All language subtitles for 12. Chapter - 11.mp4

Hello and welcome.

So now we
can start with the addiction process.

So as we are
now in substance being done,

I expect you guys to know
the basics of substance

because I won't be covering that
in this course

directly
start with addiction process.

If you want to learn about substance
being, go from being a good boss.

I have a complete course on it.

So you can check that out
if you want.

Built on substance being the same.

Now we can start.

I will just select the game
particular set

and we already have this lesson again
by default.

So just select this and let's do it.

All right.

So basically what we can do is
we can start by creating the basic

plastic materials that we will be
mainly using for the body,

the buttons,

and most of the things that we first
need to create the plastic material.

So click on here to add a new filler,

and this will be a base layer.

All right.

So as soon as you are

the filler, you can scroll down
and see all the properties over here.

You can change things like the base
color, the metallic value,

roughness and things like that.

So let's just do it.

So the only thing that

I would be changing right now
is the color of our live.

So if you go away in the resources
folder and in the links section,

you will find this color
palette link.

Just open it up.

This basically has all the color
values for the Nintendo game.

Boy that we would be using.

So could you just open up
this link in your browser?

So it will be something like this.

We have all these colors,
so I would be just copying up

this color here.

I'll pick this up from over here,
the gray one, and just pasted

like this

over here.

And now we have the color basically.

So this would be a base color.

And also I will create a new folder

or a group and drag and drop
this base layer into that folder.

Let's rename this folder to plastic.

And now basically we can start adding
more layers on the look

to give it like more detail, adding
all those things

like dust, reconciliation
and everything.

All right, so basically
let's create another layer.

So just select here and add a failure
so that it gets added on top of it.

And you will notice as soon as we do
that our color disappears

because now we have a new layer
on top of it.

So don't worry, we'll use masks
to mask everything out

there seen in this tool dot

and just give this a

dark color.

You can also type in my export.

I've already decided
on a colorful 747474.

Something like this.

And now,
basically we will add a black mask

and this time I will be making use

of the feature also,
since that is smart mask.

If you don't remember the big
like some mismatch in the stock

that was so that we can use
all these features.

So if you click over here
in your shelf

on the smart mask section, you
can access all of these smart masks.

You can like drag
and drop it onto your mask

and you will see its effects
as soon as you do that.

You can see there is don't

in this dark fashion, so you can use

all these different like smart masks
and you can have all these results.

You can click over this generator
and you can adjust the settings

to how you like.

And if you want to, like,

change the color of the dark and
everything, you can select the layer,

the filter, and just change the color
from over here,

the roughness, metallic,
obviously everything else.

I can do it

back and I will remove the smart
mask as I will not be using this.

I will just showing you
for demonstration of this.

You can choose anyone
you want from over here.

You can definitely experiment
with this a little bit.

I will be going for this one.

Soft dirt over you.

Just drag and drop it on to here
right away.

You won't notice any changes
because it is like very second.

If you turn it on and off
against all these edges,

like if you select the dirt generator
from where you next

adjust these settings a little bit

and then we can like
get better results.

So I will increase the dirt limit,

maybe something like point six and

the contrast can see a steady 2.15
only.

I think that's fine.

I will adjust a grungy amount next
to reduce the amount of range

to maybe something like point two.

That's pretty good.

Also select the texture settings
and the size of the texture before

so that you can view everything
properly over here.

And yeah, I think it is
still a little bit darker.

So what you can do is instead of
like adjusting the color again

and again, you can go a year click on
here, this is the opacity channel.

So you can increase or decrease
the opacity from over here.

I would send this to
something like 80,

and I think this way
it adds like a nice bit of

value to our picture.

And it is not that like in our faces,
it is very subtle.

All right, let's move further.

And the next thing that I will

be adding is I will be giving it
a little bit of hiding formation.

I will be adding some bumps to make
it look like a plastic material.

So again, add a new layer

and this time
you will be using the high shine.

I would just show you in a second.

Well,
let's let's rename this to Bumps

and I won't make any changes
to this layer right now.

I would just basically add
a black mask

and this time I will not be using
this like most.

I will be using a simple filter.

So to use a filter,
we cannot really use it directly,

like a smart mask, like we cannot.

But I didn't drop a filter.

So to properly use
a filter protection from over here,

you can click
on this section of the shells.

This has like
all the different textures

that you can use, all the grunge
of apps and everything.

So to use it with the mask first
need to click over here and I and now

we can add that particular picture
to this filter.

So the one that
I am looking for is cells.

So this one says one,

right?

And Robert, like this.

All right.

So again, we do not see anything
right now, but let me show you.

I will first change.

This should have been a projection.

So basically this is just the YouTube
projection and are just a tiling.

And I think you can notice it
a little bit.

