All language subtitles for All In the Family s07e03 .eng

♪ Boy, the way
Glenn Miller played ♪

♪ Songs that made
the hit parade ♪

♪ Guys like us
we had it made ♪

♪ Those were the days ♪

♪ And you knew
where you were then ♪

♪ Girls were girls
and men were men ♪

♪ Mister, we could use a man
like Herbert Hoover again ♪

♪ Didn't need
no welfare state ♪

♪ Everybody pulled
his weight ♪

♪ Gee, our old LaSalle
Ran great ♪

♪ Those were the days ♪

Here we are!

Everybody sing,
sunshiners!

♪ Sunshine clubbers
sing their song ♪

[ALL SINGING]

[ASYNCHRONOUS SINGING]

♪ Sunshine clubbers
sing along ♪

♪ All the sunshine day ♪

♪ Everybody sing ♪

♪ All the sunshine day ♪

Oh, my goodness!

Mrs. Bradley,
you ain't plugged in!

Ohh!

There!

♪ And chase
all the clouds away ♪

[APPLAUSE]

Mrs. Bunker, you're
more fun than bingo!

Oh, thank you,
Mrs. Freedman.

Oh! I got a note for you.

I found it on your bed.

I think it's
from Mr. Kleeger.

You're the luckiest girl
in the home!

You've got Sol Kleeger!

Everybody's
got Sol Kleeger.

The nurse is afraid
to turn her back on him.

Oh, here comes Romeo now!

[GRUNTING AND STRAINING]

Sylvia!

Sol!

EDITH: Ohh!

[INDISTINCT COMPLAINING]

Have you got
a poem for me?

Have I got a poem
for you? Heh heh!

Although my arthritis
keeps right on hurtin',

you make me feel
like Richard Burton!

[LAUGHTER]

Oh, Mrs. Bradley,
be careful!

Don't get excited!

Remember, you're
supposed to relax!

When do you relax,
Mrs. Bunker?

You've been working
around the clock.

Don't you ever
have to go home?

Well, sometimes it's best
to keep busy.

Anyway, I'm happy
here with you!

Cramp! Cramp!

Cramp! I got
a cramp in my foot!

Ohh! Ohhh!

Here. Well,
walk it off.

Just lean on me.

Oh, damn, damn, damn.

You know, a cramp like that
could slow me down.

We'll walk down the hall.

Here we go.

Oh, there you are,
Ma.

Oh, hi, Gloria.

Hi, Ma.

- Hi, Mrs. Freedman.
- Hello.

Ma, can we
have a talk?

Mr. Kleeger's got
a cramp in his foot.

- I gotta walk him
down the hall. - Oh, Mrs. Bunker...

you talk
to you daughter.

- I'll take Mr. Kleeger
to his room. - Oh, but...

I can do it.

I said
I'll take him.

Hello.
[CHUCKLING]

Hey, that's
your daughter?

Yes.

Is she married?

Come on.

[YELP]

You come right back,
Mrs. Freedman.

Don't you let him
get you in his room alone.

I can't talk
to you now, Gloria.

I'm very busy.

- Ma.
- Shh.

Ma, it's been
four days now.

I can't keep
telling the neighbors you're still shopping.

Well, tell them the truth,
tell them the truth.

Tell them that I'm
working at the Sunshine Home and that I'm needed.

Well,
what about Daddy?

He don't need me.

Oh, Ma, you're just
burying yourself in work

instead of facing
your problem.

It ain't my problem.
It's Archie's problem.

One silly date
with a waitress.

I don't think
it was silly, Gloria.

But, Ma, he said
he didn't do anything.

Even if he didn't do
what he said he didn't,

he was thinking about doing
what he said he wouldn't

no matter if he said
he didn't or he said he did.

Do you think that was
the right thing to do?

- I can't answer that.
- Why not?

Because I don't know
what you just said.

I said even if he
didn't do what he said

- he didn't--
- Ma.

You can't spend
the rest of your life

in the Sunshine Home.

If I had to, I could.

You know, Gloria, you can
do what you have to do.

And it ain't so bad--
I feel young around here.

Oh, Mom.

No, I'm sorry, Gloria,

I gotta take a tuck
in Mr. Kleeger's pants

so he won't have
no excuse

for letting them fall down
in front of people.

Ma!

- Ma!
- Shh.

Ma...

Try, try
to understand Daddy.

