Original subtitles

BOY, FOLLOWIN' THOSE BEEFSTEAKS SURE MAKES A FELLA HUNGRY.

YEAH, I WAS JUST THINKIN' THE SAME THING.

I COULD EAT ONE OF THOSE STEERS RIGHT NOW, HORNS AND ALL. WITH OR WITHOUT KETCHUP ?

YOU KNOW WHAT I'l:> no IF I WAS RICH ? [All 1 YEAH.

BUY A RESTAURANT.

JUST WAIT'LL WE GET TO DALFORT.

I CAN JUST CLOSE MY EYES...

AND SEE THAT BIG TABLE IN MRS. O'BRIEN'S DINING ROOM,

ALL THE FOOD YOU CAN EAT PILED IN FRONT OF YOU...

WITH MORE COMING IN FROM THE KITCHEN ALL THE TIME.

POTATO SOUP, IRISH STEW,

FRIED CHICKEN, HOT BISCUITS AND GRAVY.

THE BEST MEALS IN TOWN.

AND WHAT HAVE WE GOT ? ONE DOUGHNUT.

HERE YOU ARE, BERT.

THAT'S JERRY'S. HERE YOU ARE, FRED.

THANKS, GENE. MAYBE I DON'T DESERVE IT.

YOU SAID IT, STOOP. WHAT YOU DESERVE IS A GOOD POKE IN THE NOSE.

HONEST, FELLAS, I DIDN'T THINK I WAS DOING NOTHIN' WRONG.

HE TAKES ALL OUR PAY, A WEEK'S PAY,

AND HE GIVES IT TO A STRANGER HE MEETS ON THE STREET.

BUT HE DIDN'T THINK HE WAS DOING ANYTHING WRONG.

IT WAS LIKE I SAID. I WAS STANDING IN FRONT OF THIS RESTAURANT...

WHEN THIS STRANGER COMES UP AND SAYS-- "GOOD MORNING, COWBOY."

THEN HE WINDS UP BUYING A HALF INTEREST IN A RESTAURANT WITH OUR DOUGH.

WELL, HE DIDN'T LOOK LIKE A CROOK. HONEST.

[Together] "I THOUGHT IT WAS A GOOD INVESTMENT."

[ Knocking ]

HELLO, MRS. O'BRIEN. IS SOMETHING WRONG ?

YOU CAN JUST BET YOUR LIFE THERE IS.

THAT NO-GOOD PARTNER OF YOURS IS ON HIS WAY UP THE FRONT STEPS RIGHT NOW...

AND HE'S STILL GOT THEM BLASTED MUSICAL INSTRUMENTS WITH HIM.

WELL, WE SENT HIM TO THE HOCK SHOP WITH THEM. YOU HEARD US WHEN WE TOLD HIM.

IT DOESN'T MAKE ANY DIFFERENCE WHAT I HEARD.

AND I'M NOT LISTENING TO YOU BOYS ANYMORE.

YOU OWE ME FOR YOUR BOARD AND ROOM, AND I'M NOT TAKIN' ANY MORE TALK.

NOW, EITHER THAT BOY BRINGS BACK THE MONEY...

OR I'M TAKIN' THEM MUSICAL INSTRUMENTS TO THE PAWN SHOP MESELF.

HEY, FELLAS. GUESS WHAT.

ALONG THE WAY TO THE HOCK SHOP, I RAN INTO A STRANGER, AND HE SAYS--

[Together] YOU RAN INTO WHAT ? A STRANGER.

DON'T WORRY. NOT LIKE FREDDY'S STRANGER. THIS GUY'S NO CROOK.

IT'S ON THE UP-AND-UP. HE'S OPENING UP A NEW STORE DOWN HERE.

WHAT KIND OF A STORE ? A SADDLE SHOP.

IT'S ACROSS THE STREET FROM THE CATTLEMEN'S BANK.

ALL WE GOT TO DO IS STAND OUT FRONT AND PLAY A FEW TUNES...

TO GET THE CUSTOMERS INTO THE STORE.

WHAT TIME IS IT, BEAUTIFUL ? HE WANTS US THERE AT NOON ON THE DOT.

IT'S 20 MINUTES TO 12:00 RIGHT NOW.

YOUNG MAN, IF YOU'RE PULLING SOME KIND OF A TRICK ON ME--

OH, THIS IS NO TRICK. HONEST. WE GET 20 BUCKS NOW AND ANOTHER 20 WHEN WE FINISH.

YEAH ? WHEN DO WE GET THE FIRST 20 ?

GOT IT ALREADY. HERE IT IS RIGHT HERE.

TWO BEAUTIFUL BRAND-NEW TENS.

HANG ON TO IT FOR US, GENE.

MAYBE I'D BETTER HANG ON TO THAT FOR YOU MESELF.

NOW, THAT'LL PAY UP YOUR BACK BILL,

AND lT'LL ALSO PAY YOU FOR A DAY AND A HALF IN ADVANCE.

WELL, GOOD-BYE FOR TODAY, BOYS.

GOOD LUCK TO YOU ON YOUR NEW JOB.

,6O BROTHERS AND SISTERS HERE'S THE LOWDOWN ,6O

,6O WHEN IT COMES TIME TO HAVE A SHOWDOWN ,6O

,6O THERE'S NOTHIN' LIKE A GOOD OLD-FASHIONED HOEDOWN ,6O

,6O TO CHASE YOUR BLUES AWAY ,6O

,6O WHEN LADY LUCK GIVES YOU THE THROW DOWN ,6O

,6O AND OLD MAN WORRY STARTS TO MOW DOWN ,6O

,6O THERE'S NOTHIN' LIKE A GOOD OLD-FASHIONED HOEDOWN ,6O

,6O TO BRIGHTEN UP YOUR DAY ,6O

,6O GRAB YOUR PARTNER SWING HER AROUND ,6O

,6O AND CIRCLE ON YOUR HEEL ,6O

,6O ONE, TWO, THREE, FOUR GREASE YOUR KNEE FOR A REAL VIRGINIA REEL ,6O

,6O GET READY NOW TO PUT YOUR TOE DOWN ,6O

,6O AND ONCE YOU'VE STARTED DON'T YOU SLOW DOWN ,6O

,6O THERE'S NOTHIN' LIKE A GOOD OLD-FASHIONED HOEDOWN ,6O

,6O TO CHASE YOUR BLUES AWAY ,6O

,6O BROTHERS AND SISTERS HERE'S THE LOWDOWN ,6O

,6O WHEN IT COMES TIME TO HAVE A SHOWDOWN ,6O

,6O THERE'S NOTHIN' LIKE A GOOD OLD-FASHIONED HOEDOWN ,6O

,6O TO CHASE YOUR BLUES AWAY ,6O

,6O WHEN LADY LUCK GIVES YOU THE THROW DOWN ,6O

,6O AND OLD MAN WORRY STARTS TO MOW DOWN ,6O

,6O THERE'S NOTHIN' LIKE A GOOD OLD-FASHIONED HOEDOWN ,6O

,6O TO BRIGHTEN UP YOUR DAY ,6O

,6O GRAB YOUR PARTNER SWING HER AROUND ,6O

,6O AND CIRCLE ON YOUR HEEL ,6O

,6O ONE, TWO, THREE, FOUR GREASE YOUR KNEE FOR A REAL VIRGINIA REEL-- ,6O,6O

STOP ! STOP THAT NOISE ! DO YOU HEAR ME ? I SAID STOP IT!

WHAT'S THE BIG IDEA ? HAVE YOU GOT A LICENSE TO MAKE ALL THIS NOISE ?