We can see all this cell structure,
so let's just change the color

of this
so that it is easier to notice.

So now you can see the like, now

we can see it properly.

All right.

So now let's look over here
and come back to the mask

and increase the tiling
because as I said,

I will be creating bumps with this.

So obviously the bumps would be like
really small.

So send this to maybe something
like 16 or maybe even smaller.

So 20.

And now obviously I do not want
all this color information.

As I said,
I want to create some bumps,

so I will be only
using the height channel.

So just disable everything
and only keep the height.

Janet You can also do with like
by clicking on each of them

to turn them off.

All you can hold out
and click on the height channel

and basically disable everything.

And now to increase the height
and you can see you can do it

hiding for very easily.

So let's see,
I will be going for something

like -0.0 took.

And yeah, you can see
we have added like

very small bumps to odd

material
to make it look more like plastic.

As you can see,
it gives it a nice bit of

detail.

Maybe I will decrease it
a little bit to -0.015.

Yeah, that looks much better.

Next, what we can do is obviously
we do not want

this material
to appear over all these

things. This is the screen.

And yeah, we do not want
the material over here.

So click out of this.

Just close the folder
and what you can do is

they are like two, three different
ways to separate out the material.

One of them obviously is again,
we can add a mask and you will see

it is not disappeared
from all of the model.

And now we can use this to
with the Bollywood film,

select the message from over here

and make sure to send the color
to what the white.

And now when you click over here,
you can see it is filling

now disappearing only over this area.

Again,
you can select the mask and select

all different objects like this.

One cannot really see the painting,
so just move the lighting or shift

and right click
and move the lighting.

Look over here and you can see

we are filling all these
different pieces with the material.

You can also remove it by setting it
to black color and then clicking.

And you can see now
the material or the layer is removed.

So there just undo it.

Also, you can switch between this
black and white color by pressing x.

Yeah, this is pretty basic stuff.

Like this is like one way to do it.

I won't be using this method.

I would be using a different method
that is much, much easier.

So again, click over here,
right click and remove the mask.

And you can see now it appears again
over all of our objects.

Click on this icon over here.

This is like the geometric mask and
this is like a really cool feature.

This right
click on it and hit exclude.

And now you can easily select
the objects that you want to add

this layer, to select this one,
to do this one and this one.

And for now, I think only against
this thing also with you.

And these are all the objects
that you want to add,

this particular plastic material,
and you can see how good it looks.

It goes like really easy to do

and continue
making odd plastic material.

Let's add some more details to it.

Next, I will add another layer,
and this time I will be adding

a little damage to our edges
or like discoloration that's reading.

This is first

on the inside of that mask.

You can come back to the tool
so that you don't see this.

Let's see,
we can now use a smart mask.

I will be using this one edges
strong, scratched edges from scratch,

this one straight
and drop it like this.

And yet now I don't
know if it is visible right away,

if you can see that
I do here on the edges.

If you're doing it on not

you can see a little bit of edge
color has changed just like the color

and set it to completely right
and yet now it is really visible.

Select here

and select the generator
and let's see how we can educate.

We can definitely decrease
the contrast.

Maybe something like going to yeah,
this way it looks much, much better.

And the next thing

what I will do is obviously
we don't want to appear this way.

It is like very harsh.

So again, you adjust the opacity.

So just click on here and reduce
opacity until it is like very faint.

So maybe something like 40

and you can see
this way it looks like really good.

It adds a nice bit of value to what
I guess you can just

turn it on and off and see
it makes it look much more realistic.

And yet this bird
looks like really nice material.

All right,
so let's keep on moving for them

and the next thing that I will add
is maybe some scratches.

So let's just make it a

thing like this.

Maybe. Yeah.

And then let's bring English

with scratches.

So things

I had a black mask
and this time I had a filter.

And in the picture section,
search for scratches.

And there are like various different

parts
that you can use for the scratches.

But I will be using this one
just to scratch.

I think this one is pretty good
drag and drop.

And you are right.

I mean, you can see how it adds
a little bit of dust marks

and scratches to our margin
and makes it look like more organic.

Just do it a little bit.

I will click on here for this to
up in a prediction, I think

and you can increase the tiling

so definitely not like big

began also in increase

a balance to make the effect

a little bit more apparent.

Yeah that's pretty good I think.

And I would just decrease the opacity

to somewhere around 70 to make it

a little bit lighter.

And yeah,

I think this looks pretty good.

You can turn off like all the layers

and then open them one by one,
like enable them one by one

to see all the
they add like different

information to your material
to make it look better.

And yeah, I think
the last thing that I would be doing

is I would just simply be adding
the roughness variation layer.

So just to add like a little bit
of roughness of variation

in odd margin, because right now
it is all the same roughness

as you can
like move your lighting and see

there is no roughness variation.

