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1
00:00:02,880 --> 00:00:04,400
Hello, Lucy.
2
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Daniel's here. It's Daniel.
3
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Hello, Lucy.
4
00:00:07,280 --> 00:00:09,520
I'll put your cane in the corner.
5
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PIANO PLAYS
6
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One. Three, four.
7
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So, the first bit, it's like this.
8
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HE PLAYS CHORD
9
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Wait.
10
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Wait.
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Wait...
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..and one, two, three, four, go.
13
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LUCY BEGINS TO PLAY
14
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Lucy is the most gifted musician I
think I've ever met.
15
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Well done. So, you're going to
go, "Bom."
16
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Bom, listen, listen.
17
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Bom.
18
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Like that.
19
00:00:50,200 --> 00:00:55,120
I was introduced to her
when she was three years old
20
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and it was the best thing that ever
happened to me.
21
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I've never met anybody who has
22
00:01:01,840 --> 00:01:04,680
the same depth of understanding
of music.
23
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Lucy makes you completely rethink
how the brain works
24
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and how the heart works as well.
25
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PIANO CONTINUES
26
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Bom.
27
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HE SINGS ALONG
28
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Bom.
29
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Well done. You're doing really well.
30
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Brilliant.
31
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Ladies and gentlemen, Lucy.
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OK.
33
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Morning, Lu.
34
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Morning, Lucy.
35
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Morning, Lucy.
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Today is...Tuesday the seventh.
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Coat off.
38
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Tuesday the seventh...
39
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So, it's Tuesday the seventh.
..of March.
40
00:02:01,720 --> 00:02:03,000
What year is it?
41
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2023.
42
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Good girl.
43
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You ready?
44
00:02:07,560 --> 00:02:08,560
Poppy here?
45
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She is. She's watching.
46
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And a big mouth.
47
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Good girl.
48
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Excellent, Luce.
49
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Fantastic.
50
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Daniel today.
51
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It is Daniel today.
52
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At?
53
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1.40pm. 1.40pm.
54
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You ready?
55
00:02:24,960 --> 00:02:29,880
She has a chromosome
16 duplication.
56
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Thank you. Thank you.
57
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She does struggle with processing
and she does take time.
58
00:02:34,280 --> 00:02:36,120
You can't ask Lucy to do something
59
00:02:36,160 --> 00:02:38,760
and assume she's
going to do it immediately.
60
00:02:38,800 --> 00:02:42,160
I don't believe she actually has
a formal diagnosis of Autism,
61
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but she has many of the traits.
62
00:02:45,600 --> 00:02:50,240
And then, obviously, she has severe
vision loss, well,
63
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to the point of no
functional vision.
64
00:02:54,080 --> 00:02:55,080
What can you read?
65
00:02:55,120 --> 00:02:56,120
Cam.
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00:02:56,160 --> 00:02:57,360
Cam.
67
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What's on the end? Ah.
68
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Ah. Camera.
69
00:03:01,680 --> 00:03:03,200
Camera. Camera.
70
00:03:03,240 --> 00:03:04,800
Do you want to have a feel of it?
71
00:03:04,840 --> 00:03:06,560
Can you reach for me?
72
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Reach, reach, reach, reach, reach.
73
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Poppy's holding the camera.
74
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There's lots of wires.
75
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Camera.
76
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Camera. Camera.
77
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She's holding the camera.
78
00:03:23,520 --> 00:03:25,320
Lucy, we just wanted to say hi.
79
00:03:25,360 --> 00:03:27,160
It's Poppy and Glenn.
80
00:03:27,200 --> 00:03:28,240
Hello, Lucy.
81
00:03:32,200 --> 00:03:33,680
I don't think she's really fussed.
82
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I think the cameras are just there.
83
00:03:35,120 --> 00:03:38,360
I think it's just another thing
that Lucy takes in her stride.
84
00:03:38,400 --> 00:03:40,280
She knows that you guys are in
the room.
85
00:03:40,320 --> 00:03:43,360
She quite often calls you out that
you're in the room,
86
00:03:43,400 --> 00:03:45,920
but I don't think it phases her.
87
00:03:45,960 --> 00:03:47,680
Poppy and Glenn.
88
00:03:47,720 --> 00:03:49,840
So, I'm gonna tuck that wire
in there.
89
00:03:49,880 --> 00:03:50,880
Is that all right?
90
00:03:50,920 --> 00:03:51,920
There we go.
91
00:03:51,960 --> 00:03:55,040
Yes, now we're ready for piano.
92
00:03:55,080 --> 00:03:57,200
Daniel!
93
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He's here. Hi! Hi.
94
00:03:59,920 --> 00:04:01,560
Hi, Lucy.
95
00:04:01,600 --> 00:04:02,840
Hello, Lisa.
96
00:04:02,880 --> 00:04:05,960
How would you describe her
relationship with Daniel?
97
00:04:06,000 --> 00:04:07,320
Oh, it's just lovely.
98
00:04:07,360 --> 00:04:09,920
They're just in tune
with each other.
99
00:04:11,080 --> 00:04:13,280
Shall we do that one?
100
00:04:13,320 --> 00:04:14,840
Oh, I love that one.
101
00:04:16,600 --> 00:04:17,640
Yeah.
102
00:04:17,680 --> 00:04:21,800
She looks forward to his lessons
so much.
103
00:04:21,840 --> 00:04:24,000
Bit louder. I'm playing bass guitar,
yeah.
104
00:04:25,200 --> 00:04:28,480
Music, for Lucy, is key.
105
00:04:31,280 --> 00:04:33,560
I think, if Daniel wasn't in
her life,
106
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Lucy would have no
real grounds of communication.
107
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PIANO PLAYS
108
00:05:03,360 --> 00:05:05,600
DANIEL HUMS
109
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Daniel, sing.
110
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DANIEL CONTINUES HUMMING
111
00:05:21,560 --> 00:05:23,480
Nice. Lovely.
112
00:05:26,680 --> 00:05:31,040
I can't remember a time before
I could play the piano...
113
00:05:32,280 --> 00:05:34,760
..and I think that maybe that's
the same with Lucy, isn't it?
114
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It's just that, maybe that's why
we get on so well musically,
115
00:05:38,120 --> 00:05:44,200
is that we both have that kind
of natural attachment to the piano
116
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as the way that we
express ourselves.
117
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much more so than with words.
118
00:06:04,480 --> 00:06:06,360
She sees the world differently.
119
00:06:07,360 --> 00:06:10,000
She sees the world in
a beautiful way.
120
00:06:10,040 --> 00:06:13,120
I wish I saw the world
the way Lucy sees it, I do.
121
00:06:13,160 --> 00:06:14,600
She's just happy.
122
00:06:17,040 --> 00:06:20,520
But when she was born, the first
thing I remember saying was,
123
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"Is she OK? Is she all right?"
124
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And they went to me,
"Yeah, she's fine. She's fine."
125
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And yet, at nine months,
she was diagnosed with
126
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advanced bilateral retinoblastoma.
127
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It's cancerous tumours of the eyes.
128
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It's a rare child cancer.
129
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It was horrendous, just horrendous.
130
00:06:54,680 --> 00:06:57,080
Sorry, Luce, you going in?
131
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A drink. Yes, I've heard ya.
132
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You take coat off? Mum do it.
133
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No, Lucy do it.
134
00:07:06,120 --> 00:07:10,080
I look back on that now
and I go, "We did it.
135
00:07:10,120 --> 00:07:12,120
"We did it as a team."
136
00:07:12,160 --> 00:07:14,680
Good girl. Thank you. Thank you.
137
00:07:14,720 --> 00:07:16,000
So what you gonna do now?
138
00:07:16,040 --> 00:07:17,720
Cuddle. Ah, you want a cuddle?
139
00:07:17,760 --> 00:07:19,880
Aww, come here, then,
give me a hug. Whistle.
140
00:07:19,920 --> 00:07:21,360
Now, it's just about living life
141
00:07:21,400 --> 00:07:24,600
and it's about living every single
moment with her.
142
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CANDICE WHISTLES
143
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Do you remember what we said?
144
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9pm.
145
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9pm. That's right.
146
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On channel...?
147
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Four. That's right.
148
00:07:36,400 --> 00:07:37,840
What is on at 9pm tonight?
149
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Tell Mummy. Royal Festival Hall.
150
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And who is playing at
the Royal Festival Hall?
151
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Piano. The Piano.
152
00:07:44,720 --> 00:07:46,160
Who played piano though?
153
00:07:47,280 --> 00:07:48,360
Who played piano...?
154
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With? With? Daniel.
155
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Please welcome Lucy
and her teacher - Daniel.
156
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APPLAUSE
157
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So, we're nearly at the piano.
158
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Nearly at the piano.
159
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Hold your cane properly.
160
00:08:05,400 --> 00:08:06,640
OK.
161
00:08:06,680 --> 00:08:07,760
OK.
162
00:08:07,800 --> 00:08:09,440
All right, we're nearly at the
piano.
163
00:08:09,480 --> 00:08:10,480
OK.
164
00:08:10,520 --> 00:08:11,920
There's the piano stool.
165
00:08:11,960 --> 00:08:13,320
OK.
166
00:08:13,360 --> 00:08:15,120
Now, find the pedal.
167
00:08:15,160 --> 00:08:16,360
Find the pedal.
168
00:08:16,400 --> 00:08:19,120
OK. Now, wait, wait.
169
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That's right.
170
00:08:20,480 --> 00:08:22,080
PIANO PLAYS
171
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Lucy.
172
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It is you.
173
00:08:37,160 --> 00:08:39,800
I can't believe where she is now.
174
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LUCY HUMS WITH MUSIC
175
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Yay!
176
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Well done!
177
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Ho, ho, ho!
178
00:09:00,280 --> 00:09:02,680
What you are looking
and witnessing here
179
00:09:02,720 --> 00:09:07,200
is a true star with natural talent.
