All language subtitles for The-ar

This is a day out of your rumble.
Picture is up. Number six. Full sound.

Five feet. Speed cameras.
One-on-one feet. Autistic. A camera mark.

Five.

One-on-one feet. Ready.

Three, two, one, action!

They're in almost every
movement. You just don't

know that they're there.
Because that's the job.

They're the unknowns, not performers.
And they get paid to do the cool stuff.

They also get paid
to take it on the chin.

And everywhere else,
if you know what I mean.

Oh, that's... that's
me. Full teamers.

Getting blown up and hiding
my face in a muddy puddle.

Which isn't ideal when you're
trying to look cool in front of Jody.

We just so happen to have a major
crush on her. She's a camera operator.

She's definitely going to achieve her goal
of being a big-time Hollywood movie director.

I don't want to over-romanticize it
or anything, but I think what Jody

and I got is the kind of thing we
can only really find in the movies.

Hey, Jody. Hey, Colt, thanks
so much for those dumb chats.

Dumb chats. I love them many times.

Hey, uh, Tommy says he was a monitor.

Uh-oh. You might have trouble.

She's talking about Tom Ryder, who happens
to be the biggest action star on the plane.

Why am I explaining this to me? You
know what Tom Ryder is? It's Tom Ryder.

Anyway, I've been a stunt
double for six years now.

Flying it?

What happened? What's up?

Guess we're going again.

You know, Tommy Gale.
There's a lot of grumbling and

a bunch of hand gestures over at the
monitor, so... Let me guess, too much face.

Is that the one for me?

Um, Jody, right? Excuse me.

That is not my chin.
Look at my face.

Look at my jaw compared to
his jaw. It's like his chin is off.

Yeah, it's not my face's face.

It's like Mr. Potato Head.
It's not a fence or anything, but you know?

Sorry, I got lost in your
beautiful jaw, right? Excuse me.

No, listen, we're just
saying it's not working first.

Let's try.

Okay. Let's go again? Oh, yeah.

No, we're going
to have to go again.

Okay, yeah.

100%.

I don't know, man. Do you think,
uh... Can I make some magic?

Maybe you could do it backwards or
something? I don't know. It's just less face.

The woman freebasing the Diet
Coke is Tom's producer, Gale.

She's been making them look good for years.

And it's not always easy.

Give it some... Oh, I can't complain.
I'm working with my dream girl.

On my dream job.

We've got to switch the
pick points to the front.

I'm letting the dream.

Let's go again.

Let's go backwards.

Shall we go to two?

Do you have a question for me?

Uh, yeah, just now that you
wanted to ask me something.

Oh, I was going to go for a
spice of margarita to work,

and I'm doing a few drinks.
Spice of margaritas.

Um, well, just to keep it professional.
I can only have one spice of margarita.

Because if I have two, I can
start making bad decisions.

Well, you know drinking margaritas
is all about making bad decisions.

Which reminds me, um, after
this job, I gotta go sit on the sand

somewhere and I was wondering
if I was gonna ask you a question.

Tell me.

Do you have any towels that I could borrow?

Yeah, I have some towels. You know
it's so dangerous to swim with them.

Well, I would ask you
to, you know, be my swim

buddy, but I don't know
if you have a bathing suit.

Wait a second, what do you call that?
You know, across the board?

We call it a swimming costume.

Imagine that. After this, you and I
could both be on the beach somewhere

in swimming costumes, drinking
spicy margaritas, making bad decisions.

Imagine that.

What's that saying, pride
comes before the fall? Well,

they don't mention that it
sticks around afterwards, too.

Jodie tried so hard to be there for
me, she really did, I just couldn't do it.

Then I just disappeared completely.

Well, at least I thought I did.

Hello.

Oh, Colt, it's Gail,
your favorite producer.

How'd you get this number?

Someone said you were working
at the Captain's Cockatoo, a valet.

Wow, I didn't believe it.

It's actually El Cockatoo and El Capitan.
It's a family-run place. We pull tips.

It looks like it. All
the burritos I came.

Kind of within the
dream, if you think about it.

Like that door.
It's not a customer. Number 43.

Yo, bro, I know you from somewhere.
Where I know you from, bro?

Oh, yeah, you were in the Tom Ryder movie I
was on. You're the stunt guy! Not anymore.

Did you, like, break your
back or some shit? I did, yeah.

I know things haven't been
easy for you since the incident.

And I just hope that you don't hold
it against me or Tom, you know?

We were absolutely devastated.
He sent you a message, right?

The prayer hand's emoji.

Right, yeah, he's still an asshole.

How are you even supposed
to read this? I don't know.

I wish I wasn't out of bounds.

Come here, you gotta hear this.

You don't have to hear this. It's funny.

This dude was on a movie I was on.

Most epic fail I've ever seen.

I don't blame either one of you, Gail.
That was my fault.

And when you start making mistakes
like that, it's time to hang up the pads.

Oh, it was an accident, Cole.
Everybody knows that.

Tom has put me in a
real situation here, Cole.

I just need a little bit of help from
an old friend who just happened

to be, you know, the best stuntman
I've ever worked with in my life.

Which is why you are getting on a
plane for me tomorrow, coming to Sydney.

I'm not getting on a plane, Gail.

I can't bear that you wouldn't
throw away all that talent.

You shouldn't be
parking cars, Cole.

You need to be smashing and
burning Kawasaki's to your paint of glass.

Yo, fall guy.
Yo, bring my car back without a scratch.

I got crispy fiber here for you, bro.

Come on, you've done me like old times.
I know you've missed it.

Goodbye, Gail.

Wait, wait, wait, wait, wait.
Hold on. Did I tell you? Did

I tell you that the directors
asked for you specifically?

Sorry to disappoint them.

Oh, but you want to
know who it is? Nope.

Chris Jodie.

I'm giving out a big break.

Make sure it's an aisle suite.

I don't know. Maybe I
just spent so much time

writing a shotgun and
someone else's story.

I forgot how to take the wheel on my own.

Wait, does that make sense?

I don't know why I'm
talking so much anyway.

I'm not the hero of the story.

I'm just a stunt guy.

Boo!

Yeah!

I didn't realize they were
scanning doubles now.

Ah, it's new technology.

Basically, we did geometry
of your face to re-target writer's

face and we put writer's
face back on top of your face.

Like a deep fake situation.

You got a chance to remove
the tongue bruise, would you?

Hey, welcome to Sydney.
Are you concievers? Yeah.

Hey, do you know where I could get some
coffee? This jet bag is really kickin' in.

Yeah, no stress, no, I've got you.

And does the director know I'm here?

She asked for me and then
she just went straight behind.

I haven't heard. No, sorry, bro.

Ah, but the stunt
coordinator wants to see you?

It's just an objective, man.

Okay, great. We just tell her I'm here and
you know that coffee if you get a chance.

Dan Tucker, big Tom
Hollywood stunt coordinator.

It's about time.

Thank you, look at you.

So do I call you sir now
or how does that work?

Feel free to call me boss.

Okay boss, I don't think I
should be in this no means, right?

Or not doing anything crazy.

I was just about to explain that.

I can't enroll!

It's time for you to
start rolling cards

again instead of arguing.
You had an accident.

It was a massive
miscalculation of the ring.

I almost killed myself
before the whole crew.

I'd rather just not have my
first stunt back be another

epic failure, especially in
front of Joni. You understand?

It's not about how hard
of a hit you can give.

It's about how many times you
can get hit and keep moving forward.

That's messed up.
Kick what Rocky on me like that.

So it's a laser gun with a dagger.

Yeah, it's like a bayonet.

Right. Do we need the bayonet
when the laser achieved?

On the battlefield, yes. 100%.

It just gives it a quite strange shape.

Oh, this guitar bit at the end?

Yeah, well you said you want a metal.

So it's like heavy metal.

How many have you done like this?

Two.

Okay, how many have you done like this?

