Original subtitles

Back to one.

Stay quiet, please.

Everyone stay on channel one, right now.

This is the day, not a rehearsal.

Picture is up.

Number six.

Full sound.

Five feet. side speed. Speed. Cameras.

Speed cameras.

One-on-one feet.

Autistic.

A camera Mark.

Five.

- Ready? - Ready.

Three, two, one, action!

They're in almost every movement.

You just don't know that they're there.

Because that's the job.

They're the unknowns stunt performing.

And they get paid to do the cool stuff.

They also get paid to take it on the chin.

And everywhere else, if you know what I mean.

Oh, that's... that's me.

Full teamers.

Getting blown up and hiding my face in a muddy puddle.

Which isn't ideal when you're trying to look cool in front of Jody.

Who you just so happen to have a major crush on.

She's a camera operator.

She's definitely gonna achieve her goal of

being a big-time Hollywood movie director.

I don't want to over-romanticize it or anything,

But I think what Jody and I got is the kind of thing,

We can only really find in the movies.

Hey, Jody.

Hey, Colt, thanks so much for those stunt chats.

Stunt chats. I love them. Anytime.

Hey, uh, Tom needs to see you at the monitor.

Uh-oh. Am I in trouble?

She's talking about Tom Ryder,

who happens to be the biggest action star on the planet.

Why am I explaining this to me?

You know what Tom Ryder is. It's Tom Ryder.

Anyway, I've been a stunt double for six years now.

Flying it?

What happened? What's up?

Guess we're going again.

You know, Tom and Gail.

There's a lot of grumbling and a bunch of hand gestures over at the monitor,

So, I'm not sure what's going on there

But, let me guess, too much face?

that the one for me?

- Um, Jody, right? - What's your name?

That is not my chin. Look at my face.

Look at my jaw compared to his jaw.

It's like his chin is off.

Yeah, it's not my face's face.

It's like Mr. Potato Head.

No offence or anything, but you know?

Sorry, I got lost in your beautiful jaw, right? Excuse me.

No, listen, we're just saying it's not working first.

Let's try.

- Let's go again? - Oh, yeah.

No, we're going to have to go again.

- Okay, yeah. - 100%.

I don't know, man. Do you think, uh...

Can I make some magic?

Maybe you could do it backwards or something?

I don't know. It's just less face.

The woman free basing the Diet Coke is Tom's producer, Gail.

She's been making them look good for years.

And it's not always easy.

Give us some...

Oh, I can't complain. I'm working with my dream girl.

On my dream job.

We've got to switch the pick points to the front.

I'm living the dream.

Let's go again.

Do you want to go backwards?

Jody, go to two.

Do you have a question for me?

Uh, yeah, just-just now. Like, you wanted to ask me something.

Oh, I was going to go for a spicy margarita after work.

I was wondering if you drinks spicy margaritas.

Um, well, just to keep it professional.

I can only have one spicy margarita...

because if I have two, I start making bad decisions.

Well, you know, drinking margaritas is all about making bad decisions.

Which reminds me, um, after this job,

I gotta go sit on the sand, somewhere

and I was wondering.

I was gonna ask you a question.

Tell me.

Do you have any towels that I could borrow?

Yeah, I have some towels.

You know it's so dangerous to swim alone.

Well, I would ask you to, you know, be my swim buddy,

but I don't know if you have a bathing suit.

Wait a second, what do you call that?

We call it a swimming costume.

Imagine that.

After this, you and I could both be on the beach somewhere in swimming costumes,

drinking spicy margaritas, making bad decisions.

Imagine that.

What's that saying,

Pride comes before the fall?

Well, they don't mention that it sticks around afterwards, too.

Jody tried so hard to be there for me, she really did, I just couldn't do it.

Then I just disappeared completely.

Well, at least I thought I did.

Hello.

Oh, Colt, it's Gail, your favorite producer.

How'd you get this number?

Someone said you were working at the Captain's Cockatoo, a valet.

Wow, I didn't believe it.

It's actually El Cockatoo del Capitan. It's a family-run place.

We pull tips.

Plus, I get all the burritos, I can eat.

Kind of living in the dream, if you think about it.

Break time's over. We've got a customer.

Number 43.

Yo, bro, I know you from somewhere. Where I know you from, bro?

Oh, yeah, you were in the Tom Ryder movie, I was on.

- You're the stunt guy! - Not anymore.

Did you, like, break your back or some shit?

I did, yeah.

I know things haven't been easy for you since, the incident.

And I just hope that you don't hold it against me or Tom.

You know, we were absolutely devastated.

He sent you a message, right?

The prayer hand's emoji.

Right, yeah, he's still an asshole.

How are you even saying this?

I don't know.

- Hey, come here. - I wish I wasn't right now.

Come here, you gotta hear this.

You don't have to hear this. It's funny.

This dude was on a movie I was on.

The most epic fail I've ever seen.

I don't blame either one of you, Gail. That was my fault.

And when you start making mistakes like that, it's time to hang up the pads.

Oh, it was an accident, Colt. Everybody knows that.

Tom has put me in a real situation here, Colt.

I just need a little bit of help from an old friend who just happened to be, you know,

the best stuntman I've ever worked with in my life.

Which is why you are getting on a plane for me tomorrow, coming to Sydney.

I'm not getting on a plane, Gail.

I can't bear that you would throw away all that talent.

You shouldn't be parking cars, Colt.

You need to be smashing, burning Kawasakis through painted glass.

Yo, fall guy?

Yo, bring my car back without a scratch.

I got crispy fiber here for you bro.

Come on. It's gonna be like old times.

I know you've missed it.

Goodbye, Gail. - Wait, wait, wait, wait.

Hold on. Did I tell you?

Did I tell you that the directors asked for you specifically?

Sorry to disappoint them.

Don't you want to know who it is?

Nope.

It's Jody.

I'm giving her a big break.

Make sure it's an aisle suite.

I don't know.

Maybe I just spent so much time riding a shotgun at someone else's story.

I forgot how to take the wheel on my own.

Wait, does that make sense?

I don't know why I'm talking so much anyway.

I'm not the hero of the story.

I'm just a stunt guy.

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I didn't realize they were scanning doubles now.

Ah, it's new technology.

Basically, we did geometry of your face to retarget Ryder's face,

and we put Ryder's face back on top of your face.

Like a deep fake situation.

You got a chance turn me into Tom Cruise, would you?

Hey, welcome to Sydney. Are you Colt Seavers?

Yeah. Hey, do you know where I could get some coffee?

This jet lag is really kickin' in.

Yeah, no stress. I've got you.

And does the director know I'm here?

She asked for me,

I haven't heard. No, sorry, bro.

But the stunt coordinator wants to see you. He's just objective there.

Okay, great.

But you just tell her I'm here, and you know that coffee if you get a chance.

Oh, Dan Tucker. Big Tom Hollywood stunt coordinator. It's about time.

Congratulations.

Thank you. Look at you.

So do I call you sir now, or how does that work?

Feel free to call me boss.

Okay, boss. I don't think I should be in this no means, right?

We're not doing anything crazy.

I was just about to explain that.

I can't enroll!

It's time for you to start rolling cars again instead of parking.

You had an accident.

It was a massive miscalculation of the ring.

I almost killed myself over the whole crew.

I'd rather just not have my first stunt back be another epic failure,

especially in front of Jody. You understand?

It's not about how hard of a hit you can give.

It's about how many times you can get hit and keep moving forward.

That's messed up. Kick-off Rocky on me like that.

So it's a laser gun with a dagger.

Yes, like a bayonet.

Right. Do we need the bayonet when the laser achieved?

On the battlefield, yes.

- 100%. - It just gives it a quite strange shape.

Oh, this guitar bit at the end?

- Yeah. - Well, you said you wanted metal,

so it's like heavy metal.

How many of you have done like this?

Two.

- Okay, - hundred.

Cool. Okay.

Yeah, fantastic.