180
00:09:07,240 --> 00:09:11,400
When she was very, very little,
we got her a little keyboard
181
00:09:11,440 --> 00:09:13,360
and we took it into
hospital with us,
182
00:09:13,400 --> 00:09:19,000
and she played Twinkle Twinkle
Little Star perfectly on it.
183
00:09:19,040 --> 00:09:21,320
And the nurse came over,
184
00:09:21,360 --> 00:09:23,880
and she thought that it was
pre-recorded.
185
00:09:23,920 --> 00:09:25,480
And I said, "No, Lucy's playing it."
186
00:09:25,520 --> 00:09:27,920
And she said, "No, no way."
187
00:09:31,560 --> 00:09:33,480
And that's when Daniel came in.
188
00:09:36,160 --> 00:09:39,800
Daniel understands her
and she understand him.
189
00:09:39,840 --> 00:09:41,960
It's like having a musical
soulmate.
190
00:09:47,160 --> 00:09:49,280
She's got a phenomenal talent
191
00:09:49,320 --> 00:09:51,560
and she wants to share the talent.
192
00:09:51,600 --> 00:09:54,960
She wants to go out there
and play for people
193
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and hear that applause.
194
00:09:56,960 --> 00:09:58,400
PIANO PLAYS
195
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Big clap.
196
00:10:04,480 --> 00:10:06,280
Ready?
197
00:10:06,320 --> 00:10:08,080
MUM GASPS
198
00:10:08,120 --> 00:10:09,120
Wow.
199
00:10:09,160 --> 00:10:10,720
APPLAUSE
200
00:10:10,760 --> 00:10:14,520
Well done, Lucy. That was beautiful.
Bravo.
201
00:10:14,560 --> 00:10:16,040
Oh, my gosh.
202
00:10:22,080 --> 00:10:23,440
Ladies and gentlemen...
203
00:10:23,480 --> 00:10:25,040
Go on, say it.
204
00:10:25,080 --> 00:10:29,880
..please welcome to the stage,
Lucy, Daniel. Yeah.
205
00:10:30,960 --> 00:10:34,760
I know you wanted to give somebody
performance of the night.
206
00:10:34,800 --> 00:10:38,160
Yes, and that person is Lucy.
207
00:10:38,200 --> 00:10:40,000
APPLAUSE
208
00:10:46,320 --> 00:10:49,600
Oh, wow, 444 retweets.
209
00:10:49,640 --> 00:10:50,920
Yeah, she's up there.
210
00:10:58,080 --> 00:10:59,640
Sounds incredible.
211
00:10:59,680 --> 00:11:00,960
You do sound incredible.
212
00:11:01,000 --> 00:11:02,320
Yes, you do.
213
00:11:07,440 --> 00:11:08,440
Lang Lang.
214
00:11:08,480 --> 00:11:09,680
Lang Lang.
215
00:11:09,720 --> 00:11:12,640
Who else? Mika. Mika.
216
00:11:12,680 --> 00:11:15,120
And Lucy. And Lucy.
217
00:11:17,360 --> 00:11:21,160
Viewers of Channel 4's The Piano
were left in tears last night
218
00:11:21,200 --> 00:11:26,640
following the emotional final that
saw 13-year-old Lucy, who's blind,
219
00:11:26,680 --> 00:11:27,840
win the show.
220
00:11:27,880 --> 00:11:32,080
Please welcome to the stage Lucy.
221
00:11:32,120 --> 00:11:33,720
Please welcome...
222
00:11:33,760 --> 00:11:37,120
Ladies and gentlemen,
please welcome...
223
00:11:38,360 --> 00:11:42,320
She's 13-year-old Lucy,
she's blind, has autism,
224
00:11:42,360 --> 00:11:46,880
and last night she was crowned the
winner of Channel 4's The Piano.
225
00:11:46,920 --> 00:11:50,000
You want to tell Tony about
the Royal Festival Hall?
226
00:11:50,040 --> 00:11:51,440
What are you going to tell Tony?
227
00:11:51,480 --> 00:11:54,920
I love that the world's
opening up for her
228
00:11:54,960 --> 00:11:55,960
cos that's what you want.
229
00:11:56,000 --> 00:11:58,880
I don't want her to just be kept
230
00:11:58,920 --> 00:12:00,680
for us and just kept
and hidden away.
231
00:12:00,720 --> 00:12:04,680
I want everybody to see how
amazing Lucy is.
232
00:12:04,720 --> 00:12:08,880
Morning, Lucy.
Lucy! Congratulations, well done!
233
00:12:08,920 --> 00:12:11,320
CHEERING
234
00:12:11,360 --> 00:12:12,920
I'm proud of ya.
235
00:12:12,960 --> 00:12:17,040
It's Tia. What's Tia saying?
Congratulations.
236
00:12:17,080 --> 00:12:20,400
CHEERS
You won. Yay.
237
00:12:20,440 --> 00:12:23,840
Well done, well done. I'm so proud.
238
00:12:23,880 --> 00:12:26,480
Ah, you're so proud, Tia.
239
00:12:26,520 --> 00:12:28,640
INDISTINCT
240
00:12:28,680 --> 00:12:31,440
Ah, Tia. Well done, Lucy.
241
00:12:31,480 --> 00:12:37,200
Thank you.
Thank you so much...so much.
242
00:12:39,040 --> 00:12:40,560
Thank you so much.
243
00:12:43,040 --> 00:12:45,560
RADIO: Now, is there something about
losing your sight
244
00:12:45,600 --> 00:12:47,720
that makes you better at music?
245
00:12:47,760 --> 00:12:50,360
Some scientists think there might
be.
246
00:12:50,400 --> 00:12:52,920
An amazing number of children
with special needs
247
00:12:52,960 --> 00:12:54,640
have a particular musical talent.
248
00:12:54,680 --> 00:12:57,200
Someone like Lucy
can probably hear
249
00:12:57,240 --> 00:12:58,760
about ten notes at once,
250
00:12:58,800 --> 00:13:02,600
so that means, when she's listening
to an orchestra or a choir,
251
00:13:02,640 --> 00:13:06,360
she can hear what every single
player is singing or playing.
252
00:13:08,240 --> 00:13:11,120
The miracle child,
I'm gonna call her that today.
253
00:13:11,160 --> 00:13:13,120
Blind miracle girl.
254
00:13:13,160 --> 00:13:15,240
The miracle thing, it's that,
255
00:13:15,280 --> 00:13:21,080
it's a way of...putting a label
on, or saying, using...
256
00:13:21,120 --> 00:13:23,960
I mean, even using the
word blind, saying,
257
00:13:24,000 --> 00:13:25,880
"The blind girl," you know?
258
00:13:25,920 --> 00:13:29,000
The fact that she's blind,
that's not her main characteristic.
259
00:13:29,040 --> 00:13:31,840
I don't think of her as
a blind person, you know?
260
00:13:31,880 --> 00:13:33,560
I think of her as a musician.
261
00:13:33,600 --> 00:13:35,480
PIANO MUSIC PLAYS
262
00:13:40,440 --> 00:13:43,400
RADIO: Well, that is, that was Lucy,
263
00:13:43,440 --> 00:13:46,080
playing Debussy's Arabesque
in the final.
264
00:13:46,120 --> 00:13:48,000
By her side for many, many years
265
00:13:48,040 --> 00:13:50,680
has been her piano teacher,
Daniel Bath, who joins us now.
266
00:13:50,720 --> 00:13:52,720
Daniel, hello. Hello.
267
00:13:52,760 --> 00:13:55,760
So you've been teaching Lucy
for around ten years,
268
00:13:55,800 --> 00:13:59,840
but talk us through the
method that you initially used.
269
00:13:59,880 --> 00:14:02,480
Well, I first met her when she was,
270
00:14:02,520 --> 00:14:06,400
I think she had just turned
four, actually.
271
00:14:06,440 --> 00:14:08,520
# Fish are jumping... #
272
00:14:11,000 --> 00:14:13,840
Because obviously she can't
see where the fingers are going,
273
00:14:13,880 --> 00:14:15,200
I would play the piece,
274
00:14:15,240 --> 00:14:17,760
and she would hold on to
the top of my hand,
275
00:14:17,800 --> 00:14:20,720
so she could feel what
my fingers were doing.
276
00:14:22,880 --> 00:14:26,000
So through that she learned what
the fingering patterns were.
277
00:14:31,840 --> 00:14:33,320
She'll hear a piece of music,
278
00:14:33,360 --> 00:14:37,160
like on the radio or something,
and then she'll know it,
279
00:14:37,200 --> 00:14:40,040
she'll remember it,
because her memory's so good.
280
00:14:40,080 --> 00:14:43,120
..number? 11. OK.
281
00:14:45,480 --> 00:14:47,680
And then she'll sit down at
the piano,
282
00:14:47,720 --> 00:14:49,400
and she'll play it straight away.
283
00:14:52,080 --> 00:14:53,520
And, to be honest,
284
00:14:53,560 --> 00:14:56,360
a lot of my work has just been
training the fingers
285
00:14:56,400 --> 00:15:00,040
to make the music that's already
in her head, in her memory.
286
00:15:00,080 --> 00:15:02,560
I always think of it like
a sculpture, you know?
287
00:15:02,600 --> 00:15:05,200
You've got a block of marble
that's roughly the right shape
288
00:15:05,240 --> 00:15:07,400
and very gradually chip away at it.
289
00:15:07,440 --> 00:15:10,400
Daniel, we've got to end it there,
but... Thanks, Daniel.
290
00:15:10,440 --> 00:15:13,040
We hope that more children can get
access to that,
291
00:15:13,080 --> 00:15:16,240
we need more access
to music education for everybody.
292
00:15:16,280 --> 00:15:18,360
Yep, good point, well made.
Thanks, Daniel.
293
00:15:18,400 --> 00:15:19,480
Thank you very much.
294
00:15:19,520 --> 00:15:21,000
Daniel is Lucy's piano teacher.
295
00:15:21,040 --> 00:15:23,160
What a remarkable technique
and a remarkable achievement.
