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Would you like to inspect the original subtitles? These are the user uploaded subtitles that are being translated: 1 00:00:02,880 --> 00:00:04,400 Hello, Lucy. 2 00:00:04,440 --> 00:00:05,920 Daniel's here. It's Daniel. 3 00:00:05,960 --> 00:00:07,240 Hello, Lucy. 4 00:00:07,280 --> 00:00:09,520 I'll put your cane in the corner. 5 00:00:09,560 --> 00:00:11,400 PIANO PLAYS 6 00:00:11,440 --> 00:00:14,000 One. Three, four. 7 00:00:14,040 --> 00:00:15,440 So, the first bit, it's like this. 8 00:00:15,480 --> 00:00:16,480 HE PLAYS CHORD 9 00:00:16,520 --> 00:00:17,920 Wait. 10 00:00:17,960 --> 00:00:18,960 Wait. 11 00:00:19,000 --> 00:00:20,600 Wait... 12 00:00:20,640 --> 00:00:27,000 ..and one, two, three, four, go. 13 00:00:27,040 --> 00:00:28,840 LUCY BEGINS TO PLAY 14 00:00:36,400 --> 00:00:41,760 Lucy is the most gifted musician I think I've ever met. 15 00:00:41,800 --> 00:00:43,920 Well done. So, you're going to go, "Bom." 16 00:00:45,240 --> 00:00:47,280 Bom, listen, listen. 17 00:00:47,320 --> 00:00:49,040 Bom. 18 00:00:49,080 --> 00:00:50,160 Like that. 19 00:00:50,200 --> 00:00:55,120 I was introduced to her when she was three years old 20 00:00:55,160 --> 00:00:57,480 and it was the best thing that ever happened to me. 21 00:00:58,960 --> 00:01:01,800 I've never met anybody who has 22 00:01:01,840 --> 00:01:04,680 the same depth of understanding of music. 23 00:01:07,760 --> 00:01:12,280 Lucy makes you completely rethink how the brain works 24 00:01:12,320 --> 00:01:14,560 and how the heart works as well. 25 00:01:14,600 --> 00:01:17,040 PIANO CONTINUES 26 00:01:22,680 --> 00:01:23,680 Bom. 27 00:01:23,720 --> 00:01:25,280 HE SINGS ALONG 28 00:01:25,320 --> 00:01:26,840 Bom. 29 00:01:26,880 --> 00:01:29,120 Well done. You're doing really well. 30 00:01:29,160 --> 00:01:30,520 Brilliant. 31 00:01:30,560 --> 00:01:32,760 Ladies and gentlemen, Lucy. 32 00:01:32,800 --> 00:01:33,800 OK. 33 00:01:45,240 --> 00:01:46,760 Morning, Lu. 34 00:01:46,800 --> 00:01:48,080 Morning, Lucy. 35 00:01:48,120 --> 00:01:49,360 Morning, Lucy. 36 00:01:50,640 --> 00:01:56,280 Today is...Tuesday the seventh. 37 00:01:57,320 --> 00:01:58,400 Coat off. 38 00:01:58,440 --> 00:01:59,680 Tuesday the seventh... 39 00:01:59,720 --> 00:02:01,680 So, it's Tuesday the seventh. ..of March. 40 00:02:01,720 --> 00:02:03,000 What year is it? 41 00:02:03,040 --> 00:02:04,160 2023. 42 00:02:04,200 --> 00:02:05,280 Good girl. 43 00:02:06,520 --> 00:02:07,520 You ready? 44 00:02:07,560 --> 00:02:08,560 Poppy here? 45 00:02:08,600 --> 00:02:09,720 She is. She's watching. 46 00:02:09,760 --> 00:02:11,200 And a big mouth. 47 00:02:13,080 --> 00:02:14,720 Good girl. 48 00:02:14,760 --> 00:02:16,360 Excellent, Luce. 49 00:02:16,400 --> 00:02:17,680 Fantastic. 50 00:02:17,720 --> 00:02:18,720 Daniel today. 51 00:02:18,760 --> 00:02:19,760 It is Daniel today. 52 00:02:19,800 --> 00:02:20,800 At? 53 00:02:20,840 --> 00:02:23,120 1.40pm. 1.40pm. 54 00:02:23,160 --> 00:02:24,920 You ready? 55 00:02:24,960 --> 00:02:29,880 She has a chromosome 16 duplication. 56 00:02:29,920 --> 00:02:31,240 Thank you. Thank you. 57 00:02:31,280 --> 00:02:34,240 She does struggle with processing and she does take time. 58 00:02:34,280 --> 00:02:36,120 You can't ask Lucy to do something 59 00:02:36,160 --> 00:02:38,760 and assume she's going to do it immediately. 60 00:02:38,800 --> 00:02:42,160 I don't believe she actually has a formal diagnosis of Autism, 61 00:02:42,200 --> 00:02:45,560 but she has many of the traits. 62 00:02:45,600 --> 00:02:50,240 And then, obviously, she has severe vision loss, well, 63 00:02:50,280 --> 00:02:54,040 to the point of no functional vision. 64 00:02:54,080 --> 00:02:55,080 What can you read? 65 00:02:55,120 --> 00:02:56,120 Cam. 66 00:02:56,160 --> 00:02:57,360 Cam. 67 00:02:57,400 --> 00:02:58,880 What's on the end? Ah. 68 00:02:58,920 --> 00:03:01,640 Ah. Camera. 69 00:03:01,680 --> 00:03:03,200 Camera. Camera. 70 00:03:03,240 --> 00:03:04,800 Do you want to have a feel of it? 71 00:03:04,840 --> 00:03:06,560 Can you reach for me? 72 00:03:07,600 --> 00:03:09,760 Reach, reach, reach, reach, reach. 73 00:03:09,800 --> 00:03:11,880 Poppy's holding the camera. 74 00:03:11,920 --> 00:03:13,600 There's lots of wires. 75 00:03:15,120 --> 00:03:17,080 Camera. 76 00:03:17,120 --> 00:03:19,080 Camera. Camera. 77 00:03:19,120 --> 00:03:20,840 She's holding the camera. 78 00:03:23,520 --> 00:03:25,320 Lucy, we just wanted to say hi. 79 00:03:25,360 --> 00:03:27,160 It's Poppy and Glenn. 80 00:03:27,200 --> 00:03:28,240 Hello, Lucy. 81 00:03:32,200 --> 00:03:33,680 I don't think she's really fussed. 82 00:03:33,720 --> 00:03:35,080 I think the cameras are just there. 83 00:03:35,120 --> 00:03:38,360 I think it's just another thing that Lucy takes in her stride. 84 00:03:38,400 --> 00:03:40,280 She knows that you guys are in the room. 85 00:03:40,320 --> 00:03:43,360 She quite often calls you out that you're in the room, 86 00:03:43,400 --> 00:03:45,920 but I don't think it phases her. 87 00:03:45,960 --> 00:03:47,680 Poppy and Glenn. 88 00:03:47,720 --> 00:03:49,840 So, I'm gonna tuck that wire in there. 89 00:03:49,880 --> 00:03:50,880 Is that all right? 90 00:03:50,920 --> 00:03:51,920 There we go. 91 00:03:51,960 --> 00:03:55,040 Yes, now we're ready for piano. 92 00:03:55,080 --> 00:03:57,200 Daniel! 93 00:03:57,240 --> 00:03:59,880 He's here. Hi! Hi. 94 00:03:59,920 --> 00:04:01,560 Hi, Lucy. 95 00:04:01,600 --> 00:04:02,840 Hello, Lisa. 96 00:04:02,880 --> 00:04:05,960 How would you describe her relationship with Daniel? 97 00:04:06,000 --> 00:04:07,320 Oh, it's just lovely. 98 00:04:07,360 --> 00:04:09,920 They're just in tune with each other. 99 00:04:11,080 --> 00:04:13,280 Shall we do that one? 100 00:04:13,320 --> 00:04:14,840 Oh, I love that one. 101 00:04:16,600 --> 00:04:17,640 Yeah. 102 00:04:17,680 --> 00:04:21,800 She looks forward to his lessons so much. 103 00:04:21,840 --> 00:04:24,000 Bit louder. I'm playing bass guitar, yeah. 104 00:04:25,200 --> 00:04:28,480 Music, for Lucy, is key. 105 00:04:31,280 --> 00:04:33,560 I think, if Daniel wasn't in her life, 106 00:04:33,600 --> 00:04:37,280 Lucy would have no real grounds of communication. 107 00:04:37,320 --> 00:04:39,080 PIANO PLAYS 108 00:05:03,360 --> 00:05:05,600 DANIEL HUMS 109 00:05:08,000 --> 00:05:10,800 Daniel, sing. 110 00:05:10,840 --> 00:05:13,360 DANIEL CONTINUES HUMMING 111 00:05:21,560 --> 00:05:23,480 Nice. Lovely. 112 00:05:26,680 --> 00:05:31,040 I can't remember a time before I could play the piano... 113 00:05:32,280 --> 00:05:34,760 ..and I think that maybe that's the same with Lucy, isn't it? 114 00:05:34,800 --> 00:05:38,080 It's just that, maybe that's why we get on so well musically, 115 00:05:38,120 --> 00:05:44,200 is that we both have that kind of natural attachment to the piano 116 00:05:44,240 --> 00:05:46,800 as the way that we express ourselves. 117 00:05:46,840 --> 00:05:49,280 much more so than with words. 118 00:06:04,480 --> 00:06:06,360 She sees the world differently. 119 00:06:07,360 --> 00:06:10,000 She sees the world in a beautiful way. 120 00:06:10,040 --> 00:06:13,120 I wish I saw the world the way Lucy sees it, I do. 121 00:06:13,160 --> 00:06:14,600 She's just happy. 122 00:06:17,040 --> 00:06:20,520 But when she was born, the first thing I remember saying was, 123 00:06:20,560 --> 00:06:23,080 "Is she OK? Is she all right?" 124 00:06:23,120 --> 00:06:27,080 And they went to me, "Yeah, she's fine. She's fine." 125 00:06:27,120 --> 00:06:30,760 And yet, at nine months, she was diagnosed with 126 00:06:30,800 --> 00:06:33,640 advanced bilateral retinoblastoma. 127 00:06:33,680 --> 00:06:36,120 It's cancerous tumours of the eyes. 128 00:06:38,280 --> 00:06:41,320 It's a rare child cancer. 129 00:06:44,360 --> 00:06:47,960 It was horrendous, just horrendous. 130 00:06:54,680 --> 00:06:57,080 Sorry, Luce, you going in? 131 00:06:57,120 --> 00:06:59,720 A drink. Yes, I've heard ya. 132 00:06:59,760 --> 00:07:01,560 You take coat off? Mum do it. 133 00:07:01,600 --> 00:07:03,920 No, Lucy do it. 134 00:07:06,120 --> 00:07:10,080 I look back on that now and I go, "We did it. 135 00:07:10,120 --> 00:07:12,120 "We did it as a team." 136 00:07:12,160 --> 00:07:14,680 Good girl. Thank you. Thank you. 137 00:07:14,720 --> 00:07:16,000 So what you gonna do now? 138 00:07:16,040 --> 00:07:17,720 Cuddle. Ah, you want a cuddle? 