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Would you like to inspect the original subtitles? These are the user uploaded subtitles that are being translated: 0 00:00:00 --> 00:00:17 Enjoy Watching (Diamond) Powered by [SizinTV] 1 00:00:06,047 --> 00:00:10,010 JOJO: Monday or Tuesday, I felt pretty bad. 2 00:00:10,051 --> 00:00:13,304 And then I guess we're all positive. 3 00:00:13,346 --> 00:00:17,559 So, we just pretty much wiped out the stunt team. 4 00:00:20,103 --> 00:00:22,814 KELLY: So, what are we gonna do? 5 00:00:22,856 --> 00:00:25,942 It's kind of... It's... 6 00:00:25,984 --> 00:00:29,237 We're kind of in trouble right now, I'm not gonna lie. 7 00:00:30,488 --> 00:00:35,618 The stunt team all tested positive this week for Covid. 8 00:00:35,660 --> 00:00:39,706 This is a pretty brutal blow to the production right now. 9 00:00:45,628 --> 00:00:46,880 So, is there any way 10 00:00:46,921 --> 00:00:49,007 that we can get some training going for him? 11 00:00:49,049 --> 00:00:50,342 I mean, Wednesday 12 00:00:50,383 --> 00:00:54,346 was supposed to be the start of the action stuff. 13 00:00:54,387 --> 00:00:58,433 Maybe... Dave could probably do some stuff. 14 00:01:00,268 --> 00:01:02,812 Yeah, I can walk him through the fights. 15 00:01:02,854 --> 00:01:05,106 I don't mind doing that. 16 00:01:05,148 --> 00:01:07,567 DAVID: Jojo's been a part of my team forever, 17 00:01:07,609 --> 00:01:09,361 and I've done countless movies with him 18 00:01:09,402 --> 00:01:11,237 and he's never gone down. 19 00:01:11,279 --> 00:01:12,614 So, it's a big blow. 20 00:01:12,655 --> 00:01:15,950 But let's just get them healthy and we'll pinch hit. 21 00:01:15,992 --> 00:01:17,077 DAVID: So, the plan will be 22 00:01:17,118 --> 00:01:18,661 I'll walk him through the fights. 23 00:01:18,703 --> 00:01:21,289 We got your back. You've been doing great work. 24 00:01:21,331 --> 00:01:23,708 So just rest and get better and we'll figure it out 25 00:01:23,750 --> 00:01:26,920 and we'll be back on the rails hopefully in a week. 26 00:01:26,961 --> 00:01:28,463 -Five days. -Yeah. 27 00:01:36,763 --> 00:01:39,474 DAVID: We need to start choreographing. 28 00:01:39,516 --> 00:01:42,227 So, we should walk these guys through it 29 00:01:42,268 --> 00:01:44,104 so I have some bodies to fight. 30 00:01:44,145 --> 00:01:46,064 I wish we could just call and say, 31 00:01:46,106 --> 00:01:48,316 "Bring in another five stunt guys." 32 00:01:48,358 --> 00:01:50,485 But it's not that plug and play. 33 00:01:50,527 --> 00:01:53,238 Choreographers are unique and specific 34 00:01:53,279 --> 00:01:57,158 and especially for 87North, we curate the people 35 00:01:57,200 --> 00:01:59,994 that understand our style and sensibility. 36 00:02:00,036 --> 00:02:03,790 It's our brand. The buck stops here. 37 00:02:03,832 --> 00:02:05,709 Producer's gotta step in 38 00:02:05,750 --> 00:02:09,754 and choreograph and train the actors. 39 00:02:12,507 --> 00:02:13,800 We'll just start with the basics. 40 00:02:13,842 --> 00:02:18,013 Left, right, right. Goes to here. Comes up. 41 00:02:18,054 --> 00:02:20,932 Boom, boom. He's a righty. 42 00:02:20,974 --> 00:02:23,768 Down, up, down. 43 00:02:23,810 --> 00:02:27,105 Should be, like, punch him once, punch another one in. 44 00:02:27,147 --> 00:02:28,481 Then he grabs the arm. 45 00:02:28,523 --> 00:02:32,027 My particular producer skill is this. 46 00:02:32,068 --> 00:02:33,069 And action. 47 00:02:33,111 --> 00:02:34,988 Understanding physical production, 48 00:02:35,030 --> 00:02:36,281 but also for action movies. 49 00:02:36,322 --> 00:02:38,408 Bam, bam. Duck, smash him in the face. 50 00:02:38,450 --> 00:02:39,659 And now he's really pissed. 51 00:02:39,701 --> 00:02:42,037 I mean, actually, it's fun for me. 52 00:02:42,078 --> 00:02:43,538 Throws the bag at him. 53 00:02:43,580 --> 00:02:46,416 He reaches in, grabs the golf club. 54 00:02:46,458 --> 00:02:48,418 -"Oh, great!" -OK. 55 00:02:48,460 --> 00:02:50,587 -"Merry Christmas to me." -(LAUGHTER) 56 00:02:50,628 --> 00:02:53,465 You know, he's a big time... He's a producer-director, 57 00:02:53,506 --> 00:02:55,342 but he's going back in stuntman mode. 58 00:02:55,383 --> 00:02:57,510 So, you know... If he wasn't there, we'd be screwed. 59 00:02:57,552 --> 00:03:00,513 One more time, and then we'll walk through the whole thing. 60 00:03:02,932 --> 00:03:04,225 Let's give him a hammer. 61 00:03:04,267 --> 00:03:06,644 So, you're gonna hit once, and then pull through. 62 00:03:06,686 --> 00:03:09,314 Hit once and then pull through. 63 00:03:13,902 --> 00:03:15,403 Great, David, great. 64 00:03:16,029 --> 00:03:17,322 Ready? And action. 65 00:03:17,364 --> 00:03:21,034 Boom! Hey. Tink. 66 00:03:21,076 --> 00:03:22,911 Upper cut on this guy. 67 00:03:22,952 --> 00:03:24,871 Boom. Baseball. 68 00:03:26,414 --> 00:03:27,832 I need to practice this. 69 00:03:27,874 --> 00:03:31,711 Boom! (GRUNTS) Bang! 70 00:03:31,753 --> 00:03:34,839 It's one of those things where he was forced to step in, 71 00:03:34,881 --> 00:03:38,635 but as much as his body may not want to do it anymore... 72 00:03:40,095 --> 00:03:42,222 he just loves doing that stuff. 73 00:03:42,263 --> 00:03:45,183 (EXHALES SHARPLY) Turn, star. 74 00:03:45,225 --> 00:03:47,435 "Holy shit. He stabbed him with the star." 75 00:03:47,477 --> 00:03:50,438 Guy falls down. Santa's like, "Oh, my God." 76 00:03:50,480 --> 00:03:52,357 HARBOUR: That's really what he's built to do. 77 00:03:52,399 --> 00:03:56,611 So, yeah, he had I think as much fun as I did. 78 00:03:59,447 --> 00:04:01,700 DAVID LEITCH: So, one, two, one, two. 79 00:04:01,741 --> 00:04:06,162 -JOHN: One, two, one, two. -DAVID: Two. 80 00:04:06,204 --> 00:04:08,039 DAVID: Boom, stop. Now on twist. 81 00:04:08,081 --> 00:04:10,750 So, you just have the same thing. You just hold the... 82 00:04:10,792 --> 00:04:13,920 You did your footwork. But swing through. 83 00:04:13,962 --> 00:04:15,422 DAVID: Two. 84 00:04:15,463 --> 00:04:16,423 (MAKES WHOOSHING SOUND) 85 00:04:16,464 --> 00:04:17,966 -JOHN: Right? -DAVID: Yep. 86 00:04:18,008 --> 00:04:20,844 CAN: The fact that David came in and took over and helped us, 87 00:04:20,885 --> 00:04:22,345 training the actors, 88 00:04:22,387 --> 00:04:24,389 and preparing action, was... 89 00:04:24,431 --> 00:04:27,434 I mean, he rescued the project. It was essential. 90 00:04:27,475 --> 00:04:29,060 DAVID LEITCH: Action. 91 00:04:29,102 --> 00:04:30,979 (GRUNTING) 92 00:04:32,022 --> 00:04:33,565 There it is. That was it. 93 00:04:33,606 --> 00:04:35,775 He could have said, "No, I'm the producer. 94 00:04:35,817 --> 00:04:37,444 I'm not stepping down and helping." 