296
00:15:23,200 --> 00:15:26,880
Thank you. Thank you, bye,
thank you.
297
00:15:26,920 --> 00:15:30,960
It makes me feel very uncomfortable,
putting myself forward,
298
00:15:31,000 --> 00:15:37,000
but it's a really useful tool to
299
00:15:37,040 --> 00:15:40,000
spread the message for what we do.
300
00:15:40,040 --> 00:15:42,760
Lucy's very much just the
tip of the iceberg
301
00:15:42,800 --> 00:15:46,560
when it comes to, you know,
what's possible.
302
00:15:46,600 --> 00:15:48,160
Did you put the plug in?
303
00:15:48,200 --> 00:15:50,240
Yeah, it's ready now.
PLAYS RANDOM NOTES
304
00:15:50,280 --> 00:15:51,640
Uh...
305
00:15:51,680 --> 00:15:54,480
# Old McRayan had a farm... #
306
00:15:54,520 --> 00:15:55,880
Wait.
307
00:15:55,920 --> 00:15:59,680
PLAYS NOTES CLEANLY
308
00:15:59,720 --> 00:16:02,480
# Old... #
309
00:16:02,520 --> 00:16:04,200
Yay!
310
00:16:05,280 --> 00:16:06,360
Give a clap.
311
00:16:06,400 --> 00:16:07,560
Do you think you can do the bass?
312
00:16:07,600 --> 00:16:12,960
I'm a piano teacher to several
children who are visually impaired
313
00:16:13,000 --> 00:16:15,720
and some of them have
additional needs as well.
314
00:16:15,760 --> 00:16:17,440
# E-I-E-I-O... #
315
00:16:17,480 --> 00:16:22,440
Glenn and Poppy,
I am going to play...
316
00:16:22,480 --> 00:16:25,720
..so please listen carefully
and don't talk.
317
00:16:25,760 --> 00:16:28,400
OK, so, Daniel,
get your tabla ready,
318
00:16:28,440 --> 00:16:30,280
we're not gonna do bass today.
319
00:16:30,320 --> 00:16:32,520
THEY SING
320
00:16:35,720 --> 00:16:37,920
It's very empowering for
a lot of children
321
00:16:37,960 --> 00:16:39,920
who don't feel like they have
agency
322
00:16:39,960 --> 00:16:44,320
and power in their lives,
or control over their environment.
323
00:16:44,360 --> 00:16:47,280
THEY SING
324
00:17:02,840 --> 00:17:07,280
Music is an area where they
can have complete control
325
00:17:07,320 --> 00:17:08,680
over their environment,
326
00:17:08,720 --> 00:17:10,200
and, if you're a music teacher,
327
00:17:10,240 --> 00:17:12,240
that's your job,
is to facilitate that.
328
00:17:13,680 --> 00:17:15,640
SHE PLAYS ROTTERDAM
BY THE BEAUTIFUL SOUTH
329
00:17:17,200 --> 00:17:18,960
ALL SING: # And everyone is blonde
330
00:17:19,000 --> 00:17:21,600
# And everyone is beautiful... #
331
00:17:22,720 --> 00:17:27,480
Music's often treated like a kind
of, you know, frivolous luxury,
332
00:17:27,520 --> 00:17:32,200
but Lucy, for me, is like
the best example of why music is
333
00:17:32,240 --> 00:17:34,920
so important.
334
00:17:34,960 --> 00:17:37,080
Piano is how Lucy communicates.
335
00:17:38,280 --> 00:17:40,000
The music's everything to her,
really.
336
00:17:40,040 --> 00:17:41,440
# ..done more here
337
00:17:41,480 --> 00:17:44,000
# Than they ever would do in a jar
338
00:17:44,040 --> 00:17:47,760
# This could be Halifax or anywhere
339
00:17:47,800 --> 00:17:50,120
# Liverpool or Rome
340
00:17:50,160 --> 00:17:52,200
# Cos Halifax is anywhere
341
00:17:52,240 --> 00:17:54,320
# Anywhere alone
342
00:17:56,720 --> 00:17:58,480
# Anywhere alone... #
343
00:17:59,800 --> 00:18:02,160
With Lucy, what we've found with
344
00:18:02,200 --> 00:18:06,200
the publicity surrounding her
being on the TV series
345
00:18:06,240 --> 00:18:10,000
is that there's a great rush
of people wanting
346
00:18:10,040 --> 00:18:12,000
to associate themselves.
347
00:18:12,040 --> 00:18:16,800
Lucy's had lots of invitations
to come perform in various places.
348
00:18:19,760 --> 00:18:22,800
Uh, we've got to think about
the jazz concert in Halifax
349
00:18:22,840 --> 00:18:26,480
and we need to work out what
we're gonna play, so...
350
00:18:26,520 --> 00:18:28,160
Thinking,
Beginning to See the Light.
351
00:18:28,200 --> 00:18:31,080
Beginning to See the light,
would you like to do that?
352
00:18:31,120 --> 00:18:33,920
One, two, a one, two, three, four.
353
00:18:33,960 --> 00:18:37,280
MUSIC PLAYS
354
00:18:41,640 --> 00:18:43,120
Concentrate on your fingers.
355
00:18:47,440 --> 00:18:49,800
I, uh, have a jazz piano trio
356
00:18:49,840 --> 00:18:54,400
and we have a gig,
which Lucy's going to be playing in.
357
00:18:54,440 --> 00:18:57,120
Lucy will come on
and she will replace me.
358
00:18:57,160 --> 00:18:59,200
# Dah, doo, doo, doo-doo, doo,
doo-doo... #
359
00:18:59,240 --> 00:19:00,360
Solo.
360
00:19:00,400 --> 00:19:02,400
It's a chance for her to...
361
00:19:02,440 --> 00:19:05,120
..have a bit of practice performing
in public spaces
362
00:19:05,160 --> 00:19:07,160
and get used to the other musicians.
363
00:19:07,200 --> 00:19:08,920
Whoooo!
364
00:19:13,040 --> 00:19:16,080
Lucy loves playing jazz,
365
00:19:16,120 --> 00:19:18,760
part of that is my influence on her
366
00:19:18,800 --> 00:19:22,240
because she's spent ten years
listening to me playing jazz.
367
00:19:24,560 --> 00:19:27,440
Feels a bit scary, actually,
sometimes, if I hear her play,
368
00:19:27,480 --> 00:19:31,640
that sounds like me playing.
So, uh...
369
00:19:32,680 --> 00:19:33,880
Why's that scary?
370
00:19:33,920 --> 00:19:36,840
Uh, well, it's just
that responsibility...
371
00:19:36,880 --> 00:19:39,520
THEY PRACTISE SCATTING
372
00:19:39,560 --> 00:19:42,080
..that what she's doing is my fault.
373
00:19:42,120 --> 00:19:44,160
THEY CONTINUE SCATTING
374
00:19:46,000 --> 00:19:49,440
It's nice, that one, isn't it?
Come on, then, we've finished.
375
00:19:49,480 --> 00:19:53,040
You know, Lucy's very much at
the beginning of something,
376
00:19:53,080 --> 00:19:55,640
at the beginning
of her musical career.
377
00:19:55,680 --> 00:19:59,000
Lucy will, she will be better at
playing the piano than I have been
378
00:19:59,040 --> 00:20:02,600
because she's heading towards
a career as a concert pianist,
379
00:20:02,640 --> 00:20:04,000
as far as I can see.
380
00:20:04,040 --> 00:20:06,280
So we'll have to be careful
381
00:20:06,320 --> 00:20:10,480
because Lucy's that combination
of great skill
382
00:20:10,520 --> 00:20:13,880
and confidence, and also
great vulnerability.
383
00:20:16,640 --> 00:20:20,120
LUCY: Alexa,
play applause by the audience.
384
00:20:20,160 --> 00:20:23,800
ALEXA: I couldn't find Applause by
Audrey, but here's...
385
00:20:23,840 --> 00:20:27,120
Alexa,
play applause by the audience.
386
00:20:28,560 --> 00:20:31,880
ALEXA: I couldn't find Applause by
the Orphans, but here is...
387
00:20:31,920 --> 00:20:34,640
Alexa, play applause by
the audience.
388
00:20:36,760 --> 00:20:38,960
ALEXA: Applause by the audience on
Amazon Music.
389
00:20:39,000 --> 00:20:40,480
PLAYS ONE NOTE
390
00:20:40,520 --> 00:20:42,760
APPLAUSE
391
00:20:44,520 --> 00:20:47,440
Alexa, stop.
392
00:20:52,520 --> 00:20:55,040
Alexa, go back.
393
00:20:55,080 --> 00:20:57,680
Applause...
394
00:20:57,720 --> 00:20:59,200
SHE FINISHES PLAYING
395
00:20:59,240 --> 00:21:01,400
APPLAUSE
396
00:21:09,240 --> 00:21:12,080
We're gonna carry on our work
about strangers.
397
00:21:12,120 --> 00:21:14,160
And now, for Lucy's benefit,
398
00:21:14,200 --> 00:21:17,640
all our badges have braille on them,
don't they?
399
00:21:17,680 --> 00:21:19,600
What does that say on there, Lucy?
400
00:21:21,600 --> 00:21:23,880
Angie. It says Angie, doesn't it?
401
00:21:23,920 --> 00:21:27,080
And that means I'm a safe person,
402
00:21:27,120 --> 00:21:28,880
cos I've got my badge on.
403
00:21:31,400 --> 00:21:35,240
DIRECTOR: How do you think Lucy gets
to know someone?
404
00:21:35,280 --> 00:21:40,040
So...we've got a couple of
theories with Lucy.
405
00:21:40,080 --> 00:21:44,000
The first thing she generally asks
someone to do is to whistle.
406
00:21:44,040 --> 00:21:46,440
Sam, whistle.
SAM WHISTLES THE COCKROACH
407
00:21:47,600 --> 00:21:50,720
Partly because it's musical
and she loves it.
