All language subtitles for 14. Chapter - 13.mp4

Hello and welcome.

So let's continue
their texturing in this video.

We will be facing all the decks,
all the symbols and everything.

So let's start first.

What we need to do

is obviously we need to import
all those textures into a substance.

Painter.

So there's going to be a ghost files
and in the pictures folder,

let's select them all in here.

I would just drag and drop them
onto the shelf like this.

And this way we can import it easily.

You will see this dialog box pop up.

So what you need to do is you need to
make sure that you selected

old imported as an alpha
and not as a thing,

because basically
all these images are textures.

So all these images are alphas.

These are like black
and white images.

So yeah, will be using them as alphas
and these are the rest of them

we will be using as textures.

Then we will be

creating like the cartridges,
so we will import them later on.

All right.

So we don't need to like select each
and every one of them

and then select

alpha again, just press control
and everything would be selected.

And now just select
Alpha for one of them.

And now all of them
have been selected as alpha.

All right.

Next is where
we want to import our resources to.

So the first one is current session.

Current session is basically
if you importing the current session,

when you glow substance

beta, you won't find these files
or these pictures.

You cannot use them later on.

If you use project,

you can only use them in this project
only so they will select project.

Only third one is library.

This way they will get
prominently imported into your shelf

and you can use them
in any project that you want.

So these are like very specific
to the Nintendo game Boy, only.

So I will be just selecting project

so that we will be just needing
these images in this project.

Only now hit import and as you can
see, all of them appear over here.

One more thing.

If you like
this kind of get lost in the shelf,

you can easily separate
out everything from over here.

So this is material.

Smart materials,
alphas and textures are different.

So this is formatted for us
and this is for textures.

So basically all your grunge maps,
all your

like color pictures and everything
basically goes over here.

And this is for like only and files
and even here.

So if you want to find the ones
that you have specifically imported

because a lot of them already
come with substance.

So what you can do is
you need to click over here

so that this thing appears

and now
you need to select your assets

as soon as you do that,
I would like a lot of them

for all of my other projects,
but the ones that we imported

just now,
we won't find them over here.

That's because these are the assets
that get imported

like prominently into the shelf.

So we do not need
to go over your assets.

We need to select the projects

because we imported them
and do our projects over here.

And now you can find all these files
that we just imported right now.

So these are like a couple
of different things.

So projects for the ones that you
just imported into this project only

and your assets is basically the ones
you have imported for thing in

order to select project.

And now or we can start adding
all these takes on Guatemala.

So now let's see, we can start
by opening up our reference image

filter.

Let's open up this one and
we can start by hiding all these ones

like this one,
like and on these ones, volume

connectors, phones, because these
are all similar to each other.

We can place them all
in a single layer only.

We just need to add
a little bit, hide the one text

or the size that we have added
and they will be done.

So let's

first we just add a layer.

So they are two three
different ways to do it.

I will show you both of them.

For instance,
we can add a simple paint.

So paint layer is different
from Ophelia.

As you added,
you will see nothing really happens.

But now you can paint the way you did
like this very easily.

So the special thing
about being clear is

that you can change the information
of your strokes

however many times you want.

Like first I started this color to
red and I start painting like this.

Then maybe
I want to change the color.

I changed it to blue.

I a little bit of metallic
and decrease the roughness.

Then I painted it like this.

And you can see we did

like completely two different strokes
in a single layer, only.

And you can like, do it
as many times.

You can

double click on any of the Alfa
and you can see it appears over here

and you can use it to.

STAMBERG This way you can now

change the color,

like change the color,

make it back to like zero italic,

select any different that is far
and then stamp it like this.

So again, see if you can change the
all the information of the stroke

or however many times we want in.

Apparently this is like useful
when you have to like

different strokes of like different
like information of roughness,

metallic and everything.

But the main disadvantage
of using a big lead

is that we cannot really change
the things at a later on state.

If you have like
made a stroke like this.

So this is like completely permanent
and we cannot really change

this later.

But the thing that failure is,
so let's just delete this now

and I add a thin layer and let's see,
I just added a black mask

and now again, start painting again.

We cannot really see it properly,
so let's make it

completely white.

And now if I select the mosque
and again start painting over it,

you can see again, again,
paint the white color.

They can select any of these logos

or as fast
and stamp them very easily.