95 00:04:37,485 --> 00:04:40,280 No, he said, "I'm here to help the project. 96 00:04:40,321 --> 00:04:41,948 It's my project, it's my baby 97 00:04:41,990 --> 00:04:44,242 and I'm going to help you guys." And he did. 98 00:04:44,284 --> 00:04:47,829 -DAVID LEITCH: Boom! -(LAUGHTER) 99 00:04:47,871 --> 00:04:49,456 That's it! 100 00:05:06,806 --> 00:05:10,727 JOJO: I've been staying in here for pretty much 11 days, 101 00:05:10,769 --> 00:05:12,604 but the last three or four days, 102 00:05:12,645 --> 00:05:15,648 I've kind of started feeling normal again. 103 00:05:15,690 --> 00:05:18,735 And yesterday, tested negative. 104 00:05:18,777 --> 00:05:21,529 And I'm clear to go back to work today, 105 00:05:21,571 --> 00:05:25,700 which is awesome cos I'm getting stir crazy in this place. 106 00:05:27,869 --> 00:05:28,995 OK. 107 00:05:41,925 --> 00:05:45,053 DAVID LEITCH: Jojo is obviously feeling the pressure, 108 00:05:45,095 --> 00:05:48,181 and he's gonna feel it through the rest of the shoot. 109 00:05:48,223 --> 00:05:49,391 You know, I think the key 110 00:05:49,432 --> 00:05:51,518 to doing these smaller-budget movies 111 00:05:51,559 --> 00:05:54,896 and having success is all in the prep. 112 00:05:54,938 --> 00:05:56,773 It's now all stacked on his shoulders 113 00:05:56,815 --> 00:05:59,025 and he's gonna have to be doing it 114 00:05:59,067 --> 00:06:00,819 while shooting the movie. 115 00:06:00,860 --> 00:06:02,862 So, good luck. 116 00:06:05,949 --> 00:06:10,912 -JOJO: Hello. We're back. -(CHEERING) 117 00:06:10,954 --> 00:06:14,082 MAN: * Oh, happy day! Oh, happy day! 118 00:06:14,124 --> 00:06:15,583 CAN: Where's my hug? 119 00:06:15,625 --> 00:06:18,003 -JOJO: Contagious. Contagious. -CAN: It's OK, baby. 120 00:06:18,044 --> 00:06:19,713 -JOJO: Oh, my gosh. -CAN: Don't be shy. 121 00:06:19,754 --> 00:06:22,382 JOJO: Oh, look! Yeah, I missed you, too. 122 00:06:22,424 --> 00:06:24,009 -MAN: Good to see you. -JOJO: Good to be back. 123 00:06:24,050 --> 00:06:25,677 JOJO: All right. Good to have you guys. 124 00:06:25,719 --> 00:06:28,013 -MAN: Long time no see. -JOJO: Good to see you guys. 125 00:06:28,054 --> 00:06:30,724 -MITRA: Yes. Welcome back. -JOJO: Good to see you guys. 126 00:06:30,765 --> 00:06:33,476 JOJO: Thank you. Let's get to work! 127 00:06:33,518 --> 00:06:36,021 Let me look at this calendar. 128 00:06:44,946 --> 00:06:49,492 There's been changes to certain things I kind of heard about. 129 00:06:49,534 --> 00:06:50,827 So now I have to catch up 130 00:06:50,869 --> 00:06:53,997 because I have to adjust to those changes. 131 00:06:55,165 --> 00:06:58,376 There's so many moving parts in a production. 132 00:06:58,418 --> 00:06:59,711 Once that train's going, 133 00:06:59,753 --> 00:07:01,963 it's not stopping until it gets to its destination. 134 00:07:02,005 --> 00:07:05,759 So, if stunts is behind, then we're gonna work extra time 135 00:07:05,800 --> 00:07:08,928 to kind of catch up as best we can. 136 00:07:30,742 --> 00:07:32,160 -CAN: Guys. -JOJO: Yes. 137 00:07:32,202 --> 00:07:34,621 Three, two, one, action. 138 00:07:35,330 --> 00:07:37,832 (GRUNTING) 139 00:07:41,336 --> 00:07:44,214 (GRUNTING, MIMICS MACHINE GUN FIRE) 140 00:07:44,255 --> 00:07:46,299 CAN: Three, two, one, action. 141 00:07:46,341 --> 00:07:48,009 (GRUNTING, MIMICS MACHINE GUN FIRE) 142 00:07:48,051 --> 00:07:50,512 Straight into the camera, directly. Yeah. Ba-ba-ba-ba! 143 00:07:50,553 --> 00:07:53,098 (GRUNTING) 144 00:07:53,139 --> 00:07:54,933 Boom! Boom! 145 00:07:54,974 --> 00:07:58,103 (GRUNTING) 146 00:07:58,144 --> 00:08:00,313 Time is everything. Time is everything. 147 00:08:00,355 --> 00:08:01,648 And we were compromised 148 00:08:01,690 --> 00:08:03,983 because we all had to stay at home for two weeks. 149 00:08:04,025 --> 00:08:06,986 We weren't able to sit with Jojo and talk about the choreo. 150 00:08:07,028 --> 00:08:09,239 JOJO: No, no, no. You gotta see the stomps. 151 00:08:09,280 --> 00:08:11,908 You know what I'm saying? You gotta make it violent. 152 00:08:11,950 --> 00:08:13,576 Thank God the producers, again, 153 00:08:13,618 --> 00:08:15,662 because they're aware of what action means 154 00:08:15,704 --> 00:08:17,163 for such a movie, it is essential. 155 00:08:17,205 --> 00:08:19,666 Dave and Kelly were like, "No, we wanna make it work." 156 00:08:19,708 --> 00:08:22,293 And they made it work. They pushed the schedule around 157 00:08:22,335 --> 00:08:24,129 and they found a solution for us. 158 00:08:24,170 --> 00:08:26,172 CAN: Cut. We're good. 159 00:08:38,560 --> 00:08:40,812 MITRA: You know, I've had other roles, 160 00:08:40,854 --> 00:08:44,190 but I've never had an acting role this big. 161 00:08:44,232 --> 00:08:45,608 WOMAN: They put this together. 162 00:08:45,650 --> 00:08:47,652 It's in pieces right now, but it's gonna look great. 163 00:08:47,694 --> 00:08:50,155 MITRA: That's awesome. I haven't even seen this part yet. 164 00:08:50,196 --> 00:08:51,406 So that's the idea. 165 00:08:51,448 --> 00:08:53,199 MITRA: For this role, they had me cut my hair 166 00:08:53,241 --> 00:08:54,284 and dye it super-blonde. 167 00:08:54,325 --> 00:08:56,077 I remember, like, my first job ever, 168 00:08:56,119 --> 00:08:59,622 I was a main double and I didn't even have stunt pads, 169 00:08:59,664 --> 00:09:01,166 I didn't have a harness. 170 00:09:01,207 --> 00:09:06,296 I had nobody around me to even explain what's gonna happen, 171 00:09:06,338 --> 00:09:09,549 and what I need to become a successful stunt performer. 172 00:09:09,591 --> 00:09:11,259 And that's the look. 173 00:09:12,761 --> 00:09:15,180 -WOMAN: OK, let's photograph it. -MITRA: OK, let's do it. 174 00:09:15,221 --> 00:09:16,848 WOMAN: Um... Mm. 175 00:09:18,808 --> 00:09:19,934 MITRA: I feel like I have 176 00:09:19,976 --> 00:09:21,728 a really great opportunity with this movie. 177 00:09:21,770 --> 00:09:23,063 MAN: All right, soft rubber gun. 178 00:09:23,104 --> 00:09:24,939 -MITRA: Yep. He told me. -MAN: There you go. 179 00:09:24,981 --> 00:09:27,817 MITRA: You know, I really don't see myself 180 00:09:27,859 --> 00:09:30,111 doing anything other than stunts, 181 00:09:30,153 --> 00:09:37,619 but I'll tell you, this role is huge for me. 182 00:09:37,660 --> 00:09:39,954 JOJO: Just hold this tension right now. 183 00:09:39,996 --> 00:09:42,791 And she gets dropped into that bridge. 184 00:09:45,710 --> 00:09:49,923 Yeah, I just... It was good. We'll do it again. 185 00:09:49,964 --> 00:09:53,677 This is my Home Alonesequence where Trudy's gone to the attic 186 00:09:53,718 --> 00:09:56,429 and she's set up all these booby traps and whatnot. 