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JOJO: Monday or Tuesday,
I felt pretty bad.
2
00:00:10,051 --> 00:00:13,304
And then I guess
we're all positive.
3
00:00:13,346 --> 00:00:17,559
So, we just pretty much
wiped out the stunt team.
4
00:00:20,103 --> 00:00:22,814
KELLY: So, what are we gonna do?
5
00:00:22,856 --> 00:00:25,942
It's kind of... It's...
6
00:00:25,984 --> 00:00:29,237
We're kind of in trouble
right now, I'm not gonna lie.
7
00:00:30,488 --> 00:00:35,618
The stunt team all tested
positive this week for Covid.
8
00:00:35,660 --> 00:00:39,706
This is a pretty brutal blow
to the production right now.
9
00:00:45,628 --> 00:00:46,880
So, is there any way
10
00:00:46,921 --> 00:00:49,007
that we can get some training
going for him?
11
00:00:49,049 --> 00:00:50,342
I mean, Wednesday
12
00:00:50,383 --> 00:00:54,346
was supposed to be the start
of the action stuff.
13
00:00:54,387 --> 00:00:58,433
Maybe... Dave could probably do
some stuff.
14
00:01:00,268 --> 00:01:02,812
Yeah, I can walk him
through the fights.
15
00:01:02,854 --> 00:01:05,106
I don't mind doing that.
16
00:01:05,148 --> 00:01:07,567
DAVID: Jojo's been
a part of my team forever,
17
00:01:07,609 --> 00:01:09,361
and I've done countless
movies with him
18
00:01:09,402 --> 00:01:11,237
and he's never gone down.
19
00:01:11,279 --> 00:01:12,614
So, it's a big blow.
20
00:01:12,655 --> 00:01:15,950
But let's just get them healthy
and we'll pinch hit.
21
00:01:15,992 --> 00:01:17,077
DAVID: So, the plan will be
22
00:01:17,118 --> 00:01:18,661
I'll walk him
through the fights.
23
00:01:18,703 --> 00:01:21,289
We got your back.
You've been doing great work.
24
00:01:21,331 --> 00:01:23,708
So just rest and get better
and we'll figure it out
25
00:01:23,750 --> 00:01:26,920
and we'll be back on the rails
hopefully in a week.
26
00:01:26,961 --> 00:01:28,463
-Five days.
-Yeah.
27
00:01:36,763 --> 00:01:39,474
DAVID: We need
to start choreographing.
28
00:01:39,516 --> 00:01:42,227
So, we should walk
these guys through it
29
00:01:42,268 --> 00:01:44,104
so I have some bodies to fight.
30
00:01:44,145 --> 00:01:46,064
I wish we could just call
and say,
31
00:01:46,106 --> 00:01:48,316
"Bring in
another five stunt guys."
32
00:01:48,358 --> 00:01:50,485
But it's not that plug and play.
33
00:01:50,527 --> 00:01:53,238
Choreographers
are unique and specific
34
00:01:53,279 --> 00:01:57,158
and especially for 87North,
we curate the people
35
00:01:57,200 --> 00:01:59,994
that understand our style
and sensibility.
36
00:02:00,036 --> 00:02:03,790
It's our brand.
The buck stops here.
37
00:02:03,832 --> 00:02:05,709
Producer's gotta step in
38
00:02:05,750 --> 00:02:09,754
and choreograph and train
the actors.
39
00:02:12,507 --> 00:02:13,800
We'll just start
with the basics.
40
00:02:13,842 --> 00:02:18,013
Left, right, right.
Goes to here. Comes up.
41
00:02:18,054 --> 00:02:20,932
Boom, boom. He's a righty.
42
00:02:20,974 --> 00:02:23,768
Down, up, down.
43
00:02:23,810 --> 00:02:27,105
Should be, like, punch him once,
punch another one in.
44
00:02:27,147 --> 00:02:28,481
Then he grabs the arm.
45
00:02:28,523 --> 00:02:32,027
My particular producer skill
is this.
46
00:02:32,068 --> 00:02:33,069
And action.
47
00:02:33,111 --> 00:02:34,988
Understanding
physical production,
48
00:02:35,030 --> 00:02:36,281
but also for action movies.
49
00:02:36,322 --> 00:02:38,408
Bam, bam. Duck,
smash him in the face.
50
00:02:38,450 --> 00:02:39,659
And now he's really pissed.
51
00:02:39,701 --> 00:02:42,037
I mean, actually,
it's fun for me.
52
00:02:42,078 --> 00:02:43,538
Throws the bag at him.
53
00:02:43,580 --> 00:02:46,416
He reaches in,
grabs the golf club.
54
00:02:46,458 --> 00:02:48,418
-"Oh, great!"
-OK.
55
00:02:48,460 --> 00:02:50,587
-"Merry Christmas to me."
-(LAUGHTER)
56
00:02:50,628 --> 00:02:53,465
You know, he's a big time...
He's a producer-director,
57
00:02:53,506 --> 00:02:55,342
but he's going back
in stuntman mode.
58
00:02:55,383 --> 00:02:57,510
So, you know... If he wasn't
there, we'd be screwed.
59
00:02:57,552 --> 00:03:00,513
One more time, and then we'll
walk through the whole thing.
60
00:03:02,932 --> 00:03:04,225
Let's give him a hammer.
61
00:03:04,267 --> 00:03:06,644
So, you're gonna hit once,
and then pull through.
62
00:03:06,686 --> 00:03:09,314
Hit once and then pull through.
63
00:03:13,902 --> 00:03:15,403
Great, David, great.
64
00:03:16,029 --> 00:03:17,322
Ready? And action.
65
00:03:17,364 --> 00:03:21,034
Boom! Hey. Tink.
66
00:03:21,076 --> 00:03:22,911
Upper cut on this guy.
67
00:03:22,952 --> 00:03:24,871
Boom. Baseball.
68
00:03:26,414 --> 00:03:27,832
I need to practice this.
69
00:03:27,874 --> 00:03:31,711
Boom! (GRUNTS) Bang!
70
00:03:31,753 --> 00:03:34,839
It's one of those things
where he was forced to step in,
71
00:03:34,881 --> 00:03:38,635
but as much as his body
may not want to do it anymore...
72
00:03:40,095 --> 00:03:42,222
he just loves doing that stuff.
73
00:03:42,263 --> 00:03:45,183
(EXHALES SHARPLY) Turn, star.
74
00:03:45,225 --> 00:03:47,435
"Holy shit.
He stabbed him with the star."
75
00:03:47,477 --> 00:03:50,438
Guy falls down.
Santa's like, "Oh, my God."
76
00:03:50,480 --> 00:03:52,357
HARBOUR: That's really
what he's built to do.
77
00:03:52,399 --> 00:03:56,611
So, yeah, he had
I think as much fun as I did.
78
00:03:59,447 --> 00:04:01,700
DAVID LEITCH:
So, one, two, one, two.
79
00:04:01,741 --> 00:04:06,162
-JOHN: One, two, one, two.
-DAVID: Two.
80
00:04:06,204 --> 00:04:08,039
DAVID: Boom, stop. Now on twist.
81
00:04:08,081 --> 00:04:10,750
So, you just have the same
thing. You just hold the...
82
00:04:10,792 --> 00:04:13,920
You did your footwork.
But swing through.
83
00:04:13,962 --> 00:04:15,422
DAVID: Two.
84
00:04:15,463 --> 00:04:16,423
(MAKES WHOOSHING SOUND)
85
00:04:16,464 --> 00:04:17,966
-JOHN: Right?
-DAVID: Yep.
86
00:04:18,008 --> 00:04:20,844
CAN: The fact that David came in
and took over and helped us,
87
00:04:20,885 --> 00:04:22,345
training the actors,
88
00:04:22,387 --> 00:04:24,389
and preparing action, was...
89
00:04:24,431 --> 00:04:27,434
I mean, he rescued the project.
It was essential.
90
00:04:27,475 --> 00:04:29,060
DAVID LEITCH: Action.
91
00:04:29,102 --> 00:04:30,979
(GRUNTING)
92
00:04:32,022 --> 00:04:33,565
There it is. That was it.
93
00:04:33,606 --> 00:04:35,775
He could have said,
"No, I'm the producer.
94
00:04:35,817 --> 00:04:37,444
I'm not stepping down
and helping."
95
00:04:37,485 --> 00:04:40,280
No, he said,
"I'm here to help the project.
96
00:04:40,321 --> 00:04:41,948
It's my project, it's my baby
97
00:04:41,990 --> 00:04:44,242
and I'm going to help you guys."
And he did.
98
00:04:44,284 --> 00:04:47,829
-DAVID LEITCH: Boom!
-(LAUGHTER)
99
00:04:47,871 --> 00:04:49,456
That's it!
100
00:05:06,806 --> 00:05:10,727
JOJO: I've been staying in here
for pretty much 11 days,
101
00:05:10,769 --> 00:05:12,604
but the last three or four days,
102
00:05:12,645 --> 00:05:15,648
I've kind of started
feeling normal again.
103
00:05:15,690 --> 00:05:18,735
And yesterday, tested negative.
104
00:05:18,777 --> 00:05:21,529
And I'm clear to go back
to work today,
105
00:05:21,571 --> 00:05:25,700
which is awesome cos I'm getting
stir crazy in this place.
