Original subtitles

ahoy i am back with

more tips on how you can make any

location

cinematic b-roll look even more

interesting

with certain clips without actually

needing all these

transitions how you can grab the

viewer's attention

what am i talking about well in today's

video i'm going to be using iphone 12

pro and dji or m4 gimbal but

that really doesn't matter because you

can do this with any camera

and any gimbal if you are new here

welcome my name is azden kadurla if you

are interested

in outdoor filming tutorials with

cameras with gimbals with action cameras

with smartphones

where i'll explain everything including

settings and gimbal settings

consider subscribing we are going to be

filming a cinematic

b-roll of this location but first i'm

going to play

a short b-roll kind of like a beginner's

style

but not such a beginner like in the last

video where

something is missing

[Music]

well raise your arm if you know what is

missing

wait did you actually raise your arm

well the b-roll was plain it showed a

beautiful location with variety of shots

wide medium and close-ups but

you can make it a lot more playful if

you're going to be doing connecting

shots

well in today's tutorial i'm going to be

doing a few of those sequences of those

connecting shots so you get better

understanding

how you can actually use them in your

videos

i'm going to be filming in djm memo in

automatic mode because today's again

advanced video is now the pro pro is

coming up and i'm going to be filming in

a higher frame rate

60 frames per second so i can slow down

some of the clips if i need to in the

post and i'm going to make sure the

resolution is

4k now because i'm filming in automatic

mode i cannot lock

the white balance but every time i'm

gonna be filming

before i'll hit the record button i'm

gonna make sure that i lock the

brightness

and focus on the screen just a quick tip

it's the best if you calibrate the

gimbal before you start filming

and if your camera shows

the motor in the shot if you are using

ultra wide angle lens then just

turn it off move a little bit the phone

to the left and then turn it back on

it's gonna be

not as balanced anymore but you're not

gonna see the motor in a shot

i'm going to start with the revealing

shot so first one will be just showing

off

this line of trees and i'm gonna be

selecting ultra wide angle lens i'm

gonna be going from the ground

up very slowly for that i am having

following mode just to make sure that

the gimbal kind of

goes smoothly up and i'm going to be

simply going forward

[Music]

[Applause]

[Music]

the first revealing shot is here and

it's to give

the viewer an idea where we are i'm

gonna do one more shot

just like that now when you are

selecting a lens

to foam you have to always look first

how it looks like in that shot with

ridge lens

so what i do i always try to look at it

with the ultra wide angle lens and then

i try standard which one looks better

the side shot i'm going to do now looks

way better with the standard lens

i'll do one more shot to introduce even

more of the location

and that one will be shot with telephoto

lens

i'm gonna go from high up very low to

the ground so for that i'm using

following mode on the gimbal and again

i am going to bring the sound down

because it is a bit overexposed

i'll make sure i'll start at the top and

i'm gonna go

very low to the ground

[Music]

i might go a little bit closer to the

trees here so i kind of get it

first sequence of connecting shots is

here and it's going to be combination of

shots in motion and it can be going

forward you can be going sideways you

can be going to the left or to the right

but please make sure you choose only one

side so you don't end up

being at the tennis court

the first shot will be happening by this

not so nice

fence but once you go very close to it

and you select ultra wide angle lens

you will actually see that the fence

looks pretty good in a picture make sure

you're not

shooting above the fence it's not gonna

do anything for you

and i'm purposely tapping at the end of

the fence because that's what i want in

focus

and i'm going close to the fence

[Music]

another movement shot will be right here

what i'm gonna do i'm just gonna be

walking

underneath the trees i'm gonna be

filming the top of the trees

how am i gonna do that well i'm gonna

select tilt

follow mode bring the gimbal up make

sure

i'll point the phone up bug the focus

and i'm just going to keep walking

forward obviously i'm not going to be

looking up i'm going to be looking down

because

the ground is not really straightforward

i'm going to end up on my nose

i'm going to stay with the green this

time i'm going to go all the way to the

ground though

grass looks always good in the shells

especially if you're gonna slow it down

so

for this one i'm just gonna flip the

gimbal

upside down the other way i'm gonna

select still following mode again i

don't want it to go up and down and i'm

gonna just

keep walking sideways i am selecting

just a standard lens

for this one and i'm just gonna go

very low to the ground so i kind of see

just the tips

of the grass

[Music]

last connecting shot last movement shot

will happen right here i'm gonna be

going down

to the lake for this one again tilt

following mode it is because obviously

as i assemble in times you don't want to

go up i'm going to be going very low to

the ground

very close to the ground to make sure i

don't show too much of a location but

i'll still

show a lot of the ground and i'm going

forward

[Music]

first sequence of connecting shots is

over so it's time to actually reveal

this place hopefully i'm not gonna melt

by that time because we are on a heat

wave here again and uh

yeah it's getting a little bit warmer

for this one i'm going to select

telephoto lens and since it is really

really bright

i have to really pull the sound down as

much as i can

and again because it is a telephoto lens

you have to move very slow

[Music]