They would all be the same
color only.

So that is the thing about Philip.

But the great thing is we can change
all of them whenever we want.

Can see you can change the height,
we can change the metallic,

we can change the roughness,
everything however we like.

And like I said, all the strokes.

So this is the main difference
between a Bentley and a filter

so you can choose according to you.

I will be using a filter
only because it is like

very easy to change all this stuff
and like customize it.

I believe that on stage,

whereas with the paint layer,

like everything is broken
and we cannot really change it.

So as I said, for us,
we will be doing all these looks

like this one over here
and the one side, the side

so we can add a basically
simple filter.

Let's we need this to

I invoke

I disable everything
except the high channel.

So like look over here

and now we can we would any height
value we want, we can give it

a large number for not unless
maybe you two point to fight for now

add a black mask
and now when you painted you can see

you can paint with height information
very easily if you decrease it.

So if you select the filter
and you decrease the information,

you can see now it appears inwards,
whereas now it appears outwards.

So again,

this height value whenever you want.

So let's first start stamping,

select
the mask and let's select the phone.

So over here,

zoom in
and you can hold control and use it.

Right click
to increase the size of the brush

again like this
and just stamping that easily

so you can see very easily is to

look at

this detail.

Also, another thing that you can do
is make sure to set this

to orthographic view

or this will basically do is
if you hold art then shift,

you can snap like both Adli and your
model is completely flat now it is.

If you are in perspective, you

it can get a little bit weird
if you like zoom in or zoom out,

you can see it is not perfectly flat

and you can like moving around.

So with the perspective view,
but with the orthographic view,

it would be like completely flat.

And whenever you move it,

if you stay in the like snap view,
you can hold it, then shift

and then you can snap
to different views like this,

like the hiding place.

This can be the front view of it.

And you hold and just like move
to the back to that easily.

So with Orthographic, it really helps

when you are like
stamping things like stickers.

So it is very helpful
when everything is completely flat,

it makes the process a lot easier,
whereas in perspective

you will notice that

things get a little bit weird
when you try to move it around.

So make sure to say this Don't
orthographic view

and this is like too much
as you can see in the

image.

Also defense image,
we can definitely decrease

the height in for
like maybe just a 2.1

or even less 18.05

and something
like that looks a lot better.

All right.

Let's see.

Next, we can go over here.

Let's just add this backside.

So select this one.

Make sure to select the mask.

Then select this over here,
then hold that shift

and move towards the backside
like this.

Then also shift.

Then use the right click to bring
the lighting towards the back.

Now increase the size of this

and just like this,

it's pretty easy.

Let's see.

Next we have this external connector
and the volume one.

So over here,
follow the shift and again, snap

to this side.

Yeah.

Now select this external connector
out of focus and we need to rotate it

so what you need to do
is the scroll up over here.

This is like a shortcut.

Also, if you will control,
use your left leg this time

instead of right click
because for size and left foot

and you can located the easily,
but it won't be like exact 90 degree.

So we can just change it from over
here to set this to make it easy.

And yet

it is not perfect.

We need to see once that it is facing
so it is facing this side.

So I think we need to rotate in by

an 88 to 70.

Getting.

Yeah, that's what it

scaling up a little bit

and this would like this

you can just control removing

and it might take

three times
to just get the perfect one

and that's pretty good I think

Now select the volume.

So it is already rotated
scaling down.

All right.

So that looks pretty good.

I think again will load and shift
and over to another side

and Lexie.

So first is this contrast.

Okay, so contrast is not over here.

I think that's a lot to copy.

So I just quickly go back in
and bring it.

You guys,
I think probably already having

I would just quickly import it again

select project and Yep.

Or here.

So again, flip over here.

You can select the mask

and we need to rotate it.

So just type in 90 over here,
but you need to rotate the site.

We need to scale it down

Under would definitely,

Yeah, I think that's pretty good.

So next we have here this long text.

Get going.

We know what exactly needs sexy
which side decided faces.

So just basically silently
just give it up

and just it like this.

Yeah I think I'm pretty happy with

thanks to
we have this often not not just again

we're starting shift
and snapping into front view

there's putting the lighting
in the off and on one

setting down to zero
and to scale it down right already

control and right
click and say it's like

it also has

these arrows
which I think something is going to

already
has to go back to all libraries.