106
00:05:27,869 --> 00:05:28,995
OK.
107
00:05:41,925 --> 00:05:45,053
DAVID LEITCH: Jojo is obviously
feeling the pressure,
108
00:05:45,095 --> 00:05:48,181
and he's gonna feel it
through the rest of the shoot.
109
00:05:48,223 --> 00:05:49,391
You know, I think the key
110
00:05:49,432 --> 00:05:51,518
to doing these
smaller-budget movies
111
00:05:51,559 --> 00:05:54,896
and having success
is all in the prep.
112
00:05:54,938 --> 00:05:56,773
It's now all stacked
on his shoulders
113
00:05:56,815 --> 00:05:59,025
and he's gonna
have to be doing it
114
00:05:59,067 --> 00:06:00,819
while shooting the movie.
115
00:06:00,860 --> 00:06:02,862
So, good luck.
116
00:06:05,949 --> 00:06:10,912
-JOJO: Hello. We're back.
-(CHEERING)
117
00:06:10,954 --> 00:06:14,082
MAN: * Oh, happy day!
Oh, happy day!
118
00:06:14,124 --> 00:06:15,583
CAN: Where's my hug?
119
00:06:15,625 --> 00:06:18,003
-JOJO: Contagious. Contagious.
-CAN: It's OK, baby.
120
00:06:18,044 --> 00:06:19,713
-JOJO: Oh, my gosh.
-CAN: Don't be shy.
121
00:06:19,754 --> 00:06:22,382
JOJO: Oh, look!
Yeah, I missed you, too.
122
00:06:22,424 --> 00:06:24,009
-MAN: Good to see you.
-JOJO: Good to be back.
123
00:06:24,050 --> 00:06:25,677
JOJO: All right.
Good to have you guys.
124
00:06:25,719 --> 00:06:28,013
-MAN: Long time no see.
-JOJO: Good to see you guys.
125
00:06:28,054 --> 00:06:30,724
-MITRA: Yes. Welcome back.
-JOJO: Good to see you guys.
126
00:06:30,765 --> 00:06:33,476
JOJO: Thank you.
Let's get to work!
127
00:06:33,518 --> 00:06:36,021
Let me look at this calendar.
128
00:06:44,946 --> 00:06:49,492
There's been changes to certain
things I kind of heard about.
129
00:06:49,534 --> 00:06:50,827
So now I have to catch up
130
00:06:50,869 --> 00:06:53,997
because I have to adjust
to those changes.
131
00:06:55,165 --> 00:06:58,376
There's so many moving parts
in a production.
132
00:06:58,418 --> 00:06:59,711
Once that train's going,
133
00:06:59,753 --> 00:07:01,963
it's not stopping until it
gets to its destination.
134
00:07:02,005 --> 00:07:05,759
So, if stunts is behind,
then we're gonna work extra time
135
00:07:05,800 --> 00:07:08,928
to kind of catch up
as best we can.
136
00:07:30,742 --> 00:07:32,160
-CAN: Guys.
-JOJO: Yes.
137
00:07:32,202 --> 00:07:34,621
Three, two, one, action.
138
00:07:35,330 --> 00:07:37,832
(GRUNTING)
139
00:07:41,336 --> 00:07:44,214
(GRUNTING,
MIMICS MACHINE GUN FIRE)
140
00:07:44,255 --> 00:07:46,299
CAN: Three, two, one, action.
141
00:07:46,341 --> 00:07:48,009
(GRUNTING,
MIMICS MACHINE GUN FIRE)
142
00:07:48,051 --> 00:07:50,512
Straight into the camera,
directly. Yeah. Ba-ba-ba-ba!
143
00:07:50,553 --> 00:07:53,098
(GRUNTING)
144
00:07:53,139 --> 00:07:54,933
Boom! Boom!
145
00:07:54,974 --> 00:07:58,103
(GRUNTING)
146
00:07:58,144 --> 00:08:00,313
Time is everything.
Time is everything.
147
00:08:00,355 --> 00:08:01,648
And we were compromised
148
00:08:01,690 --> 00:08:03,983
because we all had to stay
at home for two weeks.
149
00:08:04,025 --> 00:08:06,986
We weren't able to sit with Jojo
and talk about the choreo.
150
00:08:07,028 --> 00:08:09,239
JOJO: No, no, no.
You gotta see the stomps.
151
00:08:09,280 --> 00:08:11,908
You know what I'm saying?
You gotta make it violent.
152
00:08:11,950 --> 00:08:13,576
Thank God the producers, again,
153
00:08:13,618 --> 00:08:15,662
because they're aware
of what action means
154
00:08:15,704 --> 00:08:17,163
for such a movie,
it is essential.
155
00:08:17,205 --> 00:08:19,666
Dave and Kelly were like,
"No, we wanna make it work."
156
00:08:19,708 --> 00:08:22,293
And they made it work.
They pushed the schedule around
157
00:08:22,335 --> 00:08:24,129
and they found
a solution for us.
158
00:08:24,170 --> 00:08:26,172
CAN: Cut. We're good.
159
00:08:38,560 --> 00:08:40,812
MITRA: You know,
I've had other roles,
160
00:08:40,854 --> 00:08:44,190
but I've never had
an acting role this big.
161
00:08:44,232 --> 00:08:45,608
WOMAN: They put this together.
162
00:08:45,650 --> 00:08:47,652
It's in pieces right now,
but it's gonna look great.
163
00:08:47,694 --> 00:08:50,155
MITRA: That's awesome. I haven't
even seen this part yet.
164
00:08:50,196 --> 00:08:51,406
So that's the idea.
165
00:08:51,448 --> 00:08:53,199
MITRA: For this role,
they had me cut my hair
166
00:08:53,241 --> 00:08:54,284
and dye it super-blonde.
167
00:08:54,325 --> 00:08:56,077
I remember, like,
my first job ever,
168
00:08:56,119 --> 00:08:59,622
I was a main double and I didn't
even have stunt pads,
169
00:08:59,664 --> 00:09:01,166
I didn't have a harness.
170
00:09:01,207 --> 00:09:06,296
I had nobody around me to even
explain what's gonna happen,
171
00:09:06,338 --> 00:09:09,549
and what I need to become
a successful stunt performer.
172
00:09:09,591 --> 00:09:11,259
And that's the look.
173
00:09:12,761 --> 00:09:15,180
-WOMAN: OK, let's photograph it.
-MITRA: OK, let's do it.
174
00:09:15,221 --> 00:09:16,848
WOMAN: Um... Mm.
175
00:09:18,808 --> 00:09:19,934
MITRA: I feel like I have
176
00:09:19,976 --> 00:09:21,728
a really great opportunity
with this movie.
177
00:09:21,770 --> 00:09:23,063
MAN: All right, soft rubber gun.
178
00:09:23,104 --> 00:09:24,939
-MITRA: Yep. He told me.
-MAN: There you go.
179
00:09:24,981 --> 00:09:27,817
MITRA: You know,
I really don't see myself
180
00:09:27,859 --> 00:09:30,111
doing anything other
than stunts,
181
00:09:30,153 --> 00:09:37,619
but I'll tell you,
this role is huge for me.
182
00:09:37,660 --> 00:09:39,954
JOJO: Just hold this tension
right now.
183
00:09:39,996 --> 00:09:42,791
And she gets dropped
into that bridge.
184
00:09:45,710 --> 00:09:49,923
Yeah, I just... It was good.
We'll do it again.
185
00:09:49,964 --> 00:09:53,677
This is my Home Alonesequence
where Trudy's gone to the attic
186
00:09:53,718 --> 00:09:56,429
and she's set up all these
booby traps and whatnot.
187
00:09:56,471 --> 00:09:58,306
She's gonna try and take me out.
188
00:10:01,851 --> 00:10:05,146
(SCOFFS)
Look at this little idiot.
189
00:10:13,655 --> 00:10:17,742
You know, booby traps don't
work unless you hide them.
190
00:10:20,662 --> 00:10:22,163
You little moron.
191
00:10:25,083 --> 00:10:28,253
-(SCREAMS)
-Jesus! Shit!
192
00:10:29,671 --> 00:10:32,799
You'll be fine.
Sit tight. I'll be back.
193
00:10:32,841 --> 00:10:35,301
(MAN YELLS)
194
00:10:35,343 --> 00:10:38,179
We're gonna have to kill
this little piece of (BEEP).
195
00:10:53,111 --> 00:10:56,406
(GRUNTING)
196
00:10:58,033 --> 00:10:59,701
-(GRUNTS)
-TOMMY: All right. Cut.
197
00:10:59,743 --> 00:11:01,036
MAN: Cut.
Cut, cut, cut, cut, cut.
198
00:11:01,077 --> 00:11:02,996
TOMMY: OK, one more of those.
That was great.
199
00:11:03,038 --> 00:11:04,873
-TOMMY: Beautiful. Whoo!
-DAVID: Nice.
200
00:11:04,914 --> 00:11:07,917
-TOMMY: Nice.
-(LAUGHTER)
201
00:11:07,959 --> 00:11:09,836
MITRA:
Doing stunts is my career.
202
00:11:09,878 --> 00:11:11,171
That's what I love doing.