Two.

It looks like a guitar.

So how are we doing on the pyrotechnics?

I think we only have enough for one take.

Yes, we could create something that
looks way more realistic than the other.

I don't want real. I don't want real.
This is a sci-fi epic.

How do you make a love story?

Okay, of course, with proportions.

It's got to mirror that otherworldly
thing when you fall in love.

You know, it's imperfect. It's
beautiful. I want it that way.

Okay? Let's go big
with our one take.

Okay? Was that it? Was
that my one take? Oh my God.

Well, I've got to say
though, it looks fantastic.

Look at that.

Are you sure you want these real pyros?

Yes, you don't need these.

No, no, no. Again, we're just
going to have to loop the actors.

That's okay, right? It's a stuntman in a
car with a helmet on. Okay? No looping.

What the hell is going on over there, Russ?
We did not call for pyro.

I want this to protect our family.
We killed every last person.

This is why they're doing it. Because
they feel you don't respect the nitro.

It's my turn.

Your tone, your words, all of it.

Darling, yes. Okay, yeah, I'm sorry. I
couldn't get my printer working last night.

But I should have synthesized that
conversation that we had on the third act.

And what is? One of the characters
in the film is more than just in the film

that we're having a
problem with the third act.

Yeah? No, no.
But I appreciate you thinking outside.

I really do.
Nigel, you have to stop doing that.

I will get you like the things
that you are. Stop all that shit.

Come on.

Yep.

Test went well.

Fantastic. Okay. So, guys, simmer down.
Eyes on me. Here's what's going to happen.

No VFX venti. It looks
absolutely fabulous.

Nigel, we need to shoot
now. The tide's coming in.

Let's go. The shot's going to be epic.

The shot's up and quiet, people. Thank you.

Cool. Brother. What's
happening, man? Bad sand.

Bad sand.

Yeah.

I think we got to postpone.

Hate to say it.

Dad, what's the play, please?

We're just doing a little safety check.

The density. It's bad density.

We're looking at the density of the sand.

There's a new driver.

Who is it? Where's the movie?

Nigel, this is the biggest shot
of the film. I have a newbie.

God says we can do it. Seriously,
we're going to drift all over the place.

What is that? A king tide?

Here's what you do. You wait until
it comes in. It compacts the sand.

Then we shoot sunset or sun out.

You're stalling.

Baby.

You're stalling.

Two things can be true, brother.

I've got a handful of
rookie Australians out here.

I'm going to be sick.

You got this. You're the one.

Why are you going to say that?

You've done this a million times.

And so have you.
You know, you just changed it.

It's a strange thing, dad.
I need to drive it in the car now, please.

Hey, the tide's coming up.
Thank you so much. Appreciate it.

Is that Jodie?

Yes, it's Jodie.

She said something about me.

Stop with your face. Stop it. Stop it.

She didn't say anything about me.

This is really important to her.
Yes, it's important to her.

Who's to call him, Connor?

Something Hall H.

This is one of those times, whether
it's an inch or a mile, a wind is a wind.

It's easy. Fast and furious.

Let's go. You got this.

Did you see the cop
relationship going with your hat?

I see you in the car.

This is the hero setter.
I've got five more after that.

Are you ready, Dan? Yeah.

Look it up. Look it up.

Thank you.

Three minutes.

Okay, let's get buckled in.

Got the vehicle.

Everybody knows their spots.

All right, Dan.

Everybody knows their responsibilities.

Please go off on the cabin.

Do the right thing.

Get in the cannon now.

We need the signal. Everybody goes home.

Charge in the cannon.

You've got the DSI in the cannon.

Nothing good. The cannon is on.

Come on, have a good day. Have a great day.

All right, guys. Stay thirsty.

All right, guys.
But the sand's a little loose.

I can't get any traction.

What are you doing? Stop.

Someone's landing close to you.

They're going to lose the camera.

No, no, no, we're good.

The mental stance gives me all clear.

So good, so good. Loved it, loved it.

I think it was Gail's idea.

I thought it was your idea.

I just found out about this yesterday.

Dan, come on. I didn't approve him.

I didn't approve him.
I would never have approved him.

She didn't approve me?

I'm not approved.

Interesting. Really, really interesting.

Just very casual.

Here you are.
You show up and I'm your new stuntman.

You can't do that. You can't do that.

You're directing me.

Why are you here?

I think there's been a misunderstanding.

Clearly.

Because I was under the
impression that you did want me here.

That's a delusion of thought.
We haven't spoken in a year.

Let's not get into it.

Gail told me.

Whatever. I don't even care
about it, but you clicked the camera.

I'm a little rusty.

Comic-con shot ruined.

All H.

Yeah.

It's a big deal.

Thank you.

That'd be for you.

The whole director thing looks good on you.

Even the gardening hat, somehow.

Everyone wears them. It's like a set thing.

Okay? Yeah, I see it.

They're not making you
look as good as you are.

And I'm not trying to be fired,
but I'm just saying the facts.

But you look good in everything.
You look good in nothing, whatever.

No, I don't mean it like that.

Really? This isn't...
You look good in nothing.

This isn't gonna work.

No, I do. But it's not what I mean.

I'll take anyone. Anyone else.
Anyone but him.

I'll be honest with you.
We literally have no one else.

What's nice?

The fire, though.

It's your call.

Okay.

We'll do this on standby, please.
We're gonna set this man on fire.

He's good.

I'm gonna go again, thumbs up, okay?

Check the cool issue,
little bump on the jolly.

You fix that, Jimmy.

Thank you.

Cole, do you feel a bit
flung in at the deep end here?

I'm just wondering if
you have a script if you'd

like some background,
some context, if that's good.

Let's go, will it?

Yeah, hopefully. Okay, here we go.

So, sci-fi love story.
Two characters, one of them's an alien.

Alien and your space cowboy.

They shared what's called a moon season.

In real life, you might call it a plane.

Brief, but very intense.

And hopeful.

Now, neither of them had ever
been in a relationship that deep before.

And they told each other that over and over
and over again, they hit him more than her.

You know, to the point where sometimes
she was like, chill out, you know.

But anyway, in a tragic turn of
events, space cowboy is wounded.

And he just disappears.

Without a trace.

I can keep going.

I can hit the rock better now. Thank you.

We're going again.

Okay.

And action.

Come on.

Let's attack.

Let's attack.

A little bit of context, Carl.

Eliana sort of devastated.

And she starts sort of replaying
everything in her head over and over again.

Did she misread the vibe?

Was it just a fling?

Did she let her imagination run wild again?

Or did he lie to her?

Is he full of shit?

But let me be clear.

Eventually, Eliana did move on.

All right?

And she started doing Pilates.

She got herself a bang in revenge body.

And then she started dating other humans.

One after another.

And she had so many
mind-blowing, far superior experiences.

You wouldn't even believe it.

Right, girl? Yeah.

Yeah, it was like a sushi train.

Oh.

I'm going to be sick.

And you know what?

We're going to go again, Carl, because
there was a little buzz on that one.

Right, girl. Right, I'm out.

It's just feeling so withheld.

So how about some dialogue?

Yeah, that's all right, darling.

I'm going to go straight to the source.

Hey, Carl, it's best cowboy
had to say something.

If he was forced to say
something, what would he say?

How would he justify this year
she spent spinning out over this?

What could he say?

It's a puzzler, isn't it?

But have you got any
thoughts? Maybe he.

Hi, Carl.

Can you get my phone
on? I can't hear him.

Probably.

Come again, Carl. What was that?

It's already on.

In this movie, do the aliens and the humans
ever talk in private? No, not really.

No private conversations?

No, they don't like doing private.
They like to keep it very public.

Oh, yeah.

Why open?

Well, you know, let's
open it up to the group here.

Have you ever been in one of those
situations where you want to say something

and it's so important
that you can't mess it up?

