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All language subtitles for Sirens.2022.PROPER.WEBRip.x264-RARBG AMZN.WEBRip.DDP5.1.x264-Cinefeel-English

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Would you like to inspect the original subtitles? These are the user uploaded subtitles that are being translated: 1 00:00:13,783 --> 00:00:16,783 [MUFFLED HEAVY METAL GUITAR RIFF] 2 00:00:19,271 --> 00:00:21,271 [RIFF CONTINUES] 3 00:00:24,757 --> 00:00:26,757 [RIFF ALTERS] 4 00:00:32,621 --> 00:00:34,476 [GUITAR PLAYING STOPS] 5 00:00:34,500 --> 00:00:37,479 [LILAS VOCALISES, MIMICS RIFF] 6 00:00:37,503 --> 00:00:38,754 [SHERY EXCLAIMS] 7 00:00:38,796 --> 00:00:40,589 [LILAS] Not like that. 8 00:00:40,631 --> 00:00:43,361 - Shery! - [SHE VOCALISES RIFF] 9 00:00:43,386 --> 00:00:45,296 [LILAS MIMICS RIFF] 10 00:00:45,320 --> 00:00:47,442 [SHERY EXCLAIMS] 11 00:00:47,473 --> 00:00:49,493 [LILAS CONTINUES MIMICKING RIFF] 12 00:00:49,517 --> 00:00:51,954 [SHERY MIMICS RIFF, LILAS JOINS IN] 13 00:00:51,978 --> 00:00:54,105 - Okay... - [SHERY MIMICS VIGOROUS STRUM] 14 00:00:54,130 --> 00:00:56,275 [LILAS MIMICS RIFF] 15 00:00:56,313 --> 00:00:58,449 Uh... Now you missed one. 16 00:00:58,484 --> 00:01:01,070 [SHERY MIMICS RIFF, LILAS JOINS IN] 17 00:01:02,937 --> 00:01:06,537 [SHERY CHUCKLES, LILAS MIMICS RIFF] 18 00:01:06,575 --> 00:01:09,537 - [SHERY] Nooooo! - [VOICE REVERBERATES] 19 00:01:09,578 --> 00:01:12,752 [REVERBERATION SUBSIDES; NO AUDIBLE DIALOGUE] 20 00:01:12,790 --> 00:01:15,230 [PULSING ELECTRONIC MUSIC] 21 00:01:18,838 --> 00:01:21,248 [MUSIC DEEPENS] 22 00:01:24,552 --> 00:01:27,298 [MUSIC CONTINUES; FAINT CHANTING] 23 00:01:39,233 --> 00:01:40,443 Revolution! 24 00:01:41,483 --> 00:01:42,776 Revolution! 25 00:01:43,779 --> 00:01:45,531 Revolution! 26 00:01:45,573 --> 00:01:48,492 [CHANTING RECEDES, MUSIC CONTINUES] 27 00:01:59,879 --> 00:02:01,631 [WOMAN] Sirens? 28 00:02:01,672 --> 00:02:03,181 [MUSIC CONTINUES] 29 00:02:03,206 --> 00:02:05,611 [MAN, IN ENGLISH] You guys ready? 30 00:02:05,635 --> 00:02:07,635 [INDISTINCT CHATTER] 31 00:02:22,151 --> 00:02:26,032 [MUSIC, CHATTER CONTINUE] 32 00:02:26,057 --> 00:02:28,493 [LILAS] Since the day my Grandparents were born, 33 00:02:28,517 --> 00:02:30,493 this country is fucked up. 34 00:02:30,534 --> 00:02:31,886 [MUSIC CONTINUES] 35 00:02:31,911 --> 00:02:35,456 [LILAS] War, instability, unemployment. 36 00:02:35,498 --> 00:02:37,184 [CROWD CHANTS] Sirens! Sirens! 37 00:02:37,208 --> 00:02:38,876 - Sirens! Sirens! - [THEY KISS] 38 00:02:38,918 --> 00:02:41,853 - Are you fucking ready?! - [CHEERING] 39 00:02:41,878 --> 00:02:44,982 [RUMBLING THRASH METAL MUSIC; TATYANA PLAYS DRUM FILL] 40 00:02:45,007 --> 00:02:48,678 [LILAS] All this pain, all this rage. 41 00:02:48,719 --> 00:02:50,054 [MUSIC CONTINUES] 42 00:02:50,096 --> 00:02:53,318 [LILAS] There's something we're... running away from. 43 00:02:53,349 --> 00:02:55,269 [MUSIC BUILDS] 44 00:02:55,294 --> 00:02:57,579 [LILAS] But I don't wanna live in fear. 45 00:02:57,603 --> 00:02:59,456 [MUSIC BUILDS FURTHER] 46 00:02:59,480 --> 00:03:03,776 [MUSIC INTENSIFIES, MAYA SCREAMS GUTTURALLY] 47 00:03:03,818 --> 00:03:05,818 [LYRICS INDISTINCT] 48 00:03:30,553 --> 00:03:33,180 [MUSIC STOPS, FEEDBACK WHINE REVERBERATES] 49 00:03:33,222 --> 00:03:35,640 [SOFT, REVERBERANT MUSIC] 50 00:03:38,561 --> 00:03:41,689 [MUSIC SUBSIDES; AMBIENT STREET NOISE] 51 00:03:53,784 --> 00:03:55,720 Ah, behold! 52 00:03:55,744 --> 00:03:58,681 - [SHERY, IN ARABIC] Can I see? - [LAUGHTER] 53 00:03:58,706 --> 00:04:00,458 [SHERY] Can I see? 54 00:04:01,500 --> 00:04:03,340 [LAUGHTER] 55 00:04:05,045 --> 00:04:07,298 [IN ENGLISH] "In a small, soundproof rehearsal room 56 00:04:07,324 --> 00:04:10,110 "in the mountains just outside Beirut, 57 00:04:10,134 --> 00:04:13,107 "Lebanon's first all-female metal band, Slave to Sirens"... 58 00:04:13,137 --> 00:04:14,430 [LAUGHTER] 59 00:04:14,457 --> 00:04:17,492 ..."is getting ready to make some noise!" 60 00:04:17,516 --> 00:04:19,254 [ALL CHUCKLE] 61 00:04:19,278 --> 00:04:22,730 - [LILAS, IN ARABIC] Keep going! - "Shery Bechara and Lilas Mayassi, 62 00:04:22,757 --> 00:04:26,275 "the five-piece's lead and rhythm guitarists, respectively, 63 00:04:26,317 --> 00:04:29,366 "unzip cases to reveal their V-shaped axes." 64 00:04:29,403 --> 00:04:30,529 [ALL CHUCKLE] 65 00:04:30,571 --> 00:04:33,091 Bravo, Shery. Your reading is good. 66 00:04:33,115 --> 00:04:34,540 - Oh, thank you. - [IN ARABIC] 10 out of 10. 67 00:04:34,575 --> 00:04:35,701 [ALL CHUCKLE] 68 00:04:35,743 --> 00:04:38,318 [SHERY, IN ENGLISH] "Lebanon is a small but diverse country. 69 00:04:38,343 --> 00:04:40,039 "Yet, metal fans have long struggled 70 00:04:40,080 --> 00:04:42,997 "with the more conservative elements of Lebanese society." 71 00:04:43,042 --> 00:04:45,263 - Make it fast. - [IN ARABIC] I'm not gonna finish. 72 00:04:45,294 --> 00:04:47,343 Then stop, and let's get started. 73 00:04:47,379 --> 00:04:49,340 [THUNDEROUS DRUM FILL] 74 00:04:49,381 --> 00:04:51,425 [GUITAR CHORD RINGS] 75 00:04:51,467 --> 00:04:52,760 [DEXTEROUS RIFF] 76 00:04:52,801 --> 00:04:55,346 [BOOMING CHORD RINGS] 77 00:04:55,388 --> 00:04:57,084 [THUNDEROUS DRUM FILL] 78 00:04:57,109 --> 00:04:58,947 [BOOMING CHORD RINGS] 79 00:04:58,974 --> 00:05:01,109 [THUNDEROUS DRUM FILL] 80 00:05:01,134 --> 00:05:03,121 [MAYA SCREAMS] 81 00:05:03,145 --> 00:05:05,856 [GALLOPING, PROPULSIVE METAL MUSIC] 82 00:05:08,859 --> 00:05:11,571 - [GUITARS STOP, DRUMS PETER OUT] - [MAYA] What the fuck?! 83 00:05:11,597 --> 00:05:12,950 What is going on with the lights? 84 00:05:12,974 --> 00:05:14,675 [MAYA] The electricity is gone. 85 00:05:14,699 --> 00:05:16,785 [INDISTINCT CHATTER, NERVOUS LAUGHTER] 86 00:05:16,810 --> 00:05:18,887 [CLATTERING, RUMMAGING] 87 00:05:18,911 --> 00:05:21,806 [LILAS SINGS SOFTLY] 88 00:05:21,831 --> 00:05:23,831 [MUFFLED CHATTER] 89 00:05:23,856 --> 00:05:25,874 [CHATTER CONTINUES] 90 00:05:30,005 --> 00:05:33,134 [CRUNCHY GUITAR RIFF] 91 00:05:33,175 --> 00:05:36,062 [CLAMOURING, YELLING; GUITAR RIFF CONTINUES] 92 00:05:38,472 --> 00:05:40,258 [WOMAN, IN ENGLISH]Our interview subject tonight, 93 00:05:40,282 --> 00:05:41,993 Lilas Mayassi. 94 00:05:42,017 --> 00:05:45,032 Metal bands explore heavy themes, 95 00:05:45,062 --> 00:05:46,814 but for you, 96 00:05:46,855 --> 00:05:49,997 this is drawn really from your everyday world. 97 00:05:50,025 --> 00:05:52,754 [LILAS] We're living in this cycle of fear, 98 00:05:52,778 --> 00:05:56,782 and our band is the only outlet for us 99 00:05:56,824 --> 00:06:00,412 to be who we want to be without any limits. 100 00:06:00,453 --> 00:06:02,871 [GLOOMY STRUMMED GUITAR] 101 00:06:02,914 --> 00:06:06,249 [DEXTEROUS DISTORTED RIFF; MAYA GROWLS INDISTINCTLY] 102 00:06:06,292 --> 00:06:09,128 [SUSTAINED GROWL] 103 00:06:09,169 --> 00:06:10,296 [MAYA] Shit, look! 104 00:06:10,337 --> 00:06:13,215 It's like, "Hi, I work at Earache Records, 105 00:06:13,242 --> 00:06:16,263 "and we have a few Earache stages at festivals. 106 00:06:16,287 --> 00:06:18,181 "Can you let me know if you have an agent or..." 107 00:06:18,220 --> 00:06:19,433 The label? 108 00:06:19,458 --> 00:06:20,778 - Yeah. - Oh, shit. 109 00:06:20,806 --> 00:06:24,645 "Boomtown Festival, Winchester, UK. 11th August. 110 00:06:24,670 --> 00:06:26,282 "Glastonbury. We have a stage, 111 00:06:26,307 --> 00:06:28,442 - "27th-30th June." - Nice! 112 00:06:28,481 --> 00:06:30,292 "Both in the UK. Let me know if you're interested. 113 00:06:30,316 --> 00:06:32,902 - "We are running on a low budget." - [LILAS GRUNTS ANXIOUSLY] 114 00:06:32,943 --> 00:06:36,155 - Shit! - Okay, okay... 115 00:06:38,907 --> 00:06:41,702 - [SOFTLY] Earache Records. - [MAYA CHUCKLES] 116 00:06:41,744 --> 00:06:45,915 "Slave to Sirens signed by Earache Records." 117 00:06:45,956 --> 00:06:48,042 Okay, we send them an email. 118 00:06:48,068 --> 00:06:50,130 We tell the girls... 119 00:06:50,169 --> 00:06:54,023 that we're going to Glastonbury! 120 00:06:54,048 --> 00:06:55,174 [MAYA CHUCKLES] 121 00:06:55,216 --> 00:06:58,287 [DRIVING POST-PUNK MUSIC] 122 00:07:02,514 --> 00:07:05,934 [SHE GROWLS GUTTURALLY] 123 00:07:05,976 --> 00:07:08,938 [MUSIC CONTINUES] 124 00:07:08,979 --> 00:07:11,857 [INDISTINCT CONVERSATION] 125 00:07:11,899 --> 00:07:14,777 [MUSIC CONTINUES, BOTH LAUGH NERVOUSLY] 126 00:07:14,818 --> 00:07:17,697 [SMOKE-BOMB HISSES] 127 00:07:22,451 --> 00:07:25,287 [MUSIC CONTINUES; NO AUDIBLE DIALOGUE] 128 00:07:25,312 --> 00:07:28,165 [DANCER, IN ARABIC] Give me your belt. 129 00:07:28,192 --> 00:07:30,000 Cover your boxers. 130 00:07:30,025 --> 00:07:31,930 Uh, should he be barefoot? 131 00:07:31,960 --> 00:07:34,839 - Why not take off all my clothes? - [ALL LAUGH] 132 00:07:34,880 --> 00:07:38,467 Man, he's topless! He can't be topless. 133 00:07:38,509 --> 00:07:41,637 - Why? - I don't know, man! That's not the point. 134 00:07:42,971 --> 00:07:44,991 - What is this, blood? - It's wine. 135 00:07:45,015 --> 00:07:47,184 - But don't drink it, it's old. - No. 136 00:07:47,226 --> 00:07:49,645 [MUSIC CONTINUES] 137 00:08:11,875 --> 00:08:14,086 [MUSIC CONTINUES] 138 00:08:14,128 --> 00:08:17,466 - [MUSIC STOPS, RESONATES] - [LILAS, IN ENGLISH] The sun is setting. 139 00:08:17,491 --> 00:08:19,609 The dark lord is rising! 140 00:08:19,633 --> 00:08:22,946 Yes, praise the Lord of Darkness. 141 00:08:22,970 --> 00:08:25,556 - [MAYA] Hail Satan. - [SHERY] Yeah! 142 00:08:26,890 --> 00:08:32,313 ♪ Happy birthday to Lilas 143 00:08:32,340 --> 00:08:35,611 ♪ Happy birthday to you. ♪ 144 00:08:35,650 --> 00:08:37,999 [MAYA] Make a wish, make a wish. 145 00:08:40,696 --> 00:08:43,615 [CLAPPING] 146 00:08:43,657 --> 00:08:46,118 [IN ARABIC] I have more than one wish. 147 00:08:46,145 --> 00:08:48,790 [SHERY] Make them all. 148 00:08:48,814 --> 00:08:52,600 Okay. All of them together is a mess in my mind, but okay. 149 00:08:52,624 --> 00:08:53,936 [SHERY CHUCKLES] 150 00:08:53,960 --> 00:08:55,670 [SHERY] Uh, Lilas... 