WE WERE HIRED BY THE OWNER OF THIS STORE.

YOU WERE NOT HIRED BY THE OWNER OF THIS STORE. I HAPPEN TO BE THE OWNER.

ARE YOU GOING TO TELL ME THAT I HIRED YOU FELLAS...

TO MAKE ALL THIS NOISE AND DRIVE OFF MY CUSTOMERS ?

HE'S NOT THE FELLA THAT GAVE ME THE 20 BUCKS, GENE.

WELL, WHO DID ? LIKE I SAID, I MET THIS FELLA--

I'll GIVE YOU JUST TWO MINUTES TO CLEAR AWAY FROM THIS SHOP. THEN I'M CALLING THE POLICE.

NOW, WAIT A MINUTE. WE GOT ANOTHER $20 COMING.

SOMEBODY GAVE YOU $20, AND SOMEBODY TOLD US TO COME HERE.

I DON'T CARE WHO TOLD YOU TO COME HERE. I'M TELLING YOU TO GET OUT OF HERE--

[ Gunshots ]

LET ME HAVE YOUR KEYS, MISTER. WE'LL BE RIGHT BACK.

HEY, JUST A MINUTE HERE. DON'T WORRY, MISTER.

HEY, WHAT'S THE IDEA ? COME BACK WITH THAT CAR.

COME BACK HERE!

THAT WAY!

WHAT ARE WE STOPPING FOR ? THAT ROADSTER BACK THERE.

IT'S ONLY A GAL, ISN'T IT ? YEAH, BUT SHE'LL KNOW IF SHE PASSED SOMEONE.

HEY! [ Honks Horn]

[Honking Continues]

BET SHE THINKS WE'RE A BUNCH OF CROOKS OR SOMETHING.

OR A BUNCH OF ROMEOS OUT FOR A PICKUP.

[Siren Wailing]

YOU AND YOUR STRANGER.

YOU'RE GETTING AS BAD AS FRED AND HIS RESTAURANT DEAL.

AW, GEE, FELLAS, HOW DID I KNOW THAT--

ARE THESE THE MEN ? YES.

AND I DID NOT HIRE THEM TO PLAY OUTSIDE MY SHOP.

MAYBE IT WAS HIS PARTNER THAT GAVE ME THE 20 BUCKS.

I HAVE NO PARTNER. THANK YOU. THAT'LL BE ALL, MR. HAMBY.

WHY DON'T YOU GUYS COME CLEAN ? YOU'RE CAUGHT WITH YOUR GARTERS DOWN, AND YOU KNOW IT.

ALL WE KNOW IS THAT WE WERE HIRED TO MAKE A LITTLE MUSIC--

MAKE A LITTLE NOISE, YOU MEAN.

YOUR PART OF THE HOLDUP WAS TO CREATE A DISTRACTION ACROSS THE STREET...

WHILE THE REST OF YOUR MOB GOT AWAY WITH A COOL $100,000 IN CURRENCY.

THAT ISN'T TRUE. THEN YOU HOPPED INTO A STOLEN CAR--

WE WERE JUST TRYING-- OH, SURE.

YOU WERE JUST GONNA CHASE THE BANK BANDITS FOR US.

WHO DO YOU THINK YOU'RE KIDDING ?

THAT STOLEN MONEY WAS ALL IN NEW BILLS.

THOSE SERIAL NUMBERS WON'T BE TOO HARD TO TRACE.

NOW, LISTEN, AUTRY,

YOU ONLY GOT ONE CHANCE TO BEAT THIS RAP, AND THAT'S TO COME CLEAN.

I WANNA KNOW WHO THE REST OF THAT GANG WAS.

I NEVER SAW THOSE FELLAS UNTIL THEY JUMPED IN THAT SEDAN OUTSIDE OF THE BANK.

I WOULDN'T KNOW 'EM IF I SAW 'EM NOW.

I DON'T SUPPOSE YOU EVER SAW THIS GUY BEFORE EITHER.

- I NEVER DID. - [Jerry] HEY, THAT'S THE FELLA.

- [Gene] WHAT FELLA ? - THE FELLA THAT GAVE ME THE 20 BUCKS.

HIS NAME IS BLINKY CHARLESTON, ALIAS DAN CHARLES,

ALIAS CHARLES DANIELS, AND HE'S DEAD.

THE BANK GUARD SHOT HIM AS HE WAS SITTING AT THE WHEEL OF THE GETAWAY CAR.

HIS FRIENDS PUSHED HIM OUT OF THE CAR.

YOUR FRIENDS.

AND YOU'RE TRYING TO GIVE ME A DEAD MAN FOR AN ALIBI ?

YOU GUYS MAKE ME LAUGH.

HERE. THIS CAME FOR YOU OVER AT MRS. O'BRIEN'S BOARDINGHOUSE.

I READ IT. HOPE YOU DON'T MIND.

IT'S FROM MY SISTER. UNCLE MART DIED YESTERDAY. THAT'S TOO BAD.

HEY, HE WILLED US HIS CATTLE RANCH OUT IN HIDDEN VALLEY.

I'M A CATTLE BARON. A LOT OF GOOD IT'S GONNA DO YOU IN HERE.

SHE'S WIRING ME A HUNDRED BUCKS TO COME OUT THERE.

IT'LL TAKE A LOT MORE THAN A HUNDRED BUCKS TO GET YOU OUT OF THIS PLACE.

DID YOU WANNA SEE ME, CAP ? TAKE A LOOK AT THIS.

A COPY OF A TELEGRAM SENT TO OUR COWBOY BANK BANDITS.

SO THEY INHERIT A RANCH. YOU THINK IT'S ON THE LEVEL ? DO YOU ?

CODE MESSAGE.

THE REST OF THE GANG DOESN'T KNOW WE PICKED UP THEIR MUSICAL STOOGES.

THIS RANCH IS THE RENDEZVOUS WHERE THEY'RE SUPPOSED TO MEET TO DIVVY UP THE HAUL.

LAC EY,

I'M GOING TO RELEASE THOSE MUSICAL BANK BANDITS.

RELEASE 'EM ? I WANT THE REST OF THAT GANG.

AS FAR AS I CAN SEE, THOSE OTHER HOODS ARE STRICTLY FROM OUT OF STATE.

TAKE BLINKY CHARLESTON FROM OHIO.

I ALSO WANT THAT HUNDRED GRAND.

IF WE TURN OUR COWBOYS LOOSE, THEY'RE BOUND TO GO AFTER THEIR CUT.

YOUR JOB IS TO TAIL 'EM,

EVEN IF IT TAKES YOU HALFWAY TO CHINA.

,6O GOIN' BACK TO MY GOOD OLD TEXAS HOME, HOME, HOME ,6O

,6O DOWN BY THE SLEEPY RIO GRANDE ,6O

,6O WHERE THE LONESOME TURTLE DOVE IS GRIEVIN' ,6O

,6O AND THE MOON IS SHININ' ON THE SAND ,6O

,6O GOIN' BACK WHERE THE LONGHORN CATTLE ROAM, ROAM, ROAM ,6O

,6O WHERE YOUR BEST FRIEND IS YOUR BRONCO AND YOUR GUN ,6O

,6O AND I KNOW I'll NEVER MORE BE LEAVIN' ,6O

,6O TEXAS HOME MY RAMBLIN' DAYS ARE DONE ,6O

,6O GIVE ME BACK MY SADDLE ,6O

,6O GIVE ME BACK MY GUN ,6O

,6O GIVE ME BACK THAT GOOD OL' BRONC OF MINE ,6O

,6O GIVE ME BACK THE CAMPFIRE ,6O

,6O WHEN THE DAY IS DONE ,6O

,6O LET ME HEAR THE LONESOME COYOTE WHINE ,6O

,6O GOIN' BACK WHERE THE LONGHORN CATTLE ROAM, ROAM, ROAM ,6O

,6O WHERE YOUR BEST FRIEND IS YOUR BRONCO AND YOUR GUN ,6O

,6O AND I KNOW I'll NEVER MORE BE LEAVIN' ,6O

,6O TEXAS HOME MY RAMBLIN' DAYS ARE DONE ,6O,6O

"REST AND PEACE."