So you think long
and hard about it, and

then you realize you've
already messed it up

because you've gone too
long and too hard about it?

You know what? What's that?

You want that?

I had a similar situation when I
fell in love with my wife's sister.

Okay, no. Alright.

No? Okay.

And again, this is hard because,
you know, I haven't read this script.

But he'd probably say that he's
been living in total regret since then.

You know, afraid that he'll never
get an opportunity to make it up to her

because he waited too long
and he's probably moved on.

Sorry, Jerry. Speaking of
moving on, we are... One more?

I love another chair, now.

Roll it, then.

Let's turn over, please.

All camera, you roll it.

Shut up, sound speed.

Let go, light them up.

Gail?

Gail? You're here.

Oh, no, don't use
that. It's broken.

Eight and a half rolls.
That is a world record!

Thank you so much.

It's better than parking cars, isn't it?

Would you cut the
shape? It was amazing.

What are you talking about?

She doesn't want me here, Gail.

Yes, she does. Of course she does.

You lied.

You lied. You know how that feels?

I think you deserve a second chance.
It's like the message in all my movies.

What's the message in all my movies?

Nihilism is a viable worldview.

Well, that's just the entertainment. That's
like the sexy bacon, you know? It's like dogs.

You've got to wrap the
message in some sexy bacon.

I mean, all those movies, people fall down.
They're rolling in their own shit.

They don't think they can cope,
but they can. They get back up.

Do you mind if I lie down?

The multiple fire burns and the
cannon rolls and the jet lag, I just...

Yep, yep, yep.

Can you use a little shut eye?

Yep.

Okay, let me get this straight.
Nihilism is the sexy bacon.

Yeah.

The audience are dogs.

There we go.

And when you fall down, you get back up.

Thank you.

I'm glad we did this.

Now, what am I really doing here now?

Um... Ryder's missing.

He has fallen in with some
shady, shitty, shitty people.

We'll kill... ...all the cops.

We can't call the cops.

Why not?

The studio will know
that I am way over budget.

They will pull the plug on this.

You know that.

Please go and find him.

Why me?

You're a stuntman, for God's sake.

No one's gonna notice whether
you're here or not. No offense.

I mean, so I'm taking...
You know him, intimately.

It can be so simple.

You pick him up, you dust
him off, you bring him back here.

I know I can trust you.

And you know who can
trust you more than anyone?

She just doesn't realize it yet, as Jodie.

This is her big chance.

Do you want her first movie to be her last?

You've gotta help me out, man.

It's been a long couple days.

I'm gonna go to the hotel.

I'm gonna... what is it? It's why...

yesterday it's your...
I'm gonna call you here tomorrow.

Right, no, today, that is the
door code of Ryder's Loft.

The patio door. Took it from his trailer.

He's still getting this person out there.

Oh.

Let's not even get into that.
This point is like...

Memento level.

I can only keep this from Jodie
in the studio 48 hours, Max.

Save Jodie's movie.

And maybe you get
the love of your life back.

Did you just turn Jodie
into the sexy bacon?

She's been the sexy bacon all along.

You good?

Is there any left-hander I ever had?

Please don't wreck it.

It's product placement.
There's only two of them.

I know how you stunties drive.

You sit to destroy all I hold dear.

What are you doing?

Just chilling down.

Were you chilling down to Taylor Swift?

No.

Is this something else you're
really excited for? Really.

I've been here for six
months. I've never heard it.

Yeah, chilling down. I've already
known it's shorter to stay chilling down.

Are you even crying? Not at all.

You're never even crying.

Check my...

Oh, so dangerous. I'm very sorry.

Why do you want like that?

It's a very good politics.

I feel better.

I deserve to.

I'm going to make the
camera up to you, by the way.

Can I get in the car with you?

I'm going to face your mess.

So how have you been? Oh, no.

Yeah? Thumbs up? God, I hate that bullshit.
That stunk-eyed bullshit.

And that's fine. You don't have
to explain anything. It's all good.

It was a fling. Less than the fling.
It was a flingette. And that's fine.

I don't even want to know. And the problem
with forcing something is you get nowhere.

You know, one time my mum forced my
dad to exercise. Do you know what happened?

Snapped his ankle.
First time he stepped on the treadmill.

She forced it.
Now he has a piece of metal in his foot.

Moral of the story is
you should just be here.

Well, look, I've done a lot
about this, actually, and I, uh...

It's not like I didn't want
to apologize a million times.

Yeah.

Uh, it's just every time I...

You know, when I think
of something to say...

It doesn't seem like enough.

No problem. Boundaries. Boundaries.

That's it, Bob.
Because I have a lot of pressure on me.

I have no idea how hard it was
for me to make this movie, okay?

I just need to focus. If you're
gonna stay here, we need to keep it.

Like, super-profesh.

Professions by
little, right? Mm-hmm.

But, no.

I thought your middle name was Danger.

What's a stage name?

Cold-professed seabers.

Promise me you're not gonna
derail this, okay? Promise.

I'm gonna do some dance.

Do you want to drive me
to my car? Um, let me see.

Okay, let me check to
make sure you're okay.

Cold.

I thought you were dead.

Why you gotta be such a pussy bitch.

Tom, I have to ask you not to
refer to me as a pussy or a bitch.

Okay, but you got hurt like a
pussy and you're acting like a bitch.

Tom, cold-seabers. Just check it in on you.

Jody needs you back on set, pal.

Alright, I don't want to be a part
of any breaking-in role-play games.

Alright.

Why do you look so familiar?

Where do I know you from?

I'm Iggy Starr, lead
actress on Metal Storm.

I'm Ryder's girlfriend.

You're in Metal Storm.

Yeah.

Hey, were you in that movie Car
Jack where the guy named Jack

steals your car and then
you shoot him in the hand

and you say, I hope you
know how to drive stick.

And it doesn't make
sense because it's like

should be automatic, but the way
you say it... That's not how you want it!

I'm just a stunt guy.
I'm working on Metal Storm 2.

You're alive! We're on you, Metal Storm 1!

I'm not in the whole solo!

No!

Is this a prop sword?

I'm a good actress.

Hey, are you really working on Metal Storm?

Why are you sneaking around here?

Just trying to find Ryder.

He's like really dropped
up and paranoid right now.

He thinks someone's trying to kill him.

And I'm like, if you don't finish
Metal Storm, I'm gonna kill you myself.

There is some dark shit going on.

And the sooner I can
get out of here, the better.

Wow. Any idea where I could find him?

You could drive as far as he hangs out at.

But you're never gonna
get in looking like a povo.

What's a povo?

A poor person like you.

Oh, cool.

What's with your Miami
Vice stunt team jacket?

Oh, it was the first show I ever did.

I had to jump a bow through a ring of fire.

It got so good I could do it
with my inside behind my back.

Wow. You're really into yourself.

Yeah, you did ask.

It's neon night at the club.

He's always having a stack of dooms.

He's a drug dealer. He's got
like leopard print tats on his head.

They won't let nobody
like you into the club.

So just act like Tom.
You're a stunt double.

You know how to do that, don't you?

Yeah, just act like I own
everything and everyone.

And there's no repercussions for my action.

I do it like that.

Oh my God, is that Tom?

You said you were going to come see me?

Yeah, sit down, get a drink.
Get him a drink. What do you want?

Oh, no, no, I'm good.
I'm just waiting for Ryder.

You see them?

They must show the temple.

Sit down, brother, sit down.

I see no offense, Mr. Dune.
I just want to find Ryder.

How come no one ever wants
to chat with a drug dealer? Sorry.

Hi, Dad.

How do you know? No disrespect.

Just had a long day.
Ryder hasn't shown up for work.

That was fast.

Did you do a stunt today?

I just, uh, yeah, caramel.

Just the caramel!

Just the caramel! I want
to stop him! What I do.

..

Hey, that's why I like you.

Because you do all the hard shit.

They give us this for that.

For the stunts?

No.

