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1
00:00:07,641 --> 00:00:10,508
THIS IS MY BOSS, JONATHAN HART.
2
00:00:10,577 --> 00:00:12,778
A SELF-MADE MILLIONAIRE.
3
00:00:12,846 --> 00:00:14,880
HE'S QUITE A GUY.
4
00:00:18,685 --> 00:00:22,154
THIS IS MRS. H. SHE'S GORGEOUS.
5
00:00:22,223 --> 00:00:24,055
WHAT A TERRIFIC LADY!
6
00:00:28,162 --> 00:00:29,995
BY THE WAY, MY NAME IS MAX.
7
00:00:32,299 --> 00:00:35,334
I TAKE CARE OF THEM,
WHICH AIN'T EASY
8
00:00:35,402 --> 00:00:38,203
'CAUSE THEIR HOBBY IS MURDER.
9
00:01:45,138 --> 00:01:49,807
YOU KNOW, WHEN I WAS A KID, WE USED
TO HAVE THIS GAME CALLED FREEZE TAG.
10
00:01:49,877 --> 00:01:52,455
SOMEBODY WOULD TAG YOU AND
YOU HAD TO STAY STILL AS A STATUE.
11
00:01:52,479 --> 00:01:53,711
IF YOU MOVED, YOU LOST.
12
00:01:53,780 --> 00:01:55,458
I BET YOU WERE TERRIFIC AT IT.
13
00:01:55,482 --> 00:01:57,827
I WAS THE WORST. I COULDN'T
STAY STILL FOR 10 SECONDS.
14
00:01:57,851 --> 00:01:59,417
WELL, YOU'VE IMPROVED.
15
00:01:59,486 --> 00:02:02,526
OH, YEAH, I CAN LAST
ABOUT A MINUTE NOW.
16
00:02:02,689 --> 00:02:04,823
OH, OH.
17
00:02:04,892 --> 00:02:07,893
I'M SORRY. I JUST
COULDN'T HELP IT.
18
00:02:07,961 --> 00:02:10,461
THAT'S ALL RIGHT. YOU
CAN MOVE ALL YOU WANT TO.
19
00:02:10,530 --> 00:02:12,563
REALLY? WE'RE
FINISHED FOR THE DAY?
20
00:02:12,632 --> 00:02:14,666
WE ARE FINISHED, PERIOD.
21
00:02:16,403 --> 00:02:18,363
REALLY? FINITO.
22
00:02:18,639 --> 00:02:19,639
OH, CAN I SEE?
23
00:02:19,706 --> 00:02:21,306
NO, NO, NO, NO. OH, COME ON!
24
00:02:21,375 --> 00:02:23,220
I STILL HAVE A FEW TOUCHUPS.
AND THEN I WANT TO FRAME IT.
25
00:02:23,244 --> 00:02:24,654
JUST A LITTLE PEEK. NO PEEKS.
26
00:02:24,678 --> 00:02:26,423
NOT TILL IT'S
COMPLETELY COMPLETED.
27
00:02:26,447 --> 00:02:28,913
JUST CHALK IT UP TO
ARTIST'S SUPERSTITION. RAT.
28
00:02:28,983 --> 00:02:30,593
LOOK, WHY DON'T YOU GET CHANGED?
29
00:02:30,617 --> 00:02:31,984
ALL RIGHT.
30
00:02:33,620 --> 00:02:36,399
YOU MEAN JONATHAN DOESN'T
HAVE ANY IDEA WHAT YOU'RE DOING?
31
00:02:36,423 --> 00:02:37,889
NONE AT ALL.
32
00:02:37,958 --> 00:02:41,226
I WANTED TO SURPRISE
HIM FOR OUR ANNIVERSARY.
33
00:02:41,295 --> 00:02:44,196
YOU SHOULD HAVE HEARD
ALL THE EXCUSES I HAD TO USE.
34
00:02:44,265 --> 00:02:45,764
LIKE WHAT?
35
00:02:45,832 --> 00:02:50,502
UH, LIKE I HAD TO GO AND
INTERVIEW A YOUNG, TALENTED ARTIST.
36
00:02:50,570 --> 00:02:54,872
WELL, NOW I CAN SAY I HAD
TO GO AND INTERVIEW A YOUNG,
37
00:02:54,942 --> 00:02:56,942
TALENTED, AND FAMOUS ARTIST.
38
00:02:57,010 --> 00:02:58,609
NOT QUITE.
39
00:02:58,678 --> 00:03:00,957
PRETTY CLOSE. AFTER THE
REVIEWS FROM YOUR LAST SHOW
40
00:03:00,981 --> 00:03:03,626
I'D SAY YOU WERE WELL ON
YOUR WAY. I'M SORRY I MISSED IT.
41
00:03:03,650 --> 00:03:05,962
OH, THERE'S A BROCHURE ON
THE TABLE THERE. IT'S ALL YOURS.
42
00:03:05,986 --> 00:03:07,118
OH, GREAT.
43
00:03:07,187 --> 00:03:09,020
I READ ONE CRITIC
WHO SAID YOU WERE
44
00:03:09,089 --> 00:03:11,129
THE BRIGHTEST YOUNG
ARTIST SINCE ANDREW WYETH.
45
00:03:11,191 --> 00:03:12,391
SO SHE DID.
46
00:03:12,459 --> 00:03:14,059
WELL, THAT'S VERY IMPRESSIVE.
47
00:03:14,127 --> 00:03:16,439
NOT WHEN YOU CONSIDER THE
CRITIC WAS MY AUNT SHIRLEY.
48
00:03:16,463 --> 00:03:18,730
OH, COME ON. I'VE SEEN THE WAY
49
00:03:18,799 --> 00:03:21,077
YOUR PAINTINGS ARE
BEING SNAPPED UP.
50
00:03:21,101 --> 00:03:24,903
AND THE PRICES! NOW, THAT HAS
NOTHING TO DO WITH AUNT SHIRLEY.
51
00:03:24,971 --> 00:03:26,716
CAN I GIVE YOU A CHECK,
WARREN? UH-UH-UH.
52
00:03:26,740 --> 00:03:28,918
YOU DON'T OWE ME ANYTHING.
WHAT ARE YOU TALKING ABOUT?
53
00:03:28,942 --> 00:03:30,942
LET'S JUST SAY IT'S THANKS
54
00:03:31,011 --> 00:03:33,390
FOR BEING MY PATRON ALL THESE
YEARS AND FOR YOUR ENCOURAGEMENT.
55
00:03:33,414 --> 00:03:34,879
YOU DESERVED IT.
56
00:03:34,948 --> 00:03:36,593
NOT AS MUCH AS I NEEDED IT. OH.
57
00:03:36,617 --> 00:03:38,995
IT'S A GIFT TO YOU AND
JONATHAN FOR YOUR ANNIVERSARY.
58
00:03:39,019 --> 00:03:40,919
YOU DON'T HAVE
TO DO THIS. I KNOW.
59
00:03:40,987 --> 00:03:42,854
THAT'S WHAT MAKES IT FUN.
60
00:03:42,923 --> 00:03:44,122
THANKS.
61
00:03:45,692 --> 00:03:47,826
YOU'RE SURE I CAN'T... NO.
62
00:03:47,895 --> 00:03:50,840
DO YOU KNOW, OF ALL
THE PEOPLE IN THE WORLD
63
00:03:50,864 --> 00:03:53,165
TO SAY "NO" TO, YOU
ARE THE TOUGHEST?
64
00:03:53,233 --> 00:03:54,466
WELL?
65
00:03:54,535 --> 00:03:55,733
NO.
66
00:03:57,037 --> 00:03:58,281
CRUEL. HMM-HMM.
67
00:03:58,305 --> 00:03:59,705
BYE-BYE. BYE.
68
00:04:35,442 --> 00:04:37,508
THAT REALLY WORK?
69
00:04:37,577 --> 00:04:39,411
YEAH, WHY?
70
00:04:39,479 --> 00:04:40,812
LET'S SEE.
71
00:04:45,052 --> 00:04:46,484
ALL RIGHT, LET GO!
72
00:04:48,055 --> 00:04:51,923
BETTER WORK WITH
THAT A WHILE LONGER.
73
00:04:51,992 --> 00:04:54,993
CAN'T WE KEEP OUR MINDS
ON THE BUSINESS AT HAND?
74
00:04:55,062 --> 00:04:57,362
SHALL WE PAY MR. KELLER A VISIT?
75
00:05:02,135 --> 00:05:03,501
IT'S OPEN.
76
00:05:07,006 --> 00:05:08,473
GOOD AFTERNOON, WARREN.
77
00:05:08,542 --> 00:05:11,022
OH, MR. WINSLOW,
NICE TO SEE YOU.
78
00:05:12,745 --> 00:05:15,680
WELL, FAR EMPTIER THAN
WHEN I WAS HERE LAST.
79
00:05:15,749 --> 00:05:17,327
WELL, THE SHOW WENT VERY WELL.
80
00:05:17,351 --> 00:05:18,816
BUT YOU SHOULD KNOW THAT.
81
00:05:18,885 --> 00:05:20,463
HOW MANY OF MY
PAINTINGS DID YOU BUY?
82
00:05:20,487 --> 00:05:22,521
6.
83
00:05:22,589 --> 00:05:25,335
I WOULD HAVE BOUGHT MORE, BUT
THE PRICES HAVE APPRECIATED SHARPLY.
84
00:05:25,359 --> 00:05:29,327
YES, I KNOW. I DIDN'T EXPECT
THEM TO, UH, GO UP THAT WAY.
85
00:05:29,396 --> 00:05:31,329
FORTUNATELY, OTHERS
HAVE A HIGHER OPINION
86
00:05:31,398 --> 00:05:33,398
OF YOUR WORK THAN YOU SEEM TO.
87
00:05:33,466 --> 00:05:35,400
I BEING ONE OF THEM.
88
00:05:42,209 --> 00:05:45,043
IS THIS YOUR LATEST ENDEAVOR?
89
00:05:45,112 --> 00:05:47,979
YES, AS SOON AS I'M
FINISHED WITH THIS ONE.
90
00:05:52,185 --> 00:05:53,985
LOVELY.
91
00:05:54,054 --> 00:05:57,188
BOTH THE SUBJECT
AND THE PAINTING.
92
00:05:57,257 --> 00:05:59,357
I DIDN'T KNOW YOU DID PORTRAITS.
93
00:05:59,426 --> 00:06:02,460
OH, THIS IS A FAVOR
FOR AN OLD FRIEND.
94
00:06:02,529 --> 00:06:04,649
OR 2 OLD FRIENDS.
95
00:06:06,099 --> 00:06:08,099
VERY NICE.
96
00:06:08,168 --> 00:06:10,702
I'M SURE THE OWNER
WILL BE THRILLED.