408
00:21:50,760 --> 00:21:53,480
And she will identify people with,
409
00:21:53,520 --> 00:21:55,480
not only a song they whistle,
410
00:21:55,520 --> 00:21:57,080
but how well they can whistle.
411
00:21:57,120 --> 00:21:59,320
SAM WHISTLES LIKE A BIRD
412
00:22:01,760 --> 00:22:05,680
And the number of staff who have
a specific Lucy whistle.
413
00:22:06,800 --> 00:22:09,800
SHE WHISTLES
Okey dokey. That's better.
414
00:22:09,840 --> 00:22:11,560
Oh, Polly can do it!
415
00:22:11,600 --> 00:22:13,520
Do Polly's whistle.
Do that again, Polly.
416
00:22:13,560 --> 00:22:15,080
SHE WHISTLES
417
00:22:15,120 --> 00:22:17,360
She's loving it. Yeah,
418
00:22:17,400 --> 00:22:20,920
just another way
she controls us all, subtly.
419
00:22:20,960 --> 00:22:22,880
Shoe lace. That's right.
420
00:22:22,920 --> 00:22:24,240
Daniel, whistle.
421
00:22:24,280 --> 00:22:25,760
LUCY WHISTLES
422
00:22:25,800 --> 00:22:28,880
DANIEL WHISTLES
423
00:22:28,920 --> 00:22:30,360
She'll be 14 in May.
424
00:22:30,400 --> 00:22:31,960
Duke Ellington.
425
00:22:32,000 --> 00:22:35,200
Into teenage years,
and they get hormonal
426
00:22:35,240 --> 00:22:38,160
and stroppiness increases.
427
00:22:38,200 --> 00:22:41,840
So Lucy's definitely getting
her teenager head on.
428
00:22:41,880 --> 00:22:44,520
We are getting "no"
a little bit more
429
00:22:44,560 --> 00:22:46,920
and we had a foot stomp
the other day.
430
00:22:46,960 --> 00:22:49,320
Keyboard. Yeah,
I brought my keyboard,
431
00:22:49,360 --> 00:22:51,040
so you can practise on that.
432
00:22:51,080 --> 00:22:53,040
Listen,
in the concert tomorrow night...
433
00:22:53,080 --> 00:22:54,440
OK? No, stop, stop.
434
00:22:54,480 --> 00:22:56,960
No, no, no. We'll do Blue Monk.
435
00:22:57,000 --> 00:22:59,080
DANIEL HUMS
436
00:23:01,160 --> 00:23:03,200
Listen to the...
Listen to the introduction.
437
00:23:03,240 --> 00:23:04,680
Listen to the introduction.
438
00:23:08,240 --> 00:23:10,200
No, listen. Oi!
Listen to the introduction.
439
00:23:11,280 --> 00:23:12,600
Listen!
440
00:23:21,040 --> 00:23:22,480
Louder.
441
00:23:24,120 --> 00:23:25,840
More left hand.
442
00:23:26,960 --> 00:23:29,880
Lucy can sense what my mood is.
443
00:23:29,920 --> 00:23:32,280
She can sense
if I'm at all stressed.
444
00:23:32,320 --> 00:23:34,840
Daniel, sing. Solo. It's... Solo.
445
00:23:34,880 --> 00:23:37,760
It's... No, don't talk,
just play the solo.
446
00:23:37,800 --> 00:23:40,000
Blue Monk. No, play the solo.
447
00:23:41,600 --> 00:23:43,440
And she'll just do something either
448
00:23:43,480 --> 00:23:46,360
to wind me up more or to defuse the
stress.
449
00:23:46,400 --> 00:23:48,280
That's very extraordinarily so.
450
00:23:48,320 --> 00:23:49,560
Do it properly, left hand.
451
00:23:53,040 --> 00:23:54,720
Whoo!
452
00:23:56,640 --> 00:23:59,000
No, play properly.
Listen, play properly.
453
00:23:59,040 --> 00:24:01,840
Don't mess it up.
No, don't mess it up. Play properly.
454
00:24:01,880 --> 00:24:04,040
Sh! No, no.
And end with Blue Monk. No.
455
00:24:10,320 --> 00:24:12,640
I'm just trying to calm down,
456
00:24:12,680 --> 00:24:15,080
so I can say something sensible.
457
00:24:16,920 --> 00:24:19,800
How do you and Lucy deal
with pressure differently?
458
00:24:19,840 --> 00:24:23,200
Um, she doesn't care
459
00:24:23,240 --> 00:24:28,640
and I go to pieces, that's basically
how it works.
460
00:24:30,040 --> 00:24:32,880
I'll just play the piano for a bit,
if you don't mind.
461
00:24:32,920 --> 00:24:34,200
Yeah, play the piano for a bit.
462
00:24:41,680 --> 00:24:45,160
All the time, I feel
a massive amount of responsibility
463
00:24:45,200 --> 00:24:49,080
and a lot of that is
because I know what she can do,
464
00:24:49,120 --> 00:24:50,800
I know what she's capable of doing.
465
00:24:53,480 --> 00:24:55,080
Yeah, when I start to think about
it,
466
00:24:55,120 --> 00:24:57,080
it's actually completely
overwhelming.
467
00:25:00,600 --> 00:25:02,960
I didn't know working with Lucy
was going to become
468
00:25:03,000 --> 00:25:05,480
such a big part of his life.
469
00:25:05,520 --> 00:25:08,720
Daniel doesn't like doing things
by halves.
470
00:25:08,760 --> 00:25:11,040
It does involve doing
lots of different things
471
00:25:11,080 --> 00:25:13,440
and going to lots
of different places.
472
00:25:13,480 --> 00:25:17,880
He basically works
pretty much all the time.
473
00:25:17,920 --> 00:25:23,760
One, two, three, four.
474
00:25:23,800 --> 00:25:29,800
PLAYING OUT OF TUNE
475
00:25:31,640 --> 00:25:34,280
Oh, stop, stop!
476
00:25:34,320 --> 00:25:37,680
I always think of the song
The Impossible Dream -
477
00:25:37,720 --> 00:25:41,720
kind of sums up quite a lot
about his attitude to life
478
00:25:41,760 --> 00:25:45,760
cos most of us do
what we think we can do,
479
00:25:45,800 --> 00:25:50,080
and he does what he thinks
needs to be done.
480
00:25:50,120 --> 00:25:53,520
# To dream
481
00:25:53,560 --> 00:25:57,360
# The impossible dream... #
482
00:25:57,400 --> 00:26:01,480
I think it was teaching Lucy,
really, that made him
483
00:26:01,520 --> 00:26:06,800
even more aware than he was before
of how we don't live
484
00:26:06,840 --> 00:26:10,560
in a society where people get
what they need to make the most
485
00:26:10,600 --> 00:26:12,120
of their talents.
486
00:26:12,160 --> 00:26:16,200
# Run where the brave dare not
go... #
487
00:26:16,240 --> 00:26:18,280
That's it, yeah.
488
00:26:18,320 --> 00:26:20,880
That's why he started working
extra with Lucy
489
00:26:20,920 --> 00:26:23,280
because he knew
that she needed more than
490
00:26:23,320 --> 00:26:26,560
the lessons that he was being
originally asked to do.
491
00:26:26,600 --> 00:26:33,040
It does worry me because it's not
really sustainable to work
492
00:26:33,080 --> 00:26:36,840
the sort of hours
and the pressure that he works.
493
00:26:36,880 --> 00:26:42,080
# To reach the unreachable... #
494
00:26:42,120 --> 00:26:45,360
Hello, Lucy. Daniel here.
495
00:26:46,440 --> 00:26:47,640
Are you ready?
496
00:26:52,360 --> 00:26:56,000
LUCY PLAYS CLASSICAL PIECE
497
00:27:00,400 --> 00:27:02,800
Good. Right. OK, stop for a minute.
Well done.
498
00:27:02,840 --> 00:27:05,120
OK, now, let's go back
to the beginning.
499
00:27:07,520 --> 00:27:09,920
HE HUMS
500
00:27:09,960 --> 00:27:12,200
From the beginning. Here we go. No.
501
00:27:12,240 --> 00:27:14,040
From the beginning. No.
502
00:27:14,080 --> 00:27:17,000
Aha! Listen, Lucy. No.
503
00:27:17,040 --> 00:27:19,120
First of all...
504
00:27:19,160 --> 00:27:23,600
No. Fantaisie-Impromptu by Chopin,
and then... No. And then...
505
00:27:23,640 --> 00:27:26,360
No. No? And then?
506
00:27:26,400 --> 00:27:27,880
No.
507
00:27:27,920 --> 00:27:30,360
HE LAUGHS
508
00:27:30,400 --> 00:27:32,560
What are we going to have, then?
509
00:27:52,240 --> 00:27:54,720
So Lucy gave me a bit of a shock
there when she started...
510
00:27:54,760 --> 00:27:56,640
It was that bit
where she started just stopping.
511
00:27:56,680 --> 00:27:59,360
She hardly ever does that,
she had a mental block.
512
00:27:59,400 --> 00:28:02,160
I don't know if she actually did
or whether she was just doing it
513
00:28:02,200 --> 00:28:05,520
to wind me up cos she could tell
that I was tense.
514
00:28:07,040 --> 00:28:10,280
But you see, tonight, I'll just be
having nightmares about that,
515
00:28:10,320 --> 00:28:12,280
about her stopping on that bit.
516
00:28:14,600 --> 00:28:16,760
It's like, you know,
like when you're trying to...
517
00:28:16,800 --> 00:28:18,840
I feel like Uri Geller
or something,
518
00:28:18,880 --> 00:28:21,480
trying to bend spoons with my mind.
519
00:28:21,520 --> 00:28:25,200
It's like trying to sort of
make Lucy play
520
00:28:25,240 --> 00:28:27,880
the right chord with my mind.
521
00:28:27,920 --> 00:28:29,880
Come on, Lucy!
522
00:28:29,920 --> 00:28:32,360
The Uri Geller of piano teaching.
523
00:28:38,160 --> 00:28:41,760
AUDIENCE MURMURS
524
00:28:41,800 --> 00:28:43,280
Can you hear the audience?