Hey, for the unsung heroes.

I'll drink to that.

No offense, but I prefer cartoons.

See, movies are always
trying to make things real.

But it's not real. It's a movie.

It's not meant to be real.

It's why I like cartoons.

Because cartoons don't pretend to be real.

Don't like it, man.

See, Dumbo?

Yeah, Dumbo changed my life.

You didn't see what Dumbo
gets into the bad champagne.

And as I say, the pink
elephants are for raiding shit?

Always like this, please.

Hey, stop mashing.

Why don't you come with us?

It's nice and comfortable
at the hotel, huh?

No!

You and I are on the top of this car.

You're a clearly high core.

And you're clearly checking shit!

Okay, we're on top of this.

Hey, Ryan, what are you doing?

Ryan! Ryan, bro!

Hey, you need to chill. Relax, just relax.

I'm going to have another fighter, okay?

Where's Ryan?

I just broke you because they paid me to.

Who's that?

The guy that runs right is security.

I deliver trucks to him at
the counter sometimes, okay?

What room?

I don't know what room.

How many changes?

Just ask Kevin for the fruit plate.

Kevin! Kevin!

Kevin! K-E-B-I-N!

I know Kevin!

You know Kevin?

I don't know Kevin.

When are you going to get to know Kevin?

Ask him for a fruit plate.

They don't give you keys.

How long is this last?

What?

How long is this going to last?

What are you even saying?

How long does this last?

Oh, when you stop seeing unicorns?

I like to speak to Kevin.

Kevin is on a break.

Kevin, maybe you could help me.

Can I order the
fruit plate? Okay.

Do you want me to call
room service? I don't know.

Is that what happens?

Do you have a room?

Do I need one?

Do I need one?

The fruit plate.

What do you call? Fruit plate.

Oh, wow.

Hi.

So look.

How about you guys?

Hi.

Hi.

Okay.

It's good to see you.

You look terrible.

You look amazing.

Did you fool?

What happened to you?

Wow, you're so pretty.

That's crazy.

Your face is bleeding.

What?

What happened to you?

Oh, no, I was running.

I was running.

You're a very unusual athlete.

You were running.

This? Yeah.

Yeah, they gave me the
wrong bags at the airport.

But, you know, it works.

I can sweat.

If I'm going to play Rider, I
thought I should just, like, wait a little.

You seem kind of twiggy.

A little spotty.

Like, when my glucose levels
get low, I get a little... Okay.

Is that a new thing?

Is that a new thing?

What's that?

Is that a new thing?

Is your hair new? Yes, I cut it.

I changed my hair.

You changed your number.

We even thought we'd
sort of even the score.

Yeah.

I'm a lot of new...

You know, I've learned a lot about
myself since we last seen each other.

Why'd you disappear?

God, I wanted to be there for you.

Don't know how she's
supposed to do quality

work if you keep
harassing her all the time.

Okay, can you go and grab
your things? We have ready.

Okay.

Got a zip.

Yep.

Seriously.

Cool.

You look like you've been busy.

Yeah.

Real busy, Gail.

Good.

Let her run around, Gail.

We'll get a drink and discuss
that, but right now the studio...

So far up my arse, I can taste them.

Okay, yep.

You had a promise with the third act?

We're going to go and do things right now.

I'm going to go write it.

It's like the studio are wanting
me to contort the love stories.

So that it all ends happily
and everything's rosy.

But I feel like if I lean into
reality, then maybe that's

the way to go and most
love stories don't end well.

Usually.

What do I mean?

I strongly disagree with that, so
we should keep chomping it up.

Yeah, should we? It's important.

It's the ending.

Okay.

Sir.

Hi.

Yeah.

Hi.

Um, I hear that you're
interested in making a fruit platter.

Okay.

Yes.

Okay, so... Let's see.

It's one more.

It's a nice.

Ooh! Yeah! Hello.

What do you think about
split-screen? Jodi? Yeah.

Is this okay?
I'm calling these at school and...

Yeah, it's fine.

Yeah? We can chop it up.

Let's chop it up.
It's a good time not doing anything.

Okay, great. Um, so, split-screen.

Right, do you think
that it's like nostalgic,

super cool? Or do you
think it's a gimmick?

Um... I think it
could be super cool.

Mm-hmm.

Yeah, how do you, uh, want to use it? I
mean, you know, tell me. Tell me everything.

Tell me, you know, about your vision.

So, I like that they're on
screen together, but they are

in separate worlds, you
know, visually and emotionally.

So you've got this very prominent
divide between the lovers, and I want that.

You want the divide?

I want the divide, yes.

Hmm.

It's funny, because I
didn't get the impression

that there was that
much keeping them apart.

Well, you haven't read the script.

All I know so far is that the
alien lady and the cowboy

are having what seem to be
pretty manageable problems.

Manageable problems? The aliens
invaded Earth, and they left it intact us.

So there's also this studio
pushing for the love cockazole thing.

I'm not buying it.

Well, I have to admit that I'm
surprised to hear you say that.

Why?

Well, I'm just a boy in a neon suit standing
in front of a girl reminding her that

Notting Hill is her favorite movie, and she
watches Love Actually every year at Christmas.

Well, you know, I watched it again
this year, and I didn't love it, actually.

Wow, that's worse than I thought.

Yeah, it's a really sad
day for Notting Hill as well.

They're happy ever
after, so unsubscribe me.

I didn't get happily ever
after from Notting Hill.

What are you talking about?
Of course you did.

Did you? Yes, of course.

They're on the park bench.

She's got her head in his
knees. She's a regular girl.

Maybe, but we don't know for sure. She's
not going to go back to work in the street.

All we know is that in the
beginning, she's pretty much up for

anything but kissing, and in the
end, she's open to kissing him.

And it gives us hope.

You were looking at Jimmy
Roberts' movie so twisted.

A little hope.

That is Pretty Woman, where
she is a lady of the night, and

this is Notting Hill, which
would have very bad seconds.

Well, don't listen
to me, otherwise.

Look, you're the director. You're
going to make the right choice.

I'm just saying, for people like me, who
may not necessarily get the metaphor.

You may not get the deeper
metaphor, but you're going to see it.

You're going to see
this bright line between

them that we're going
to ache to see blur.

You know, but maybe it can't.
Maybe it doesn't.

Right, right. Yeah.

But what do we know,
right? Because all we know

at this point is that the
cowboy likes the alien.

Does the alien like the cowboy?

She's on the fence.

Right. Because they got
problems. Because she's

an alien, and he's a
cowboy. And that's a problem.

But is it a problem
they can't overcome?

Here's a question. Are
they even going to try?

What do you think? Do you
think they're going to try? I think.

.. I think this was
a great brainstorm.

So, what'd you decide about a split screen?

I have a better idea.

I think you need it. I think
the connection between these

characters is so strong that
nothing can come between them.

Joe.

Jody.

Hello?

Dead guy on ice.

What?

There is a dead guy
on ice at the hotel, girl.

Wait, sorry. What are you talking about?

Well, if you think that doesn't make
sense, don't order the fruit plate.

Hold on. You're seriously telling
me you've just seen a dead body.

Yes, Gail. On the rocks in the hotel.

Your hotel.

The one I just saw you in, Gail.

It was so dead, Gail.
It was very dead. Super dead.

Hold on. How did you even get there?

Gail, you asked me to do this, okay?
So please try and keep up.

I know. I'm sticking.

I went to Roger's apartment, just like
you told me. That's where Iggy with the

sword gave me the neon suit and they
sent me to the man with the leopard print.

He goes by the name of
Dune. It was Dune's goons

who dirtied my Shirley
and not in a fun way, Gail.

I think they were trying to kill me, Gail.

Step away and calm down.
I am going to handle everything.

No more handling! I want the police.

You're very aggressive.

I'm sorry. I'm sorry to you.
I want the police.

You are not going
to talk to the police.