139 00:07:17,760 --> 00:07:19,880 Aww, come here, then, give me a hug. Whistle. 140 00:07:19,920 --> 00:07:21,360 Now, it's just about living life 141 00:07:21,400 --> 00:07:24,600 and it's about living every single moment with her. 142 00:07:24,640 --> 00:07:26,360 CANDICE WHISTLES 143 00:07:28,080 --> 00:07:30,000 Do you remember what we said? 144 00:07:30,040 --> 00:07:31,640 9pm. 145 00:07:31,680 --> 00:07:33,000 9pm. That's right. 146 00:07:33,040 --> 00:07:34,800 On channel...? 147 00:07:34,840 --> 00:07:36,360 Four. That's right. 148 00:07:36,400 --> 00:07:37,840 What is on at 9pm tonight? 149 00:07:37,880 --> 00:07:39,960 Tell Mummy. Royal Festival Hall. 150 00:07:40,000 --> 00:07:43,160 And who is playing at the Royal Festival Hall? 151 00:07:43,200 --> 00:07:44,680 Piano. The Piano. 152 00:07:44,720 --> 00:07:46,160 Who played piano though? 153 00:07:47,280 --> 00:07:48,360 Who played piano...? 154 00:07:48,400 --> 00:07:50,920 With? With? Daniel. 155 00:07:52,000 --> 00:07:55,960 Please welcome Lucy and her teacher - Daniel. 156 00:07:56,000 --> 00:07:58,120 APPLAUSE 157 00:08:00,560 --> 00:08:02,320 So, we're nearly at the piano. 158 00:08:02,360 --> 00:08:03,520 Nearly at the piano. 159 00:08:03,560 --> 00:08:05,360 Hold your cane properly. 160 00:08:05,400 --> 00:08:06,640 OK. 161 00:08:06,680 --> 00:08:07,760 OK. 162 00:08:07,800 --> 00:08:09,440 All right, we're nearly at the piano. 163 00:08:09,480 --> 00:08:10,480 OK. 164 00:08:10,520 --> 00:08:11,920 There's the piano stool. 165 00:08:11,960 --> 00:08:13,320 OK. 166 00:08:13,360 --> 00:08:15,120 Now, find the pedal. 167 00:08:15,160 --> 00:08:16,360 Find the pedal. 168 00:08:16,400 --> 00:08:19,120 OK. Now, wait, wait. 169 00:08:19,160 --> 00:08:20,440 That's right. 170 00:08:20,480 --> 00:08:22,080 PIANO PLAYS 171 00:08:27,280 --> 00:08:28,520 Lucy. 172 00:08:30,320 --> 00:08:31,840 It is you. 173 00:08:37,160 --> 00:08:39,800 I can't believe where she is now. 174 00:08:45,120 --> 00:08:49,120 LUCY HUMS WITH MUSIC 175 00:08:54,280 --> 00:08:56,240 Yay! 176 00:08:56,280 --> 00:08:58,320 Well done! 177 00:08:58,360 --> 00:09:00,240 Ho, ho, ho! 178 00:09:00,280 --> 00:09:02,680 What you are looking and witnessing here 179 00:09:02,720 --> 00:09:07,200 is a true star with natural talent. 180 00:09:07,240 --> 00:09:11,400 When she was very, very little, we got her a little keyboard 181 00:09:11,440 --> 00:09:13,360 and we took it into hospital with us, 182 00:09:13,400 --> 00:09:19,000 and she played Twinkle Twinkle Little Star perfectly on it. 183 00:09:19,040 --> 00:09:21,320 And the nurse came over, 184 00:09:21,360 --> 00:09:23,880 and she thought that it was pre-recorded. 185 00:09:23,920 --> 00:09:25,480 And I said, "No, Lucy's playing it." 186 00:09:25,520 --> 00:09:27,920 And she said, "No, no way." 187 00:09:31,560 --> 00:09:33,480 And that's when Daniel came in. 188 00:09:36,160 --> 00:09:39,800 Daniel understands her and she understand him. 189 00:09:39,840 --> 00:09:41,960 It's like having a musical soulmate. 190 00:09:47,160 --> 00:09:49,280 She's got a phenomenal talent 191 00:09:49,320 --> 00:09:51,560 and she wants to share the talent. 192 00:09:51,600 --> 00:09:54,960 She wants to go out there and play for people 193 00:09:55,000 --> 00:09:56,920 and hear that applause. 194 00:09:56,960 --> 00:09:58,400 PIANO PLAYS 195 00:10:01,520 --> 00:10:02,720 Big clap. 196 00:10:04,480 --> 00:10:06,280 Ready? 197 00:10:06,320 --> 00:10:08,080 MUM GASPS 198 00:10:08,120 --> 00:10:09,120 Wow. 199 00:10:09,160 --> 00:10:10,720 APPLAUSE 200 00:10:10,760 --> 00:10:14,520 Well done, Lucy. That was beautiful. Bravo. 201 00:10:14,560 --> 00:10:16,040 Oh, my gosh. 202 00:10:22,080 --> 00:10:23,440 Ladies and gentlemen... 203 00:10:23,480 --> 00:10:25,040 Go on, say it. 204 00:10:25,080 --> 00:10:29,880 ..please welcome to the stage, Lucy, Daniel. Yeah. 205 00:10:30,960 --> 00:10:34,760 I know you wanted to give somebody performance of the night. 206 00:10:34,800 --> 00:10:38,160 Yes, and that person is Lucy. 207 00:10:38,200 --> 00:10:40,000 APPLAUSE 208 00:10:46,320 --> 00:10:49,600 Oh, wow, 444 retweets. 209 00:10:49,640 --> 00:10:50,920 Yeah, she's up there. 210 00:10:58,080 --> 00:10:59,640 Sounds incredible. 211 00:10:59,680 --> 00:11:00,960 You do sound incredible. 212 00:11:01,000 --> 00:11:02,320 Yes, you do. 213 00:11:07,440 --> 00:11:08,440 Lang Lang. 214 00:11:08,480 --> 00:11:09,680 Lang Lang. 215 00:11:09,720 --> 00:11:12,640 Who else? Mika. Mika. 216 00:11:12,680 --> 00:11:15,120 And Lucy. And Lucy. 217 00:11:17,360 --> 00:11:21,160 Viewers of Channel 4's The Piano were left in tears last night 218 00:11:21,200 --> 00:11:26,640 following the emotional final that saw 13-year-old Lucy, who's blind, 219 00:11:26,680 --> 00:11:27,840 win the show. 220 00:11:27,880 --> 00:11:32,080 Please welcome to the stage Lucy. 221 00:11:32,120 --> 00:11:33,720 Please welcome... 222 00:11:33,760 --> 00:11:37,120 Ladies and gentlemen, please welcome... 223 00:11:38,360 --> 00:11:42,320 She's 13-year-old Lucy, she's blind, has autism, 224 00:11:42,360 --> 00:11:46,880 and last night she was crowned the winner of Channel 4's The Piano. 225 00:11:46,920 --> 00:11:50,000 You want to tell Tony about the Royal Festival Hall? 226 00:11:50,040 --> 00:11:51,440 What are you going to tell Tony? 227 00:11:51,480 --> 00:11:54,920 I love that the world's opening up for her 228 00:11:54,960 --> 00:11:55,960 cos that's what you want. 229 00:11:56,000 --> 00:11:58,880 I don't want her to just be kept 230 00:11:58,920 --> 00:12:00,680 for us and just kept and hidden away. 231 00:12:00,720 --> 00:12:04,680 I want everybody to see how amazing Lucy is. 232 00:12:04,720 --> 00:12:08,880 Morning, Lucy. Lucy! Congratulations, well done! 233 00:12:08,920 --> 00:12:11,320 CHEERING 234 00:12:11,360 --> 00:12:12,920 I'm proud of ya. 235 00:12:12,960 --> 00:12:17,040 It's Tia. What's Tia saying? Congratulations. 236 00:12:17,080 --> 00:12:20,400 CHEERS You won. Yay. 237 00:12:20,440 --> 00:12:23,840 Well done, well done. I'm so proud. 238 00:12:23,880 --> 00:12:26,480 Ah, you're so proud, Tia. 239 00:12:26,520 --> 00:12:28,640 INDISTINCT 240 00:12:28,680 --> 00:12:31,440 Ah, Tia. Well done, Lucy. 241 00:12:31,480 --> 00:12:37,200 Thank you. Thank you so much...so much. 242 00:12:39,040 --> 00:12:40,560 Thank you so much. 243 00:12:43,040 --> 00:12:45,560 RADIO: Now, is there something about losing your sight 244 00:12:45,600 --> 00:12:47,720 that makes you better at music? 245 00:12:47,760 --> 00:12:50,360 Some scientists think there might be. 246 00:12:50,400 --> 00:12:52,920 An amazing number of children with special needs 247 00:12:52,960 --> 00:12:54,640 have a particular musical talent. 248 00:12:54,680 --> 00:12:57,200 Someone like Lucy can probably hear 249 00:12:57,240 --> 00:12:58,760 about ten notes at once, 250 00:12:58,800 --> 00:13:02,600 so that means, when she's listening to an orchestra or a choir, 251 00:13:02,640 --> 00:13:06,360 she can hear what every single player is singing or playing. 252 00:13:08,240 --> 00:13:11,120 The miracle child, I'm gonna call her that today. 253 00:13:11,160 --> 00:13:13,120 Blind miracle girl. 254 00:13:13,160 --> 00:13:15,240 The miracle thing, it's that, 255 00:13:15,280 --> 00:13:21,080 it's a way of...putting a label on, or saying, using... 256 00:13:21,120 --> 00:13:23,960 I mean, even using the word blind, saying, 257 00:13:24,000 --> 00:13:25,880 "The blind girl," you know? 258 00:13:25,920 --> 00:13:29,000 The fact that she's blind, that's not her main characteristic. 259 00:13:29,040 --> 00:13:31,840 I don't think of her as a blind person, you know? 260 00:13:31,880 --> 00:13:33,560 I think of her as a musician. 261 00:13:33,600 --> 00:13:35,480 PIANO MUSIC PLAYS 262 00:13:40,440 --> 00:13:43,400 RADIO: Well, that is, that was Lucy, 263 00:13:43,440 --> 00:13:46,080 playing Debussy's Arabesque in the final. 264 00:13:46,120 --> 00:13:48,000 By her side for many, many years 265 00:13:48,040 --> 00:13:50,680 has been her piano teacher, Daniel Bath, who joins us now. 266 00:13:50,720 --> 00:13:52,720 Daniel, hello. Hello. 