Original subtitles

NARRATOR: Previously on Dexter:

[BOTH MOAN I NG]

DEXTER: She accepts both sides of me. The whole Dexter.

How in the heIl does the most crucial piece of evidence

against Isaak Sirko just disappear?

I did what you wanted . Evidence against Sirko is gone. I want Nadia's passport.

She's done with you and your whoIe shitty fucking organisation .

That's not gonna happen , Joey.

So you think reaI hard about your next move.

I'm at a dead end on Bay Harbour Butcher.

Everything we've done, alI the evidence

it stiII points to Sergeant Doakes. At some point, we have to face facts.

[♪♪♪]

JAM I E: Harrison is onIy going to Orlando for a few weeks, Dexter.

He's gonna be fine.

AII he'lI want to do is foIlow Cody around .

DEBRA: Every time the shit hits the fan , I go to him .

He's your safe pIace.

You're making it sound like I wanna be with him or something .

M ICH ELLE: WeII , do you?

You didn't kiIl Viktor out of vengeance.

I have a feeIing that you're a different kind of animaI .

I can't even drink with someone without them dying .

Sorry, I wish I couId teII you what happened .

I know what happened . Hannah McKay.

Sal Price was writing a book on you . You didn't Iike it, so you poisoned him.

That's crazy. MASU KA: Report's back

on the tox screen on SaI Price.

M E ran it twice. Negative both times.

That fucking bitch is gonna get away with it again .

Hannah McKay kilIed SaI Price and she's gonna waIk.

I want you to make it right.

Do what you do.

[♪♪♪]

[♪♪♪]

[CHOPPI NG]

DEXTER: Was Deb 's calljust a bad dream?

Or does she really want me to kill Hannah ?

HAN NAH : Morning .

How did you sIeep? Okay.

Special herbs from my garden . It's my secret ingredient.

How can I help?

You can dice.

DEXTER: Huh .

It's, uh , more my style.

I sometimes Iose track of time, but your caIendar goes beyond that.

Oh , it's not so much a caIendar but a reminder.

That's the year you took off with Wayne.

It's not about Wayne.

It's Argentina.

What was so speciaI about Argentina?

Nothing, reaIly, I just-- I like the picture. It Iooks Iike. . .

N ice, happy.

A home.

[CELL PHON E BUZZI NG]

My sister, who's aIso my Iieutenant,

so I shouId probabIy get to work soon .

Your sister is the Iieutenant?

Yeah , I didn't mention that.

No, you didn't.

[BOTH CH UCKLE]

Is this crazy?

''This''?

You and me, just sitting here, eating breakfast.

I aIways eat breakfast. It's important.

[♪♪♪]

I know that we decided to never see each other again

so I just want you to know that

if Iast night was a one-night thing for you , then I'm okay with that.

Okay.

But if you want to never see each other again tomorrow night

then I'm okay with that too.

Okay.

You're very agreeabIe.

Yep.

DEXTER: l need to find some way to get her out of Debra 's head

even if l can 't get her out of mine.

[KNOCK ON DOOR]

Hey, come on in .

Do you want coffee?

There's plenty. I couIdn't fucking sIeep.

Sure.

[DEXTER S IGHS]

Deb? Yeah?

What you said Iast night, you didn't mean it.

Did you?

Yeah , Dex, I meant it.

The good news is I've aIready vetted her for you .

She kiIIed three peopIe that we know of, not incIuding what she did with Wayne.

And Price had a tissue sampIe and a Iab report on BeverIy Grey

that proved she was poisoned with aconite.

But go figure, some asshole broke into his apartment

and disappeared alI the fiIes on Hannah .

Thank you very much . DEXTER: You're welcome.

You don't know she kiIled Price.

You don't even know Price was murdered .

You want to know what he was doing the day he died?

He was recording this.

HAN NAH [ON RECORDI NG] : Then she just kept screaming and there was so much blood.

PRICE: What did you do?

[HAN NAH SOBS]

HAN NAH : l stabbed her until the screaming stopped.

[RECORDER BEEPS]

Deb, she was 1 5. You want more?

Let's taIk about how she didn't aIIow her husband's body to be embalmed .

She fits your code, Dex.

I'm not kilIing Hannah McKay.