HMM. THEY OUGHT TO CALL IT, "REST IN PEACE."

TOO BAD THEY DIDN'T SEND A RECEPTION COMMITTEE OUT TO MEET THE NEW CATTLE BARON.

HELLO, DAD.

COULD YOU TELL US HOW TO GET OUT TO HIDDEN VALLEY ?

HIDDEN VALLEY ? YEAH.

IT'S OUT THATAWAY. QUITE A SPELL.

- BUT YOU'LL NEVER FIND IT ? - NEVER FIND IT ? WHY NOT ?

WHY DO YOU SUPPOSE THEY CALL IT HIDDEN VALLEY ?

HIYA, POP.

DID YOU HAPPEN TO SEE FOUR MEN ON HORSEBACK A FEW MINUTES AGO ?

YEP. EVER SEE 'EM BEFORE ?

NO.

DID THEY TALK TO YOU ?

YEAH. WELL, WHAT DID THEY SAY ?

ASKED ME WHICH WAY TO HIDDEN VALLEY.

WHICH WAY IS IT ? THATAWAY.

THERE A HOTEL AROUND HERE ?

YEAH.

WHERE ?

THATAWAY. THAN KS, POP.

HELLO, CAP. I'M AT A WHISTLE-STOP CALLED SERENITY.

SERENITY. S-E-R-E-N-I-T-Y.

OUR MUSICAL BANK ROBBERS JUST CHECKED THROUGH HERE ON THEIR WAY TO THAT RANCH.

- THEY'RE RIGHT ON SCHEDULE.- GREAT. FROM HERE IN, PLAY IT CLOSE TO THE BELT.

I'll SEND YOU A LIST OF THOSE SERIAL NUMBERS AS SOON AS I GET IT FROM THE BANK.

MAIL IT TO ME, CARE OF GENERAL DELIVERY, SERENITY.

I'll CHECK WITH YOU TOMORROW. OH, AND YOU BETTER NOT TRY TO PHONE ME.

WHAT A WRECK. DON'T WORRY, MR. CATTLE BARON.

THE PLACE WILL LOOK ALL RIGHT WHEN WE GET IT FIXED UP.

,6O,6O [Piano]

HELLO, BOYS. HELLO ! HELLO!

HI, SIS. HELLO, VIRGINIA.

WELCOME TO HAUNTED CASTLE.

HAUNTED IS RIGHT. HOW ARE YOU ?

I KNOW. DON'T TELL ME. IT NEEDS "THE WOMAN'S TOUCH."

LOOKS LIKE NOBODY'S LIVED HERE FOR YEARS. NOBODY HAS.

WHO TAKES CARE OF THE STOCK ? STOCK ? THAT'S SIMPLE.

- THERE ISN'T ANY. - THAT'S GREAT. GREAT.

A CATTLE RANCH WITHOUT ANY CATTLE ON IT.

[Gene Laughing]

WHAT DO YOU AND JERRY PLAN TO DO WITH THE RANCH ? WHAT CAN WE DO ?

I'VE A LITTLE OVER $300, AND YOU CAN'T STOCK A RANCH WITH THAT.

WHY DON'T YOU SELL IT ? MAYBE TO ONE OF THE NEIGHBORING RANCHES.

FROM THE LOOKS OF THE TOWN, THEY'RE AS POOR AS WE ARE.

DID YOU SEE THE TOWN ? YEAH, WE SAW IT, ALL RIGHT.

"REST AND PEACE."

THERE'S A LOT OF THAT AROUND HERE.

SAY, THAT'S AN IDEA. [Virginia] WHAT ?

WHY DON'T YOU SELL THAT ? "REST AND PEACE."

YOU KNOW, A DUDE RANCH FOR TIRED CITY FOLKS.

AND YOU DON'T NEED CATTLE FOR THAT.

WE COULD CLEAN THIS PLACE UP ALL RIGHT.

WE COULD ADVERTISE IN A FEW CITY PAPERS.

WE'LL DO IT. AND YOU'LL BE THE MANAGER. OH, NO. NOT ME.

I DON'T KNOW A THING ABOUT RUNNING A DUDE RANCH.

WELL, NEITHER DO I. ANYWAY, IT WAS YOUR IDEA AND YOU'RE STUCK WITH IT.

- LOOK ALL RIGHT, CHAMP ? -[ Whinnying ]

ABOUT FINISHED UP ? YEAH. LET'S SEE HOW IT WORKS.

[Both ] HEY, GENE ! GENE!

[ Hammering ]

ALMOST THROUGH ? YEP. ALMOST.

[Train Whistle Blowing]

WATCH YOUR STEP, LADIES. [Man ] ALL ABOARD!

RIGHT UP THERE, MISTER.

EVERYBODY HAPPY ? YEAH. GREAT. THANKS.

COME ON, BOYS.

YOU HAVE THE HONOR OF BEING THE FIRST GUEST TO REGISTER. THAT'S FINE.

I'M SURE YOU'LL HAVE A PLEASANT STAY. THANKS.

I, UH-- I KNOW I CAME TO THE RIGHT PLACE.

WE HAVE A NICE ROOM UPSTAIRS FOR YOU IN THE EAST WING.

YOU'LL HAVE PRIVACY. SWELL.

AND IF I GET LONESOME, I'll JUST BROWSE AROUND.

THE RATES ARE $10 A DAY, MR. LACEY.

THAT INCLUDES MEALS.

THERE'S A WEEK IN ADVANCE. THANK YOU.

EXCUSE ME. WE'LL SHOW YOU TO YOUR ROOM IN JUST A MINUTE.

[Virginia] NEXT, PLEASE.

WHAT'S UP ? SHH.

BOYS, WE GOT TROUBLES ON OUR HANDS.

TROUBLE ? WHAT TROUBLE ? WHAT DO YOU MEAN ?

THE FIRST GUY WHO SIGNS THE REGISTER IS THE DICK FROM DALFORT.

A COP ? A DETECTIVE.

THAT MEANS THEY STILL THINK WE HAD SOMETHING TO DO WITH THAT BANK JOB.

THEY TURNED US LOOSE, DIDN'T THEY ?

YEAH, BUT MAYBE THEY FIGURED, GIVE US ENOUGH ROPE AND WE'LL HANG OURSELVES.

BUT WE DIDN'T HAVE NOTHING TO DO WITH IT, SO WHAT DO WE GOT TO WORRY ABOUT ?

WE GOT PLENTY TO WORRY ABOUT,

ONLY I DON'T KNOW JUST WHAT IT IS YET.

KEEP YOUR EYES PEELED.

I'll OPEN WITH TEN. I'M IN.

I'll STAY.

HOW MANY CARDS ? TWO.

TWO. GIVE ME THREE.

THREE. AND I'll DRAW THREE.

YOU OPEN.

WELL, I BET TEN.

I'M OUT.

I'll HAVE TO SEE YOU.

THREE PRETTY EIGHTS.

BEATS ME.

A HUNDRED G's. THAT'S A LOT OF DOUGH.

ESPECIALLY IF YOU DON'T HAVE TO SPLIT IT WITH ANYBODY.