151 00:08:55,711 --> 00:08:58,339 [SHE CHUCKLES] 152 00:09:01,313 --> 00:09:04,988 [IN ENGLISH] "A special flower grew next to me in the soil. 153 00:09:05,012 --> 00:09:06,942 "I call her Lils." 154 00:09:06,973 --> 00:09:09,033 [LILAS CHUCKLES HAPPILY] 155 00:09:09,057 --> 00:09:12,315 - [LILAS] Did you write this? - [SHE CHUCKLES] 156 00:09:12,352 --> 00:09:16,148 [LILAS] "We grew side by side, got our roots tangled, 157 00:09:16,175 --> 00:09:19,570 "and it made me merrier." Aw. 158 00:09:19,595 --> 00:09:24,284 "May you find serenity with every light, smoke and scent. 159 00:09:24,308 --> 00:09:26,506 "Sincerely, Shery." Aw. 160 00:09:26,534 --> 00:09:29,913 [BOTH CHUCKLE AFFECTIONATELY] 161 00:09:29,938 --> 00:09:33,749 So, basically, all of these are incense. You burn it. 162 00:09:33,790 --> 00:09:37,587 - It's like flowers and herbs and shit. - [STIRRING MUSIC] 163 00:09:37,628 --> 00:09:39,628 [MUSIC CONTINUES] 164 00:09:42,925 --> 00:09:47,721 [LILAS] This band started when I got introduced to Shery. 165 00:09:47,763 --> 00:09:50,032 [MUSIC CONTINUES] 166 00:09:50,057 --> 00:09:53,375 [LILAS] I used to go to Shery's place and sleep over. 167 00:09:56,340 --> 00:10:01,137 We'd wake up in the early morning, we'd jam, we'd write songs. 168 00:10:05,030 --> 00:10:07,542 Shery is more melodic. 169 00:10:08,825 --> 00:10:11,522 And I always liked that about her. 170 00:10:13,664 --> 00:10:16,156 We have this amazing chemistry. 171 00:10:17,752 --> 00:10:19,521 [MUSIC CONTINUES] 172 00:10:19,545 --> 00:10:22,006 [MUSIC CONCLUDES, RESONATES] 173 00:10:23,674 --> 00:10:26,361 [MAN, IN ARABIC]Oh, my God, I don't believe it. 174 00:10:26,385 --> 00:10:28,721 Sorry, I don't want to hold you up. 175 00:10:28,762 --> 00:10:30,765 [IN ENGLISH] Meeting you and Lilas... 176 00:10:30,791 --> 00:10:32,362 - You are Shery, then? - [SHERY] Yes. 177 00:10:32,391 --> 00:10:33,868 - Okay, so awesome. - [SHERY] So, what's your name? 178 00:10:33,892 --> 00:10:35,478 - Charbel. - [SHERY] Nice to meet you. 179 00:10:35,519 --> 00:10:38,397 Guys, I hope you get somewhere. 180 00:10:38,439 --> 00:10:40,073 Thank you so much, really. 181 00:10:40,107 --> 00:10:41,859 - I really appreciate it. - Yeah. 182 00:10:41,885 --> 00:10:46,328 And keep it up, you know, like, 'cause music is really, like, 183 00:10:46,353 --> 00:10:49,992 [IN ARABIC] something that helps you express yourself. 184 00:10:50,033 --> 00:10:53,010 - [IN ENGLISH] Your songs, inspirational. - [SHERY CHUCKLES] 185 00:10:53,036 --> 00:10:54,830 Nice to meet you, Charbel. 186 00:10:56,083 --> 00:10:58,753 - [IN ARABIC] Here you go. - [IN ENGLISH] Thank you! 187 00:10:58,792 --> 00:11:01,005 - [IN ARABIC] No, thank you. Wow. - [IN ENGLISH] Thank you, thank you. 188 00:11:01,045 --> 00:11:03,005 - Can we take a picture? - Yeah, definitely. 189 00:11:07,259 --> 00:11:09,428 Awesome, I got a beer. 190 00:11:09,469 --> 00:11:10,929 [SHE EXHALES SHARPLY] 191 00:11:10,972 --> 00:11:12,897 [SHERY HICCUPS] 192 00:11:14,182 --> 00:11:15,893 [IN ARABIC] What's wrong with me? 193 00:11:17,603 --> 00:11:18,813 [IN ENGLISH] "One mention"? 194 00:11:20,022 --> 00:11:21,957 - Shut up. - [BOTH LAUGH] 195 00:11:21,982 --> 00:11:24,334 - Like, it was just one hiccup. - [LILAS LAUGHS] 196 00:11:25,569 --> 00:11:27,530 You're welcome, Shery. 197 00:11:27,572 --> 00:11:29,926 [MAN SPEAKS INDISTINCTLY ON TV] 198 00:11:43,086 --> 00:11:47,090 [WOMAN, ON TV, IN ARABIC]Article 534 of the law is vague. 199 00:11:47,115 --> 00:11:50,305 It says that any sexual relation contradictory to the laws of nature 200 00:11:50,344 --> 00:11:53,848 is punishable up to one year in prison. 201 00:11:53,889 --> 00:11:57,075 [TV CONTINUES FAINTLY] 202 00:11:57,100 --> 00:11:59,186 - [MUFFLED BANG] - [LILAS] The fuse box just blew. 203 00:11:59,227 --> 00:12:01,188 [MOTHER] It blew, but I have nothing connected. 204 00:12:01,215 --> 00:12:03,166 - [BROTHER] I have the heater connected. - [MOTHER] Then unplug it. 205 00:12:03,190 --> 00:12:05,456 [BROTHER] It's not supposed to blow because of the heater. 206 00:12:05,484 --> 00:12:07,754 [MOTHER] Seriously? You've done that twice. 207 00:12:07,778 --> 00:12:09,716 Go flip the switch. 208 00:12:09,740 --> 00:12:11,932 - It's your turn, go. - [BROTHER] I'm not going now. 209 00:12:11,957 --> 00:12:13,677 [MOTHER] Then stay in darkness, I don't mind. 210 00:12:13,701 --> 00:12:15,428 Lilas will go. 211 00:12:15,452 --> 00:12:17,304 [TAP RUNS] 212 00:12:17,329 --> 00:12:20,875 - [SOFTLY] Oh, God. - [TAP SHUTS OFF, DOG BARKS IN DISTANCE] 213 00:12:20,917 --> 00:12:24,394 [SOFT, UNEASY MUSIC] 214 00:12:24,419 --> 00:12:28,674 [MOTHER] Today, we went to the bank and couldn't get more than $100. 215 00:12:28,715 --> 00:12:30,852 So, we only got $100 and that's it. 216 00:12:30,877 --> 00:12:32,361 - The banks don't even have cash. - [DOOR SHUTS] 217 00:12:32,386 --> 00:12:35,155 So, what will you do for Nour's tuition fee? 218 00:12:35,180 --> 00:12:36,265 I don't know. 219 00:12:37,641 --> 00:12:41,871 Well, if he's leaving, then I'll look for somewhere to go, too. 220 00:12:41,895 --> 00:12:43,648 [MOTHER, IN ENGLISH] Beside me. [IN ARABIC] You are here in my heart. 221 00:12:43,674 --> 00:12:45,458 - [IN ENGLISH] Beside you? - [MOTHER, IN ARABIC] Next to me. 222 00:12:45,482 --> 00:12:49,128 Be realistic. It won't be like this... forever. 223 00:12:49,152 --> 00:12:51,130 [MOTHER] Of course it will. For a mother and her daughter. 224 00:12:51,155 --> 00:12:52,823 [LILAS LAUGHS] 225 00:12:53,824 --> 00:12:55,968 What era is this? 226 00:12:55,992 --> 00:12:57,545 It will always be like this. 227 00:12:57,578 --> 00:13:00,347 [LILAS] You're talking like it's the 1960s... 228 00:13:00,372 --> 00:13:03,768 When your mother had so many kids, they didn't even know each other. 229 00:13:03,792 --> 00:13:07,020 People would marry based on a photograph, or whatever. 230 00:13:07,045 --> 00:13:08,428 That's over now. 231 00:13:08,453 --> 00:13:11,072 Now, people are getting married over the internet. 232 00:13:11,097 --> 00:13:12,637 So, you mean life has evolved? 233 00:13:12,661 --> 00:13:14,014 But there is still a mother and her daughter. 234 00:13:14,052 --> 00:13:16,888 [LILAS] But a daughter needs to breathe, you know? 235 00:13:18,250 --> 00:13:24,614 I want to move out because this house is shrinking on us. 236 00:13:24,647 --> 00:13:27,281 [MOTHER LAUGHS] 237 00:13:27,315 --> 00:13:29,210 Let it happen. 238 00:13:29,234 --> 00:13:32,571 [MOTHER] This is impossible. Mission impossible. 239 00:13:32,612 --> 00:13:36,089 [LILAS] Are you and your mum still living together? 240 00:13:37,515 --> 00:13:39,329 - Be realistic. - Yes, but... 241 00:13:39,369 --> 00:13:41,791 [LILAS] When? I'm turning 25... 242 00:13:41,816 --> 00:13:44,600 My mother let go of me because I got married and settled down with kids. 243 00:13:44,624 --> 00:13:48,153 So, I have to get married and have kids? 244 00:13:48,178 --> 00:13:50,712 [MOTHER] Well, there'd be someone beside you... 245 00:13:50,756 --> 00:13:53,432 I don't want someone beside me, I am beside me. 246 00:13:53,467 --> 00:13:56,971 I can learn. I don't need anyone. 247 00:13:59,306 --> 00:14:02,100 - Slowly, slowly. - What do you mean "slowly, slowly"? 248 00:14:02,142 --> 00:14:06,196 [MOTHER] Little by little, we'll get rid of that mentality. 249 00:14:06,229 --> 00:14:07,939 With time. 250 00:14:15,615 --> 00:14:17,407 [SHE INHALES] 251 00:14:21,161 --> 00:14:22,245 [DOOR SHUTS] 252 00:14:22,270 --> 00:14:25,765 [LIVELY MUSIC, CHATTER] 253 00:14:25,791 --> 00:14:28,352 Do want a drink? I'm buying. 254 00:14:28,376 --> 00:14:30,009 I thought you were broke? 255 00:14:30,045 --> 00:14:31,380 [LILAS CHUCKLES] 256 00:14:32,756 --> 00:14:34,925 [IN ENGLISH] You wanna get a piña colada? 257 00:14:36,885 --> 00:14:38,804 [IN ARABIC] Something strong. 258 00:14:40,055 --> 00:14:42,034 [IN ENGLISH] I want to die tonight. 259 00:14:42,058 --> 00:14:43,403 [IN ARABIC] Here's a dollar. 260 00:14:48,772 --> 00:14:51,129 [MAYA, IN ENGLISH] What are you laughing at? 261 00:14:52,442 --> 00:14:54,002 [LILAS] I like. 262 00:14:54,027 --> 00:14:56,906 - [MAYA] You like? - [LILAS] I like beautiful things. 263 00:15:01,743 --> 00:15:05,373 - [LILAS SIGHS FRUSTRATEDLY] - But she's wearing a cross, sorry. 264 00:15:05,413 --> 00:15:08,793 - Jesus was gay. - [BOTH LAUGH] 265 00:15:14,589 --> 00:15:16,651 [SARAH] Let's bewitch Lilas. 266 00:15:16,675 --> 00:15:19,011 [BOTH LAUGH] 267 00:15:19,053 --> 00:15:22,182 - [SHERY] Make her our slave. - [SARAH] Yeah. 268 00:15:25,892 --> 00:15:29,065 [SARAH] Greater forces that are outside of human control 269 00:15:29,104 --> 00:15:32,123 - are at work here. - [SHERY] Mm! 270 00:15:32,148 --> 00:15:35,569 - Interesting. - Maybe we're gonna get signed by a label! 271 00:15:35,611 --> 00:15:37,003 Or maybe you'll abandon metal 272 00:15:37,028 --> 00:15:39,782 - and become a pop artist. - [SHE LAUGHS] 273 00:15:39,823 --> 00:15:43,953 - What?! - [SARAH] Pick another card. 274 00:15:44,995 --> 00:15:47,248 Inevitable fate, my dear. 275 00:15:47,289 --> 00:15:50,476 This card represents the changing of cycles. 276 00:15:50,500 --> 00:15:53,254 What comes up must come down. 277 00:15:53,279 --> 00:15:56,924 - Okay... Oh, wow. - [SHE CHUCKLES NERVOUSLY] 278 00:15:56,965 --> 00:16:00,361 So, you're going to rise and you're going to fall, perhaps. 279 00:16:00,385 --> 00:16:02,263 [STIRRING SYNTH MUSIC] 280 00:16:02,304 --> 00:16:05,908 Maybe we are down and we're going to rise. 281 00:16:07,309 --> 00:16:09,619 [MUSIC CONTINUES, FLAMES CRACKLE] 282 00:16:09,644 --> 00:16:12,564 [BASSEM] Now, if you look at Shery, especially from the fire, 283 00:16:12,606 --> 00:16:15,384 you'd see that she's half a metalhead, 284 00:16:15,408 --> 00:16:17,128 half karma people. 285 00:16:17,152 --> 00:16:19,572 [SHERY] I think this is kind of how I roll. 286 00:16:19,614 --> 00:16:21,614 [MUSIC CONTINUES] 287 00:16:25,744 --> 00:16:28,305 How many days you get there before the concert? 288 00:16:28,330 --> 00:16:29,916 - One day. - One day. 289 00:16:29,942 --> 00:16:34,569 So, you have this whole day where you should eat well, sleep well, 290 00:16:34,594 --> 00:16:35,980 relax. 291 00:16:36,004 --> 00:16:37,715 [IN ARABIC] Don't get tired. 292 00:16:37,756 --> 00:16:40,358 [IN ENGLISH] The diet is gonna be important. 