You know how hard it was for me to ask you that?

[♪♪♪]

I have been going around in my head in circIes

trying to come up with something

with anything that I can fucking use, but I've got nothing .

Sal and I were so close. If that body hadn't decomposed . . .

we'd fucking have her. She'd be Iocked up.

He would be aIive.

But he's dead and Hannah McKay is waIking around , free to kilI again .

And she wilI fucking kiIl again , Dexter.

That's who she is.

And I can't let that happen . Not after SpeItzer.

I wish there was another way.

You're aII I have left.

[CELL PHON E RI NG I NG & BUZZI NG]

[SCOFFS]

What's up?

It's Astor.

''Grandpa's kidney stones are acting up again .

Grandma's taking him to the doctor. HopefulIy it's not too serious.''

[S IGHS]

Deb, you toId me you didn't wanna be a part of what I do.

Before I reaIised--

You couId hardIy Iive with yourseIf when you Iied to Batista for me.

How wiIl you Iive with knowing you're responsibIe for a murder?

Don't teIl me what I can and can't handle.

Turns out there's a fuck of a Iot that I can Iive with these days.

No, you can't. Ever since you found out, you've been teetering on the edge.

You've covered up evidence, Iied-- For you .

That's why I can't Iet you take it any further.

For your own good . For my own--?

Oh , pIease, do not parent me, Dexter. You sound Iike Dad .

Because that's probabIy what he'd say.

This isn't who you are.

Deb, I care about you too much to let you do something you're gonna regret.

I'm sorry, the answer is no.

WeII , I guess it's your fucking decision , isn't it?

DEXTER: Even though everything ljust said is true,

it doesn't make me any less of a liar.

[I N DISTI NCT POLICE RADIO CHATTER]

[♪♪♪]

ExcelIent.

The poIice wiIl foIIow Jurg and your bodyguard around aIl afternoon .

And then what?

The cops are dicks, but they're not morons.

They'II figure out you're not in the car.

EventuaIly, sure.

But by then , I'lI have taken care of my business.

Business? What business?

This isn't about Dexter Morgan again, is it?

You're not thinking straight here.

He works for Miami Metro.

We take out one more of theirs, they shut this pIace down for good .

We have inventory to move tonight.

Come on , man , just Iet it go.

Go home.

[♪♪♪]

[STARTS ENG I N E]

Deb's got 24-hour poIice surveilIance on Isaak

which means I know where he is at aIl times.

He's moved into Viktor's apartment

and hardIy gone anywhere other than The Fox HoIe and a few restaurants.

Hey, Dexter. The usuaI?

Yeah , thanks.

Do you have any Boston creams? It's my sister's favourite.

Got some fresh ones coming out now.

Take just a minute. Thanks.

Is that your pIan to keep Debra from going over to the dark side?

Give her a massive sugar rush? I don't exactIy have a plan yet.

I can think of an obvious one.

I'm not gonna stop seeing Hannah just because she's a murderer,

and my sister wants to kiIl her.

Do you hear how that sounds?

[CELL PHON E BUZZI NG]

[G U NSHOT]

[TYRES SCREECH I NG]

What the heII? I don't know.

Those fucking gang kids are at it again .

Yeah , I guess so. I'm caIling the poIice.

WhiIe you played house with Hannah , Isaak found a way to shake the police,

which IikeIy means he'Il come after you again .

WeII , if he can get past Miami Metro Homicide, so can I .

ASTOR [OVER PHON E]: Grandpa 's gone to surgery.

We have to stay with you. Shit.

What?

The kids are coming . Kids as in pIural?

Grandpa has to have surgery.

I need to send Jamie to Orlando to pick them up.

[LI N E RI NG I NG]

It was Isaak, wasn't it?

How did he get away from the cops? Does it matter?

Did you see him? Mm . Yeah .

Then you're a fucking witness. I can arrest him.

You aIready tried that once. It didn't work.

You reaIly want an investigation into why Isaak Sirko is trying to kilI me?

So, what the fuck am I supposed to do?

Just Iet me handle it.

It's not Iike I have much of a choice.

Just be carefuI , okay?

There's one other thing . I got a caIl from the kids' grandmother.

Harrison okay? Yeah , he's fine.

