All language subtitles for Web Therapy - 02x02 - Blindsides and Backslides.ASAP.English.HI.C.updated.Addic7ed.com.EN

(Announcer:) Previously on "Web Theraphy."
(Camilla:) I think that

based on our...

attempted therapy with...
with Kip,

that he is
incredibly resistant.

- Oh.
- Yes. He is not a man

who responds at all well
to the female form.

So I'm very excited
about next week,

and we can really sink
our teeth into the book.

Well I've got
my best man on it.

- Oh.
- Her name is Maxine.

Well that's your loss.
Honestly.

And your second loss may be
in the divorce proceedings

that we're going to recommend
that Kip proceed with.

[Mellow Jazz]

♪ ♪

Sync, corrected by Alice
www.addic7ed.com

Hello, Camilla.

It's me, Fiona.

I just wanna
thank you so much

for taking the time
to speak to me.

Oh, well...

I'm afraid you got me...

- You got me out of bed.
- Oh.

That's what you wear to bed?

- Yeah.
- That's...

Anyway, um, I wanted you
to know that, you know,

I've done some research.

I picked up parts
of your book online and--

- Yes, I can tell
by what you're wearing.

Well,
I actually owned this,

so it was part of my--

German look.

Well...

But I also, um,
I caught Trent.

- I saw your husband Trent on...
- Oh, you did.

Fox news
or Nightline or--

- Yeah, he was, uh...
- Or The View.

- I mean, he's everywhere.
- Yeah, I know.

He's traveling a lot.

He's so handsome.

He's so well-groomed,
you know.

Yes, he takes a lot of care
with his hygiene, his look,

his, uh, haberdashery.

And he's so passionate
about his position.

He was arguing, I think,
about gay marriage.

Yes, and the downside
of all that.

Right, yes.

Well,
you're a beautiful couple

I guess is what
I'm trying to say.

Oh.
Well, thank you, Fiona.

And I'm seeing the light.

And, um, I just wanted
to let you know thank you

for the work
that you're doing,

and I have what I
hope is good news

in that, you know,
I'm writing a book myself

and my publisher thinks
that it would be a great idea

for me to go down there
so I could be with Kip

to get, you know, firsthand
knowledge of how's he doing

this recovery
and be by his side for--

Uh-uh, uh-uh, you know
we have a policy down here.

No text, no cell, no calls,

no Skype-y thing.

No, uh, contact
with family members.

First thing we do is drop
the phone in the hot tub.

So, uh, I'm afraid
that won't work out.

No, why?
Why wouldn't it?

I feel it would be very, very,
very disruptive to our progress.

And we--we have been
making so much progress.

We've been making
so much progress.

I'm a little bit worn out.
You'll have to forgive me.

Oh, he's gotten
extra attention or...

Yes, well, we've moved beyond
just talk and aversion therapy.

We went right to--

we went right
to the 24/7 of healing hands.

Healing--healing hands?

- Yeah, healing hands is...
- I don't know that.

A method
of electro stimulation,

um, body massage,

constant pressure
on all the sites,

specific points in the body

that can, um...

C-cause, uh, arousal

and it can be a very exhausting
and demanding process.

So basically
you were sleeping

with my husband
is what I'm hearing.

Well, I don't know
how much sleep he gets.

I know
I don't get very much.

But yes, we are
applying hands-on therapy,

top to toe, back and front,
all around the world.

We are going where--

No I understand
what you're doing.

And so you're sleeping
with my husband

and getting paid
for it in return,

which is a different...

Profession than what
I thought you were offering.

If I can reveal
myself to you,

I can tell you that God
touches me down there.

I feel a little tingling,
and he taps me for this work.

He says, "get in there
and do what you can, Camilla."

How interesting
that he taps you there

when a shoulder
is so available.

No, I just think
that it wouldn't be good

for you to come down here
and I'm afraid I'll have to,

uh, close the gates
to that suggestion.

- Right.
- You know, Kip and I,

when we're really
getting into it,

he reveals so much to me

and, um, I don't mind sharing
with you that he told me

that your dad had
a very big influence on you.

And that made me feel good
'cause my dad did, too, on me.

My dad was an electrician

and he taught me
about connection.

And, you know, there's
the--there's the female

connection and there's
the male connection

and the female receptor
has two holes.

And the male has two prongs.

And the way it works is you
get those two things together,

[grunts] Uhh!

And you have electricity.

Two--two prongs?

And two holes?

Hold on.

Tw--yes. Two.

And your father
taught you this?

Actually, I think
Ben Franklin made that up.

He's from
Philadelphia, right?

Yes, I--I think he was.

That's how you
make electricity.