293 00:16:40,383 --> 00:16:42,366 - No alcohol. - [SHERY] Mm. 294 00:16:42,391 --> 00:16:44,417 - [BASSEM] Zilch. - [SARAH, IN ARABIC] Are you listening? 295 00:16:44,442 --> 00:16:45,737 - [IN ENGLISH] Nothing. - Mm. 296 00:16:45,764 --> 00:16:48,605 Alcohol is... will dehydrate you, 297 00:16:48,642 --> 00:16:51,622 - and will make your stamina go... - [DESCENDING WHISTLE] 298 00:16:51,646 --> 00:16:53,246 - Mm. - ...you know? 299 00:16:53,271 --> 00:16:56,708 The myth about drugs, sex and rock 'n' roll is a myth. 300 00:16:56,733 --> 00:16:59,169 [SARAH] And no drugs. 301 00:16:59,194 --> 00:17:01,614 - Definitely. Definitely. - Mm-hm. 302 00:17:01,655 --> 00:17:03,381 [MUSIC CONTINUES] 303 00:17:03,406 --> 00:17:06,509 [SARAH] Shery, did you practice moving on the stage? 304 00:17:06,534 --> 00:17:09,679 - [BASSEM] She headbangs really minimally. - [SHERY] Mm. 305 00:17:09,704 --> 00:17:11,514 [BASSEM] If you move... 306 00:17:11,539 --> 00:17:14,352 to play with Lilas, and you're doing the thing together... 307 00:17:14,376 --> 00:17:17,046 this place is empty. Something, someone has to fill it. 308 00:17:17,071 --> 00:17:20,676 - Yeah. - And sometimes, when you go on stage, 309 00:17:20,700 --> 00:17:22,521 and you give all the energy, 310 00:17:22,550 --> 00:17:24,529 at the second song you're exhausted. 311 00:17:24,553 --> 00:17:26,561 - Yeah. - Don't do that. 312 00:17:26,597 --> 00:17:27,921 Yeah. 313 00:17:29,641 --> 00:17:31,536 And of course, don't stand still. 314 00:17:31,560 --> 00:17:33,288 - Yeah. - [SHE CHUCKLES] 315 00:17:33,312 --> 00:17:35,200 [MUSIC CONTINUES] 316 00:17:36,649 --> 00:17:39,750 [FEROCIOUS METAL MUSIC ON TV; MAYA CHUCKLES] 317 00:17:42,320 --> 00:17:44,163 [IN ARABIC] Lord have mercy! 318 00:17:45,281 --> 00:17:48,160 It's good when you make expressions. 319 00:17:48,201 --> 00:17:51,055 [IN ENGLISH] Like, bigger than life, you know? 320 00:17:51,079 --> 00:17:53,788 [IN ARABIC] Because on stage you want to entertain the people. 321 00:17:53,832 --> 00:17:56,168 I like to do things with my face. 322 00:17:56,210 --> 00:17:58,381 Yeah, with your hands, too. 323 00:17:58,405 --> 00:17:59,897 [IN ENGLISH] That's what Maiden does. 324 00:17:59,921 --> 00:18:03,316 That's why their performance is like, "wow". 325 00:18:03,341 --> 00:18:05,261 One day... 326 00:18:05,301 --> 00:18:07,188 [IN ARABIC] Like that, for example. 327 00:18:07,213 --> 00:18:09,467 - [IN ENGLISH] It's like... you know? - It's cool. 328 00:18:09,515 --> 00:18:11,220 [MUSIC CONCLUDES] 329 00:18:22,904 --> 00:18:25,551 [BIRDSONG; CHILDREN PLAY IN DISTANCE] 330 00:18:25,576 --> 00:18:28,216 [MOTHER, IN ARABIC] Does it need oil? Or water? 331 00:18:29,368 --> 00:18:31,368 [DOG BARKS IN DISTANCE] 332 00:18:31,412 --> 00:18:33,627 [HE MUTTERS, CAR BONNET CLOSES] 333 00:18:36,332 --> 00:18:40,755 Look, if you're hungry take the chicken out of the freezer. 334 00:18:42,423 --> 00:18:43,991 I'll be back. Bye. 335 00:18:47,761 --> 00:18:49,654 [IN ENGLISH] No space? 336 00:18:49,679 --> 00:18:52,520 Yeah, no space. [IN ARABIC] It doesn't fit. 337 00:18:52,545 --> 00:18:55,765 [HEAVY METAL MUSIC ON CAR STEREO] 338 00:19:00,926 --> 00:19:03,658 - What time do you land? - [LILAS] 10:30. 339 00:19:03,693 --> 00:19:05,404 [MOTHER] God willing. 340 00:19:05,446 --> 00:19:08,425 - Will you call me, or... - [LILAS] Call you? 341 00:19:08,449 --> 00:19:11,635 - [SHE CHUCKLES] - "Hello, Mom, I miss you." 342 00:19:11,659 --> 00:19:14,121 [LILAS] Once I get a chance I'll call you. 343 00:19:14,147 --> 00:19:15,806 So, you can call me on WhatsApp? 344 00:19:15,830 --> 00:19:18,209 [LILAS] We'll see. Don't call me, I'll call you. 345 00:19:18,234 --> 00:19:22,104 I won't call. I won't annoy you. But let me hear your voice. 346 00:19:22,128 --> 00:19:24,380 [MUSIC CONTINUES] 347 00:19:24,422 --> 00:19:25,883 [MUSIC STOPS] 348 00:19:25,924 --> 00:19:27,969 [MOTHER] Lilas, one second. 349 00:19:34,599 --> 00:19:36,520 Call me once you make it, okay? 350 00:19:38,103 --> 00:19:40,606 [PLANE ENGINE ROARS] 351 00:19:40,648 --> 00:19:42,648 [ROARING SUBSIDES] 352 00:19:45,528 --> 00:19:48,756 [BAND VOCALLY MIMICS HEAVY METAL MUSIC] 353 00:19:48,781 --> 00:19:50,781 [MAYA GROWLS] 354 00:19:55,870 --> 00:19:58,791 - [STIRRING MUSIC] - [LILAS] Stones! Stones! 355 00:19:58,832 --> 00:20:01,040 [SHERY] Giant stones. 356 00:20:02,195 --> 00:20:04,906 [LILAS] Over there are the tents and stages! 357 00:20:06,005 --> 00:20:08,676 [MUFFLED DANCE MUSIC; STIRRING MUSIC CONTINUES] 358 00:20:12,763 --> 00:20:14,763 [MUSIC CONTINUES] 359 00:20:29,529 --> 00:20:33,070 [MUSIC SUBSIDES; BUSTLING CHATTER] 360 00:20:37,246 --> 00:20:40,934 [MUSIC, CHATTER IN DISTANCE; SHE PLAYS METAL RIFF THROUGH CLEAN TONE] 361 00:20:46,114 --> 00:20:49,774 [LILAS] Wow, man. I'm getting lost from all the noise. 362 00:20:49,800 --> 00:20:51,553 [PLAYING CONTINUES] 363 00:20:51,593 --> 00:20:53,071 [LILAS] It's like we're at the World Cup. 364 00:20:53,095 --> 00:20:54,311 [SHERY] For real! 365 00:20:55,569 --> 00:20:58,160 [IN ENGLISH] It's not metal, that's the thing. 366 00:20:58,184 --> 00:21:00,020 [IN ARABIC] It's really annoying. 367 00:21:00,059 --> 00:21:02,688 [PLAYING CONTINUES] 368 00:21:08,026 --> 00:21:12,381 - [SHERY] Loosen it, then try... - It's not working, Shery. 369 00:21:12,405 --> 00:21:14,200 [SHERY, IN ENGLISH] Check the tuning again. 370 00:21:14,240 --> 00:21:15,510 [SHERY] Lilas... 371 00:21:15,534 --> 00:21:18,080 [LILAS, IN ARABIC] Babe, I know my guitar. 372 00:21:18,119 --> 00:21:20,510 - [SHERY, IN ENGLISH] Are you okay? - [LILAS] Mm. 373 00:21:20,538 --> 00:21:24,560 - [IN ARABIC] I want to drink something. - There's water if you want. 374 00:21:24,584 --> 00:21:27,104 [MUFFLED MUSIC IN DISTANCE] 375 00:21:27,128 --> 00:21:28,923 [SHERY, IN ENGLISH] That's not a good idea. 376 00:21:32,760 --> 00:21:35,323 [MUSIC, CHATTER IN DISTANCE] 377 00:21:41,394 --> 00:21:43,187 [LILAS, IN ARABIC] Cut those shorter. 378 00:21:45,021 --> 00:21:47,733 - [SHERY] I have a knife. - [TATYANA] Pass it to me. 379 00:21:54,948 --> 00:21:57,535 How did you go through the airport with this? 380 00:21:59,911 --> 00:22:02,014 [MC, ON PA] Okay, we've got an amazing band coming on soon. 381 00:22:02,038 --> 00:22:03,752 Slave to the Sirens. 382 00:22:03,790 --> 00:22:06,560 All-female band, all the way from Lebanon, right? 383 00:22:06,584 --> 00:22:09,435 - [MAN] Lebanon, yeah... - [MC] Okay! 384 00:22:09,460 --> 00:22:11,065 All right, everyone, give it up. 385 00:22:11,089 --> 00:22:13,217 Come on, bring the energy for Slave to the Siren. 386 00:22:13,244 --> 00:22:15,513 They've come a long way to be here with you today. 387 00:22:15,537 --> 00:22:17,563 So, big it up for them. 388 00:22:17,595 --> 00:22:19,849 [SCATTERED APPLAUSE, CHEERING] 389 00:22:19,890 --> 00:22:22,821 [APPLAUSE PETERS OUT] 390 00:22:24,770 --> 00:22:27,863 [AMPLIFIER BUZZES] 391 00:22:27,897 --> 00:22:30,693 [MUSIC - "TERMINAL LEECHES" BY SLAVE TO SIRENS] 392 00:22:30,735 --> 00:22:33,413 [MUSIC CONTINUES] 393 00:22:33,438 --> 00:22:35,465 ♪ Possess not a human 394 00:22:35,489 --> 00:22:38,091 ♪ Obsess not over his flesh 395 00:22:38,116 --> 00:22:42,121 ♪ For you shall be a slave of time 396 00:22:42,163 --> 00:22:45,432 ♪ Spiralling down into a dark abyss 397 00:22:45,456 --> 00:22:48,002 ♪ They fill your head with lies 398 00:22:49,670 --> 00:22:51,063 ♪ Ignorance 399 00:22:51,087 --> 00:22:55,313 ♪ Your ultimate demise 400 00:23:11,399 --> 00:23:13,986 ♪ Illiteracy is a dangerous thing 401 00:23:15,112 --> 00:23:17,491 ♪ Drink deep or taste 402 00:23:17,573 --> 00:23:21,914 ♪ Sobers us 403 00:23:21,951 --> 00:23:23,450 ♪ Again... ♪ 404 00:23:23,494 --> 00:23:25,957 [MUSIC CONTINUES] 405 00:23:25,982 --> 00:23:28,790 Come on! I wanna see your fuckin' heads banging! 406 00:23:39,348 --> 00:23:41,934 ♪ Mutant species 407 00:23:41,973 --> 00:23:43,973 ♪ Endless diseases 408 00:23:44,016 --> 00:23:46,870 ♪ We feed on war 409 00:23:46,894 --> 00:23:50,745 ♪ Terminal leeches. ♪ 410 00:23:52,368 --> 00:23:53,835 [MUSIC CONCLUDES] 411 00:23:53,859 --> 00:23:55,400 [MAYA] Thank you, Glastonbury! 412 00:23:55,444 --> 00:23:58,072 [DISTORTED CHORD RINGS OUT; SOFT FEEDBACK] 413 00:23:58,097 --> 00:24:01,100 [MAYA] We are Slave to Sirens from Lebanon. 414 00:24:02,240 --> 00:24:04,975 [UPBEAT DANCE-POP MUSIC IN DISTANCE] 415 00:24:07,246 --> 00:24:10,352 Man, the sound was so fucking good. 416 00:24:11,667 --> 00:24:13,558 For you maybe. 417 00:24:13,586 --> 00:24:15,590 [SHERY, IN ARABIC] I wish there were more people. 418 00:24:15,630 --> 00:24:18,400 At least those in the front were happy. 419 00:24:18,424 --> 00:24:20,819 What matters is that we were happy on a stage like that. 420 00:24:20,843 --> 00:24:23,865 - Mm. - And the sound was really good. 421 00:24:23,890 --> 00:24:25,699 By the way, I didn't hear your voice well. 422 00:24:25,723 --> 00:24:27,658 I couldn't hear myself either. 423 00:24:27,683 --> 00:24:29,811 [SHERY] I also couldn't hear you, 424 00:24:29,852 --> 00:24:32,523 but I thought at least you were hearing yourself. 425 00:24:32,565 --> 00:24:34,565 [ROCK MUSIC IN DISTANCE] 426 00:24:37,740 --> 00:24:40,844 [INSECTS CHIRR; INDISTINCT MUSIC IN DISTANCE] 427 00:24:44,659 --> 00:24:47,496 - [SHERY] Why isn't Lilas with us? - [MAYA] I don't know. 428 00:24:47,521 --> 00:24:50,431 [TATYANA] She gets upset and she leaves. 429 00:24:50,456 --> 00:24:51,750 [MAYA] We need to wake her up. 430 00:24:52,875 --> 00:24:55,854 [SHERY] Talk with her tomorrow, you don't need to wake her up now. 431 00:24:55,878 --> 00:24:58,799 Maybe she needs some time alone. 432 00:25:00,925 --> 00:25:04,196 [MAYA COUGHS; MUFFLED MUSIC IN DISTANCE] 433 00:25:04,220 --> 00:25:07,058 - [MAYA] Lilas? - Are you awake? 434 00:25:07,098 --> 00:25:09,742 [SHERY] Are you okay? 435 00:25:09,767 --> 00:25:13,356 [LILAS, IN ARABIC] Are you smoking in the tent? 436 00:25:13,381 --> 00:25:16,193 - [MAYA] She's right. - [IN ENGLISH] Let's go out. 437 00:25:16,232 --> 00:25:18,736 [TENT UNZIPS] 438 00:25:18,776 --> 00:25:20,551 [SUITCASE WHEELS RATTLE] 439 00:25:20,575 --> 00:25:23,655 [CAR HORNS] 440 00:25:37,253 --> 00:25:40,262 [MAN SPEAKS INDISTINCTLY ON TV] 441 00:25:42,592 --> 00:25:45,228 [TRAFFIC HUMS; INDISTINCT CHATTER] 442 00:25:51,352 --> 00:25:54,610 [SHE SIGHS, MAN SPEAKS INDISTINCTLY ON TV] 443 00:26:04,883 --> 00:26:06,800 [LOUD CLATTERING] 444 00:26:06,824 --> 00:26:08,830 [IN ARABIC] What, Lilas? 