97
00:06:16,109 --> 00:06:18,076
WHAT BRINGS YOU BY?
98
00:06:18,144 --> 00:06:21,680
JUST TO TELL YOU HOW MUCH
I'M ENJOYING YOUR PAINTINGS
99
00:06:21,749 --> 00:06:25,417
AND TO GET AN IDEA OF WHEN YOU
MIGHT BE PLANNING YOUR NEXT SHOW.
100
00:06:25,485 --> 00:06:29,387
OH, UH, WELL, I'M AFRAID I HAVE
TO RECOVER FROM THIS ONE
101
00:06:29,456 --> 00:06:31,689
BEFORE I CAN EVEN
THINK OF THE NEXT ONE.
102
00:06:31,758 --> 00:06:33,925
WELL, ALL OF US WHO HAVE
WATCHED YOUR PROGRESS
103
00:06:33,994 --> 00:06:37,228
ARE ANXIOUS TO FIND OUT WHAT
THE NEXT FEW MONTHS WILL BRING.
104
00:06:37,297 --> 00:06:41,065
I MAY DO SOME...
105
00:06:53,780 --> 00:06:57,348
UNFORTUNATELY, MY BOY,
THERE WILL BE NO MORE SHOWS.
106
00:06:57,417 --> 00:06:59,250
UNFORTUNATELY FOR YOU.
107
00:07:00,253 --> 00:07:03,922
MOST FORTUNATELY FOR ME.
108
00:07:17,171 --> 00:07:19,015
YOU'RE GETTING EVASIVE.
109
00:07:19,039 --> 00:07:22,040
I'M NOT GETTING EVASIVE.
I'M GETTING DRENCHED.
110
00:07:23,343 --> 00:07:25,911
NOW PROMISE ME, JONATHAN.
111
00:07:25,979 --> 00:07:28,939
I DID. I DID PROMISE. I KNOW, BUT
IT DOESN'T SOUND CONVINCING.
112
00:07:28,982 --> 00:07:30,860
DON'T FORGET TO
GET BEHIND HIS EARS.
113
00:07:30,884 --> 00:07:32,651
I ALWAYS GET BEHIND HIS EARS.
114
00:07:32,719 --> 00:07:34,352
SO WE'RE AGREED, THEN.
115
00:07:34,421 --> 00:07:37,121
NO MORE EXPENSIVE
ANNIVERSARY PRESENTS.
116
00:07:37,190 --> 00:07:38,557
I AGREE. I PROMISE...
117
00:07:38,625 --> 00:07:41,370
SEE? YOU SEE, IT DOESN'T
SOUND CONVINCING TO ME.
118
00:07:41,394 --> 00:07:42,694
WHAT DO I HAVE TO DO?
119
00:07:42,763 --> 00:07:44,808
WELL, YOU JUST HAVE
TO KEEP YOUR WORD.
120
00:07:44,832 --> 00:07:46,998
NOT LIKE LAST YEAR.
REMEMBER THAT?
121
00:07:47,067 --> 00:07:50,669
I PROMISE YOU, NO MORE
EXPENSIVE PRESENTS, OK?
122
00:07:50,737 --> 00:07:54,238
DARLING, DON'T YOU THINK WE SHOULD
TAKE HIM TO A GROOMING PARLOR?
123
00:07:54,307 --> 00:07:56,018
A GROOMING PARLOR? YEAH.
124
00:07:56,042 --> 00:07:58,109
AND HAVE HIM BATHED
BY A STRANGER?
125
00:07:58,178 --> 00:08:02,146
SOME PEOPLE WOULD PAY A LOT OF
MONEY TO BE BATHED BY A STRANGER.
126
00:08:02,950 --> 00:08:03,950
YOU'RE KIDDING.
127
00:08:04,017 --> 00:08:05,017
NO.
128
00:08:05,085 --> 00:08:06,384
I'M SHOCKED.
129
00:08:06,453 --> 00:08:08,052
REALLY?
130
00:08:08,121 --> 00:08:09,988
COME ON, FREEWAY.
131
00:08:15,462 --> 00:08:18,897
WHAT'D YOU DO, GET
IN THE TUB WITH HIM?
132
00:08:18,966 --> 00:08:21,766
WE WASHED. YOU DRY.
133
00:08:21,835 --> 00:08:23,802
RIGHT.
134
00:08:23,871 --> 00:08:25,737
COME ON, SWEETHEART.
LET'S HAVE A DRINK.
135
00:08:27,107 --> 00:08:28,907
ALL RIGHT, WHAT
WOULD YOU LIKE, MRS. H?
136
00:08:28,976 --> 00:08:31,042
OH, I THOUGHT YOU'D NEVER ASK.
137
00:08:31,111 --> 00:08:33,144
I WANNA FIX YOU
SOMETHING SPECIAL.
138
00:08:33,213 --> 00:08:36,080
LET'S SEE. I WOULD
LIKE A MARTINI.
139
00:08:36,149 --> 00:08:38,783
A MARTINI? AH, YES,
A DREADED MARTINI.
140
00:08:38,852 --> 00:08:40,251
ON THE ROCKS OR STRAIGHT UP?
141
00:08:40,320 --> 00:08:41,786
STRAIGHT UP.
142
00:08:41,855 --> 00:08:42,855
OLIVE?
143
00:08:42,923 --> 00:08:44,033
WHY NOT?
144
00:08:44,057 --> 00:08:45,156
TWIST?
145
00:08:45,225 --> 00:08:46,465
LET'S LIVE DANGEROUSLY.
146
00:08:46,527 --> 00:08:49,271
YOU MIND IF I TURN
ON THE NEWS? NO.
147
00:08:49,295 --> 00:08:51,596
AND NOW, A BULLETIN.
THE ART WORLD
148
00:08:51,665 --> 00:08:54,176
HAS SUFFERED A
TRAGIC LOSS TONIGHT.
149
00:08:54,200 --> 00:08:57,669
WARREN KELLER, WHOSE RECENT
SHOW HAD CRITICS ACCLAIMING HIM,
150
00:08:57,737 --> 00:09:01,405
WAS KILLED TONIGHT WHEN HIS CAR
WENT OVER THE EMBANKMENT HERE.
151
00:09:01,475 --> 00:09:03,741
POLICE SAY IT APPEARS
HE HAD BEEN DRINKING.
152
00:09:03,810 --> 00:09:05,388
KELLER... I DON'T BELIEVE IT.
153
00:09:05,412 --> 00:09:07,323
WHO LIVED HERE IN THE
SOUTHLAND FOR HIS ENTIRE LIFE...
154
00:09:07,347 --> 00:09:08,924
I WAS JUST WITH
HIM THIS MORNING.
155
00:09:08,948 --> 00:09:10,581
I WAS SITTING FOR A...
156
00:09:10,650 --> 00:09:12,583
I WAS SITTING FOR A PORTRAIT.
157
00:09:12,652 --> 00:09:15,954
HE WAS GONNA GIVE YOU THE
PORTRAIT AS AN ANNIVERSARY PRESENT.
158
00:09:16,022 --> 00:09:18,989
THIS DOESN'T MAKE SENSE.
159
00:09:19,058 --> 00:09:21,192
THE REACTION FROM
THE ART COLONY TONIGHT
160
00:09:21,261 --> 00:09:23,328
WILL, I'M SURE, BE ONE
OF SHOCK AND HORROR.
161
00:09:23,396 --> 00:09:25,196
I DON'T UNDERSTAND IT, I...
162
00:09:25,265 --> 00:09:27,932
AND NOW FOR TOMORROW'S WEATHER.
163
00:09:28,000 --> 00:09:30,067
JONATHAN, SOMETHING
DOESN'T SEEM RIGHT.
164
00:09:30,136 --> 00:09:31,536
DARLING, LET'S JUST...
165
00:09:31,605 --> 00:09:34,439
NO, NO, I'M... I'M TELLING YOU,
THERE'S JUST SOMETHING WRONG.
166
00:09:34,507 --> 00:09:36,040
LISTEN, LET'S SIT DOWN.
167
00:09:36,109 --> 00:09:38,387
THE WOMAN ON THE TELEVISION
SAID IT WAS AN ACCIDENT,
168
00:09:38,411 --> 00:09:41,190
THAT HE'D BEEN DRINKING. WHEN
YOU DRINK, HE COULD'VE VERY EASILY
169
00:09:41,214 --> 00:09:42,925
DRIVEN HIS CAR OFF
THE... BUT THAT'S IT.
170
00:09:42,949 --> 00:09:44,189
THAT'S WHAT'S WRONG.
171
00:09:44,251 --> 00:09:46,329
HE WASN'T DRINKING.
YOU KNOW THAT.
172
00:09:46,353 --> 00:09:49,332
HE WAS A MEMBER OF A.A. HE TOLD
ME HE HADN'T HAD A DRINK IN 5 YEARS
173
00:09:49,356 --> 00:09:51,656
THAT IT HAD CHANGED
HIS ENTIRE LIFE.
174
00:09:51,725 --> 00:09:52,935
WOULD YOU DO ME A FAVOR?
175
00:09:52,959 --> 00:09:54,358
ANYTHING.
176
00:09:54,427 --> 00:09:57,206
I KNOW IT'S CRAZY, BUT WOULD YOU
JUST TAKE ME OVER TO HIS STUDIO?
177
00:09:57,230 --> 00:09:58,908
I'LL TAKE YOU ANYWHERE
YOU WANT TO GO.
178
00:09:58,932 --> 00:09:59,998
COME ON.
179
00:10:45,946 --> 00:10:48,646
NOW THEN, THE PORTRAIT
WAS RIGHT OVER HERE.
180
00:10:51,618 --> 00:10:53,017
IT'S GONE.
181
00:10:53,086 --> 00:10:55,086
WELL, MAYBE HE TOOK
IT IN THE CAR WITH HIM.
182
00:10:55,155 --> 00:10:57,655
NO. LOOK, ALL HIS
SKETCHES ARE GONE.
183
00:10:57,724 --> 00:11:00,658
AND THERE WAS A LITTLE
OIL RIGHT OVER HERE.
184
00:11:02,195 --> 00:11:04,295
DARLING.
185
00:11:04,364 --> 00:11:07,198
WHO ARE YOU? WHAT
ARE YOU DOING HERE?
186
00:11:07,267 --> 00:11:09,333
WHO ARE YOU AND WHAT
ARE YOU DOING HERE?
187
00:11:09,402 --> 00:11:11,603
I'M A FRIEND OF...
188
00:11:11,671 --> 00:11:13,738
I WAS A FRIEND OF WARREN'S.
189
00:11:14,975 --> 00:11:18,476
OH, OH, YOU'RE JENNIFER HART.
190
00:11:18,544 --> 00:11:19,584
YES.
191
00:11:19,646 --> 00:11:21,345
YEAH, WARREN SHOWED
ME YOUR PORTRAIT.