CUT IT OUT, DUKE. TWO WHOLE WEEKS.

A DAME CAN GO A LONG WAYS IN TWO WEEKS. I SAID CUT IT OUT.

WHOSE IDEA WAS IT THAT WE DON'T GET TOGETHER FOR TWO WEEKS ?

TAKE IT EASY, YOU GUYS.

ALL RIGHT, SO IT WAS JULIE'S IDEA, BUT IT WAS FOR YOUR BENEFIT.

YOU'RE THE ONLY ONE THAT'S HOT AROUND HERE.

WE COULD LIVE IN TEXAS THE REST OF OUR LIVES AND NEVER GET TAGGED.

[Knocking At Door]

[Knocking Continues]

WE WERE JUST TALKING ABOUT YOU, JULIE. THAT IS, DUKE WAS.

YOU DON'T HAVE TO TELL ME WHAT HE WAS SAYING EITHER.

STOP THE BEEF. THE DOUGH'S HERE. LET'S SPLIT IT.

WHAT DO YOU WANT ME TO DO WITH THESE RODS ?

I'll SHOW YOU WHAT TO DO WITH ONE OF 'EM.

HEY, WHAT IS THIS ? GUESS. YOU CAN ALL GUESS.

I'll GIVE YOU THREE GUESSES. NOW, GET OVER AGAINST THAT WALL.

YOU HEARD ME. GET MOVING.

YOU CAN'T GET AWAY WITH IT, DUKE. I CAN'T, HUH ?

JUST WATCH ME.

TURN AROUND AND LOOK AT THE WALL. ALL OF YOU

LOOK AT THE NICE, PRETTY PICTURES.

YOU'RE ASKING FOR IT, DUKE. I'll FIND YOU. YOU CAN DEPEND ON IT.

DON'T SCARE ME LIKE THAT.

SO LONG, KIDDIES.

ACE 1

THIS IS A FINE TIME TO BE READING THE NEWSPAPER.

[Man] THIS IS A GREAT TIME TO BE READING THIS ONE.

WE'RE TAKING A LITTLE TRIP, JULIE, JUST YOU AND ME.

WELCOME TO SERENITY RANCH. I HOPE SO.

CAN I HELP YOU ? NO. THOSE ARE MY PILLS. I'll TAKE THOSE.

RIGHT THIS WAY, GENTLEMEN.

HERE WE ARE, GENTLEMEN. AND YOU CAN BE SURE WE'LL DO EVERYTHING...

TO MAKE YOUR STAY AS PLEASANT AS POSSIBLE.

WOULD YOU PLEASE REGISTER ?

WHAT ARE THE RATES ? TEN DOLLARS A DAY. THAT INCLUDES MEALS.

IT INCLUDES EVERYTHING. HORSEBACK RIDING, IF YOU LIKE.

[Duke] IS A COUPLE OF WEEKS IN ADVANCE OKAY ?

FINE. THANK YOU.

OH, WHAT NICE NEW ONES.

WHAT WE COULDN'T DO WITH A BALE OF THESE.

HOWDY, PARTNER. [ Laughs] THAT'S COW TALK.

OH, MR. MANSFIELD, I'M A LITTLE TIRED.

I'M GOING UP TO REST IN MY ROOM NOW.

BUT I THOUGHT MAYBE LATER ON THIS AFTERNOON,

YOU WOULD JOIN ME IN A SMALL HORSEBACK RIDE.

THAT'S KIND OF OUT OF MY LINE.

YEAH. AS A MATTER OF FACT, IT'S OUT OF MY LINE TOO.

I'VE NEVER BEEN ON A HORSE IN MY LIFE.

ALL I EVER STRADDLED WAS A STOOL...

JUST ABOUT THIS HIGH OFF THE GROUND.

SHOE SALESMAN. WHAT'S YOUR LINE ?

ME ? I'M-- I'M INTERESTED IN BANKS.

JERRY. YEAH, GENE.

WILL YOU SHOW MR. MANSFIELD TO HIS ROOM ? SURELY.

OH ! OH, MERCY. IT'S 11:00. IT'S A MINUTE AFTER.

PLEASE GET ME SOME WATER, SOMEBODY, PLEASE. DO YOU FEEL FAINT ?

NO, I DON'T FEEL FAINT NOW. BUT I WILL FEEL FAINT IF I DON'T TAKE THIS PILL.

RIGHT THIS WAY. I'll GET YOU SOME WATER.

THERE IS A MAN THAT APPARENTLY ENJOYS ILL HEALTH.

THAT'S RIGHT. COULD YOU, UH, CHANGE A 20 FOR ME, PLEASE ?

I THINK SO.

SOMETHING WRONG ? NO.

ONLY THESE ARE SO OLD, I WANTED TO MAKE SURE THEY WERE REAL.

I THINK YOU'LL FIND THIS ROOM VERY SATISFACTORY.

SAY, THANKS. THANKS A LOT.

IF THERE'S ANYTHING ELSE YOU WANT-- THERE IS. THE KEY TO THAT DOOR.

A KEY ? SAY, I'M SORRY, BUT THERE'S NOT A KEY ON THE WHOLE RANCH.

DON'T WORRY NONE, THOUGH, BECAUSE THE OTHER THING WE DON'T HAVE AROUND HERE IS CROOKS.

HERE.

THINK THIS WILL BE ALL RIGHT ? YES, THIS WILL BE VERY FINE...

IF THERE ARE NO DRAFTS.

JUST A MINUTE, BOYS, BEFORE YOU GO. FOR YOU AND FOR YOU.

NOW, CLEAR OUT. GEE, THANKS, MR. HAINES.

THANKS VERY MUCH. QUITE ALL RIGHT.

,60,6O [Humming]

PLEASE.

[ Clicking ]

IS THERE A DOCTOR IN THE HOUSE ?

,6O ONCE A MAN COULD ROAM ABOUT ,6O

,6O THE PRAIRIE WILD AND FREE ,6O

,6O BUT THE OLD WIDE OPEN SPACES ,6O

,6O AIN'T WHAT THEY USED TO BE ,6O

,6O WHERE HERDS OF CATTLE WANDERED ,6O

,6O YOU HARDLY SEE A COW ,6O

,6O THINGS HAVE CHANGED ON THE RANGE ,6O

,6O IT'S A DUDE RANCH NOW ,6O

,6O AT THE MERRY-GO-ROUNDUP ,6O

,6O ON TENDERFOOT RANGE ,6O

,6O WHERE THE ROW-DE-DOW BOYS LEARN TO BE COWBOYS ,6O

,6O MY, HOW THE WEST HAS CHANGED ,6O

,6O THEY'RE SINGIN' AND DANCIN' ,6O

,6O AND THE RHYTHM IS STRANGE ,6O

,6O AT THE PLOWIN' THE GROUND UP MERRY-GO-ROUNDUP ,6O

,6O ON TENDERFOOT RANGE ,6O

,6O WHERE VARIETY OF SOCIETY ,6O

,6O PEPS UP EACH OLD FOGEY ,6O

,6O WHEN THEY EXERCISE HOW THEY VOCALIZE ,6O

,6O GET ALONG, LITTLE DOGIE ,6O

,6O AT THE MERRY-GO-ROUNDUP ,6O

,6O ON TENDERFOOT RANGE ,6O

,6O WHERE THE ROW-DE-DOW BOYS LEARN TO BE COWBOYS ,6O

,6O MY, HOW THE WEST HAS CHANGED ,6O

,6O BIG-TOWN OFFICE BOYS MAKE A LOT OF NOISE ,6O

,6O LOPIN' ON THE PRAIRIE ,6O

,6O BUNKHOUSE TENEMENTS FILLED WITH LINIMENTS ,6O

,6O AND IT'S NECESSARY ,6O

,6O AT THE MERRY-GO-ROUNDUP ,6O

,6O ON TENDERFOOT RANGE ,6O

,6O WHERE THE CITY SLICKERS ROMP IN THEIR KNICKERS ,6O

,6O THE OLD WILD WEST, SHE AIN'T WHAT SHE USED TO BE ,6O

,6O MY, HOW THE WEST HAS CHANGED ,6O,6O

GOOD WORK THERE, BOYS.