525
00:28:43,320 --> 00:28:46,040
Nearly time for the concert.
526
00:28:46,080 --> 00:28:48,360
OK?
Good evening, ladies and gentlemen.
527
00:28:48,400 --> 00:28:50,120
Good evening, ladies and gentlemen,
yeah.
528
00:28:50,160 --> 00:28:54,920
Please welcome to the stage John and
Adam!
529
00:28:54,960 --> 00:28:56,000
Whoo!
530
00:28:56,040 --> 00:28:58,200
All right, OK, you ready?
Daniel's turn. Here we go.
531
00:28:58,240 --> 00:29:00,480
Are we going to go on stage?
You ready? Here we go.
532
00:29:00,520 --> 00:29:02,680
Hold your cane properly. Ladies and
gentlemen...
533
00:29:02,720 --> 00:29:04,680
Hold your cane properly -
that's right. Hey!
534
00:29:04,720 --> 00:29:06,480
APPLAUSE
535
00:29:06,520 --> 00:29:08,120
Good evening,
ladies and gentlemen.
536
00:29:08,160 --> 00:29:11,120
Do you want to say it?
Please welcome to the stage...
537
00:29:11,160 --> 00:29:13,040
Do you want to say it? John.
538
00:29:13,080 --> 00:29:14,640
Yay!
539
00:29:14,680 --> 00:29:17,600
And please welcome to the stage...
540
00:29:17,640 --> 00:29:20,440
Who else? Who's playing bass?
Daniel's turn.
541
00:29:20,480 --> 00:29:23,000
Ah, my turn?
Please welcome to the stage Adam,
542
00:29:23,040 --> 00:29:24,280
who's playing bass for us.
543
00:29:24,320 --> 00:29:26,360
APPLAUSE
And, um...
544
00:29:26,400 --> 00:29:28,320
Thank you very much,
ladies and gentlemen.
545
00:29:28,360 --> 00:29:30,440
So we're going to start with...
546
00:29:30,480 --> 00:29:32,960
What's the first song?
You going to say it?
547
00:29:33,000 --> 00:29:34,920
We're gonna start with...
548
00:29:34,960 --> 00:29:36,480
It's called...
549
00:29:36,520 --> 00:29:38,640
I... Can you say what it is?
550
00:29:40,320 --> 00:29:43,000
Is it called... WHISPERS: I Love
Being Here With You?
551
00:29:43,040 --> 00:29:45,960
Can you say it? It's called
I Love Being Here With You.
552
00:29:46,000 --> 00:29:47,760
There we go, brilliant.
553
00:29:47,800 --> 00:29:49,600
OK, so, there we are,
554
00:29:49,640 --> 00:29:51,880
I Love Being Here With You
by Beegie Adair.
555
00:29:51,920 --> 00:29:54,240
You ready? Ready?
556
00:29:54,280 --> 00:29:58,200
Quite fast.
HE HUMS
557
00:29:58,240 --> 00:30:02,680
Go! One... Two, a one,
two, three, four.
558
00:30:10,520 --> 00:30:11,760
More left hand.
559
00:30:13,400 --> 00:30:14,920
Louder, left hand.
560
00:30:17,640 --> 00:30:18,880
Left hand louder.
561
00:30:18,920 --> 00:30:20,920
HE HUMS
562
00:30:24,240 --> 00:30:25,400
More left hand.
563
00:30:25,440 --> 00:30:27,080
Left hand, come on, play it louder.
564
00:30:30,200 --> 00:30:31,600
Yeah.
565
00:30:34,480 --> 00:30:35,840
Daniel, sing. Louder.
566
00:30:35,880 --> 00:30:38,000
HE HUMS
Lounder, left hand.
567
00:30:50,720 --> 00:30:52,120
Well done.
568
00:30:52,160 --> 00:30:54,280
And now Satin Doll. You ready?
569
00:30:54,320 --> 00:30:55,440
Satin Doll.
570
00:30:56,840 --> 00:30:58,640
Satin Doll.
HE HUMS
571
00:30:58,680 --> 00:31:00,680
And now Satin Doll.
572
00:31:04,240 --> 00:31:05,640
What?
573
00:31:12,640 --> 00:31:15,680
HE HUMS
574
00:31:19,400 --> 00:31:21,240
Louder.
575
00:32:02,080 --> 00:32:04,080
Thank you very much, Lucy.
576
00:32:04,120 --> 00:32:05,600
APPLAUSE
577
00:32:05,640 --> 00:32:07,840
Whoo!
578
00:32:07,880 --> 00:32:10,200
Come here, babe.
579
00:32:10,240 --> 00:32:12,720
Well done. You did really well.
580
00:32:12,760 --> 00:32:14,640
Well done, Lucy, well done.
581
00:32:14,680 --> 00:32:15,920
OK. Well done.
582
00:32:15,960 --> 00:32:18,760
Well done. Come here, sweetheart.
What's the matter?
583
00:32:22,720 --> 00:32:25,120
Aargh!
584
00:32:26,880 --> 00:32:28,280
Stupid.
585
00:32:28,320 --> 00:32:29,320
So...
586
00:32:29,360 --> 00:32:31,160
So, like... No, it's cos...
587
00:32:31,200 --> 00:32:32,480
I was having to...
588
00:32:32,520 --> 00:32:34,160
Spent the whole time,
589
00:32:34,200 --> 00:32:38,400
I was just growling in her ear,
"Come on, Lucy, keep playing!"
590
00:32:38,440 --> 00:32:40,680
I thought... It was actually
three numbers in,
591
00:32:40,720 --> 00:32:42,880
I was thinking of calling it
a day, actually.
592
00:32:44,200 --> 00:32:47,000
She's doing an entire, like...
593
00:32:47,040 --> 00:32:49,440
She's doing an entire set now
by herself...
594
00:32:49,480 --> 00:32:51,160
I know, but...
..which is just amazing.
595
00:32:51,200 --> 00:32:53,840
But she's not ready for it,
that's the point. That's what...
596
00:32:53,880 --> 00:32:58,560
But this is what gigs in Halifax
on a Thursday night are for. Yeah.
597
00:32:58,600 --> 00:33:01,160
There's so many people in that room
that will be absolutely gobsmacked.
598
00:33:01,200 --> 00:33:04,800
And just cos you know and I know
what she's capable of
599
00:33:04,840 --> 00:33:08,760
doesn't mean that...
I know, but it's not fair,
600
00:33:08,800 --> 00:33:12,560
that's why... It's not fair on her.
601
00:33:12,600 --> 00:33:15,120
You're a bit tired, aren't you?
602
00:33:15,160 --> 00:33:17,720
Aw, yeah. Tablet.
She needs an easy week.
603
00:33:17,760 --> 00:33:20,400
We need an easy week. Tablet.
604
00:33:20,440 --> 00:33:22,360
You've been a really good girl,
ain't ya?
605
00:33:22,400 --> 00:33:26,360
Yeah, she's fab. She's just
not feeling it, I can tell.
606
00:33:26,400 --> 00:33:29,320
I think she's tired.
I think there is a bit of tiredness
607
00:33:29,360 --> 00:33:32,440
and...but, yeah,
it's not like her, that.
608
00:33:32,480 --> 00:33:34,200
She normally plays
a lot differently to that.
609
00:33:35,520 --> 00:33:37,960
And then, as a parent,
you start thinking,
610
00:33:38,000 --> 00:33:40,320
did you do the right thing,
bringing her?
611
00:33:47,800 --> 00:33:49,480
Well, I suppose, when we do stuff
like that,
612
00:33:49,520 --> 00:33:51,640
it makes me realise how...
613
00:33:51,680 --> 00:33:56,400
..how much I kind of project...
614
00:33:57,960 --> 00:34:00,120
..my musical life onto Lucy,
615
00:34:00,160 --> 00:34:01,360
that's the problem.
616
00:34:01,400 --> 00:34:04,160
And I think...
And that's why I feel like...
617
00:34:04,200 --> 00:34:08,000
I feel like I've cocked up
the thing.
618
00:34:09,600 --> 00:34:13,200
I just feel really bad
because I know that it's like...
619
00:34:13,240 --> 00:34:14,600
I'm not...
620
00:34:14,640 --> 00:34:17,600
I've not acted in her best
interests.
621
00:34:18,800 --> 00:34:24,200
# I've lived a life that's full
622
00:34:24,240 --> 00:34:30,960
# I've travelled each
and every highway
623
00:34:32,040 --> 00:34:36,440
# More, more than this
624
00:34:36,480 --> 00:34:42,320
# I did it my way. #
625
00:34:42,360 --> 00:34:44,600
I think Lucy plays that. Daniel!
626
00:34:50,440 --> 00:34:52,880
Go really slow.
627
00:34:52,920 --> 00:34:55,240
She's not feeling it.
628
00:34:55,280 --> 00:34:57,800
I will let Lisa know not to worry,
629
00:34:57,840 --> 00:35:01,000
just to keep calm and distracted.
630
00:35:01,040 --> 00:35:03,800
Good girl. Come on, darling.
631
00:35:03,840 --> 00:35:06,120
I want what's best for Lucy,
632
00:35:06,160 --> 00:35:09,840
so it's about giving her
all these experiences
633
00:35:09,880 --> 00:35:13,440
and not hiding her away
because she's got additional needs.
634
00:35:14,520 --> 00:35:15,880
But now I'm thinking,
635
00:35:15,920 --> 00:35:18,600
"Is she ready for it?
Have I done this right?
636
00:35:20,400 --> 00:35:23,360
When they're 18,
I'm going to get teary, I know I am.
637
00:35:23,400 --> 00:35:27,200
When they are 18, that's when
they're expected to be an adult,
638
00:35:27,240 --> 00:35:29,520
aren't they? They're expected to be
an adult at 18.
639
00:35:29,560 --> 00:35:32,320
That isn't going to happen
with Lucy, it's not.
640
00:35:32,360 --> 00:35:35,520
She's always going to need help
and it terrifies me.