192
00:11:21,414 --> 00:11:23,615
THIS IS MY HUSBAND, JONATHAN.
193
00:11:25,118 --> 00:11:26,818
I'M SCOTTY McCLAIN.
194
00:11:28,555 --> 00:11:31,322
HE ALMOST DID YOU JUSTICE.
195
00:11:31,391 --> 00:11:33,692
YOU WERE A FRIEND OF WARREN'S?
196
00:11:34,961 --> 00:11:36,127
LOVERS.
197
00:11:38,198 --> 00:11:39,731
WE WERE LOVERS.
198
00:11:43,369 --> 00:11:45,737
OH, I'M TERRIBLY SORRY.
199
00:11:45,806 --> 00:11:47,839
WARREN NEVER TALKED
ABOUT HIS PERSONAL LIFE.
200
00:11:47,908 --> 00:11:49,974
I'M TERRIBLY, TERRIBLY SORRY.
201
00:11:50,043 --> 00:11:52,043
THANKS.
202
00:11:52,112 --> 00:11:54,979
I JUST CAME FROM
THE CORONER'S OFFICE.
203
00:11:55,048 --> 00:11:58,049
I HAD TO IDENTIFY THE BODY.
204
00:11:58,118 --> 00:12:00,118
IT'S A REALLY COLD PLACE.
205
00:12:01,387 --> 00:12:03,599
I REMEMBER IT FROM THE LAST TIME
206
00:12:03,623 --> 00:12:05,863
WARREN AND I WENT
DOWN TO IDENTIFY LASLO.
207
00:12:05,925 --> 00:12:06,991
LASLO?
208
00:12:07,060 --> 00:12:08,359
LASLO MADDOX.
209
00:12:08,427 --> 00:12:11,062
WARREN AND I MET
IN HIS ART SEMINAR.
210
00:12:11,131 --> 00:12:12,742
WASN'T LASLO MADDOX
THE MAN WHO DIED
211
00:12:12,766 --> 00:12:14,243
IN MALIBU A COUPLE OF YEARS AGO?
212
00:12:14,267 --> 00:12:15,499
YEAH.
213
00:12:15,569 --> 00:12:17,535
YEAH, HE DROWNED.
214
00:12:17,604 --> 00:12:19,470
WAS WARREN A VERY GOOD DRIVER?
215
00:12:19,539 --> 00:12:21,673
WARREN?
216
00:12:21,741 --> 00:12:24,042
HE DROVE LIKE A LITTLE OLD LADY.
217
00:12:24,110 --> 00:12:26,277
HE WAS VERY CAREFUL.
218
00:12:26,345 --> 00:12:30,281
I JUST CAN'T BELIEVE HE WENT
OFF THE SIDE OF THE ROAD.
219
00:12:30,349 --> 00:12:32,784
YOU SAW THE, UH,
NEWS ON TELEVISION?
220
00:12:33,353 --> 00:12:34,685
YEAH.
221
00:12:34,754 --> 00:12:36,888
THEY SAID THAT HE WAS
DRINKING AND DRIVING.
222
00:12:36,957 --> 00:12:38,122
NO WAY.
223
00:12:38,191 --> 00:12:41,125
HE'D BEEN IN A.A.
FOR 5 YEARS NOW.
224
00:12:41,194 --> 00:12:43,439
I MEAN, HE WENT TO A
MEETING THIS AFTERNOON.
225
00:12:43,463 --> 00:12:46,197
RIGHT BEFORE YOU
CAME FOR YOUR SITTING.
226
00:12:46,266 --> 00:12:48,733
NO, IF IT LOOKED
LIKE HE WAS DRINKING,
227
00:12:48,802 --> 00:12:51,368
THERE'S JUST
SOMETHING WRONG HERE.
228
00:12:51,437 --> 00:12:53,571
THERE'S JUST SOMETHING
TERRIBLY WRONG.
229
00:12:53,639 --> 00:12:55,439
THAT WASN'T ANY ACCIDENT.
230
00:12:57,343 --> 00:12:59,978
DO YOU THINK THAT
THAT CAN BE PROVED?
231
00:13:00,046 --> 00:13:01,679
I DON'T KNOW HOW.
232
00:13:02,281 --> 00:13:04,281
JUST TELL THE POLICE
233
00:13:04,350 --> 00:13:07,652
BUT IF THEY REALLY THINK
THAT'S WHAT HAPPENED,
234
00:13:07,720 --> 00:13:10,088
I DON'T KNOW HOW
TO CONVINCE THEM.
235
00:13:11,691 --> 00:13:15,025
I MEAN, WHO'S GONNA CARE
ABOUT SOME DEAD PAINTER?
236
00:13:16,696 --> 00:13:18,162
WE DO.
237
00:13:48,394 --> 00:13:51,128
LIEUTENANT, YOU CAN
TAKE YOUR BADGE OFF.
238
00:13:51,197 --> 00:13:53,030
OH, YEAH. RIGHT.
239
00:13:57,637 --> 00:13:59,704
DOES HE EVER MISS?
240
00:13:59,772 --> 00:14:01,572
DON'T WORRY.
241
00:14:01,641 --> 00:14:04,386
WE'VE NEVER FOUND ANYTHING
BUT FOOD IN OUR FOOD.
242
00:14:04,410 --> 00:14:06,477
ARE YOU SURE? PROMISE.
243
00:14:08,615 --> 00:14:11,048
YEAH, I NEVER BEEN IN A
PLACE LIKE THIS BEFORE.
244
00:14:11,117 --> 00:14:13,450
IT'S AWFUL NICE
OF YOU TO ASK ME.
245
00:14:13,520 --> 00:14:15,531
IT'S THE LEAST WE
CAN DO FOR YOU.
246
00:14:15,555 --> 00:14:17,722
IT'S AWFULLY NICE
OF YOU TO TALK TO US.
247
00:14:17,790 --> 00:14:20,558
WISH I HAD MORE TO TELL
YOU. AFTER YOU CALLED,
248
00:14:20,627 --> 00:14:22,793
WE SPENT A WEEK RUNNING CHECKS.
249
00:14:22,862 --> 00:14:25,596
ALL OF KELLER'S FRIENDS,
HIS BUSINESS ASSOCIATES.
250
00:14:25,665 --> 00:14:27,598
WE COULDN'T TURN UP A THING.
251
00:14:27,667 --> 00:14:29,700
NO TRACE OF THE
PICTURE OF JENNIFER?
252
00:14:30,237 --> 00:14:32,203
NONE.
253
00:14:32,272 --> 00:14:35,240
I DON'T KNOW. THESE
ARTISTS, THEY GET CRAZY.
254
00:14:35,308 --> 00:14:39,911
MAYBE HE TOOK A LOOK AT IT, DECIDED
HE DIDN'T LIKE IT, AND RIPPED IT UP.
255
00:14:39,979 --> 00:14:42,046
I DON'T BELIEVE
THAT, LIEUTENANT.
256
00:14:42,115 --> 00:14:44,682
WANNA KNOW THE TRUTH? MMM-HMM.
257
00:14:44,751 --> 00:14:46,991
DOESN'T SOUND TOO
TERRIFIC TO ME, EITHER.
258
00:14:48,254 --> 00:14:50,855
IF EITHER ONE OF YOU
HAS ANY SUGGESTIONS...
259
00:14:50,924 --> 00:14:52,924
I WISH WE DID.
260
00:14:52,993 --> 00:14:56,005
WELL, WE REALLY DO APPRECIATE EVERYTHING
YOU'VE TOLD US SO FAR, LIEUTENANT.
261
00:14:56,029 --> 00:14:58,162
AND IF THERE'S REALLY ANYTHING
262
00:14:58,231 --> 00:15:00,498
WE CAN DO FOR YOU,
DON'T HESITATE TO ASK.
263
00:15:00,566 --> 00:15:03,768
WELL, AS A MATTER
OF FACT, THERE IS.
264
00:15:03,836 --> 00:15:06,236
MY GIRL'S COMING BY TO GET ME.
265
00:15:06,305 --> 00:15:09,473
AND SHE'S MIGHTY IMPRESSED
THAT I'VE BEEN MEETING WITH YOU.
266
00:15:09,542 --> 00:15:12,409
I MEAN, SHE READ ALL ABOUT YOU
IN THE SOCIETY COLUMNS AND STUFF.
267
00:15:12,478 --> 00:15:14,478
SHE'S A BIG FAN.
268
00:15:14,547 --> 00:15:18,082
IF YOU WOULDN'T MIND
JUST SAYING HELLO TO HER?
269
00:15:18,151 --> 00:15:19,817
NOT AT ALL. SURE.
270
00:15:19,886 --> 00:15:21,185
THANKS.
271
00:15:21,254 --> 00:15:22,853
THERE SHE IS.
272
00:15:22,922 --> 00:15:25,957
DARLENE, COME ON
OVER HERE. COME ON.
273
00:15:29,596 --> 00:15:31,156
MEET JENNIFER AND JONATHAN HART.
274
00:15:31,197 --> 00:15:32,697
FOLKS, THIS IS DARLENE.
275
00:15:32,765 --> 00:15:34,431
HOW DO YOU DO? HOW DO YOU DO?
276
00:15:34,500 --> 00:15:36,400
OH, BOY, IT'S SO
NICE TO MEET YOU.
277
00:15:36,469 --> 00:15:38,202
I MEAN, WHEN JERRY
TOLD ME HE WAS HAVING
278
00:15:38,270 --> 00:15:40,104
A DRINK WITH YOU, I
JUST DIDN'T BELIEVE IT.
279
00:15:40,172 --> 00:15:42,150
I MEAN, RIGHT, JERRY?
WELL, THAT'S VERY NICE.
280
00:15:42,174 --> 00:15:45,342
I MEAN, MOST OF THE TIME, HE JUST HAS
DRINKS AND STUFF WITH OTHER POLICEMEN
281
00:15:45,411 --> 00:15:47,177
OR DISTRICT ATTORNEYS AND STUFF.
282
00:15:47,246 --> 00:15:48,779
MAYBE WE COULD JUST...
283
00:15:48,848 --> 00:15:50,481
I HAVE, LIKE, SO MANY
THINGS TO ASK YOU
284
00:15:50,549 --> 00:15:53,451
LIKE WHO DOES YOUR HAIR
AND... AND... AND YOUR NAILS
285
00:15:53,519 --> 00:15:55,686
AND... AND... AND WHO YOUR
FAVORITE DESIGNER IS AND...
286
00:15:55,755 --> 00:15:57,455
OH, GOD, AND...
287
00:15:57,523 --> 00:15:59,701
SHOULD WE MOVE OVER A LITTLE
BIT? MAYBE YOU COULD SIT DOWN.