And in the first section,

let's search for Outlook.

And yeah, I think this one would work
pretty good

over here.

We in scaling down

and this place would like this

okay can by 180 degrees

and basically like this but

next we have this or not

each I am sure it wouldn't be one

okay we searching by so the lighting

so there isn't one lighting

but we definitely
can use something like this.

Maybe it does not really matter,
but if you want to

you can create one simple
looking like an find for office.

Okay.

If you really want to

do the very small ones,
I would displays this one only.

I think it looks all right.

All right.

Let's move ahead.

I think this was it for this layer.

Let's just say first

and one thing that we forgot
is this location, this part.

So it is kind of plain right now.

So I will just

select this
and duplicate this plastic.

And I think this part over here
has like a grayish kind of look

so we can just extrude on this one

and this one

and just change the base color to

that grayish kind of

let's let's turn off the edges,

also turn off the bumps

and yeah, I think that's fine.

All right.

So next we have these Google
takes over the front screen

and also this light color text
so we can do different filters

for one for the blue one
and one for the white one.

And that really can do it.

So let's just start again
another filters.

We named the blue text

and maybe we

can rename this layer to hide text.

Yes. So everything stays organized.

All right.

So again, for the color, I would just
quickly open up that same link.

I think I actually type
the blue color

to just select this link,

become an
adequately opening up in my browser.

All right.

So let's go to Google now

and see if it looks

in the base
color just based the score.

All right.

Next to the side of the black Mask

and come back to the project force.

Remove this. So good

and we can start by this
and then can go get more stability.

Look over here or control and use
right click to increase the size

and said the one take this
back and I said that the zero

and yeah I

think the color is fine let's see

the size of this
so it is roughly around

it starts from over here and comes

across this first name button.

So let's see

it a little bit.

I thing

something like this is fine,

we need to place it
a little bit downwards

and I think this is pretty good.

Let's select

the select next
and we need to rotate it.

Let's see,
I think we rotate it by 30 degrees

so -30 and we cannot really do
negative numbers.

I think.

So we need to do this.

We only

slide

333 4335 right.

Pretty good.

You can just hold control

and use the left click,
the Navy rotate, you know, roughly.

And I think this way it works best.

So somewhere
around three, three, three.

So let's just see again

excellently decided to make

one. Yeah, that's fine.

I think select the start one now

and again standing

just like this

similarly for the and the neat

because

it's definitely a bit smaller.

Yeah that looks fine.

I think in my opinion.

You also have

these small arrows placed over here,

so let's add them over here.

I would again
come back to the height fixed only

and in the all library
search for arrow

select,

this one is back to zero and place

the one over here.

Check it 90.

Place one like this

also does the 180

And lastly, 78. Yes.

And then this damn good over here.

All right, That's pretty good.

Next, we have this light fixed.

So again, we will add another layer.

Let's keep in this color
only for now.

Add the black mask.

I'm not in the projects,
so you know, remove this, add

the source equity and select the back

center rotation back to zero.

Yeah.

First we had this library over here.

Yeah, I think that's pretty good

for this one.

First, let's select

scale scale

and it starts from the studio,
the screen and

makes it roughly
about somewhere around here.

So we need to like
basically eyeball it.

Excuse me.

I think.

I think I just go ahead with this.

Only we can maybe select
the light color

and make it a little bit brighter.

Yeah, that's fine.

I think

you name this do white text.

Next,

we need to add these blue
and English stripes.

Or here,

let's see how we can add them
first for this blue stripe.

Maybe we can use the blue text
narrowly selected.

And first

we need to go back to all libraries
and I think search for square

and you will find
this one square rectangle

and you will
notice it is like really squarish.

So like adjust it according to this,

we need to adjust the size X and y.

I think that using the Y, yeah,
if you use the Y a lot

then like, like a really thin strip.

Yeah.

I think this size is fine.

And now I show you
how we can like, exactly

place it in a straight line suggests

click over here first,

make sure the

like position is perfect.

So just click over here.

Once that ball control and shift
and you will see the straight line up

and just drag here
and click once again

and you will find this

extremely straight like stroke.

We will like it is the bar stack
we don't need.

This food is like much, much easier.

Yeah.

So the way we will go about anything,
this is very similar really.

So just select areas

and what we will basically do is so

we want to start
from somewhere around here.