You are not going to talk
to anyone about this, okay?

I'm going to talk to the police.

Excuse me, sir.

Wait, who's there?
Who's there? Who's there?

It's the police. I'm going to talk to them.

No, no, no, no, no. Don't talk.

There's hardly any time.

Sorry. Just making sure we're both here.

I'm here, mate.

I want to report a crime.

Okay.

An ICE crime.

Yeah, you're still getting the tape, mate.

I got to tell Joey about the dead guy.

How do you know he was dead?
He'd just been knocked up on ICE.

Yeah, ICE baths are
very good for information.

And are you forgetting that you were high?

How can I keep fixating on that one point?

Okay, you know what?
Let me just stop you right there.

What have you told Jody last night?

I started off fired up.

Okay, now what?

And now I have to build a truck for
a 250-foot jump in a day and a half.

Sounds pretty cool, actually.

And on top of that, the fight scene today?

And Jody's decided that she
wants to do it all in one take.

A one-er.

Dad, did you tell him about the one-er?

Yes.

So cool.

Right? Yeah.

So good he's into it.

Hey, can I talk to you for a second?

Okay, about this sequence today.

Well, it's interesting
you say that, because

that's what I want
to talk to you about.

Me too, me too, because we don't need him.

We don't need him.

I didn't pick me last night.

Let me just tell you.

Last night?

I was so excited.

After we spoke, it all came to me.

Really?

Yeah, the third act, this sequence, all
of it, I've been... After talking to you?

Yeah, you know I was shocked
when you showed up, right? Yeah.

Well, it was shocking.

But I just started to wonder if maybe
you showed up just at the right time.

I mean, I'm going for this thing
and the action, and I've never

been able to get it like this
feeling of the pursuit of love.

And how far would you go
for the one that you love?

And then, you know, I realize it's not
very far with Ryder, because he's a drip.

Right.

And he runs weird.

Right.

And he can't do action.

More or less.

You can.

You can.

I'm limited with you. I
can do everything and

everything with you, and
it just made my brain just...

It was so cool.

I don't need cuts. I don't need
gimmicks. I don't need anything.

I just need you to finish this movie and
maybe even make it a great movie, you know?

What do you think?
Do you know where to get them?

You shoot the shit out of Sydney
Opera House in four hours?

Three hours and 52 minutes.

Three hours and 52 minutes.

What are we waiting for? Good.

Okay.

Good. Okay.

Venti, Venti, come on.

I'm going to get some dots on your face,
because I need you, but not your face.

Oh, God. Yeah, just get rid of them.

I'm going to stick Ryder's head on this.

Yeah.

Cool. Okay, good.

Ready for a take?

Make it rain, please.

No!

No!

How did we do, boys?

Yeah, it was good. I mean, it
was amazing. It was so amazing.

We're going to go do some
karaoke, if you like karaoke.

You know, you could come.
I would like you to.

I'll be there.

Okay.

I don't know what that was.
That was just so awful.

Really? Yeah, from she.

Okay.

Yeah. Yeah.

It's hosted. It's done.
Forget. You never saw it.

Do you like Christina
or Brittany? I saw that.

You saw the finger guns?

Oh, I saw the finger guns.

She started it.

I didn't have breakfast.

Yeah, you did.

I disagree.

I gave you a breakfast.

Technically, this is all a meal
penalty, if you want, but... It's fine.

I'm just saying, I want to
be as cool about it as I am.

No, I can't.

What is this?

I've got you on a 555 flight out of here.
Okay? I have a car waiting for you.

Now? Yeah.

Cole, there is some serious
shit going down, okay?

I just told you I was going to leave.

And I'm actually embarrassed
that I got you here.

I haven't got any more time for that.

I just want to get you out
of here before I pascalize.

Take your stuff together,
we're going to pascalize.

Thank you.

Sorry.

Okay, but I'm late, and I've got
to get Ryder's dog today here.

What we need is her whole meal bath.
She gets high.

What's the matter?
She's looking for another job, partner.

Your brother's assistant, you must know.

All I can tell you
is that if Ryder is a

no-show tomorrow, the
studio will shut us down.

So, come on, Jody.
Say hello to the directors, Jody.

Oh, crazy.

Or is Ryder hot? He's.

.. he's... Wow, he's
got some great qualities.

He does... he should go for it, don't you?

Yeah?

Bonjour, monsieur.

Bonjour.

Qu'est-ce que tu père,
qu'est-ce que tu père.

Qu'est-ce que tu père.

Sorry, his commands are in French.

French, I know.

Hey, where do you really want a movie of?

I can't believe you kept them.

Well, it's more for a party trick, really.

This one's got a command
where you'll bite people in the balls.

Yeah, yeah, we would know.

I'm not eating.

No, no, no. I don't know, right? I'm cold.

Cold sabers. I know who you are.

Do you want a big picture?

I can't wait for the picture.

You gotta make a big impression.

You gotta like what you do.

Cover me in the mouth.

So, the last time I saw Tom,
everything was pretty normal.

He and Henry wanted some kind of drug-induced
shirtless shit-show grappling match.

But then Gail called me early
the next morning in a panic.

Drop whatever you're doing.
Tom has lost his phone again.

So, I found the phone.

The one that Drizzler, Ryder's creepy
security gun, just called me about.

I found the stolen crew. We have a
full time of 6am tomorrow. Good night.

Good night, guys. Good night.

Hey. Two shots into two.

Who's Gail?

Hey.

Wow.
Good thing you like coming to these things.

What are you talking about?

I love these things.
People mad at my favorite songs.

Thank you.

Thank you.

You're doing good.

I gotta get to karaoke.

Okay.

Thanks, Amy.

Well, it wasn't fun.

You gotta get rid of that thing.
Why don't you just kill me, Gail?

Whatever's on this phone
is a goddamn bazooka.

That'll blow a movie star-sized
hole through somebody's career.

I'm happy to get this into
the hands of a good guy.

Okay.

For the right price.

What do you want for it?

A producer credit.

On battle storm?

Look, I need career protection, okay?
I'm burning myself with this.

I'm a stunt guy. What am I supposed to do?

You're a stunt guy who used to date
the director and seems to be getting

close to rekindling some sort of
short but legendary tour of love affair.

Do you think we're close to rekindling?

I mean, it feels like it's amazing.

Is it a deal or not?

It can help you find writer.

I'll do what I can.

I don't have the passcode. Just figure
it out, okay, stuntman? Just find a writer.

I'm gonna need you to sign an NDA.
As you know, nothing can listen to me.

I'm waiting.

Rod is fine.

Where is it? What am I doing?

What am I doing?

You saw that you left town.

Who? Come.

No, you didn't.

It's coming here.

Swinging by to sing some karaoke.

No, I... I gave him the tickets.

I see it! I see it!

We need your core.

You talk to me about it.

Okay, I'll play you a drink with your soul.

Not again!

You've been so distracted,
you should have spoken to me.

Crossfire, excuse me, can I
get another piece? Thank you.

I thought you wanted me to get rid of him.

And he just left.

Don't worry yet!

Wow, he didn't tell you.

Thank you.

I really thought I was saying my job.

That's fine.

But you know what?

He can do whatever he wants.
He's an adult human male.

And he should do as he pleases.
He should just... Yeah, he is.

He's not going on the way.

That means you can focus out now.

Do you know you have a
big fat hit on your hands?

Look, it's high at the
edge of the universe.

Yes, they are self.

To get by him.

Well, I guess that's about it.

The journey is going to be nice.

Yes!

Here she is, big round
of applause for Johnny!

Do you want to change my song?

Yes, I want to change my song.

I love this song.

Don't you feel it now.

I run and see the whole ride.

It's so hard to help.

Don't you feel it.

Don't you feel it.

Oh!

Are you okay?

Cole?

Where are you?

Where should I go?

She left!

Where are you?

In a rave?

In a sewer?

What's with the dog?