203
00:11:11,212 --> 00:11:13,048
But I never get
to do action for myself.
204
00:11:13,089 --> 00:11:15,008
I'm always doing it
for everyone else.
205
00:11:15,050 --> 00:11:17,344
I get to make everyone else
look badass but myself.
206
00:11:17,385 --> 00:11:20,555
So you're gonna look down like
they just fell down
207
00:11:20,597 --> 00:11:22,557
and then you hear a sound.
208
00:11:22,599 --> 00:11:23,767
-OK, more time.
-Yeah.
209
00:11:23,808 --> 00:11:26,353
TOMMY: And action. Get it.
210
00:11:26,394 --> 00:11:28,188
-Back.
-(GASPS)
211
00:11:28,229 --> 00:11:29,814
-MAN: And cut.
-TOMMY: Cut. Cut.
212
00:11:29,856 --> 00:11:32,108
When it's acting for me,
it's different.
213
00:11:32,150 --> 00:11:35,111
It's not like physically
straining or anything.
214
00:11:35,153 --> 00:11:38,156
It's a lot of fun
and I get to play around.
215
00:11:38,198 --> 00:11:41,159
JOJO: Let's go to her end mark.
Lower tension, lower her down.
216
00:11:41,201 --> 00:11:42,410
(GRUNTS)
217
00:11:42,452 --> 00:11:44,037
JOJO: So let her down more.
That's her mark.
218
00:11:44,079 --> 00:11:46,247
MITRA: With stunts,
there's absolutely a timeline.
219
00:11:46,289 --> 00:11:49,209
You don't wanna be hitting
the ground at 50 years old.
220
00:11:49,250 --> 00:11:50,543
JOJO: Go.
221
00:11:50,585 --> 00:11:51,711
Go.
222
00:11:51,753 --> 00:11:54,130
Go. Go.
223
00:11:57,467 --> 00:12:00,387
MITRA: This is, like, something
I've been praying for,
224
00:12:00,428 --> 00:12:02,055
to be in a position like this.
225
00:12:02,097 --> 00:12:04,307
-(GRUNTS)
-(CRASHING)
226
00:12:04,349 --> 00:12:05,558
MAN: That was great.
227
00:12:05,600 --> 00:12:07,060
MITRA:
And especially for my family
228
00:12:07,102 --> 00:12:08,311
cos I feel like the kids
229
00:12:08,353 --> 00:12:11,064
will get to finally see my face
in something,
230
00:12:11,106 --> 00:12:12,357
whereas usually, they're like,
231
00:12:12,399 --> 00:12:14,651
"That's you for a second
and then you're gone.
232
00:12:14,693 --> 00:12:15,819
Why can't we see your face?"
233
00:12:15,860 --> 00:12:18,029
And, you know,
I feel like with this,
234
00:12:18,071 --> 00:12:20,323
they can be like,
"OK, that's my mom."
235
00:12:20,365 --> 00:12:22,492
Not just,
"Hey, that's my mom's back
236
00:12:22,534 --> 00:12:24,285
as she's getting hit by a car."
237
00:12:25,036 --> 00:12:27,288
(LAUGHS) Or something.
238
00:12:35,422 --> 00:12:37,549
(CHILD SQUEALS)
239
00:12:37,590 --> 00:12:38,633
Sometimes people forget,
240
00:12:38,675 --> 00:12:39,968
especially when
they don't have kids,
241
00:12:40,010 --> 00:12:42,303
they're like,
"Raising kids is easy."
242
00:12:44,472 --> 00:12:50,687
You're dealing with two
irrational, emotional beings
243
00:12:50,729 --> 00:12:52,689
whose worlds are actually
really tough,
244
00:12:52,731 --> 00:12:55,442
and they navigate through
their own world differently.
245
00:12:55,483 --> 00:12:59,154
They're not navigating
through life the same way I am.
246
00:13:00,071 --> 00:13:01,656
Come over here, buddy.
Let's sit down.
247
00:13:01,698 --> 00:13:03,783
Let's start doing our thing.
248
00:13:03,825 --> 00:13:06,327
Honestly, homeschooling
and working full time,
249
00:13:06,369 --> 00:13:07,746
it's really hard, but...
250
00:13:07,787 --> 00:13:09,831
Where are you gonna sit?
Over here? Harper, come on.
251
00:13:09,873 --> 00:13:11,082
...it's nice cos I have moments
252
00:13:11,124 --> 00:13:12,917
I can connect with them
through the learning.
253
00:13:12,959 --> 00:13:14,461
What does the first word say?
254
00:13:14,502 --> 00:13:16,379
-(INDISTINCT)
-Nice.
255
00:13:16,421 --> 00:13:20,842
Education is not just being in
a classroom all day, every day.
256
00:13:20,884 --> 00:13:23,386
Education is going
to a new country,
257
00:13:23,428 --> 00:13:26,264
learning about a new culture,
learning a new language.
258
00:13:26,306 --> 00:13:27,974
There's so much to learn
traveling.
259
00:13:28,016 --> 00:13:30,185
So, I'm happy
I get to share this with them
260
00:13:30,226 --> 00:13:33,313
cos growing up,
I didn't have that.
261
00:13:33,355 --> 00:13:35,065
(TV PLAYING)
262
00:13:35,106 --> 00:13:38,151
-You want some eggs, Harriet?
-Yes.
263
00:13:38,193 --> 00:13:39,361
Yeah?
264
00:13:40,320 --> 00:13:42,489
When I was younger, I really...
265
00:13:42,530 --> 00:13:45,116
Like, there was so much
that I wanted all the time,
266
00:13:45,158 --> 00:13:47,035
but I couldn't get it.
267
00:13:47,077 --> 00:13:50,163
We moved to Toronto
when I was a year old.
268
00:13:50,205 --> 00:13:52,499
The transition
was really, really hard.
269
00:13:52,540 --> 00:13:53,708
My parents, I remember,
270
00:13:53,750 --> 00:13:55,960
they were always struggling,
always working.
271
00:13:56,002 --> 00:14:01,508
There was always a lot
of fighting and lots of tears.
272
00:14:01,549 --> 00:14:04,678
My dad had a drinking problem,
so he'd take it out on my mom.
273
00:14:04,719 --> 00:14:08,473
Every night was, like, chaos.
274
00:14:08,515 --> 00:14:09,891
OK, ready, go.
275
00:14:09,933 --> 00:14:12,352
And my saving grace,
I would say,
276
00:14:12,394 --> 00:14:14,771
is me finding that courage
and saying,
277
00:14:14,813 --> 00:14:17,190
"I've had enough. I'm done."
And I left.
278
00:14:17,232 --> 00:14:19,526
Oh, boy, this is gonna be great.
279
00:14:19,567 --> 00:14:21,528
I remember I walked
and I walked and I walked.
280
00:14:21,569 --> 00:14:25,073
It was a summer day and I just
walked as far as I could walk.
281
00:14:25,907 --> 00:14:27,867
I wasn't a victim.
It was a choice.
282
00:14:27,909 --> 00:14:31,037
I chose to leave
my family home.
283
00:14:31,079 --> 00:14:33,957
I had to run away
to save my life.
284
00:14:34,916 --> 00:14:37,252
That made me who I am today.
285
00:14:40,088 --> 00:14:45,218
Being a mom and a stuntwoman
is, uh... interesting.
286
00:14:50,765 --> 00:14:53,143
I love what I do. I wouldn't
change it for the world.
287
00:14:53,184 --> 00:14:56,855
And I love having the kids
close by. They know I do stunts.
288
00:14:56,896 --> 00:14:58,982
They got to play around
with the guys
289
00:14:59,024 --> 00:15:00,734
with fight choreography before,
290
00:15:00,775 --> 00:15:03,236
so they know we're working
with like fake weapons.
291
00:15:03,278 --> 00:15:04,904
The guys
have been really awesome
292
00:15:04,946 --> 00:15:06,448
when the kids are around.
293
00:15:06,489 --> 00:15:10,535
They always try to include them
and make them feel welcome.
294
00:15:10,577 --> 00:15:11,911
(CHEERING, LAUGHTER)
295
00:15:11,953 --> 00:15:14,039
They're very encouraging.
296
00:15:14,080 --> 00:15:15,123
I appreciate them a lot,
297
00:15:15,165 --> 00:15:16,833
but they're also dads,
so they get it.
298
00:15:16,875 --> 00:15:17,959
Are you ignoring me?
299
00:15:18,001 --> 00:15:19,711
-What are you playing?
-(LAUGHS)
300
00:15:19,753 --> 00:15:21,046
What are you playing? Show me.
301
00:15:21,087 --> 00:15:22,756
PHONG: As a stunt performer,
302
00:15:22,797 --> 00:15:24,883
the sacrifice we make,
it's not easy.
303
00:15:24,924 --> 00:15:29,054
Because the movie industry
is not always on the same place.
304
00:15:29,095 --> 00:15:30,555
You're traveling so much around
305
00:15:30,597 --> 00:15:35,310
and you're not staying there
just for a couple days.
306
00:15:35,894 --> 00:15:37,437
Every time I am leaving,
307
00:15:37,479 --> 00:15:40,523
I'm leaving my wife and my kid
behind me.
