. OF COURSE. 978 00:41:26,852 --> 00:41:29,252 OF COURSE. >> YOU SERIOUS? 979 00:41:29,254 --> 00:41:30,787 >> YOU SERIOUS? [ BLEEP ] [ BLEEP ]. 980 00:41:30,789 --> 00:41:36,659 [ BLEEP ] [ BLEEP ]. >> VAGINA, PUSSY. 981 00:41:36,661 --> 00:41:38,862 >> VAGINA, PUSSY. >> I WAS RIGHT. 982 00:41:38,864 --> 00:41:41,931 >> I WAS RIGHT. I SAID MOTHER [ BLEEP ]. 983 00:41:41,933 --> 00:41:43,600 I SAID MOTHER [ BLEEP ]. [ BLEEP ] [ BLEEP ] [ BLEEP ] 984 00:41:43,602 --> 00:41:46,703 [ BLEEP ] [ BLEEP ] [ BLEEP ] MOTHER [ BLEEP ] [ BLEEP ]. 985 00:41:46,705 --> 00:41:51,574 MOTHER [ BLEEP ] [ BLEEP ]. >> TITS, [ BLEEP ] [ BLEEP ] 986 00:41:51,576 --> 00:41:56,045 >> TITS, [ BLEEP ] [ BLEEP ] [ BLEEP ] OH, MY GOD! 87969