267 00:13:52,760 --> 00:13:55,760 So you've been teaching Lucy for around ten years, 268 00:13:55,800 --> 00:13:59,840 but talk us through the method that you initially used. 269 00:13:59,880 --> 00:14:02,480 Well, I first met her when she was, 270 00:14:02,520 --> 00:14:06,400 I think she had just turned four, actually. 271 00:14:06,440 --> 00:14:08,520 # Fish are jumping... # 272 00:14:11,000 --> 00:14:13,840 Because obviously she can't see where the fingers are going, 273 00:14:13,880 --> 00:14:15,200 I would play the piece, 274 00:14:15,240 --> 00:14:17,760 and she would hold on to the top of my hand, 275 00:14:17,800 --> 00:14:20,720 so she could feel what my fingers were doing. 276 00:14:22,880 --> 00:14:26,000 So through that she learned what the fingering patterns were. 277 00:14:31,840 --> 00:14:33,320 She'll hear a piece of music, 278 00:14:33,360 --> 00:14:37,160 like on the radio or something, and then she'll know it, 279 00:14:37,200 --> 00:14:40,040 she'll remember it, because her memory's so good. 280 00:14:40,080 --> 00:14:43,120 ..number? 11. OK. 281 00:14:45,480 --> 00:14:47,680 And then she'll sit down at the piano, 282 00:14:47,720 --> 00:14:49,400 and she'll play it straight away. 283 00:14:52,080 --> 00:14:53,520 And, to be honest, 284 00:14:53,560 --> 00:14:56,360 a lot of my work has just been training the fingers 285 00:14:56,400 --> 00:15:00,040 to make the music that's already in her head, in her memory. 286 00:15:00,080 --> 00:15:02,560 I always think of it like a sculpture, you know? 287 00:15:02,600 --> 00:15:05,200 You've got a block of marble that's roughly the right shape 288 00:15:05,240 --> 00:15:07,400 and very gradually chip away at it. 289 00:15:07,440 --> 00:15:10,400 Daniel, we've got to end it there, but... Thanks, Daniel. 290 00:15:10,440 --> 00:15:13,040 We hope that more children can get access to that, 291 00:15:13,080 --> 00:15:16,240 we need more access to music education for everybody. 292 00:15:16,280 --> 00:15:18,360 Yep, good point, well made. Thanks, Daniel. 293 00:15:18,400 --> 00:15:19,480 Thank you very much. 294 00:15:19,520 --> 00:15:21,000 Daniel is Lucy's piano teacher. 295 00:15:21,040 --> 00:15:23,160 What a remarkable technique and a remarkable achievement. 296 00:15:23,200 --> 00:15:26,880 Thank you. Thank you, bye, thank you. 297 00:15:26,920 --> 00:15:30,960 It makes me feel very uncomfortable, putting myself forward, 298 00:15:31,000 --> 00:15:37,000 but it's a really useful tool to 299 00:15:37,040 --> 00:15:40,000 spread the message for what we do. 300 00:15:40,040 --> 00:15:42,760 Lucy's very much just the tip of the iceberg 301 00:15:42,800 --> 00:15:46,560 when it comes to, you know, what's possible. 302 00:15:46,600 --> 00:15:48,160 Did you put the plug in? 303 00:15:48,200 --> 00:15:50,240 Yeah, it's ready now. PLAYS RANDOM NOTES 304 00:15:50,280 --> 00:15:51,640 Uh... 305 00:15:51,680 --> 00:15:54,480 # Old McRayan had a farm... # 306 00:15:54,520 --> 00:15:55,880 Wait. 307 00:15:55,920 --> 00:15:59,680 PLAYS NOTES CLEANLY 308 00:15:59,720 --> 00:16:02,480 # Old... # 309 00:16:02,520 --> 00:16:04,200 Yay! 310 00:16:05,280 --> 00:16:06,360 Give a clap. 311 00:16:06,400 --> 00:16:07,560 Do you think you can do the bass? 312 00:16:07,600 --> 00:16:12,960 I'm a piano teacher to several children who are visually impaired 313 00:16:13,000 --> 00:16:15,720 and some of them have additional needs as well. 314 00:16:15,760 --> 00:16:17,440 # E-I-E-I-O... # 315 00:16:17,480 --> 00:16:22,440 Glenn and Poppy, I am going to play... 316 00:16:22,480 --> 00:16:25,720 ..so please listen carefully and don't talk. 317 00:16:25,760 --> 00:16:28,400 OK, so, Daniel, get your tabla ready, 318 00:16:28,440 --> 00:16:30,280 we're not gonna do bass today. 319 00:16:30,320 --> 00:16:32,520 THEY SING 320 00:16:35,720 --> 00:16:37,920 It's very empowering for a lot of children 321 00:16:37,960 --> 00:16:39,920 who don't feel like they have agency 322 00:16:39,960 --> 00:16:44,320 and power in their lives, or control over their environment. 323 00:16:44,360 --> 00:16:47,280 THEY SING 324 00:17:02,840 --> 00:17:07,280 Music is an area where they can have complete control 325 00:17:07,320 --> 00:17:08,680 over their environment, 326 00:17:08,720 --> 00:17:10,200 and, if you're a music teacher, 327 00:17:10,240 --> 00:17:12,240 that's your job, is to facilitate that. 328 00:17:13,680 --> 00:17:15,640 SHE PLAYS ROTTERDAM BY THE BEAUTIFUL SOUTH 329 00:17:17,200 --> 00:17:18,960 ALL SING: # And everyone is blonde 330 00:17:19,000 --> 00:17:21,600 # And everyone is beautiful... # 331 00:17:22,720 --> 00:17:27,480 Music's often treated like a kind of, you know, frivolous luxury, 332 00:17:27,520 --> 00:17:32,200 but Lucy, for me, is like the best example of why music is 333 00:17:32,240 --> 00:17:34,920 so important. 334 00:17:34,960 --> 00:17:37,080 Piano is how Lucy communicates. 335 00:17:38,280 --> 00:17:40,000 The music's everything to her, really. 336 00:17:40,040 --> 00:17:41,440 # ..done more here 337 00:17:41,480 --> 00:17:44,000 # Than they ever would do in a jar 338 00:17:44,040 --> 00:17:47,760 # This could be Halifax or anywhere 339 00:17:47,800 --> 00:17:50,120 # Liverpool or Rome 340 00:17:50,160 --> 00:17:52,200 # Cos Halifax is anywhere 341 00:17:52,240 --> 00:17:54,320 # Anywhere alone 342 00:17:56,720 --> 00:17:58,480 # Anywhere alone... # 343 00:17:59,800 --> 00:18:02,160 With Lucy, what we've found with 344 00:18:02,200 --> 00:18:06,200 the publicity surrounding her being on the TV series 345 00:18:06,240 --> 00:18:10,000 is that there's a great rush of people wanting 346 00:18:10,040 --> 00:18:12,000 to associate themselves. 347 00:18:12,040 --> 00:18:16,800 Lucy's had lots of invitations to come perform in various places. 348 00:18:19,760 --> 00:18:22,800 Uh, we've got to think about the jazz concert in Halifax 349 00:18:22,840 --> 00:18:26,480 and we need to work out what we're gonna play, so... 350 00:18:26,520 --> 00:18:28,160 Thinking, Beginning to See the Light. 351 00:18:28,200 --> 00:18:31,080 Beginning to See the light, would you like to do that? 352 00:18:31,120 --> 00:18:33,920 One, two, a one, two, three, four. 353 00:18:33,960 --> 00:18:37,280 MUSIC PLAYS 354 00:18:41,640 --> 00:18:43,120 Concentrate on your fingers. 355 00:18:47,440 --> 00:18:49,800 I, uh, have a jazz piano trio 356 00:18:49,840 --> 00:18:54,400 and we have a gig, which Lucy's going to be playing in. 357 00:18:54,440 --> 00:18:57,120 Lucy will come on and she will replace me. 358 00:18:57,160 --> 00:18:59,200 # Dah, doo, doo, doo-doo, doo, doo-doo... # 359 00:18:59,240 --> 00:19:00,360 Solo. 360 00:19:00,400 --> 00:19:02,400 It's a chance for her to... 361 00:19:02,440 --> 00:19:05,120 ..have a bit of practice performing in public spaces 362 00:19:05,160 --> 00:19:07,160 and get used to the other musicians. 363 00:19:07,200 --> 00:19:08,920 Whoooo! 364 00:19:13,040 --> 00:19:16,080 Lucy loves playing jazz, 365 00:19:16,120 --> 00:19:18,760 part of that is my influence on her 366 00:19:18,800 --> 00:19:22,240 because she's spent ten years listening to me playing jazz. 367 00:19:24,560 --> 00:19:27,440 Feels a bit scary, actually, sometimes, if I hear her play, 368 00:19:27,480 --> 00:19:31,640 that sounds like me playing. So, uh... 369 00:19:32,680 --> 00:19:33,880 Why's that scary? 370 00:19:33,920 --> 00:19:36,840 Uh, well, it's just that responsibility... 371 00:19:36,880 --> 00:19:39,520 THEY PRACTISE SCATTING 372 00:19:39,560 --> 00:19:42,080 ..that what she's doing is my fault. 373 00:19:42,120 --> 00:19:44,160 THEY CONTINUE SCATTING 374 00:19:46,000 --> 00:19:49,440 It's nice, that one, isn't it? Come on, then, we've finished. 375 00:19:49,480 --> 00:19:53,040 You know, Lucy's very much at the beginning of something, 376 00:19:53,080 --> 00:19:55,640 at the beginning of her musical career. 377 00:19:55,680 --> 00:19:59,000 Lucy will, she will be better at playing the piano than I have been 378 00:19:59,040 --> 00:20:02,600 because she's heading towards a career as a concert pianist, 379 00:20:02,640 --> 00:20:04,000 as far as I can see. 380 00:20:04,040 --> 00:20:06,280 So we'll have to be careful 381 00:20:06,320 --> 00:20:10,480 because Lucy's that combination of great skill 382 00:20:10,520 --> 00:20:13,880 and confidence, and also great vulnerability. 