But BiIl has to have emergency surgery

and Maura wants me to watch Harrison

and Astor and Cody for a few days.

Now is not a good time. I know, but what could I say?

Jamie's picking them up. They can't stay at your apartment.

Isaak probabIy has his own key by now.

Any ideas?

[S IGHS]

Yeah , they can stay at my pIace.

I'Il get patrol cars to cover my house, just in case.

How are you gonna expIain that to LaGuerta?

I'Il telI her that I'm afraid Isaak's gonna come after me for his arrest.

Your house isn't exactIy kid friendly.

What does that mean? WeII , you have a gun .

I'Il lock it up.

And the pay channeIs. Cody's 1 2.

[♪♪♪]

Okay, I'II Iock up the remote. Anything eIse?

Anything in your kitchen besides saIsa and beer?

There was some cheese when I moved in .

I'Il have Jamie stock the fridge.

This is gonna be great. I Iove kids.

I don't love kids in generaI , but I love your kids.

And Astor and Cody, it's been a long time.

I'Il give you a heads-up when I know when they're getting in . Thanks.

DEBRA: Yeah .

What's that?

I'm gonna pay Hannah McKay a visit.

Why?

Just because you're not gonna do what you do

doesn't mean she gets to Iive happiIy fucking ever after.

DEXTER: l guess it was foolish to think Deb would simply walk away from this.

MASU KA: Hey, I heard about your donut shop.

Oh , yeah . Pretty scary. Francisco thinks it was gang-related .

Showdown between the crulIers and the fritters?

[CH UCKLI NG]

Deb, if you need me, I'Il be on my celI phone.

Something up?

Just some business on the other side of town .

Dexter. Ladies.

If you get a chance, stop by Papa's after work today.

It's under new management. Shut up. You got the restaurant?

The IandIord and I came to an agreement with the Iease.

CaII me Papa.

No, I wiIl not do that, but I wiIl stop by for a drink later.

Dex, you're in? No, I've got the kids coming into town .

It's a famiIy place. Bring them .

AngeI .

I'm reaIIy happy for you .

One cubic yard of cocoa mulch , 25 pounds of--

U h , Iet me get back to you .

Lieutenant.

You in the market for some orchids?

I'm not buying anything from you .

Look, I think you have the wrong idea-- Shut up.

I'm not interested in anything you have to say, because you're a fucking Iiar.

I know who you are. I know what you are.

WeII , I think you'd be surprised at the things that you don't know about me.

Sal Price shared everything with me.

So you may think you're safer because he's dead , but actuaIly it's worse.

He was just a writer. I'm a cop. Whatever you're hiding , I'II find out.

Sal Price was a storytelIer. He wanted to seII books.

He didn't care if they were true or not.

You admitted to him on tape that you kiIIed with Wayne.

How convenient that he died before he had a chance to write about it.

Lieutenant, what were you doing when you were 1 5 years oId?

I'm guessing you were probabIy on the soccer team or something, right?

Me, I was just some dumb farm girl

who was wakened in the middIe of the night

by an oIder boy that I had a crush on who said , ''Let's go on a trip.''

I was in over my head .

You knew exactIy what you were doing then .

You're in over your head now.

WeII , I don't know why I care so much about what you think

but somehow I do, so I'm sorry.

You haven't even begun to be sorry.

[♪♪♪]

I'm not suggesting a coup here.

More like a reaIignment.

I'd never do anything without the support of the Brotherhood

but I feeI Iike something has to be done

or this whoIe thing's gonna explode in our faces.

Okay.

Consider it done.

You wanna stick around? Watch your girI?

Drinks on me.

I've got a better idea. Why don't you go fuck yourseIf?

Come on , Joey. No, don't ''Come on , Joey'' me.

We had a deaI and you fucked me over, so we're done.

Look, I'm sorry I couIdn't get you Nadia's passport.

I tried , man , but the guys in Kiev, they puII the strings.

What I do have is some cash .

If you do one more job for me, you can buy something for Nadia.

See, I don't want your fucking cash .

And if you take that out on her,

I'Il have ICE down here faster than you can count

checking on the immigration status of aIl your empIoyees.

So go fuck yourself. Bye.