288
00:15:59,725 --> 00:16:02,593
AND WHAT IT'S LIKE TO WORK WITH,
LIKE, ALL THOSE POLICEMEN AND STUFF
289
00:16:02,662 --> 00:16:03,894
AND SOLVE THE CRIMES?
290
00:16:03,963 --> 00:16:05,708
AND I JUST CAN'T BELIEVE
IT. MY GIRLFRIENDS
291
00:16:05,732 --> 00:16:07,431
ARE JUST GONNA
DIE IF I TELL THEM...
292
00:16:07,500 --> 00:16:08,543
OH, GOOD.
293
00:16:08,567 --> 00:16:09,834
WON'T YOU SIT DOWN?
294
00:16:11,871 --> 00:16:13,237
WOULD YOU LIKE A PLATE?
295
00:16:13,305 --> 00:16:14,639
NO.
296
00:16:19,011 --> 00:16:20,945
I NEVER CEASE TO BE AMAZED
297
00:16:21,014 --> 00:16:23,981
THAT PEOPLE
ACTUALLY BUY THIS JUNK.
298
00:16:24,050 --> 00:16:25,783
AH, IT LOOKS OK TO
ME, MR. WINSLOW.
299
00:16:25,852 --> 00:16:27,551
ASSEMBLY-LINE ART.
300
00:16:27,620 --> 00:16:30,320
TAKES LESS THAN AN HOUR
TO PAINT ONE OF THESE.
301
00:16:30,389 --> 00:16:32,367
I CAN UNDERSTAND
HOTELS BUYING THEM
302
00:16:32,391 --> 00:16:35,159
BUT TO HANG THEM ON
THE WALLS OF ONE'S HOME...
303
00:16:37,163 --> 00:16:39,830
OH, COME ON, YOU
OUGHT TO BE GLAD.
304
00:16:39,899 --> 00:16:43,134
IT'S MADE YOU RICH ENOUGH
TO BUY THE REAL STUFF.
305
00:16:43,202 --> 00:16:44,735
AH, YES.
306
00:16:44,804 --> 00:16:48,305
THE LINES AT THE WINSLOW
ART MARTS STRETCH FOR MILES.
307
00:16:48,374 --> 00:16:52,543
ANOTHER TESTAMENT TO HOW ONE CAN
BECOME RICH APPEALING TO BAD TASTE.
308
00:16:55,882 --> 00:16:59,550
DIDN'T I PUT THE KELLER HERE,
THE PORTRAIT OF MRS. HART?
309
00:16:59,618 --> 00:17:01,585
HOW DO YOU KNOW WHO SHE IS?
310
00:17:01,654 --> 00:17:03,521
FROM THE SOCIETY COLUMN.
311
00:17:03,589 --> 00:17:06,635
SHE AND HER HUSBAND ARE
FAVORITES OF THE LOCAL PAPARAZZI.
312
00:17:06,659 --> 00:17:08,092
DIDN'T I PUT IT HERE?
313
00:17:08,161 --> 00:17:10,328
YES, I SAW YOU DO IT.
314
00:17:10,397 --> 00:17:11,962
PETERSON.
315
00:17:16,202 --> 00:17:17,468
PETERSON!
316
00:17:22,909 --> 00:17:24,775
WHAT IS IT?
317
00:17:24,844 --> 00:17:26,177
HAVE YOU SEEN THE KELLER?
318
00:17:26,246 --> 00:17:27,578
WHAT'S THAT?
319
00:17:27,647 --> 00:17:29,413
THE PORTRAIT OF THE WOMAN.
320
00:17:29,482 --> 00:17:31,182
OH, YEAH, THE GREAT-LOOKING ONE.
321
00:17:31,250 --> 00:17:33,228
WHEN DID YOU START
APPRECIATING ART?
322
00:17:33,252 --> 00:17:35,285
NOT THE PAINTING, THE DAME.
323
00:17:35,354 --> 00:17:36,753
WHERE IS IT?
324
00:17:37,589 --> 00:17:39,123
I SENT IT OUT.
325
00:17:42,028 --> 00:17:43,828
YOU WHAT?
326
00:17:43,896 --> 00:17:47,364
YEAH, WE HAD A DELIVERY
TO GANS ART SUPPLY TODAY.
327
00:17:47,433 --> 00:17:49,400
SO I JUST GRABBED
A STACK OF PICTURES.
328
00:17:49,468 --> 00:17:51,302
I THINK IT WAS IN THAT STACK.
329
00:17:51,371 --> 00:17:53,771
YOU SENT A WARREN
KELLER ORIGINAL TO BE HUNG
330
00:17:53,839 --> 00:17:57,208
ON THE WALL OF AN
ART SUPPLY STORE?
331
00:17:57,277 --> 00:18:00,278
I GUESS. I MEAN, THEY
ALL LOOK THE SAME TO ME.
332
00:18:03,616 --> 00:18:05,349
LORD, HELP ME.
333
00:18:06,252 --> 00:18:08,252
YOU WANT WE SHOULD GET IT BACK?
334
00:18:08,321 --> 00:18:11,822
YES, I WANT YOU
SHOULD GET IT BACK.
335
00:18:11,891 --> 00:18:15,226
IF GANS HUNG IT ALREADY, HE
MIGHT NOTICE IF IT DISAPPEARS.
336
00:18:15,295 --> 00:18:19,330
THEN MAKE SURE HE CAN'T TELL
ANYONE WHERE IT CAME FROM.
337
00:18:19,399 --> 00:18:21,076
IF THE POLICE MAKE
THE CONNECTION,
338
00:18:21,100 --> 00:18:24,302
EVEN THEY WILL BE ABLE TO FIGURE
OUT WHO MURDERED WARREN KELLER.
339
00:18:25,137 --> 00:18:26,803
GOT IT.
340
00:18:26,873 --> 00:18:28,739
GOOD. GET IT.
341
00:18:39,718 --> 00:18:42,452
YOU KNOW WHAT A MAN COULD DO IF
HE WANTED TO MAKE A LOT OF MONEY?
342
00:18:42,521 --> 00:18:43,653
WHAT?
343
00:18:43,722 --> 00:18:45,589
HE COULD OPEN UP
ICE CREAM STORES NEXT
344
00:18:45,657 --> 00:18:47,657
TO JAPANESE RESTAURANTS.
HE'D MAKE A FORTUNE.
345
00:18:47,726 --> 00:18:50,094
UMM, NEXT TO PIZZA PARLORS, TOO.
346
00:18:50,162 --> 00:18:52,696
UH-UH, PEPPERONI AND
PEPPERMINT DOESN'T MIX.
347
00:18:52,765 --> 00:18:54,531
WHY NOT?
348
00:18:54,600 --> 00:18:57,067
YOU'RE HAVING
TEMPURA AND TOFFEE.
349
00:18:57,136 --> 00:18:58,435
UM, HOLD IT.
350
00:18:59,238 --> 00:19:00,737
THERE YOU ARE.
351
00:19:05,477 --> 00:19:09,880
NOW THERE'S A PERFECT
COMBINATION: FLOWERS AND ICE CREAM.
352
00:19:20,192 --> 00:19:22,359
HMM, A GALLERY.
353
00:19:23,329 --> 00:19:25,462
SEE ANYTHING YOU LIKE?
354
00:19:25,531 --> 00:19:28,032
JONATHAN, LOOK! THE PORTRAIT!
355
00:19:28,767 --> 00:19:30,267
WHAT'S THAT DOING HERE?
356
00:19:30,336 --> 00:19:31,969
LET'S ASK THE OWNER.
357
00:19:37,109 --> 00:19:38,309
CLOSED.
358
00:19:40,012 --> 00:19:43,052
LET'S SEE IF WE CAN FIND
HIS HOME ADDRESS. COME ON.
359
00:19:46,285 --> 00:19:47,785
L.A. MOBILE?
360
00:19:47,853 --> 00:19:51,889
I'D LIKE THE NUMBER FOR ELIOT
GANS IN LOS ANGELES, PLEASE.
361
00:19:51,957 --> 00:19:53,857
NOT HIS GALLERY, HIS HOME.
362
00:19:53,926 --> 00:19:55,793
COULD YOU ALSO
GIVE ME HIS ADDRESS?
363
00:20:12,445 --> 00:20:14,456
YOU SURE THIS IS
THE RIGHT HOUSE?
364
00:20:14,480 --> 00:20:17,848
HOW MANY ELIOT GANSES CAN
THERE BE IN THE PHONE BOOK?
365
00:20:24,690 --> 00:20:26,090
YOU ALL RIGHT?
366
00:20:26,159 --> 00:20:27,758
YES, JUST A LITTLE SHAKEN.
367
00:20:27,826 --> 00:20:29,060
COME ON.
368
00:21:29,087 --> 00:21:31,522
I'M AFRAID WE'VE GOT
THE RIGHT ADDRESS.
369
00:21:48,040 --> 00:21:51,074
AMBULANCE 89 TO 7400 CLEMENT.
370
00:22:01,254 --> 00:22:03,887
SO YOU JUST WALKED IN
AND DISCOVERED THE BODY?
371
00:22:03,956 --> 00:22:05,856
RIGHT THEN WE CALLED THE POLICE.
372
00:22:05,924 --> 00:22:08,859
I THINK IT'S SO WONDERFUL,
THE WAY YOU ASKED FOR JERRY.
373
00:22:08,927 --> 00:22:11,995
OH, I HOPE WE DIDN'T
INTERRUPT ANYTHING.
374
00:22:12,064 --> 00:22:14,765
NO, NOTHING AT ALL.
375
00:22:14,833 --> 00:22:16,933
IT'S JUST THAT WE
THINK THIS IS TIED IN
376
00:22:17,002 --> 00:22:19,070
WITH THE MURDER
OF WARREN KELLER.
377
00:22:19,138 --> 00:22:22,239
BECAUSE OF A PICTURE
IN GANS' WINDOW? RIGHT.
378
00:22:22,308 --> 00:22:25,409
UH, THAT WAS MY PORTRAIT THAT
WAS STOLEN FROM WARREN'S STUDIO.
379
00:22:25,478 --> 00:22:27,144
WHAT WAS GANS DOING WITH IT?
380
00:22:27,213 --> 00:22:28,890
THAT'S WHAT WE
WERE GONNA ASK HIM.
381
00:22:28,914 --> 00:22:31,148
BOY, THIS IS REALLY
GETTING INVOLVED, ISN'T IT?
382
00:22:31,217 --> 00:22:34,329
I MEAN, THIS IS JUST LIKE THAT CASE
YOU WERE TELLING ME ABOUT EARLIER.
383
00:22:34,353 --> 00:22:35,619
DARLENE.
384
00:22:35,687 --> 00:22:37,566
WE DON'T KNOW WHAT
THE CONNECTION IS.