308
00:15:40,565 --> 00:15:43,360
I miss out
of a lot of things, yeah.
309
00:15:43,401 --> 00:15:47,614
And it's, like,
you wanna be there with them,
310
00:15:47,655 --> 00:15:52,660
but you gotta make sure that you
have financial safeties, so...
311
00:15:54,662 --> 00:15:56,164
Yeah.
312
00:15:56,581 --> 00:15:58,166
Hand out.
313
00:15:58,833 --> 00:16:00,251
Hmm.
314
00:16:02,170 --> 00:16:05,799
PHONG: But I feel really
guilty about that topic,
315
00:16:05,840 --> 00:16:07,509
that I left them behind me.
316
00:16:08,843 --> 00:16:10,804
Ooh! (CHUCKLES)
317
00:16:10,845 --> 00:16:14,724
Your kids, they don't get it.
That's the tricky part.
318
00:16:14,766 --> 00:16:19,604
They only get, he's gone.
But for how long?
319
00:16:19,646 --> 00:16:22,524
For them,
it feels like a lifetime.
320
00:16:23,066 --> 00:16:25,652
Oh, no money? No?
321
00:16:25,694 --> 00:16:29,114
That's why I'm trying to call
them every day, every night.
322
00:16:29,155 --> 00:16:30,657
Every time, it's heartbreaking
323
00:16:30,699 --> 00:16:33,576
just to see my daughter
through FaceTime.
324
00:16:33,618 --> 00:16:37,330
But I promised myself
I have to do
325
00:16:37,372 --> 00:16:40,625
whatever I'm capable of doing
326
00:16:40,667 --> 00:16:42,836
just to keep the bonding
to my daughter
327
00:16:42,877 --> 00:16:44,629
cos I don't want to lose that.
328
00:16:47,507 --> 00:16:51,219
One day, my mother-in-law,
she got cancer.
329
00:16:51,261 --> 00:16:54,014
She was stage five.
330
00:16:54,055 --> 00:16:55,724
By that time, Jojo was like,
331
00:16:55,765 --> 00:17:00,061
"Are you willing to come to L.A.
to be on my show, Star Wars?"
332
00:17:00,103 --> 00:17:04,816
It felt to me like a life...
like a crossroad.
333
00:17:04,858 --> 00:17:08,528
I had a talk with my wife
and she was disappointed.
334
00:17:08,570 --> 00:17:11,614
For her side was,
"I need you here right now."
335
00:17:13,324 --> 00:17:17,120
I decided
actually to go for the project.
336
00:17:18,621 --> 00:17:19,956
We booked the flight.
337
00:17:19,998 --> 00:17:23,251
One day after that,
my mother-in-law passed away.
338
00:17:24,252 --> 00:17:26,129
That hit me pretty hard.
339
00:17:27,172 --> 00:17:29,132
I feel guilty.
340
00:17:29,174 --> 00:17:31,259
My wife lost the trust to me.
341
00:17:31,301 --> 00:17:35,805
Still to this day, I'm still
trying to win that trust again.
342
00:17:37,015 --> 00:17:38,767
PRODUCER:
If your wife was here right now,
343
00:17:38,808 --> 00:17:40,101
what would you tell her?
344
00:17:45,148 --> 00:17:46,608
(SOBS)
345
00:17:49,861 --> 00:17:51,404
(CRIES)
346
00:17:52,405 --> 00:17:53,740
Sorry.
347
00:18:03,708 --> 00:18:07,754
PHONG: I think I would tell her
that I'm very proud of...
348
00:18:11,424 --> 00:18:15,303
just the way
how she supported me.
349
00:18:16,513 --> 00:18:18,640
Looking after our daughter.
350
00:18:22,143 --> 00:18:29,275
Going through the time
on her own.
351
00:18:29,317 --> 00:18:32,654
It's not easy to be apart,
like, away from them.
352
00:18:41,955 --> 00:18:43,707
That's part of the game.
353
00:18:49,212 --> 00:18:50,964
(SIGHS0
354
00:18:51,006 --> 00:18:52,590
(CLEARS THROAT)
355
00:19:07,063 --> 00:19:08,648
CAN: Stunts are so interesting.
356
00:19:08,690 --> 00:19:10,191
It's hard work.
357
00:19:10,233 --> 00:19:14,195
It's more than just physical
work. It's mental. It's health.
358
00:19:16,072 --> 00:19:20,535
Other departments aren't
in danger as much as stunt guys.
359
00:19:20,577 --> 00:19:22,454
If you're in
the lighting department,
360
00:19:22,495 --> 00:19:24,164
yes, the lighting
might fall on you,
361
00:19:24,205 --> 00:19:27,500
but if you're doing your job
right, that won't be the case.
362
00:19:27,542 --> 00:19:32,756
But our job always includes
risks and danger. Always.
363
00:19:38,720 --> 00:19:42,265
Right now in the script,
there's a scene in the movie
364
00:19:42,307 --> 00:19:43,850
where I'm getting stabbed
into my eye,
365
00:19:43,892 --> 00:19:49,356
and then he's using the plugs,
electric cords to burn me.
366
00:19:49,397 --> 00:19:51,024
So, I'm starting to burn.
367
00:19:51,066 --> 00:19:52,150
But, yeah, of course,
368
00:19:52,192 --> 00:19:53,443
-it won't be me.
-MAN: Nice.
369
00:19:53,485 --> 00:19:55,445
CAN: Again,
a plastic version of myself.
370
00:19:55,487 --> 00:19:56,988
Everything is going to be safe.
371
00:19:57,030 --> 00:19:58,531
MAN: OK, I'll do my side.
372
00:19:58,573 --> 00:20:00,367
CAN: So, it's an example.
373
00:20:00,408 --> 00:20:02,077
The action is part of the story
374
00:20:02,118 --> 00:20:03,995
and the story
is part of the action,
375
00:20:04,037 --> 00:20:08,500
or the action helps to highlight
a certain aspect of the story.
376
00:20:08,541 --> 00:20:10,335
MAN: Maybe it's already off
on that side.
377
00:20:10,377 --> 00:20:11,378
CAN: Can I get this off?
378
00:20:11,419 --> 00:20:12,796
-WOMAN: Got it?
-MAN: Yeah.
379
00:20:12,837 --> 00:20:15,632
-WOMAN: Perfect. You all right?
-CAN: Yeah, yeah, yeah.
380
00:20:15,674 --> 00:20:18,426
MAN: You wanna see your face?
(CHUCKLES)
381
00:20:29,437 --> 00:20:31,481
CAN: You want some tuna, Jojo?
382
00:20:33,066 --> 00:20:35,902
So yummy.
383
00:20:35,944 --> 00:20:38,405
MAN: What flavors of cat food
did you bring today?
384
00:20:38,446 --> 00:20:40,490
CAN: This is tuna with oil,
385
00:20:40,532 --> 00:20:44,869
and this is tuna with,
uh... citrus.
386
00:20:44,911 --> 00:20:47,997
I have some healthy fats
like avocado, almonds,
387
00:20:48,039 --> 00:20:49,457
so I combine them.
388
00:20:49,499 --> 00:20:50,792
I'm not eating for the taste.
389
00:20:50,834 --> 00:20:53,420
I'm more eating
for the function.
390
00:20:53,461 --> 00:20:55,588
With this schedule,
you have to look good
391
00:20:55,630 --> 00:20:59,592
without having the time
to rest and eat well.
392
00:20:59,634 --> 00:21:02,137
They told me
I have to get bigger
393
00:21:02,178 --> 00:21:04,180
and I need a lot of protein.
394
00:21:04,222 --> 00:21:06,433
You need to be healthy.
Come here.
395
00:21:06,474 --> 00:21:07,642
JOJO: No. Mask.
396
00:21:07,684 --> 00:21:09,936
It's not ideal,
but I have to make
397
00:21:09,978 --> 00:21:11,938
the best out of it, so, yeah.
398
00:21:24,159 --> 00:21:25,785
CAN: You know,
the projects expect you
399
00:21:25,827 --> 00:21:27,537
to be the best version
of yourself
400
00:21:27,579 --> 00:21:30,457
in order to get them
the best quality.
401
00:21:30,498 --> 00:21:32,208
So therefore,
we have to make sure
402
00:21:32,250 --> 00:21:36,129
that your body's able to do
what it's supposed to do.
403
00:21:36,171 --> 00:21:40,342
And we're on set for 12 hours,
sometimes 14 hours.
404
00:21:40,383 --> 00:21:42,886
It's my responsibility
to make the best happen
405
00:21:42,927 --> 00:21:45,388
and be ready on the day.
406
00:22:00,070 --> 00:22:01,821
I grew up and lived in Germany,
407
00:22:01,863 --> 00:22:05,950
and, yeah, it was a tough
neighborhood. It was very tough.
408
00:22:09,037 --> 00:22:11,331
It was like mid-'80s.
409
00:22:11,373 --> 00:22:13,667
It was all about muscles,
toughness,
410
00:22:13,708 --> 00:22:16,503
being macho, being strong.
411
00:22:16,544 --> 00:22:18,588
Escapism
was very, very essential
412
00:22:18,630 --> 00:22:20,757
and important for me.
413
00:22:20,799 --> 00:22:23,259
That's how I started
watching movies
414
00:22:23,301 --> 00:22:24,886
and writing stories, poems.