DEXTER: Miami Metro believes they know where lsaak is at all times

but obviously l can't count on that.

Hope he enjoys his last meal.

When he gets home to Viktor's apartment, l'll be waiting.

[CELL PHON E RI NGS]

Hey, Jamie. JAM I E [OVER PHON E]: Hey, Dex.

We just made a quick pit stop. I warned Cody about the Big Gulp.

But we're about three hours out depending on traffic.

Great. Why don't we meet at your brother's new restaurant?

If he's got macaroni and cheese, we'Il be fine.

ApparentIy that's alI Harrison's wilIingIy consumed

since he got to OrIando. lt is his favourite.

God , Cody, we don't want to stop again . CODY: But I'm thirsty.

Can't we leave him by the side of the road?

No, Astor, we can't just Ieave him by the side of the road .

Sounds Iike you got your hands fulI .

JAM I E: We 'll see you in Miami, Dexter.

Drive safe.

[STARTS ENG I N E]

[♪♪♪]

DEXTER: People always say they'd like to die at home.

l'll leave his body here and let the police blame it on the Colombians.

Who the heIl are you?

I'm the buiIding super. I came to fix the faucet.

I didn't know anyone was home.

You're not the super.

Sure I am . Who are you?

I'm the Avon Lady.

WeII , that's just siIIy.

You're here for the same reason I am.

Which is? To kiIl Sirko.

Look, I don't know who sent you here

but I'm not going haIfsies with anyone. This is my job.

[MAN GASPS]

We could have just gone haIfsies.

DEXTER: With all the people who want to kill lsaak

why is it so hard to get him dead?

[DOGS BARKI NG]

[COM PUTER BEEPS]

Not this guy.

This one either.

[COM PUTER CH I RPS]

Dexter Morgan .

This guy had a slip.

Had? Meaning he doesn't have one anymore?

No, he moved a few years back. I remember because it was odd .

He had eight months to go on his Iease.

When exactIy did he move?

May, 2007.

[♪♪♪]

Are you sure? Ha-ha. Yeah .

You're getting heavier. What did they feed you up there?

Mac and cheese. And more mac and cheese.

DEXTER: Wanna pIay on the beach after we eat?

Oh , I can take him now.

Astor and Cody were fighting the entire drive down .

I need a break.

Mojitos on the house. AII right.

For the grown-ups.

Sodas for the kids. Sorry, I gotta keep my Iiquor licence.

Everything good here? It's perfect. Thanks, AngeI .

DEXTER: Perfect because it has a built-in security system.

Dexter, check out my ''Angry Birds'' score.

Dexter doesn't wanna see your ''Angry Birds'' score. Put it away.

I've missed you guys. We missed you too.

So how's school? Is math stilI kicking your ass?

Butt. Kicking your butt.

That's what I said . Is math stilI kicking your butt?

I'm a year ahead in math now and I'm taking A. P. Bio.

DEXTER: I mpressive.

She passed out when they dissected the fetaI pig .

Can we not talk about fetaI pigs at dinner?

[BELCH ES]

Can we not get through dinner without you doing something disgusting?

Can you stop acting Iike Miss Perfect?

You can't even make it through a weekend without smoking pot.

Oh , my God . You know how many cops are here?

You wanna get arrested? God , what is wrong with you?

Guess I shouId go taIk to her.

I'Il be your backup.

I don't do it a Iot, I swear. Just when I get realIy stressed out.

You wanna teIl me what's going on?

It's just pot.

I n some states, it's not even against the Iaw.

It's aIways against the Iaw for someone your age,

which is for your own good , by the way.

Thanks for the pubIic service announcement.

Dexter's right. Sometimes things that seem like a good idea in the moment

are things you'II end up regretting later.

DEXTER: Astor. . .

I know how

certain vices can be used to reIieve stress.

But sometimes those vices can cause more probIems than the originaI stress.

Okay, I get it, pot is evil . Are we done?

Sure, we're done.

Kids are aIl asIeep in your room .

I put Harrison on your bed . I hope that's okay.

Yeah , sure.

He doesn't wet the bed , does he?

Not always.

You owe me.

Jamie wilI be here first thing in the morning .

Hey, Dex, um,

maybe you were right

about Hannah .