EVERYBODY HAVING A GOOD TIME ?

GOODNESS. IT'S 10:00, A MINUTE AFTER, WAY PAST BY BEDTIME.

EXCUSE ME, PLEASE. DOCTOR'S ORDERS, YOU KNOW. GOOD NIGHT.

GOOD NIGHT.

WELL, I THINK I'll TURN IN MYSELF.

THIS NIGHTLIFE, IT'S KILLING ME.

DO JUST AS YOU PLEASE. THAT'S WHAT WE WANT YOU FOLKS TO DO AROUND HERE--

MAKE YOURSELVES AT HOME.

WE SHOULDN'T KEEP YOU UP ALL NIGHT EITHER, GENE. GOOD NIGHT.

GOOD NIGHT.

GOOD NIGHT, GENE. GOOD NIGHT.

CLOSE THE DOOR, DUKE.

I SAID CLOSE IT.

THERE'S NO LOCK. PROP A CHAIR UP AGAINST IT.

PROP A CHAIR UP AGAINST IT.

WHERE IS IT, DUKE ? WHAT'S IT BUY ME ?

IT DOESN'T BUY YOU ANYTHING. YOU'RE BETTING ON THE LONG SHOT.

YOU, UH, FORGOT TO PULL THE DRAWERS ALL THE WAY OUT.

I DIDN'T HAVE TIME. SUPPOSE YOU DO IT.

FELLAS, GET DOWNSTAIRS. BE CAREFUL WHEN YOU GET OUTSIDE.

HE'S OUT THERE AFOOT, FELLAS. HE CAN'T GO FAR.

LET'S GET SOME HORSES UNDER US.

GET GOING.

WELL, THAT'S IT.

LET'S GET TO A TELEPHONE. MAYBE WE CAN HAVE 'EM CUT OFF IN TOWN.

DID THEY SPOT US ?

NO, BUT THEY TAGGED THE CAR.

LET'S FIND SOME NICE, DEEP WATER AND SINK IT.

ARE YOU KIDDING ? HOW AM I GONNA GET HOME ?

YOU WANNA GO HOME WITH A HUNDRED GRAND ON THE LOOSE ?

THIS MAN'S NAME ISN'T MANSFIELD. HE'S DUKE MANTEL.

DUKE MANTEL ? YEAH. THE SLICKEST BANK ROBBER IN THE STATE.

JUST FINISHED A STRETCH AT HUNTSVILLE A FEW MONTHS AGO.

MY GOODNESS. HE MUST HAVE BEEN PLANNING TO ROB US.

I DOUBT IT. BANKS ARE HIS LINE.

HE PROBABLY COME UP TO CASE THE BANK AT SERENITY.

TAKE HIM DOWN, BOYS.

ANY IDEAS ON THIS ? NOTHING MORE THAN I'VE TOLD YOU.

TWO PEOPLE IN THAT CAR GOT AWAY.

WELL, LOOKS LIKE I'll HAVE TO GO THROUGH MY USUAL QUESTIONING ROUTINE.

GET ALL THE FOLKS TOGETHER, WILL YOU ? SURE.

HOWDY, FOLKS. WE'RE MIGHTY GLAD TO SEE YOU.

WELCOME TO SERENITY RANCH, THE FINEST LITTLE REST RANCH IN TEXAS.

THAT'S ALL, FOLKS. THANKS.

WELL, IT SEEMS THAT NOBODY KNOWS ANYTHING ABOUT THIS.

I'll BE BACK LATER WITH MY FINGERPRINT EXPERT.

DON'T LET ANYBODY IN THE ROOM WHERE IT HAPPENED.

I DON'T THINK WE'LL HAVE ANY TROUBLE IN THAT RESPECT.

YOU KNOW, IT'S FUNNY THAT CAR NEVER SHOWED UP SOMEPLACE.

I'll PUT THE DESCRIPTION ON THE STATE TELETYPE.

THANKS A LOT, FOLKS.

WHAT'S THE PICTURE FOR ? THE SERENITY JOURNAL.

BUT I'll SEND IT TO THE NEWS SERVICE TOO.

GUESS WHAT. A MAN WAS MURDERED IN THIS HOUSE LAST NIGHT.

NO. REALLY ? WELL, WHAT'S A PICTURE OF US GOT TO DO WITH IT ?

HUMAN INTEREST STUFF. "NEW GUESTS ARRIVE AT MURDER RANCH."

WELL, THANKS AGAIN, FOLKS. HOPE YOU HAVE A NICE REST AT THE REST RANCH.

GLAD TO HAVE YOU WITH US, SIR.

A ROOM FOR YOURSELF AND WIFE ?

No. TWO ROOMS, FOR MYSELF AND NURSE. [Coughs]

I CAME HERE FOR MY HEALTH. THEN YOU CAME TO THE RIGHT PLACE.

YES, I THINK THIS IS JUST WHAT THE DOCTOR ORDERED.

I THINK YOU OUGHT TO LIE DOWN FOR A WHILE, MR. PRESCOTT.

THE TRIP MUST HAVE TIRED YOU. YES, I GUESS I'D BETTER.

SOMETHING IN ADVANCE ? THANK YOU.

WE HAVE TWO ROOMS FOR YOU RIGHT HERE ON THE GROUND FLOOR.

BOYS, TAKE THE FOLKS TO THEIR ROOMS, WILL YOU ?

DON'T YOU HAVE SOMETHING UPSTAIRS ? I'M SORRY.

WE ONLY HAVE ONE VACANCY UPSTAIRS AND I CAN'T GIVE IT TO YOU RIGHT NOW.

YOU'LL LIKE IT DOWN HERE BETTER. lT'LL SAVE YOU FROM WALKING UP THE STAIRS.

WELL, THE STAIRS DON'T BOTHER ME.

AS A MATTER OF FACT, I'M SUPPOSED TO HAVE A LITTLE EXERCISE.

YOU KNOW, DOCTOR'S ORDERS. WE'LL TAKE LITTLE WALKS, MR. PRESCOTT,

IN THE COOL OF THE EVENING.

OH, YES, OF COURSE.

H-HELP!

OH ! HELP ! SOMEBODY! PLEASE ! MR. AUTRY!

SOMEBODY! [Yells]

AS I WAS SAYING, HELP!

HELP! HELP! HELP!

MURDER! HELP!

OH ! OH, THIS IS AWFUL. I FEEL TERRIBLE. MY HEAD, MY HEART.

CALL SEVERAL DOCTORS. WHAT HAPPENED ?

WHAT HAPPENED ? BURGLARS IN HERE. THOUSANDS OF 'EM.

A MAN AND A WOMAN, RIGHT HERE IN THIS ROOM.

DID MY HAIR TURN WHITE ? LOOK WHAT THEY DID TO MY DRESSER.

IT'S ALL RIGHT, FOLKS. HE JUST HAD A NIGHTMARE. GOOD NIGHT.

NIGHTMARE ? WHY, THEY WERE BURGLARS.

YES, YES, OF COURSE, MR. HAINES,

BUT LET'S NOT WORRY THE OTHER GUESTS.