415
00:22:24,928 --> 00:22:28,098
I educated myself in Germany,
but it's also important for me
416
00:22:28,139 --> 00:22:31,893
to be aware of my own culture
and where I am from.
417
00:22:33,269 --> 00:22:34,979
I'm Circassian.
418
00:22:35,021 --> 00:22:37,982
Our country used to be
in West Russia,
419
00:22:38,024 --> 00:22:43,738
and 1864, we got basically
kicked out of our country.
420
00:22:43,780 --> 00:22:46,991
Therefore, the Circassians
are spread all around the world,
421
00:22:47,033 --> 00:22:51,079
living in diaspora,
in the US and Israel and Turkey,
422
00:22:51,121 --> 00:22:52,831
in Jordan, in Asia.
423
00:22:53,915 --> 00:22:57,293
We're adapting ourselves
and learning the language.
424
00:22:57,335 --> 00:22:59,587
That's definitely not easy.
425
00:22:59,629 --> 00:23:03,133
My wife is also Circassian.
We met in Germany.
426
00:23:03,174 --> 00:23:05,927
It was a coincidence,
to be honest. We didn't know.
427
00:23:05,969 --> 00:23:07,554
I was like, oh my God,
you know,
428
00:23:07,595 --> 00:23:09,723
she's a beautiful,
intelligent woman.
429
00:23:09,764 --> 00:23:11,725
I would love to know
more about her.
430
00:23:11,766 --> 00:23:14,060
Then later on, she's like,
"Yeah, I'm Circassian.
431
00:23:14,102 --> 00:23:16,563
I'm sure you don't know
about it." I'm like, "What?
432
00:23:16,604 --> 00:23:18,565
I know what it is.
I'm Circassian. Right?"
433
00:23:18,606 --> 00:23:22,485
So that's how
everything started, yeah.
434
00:23:22,527 --> 00:23:26,072
My wife is an eye doctor.
She works full time.
435
00:23:26,114 --> 00:23:29,659
It's not easy working full time
and having kids.
436
00:23:29,701 --> 00:23:34,622
I love my family but I also love
what I do and it's my passion.
437
00:23:34,664 --> 00:23:37,250
And if my wife wouldn't be
the way she is,
438
00:23:37,292 --> 00:23:38,835
if she wouldn't
support me,
439
00:23:38,877 --> 00:23:43,548
I mean, you know, I wouldn't
be able to do what I'm doing.
440
00:24:05,653 --> 00:24:07,947
JOJO: This is the second
big fight in the movie.
441
00:24:07,989 --> 00:24:09,783
This fight is more about
theme stuff.
442
00:24:09,824 --> 00:24:12,285
We're gonna start incorporating
more of the gimmicks
443
00:24:12,327 --> 00:24:13,870
in terms of Christmas stuff.
444
00:24:13,912 --> 00:24:15,580
CAN: Three, two, one. Action.
445
00:24:18,249 --> 00:24:20,126
-(GRUNTS)
-CAN: There you go.
446
00:24:20,168 --> 00:24:23,672
Before we design the action,
we look at the environment.
447
00:24:23,713 --> 00:24:26,257
Where are we? What are we doing?
Why are we there?
448
00:24:26,299 --> 00:24:27,842
And we look like,
449
00:24:27,884 --> 00:24:31,012
OK, is there anything around us
that we could use in a fight?
450
00:24:32,180 --> 00:24:33,807
MAN: Turn. Boom.
451
00:24:33,848 --> 00:24:37,769
CAN: For instance, in my fight,
we used a dartboard, pool balls,
452
00:24:37,811 --> 00:24:41,231
and I'm using the golf club.
453
00:24:41,272 --> 00:24:44,484
So, we used everything where
we could in our environment,
454
00:24:44,526 --> 00:24:47,654
build it into the fights
and the action.
455
00:24:49,197 --> 00:24:50,949
(GRUNTS)
456
00:24:50,990 --> 00:24:53,243
JOJO: All right.
This is a conundrum.
457
00:24:53,284 --> 00:24:56,955
There's no rubber one of that,
so, you can't flick like...
458
00:24:56,996 --> 00:24:58,707
That's gonna (BEEP) someone up.
459
00:24:58,748 --> 00:25:03,003
Can, like, you guys are here.
I was recovering.
460
00:25:03,044 --> 00:25:04,212
CAN: Yes, sir.
461
00:25:04,254 --> 00:25:06,047
You guys knew
that you had to change that.
462
00:25:06,089 --> 00:25:09,718
You gotta tell props that you
need a rubber one of those.
463
00:25:09,759 --> 00:25:12,637
Do you understand? Now,
he has no time to make that.
464
00:25:12,679 --> 00:25:13,805
Do you understand?
465
00:25:13,847 --> 00:25:15,515
Now you can't get
what Dave wants.
466
00:25:15,557 --> 00:25:17,100
CAN: Yeah, yeah.
467
00:25:17,142 --> 00:25:19,019
Because of the short schedule
and trying to get things done,
468
00:25:19,060 --> 00:25:20,854
I'm a little bit more
temperamental
469
00:25:20,895 --> 00:25:23,690
and less empathetic
than I normally am.
470
00:25:23,732 --> 00:25:25,900
That's a big...
You have to rebuild that.
471
00:25:25,942 --> 00:25:28,695
You can't just buy that rubber.
472
00:25:28,737 --> 00:25:31,531
As a fight coordinator,
you're in charge of that stuff
473
00:25:31,573 --> 00:25:33,199
and it's your fight.
474
00:25:33,241 --> 00:25:35,201
So, anything
that's affecting your fight,
475
00:25:35,243 --> 00:25:37,912
you guys have
to figure out the problem parts.
476
00:25:37,954 --> 00:25:40,123
CAN: The problem
with the dartboard
477
00:25:40,165 --> 00:25:42,542
was it's way too heavy
to throw it,
478
00:25:42,584 --> 00:25:43,960
and it could damage somebody.
479
00:25:44,002 --> 00:25:47,714
It could damage me or the actor.
Then yeah, that was bad.
480
00:25:47,756 --> 00:25:49,424
That was bad for our department.
481
00:25:49,466 --> 00:25:52,886
And our department, because
it's an action movie, again,
482
00:25:52,927 --> 00:25:55,055
affected
all the other departments.
483
00:25:55,096 --> 00:25:56,806
Cos the props has to know
what they build
484
00:25:56,848 --> 00:25:58,850
and everybody,
it's just a chain reaction.
485
00:25:58,892 --> 00:26:01,269
JOJO: Sorry to yell at you guys,
but every fight scene,
486
00:26:01,311 --> 00:26:03,355
like, if you guys are
coordinating the fights,
487
00:26:03,396 --> 00:26:07,067
you should know every prop,
make sure every prop is ready,
488
00:26:07,108 --> 00:26:09,736
or they have enough time
to make one.
489
00:26:09,778 --> 00:26:11,071
-CAN: Right, OK.
-JOJO: You know?
490
00:26:11,112 --> 00:26:12,906
JOJO: In the grand scheme
of things,
491
00:26:12,947 --> 00:26:14,991
the director,
it's his story, his movie.
492
00:26:15,033 --> 00:26:18,828
But I've learned ultimately,
at some point,
493
00:26:18,870 --> 00:26:20,580
fingers get pointed at you.
494
00:26:20,622 --> 00:26:22,874
And I wanna be able to go,
"I did my best.
495
00:26:22,916 --> 00:26:25,460
I did as best I could with
the circumstances given to me
496
00:26:25,502 --> 00:26:28,338
and I can walk away from it."
497
00:26:48,608 --> 00:26:50,610
Today, we're shooting
Frosty Fight.
498
00:26:50,652 --> 00:26:52,195
See what the shot is first.
499
00:26:52,237 --> 00:26:56,241
This scene might seem simple,
but there's certain intricacies
500
00:26:56,282 --> 00:26:57,367
that we have to accomplish
501
00:26:57,409 --> 00:26:59,703
or we have to nail
for it to look good.
502
00:27:02,706 --> 00:27:04,666
You wanna make sure
every fight is different.
503
00:27:04,708 --> 00:27:07,168
This one is more
of a conventional fight.
504
00:27:07,210 --> 00:27:10,422
So, what makes a conventional
fight more interesting
505
00:27:10,463 --> 00:27:11,798
are the gags in the moments.
506
00:27:11,840 --> 00:27:14,426
You don't really get bloody
till after the darts.
507
00:27:14,467 --> 00:27:17,721
In order to accomplish that,
we have to have more setups,
508
00:27:17,762 --> 00:27:22,308
more physicality,
more coverage and more props.
509
00:27:23,893 --> 00:27:26,146
MAN: Lock it up in here.
510
00:27:26,187 --> 00:27:30,316
-MAN: And roll camera.
-JOJO: And action.
511
00:27:31,109 --> 00:27:32,360
MAN: Can.
512
00:27:43,663 --> 00:27:45,540
(GRUNTS, GASPS)
513
00:27:45,582 --> 00:27:46,666
DOLL: Hi. I love you.
514
00:27:46,708 --> 00:27:48,668
(GRUNTING)
515
00:27:48,710 --> 00:27:50,003
JOJO: And action.