It looks like a guitar.

How are we doing on the pyrotechnics?

I think we only have enough for one take.

No. Can't we?

Yes, we could create something that looks way more realistic than the other.

I don't want real. I don't want real.

This is a sci-fi epic. I just make a love story.

Okay, of course, with proportions.

It's got to mirror that otherworldly thing when you fall in love.

You know, it's imperfect. It's beautiful. I want it that way, okay?

Let's go big with our one take, okay?

Okay, was that it? Was that my one take? Oh, sure.

Oh, my God.

Well, I've got to say, though, it looks fantastic. Look at that.

Are you sure you want to use real pyros?

- Yes, you don't need these. - No, no, no. Yeah.

We're just going to loop you at us.

That's okay, right?

It's a stuntman in a car with a helmet on.

Okay? No looping.

What the hell is going on over there, Russ?

We did not call for pyro.

I will dare you to protect your family and kill every last one.

This is why they're doing it, because they feel you don't respect them, Nigel.

- It's my tone - Your tone, your words, all of it.

Darn it, yes. Okay, yeah, I'm sorry.

I couldn't get my printer working last night,

but I have synthesized that conversation that we had on the 3rd act.

And what if one of the characters in the film is more than just in the film

that we're having a problem with the third act.

Yeah?

No, no, but I appreciate you thinking that's like what's done.

I agree with you, Nigel.

I will gut you like the face that you are.

Come on!

- Yep. - Test went well.

Fantastic. Okay.

So, guys, simmer down. Eyes on me. Here's what's gonna happen.

No VFX venti. It looks absolutely fabulous.

Nigel, we need to shoot now. The tide's coming in.

Let's go. The shot's gonna be epic.

The shot's up and quiet, people. Thank you.

Cool?

Brother?

What's happening, man?

Bad sand.

- Bad sand. - Yeah.

I think we gotta postpone.

- Hate to say it. - What's the delay, please?

We're just doing a little safety check.

The density. It's bad density.

We're looking at the density of the sand.

- There's a new driver. - Who is it? Where's Henry?

Nigel, this is the biggest shot of the film.

And I have a newbie.

The guy says we can do it.

Seriously, we're going to drift all over the place.

What is that, a king tide?

Here's what you do. You wait until it comes in.

We shoot sunset, we're sought out.

You're stalling.

- Maybe. - You're stalling.

Two things can be true, brother.

I've got a tent handful of rookie Australians out here.

I'm gonna be sick.

You got this. You're the one.

Why are you gonna say that?

You've done this a million times.

And so have you. You know, you just jinxed it.

It's just jinxed it.

Dan, I need the driver in the car now, please.

Hey, the tide's coming up. Thank you so much.

- Appreciate it. - Is that Judy?

Yes, it's Judy.

She says something about me?

Stop with it. Your face, stop it. Stop it.

She doesn't say anything about you.

Turn the car!

This is really important to her.

Yes, it's important to her.

Is this Comic-Con or something?

Hall H.

This is one of those times, whether it's an inch or a mile, a win is a win.

It's easy. Fast and furious.

Let's go.

You got this.

Did you see the coffee lady she was wearing with your hat?

And I see you in the car.

This is the hero setter. I've got five more after that.

Are you ready, Dan? Yeah.

- Rock and roll, - Copy that.

Thank you.

Okay, let's get buckled in. Stop the lady.

Got the vehicle.

Everybody knows their spots.

- All right. - Everybody knows their responsibilities.

Please go off on the cannon.

Do this right.

We do the safe and everybody goes home.

- Charging the cannon. - 2000 psi in the cannon.

- Stunts is good. - Cue is on.

Are you rolling? Camera one?

Three, two, one, Action!

All right, guys. Stay resting.

Dan, I need closer to camera down.

Okay, I see that guys. But the sand's a little loose.

I can't get any traction.

When I do it, jump.

So get me close to you. I'll lose the camera.

I know, I know, we're getting there.

You got this buddy! Move up, move up.

What the...

Keep rolling.

We have 7 more campers. Keep rolling.

Ok, ready on me. Two, one.

until stunts gives the all clear.

you alright? you alright?

You okay? You good?

So good, Dan, so good

Loved it, loved it.

- Incredible. - Okay

Whose idea was this?

I think it was Gail's idea

I thought it was your idea?

I just found out about this yesterday.

Dan, come on.

I didn't approve him.

I didn't approve him. I would never have approved him.

She didn't approve me?

I'm not approved.

Interesting. Really, really interesting.

Just very casual.

Here you are. You show up and I'm your new stuntman.

You can't do that. You can't do that.

Do you have to?

Why are you here?

I think there's been a misunderstanding.

Because I was under the impression that you did want me here.

That's a delusional thought. We haven't spoken in a year.

Gail told me.

Whatever, I don't even care about it, but you clicked the camera.

I'm a little rustic.

Comic-con shot ruined.

- Hall H. - Yeah.

It's a big deal.

- Yeah. - Congratulations.

- Thank you. - I'm happy for you.

The whole director thing looks good on you.

Even the gardening hat, somehow.

Everyone wears them. It's like a set thing.

- Okay? - Yeah, I see it.

They're not making it look as good as you are.

And I'm not trying to be flat out. I'm just saying the facts.

But you look good in everything. You look good in nothing, whatever.

No, I don't mean that bad.

This isn't gonna work.

No, I do. But it's not what I mean.

I'll take anyone. Anyone else. Anyone but him.

Can I be honest with you? We literally have no one else.

What's next?

The fire, though.

It's your call.

Okay.

We're gonna put a nurse on standby, please. We're gonna set this man on fire.

He's good.

We're gonna go again, thumbs up, okay?

Technical issue, little bump on the jolly.

Can you fix that, Jimmy? Thank you.

Up to one, please.

Colt, do you feel a bit fun you know the deep end here?

I'm just wondering, because you haven't read the script,

if you'd like some background, some context, if that's good.

Let's go, with it?

Yeah, thoughtful. Okay, here we go.

So, sci-fi love story. Two characters, one of them's an alien.

Aliena and your space cowboy. They shared what's called a moon season.

In real life, you might call it a fling.

Brief, but very intense.

And hopeful.

Now, neither of them had ever been in a relationship that deep before.

And they told each other that, over and over

and over again, they hit him more than her.

You know, to the point where sometimes she was like, chill out, you know.

But anyway, in a tragic turn of events, space cowboy is wounded.

And he just disappears.

Without a trace.

I can keep going.

I can hit the rock better now. Thanks.

We're going again.

Okay.

And action.

Come on.

Thats it.

A little bit of context, Colt.

Aliena sort of devastated.

And she starts sort of replaying everything in her head over and over again.

Did she misread the vibe?

Was it just a fling?

Did she let her imagination run wild again?

Or did he lie to her?

Is he full of shit?

But let me be clear.

Eventually, Aliena did move on.

All right?

And she started doing Pilates.

She got herself a bang in revenge body.

And then she started dating other humans.

One after another.

And she had so many mind-blowing, far superior experiences.

You wouldn't even believe it.

Right, girl?

You know what I mean? Yeah, it was like a sushi tray.

And you know what?

We're going to go again, Colt, because there was a little buzz on that one.

What a fucking accident!

It's just feeling so withheld.

So how about some dialogue?

Yeah, that's all right, darling.

I'm going to go straight to the source.

Hey, Colt, if space cowboy had to say something.

If he was forced to say something, what would he say?

How would he justify this year she spent spinning out over this?

What could he say?

It's a puzzler, isn't it?

But you got any thoughts? Maybe he.

Nigel, can you get him a ball one? I can't hear him.

Lovely.

- Come again, Colt. - What was that?

It's already on.

In this movie, do the aliens and the humans ever talk in private? No, not really.

- No, not really. - No private conversations?

No, they don't like doing private. They like to keep it very public.

Very open.

Well, you know, let's open it up to the group here.