641
00:35:35,560 --> 00:35:36,960
Morning, Luce!
642
00:35:37,000 --> 00:35:40,040
Good girl. Good girl. Come on, then.
643
00:35:40,080 --> 00:35:42,360
Lisa. It's an awful feeling,
644
00:35:42,400 --> 00:35:45,400
but I'm thinking to myself,
"How old am I going to be
645
00:35:45,440 --> 00:35:48,280
"when I leave this earth
and who's going to look after her?"
646
00:35:48,320 --> 00:35:50,200
I'll do your coat for you today.
647
00:35:50,240 --> 00:35:53,560
I'm scared of what age
I'm going to go at
648
00:35:53,600 --> 00:35:57,280
because, you know, I'm 47 now
and I know I'm getting older.
649
00:35:58,360 --> 00:36:02,440
Sorry. It's very hard
when I talk about future with Lucy -
650
00:36:02,480 --> 00:36:04,640
it's the worst part.
651
00:36:04,680 --> 00:36:07,480
Number three. Number three.
652
00:36:08,760 --> 00:36:12,440
Well done. Well done.
653
00:36:20,520 --> 00:36:24,240
Lucy's piano lessons have had
a profound impact on her life
654
00:36:24,280 --> 00:36:26,200
and on my life as well.
655
00:36:26,240 --> 00:36:29,480
You know, I learn a lot from her
656
00:36:29,520 --> 00:36:31,200
about how to deal with life,
657
00:36:31,240 --> 00:36:35,560
about how to deal
with life's difficulties, and...
658
00:36:35,600 --> 00:36:40,400
In 2010, I had a mental breakdown
659
00:36:40,440 --> 00:36:43,040
and I had...I had... I was...
660
00:36:45,880 --> 00:36:51,520
..quite unable to do very much
for...
661
00:36:51,560 --> 00:36:53,880
..for...
662
00:36:53,920 --> 00:36:55,480
..quite a long time.
663
00:36:58,160 --> 00:37:01,440
And it was a result of
too much stress
664
00:37:01,480 --> 00:37:02,840
and just working very hard.
665
00:37:05,320 --> 00:37:07,160
For a lot of the time,
I couldn't play the piano -
666
00:37:07,200 --> 00:37:08,440
it made me feel sick.
667
00:37:10,680 --> 00:37:13,760
Yeah, it was a terrible time
for the rest of the family
668
00:37:13,800 --> 00:37:16,960
and obviously I feel terrible
about it
669
00:37:17,000 --> 00:37:19,440
because of putting them
through all of that.
670
00:37:20,520 --> 00:37:24,520
I was looking down a very dark
tunnel and that was it.
671
00:37:27,760 --> 00:37:31,560
No-one really seemed to be able
to do much...
672
00:37:32,640 --> 00:37:38,120
..to help. Erm, he's probably not
the easiest person to help.
673
00:37:38,160 --> 00:37:41,360
Yeah, he just had to completely
leave
674
00:37:41,400 --> 00:37:44,000
all the different jobs
that he was doing.
675
00:37:45,640 --> 00:37:47,480
You know, that wasn't like a,
676
00:37:47,520 --> 00:37:50,120
"Oh, I think I should stop,"
kind of quit. It was like,
677
00:37:50,160 --> 00:37:54,120
"Oh, I can't actually leave
the house," kind of quit.
678
00:37:55,720 --> 00:37:59,880
He used to just put loads and loads
of work into doing up the garden -
679
00:37:59,920 --> 00:38:01,960
that helped him a lot.
680
00:38:03,040 --> 00:38:07,200
So, obviously,
when he overworks now,
681
00:38:07,240 --> 00:38:10,320
it does make me anxious
682
00:38:10,360 --> 00:38:12,920
because, um,
683
00:38:12,960 --> 00:38:15,480
you know, we don't really want
to be back there again.
684
00:38:18,360 --> 00:38:21,240
After a while,
a friend called me up.
685
00:38:21,280 --> 00:38:23,600
Lucy's school had been in touch
with him
686
00:38:23,640 --> 00:38:26,400
because they needed someone
to teach her the piano.
687
00:38:26,440 --> 00:38:30,000
And he said to me, he said, the only
person he could think of
688
00:38:30,040 --> 00:38:32,520
who would be suitable for doing this
was me.
689
00:38:32,560 --> 00:38:37,000
And I said to him, "No, I can't do
it because I've got to be careful."
690
00:38:38,560 --> 00:38:41,520
He kept coming back to me,
so every month or so he'd say,
691
00:38:41,560 --> 00:38:44,680
"We still haven't found anyone
to teach this girl."
692
00:38:44,720 --> 00:38:47,680
Anyway, after a few times,
I eventually said,
693
00:38:47,720 --> 00:38:49,560
"Oh, all right, then. Go on, then."
694
00:38:49,600 --> 00:38:53,240
And so I went to see her,
695
00:38:53,280 --> 00:38:56,560
and it was, yeah,
it was just really fantastic.
696
00:38:57,640 --> 00:39:01,120
Communicating through music
in a really direct
697
00:39:01,160 --> 00:39:04,640
and immediate and profound way,
which I'd never really done before.
698
00:39:07,440 --> 00:39:10,680
I really look forward
to Lucy's lessons every time
699
00:39:10,720 --> 00:39:14,200
because it's like
the place where I'm meant to be.
700
00:39:14,240 --> 00:39:20,120
It's a space where we can both be
ourselves in a really full way.
701
00:39:24,800 --> 00:39:27,800
Daniel! Hello, Lucy!
702
00:39:28,880 --> 00:39:30,760
Hello, Lucy.
703
00:39:30,800 --> 00:39:33,640
Oh, you've got your hair up today
on top of your head.
704
00:39:33,680 --> 00:39:36,200
Yeah, very nice.
705
00:39:36,240 --> 00:39:38,600
Lovely. Are you going
to come and sit down?
706
00:39:38,640 --> 00:39:40,800
Hair up. Thank you very much.
707
00:39:40,840 --> 00:39:44,120
Daniel. Sit down. Well done.
Daniel do it.
708
00:39:44,160 --> 00:39:48,600
Now, Lucy, today we've got
709
00:39:48,640 --> 00:39:51,360
some important news
710
00:39:51,400 --> 00:39:57,080
because we're going to be doing
a concert for the coronation.
711
00:39:57,120 --> 00:39:59,320
Live? Do you know that?
The coronation.
712
00:39:59,360 --> 00:40:02,360
It's going to be a live concert
at a castle.
713
00:40:03,720 --> 00:40:07,160
A concert live in Windsor Castle.
714
00:40:07,200 --> 00:40:09,560
And? And it's going to be
715
00:40:09,600 --> 00:40:14,080
Prelude In C by Bach.
716
00:40:14,120 --> 00:40:15,640
Can you remember how to play it?
717
00:40:15,680 --> 00:40:17,560
Prelude In C by Bach?
718
00:40:17,600 --> 00:40:20,160
BOTH SHUSH
719
00:40:24,320 --> 00:40:26,200
We're going to do the "sh" later.
720
00:40:26,240 --> 00:40:28,520
We're going to do
just the music first.
721
00:40:30,600 --> 00:40:31,640
Shhh!
722
00:40:31,680 --> 00:40:32,960
Oh, all right, then.
723
00:40:33,000 --> 00:40:36,720
SHE SHUSHES
724
00:40:38,880 --> 00:40:40,720
DANIEL SHUSHES, LUCY LAUGHS
725
00:40:42,320 --> 00:40:45,880
She's been asked to perform
at the Coronation Concert
726
00:40:45,920 --> 00:40:49,680
on the 7th of May, which is the day
after the coronation itself.
727
00:40:51,560 --> 00:40:52,800
For Lucy's career,
728
00:40:52,840 --> 00:40:55,920
I think being a full-time
professional musician
729
00:40:55,960 --> 00:40:58,600
is such a long way off
at the moment.
730
00:40:58,640 --> 00:41:02,360
But I think it'll be
a great opportunity for Lucy
731
00:41:02,400 --> 00:41:06,360
to play with a really good
orchestra.
732
00:41:06,400 --> 00:41:08,800
And then you have to stop here.
733
00:41:08,840 --> 00:41:11,120
Stop on C...
734
00:41:12,200 --> 00:41:14,320
Ah, you've got to stop.
You've got to stop there.
735
00:41:14,360 --> 00:41:15,720
Listen. Listen.
736
00:41:15,760 --> 00:41:18,000
In the concert,
live at Windsor Castle,
737
00:41:18,040 --> 00:41:20,120
you're going to stop there, on that
C.
738
00:41:20,160 --> 00:41:21,440
We're going to go like this.
739
00:41:30,120 --> 00:41:33,160
Bach's Prelude In C
cos that's one of the pieces
740
00:41:33,200 --> 00:41:34,680
Lucy knows best of all.
741
00:41:34,720 --> 00:41:37,880
By coincidence, it's the piece
that she performed
742
00:41:37,920 --> 00:41:40,080
in her first-ever
public performance,
743
00:41:40,120 --> 00:41:41,680
when she was seven years old...
744
00:41:43,200 --> 00:41:47,520
..which is kind of a bit why
I'm slightly wishing
745
00:41:47,560 --> 00:41:50,320
that she was playing something
a bit more substantial...
746
00:41:52,080 --> 00:41:54,640
..because it doesn't give
a true representation
747
00:41:54,680 --> 00:41:56,720
of who she is as a musician.
748
00:41:56,760 --> 00:42:00,560
London with? Daniel.
749
00:42:00,600 --> 00:42:04,040
I'm not sure if Lucy knows
who the King is.
750
00:42:04,080 --> 00:42:05,480
She knows who Mozart is...
751
00:42:07,040 --> 00:42:09,120
..and she knows who Stevie Wonder
is.
752
00:42:10,600 --> 00:42:13,240
Co-ro-na-tion.
753
00:42:13,280 --> 00:42:16,920
Coronation.
It's the coronation of...