385
00:22:37,590 --> 00:22:40,957
BUT IF WE COULD GET INTO HIS
STORE AND LOOK AT HIS RECORDS...
386
00:22:41,026 --> 00:22:43,905
MAYBE THERE'S AN INVOICE THAT
CAN TELL US WHERE HE GOT IT.
387
00:22:43,929 --> 00:22:46,274
FINE. I'LL SEND SOMEONE OVER
FIRST THING IN THE MORNING.
388
00:22:46,298 --> 00:22:49,099
OH, NO, WE SHOULD GO RIGHT AWAY.
389
00:22:50,068 --> 00:22:51,201
WE?
390
00:22:51,270 --> 00:22:53,014
I THINK THEY'RE RIGHT, JERRY.
391
00:22:53,038 --> 00:22:55,038
DARLENE.
392
00:22:55,107 --> 00:22:57,608
EH, MR. HART, MRS. HART,
393
00:22:57,676 --> 00:23:00,611
I APPRECIATE WHAT
YOU'RE SAYING. I REALLY DO.
394
00:23:00,679 --> 00:23:03,492
BUT THERE'S A DEAD MAN ON THE
FLOOR BY THE NAME OF ELIOT GANS
395
00:23:03,516 --> 00:23:05,360
AND I GOT A REPORT TO FILL OUT.
396
00:23:05,384 --> 00:23:07,362
AND I'D LIKE TO GET
AN AUTOPSY ON GANS
397
00:23:07,386 --> 00:23:09,653
AND BY THE TIME I
FINISH ALL OF THAT,
398
00:23:09,722 --> 00:23:11,955
THERE'LL PROBABLY BE
NO TIME FOR ANYTHING ELSE.
399
00:23:12,024 --> 00:23:13,791
WELL, THE PROBLEM
IS, LIEUTENANT,
400
00:23:13,860 --> 00:23:15,637
WE'RE AFRAID THAT
WHOEVER KILLED HIM
401
00:23:15,661 --> 00:23:17,473
MIGHT GO AFTER THE
PORTRAIT RIGHT AWAY.
402
00:23:17,497 --> 00:23:20,998
I MEAN, THERE MAY BE NO
TIME TO SPARE. THAT'S RIGHT.
403
00:23:21,066 --> 00:23:24,034
SEE? DARLENE!
404
00:23:24,103 --> 00:23:27,171
I TELL YOU WHAT, IF
YOU'RE THAT CONCERNED,
405
00:23:27,239 --> 00:23:29,406
WHY DON'T YOU GO
SIT OUTSIDE THE STORE
406
00:23:29,475 --> 00:23:32,242
UNTIL I SEND SOMEONE
OVER THERE TOMORROW?
407
00:23:32,311 --> 00:23:34,611
I THINK YOU'RE BOTH VERY RIGHT.
408
00:23:37,816 --> 00:23:39,849
I THINK WE'VE LOST AN ALLY.
409
00:23:39,918 --> 00:23:42,752
WE SEEM TO HAVE THAT
EFFECT UPON POLICEMEN.
410
00:23:43,456 --> 00:23:45,021
WHAT NOW?
411
00:23:45,091 --> 00:23:47,657
WELL, HE DID SAY TO
GO BACK TO THE STORE.
412
00:23:47,726 --> 00:23:50,071
I THINK HE WAS BEING
SARCASTIC, DARLING.
413
00:23:50,095 --> 00:23:52,763
OH, REALLY? I DIDN'T NOTICE.
414
00:23:54,867 --> 00:23:57,300
I KNOW A SOLUTION
TO THE ENERGY CRISIS.
415
00:23:57,369 --> 00:23:58,614
WHAT?
416
00:23:58,638 --> 00:24:00,838
HARNESS DARLENE'S ENTHUSIASM.
417
00:24:29,936 --> 00:24:31,616
IT'S GONE!
418
00:24:34,206 --> 00:24:37,286
LET'S SEE IF THEY GOT A
BACK ENTRANCE TO THIS PLACE.
419
00:25:01,334 --> 00:25:02,633
STAY BEHIND ME.
420
00:25:27,159 --> 00:25:29,904
ALL RIGHT, UP AGAINST
THE WALL, THE BOTH OF YOU.
421
00:25:29,928 --> 00:25:32,128
MOVE IT.
422
00:25:32,197 --> 00:25:34,443
AND GET YOUR HANDS
ON TOP OF YOUR HEADS.
423
00:25:34,467 --> 00:25:35,899
GO ON.
424
00:26:07,767 --> 00:26:10,000
HI. HI.
425
00:26:11,470 --> 00:26:13,637
DID THEY TAKE MY PAINTING? YEAH.
426
00:26:13,706 --> 00:26:14,772
OH.
427
00:26:14,840 --> 00:26:17,741
I CAN'T WAIT TO SEE THAT MYSELF.
428
00:26:17,810 --> 00:26:20,544
WE BETTER CALL THE POLICE.
429
00:26:20,613 --> 00:26:23,414
BUT WHATEVER YOU
DO, DON'T CALL GILLIS.
430
00:26:39,097 --> 00:26:42,265
YOU'RE SURE THIS IS THE
WOMAN IN GANS' STORE,
431
00:26:42,334 --> 00:26:43,933
JENNIFER HART?
432
00:26:44,002 --> 00:26:45,903
YEAH, I'M SURE.
433
00:26:45,971 --> 00:26:47,771
SHE WAS WITH SOME GUY.
434
00:26:47,840 --> 00:26:49,651
MAYBE THE GUY'S HER HUSBAND.
435
00:26:49,675 --> 00:26:51,875
OH, PETERSON, YOUR
POWERS OF DEDUCTION
436
00:26:51,944 --> 00:26:53,911
ARE A CONSTANT
SOURCE OF DELIGHT.
437
00:26:56,115 --> 00:26:58,548
THIS REALLY CAN'T STAY HERE.
438
00:26:58,618 --> 00:27:00,028
PUT IT AT THE WAREHOUSE.
439
00:27:00,052 --> 00:27:01,952
BUT ALL THOSE PEOPLE
ARE GONNA BE THERE.
440
00:27:02,021 --> 00:27:04,341
YOU KNOW, AT THE DANCE YOU'RE
THROWING, THE BOX ART BALL.
441
00:27:04,390 --> 00:27:06,356
BEAUX ARTS.
442
00:27:06,425 --> 00:27:09,203
NOBODY WILL SEE IT IF WE
LOCK IT AWAY IN A STORAGE BIN.
443
00:27:09,227 --> 00:27:11,361
THANK YOU, CONWAY.
444
00:27:11,430 --> 00:27:13,997
WELL, THIS MAY BE A
FASCINATING COINCIDENCE.
445
00:27:15,501 --> 00:27:16,733
HOW'S THAT?
446
00:27:16,802 --> 00:27:18,569
HERE WE HAVE THE LAST PAINTING
447
00:27:18,637 --> 00:27:20,415
THAT WARREN KELLER EVER PAINTED.
448
00:27:20,439 --> 00:27:22,317
AND IT MAY ALSO TURN OUT TO BE
449
00:27:22,341 --> 00:27:24,842
THE LAST PORTRAIT THAT
MRS. HART EVER SITS FOR.
450
00:27:28,614 --> 00:27:30,480
TO YOU, MRS. HART.
451
00:27:53,205 --> 00:27:56,485
IT'S REALLY TERRIFIC. I REALLY
LIKE YOUR PAINTING. OH, THANK YOU.
452
00:27:56,542 --> 00:27:58,219
BUT I THINK I'LL WAIT
TILL ANOTHER TIME
453
00:27:58,243 --> 00:28:00,144
TO TRY TO INTEREST
YOU IN MY WORK.
454
00:28:00,212 --> 00:28:02,824
YOU'VE BEEN SO NICE, BUYING
TICKETS FOR THE BEAUX ARTS BALL.
455
00:28:02,848 --> 00:28:06,216
OH, DON'T BE SILLY. I'VE ALWAYS
WANTED TO GO TO ONE OF THOSE.
456
00:28:06,786 --> 00:28:08,285
THERE YOU ARE.
457
00:28:08,353 --> 00:28:11,555
ON BEHALF OF THE STARVING
ARTISTS' ASSOCIATION, I THANK YOU.
458
00:28:11,623 --> 00:28:14,091
YOU'RE NOT GONNA BE A
STARVING ARTIST FOR VERY LONG.
459
00:28:14,160 --> 00:28:15,971
LOOK AT THESE, DARLING.
AREN'T THEY GOOD?
460
00:28:15,995 --> 00:28:17,205
OH, YEAH, THOSE ARE GOOD.
461
00:28:17,229 --> 00:28:18,428
I HOPE YOU'RE RIGHT.
462
00:28:18,497 --> 00:28:20,441
AT THE MOMENT, I'M
MUDDLING THROUGH ON
463
00:28:20,465 --> 00:28:22,700
A GRANT FROM THE
WINSLOW FOUNDATION.
464
00:28:22,768 --> 00:28:25,635
WINSLOW. ROGER WINSLOW?
465
00:28:25,704 --> 00:28:27,771
YEAH, YOU KNOW HIM?
OF THE ART MARTS.
466
00:28:27,840 --> 00:28:30,507
YES, I'VE SEEN HIM ON TELEVISION
ADVERTISING ART BY THE YARD.
467
00:28:30,576 --> 00:28:33,911
YEAH, BUT HE'S REALLY INTERESTED
IN THE FUTURE OF FINE ART.
468
00:28:33,979 --> 00:28:36,858
IN FACT, HE DONATED HIS
WAREHOUSE FOR THE PARTY TONIGHT.
469
00:28:36,882 --> 00:28:38,281
OH.
470
00:28:38,350 --> 00:28:40,328
HAVE YOU SEEN THIS,
DARLING? WHAT'S THAT?
471
00:28:40,352 --> 00:28:43,119
THAT'S THE BROCHURE FROM
LASLO MADDOX'S LAST SHOW.
472
00:28:43,188 --> 00:28:46,222
THERE ARE SOME VERY INTERESTING
PRIVATE COLLECTORS IN THERE.
473
00:28:46,291 --> 00:28:48,091
WELL, THANK YOU VERY MUCH.
474
00:28:48,160 --> 00:28:49,400
THANK YOU.
475
00:28:49,461 --> 00:28:51,439
THANKS AGAIN. THANK YOU.
476
00:28:51,463 --> 00:28:52,703
WE'LL SEE YOU THERE.
477
00:28:52,731 --> 00:28:53,997
GOODBYE.
478
00:29:03,509 --> 00:29:05,275
JONATHAN? UH-HUH?
479
00:29:05,343 --> 00:29:07,188
WHAT DID YOU FIND
THAT WAS SO INTERESTING
480
00:29:07,212 --> 00:29:09,357
ABOUT THAT BROCHURE
ON LASLO MADDOX?