I mean , don't get me wrong . If anyone deserves what you do, she does.

But it must have been hard to resist and I know you did it for me.

So thanks for caring .

[♪♪♪]

You don't have to thank me.

Thanks for taking everyone in .

My home is their home.

DEXTER: My family.

All that's left of it is here, under one roof.

lt should feel like home.

So why do l want so badly to be somewhere else ?

[KNOCKI NG ON DOOR]

[HAN NAH CLEARS TH ROAT]

HAN NAH : Look who's not here again .

Is this a bad time?

FortunateIy, you've managed to catch me in between gentIeman caIIers.

WeII , I guess it's my Iucky night.

What brings you by?

Or is this your version of a booty caII?

What's a booty calI? Seriously?

ActualIy, I just stopped by because I'm gonna be busy for the next few days.

So you came by to see me because you can't see me?

Something Iike that.

So, what's got you so busy?

Nothing, I just, uh . . .

The head of the Koshka Brotherhood wants to kilI me.

[CH UCKLES]

You're not kidding .

WeII , I don't know what a Koshka Brotherhood is, but it sounds bad .

It's kind of U krainian mafia.

Wow. What did you do to piss them off?

Not them. Just Isaak Sirko.

He has this personaI vendetta against me.

Why?

I kiIIed one of his key guys.

Ah . WeII , it happens.

So, what do you know about this Isaak Sirko?

I know that he wants to kiIl me and that I need to kilI him first

and that it's harder than I thought it wouId be.

WeII , you want my advice?

U h , sure.

You spent a Iot of time finding out alI about me before you . . .

Before I tried to kilI you . Right.

This is different. I had to make sure that you fit my code.

I aIready know Isaak's a kiIIer.

StiII , it seems Iike you have a system and it's working for you , right?

Most of the time.

WeII , so why don't you try the same thing on this guy?

Figure out who he is and why he realIy wants to kilI you .

Here.

Take my van . He might know your car.

Besides, it'lI give you a decent excuse to come by and not see me again .

[♪♪♪]

I have never been abIe to talk to anyone about my kilIs before.

Not Iike this.

No judgement, no fear, no panic.

That's nice. Yeah .

I'm kind of tired of taIking .

Maybe I can show you what a booty calI is.

Come on , Joey. It's not that bad .

I onIy have to work for George for two more years. Then I'lI have my freedom.

You beIieve that? He likes his dancers young .

There are always more girls who want to come here.

I'm sorry I let you down .

Just promise me you'lI never do anything for them again .

Not even for me.

I promise.

Okay, I'm gonna take a shower. Okay.

[DOOR CLOSES]

[KNOCK ON DOOR] [SHOWER RU N N I NG]

How'd I know I'd find your horny ass here?

I got something to show you .

I'm not interested . Oh , I think you might be.

GEORG E [ON RECORDI NG]: But lsaak Sirko, he wants you to lose the blood evidence

linking him to the Colombian murders.

Let me skip to the good part.

QU I N N : lf l do this, Nadia 's a free woman.

You give me her fucking passport, understand?

GEORG E: Deal. And l'll do you one better. You can even keep the cash.

Now do we understand each other?

If I go down , you're going down with me.

Heh . It won't exactIy ruin my reputation .

I got the Koshka Brotherhood behind me.

You saw how Iong Sirko stayed behind bars.

Who's gonna save your ass? Miami Metro?

What do you want?

Same kind of shit you used to do for us.

We have some product that needs to move.

I need a cop around to make sure nothing goes wrong .

If you help us, you make some money.

And if you don't, that recording goes on the fucking cloud .

I'm sorry to twist your arm , buddy, but you realIy Ieft me no choice.

I'Il see you tonight.

[♪♪♪]

[DOOR CLOSES]

[S IGHS]

No one eIse here.

Not anymore, anyway.

Do you recognise him?

He's one of George's men . Sent here to kiIl me.

George wouIdn't make a move without getting approvaI from the boys in Kiev.

So much for brotherhood . This can be fixed .

We can go home, we can calI-- No.

I'm a dead man there.

You've aIready gone above and beyond the caIl of duty, Jurg .

Your loyalty couId get you kilIed .

Where you go, I go.

My offshore accounts shouId last some time.

But I won't have access to the corporate accounts.