Have you ever been in one of those situations where you want to say something

and it's so important that you can't mess it up?

So you think long and hard about it, and

then you realize you've already messed it up

because you've got too long and too hard about it?

You know what? What's that?

You want that?

I had a similar situation when I fell in love with my wife's sister.

Okay, no. Alright.

No? Okay.

And again, this is hard because I haven't read this script.

But... He probably say that he's been living in total regret

that he's been living in total regret since then.

You know, afraid that he'll never get an opportunity to make it up to her

because she waited too long and she's probably moved on.

Sorry, Jody. Speaking of moving on, we are...

One more?

I love another chance.

Roll it, then.

Let's turn over, please.

All camera, on roll.

Shut up, sound speed.

Let go, light them up.

Gail?

Gail?

You're here.

Oh, no, don't use that. It's broken.

Eight and a half rolls. That is a world record!

Thank you so much.

It's better than parking cars, isn't it?

Oh!

Would you cut the shit, Gail?

It was amazing. What are you talking about?

She doesn't want me here, Gail.

Yes, she does. Of course she does.

- You lied. - Oh.

You lied. You know how that feels?

I think you deserve a second chance.

It's like the message in all my movies.

What's the message in all my movies?

Nihilism is a viable worldview.

Well, that's just the entertainment.

That's like the sexy bacon, you know? It's like dogs.

You've got to wrap the message in some sexy bacon.

I mean, all those movies, people fall down.

They're rolling in their own shit.

They don't think they can cope, but they can.

They get back up.

Do you mind if I lie down?

With the multiple fireburns and the cannon rolls and the jet lag, I just...

Yep, yep, yep.

Can you use a little shut eye?

Yep.

Okay, let me get this straight.

Nihilism is the sexy bacon.

Yeah.

The audience are dogs.

There we go.

And when you fall down, you get back up.

Thank you.

I'm glad we did this.

Now, what am I really doing here now?

Um... Ryder's missing.

He has fallen in with some shady, shitty, shitty people.

We'll Gail... call the cops.

We can't call the cops.

Why not?

The studio will know that I am way over budget.

They will pull the plug on this.

You know that.

Please go and find him.

Why me?

You're a stuntman, for God's sake.

No one's gonna notice whether you're here or not.

No offence.

- I mean, some taken. - You know him, intimately.

It can be so simple.

You pick him up.

You dust him off.

You bring him back here.

I know I can trust you.

And you know who can trust you more than anyone?

She just doesn't realize it yet, as Jody.

This is her big chance.

Do you want her first movie to be her last?

You've gotta help me out, man.

It's been a long couple days.

I'm gonna go to the hotel.

I'm gonna...

what is it? It's my... yesterday it's your. I'm gonna call you here tomorrow.

Right, no, today, that is the door code of Ryder's Loft.

The patio door.

Took it from his trailer.

He's still getting this person out there.

Oh.

Let's not even get into that.

This point is like, momentum level.

I can only keep this from Jody in the studio 48 hours, Max.

Save Jody's movie.

And maybe you get the love of your life back.

Did you just turn Jody into the sexy bacon?

She's been the sexy bacon all along.

You good?

Is there any left-hander I ever had?

Please don't wreck it.

It's product placement.

There's only two of them.

I know how you stunt, he's dry.

You seek to destroy all I hold dear.

What are you doing?

Just, uh, chilling down.

Were you chilling down to Taylor Swift?

No.

Is this something the Australian say?

Really? I've been here for six months, I've never heard it.

Yeah, chilling down. I've already known it's shorter to stay chilling down.

- Are you even crying? - Not at all.

Yeah, that my human crying.

Jet lag.

Oh, so dangerous. I'm very sorry.

What do you hope me done?

This is very good politic.

I feel better.

I deserve to.

I'm gonna make it up to you, by the way.

Can I get in the car with you?

Your face, you're a mess.

So how have you been?

Oh, no.

Yeah? Thumbs up? God, I hate that bullshit. That stunk-eyed bullshit.

And that's fine. You don't have to explain anything. It's all good.

It was a fling. Less than a fling. It was a flingette. And that's fine.

I don't even want to know. And the problem with forcing something is you get nowhere.

You know, one time my mom forced my dad to exercise. Do you know what happened?

Snapped his ankle. First time he stepped on the treadmill. She forced it.

Now he has a piece of metal in his foot.

Moral of the story is, you should just be here.

Well, look, I've done a lot about this, actually, and I, uh...

It's not like I didn't want to apologize a million times.

Yeah.

Uh, it's just, every time I...

You know, when I think of something to say...

It doesn't seem like enough.

Okay, No problem. Boundaries. Boundaries.

That's important. Because I have a lot of pressure on me.

I have no idea how hard it was for me to make this movie, okay?

I just need to focus. If you're gonna stay here, we need to keep it.

Like, super-profesh.

- Professions my middle name. - Mm hmm.

I thought your middle name was "Danger".

What's a stage name?

Cold-professed seabirds.

Promise me you're not gonna derail this, okay?

Promise.

Wanna do some dance?

Do you want to drive me to my car? Um, let me see.

Okay, goodbye.

Okay, long time no see.

Yeah, let me check to make sure you're okay.

Colt.

I thought you were dead.

Why you gotta be such a pussy bitch.

Tom, I have to ask you not to refer to me as a pussy or a bitch.

Okay, but you got hurt like a pussy and you're acting like a bitch.

Tom, Colt Seavers. Just check it in on you.

Jody needs you back on set, pal.

I don't want to be a part of any breaking-in role-play games.

All right.

Why do you look so familiar?

Where do I know you from?

I'm Iggy Star, lead actress on Metal Storm.

I'm Ryder's girlfriend.

- You're in Metal Storm? - Yeah.

Hey, were you in that movie Car Jack where the guy named Jack steals your car

and then shoot him in the hand and you say, I hope you know how to drive stick.

And it doesn't make sense because it's like

should be automatic, but the way you say it...

That's not how we want.

I'm just a stunt guy. I'm working on Metal Storm too.

You're lying! We're only on Metal Storm one!

I'm on the whole solo!

Is this a prop sword? Mm-hmm.

I'm a good actress.

Hey, are you really working on Metal Storm? Why are you sneaking around here?

Just trying to find Ryder.

He's like really dropped up and paranoid right now.

He thinks someone's trying to kill him.

And I'm like, if you don't finish Metal Storm, I'm gonna kill you myself.

Now there is some dark shit going on.

And the sooner I can get out of here, the better.

Wow. Any idea where I could find him?

Uh, you could try this club he hangs out at.

But you're never gonna get in looking like a povo.

What's a povo?

A poor person like you.

Oh. Cool.

What's with your Miami Vice stunt team jacket?

Oh, it was the first show I ever did.

I had to jump a bow through a ring of fire.

It got so good I could do it with my inside behind my back.

Wow. You're really into yourself.

Yeah, you did ask.

It's neon night at the club.

He's always having this guy called Doone who's his drug dealer.

He's got like leopard print tats on his head.

They won't let nobody like you into the club, so just act like Tom.

You're a stunt double. You know how to do that, don't you?

Yeah, just act like I own everything and everyone

and there's no repercussions for my action.

I do it like that.

You think you're gonna come see me?

Yeah, sit down, get a drink. Hey, get him a drink.

- What do you want? - Oh, no, no. I'm good.

I'm just looking for Ryder. You see him?

- Bring me shirly temple. - Sit down, brother. Sit down.

I see no offense, Mr. Doone. I just want to find Ryder.

How come no one ever wants to chat with a drug dealer?

Sorry. Hi, guys

I mean, no. No disrespect. Just had a long day.

Ryder hasn't shown up for work. That was fast.

You do a stunt today?

I just, uh, yeah, car roll.

Just the car roll!

Just the car roll! What a stunt man! My man.

- What I do. - Hey, that's why I like you.

Because you do all the hard shit.

They give oscars for that.

For stunts?

No. Nope.

Hey, for the unsung heroes.