What a convenient gift
Benjamin Franklin gave all of us

to provide you
with a colorful metaphor--

Do you know how
electricians refer to

the two prongs
hitting each other?

They call that
the suicide point.

- That doesn't work.
- Right...

That's two men and the receiver
and the prong is man and woman.

- This doesn't work either.
- Right...

So what you need
is that connection.

- That's how you make electricity.
- Good for you.

In fact, we're having so
much success that the election

committee has contacted me
to go out on the road

with the rehabilitation tour.

And am I to
understand--because Austen

is obviously his biggest
backer--he's out of town,

I haven't really
communicated with him--

that he's endorsing you being
by my husband's side for his--

Yes, yes everyone's
very happy about that

because they don't want
the woman who turned Kip gay

with him at his side
on the podium.

I mean, that would be so
m--embarrassing for Ki--

But having him be divorced
wouldn't put off voters?

As long as, you know,
America's moved on, Fiona.

This isn't the olden days where
you only had one chance at life.

America's about being reborn,
renewed, and restored,

and that's what we've
done for Kip down here

at the Compass Center.

So thank you.

Is that what
I'm meant to say?

I think maybe
that would be in order,

but you don't
have to thank me.

You do not have to thank me.

I'm only doing for Kip
what you were not able to do.

It's interesting,
your line of work.

- And in fact...
- Yes?

I'm gonna do it again
in about five minutes.

I think he's due.

He is due in.

So I might have
to sign off for now.

[Breathes deeply]

Once more into the breach.

[Phone rings]

Oh, hi, Dr. Wallice.

Yes, I want you to listen
to something, please.

Oh, okay.

Fiona, Jerome and Hayley

just left my apartment,
and might I say

- I adore those two lovebirds.
- It's Max.

The showed up
with the new pages.

Bravo, my friend.

Fiona, your courage,
your bravery in sharing

the stuff that you did, wow.

Wow, this is gonna
kick that book

right up to where
we need it to be.

Also, I would like you
to thank your mother for me.

Her including those photos--
invaluable.

And might I also tell you,

that was some rhinoplasty
they did on you.

Boy, oh, boy, I had never seen
a child with a nose like that.

You can
hardly even tell now.

But this is the kind
of stuff we need

in order to make that book
something, so thank you.

And you just remind
that Hayley and Jerome,

next time
they're in New York City,

I don't wanna hear
about a hotel.

No, I do not.

They will be
staying with me.

Hayley. Oh. Adorable.
She was so generous.

So sweet, Max--

How wonderful
you're making

- such fast friends.
- Oh, yeah, not she was ver--

With someone that you have
no business even speaking to.

- Oh, well, no, sh--
- How dare you not send me pages

before you send them off
to the publisher, Jerome.

Well, listen, I wanna assure
you that I talked up as much

as I possibly could
your contribution to the book.

My contribution?
It's my book.

- Right, right, right.
- It's not a contribution.

- Oh, absolutely.
- Yours is a contribution.

- A menial one.
- Thank you.

- How dare you?
- Well she did seem

like if there weren't gonna
be changes done quickly,

that it might kill the book, and
so it was really my pleasure

to quickly act fast and show
her some of the chapters

that I had
that you had previously

not been such a fan of.

Well, she's trying to make
me look a little weaker

thinking that's gonna--

Well, the likeability factor
really went way, way up.

Well, I'd like
to see it because--

Oh, well,
don't worry, Hayley

did a whole stream
of consciousness

in your voice.
So now I have Hayley

- on my book?
- You don't have to thank her.

I will thank her for you,
because it really--

I'm not going to thank her.
I didn't ask her to do anything

and if I'm going to have to
get a release from her too,

then she's got
another think coming.

- Okay.
- Because I didn't ask her

in any way, shape, or form to
be involved in writing my life.

- Fair enough.
- For me.

But at the end of the day,

hearing your voice at 13,
14, talk about loneliness,

sadness, ridicule, how you sort
of dealt with the bullying--

What? None of those things--
what ridicule and misery?

I have yet to have
an unhappy moment.

All right,
I will manage that better.

- In other words, I'll--
- Manage that better.

I will, I will act
as manager then.

- I'm glad that you're giving me that autho--
- No. I'm not giving--

- you're not my manager.
- Okay. Okay.

But I will--I will help to
edit the material that you see

and make sure that you get it
before I send it out.

I completely understand.

Yes, I have to see it
before you send it out.

- When somebody calls--
- I think you should

actually, we should get
Hayley to sign a release

- so that we can use some of that.
- No, Hayley's not involved.

Officially.

Oh, I love Hayley.
Hayley's--well, yes,

Hayley knows how to behave
with other people.