Give me a sunset on ice in the water bag. Coming right up. What's this? It's Ryder's
phone. Why do you have Ryder's phone? All I know is the really bad guys are trying to get

it. Are you serious? What? I just got to figure out what's on there. Then find Ryder and
get him to finish Joey's movie. Okay. Yeah, Venti. She's like a genius at this stuff.

Thank you. Hey, let's talk to the long boys. Yeah, Venti later. You want to get
into this thing? Oh, I've seen some of these guys. This thing is a vault. It

take me like a few days. Genius, you know? What if you don't have three days?
You need the passport. I'm telling you that. You look nice. Thank you. Thank you.

Knowing Ryder, it's been on a poster in his apartment somewhere. Okay? Okay,
next up, we've got Dan. Come on, buddy. Come on, Dan. Don't be shy, all right?

Come on, buddy. Let's go. You owe me. I need more muscle. It's got to be right
there somewhere. It's good. It's good. It's not good. It's got to be right there.

I can feel it. Oh, you know what?
I deserve this.

It is. Call. Call. I got it. Call. Finishing the movie. I think I got
it. All right. I think I mentioned the video. Oh, baby, I'm here at work.

But I got a little something for you, a little surprise. It's just above
my ass. Right? Oh, my God. I think I've seen Tom's ass going to my own.

Now is the winter of our discontent made glorious sun by the sun.
It's such a day. But God is God. What about this? Oh, here's that

party his assistant was talking about. Iggy! That's Henry. That's
Ryder's thumb double. It looks a lot like the guy sat in a hotel.

And you were high. You were seeing
unicorns. And the dead guy in the race.

Don't we just kill
Henry? It's Venti.

Hey, uh...

Hello? Don't turn on the news
right now. I've got to leave this.

The dead body discovered this morning
at the Pendleton Hotel has been identified

as Henry Herrera, an American stuntman
known for doubling superstar Tom Ryder.

Authorities are investigating his death as a
murder. Their prime suspect is another stuntman,

Colt Severs, who was last seen in the hotel
room where Herrera's body was discovered.

Police have released
this security footage

showing Severs leaving
the scene of the crime.

If you have any information,
please do us a favor

and reach out to crime
stoppers for the number.

I gotta call Jody.

Jody? The idiot universe, folks.

Which one was it? That was take four.

God damn it, Jody. It
looks like freakin' Burning

Man. My balls are
drenched. I need a towel.

This dude always forgets that he is mine. I
know. He says the craziest. I know, I know.

What is it, on airplane mode?
This was the fugitive and

you were Harrison Ford?
The bad guys will be closing in.

Michael! God damn it!
You stay alive. Stay alive.

No matter how long it takes,
no matter how far, I will find you!

Lesson emoji, God!

Boys, stop!

That's another one!

There's some porn!

The way in the rock, Johnson!

We're in a fire!

Where's the phone, stuntman?

We gotta get this phone to the cops.
Okay, it's the only thing.

Where's the phone, stuntman?

Jean-Claude!

Attack him!

I'm gonna take that.
Be careful, that big fella.

I'm gonna go out the front
and make sure no one's there.

Okay. Alright. He takes
Jean-Claude, would you? Okay.

Oh, I see.

It's you and my stuntman.

Cold steel. Big fella, go to the wire then.

Make it, make it, make
it, make it, make it!

No! It's too dangerous! You
gotta be serious! Whoa! Hey, man.

Yeah, making a movie here.

Did you leave this
place? Ooh, girl.

So tense.

Remember old
Jersey, right? Stuntman.

I never forget a fist.

Fist, I'm gonna need the phone.

Where is it? It's a matter
of urgency I need to know.

Right. The one that proves that
you killed Henry, not me. That's all.

Well, yeah. I'm
gonna hold on to that.

It seems like it's the only thing
keeping me alive right now.

What? He's the prime suspect, Jodie.

Okay. Are you
kidding me? I know.

Cold. There's no way. That's
what I said. There's no way!

What went wrong?
What went wrong? What went wrong?

Well, as I look at it, you
know, you're torturing me

right outside your super
yacht like a Bond villain.

DEV SHIT! WHAT WENT WRONG?!
WHAT WENT WRIGHT?! You changed.

You changed.

Yeah. We used to be like brothers.

You and I entered into the sacred
bond of actor and stuntman, man.

You think Cole could murder
a human being? No, I don't.

Did you tell them that?
This is a man. This is a man

who spent 23 minutes ushering
a cockroach out of my room once.

And I was just stuck on it. And he
was like, no, let it live and let it go.

I told them all of that.
I told him who he is. Who I thought he was.

Did you, emphatically? Yes, I did. Because
he was at the airport where you sent him.

He never got on the plane, Jody.
How many movies we know?

How many? I don't know.
Yeah, too many to count, that's right.

Because I put you in the contract,
didn't I? I put you there, right there.

Yeah, that's right. I had the assistant,
makeup and hair, a trainer, and then book.

Writer's number one stuntman.
Cole Seavers, that was me.

I did that. I did that for you.

What are you going to do for me?

Huh? Die, I guess.

Right? Die? Is that the plan?

Well, I'm taking your person.
Yeah, I can see that.

You know what? It's just business.
It's just business.

A global brand. I literally move, Marcus.

If I go down, the freaking dial goes down.

If you break your back, I
replace you like this. Boom.

You know, if you just stuck
to your job instead of trying

to hog this spotlight, this
wouldn't have happened.

I mean, Henry wouldn't be on the scene.
He's axing when it happened.

You're axing. Freaky little fox.
You just pushed my buttons, man.

What do you think of what?

What?

What did you say about my axing?

Well, you know, you pushed me over
the edge. You literally pushed the button.

I mean, you didn't.
I mean, I pushed the button.

I had to crank it up a notch.

That was you.

Yeah.

I had to teach you a
little lesson, didn't I?

You got a little up to the
neck for your bows, thank you.

Henry's no different, you know.

Hey, you do your own stunts.

Do I do my own stunts in front of
all those people? It's humiliating.

And yeah, I'm going to
kick you into next week.

But at Gayo, you know,
remember Gayo, right?

I've known her for 15 years.

I'll tell you, I forget, because
you've been out of the game so long.

I introduced the two of you.

It calls me out, but it
just doesn't look good.

Bad for marketing, I'm
branding, I love murder.

I know, I really don't need this right now.

Look at Henry.

Don't worry about it.

You may know.

And I will handle everything.

But maybe we don't know
people as well as we think we do.

Oh my God, it's cold.

Give me the phone. What are you doing?

Give me the phone.

Oh no, you Jesus Christ, Gayo.

Oh my God.

Let me help you.

You don't want this. Give me a minute.

Just give me a minute.

Yep.

Come on.

This plan was so simple.

Yeah, we were going to put Henry's
body on ice so it doesn't decompose.

We could put you out from
that rock you crawled under.

My life, yeah.

You know, scan your face.

Drezzy here is going to
stick you on the murder video.

Drug you, drive you and Henry's body
up the Sydney Harbor Bridge in your car.

Boom. You got murder, suicide, cut.

Check the gay, move on. Beautiful.

We have different ideas of what simple is.

You just didn't stay
down, did you? You had

to create a big scene,
like cult severs does.

But you know what? This can still
work, but kind of, we got the murderer.

Now we just need the suicide.

Sad.

It's plot heavy.

We're getting tangled in exposition.

Lose the last part, the suicide.

You lose the audience if there's too much.

Where's the phone?

Tom.

You need carbs!

Your brain runs on glucose!

For simple cognitive
functions, you need them.

You're the fall guy.

You're the fall guy, you know.

Where's the phone?

I mean, you can keep taking
hits all night, but you know what?

You can think of a few
other people who can't.

You can bring Dan up
here, make Jodie, perhaps.

I mean, I like Jodie a bit, you know.

There's no phone.

Okay? That's the twist.

No phone.