187 00:09:56,471 --> 00:09:58,306 She's gonna try and take me out. 188 00:10:01,851 --> 00:10:05,146 (SCOFFS) Look at this little idiot. 189 00:10:13,655 --> 00:10:17,742 You know, booby traps don't work unless you hide them. 190 00:10:20,662 --> 00:10:22,163 You little moron. 191 00:10:25,083 --> 00:10:28,253 -(SCREAMS) -Jesus! Shit! 192 00:10:29,671 --> 00:10:32,799 You'll be fine. Sit tight. I'll be back. 193 00:10:32,841 --> 00:10:35,301 (MAN YELLS) 194 00:10:35,343 --> 00:10:38,179 We're gonna have to kill this little piece of (BEEP). 195 00:10:53,111 --> 00:10:56,406 (GRUNTING) 196 00:10:58,033 --> 00:10:59,701 -(GRUNTS) -TOMMY: All right. Cut. 197 00:10:59,743 --> 00:11:01,036 MAN: Cut. Cut, cut, cut, cut, cut. 198 00:11:01,077 --> 00:11:02,996 TOMMY: OK, one more of those. That was great. 199 00:11:03,038 --> 00:11:04,873 -TOMMY: Beautiful. Whoo! -DAVID: Nice. 200 00:11:04,914 --> 00:11:07,917 -TOMMY: Nice. -(LAUGHTER) 201 00:11:07,959 --> 00:11:09,836 MITRA: Doing stunts is my career. 202 00:11:09,878 --> 00:11:11,171 That's what I love doing. 203 00:11:11,212 --> 00:11:13,048 But I never get to do action for myself. 204 00:11:13,089 --> 00:11:15,008 I'm always doing it for everyone else. 205 00:11:15,050 --> 00:11:17,344 I get to make everyone else look badass but myself. 206 00:11:17,385 --> 00:11:20,555 So you're gonna look down like they just fell down 207 00:11:20,597 --> 00:11:22,557 and then you hear a sound. 208 00:11:22,599 --> 00:11:23,767 -OK, more time. -Yeah. 209 00:11:23,808 --> 00:11:26,353 TOMMY: And action. Get it. 210 00:11:26,394 --> 00:11:28,188 -Back. -(GASPS) 211 00:11:28,229 --> 00:11:29,814 -MAN: And cut. -TOMMY: Cut. Cut. 212 00:11:29,856 --> 00:11:32,108 When it's acting for me, it's different. 213 00:11:32,150 --> 00:11:35,111 It's not like physically straining or anything. 214 00:11:35,153 --> 00:11:38,156 It's a lot of fun and I get to play around. 215 00:11:38,198 --> 00:11:41,159 JOJO: Let's go to her end mark. Lower tension, lower her down. 216 00:11:41,201 --> 00:11:42,410 (GRUNTS) 217 00:11:42,452 --> 00:11:44,037 JOJO: So let her down more. That's her mark. 218 00:11:44,079 --> 00:11:46,247 MITRA: With stunts, there's absolutely a timeline. 219 00:11:46,289 --> 00:11:49,209 You don't wanna be hitting the ground at 50 years old. 220 00:11:49,250 --> 00:11:50,543 JOJO: Go. 221 00:11:50,585 --> 00:11:51,711 Go. 222 00:11:51,753 --> 00:11:54,130 Go. Go. 223 00:11:57,467 --> 00:12:00,387 MITRA: This is, like, something I've been praying for, 224 00:12:00,428 --> 00:12:02,055 to be in a position like this. 225 00:12:02,097 --> 00:12:04,307 -(GRUNTS) -(CRASHING) 226 00:12:04,349 --> 00:12:05,558 MAN: That was great. 227 00:12:05,600 --> 00:12:07,060 MITRA: And especially for my family 228 00:12:07,102 --> 00:12:08,311 cos I feel like the kids 229 00:12:08,353 --> 00:12:11,064 will get to finally see my face in something, 230 00:12:11,106 --> 00:12:12,357 whereas usually, they're like, 231 00:12:12,399 --> 00:12:14,651 "That's you for a second and then you're gone. 232 00:12:14,693 --> 00:12:15,819 Why can't we see your face?" 233 00:12:15,860 --> 00:12:18,029 And, you know, I feel like with this, 234 00:12:18,071 --> 00:12:20,323 they can be like, "OK, that's my mom." 235 00:12:20,365 --> 00:12:22,492 Not just, "Hey, that's my mom's back 236 00:12:22,534 --> 00:12:24,285 as she's getting hit by a car." 237 00:12:25,036 --> 00:12:27,288 (LAUGHS) Or something. 238 00:12:35,422 --> 00:12:37,549 (CHILD SQUEALS) 239 00:12:37,590 --> 00:12:38,633 Sometimes people forget, 240 00:12:38,675 --> 00:12:39,968 especially when they don't have kids, 241 00:12:40,010 --> 00:12:42,303 they're like, "Raising kids is easy." 242 00:12:44,472 --> 00:12:50,687 You're dealing with two irrational, emotional beings 243 00:12:50,729 --> 00:12:52,689 whose worlds are actually really tough, 244 00:12:52,731 --> 00:12:55,442 and they navigate through their own world differently. 245 00:12:55,483 --> 00:12:59,154 They're not navigating through life the same way I am. 246 00:13:00,071 --> 00:13:01,656 Come over here, buddy. Let's sit down. 247 00:13:01,698 --> 00:13:03,783 Let's start doing our thing. 248 00:13:03,825 --> 00:13:06,327 Honestly, homeschooling and working full time, 249 00:13:06,369 --> 00:13:07,746 it's really hard, but... 250 00:13:07,787 --> 00:13:09,831 Where are you gonna sit? Over here? Harper, come on. 251 00:13:09,873 --> 00:13:11,082 ...it's nice cos I have moments 252 00:13:11,124 --> 00:13:12,917 I can connect with them through the learning. 253 00:13:12,959 --> 00:13:14,461 What does the first word say? 254 00:13:14,502 --> 00:13:16,379 -(INDISTINCT) -Nice. 255 00:13:16,421 --> 00:13:20,842 Education is not just being in a classroom all day, every day. 256 00:13:20,884 --> 00:13:23,386 Education is going to a new country, 257 00:13:23,428 --> 00:13:26,264 learning about a new culture, learning a new language. 258 00:13:26,306 --> 00:13:27,974 There's so much to learn traveling. 259 00:13:28,016 --> 00:13:30,185 So, I'm happy I get to share this with them 260 00:13:30,226 --> 00:13:33,313 cos growing up, I didn't have that. 261 00:13:33,355 --> 00:13:35,065 (TV PLAYING) 262 00:13:35,106 --> 00:13:38,151 -You want some eggs, Harriet? -Yes. 263 00:13:38,193 --> 00:13:39,361 Yeah? 264 00:13:40,320 --> 00:13:42,489 When I was younger, I really... 265 00:13:42,530 --> 00:13:45,116 Like, there was so much that I wanted all the time, 266 00:13:45,158 --> 00:13:47,035 but I couldn't get it. 267 00:13:47,077 --> 00:13:50,163 We moved to Toronto when I was a year old. 268 00:13:50,205 --> 00:13:52,499 The transition was really, really hard. 269 00:13:52,540 --> 00:13:53,708 My parents, I remember, 270 00:13:53,750 --> 00:13:55,960 they were always struggling, always working. 271 00:13:56,002 --> 00:14:01,508 There was always a lot of fighting and lots of tears. 272 00:14:01,549 --> 00:14:04,678 My dad had a drinking problem, so he'd take it out on my mom. 273 00:14:04,719 --> 00:14:08,473 Every night was, like, chaos. 274 00:14:08,515 --> 00:14:09,891 OK, ready, go. 275 00:14:09,933 --> 00:14:12,352 And my saving grace, I would say, 276 00:14:12,394 --> 00:14:14,771 is me finding that courage and saying, 277 00:14:14,813 --> 00:14:17,190 "I've had enough. I'm done." And I left. 278 00:14:17,232 --> 00:14:19,526 Oh, boy, this is gonna be great. 279 00:14:19,567 --> 00:14:21,528 I remember I walked and I walked and I walked. 280 00:14:21,569 --> 00:14:25,073 It was a summer day and I just walked as far as I could walk. 281 00:14:25,907 --> 00:14:27,867 I wasn't a victim. It was a choice. 282 00:14:27,909 --> 00:14:31,037 I chose to leave my family home. 283 00:14:31,079 --> 00:14:33,957 I had to run away to save my life. 284 00:14:34,916 --> 00:14:37,252 That made me who I am today. 