SURE. YOU WOULDN'T WANNA SCARE THEM, WOULD YOU ? SCARE THEM ?

I'M THE ONE THAT'S SCARED. LOOK.

I WAS RIGHT HERE IN MY OWN BED, MINDING MY OWN BUSINESS.

I KNOW. I KNOW. YOUR NERVES ARE ALL SHOT.

YES, AND YOU'RE NOT HELPING. THANKS. PLEASE.

YOU BETTER TAKE A COUPLE OF PILLS. I'll TAKE A LOT OF PILLS.

GOOD NIGHT. GOOD NIGHT.

I THINK I'll GO TO BED TOO.

OH!OH!

YOU SURE MUFFED THAT ONE.

WELL, IT WAS THE CARD ON THE DOOR THAT FOOLED ME.

WOULDN'T YOU THINK IT WAS DUKE'S ROOM ? BUT YOU OUGHT TO KNOW.

YOU WERE THERE BEFORE. BUT I WENT THROUGH THE WINDOW.

NEXT TIME I'll TRY THE WINDOW AGAIN. NOT TONIGHT YOU DON'T.

YOU'VE CAUSED ENOUGH EXCITEMENT ALREADY.

WE HEARD A COMMOTION UPSTAIRS. IS ANYTHING WRONG ?

NO. MR. HAINES JUST HAD A NIGHTMARE. OH.

THAT'S WHAT COMES FROM TAKING TOO MANY PILLS.

REMIND ME TO CUT DOWN ON MINE. YES, SIR

WELL, GOOD NIGHT. [All] GOOD NIGHT.

SAY, HAVE YOU STILL GOT THOSE BANKNOTES DUKE MANTEL GAVE US ?

WHY, YES. I'VE BEEN TOO BUSY TO MAKE ANY BANK DEPOSITS. WHY ?

LET ME HAVE 'EM. KEEP YOUR EYES OPEN FOR LACEY.

HERE WE ARE. WHAT'S THIS ALL ABOUT, GENE ?

I THINK THESE BANKNOTES ARE PART OF THE MONEY STOLEN...

FROM THE CATTLEMEN'S TRUST AND SAVINGS BANK.

WELL, WHAT GIVES YOU THAT IDEA ?

MAINLY WHAT JUST HAPPENED UP IN DROOPY'S ROOM.

I DON'T GET THE CONNECTION. NEITHER DO I.

THE MAN AND WOMAN THAT SEARCHED DROOPY'S ROOM...

THOUGHT THEY WERE IN DUKE MANTEL'S ROOM.

DUKE MANTEL, THE BANK ROBBER. BUT WHY WOULD THEY WANNA SEARCH AN EMPTY ROOM ?

TO FIND THE REST OF THE MONEY.

I FIGURE IT LIKE THIS.

CAPTAIN DANFORTH SAID THE MONEY STOLEN WAS IN NEW BANKNOTES.

DUKE PAID US IN NEW MONEY. IT ALL ADDS UP.

EXCEPT FOR ONE THING. ISN'T IT STRANGE THAT LACEY DID NOTHING ABOUT DUKE ?

HE MUST HAVE RECOGNIZED HIM. HE PROBABLY THOUGHT WE WERE IN WITH HIM...

AND WAS WAITING TO GET THE GOODS ON ALL OF US.

HEY, THAT'S WHY LACEY'S BEEN ASKING US FOR CHANGE SO OFTEN,

HOPING TO GET HIS HANDS ON SOME OF THOSE STOLEN BILLS.

THAT'S IT. WE'RE LUCKY HE DIDN'T GET AHOLD OF ANY OF THESE.

WE'D ALL BE IN THE SOUP. BUT, GENE, IF YOU TURN THOSE BILLS OVER TO CAPTAIN DANFORTH,

WOULDN'T HE REALIZE YOU BOYS WERE INNOCENT ?

HE'D THINK WE WERE JUST TRYING TO PULL A FAST ONE...

AND THROW US BACK IN THE CLINK.

THERE'S ONLY ONE WAY TO CLEAR OURSELVES.

THAT'S BY FINDING THE REST OF THIS MONEY.

WELL, WHAT ARE WE WAITING FOR ? WHY DON'T WE LOOK AROUND ?

LATER, WHEN WE'RE SURE THEY'RE ALL ASLEEP.

WELL, THAT WAS A WASTE OF TIME.

IF THAT MONEY'S IN THERE, IT'LL TAKE SHERLOCK HOLMES TO FIND IT.

DON'T YOU FOLKS EVER GO TO SLEEP ?

MR. HAINES WAS FEELING A LITTLE JITTERY. WE WERE KEEPING HIM COMPANY...

TO HELP SETTLE HIS NERVES.

GOOD NIGHT. GOOD NIGHT.

[Knocking At Door]

HEY, WHAT'S THE IDEA ?

TAKE A LOOK AT THIS.

TAKE A GOOD LOOK.

NOW TAKE A LOOK AT THAT.

WELL, DON'T JUST STAND THERE LIKE A MORON. CAN'T YOU ADD THE SCORE ?

SURE. I CAN ADD THAT SCORE. COME ON. LET'S PACK OUR SILK UNDERWEAR.

LET'S GO.

SING, GENE.

,6O DA DA DA DA ,6O

,6O OF A LIFETIME ,6O

,60,6O [Humming]

,6O AT NOONTIME ,6O

,6O YOU'RE THE MOMENT ,6O

,6O DA DA DA DA ,6O

,6O YOU'RE THE TENDER LIGHT OF A STARRY NIGHT ,6O

,60,6O [Humming]

,6O JUST TO KNOW YOU ,6O

,6O IS TO LOVE YOU ,6O,6O

HEY, THE BARN'S ON FIRE!

LET'S GET GOING ! THE HORSES!

FIRE!

GET SOME BUCKETS OUT OF THE PUMP HOUSE, BOYS. I'll GET THE HORSES.

SAY, THIS IS REALLY YOUR LUCKY--

OR WAS IT LUCK ?

COULD BE. COME ON.

[Horses Whinnying]

AH, NO SOAP.

WE HAVEN'T EVEN STARTED YET.

WHERE ARE YOU GOING ? I WANNA HELP WITH THE FIRE.

IT'S DOING ALL RIGHT WITHOUT HELP.

HERE. KEEP THE CHANGE. THANK YA.

THERE'S NOBODY HOME. THAT'S FINE. LET'S TAKE A LOOK AROUND.

[Julie] IF I HAD MY WAY, I'D RATHER LOOK FOR A NEEDLE IN A HAYSTACK.

[Jim] DUKE SHOULD'VE BEEN MORE CONSIDERATE. YEAH.

JIM.

[Nick ] WHAT ARE YOU LOOKING FOR, JIM ?

- HELLO, NICK. - HE SAYS HELLO, ACE.

YOU LOOKIN' FOR THE STUFF YOU HAD THE DUKE STICK US UP FOR ?

JIM WASN'T IN ON THAT, NICK.

I SUPPOSE YOU MET HIM HERE BY ACCIDENT.

JIM TAILED HIM. THAT'S THE TRUTH, NICK.

WE AIN'T ALL DUMB LIKE THE DUKE WAS. GET HIS ROD, ACE.

I DIDN'T TEAM UP WITH DUKE. ASK JULIE. HE'S TELLING YOU STRAIGHT

OKAY, YOU TAILED HIM, BUT IT ALL ADDS UP THE SAME. YOU BUMPED HIM FOR THE DOUGH.

- WHERE IS IT ? - NICK, TAKE IT EASY. I'D TELL YOU IF I KNEW.