445 00:26:13,539 --> 00:26:15,150 How was the gig? 446 00:26:16,709 --> 00:26:19,297 Did it go as well as you wanted? 447 00:26:19,322 --> 00:26:20,990 I mean, yeah. 448 00:26:22,825 --> 00:26:24,984 Were there other bands? 449 00:26:25,009 --> 00:26:27,805 - Mom, let me have breakfast. - Okay. 450 00:26:27,845 --> 00:26:30,805 Tomorrow we'll talk about anything you want. 451 00:26:34,977 --> 00:26:36,898 [MOTHER] It's not time for news! 452 00:26:38,272 --> 00:26:41,037 [WOMAN, ON TV] The Lebanese band, Mashrou Leila, 453 00:26:41,067 --> 00:26:44,197 takes on controversial topics 454 00:26:44,222 --> 00:26:47,966 like homosexual and transexual rights. 455 00:26:47,990 --> 00:26:52,040 The band is facing pressure from religious authorities and the public. 456 00:26:52,065 --> 00:26:54,625 The death threats are seen by the band 457 00:26:54,649 --> 00:26:58,319 as part of a campaign that accuses them of blasphemy. 458 00:26:59,460 --> 00:27:03,314 [SOFT, UNEASY MUSIC; CAMERA SHUTTERS CLICK] 459 00:27:03,339 --> 00:27:07,220 [WOMAN] Hello. Thank you for being with us today. 460 00:27:08,344 --> 00:27:12,683 This campaign prevented a concert 461 00:27:12,723 --> 00:27:15,394 with threats of violence and bloodshed. 462 00:27:16,337 --> 00:27:18,315 We can no longer separate artistic repression 463 00:27:18,339 --> 00:27:22,917 from the hatred and discrimination affecting many people in our society. 464 00:27:22,942 --> 00:27:24,654 Today, a concert. 465 00:27:24,679 --> 00:27:26,198 Before that, homosexuals. 466 00:27:26,237 --> 00:27:28,741 Before and after that, the refugees. 467 00:27:28,781 --> 00:27:31,911 If we don't protect our right to sing today, 468 00:27:31,951 --> 00:27:34,622 we will surely lose our right to speak tomorrow. 469 00:27:34,664 --> 00:27:37,660 [CONTEMPLATIVE MUSIC] 470 00:27:45,716 --> 00:27:48,317 [MUSIC CONTINUES] 471 00:27:48,342 --> 00:27:51,806 [WOMAN, IN ENGLISH, ON PHONE]Listen, I have some bad news. 472 00:27:52,707 --> 00:27:55,422 [TATYANA] Oh, God. Fucking hell, man. 473 00:27:58,894 --> 00:28:00,815 [IN ARABIC] What happened? 474 00:28:00,840 --> 00:28:04,860 [WOMAN, IN ENGLISH, ON PHONE] When we were giving the schedule to the venue, 475 00:28:04,886 --> 00:28:08,157 they didn't allow us to have metal music. 476 00:28:08,181 --> 00:28:11,160 So, unfortunately, we can't use you guys 477 00:28:11,184 --> 00:28:13,829 as the closing performance. 478 00:28:13,853 --> 00:28:15,540 I'm really sorry, 479 00:28:15,564 --> 00:28:17,996 but there's nothing we can do about it. 480 00:28:18,040 --> 00:28:20,040 [MUSIC CONTINUES] 481 00:28:22,918 --> 00:28:24,844 [LILAS, IN ENGLISH]I don't think there's actual 482 00:28:24,868 --> 00:28:27,735 freedom of expression in Lebanon. 483 00:28:27,760 --> 00:28:29,800 [MUSIC CONTINUES] 484 00:28:35,765 --> 00:28:38,436 [LILAS] I would go online and check our videos, 485 00:28:38,461 --> 00:28:42,698 and people would call us sluts or whores. 486 00:28:44,765 --> 00:28:46,153 [IN ARABIC] "God save us." 487 00:28:46,177 --> 00:28:48,113 [IN ENGLISH] "This is satanic and... 488 00:28:48,137 --> 00:28:49,847 "such an abomination." 489 00:28:51,532 --> 00:28:53,493 [MUSIC CONTINUES] 490 00:28:53,518 --> 00:28:55,954 [LILAS] Any time a woman wants to be anything 491 00:28:55,978 --> 00:28:58,397 other than what society wants... 492 00:28:59,789 --> 00:29:01,788 ...it's always an issue. 493 00:29:01,812 --> 00:29:03,278 [MUSIC SUBSIDES; INDISTINCT CHATTER] 494 00:29:03,303 --> 00:29:08,633 - [TEACHER] Good morning. - [LILAS] Morning, how are you, Miss? 495 00:29:08,658 --> 00:29:10,635 - [SCHOOL BELL RINGS] - Slowly, slowly. 496 00:29:10,675 --> 00:29:12,969 Morning. Hurry up, sit down. 497 00:29:12,994 --> 00:29:16,062 Miss, yesterday was my birthday. I'm eight now. 498 00:29:16,087 --> 00:29:18,169 Hope you reach 100. 499 00:29:19,183 --> 00:29:21,354 What's up, Mervat? 500 00:29:22,338 --> 00:29:23,832 Okay, let's do the scales. 501 00:29:23,856 --> 00:29:28,083 [STUDENTS] Do, re, mi, fa, 502 00:29:28,110 --> 00:29:31,713 sol, la, ti, do. 503 00:29:31,737 --> 00:29:32,782 Very good. 504 00:29:32,822 --> 00:29:35,284 Rawan. Let's try Rawan. 505 00:29:35,326 --> 00:29:36,884 [STUDENTS] Ra-wan... 506 00:29:36,909 --> 00:29:41,390 [LILAS] How many rhythms in this sound? Two sounds. What else? 507 00:29:41,414 --> 00:29:44,053 - Chicken? - [STUDENTS] Chi-cken. 508 00:29:44,078 --> 00:29:47,198 How many rhythms in this sound? Two sounds. Bravo. 509 00:29:47,223 --> 00:29:49,425 For next time, 510 00:29:49,449 --> 00:29:53,318 I want you to research... 511 00:29:53,342 --> 00:29:56,303 four famous rap artists. 512 00:29:56,331 --> 00:29:58,627 - [GIRL] Justin Bieber! - [STUDENTS CHUCKLE] 513 00:29:58,666 --> 00:30:01,478 - Justin Bieber doesn't sing rap. - [STUDENTS CHATTER] 514 00:30:01,502 --> 00:30:03,438 This is a project. Go do your research. 515 00:30:03,477 --> 00:30:06,709 - Do you have internet and a laptop? - [BOY, IN ENGLISH] I don't have one. 516 00:30:06,733 --> 00:30:08,752 [IN ARABIC] Can you go to the coffee shop? 517 00:30:08,776 --> 00:30:11,235 [EXPLOSION REVERBERATES, ALARM BLARES IN DISTANCE] 518 00:30:12,498 --> 00:30:14,498 [INDISTINCT YELLING, CLAMOURING] 519 00:30:16,782 --> 00:30:20,037 [YELLING, CLAMOURING CONTINUE; SIREN WAILS] 520 00:30:21,495 --> 00:30:23,460 [SHERY, IN ENGLISH]My parents always tell me that... 521 00:30:24,525 --> 00:30:26,819 ...there is no future here. 522 00:30:28,711 --> 00:30:30,896 [YELLING, CLAMOURING SUBSIDE] 523 00:30:30,921 --> 00:30:33,256 [SHERY] It's a dog-eat-dog world. 524 00:30:33,301 --> 00:30:36,074 [LAID-BACK, INTRICATE GUITAR MUSIC] 525 00:30:40,514 --> 00:30:43,711 [NEIGHBOUR, IN ARABIC]Hail Mary full of grace... 526 00:30:50,318 --> 00:30:52,318 [MUSIC CONTINUES] 527 00:30:55,946 --> 00:30:59,233 [SHERY, IN ENGLISH]I feel... misunderstood a lot. 528 00:31:01,145 --> 00:31:02,999 Without music, 529 00:31:03,037 --> 00:31:05,893 I don't know how to express how I feel. 530 00:31:05,917 --> 00:31:07,917 [MUSIC CONTINUES] 531 00:31:13,255 --> 00:31:14,717 [MUSIC CONTINUES] 532 00:31:14,757 --> 00:31:16,860 [SHERY] I don't know what I'm feeling. 533 00:31:16,884 --> 00:31:20,988 [CLEAN-TONED METAL GUITAR PATTERN PLAYS QUIETLY ON SPEAKERS] 534 00:31:21,013 --> 00:31:22,808 ♪ Is it fear? 535 00:31:26,003 --> 00:31:27,917 ♪ Or is it dreams? 536 00:31:29,939 --> 00:31:31,730 ♪ What is she looking for? 537 00:31:31,776 --> 00:31:33,710 [MUSIC STOPS] 538 00:31:33,734 --> 00:31:36,614 [SHE STRUMS MELANCHOLY PATTERN] 539 00:31:41,575 --> 00:31:45,581 [SOMBRE GUITAR MUSIC ON PHONE SPEAKER] 540 00:31:51,045 --> 00:31:53,426 - [MUSIC CONTINUES] - ♪ Mesmerised 541 00:31:55,172 --> 00:31:57,843 ♪ By the moon's light 542 00:31:57,885 --> 00:32:01,031 ♪ In the darkest of nights 543 00:32:01,055 --> 00:32:04,576 ♪ Deep brown eyes 544 00:32:05,816 --> 00:32:07,816 ♪ With a flash 545 00:32:09,061 --> 00:32:14,020 ♪ So cold, and yet white. ♪ 546 00:32:16,402 --> 00:32:19,381 I love it! [IN ARABIC] This must be on the album! 547 00:32:19,405 --> 00:32:21,867 Give me the lyrics. 548 00:32:21,893 --> 00:32:25,997 [IN ENGLISH] ♪ Oh, my heart is pounding. ♪ 549 00:32:26,021 --> 00:32:27,540 [IN ARABIC] Stop it. 550 00:32:27,582 --> 00:32:28,934 Okay, let's try it. 551 00:32:28,958 --> 00:32:31,058 [LILAS STRUMS COUNT-IN] 552 00:32:31,083 --> 00:32:34,880 [THEY PLAY OMINOUS BLACK METAL PATTERN] 553 00:32:37,673 --> 00:32:40,569 Slower, slower. It's too crowded. 554 00:32:40,593 --> 00:32:43,720 I think it sounds professional. 555 00:32:43,764 --> 00:32:45,782 - [LILAS] But it's really cliché. - [SHERY, IN ENGLISH] What? 556 00:32:45,806 --> 00:32:48,493 [IN ARABIC] It's so cliché to do this black metal thing... 557 00:32:48,517 --> 00:32:50,871 [SHE MIMICS ASCENDING GUITAR PATTERN] 558 00:32:50,895 --> 00:32:54,206 [SHERY] The problem is we're not playing in sync. 559 00:32:54,231 --> 00:32:56,960 - Don't make fun of me. - [LILAS EXCLAIMS] 560 00:32:56,984 --> 00:33:00,408 [LILAS, IN ENGLISH] I don't like it. [IN ARABIC] At least not at the beginning. 561 00:33:00,446 --> 00:33:02,320 [BASS GUITAR RUMBLES] 562 00:33:04,867 --> 00:33:07,235 - [SHERY PLUCKS DISTORTED NOTE] - The next one. 563 00:33:07,260 --> 00:33:08,664 Okay, we understand this idea. 564 00:33:08,704 --> 00:33:12,028 [SHERY PLAYS OMINOUS PALM-MUTED PATTERN] 565 00:33:12,052 --> 00:33:16,278 [LILAS PLAYS EERIE MELODY] 566 00:33:36,984 --> 00:33:38,984 [MUSIC CONTINUES] 567 00:33:43,364 --> 00:33:45,705 [MUSIC STOPS, RESONATES] 568 00:33:45,743 --> 00:33:48,689 [CONTEMPLATIVE ELECTRONIC MUSIC] 569 00:33:52,750 --> 00:33:55,712 [SHERY, IN ENGLISH]Me and Lilas, we had this... 570 00:33:55,736 --> 00:33:57,220 tension. 571 00:33:59,672 --> 00:34:02,510 Whenever we saw each other or were in the same room, 572 00:34:02,549 --> 00:34:05,888 we felt this kind of electricity. 573 00:34:05,928 --> 00:34:09,114 [MUSIC CONTINUES; FAINT BIRDSONG] 574 00:34:09,139 --> 00:34:11,776 [SHERY] It was like adrenaline. 575 00:34:15,356 --> 00:34:17,356 [MUSIC CONTINUES] 576 00:34:19,635 --> 00:34:22,574 How do you say something that... 577 00:34:22,613 --> 00:34:24,573 that you love, but... 578 00:34:26,740 --> 00:34:31,870 ...but you want it for you, let's say, or...? 579 00:34:31,914 --> 00:34:33,914 [MUSIC CONTINUES] 580 00:34:37,003 --> 00:34:40,187 [NO AUDIBLE DIALOGUE] 581 00:34:40,212 --> 00:34:43,070 [SHERY] She didn't want the band members to know. 582 00:34:45,676 --> 00:34:50,182 After that, she started liking girls... 583 00:34:50,222 --> 00:34:54,369 - [MUSIC SUBSIDES] - ...and pushing me away. 584 00:34:54,393 --> 00:34:56,980 [INSECTS CHIRR] 585 00:34:59,323 --> 00:35:00,360 I... 586 00:35:03,444 --> 00:35:05,264 [IN ARABIC]Who are you pointing to, exactly? 587 00:35:06,405 --> 00:35:07,992 [LILAS] Chance. 