481
00:29:09,381 --> 00:29:10,759
YOU KNOW THE
BROCHURE YOU GAVE ME
482
00:29:10,783 --> 00:29:12,126
ON WARREN KELLER'S COLLECTION?
483
00:29:12,150 --> 00:29:13,950
YOU MEAN HIS LAST SHOW?
484
00:29:14,019 --> 00:29:15,952
YOU LEFT IT LYING ON
THE SEAT OF THE CAR.
485
00:29:16,021 --> 00:29:17,587
I TOOK A LOOK AT IT.
486
00:29:17,656 --> 00:29:19,255
AND?
487
00:29:19,324 --> 00:29:21,425
I PUT IT IN THE
GLOVE COMPARTMENT.
488
00:29:21,493 --> 00:29:23,059
WHY DON'T YOU TAKE A LOOK AT IT?
489
00:29:24,129 --> 00:29:25,662
ALL RIGHT.
490
00:29:28,300 --> 00:29:30,934
LOOK IN THE BACK UNDER
"PRIVATE COLLECTIONS."
491
00:29:32,838 --> 00:29:34,537
WHAT AM I LOOKING FOR?
492
00:29:34,606 --> 00:29:35,806
YOU'LL SEE.
493
00:29:38,510 --> 00:29:42,545
LET'S SEE. CHIKART
ANDERSON, HOUSTON, TEXAS.
494
00:29:42,614 --> 00:29:45,448
DR. AND MRS. HAROLD BATES,
GROSSE POINT, MICHIGAN...
495
00:29:46,184 --> 00:29:48,384
NOTICE ANYONE ELSE?
496
00:29:48,453 --> 00:29:50,620
L, M, N, O...
497
00:29:51,290 --> 00:29:52,689
NO.
498
00:29:52,757 --> 00:29:54,257
OH, YES.
499
00:29:54,326 --> 00:29:59,529
PIERSON, SANTA
MONICA, CALIFORNIA.
500
00:30:00,699 --> 00:30:02,231
GO ON.
501
00:30:02,300 --> 00:30:03,901
THERE'S MORE?
502
00:30:03,969 --> 00:30:08,972
Q, R, S, T... U, V, W. WINSLOW.
503
00:30:09,041 --> 00:30:10,206
ROGER.
504
00:30:10,275 --> 00:30:11,575
ROGER WINSLOW?
505
00:30:11,643 --> 00:30:12,643
UH-HUH.
506
00:30:14,680 --> 00:30:16,112
WELL.
507
00:30:16,181 --> 00:30:18,749
WHERE DO WE START FIRST?
508
00:30:18,817 --> 00:30:20,984
HOW ABOUT ALPHABETICALLY?
509
00:30:21,053 --> 00:30:23,386
YOU WANT ME TO CALL
INFORMATION IN SANTA MONICA?
510
00:30:23,455 --> 00:30:24,855
YEAH.
511
00:30:24,923 --> 00:30:26,389
HELLO, L.A. MOBILE.
512
00:30:29,995 --> 00:30:32,095
HOW'S THAT, OPERATOR?
513
00:30:32,163 --> 00:30:34,297
YOU HAVE A LISTING
FOR WILBUR PIERSON'S
514
00:30:34,366 --> 00:30:36,833
TRUCKING COMPANY
ON OIL SLICK ROAD?
515
00:30:49,948 --> 00:30:52,616
I BOUGHT THOSE WARREN KELLERS
BEFORE ANYONE EVER HEARD OF HIM.
516
00:30:52,684 --> 00:30:54,724
MUCH LESS BEFORE HE
UP AND KILLED HIMSELF.
517
00:30:54,753 --> 00:30:56,430
I'D TAKE Y'ALL UP TO THE HOUSE,
518
00:30:56,454 --> 00:30:58,299
BUT I'VE GOT 2 MECHANICS
OUT WITH THE FLU.
519
00:30:58,323 --> 00:30:59,422
EXCUSE ME.
520
00:31:04,696 --> 00:31:08,197
WOULD YOU HAND ME THAT LITTLE
CRESCENT WRENCH THERE, PLEASE, SIR?
521
00:31:08,266 --> 00:31:10,700
ARE ALL YOUR PAINTINGS KELLERS?
522
00:31:10,769 --> 00:31:12,201
HECK, NO.
523
00:31:12,270 --> 00:31:14,738
I GOT A FEW OF THOSE
JACKSON POLLOCKS.
524
00:31:14,806 --> 00:31:17,174
I BOUGHT THEM BEFORE
HE KILLED HIMSELF.
525
00:31:17,242 --> 00:31:19,376
SAME WITH THE ROTHKOS.
526
00:31:19,444 --> 00:31:21,611
DAMN. SAME WITH THE MADDOXES.
527
00:31:21,680 --> 00:31:23,413
MR. PIERSON, YOU
SEEM TO HAVE A KNACK
528
00:31:23,482 --> 00:31:25,949
FOR COLLECTING ARTISTS
WHO DIE PREMATURELY.
529
00:31:26,018 --> 00:31:27,284
TELL ME ABOUT IT.
530
00:31:27,353 --> 00:31:29,064
IT'S GOT TO THE POINT
TO WHERE I THINK TWICE
531
00:31:29,088 --> 00:31:30,732
BEFORE I EVEN BUY A NEW ARTIST.
532
00:31:30,756 --> 00:31:32,333
IS THAT WHAT YOU SPECIALIZE IN?
533
00:31:32,357 --> 00:31:34,035
YES, MA'AM,
DISCOVERING NEW TALENT.
534
00:31:34,059 --> 00:31:35,658
WELL, THEY'RE GOOD INVESTMENTS.
535
00:31:35,728 --> 00:31:38,528
UH-HUH. WELL, IF I'M GONNA
INVEST, I BUY REAL ESTATE.
536
00:31:38,597 --> 00:31:41,465
I JUST LOVE BEING
RIGHT ABOUT NEW KIDS.
537
00:31:41,533 --> 00:31:43,144
COURSE, WHEN THEY DIE THAT WAY,
538
00:31:43,168 --> 00:31:45,435
IT DON'T HURT THE VALUE
OF THE PAINTINGS NONE.
539
00:31:45,503 --> 00:31:46,647
THE PRICE JUST SKYROCKETS.
540
00:31:46,671 --> 00:31:48,271
RIGHT AWAY.
541
00:31:48,340 --> 00:31:51,641
YES, MA'AM. SUPPLY IS ENDED,
DEMAND JUST KEEPS GOING ON.
542
00:31:51,710 --> 00:31:55,011
I COULD MAKE A BUNDLE OFF
THEM KELLERS IF I HAD A MIND TO.
543
00:31:57,616 --> 00:31:59,583
WELL, Y'ALL EXCUSE ME.
544
00:31:59,651 --> 00:32:02,586
WELL, I GUESS THE CONVERSATION
HAS ENDED. FOR NOW.
545
00:32:02,654 --> 00:32:04,287
HEY!
546
00:32:04,355 --> 00:32:08,125
WOULD YOU HAND ME THAT
SCREWDRIVER WITH THE RED HANDLE?
547
00:32:10,662 --> 00:32:12,302
YOUR TURN. MY...
548
00:32:15,634 --> 00:32:17,267
HERE YOU GO.
549
00:32:17,336 --> 00:32:18,535
MUCH OBLIGED.
550
00:32:28,847 --> 00:32:30,780
IF PIERSON IS A MURDERER,
551
00:32:30,849 --> 00:32:32,916
HE'S THE MOST UP-FRONT
KILLER SINCE JAWS.
552
00:33:10,989 --> 00:33:12,421
MAY I HELP YOU?
553
00:33:12,490 --> 00:33:14,401
YES, WE'RE MR. AND
MRS. JONATHAN HART.
554
00:33:14,425 --> 00:33:15,992
IS MR. WINSLOW IN?
555
00:33:16,061 --> 00:33:17,594
DO YOU HAVE AN APPOINTMENT?
556
00:33:17,663 --> 00:33:20,663
NO, BUT WE THOUGHT
HE MIGHT SEE US ANYWAY.
557
00:33:20,733 --> 00:33:22,298
DO YOU HAVE A CARD?
558
00:33:22,367 --> 00:33:23,566
NO, I'M AFRAID NOT.
559
00:33:23,635 --> 00:33:25,035
OH, HE HAS CARDS.
560
00:33:25,104 --> 00:33:26,714
HE JUST NEVER
CARRIES THEM WITH HIM.
561
00:33:26,738 --> 00:33:28,783
JUST LIKE HE NEVER
CARRIES ANY CASH.
562
00:33:28,807 --> 00:33:31,775
WELL, I DON'T SUPPOSE IT MATTERS
WHETHER YOU'VE GOT IT ON YOU
563
00:33:31,843 --> 00:33:33,643
JUST SO LONG AS YOU'VE GOT IT.
564
00:33:39,918 --> 00:33:41,158
PLEASE WAIT HERE.
565
00:33:41,186 --> 00:33:43,320
I'LL SEE IF MR. WINSLOW
IS AT HOME.
566
00:33:43,388 --> 00:33:45,233
NO APPOINTMENT,
NO CARD, NO CASH.
567
00:33:45,257 --> 00:33:46,890
WHAT'S THE WORLD COMING TO?
568
00:33:54,199 --> 00:33:58,068
THERE'S A MADDOX, NAMELY LASLO.
569
00:34:01,539 --> 00:34:06,209
AND HERE'S A KELLER,
NAMELY WARREN.
570
00:34:06,277 --> 00:34:10,213
AND I'M WINSLOW, NAMELY ROGER.
571
00:34:11,416 --> 00:34:13,216
HOW DO YOU DO, MR. WINSLOW?
572
00:34:13,284 --> 00:34:15,018
I'VE SEEN YOU ON TELEVISION.
573
00:34:15,087 --> 00:34:17,787
AND I'VE SEEN YOUR PICTURE
ON THE SOCIETY PAGE.
574
00:34:20,225 --> 00:34:22,125
WON'T YOU COME INTO MY STUDY?
575
00:34:26,098 --> 00:34:27,098
PLEASE.
576
00:34:32,704 --> 00:34:34,003
PLEASE COME IN.
577
00:34:36,474 --> 00:34:39,375
I SUPPOSE YOU'VE COME
ABOUT THE BEAUX ARTS BALL?
578
00:34:41,512 --> 00:34:43,046
WELL, NOT EXACTLY.
579
00:34:43,115 --> 00:34:44,580
OH, PLEASE, SIT DOWN.
580
00:34:44,649 --> 00:34:45,715
THANK YOU.
581
00:34:45,784 --> 00:34:47,024
MAKE YOURSELF COMFORTABLE.
582
00:34:47,285 --> 00:34:49,285
WELL,
583
00:34:49,354 --> 00:34:51,199
CAN I OFFER YOU SOME
TEA? NO, THANK YOU.