WHY DO YOU THINK WE'RE TEARING THIS ROOM APART ?

- IS THIS THE DUKE'S ? - SURE. IT TOOK A FIRE TO GIVE US A CHANCE TO LOOK AROUND.

GO AHEAD. LOOK. ME AND ACE WILL HELP YOU.

SURE. LET'S KEEP IT IN THE FAMILY.

SURE. I ALWAYS INTENDED TO CUT YOU GUYS IN. YOU KNOW THAT.

WELL, SHE'S ALMOST UNDER CONTROL.

THANK GOODNESS IT WASN'T THE HOUSE. YES.

AND THANKS TO GENE WE GOT THE HORSES OUT. YEAH.

OH, GENE, YOUR HAND. OH, IT'S ALL RIGHT.

WELL, LET ME SEE IT. IT'S NOTHING.

THAT CAN WAIT. THE FIRE COMES FIRST.

IF A COCKROACH WAS HIDING IN THERE, I'D HAVE FOUND IT.

YOU SURE YOU AIN'T GIVING US THE RUNAROUND ?

YOU KNOW ME BETTER THAN THAT, NICK. THEN WHAT'S YOUR EXPLANATION ?

SOMEBODY BEAT US TO IT. HOW COULD THEY ?

YOU SAID THE ROOM'S BEEN CLOSED SINCE THE DUKE CHECKED OUT.

THAT'S THE ORDERS THE LAW GAVE THE COWBOY IN CHARGE.

- BUT HOW DO WE KNOW HE CARRIED THEM OUT ? - THAT HAS TO BE IT.

AUTRY'S BEEN DOING SOME PRIVATE SNOOPING.

WHO'S AUTRY ? THE COWBOY WHO RUNS THE JOINT.

HE'D HAVE A BETTER CHANCE THAN ANYBODY ELSE.

HE PROBABLY GOT CURIOUS AND STARTED LOOKING AROUND AND STUMBLED ON THE DOUGH.

SUPPOSE HE TURNED IT OVER TO THE LAW ? NOBODY'D BE THAT DUMB.

HE WOULDN'T DARE FLASH IT AT THE BANK, SO IT MUST BE AROUND HERE.

YEAH ? WHERE ? YOU TELL ME.

LOOK, JULIE AND I ARE ALL SET HERE. WE'LL STICK AROUND AND WATCH THIS GUY.

OKAY. ACE AND I'll STICK AROUND AND WATCH YOU WATCH.

ALL RIGHT, HAVE IT YOUR WAY. BUT LET'S STRAIGHTEN UP THIS ROOM FIRST.

THE GUY, UH, HAS HE GOT A DAME HUNG AROUND HIS NECK ?

WHAT GUY ? WHAT GUY YOU THINK WE BEEN TALKING ABOUT ?

THE COWBOY. LISTEN, JIM--

I'M WAY AHEAD OF YOU. YOU WANT ME TO SIC JULIE ON AUTRY.

SURE. SHE DID IT TO A BANKER ONCE.

A COWBOY OUGHT TO BE A PUSHOVER.

WELL, BABY ? WHAT DO YOU SAY ?

WELL, COME TO THINK OF IT,

THIS MIGHT BE MORE FUN THAN THE BANKER.

TOO FAST ? NO. PERFECT.

WAIT ! I'VE LOST MY HAT!

STAY WHERE YOU ARE. I'll GET IT.

GENE!

HELP ! GENE ! HELP ! HELP!

GENE, HELP!

HELP!

HELP!

WHOA!

[Sobbing 1 THERE.

IT'S ALL RIGHT. THERE'S NO NEED TO CARRY ON LIKE THAT.

I KNOW, BUT--

I DON'T KNOW HOW TO THANK YOU.

ORDOI?

,60,6O [Gene Singing In Spanish]

,60,6O [Continues In Spanish]

,60,6O [Continues In Spanish]

,6O JUST TO KNOW YOU ,6O

,6O IS TO LOVE YOU ,6O

,6O AND TO LOVE YOU ,6O

,6O IS DIVINE ,6O

ISN'T LOVE PEACHY ?

,6O OF A LIFETIME ,6O

,6O TELL ME YOU'LL BE MINE ,6O

,6O ALL ,6O

,6O MINE ,6O,6O

ALL RIGHT, EVERYBODY OFF. OKAY. OKAY.

OH, GENE.

OH, UH, DROOPY!

WILL YOU HELP ME DOWN, PLEASE ?

AAH!

DON'T TROUBLE YOURSELF. I CAN GET UP ALONE.

PLEASE, MR. AUTRY.

YOU CAN HELP ME UP IF YOU WANT TO.

IT WAS A PERFECT EVENING, GENE.

I'M GLAD YOU LIKED IT. LIKE IT ?

WHAT GIRL WOULDN'T ?

MOVE, PLEASE. ARE YOU ALL RIGHT, DROOPY ?

OUT OF MY WAY, WOMAN.

PLEASE. PARDON ME. PARDON ME, PLEASE.

OUT OF MY WAY, PLEASE. MY PILLS.

PLEASE. PARDON ME. OUT OF MY WAY, PLEASE. PARDON ME.

PILLS. OUT OF MY WAY, EVERYBODY.

OH, MY PILLS. OUT OF THE WAY. MAKE WAY FOR A SICK MAN.

OH, NO. WHERE ARE MY PILLS ? OH!

VIRGINIA.

ABOUT THAT NURSE-- YOU GOT THE WRONG IDEA. WHY TELL ME ?

SHE DON'T GIVE A HOOT ABOUT ME. OH, REALLY ?

LOOK, AM I GONNA HAVE TO SHAKE SOME SENSE INTO YOU ?

SURE I'VE BEEN PLAYING UP TO HER, BUT CAN'T YOU SEE WHY ?

I'M REALLY NOT INTERESTED. I'VE BEEN TRYING TO FIND OUT...

WHETHER OR NOT SHE AND PRESCOTT HAD ANYTHING TO DO WITH KILLING DUKE.

WELL, THEY DID.

HOW DID YOU FIND OUT ? BECAUSE SHE'S BEEN PUMPING ME ABOUT DUKE.

WHAT ROOM HE HAD, HINTING THAT I'D FOUND SOMETHING IN HIS ROOM...

AND IF I WOULDN'T LET HER IN ON THE SECRET.

THE STOLEN MONEY ? WHAT ELSE ?

THE MONEY'S STILL THERE. OTHERWISE, THEY WOULDN'T BE HANGING AROUND

BUT, GENE, IT CAN'T BE. WE SEARCHED THE ROOM OURSELVES, THOROUGHLY.

MAYBE NOT THOROUGHLY ENOUGH. I THINK WE BETTER LOOK AROUND AGAIN.

WHAT ABOUT TONIGHT ? TOMORROW.

BUT ISN'T NIGHT THE LOGICAL TIME ? MAYBE TOO LOGICAL.

THAT DETECTIVE SLEEPS WITH ONE EYE OPEN AND ON THE KEYHOLE.

HE ALMOST CAUGHT US THE FIRST TIME WE SEARCHED THE ROOM.

HE HAS A DATE TO PLAY BRIDGE THE FIRST THING IN THE MORNING WITH THE AHERNS.

WE'LL HAVE A LOOK THEN.

DON'T MOVE ! GET YOUR HANDS UP!

YOU HEARD ME. THE WHOLE BUNCH OF YOU.

UP WITH THOSE HANDS.

WELL, I'VE BEEN WAITING FOR A BREAK LIKE THIS FOR A LONG TIME.

WHAT BREAK ? WHAT ARE YOU TALKING ABOUT ?