383 00:20:16,640 --> 00:20:20,120 LUCY: Alexa, play applause by the audience. 384 00:20:20,160 --> 00:20:23,800 ALEXA: I couldn't find Applause by Audrey, but here's... 385 00:20:23,840 --> 00:20:27,120 Alexa, play applause by the audience. 386 00:20:28,560 --> 00:20:31,880 ALEXA: I couldn't find Applause by the Orphans, but here is... 387 00:20:31,920 --> 00:20:34,640 Alexa, play applause by the audience. 388 00:20:36,760 --> 00:20:38,960 ALEXA: Applause by the audience on Amazon Music. 389 00:20:39,000 --> 00:20:40,480 PLAYS ONE NOTE 390 00:20:40,520 --> 00:20:42,760 APPLAUSE 391 00:20:44,520 --> 00:20:47,440 Alexa, stop. 392 00:20:52,520 --> 00:20:55,040 Alexa, go back. 393 00:20:55,080 --> 00:20:57,680 Applause... 394 00:20:57,720 --> 00:20:59,200 SHE FINISHES PLAYING 395 00:20:59,240 --> 00:21:01,400 APPLAUSE 396 00:21:09,240 --> 00:21:12,080 We're gonna carry on our work about strangers. 397 00:21:12,120 --> 00:21:14,160 And now, for Lucy's benefit, 398 00:21:14,200 --> 00:21:17,640 all our badges have braille on them, don't they? 399 00:21:17,680 --> 00:21:19,600 What does that say on there, Lucy? 400 00:21:21,600 --> 00:21:23,880 Angie. It says Angie, doesn't it? 401 00:21:23,920 --> 00:21:27,080 And that means I'm a safe person, 402 00:21:27,120 --> 00:21:28,880 cos I've got my badge on. 403 00:21:31,400 --> 00:21:35,240 DIRECTOR: How do you think Lucy gets to know someone? 404 00:21:35,280 --> 00:21:40,040 So...we've got a couple of theories with Lucy. 405 00:21:40,080 --> 00:21:44,000 The first thing she generally asks someone to do is to whistle. 406 00:21:44,040 --> 00:21:46,440 Sam, whistle. SAM WHISTLES THE COCKROACH 407 00:21:47,600 --> 00:21:50,720 Partly because it's musical and she loves it. 408 00:21:50,760 --> 00:21:53,480 And she will identify people with, 409 00:21:53,520 --> 00:21:55,480 not only a song they whistle, 410 00:21:55,520 --> 00:21:57,080 but how well they can whistle. 411 00:21:57,120 --> 00:21:59,320 SAM WHISTLES LIKE A BIRD 412 00:22:01,760 --> 00:22:05,680 And the number of staff who have a specific Lucy whistle. 413 00:22:06,800 --> 00:22:09,800 SHE WHISTLES Okey dokey. That's better. 414 00:22:09,840 --> 00:22:11,560 Oh, Polly can do it! 415 00:22:11,600 --> 00:22:13,520 Do Polly's whistle. Do that again, Polly. 416 00:22:13,560 --> 00:22:15,080 SHE WHISTLES 417 00:22:15,120 --> 00:22:17,360 She's loving it. Yeah, 418 00:22:17,400 --> 00:22:20,920 just another way she controls us all, subtly. 419 00:22:20,960 --> 00:22:22,880 Shoe lace. That's right. 420 00:22:22,920 --> 00:22:24,240 Daniel, whistle. 421 00:22:24,280 --> 00:22:25,760 LUCY WHISTLES 422 00:22:25,800 --> 00:22:28,880 DANIEL WHISTLES 423 00:22:28,920 --> 00:22:30,360 She'll be 14 in May. 424 00:22:30,400 --> 00:22:31,960 Duke Ellington. 425 00:22:32,000 --> 00:22:35,200 Into teenage years, and they get hormonal 426 00:22:35,240 --> 00:22:38,160 and stroppiness increases. 427 00:22:38,200 --> 00:22:41,840 So Lucy's definitely getting her teenager head on. 428 00:22:41,880 --> 00:22:44,520 We are getting "no" a little bit more 429 00:22:44,560 --> 00:22:46,920 and we had a foot stomp the other day. 430 00:22:46,960 --> 00:22:49,320 Keyboard. Yeah, I brought my keyboard, 431 00:22:49,360 --> 00:22:51,040 so you can practise on that. 432 00:22:51,080 --> 00:22:53,040 Listen, in the concert tomorrow night... 433 00:22:53,080 --> 00:22:54,440 OK? No, stop, stop. 434 00:22:54,480 --> 00:22:56,960 No, no, no. We'll do Blue Monk. 435 00:22:57,000 --> 00:22:59,080 DANIEL HUMS 436 00:23:01,160 --> 00:23:03,200 Listen to the... Listen to the introduction. 437 00:23:03,240 --> 00:23:04,680 Listen to the introduction. 438 00:23:08,240 --> 00:23:10,200 No, listen. Oi! Listen to the introduction. 439 00:23:11,280 --> 00:23:12,600 Listen! 440 00:23:21,040 --> 00:23:22,480 Louder. 441 00:23:24,120 --> 00:23:25,840 More left hand. 442 00:23:26,960 --> 00:23:29,880 Lucy can sense what my mood is. 443 00:23:29,920 --> 00:23:32,280 She can sense if I'm at all stressed. 444 00:23:32,320 --> 00:23:34,840 Daniel, sing. Solo. It's... Solo. 445 00:23:34,880 --> 00:23:37,760 It's... No, don't talk, just play the solo. 446 00:23:37,800 --> 00:23:40,000 Blue Monk. No, play the solo. 447 00:23:41,600 --> 00:23:43,440 And she'll just do something either 448 00:23:43,480 --> 00:23:46,360 to wind me up more or to defuse the stress. 449 00:23:46,400 --> 00:23:48,280 That's very extraordinarily so. 450 00:23:48,320 --> 00:23:49,560 Do it properly, left hand. 451 00:23:53,040 --> 00:23:54,720 Whoo! 452 00:23:56,640 --> 00:23:59,000 No, play properly. Listen, play properly. 453 00:23:59,040 --> 00:24:01,840 Don't mess it up. No, don't mess it up. Play properly. 454 00:24:01,880 --> 00:24:04,040 Sh! No, no. And end with Blue Monk. No. 455 00:24:10,320 --> 00:24:12,640 I'm just trying to calm down, 456 00:24:12,680 --> 00:24:15,080 so I can say something sensible. 457 00:24:16,920 --> 00:24:19,800 How do you and Lucy deal with pressure differently? 458 00:24:19,840 --> 00:24:23,200 Um, she doesn't care 459 00:24:23,240 --> 00:24:28,640 and I go to pieces, that's basically how it works. 460 00:24:30,040 --> 00:24:32,880 I'll just play the piano for a bit, if you don't mind. 461 00:24:32,920 --> 00:24:34,200 Yeah, play the piano for a bit. 462 00:24:41,680 --> 00:24:45,160 All the time, I feel a massive amount of responsibility 463 00:24:45,200 --> 00:24:49,080 and a lot of that is because I know what she can do, 464 00:24:49,120 --> 00:24:50,800 I know what she's capable of doing. 465 00:24:53,480 --> 00:24:55,080 Yeah, when I start to think about it, 466 00:24:55,120 --> 00:24:57,080 it's actually completely overwhelming. 467 00:25:00,600 --> 00:25:02,960 I didn't know working with Lucy was going to become 468 00:25:03,000 --> 00:25:05,480 such a big part of his life. 469 00:25:05,520 --> 00:25:08,720 Daniel doesn't like doing things by halves. 470 00:25:08,760 --> 00:25:11,040 It does involve doing lots of different things 471 00:25:11,080 --> 00:25:13,440 and going to lots of different places. 472 00:25:13,480 --> 00:25:17,880 He basically works pretty much all the time. 473 00:25:17,920 --> 00:25:23,760 One, two, three, four. 474 00:25:23,800 --> 00:25:29,800 PLAYING OUT OF TUNE 475 00:25:31,640 --> 00:25:34,280 Oh, stop, stop! 476 00:25:34,320 --> 00:25:37,680 I always think of the song The Impossible Dream - 477 00:25:37,720 --> 00:25:41,720 kind of sums up quite a lot about his attitude to life 478 00:25:41,760 --> 00:25:45,760 cos most of us do what we think we can do, 479 00:25:45,800 --> 00:25:50,080 and he does what he thinks needs to be done. 480 00:25:50,120 --> 00:25:53,520 # To dream 481 00:25:53,560 --> 00:25:57,360 # The impossible dream... # 482 00:25:57,400 --> 00:26:01,480 I think it was teaching Lucy, really, that made him 483 00:26:01,520 --> 00:26:06,800 even more aware than he was before of how we don't live 484 00:26:06,840 --> 00:26:10,560 in a society where people get what they need to make the most 485 00:26:10,600 --> 00:26:12,120 of their talents. 486 00:26:12,160 --> 00:26:16,200 # Run where the brave dare not go... # 487 00:26:16,240 --> 00:26:18,280 That's it, yeah. 488 00:26:18,320 --> 00:26:20,880 That's why he started working extra with Lucy 489 00:26:20,920 --> 00:26:23,280 because he knew that she needed more than 490 00:26:23,320 --> 00:26:26,560 the lessons that he was being originally asked to do. 491 00:26:26,600 --> 00:26:33,040 It does worry me because it's not really sustainable to work 492 00:26:33,080 --> 00:26:36,840 the sort of hours and the pressure that he works. 493 00:26:36,880 --> 00:26:42,080 # To reach the unreachable... # 494 00:26:42,120 --> 00:26:45,360 Hello, Lucy. Daniel here. 495 00:26:46,440 --> 00:26:47,640 Are you ready? 496 00:26:52,360 --> 00:26:56,000 LUCY PLAYS CLASSICAL PIECE 497 00:27:00,400 --> 00:27:02,800 Good. Right. OK, stop for a minute. Well done. 498 00:27:02,840 --> 00:27:05,120 OK, now, let's go back to the beginning. 