285 00:14:40,088 --> 00:14:45,218 Being a mom and a stuntwoman is, uh... interesting. 286 00:14:50,765 --> 00:14:53,143 I love what I do. I wouldn't change it for the world. 287 00:14:53,184 --> 00:14:56,855 And I love having the kids close by. They know I do stunts. 288 00:14:56,896 --> 00:14:58,982 They got to play around with the guys 289 00:14:59,024 --> 00:15:00,734 with fight choreography before, 290 00:15:00,775 --> 00:15:03,236 so they know we're working with like fake weapons. 291 00:15:03,278 --> 00:15:04,904 The guys have been really awesome 292 00:15:04,946 --> 00:15:06,448 when the kids are around. 293 00:15:06,489 --> 00:15:10,535 They always try to include them and make them feel welcome. 294 00:15:10,577 --> 00:15:11,911 (CHEERING, LAUGHTER) 295 00:15:11,953 --> 00:15:14,039 They're very encouraging. 296 00:15:14,080 --> 00:15:15,123 I appreciate them a lot, 297 00:15:15,165 --> 00:15:16,833 but they're also dads, so they get it. 298 00:15:16,875 --> 00:15:17,959 Are you ignoring me? 299 00:15:18,001 --> 00:15:19,711 -What are you playing? -(LAUGHS) 300 00:15:19,753 --> 00:15:21,046 What are you playing? Show me. 301 00:15:21,087 --> 00:15:22,756 PHONG: As a stunt performer, 302 00:15:22,797 --> 00:15:24,883 the sacrifice we make, it's not easy. 303 00:15:24,924 --> 00:15:29,054 Because the movie industry is not always on the same place. 304 00:15:29,095 --> 00:15:30,555 You're traveling so much around 305 00:15:30,597 --> 00:15:35,310 and you're not staying there just for a couple days. 306 00:15:35,894 --> 00:15:37,437 Every time I am leaving, 307 00:15:37,479 --> 00:15:40,523 I'm leaving my wife and my kid behind me. 308 00:15:40,565 --> 00:15:43,360 I miss out of a lot of things, yeah. 309 00:15:43,401 --> 00:15:47,614 And it's, like, you wanna be there with them, 310 00:15:47,655 --> 00:15:52,660 but you gotta make sure that you have financial safeties, so... 311 00:15:54,662 --> 00:15:56,164 Yeah. 312 00:15:56,581 --> 00:15:58,166 Hand out. 313 00:15:58,833 --> 00:16:00,251 Hmm. 314 00:16:02,170 --> 00:16:05,799 PHONG: But I feel really guilty about that topic, 315 00:16:05,840 --> 00:16:07,509 that I left them behind me. 316 00:16:08,843 --> 00:16:10,804 Ooh! (CHUCKLES) 317 00:16:10,845 --> 00:16:14,724 Your kids, they don't get it. That's the tricky part. 318 00:16:14,766 --> 00:16:19,604 They only get, he's gone. But for how long? 319 00:16:19,646 --> 00:16:22,524 For them, it feels like a lifetime. 320 00:16:23,066 --> 00:16:25,652 Oh, no money? No? 321 00:16:25,694 --> 00:16:29,114 That's why I'm trying to call them every day, every night. 322 00:16:29,155 --> 00:16:30,657 Every time, it's heartbreaking 323 00:16:30,699 --> 00:16:33,576 just to see my daughter through FaceTime. 324 00:16:33,618 --> 00:16:37,330 But I promised myself I have to do 325 00:16:37,372 --> 00:16:40,625 whatever I'm capable of doing 326 00:16:40,667 --> 00:16:42,836 just to keep the bonding to my daughter 327 00:16:42,877 --> 00:16:44,629 cos I don't want to lose that. 328 00:16:47,507 --> 00:16:51,219 One day, my mother-in-law, she got cancer. 329 00:16:51,261 --> 00:16:54,014 She was stage five. 330 00:16:54,055 --> 00:16:55,724 By that time, Jojo was like, 331 00:16:55,765 --> 00:17:00,061 "Are you willing to come to L.A. to be on my show, Star Wars?" 332 00:17:00,103 --> 00:17:04,816 It felt to me like a life... like a crossroad. 333 00:17:04,858 --> 00:17:08,528 I had a talk with my wife and she was disappointed. 334 00:17:08,570 --> 00:17:11,614 For her side was, "I need you here right now." 335 00:17:13,324 --> 00:17:17,120 I decided actually to go for the project. 336 00:17:18,621 --> 00:17:19,956 We booked the flight. 337 00:17:19,998 --> 00:17:23,251 One day after that, my mother-in-law passed away. 338 00:17:24,252 --> 00:17:26,129 That hit me pretty hard. 339 00:17:27,172 --> 00:17:29,132 I feel guilty. 340 00:17:29,174 --> 00:17:31,259 My wife lost the trust to me. 341 00:17:31,301 --> 00:17:35,805 Still to this day, I'm still trying to win that trust again. 342 00:17:37,015 --> 00:17:38,767 PRODUCER: If your wife was here right now, 343 00:17:38,808 --> 00:17:40,101 what would you tell her? 344 00:17:45,148 --> 00:17:46,608 (SOBS) 345 00:17:49,861 --> 00:17:51,404 (CRIES) 346 00:17:52,405 --> 00:17:53,740 Sorry. 347 00:18:03,708 --> 00:18:07,754 PHONG: I think I would tell her that I'm very proud of... 348 00:18:11,424 --> 00:18:15,303 just the way how she supported me. 349 00:18:16,513 --> 00:18:18,640 Looking after our daughter. 350 00:18:22,143 --> 00:18:29,275 Going through the time on her own. 351 00:18:29,317 --> 00:18:32,654 It's not easy to be apart, like, away from them. 352 00:18:41,955 --> 00:18:43,707 That's part of the game. 353 00:18:49,212 --> 00:18:50,964 (SIGHS0 354 00:18:51,006 --> 00:18:52,590 (CLEARS THROAT) 355 00:19:07,063 --> 00:19:08,648 CAN: Stunts are so interesting. 356 00:19:08,690 --> 00:19:10,191 It's hard work. 357 00:19:10,233 --> 00:19:14,195 It's more than just physical work. It's mental. It's health. 358 00:19:16,072 --> 00:19:20,535 Other departments aren't in danger as much as stunt guys. 359 00:19:20,577 --> 00:19:22,454 If you're in the lighting department, 360 00:19:22,495 --> 00:19:24,164 yes, the lighting might fall on you, 361 00:19:24,205 --> 00:19:27,500 but if you're doing your job right, that won't be the case. 362 00:19:27,542 --> 00:19:32,756 But our job always includes risks and danger. Always. 363 00:19:38,720 --> 00:19:42,265 Right now in the script, there's a scene in the movie 364 00:19:42,307 --> 00:19:43,850 where I'm getting stabbed into my eye, 365 00:19:43,892 --> 00:19:49,356 and then he's using the plugs, electric cords to burn me. 366 00:19:49,397 --> 00:19:51,024 So, I'm starting to burn. 367 00:19:51,066 --> 00:19:52,150 But, yeah, of course, 368 00:19:52,192 --> 00:19:53,443 -it won't be me. -MAN: Nice. 369 00:19:53,485 --> 00:19:55,445 CAN: Again, a plastic version of myself. 370 00:19:55,487 --> 00:19:56,988 Everything is going to be safe. 371 00:19:57,030 --> 00:19:58,531 MAN: OK, I'll do my side. 372 00:19:58,573 --> 00:20:00,367 CAN: So, it's an example. 373 00:20:00,408 --> 00:20:02,077 The action is part of the story 374 00:20:02,118 --> 00:20:03,995 and the story is part of the action, 375 00:20:04,037 --> 00:20:08,500 or the action helps to highlight a certain aspect of the story. 