I mean, he's at the age
where his eyes start to wander,

and he just
follows them.

I mean, he's 51.

52.

52, and you're
a mature woman of 50.

Not until next month.

I didn't mean to rush you.

Ma, why don't you come over

and have dinner
with us tonight--see Joey?

Oh, no, Gloria, you'll
get Archie there, too.

You mean,
you're never coming over to see Joey again,

just because Daddy
might be there?

Maybe.

Well, Ma, that's not fair
to punish Joey that way.

He didn't have
a date with a waitress.

It's no use, Gloria.

You ain't gonna
change my mind.

Goodbye, Gloria.

Thanks for trying
to help.

Ma?

I'll keep Joey up
for you.

[BELLS DINGING]

ARCHIE: Okay there,
little rocket.

Right there
through the stratosphere.

Right there!

Hey, we're going
out to Mars now, Foley.

5,000 for Mars.
Hit it again there.

5,000 more.

Okay, we're at the Venus now.
50,000 for Venus.

There we go--
once, twice, bang-bing, three times there, Foley.

Okay, here we go.

We-we're going up now,
high to the Milky Way.

Into the Milky Way
for 50,000.

50,000 in there.

We're headed
for the Big Dipper here.

It's 100,000, Foley.

On the Dipper, we made it,
all to get a 500,000!

That's a half a million--
you owe me a nickel, Foley.

A ha ha.

Here you go, Hustler.

Okay, you wanna
go again there, sport?

I pass.

How about you,
Harry?

Archie, why don't you go home?

You've been
living for four days

off potato chips,
pretzels, and beer.

Don't be giving me
the nurse murse stuff.

I'm doing fine, you know.

I got what Abe Lincoln
gave to the colored people--

freedom.

You wasn't freed.
You was dumped.

Ah, come on.

Come on, Arch, you've been
married a long time.

Don't you miss the old lady,
even a little bit?

Yeah, well, you know,
to be honest--

well, certainly,
certainly--no.

Like coming home
and not hearing her say, "Is that you, Archie?"

when she knows damn well
it's me.

And then it ain't the same
being down here

knowing there ain't
nobody at home

getting mad at me
for being here.

What's with the puss
on you?

Come on, will ya,
laugh it up.

You're a bartender.
You ain't a "mortrician," here.

Come on,
give me another beer.

Give Foley a beer, too.

Coming up.
That's the old Archie.

Yeah. Here's for mine.

That's
the old Archie.

[CHUCKLING]

- Hiya, Arch.
- Hi, Professor.

Aw, geez.

I thought when
me and Edith busted up

that I got the house
and she got you.

Arch, can't you just
give me a simple hello before you insult me?

Sure. Hello.
Get lost.

Arch, your fight
is with Ma, not with me.

Come on, don't think
I don't know why you're over here.

You go back
to your mother-in-law

and tell her that I ain't
crawling home to her

with my tail
between her legs.

Arch, Ma doesn't even
know I'm here.

Aw, come on, will ya?

Why don't you
make up with her?

You can't go on
like this.

What do you mean,
"like this"?

This is fine--I'm happy,
buddy, I'm happy.

Hey, I got the whole house
to myself there.

I can walk around there,
smoke a cigar,

dressed in nothing
but my socks.

Scratch myself
wherever I please.

That's your
idea of paradise?

Walking around with your
wrinkled butt exposed?

What are you
talking about?

I got very fine skin.

Look, Arch, we're not gonna
iron anything out here.

Why don't--hey.

- Why don't you come
to dinner tonight, huh? - No, no.

- Why not?
- 'Cause Edith

is always hanging
around there.

So is your grandson,
Arch.

Oh, well...

Huh?

He's getting
cuter every day.

Aw, look at him,
little Joey...

with his little
teddy bear.

He's got the ears
chewed off of that one.

When you come tonight,
you can bring him a new one.

All right, all right,
maybe for Christmas, Christmas.

Arch, he misses you.

Cut it out, huh?

What about tonight?

Can I keep this here?

Yeah, sure,
you can keep it.

What about tonight?
Yes or no.

No.

- You sure?
- No.

You're not sure?

I am, yes, sure, no.

Well, all right look.

If you change your mind...

door's open,
dinner's at 7:00, okay?

Now, see you later?

Good night, huh.

- No, no, Ma,
I'm not finished. - Oh, I'm sorry.

You don't have to clear.
You're our guest.