He shot it out of my hand.

Up there. Go check.

You too.

Oh, I'll wait.

He shot it.

You didn't know you did that?

It's crazy, I've been wanting
to tell you this whole time.

No, you didn't.

I was by the door frame.

And he shoots it out of my hands.

Take the ties off.

Oh my God, what a relief.

It's crazy.

You were right about one thing that
was the only thing keeping you alive.

I really wish you could see what
Jodie's going to do with Metal Storm.

It's going to be awesome.

And honestly, I'm going to be a banger.

Don't say a couple of
your nails, are you, mate?

He says, Mike, Mike, put a lid on it.

I wish you could break that bomb, bro.

Break that bomb.

Oh, break, break, Mike.

There we go.

Mike?

Help!

Colt?

Hey.

What's going on?

What'd you say?

What? A karaoke.

I'm sorry I didn't make it.

If it doesn't matter, listen.

Everyone's saying you killed Henry.

Oh, that's not true.

You're going to hear a
lot of things that aren't true.

I just wanted to say that
when I first got here...

When you asked how I was
doing, they'd give you the thumbs up.

And you were like, that
stunt guy bullshitting.

You're right.

It's total cliche.

But, you know, there's a reason you
don't see the thumbs down stunt guy.

You know, it's kind of
part of our training, right?

You know, you get hit by a car.

You get thrown out of a window.

You get set on fire.

You get the thumbs up.

But after my accident...

It turns out I was not
an accident, by the way.

I, uh...

I wasn't okay.

And not because I broke my back.

Because I just felt huge.

And I realized that, uh,
you know, I'm not invincible.

I can shock her.

And it's not maybe I wasn't
so special or something.

And so I, uh...

Just figured that the thumbs down version
of me wasn't what you got input for.

So I disappeared.

But, you know, I didn't just disappear.

I just disappeared on myself.

To... Anyway, I'm sorry.

You deserve more than that. I'm sorry.

I just wanted you to be honest.

You know, honestly, it all hurts.

Getting hit by a car hurts.

And being thrown out of a window hurts.

Getting set on fire really hurts.

But, uh... None of it ever hurt
as much as not being with you.

Where are you?

Is that from a movie
or did I just pick that up?

It's pretty good.

Go ahead.

You can use it if you want.

For what it's worth,
I'm still in love with you.

Gil... Carl's dead.

Good stuff, coordinated dance, Arthur.

See?

No.

Hey! You two.

Helmet's off.

Look at the stuff.

A dramatic boat explosion
on Sydney Harbour.

Police are following a dramatic
boat explosion on Sydney Harbour.

Police are currently investigating the
suicide of American stuntman Colton...

Don't tell them anything to be quiet.

No!

You think I can come to my set?

I'd stick up,
aren't I? I knew it.

I knew it.

I knew you were alive.

Three shows a day, six
days a week for three years.

Then I am in my stonja.

I remember.

Yes.

You were alive, Colton.

Colton's alive.

You were alive.

I knew it.

Oh my God.

I'm doing them.

Nice work, Japan.

I'm so sorry.

No, it was great.

You got up.

Just in time, I think being
poisonings inside her.

Just kiss.

What's going on?

Everyone's saying that you killed Henry.

Ryder killed Henry.

He framed me.

This footage of you?

They defaked me.

What?

They did it all the time on the internet.

They kicked Tom Cruise's face.

And they put it on yours.

And you can't tell them to film.

No, okay.

So what is the real footage
of Ryder killing Henry?

How do we get it?

It was on Ryder's phone.

And then it got destroyed
because Dan's last limo.

He can explain to the morgue.

What?

It's not his fault.

You know?

He called Tomahawk first.

Okay.

I got blanks only.

And it was going pretty well actually.

And then Trezler showed up.

So he, you know, he doesn't sleep.

She's the born shit.

Okay.

I have so many questions.

Okay.

Who else knows
you're alive? No one.

Great.

No, that's the point.

I mean, I figure we can't finish the
movie unless they think I'm dead.

What movie? Master.

What about Metal Stone?

If they think I'm dead,
they'll come back and finish.

Who?

That is not the movie.

Metal Stone.

Okay.

Are you insane? You are insane.

You need to be burning
your fingerprints off

of me at the beginning of
Crystal Board as fast as possible.

We're going to hide you
until we play your name.

None of it matters anymore.

It's just a stupid movie.

It is just a stupid movie.

Don't say that.

That's Metal Stone you're talking about.

That's the movie you spent
your whole life trying to make.

Who knows?

You might inspire a
whole generation of little

Jodys to pick up cameras
and make their own movies.

You're just, you're special.

And all of us get to be a part of something
special because it comes from you.

I obviously failed at getting us our happy
ending, but I'll be damned if I'm going

to let space cowboy an
alien and not have theirs.

Don't give up.

What's that?

Shh.

No.

She's in on it.

What?

Yes.

Come on, let's just get out of here.

No, come on.

She's going to go get you.

You've got to fucking leave.

Come on.

Come on.

Good work.

You all right, Mumadani?

Here, take this open.

Rub it on my belly.

Okay, come on.

Be quiet.

Don't make us hurt.

What?

Hi.

Hey, hey, hey,
hey. Oh, come here.

Oh, how's my favourite
director? A bit emotional here.

Jesus, like Johnny and
Amber have just been there.

We just need to vent, because
it's been... Let's just pass up.

I'm so sorry about cold. You know, it's
such a shame, but what, miss? Right.

Who knew?

I mean, I tried to help him.
I hope you know that.

But sometimes you can't help
people who don't want to be saved.

Right, but silver lining
to this very dark cloud.

I've got Ryder to come
back, and I have a plan.

Really?

But we're not going to be able to do
your big third act set piece, the car jump.

It is an impossible jump,
especially now with Con Con.

Dead.

He's gone.

He's so dead.

Stay with me. I spoke to Venti.
She says she can do it in VFX.

The car jump, all we need to
focus on is Ryder's new final...

bombastic monologue.

Read the pages. God, you smashed it.
I knew you would.

We're going to get him covered.

You, meanwhile, please
go and rest up in Fiji on me.

You know, pluck
yourself on a beach, and

I'm going to take
care of all of it for you.

Yeah.

You've got so much to process.

I can take care of all of it.

This is my movie. Now listen to me.

I've learnt so much from you.

I'm very grateful.

But the lesson I stand
by now that you've

taught me, you fall down,
you get right back up.

I am directing this movie.

Oh my God, that's my girl.

You're winning. I'm so proud of you.

Good, okay. Thank you.

All right, let's get ready.

Have you seen Dan?

No, I think he's by the taco truck.

I probably have an escort.

Thank you so much.

I'm proud of you.

Thank you. Bye-bye.

Love you, darling.

Love you too. Bye.

You're going to finish the movie.

No, I'm going to clear your name.

Okay, why can't we
do both? I think we can.

We're going to bring him to
set in a controlled environment.

And then we surround him.

And we beat the shit out of him.

No, we're going to force the confession
out of him by putting him in a scene.

Right.

You know, he always forgets he's mine.

That's better.

I'm just going to do it, Dan.

I know how to do that.

Make him do his own stunt.

The impossible job.

Then we beat the shit out of him.

Wait, wait, one second, one second.

Action! It's our name.

You guys are the universe, folks.

We're facing a powerful enemy.

A man and a species born of
the worst of humanity's traits.

What our enemy doesn't see,
to their demise, is imminent.

And the most powerful
weapon in all galaxy, love.

Eat at everyone who is smart, babe.

And even if we lose, we're against you.

Was that it? God, yeah.

Did we get it? It was so good.

We got it? Yeah, yeah.

Oh, my God.

The girl was in blood.

I really thought that one.

Of course she did.

Because I had tears.

Yeah, I know, I can see them.

Yeah, it's fantastic.

So listen, all we have left
is the alien truck coverage.

All right? That's it.