584
00:34:51,223 --> 00:34:52,255
NO, THANK YOU.
585
00:34:52,323 --> 00:34:54,524
DRINK? NOTHING.
586
00:34:54,592 --> 00:34:56,326
WELL, I'LL HAVE SOME TEA.
587
00:34:58,463 --> 00:35:00,863
WHY DID YOU DROP
BY THIS AFTERNOON?
588
00:35:02,734 --> 00:35:05,268
WE CAME TO TALK TO YOU
ABOUT WARREN KELLER.
589
00:35:07,372 --> 00:35:08,971
DID YOU KNOW HIM?
590
00:35:09,040 --> 00:35:10,280
YES, WE WERE FRIENDS.
591
00:35:11,910 --> 00:35:14,088
WE ALSO OWN SOME OF HIS WORKS.
592
00:35:14,112 --> 00:35:16,432
NOT AS MANY AS
YOU DO, OF COURSE.
593
00:35:18,417 --> 00:35:21,651
HOW DO YOU KNOW I
OWN KELLER'S WORK?
594
00:35:21,720 --> 00:35:23,886
FROM THE BROCHURE
OF HIS LAST SHOW.
595
00:35:24,756 --> 00:35:26,789
OH, YES. OF COURSE.
596
00:35:28,693 --> 00:35:31,894
WE ALSO KNOW THAT YOU OWN A
GREAT DEAL OF LASLO MADDOX'S WORK.
597
00:35:31,964 --> 00:35:34,264
FROM THE BROCHURE
OF HIS LAST SHOW.
598
00:35:34,332 --> 00:35:35,332
YES.
599
00:35:36,635 --> 00:35:39,202
YOU'RE TO BE
COMPLIMENTED, MR. WINSLOW.
600
00:35:39,270 --> 00:35:41,304
REALLY, MR. HART?
601
00:35:41,373 --> 00:35:42,772
WHY?
602
00:35:42,841 --> 00:35:45,141
ON AFFORDING THE
PUBLIC THE CHANCE TO BUY
603
00:35:45,210 --> 00:35:47,777
ORIGINAL ART AT SUCH
INEXPENSIVE PRICES.
604
00:35:49,515 --> 00:35:51,581
THANK YOU, MR. HART.
605
00:35:51,650 --> 00:35:56,353
SOME OF OUR YOUNGER ARTISTS WILL
PROVE THEMSELVES AND OTHERS WILL NOT.
606
00:35:56,421 --> 00:36:00,489
THAT IS THE ONLY THING THE WINSLOW
ART MARTS CANNOT GUARANTEE.
607
00:36:00,558 --> 00:36:03,426
MR. WINSLOW, YOU KNEW BOTH
OF THESE MEN PERSONALLY.
608
00:36:04,262 --> 00:36:06,296
I DID.
609
00:36:06,365 --> 00:36:09,832
DO YOU THINK THE FACT THAT
BOTH OF THEM DIED PREMATURELY
610
00:36:09,901 --> 00:36:12,868
COULD POSSIBLY
HAVE ANY CONNECTION?
611
00:36:12,937 --> 00:36:14,882
I CANNOT SEE ANY
POSSIBLE CONNECTION
612
00:36:14,906 --> 00:36:17,340
BETWEEN 2 SUCH TRAGIC INCIDENTS.
613
00:36:23,348 --> 00:36:24,447
WELL.
614
00:36:27,486 --> 00:36:29,497
WELL, WE WON'T TAKE UP
ANY MORE OF YOUR TIME.
615
00:36:29,521 --> 00:36:30,853
WE REALLY MUST GO, ANYWAY.
616
00:36:30,922 --> 00:36:32,389
WE HAVE TO GET
READY FOR THE BALL.
617
00:36:32,457 --> 00:36:34,402
OH, SO YOU'RE
PLANNING ON ATTENDING?
618
00:36:34,426 --> 00:36:36,504
OH, YES. WOULDN'T
MISS IT FOR THE WORLD.
619
00:36:36,528 --> 00:36:39,996
OH, HOW NICE. I LOOK
FORWARD TO SEEING YOU.
620
00:36:40,064 --> 00:36:41,142
OH, THANK YOU.
621
00:36:41,166 --> 00:36:42,166
I HOPE YOU'LL BE WEARING
622
00:36:42,233 --> 00:36:44,167
SOMETHING COLORFUL.
623
00:36:44,235 --> 00:36:47,504
OH, YES. SOMETHING IN
NEON WITH SPARKLERS.
624
00:36:49,107 --> 00:36:52,074
I'M SURE YOU'LL STAND
OUT IN ANY CROWD.
625
00:36:52,143 --> 00:36:54,955
YOU'LL JUST HAVE TO WAIT UNTIL
WE TAKE OFF OUR MASKS TO FIND US.
626
00:36:54,979 --> 00:36:57,224
BUT THAT'S NOT UNTIL MIDNIGHT.
627
00:36:57,248 --> 00:37:00,283
AND THE SAD PART ABOUT THAT
IS IT WASTES HALF THE EVENING.
628
00:37:00,352 --> 00:37:03,587
OH, BUT THINK OF ALL THE FUN
YOU'LL HAVE TRYING TO FIND US.
629
00:37:06,091 --> 00:37:10,693
WELL, IF ONE MUST WAIT, I
SUPPOSE ONE MUST WAIT.
630
00:37:10,762 --> 00:37:13,043
IS THAT YOUR CAR, MR. WINSLOW?
631
00:37:14,732 --> 00:37:16,966
THE PANTHER, YES.
632
00:37:17,035 --> 00:37:18,834
AH, IT'S LOVELY.
633
00:37:19,637 --> 00:37:21,070
THANK YOU.
634
00:37:21,139 --> 00:37:22,139
WELL.
635
00:37:24,542 --> 00:37:26,475
BYE-BYE, MR. WINSLOW. THANK YOU.
636
00:37:26,544 --> 00:37:28,077
SEE YOU THIS EVENING.
637
00:37:44,462 --> 00:37:46,662
WE'RE SEEING A LOT OF
THEM ALL OF A SUDDEN.
638
00:37:46,731 --> 00:37:49,999
YES, BUT AFTER TONIGHT, NO ONE
WILL BE SEEING THEM ANYMORE.
639
00:37:54,539 --> 00:37:56,951
IT WILL BE A RATHER
UNPLEASANT END TO THE BALL
640
00:37:56,975 --> 00:38:00,377
BUT CERTAINLY A SPECTACULAR ONE.
641
00:38:19,898 --> 00:38:22,932
YOU SEE, I DIDN'T MAKE
THE CONNECTION AT FIRST.
642
00:38:23,001 --> 00:38:26,202
AND THEN ALL OF A
SUDDEN, BINGO! IT HIT ME.
643
00:38:26,271 --> 00:38:29,439
I REMEMBERED SEEING THAT
CAR IN FRONT OF KELLER'S STUDIO.
644
00:38:29,508 --> 00:38:31,685
DARLING, MAYBE HE JUST
STOPPED BY FOR A VISIT.
645
00:38:31,709 --> 00:38:34,088
OR MAYBE HE STOPPED
BY TO KILL KELLER.
646
00:38:34,112 --> 00:38:36,513
BUT WHY? I DON'T KNOW.
647
00:38:36,581 --> 00:38:39,193
BUT IT ALL SEEMS A LITTLE
TOO COINCIDENTAL FOR ME.
648
00:38:39,217 --> 00:38:40,761
BECAUSE HIS CAR WAS THERE?
649
00:38:40,785 --> 00:38:42,818
THAT AND BECAUSE
650
00:38:42,887 --> 00:38:46,200
WINSLOW WAS ONE OF THE BIGGEST
COLLECTORS OF MADDOX AND KELLER
651
00:38:46,224 --> 00:38:48,969
BOTH OF WHOM DIED IN ACCIDENTS
AND BOTH OF WHOM WERE JUST
652
00:38:48,993 --> 00:38:51,193
ON THE VERGE OF BECOMING FAMOUS.
653
00:38:51,229 --> 00:38:54,197
YOU'RE RIGHT. IT IS
TOO COINCIDENTAL.
654
00:38:54,265 --> 00:38:56,505
WHY WOULD THEY
WANT TO KILL THEM?
655
00:38:57,035 --> 00:38:58,668
WILBUR PIERSON.
656
00:38:58,736 --> 00:39:01,215
WILBUR PIERSON. THEY WANTED TO
KILL THEM BECAUSE OF WILBUR PIERSON.
657
00:39:01,239 --> 00:39:02,683
NO, NO, NO. BUT DON'T
YOU REMEMBER WHAT
658
00:39:02,707 --> 00:39:04,185
WILBUR PIERSON SAID
ABOUT HIS PAINTINGS?
659
00:39:04,209 --> 00:39:05,741
WHAT DID HE SAY?
660
00:39:05,810 --> 00:39:08,344
HOW THE PRICES KEPT GOING
UP WHEN THE PAINTERS DIED?
661
00:39:08,846 --> 00:39:10,646
SO?
662
00:39:10,715 --> 00:39:14,250
SO WHAT IF WINSLOW
COLLECTED THE WORK
663
00:39:14,319 --> 00:39:17,487
OF TALENTED UNKNOWNS
AND THEN HE KILLED THEM?
664
00:39:17,555 --> 00:39:19,856
HE'D STAND TO MAKE A FORTUNE.
665
00:39:19,924 --> 00:39:22,592
YOU WANNA KNOW SOMETHING? WHAT?
666
00:39:22,661 --> 00:39:24,761
DON'T GO TO THE
POLICE WITH THIS THEORY.
667
00:39:24,830 --> 00:39:26,907
THEY'RE LIABLE TO
THROW AN EASEL AT YOU.
668
00:39:26,931 --> 00:39:27,931
OH.
669
00:39:29,434 --> 00:39:30,712
MR. H? YES, MAX.
670
00:39:30,736 --> 00:39:32,535
COME ON IN.
671
00:39:32,604 --> 00:39:35,115
THE HOLLYWOOD COSTUME COMPANY
DELIVERED YOUR MASKS FOR THE PARTY.
672
00:39:35,139 --> 00:39:37,306
OH, GREAT. I WONDER
WHAT THEY SENT.
673
00:39:38,410 --> 00:39:39,776
OH, HERE.
674
00:39:39,845 --> 00:39:41,756
WHERE DO THEY GET ALL
THAT STUFF FROM, MR. H?
675
00:39:41,780 --> 00:39:43,480
OLD MOVIE COSTUMES, MAX.
676
00:39:43,548 --> 00:39:46,115
HEY, THERE'S A TAG IN THIS
ONE. WHAT DOES YOURS SAY?
677
00:39:46,184 --> 00:39:49,129
"MR. CLAUDE RAINS, PHANTOM OF
THE OPERA, UNIVERSAL PICTURES."