We will decrease the size of the
this whole control

and right click and decrease
the size.

Then fold control and shift.

Click over here first
and just around here,

then hit control and shift
and just drag it straight down.

And again, it is this way
and now remove this part.

And similarly,
I the place one like this

so I hold in control and shift
and now you can remove this area

first looks side one over here
also somewhere around here

I think

if you feel like

the space is too much,
you can just quickly undo it.

And again,

look over here.

Once that whole control and shift
and bring them down

and now you can remove everything
in between.

And you can see we have been looking

straight, straight.

And now

make sure you just don't
change the size of the brush

because it can kind of mess up

with the like placement
and the size of the stripe.

Let's quickly create another flip

for the pink color.

Let's see what we can do.

First, I will copy this color only.

I'll move.

You can copy this layer
only for the buttons

that you created earlier.

So to select this base near copy,
come out.

Select this on request

out of that mask.

And there's three main ways

to think straight.

Delete this or to flip.

And now click over here

and make sure to place them
perfectly.

I mean, again,

it is dated on to
it does not matter that much.

Let's see where it starts from.

So the box just about with the text
only somewhere on the end

with finite.

Then again

go to control and shift
and just make a stripe like this.

Now go back to the eraser
and we want to make sure

that everything is like aligned,

that this will be fine.

I want over here

you can also hold a control
and right click

and then move your mouse up and now
to like increase the hardness to what

so that
it would be like perfectly sharp.

Now again, click over. Yep.

And just remove
the line in the middle. Now

I will
select that the blue text I need

and just make sure it has both pages.

So just click over here
all control and shift

and it is applying this, this.

So we kind of have a sharp edges

and not be like you.

And now I'm just making

sure they are of equal length.

But that looks pretty good to me.

I'm really happy with that.

We select this thing straight
and maybe make the color

a little bit lighter,
but it's still dark right now.

I think.

I think that it's much better

to see.

I think more is coming out
pretty nice.

I would select a blue text
and just make it attack

the darker

I think it is.

This is too much.

Yeah, I think the older one was fine.

Let's see

the odd I think pretty much done
with the texturing of the

margin.

There's one thing is that
we need to add the number over here

or shift and let's
bring the lighting back over here

and let's see how we can do that.

For this one.

I think we can simply use a painter
only for these type of things

like this is very easy and simple.

So there's just the paint layer.

And so let's dive in,

select a square.

So you need to just
click on the square.

So now we selected,

yeah,

let's just like it
because we did all these things

instead of this simple on color
that is selected over here.

And let's,

we need to

make it
so that it does not like shine

and give it a little bit of height.

So we need a one.

Let's see,

I think this is pretty good.

This just click over here
and hold control and shift

and drag it like this

and bring it down this way.

One thing that I would do is
I will add to this and I will show

you look through this again.

Look, I like the basics of this.

So what I basically did is

once again, I selected this layer
very well here and added a filter.

And now in the filter
I would just start a blocking.

You can see as soon as I did that

it just blurred out of hiding density
a little bit.

And this really
didn't like not very sharp.

Definitely.

We don't want like blurred
this too much.

Maybe something like

this is pretty good

and we can add another thing.

And that would be

the I just said perceptive,

and I think that would help us

to like control the color
a little bit better

even after we have made The Strokes.

This is like a little bit of that.

Then we can use like adjust
the color at a later

stage.

Yep, that's pretty good.

Now let's electric back again.

Go back to Project I select number.

Plus we need to send the color
back to black.

And then this simply to go like this.

Okay.

So because we are going to blow
through that

and what not like this
kind of updating a little bit.

So let's decide another paint.

And now it would supposedly

make it a little bit lighter.

Yeah,
I think I'm pretty happy with that.

So you name this school, what we can
name is this new with black text.

And this is the most.

So let's just save time
and the video for now.

Maybe if we have like

a couple of changes are some things
that I want to add on.

We can definitely do it later on,
but for now,

I think I'm pretty happy
with the victory.

In the next video.

What we will be doing is
we weighted more to the cartridge

and make sure it would be like
pretty easy at a pretty fast thing.

It would just add a bit
more like the debut of Modern.

We can like place of cartridge
over here at the backside

and just make it look good
with the renders.

So tango's
watching to see the next one.