516
00:27:50,045 --> 00:27:51,880
(GRUNTING)
517
00:27:51,921 --> 00:27:54,758
CAN: In the choreo,
he has a golf club.
518
00:27:55,467 --> 00:27:58,511
It got out of my hand.
519
00:27:58,553 --> 00:28:00,347
JOJO: Good? Ready? Action.
520
00:28:00,388 --> 00:28:01,765
(GRUNTS, CLATTERING)
521
00:28:01,806 --> 00:28:04,559
-JOJO: And action.
-(GRUNTS, CLATTERING)
522
00:28:04,601 --> 00:28:05,935
JOJO: All right, again.
523
00:28:05,977 --> 00:28:08,980
-Ready, and action.
-(GRUNTS)
524
00:28:09,022 --> 00:28:10,315
CAN: No, no, don't worry.
525
00:28:10,357 --> 00:28:14,319
I won't mention it right now,
but that happened.
526
00:28:14,361 --> 00:28:15,653
It might be broken.
527
00:28:15,695 --> 00:28:19,657
I'm not Rocky, but I'm going
to finish the fight.
528
00:28:19,699 --> 00:28:21,159
-MAN: All right, ready?
-Let's do this.
529
00:28:21,201 --> 00:28:23,370
MAN: And three, two, one, go.
530
00:28:23,411 --> 00:28:29,751
(YELLING AND GRUNTING)
531
00:28:33,380 --> 00:28:36,633
Wait, wait, wait, wait, wait!
I don't want to kill you.
532
00:28:36,675 --> 00:28:37,884
(LAUGHS)
533
00:28:37,926 --> 00:28:39,344
(SARCASTICALLY MIMICS LAUGH)
534
00:28:39,386 --> 00:28:41,554
JOJO: He has to get hit
with the pool balls, right.
535
00:28:41,596 --> 00:28:43,598
We have softies in this sock,
536
00:28:43,640 --> 00:28:46,559
but a couple of those
are pretty hard.
537
00:28:46,601 --> 00:28:48,228
(YELLS, GRUNTS)
538
00:28:49,270 --> 00:28:51,439
So, he was getting whacked
a lot.
539
00:28:51,481 --> 00:28:54,067
(YELLING)
540
00:28:54,109 --> 00:28:55,944
JOJO: You try to minimize that
as best we can,
541
00:28:55,985 --> 00:28:57,654
but that's why
it's called a stunt.
542
00:28:57,696 --> 00:28:59,739
(GRUNTING)
543
00:28:59,781 --> 00:29:01,157
It's implying a risk.
544
00:29:01,199 --> 00:29:03,118
-MAN: I thought they were soft.
-MAN 2: Yeah.
545
00:29:03,159 --> 00:29:05,412
-MAN: Are you OK?
-CAN: It's OK. No, it's good.
546
00:29:05,453 --> 00:29:07,956
What people don't understand,
sometimes even if it's soft,
547
00:29:07,997 --> 00:29:10,542
if you swing, you know,
the momentum,
548
00:29:10,583 --> 00:29:12,419
the physics, it gets harder.
549
00:29:12,460 --> 00:29:13,878
Like, it's hard. You feel it.
550
00:29:13,920 --> 00:29:16,881
(DRILL WHIRS)
551
00:29:20,301 --> 00:29:23,513
JOJO: We're gonna throw Can
on the pinball machine.
552
00:29:25,640 --> 00:29:26,850
MAN: Watch your backs please.
553
00:29:26,891 --> 00:29:29,436
CHA: We had, like,
four sugar glasses for it.
554
00:29:29,477 --> 00:29:30,770
MAN: Glass coming in.
555
00:29:30,812 --> 00:29:33,314
JOJO: How many of these
do we have?
556
00:29:33,356 --> 00:29:35,442
CHA: One broke
during the transport,
557
00:29:35,483 --> 00:29:36,568
so we only had three tries.
558
00:29:36,609 --> 00:29:39,612
These are all, yeah,
challenges on set.
559
00:29:39,654 --> 00:29:41,948
-JOJO: You guys set?
-MAN: Set.
560
00:29:41,990 --> 00:29:43,700
JOJO: Ready? And action!
561
00:29:43,742 --> 00:29:46,911
(YELLS, GRUNTS)
562
00:29:51,332 --> 00:29:53,126
CAN: You have to go
through pain
563
00:29:53,168 --> 00:29:55,837
when you have to jump
through glass.
564
00:29:58,882 --> 00:30:00,050
I just told Ryan,
565
00:30:00,091 --> 00:30:03,178
"Ryan, you have to slam me in,"
and he did it.
566
00:30:03,219 --> 00:30:04,387
Action.
567
00:30:04,429 --> 00:30:06,473
(YELLS, GRUNTS)
568
00:30:06,514 --> 00:30:09,642
PHONG: Some of the props
are very sensitive,
569
00:30:09,684 --> 00:30:11,686
crashing very quick and easy.
570
00:30:11,728 --> 00:30:13,938
Good for us as stunt performers.
571
00:30:15,899 --> 00:30:18,068
As soon as you hit it,
it should explode
572
00:30:18,109 --> 00:30:23,365
and nothing's gonna happen and
you're not getting cut by it.
573
00:30:23,406 --> 00:30:27,577
On Can's spots,
it didn't break properly.
574
00:30:27,619 --> 00:30:29,996
CAN: The first time,
the top started bleeding.
575
00:30:30,038 --> 00:30:32,499
Now the sides are. Yeah.
576
00:30:32,540 --> 00:30:34,000
JOJO: You see anything in there?
577
00:30:34,042 --> 00:30:36,002
MAN: Yeah.
He's got a cut right there.
578
00:30:36,044 --> 00:30:37,420
JOJO:
It's part of our profession.
579
00:30:37,462 --> 00:30:40,006
Sometimes, we're just
the guys that take the beatings.
580
00:30:40,048 --> 00:30:42,550
We try our best to minimize it,
but it happens.
581
00:30:42,592 --> 00:30:45,303
That's what the term "stuntman",
"fall guy" comes from.
582
00:30:45,345 --> 00:30:47,347
-JOJO: Are you all right?
-Yeah, I'm good.
583
00:30:47,389 --> 00:30:50,475
(LAUGHING) You look like
you had your wisdom teeth out!
584
00:30:50,517 --> 00:30:52,060
(LAUGHS)
585
00:30:55,563 --> 00:30:58,024
JOJO: All that's really left
for today
586
00:30:58,066 --> 00:31:01,528
is a couple of shots of breaking
ornaments on his head.
587
00:31:01,569 --> 00:31:03,405
It was in the last scene of Can.
588
00:31:03,446 --> 00:31:07,867
He was on top of Santa with a
knife, threatening to kill him,
589
00:31:07,909 --> 00:31:11,371
and Santa was reaching out
to some ornaments.
590
00:31:11,413 --> 00:31:13,581
Usually,
they should break easily.
591
00:31:14,541 --> 00:31:15,667
But they didn't.
592
00:31:15,709 --> 00:31:16,793
(BEEP)
593
00:31:16,835 --> 00:31:18,545
JOJO: You see Can's face,
he's pissed.
594
00:31:18,586 --> 00:31:20,130
Then he's like, "Just go, go!"
595
00:31:20,171 --> 00:31:22,966
So, he basically just ran the
next five of just smashing it,
596
00:31:23,008 --> 00:31:25,844
smashing it, smashing it
until they broke.
597
00:31:25,885 --> 00:31:27,929
But he, again,
got cut on his head.
598
00:31:27,971 --> 00:31:29,264
You know you're getting injured.
599
00:31:29,305 --> 00:31:31,683
You know for a fact,
"I'm going to get injured,"
600
00:31:31,725 --> 00:31:32,726
but you have to do it.
601
00:31:32,767 --> 00:31:33,810
JOJO: Get me the medic.
602
00:31:33,852 --> 00:31:34,978
That's rule number one.
603
00:31:35,020 --> 00:31:36,896
Like, if you're not willing
to get hurt,
604
00:31:36,938 --> 00:31:39,024
you shouldn't be
in the stunt industry.
605
00:31:39,065 --> 00:31:41,568
(YELLING)
606
00:31:41,609 --> 00:31:44,487
(JUDDERING)
607
00:31:45,864 --> 00:31:48,700
(ELECTRICAL CRACKLING)
608
00:31:50,201 --> 00:31:51,578
OK.
609
00:31:52,620 --> 00:31:54,414
-Whew!
-And cut.
610
00:31:54,456 --> 00:31:56,166
(LAUGHTER)
611
00:31:56,207 --> 00:31:57,917
JOJO: Moving on. Yikes.
612
00:31:57,959 --> 00:31:59,711
-MAN: Thank you, Can.
-CAN: No problem.
613
00:31:59,753 --> 00:32:01,087
MAN: That was good.
614
00:32:05,967 --> 00:32:10,305
MAN: Ready?
And three, two, one, action.
615
00:32:14,517 --> 00:32:16,519
DAVID: The wheels are turning
here in Winnipeg,
616
00:32:16,561 --> 00:32:19,022
and Jojo seems
to have things back on track.
617
00:32:19,064 --> 00:32:20,231
Between him and Tommy,
618
00:32:20,273 --> 00:32:22,317
I know they're gonna deliver
something great.