I'll drink to that.

Yeah.

Huh.

No offense, but I prefer cartoons.

See, movies are always trying to make things real.

But it's not real. It's a movie. It's not meant to be real.

That's why I like cartoons. Because cartoons don't pretend to be real.

So I go back.

See Dumbo?

Yeah, Dumbo changed my life.

You didn't see what Dumbo is?

Even for the bad champagne days, I saved a pink elephant for raiding shit.

I was like, yes please.

Alright, what are you? making a double

It's not matter.

Why don't you come with us?

Get you nice and comfortable at that hotel, huh?

What are you doing, Colt?

You know what I'm doing.

I'm gonna stop this car

You're clearly high, Colt.

And you're clearly chicken's shit!

Okay, we're on top of this. Talk to us later.

Hey, guys, what are you doing?

Drive, drive, bro?

Listen, hey, you need to chill. Relax, just relax.

Hey, just relax. I'm gonna have a little fighter, okay?

Where's Ryder?

I just drugged you, 'cause they paid me to.

Who's they?

The guy that runs Ryder's security.

I deliver drugs to him at the Pendleton hotel sometimes, okay?

- What room? - I don't know what room.

always changes?

Just ask Kevin for the fruit plate.

Kevin?

Kevin, K-E-V-I-N.

I know Kevin.

You know Kevin?

I don't know Kevin.

Well, then you're gonna get to know Kevin asking for a fruit plate.

They'll give you keys.

How long did this last?

What?

How long is this gonna last?

What are you even saying?

Oh, long does this last.

Oh, when you stop seeing unicorns?

I like to speak to Kevin.

Kevin's, uh, on a break.

Okay, maybe you could help me. Can I order the fruit plate? Okay.

Do you want me to call room service?

I don't know.

Is that what happens?

Do you have a room?

Do I need one?

To order the fruit plate.

Fruit plate.

Oh, wow.

Hi.

What happened to you guys?

Hi. Okay.

You look good.

How are you?

It's good to see you.

You look terrible.

You look amazing.

Did you fool?

What happened to you?

Wow, you're so pretty.

It's crazy.

Your face is bleeding.

What happened to you?

Oh, no, it was running.

It's just running.

It's a very unusual athleisure for a run.

- This? - Yeah.

Yeah, they gave me the wrong bags at the airport.

But, you know, it works.

I can sweat.

If I'm going to play Ryder, I thought I should just wait a little.

You seem kind of twiggy.

I'm a little spotty.

When my glucose levels get low, I get a little... Okay. Is that a new thing?

Is that a new thing?

- Is that a new thing? - New hair?

Yes, I cut it.

I changed my hair.

You changed your number.

- We're even. - I thought we'd sort of even the score.

Yeah.

I've learned a lot about myself since we last seen each other.

Why'd you disappear?

God, I wanted to be there for you.

How she's supposed to do quality work if you keep harassing her all the time.

Can you go and grab your things?

We have ready.

- Okay, - Got a zip?

- Yep. - Seriously.

Cool, do you...

You look like you've been busy.

Yeah, real busy, Gail.

Yeah, good.

Let her run around, Gail.

We'll get a drink and discuss that.

But right now, the studio is so far up my arse, I can taste them.

- Okay. - Yep.

You're having problems with the third act?

We're gonna go and do things right now.

I'm gonna go write it.

It's like the studio wanting me to contort the love story

so that it all ends happily and everything's rosy.

But I feel like if I lean into reality, then

maybe that's the way to go and most love stories don't end well, usually.

Follow me?

I strongly disagree with that, so we should keep chomping it up.

- Yeah? Should we? - It's important.

It's the ending.

Okay.

Sir?

Hi.

Yeah.

Hi.

I hear that you're interested in a fruit platter.

- Kevin? - Yes.

Okay, sorry.

It's fun.

It's nice.

Hello? What do you think about split-screen?

- Jody? - Yeah.

Is this okay? I'm calling you.

- It's cool. - Yeah, it's fine.

Yeah? We can chop it up.

Let's chop it up. It's a good time.

- I'm not doing anything. - Okay, great.

So, split-screen. Right.

Do you think that it's like nostalgic, super cool?

Or do you think it's a gimmick?

Um... I think it could be super cool.

- Mm-hmm. - Yeah.

How do you want to use it?

I mean, you know, tell me.

Tell me everything.

Tell me, you know, about your vision.

So, I like that they're on screen together.

But they are in separate worlds.

You know, visually and emotionally.

So you've got this very prominent divide between the lovers.

And I want that.

You want the divide?

I want the divide, yes.

Mm-hmm.

It's funny, because I didn't get the impression

that there was that much keeping them apart.

Well, you haven't read the script.

All I know so far is that the alien lady and the cowboy are having what...

seem to be pretty manageable problems.

Judy. Judy.

How's this?

Manageable problems.

The aliens invaded Earth, and they left it intact us.

So there's something in the studio pushing for the lovecockers all thing.

I'm not buying it.

Well, I have to admit that I'm surprised to hear you say that.

Why?

Well, I'm just a boy in a neon suit standing in front of a girl...

reminding her that Notting Hill is her favorite movie.

And she watches Love Actually every year at Christmas.

Well, you know, I watched it again this year and I didn't love it, actually.

Wow, that's worse than I thought.

Yeah, it's a really sad day for Notting Hill as well.

They're happy ever after stuff. Unsubscribe me.

I didn't get happily ever after from Notting Hill.

What are you talking about? Of course you did.

Yes, of course they're not. They're on the park bench.

She's got her head in his knees. She's a regular girl.

Maybe, but we don't know for sure if she's not going to go back to work in the street.

All we know is that in the beginning, she's pretty much up for anything but kissing.

And in the end, she's open to kissing him.

And it gives us hope.

You've got your Julia Roberts movie so twisted.

A little hope.

No, that is Pretty Woman, where she is a lady of the night

and this is Notting Hill, which should be very fancy.

Well, don't listen to me, otherwise.

Look, you're the director. You're going to make the right choice.

I'm just saying, for people like me, who may not necessarily get the metaphors.

You may not get the deeper metaphor, but you're going to see it.

You're going to see this bright line between

them that we're going to ache to see blur.

You know, but maybe it can't. Maybe it doesn't.

Right, right. Yeah.

But what do we know, right?

Because all we know at this point is that the cowboy likes the alien.

Does the alien like the cowboy?

She's on the fence.

Right. Because they got problems.

Because she's an alien, and he's a cowboy, and that's a problem.

But is it a problem they can't overcome?

Here's a question. Are they even going to try?

What do you think? Do you think they're going to try? I think.

I think this was a great brainstorm.

So, what did you decide about the split screen?

I have a better idea.

I don't think you need it.

I think the connection between these characters is so strong

that nothing can come between them.

Jody.

Hello?

Dead guy on ice.

What?

There is a dead guy on ice at the hotel, Gail.

Wait, sorry. What are you talking about?

Well, if you think that doesn't make sense, don't order the fruit plate.

Hold on. You're seriously telling me you've just seen a dead body.

Yes, Gail. On the rocks in the hotel.

What hotel?

The one I just saw you in, Gail.

It was so dead ill. It was very dead.

It was very dead. Super dead.

Hold on. How did you even get there?

Gail, you asked me to do this. Okay? So please try and keep up.

I know. I'm sticking.

I went around his apartment, just like you told me.

That's where Iggy with the sword gave me the neon suit

and they sent me to the man with the leopard print head .

It goes by the name of Doone.

It was Doone's goons who dirtied my Shirley and not in a fun way, Gail.

I think they were trying to kill me, Gail.

Step away and calm down. I'm gonna handle everything.

No more handling! I want the police.

It's very aggressive.

I'm sorry. I'm sorry to yell. I want the police.

You're not going to talk to the police.

You don't talk to anyone about this, okay?

Come on, I'm going to talk to the police.

Excuse me, sir.