588 00:35:08,034 --> 00:35:09,223 [TOY SQUEAKS] 589 00:35:10,325 --> 00:35:12,040 [TOY SQUEAKS] 590 00:35:13,154 --> 00:35:15,875 [LILAS, IN ENGLISH] It's his new toy. 591 00:35:15,917 --> 00:35:17,917 [SHE EXCLAIMS, TOY THUDS SOFTLY] 592 00:35:20,210 --> 00:35:21,229 [IN ARABIC] What? 593 00:35:21,253 --> 00:35:23,287 Do you want to play, too? 594 00:35:24,715 --> 00:35:26,469 Do you want a toy? 595 00:35:27,470 --> 00:35:30,696 - I got you something. - [SHE CHUCKLES] 596 00:35:30,721 --> 00:35:33,108 I'll show you when you visit. 597 00:35:35,603 --> 00:35:37,402 Come close. 598 00:35:38,979 --> 00:35:40,233 [LILAS KISSES] 599 00:35:41,717 --> 00:35:42,770 [ALAA] Babe? 600 00:35:43,938 --> 00:35:45,086 Okay... 601 00:35:45,112 --> 00:35:48,827 [SOFT, AIRY MUSIC] 602 00:35:48,864 --> 00:35:54,622 [LILAS, IN ENGLISH]I made this poetry account on Instagram. 603 00:35:54,647 --> 00:35:59,096 And... Alaa sent me a message out of nowhere. 604 00:36:01,251 --> 00:36:04,712 And that's how we started the conversation, online. 605 00:36:04,737 --> 00:36:07,802 So, first time I met Alaa, 606 00:36:07,841 --> 00:36:10,930 it was at the cafe in Syria. 607 00:36:10,955 --> 00:36:13,555 [STIRRING ELECTRONIC MUSIC] 608 00:36:16,060 --> 00:36:18,060 [MUSIC CONTINUES] 609 00:36:33,780 --> 00:36:35,780 [MUSIC CONTINUES] 610 00:36:40,763 --> 00:36:43,255 [THEY CONVERSE INDISTINCTLY] 611 00:36:47,589 --> 00:36:49,176 [ALAA, IN ARABIC] Do we need to pay him? 612 00:36:52,553 --> 00:36:54,072 - Hello. - Hello, how are you? 613 00:36:54,096 --> 00:36:55,510 Like we agreed on? 614 00:36:57,268 --> 00:36:59,162 [LILAS] My mom is home. 615 00:37:00,644 --> 00:37:03,608 Say hi to her quickly, and keep it short. Okay? 616 00:37:03,632 --> 00:37:06,111 Because she'll start asking why and how, 617 00:37:06,135 --> 00:37:09,673 and what about your parents? So, just keep it short. 618 00:37:09,697 --> 00:37:12,754 - Will she ask me about Syria? - I don't know. 619 00:37:13,866 --> 00:37:17,288 Do you want to eat? Drink? Sleep? Anything? 620 00:37:17,330 --> 00:37:19,892 Babe, I like to talk about all these things. 621 00:37:19,916 --> 00:37:22,335 Postpone, babe. Later. 622 00:37:23,625 --> 00:37:25,340 Okay. 623 00:37:25,379 --> 00:37:28,842 - [GEAR STICK CLICKS] - As for how we met each other... 624 00:37:28,866 --> 00:37:32,554 When I first went to Syria, we met and became friends. 625 00:37:32,578 --> 00:37:35,305 Okay? Keep it short. 626 00:37:35,345 --> 00:37:38,100 Okay. We have mutual friends. 627 00:37:38,142 --> 00:37:40,621 [LILAS] Be careful not to call me babe, okay? 628 00:37:40,645 --> 00:37:42,688 Say "Lilas". 629 00:37:47,134 --> 00:37:49,588 I'll open the other door. 630 00:37:49,612 --> 00:37:51,361 Are you sleeping? 631 00:37:56,867 --> 00:37:58,579 Pss, pss, pss! Psst! 632 00:37:58,604 --> 00:38:00,224 Cuties! 633 00:38:00,248 --> 00:38:01,848 [SHE SQUEALS] 634 00:38:01,872 --> 00:38:06,879 [LILAS] You should say hi to her now, get it over with. 635 00:38:06,919 --> 00:38:09,678 [IN ENGLISH] It's simple. [IN ARABIC] Why make it complicated? 636 00:38:09,715 --> 00:38:12,745 [LILAS] It's not that simple. It stresses me out. 637 00:38:17,179 --> 00:38:20,949 Right away, you take my necklace. 638 00:38:20,974 --> 00:38:23,240 [IN ENGLISH] My necklace. 639 00:38:23,268 --> 00:38:25,398 [BRIGHT ELECTRONIC MUSIC] 640 00:38:28,484 --> 00:38:30,484 [MUSIC CONTINUES] 641 00:38:44,166 --> 00:38:46,166 [MUSIC CONTINUES] 642 00:38:59,265 --> 00:39:01,058 Wait, wait! 643 00:39:02,435 --> 00:39:04,729 Okay, I give up. 644 00:39:09,025 --> 00:39:11,025 [MUSIC CONTINUES] 645 00:39:17,450 --> 00:39:20,130 [CAR HORNS; MUSIC SUBSIDES] 646 00:39:20,158 --> 00:39:23,450 [TRADITIONAL MUSIC IN DISTANCE] 647 00:39:28,628 --> 00:39:31,198 [CAR HORNS] 648 00:39:37,718 --> 00:39:39,930 [IN ARABIC] Fuck! 649 00:39:41,638 --> 00:39:43,199 [SHERY GROANS] 650 00:39:43,223 --> 00:39:44,952 [MELANCHOLY GUITAR MUSIC ON SPEAKERS] 651 00:39:44,977 --> 00:39:47,481 But are we gonna skip the intro? 652 00:40:04,747 --> 00:40:07,973 [MUSIC CONCLUDES, RESONATES] 653 00:40:07,998 --> 00:40:10,987 Okay, but remove Lilas, because... 654 00:40:12,821 --> 00:40:14,613 [MAN] Impossible. 655 00:40:16,550 --> 00:40:21,240 [MELANCHOLY GUITAR MUSIC ON SPEAKERS; SHERY PLAYS DISTORTED MELODY] 656 00:40:21,264 --> 00:40:23,137 [METRONOME CLICKS] 657 00:40:43,296 --> 00:40:44,935 [SHERY LAUGHS] 658 00:40:47,037 --> 00:40:48,890 Fuck, I don't know what to fucking do now. 659 00:40:48,914 --> 00:40:50,835 [SHE WINCES, MUSIC STOPS] 660 00:40:56,505 --> 00:41:02,099 I feel like time is flying. 661 00:41:02,124 --> 00:41:05,642 I still have a lot I want to do, 662 00:41:05,680 --> 00:41:10,328 - and I'm not getting any younger. - [IN ENGLISH] Yes. 663 00:41:10,352 --> 00:41:12,315 [IN ARABIC] Did you used to feel that way? 664 00:41:12,340 --> 00:41:14,200 Definitely. We all felt like that, my dear. 665 00:41:14,231 --> 00:41:15,820 [IN ENGLISH] You are now 27. 666 00:41:15,860 --> 00:41:18,485 27, and other girls have babies... 667 00:41:18,510 --> 00:41:20,546 - Yeah. - ...for example. 668 00:41:20,570 --> 00:41:23,216 - [IN ARABIC] I know how you think. - [HE INHALES] 669 00:41:23,240 --> 00:41:26,425 That's not your purpose in life. 670 00:41:26,451 --> 00:41:31,080 [IN ENGLISH] You want more in life, I don't know what. 671 00:41:31,105 --> 00:41:32,809 [IN ARABIC] But if you were a pop band, 672 00:41:32,833 --> 00:41:36,009 trust me, you would have been much more famous. 673 00:41:36,044 --> 00:41:38,883 [IN ENGLISH] Yeah, but it's not my style at all. 674 00:41:38,907 --> 00:41:42,485 I know it's not your style. This is the opportunity you didn't have. 675 00:41:42,511 --> 00:41:44,638 - Yeah. - No, it's... 676 00:41:44,678 --> 00:41:48,726 [IN ARABIC] Your style is not supported here. 677 00:41:48,765 --> 00:41:51,786 Here in the Middle East... 678 00:41:51,810 --> 00:41:54,539 you are the 1% that likes thrash metal. 679 00:41:54,563 --> 00:41:56,980 These are your disadvantages. 680 00:41:58,135 --> 00:42:02,052 You did not get the opportunity to shine more. 681 00:42:05,159 --> 00:42:07,159 [BIRDSONG] 682 00:42:12,539 --> 00:42:14,961 [LILAS, IN ENGLISH] Make a wish. 683 00:42:15,000 --> 00:42:17,546 [IN ARABIC] I don't know why, but that's what they say. 684 00:42:17,586 --> 00:42:19,590 [IN ENGLISH] Make a wish. 685 00:42:20,672 --> 00:42:23,928 - Okay. - [IN ARABIC] I made 300,000 wishes. 686 00:42:23,952 --> 00:42:27,241 When you tell me "make a wish", my mind races, you know? 687 00:42:27,265 --> 00:42:29,165 Mm-hm. 688 00:42:30,807 --> 00:42:35,096 [LILAS] Call me... Call me when you arrive, please? 689 00:42:42,194 --> 00:42:43,489 Bye, my heart. 690 00:42:43,528 --> 00:42:45,992 - Take care of the young lady. - [DRIVER] No need to ask. 691 00:42:49,951 --> 00:42:52,748 [WISTFUL MUSIC] 692 00:42:52,790 --> 00:42:55,347 [LILAS, IN ENGLISH] It's all fantasies. 693 00:42:58,883 --> 00:43:01,709 She won't be able to get out of Syria anyways. 694 00:43:02,883 --> 00:43:04,883 [MUSIC CONTINUES] 695 00:43:06,259 --> 00:43:08,390 [MUSIC SUBSIDES] 696 00:43:09,387 --> 00:43:11,347 [SHERY] Seriously, dude? 697 00:43:11,392 --> 00:43:14,317 [LILAS, IN ARABIC] It's my back, man. I told you these things. 698 00:43:14,346 --> 00:43:17,318 - Do you want me to give you a massage? - [LILAS, IN ENGLISH] No, no. I'm good. 699 00:43:17,354 --> 00:43:21,270 - Thank you. - Okay, as you like. 700 00:43:22,362 --> 00:43:24,054 [SHE EXHALES] 701 00:43:27,030 --> 00:43:29,076 [GLOOMY GUITAR MUSIC] 702 00:43:29,115 --> 00:43:32,516 [LILAS] Shery once said I love hardships. 703 00:43:33,745 --> 00:43:37,561 I don't know if I'm ever gonna be satisfied. 704 00:43:37,585 --> 00:43:39,585 [MUSIC CONTINUES] 705 00:43:41,257 --> 00:43:43,257 ♪ Extinguish the sun. ♪ 706 00:43:47,050 --> 00:43:52,140 [LILAS VOCALISES, HOLDS LONG NOTE] 707 00:43:52,180 --> 00:43:53,976 [IN ARABIC] I am giving you the key on a high note. 708 00:43:54,015 --> 00:43:56,646 - Let's just change the key. - [IN ENGLISH] ♪ Extinguish the sun... ♪ 709 00:43:56,670 --> 00:43:58,564 [IN ARABIC] We can just change it! 710 00:43:58,588 --> 00:44:00,401 - I won't change the key. - Why? 711 00:44:00,425 --> 00:44:02,652 Because it will change the whole feeling. 712 00:44:02,676 --> 00:44:05,113 I will not change the key, Shery. 713 00:44:05,137 --> 00:44:07,282 - Babe, can we at least try? - It will change the sound. 714 00:44:07,306 --> 00:44:09,459 You don't wanna try. Fine, don't try. 715 00:44:09,489 --> 00:44:12,662 Try giving us a different key. It will end up changing everything. 716 00:44:12,686 --> 00:44:14,262 It's not going to work. 717 00:44:14,286 --> 00:44:16,998 [LILAS PLAYS RUMBLING STACCATO PATTERN] 718 00:44:17,023 --> 00:44:18,752 We would need to start like this... 719 00:44:18,793 --> 00:44:20,642 [LILAS REPEATS PATTERN IN HIGHER KEY] 720 00:44:20,667 --> 00:44:23,729 - [TATYANA PLAYS SNARE ROLL] - Forget it. 721 00:44:23,753 --> 00:44:25,940 - Sing for a bit. - [TATYANA BATTERS TOMS] 722 00:44:25,964 --> 00:44:30,528 ♪ ...fed upon its ashes. 723 00:44:30,552 --> 00:44:34,430 ♪ And down into its tomb. ♪ 724 00:44:34,472 --> 00:44:37,954 [GLOOMY GUITAR MUSIC] 725 00:44:37,979 --> 00:44:39,979 [MUSIC - "EXTINGUISH THE SUN" BY SLAVE TO SIRENS] 726 00:44:59,522 --> 00:45:01,058 [MUSIC STOPS] 727 00:45:01,082 --> 00:45:03,672 - [LILAS] What's up, Shery? - [SHERY] I told you faster! Fucking hell! 728 00:45:03,697 --> 00:45:05,688 [LILAS] Your tempo is too fast. 729 00:45:05,712 --> 00:45:07,758 I'm playing the same tempo, babe. 730 00:45:07,782 --> 00:45:09,317 - It's supposed to be slow, Shery. - [LILAS, IN ENGLISH] It's not the same. 731 00:45:09,341 --> 00:45:12,763 [IN ARABIC] I'm playing the same fucking tempo. 732 00:45:12,802 --> 00:45:15,516 - Go ahead, play without me. - [HAMMERING SNARE DRUM INTRO] 733 00:45:15,558 --> 00:45:17,558 [MUSIC - "EXTINGUISH THE SUN" BY SLAVE TO SIRENS] 734 00:45:26,399 --> 00:45:29,373 [MUSIC CONTINUES, SIREN WAILS IN DISTANCE] 735 00:45:35,202 --> 00:45:37,202 [INDISTINCT YELLING] 736 00:45:38,411 --> 00:45:41,292 [SIREN WAILS IN DISTANCE] 737 00:45:41,331 --> 00:45:44,290 [MUSIC CONTINUES] 738 00:45:47,340 --> 00:45:50,188 [SHE GROWLS COMICALLY, MUSIC SUBSIDES] 739 00:45:53,353 --> 00:45:56,339 [SHE WINCES, GRUNTS RHYTHMICALLY] 740 00:46:03,478 --> 00:46:05,358 [SHERY, IN ENGLISH] Hi, guys. 741 00:46:05,383 --> 00:46:09,229 [IN ARABIC] With all honesty, I can't take it any more. 742 00:46:09,254 --> 00:46:11,948 The way Lilas is berating me. 743 00:46:11,972 --> 00:46:14,450 And the way she's picking fights with everyone. 