376 00:20:08,541 --> 00:20:10,335 MAN: Maybe it's already off on that side. 377 00:20:10,377 --> 00:20:11,378 CAN: Can I get this off? 378 00:20:11,419 --> 00:20:12,796 -WOMAN: Got it? -MAN: Yeah. 379 00:20:12,837 --> 00:20:15,632 -WOMAN: Perfect. You all right? -CAN: Yeah, yeah, yeah. 380 00:20:15,674 --> 00:20:18,426 MAN: You wanna see your face? (CHUCKLES) 381 00:20:29,437 --> 00:20:31,481 CAN: You want some tuna, Jojo? 382 00:20:33,066 --> 00:20:35,902 So yummy. 383 00:20:35,944 --> 00:20:38,405 MAN: What flavors of cat food did you bring today? 384 00:20:38,446 --> 00:20:40,490 CAN: This is tuna with oil, 385 00:20:40,532 --> 00:20:44,869 and this is tuna with, uh... citrus. 386 00:20:44,911 --> 00:20:47,997 I have some healthy fats like avocado, almonds, 387 00:20:48,039 --> 00:20:49,457 so I combine them. 388 00:20:49,499 --> 00:20:50,792 I'm not eating for the taste. 389 00:20:50,834 --> 00:20:53,420 I'm more eating for the function. 390 00:20:53,461 --> 00:20:55,588 With this schedule, you have to look good 391 00:20:55,630 --> 00:20:59,592 without having the time to rest and eat well. 392 00:20:59,634 --> 00:21:02,137 They told me I have to get bigger 393 00:21:02,178 --> 00:21:04,180 and I need a lot of protein. 394 00:21:04,222 --> 00:21:06,433 You need to be healthy. Come here. 395 00:21:06,474 --> 00:21:07,642 JOJO: No. Mask. 396 00:21:07,684 --> 00:21:09,936 It's not ideal, but I have to make 397 00:21:09,978 --> 00:21:11,938 the best out of it, so, yeah. 398 00:21:24,159 --> 00:21:25,785 CAN: You know, the projects expect you 399 00:21:25,827 --> 00:21:27,537 to be the best version of yourself 400 00:21:27,579 --> 00:21:30,457 in order to get them the best quality. 401 00:21:30,498 --> 00:21:32,208 So therefore, we have to make sure 402 00:21:32,250 --> 00:21:36,129 that your body's able to do what it's supposed to do. 403 00:21:36,171 --> 00:21:40,342 And we're on set for 12 hours, sometimes 14 hours. 404 00:21:40,383 --> 00:21:42,886 It's my responsibility to make the best happen 405 00:21:42,927 --> 00:21:45,388 and be ready on the day. 406 00:22:00,070 --> 00:22:01,821 I grew up and lived in Germany, 407 00:22:01,863 --> 00:22:05,950 and, yeah, it was a tough neighborhood. It was very tough. 408 00:22:09,037 --> 00:22:11,331 It was like mid-'80s. 409 00:22:11,373 --> 00:22:13,667 It was all about muscles, toughness, 410 00:22:13,708 --> 00:22:16,503 being macho, being strong. 411 00:22:16,544 --> 00:22:18,588 Escapism was very, very essential 412 00:22:18,630 --> 00:22:20,757 and important for me. 413 00:22:20,799 --> 00:22:23,259 That's how I started watching movies 414 00:22:23,301 --> 00:22:24,886 and writing stories, poems. 415 00:22:24,928 --> 00:22:28,098 I educated myself in Germany, but it's also important for me 416 00:22:28,139 --> 00:22:31,893 to be aware of my own culture and where I am from. 417 00:22:33,269 --> 00:22:34,979 I'm Circassian. 418 00:22:35,021 --> 00:22:37,982 Our country used to be in West Russia, 419 00:22:38,024 --> 00:22:43,738 and 1864, we got basically kicked out of our country. 420 00:22:43,780 --> 00:22:46,991 Therefore, the Circassians are spread all around the world, 421 00:22:47,033 --> 00:22:51,079 living in diaspora, in the US and Israel and Turkey, 422 00:22:51,121 --> 00:22:52,831 in Jordan, in Asia. 423 00:22:53,915 --> 00:22:57,293 We're adapting ourselves and learning the language. 424 00:22:57,335 --> 00:22:59,587 That's definitely not easy. 425 00:22:59,629 --> 00:23:03,133 My wife is also Circassian. We met in Germany. 426 00:23:03,174 --> 00:23:05,927 It was a coincidence, to be honest. We didn't know. 427 00:23:05,969 --> 00:23:07,554 I was like, oh my God, you know, 428 00:23:07,595 --> 00:23:09,723 she's a beautiful, intelligent woman. 429 00:23:09,764 --> 00:23:11,725 I would love to know more about her. 430 00:23:11,766 --> 00:23:14,060 Then later on, she's like, "Yeah, I'm Circassian. 431 00:23:14,102 --> 00:23:16,563 I'm sure you don't know about it." I'm like, "What? 432 00:23:16,604 --> 00:23:18,565 I know what it is. I'm Circassian. Right?" 433 00:23:18,606 --> 00:23:22,485 So that's how everything started, yeah. 434 00:23:22,527 --> 00:23:26,072 My wife is an eye doctor. She works full time. 435 00:23:26,114 --> 00:23:29,659 It's not easy working full time and having kids. 436 00:23:29,701 --> 00:23:34,622 I love my family but I also love what I do and it's my passion. 437 00:23:34,664 --> 00:23:37,250 And if my wife wouldn't be the way she is, 438 00:23:37,292 --> 00:23:38,835 if she wouldn't support me, 439 00:23:38,877 --> 00:23:43,548 I mean, you know, I wouldn't be able to do what I'm doing. 440 00:24:05,653 --> 00:24:07,947 JOJO: This is the second big fight in the movie. 441 00:24:07,989 --> 00:24:09,783 This fight is more about theme stuff. 442 00:24:09,824 --> 00:24:12,285 We're gonna start incorporating more of the gimmicks 443 00:24:12,327 --> 00:24:13,870 in terms of Christmas stuff. 444 00:24:13,912 --> 00:24:15,580 CAN: Three, two, one. Action. 445 00:24:18,249 --> 00:24:20,126 -(GRUNTS) -CAN: There you go. 446 00:24:20,168 --> 00:24:23,672 Before we design the action, we look at the environment. 447 00:24:23,713 --> 00:24:26,257 Where are we? What are we doing? Why are we there? 448 00:24:26,299 --> 00:24:27,842 And we look like, 449 00:24:27,884 --> 00:24:31,012 OK, is there anything around us that we could use in a fight? 450 00:24:32,180 --> 00:24:33,807 MAN: Turn. Boom. 451 00:24:33,848 --> 00:24:37,769 CAN: For instance, in my fight, we used a dartboard, pool balls, 452 00:24:37,811 --> 00:24:41,231 and I'm using the golf club. 453 00:24:41,272 --> 00:24:44,484 So, we used everything where we could in our environment, 454 00:24:44,526 --> 00:24:47,654 build it into the fights and the action. 455 00:24:49,197 --> 00:24:50,949 (GRUNTS) 456 00:24:50,990 --> 00:24:53,243 JOJO: All right. This is a conundrum. 457 00:24:53,284 --> 00:24:56,955 There's no rubber one of that, so, you can't flick like... 458 00:24:56,996 --> 00:24:58,707 That's gonna (BEEP) someone up. 459 00:24:58,748 --> 00:25:03,003 Can, like, you guys are here. I was recovering. 460 00:25:03,044 --> 00:25:04,212 CAN: Yes, sir. 461 00:25:04,254 --> 00:25:06,047 You guys knew that you had to change that. 462 00:25:06,089 --> 00:25:09,718 You gotta tell props that you need a rubber one of those. 463 00:25:09,759 --> 00:25:12,637 Do you understand? Now, he has no time to make that. 464 00:25:12,679 --> 00:25:13,805 Do you understand? 465 00:25:13,847 --> 00:25:15,515 Now you can't get what Dave wants. 466 00:25:15,557 --> 00:25:17,100 CAN: Yeah, yeah. 467 00:25:17,142 --> 00:25:19,019 Because of the short schedule and trying to get things done, 468 00:25:19,060 --> 00:25:20,854 I'm a little bit more temperamental 469 00:25:20,895 --> 00:25:23,690 and less empathetic than I normally am. 470 00:25:23,732 --> 00:25:25,900 That's a big... You have to rebuild that. 471 00:25:25,942 --> 00:25:28,695 You can't just buy that rubber. 