Wait, who's there? Who's there?

It's the police. I'm gonna talk.

No, no, no, no, no. Don't talk.

No parking at any time.

Sorry. Just making sure we're both here.

I'm here, mate.

I want to report a crime.

Okay.

An ice crime.

Yeah, you're still getting a ticket, mate.

I've got to tell Jody about the dead guy.

How do you know he was dead?

He'd just been knocked up on ice.

Yeah, ice baths are very good for inflammation.

And are you forgetting that you were high?

How can I continue fixating on that one point?

Okay, you know what? Let me just stop you right there.

Whatever you told Jody last night, I started off fired up.

You know what?

And now I have to build a truck for a 250-foot jump.

In a day and a half.

Sounds pretty cool, actually.

And on top of that, the fight scene today.

And Jody has decided that she wants to do it all in one take.

A one-er!

Dan, did you tell him about the one-er?

- Yes! - So cool.

Right? Yeah.

So good he's into it.

Hey, can I talk to you for a second?

Okay, about this sequence today.

Well, it's interesting you say that because that's...

That's what I want to talk to you about.

Me too. Me too. Because we don't need him.

We don't need him.

Let me just tell you.

- Last night? - I was so excited.

- After we spoke, it all came to me. - Really?

Yeah, the third act, this sequence, all of it, I've been...

After talking to you?

Yeah, you know I was shocked when you showed up, right?

Well, it was shocking.

But I just started to wonder if maybe you showed up just at the right time.

And I'm going for this thing and the action.

And I've never been able to get it.

Like this feeling of the pursuit of love.

And how far would you go for the one that you love? And, you know.

And then, you know, I realize it's not very far with Ryder because he's a drip.

And he runs weird.

Right.

And he can't do action.

Well, you can.

You can.

Unlimited with you.

I can do everything and everything with you.

And it just made my brain just...

So cool. I don't need cuts.

I don't need gimmicks. I don't need anything.

I just need you to finish this movie and maybe even make it a great movie, you know?

- Wow. - What do you think?

Do you want to work together?

Shoot the shit out of Sydney Opera House in four hours?

Three hours and 52 minutes.

Three hours and 52 minutes.

What are we waiting for? Good.

- Okay. - Venti, Venti, come on.

I'm going to get some dots on your face because I need you, but not your face.

Oh, God. Yeah, just get rid of it.

Yeah, and then stick Ryder's head on this.

- Okay. - Yeah.

Cool. Okay, here.

Ready for a take?

Make it rain, please.

How did we do, boss?

Yeah, it was good. I mean, it was amazing.

It was so amazing. We're gonna go do some karaoke.

If you like karaoke, you know, you could come. Like, I would like you to.

I'll be there.

Okay.

I don't know what that was. That was just so awful.

- Really? - Yeah,

- Okay. - Yeah.

- Yeah. - Horsehit

- It's horsehit - It's done. Forget.

You never saw it.

I saw that.

- You saw the finger guns? - Oh, I saw the finger guns.

She started it.

Oh, yeah.

I didn't have breakfast.

- Yeah, you did. - I disagree.

I gave you a breakfast throughout this morning.

Technically, this is all meal penalty if you want, but... It's fine.

I'm just saying, I want to be as cool about it as I am.

No, I didn't.

What is this?

I've got you on a 555 flight out of here, okay?

I have a car waiting for you.

- Now? - Yeah.

Colt, there is some serious shit going on, okay?

I just told Jody I was gonna move.

And I'm actually embarrassed that I got you here.

I've got you all tangled up.

I just want to get you out of here before it escalates.

Take your stuff together. Get going,

You dont want to miss your flight. Thank you. Sorry.

Okay, but I'm late and I've got to get Ryder's rocket today here.

Fluffy needs her whole meal back. She gets high.

Your brother's assistant, you must know.

All I can tell you is that if Ryder has a no-show tomorrow,

the studio will shut us down.

Oh, poor Jody.

Say hello to the director's jail.

Oh, crazy.

What is Ryder's part?

He's. .. he's... Wow, he's got some great qualities.

He does... he makes you go for it, doesn't he?

Bonjour, monsieur.

Bonjour.

Qu'est-ce que tu père.

Qu'est-ce que tu père.

Sorry, his commands are in French.

French, I know.

Hey, where do you really want a movie on?

I can't believe you kept them.

Well, it's more for a party trick, really.

This one's got a command where you'll bite people in the balls.

Yeah, yeah, we would know.

No, no, no.

Alma, right? - I'm...

Colt Seavers. I know who you are.

So, the last time I saw Tom, everything was pretty normal.

He and Henry won some kind of drug-induced shirtless shit-show grappling match.

But then Gail called me early the next morning in a panic.

Drop whatever you're doing. Tom has lost his phone again.

So, I found the phone.

The one that Drizzler, writer's creepy security dude, just called me about.

Battle storm crew, we have a call time of 6am tomorrow.

Good day.

Hey, two shots at the table please.

Hey, Gail.

Hey.

Wow.

Good thing you like coming to these things.

What are you talking about?

Nothing since people mad at my favorite songs.

Thank you.

I gotta get to karaoke.

Hi.

Thanks, Amy.

Well, it wasn't fun. You gotta get rid of that thing.

Why don't you just give it to Gail?

Whatever's on this phone is a goddamn bazooka that'll

blow a movie-star-sized hole through somebody's career.

I'm happy to get this into the hands of a good guy.

Okay.

For the right price.

What do you want for it?

A producer credit.

On battle storm?

Look, I need career protection, okay? I'm burning myself with this.

I'm a stunt guy. What am I supposed to do?

You're a stunt guy who used to date the director and seems to be getting

close to rekindling some sort of short but legendary tour of love affair.

Do you think we're close to rekindling?

I mean, it feels like it's amazing.

Is it a deal or not?

It can help you find Ryder.

I'll do what I can.

I don't have the passcode. Just figure it out okay, stuntman. Just find Ryder.

I'm gonna need you to sign an NDA. As you know, nothing in this industry.

As you know nothing in this one...

Wait, wait.

Rod is fine. Where is it?

What am I doing? What am I doing?

You said that he left home.

- Who? - Colt.

No, he didn't. He's coming here.

He's swinging by to sing some karaoke?

No, I. I gave him the tickets.

I see it! I see it!

I need him to finish the movie,

Why wouldn't you talked to me about it?

Give me that.

Okay. I'll buy you a drink when this is over.

You've been so distracted. You should have spoken to me.

Excuse me. Can I get another piece? Thank you.

I thought you wanted me to get rid of him.

And he just left.

Who are you working for?

Where's the fine stuff, man? I need that video.

Wow, he didn't tell you?

Can I get another one, please.

Thank you.

- I just doing my job. - That's fine. That's fine.

But you know what?

He can do whatever he wants.

He's an adult human male.

And he should do as he pleases.

He should just...

He's not going all the way.

But that means you can focus out now.

You have a massive... Do you know you have a big fat hit on your hands?

It's hiding at the edge of the universe.

Yes, lay yourself.

Forget about him.

Just wanna give us a round of applause for Jody.

Here, she is. Big round of applause for Jody.

I want you to change my song

I just want you to walk away. Just let you leave without a trace.

I love this song.

- Hey - I can't, something stuck!

Are you okay?

Colt?

- Where's Jody? - She left.

Where we're you?

Are you rape in the sewer?

What's with the dog?

Give me a sunset on ice in the water bank.

Coming right up.

What's this?

- It's Ryder's phone. - Why do you have Ryder's phone?

All I know is the movie bad guys are trying to get it.

Are you serious? What?

I just gotta figure out what's on there.

Then find Ryder and get him to finish Jody's movie.

Yeah, Venti. She's like a genius at this stuff.

Thank you.

Big Venti.

- Hey, what's popping on boys? - Yeah, Venti.

You know how to get into this thing?

I've seen some of these guys. This thing is a vault.

It'll take me, like, for a few days.