744 00:46:14,489 --> 00:46:16,577 Tension is always high. 745 00:46:16,601 --> 00:46:18,538 No-one can say a word. 746 00:46:18,562 --> 00:46:22,415 I don't know how to fix it alone. I'm sure I can't fix it. 747 00:46:22,455 --> 00:46:25,395 That's why I'm sorry but... 748 00:46:25,419 --> 00:46:27,330 [IN ENGLISH] I'm leaving the band. 749 00:46:34,759 --> 00:46:36,970 I got very upset... 750 00:46:37,011 --> 00:46:38,307 [IN ARABIC] ...because... 751 00:46:38,332 --> 00:46:41,117 [IN ENGLISH] ...I just saw, like, how out of sync we were, 752 00:46:41,141 --> 00:46:45,996 and how far from a unit we were. 753 00:46:46,020 --> 00:46:48,401 And I think that... 754 00:46:49,941 --> 00:46:52,795 ...what's growing us apart musically 755 00:46:52,819 --> 00:46:56,742 is our internal conflicts [IN ARABIC] with each other. 756 00:46:58,369 --> 00:47:01,685 There are always things that are unspoken. Always. 757 00:47:01,710 --> 00:47:04,831 [IN ENGLISH] But this is... We have to be honest with each other, 758 00:47:04,873 --> 00:47:07,503 and I don't think we are being totally honest, 759 00:47:07,542 --> 00:47:10,214 maybe with ourselves, I don't know. 760 00:47:11,281 --> 00:47:13,925 - We used to go out and shit, right? - Mm-hm. 761 00:47:15,800 --> 00:47:17,403 Right or wrong? 762 00:47:17,428 --> 00:47:19,270 [IN ARABIC] What does that have to do with anything? 763 00:47:19,304 --> 00:47:20,740 [IN ENGLISH] Is it true or not? 764 00:47:20,764 --> 00:47:22,476 [IN ARABIC] What does that have to do with anything? 765 00:47:22,501 --> 00:47:23,813 [IN ENGLISH] Is it right or wrong? 766 00:47:23,850 --> 00:47:24,913 [IN ARABIC] What does that have to do with anything? 767 00:47:24,937 --> 00:47:26,787 It's relevant because... 768 00:47:26,811 --> 00:47:30,739 [IN ENGLISH] Whatever happened in the past, I moved forward. 769 00:47:30,774 --> 00:47:33,669 - I moved forward with anyone... - [SHERY] I really hope so. 770 00:47:33,693 --> 00:47:34,780 Okay. 771 00:47:34,819 --> 00:47:36,464 But it was disrespectful... 772 00:47:36,488 --> 00:47:39,409 [IN ARABIC] ...for you to make that decision over WhatsApp. 773 00:47:39,434 --> 00:47:41,996 - Why? - [LILAS] We are not selling potatoes. 774 00:47:42,020 --> 00:47:46,640 Come talk with us as a band and we make that decision together. 775 00:47:46,664 --> 00:47:51,187 Because it's like [IN ENGLISH] you're selling us, like... 776 00:47:51,211 --> 00:47:53,024 [SHERY] I'm not selling anything... 777 00:47:53,049 --> 00:47:55,216 [IN ARABIC] "I don't care, I'm leaving the band." 778 00:47:55,256 --> 00:47:56,840 No. We created something together. 779 00:47:58,021 --> 00:48:00,556 [IN ARABIC] Keep personal things [IN ENGLISH] out of the band. 780 00:48:00,580 --> 00:48:01,850 That's my mentality. 781 00:48:01,875 --> 00:48:04,241 [IN ARABIC] Whatever is happening in the band is business. 782 00:48:04,265 --> 00:48:07,188 - [IN ENGLISH] I really hope that, but... - [IN ARABIC] Don't tell me you hope... 783 00:48:07,212 --> 00:48:10,524 [IN ENGLISH] Dude, the thing is, it wasn't showing for me. 784 00:48:10,548 --> 00:48:13,361 I was like, [IN ARABIC] "Why is she acting like that towards me? 785 00:48:13,385 --> 00:48:16,072 "Why is she throwing me away like that?" 786 00:48:16,096 --> 00:48:19,256 - I wasn't throwing you away, Shery! - [SHERY] Yes, you were! 787 00:48:19,280 --> 00:48:21,550 Why were you acting like this with me? 788 00:48:21,574 --> 00:48:24,506 [IN ENGLISH] You were fucking kicking me around. 789 00:48:24,531 --> 00:48:26,120 And that fucking hurts me. 790 00:48:26,162 --> 00:48:28,224 [IN ARABIC] And this is why [IN ENGLISH] I'm fucking leaving. 791 00:48:28,248 --> 00:48:29,809 All right. 792 00:48:29,833 --> 00:48:32,936 We're not a fucking unit. 793 00:48:32,961 --> 00:48:34,924 - [LILAS] I wonder why. - [IN ARABIC] I'm telling you why! 794 00:48:34,963 --> 00:48:38,319 - [CHAIR SCRAPES FLOOR] - Fuck you and fuck this band! 795 00:48:38,344 --> 00:48:39,722 That's it. 796 00:48:39,762 --> 00:48:43,112 [INDISTINCT ARGUING; VOICES OVERLAP] 797 00:48:43,137 --> 00:48:47,353 That's it. I don't want her in the band, and I don't want to be in the band! 798 00:48:47,392 --> 00:48:49,772 [ARGUING CONTINUES] 799 00:48:53,061 --> 00:48:56,602 [VOICES FADE GRADUALLY; EERIE, REVERBERANT HUM] 800 00:49:13,713 --> 00:49:16,849 [HUM INTENSIFIES GRADUALLY] 801 00:49:25,516 --> 00:49:27,516 [HUM CONTINUES] 802 00:49:36,319 --> 00:49:38,983 [HEAVY METAL MUSIC ON CAR STEREO] 803 00:49:47,535 --> 00:49:50,642 [MUSIC PLAYS - "MAKTUB" BY LUCIANO] 804 00:49:57,962 --> 00:50:00,049 [LAUGHTER] 805 00:50:05,553 --> 00:50:07,140 [IN ENGLISH] Go on, get up. Come on! 806 00:50:07,183 --> 00:50:10,768 [MUSIC CONTINUES; INDISTINCT CONVERSATION] 807 00:50:18,107 --> 00:50:21,155 [MUSIC CONTINUES, AMPLIFIER BUZZES SOFTLY] 808 00:50:28,537 --> 00:50:31,431 [PLAINTIVE GUITAR MUSIC] 809 00:50:42,423 --> 00:50:46,260 [BASSEM] Metal is about pure 100% sacrifice. 810 00:50:51,099 --> 00:50:54,850 You know the problem when you're an all-female band? 811 00:50:54,875 --> 00:50:58,040 - [MUSIC CONTINUES] - You don't have reserves. 812 00:50:58,064 --> 00:50:59,750 Reserves? What do you mean? 813 00:50:59,774 --> 00:51:03,131 Male bands, [IN ARABIC] if they fight with a guitarist, they just get another. 814 00:51:03,155 --> 00:51:04,530 - Ah! - [BASSEM CHUCKLES] 815 00:51:04,574 --> 00:51:06,331 [MUSIC CONTINUES] 816 00:51:06,367 --> 00:51:08,185 [CAT MEWLS SOFTLY] 817 00:51:13,371 --> 00:51:16,516 [MUSIC SUBSIDES; BOTTLE OPENS, HISSES] 818 00:51:16,541 --> 00:51:22,022 I'm tired because we're circling the same story. 819 00:51:22,046 --> 00:51:24,300 I don't know what her problem is! 820 00:51:24,340 --> 00:51:28,434 We all argue, but then we make up and it's fine. 821 00:51:28,469 --> 00:51:31,392 But with her, I don't know! 822 00:51:31,431 --> 00:51:34,496 [ALMA] Man, she was really pissed off. Didn't you notice? 823 00:51:34,520 --> 00:51:37,788 - No. - [ALMA] She was fuming. 824 00:51:37,812 --> 00:51:43,530 My senses are not tuned in 24/7 to why each one of you is upset with me. 825 00:51:43,568 --> 00:51:46,866 [MAYA] You only think about yourself. 826 00:51:48,576 --> 00:51:50,978 [LILAS] Why? Have I ever mistreated her? 827 00:51:56,834 --> 00:51:58,834 [INSECTS CHIRR] 828 00:52:02,170 --> 00:52:03,984 [MELANCHOLY GUITAR MUSIC] 829 00:52:04,008 --> 00:52:06,008 [MUSIC CONTINUES] 830 00:52:15,391 --> 00:52:19,607 [LILAS, IN ENGLISH]Maybe I was... just in denial. 831 00:52:19,631 --> 00:52:21,739 Because I was thinking, "Oh, society, 832 00:52:21,764 --> 00:52:23,779 "Oh, my mother, she would know". 833 00:52:23,816 --> 00:52:26,126 It's really bad. It's not okay. 834 00:52:29,697 --> 00:52:34,787 My first experience with a girl changed everything. 835 00:52:34,827 --> 00:52:37,910 But I was like, "No, no, no, no". 836 00:52:37,935 --> 00:52:40,068 - [MUSIC CONTINUES] - [SARAH] Make a wish! 837 00:52:40,093 --> 00:52:41,861 Wish, wish, come on. 838 00:52:45,505 --> 00:52:46,926 Cut the cake. 839 00:52:46,964 --> 00:52:48,636 - [DAD] Happy birthday, dear. - [SHERY] Happy birthday, dad. 840 00:52:48,678 --> 00:52:50,678 [MUSIC CONTINUES] 841 00:52:54,767 --> 00:52:56,767 [MUSIC CONTINUES] 842 00:53:02,400 --> 00:53:05,558 [MUSIC CONCLUDES; INDISTINCT CHATTER] 843 00:53:12,952 --> 00:53:15,208 [LIVELY MUSIC ON SPEAKER] 844 00:53:21,377 --> 00:53:24,034 [MUSIC CONTINUES FAINTLY] 845 00:53:24,059 --> 00:53:26,059 [MUSIC SUBSIDES] 846 00:53:29,712 --> 00:53:31,712 [RUMBLING IN DISTANCE] 847 00:53:34,165 --> 00:53:37,232 [MUFFLED BOOM REVERBERATES] 848 00:53:39,854 --> 00:53:43,192 [MUSIC - "EXTINGUISH THE SUN" BY SLAVE TO SIRENS] 849 00:54:06,836 --> 00:54:08,480 [BOOM REVERBERATES] 850 00:54:08,504 --> 00:54:10,635 [MUSIC INTENSIFIES] 851 00:54:10,673 --> 00:54:12,613 [MUSIC CONTINUES] 852 00:54:12,637 --> 00:54:14,637 [LYRICS INDISTINCT] 853 00:54:26,439 --> 00:54:28,400 [MUSIC CONTINUES] 854 00:54:38,365 --> 00:54:40,557 [SIREN BLARES, MUSIC CONTINUES] 855 00:54:40,581 --> 00:54:42,581 [SIREN RECEDES] 856 00:54:45,419 --> 00:54:48,256 [MUSIC STOPS; LOW, REVERBERANT HUM] 857 00:54:58,557 --> 00:55:00,889 [SIREN WAILS IN DISTANCE] 858 00:55:02,110 --> 00:55:04,110 [MELANCHOLY MUSIC] 859 00:55:11,442 --> 00:55:15,408 [LILAS] We inherited some kind of trauma from our parents. 860 00:55:15,446 --> 00:55:18,411 I wasn't... aware of it. 861 00:55:18,449 --> 00:55:21,844 [MUSIC CONTINUES; INDISTINCT YELLING, CLAMOURING] 862 00:55:21,869 --> 00:55:25,608 [LILAS] Until this explosion happened, it's just... 863 00:55:28,087 --> 00:55:30,087 [MUSIC CONTINUES] 864 00:55:31,379 --> 00:55:33,982 [LILAS] I just started imagining that 865 00:55:34,006 --> 00:55:36,816 the water around Beirut... 866 00:55:36,846 --> 00:55:39,762 is filled with dead bodies. 867 00:55:41,851 --> 00:55:43,728 People are still missing. 868 00:55:45,605 --> 00:55:47,605 [MUSIC CONTINUES] 869 00:55:48,983 --> 00:55:51,277 [LILAS] Home doesn't feel safe. 870 00:55:54,169 --> 00:55:56,662 Friendship doesn't feel safe. 871 00:55:59,619 --> 00:56:01,809 Love doesn't feel safe. 872 00:56:03,623 --> 00:56:06,756 [MUSIC SUBSIDES, INSECTS CHIRR SOFTLY] 873 00:56:11,605 --> 00:56:15,712 [STEADY, TICKING PERCUSSION; LILAS PLAYS UPTEMPO METAL RIFF] 874 00:56:20,645 --> 00:56:24,738 [DRUMS KICK IN, GUITAR GRADUALLY SLIPS OUT OF RHYTHM] 875 00:56:26,605 --> 00:56:28,605 [MUSIC PETERS OUT] 876 00:56:28,644 --> 00:56:31,610 [IN ARABIC] Fuck, I don't know. It's hard. 877 00:56:31,647 --> 00:56:34,417 [LILAS STRUMS DISTORTED CHORDS] 878 00:56:34,442 --> 00:56:36,903 [IN ENGLISH] I need Shery here. 879 00:56:38,050 --> 00:56:39,634 [LILAS INHALES, SIGHS] 880 00:56:39,659 --> 00:56:42,077 [LILAS, IN ARABIC] Okay, what other songs are there? 