THE SHERIFF TOLD YOU TO KEEP EVERYBODY OUT OF THIS ROOM.

LOOKS LIKE HE TOLD THE WRONG MAN, DIDN'T HE ?

FACE THE WALL, THE WHOLE BUNCH OF YOU.

COME ON. TURN AROUND.

WELL, JUST AS I THOUGHT.

ALL RIGHT, TURN AROUND AND START TALKING AND MAKE IT FAST.

WHERE'S THE REST OF THE MONEY STOLEN FROM THE CATTLEMEN'S TRUST AND SAVINGS BANK ?

WHAT'S GOING ON HERE, MR. LACEY ?

THEY'RE UNDER ARREST FOR BANK ROBBERY.

I'M A DETECTIVE WITH THE DALFORT POLICE FORCE.

[Gene] WE DIDN'T STEAL THAT MONEY. NO ?

I SUPPOSE YOU JUST FOUND THESE ON A TREE SOMEWHERE.

WE GOT THEM FROM DUKE MANTEL. SURE. THAT'S WHAT I THOUGHT.

FIRST YOU USE YOUR CANARY VOICE TO GIVE HIM A CRACK AT THE BANK.

AND THEN WHEN HE MEETS YOU HERE WITH THE HAUL, YOU KNOCK HIM OFF,

GRAB THE DOUGH AND-- THAT'S NOT TRUE.

MANTEL PAID IN ADVANCE FOR HIS ROOM. THAT'S HOW WE GOT THE BILLS.

THAT'S RIGHT. I SAW HIM.

QUIET. I'M GONNA LOCK YOU UP UNTIL THE SHERIFF GETS HERE. NEED ANY HELP ?

IF THERE'S ONE THING I HATE, IT'S DOUBLE-CROSSING BANK ROBBERS.

YOU KNOW HOW TO HANDLE ONE OF THESE THINGS ? A GUY EXPLAINED IT TO ME.

WE DID SOME TARGET PRACTICE. OKAY, YOU'LL DO.

I'VE BEEN LOOKING OVER THE PUMP HOUSE OUT BACK.

HELP ME HERD THEM OUT TO IT. YOU'VE GOT THIS FIGURED OUT ALL WRONG.

GET STARTED, AUTRY. YOU TOO, SISTER.

YOU'D BETTER RUN AHEAD AND OPEN THE DOOR FOR 'EM, ACE.

WANT ME TO CALL THE SHERIFF FOR YOU ? WOULD YOU ?

CERTAINLY. I'll ASK HIM TO BRING ALL HIS DEPUTIES.

[Lacey] ALL RIGHT, HURRY UP. LET'S GO.

WHAT'S THE IDEA, JIM ? WE'RE TAKING OVER.

ALL RIGHT, PUT YOUR HANDS UP. WHAT ARE YOU GONNA DO ?

WE'RE GONNA TAKE YOU FOR A LITTLE STROLL.

SEE IF EVERYTHING'S ALL RIGHT OUTSIDE, JULIE. ALL RIGHT.

NOBODY'S GONNA GET HURT IF YOU PAY ATTENTION AND DO AS I TELL YOU.

OKAY. FOLLOW THE LITTLE LADY. SNAP IT UP.

HURRY UP. STEP ON IT.

THIS WILL HOLD YOU UNTIL THE SHERIFF GETS HERE.

YOU'RE GONNA FEEL MIGHTY FOOLISH WHEN YOU LEARN THE REAL SETUP.

ALL RIGHT, LET'S GO.

WHAT IS THIS ?

HOLD THIS ON THE DOOR.

I TOLD YOU YOU WERE BETTING ON THE WRONG HORSE.

IF YOU'RE LOOKING FOR TOOLS, FORGET IT.

I CHECKED THAT WHEN I FIRST THOUGHT OF USING THIS PLACE FOR A JAIL.

[ Chattering ]

THIS IS AN OUTRAGE. WHAT ARE YOU GONNA DO ABOUT IT ?

[Man ] YOU'LL PAY FOR THIS, BUD.

DITCH YOUR GUN. I'll TAKE CARE OF THIS YOKEL.

WHOA. HOWDY.

ARE YOU MR. FULTON ? GOT A TELEGRAM FOR HIM.

YOU'LL FIND HIM IN THE STORAGE HOUSE.

WHAT ARE YOU WAITING FOR ? GET DOWN AND DELIVER IT.

COME ON.

ALL RIGHT, GET IN.

IF WE CAN GET THESE HINGES OFF, WE'D BE ALL RIGHT.

IF WE ONLY HAD SOME TOOLS.

A SCREWDRIVER WOULD COME IN MIGHTY HANDY.

HOLD THIS.

LEND ME YOUR GUN, LACEY.

[ Clattering ]

[ Droopy] WHAT ARE YOU DOING ?

[Coughing 1 GOODNESS. I THOUGHT YOU WERE GHOSTS.

WE'RE LOOKING FOR A BIG PILE OF DOUGH. MONEY ?

WHO DOES IT BELONG TO ? [Nick] THE GUY THAT GOT MURDERED.

HE SENT US A SPIRIT MESSAGE.

HE WANTED US TO FIND IT FOR HIM.

IT'S NOT IN THERE. IT COULDN'T BE.

THAT CHAIR CAME FROM MY ROOM.

WHAT'S IT DOING IN HERE ?

I BROUGHT IT HERE.

SO YOU'VE BEEN SNOOPING, EH ? WHAT DID YOU FIND ?

NOTH-NOTHING.

UH-- UH, MY CHAIR HAD A BROKEN LEG.

SO I CHANGED THIS ONE FOR THE ONE IN MY ROOM.

HEY, LOOK!

IS THAT THE SPIRIT'S MONEY ? [ Whistles ]

HEY. HEY, NOW, WAIT. WAIT A MINUTE. YOU CAN'T DO THAT.

THAT'S MY BAG.

WELL, THAT'S ALL OF IT.

LET'S GET OUT OF HERE. WAIT A MINUTE, JIM.

[Gunshot]

NOW, WAIT A MINUTE. NICK, DON'T.

WE'RE WORKING TOGETHER. YOU WEREN'T WHEN YOU AND THE RAT DUCKED OUT ON ACE AND ME.

NOW, NICK, YOU WOULDN'T HURT A LADY, WOULD YOU ?

COME ON, BOY!

HEY, YOU'RE GONNA LAND US IN A DITCH.

I'M GONNA LAND US ON THE NEXT TRAIN LEAVING SERENITY.

[Banging 1 I'LL SEE WHAT THAT ls.

THERE'S SOME GUNS UNDER THE DESK.

[Banging Continues]

HEY, WHERE'S MY WAGON ?

THEM LOW-DOWN DUDES MUST'VE SWIPED IT. THEY LIT OUT FOR TOWN.

TO MAKE THE 5:00 TRAIN. TELL LACEY I'M SADDLING MY HORSE.

COME ON, BOY!

YAH 1

COME ON, BOY!

[ Gunshots ]

I GUESS THAT SETTLED HIS HASH.

COME ON, BOY!

[Train Whistle Blowing]

THAT'S THE 5:00 TRAIN, NICK. BETTER STEP ON IT.

IT'S CURTAINS IF WE MISS IT. WE WON'T.

WHOA, BOY. WHOA!

WHOA, BOY. WHOA!

,6O GOIN' BACK TO MY GOOD OLD TEXAS HOME, HOME, HOME ,6O

,6O DOWN BY THE SLEEPY RIO GRANDE ,6O

,6O WHERE THE LONESOME TURTLE DOVE IS GRIEVIN' ,6O 807 01:11