BIoody heII .

Then there's this.

We're gonna need another pIace to stay.

Who do you think kiIIed him?

WeII , that's a job for the poIice, isn't it?

Why don't you go and give our friends downstairs a caIl?

[CAM ERA SH UTTER CLICKI NG]

[I N DISTI NCT CHATTER]

Looks Iike the gang's aII here.

So you have no idea what he was doing in your apartment?

Not a cIue.

But I'm sure your trusty blood spatter anaIyst couId figure it out.

BATISTA: Mr. Sirko, the gun that we found

wouId suggest that he came here to kiII someone.

And since you Iive here, that someone may very welI be you .

What a frightening thought.

Then perhaps I need some sort of police escort.

Oh , I aIready have that.

We'lI have to confirm with the M E but judging by the Iividity and state of rigour,

I'd estimate the time of death as sometime yesterday affernoon .

Let me see. Now, where was I yesterday afternoon?

Perhaps these kind officers couId refresh my memory.

U nis taiIed him aII day.

He wasn't here.

Seems I have an aIibi . I hope they're trustworthy.

Dex, what have you got? Yes, pIease, Dex, teIl us your theory.

I'm so curious.

WeII , judging by the photo found in the victim's pocket,

he was Iying in wait for Mr. Sirko.

Here you go.

These scuff marks indicate a struggle.

They feIl to the fIoor.

And then the kilIer cut his carotid artery

with one swipe of a very sharp knife.

My, my.

You couIdn't have described that better if you'd been there yourseIf.

Thanks.

I have pIans with the kids today. You think you can finish this up?

Fine, but one of these days, I'm gonna track down some of my kids

so that I can skip out on work. Thanks.

Vince is gonna take it from here. Keep him occupied as long as you can .

DEXTER: Kill you later, lsaak.

Yeah . Oh , that's gonna be reaIIy good .

See, get it alI up in there.

Yeah . That's a strong castIe, mister.

You're doing so good .

Want that? He did it aIl himseIf.

That's pretty awesome. Yummy.

You know what? I think you need a IittIe bit more sunscreen , Harrison .

Hey, buddy, you know what this pIace needs?

A moat. Keep the bad guys out.

[G I RLS CHATTERI NG]

I'Il be back in a minute.

JAM I E: Can I have some of that Ieg?

I miss the beach .

It reminds me of Mom.

Yeah , she used to take you guys here aIl the time.

AtIanta doesn't feel like home, but here doesn't either.

It's like there's no pIace I actuaIly belong .

You know what I mean?

ActualIy, yeah , I do.

If my grandparents find out about the pot,

they'II think I'm just turning into my dad or something .

I feeI Iike they're just waiting for that to happen anyways.

You know, when I was younger, someone toId me who I was,

and I pretty much took his word for it.

If I'd taken the time to decide for myself,

I would have turned out different.

Different how?

I don't reaIly know, but I kind of wish I did .

For the record , you didn't turn out so bad .

For the record , the pot wiII stay off the record .

[CELL PHON E RI NG I NG]

Just give me a sec.

Hey, Hannah . Hey, I'm sorry to bother you

but I accidentalIy Ieft my greenhouse keys in the van .

I'm kind of in the middIe of something . I couId bring them by in a few hours.

Just tell me where you are and l'll swing by.

Hobie Beach . Tower 1 .

Okay, great. I'Il caII you when I get there.

[CHATTERI NG]

Is this the one? Yeah , thanks.

So, what are you doing out here?

JAM I E: Hey, Dexter. Look.

[LAUGHS]

Oh , right.

Of course. I should've seen that one coming .

No, she's not, uh--

She's my nanny.

Your nanny?

Yeah , that little guy is my son .

Harrison . He's 3.

I told you about his mother, how she passed away.

The other two are Astor and Cody. They're my step-kids.

They Iive in OrIando with their grandparents.

Harrison lives with me,

most of the time.

I'm sorry. I shouId have toId you .

You didn't trust me or you were afraid it would push me away?

Maybe a IittIe of both .

WeII , I'd Iove to meet them sometime.

You're lucky, Dexter. Lucky?

No matter where I go,

I'm Hannah McKay, the spree kilIer's girIfriend .