499 00:27:07,520 --> 00:27:09,920 HE HUMS 500 00:27:09,960 --> 00:27:12,200 From the beginning. Here we go. No. 501 00:27:12,240 --> 00:27:14,040 From the beginning. No. 502 00:27:14,080 --> 00:27:17,000 Aha! Listen, Lucy. No. 503 00:27:17,040 --> 00:27:19,120 First of all... 504 00:27:19,160 --> 00:27:23,600 No. Fantaisie-Impromptu by Chopin, and then... No. And then... 505 00:27:23,640 --> 00:27:26,360 No. No? And then? 506 00:27:26,400 --> 00:27:27,880 No. 507 00:27:27,920 --> 00:27:30,360 HE LAUGHS 508 00:27:30,400 --> 00:27:32,560 What are we going to have, then? 509 00:27:52,240 --> 00:27:54,720 So Lucy gave me a bit of a shock there when she started... 510 00:27:54,760 --> 00:27:56,640 It was that bit where she started just stopping. 511 00:27:56,680 --> 00:27:59,360 She hardly ever does that, she had a mental block. 512 00:27:59,400 --> 00:28:02,160 I don't know if she actually did or whether she was just doing it 513 00:28:02,200 --> 00:28:05,520 to wind me up cos she could tell that I was tense. 514 00:28:07,040 --> 00:28:10,280 But you see, tonight, I'll just be having nightmares about that, 515 00:28:10,320 --> 00:28:12,280 about her stopping on that bit. 516 00:28:14,600 --> 00:28:16,760 It's like, you know, like when you're trying to... 517 00:28:16,800 --> 00:28:18,840 I feel like Uri Geller or something, 518 00:28:18,880 --> 00:28:21,480 trying to bend spoons with my mind. 519 00:28:21,520 --> 00:28:25,200 It's like trying to sort of make Lucy play 520 00:28:25,240 --> 00:28:27,880 the right chord with my mind. 521 00:28:27,920 --> 00:28:29,880 Come on, Lucy! 522 00:28:29,920 --> 00:28:32,360 The Uri Geller of piano teaching. 523 00:28:38,160 --> 00:28:41,760 AUDIENCE MURMURS 524 00:28:41,800 --> 00:28:43,280 Can you hear the audience? 525 00:28:43,320 --> 00:28:46,040 Nearly time for the concert. 526 00:28:46,080 --> 00:28:48,360 OK? Good evening, ladies and gentlemen. 527 00:28:48,400 --> 00:28:50,120 Good evening, ladies and gentlemen, yeah. 528 00:28:50,160 --> 00:28:54,920 Please welcome to the stage John and Adam! 529 00:28:54,960 --> 00:28:56,000 Whoo! 530 00:28:56,040 --> 00:28:58,200 All right, OK, you ready? Daniel's turn. Here we go. 531 00:28:58,240 --> 00:29:00,480 Are we going to go on stage? You ready? Here we go. 532 00:29:00,520 --> 00:29:02,680 Hold your cane properly. Ladies and gentlemen... 533 00:29:02,720 --> 00:29:04,680 Hold your cane properly - that's right. Hey! 534 00:29:04,720 --> 00:29:06,480 APPLAUSE 535 00:29:06,520 --> 00:29:08,120 Good evening, ladies and gentlemen. 536 00:29:08,160 --> 00:29:11,120 Do you want to say it? Please welcome to the stage... 537 00:29:11,160 --> 00:29:13,040 Do you want to say it? John. 538 00:29:13,080 --> 00:29:14,640 Yay! 539 00:29:14,680 --> 00:29:17,600 And please welcome to the stage... 540 00:29:17,640 --> 00:29:20,440 Who else? Who's playing bass? Daniel's turn. 541 00:29:20,480 --> 00:29:23,000 Ah, my turn? Please welcome to the stage Adam, 542 00:29:23,040 --> 00:29:24,280 who's playing bass for us. 543 00:29:24,320 --> 00:29:26,360 APPLAUSE And, um... 544 00:29:26,400 --> 00:29:28,320 Thank you very much, ladies and gentlemen. 545 00:29:28,360 --> 00:29:30,440 So we're going to start with... 546 00:29:30,480 --> 00:29:32,960 What's the first song? You going to say it? 547 00:29:33,000 --> 00:29:34,920 We're gonna start with... 548 00:29:34,960 --> 00:29:36,480 It's called... 549 00:29:36,520 --> 00:29:38,640 I... Can you say what it is? 550 00:29:40,320 --> 00:29:43,000 Is it called... WHISPERS: I Love Being Here With You? 551 00:29:43,040 --> 00:29:45,960 Can you say it? It's called I Love Being Here With You. 552 00:29:46,000 --> 00:29:47,760 There we go, brilliant. 553 00:29:47,800 --> 00:29:49,600 OK, so, there we are, 554 00:29:49,640 --> 00:29:51,880 I Love Being Here With You by Beegie Adair. 555 00:29:51,920 --> 00:29:54,240 You ready? Ready? 556 00:29:54,280 --> 00:29:58,200 Quite fast. HE HUMS 557 00:29:58,240 --> 00:30:02,680 Go! One... Two, a one, two, three, four. 558 00:30:10,520 --> 00:30:11,760 More left hand. 559 00:30:13,400 --> 00:30:14,920 Louder, left hand. 560 00:30:17,640 --> 00:30:18,880 Left hand louder. 561 00:30:18,920 --> 00:30:20,920 HE HUMS 562 00:30:24,240 --> 00:30:25,400 More left hand. 563 00:30:25,440 --> 00:30:27,080 Left hand, come on, play it louder. 564 00:30:30,200 --> 00:30:31,600 Yeah. 565 00:30:34,480 --> 00:30:35,840 Daniel, sing. Louder. 566 00:30:35,880 --> 00:30:38,000 HE HUMS Lounder, left hand. 567 00:30:50,720 --> 00:30:52,120 Well done. 568 00:30:52,160 --> 00:30:54,280 And now Satin Doll. You ready? 569 00:30:54,320 --> 00:30:55,440 Satin Doll. 570 00:30:56,840 --> 00:30:58,640 Satin Doll. HE HUMS 571 00:30:58,680 --> 00:31:00,680 And now Satin Doll. 572 00:31:04,240 --> 00:31:05,640 What? 573 00:31:12,640 --> 00:31:15,680 HE HUMS 574 00:31:19,400 --> 00:31:21,240 Louder. 575 00:32:02,080 --> 00:32:04,080 Thank you very much, Lucy. 576 00:32:04,120 --> 00:32:05,600 APPLAUSE 577 00:32:05,640 --> 00:32:07,840 Whoo! 578 00:32:07,880 --> 00:32:10,200 Come here, babe. 579 00:32:10,240 --> 00:32:12,720 Well done. You did really well. 580 00:32:12,760 --> 00:32:14,640 Well done, Lucy, well done. 581 00:32:14,680 --> 00:32:15,920 OK. Well done. 582 00:32:15,960 --> 00:32:18,760 Well done. Come here, sweetheart. What's the matter? 583 00:32:22,720 --> 00:32:25,120 Aargh! 584 00:32:26,880 --> 00:32:28,280 Stupid. 585 00:32:28,320 --> 00:32:29,320 So... 586 00:32:29,360 --> 00:32:31,160 So, like... No, it's cos... 587 00:32:31,200 --> 00:32:32,480 I was having to... 588 00:32:32,520 --> 00:32:34,160 Spent the whole time, 589 00:32:34,200 --> 00:32:38,400 I was just growling in her ear, "Come on, Lucy, keep playing!" 590 00:32:38,440 --> 00:32:40,680 I thought... It was actually three numbers in, 591 00:32:40,720 --> 00:32:42,880 I was thinking of calling it a day, actually. 592 00:32:44,200 --> 00:32:47,000 She's doing an entire, like... 593 00:32:47,040 --> 00:32:49,440 She's doing an entire set now by herself... 594 00:32:49,480 --> 00:32:51,160 I know, but... ..which is just amazing. 595 00:32:51,200 --> 00:32:53,840 But she's not ready for it, that's the point. That's what... 596 00:32:53,880 --> 00:32:58,560 But this is what gigs in Halifax on a Thursday night are for. Yeah. 597 00:32:58,600 --> 00:33:01,160 There's so many people in that room that will be absolutely gobsmacked. 598 00:33:01,200 --> 00:33:04,800 And just cos you know and I know what she's capable of 599 00:33:04,840 --> 00:33:08,760 doesn't mean that... I know, but it's not fair, 600 00:33:08,800 --> 00:33:12,560 that's why... It's not fair on her. 601 00:33:12,600 --> 00:33:15,120 You're a bit tired, aren't you? 602 00:33:15,160 --> 00:33:17,720 Aw, yeah. Tablet. She needs an easy week. 603 00:33:17,760 --> 00:33:20,400 We need an easy week. Tablet. 604 00:33:20,440 --> 00:33:22,360 You've been a really good girl, ain't ya? 605 00:33:22,400 --> 00:33:26,360 Yeah, she's fab. She's just not feeling it, I can tell. 606 00:33:26,400 --> 00:33:29,320 I think she's tired. I think there is a bit of tiredness 607 00:33:29,360 --> 00:33:32,440 and...but, yeah, it's not like her, that. 608 00:33:32,480 --> 00:33:34,200 She normally plays a lot differently to that. 609 00:33:35,520 --> 00:33:37,960 And then, as a parent, you start thinking, 610 00:33:38,000 --> 00:33:40,320 did you do the right thing, bringing her? 611 00:33:47,800 --> 00:33:49,480 Well, I suppose, when we do stuff like that, 612 00:33:49,520 --> 00:33:51,640 it makes me realise how... 613 00:33:51,680 --> 00:33:56,400 ..how much I kind of project... 614 00:33:57,960 --> 00:34:00,120 ..my musical life onto Lucy, 615 00:34:00,160 --> 00:34:01,360 that's the problem. 616 00:34:01,400 --> 00:34:04,160 And I think... And that's why I feel like... 617 00:34:04,200 --> 00:34:08,000 I feel like I've cocked up the thing. 618 00:34:09,600 --> 00:34:13,200 I just feel really bad because I know that it's like... 619 00:34:13,240 --> 00:34:14,600 I'm not... 620 00:34:14,640 --> 00:34:17,600 I've not acted in her best interests. 621 00:34:18,800 --> 00:34:24,200 # I've lived a life that's full 622 00:34:24,240 --> 00:34:30,960 # I've travelled each and every highway 623 00:34:32,040 --> 00:34:36,440 # More, more than this 624 00:34:36,480 --> 00:34:42,320 # I did it my way. # 625 00:34:42,360 --> 00:34:44,600 I think Lucy plays that. Daniel! 