678
00:39:49,153 --> 00:39:51,031
OH, LISTEN TO THIS:
679
00:39:51,055 --> 00:39:54,424
"MISS NORMA SHEARER, MARIE
ANTOINETTE, MGM STUDIOS."
680
00:39:54,493 --> 00:39:55,992
I REMEMBER THAT.
681
00:39:56,060 --> 00:39:59,020
THAT'S THE ONE WHERE
SHE GOT HER HEAD CUT OFF.
682
00:40:00,231 --> 00:40:02,932
WELL, I HOPE HISTORY
DOESN'T REPEAT ITSELF.
683
00:40:16,615 --> 00:40:18,514
d
684
00:40:20,651 --> 00:40:23,686
d WAITIN' FOR SOME
LOVER TO CALL d
685
00:40:23,754 --> 00:40:27,423
d DIALED ABOUT A
THOUSAND NUMBERS LATELY d
686
00:40:27,492 --> 00:40:30,025
d ALMOST RANG THE
PHONE OFF THE WALL d
687
00:40:30,095 --> 00:40:33,862
d LOOKIN' FOR SOME HOT
STUFF, BABY, THIS EVENIN' d
688
00:40:33,931 --> 00:40:37,333
d I NEED SOME HOT
STUFF, BABY, TONIGHT d
689
00:40:37,402 --> 00:40:41,571
d I WANT SOME HOT
STUFF, BABY, THIS EVENIN' d
690
00:40:41,639 --> 00:40:43,206
d GOTTA HAVE SOME HOT STUFF d
691
00:40:43,274 --> 00:40:48,111
d GOTTA HAVE LOVE TONIGHT d
692
00:40:48,179 --> 00:40:50,012
d I NEED HOT STUFF d
693
00:40:52,450 --> 00:40:55,451
DARLING, THIS IS A
BLACK-AND-WHITE BALL.
694
00:40:55,520 --> 00:40:57,053
SO I NOTICED.
695
00:40:57,121 --> 00:40:58,721
I COMPLETELY FORGOT.
696
00:40:58,790 --> 00:41:00,735
BECAUSE PAINTERS PAINT IN COLOR,
697
00:41:00,759 --> 00:41:03,839
IT'S TRADITIONAL THAT THEY
GIVE A BLACK-AND-WHITE BALL.
698
00:41:06,464 --> 00:41:09,865
d LOOKIN' FOR A LOVER
WHO NEEDS ANOTHER d
699
00:41:09,934 --> 00:41:13,570
d DON'T WANT ANOTHER
NIGHT ON MY OWN d
700
00:41:13,638 --> 00:41:17,139
d WANNA SHARE MY LOVE
WITH A WARM-BLOODED LOVER d
701
00:41:17,208 --> 00:41:19,776
d WANNA BRING A
WILD MAN BACK HOME d
702
00:41:19,844 --> 00:41:23,345
d GONNA HAVE SOME HOT
STUFF, BABY, THIS EVENING d
703
00:41:23,414 --> 00:41:25,214
LET ME BUY YOU A DRINK.
704
00:41:25,283 --> 00:41:27,216
GOOD IDEA.
705
00:41:27,285 --> 00:41:29,619
d I WANT SOME HOT
STUFF, BABY, THIS EVENIN' d
706
00:41:29,688 --> 00:41:32,021
WHAT SOME PEOPLE
WILL DO FOR ATTENTION.
707
00:41:33,157 --> 00:41:37,126
d GOT TO HAVE LOVE TONIGHT d
708
00:41:38,096 --> 00:41:39,662
d I NEED HOT STUFF d
709
00:41:42,334 --> 00:41:43,633
d HOT LOVE d
710
00:41:44,969 --> 00:41:48,170
d LOOKIN' FOR HOT LOVE d
711
00:42:03,621 --> 00:42:06,356
d SOME HOT STUFF,
BABY, THIS EVENIN'? d
712
00:42:06,424 --> 00:42:09,325
d I NEED SOME HOT
STUFF, BABY, TONIGHT d
713
00:42:14,632 --> 00:42:15,764
TO YOU.
714
00:42:15,833 --> 00:42:16,932
AND TO YOU.
715
00:42:17,001 --> 00:42:18,467
YOU LOOK BEAUTIFUL.
716
00:42:36,487 --> 00:42:38,854
WELL, IF IT ISN'T
THE LADY IN RED.
717
00:42:38,923 --> 00:42:41,424
YES, I SUPPOSE I DO
STAND OUT IN THE CROWD.
718
00:42:43,194 --> 00:42:45,038
THAT IS YOU, ISN'T IT, SCOTTY?
719
00:42:45,062 --> 00:42:47,062
OH, MY COVER BLOWN AGAIN.
720
00:42:47,131 --> 00:42:49,543
WOULD YOU LIKE SOME
CHAMPAGNE? THANKS.
721
00:42:49,567 --> 00:42:51,445
HERE'S TO YOU, TO YOUR SUCCESS.
722
00:42:51,469 --> 00:42:53,902
AND TO YOUR HEALTH.
THANK YOU BOTH.
723
00:42:53,971 --> 00:42:55,131
CHEERS.
724
00:42:59,010 --> 00:43:01,444
WHERE DID MR. WINSLOW
PUT ALL THE PAINTINGS?
725
00:43:01,513 --> 00:43:04,492
OH, THEY'RE ALL STORED AWAY
IN BINS BEHIND THE CURTAINS.
726
00:43:04,516 --> 00:43:06,115
COME ON, SCOTTY, LET'S DANCE.
727
00:43:06,183 --> 00:43:07,650
EXCUSE ME.
728
00:43:07,719 --> 00:43:08,719
BYE.
729
00:43:11,890 --> 00:43:13,850
WOULD YOU LIKE ANOTHER
GLASS OF CHAMPAGNE?
730
00:43:13,892 --> 00:43:15,524
NO, THANK YOU, DARLING.
731
00:43:18,095 --> 00:43:20,296
HEY, BUDDY, WATCH
WHO YOU'RE PUSHING
732
00:43:20,364 --> 00:43:22,531
OR I'LL HOIST YOU ON MY PETARD.
733
00:43:22,600 --> 00:43:24,667
BELIEVE ME, SIR, I
NEVER TOUCHED YOU.
734
00:43:24,736 --> 00:43:26,001
I JOUST YOU NOT.
735
00:43:26,070 --> 00:43:28,571
THEN WHO PUT THIS
DENT IN MY CHEST PLATE?
736
00:43:39,651 --> 00:43:41,562
NO WONDER WINSLOW
WANTED YOU TO WEAR
737
00:43:41,586 --> 00:43:43,720
SOMETHING COLORFUL.
YOU'RE A MOVING TARGET.
738
00:44:14,285 --> 00:44:16,051
JONATHAN.
739
00:44:16,120 --> 00:44:18,220
WHY DOESN'T THIS
PAINTING EVER TURN UP
740
00:44:18,289 --> 00:44:20,322
UNDER MORE PLEASANT
CIRCUMSTANCES?
741
00:44:20,391 --> 00:44:23,659
WELL, THAT CERTAINLY CLEARS UP
EXACTLY WHO DID WHAT TO WHOM.
742
00:44:25,663 --> 00:44:27,697
THAT DOESN'T DO US ANY GOOD NOW.
743
00:44:31,035 --> 00:44:32,668
DARLING, YOU WAIT HERE.
744
00:44:48,052 --> 00:44:50,085
d
745
00:45:50,381 --> 00:45:52,247
JONATHAN!
746
00:45:53,651 --> 00:45:54,951
HEY, HOLD THIS ROPE.
747
00:46:36,928 --> 00:46:38,461
PHANTOM OF THE OPERA.
748
00:46:39,964 --> 00:46:43,324
I WAS THINKING MORE OF
"ME TARZAN, YOU JANE." HMM?
749
00:46:54,311 --> 00:46:56,511
OH, IT'S GOOD TO BE HOME.
750
00:46:59,617 --> 00:47:04,987
GET THESE SHOES
OFF. OH, MY FEET.
751
00:47:05,056 --> 00:47:07,857
WELL, MRS. H, I
WOULD CERTAINLY SAY
752
00:47:07,925 --> 00:47:09,436
THAT WE GOT OUR MONEY'S WORTH.
753
00:47:09,460 --> 00:47:11,127
I'LL TELL YOU ONE THING.
754
00:47:11,195 --> 00:47:14,997
IF THAT'S WHAT'S TO BE EXPECTED
FROM THE BEAUX ARTS BALL,
755
00:47:15,066 --> 00:47:16,932
LET'S NOT GO NEXT YEAR.
756
00:47:18,302 --> 00:47:20,069
OH.
757
00:47:20,138 --> 00:47:23,172
YOU KNOW WHAT WE NEVER GOT A
CHANCE TO DO IN ALL THE COMMOTION?
758
00:47:24,008 --> 00:47:25,741
WHAT WAS THAT?
759
00:47:25,810 --> 00:47:27,509
WE NEVER GOT A CHANCE TO DANCE.
760
00:47:28,445 --> 00:47:29,556
OH, THAT'S RIGHT.
761
00:47:29,580 --> 00:47:30,713
HMM.
762
00:47:30,782 --> 00:47:32,715
UNLESS YOU COUNT THAT TARANTELLA
763
00:47:32,784 --> 00:47:34,650
WE WERE DOING UP ON THE CATWALK.
764
00:47:35,252 --> 00:47:36,252
OH.
765
00:47:38,222 --> 00:47:40,389
BUT THAT WASN'T WITH YOU. AWW.
766
00:47:42,593 --> 00:47:44,660
NOW WE DON'T EVEN
HAVE THE MUSIC.
767
00:47:48,065 --> 00:47:49,932
I'VE GOT AN IDEA. HMM?
768
00:47:51,702 --> 00:47:53,780
THEY DIDN'T NEED
MUSIC IN THOSE MOVIES.
769
00:47:53,804 --> 00:47:55,370
WHAT MOVIES?
770
00:47:55,439 --> 00:47:57,706
YOU KNOW, THE ONES WHERE THE BOY
771
00:47:57,775 --> 00:48:00,976
WOULD LOOK AT THE
GIRL RIGHT IN THE EYES.
772
00:48:01,045 --> 00:48:03,846
LIKE YOU'RE LOOKING AT ME? YEAH.
773
00:48:03,915 --> 00:48:08,316
AND THEY'D SAY, "I LOVE YOU."
774
00:48:08,385 --> 00:48:11,386
AH, YES, IT'S ALL
COMING BACK TO ME.
775
00:48:12,489 --> 00:48:14,222
AND THE MUSIC WOULD SWELL.
776
00:48:16,027 --> 00:48:17,760
AND THEY'D START TO DANCE.
52846
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