Oh, I've been clearing
all my life.

I ain't gonna stop now.

I'll be
right back, Joey.

Ooh!
Ha ha ha!

Well, I guess Daddy's
not coming.

I tried.
I couldn't kidnap him.

[SIGHS]

[KNOCKING]

Hiya, there, Joe.

How are you?

How ya doing there,
little guy?

Hey,
wait 'til you see

what your Grandpa
brought you here.

Take a look
at this here.

This...

is a panda.

That's a little
chinky bear.

Now, you can bite
that little bear if you want, see?

But never bite a real bear,
or he'll bite you back, see?

So will a real chinky.

Look at this.

Ain't much coming
in there yet, huh?

Well, the next time
I come,

I'll bring
you another present.

A bottle
of Lucky tonic, huh?

Okay? Yeah.

Daddy, you came.

Hey, Arch, I'm glad
you're here.

Ma, Daddy's here.

Oh, is she here?
I'm getting out of here.

- Oh, no, you don't.
- EDITH: Who?

Daddy's here.

I can't hear you.

- [ARCHIE GROANING]
- Mike, hold him.

- I'll go get her.
- Geez, I knew it.

What kind
of a double-crosser are you?

I come here to see Joey,
not her!

I didn't come here
to see him neither.

Why don't you
talk things out with Ma?

Don't you go mangling
into personal dramas.

What're you
doing here anyway?

I live here.

That's no excuse at all.

- Yes, yes.
- I don't want to.

- Oh, if he stays here,
I'm leaving. - Oh, geez.

- I'm leaving.
- Ma, Daddy.

Talk, fight,
do anything,

but don't run away--
now, talk.

I don't wanna
talk to him.

Well, then,
tell him you don't

- wanna talk to him.
- You tell him.

- Ma.
- Go ahead.

Tell him I don't
wanna talk to him.

[SIGH]
Daddy, she doesn't wanna talk to you.

Oh, look at this--

I can do the same
thing here.

All right, Meathead,
I don't wanna talk to her either.

Tell her my ear bones
have been dingbatted well enough for 27 years,

will ya?

He doesn't wanna
talk to you either.

His ear bones have
been dingbatted enough for 27 years, will ya?

Well, tell him my ears
are tired of hearing lies.

- Her ears--
- First, he tells me

he's goes bowling,

- First, you--
- then he tells me a story about

playing poker,

then he tells me
a story about

helping some woman
with groceries,

and nothing happened.

How am I supposed to know
when he's telling the truth?

Go ahead, tell him that.

Would you
run that by me again?

Well, sure.

First, he tells me a story

- about going bowling.
- There she goes again.

[MUTTERING]

Tell her all right,
will ya?

All right, will ya?
All right.

- Tell her I wanted
to be with her. - He wanted

- She didn't
wanna be with me. - You didn't

- I wanted to have fun
with her. - He wanted to have fun

- She didn't want
no fun with me. - You didn't want

- You know what her idea
of fun is there? - You know what your idea

Her idea of fun
is fool around with old man Kleeger.

Your idea--who's Kleeger?

Kleeger is an old crock
with Sears Roebuck teeth.

You left Archie
for that?

Yes, yes, yes.

Tell him if he can't
be without his wife for one hour--

If you can't be
without your wife for one hour--

after 27 years
of marriage.

after 27 years
of marriage.

so she can go help
some old--

old man
with Sears Roebuck teeth--

so you can go help some
old man with Sears Roebuck teeth.

Ah, cut it out,
will ya?

Tell her, "Pbbt!"

I will not.

All right,
then you tell her that. You do that pretty good.

I won't go "pbbt"
to my mother.

Why the hell not?

You go "pbbt" to your
father every chance you get.

I only go "pbbt" to you
when you go "pbbt" to me.

Well, "pbbt" to the whole
damn bunch of yous!

Pbbt.

And I'm glad to see
that little Joey agrees with me!

Although I hope
Joey hears every word I said.

No, I'm gonna
take him upstairs.

I don't want all
this "pbbt" to be passed on to him.

Ma, I'll take
Joey upstairs.

Come on, sweetheart.
Michael, come with me.

Don't worry,
Joey.

We'll teach you
better vocabulary.

But how do you like that?
His first word was "pbbt."

Wha-What are you gonna do?

Sleep over
the poor house again?

Well, sure, why not?