Yeah, we're going to do the car jump.

No one's talking about another setup.

There was another setup.

I didn't mean to do that in the effects.

I didn't mean to do this close up.

All right?

I need this close up right
here for the coverage.

All right?

15 minutes tops.

That's all they need.

This is a bit.

Do you remember where space
camp always steals the alien vehicle?

Come on, this is his moment.

Wait, wait, wait, wait.

I'm not going to do any driving,
because I'm going to feel really nauseous.

It's a blue screen setup.

I need this.

I need this, okay?

Zero notice here.

We're moving as fast as we can.

All right?

Everyone!

Now move the thing!

Everyone in position!

Land the firehouse!

We need enough charges to
blow this keg in sky-high, people!

Okay, where are we?

Go fast with him, knowledge.

We're as ready as we can be.

Hey, get ready to come in and
check the mics before we go.

Okay, Sam, can you come down
here and check where this mics is?

All right, Tom? You ready? Yeah.

Okay, you ready to stay?
You're going to be in the alien vehicle?

Okay?

Yep.

Okay, and with nowhere to go,
you're going to be in the alien vehicle?

You're going to jump the car over the
ravine, so I just need a quick pop on you.

Space cowboy ain't scared no ravines.

I'm thinking maybe just a couple of
reaction shots and dripping my tea.

Oh, my god, damn.

Yeah, yeah, stoic.

Yeah, yeah, I know.

Okay, I think it's going to be great.

Yeah, I love the choice.

All right, let's pop these on.

Okay, what's this?

No, this is because you escaped the aliens.

This is necessary.

This is cool.

This is much, no?

Raise the stakes.

Kind of cool.

Yeah, it's cool.

Okay, let's do it.

Yeah, space cowboy.

Nobody can get a space cowboy.

No way!

It's one of his cup.

It's one of his cup.

Jesus, I thought you'd do it before
I die, so... Appreciate you, darling.

Thank you so much.

Okay, great.

So, you got this guy coming on your left.

All right, we're all right.

Take him out. Someone else is
going to crash down on the bonnet.

You're going to take him out.

No, no, see, what I'm
thinking is maybe I come down,

I take him out first, and
I'm like, pow, pow, pow.

I slide over and go pow.

And maybe I say a little lie like,

I was shooting aliens way before.

I was paid to.

Fantastic. All right, let's lock it up.

Let's shoot better.

Standing by, please.

You're it.

Take one, Marco.

In three, two, one, action.

Now you're up daily.

You got to go.

Get out on me.

I'm space cowboy.

You are approaching the moon.

There's nowhere else to go.

You have no choice.

You're going to have to make the jump.

In three, two, one.

Who is not in the car with you?

We're in the middle of a
take right now, asshole.

What are you doing?

He's just buckling you in, safety first.

That's it.

Really tight.

Hey, we are filming right now.

Keep rolling, keep rolling.

Set it, Tom, it looks amazing.

Just not.

Get out of the car.

What the hell are you doing?

They're going real, I don't even get it.

Tom, we're in love with him.

Hey, Dad, they're approaching
out the shotty right now.

We're running.

Let me out.

What now?

What are you going to do, huh?

You're going to kill me? Again.

Do you want time?

Smoke scream in three, two, one.

This is nothing safe, man.

I see them.

Everything's going to black.

They shall not pass.

I see them.

They're entering our valley.

You are catching shit.

Again.

What? It's again.

What?

You got that, boy John?

Mama!

Oh, god damn!

I can't think, say, you drive like this.

You're supposed to be dead.

You blew up in a thousand
pieces, you ain't kaboo.

Why would I load up, Tom Ryder?

Why are you saying my name like that?

Ladies and gentlemen,
this is the first time

that a blind man can
seem to do his songwriter.

Okay, let me see. Let me go faster.

Roll the cameras, we're
heading for the jump.

Tom riders, do these little stunts.

Everyone roll.

Uncle, Jack, Penny.

I'm not taking the pause because
you're going to do your own stunts.

I don't want to do my own stunts.

This is the 250 foot jump
that will probably kill us.

It's never been done before.

Call 8. It's a big deal.

What are you doing, man?

I thought he said one last time.

You know, like little wings.

Tell him we're in the wings.

Yeah, they die at the end.

Exactly. Murder suicide.

You just belong here. Let me out right now.

You're not getting out of
this car until you, Tom rider.

Tell me.

See versus the truth.

All right, all right, all right.

It's okay.

When I kill headings, won't you
cover it up because to be honest,

face count was one of my best goals
yet and I don't want this movie to fail.

So you're saying that Gail Miner was
responsible for bringing your murder of Henry.

Yes! Yes!

But what's your real
name? Tom rider.

Did you get that, Joey?

We got it! He confessed.

You're wearing a wire. Bro, keep
recording this. This is in traffic.

You can't do that.

Oh, it's not in traffic.

What are you doing?

It's your wearing the wire.

Jack, Jack!

Go! Go now!

I'm just an actor! Oh, good.

You're alive.

You okay?

I told you I'd make the camera up, do you?

It was fantastic.

Christopher, come in!

Can you hear me? We're going all over here!

Christopher, bring that
helicopter to the trench.

What about Rod?

Now!

Now, about this date.

Where is that place, you nutty?

Can we call it a date?

I mean, that's what it is, right?

Suck tomorrow!

Oh, God! Gail, Gail.

Listen.

Give me the recording, Gail.

Darling, calm down.

Just come with me.

We don't need all this toxic
masculinity because we're the same.

You and me, you know, we're survivors.

No, no, no, no.

I'm nothing like you.

I don't want to be present to it.

I mean, let's call it speed of speech.

That's why I gave you the job.

Well, man, because you're
so easily moldable, you know.

Oh, Gail, that's great.

This is a Gail Meyer production.

Not yours.

Rod, don't go to the boss in the canyon.

Extraction of the spaceships.

Spaceships?

Oh, no, big red.

I don't think you're
going to make that one.

Start set!

Start set!

Go!

Trust me, I will not be
taking the fall for this,

because I deliver a hit
for all you little people.

You're welcome.

One, two, three.

Stop!

Stop!

It's not a mess!

It's not a game, darling.

This design is growing on me.

Here we are. I'm going to jump in.

I'm going to jump onto this gate
and I'm going to beat the shit out of it.

No, just get the recording.

Go! Go! Ah, shit.

No!

Get me down!

Get me down!

You are swimming costumes.

Just drink a spicy margarita or something.

Yeah, yeah, make some bad decisions.

Okay, sure, yes.

It's not like a plan.

It's a better plan than this.

Okay, please be careful.

Okay, put it in the water.

Get the shit!

It's one of the best hot
doubles I've ever had!

Shut up!

Shut up!

It's empty, Gayle.

You do.

You do.

You do.

You do.

You do.

You do.

Tonight, I want to see you in your life.

If you look mad at me,

There's something mad down your mind.

And tonight,

We're going to make it all come true.

Cause girl, you were made for me.

You are just made for nothing to do, baby.

You are just made for nothing to do.

Tonight, I want to see you in your life.

From visionary director, Joey Moreno.

And Universal Pictures.

Comes a cosmic love story.

Of epic proportion.

Starring MTV Best Kiss
award nominee, Jason Momoa.

It's high noon at the edge of the universe.

I know these creatures.

I fought them.

I've loved them.

I'm not going to lie to you.

We are facing powerful enemies.

But what our enemy
does not know is that Inside

each and every one of
you There's a goddamn fire!

Yeah!

Fire!

Justice is on the horizon.

Metal Storm.

Metal Storm was a huge hit.

Alien on Space Cowboy
finally got that happy ending.

As for Jody and I, we
got something even better.

We got a new beginning.

Tilled with spicy margaritas
and bad decisions.

And look, I don't want
to over romanticize it

or anything, but I think
what Jody and I got

is even better than what
we find in the movies.

Well, now you can do run and hide.