472 00:25:28,737 --> 00:25:31,531 As a fight coordinator, you're in charge of that stuff 473 00:25:31,573 --> 00:25:33,199 and it's your fight. 474 00:25:33,241 --> 00:25:35,201 So, anything that's affecting your fight, 475 00:25:35,243 --> 00:25:37,912 you guys have to figure out the problem parts. 476 00:25:37,954 --> 00:25:40,123 CAN: The problem with the dartboard 477 00:25:40,165 --> 00:25:42,542 was it's way too heavy to throw it, 478 00:25:42,584 --> 00:25:43,960 and it could damage somebody. 479 00:25:44,002 --> 00:25:47,714 It could damage me or the actor. Then yeah, that was bad. 480 00:25:47,756 --> 00:25:49,424 That was bad for our department. 481 00:25:49,466 --> 00:25:52,886 And our department, because it's an action movie, again, 482 00:25:52,927 --> 00:25:55,055 affected all the other departments. 483 00:25:55,096 --> 00:25:56,806 Cos the props has to know what they build 484 00:25:56,848 --> 00:25:58,850 and everybody, it's just a chain reaction. 485 00:25:58,892 --> 00:26:01,269 JOJO: Sorry to yell at you guys, but every fight scene, 486 00:26:01,311 --> 00:26:03,355 like, if you guys are coordinating the fights, 487 00:26:03,396 --> 00:26:07,067 you should know every prop, make sure every prop is ready, 488 00:26:07,108 --> 00:26:09,736 or they have enough time to make one. 489 00:26:09,778 --> 00:26:11,071 -CAN: Right, OK. -JOJO: You know? 490 00:26:11,112 --> 00:26:12,906 JOJO: In the grand scheme of things, 491 00:26:12,947 --> 00:26:14,991 the director, it's his story, his movie. 492 00:26:15,033 --> 00:26:18,828 But I've learned ultimately, at some point, 493 00:26:18,870 --> 00:26:20,580 fingers get pointed at you. 494 00:26:20,622 --> 00:26:22,874 And I wanna be able to go, "I did my best. 495 00:26:22,916 --> 00:26:25,460 I did as best I could with the circumstances given to me 496 00:26:25,502 --> 00:26:28,338 and I can walk away from it." 497 00:26:48,608 --> 00:26:50,610 Today, we're shooting Frosty Fight. 498 00:26:50,652 --> 00:26:52,195 See what the shot is first. 499 00:26:52,237 --> 00:26:56,241 This scene might seem simple, but there's certain intricacies 500 00:26:56,282 --> 00:26:57,367 that we have to accomplish 501 00:26:57,409 --> 00:26:59,703 or we have to nail for it to look good. 502 00:27:02,706 --> 00:27:04,666 You wanna make sure every fight is different. 503 00:27:04,708 --> 00:27:07,168 This one is more of a conventional fight. 504 00:27:07,210 --> 00:27:10,422 So, what makes a conventional fight more interesting 505 00:27:10,463 --> 00:27:11,798 are the gags in the moments. 506 00:27:11,840 --> 00:27:14,426 You don't really get bloody till after the darts. 507 00:27:14,467 --> 00:27:17,721 In order to accomplish that, we have to have more setups, 508 00:27:17,762 --> 00:27:22,308 more physicality, more coverage and more props. 509 00:27:23,893 --> 00:27:26,146 MAN: Lock it up in here. 510 00:27:26,187 --> 00:27:30,316 -MAN: And roll camera. -JOJO: And action. 511 00:27:31,109 --> 00:27:32,360 MAN: Can. 512 00:27:43,663 --> 00:27:45,540 (GRUNTS, GASPS) 513 00:27:45,582 --> 00:27:46,666 DOLL: Hi. I love you. 514 00:27:46,708 --> 00:27:48,668 (GRUNTING) 515 00:27:48,710 --> 00:27:50,003 JOJO: And action. 516 00:27:50,045 --> 00:27:51,880 (GRUNTING) 517 00:27:51,921 --> 00:27:54,758 CAN: In the choreo, he has a golf club. 518 00:27:55,467 --> 00:27:58,511 It got out of my hand. 519 00:27:58,553 --> 00:28:00,347 JOJO: Good? Ready? Action. 520 00:28:00,388 --> 00:28:01,765 (GRUNTS, CLATTERING) 521 00:28:01,806 --> 00:28:04,559 -JOJO: And action. -(GRUNTS, CLATTERING) 522 00:28:04,601 --> 00:28:05,935 JOJO: All right, again. 523 00:28:05,977 --> 00:28:08,980 -Ready, and action. -(GRUNTS) 524 00:28:09,022 --> 00:28:10,315 CAN: No, no, don't worry. 525 00:28:10,357 --> 00:28:14,319 I won't mention it right now, but that happened. 526 00:28:14,361 --> 00:28:15,653 It might be broken. 527 00:28:15,695 --> 00:28:19,657 I'm not Rocky, but I'm going to finish the fight. 528 00:28:19,699 --> 00:28:21,159 -MAN: All right, ready? -Let's do this. 529 00:28:21,201 --> 00:28:23,370 MAN: And three, two, one, go. 530 00:28:23,411 --> 00:28:29,751 (YELLING AND GRUNTING) 531 00:28:33,380 --> 00:28:36,633 Wait, wait, wait, wait, wait! I don't want to kill you. 532 00:28:36,675 --> 00:28:37,884 (LAUGHS) 533 00:28:37,926 --> 00:28:39,344 (SARCASTICALLY MIMICS LAUGH) 534 00:28:39,386 --> 00:28:41,554 JOJO: He has to get hit with the pool balls, right. 535 00:28:41,596 --> 00:28:43,598 We have softies in this sock, 536 00:28:43,640 --> 00:28:46,559 but a couple of those are pretty hard. 537 00:28:46,601 --> 00:28:48,228 (YELLS, GRUNTS) 538 00:28:49,270 --> 00:28:51,439 So, he was getting whacked a lot. 539 00:28:51,481 --> 00:28:54,067 (YELLING) 540 00:28:54,109 --> 00:28:55,944 JOJO: You try to minimize that as best we can, 541 00:28:55,985 --> 00:28:57,654 but that's why it's called a stunt. 542 00:28:57,696 --> 00:28:59,739 (GRUNTING) 543 00:28:59,781 --> 00:29:01,157 It's implying a risk. 544 00:29:01,199 --> 00:29:03,118 -MAN: I thought they were soft. -MAN 2: Yeah. 545 00:29:03,159 --> 00:29:05,412 -MAN: Are you OK? -CAN: It's OK. No, it's good. 546 00:29:05,453 --> 00:29:07,956 What people don't understand, sometimes even if it's soft, 547 00:29:07,997 --> 00:29:10,542 if you swing, you know, the momentum, 548 00:29:10,583 --> 00:29:12,419 the physics, it gets harder. 549 00:29:12,460 --> 00:29:13,878 Like, it's hard. You feel it. 550 00:29:13,920 --> 00:29:16,881 (DRILL WHIRS) 551 00:29:20,301 --> 00:29:23,513 JOJO: We're gonna throw Can on the pinball machine. 552 00:29:25,640 --> 00:29:26,850 MAN: Watch your backs please. 553 00:29:26,891 --> 00:29:29,436 CHA: We had, like, four sugar glasses for it. 554 00:29:29,477 --> 00:29:30,770 MAN: Glass coming in. 555 00:29:30,812 --> 00:29:33,314 JOJO: How many of these do we have? 556 00:29:33,356 --> 00:29:35,442 CHA: One broke during the transport, 557 00:29:35,483 --> 00:29:36,568 so we only had three tries. 558 00:29:36,609 --> 00:29:39,612 These are all, yeah, challenges on set. 559 00:29:39,654 --> 00:29:41,948 -JOJO: You guys set? -MAN: Set. 560 00:29:41,990 --> 00:29:43,700 JOJO: Ready? And action! 561 00:29:43,742 --> 00:29:46,911 (YELLS, GRUNTS) 562 00:29:51,332 --> 00:29:53,126 CAN: You have to go through pain 563 00:29:53,168 --> 00:29:55,837 when you have to jump through glass. 564 00:29:58,882 --> 00:30:00,050 I just told Ryan, 565 00:30:00,091 --> 00:30:03,178 "Ryan, you have to slam me in," and he did it. 566 00:30:03,219 --> 00:30:04,387 Action. 