At this hour of night,
traveling on the subway

with the swell,
after-dark set

unzipping themselves
up and down the train?

Oh.

Well, I guess I'll have
to sleep at our house.

Oh, all right, now you're
coming to your senses.

In the kids' old room.

[IMITATING EDITH]
In the kids' old room.

- [DOOR SLAMS]
- Oh, my.

Matter, you couldn't
sleep up there by yourself?

No, I just come out
for a breath of fresh air.

Ah, well, that's always nice
just before you turn in,

a little breath
of fresh air.

[ENGINE REVVING]

So much for the fresh air.

Oh, yeah, I was
noticing that myself.

Guess maybe we ought
to paint the old porch one of these days.

Yeah.

So, what color
would you think?

Oh, light grey
would be nice.

Yeah, light grey
is always nice.

Or maybe green.

Green, yeah.

- Or blue.
- Blue's good.

Maybe a little of each.

You always
had good taste, Edith.

Thank you.

So, how you been
feeling personally since you left me?

Pretty good, considering.

What do you mean
"considering"?

You ain't been having
any more of them hot flushes, now?

Oh, no.

Well, I don't know
when the mental pause is supposed to be over.

How you been feeling?

Ah, I can't complain,
can't complain.

Remember that pain
in the shoulder I always got,

you know, every time
I throw my head back?

Yeah, has that been
bothering you?

No, no, I cured it.

What did you take?

Oh, nothing, I just don't
throw my head back no more.

Oh.

I'm glad.

As long as
you're here Edith, I--

Was she pretty?

Oh, now, why do you wanna
get back into that, Edith?

Geez, I told you
a thousand times

it didn't
mean a thing to me.

Meant
something to me.

Well,
what're you gonna do?

You gonna--you gonna hold
one little "pick of diddle"

over my head for the whole
rest of my life?

No.

'Cause if I did,

it'd be the rest
of my life, too.

Aw.

Come here.

[SNIFF]

You know who I love?

Who?

Well, who do you think,
Laverne and Shirley?

Oh.

I miss you.

Oh, Archie.

Yeah, you miss me,
too, huh?

Not as much
as I thought.

Oh, I missed you

when I was
thinking about you,

but when I was busy,

I was thinking about
a lot of other things.

That's something
I found out.

There's lots of other things
to think about beside you.

Yeah, like what?

You see, I used to think

that you was the only
thing I could count on,

but that ain't true.

There's something else
that I can count on.

Well, I asked you what.

Me!

See, that's what I mean.

Oh, yeah, yeah,
I know what you mean.

But, uh, does that say
that we can't, uh,

kind of, do a reverse
and get back to before?

What do you mean "before"?

We-well, I mean, do you...

Do you, uh...

Do you, Edith Baines

take a poor sinner,
Archie Bunker

to be your
lawfully-bedded husband...

until you can't
take him no more?

I, Edith Baines,

- take you,
- [ENGINE REVVING]

- Archie Bunker--
- Hold it, hold it.

[ENGINE REVVING]

The dago
on the yarmulke again.

Let's say it over.

I, Edith Baines
take you, Archie Bunker

to be my
lawfully-wedded husband

until I can't
take you no more.

May I now
kiss the bride?

Oh, Edith.

Wow, what a relief.

And are--are you sure

that you're gonna
love me just as much?

♪ How much
do I love you? ♪

♪ I'll tell you ♪

- ♪ No lies ♪
- Edith.

We're out
on the porch here, Edith.

♪ How deep is ♪

- ♪ The ocean? ♪
- The neighbors, Edith, you know.

♪ How high
is the sky? ♪

Where the hell is that dago
now that I need him?

- ♪ How many times ♪
- NEIGHBOR: Shut up out there, will ya?

- ♪ Do I ♪
- Ah, shut up, you sh--

- ♪ Think of you ♪
- All you think of yelling, shut up, you.

- ♪ How many roses ♪
- [YELLING CONTINUES]

- ♪ Are sprinkled with dew ♪
- Archie.

- ♪ The hell with yous all ♪
- [EDITH INAUDIBLE]

- ♪ I'll sing when I want ♪
- Come on.

- ♪ I'll sing
until morning ♪ - Shh.

[SINGING INDISTINCT]

[MUTTERING]

[♪]

ANNOUNCER: All in the Family
was recorded on tape before a live audience.

Repair and Synchronization by
Easy Subtitles Synchronizer 1.0.0.0