Nobody has a cIue who you are.

You get to have this normaI Iife with kids and . . .

Is that something you want?

It was, once upon a time.

Wayne and I taIked about having 1 0 of them .

CouId you imagine what a train wreck that wouId have been?

Then when I got married to Jake, I thought:

''This is how it's supposed to be,'' you know?

But when that whoIe thing went to shit,

I just figured it wasn't reaIly in the cards for me.

That's what I used to think too.

JAM I E: Dex, get over here. Ha-ha.

WeII , I won't intrude.

Enjoy your time with them . Okay.

[♪♪♪]

[KNOCK ON DOOR]

Hey.

Everyone asIeep?

Yeah , finalIy.

Dexter, you did not teII me that bedtime is, Iike, this two-hour process.

And that reading those Dr. Seuss books out Ioud is reaIly fucking hard .

Sorry I missed that.

Teenagers are great. You telI them what to do.

I mean , my house has never looked so cIean .

I love families.

DEXTER: Does Hannah fit into my family somewhere ?

[KEYS CLATTER]

[CLEARS TH ROAT]

What's that doing here?

I borrowed a car from a friend so Isaak wouldn't recognise me.

Does that friend happen to be Hannah McKay?

[S IGHS]

I was going to-- Oh , my God .

Are you fucking her?

I can expIain . I know what fucking is.

No expIanation necessary.

Is that why you wouIdn't kilI her?

PartiaIIy.

[CH UCKLES]

I am the biggest asshoIe on the pIanet.

AII that buIIshit about you caring about me too much

to Iet me do something I would regret? I fucking bought it.

Deb, everything I said was true.

Yes, I didn't kiII Hannah because I have feelings for her

but that doesn't make what I said to you any less true.

Feelings? Are you in Iove with her?

I don't know.

Is it because she's a seriaI kiIler?

Does that turn you on or something?

What do you aIl do, sit around and taIk about who you're gonna take out next?

Oh , my God .

Price?

Did you fucking heIp her with Price?

No.

I don't even know why I fucking ask you , Dexter.

Every time I think I know exactIy who you are,

you telI me something worse.

Being with Hannah is worse

than being a kilIer? Yes.

No. I don't. . .

I know you're not gonna stop kiIIing .

I mean , you've made that very cIear.

But you can stop seeing her.

I don't wanna stop seeing her.

Look what happened to her husband , Dexter.

She doesn't have the best track record with men .

I don't even want to taIk about the fucking body trail

that you've Ieft in your Iove Iife.

I'm not asking your permission, Deb.

So you don't care what it does to me?

I don't want to hurt you . WeII , guess what. You did .

You picked the one way that you couId hurt me

worse than you couId ever fucking understand .

Wha--?

You told me you accepted me being a kiIler.

If you love me, you'lI accept this. If I love you? If I Iove you .

I went to the church that night that you kiIIed Travis MarshaIl

to teII you that I'm in Iove with you .

[♪♪♪]

[DEBRA GRU NTS]

You're

in love with me?

Fuck. Oh , my God .

[SOBS]

Was. Oh .

I don't even know if I fucking Iike you . Ha-ha.

Just. . .

Oh . Forget it.

What do you mean, you're in Iove with me?

[G ROANS]

I didn't mean to say that. I don't. . .

I know it's weird and it's gross and it's fucked up, but. . .

And I know you don't feeI the same.

I don't even know if I feeI the same.

It's one thing to be in Iove with your brother,

but it is a whoIe other IeveI to be in love with your brother

who's a goddamn fucking seriaI kilIer.

You're a serial kiIIer and I'm more fucked up than you are.

[S IGHS]

WeII , aren't you gonna say anything?

I'm sorry.

I don't know what to say.

Oh , God , you never do.

WiII you pIease just go? I reaIly-- I can't look at you .

[SOBS]

HARRY: Are you gonna just keep folIowing Isaak around aIl night?

DEXTER: I can reaIIy use a kiII tonight.

After what just happened with your sister?

She's not. . .

She's not in love with me. That's insane.

You have to admit, it explains a Iot.

Why she didn't arrest you . Why she keeps beIieving aIl your Iies.

Why she's wiIling to give up everything she beIieves in for you .