754
00:42:16,960 --> 00:42:18,600
What does this say?
755
00:42:18,640 --> 00:42:22,760
Ki-ng Cha-rles.
756
00:42:22,800 --> 00:42:24,120
Can you say that?
757
00:42:24,160 --> 00:42:25,760
Just King Charles.
758
00:42:25,800 --> 00:42:30,040
She needs to be seen
as a serious musician
759
00:42:30,080 --> 00:42:33,880
and not just a kind of, sort of,
760
00:42:33,920 --> 00:42:39,320
you know, exhibit
in the Royal Menagerie,
761
00:42:39,360 --> 00:42:43,800
or what...which is the thing that
I'm a little bit concerned about.
762
00:42:47,240 --> 00:42:48,240
Daniel!
763
00:42:48,280 --> 00:42:50,200
Hi, Lucy.
764
00:42:50,240 --> 00:42:52,720
SHE MAKES CLICKING NOISES
Listen. Are you listening?
765
00:42:52,760 --> 00:42:55,120
This is the announcement.
766
00:42:55,160 --> 00:42:57,280
Live. Yeah, when it's live,
767
00:42:57,320 --> 00:42:59,760
this is going to be
the announcement.
768
00:42:59,800 --> 00:43:02,760
RECORDING: In celebration of
His Majesty's watercolours,
769
00:43:02,800 --> 00:43:05,920
we welcome a pianist from
the Queen Consort's patronage,
770
00:43:05,960 --> 00:43:07,520
The Amber Trust.
771
00:43:07,560 --> 00:43:11,160
It's the incredibly talented Lucy!
772
00:43:11,200 --> 00:43:12,640
Hey!
773
00:43:12,680 --> 00:43:14,520
OK, and then you play it.
774
00:43:17,280 --> 00:43:18,800
And then you play it, Lucy,
775
00:43:18,840 --> 00:43:20,720
Prelude In C by Bach.
776
00:43:20,760 --> 00:43:22,080
It's Lucy!
777
00:43:22,120 --> 00:43:23,120
Yeah, go on.
778
00:43:23,160 --> 00:43:25,240
No, you've got to play the piece,
Lucy.
779
00:43:25,280 --> 00:43:26,920
Playing, Lucy!
780
00:43:26,960 --> 00:43:29,480
Prelude In C. Lucy!
781
00:43:29,520 --> 00:43:31,760
DANIEL LAUGHS
782
00:43:31,800 --> 00:43:35,480
Lucy, you've got to play
Prelude In C by Bach.
783
00:43:35,520 --> 00:43:37,440
Listen, I'm going to do it again -
listen. Applause.
784
00:43:37,480 --> 00:43:40,240
The incredibly talented Lucy!
785
00:43:45,600 --> 00:43:47,120
I knew this would happen.
786
00:43:47,160 --> 00:43:51,320
I have always said
she'd play on massive, big stages
787
00:43:51,360 --> 00:43:56,080
and you can't get a bigger stage
than the King's coronation concert.
788
00:43:56,120 --> 00:43:58,880
I've got no doubt in my head that
there's going to be more offers -
789
00:43:58,920 --> 00:44:02,680
there's already been
a couple come through for July.
790
00:44:03,760 --> 00:44:06,800
It's like, "Whoa!"
It's just, "Whoa!"
791
00:44:07,800 --> 00:44:11,600
It is scary because Daniel is
a big part of that
792
00:44:11,640 --> 00:44:16,520
and I don't want to, you know,
put too much on him.
793
00:44:19,760 --> 00:44:23,760
I'm rather hoping that things will
die down a bit.
794
00:44:23,800 --> 00:44:27,840
It's just really important
that we don't take on too much
795
00:44:27,880 --> 00:44:30,120
because obviously, when you're
starting out, temptation is
796
00:44:30,160 --> 00:44:31,920
to say yes to whatever comes in
because you think,
797
00:44:31,960 --> 00:44:33,520
"Oh, it's great,
it's just more exposure."
798
00:44:33,560 --> 00:44:39,200
But, for Lucy, especially,
that is the wrong thing to do.
799
00:44:39,240 --> 00:44:41,960
Apart from anything,
it wouldn't mean anything to her.
800
00:44:44,160 --> 00:44:47,600
I know Daniel is protective
of her, bless him,
801
00:44:47,640 --> 00:44:50,560
but there will be other things
coming in
802
00:44:50,600 --> 00:44:54,000
and it's something we need to
sort of discuss at some point,
803
00:44:54,040 --> 00:44:57,400
as to whether he can do it
and he can handle it.
804
00:44:57,440 --> 00:44:59,880
It's a difficult one,
it really is,
805
00:44:59,920 --> 00:45:02,240
cos they've been together
for so long.
806
00:45:03,880 --> 00:45:07,200
The most important thing is
that every bit
807
00:45:07,240 --> 00:45:10,360
of work is in her best interest.
808
00:45:10,400 --> 00:45:13,520
You know, that's the only question,
really, that matters in the end, is,
809
00:45:13,560 --> 00:45:15,440
is this going to be good for Lucy?
810
00:45:38,440 --> 00:45:43,680
Personally, I'm quite opposed to
the idea of monarchy,
811
00:45:43,720 --> 00:45:48,080
so if it was my gig
I wouldn't accept it.
812
00:45:48,120 --> 00:45:51,360
But, really,
it's a great opportunity for Lucy,
813
00:45:51,400 --> 00:45:54,720
you know, and my priority is
to support Lucy.
814
00:45:56,160 --> 00:45:58,960
Oh, wow, look at this.
815
00:45:59,000 --> 00:46:01,920
I'll sit next to her and I'll
sort of whisper things to her, just
816
00:46:01,960 --> 00:46:05,600
to make sure she's in
the right sort of mental place.
817
00:46:05,640 --> 00:46:09,120
And the thing she'll love best is
going be the big round of applause,
818
00:46:09,160 --> 00:46:12,400
because it will be the biggest round
of applause she's ever had.
819
00:46:12,440 --> 00:46:14,240
Can you show me your badge again?
820
00:46:14,280 --> 00:46:15,880
I've got two badges,
821
00:46:15,920 --> 00:46:18,480
"Music for the many,"
822
00:46:18,520 --> 00:46:21,480
and we've got the
Extinction Rebellion one,
823
00:46:21,520 --> 00:46:24,440
which I've worn because
it said that
824
00:46:24,480 --> 00:46:30,160
the way you dress should take
into account
825
00:46:30,200 --> 00:46:34,480
the environment and the climate
and ecological crisis,
826
00:46:34,520 --> 00:46:37,360
so I thought, "What better way
of doing that than wearing this?"
827
00:46:39,520 --> 00:46:41,880
So, there we go. Do you think you'll
be allowed to wear it on telly?
828
00:46:41,920 --> 00:46:44,800
Sorry, I don't mean to interrupt.
These can't be on sight at all.
829
00:46:44,840 --> 00:46:47,520
When you're off site, that needs to
be hidden. Oh, I see. It's security.
830
00:46:47,560 --> 00:46:50,840
OK, yeah, yeah, yeah. Yeah.
Thank you. Thank you, yeah.
831
00:46:56,640 --> 00:46:58,080
KNOCK AT DOOR
832
00:46:59,200 --> 00:47:01,920
Oh, you made it! Hey!
833
00:47:01,960 --> 00:47:03,360
Hello.
834
00:47:03,400 --> 00:47:04,400
Daniel.
835
00:47:06,520 --> 00:47:08,480
CHEERING
836
00:47:08,520 --> 00:47:10,400
Hello, Lucy.
837
00:47:10,440 --> 00:47:11,800
Hi, Lucy.
838
00:47:19,080 --> 00:47:20,280
That's it.
839
00:47:22,040 --> 00:47:24,600
I just see it as a new beginning
for me and her.
840
00:47:26,520 --> 00:47:28,160
And do you know what?
841
00:47:28,200 --> 00:47:31,840
I'm going to make sure she gets
everything she deserves out of this,
842
00:47:31,880 --> 00:47:35,520
however long it lasts and however
long she wants to do it for.
843
00:47:47,560 --> 00:47:50,640
HE HUMS
844
00:47:50,680 --> 00:47:53,840
We were expecting
the car at half five
845
00:47:53,880 --> 00:47:57,280
and then we got advised
there'd be a bit of a delay,
846
00:47:57,320 --> 00:48:01,280
which seems to be
the standard for these things.
847
00:48:01,320 --> 00:48:04,800
And then we've kind of had
a couple more delays,
848
00:48:04,840 --> 00:48:06,800
and so we're just kind of now
waiting
849
00:48:06,840 --> 00:48:09,600
to hear just what's...what's going
on.
850
00:48:19,640 --> 00:48:22,200
PHONE VIBRATES
851
00:48:23,560 --> 00:48:25,960
Hello?
852
00:48:26,000 --> 00:48:27,480
Yes, it is. Hello.
853
00:48:31,960 --> 00:48:33,280
What?
854
00:48:35,480 --> 00:48:38,280
Do you know why?
Have they given you any...?
855
00:48:42,240 --> 00:48:43,560
Really?
856
00:48:46,080 --> 00:48:48,760
Right. Thank you. Bye, thanks.
857
00:48:50,760 --> 00:48:53,360
What's happened?
858
00:48:53,400 --> 00:48:58,520
The Royal Household have said,
well, no, well, she said,
859
00:48:58,560 --> 00:49:01,360
the security of the Royal Household
said I don't meet
860
00:49:01,400 --> 00:49:03,040
the minimum security requirement.
861
00:49:05,760 --> 00:49:07,880
She said they're going to
send security people round
862
00:49:07,920 --> 00:49:11,960
to collect my pass because
obviously I'm a high risk...
863
00:49:13,480 --> 00:49:14,920
..so...
864
00:49:14,960 --> 00:49:17,040
So, what does that mean?
865
00:49:17,080 --> 00:49:21,440
I don't know.
They think I'm a...a threat.