[Music]

now all i have to do is just turn it

around because

this view is spectacular i'm gonna try

to use the reflection i'm gonna do just

few shots here

[Music]

the last shot of this location will be

right here what i'm going to do i'm just

going to go a little bit forward

and then aim up to the sky when i'm

gonna transition on the sky to another

place

so for this one you want to have all the

follow mode set up on your gimbal

because

you need that whip to go up i'm shooting

just with the standard lens i'm finding

that

the white is a little bit too wide

[Music]

next set of connecting shots is here and

in case you're wondering why the light

has changed

well because i'm shooting the next day

what happened yesterday i finished

this last shot came here and fortunately

the gardeners came so they were cutting

the grass

they were putting the plants in which is

a good thing now it looks good

i simply had to wrap it up so i'm here

again

let's keep going the previous shot ended

on the sky so now i have to go from the

sky down now i could not find

open sky where there were no trees so i

will hide the transition with

a transition to get to this location and

again i'm starting from

the sky and

i'm simply going to go down

next two shots will follow just showing

the gazebo with ultra wide angle lens

just a typical shot like we would see

from normal eyes perspective

and all i'm going to do is just tiny

steps forward

and i just do another shot of it a

different angle

and i'll make sure i actually walk under

because i want to see

again the structure

[Music]

i picked this structure because it's

just very very strong

shapes whenever you're filming a b-roll

or you're planning on filming a

cinematic

video you always want to surprise the

viewer with a shot

he would not or she would not expect

like right now i'm gonna show you this

beautiful morning shot

the same thing is with the b-roll so

what i'm going to do i'm going to

pull out my monopod i'm going to do shot

from above i'm going to do

shot literally crawling on the ground

i'm going to do

shots just showing those shapes from a

different

angle something you don't normally see

from your eye level

you need to go very high or very down or

look up

or look down all we see is this

and that's all we are used to and for us

it's just like yeah i've seen it i've

been here i've seen it but if you're

gonna show them very very very different

view

it's gonna be interesting i'm gonna go

very high

on the top

pull back

and again i'll do it from the front view

now

[Music]

for this shot i'm going to simply go

forward and leave this location by

flying out

[Music]

looking up to the ceiling i see a very

strong shape over here so i'm just gonna

follow it

[Music]

forward

to change the color porch would be

another one get very close with it to

the lens you're going to get a very

different view

[Music]

i found this structure here when i'm

looking at it from the top

and i'll start kind of wiggling with the

phone it's going to give me a very

interesting look i'm leaving it in a

tilt lock mode and you will see why

just have to make sure my shoes are not

in a shot

and they are so i need to go backwards a

lot

that's why i was doing this kind of a

wave the phone was kind of working with

me

it's always nice to try something from

the top kind of waving and

moving you will get something completely

different than what's out there

last scene is here behind me i started

with the tree so i'm going to end up

with a tree the light is here coming

from the side leading up

this whole era very nicely and i'm going

to be playing with

more creative modes fpv and spin shot

now

when it comes to those connecting shots

the spinning shots you want to do

maximum two or three because

you don't want your uber to get sick and

then take gravel

i have ultra wide angle lens and i have

a fbv mode i'm gonna just first

move forward and then i'm kind of gonna

start

the slow movements

and big movement time to do the spin

shot i'm just gonna do

two clips or three clips but i'm maybe

gonna choose just one

which one is the best i'm gonna aim for

the leaves now when you're doing the

spin shot as you're

cutting it into the fpv you have to kind

of follow the movement so if i went this

way then i need to spin it the same way

[Music]

now i'm gonna finish it with spin shot

of

this tree line very tricky one

as i need to make sure that i end up in

a horizon

level

[Music]

[Applause]

and closure the last shot going forward

and just kind of going down to the

ground

for this one i'm using again ultra wide

angle lens

[Music]

do we have enough clips i think so let's

play the final

[Music]

b-roll

[Music]

me

[Applause]

[Music]

[Applause]

[Music]

for those looking for music for your

videos i'm using epidemic sound for a

number of years i'm very happy with them

link can be found in the video

description below and first month is

free

what you should take away from this

video is

to free up your mind it's not about the

rules about

transitions and frame rates be a kid

explore have fun play

hit the thumbs up if you liked today's

video and subscribe to videos like these

coming up action cameras handheld

footage

filming with car filming with models

if you have any questions comments

simply want to say hi or ahoy

you know what to do leave it below and

i'll see my friends

in the next video ciao