Just not with me.

The irony is really
something, Jerome.

I hear you, I hear you,
and I didn't intend for you

to take I that way,
I mean, really Hayley and I

used it as an opportunity
to go into New York.

And I took her to see Sister Act,
which was so good.

Max actually got us tickets.
She loves it.

Well, now you're
asking for favors.

She seemed completely willing
to do it, I mean, she joined us.

These are my relationships,
not your relationships.

- Let me--
- I don't want you going

to New York anymore,
how's that? All right?

And I don't want Hayley
going to New York anymore.

- Well--
- Done. Good.

Now I'm comfortable.

Do you mind
if I don't unfriend her?

Because I think I've already
"liked" her on Facebook,

and I would hate
to hurt her feelings.

No, well,
you can't unfriend her

because she'll think
it's a slight from me.

Right, right.

And she's been
texting me all morning,

so maybe I should just let her
know that she should be--

maybe she should
text you to get to me.

Would that make you
feel more com--

If it's related to work,
then yes.

- Okay, hold on.
- But be--I don't like this.

- [Laughs]
- I'm not comfortable

with any of this,
I have to say.

She's pushing me and Hayley
to have a baby,

and I'm telling you,
she's pushing so hard,

she might just convince her.
[Chuckles]

[Mellow, jazzy music]

♪ ♪

Look at me! I am so hot!
What was he thinking?

- Your image is froze--
- [Sobbing]

Check in on Kip, and see
how his straightening out

is progre--what is that,
an "orientationater"?

That's not even English.

Wha--halfway
to heterosexuality.

All right, well, good.

[Sighs]

What?

Oh, no.
Oh, no, this is the limit.

[Mellow, jazzy music]

♪ ♪

Yes, hello, Austen,
it's Fiona again,

trying to reach you.

It's fairly important
that I speak with you,

so when you have a chance,

it would be nice
if you called me back.

All right.

[Sighs]

How many is that, I wonder.

[Sign-on tone plays]
Oh.

Oh.

- Hello?
- Hello!

- Hello, Maxine, how are you?
- Oh, hello, Fiona.

Let me start
with "forgive me."

I have just read the additions
to your manuscript.

Might I say: Perfection.

Oh.

I went to confession.

To confess...

I went to ask forgiveness

for not really seeing you
as a child of God,

which you obviously are.

What you showed--it's made
your character so sympathetic.

The personal touches
that you added,

the vulnerability
you showed.

Your teenage years,
the acne problem,

the kids calling you
"pizza face."

Well...

When you wore
the white pants

the first day
you got your friend,

and everyone
made fun of you.

So vulnerable,
it's really beautiful.

- So weak, yeah.
- It's beautiful.

It's beautiful.

And weakened,
but all right.

Well, really, the stuff you've
written, I'm telling you,

Austen will
go crazy over it.

Oh, I don't think Austen
will care one way or another,

because the man simply isn't
returning any of my calls.

In fact, he and some
of the other backers

are now trying to distance me
from my husband's campaign,

so that I'm not by his side

during all of the press stuff,
and the camp--I don't, you know.

I'm sorry about that.

I really am, Fiona.
I f--

you know,
I feel you would have been

a very good
influence on him.

Really, seriously.

Not like the young,
attractive floozies

he's normally around, I--

I think you would've
grounded him.

Well, thank you,
but I think you should know

that he actually
was pretty besotted with me,

I think,
and the operative word

here is "was,"
because he is no longer.

He's no longer besotted,
you don't think?

There are no signs of
interest coming from him,

just, you know, little...

Just a little bit of posies

from his own garden,
you know,

something pathetic and cheap
like that

that he had messengered from
Scotland, I think, I don't--

No boxes from Tiffany's?

There are blue boxes from
Tiffany's given out, dispensed?

No, I haven't
received any of those.

No vintage Prada luggage?

No.

No Louis Vuitton shoes?

No, I didn't
get any shoes.

I mean, a pair of thongs
when he was in Bali.

Well, surely he's introduced
you to all his jet-set friends.

- Yes?
- No, I haven't met any.

He has--I haven't met
any of them, I just--

no, no, I got to spend
a dreary afternoon

with some horrible
Scottish woman

who was very particular about
the kind of tea she drank,

"and did I grow it?"

She was about 400 years old
as well, so...

I almost fell asleep twice.

That's who I got to meet,
and he wasn't even there.

Wow.

Yeah, no,
that was so boring.

Well, that's very
interesting, Fiona.

Is it interesting?
I don't think it's interesting.

I think it's very frustrating.
How's that?

Well, you seem angry,
and you seem like

the kind of woman who'd want
to do something about that.