619
00:32:22,359 --> 00:32:26,154
Back in L.A., 87North
has a lot of stuff to do.
620
00:32:26,196 --> 00:32:28,323
Our next big project
is the one I'm directing,
621
00:32:28,365 --> 00:32:33,495
and it's a big action movie
that's really close to my heart.
622
00:32:39,334 --> 00:32:42,587
It's a cool day throughout
the Los Angeles area.
623
00:32:42,629 --> 00:32:45,173
The current temperature
in Hollywood
624
00:32:45,215 --> 00:32:48,218
is 65 degrees
and expected high of 68.
625
00:32:53,348 --> 00:32:54,557
(GRUNTS)
626
00:32:56,726 --> 00:32:58,853
(DOG WHINES)
627
00:32:58,895 --> 00:33:02,273
It's OK, it's OK. That dog's OK.
628
00:33:02,315 --> 00:33:04,192
MAN: Have you been face to face
with Ryan?
629
00:33:04,234 --> 00:33:07,070
-Yeah.
-Hours on the Zooms and phone,
630
00:33:07,112 --> 00:33:09,114
but I've never had him
in person, so, I don't know.
631
00:33:09,155 --> 00:33:11,908
Right now, we're in
pre-production on Fall Guy.
632
00:33:11,950 --> 00:33:13,368
It's starring Ryan Gosling.
633
00:33:13,410 --> 00:33:14,911
We want a motorcycle bit.
634
00:33:14,953 --> 00:33:17,163
We want a truck bit.
We want a boat bit.
635
00:33:17,205 --> 00:33:20,000
We need
all the stunt disciplines
636
00:33:20,041 --> 00:33:22,210
sort of in the movie, right?
637
00:33:22,252 --> 00:33:24,421
We are 21 weeks out,
638
00:33:24,462 --> 00:33:26,589
so it's a little early
to call that pre-production.
639
00:33:26,631 --> 00:33:29,759
But for me, and the scope of
things that we're trying to do,
640
00:33:29,801 --> 00:33:31,511
especially in the action side,
641
00:33:31,553 --> 00:33:35,265
I think we need to find people
that can do the job.
642
00:33:35,306 --> 00:33:39,269
By any chance, did you get
in touch with Justin Eaton?
643
00:33:39,310 --> 00:33:42,355
Yes, sir. I had messaged him.
644
00:33:42,397 --> 00:33:45,108
He's looking forward
to meeting you and Dave.
645
00:33:45,150 --> 00:33:47,485
OK. And then did you
talk to Mark,
646
00:33:47,527 --> 00:33:50,864
that other guy from Gray Man
that you said was the assistant?
647
00:33:50,905 --> 00:33:52,240
-I haven't talked to him yet.
-OK.
648
00:33:52,282 --> 00:33:56,202
And then, we still have
that Logan is coming, so...
649
00:33:56,244 --> 00:33:59,205
Logan's coming
and focusing on our car work.
650
00:33:59,247 --> 00:34:02,083
Yeah. He'll be kind of like
the car-motorcycle guy
651
00:34:02,125 --> 00:34:04,586
that can go off
and be totally self-sufficient.
652
00:34:04,627 --> 00:34:05,754
OK.
653
00:34:05,795 --> 00:34:07,255
DAVID: You know, it's early,
654
00:34:07,297 --> 00:34:09,382
but the goal is to do something
that's really provocative,
655
00:34:09,424 --> 00:34:11,593
that's practical,
that's in-camera,
656
00:34:11,634 --> 00:34:15,597
that's challenging us as stunt
performers, and you know...
657
00:34:15,638 --> 00:34:17,474
So that's my challenge
as a filmmaker,
658
00:34:17,515 --> 00:34:20,310
and I think we're starting
to think about how to do that.
659
00:34:53,635 --> 00:34:56,262
JOJO: All right, let's do it,
guys. Walk it again.
660
00:34:56,304 --> 00:34:58,765
OK, set. And action.
661
00:34:59,641 --> 00:35:01,476
(GRUNTING)
662
00:35:02,143 --> 00:35:05,730
(GRUNTING)
663
00:35:05,772 --> 00:35:08,108
MITRA: The fight sequence
that I have coming up
664
00:35:08,149 --> 00:35:13,071
is basically me
taking out a few of the staff.
665
00:35:13,113 --> 00:35:14,614
JOJO: Yes. That's it.
666
00:35:14,656 --> 00:35:17,117
MITRA: They actually think,
like, I'm part of their staff,
667
00:35:17,158 --> 00:35:18,660
but I'm actually not.
668
00:35:24,582 --> 00:35:26,126
MITRA:
They're running towards me
669
00:35:26,167 --> 00:35:27,460
like, "What the hell's
going on?"
670
00:35:27,502 --> 00:35:29,671
I'm just like,
"Lights out, buddy."
671
00:35:36,011 --> 00:35:39,639
I think when you do the draw,
just make it like...
672
00:35:39,681 --> 00:35:41,266
-So I have something to cut to.
-Copy.
673
00:35:41,307 --> 00:35:43,018
Just be very like...
(EXHALES SHARPLY)
674
00:35:43,059 --> 00:35:44,519
Yeah. Whatever. Very dynamic.
675
00:35:44,561 --> 00:35:46,563
So, I'm not gonna pull 'em out?
676
00:35:46,604 --> 00:35:47,814
No, just go... (EXHALES SHARPLY)
677
00:35:47,856 --> 00:35:50,108
And that's it.
Cos I'm gonna cut to that.
678
00:35:50,150 --> 00:35:51,651
JOJO:
This is a second-unit scene,
679
00:35:51,693 --> 00:35:54,696
which means as a second-unit
director, it's on me.
680
00:35:54,738 --> 00:35:57,323
There's no Tommy.
There's no Dave.
681
00:35:57,365 --> 00:35:59,159
So, this is my scene to direct
682
00:35:59,200 --> 00:36:01,327
and it allows me
to show what I can do.
683
00:36:01,369 --> 00:36:03,329
MAN: All right, guys.
Pick this up.
684
00:36:03,371 --> 00:36:04,748
Here we go. Lock it up.
685
00:36:04,789 --> 00:36:07,125
JOJO: Although there's
fight action and choreography,
686
00:36:07,167 --> 00:36:10,503
it's a chance for me to kind of
step away from the stunt world
687
00:36:10,545 --> 00:36:14,591
and show that I can direct
actors in the performance.
688
00:36:14,632 --> 00:36:18,261
MAN: Lock it up one more time.
Roll sound.
689
00:36:19,137 --> 00:36:20,680
What I'm looking for
in this shot
690
00:36:20,722 --> 00:36:23,058
is when she goes and she's in
that corner, she's coming out.
691
00:36:23,099 --> 00:36:24,684
We could cut to whatever.
692
00:36:24,726 --> 00:36:27,771
-MAN: On your mark.
-MAN 2: Set.
693
00:36:27,812 --> 00:36:29,022
OK.
694
00:36:29,064 --> 00:36:31,399
MAN 2: And action.
695
00:36:31,983 --> 00:36:33,526
Mitra.
696
00:36:34,694 --> 00:36:38,239
JOJO: Ah. All right.
Cut. Cut, cut, cut.
697
00:36:38,281 --> 00:36:39,532
Reset. I saw her standing there.
698
00:36:39,574 --> 00:36:40,658
-MAN: Reset?
-JOJO: Yes.
699
00:36:40,700 --> 00:36:42,619
JOJO: Just have her
go back farther.
700
00:36:42,660 --> 00:36:43,703
MAN: We'll go again right away.
701
00:36:43,745 --> 00:36:45,246
JOJO: I don't wanna waste
our time.
702
00:36:45,288 --> 00:36:47,540
He'll never use that. All right.
703
00:36:47,582 --> 00:36:50,919
-MAN: Visual 35, take two.
-MAN 2: And action.
704
00:36:52,253 --> 00:36:53,713
Mitra.
705
00:36:53,755 --> 00:36:55,632
JOJO: There you go.
Back up. Back up. Back up.
706
00:36:55,674 --> 00:36:57,676
HENCHMAN:
The hell is going on out there?
707
00:37:00,679 --> 00:37:02,514
MITRA: Christmas clearance.
708
00:37:03,223 --> 00:37:04,599
-JOJO: Cut.
-MAN: Cut.
709
00:37:04,641 --> 00:37:07,435
JOJO: OK. Yeah, it could
be better. It's not there yet.
710
00:37:07,477 --> 00:37:08,687
But I think play it more
711
00:37:08,728 --> 00:37:10,438
like you're pondering
to use the gun or not.
712
00:37:10,480 --> 00:37:12,107
-Hm-hmm.
-That's all. It's not that bad.
713
00:37:12,148 --> 00:37:13,650
-In cuts, it will be fine.
-Yeah. OK.
714
00:37:13,692 --> 00:37:16,277
MAN: They're asking after
we get this one faster, as well.
715
00:37:16,319 --> 00:37:17,862
JOJO: Yes.
That's what I was telling her.
716
00:37:17,904 --> 00:37:20,532
What slows us down
is her putting the gun down.
717
00:37:20,573 --> 00:37:22,158
-MAN: Yeah.
-JOJO: That kills us.