881 00:56:46,495 --> 00:56:49,001 Honestly, if I can't find a guitarist, 882 00:56:49,025 --> 00:56:52,894 I have no patience to go in the same cycle I was in [IN ENGLISH] years ago. 883 00:56:52,918 --> 00:56:55,383 I know it's hard. 884 00:56:55,421 --> 00:56:58,300 [IN ARABIC] There is a candidate but... 885 00:56:58,341 --> 00:57:01,152 I doubt she's [IN ENGLISH] as good as... 886 00:57:01,177 --> 00:57:02,682 - Shery. - Shery, yeah. 887 00:57:02,720 --> 00:57:05,986 [IN ARABIC] There's a specific style we don't want to move away from. 888 00:57:06,011 --> 00:57:07,645 Exactly. 889 00:57:07,669 --> 00:57:10,069 [IN ENGLISH] Shery has that specific style. 890 00:57:10,102 --> 00:57:11,732 I love it, [IN ARABIC] honestly. 891 00:57:11,771 --> 00:57:13,693 I just wish she'd be reasonable. 892 00:57:14,694 --> 00:57:17,298 [TATYANA] Just for the sake of the band. 893 00:57:18,602 --> 00:57:20,522 [MUFFLED THUD] 894 00:57:21,690 --> 00:57:23,690 [GLOOMY ELECTRONIC MUSIC] 895 00:57:25,705 --> 00:57:27,705 [MUSIC CONTINUES] 896 00:57:34,130 --> 00:57:36,130 [MUSIC CONTINUES] 897 00:57:37,758 --> 00:57:39,954 [MUSIC CONTINUES; FAINT CHATTER] 898 00:57:44,015 --> 00:57:46,655 [MUSIC CONTINUES; INDISTINCT CONVERSATION] 899 00:57:52,773 --> 00:57:54,773 [MUSIC CONTINUES] 900 00:57:59,572 --> 00:58:01,572 [MUSIC CONTINUES] 901 00:58:04,535 --> 00:58:07,740 [MUSIC CONTINUES, SIREN WAILS IN DISTANCE] 902 00:58:09,040 --> 00:58:11,669 [MUSIC CONTINUES; INDISTINCT CHANTING] 903 00:58:18,212 --> 00:58:20,885 [MAN] As we continue on the August 4th explosion, 904 00:58:20,923 --> 00:58:23,220 what changed today on a field level? 905 00:58:23,259 --> 00:58:25,306 [MAN 2] People are homeless, 906 00:58:25,330 --> 00:58:28,076 and responders are still assessing the damage. 907 00:58:28,100 --> 00:58:30,423 [VOICE CONTINUES INDISTINCTLY] 908 00:58:31,896 --> 00:58:33,896 [MUSIC CONTINUES] 909 00:58:36,480 --> 00:58:38,694 [LILAS, IN ENGLISH] When Shery and I met, 910 00:58:38,719 --> 00:58:41,053 we were in the middle of the riot. 911 00:58:42,695 --> 00:58:46,826 People were screaming and shouting at the government. 912 00:58:46,851 --> 00:58:49,245 And I looked at her, 913 00:58:49,285 --> 00:58:54,043 and she looked at me and was like, "Okay, what do you listen to?" 914 00:58:54,081 --> 00:58:56,085 [MUSIC CONTINUES] 915 00:58:56,110 --> 00:58:59,739 [LILAS] At some point, I mistreated her. 916 00:59:01,741 --> 00:59:05,137 I was fighting with myself. 917 00:59:05,161 --> 00:59:08,956 But I never wanted it to affect the band. 918 00:59:12,186 --> 00:59:14,505 [MUSIC CONTINUES] 919 00:59:21,426 --> 00:59:23,746 [MUSIC SUBSIDES GRADUALLY] 920 00:59:31,785 --> 00:59:33,291 [LILAS] I woke up... 921 00:59:33,315 --> 00:59:35,665 feeling like, "Okay, I should cut my hair". 922 00:59:35,706 --> 00:59:38,560 - [MAYA CHUCKLES] - It was just heavy, 923 00:59:38,584 --> 00:59:40,590 it's like a burden. 924 00:59:40,628 --> 00:59:43,800 I needed to get rid of that burden. 925 00:59:45,716 --> 00:59:48,472 After what happened... 926 00:59:48,514 --> 00:59:51,827 [IN ARABIC] ...with Shery and all this mess... 927 00:59:51,851 --> 00:59:53,316 [MAYA] Mm. 928 00:59:53,341 --> 00:59:56,580 [IN ENGLISH] ...it made me take a... 929 00:59:56,605 --> 00:59:58,230 [IN ARABIC] I don't know, [IN ENGLISH] a step back. 930 00:59:58,270 --> 01:00:00,007 [IN ARABIC] For sure. 931 01:00:00,032 --> 01:00:02,569 I told Shery many times. 932 01:00:02,593 --> 01:00:03,969 Shery... 933 01:00:05,031 --> 01:00:08,923 [IN ENGLISH] Most of the time, she inspires me, actually. 934 01:00:08,948 --> 01:00:10,705 To... do more. 935 01:00:11,871 --> 01:00:13,613 Because whatever... 936 01:00:17,350 --> 01:00:20,003 [IN ARABIC] She writes challenging music... 937 01:00:20,027 --> 01:00:23,423 [IN ENGLISH] ...so I get more motivated to just... 938 01:00:23,447 --> 01:00:26,434 to catch up on what she is writing, [IN ARABIC] for example. 939 01:00:26,465 --> 01:00:28,921 - [IN ENGLISH] Or skills, or... - [MAYA] Eh... 940 01:00:30,219 --> 01:00:32,614 [IN ARABIC] But now, [IN ENGLISH] I don't know. 941 01:00:32,638 --> 01:00:34,279 [SHE INHALES] 942 01:00:34,304 --> 01:00:36,701 [IN ARABIC] We need to come back together. 943 01:00:36,725 --> 01:00:38,663 [IN ENGLISH] Do it again. 944 01:00:38,689 --> 01:00:40,677 [MAYA, IN ARABIC] Did you talk to her? 945 01:00:44,441 --> 01:00:45,571 Thank you. 946 01:00:45,609 --> 01:00:48,866 - [MAYA] Looking fresh. - Thank you. 947 01:00:54,455 --> 01:00:56,638 - [SOFT RATTLE] - [LILAS] Oh, great. 948 01:00:56,662 --> 01:00:58,960 [SHE INHALES] 949 01:00:59,001 --> 01:01:01,001 [TRAFFIC HUMS IN DISTANCE] 950 01:01:04,461 --> 01:01:07,593 [INDISTINCT CONVERSATION; MUSIC PLAYS FAINTLY] 951 01:01:09,675 --> 01:01:11,945 [IN ENGLISH] So, how are we gonna plug in? 952 01:01:11,969 --> 01:01:14,106 [LILAS, IN ARABIC] There's a small amp here. 953 01:01:15,222 --> 01:01:17,020 [IN ENGLISH] Okay. 954 01:01:18,105 --> 01:01:19,985 [SOFT GUITAR NOTE RESONATES] 955 01:01:24,773 --> 01:01:27,318 [IN ARABIC] Look what happened from tapping my finger. 956 01:01:28,679 --> 01:01:29,972 It's peeling. 957 01:01:30,904 --> 01:01:33,258 [SHERY, IN ENGLISH] That means progress. 958 01:01:33,282 --> 01:01:35,813 - Trust me, I'm telling you. - Yeah. 959 01:01:38,291 --> 01:01:40,555 - Mm-hm. - [SHERY, IN ARABIC] Power on. 960 01:01:40,581 --> 01:01:42,250 [IN ENGLISH] Power on. 961 01:01:42,295 --> 01:01:46,343 [METRONOME CLICKS, BOTH PLAY MELANCHOLY GUITAR PATTERN] 962 01:02:03,810 --> 01:02:06,330 - [MUSIC GOES OFF-RHYTHM] - Try it, uh... 963 01:02:06,357 --> 01:02:08,792 [METRONOME STOPS, GUITAR CONTINUES] 964 01:02:08,817 --> 01:02:11,030 Try it on this note. 965 01:02:13,822 --> 01:02:17,163 - Okay, okay... - Okay. Yeah. 966 01:02:17,201 --> 01:02:19,595 [METRONOME RESUMES] 967 01:02:19,620 --> 01:02:22,011 [SHERY] One, two, three, four... 968 01:02:22,043 --> 01:02:25,267 [METRONOME CLICKS, BOTH PLAY MELANCHOLY GUITAR PATTERN] 969 01:02:25,292 --> 01:02:27,606 [SHERY] I thought it's all about music. 970 01:02:29,213 --> 01:02:30,876 But... 971 01:02:32,219 --> 01:02:34,344 ...it wasn't all about music. 972 01:02:38,180 --> 01:02:40,324 [MUSIC CONTINUES] 973 01:02:40,349 --> 01:02:41,979 [MAN] We have two pieces we are playing. 974 01:02:42,017 --> 01:02:44,523 One is Zeppelin, Kashmir, okay? 975 01:02:44,548 --> 01:02:46,282 What are you playing? 976 01:02:46,317 --> 01:02:48,587 - C. - Yeah, yeah. 977 01:02:48,611 --> 01:02:50,579 Do... the solo. 978 01:02:50,604 --> 01:02:52,341 [LILAS PLAYS PALM-MUTED PATTERN] 979 01:02:52,365 --> 01:02:53,630 Just the two. 980 01:02:55,489 --> 01:02:58,374 - Stop. What are you playing? - [SHERY PLAYS PALM-MUTED PATTERN] 981 01:02:58,409 --> 01:03:02,206 - I don't want conservative. - [HE PLAYS SOFTLY] 982 01:03:02,231 --> 01:03:04,458 - I want... - [HE PLAYS AGGRESSIVELY] 983 01:03:04,483 --> 01:03:05,974 Like you. 984 01:03:05,999 --> 01:03:07,755 These days, it has to be. 985 01:03:07,797 --> 01:03:11,842 [THEY VOCALISE PALM-MUTED GUITAR PATTERN, ORCHESTRA TUNES UP] 986 01:03:16,885 --> 01:03:18,601 [MAN] Orchestra! 987 01:03:20,583 --> 01:03:23,894 I need total silence for one minute, please. 988 01:03:23,938 --> 01:03:25,314 Total silence. 989 01:03:26,524 --> 01:03:28,387 Erm... Yeah, yeah. 990 01:03:29,648 --> 01:03:33,364 [IN ARABIC] She's going to come on at 9:30. 991 01:03:33,402 --> 01:03:35,395 [TRADITIONAL MUSIC ON TV] 992 01:03:35,419 --> 01:03:38,868 [MAN, ON TV] The Lebanese are invited to join us here. 993 01:03:38,892 --> 01:03:41,413 We ask you to turn your volume up. 994 01:03:41,452 --> 01:03:46,155 Because music is the only form of expression we agree on these days. 995 01:03:47,580 --> 01:03:50,891 [MUSIC SUBSIDES] 996 01:03:50,919 --> 01:03:53,676 [ORCHESTRA PLAYS "KASHMIR" BY LED ZEPPELIN] 997 01:03:53,710 --> 01:03:56,239 LEBANON 998 01:03:59,970 --> 01:04:02,157 There's Lilas! 999 01:04:02,181 --> 01:04:04,560 - My love. - [SHE CHUCKLES AFFECTIONATELY] 1000 01:04:04,604 --> 01:04:06,604 [MUSIC CONTINUES] 1001 01:04:24,369 --> 01:04:26,711 [MUSIC CONTINUES ON TV] 1002 01:04:28,753 --> 01:04:31,591 [MUSIC SUBSIDES] 1003 01:04:31,616 --> 01:04:32,923 [LILAS] What are you up to? 1004 01:04:32,961 --> 01:04:35,676 [IN ENGLISH] I'm good, I'm good, I'm good. [IN ARABIC] What's up? 1005 01:04:36,799 --> 01:04:38,589 I don't know what to wear. 1006 01:04:39,849 --> 01:04:41,342 [SHE LAUGHS] 1007 01:04:42,513 --> 01:04:45,704 Trying to find a top to wear. 1008 01:04:45,728 --> 01:04:47,618 [IN ENGLISH] For clubbing. 1009 01:04:47,643 --> 01:04:51,567 All I have is teacher's... clothes... 1010 01:04:51,609 --> 01:04:53,152 and pants. 1011 01:04:54,320 --> 01:04:56,611 Mm... Yeah... 1012 01:05:02,800 --> 01:05:04,480 [TAP RUNS] 1013 01:05:15,466 --> 01:05:18,054 [MOTHER, IN ARABIC] What time are you coming home tonight? 1014 01:05:20,008 --> 01:05:22,807 Late, because the party starts at 11pm. 1015 01:05:24,544 --> 01:05:26,838 Where did you say you are going? 1016 01:05:26,863 --> 01:05:28,363 Jaledib. 1017 01:05:29,560 --> 01:05:31,900 I'm coming back home! 1018 01:05:38,817 --> 01:05:40,817 [SOFT ELECTRONIC MUSIC] 1019 01:05:44,704 --> 01:05:46,704 [MUSIC CONTINUES] 1020 01:05:55,131 --> 01:05:57,730 [MUSIC CONTINUES] 1021 01:05:57,754 --> 01:06:01,150 [LILAS, IN ENGLISH] I used to think love is just poetry, "Ooh, la, la", 1022 01:06:01,174 --> 01:06:03,806 romantic dinners, and sex. 1023 01:06:07,514 --> 01:06:10,247 But no, it's different. 1024 01:06:10,271 --> 01:06:12,300 It's complicated. 1025 01:06:14,688 --> 01:06:17,194 [MUSIC CONTINUES] 1026 01:06:19,178 --> 01:06:23,493 [LILAS] You can't love someone if you don't have love for your own self. 1027 01:06:25,953 --> 01:06:28,459 [MUSIC CONTINUES] 1028 01:06:32,164 --> 01:06:35,580 - [SHERY] Bon appetit. - [LILAS] Thank you. 1029 01:06:35,605 --> 01:06:38,354 So, how was the party yesterday? 1030 01:06:38,378 --> 01:06:40,551 [BOTH CHUCKLE] 1031 01:06:40,589 --> 01:06:42,446 Who did you meet? 1032 01:06:42,470 --> 01:06:45,262 - [IN ARABIC] A lot of people. - [IN ENGLISH] Mm-hm, yeah. 1033 01:06:45,287 --> 01:06:48,020 It was wild and hot and... Yeah. 1034 01:06:48,055 --> 01:06:49,916 - [SHE CHUCKLES] - I was drunk. 1035 01:06:49,941 --> 01:06:51,996 And did you get any numbers? 