567 00:30:04,429 --> 00:30:06,473 (YELLS, GRUNTS) 568 00:30:06,514 --> 00:30:09,642 PHONG: Some of the props are very sensitive, 569 00:30:09,684 --> 00:30:11,686 crashing very quick and easy. 570 00:30:11,728 --> 00:30:13,938 Good for us as stunt performers. 571 00:30:15,899 --> 00:30:18,068 As soon as you hit it, it should explode 572 00:30:18,109 --> 00:30:23,365 and nothing's gonna happen and you're not getting cut by it. 573 00:30:23,406 --> 00:30:27,577 On Can's spots, it didn't break properly. 574 00:30:27,619 --> 00:30:29,996 CAN: The first time, the top started bleeding. 575 00:30:30,038 --> 00:30:32,499 Now the sides are. Yeah. 576 00:30:32,540 --> 00:30:34,000 JOJO: You see anything in there? 577 00:30:34,042 --> 00:30:36,002 MAN: Yeah. He's got a cut right there. 578 00:30:36,044 --> 00:30:37,420 JOJO: It's part of our profession. 579 00:30:37,462 --> 00:30:40,006 Sometimes, we're just the guys that take the beatings. 580 00:30:40,048 --> 00:30:42,550 We try our best to minimize it, but it happens. 581 00:30:42,592 --> 00:30:45,303 That's what the term "stuntman", "fall guy" comes from. 582 00:30:45,345 --> 00:30:47,347 -JOJO: Are you all right? -Yeah, I'm good. 583 00:30:47,389 --> 00:30:50,475 (LAUGHING) You look like you had your wisdom teeth out! 584 00:30:50,517 --> 00:30:52,060 (LAUGHS) 585 00:30:55,563 --> 00:30:58,024 JOJO: All that's really left for today 586 00:30:58,066 --> 00:31:01,528 is a couple of shots of breaking ornaments on his head. 587 00:31:01,569 --> 00:31:03,405 It was in the last scene of Can. 588 00:31:03,446 --> 00:31:07,867 He was on top of Santa with a knife, threatening to kill him, 589 00:31:07,909 --> 00:31:11,371 and Santa was reaching out to some ornaments. 590 00:31:11,413 --> 00:31:13,581 Usually, they should break easily. 591 00:31:14,541 --> 00:31:15,667 But they didn't. 592 00:31:15,709 --> 00:31:16,793 (BEEP) 593 00:31:16,835 --> 00:31:18,545 JOJO: You see Can's face, he's pissed. 594 00:31:18,586 --> 00:31:20,130 Then he's like, "Just go, go!" 595 00:31:20,171 --> 00:31:22,966 So, he basically just ran the next five of just smashing it, 596 00:31:23,008 --> 00:31:25,844 smashing it, smashing it until they broke. 597 00:31:25,885 --> 00:31:27,929 But he, again, got cut on his head. 598 00:31:27,971 --> 00:31:29,264 You know you're getting injured. 599 00:31:29,305 --> 00:31:31,683 You know for a fact, "I'm going to get injured," 600 00:31:31,725 --> 00:31:32,726 but you have to do it. 601 00:31:32,767 --> 00:31:33,810 JOJO: Get me the medic. 602 00:31:33,852 --> 00:31:34,978 That's rule number one. 603 00:31:35,020 --> 00:31:36,896 Like, if you're not willing to get hurt, 604 00:31:36,938 --> 00:31:39,024 you shouldn't be in the stunt industry. 605 00:31:39,065 --> 00:31:41,568 (YELLING) 606 00:31:41,609 --> 00:31:44,487 (JUDDERING) 607 00:31:45,864 --> 00:31:48,700 (ELECTRICAL CRACKLING) 608 00:31:50,201 --> 00:31:51,578 OK. 609 00:31:52,620 --> 00:31:54,414 -Whew! -And cut. 610 00:31:54,456 --> 00:31:56,166 (LAUGHTER) 611 00:31:56,207 --> 00:31:57,917 JOJO: Moving on. Yikes. 612 00:31:57,959 --> 00:31:59,711 -MAN: Thank you, Can. -CAN: No problem. 613 00:31:59,753 --> 00:32:01,087 MAN: That was good. 614 00:32:05,967 --> 00:32:10,305 MAN: Ready? And three, two, one, action. 615 00:32:14,517 --> 00:32:16,519 DAVID: The wheels are turning here in Winnipeg, 616 00:32:16,561 --> 00:32:19,022 and Jojo seems to have things back on track. 617 00:32:19,064 --> 00:32:20,231 Between him and Tommy, 618 00:32:20,273 --> 00:32:22,317 I know they're gonna deliver something great. 619 00:32:22,359 --> 00:32:26,154 Back in L.A., 87North has a lot of stuff to do. 620 00:32:26,196 --> 00:32:28,323 Our next big project is the one I'm directing, 621 00:32:28,365 --> 00:32:33,495 and it's a big action movie that's really close to my heart. 622 00:32:39,334 --> 00:32:42,587 It's a cool day throughout the Los Angeles area. 623 00:32:42,629 --> 00:32:45,173 The current temperature in Hollywood 624 00:32:45,215 --> 00:32:48,218 is 65 degrees and expected high of 68. 625 00:32:53,348 --> 00:32:54,557 (GRUNTS) 626 00:32:56,726 --> 00:32:58,853 (DOG WHINES) 627 00:32:58,895 --> 00:33:02,273 It's OK, it's OK. That dog's OK. 628 00:33:02,315 --> 00:33:04,192 MAN: Have you been face to face with Ryan? 629 00:33:04,234 --> 00:33:07,070 -Yeah. -Hours on the Zooms and phone, 630 00:33:07,112 --> 00:33:09,114 but I've never had him in person, so, I don't know. 631 00:33:09,155 --> 00:33:11,908 Right now, we're in pre-production on Fall Guy. 632 00:33:11,950 --> 00:33:13,368 It's starring Ryan Gosling. 633 00:33:13,410 --> 00:33:14,911 We want a motorcycle bit. 634 00:33:14,953 --> 00:33:17,163 We want a truck bit. We want a boat bit. 635 00:33:17,205 --> 00:33:20,000 We need all the stunt disciplines 636 00:33:20,041 --> 00:33:22,210 sort of in the movie, right? 637 00:33:22,252 --> 00:33:24,421 We are 21 weeks out, 638 00:33:24,462 --> 00:33:26,589 so it's a little early to call that pre-production. 639 00:33:26,631 --> 00:33:29,759 But for me, and the scope of things that we're trying to do, 640 00:33:29,801 --> 00:33:31,511 especially in the action side, 641 00:33:31,553 --> 00:33:35,265 I think we need to find people that can do the job. 642 00:33:35,306 --> 00:33:39,269 By any chance, did you get in touch with Justin Eaton? 643 00:33:39,310 --> 00:33:42,355 Yes, sir. I had messaged him. 644 00:33:42,397 --> 00:33:45,108 He's looking forward to meeting you and Dave. 645 00:33:45,150 --> 00:33:47,485 OK. And then did you talk to Mark, 646 00:33:47,527 --> 00:33:50,864 that other guy from Gray Man that you said was the assistant? 647 00:33:50,905 --> 00:33:52,240 -I haven't talked to him yet. -OK. 648 00:33:52,282 --> 00:33:56,202 And then, we still have that Logan is coming, so... 649 00:33:56,244 --> 00:33:59,205 Logan's coming and focusing on our car work. 650 00:33:59,247 --> 00:34:02,083 Yeah. He'll be kind of like the car-motorcycle guy 651 00:34:02,125 --> 00:34:04,586 that can go off and be totally self-sufficient. 652 00:34:04,627 --> 00:34:05,754 OK. 653 00:34:05,795 --> 00:34:07,255 DAVID: You know, it's early, 654 00:34:07,297 --> 00:34:09,382 but the goal is to do something that's really provocative, 655 00:34:09,424 --> 00:34:11,593 that's practical, that's in-camera, 656 00:34:11,634 --> 00:34:15,597 that's challenging us as stunt performers, and you know... 657 00:34:15,638 --> 00:34:17,474 So that's my challenge as a filmmaker, 658 00:34:17,515 --> 00:34:20,310 and I think we're starting to think about how to do that. 659 00:34:53,635 --> 00:34:56,262 JOJO: All right, let's do it, guys. Walk it again. 660 00:34:56,304 --> 00:34:58,765 OK, set. And action. 