I will do something
about that.

You know what? No one
has to make a fool out of me.

I don't have to take this.

Message. He--
Austen, it's Fiona.

Listen, don't bother
to call me back, all right?

I think I'm going to
take my book elsewhere,

so, we don't even need
to be in contact anymore.

All right, good-bye.

There.
That's done, and I--

That was good.

And you're smiling,

and not proud of me,
but happy for yourself.

I see now.

I played right into
your hands, didn't I?

[Phone rings]
Oh. Incoming call. 'Scuse me.

Yes, Austen.

Oh, of course,
he's available after all.

Yes.

Could you turn around, please?
Because I'm--

it's a private call.

- Turn around?
- I'm here.

I'm not gonna turn around.

[Mellow, jazzy music]

♪ ♪

- Ah, yes, so, rose petals.
- Rose petals on top of the bed?

On top of the bed,
and then also on the floor,

and then maybe down the
stairs, sort of like a trail.

Romantic love trail
leading up to the bed.

Oh, I like--and would you like
me to take some of your panties

and drop them
throughout the house?

No.
That you shouldn't do.

- Okay.
- And then also, um,

two champagne glasses

filled with champagne
on the bedside table.

That's great.
He's gonna love that.

That's good.
Some chocolate strawberries

sprinkled around,
and music, we need music.

Oh, okay.
Well, what do you like?

I-I have, uh--

No, I don't
like music at all.

But I think Kip likes...

I have Bjork
and John Tesh.

No, no,
forget all what you have.

I don't care what you have.
Get the satellite TV.

- Sat--
- Station--the music station.

All right? Like, '70s.
Soft '70s, or--

no, no, I know what Kip likes.
The soundtracks and show tunes.

- Show tunes.
- That's the one.

- Yeah, makes sense.
- Oh, you know,

I was looking over
the copy of my book,

and, um, the character's
become so weakened.

I'd like to restore her
to her stronger self,

from the original--
original version.

Oh, okay,
my original version draft.

All right, and I'll--
I'll run that by Maxine,

just so that we're
all on the same page.

No, you don't need to.

I'm taking it
to a new publisher.

- You are?
- Absolutely.

So, Ma--oh.

- Okay.
- Okay.

- That's...
- None of your business?

- Yes. That's right.
- Okay.

All right.

Have a good time tonight.

Oh, I'm going to see
Spider-Man, the musical.

- Oh, exciting.
- Is it?

I just hear a lot of
people get injured,

so I thought it would be fun

if I caught it on
one of those nights.

[Mellow, jazzy music]

Hello.

Hello, Camilla.
Hello, hello.

- It's me, Fiona.
- Yes, I can see.

Yes, well, of course you can.
[Chuckles]

I just wanted to let you know
the good news,

which is that Kip and I,
I think,

won't need
to get a divorce now.

Oh?

And I think I have you
in part to thank for that.

Oh, well, you're welcome.

Yes. You look--
you look troubled.

Oh, I just c-cut my finger,
and, you know,

they only had the
African-American band-aids.

My staff is...

I don't know
what they're thinking.

Why do they buy those?

- It's not invisible on you.
- It's not invisible. Look.

Stupid looking.

Anyway, that's not it.

I can't find Trent.
He's gone off the radar.

- Oh.
- I don't know where he is.

Well, I'm so sorry
to hear that. Maybe--

you know, I-I know where
he was two days ago,

if that helps try to
track him down, because--

You do?

Well, yes,
I took your advice,

and I scheduled
a session with him.

Oh, you did?
Oh, my G--

In my home
in Philadelphia.

Trent said he'd be nearby,
and that he'd be happy

to come to my home
and offer a private session,

and I was very flattered.

With you and Kip?

With me. Just me.

And then after that,
I would see Kip.

Oh, I see, I see.
Prep you, he'd prep you.

And in fact,
I followed the advice

in your book
for my reunion with Kip.

So, I had chocolate-covered
strawberries out,

and rose petals...
for Kip.

- Yes.
- Yes.

And, uh, pots of whipped
cream, just in case.

Mm-hmm.

Fluffy pillows
on the floor

for anything that would
come up spontaneously.

Yes, yes. Yes.
Yeah, chapter two.

Yes. Uh-huh.

So, it was, you know...

- So, you, uh...
- A very enticing room.

You seduced my husband.

No, dear, I didn't even
make it to Philadelphia.

My publisher needed me in
New York, and I had to stay.

Oh.

I missed
the session entirely.

Oh.
[Sighs]

But Kip was there
to receive Trent.

And I think they got to...
talking.

And then some...