866
00:49:26,720 --> 00:49:28,400
KNOCK AT DOOR
867
00:49:28,440 --> 00:49:29,760
Come in.
868
00:49:31,760 --> 00:49:34,600
Come in, Candice. OK. I need, so...
869
00:49:34,640 --> 00:49:38,320
It's all right.
I've had some bad news, Candice.
870
00:49:38,360 --> 00:49:39,920
What's wrong? It's nothing...
871
00:49:39,960 --> 00:49:42,600
Security called me
and said I hadn't passed
872
00:49:42,640 --> 00:49:46,200
the minimum security requirement
for the Royal Household. Oh, no.
873
00:49:46,240 --> 00:49:48,640
So it's The Royal Household security
874
00:49:48,680 --> 00:49:51,880
that have, erm, said...
So, how's it going to work?
875
00:49:51,920 --> 00:49:55,280
Well, Lisa is very happy
to go with Lucy.
876
00:49:56,480 --> 00:49:58,760
It'll be fine. So, I'm really sorry.
OK.
877
00:49:58,800 --> 00:50:00,240
No, no. You don't have to be sorry.
878
00:50:00,280 --> 00:50:03,800
But you better get going, then,
because the carriage awaits,
879
00:50:03,840 --> 00:50:05,400
I'm really sorry, but...
No, it's OK.
880
00:50:05,440 --> 00:50:07,400
Just really enjoy it.
Yeah, we will. We will.
881
00:50:07,440 --> 00:50:10,000
Make the most of it. It's just such
a great thing, isn't it? So...
882
00:50:10,040 --> 00:50:12,720
OK, don't worry, don't worry,
don't worry, don't worry.
883
00:50:12,760 --> 00:50:14,680
It's not your fault. Well...
Don't worry
884
00:50:18,000 --> 00:50:19,080
Mummy's here.
885
00:50:19,120 --> 00:50:20,960
Do you want to put
your jacket on, Luce?
886
00:50:21,000 --> 00:50:23,360
Coat on.
You want your coat on?
887
00:50:23,400 --> 00:50:25,360
Daniel here.
888
00:50:25,400 --> 00:50:28,040
Daniel is not here.
889
00:50:28,080 --> 00:50:30,280
Can you put this on?
Now, you tell me.
890
00:50:30,320 --> 00:50:34,920
Daniel. Fastened or not?
Zip up. You want zip up?
891
00:50:34,960 --> 00:50:36,320
Yeah, later.
892
00:50:36,360 --> 00:50:38,680
Come on, sweetheart.
Daniel coming back later.
893
00:50:38,720 --> 00:50:40,920
Yeah, well, we're probably
going to go and see him soon.
894
00:50:40,960 --> 00:50:42,760
Let's go and find that piano.
895
00:50:48,840 --> 00:50:51,400
The only reason I'm here is,
896
00:50:51,440 --> 00:50:55,480
you know, to facilitate Lucy's
performance, you know,
897
00:50:55,520 --> 00:50:58,640
which is what they want.
I'm doing it for them.
898
00:50:58,680 --> 00:51:00,160
I don't know, I don't know.
899
00:51:00,200 --> 00:51:02,560
I think it's probably to do
with my involvement
900
00:51:02,600 --> 00:51:03,960
with Extinction Rebellion.
901
00:51:04,000 --> 00:51:05,320
Erm...
902
00:51:06,520 --> 00:51:09,520
Hasn't made me warm to the
monarchy any more, I have to say...
903
00:51:11,960 --> 00:51:13,320
..if I'm honest!
904
00:51:18,280 --> 00:51:21,040
ANNOUNCER: In celebration of
His Majesty's watercolours,
905
00:51:21,080 --> 00:51:25,000
we welcome a pianist from Her
Majesty Queen Camilla's patronage
906
00:51:25,040 --> 00:51:30,000
The Amber Trust,
it's the incredibly talented Lucy.
907
00:51:30,040 --> 00:51:32,120
CHEERING
908
00:51:35,800 --> 00:51:40,280
MUSIC: The Well-Tempered Clavier,
Book 1, Prelude and Fugue No 1
by Johann Sebastian Bach
909
00:51:58,040 --> 00:52:02,880
I think quite often, actually,
about Lucy's next steps.
910
00:52:02,920 --> 00:52:07,080
I tend to veer wildly between
two extremes.
911
00:52:07,120 --> 00:52:09,440
You know, the idea that I have
to be there with her -
912
00:52:09,480 --> 00:52:13,000
I can't let her do anything
without me.
913
00:52:13,040 --> 00:52:16,400
I sort of veer between that
and thinking,
914
00:52:16,440 --> 00:52:18,880
you know,
I need to let her do her own thing.
915
00:52:18,920 --> 00:52:19,920
MUSIC CONTINUES
916
00:52:26,880 --> 00:52:28,880
I've always thought it would be
great for her to work
917
00:52:28,920 --> 00:52:31,240
with loads of different people.
918
00:52:31,280 --> 00:52:34,320
It's really important that
we're not stuck to
919
00:52:34,360 --> 00:52:37,080
the idea of me being glued
to Lucy forever.
920
00:52:43,960 --> 00:52:45,400
Good ending.
921
00:52:48,160 --> 00:52:49,160
CHEERING ON TV
922
00:52:49,200 --> 00:52:51,640
Yay.
HE APPLAUDS
923
00:52:53,200 --> 00:52:54,600
She's doing a bow.
924
00:52:54,640 --> 00:52:57,120
CHEERING
925
00:53:01,080 --> 00:53:02,640
That was good, wasn't it?
926
00:53:02,680 --> 00:53:05,120
Oh, Lucy, that was incredible.
927
00:53:05,160 --> 00:53:06,680
You were amazing.
928
00:53:06,720 --> 00:53:08,960
Lionel Richie was just asking after
her. Oh, Lucy.
929
00:53:11,000 --> 00:53:12,360
Oh, what an honour. Yeah.
930
00:53:14,400 --> 00:53:15,720
What an honour.
931
00:53:17,680 --> 00:53:18,880
Come on.
932
00:53:20,080 --> 00:53:23,320
ANNOUNCER: Thank you to all
our wonderful performers.
933
00:53:29,760 --> 00:53:31,680
SHEEP BLEAT
934
00:53:38,760 --> 00:53:41,400
Yeah, hold your cane properly,
long finger.
935
00:53:41,440 --> 00:53:44,160
Hold it properly, Lucy.
That's right, well done.
936
00:53:45,680 --> 00:53:47,800
Woooshhh. Very good.
937
00:53:49,680 --> 00:53:50,760
LUCY SINGS TUNE
938
00:53:50,800 --> 00:53:53,440
Woooshhh. Can you hear the wind
going wooshhhh?
939
00:53:53,480 --> 00:53:56,480
# Da-da-da, da-da-da
940
00:53:56,520 --> 00:53:58,240
# Da-na-na-na-na-na-na-na-na. #
941
00:53:58,280 --> 00:53:59,280
By?
942
00:53:59,320 --> 00:54:00,360
# I only... #
943
00:54:00,400 --> 00:54:04,000
I Only Have Eyes for You by...
944
00:54:04,040 --> 00:54:05,720
Who sings that?
945
00:54:05,760 --> 00:54:08,840
Oscar Peterson. Oscar Peterson
946
00:54:08,880 --> 00:54:12,120
# Doo-doo-doo-doo-doo-doo. #
947
00:54:12,160 --> 00:54:15,440
Here's the door.
I'll open the door. Are you ready?
948
00:54:15,480 --> 00:54:19,960
Beep. Beep. Come on, then,
I've opened the door.
949
00:54:20,000 --> 00:54:23,320
Right, let's go and find the piano.
Here we go. Are you ready?
950
00:54:23,360 --> 00:54:25,480
Hold your cane properly.
951
00:54:25,520 --> 00:54:27,560
Ooh. What's that?
952
00:54:27,600 --> 00:54:31,160
Oooh. What's that? What's that?
953
00:54:31,200 --> 00:54:32,560
What's this?
954
00:54:35,080 --> 00:54:38,200
HE VOCALISES THE MELODY
955
00:54:42,200 --> 00:54:43,560
LUCY LAUGHS
956
00:54:43,600 --> 00:54:45,560
Oh, yes!
957
00:54:45,600 --> 00:54:47,160
LUCY LAUGHS
958
00:54:51,560 --> 00:54:54,640
Yay! Well done.
959
00:54:54,680 --> 00:54:58,880
That's so exciting! A new piano.
960
00:54:58,920 --> 00:55:00,000
# And now... #
961
00:55:00,040 --> 00:55:02,040
I'll sing it. Go on, you play it.
962
00:55:02,080 --> 00:55:06,160
# And now the end is near
963
00:55:07,640 --> 00:55:12,880
# And so I face
the final curtain... #
964
00:55:14,040 --> 00:55:17,080
HE VOCALISES THE MELODY
965
00:55:17,120 --> 00:55:20,800
I can't imagine ever
saying goodbye to Lucy
966
00:55:20,840 --> 00:55:22,880
because we're such close friends.
967
00:55:24,200 --> 00:55:26,720
I'm speaking obviously
for both of us now,
968
00:55:26,760 --> 00:55:29,600
I think we do enjoy
each other's company.
969
00:55:29,640 --> 00:55:33,120
I can't imagine not being part
of each other's lives in some way...
970
00:55:35,000 --> 00:55:36,800
..certainly
for the foreseeable future.
971
00:55:36,840 --> 00:55:39,960
I mean, I'm her piano teacher,
so there!
972
00:55:40,000 --> 00:55:46,560
# Da-da-da, my way. #
973
00:55:54,280 --> 00:55:55,960
Lucy, that was amazing.
974
00:55:56,000 --> 00:55:58,040
Absolutely...
975
00:55:58,080 --> 00:56:00,400
BOTH: Wonderful!
HE CHUCKLES
976
00:56:01,960 --> 00:56:05,160
MUSIC: I Wish
by Stevie Wonder
977
00:56:20,760 --> 00:56:23,760
Subtitles by Red Bee Media
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