You like a tech genius, you know?

What if you don't have three days?

You need the password. I'm telling you that.

You're next.

Nigel.

Nigel.

Knowing Ryder, it's been unopposed to know his apartment somewhere.

Okay, next up, we've got Dan.

Come on, buddy. Come on, Dan.

Don't be shy, all right? Come on, buddy. Let's go.

You owe me.

You owe my soul.

It's gotta be around here somewhere.

Split up.

Oh. You know what? I deserve this.

Idiot.

Colt? Colt! I got it! Colt!

Finishing the movie. I think I got it.

All right. I think I mentioned the video.

Oh, baby, I'm here at work, but I got a little something for you, a little surprise.

It's just above my ass.

Oh, my God. I think I've seen Tom's ass more than my own.

Really?

Now is the winter of our discontent.

We tend to make glorious sun by the sun.

He's such a dick.

But God he's good.

What about this?

Well, here's that part his assistant was talking about.

Iggy!

That's Henry. That's Ryder stunts double.

It looks a lot like the guy sat at the hotel.

And you were high?

You are seeing unicorns?

I need to take guy in the race.

Do I do my own stunt? I think I do.

Ryder just killed Henry?

They just killed Henry.

What's venti?

- Uh, Hello? - Doone

Turn on the news right now.

I can't believe this.

The dead body discovered this morning at the

Pendleton Hotel has been identified as Henry Herrera,

an American stuntman known for doubling superstar Tom Ryder.

Authorities are investigating his death as a murder.

Their prime suspect is another stuntman, Colt Seavers,

who was last seen in the hotel room where Herrera's body was discovered.

Police have released this security footage

showing Seavers leaving the scene of the crime.

If you have any information, please do us a favor

and reach out to Crime Stoppers by the number...

I gotta call Jody.

He is a universe, folks.

Which one was that?

That was Take Four.

God damn it, Jody.

It looks like freakin' Burning Man.

My balls are drenched. I need a towel.

This dude always forgets that he is mine.

I know. He says the craziest... craziest shit.

I know, I know.

What is it, on airplane mode?

If this was the fugitive and you were Harrison Ford,

the bad guys would be closing in.

Michael!

Damn it! You stay alive.

Stay alive.

No matter how long it takes, no matter how far,

I will find you!

Last of Mohicans

God damn it, boys!

Stocks!

That's another one!

Take support!

No!

Dwayne "The Rock" Johnson!

We're in the fire!

Where's the phone, Stuntman?

We gotta get this phone to the cops.

Okay.

It's the only thing.

What are you doing?

What are you doing?

Where's the phone, Stuntman? So close.

Attack him!

I'm gonna take that.

Be careful, that big guy.

I'm gonna go out the front,

and make sure no one's there.

Okay. All right.

He takes you on the clock, would you? All I see. ..

It's you and my stuntman.

Shit! Cold steel.

Call Stan. Big fella.

Can you make it? Can you make it?

Can you make it? Can you make it?

No!

It's too dangerous!

You gotta be stairs!

Whoa! Hey, man.

You're making a movie here.

Did you leave this place?

Ooh, girl, so tense.

Remember old Josie, right?

Stuntman.

I never forget a fist.

First, I'm gonna need the phone. Where is it?

It's a matter of urgency I need to know.

Right. The one that proves that you killed Henry, not me.

- That's phone? - Well, yeah.

I'm gonna hold on to that.

Seems I can see all I think keeping me alive right now.

What?

He's the prime suspect.

Jody.

Okay.

- Are you kidding? - I know.

Colt. There's no way. There's no way.

What went wrong?

What went wrong?

What went wrong?

Well, as I look at it, you know,

you're torturing me right outside your super yacht like a Bond villain.

Dead shit!

What went wrong?

- What went right? - You changed.

You changed.

You changed.

Yeah.

We used to be like brothers.

You and I entered into the sacred bond of actor and stuntman, man.

- Oh, God. - Yeah.

You think Colt could murder a human being?

- No, I don't. - Did you tell them that?

This is a man. This is a man who spent 23 minutes ushering a cockroach out of my room once.

And I was just stomp on it.

And he was like, no, let it live and it's cold.

I told them all of that.

I told him who he is, who I thought he was.

- Did you, emphatically? - Yes, I did.

Yeah, because he was at the airport where you sent him.

He never got on the plane.

How many movies we know?

- How many? - I don't know.

- Yeah, too many to count. - That's right.

Because I put you in the contract, didn't I?

- I put you there. - Right there.

Yeah? That's right. I had the assistant, makeup and hair, trainer

And then boom. Ryder's no.1 stuntman. Colt Seavers.

That was me. I did that.

I did that for you.

What are you going to do for me?

- Huh? - Die, I guess.

Right? Die? Is that the point?

It's not in person. Well, I'm taking your personal.

Yeah, I can see that.

You know what? It's just business.

It's just business.

Tom Ryder's is a global brand.

I literally move market, if I go down, the freakin' Dow goes down.

If you break your back, I replace you like this. Boom.

You know, if you just stuck to your job instead of trying to hog this spotlight,

this wouldn't have happened.

I mean, Henry wouldn't be on the scene.

He's action wouldn't have happened. You're action.

Freaky little fox.

You just push my buttons, man.

- Wait a second, what? - What?

What?

What'd you say about my action?

Well, you know, you pushed me over the edge.

You literally pushed the button.

I mean, you didn't. I mean, I pushed the button.

I had to crank it up a notch.

That was you.

Yeah.

I had to teach you a little lesson, didn't I?

Gotta love to thank for your babes, thank you.

Henry's no different, you know.

Hey, you do your own stunts?

Do I do my own stunts in front of all those people?

It's humiliating.

Yeah, I'm gonna kick you into next week.

But then Gail, you know, remember Gail, right?

I've known her for 15 years.

Oh, yeah.

Forget, because you've been out of the game so long.

I introduced the two of you.

It calls me out. It just doesn't look good.

Bad for marketing.

And branding.

Whoa, whoa... murder.

I know.

I don't... I really don't need this right now.

Fucking Henry.

Don't worry about it.

You lay low...

and I will handle everything.

But maybe we don't know people as well as we think we do.

Oh, my God, it's Colt.

- Give me that. - What are you doing? Give me that.

Oh, no, Jesus Christ! Gail! Oh, my God.

Oh, my God.

Let me help you. Let me take a minute.

You know what? Just give me a minute.

- Yeah. - Just give me a minute.

Yep.

Come on.

This plan was so simple.

Yeah.

We're gonna put Henry's body on ice so it doesn't decompose.

We can put you out from that rock you crawled under.

- My life, yeah. - You know, scan your face.

Dressy here is gonna stick you on the murder video.

Drug you. Drive you and Henry's body up the Sydney Harbour Bridge.

In your car. Boom.

You got murder, suicide, cut, check the gay, move on. Beautiful.

We have different ideas of what simple is.

You just didn't stay down, did you?

You had to create a big scene.

Like Colt Seavers does.

But you know what?

This can still work because we got the murderer.

Now we just need the suicide.

- Sad. - It's plot heavy.

We're getting tangled in exposition.

Lose the last part, the suicide.

You lose the audience if there's too much, code.

- Where's the phone? - Tom.

You need carbs!

Your brain runs on glucose!

For simple cognitive functions, you need them.

You're the fall guy.

You're the fall guy, you know.

Where's the phone?

I mean, you can keep taking hits all night, but you know what?

You can think of a few other people who can't.

You can bring Dan up here, make Jody, perhaps.

I mean, I like Jody, but you know.

There's no phone.

Okay? That's the twist.

He shot it out of my hand.

Up there. Go check.

You too. Oh, I'll wait.

He shot it.

You didn't know you did that? It's crazy.

I've been wanting to tell you this whole time.

- No, you didn't. - I was by the door frame.

And he shoots it out of my hands.

- No. - Take the ties off.

- Oh my God, what a relief. - It's crazy.