626 00:34:50,440 --> 00:34:52,880 Go really slow. 627 00:34:52,920 --> 00:34:55,240 She's not feeling it. 628 00:34:55,280 --> 00:34:57,800 I will let Lisa know not to worry, 629 00:34:57,840 --> 00:35:01,000 just to keep calm and distracted. 630 00:35:01,040 --> 00:35:03,800 Good girl. Come on, darling. 631 00:35:03,840 --> 00:35:06,120 I want what's best for Lucy, 632 00:35:06,160 --> 00:35:09,840 so it's about giving her all these experiences 633 00:35:09,880 --> 00:35:13,440 and not hiding her away because she's got additional needs. 634 00:35:14,520 --> 00:35:15,880 But now I'm thinking, 635 00:35:15,920 --> 00:35:18,600 "Is she ready for it? Have I done this right? 636 00:35:20,400 --> 00:35:23,360 When they're 18, I'm going to get teary, I know I am. 637 00:35:23,400 --> 00:35:27,200 When they are 18, that's when they're expected to be an adult, 638 00:35:27,240 --> 00:35:29,520 aren't they? They're expected to be an adult at 18. 639 00:35:29,560 --> 00:35:32,320 That isn't going to happen with Lucy, it's not. 640 00:35:32,360 --> 00:35:35,520 She's always going to need help and it terrifies me. 641 00:35:35,560 --> 00:35:36,960 Morning, Luce! 642 00:35:37,000 --> 00:35:40,040 Good girl. Good girl. Come on, then. 643 00:35:40,080 --> 00:35:42,360 Lisa. It's an awful feeling, 644 00:35:42,400 --> 00:35:45,400 but I'm thinking to myself, "How old am I going to be 645 00:35:45,440 --> 00:35:48,280 "when I leave this earth and who's going to look after her?" 646 00:35:48,320 --> 00:35:50,200 I'll do your coat for you today. 647 00:35:50,240 --> 00:35:53,560 I'm scared of what age I'm going to go at 648 00:35:53,600 --> 00:35:57,280 because, you know, I'm 47 now and I know I'm getting older. 649 00:35:58,360 --> 00:36:02,440 Sorry. It's very hard when I talk about future with Lucy - 650 00:36:02,480 --> 00:36:04,640 it's the worst part. 651 00:36:04,680 --> 00:36:07,480 Number three. Number three. 652 00:36:08,760 --> 00:36:12,440 Well done. Well done. 653 00:36:20,520 --> 00:36:24,240 Lucy's piano lessons have had a profound impact on her life 654 00:36:24,280 --> 00:36:26,200 and on my life as well. 655 00:36:26,240 --> 00:36:29,480 You know, I learn a lot from her 656 00:36:29,520 --> 00:36:31,200 about how to deal with life, 657 00:36:31,240 --> 00:36:35,560 about how to deal with life's difficulties, and... 658 00:36:35,600 --> 00:36:40,400 In 2010, I had a mental breakdown 659 00:36:40,440 --> 00:36:43,040 and I had...I had... I was... 660 00:36:45,880 --> 00:36:51,520 ..quite unable to do very much for... 661 00:36:51,560 --> 00:36:53,880 ..for... 662 00:36:53,920 --> 00:36:55,480 ..quite a long time. 663 00:36:58,160 --> 00:37:01,440 And it was a result of too much stress 664 00:37:01,480 --> 00:37:02,840 and just working very hard. 665 00:37:05,320 --> 00:37:07,160 For a lot of the time, I couldn't play the piano - 666 00:37:07,200 --> 00:37:08,440 it made me feel sick. 667 00:37:10,680 --> 00:37:13,760 Yeah, it was a terrible time for the rest of the family 668 00:37:13,800 --> 00:37:16,960 and obviously I feel terrible about it 669 00:37:17,000 --> 00:37:19,440 because of putting them through all of that. 670 00:37:20,520 --> 00:37:24,520 I was looking down a very dark tunnel and that was it. 671 00:37:27,760 --> 00:37:31,560 No-one really seemed to be able to do much... 672 00:37:32,640 --> 00:37:38,120 ..to help. Erm, he's probably not the easiest person to help. 673 00:37:38,160 --> 00:37:41,360 Yeah, he just had to completely leave 674 00:37:41,400 --> 00:37:44,000 all the different jobs that he was doing. 675 00:37:45,640 --> 00:37:47,480 You know, that wasn't like a, 676 00:37:47,520 --> 00:37:50,120 "Oh, I think I should stop," kind of quit. It was like, 677 00:37:50,160 --> 00:37:54,120 "Oh, I can't actually leave the house," kind of quit. 678 00:37:55,720 --> 00:37:59,880 He used to just put loads and loads of work into doing up the garden - 679 00:37:59,920 --> 00:38:01,960 that helped him a lot. 680 00:38:03,040 --> 00:38:07,200 So, obviously, when he overworks now, 681 00:38:07,240 --> 00:38:10,320 it does make me anxious 682 00:38:10,360 --> 00:38:12,920 because, um, 683 00:38:12,960 --> 00:38:15,480 you know, we don't really want to be back there again. 684 00:38:18,360 --> 00:38:21,240 After a while, a friend called me up. 685 00:38:21,280 --> 00:38:23,600 Lucy's school had been in touch with him 686 00:38:23,640 --> 00:38:26,400 because they needed someone to teach her the piano. 687 00:38:26,440 --> 00:38:30,000 And he said to me, he said, the only person he could think of 688 00:38:30,040 --> 00:38:32,520 who would be suitable for doing this was me. 689 00:38:32,560 --> 00:38:37,000 And I said to him, "No, I can't do it because I've got to be careful." 690 00:38:38,560 --> 00:38:41,520 He kept coming back to me, so every month or so he'd say, 691 00:38:41,560 --> 00:38:44,680 "We still haven't found anyone to teach this girl." 692 00:38:44,720 --> 00:38:47,680 Anyway, after a few times, I eventually said, 693 00:38:47,720 --> 00:38:49,560 "Oh, all right, then. Go on, then." 694 00:38:49,600 --> 00:38:53,240 And so I went to see her, 695 00:38:53,280 --> 00:38:56,560 and it was, yeah, it was just really fantastic. 696 00:38:57,640 --> 00:39:01,120 Communicating through music in a really direct 697 00:39:01,160 --> 00:39:04,640 and immediate and profound way, which I'd never really done before. 698 00:39:07,440 --> 00:39:10,680 I really look forward to Lucy's lessons every time 699 00:39:10,720 --> 00:39:14,200 because it's like the place where I'm meant to be. 700 00:39:14,240 --> 00:39:20,120 It's a space where we can both be ourselves in a really full way. 701 00:39:24,800 --> 00:39:27,800 Daniel! Hello, Lucy! 702 00:39:28,880 --> 00:39:30,760 Hello, Lucy. 703 00:39:30,800 --> 00:39:33,640 Oh, you've got your hair up today on top of your head. 704 00:39:33,680 --> 00:39:36,200 Yeah, very nice. 705 00:39:36,240 --> 00:39:38,600 Lovely. Are you going to come and sit down? 706 00:39:38,640 --> 00:39:40,800 Hair up. Thank you very much. 707 00:39:40,840 --> 00:39:44,120 Daniel. Sit down. Well done. Daniel do it. 708 00:39:44,160 --> 00:39:48,600 Now, Lucy, today we've got 709 00:39:48,640 --> 00:39:51,360 some important news 710 00:39:51,400 --> 00:39:57,080 because we're going to be doing a concert for the coronation. 711 00:39:57,120 --> 00:39:59,320 Live? Do you know that? The coronation. 712 00:39:59,360 --> 00:40:02,360 It's going to be a live concert at a castle. 713 00:40:03,720 --> 00:40:07,160 A concert live in Windsor Castle. 714 00:40:07,200 --> 00:40:09,560 And? And it's going to be 715 00:40:09,600 --> 00:40:14,080 Prelude In C by Bach. 716 00:40:14,120 --> 00:40:15,640 Can you remember how to play it? 717 00:40:15,680 --> 00:40:17,560 Prelude In C by Bach? 718 00:40:17,600 --> 00:40:20,160 BOTH SHUSH 719 00:40:24,320 --> 00:40:26,200 We're going to do the "sh" later. 720 00:40:26,240 --> 00:40:28,520 We're going to do just the music first. 721 00:40:30,600 --> 00:40:31,640 Shhh! 722 00:40:31,680 --> 00:40:32,960 Oh, all right, then. 723 00:40:33,000 --> 00:40:36,720 SHE SHUSHES 724 00:40:38,880 --> 00:40:40,720 DANIEL SHUSHES, LUCY LAUGHS 725 00:40:42,320 --> 00:40:45,880 She's been asked to perform at the Coronation Concert 726 00:40:45,920 --> 00:40:49,680 on the 7th of May, which is the day after the coronation itself. 727 00:40:51,560 --> 00:40:52,800 For Lucy's career, 728 00:40:52,840 --> 00:40:55,920 I think being a full-time professional musician 729 00:40:55,960 --> 00:40:58,600 is such a long way off at the moment. 730 00:40:58,640 --> 00:41:02,360 But I think it'll be a great opportunity for Lucy 731 00:41:02,400 --> 00:41:06,360 to play with a really good orchestra. 732 00:41:06,400 --> 00:41:08,800 And then you have to stop here. 733 00:41:08,840 --> 00:41:11,120 Stop on C... 734 00:41:12,200 --> 00:41:14,320 Ah, you've got to stop. You've got to stop there. 735 00:41:14,360 --> 00:41:15,720 Listen. Listen. 736 00:41:15,760 --> 00:41:18,000 In the concert, live at Windsor Castle, 737 00:41:18,040 --> 00:41:20,120 you're going to stop there, on that C. 738 00:41:20,160 --> 00:41:21,440 We're going to go like this. 739 00:41:30,120 --> 00:41:33,160 Bach's Prelude In C cos that's one of the pieces 740 00:41:33,200 --> 00:41:34,680 Lucy knows best of all. 741 00:41:34,720 --> 00:41:37,880 By coincidence, it's the piece that she performed 742 00:41:37,920 --> 00:41:40,080 in her first-ever public performance, 743 00:41:40,120 --> 00:41:41,680 when she was seven years old... 744 00:41:43,200 --> 00:41:47,520 ..which is kind of a bit why I'm slightly wishing 745 00:41:47,560 --> 00:41:50,320 that she was playing something a bit more substantial... 