I guess wrestling
with their faith,

and then ultimately
just wrestling.

Well, apparently, that's what
my security cameras recorded.

So...

And it's odd,
because I don't know why

they were pointing
in that direction.

I have the controls here.

Oh, I see.
I have the controls.

I can point them back
into the proper direction.

I see. I know--you don't--
I can, um--I can, um...

I've seen things
like this before.

You know, there is
a lot of backsliding.

Literally.

No doubt.

I can't say I'm surp--
surprised.

This has happened before.

[Sighs] Oh, my God.

There was the pool kid.

The guy who fixes
his madera--Maserati.

Mm-hmm.

- His golf caddy.
- Oh.

The guy who drives
the golf cart.

Mm-hmm.

Do you have
enough fingers to count?

Poor Trent has struggled
with the angel of, uh--

whoever that is
that they wrestle.

The angel of electricity?

[Sighs]

But I don't
think it's, um--

it's anything
that is not reparable.

I think that there is
a solution.

If I come up there,
I do have a mobile kit.

I have, uh--I can get it
through the, uh, security,

if I dismantle all the
batteries, and take the, um...

All the, uh...

The--the electronics
and, um...

I can bring them
to Phil--Philadelphia.

No, I don't think
that will be necessary.

Of course it's necessary.

These men are going
off the track.

Well, then, maybe somehow
you can reel Trent in

and get him home.

I know if you can sever

the suicide point
connection they've made...

But the good news is that

the only thing that perished
was your cure.

So...

You know, you're
willing to destroy everything

that Trent and I have lived
all of our lives to achieve.

You're willing to bring down
the center, aren't you?

You're willing
to destroy us and our--

my family, my six kids.

You don't care.

I thought
you had seven children.

I have six kids
and one adopted.

- Oh.
- So...

I guess what
I'm asking you is...

[Sighs]

Where are those tapes?

Because I'd really
like to have them.

And not for the reason
that you think.

Not because, you know,
it would compromise Trent,

even though it would
destroy the center.

But because
I'd like to get them

and project them
on the wall of our bedroom

right behind my head,
because the thing

I can't really get him to do
is to open his eyes...

- Mm.
- When we're...

But that might make him...
That might make him...

And then I could
bring his vision down

and just
get into it with him

in the way that
we were meant to do.

[Sniffs]
Mm-hmm.

Could I have
those tapes, then?

- I'm sorry, no.
- Please?

No, I-I feel more comfortable
knowing that they're under my--

Yeah, but I'd feel
more comfortable

knowing that I have them.

But the thing
you're not understanding

is that you don't have
any of the leverage here,

because I have the tapes.

So I will hold on to them.

I could even destroy them.

I'm not going to give them
to you as a marital aid.

And then I will
resume my place

by my husband's side
as he does his press tour.

Oh.

Oh, um...

- And you can stay there.
- Where?

And reconnect
with your husband,

where you should be,
by his side.

Yeah, well...

I guess we could go back to--
to basics.

That's how we started the
center in the first place.

I don't know
if he told you that.

- Well, I guessed.
- Yeah.

- But you know,
can I offer you a little--

- this is so tight.
- Pardon?

- This. It's so tight.
- Oh.

Well, you seem to be
at sixes and sevens,

so why don't we just
leave it at this?

Thank you very much.

And if I could offer
a little advice to you,

- with your husband Trent.
- Sure, go ahead.

Instead of projecting images

- of his former self...
- Yeah.

Why don't you just try wearing
a blazer from time to time?

- Yeah.
- Good luck to you, dear.

Oh, God,
now I've lost a nail.

Oh, God! Why me?

Look.
[Mellow, jazzy music]

This is the worst day.

Sync & corrections by Alice
www.addic7ed.com

- That doesn't work.
- I see.

Neither does this.

- These are brilliant metaphors.
- [Laughs]

Maybe you could include them
in your next flyer.

[Laughing]

[Laughs]

♪ ♪

T--yes, two.

And your father
taught you this.

[Laughs]

Well, what a wonderful
relationship you had.

♪ ♪

You are a manipulit--
you are a--you are a dec--

- Manipulative?
- Deceptive.

- Yes, I couldn't agree--
- Can I just get my words out?

- Can you?
- You are a manip--[Laughs]

♪ ♪

All we need is that
satellite TV music station

to the '70s, or--oh, no, no,
soundtracks and show times.

- Oh, show t--
- That's what Kip likes.

"Show times"
or "show tunes"?

- Sound...
- Soundtracks and show tunes.

♪ ♪

I guess they win.

- Homosexuality's wrong.
- Yeah, right.

Oh...
[Laughter]

All right, cut.

♪ ♪