What am I supposed to do? I can't feel what Deb wants me to feeI .

You don't even know how she wants you to feeI . You just Ieft.

She asked me to Ieave.

Dexter. . .

calm down .

Oh , weIl , you know what I do to calm myseIf.

Where is Isaak going? Looks Iike a bar.

I'Il give him half a dose, walk out the back so the poIice don't see me.

I'Il look Iike a friend waIking his drunk buddy to his car.

He couId be Ieading you into a trap.

Not to mention , the poIice are onIy 1 00 feet away.

[JAZZ M USIC PLAYI NG OVER SPEAKERS]

What a pIeasant surprise.

We both know you can't kilI me here.

Oh , I can .

But I won't.

Has to be some vestige of civility left even in this corner of the worId .

You caII shooting at me in a donut shop civiI?

I was short on time and opportunity.

Barman , can I have a beer for my friend , Dexter Morgan?

Now we can both relax.

U nIike most places on the planet, everyone's weIcome here.

[CHATTERI NG]

You thought your enemies wouIdn't foIlow you into a gay bar?

Heh . No.

I thought I'd feeI comfortabIe in a gay bar.

I ronic, isn't it?

I aIways feared the Brotherhood wouId Iearn my secret and turn against me.

Now they've turned against me anyway, and none the wiser about this.

I wiII have to thank you for sIitting that assassin's throat.

You might have saved my life.

But you must expIain to me your aversion to guns sometime.

It's complicated . I can imagine it is.

You shouId cut your losses, Isaak.

Go back to Kiev.

There's nothing waiting for me back in Kiev

except for a large, weII-staffed house

and an attractive secretary who occasionaIly pretends we're an item

to keep the rumours from circulating .

The one thing that made my life worth living in Kiev,

you tossed in the ocean a few weeks back.

You and Viktor were-- Lovers. More than that.

You took from me the one thing that money and power can't bring back.

And now thanks to you , also the Iuxuries are gone too.

Not because of me. Because of this vendetta you're hoIding on to.

And what did you do to the man who murdered your spouse?

Nothing you wouIdn't have done.

Nothing I wouIdn't do a thousand times over again .

Did it heIp? She's stiII dead .

I can see that Viktor meant a great deal to you

but he was a kilIer and he got what he deserved .

My wife was innocent.

Heh . And if she weren't, you'd feeI the same.

That's how Iove is.

It's a powerfuI weapon .

It can work for us or against us, can't it?

I don't understand much about Iove.

WeII , that's because you're a scientist.

Love defies reason .

Nothing defies reason .

LogicaIIy, Viktor and I shouIdn't have been together.

I mean , aside from the obvious sociaI stigma,

Viktor was impulsive, foolhardy even .

AIways out to prove something .

I suppose the heart knows something that we just don't know.

Or maybe the heart is just wrong .

Oh , I doubt that.

Love can be inconvenient, perhaps inappropriate.

It can be dangerous.

Make us do things we wouldn't dream of doing .

But wrong?

That just depends

on where we end up, doesn't it?

We don't have to do this. I do have to do this.

And then what?

Then?

WeII , I hadn't reaIIy thought about it.

Suppose I'II take my funds, find some IittIe attractive corner of the worId

and whiIe away my days in comfort and anonymity.

Argentina.

ActualIy, I was thinking more like Micronesia, but each to their own .

We're outsiders, you and I .

On the periphery.

Watching everybody eIse.

Pretending we're just like them, but knowing we're not.

Best we can hope for is to find a place where we don't have to pretend .

It's a shame, reaIly.

U nder different circumstances, I think we couId have been great friends.

[PAPER RUSTLI NG]

TiII next time.

[♪♪♪]

DEXTER: Everyone wants an Argentina.

A place where the slate is wiped clean.

VI KTOR [ON RECORDI NG]: lsaak, l'm at the airport in Miami. l'll be home soon.

lsaak, l'm at the airport in Miami. l'll be home soon.

DEXTER: But the truth is Argentina is just Argentina.

No matter where we go, we take ourselves and our damage with us.

So is home the place we run to or is it the place we run from?

Only to hide out in places where we 're accepted unconditionally.

Places that feel more like home to us. . .

because we can finally be who we are.

[♪♪♪]