746 00:41:52,080 --> 00:41:54,640 ..because it doesn't give a true representation 747 00:41:54,680 --> 00:41:56,720 of who she is as a musician. 748 00:41:56,760 --> 00:42:00,560 London with? Daniel. 749 00:42:00,600 --> 00:42:04,040 I'm not sure if Lucy knows who the King is. 750 00:42:04,080 --> 00:42:05,480 She knows who Mozart is... 751 00:42:07,040 --> 00:42:09,120 ..and she knows who Stevie Wonder is. 752 00:42:10,600 --> 00:42:13,240 Co-ro-na-tion. 753 00:42:13,280 --> 00:42:16,920 Coronation. It's the coronation of... 754 00:42:16,960 --> 00:42:18,600 What does this say? 755 00:42:18,640 --> 00:42:22,760 Ki-ng Cha-rles. 756 00:42:22,800 --> 00:42:24,120 Can you say that? 757 00:42:24,160 --> 00:42:25,760 Just King Charles. 758 00:42:25,800 --> 00:42:30,040 She needs to be seen as a serious musician 759 00:42:30,080 --> 00:42:33,880 and not just a kind of, sort of, 760 00:42:33,920 --> 00:42:39,320 you know, exhibit in the Royal Menagerie, 761 00:42:39,360 --> 00:42:43,800 or what...which is the thing that I'm a little bit concerned about. 762 00:42:47,240 --> 00:42:48,240 Daniel! 763 00:42:48,280 --> 00:42:50,200 Hi, Lucy. 764 00:42:50,240 --> 00:42:52,720 SHE MAKES CLICKING NOISES Listen. Are you listening? 765 00:42:52,760 --> 00:42:55,120 This is the announcement. 766 00:42:55,160 --> 00:42:57,280 Live. Yeah, when it's live, 767 00:42:57,320 --> 00:42:59,760 this is going to be the announcement. 768 00:42:59,800 --> 00:43:02,760 RECORDING: In celebration of His Majesty's watercolours, 769 00:43:02,800 --> 00:43:05,920 we welcome a pianist from the Queen Consort's patronage, 770 00:43:05,960 --> 00:43:07,520 The Amber Trust. 771 00:43:07,560 --> 00:43:11,160 It's the incredibly talented Lucy! 772 00:43:11,200 --> 00:43:12,640 Hey! 773 00:43:12,680 --> 00:43:14,520 OK, and then you play it. 774 00:43:17,280 --> 00:43:18,800 And then you play it, Lucy, 775 00:43:18,840 --> 00:43:20,720 Prelude In C by Bach. 776 00:43:20,760 --> 00:43:22,080 It's Lucy! 777 00:43:22,120 --> 00:43:23,120 Yeah, go on. 778 00:43:23,160 --> 00:43:25,240 No, you've got to play the piece, Lucy. 779 00:43:25,280 --> 00:43:26,920 Playing, Lucy! 780 00:43:26,960 --> 00:43:29,480 Prelude In C. Lucy! 781 00:43:29,520 --> 00:43:31,760 DANIEL LAUGHS 782 00:43:31,800 --> 00:43:35,480 Lucy, you've got to play Prelude In C by Bach. 783 00:43:35,520 --> 00:43:37,440 Listen, I'm going to do it again - listen. Applause. 784 00:43:37,480 --> 00:43:40,240 The incredibly talented Lucy! 785 00:43:45,600 --> 00:43:47,120 I knew this would happen. 786 00:43:47,160 --> 00:43:51,320 I have always said she'd play on massive, big stages 787 00:43:51,360 --> 00:43:56,080 and you can't get a bigger stage than the King's coronation concert. 788 00:43:56,120 --> 00:43:58,880 I've got no doubt in my head that there's going to be more offers - 789 00:43:58,920 --> 00:44:02,680 there's already been a couple come through for July. 790 00:44:03,760 --> 00:44:06,800 It's like, "Whoa!" It's just, "Whoa!" 791 00:44:07,800 --> 00:44:11,600 It is scary because Daniel is a big part of that 792 00:44:11,640 --> 00:44:16,520 and I don't want to, you know, put too much on him. 793 00:44:19,760 --> 00:44:23,760 I'm rather hoping that things will die down a bit. 794 00:44:23,800 --> 00:44:27,840 It's just really important that we don't take on too much 795 00:44:27,880 --> 00:44:30,120 because obviously, when you're starting out, temptation is 796 00:44:30,160 --> 00:44:31,920 to say yes to whatever comes in because you think, 797 00:44:31,960 --> 00:44:33,520 "Oh, it's great, it's just more exposure." 798 00:44:33,560 --> 00:44:39,200 But, for Lucy, especially, that is the wrong thing to do. 799 00:44:39,240 --> 00:44:41,960 Apart from anything, it wouldn't mean anything to her. 800 00:44:44,160 --> 00:44:47,600 I know Daniel is protective of her, bless him, 801 00:44:47,640 --> 00:44:50,560 but there will be other things coming in 802 00:44:50,600 --> 00:44:54,000 and it's something we need to sort of discuss at some point, 803 00:44:54,040 --> 00:44:57,400 as to whether he can do it and he can handle it. 804 00:44:57,440 --> 00:44:59,880 It's a difficult one, it really is, 805 00:44:59,920 --> 00:45:02,240 cos they've been together for so long. 806 00:45:03,880 --> 00:45:07,200 The most important thing is that every bit 807 00:45:07,240 --> 00:45:10,360 of work is in her best interest. 808 00:45:10,400 --> 00:45:13,520 You know, that's the only question, really, that matters in the end, is, 809 00:45:13,560 --> 00:45:15,440 is this going to be good for Lucy? 810 00:45:38,440 --> 00:45:43,680 Personally, I'm quite opposed to the idea of monarchy, 811 00:45:43,720 --> 00:45:48,080 so if it was my gig I wouldn't accept it. 812 00:45:48,120 --> 00:45:51,360 But, really, it's a great opportunity for Lucy, 813 00:45:51,400 --> 00:45:54,720 you know, and my priority is to support Lucy. 814 00:45:56,160 --> 00:45:58,960 Oh, wow, look at this. 815 00:45:59,000 --> 00:46:01,920 I'll sit next to her and I'll sort of whisper things to her, just 816 00:46:01,960 --> 00:46:05,600 to make sure she's in the right sort of mental place. 817 00:46:05,640 --> 00:46:09,120 And the thing she'll love best is going be the big round of applause, 818 00:46:09,160 --> 00:46:12,400 because it will be the biggest round of applause she's ever had. 819 00:46:12,440 --> 00:46:14,240 Can you show me your badge again? 820 00:46:14,280 --> 00:46:15,880 I've got two badges, 821 00:46:15,920 --> 00:46:18,480 "Music for the many," 822 00:46:18,520 --> 00:46:21,480 and we've got the Extinction Rebellion one, 823 00:46:21,520 --> 00:46:24,440 which I've worn because it said that 824 00:46:24,480 --> 00:46:30,160 the way you dress should take into account 825 00:46:30,200 --> 00:46:34,480 the environment and the climate and ecological crisis, 826 00:46:34,520 --> 00:46:37,360 so I thought, "What better way of doing that than wearing this?" 827 00:46:39,520 --> 00:46:41,880 So, there we go. Do you think you'll be allowed to wear it on telly? 828 00:46:41,920 --> 00:46:44,800 Sorry, I don't mean to interrupt. These can't be on sight at all. 829 00:46:44,840 --> 00:46:47,520 When you're off site, that needs to be hidden. Oh, I see. It's security. 830 00:46:47,560 --> 00:46:50,840 OK, yeah, yeah, yeah. Yeah. Thank you. Thank you, yeah. 831 00:46:56,640 --> 00:46:58,080 KNOCK AT DOOR 832 00:46:59,200 --> 00:47:01,920 Oh, you made it! Hey! 833 00:47:01,960 --> 00:47:03,360 Hello. 834 00:47:03,400 --> 00:47:04,400 Daniel. 835 00:47:06,520 --> 00:47:08,480 CHEERING 836 00:47:08,520 --> 00:47:10,400 Hello, Lucy. 837 00:47:10,440 --> 00:47:11,800 Hi, Lucy. 838 00:47:19,080 --> 00:47:20,280 That's it. 839 00:47:22,040 --> 00:47:24,600 I just see it as a new beginning for me and her. 840 00:47:26,520 --> 00:47:28,160 And do you know what? 841 00:47:28,200 --> 00:47:31,840 I'm going to make sure she gets everything she deserves out of this, 842 00:47:31,880 --> 00:47:35,520 however long it lasts and however long she wants to do it for. 843 00:47:47,560 --> 00:47:50,640 HE HUMS 844 00:47:50,680 --> 00:47:53,840 We were expecting the car at half five 845 00:47:53,880 --> 00:47:57,280 and then we got advised there'd be a bit of a delay, 846 00:47:57,320 --> 00:48:01,280 which seems to be the standard for these things. 847 00:48:01,320 --> 00:48:04,800 And then we've kind of had a couple more delays, 848 00:48:04,840 --> 00:48:06,800 and so we're just kind of now waiting 849 00:48:06,840 --> 00:48:09,600 to hear just what's...what's going on. 850 00:48:19,640 --> 00:48:22,200 PHONE VIBRATES 851 00:48:23,560 --> 00:48:25,960 Hello? 852 00:48:26,000 --> 00:48:27,480 Yes, it is. Hello. 853 00:48:31,960 --> 00:48:33,280 What? 854 00:48:35,480 --> 00:48:38,280 Do you know why? Have they given you any...? 855 00:48:42,240 --> 00:48:43,560 Really? 856 00:48:46,080 --> 00:48:48,760 Right. Thank you. Bye, thanks. 