1036 01:06:52,021 --> 01:06:53,786 - Yeah. - Oh! 1037 01:06:53,810 --> 01:06:56,024 - How many? - [IN ARABIC] A lot. 1038 01:06:56,048 --> 01:06:57,276 You're on fire these days! 1039 01:06:57,300 --> 01:07:00,903 First, I went to Mar Mikhael for a bit. 1040 01:07:00,928 --> 01:07:02,906 [IN ENGLISH] I was expecting my date to come on time, 1041 01:07:02,930 --> 01:07:04,784 [IN ARABIC] but she arrived two hours late. 1042 01:07:04,808 --> 01:07:08,217 So, I started drinking alone. 1043 01:07:08,241 --> 01:07:12,667 Then [IN ENGLISH] random girls [IN ARABIC] walked in and got shots. 1044 01:07:12,704 --> 01:07:15,960 [IN ENGLISH] And they were like, "Give that beauty over there a shot!" 1045 01:07:15,984 --> 01:07:18,713 - I'm like, "Okay, let's go!" - Yeah! 1046 01:07:18,737 --> 01:07:20,924 [IN ARABIC] We took shots then... 1047 01:07:20,948 --> 01:07:22,811 two more girls walked in, 1048 01:07:22,836 --> 01:07:25,572 also drunk and, I don't know... 1049 01:07:25,597 --> 01:07:28,264 - [IN ENGLISH] ...we made out. - [IN ARABIC] With all of them? 1050 01:07:28,288 --> 01:07:32,037 - No, just those two. - Oh, just two of them? 1051 01:07:32,061 --> 01:07:33,368 [SHERY LAUGHS] 1052 01:07:33,392 --> 01:07:35,939 - Oh, shit. Shh, Shh... - [SHE LAUGHS NERVOUSLY] 1053 01:07:35,963 --> 01:07:38,366 And lots of things. 1054 01:07:38,397 --> 01:07:41,653 [IN ENGLISH] Then my date [IN ARABIC] arrived, and we went to Club Projekt. 1055 01:07:41,677 --> 01:07:45,129 [IN ENGLISH] We danced until 5:00. It was really hot. 1056 01:07:45,153 --> 01:07:47,118 You and your girlfriend? 1057 01:07:47,155 --> 01:07:49,740 - [IN ARABIC] Not girlfriend, my date. - [IN ENGLISH] Ah, your date. 1058 01:07:50,936 --> 01:07:53,539 - [IN ARABIC] Foreigners are crazy. - Mm. 1059 01:07:53,564 --> 01:07:55,524 - [IN ENGLISH] They're on fire. - Mm. 1060 01:07:58,250 --> 01:08:01,900 - "Spank me, daddy" style. - [SHERY LAUGHS] 1061 01:08:01,924 --> 01:08:03,924 [CHANTING NEARBY] 1062 01:08:03,964 --> 01:08:05,970 [IN ARABIC] What does she look like? 1063 01:08:08,931 --> 01:08:10,639 [IN ENGLISH] I have a video of her. 1064 01:08:12,109 --> 01:08:14,109 [CHANTING CONTINUES] 1065 01:08:16,309 --> 01:08:17,607 She's cute! 1066 01:08:21,327 --> 01:08:25,420 [CROWD, IN ARABIC] The people demand the fall of the regime! 1067 01:08:25,444 --> 01:08:27,806 Yeah, she's cute. 1068 01:08:29,871 --> 01:08:31,930 [CONVERSATION OBSCURED BY CHANTING] 1069 01:08:35,958 --> 01:08:37,958 [CHANTING LOUDENS] 1070 01:08:39,958 --> 01:08:42,048 [LILAS] Thief, thief. 1071 01:08:42,089 --> 01:08:45,133 [IN ENGLISH] Bravo, Shery, bravo, Shery. 1072 01:08:45,157 --> 01:08:48,482 [IN ARABIC] Thief, thief. 1073 01:08:48,508 --> 01:08:52,284 - You're not even worth a shoe. - [LILAS LAUGHS] 1074 01:08:52,308 --> 01:08:54,308 [CHANTING CONTINUES] 1075 01:08:57,252 --> 01:09:00,398 [ALMA, IN ENGLISH] Man, they should, like, reopen this place, seriously. 1076 01:09:00,441 --> 01:09:03,624 [LILAS] Underground for the drag shows, 1077 01:09:03,648 --> 01:09:05,690 the top for the straight people. 1078 01:09:06,526 --> 01:09:09,533 - [ALMA] For orgies. - [LILAS LAUGHS] 1079 01:09:09,575 --> 01:09:11,929 ♪ A few times I've been 'round that track 1080 01:09:11,953 --> 01:09:13,953 ♪ But it's not just gonna happen like that 1081 01:09:13,992 --> 01:09:15,636 ♪ 'Cause I ain't no hollaback girl, woo! 1082 01:09:15,660 --> 01:09:18,290 ♪ Ain't no hollaback girl. ♪ 1083 01:09:18,334 --> 01:09:20,404 [BUSTLING STREET NOISE; SIREN IN DISTANCE] 1084 01:09:20,429 --> 01:09:22,752 [ALMA, IN ARABIC] If he falls, he'll break into pieces. 1085 01:09:25,003 --> 01:09:27,258 Can I come up there? 1086 01:09:27,282 --> 01:09:29,988 If you want to, you can. 1087 01:09:30,012 --> 01:09:31,526 Okay. 1088 01:09:31,551 --> 01:09:34,800 [LILAS] Shery, postpone this plan. 1089 01:09:39,434 --> 01:09:41,651 Slowly slowly, okay? 1090 01:09:41,686 --> 01:09:43,793 [SHERY CHUCKLES NERVOUSLY] 1091 01:09:43,818 --> 01:09:45,528 Wow. 1092 01:09:50,520 --> 01:09:53,826 [LILAS] Shery, forget about it. You have a photoshoot tomorrow, and... 1093 01:09:53,865 --> 01:09:57,094 a future ahead of you, and a long life to live. 1094 01:09:57,119 --> 01:09:58,392 [PALM-MUTED COUNT-IN] 1095 01:09:58,416 --> 01:10:01,015 ♪ Hurricane crashes 1096 01:10:01,039 --> 01:10:03,879 ♪ A smouldering attack of water to sea 1097 01:10:03,921 --> 01:10:06,608 ♪ Monument in the making 1098 01:10:06,633 --> 01:10:09,524 ♪ Collecting them all to see 1099 01:10:09,548 --> 01:10:12,072 ♪ Beyond their control 1100 01:10:12,096 --> 01:10:15,024 ♪ Beyond their control 1101 01:10:15,057 --> 01:10:17,650 ♪ Other people's horrors 1102 01:10:17,681 --> 01:10:20,354 ♪ Other people's fame. ♪ 1103 01:10:20,390 --> 01:10:21,692 [SHERY] Yeah, yeah, yeah. 1104 01:10:21,726 --> 01:10:23,065 - [SHRILL BEEPING] - Okay... 1105 01:10:23,103 --> 01:10:24,539 What happened? 1106 01:10:24,563 --> 01:10:27,111 ♪ Other people's sorrows Other people's freedom. ♪ 1107 01:10:27,153 --> 01:10:30,974 [SHERY PLAYS AGGRESSIVE DISTORTED PATTERN] 1108 01:10:36,575 --> 01:10:39,123 - Ooooh! - [MAYA, IN ENGLISH] Oh, it's awesome! 1109 01:10:40,333 --> 01:10:43,221 - Congrats on the song, guys! - [ALL EXCLAIM EXCITEDLY] 1110 01:10:43,248 --> 01:10:45,593 [LILAS, IN ARABIC] The album's done, yay! 1111 01:10:45,630 --> 01:10:47,630 [CLAPPING] 1112 01:10:47,669 --> 01:10:49,050 [CLAPPING SUBSIDES] 1113 01:10:50,699 --> 01:10:53,568 Romeo, Romeo... Uh, I mean Juliet! 1114 01:10:53,592 --> 01:10:56,237 - [SHE LAUGHS] - [IN ENGLISH] Wait, I'm Romeo. 1115 01:10:56,261 --> 01:10:58,911 We have two Juliets. 1116 01:10:58,935 --> 01:11:00,578 [SHE CHUCKLES] 1117 01:11:03,231 --> 01:11:05,277 [SHERY, IN ARABIC] It's not coming off. Use some spit. 1118 01:11:06,730 --> 01:11:08,770 [ALMA TUTS, TATYANA LAUGHS] 1119 01:11:09,843 --> 01:11:12,508 - [LILAS] Please hug me! - [SHE SHIVERS] 1120 01:11:14,613 --> 01:11:16,549 You don't warm well, Shery. 1121 01:11:16,573 --> 01:11:19,556 I don't warm well? Come, Tatyana, you have big hair. 1122 01:11:19,580 --> 01:11:21,040 [CHUCKLING] 1123 01:11:22,370 --> 01:11:24,634 Why did this hotel shut down? 1124 01:11:24,664 --> 01:11:28,193 Was it because of the war? Never opened again? 1125 01:11:28,218 --> 01:11:30,873 - This was a hotel? - Yeah, all of this. 1126 01:11:30,898 --> 01:11:33,844 [IN ENGLISH] That's what I was saying. [IN ARABIC] We should invest here. 1127 01:11:33,868 --> 01:11:38,181 [IN ENGLISH] Underground nightclubs, hotel, casino, tennis court, pools... 1128 01:11:38,205 --> 01:11:40,645 - And church! - Church? 1129 01:11:40,680 --> 01:11:43,139 - Yeah, there's a church there. - Eh, church. 1130 01:11:43,164 --> 01:11:45,075 [IN ARABIC] With gay marriage, then. 1131 01:11:45,106 --> 01:11:46,621 - Yeah! - [LAUGHTER] 1132 01:11:46,645 --> 01:11:48,401 - [IN ENGLISH] Fuck, yeah! - [SHE CHUCKLES] 1133 01:11:49,694 --> 01:11:52,315 [TRAFFIC HUMS IN DISTANCE] 1134 01:11:53,573 --> 01:11:55,379 [CONTEMPLATIVE MUSIC] 1135 01:11:55,403 --> 01:11:58,490 [LILAS] I believe everyone is a slave in this life. 1136 01:11:59,908 --> 01:12:01,519 Slaves to money. 1137 01:12:02,827 --> 01:12:05,251 Slaves to war. 1138 01:12:06,831 --> 01:12:08,170 [CAMERA CLICKS] 1139 01:12:08,212 --> 01:12:10,648 [MUSIC CONTINUES] 1140 01:12:10,673 --> 01:12:12,925 - [LILAS] Society. - [CAMERA CLICKS, BEEPS] 1141 01:12:15,215 --> 01:12:18,532 We're all trying to escape something within us. 1142 01:12:18,556 --> 01:12:20,403 [MUSIC SOFTENS] 1143 01:12:20,428 --> 01:12:23,352 [PHOTOGRAPHER, IN ARABIC] Can you all close your eyes? 1144 01:12:23,394 --> 01:12:24,498 [IN ENGLISH] Okay. 1145 01:12:26,207 --> 01:12:28,207 - [PHOTOGRAPHER] Yes... - [SHE CHUCKLES] 1146 01:12:29,479 --> 01:12:31,235 Let's go. 1147 01:12:32,649 --> 01:12:36,125 [IN ENGLISH] Just like in a moment of peace, and... 1148 01:12:36,150 --> 01:12:37,963 breath in. 1149 01:12:37,992 --> 01:12:40,554 - [IN ARABIC] I might fall asleep though. - [ALL LAUGH] 1150 01:12:40,578 --> 01:12:43,298 - [PHOTOGRAPHER, IN ENGLISH] Yeah. - Oh, I forgot to put my lip ring. 1151 01:12:43,331 --> 01:12:44,958 [PHOTOGRAPHER, IN ARABIC] Come on. 1152 01:12:51,167 --> 01:12:53,275 [CAMERA CLICKS] 1153 01:12:53,299 --> 01:12:56,154 [CONTEMPLATIVE MUSIC] 1154 01:12:59,092 --> 01:13:01,861 [SHERY, IN ENGLISH]Lilas said once that... 1155 01:13:01,886 --> 01:13:03,430 I inspire her. 1156 01:13:03,476 --> 01:13:05,476 [MUSIC CONTINUES] 1157 01:13:14,524 --> 01:13:17,073 - Aw, thank you. - [LILAS GIGGLES] 1158 01:13:17,110 --> 01:13:18,861 I look so pretty now. 1159 01:13:24,538 --> 01:13:26,768 [SHERY] Sometimes you don't know yourself... 1160 01:13:29,414 --> 01:13:31,295 - ...like others do. - [BOTH CHUCKLE] 1161 01:13:32,584 --> 01:13:34,630 [MUSIC CONTINUES] 1162 01:13:47,724 --> 01:13:53,690 [LILAS] Even if there was a hundred other girls around here who play metal... 1163 01:13:55,800 --> 01:13:58,637 ...I wouldn't have chosen... 1164 01:13:58,662 --> 01:14:00,503 anyone else. 1165 01:14:02,702 --> 01:14:04,702 [MUSIC CONTINUES] 1166 01:14:07,393 --> 01:14:09,041 [SHERY] Lilas! 1167 01:14:10,288 --> 01:14:12,795 You're going to go in the tunnel. 1168 01:14:13,944 --> 01:14:16,478 - [LILAS, IN ARABIC] Alone? - [SHERY] Yes, alone. 1169 01:14:16,503 --> 01:14:18,273 [IN ENGLISH] No light. 1170 01:14:18,297 --> 01:14:20,344 And then I'll meet you at the end. 1171 01:14:23,681 --> 01:14:25,681 [MUSIC CONTINUES] 1172 01:14:50,333 --> 01:14:53,389 - I'm right behind you. - [VOICE REVERBERATES SOFTLY] 1173 01:15:04,096 --> 01:15:06,096 [MUSIC SUBSIDES GRADUALLY] 1174 01:15:10,515 --> 01:15:14,440 [MUSIC - "SLAVE TO SIRENS" BY SLAVE TO SIRENS] 1175 01:15:14,477 --> 01:15:16,881 [MUSIC CONTINUES; CHEERING] 1176 01:15:20,942 --> 01:15:27,797 [MAN] Ladies and gentlemen, Slave to Sirens! 1177 01:15:27,824 --> 01:15:29,780 [MUSIC CONTINUES] 1178 01:16:27,972 --> 01:16:29,972 [MUSIC CONTINUES] 1179 01:16:33,662 --> 01:16:35,826 [LIVELY, INDISTINCT CHATTER] 1180 01:16:35,850 --> 01:16:38,625 [PULSING ELECTRONIC MUSIC] 1181 01:16:38,649 --> 01:16:40,649 [MUSIC CONTINUES] 1182 01:18:34,747 --> 01:18:36,747 [MUSIC SOFTENS] 1183 01:19:10,883 --> 01:19:12,883 [MUSIC CONCLUDES] 1184 01:19:12,929 --> 01:19:15,340 Descriptive subtitles by Matchbox Cinesub for Independent Cinema Office 88140