718
00:37:22,200 --> 00:37:23,535
MAN: That should happen quicker.
719
00:37:23,576 --> 00:37:26,413
Yes. Just make that quicker.
Just everything quicker.
720
00:37:26,454 --> 00:37:28,623
Because I'm second unit,
I am a bit anxious,
721
00:37:28,665 --> 00:37:31,126
because I only have a certain
amount of time to shoot,
722
00:37:31,167 --> 00:37:32,502
an hour and a half, to be exact.
723
00:37:32,544 --> 00:37:36,631
This scene has multiple setups,
so we have to be fast.
724
00:37:36,673 --> 00:37:38,633
MAN: Visual 35, take three.
725
00:37:39,300 --> 00:37:40,927
MAN 2: And action.
726
00:37:41,720 --> 00:37:42,887
Mitra.
727
00:37:44,556 --> 00:37:47,225
-CAN: Ah.
-JOJO: It's so slow.
728
00:37:47,267 --> 00:37:48,476
CAN: Move faster.
729
00:37:48,518 --> 00:37:51,104
-JOJO: Cut.
-MAN: Cut.
730
00:37:51,146 --> 00:37:52,439
(SIGHS) This is killing us.
731
00:37:52,480 --> 00:37:54,190
I always want to be
the best I can be.
732
00:37:54,232 --> 00:37:58,028
It's like, if I had to end today
and this was my last job,
733
00:37:58,069 --> 00:38:00,822
is it something I'd be proud of,
or did I push?
734
00:38:00,864 --> 00:38:04,993
So that pressure's
made internally by myself.
735
00:38:05,035 --> 00:38:06,995
MAN: Visual 35, take five.
736
00:38:07,037 --> 00:38:08,830
Visual 35, take seven.
737
00:38:08,872 --> 00:38:10,331
Visual 35, take eight.
738
00:38:11,332 --> 00:38:13,501
MAN 2: And action.
739
00:38:15,962 --> 00:38:19,382
-The hell is going on out there?
-Christmas clearance.
740
00:38:19,424 --> 00:38:20,800
JOJO: Cut. Cut.
741
00:38:20,842 --> 00:38:22,385
MAN: And pow.
742
00:38:22,427 --> 00:38:26,473
OJO: Mitra, when you say your
line, are you looking at two...
743
00:38:26,514 --> 00:38:27,599
MITRA: Looking at all of 'em.
744
00:38:27,640 --> 00:38:29,851
Look straight
at the head waiter.
745
00:38:29,893 --> 00:38:32,687
You know what I mean?
Cos it's like you're counting.
746
00:38:32,729 --> 00:38:37,067
So, keep your eye just on him.
See what that looks like.
747
00:38:37,108 --> 00:38:38,360
MITRA: In rehearsal,
748
00:38:38,401 --> 00:38:41,321
we got through all those things,
like, fast.
749
00:38:41,363 --> 00:38:42,655
We're able to shoot a pre-viz
750
00:38:42,697 --> 00:38:44,657
and be done and edit
within a few hours.
751
00:38:44,699 --> 00:38:47,660
Whereas here,
with all the different elements,
752
00:38:47,702 --> 00:38:49,662
it's a little trickier.
753
00:38:49,704 --> 00:38:52,957
-MAN: Set.
-MAN 2: And action.
754
00:38:52,999 --> 00:38:54,834
(HENCHMAN GRUNTS)
755
00:38:54,876 --> 00:38:57,128
HENCHMAN 2: No, no, no!
(SCREAMS)
756
00:38:57,170 --> 00:39:01,049
(GRUNTING)
757
00:39:01,091 --> 00:39:02,717
OK. Cut. Cut.
758
00:39:02,759 --> 00:39:05,470
JOJO: That wasn't a good one.
Meaner.
759
00:39:05,512 --> 00:39:06,888
-Reset.
-MAN: Resetting.
760
00:39:06,930 --> 00:39:09,474
-Like, she has to be aggressive.
-Yes.
761
00:39:09,516 --> 00:39:11,351
MAN: And action.
762
00:39:11,393 --> 00:39:13,520
JOJO: Go in there. There you go.
763
00:39:13,561 --> 00:39:15,522
(JOJO SIGHS) Cut.
764
00:39:15,563 --> 00:39:17,774
-CAN: Her energy. Talk to her.
-JOJO: Yeah, yeah.
765
00:39:17,816 --> 00:39:19,776
JOJO: Mitra, give me one
that's a little bigger.
766
00:39:19,818 --> 00:39:22,529
-Bigger, which one?
-I'm saying when you grab it,
767
00:39:22,570 --> 00:39:24,239
it looks like
you're trying to be nice to it.
768
00:39:24,280 --> 00:39:27,409
If you're gonna grab it,
it's, like, grab it... (GRUNTS)
769
00:39:27,450 --> 00:39:29,494
You can do action better
than a normal person.
770
00:39:29,536 --> 00:39:31,913
So, when it doesn't
look special,
771
00:39:31,955 --> 00:39:33,289
that's when I get upset.
772
00:39:33,331 --> 00:39:35,375
I can direct Mitra
a little differently
773
00:39:35,417 --> 00:39:36,751
than an actor
I've just met.
774
00:39:36,793 --> 00:39:39,587
I've trained her.
I've known her a long time.
775
00:39:39,629 --> 00:39:40,797
Right now, it's really important
776
00:39:40,839 --> 00:39:42,382
that we get this done
really fast,
777
00:39:42,424 --> 00:39:45,093
so I don't really have time
to mince words.
778
00:39:45,135 --> 00:39:47,345
OK. One more.
779
00:39:47,387 --> 00:39:48,638
MAN: And action.
780
00:39:48,680 --> 00:39:50,849
-(ACTORS GRUNT)
-Good. Good!
781
00:39:50,890 --> 00:39:53,393
-(HENCHMAN SCREAMS)
-(JOJO GROANS)
782
00:39:53,435 --> 00:39:54,811
JOJO: OK.
783
00:39:54,853 --> 00:39:57,355
I take responsibility
if a performer doesn't do well.
784
00:39:57,397 --> 00:39:59,649
That's my fault, too.
That reflects on me.
785
00:39:59,691 --> 00:40:00,942
JOJO: You're enjoying this.
786
00:40:00,984 --> 00:40:02,902
You finally get a chance
to kill that guy.
787
00:40:02,944 --> 00:40:05,447
What would you do?
What are you gonna do?
788
00:40:05,488 --> 00:40:07,073
You're gonna stand there
and go...
789
00:40:07,115 --> 00:40:09,743
Or are you gonna go boom?
Like, you have intensity.
790
00:40:09,784 --> 00:40:13,663
You gotta find within yourself
how to turn that on.
791
00:40:13,705 --> 00:40:15,373
-Hmm.
-You have to feel it.
792
00:40:15,415 --> 00:40:17,250
You have to feel it
coming down here.
793
00:40:17,292 --> 00:40:19,586
OK, yep.
794
00:40:19,627 --> 00:40:21,046
JOJO:
I'm the person responsible.
795
00:40:21,087 --> 00:40:23,798
It's my responsibility
to make this work.
796
00:40:23,840 --> 00:40:25,925
So as frustrating as it is,
797
00:40:25,967 --> 00:40:27,802
it's just as much on me
as it is on her
798
00:40:27,844 --> 00:40:29,763
that we're not
nailing this scene.
799
00:40:29,804 --> 00:40:32,474
I tend to be a lot harder
on members of my team
800
00:40:32,515 --> 00:40:34,768
because I know
what they're capable of.
801
00:40:34,809 --> 00:40:38,688
I know Mitra can do this
and I don't want her to fail.
802
00:40:38,730 --> 00:40:41,024
Twenty takes is unacceptable.
803
00:40:45,570 --> 00:40:46,988
He's right.
804
00:40:48,698 --> 00:40:50,367
MITRA: You always wanna do
a good job.
805
00:40:50,408 --> 00:40:51,576
So, when you feel like
806
00:40:51,618 --> 00:40:53,703
you're not doing a good job,
that's like...
807
00:40:53,745 --> 00:40:54,954
You gotta snap out it.
808
00:40:54,996 --> 00:40:59,000
There's no time for self-pity.
Just do better.
809
00:40:59,042 --> 00:41:00,710
Perform better.
810
00:41:16,559 --> 00:41:18,603
MAN: And action.
811
00:41:19,479 --> 00:41:21,314
JOJO: Cut. Cut, cut.
812
00:41:21,356 --> 00:41:23,024
Cut. Cut.
813
00:41:23,066 --> 00:41:24,150
Cut, cut.
814
00:41:24,192 --> 00:41:26,569
(GRUNTING, SCREAMING)
815
00:41:26,611 --> 00:41:28,279
Forget it. Right.
816
00:41:28,321 --> 00:41:29,739
-MAN: Cutting.
-Cut, cut.
817
00:41:48,508 --> 00:41:49,676
-Reset.
-MAN: Resetting.
818
00:41:49,718 --> 00:41:51,761
-MAN: Still rolling.
-Cut. No, no. Cut. Cut.
819
00:41:54,681 --> 00:41:58,059
(JOJO SIGHS) Let's do it again.
Shoot again.
820
00:42:01,479 --> 00:42:05,734
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