You were right about one thing that was the only thing keeping you alive.

I really wish you could see what Jody's gonna do with Metal Storm.

It's gonna be awesome.

I don't know, honestly.

It'll be a banger.

Not so cocky now are you, mate?

Jesus, Mike, Mike, put a lid on it!

Wish you didn't break that bond, bro.

Break that bond, man.

I'm afraid you're gonna find it.

All right? There we go.

All right?

Help!

Help!

Help! Oh my God.

- Colt? - Hey.

What's going on?

- What'd you sing? - What?

At karaoke. I'm sorry I didn't make it.

It doesn't matter. Listen, everyone's saying you killed Henry.

Oh, that's not true.

You're gonna hear a lot of things that aren't true.

I just wanted to say that when I first got here...

When you asked how I was doing and they gave you the thumbs up.

You were like, that stunt guy bullshitting.

You're right. It's total cliche.

But, you know, there's a reason you don't see the thumbs down stunt guy.

You know, it's kind of part of our training, right?

You know, you get hit by a car.

You get thrown out of a window.

You get set on fire. You get the thumbs up.

But after my accident...

Turns out it was not an accident, by the way.

I, uh... I wasn't okay.

And not because I broke my back.

Because I just felt a huge... failure.

And I realized that, uh... You know, I'm not invincible.

A huge shocker.

And... It's not maybe I wasn't so special or something.

So I, uh...

Just figured that the thumbs down version of me wasn't what you got in for.

So I disappeared.

But, you know, I didn't just disappear.

I just disappeared on them.

On myself, too.

Anyway, I'm sorry.

You deserve more than that, I'm sorry.

I just wanted you to be honest.

You know, honestly, it all hurts.

Getting hit by a car, hurts.

And being thrown out of a window, hurts.

Getting set on fire really hurts.

But, uh...

None of it ever hurt as much as not being with you.

Where are you?

Is that from a movie, or I just think I love you?

It's pretty good.

You can use it if you want.

For it's worth, I'm still in love with you!

And I don't think you should give up on that happy ending.

Colt.

I gotta go.

Gail...

Jody...

Colt's dead.

Police are investigating an explosion on Sydney Harbour,

just outside the opera house.

Where it appears...

The stunt coordinator, Dan Tucker.

- Is that him? - No.

Hey!

You two! Helmets off!

Lookin' for the stunt coordinator, Dan Tucker.

Following a dramatic boat explosion on Sydney Harbour.

Police are... Following a dramatic boat explosion on Sydney Harbour.

Police are currently investigating the suicide of American stuntman Colt...

Don't yell, we need to be quiet.

Don't yell.

You think you can come to my set?

- And sneak-up on me! - Please.

Please.

I knew it. I knew it.

I knew you were alive.

Three shows a day, six days a week for three years.

The man in my stonja... You remember.

Yes.

You are mine, Colt.

Colt, I'm so happy you're alive.

- I knew it. - Oh my God.

You were doing it.

- I'm so sorry. - No, it was great.

You got up. Just in time, I think being poisoning didn't set up.

- Just kiss. - What's going on?

Everyone's saying that you killed Henry.

Ryder killed Henry. He framed me.

- That's footage of you. - They de-faked me.

- What? - They do it all the time on the internet.

They fake Tom Cruise's face, and they bring it on yours.

And you can't tell the difference.

No, because it was the real footage of Ryder killing Henry. How do we get it?

It was on Ryder's phone, and then it got destroyed because Dan's last limo.

- He can explain it didn't work out. - What?

It's not his fault, you know? He called Tomahawk first. Okay.

I got blanks only. And it was going pretty well, actually. And then Trezler showed up.

So he, you know, he doesn't sleep.

She's the born shit.

Okay, I have so many questions.

- Okay. Who else knows you're alive? - No one.

Great. - No, that's the point.

I mean, I figure we can't finish the movie unless they think I'm dead.

- What movie? - Metal Stone.

What about Metal Stone?

If they think I'm dead, they'll come back and finish.

Who? - Ryder.

Finish what? - The movie.

Metal Stone. - Exactly.

Are you insane? You are insane.

You need to be burning your fingerprints off of me to get across the borders as fast as possible.

We're gonna hide you until we clear your name.

None of this matter anymore. It's just a stupid movie.

- What? - It's just a stupid movie.

Don't say that. That's Metal Storm you're talking about.

That's the movie you spent your whole life trying to make.

Who knows, you might inspire a whole generation of little Jodys

to pick up cameras and make their own movies.

You're just, you're special.

And all of us get to be a part of something special because it comes from you.

I obviously failed at getting us our happy ending.

But I'll be damned.

If I'm gonna let space cowboy and aliena not have theirs.

You're there my love?

What's that?

Shh.

No.

She's in on it.

What?

Yes. Let's just kiss.

No, come on.

Come on.

Come on.

Christ.

You all right there, my darling? Take this open.

Rub it on my belly.

Come on.

Be quiet.

Don't make us hurt.

What?

Hi.

Oh, come here.

How's my favorite director?

A bit emotional here.

Jesus, like Johnny and Amber have just been here.

I just need to vent because it's been...

Let's just pass up.

I'm so sorry about Colt.

No, it's such a shame, but what a mess.

Right. Who knew?

I mean, I tried to help him. I hope you know that.

But sometimes you can't help people who don't want to be saved.

But silver lining to this very dark cloud.

I've got Ryder to come back.

- And I have a plan. - Really?

But we're not going to be able to do your big third act set piece, the car jump.

It is impossible, Jody.

Especially now. We've come gone dead.

- He's gone. - He's so dead.

Stay with me. I spoke to Venti.

She says she can do it in VFX. The car jump.

All we need to focus on is Ryder's new final... Bomb-Fastic monologue.

Read the pages.

God, you smashed it. I knew you would.

We're going to get him covered.

You, meanwhile.

Please go and rest up in Fiji, on me.

- You know? - Plop yourself on a beach.

And I'm going to take care of all of it.

- For you. - Yeah.

- You've got so much to process. - No.

I can take care of all of it.

This is my movie.

Now listen to me.

I've learned so much from you.

- I know. - I'm very grateful.

But the lesson I stand by now that you've taught me.

- Yeah. - You fall down.

You get right back up.

I'm directing this movie.

Oh my God, that's my girl.

You're winning. I'm so proud of you.

Good. Okay. Thank you.

- All right. - One last thing.

Have you seen Dan?

No, I think he's by the taco truck.

- Probably over there somewhere. - Thank you so much.

- I'm proud of you. - Thank you.

- Okay, bye-bye. - Love you, darling.

Love you too. Bye.

You're going to finish the movie.

Oh, I'm gonna clear your name.

Okay. Okay.

- Why can't we do both? - I think we can.

We're going to bring him to set, in a controlled environment.

And then we surround him.

And we beat the shit out of him.

No.

We're going to force the confession out of him by putting him in a scene.

- Right. - You know, he always forgets his mind.

That's better?

- I still gotta do it and... - I know how to do that.

Make him do his own stunt.

The impossible job.

Then we beat the shit out of him.

One second.

One second.

- One second. - Action.

It's high noon.

The edge of the universe, folks.

We're facing a powerful end.

Mainly a species born of the worst of humanity's traits.

What our enemy doesn't see, to their demise, is imminent.

And the most powerful weapon in all galaxies.

Love.

Inside each and everyone of you is born, baby.

Remember, there's a goddamn fire!

Love is how we will win.

And even if we lose, we're gonna die fighting for everything.

Hell yeah.

We're out there and go.

So good. Thank you.

- Was that it? - God, yeah.

- Did we get it? - It was so good.

- We got it? - Yeah, yeah.

Oh, my God. Gail was in.

- I really felt that one. - Of course she did.

Because I had tears.

Yeah, I know, I can see them.

Yeah, it was fantastic.

So listen, all we have left is the alien truck coverage, all right? That's it.

Yep, we're into the car jump.