I would just show you
how we can add that.

All right.

So it is really simple.

Again,
you just need to add a new layer.

You name this to the roughness
variation,

and obviously
we only need the roughness channel

to hold out on here
and disable everything.

Let's increase the roughness
to maybe something

like point four, because over here
we have like one three.

Maybe we can set this 2.5

and yeah, now we have point four.

I had a must

and simply looks so to fill

let's search for map over here.

And the one that I will be using is

that I will be using this one bunch
map 007.

So just drag and drop it over here

and let's see

if you like, look over here now
and try to move your lighting.

You can see
we have like different roughness.

In addition over here,

you can also view it properly.

If you go over here and select
the mask,

let's set this cleaner
and we can properly adjust to.

I think this looks much better
by setting it up in distress.

And now if you look over here
and move your lighting,

you can clearly see that there is

a bit of roughness of addition
going on over here.

And we don't have like
everything is same.

You then turn off the layer
and see for yourself.

So basically
these are the little sector details

that add a lot of
information to your material.

All right.

So now I think
our material is completely done.

If you want to use this Lexmark
material in your different projects,

you can right click and create
a smart module out of this,

select this, and you will see it will
be updating over here as blasting.

Underscore one.

See how you can definitely use it.

You can rename this
to something else.

Maybe it's my material

plastic

and then create a new smart module
so that does not clash

with anything else.

Thank you.

Over here.

All right, set back logic. Next.

What we can do is we can create,
like, duplicates of this.

I know I did do like,
the buttons would be like,

various colors from it.

So let's just first
rename it to something proper

so that we can know everything
properly.

I would just want to blast a

right so that we know.

And now let's press control
see and carefully.

And this one we can name it.

Plastic, red

opened up over here.

Come back to that
this website and copy

this one.

Copy and select
the base Look over here

and pasted like this again
can see the color change to red.

Now click on this icon over here.

You actually must right
click and exclude odd

and just select these two buttons.

And basically that was it.

So you can see the edges
look like really big

because of this particular layer.

So maybe you can just turn it off
all if you want to.

You can change the color
to something else, maybe something

that is related to this color

like this.

You make it look a little bit better.

Also, I will be turning off the bumps
because we don't really need them

on these buttons

That would look like really weird.

And for the roughness.

In addition, I would set this 2.3
to make it a little bit more shiny

and the base roughness value

goes back to 0.20.1.

It is to make them a little bit
more shiny than the normal body.

And this way
I think it looks really good.

All right, express control.

See then V
and this can be a blasting black

again.

Let's copy

this one from here.

Select the base, click over here

and pasted

right, click, exclude

and select this, this, this,

all these.

Obviously the edges are again
causing some issues.

So first let's enable them
and change the color.

Something along these lines only

also for the dirt layer.

I would make the color darker

and reduce the roughness

value to point to

next for the edges.

I will maybe go for somewhat
of a lighter color

and again, maybe make this lighter

and then we can just

use the opacity
even more to something

like 20

or even less than maybe

just so it does not

look weird over here.

Yeah, I expect that.

I guess.

All right.

Next for this area,
I think we can just select this one.

Plastic white, albeit and based.

Bring it over here
the top right click exclude all

and this part and these two buttons
and for only Driscoll.

I don't think we have anything
on this

color palette just for that.

So let's open up our reference image

and look at it.

So this sort

of color
and it's just created on our own,

select the base layer, click on here,

turn off the edges for not.

Yeah, I think something like

this looks pretty good.

Let's enable that.

The edges

let's see,

let's go back to college
are just a global balance.

I think this smart mask does
not really work well with this thing.

Let's remove this
and we can try something else.

So let's move the smart food down

and click on the smart mask
and try something else.

Extra edges below

began clinically

the use of mobile balance.

And yeah,
I think this one looks much better

for this type of thing.

We definitely need
to reduce the apostrophe a lot.

Yes. So it is like really like

maybe like 50.

I will make the color a big, darker

and I think this looks really nice

and turn it on and off and see

obviously for this also

we will be dining of the bumps

and yeah I think the more
it looks like my really nice

the pictures are coming out
pretty good.

So the last thing that we need to do
is we need to create the screen.

So for that obviously

we can create a separate folder

between these two screen

and let's just save everything.

So before
moving forward, this to save.

All right.

So again, I had a new filter.

I didn't drop it into the screen.

Click on here, right click exclude.

I'm just select this

and the screen can be off
somewhat like a green color or

something
like this movie looks pretty good.

Obviously
you can like experiment with this

and we need to set the roughness
value to zero.

Yes. So do like many shiny.

All right.

So for now,
this looks pretty good in my opinion.

And this lecture
is already quite long.

So I will end up over here
and we can continue

working on pictures
from here on the next video.

So thank those
watching as in the next one.