857 00:48:50,760 --> 00:48:53,360 What's happened? 858 00:48:53,400 --> 00:48:58,520 The Royal Household have said, well, no, well, she said, 859 00:48:58,560 --> 00:49:01,360 the security of the Royal Household said I don't meet 860 00:49:01,400 --> 00:49:03,040 the minimum security requirement. 861 00:49:05,760 --> 00:49:07,880 She said they're going to send security people round 862 00:49:07,920 --> 00:49:11,960 to collect my pass because obviously I'm a high risk... 863 00:49:13,480 --> 00:49:14,920 ..so... 864 00:49:14,960 --> 00:49:17,040 So, what does that mean? 865 00:49:17,080 --> 00:49:21,440 I don't know. They think I'm a...a threat. 866 00:49:26,720 --> 00:49:28,400 KNOCK AT DOOR 867 00:49:28,440 --> 00:49:29,760 Come in. 868 00:49:31,760 --> 00:49:34,600 Come in, Candice. OK. I need, so... 869 00:49:34,640 --> 00:49:38,320 It's all right. I've had some bad news, Candice. 870 00:49:38,360 --> 00:49:39,920 What's wrong? It's nothing... 871 00:49:39,960 --> 00:49:42,600 Security called me and said I hadn't passed 872 00:49:42,640 --> 00:49:46,200 the minimum security requirement for the Royal Household. Oh, no. 873 00:49:46,240 --> 00:49:48,640 So it's The Royal Household security 874 00:49:48,680 --> 00:49:51,880 that have, erm, said... So, how's it going to work? 875 00:49:51,920 --> 00:49:55,280 Well, Lisa is very happy to go with Lucy. 876 00:49:56,480 --> 00:49:58,760 It'll be fine. So, I'm really sorry. OK. 877 00:49:58,800 --> 00:50:00,240 No, no. You don't have to be sorry. 878 00:50:00,280 --> 00:50:03,800 But you better get going, then, because the carriage awaits, 879 00:50:03,840 --> 00:50:05,400 I'm really sorry, but... No, it's OK. 880 00:50:05,440 --> 00:50:07,400 Just really enjoy it. Yeah, we will. We will. 881 00:50:07,440 --> 00:50:10,000 Make the most of it. It's just such a great thing, isn't it? So... 882 00:50:10,040 --> 00:50:12,720 OK, don't worry, don't worry, don't worry, don't worry. 883 00:50:12,760 --> 00:50:14,680 It's not your fault. Well... Don't worry 884 00:50:18,000 --> 00:50:19,080 Mummy's here. 885 00:50:19,120 --> 00:50:20,960 Do you want to put your jacket on, Luce? 886 00:50:21,000 --> 00:50:23,360 Coat on. You want your coat on? 887 00:50:23,400 --> 00:50:25,360 Daniel here. 888 00:50:25,400 --> 00:50:28,040 Daniel is not here. 889 00:50:28,080 --> 00:50:30,280 Can you put this on? Now, you tell me. 890 00:50:30,320 --> 00:50:34,920 Daniel. Fastened or not? Zip up. You want zip up? 891 00:50:34,960 --> 00:50:36,320 Yeah, later. 892 00:50:36,360 --> 00:50:38,680 Come on, sweetheart. Daniel coming back later. 893 00:50:38,720 --> 00:50:40,920 Yeah, well, we're probably going to go and see him soon. 894 00:50:40,960 --> 00:50:42,760 Let's go and find that piano. 895 00:50:48,840 --> 00:50:51,400 The only reason I'm here is, 896 00:50:51,440 --> 00:50:55,480 you know, to facilitate Lucy's performance, you know, 897 00:50:55,520 --> 00:50:58,640 which is what they want. I'm doing it for them. 898 00:50:58,680 --> 00:51:00,160 I don't know, I don't know. 899 00:51:00,200 --> 00:51:02,560 I think it's probably to do with my involvement 900 00:51:02,600 --> 00:51:03,960 with Extinction Rebellion. 901 00:51:04,000 --> 00:51:05,320 Erm... 902 00:51:06,520 --> 00:51:09,520 Hasn't made me warm to the monarchy any more, I have to say... 903 00:51:11,960 --> 00:51:13,320 ..if I'm honest! 904 00:51:18,280 --> 00:51:21,040 ANNOUNCER: In celebration of His Majesty's watercolours, 905 00:51:21,080 --> 00:51:25,000 we welcome a pianist from Her Majesty Queen Camilla's patronage 906 00:51:25,040 --> 00:51:30,000 The Amber Trust, it's the incredibly talented Lucy. 907 00:51:30,040 --> 00:51:32,120 CHEERING 908 00:51:35,800 --> 00:51:40,280 MUSIC: The Well-Tempered Clavier, Book 1, Prelude and Fugue No 1 by Johann Sebastian Bach 909 00:51:58,040 --> 00:52:02,880 I think quite often, actually, about Lucy's next steps. 910 00:52:02,920 --> 00:52:07,080 I tend to veer wildly between two extremes. 911 00:52:07,120 --> 00:52:09,440 You know, the idea that I have to be there with her - 912 00:52:09,480 --> 00:52:13,000 I can't let her do anything without me. 913 00:52:13,040 --> 00:52:16,400 I sort of veer between that and thinking, 914 00:52:16,440 --> 00:52:18,880 you know, I need to let her do her own thing. 915 00:52:18,920 --> 00:52:19,920 MUSIC CONTINUES 916 00:52:26,880 --> 00:52:28,880 I've always thought it would be great for her to work 917 00:52:28,920 --> 00:52:31,240 with loads of different people. 918 00:52:31,280 --> 00:52:34,320 It's really important that we're not stuck to 919 00:52:34,360 --> 00:52:37,080 the idea of me being glued to Lucy forever. 920 00:52:43,960 --> 00:52:45,400 Good ending. 921 00:52:48,160 --> 00:52:49,160 CHEERING ON TV 922 00:52:49,200 --> 00:52:51,640 Yay. HE APPLAUDS 923 00:52:53,200 --> 00:52:54,600 She's doing a bow. 924 00:52:54,640 --> 00:52:57,120 CHEERING 925 00:53:01,080 --> 00:53:02,640 That was good, wasn't it? 926 00:53:02,680 --> 00:53:05,120 Oh, Lucy, that was incredible. 927 00:53:05,160 --> 00:53:06,680 You were amazing. 928 00:53:06,720 --> 00:53:08,960 Lionel Richie was just asking after her. Oh, Lucy. 929 00:53:11,000 --> 00:53:12,360 Oh, what an honour. Yeah. 930 00:53:14,400 --> 00:53:15,720 What an honour. 931 00:53:17,680 --> 00:53:18,880 Come on. 932 00:53:20,080 --> 00:53:23,320 ANNOUNCER: Thank you to all our wonderful performers. 933 00:53:29,760 --> 00:53:31,680 SHEEP BLEAT 934 00:53:38,760 --> 00:53:41,400 Yeah, hold your cane properly, long finger. 935 00:53:41,440 --> 00:53:44,160 Hold it properly, Lucy. That's right, well done. 936 00:53:45,680 --> 00:53:47,800 Woooshhh. Very good. 937 00:53:49,680 --> 00:53:50,760 LUCY SINGS TUNE 938 00:53:50,800 --> 00:53:53,440 Woooshhh. Can you hear the wind going wooshhhh? 939 00:53:53,480 --> 00:53:56,480 # Da-da-da, da-da-da 940 00:53:56,520 --> 00:53:58,240 # Da-na-na-na-na-na-na-na-na. # 941 00:53:58,280 --> 00:53:59,280 By? 942 00:53:59,320 --> 00:54:00,360 # I only... # 943 00:54:00,400 --> 00:54:04,000 I Only Have Eyes for You by... 944 00:54:04,040 --> 00:54:05,720 Who sings that? 945 00:54:05,760 --> 00:54:08,840 Oscar Peterson. Oscar Peterson 946 00:54:08,880 --> 00:54:12,120 # Doo-doo-doo-doo-doo-doo. # 947 00:54:12,160 --> 00:54:15,440 Here's the door. I'll open the door. Are you ready? 948 00:54:15,480 --> 00:54:19,960 Beep. Beep. Come on, then, I've opened the door. 949 00:54:20,000 --> 00:54:23,320 Right, let's go and find the piano. Here we go. Are you ready? 950 00:54:23,360 --> 00:54:25,480 Hold your cane properly. 951 00:54:25,520 --> 00:54:27,560 Ooh. What's that? 952 00:54:27,600 --> 00:54:31,160 Oooh. What's that? What's that? 953 00:54:31,200 --> 00:54:32,560 What's this? 954 00:54:35,080 --> 00:54:38,200 HE VOCALISES THE MELODY 955 00:54:42,200 --> 00:54:43,560 LUCY LAUGHS 956 00:54:43,600 --> 00:54:45,560 Oh, yes! 957 00:54:45,600 --> 00:54:47,160 LUCY LAUGHS 958 00:54:51,560 --> 00:54:54,640 Yay! Well done. 959 00:54:54,680 --> 00:54:58,880 That's so exciting! A new piano. 960 00:54:58,920 --> 00:55:00,000 # And now... # 961 00:55:00,040 --> 00:55:02,040 I'll sing it. Go on, you play it. 962 00:55:02,080 --> 00:55:06,160 # And now the end is near 963 00:55:07,640 --> 00:55:12,880 # And so I face the final curtain... # 964 00:55:14,040 --> 00:55:17,080 HE VOCALISES THE MELODY 965 00:55:17,120 --> 00:55:20,800 I can't imagine ever saying goodbye to Lucy 966 00:55:20,840 --> 00:55:22,880 because we're such close friends. 967 00:55:24,200 --> 00:55:26,720 I'm speaking obviously for both of us now, 968 00:55:26,760 --> 00:55:29,600 I think we do enjoy each other's company. 969 00:55:29,640 --> 00:55:33,120 I can't imagine not being part of each other's lives in some way... 970 00:55:35,000 --> 00:55:36,800 ..certainly for the foreseeable future. 971 00:55:36,840 --> 00:55:39,960 I mean, I'm her piano teacher, so there! 972 00:55:40,000 --> 00:55:46,560 # Da-da-da, my way. # 973 00:55:54,280 --> 00:55:55,960 Lucy, that was amazing. 974 00:55:56,000 --> 00:55:58,040 Absolutely... 975 00:55:58,080 --> 00:56:00,400 BOTH: Wonderful! HE CHUCKLES 976 00:56:01,960 --> 00:56:05,160 MUSIC: I Wish by Stevie Wonder 977 00:56:20,760 --> 00:56:23,760 Subtitles by Red Bee Media 71721

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