No one told me about another setup.

There is another setup.

I needed it's close up, It's close up, all right?

I needed it's close up, right here, for the coverage.

All right, 15 minutes tops.

That's all I need. This is the bit.

Do you remember? Where a space cowboy steal the alien vehicle.

Come on, this is his moment.

Wait, wait, wait, wait. I'm not going to even need driving.

I'm going to feel really nauseous.

It's a blue screen setup.

I need this. I need this, okay?

Zero notice here. We're moving as fast as we can, all right?

Everyone! Now move the bed!

And we're in position!

We need an upcharge to blow this keg in sky-high, people!

Okay, where are we?

Go fast with him, knowledge.

We're as ready as we can be.

Hey, get ready to come in and check the mics before we go.

Sam, can you come down here and check where his mic is?

- All right, Tom, you ready? - Yeah.

Okay, remember this thing, You're gonna be in the alien vehicle?

- Mm-hmm. - Okay?

- Yep. - Okay?

And with no where to go, you're going to jump the car over the ravine.

So, I just need a quick pop on you.

Space cowboy, ain't scared no ravine.

I'm thinking maybe just a couple of reactions shots.

Yeah.

Grip my teeth like god damn... Something like that.

Let's do it, yeah, yeah.

- All right. - I like it. Okay.

I think it's gonna be great.

Yeah, I love the choice.

- All right, let's pop these on. - Okay, what's this?

No, this is because you just gave the aliens.

- Is this necessary, bit too much, no? - This is cool.

- Raise the stakes. - Kind of cool.

Yeah, it's cool. Okay, let's do it.

Because, you know space cowboy. Nobody can get a space cowboy.

No why. You know when he's coming?

- Tom, I'm sorry. - I told you this before, guys.

Appreciate you, Tom.

Thank you so much. Okay, great.

So, you got this guy coming on your left.

All right. Take him out.

Someone else is going to crash down on the bonnet.

- You're going to take him out. - No, no, no.

See, what I'm thinking is, maybe I come down,

I take him out first, and I'm like, pow, pow, pow.

I slide over and go pow.

And maybe I say a little lie.

Like, I was shooting aliens way before.

- I was paid to. - Fantastic.

All right, let's lock it up.

- Let's shoot, Nigel. - Standing by, please.

- Alright. - Take one.

- Mark up. - In three, two, one. Action.

Now you're on your lucky day, alien. We gotta go.

Get out on me.

I'm space cowboy.

You are approaching the moon.

There's nowhere else to go. Turn right.

You have no choice.

You're gonna have to make the jump.

In three, two, one.

Who is that in the car with him?

We're in the middle of a take right now, asshole.

What are you doing?

He's just buckling you in. Safety first.

That's really tight. Is this necessary?

- Hey, we are filming right now. - Keep rolling. Keep rolling.

You said it, Tom. It looks amazing.

Just not... Get out of the car.

What's happening?

What the hell are you doing?

I'm doing something real. I'm doing a deal.

No cover on him.

Hey, Dan.

They're approaching ambushadi right now.

We're ready.

- Let me out. - What now?

What are you going to do, huh?

You're going to kill me? Again.

- Can you untie me? - No

Smoke's screaming in three, two, one.

This is not seem safe, man.

I see them. Everything's going to black.

They shall not pass.

I see them. They're entering Amber's valley.

I can't see, shit.

Again.

One!

Again.

Two!

Again.

Now

Aww, mother!

Oh Goddamn!

I can't think straight when you drive like this.

You're supposed to be dead.

You blew up in a thousand pieces.

You went kaboom!

Why would I blown up Tom Ryder?

Why are you saying my name like that?

Ladies and gentlemen, this is the first time

that a blind man can seem to do his stunts, Ryder.

Okay, let's do it. Let's do it.

Roll the cameras, we're heading for the jump.

Tom Ryders, doing he's own stunt.

Everyone roll.

Uncle, Check, Penny, check.

I'm done making the balls for you.

You gonna do your own stunts from now.

I don't want to do my own stunts.

This is the 250 foot jump that will probably kill us.

It's never been done before.

Comic con, Paul H. It's a big deal.

- What are you doing, man? - I thought he'd stay there.

Me and you, Tom Ryder, one last stunt.

You know, like Kilmer and Louise.

Kilmer and Louise.

- Yeah, - They die at the end.

Exactly, Murder suicide.

Can you just pull over and let me out right now.

You not getting out of this car, until you, Tom Ryder,

tell me. Colt Seavers, the truth.

Alright, alright.

It's all Gail.

When I killed Henry. Why don't you cover it up?

Because to be honest, Space Cowboy was one of my best goals yet, Colt.

And I don't want this movie to fail.

So you're saying that Gail Meyer was responsible

for framing me for your murder of Henry.

Yes! Yes!

But what's your real name?

Tom Ryder.

Did you get that, Jody?

We got it! He confessed.

You're wearing a wire, bro. You recording this? This is entrapment?

- You can't do that. - Oh, it's not entrapment.

- What are you doing? - Because you're wearing a wire in jacket.

Go, go now.

I'm just an actor!

All good.

You're alive.

Are you okay?

I told you I'd make the camera up, to you?

It was fantastic.

Christopher, come in!

Can you hear me? We're gonna get out of here!

Yes!

Christopher, bring that helicopter to the trench.

- What about Roger? - Now!

Now, about this date.

Put in the case, you numpty.

Can we call it a date?

I mean, that's what it is, right?

Such a moron.

Oh, God! Gail, Gail.

Listen.

Give me the recording, Gail.

Darling, calm down.

Just come with me. We don't need all this toxic masculinity because we're the same.

You and me, you know, we're survivors.

No, no, no, no. I'm nothing like you.

I don't want to be presumtuous, I mean...

Let's call it fate. It's fate

That's why I gave you the job.

Well, man, because you're so easily moldable, you know.

Oh!

This is a Gail Meyer production!

Not yours!

Rondo with the boss in the canyon.

Extraction at the spaceship set.

Spaceship set?

Oh, no, Big red.

I don't think you're going to make that one.

Stunt set! Stunt set!

Go!

Trust me, I will not be taking the ball for this because I deliver a hit.

For all you little people, you're welcome.

This dog a mess!

Not again, dog.

This design is growing on me.

Lower the arm. I'm gonna jump in.

Lower the arm. Lower the arm.

- I have a plan. - What is it?

What's the plan?

Get me to the helicopter.

I'm gonna jump onto this kids, and I'm going to beat this shit out of him.

No, just get the recording.

Go! Go!

Ah, shit.

Go!

Get me down!

Get me down!

Just wondering, you know, after this movie,

if I don't go to prison, and you know, you're not busy, babe,

we can go to a beach somewhere, wear a couple of swimming costumes.

Just drink a spicy margarita or something.

Yeah, yeah, make some bad decisions.

Okay, sure, yes.

- Sound like a plan? - It's a better plan than this.

- Okay, please be careful. - Come on, go

Get us out of here. What are you doing?

Stunts, mobilize that pad, Now.

Shoot him.

he's just stupid stunt man.

He's one of the best stunt double I've ever had.

Shut up.

Give it to me or I blow your head off!

It's empty, Gail.

From visionary director Jody Moreno

And universal pictures

Comes a cosmic love story

Of epic proportion.

Starring MTV Best Kiss award nominee,

Jason Momoa.

It's high noon at the edge of the universe.

I know these creatures.

I fought them.

I love them.

I'm not going to lie to you.

We are facing powerful enemy.

But what our enemy does not know Is that inside each and every one of you

There's a goddamn fire!

Justice is on the horizon.

Metal Storm.

Metal storm was a huge hit.

Aliena and Space Cowboy finally got that happy ending.

As for Jody and I,

We got something even better.

We got a new beginning.

Filled with spicy margaritas and bad decisions.

And look, I don't want to over romanticize it or anything,

But I think what Jody and I got

Is even better than what we find in the movies.