661 00:34:59,641 --> 00:35:01,476 (GRUNTING) 662 00:35:02,143 --> 00:35:05,730 (GRUNTING) 663 00:35:05,772 --> 00:35:08,108 MITRA: The fight sequence that I have coming up 664 00:35:08,149 --> 00:35:13,071 is basically me taking out a few of the staff. 665 00:35:13,113 --> 00:35:14,614 JOJO: Yes. That's it. 666 00:35:14,656 --> 00:35:17,117 MITRA: They actually think, like, I'm part of their staff, 667 00:35:17,158 --> 00:35:18,660 but I'm actually not. 668 00:35:24,582 --> 00:35:26,126 MITRA: They're running towards me 669 00:35:26,167 --> 00:35:27,460 like, "What the hell's going on?" 670 00:35:27,502 --> 00:35:29,671 I'm just like, "Lights out, buddy." 671 00:35:36,011 --> 00:35:39,639 I think when you do the draw, just make it like... 672 00:35:39,681 --> 00:35:41,266 -So I have something to cut to. -Copy. 673 00:35:41,307 --> 00:35:43,018 Just be very like... (EXHALES SHARPLY) 674 00:35:43,059 --> 00:35:44,519 Yeah. Whatever. Very dynamic. 675 00:35:44,561 --> 00:35:46,563 So, I'm not gonna pull 'em out? 676 00:35:46,604 --> 00:35:47,814 No, just go... (EXHALES SHARPLY) 677 00:35:47,856 --> 00:35:50,108 And that's it. Cos I'm gonna cut to that. 678 00:35:50,150 --> 00:35:51,651 JOJO: This is a second-unit scene, 679 00:35:51,693 --> 00:35:54,696 which means as a second-unit director, it's on me. 680 00:35:54,738 --> 00:35:57,323 There's no Tommy. There's no Dave. 681 00:35:57,365 --> 00:35:59,159 So, this is my scene to direct 682 00:35:59,200 --> 00:36:01,327 and it allows me to show what I can do. 683 00:36:01,369 --> 00:36:03,329 MAN: All right, guys. Pick this up. 684 00:36:03,371 --> 00:36:04,748 Here we go. Lock it up. 685 00:36:04,789 --> 00:36:07,125 JOJO: Although there's fight action and choreography, 686 00:36:07,167 --> 00:36:10,503 it's a chance for me to kind of step away from the stunt world 687 00:36:10,545 --> 00:36:14,591 and show that I can direct actors in the performance. 688 00:36:14,632 --> 00:36:18,261 MAN: Lock it up one more time. Roll sound. 689 00:36:19,137 --> 00:36:20,680 What I'm looking for in this shot 690 00:36:20,722 --> 00:36:23,058 is when she goes and she's in that corner, she's coming out. 691 00:36:23,099 --> 00:36:24,684 We could cut to whatever. 692 00:36:24,726 --> 00:36:27,771 -MAN: On your mark. -MAN 2: Set. 693 00:36:27,812 --> 00:36:29,022 OK. 694 00:36:29,064 --> 00:36:31,399 MAN 2: And action. 695 00:36:31,983 --> 00:36:33,526 Mitra. 696 00:36:34,694 --> 00:36:38,239 JOJO: Ah. All right. Cut. Cut, cut, cut. 697 00:36:38,281 --> 00:36:39,532 Reset. I saw her standing there. 698 00:36:39,574 --> 00:36:40,658 -MAN: Reset? -JOJO: Yes. 699 00:36:40,700 --> 00:36:42,619 JOJO: Just have her go back farther. 700 00:36:42,660 --> 00:36:43,703 MAN: We'll go again right away. 701 00:36:43,745 --> 00:36:45,246 JOJO: I don't wanna waste our time. 702 00:36:45,288 --> 00:36:47,540 He'll never use that. All right. 703 00:36:47,582 --> 00:36:50,919 -MAN: Visual 35, take two. -MAN 2: And action. 704 00:36:52,253 --> 00:36:53,713 Mitra. 705 00:36:53,755 --> 00:36:55,632 JOJO: There you go. Back up. Back up. Back up. 706 00:36:55,674 --> 00:36:57,676 HENCHMAN: The hell is going on out there? 707 00:37:00,679 --> 00:37:02,514 MITRA: Christmas clearance. 708 00:37:03,223 --> 00:37:04,599 -JOJO: Cut. -MAN: Cut. 709 00:37:04,641 --> 00:37:07,435 JOJO: OK. Yeah, it could be better. It's not there yet. 710 00:37:07,477 --> 00:37:08,687 But I think play it more 711 00:37:08,728 --> 00:37:10,438 like you're pondering to use the gun or not. 712 00:37:10,480 --> 00:37:12,107 -Hm-hmm. -That's all. It's not that bad. 713 00:37:12,148 --> 00:37:13,650 -In cuts, it will be fine. -Yeah. OK. 714 00:37:13,692 --> 00:37:16,277 MAN: They're asking after we get this one faster, as well. 715 00:37:16,319 --> 00:37:17,862 JOJO: Yes. That's what I was telling her. 716 00:37:17,904 --> 00:37:20,532 What slows us down is her putting the gun down. 717 00:37:20,573 --> 00:37:22,158 -MAN: Yeah. -JOJO: That kills us. 718 00:37:22,200 --> 00:37:23,535 MAN: That should happen quicker. 719 00:37:23,576 --> 00:37:26,413 Yes. Just make that quicker. Just everything quicker. 720 00:37:26,454 --> 00:37:28,623 Because I'm second unit, I am a bit anxious, 721 00:37:28,665 --> 00:37:31,126 because I only have a certain amount of time to shoot, 722 00:37:31,167 --> 00:37:32,502 an hour and a half, to be exact. 723 00:37:32,544 --> 00:37:36,631 This scene has multiple setups, so we have to be fast. 724 00:37:36,673 --> 00:37:38,633 MAN: Visual 35, take three. 725 00:37:39,300 --> 00:37:40,927 MAN 2: And action. 726 00:37:41,720 --> 00:37:42,887 Mitra. 727 00:37:44,556 --> 00:37:47,225 -CAN: Ah. -JOJO: It's so slow. 728 00:37:47,267 --> 00:37:48,476 CAN: Move faster. 729 00:37:48,518 --> 00:37:51,104 -JOJO: Cut. -MAN: Cut. 730 00:37:51,146 --> 00:37:52,439 (SIGHS) This is killing us. 731 00:37:52,480 --> 00:37:54,190 I always want to be the best I can be. 732 00:37:54,232 --> 00:37:58,028 It's like, if I had to end today and this was my last job, 733 00:37:58,069 --> 00:38:00,822 is it something I'd be proud of, or did I push? 734 00:38:00,864 --> 00:38:04,993 So that pressure's made internally by myself. 735 00:38:05,035 --> 00:38:06,995 MAN: Visual 35, take five. 736 00:38:07,037 --> 00:38:08,830 Visual 35, take seven. 737 00:38:08,872 --> 00:38:10,331 Visual 35, take eight. 738 00:38:11,332 --> 00:38:13,501 MAN 2: And action. 739 00:38:15,962 --> 00:38:19,382 -The hell is going on out there? -Christmas clearance. 740 00:38:19,424 --> 00:38:20,800 JOJO: Cut. Cut. 741 00:38:20,842 --> 00:38:22,385 MAN: And pow. 742 00:38:22,427 --> 00:38:26,473 OJO: Mitra, when you say your line, are you looking at two... 743 00:38:26,514 --> 00:38:27,599 MITRA: Looking at all of 'em. 744 00:38:27,640 --> 00:38:29,851 Look straight at the head waiter. 745 00:38:29,893 --> 00:38:32,687 You know what I mean? Cos it's like you're counting. 746 00:38:32,729 --> 00:38:37,067 So, keep your eye just on him. See what that looks like. 747 00:38:37,108 --> 00:38:38,360 MITRA: In rehearsal, 748 00:38:38,401 --> 00:38:41,321 we got through all those things, like, fast. 749 00:38:41,363 --> 00:38:42,655 We're able to shoot a pre-viz 750 00:38:42,697 --> 00:38:44,657 and be done and edit within a few hours. 751 00:38:44,699 --> 00:38:47,660 Whereas here, with all the different elements, 752 00:38:47,702 --> 00:38:49,662 it's a little trickier. 753 00:38:49,704 --> 00:38:52,957 -MAN: Set. -MAN 2: And action. 754 00:38:52,999 --> 00:38:54,834 (HENCHMAN GRUNTS) 755 00:38:54,876 --> 00:38:57,128 HENCHMAN 2: No, no, no! (SCREAMS) 756 00:38:57,170 --> 00:39:01,049 (GRUNTING) 757 00:39:01,091 --> 00:39:02,717 OK. Cut. Cut. 758 00:39:02,759 --> 00:39:05,470 JOJO: That wasn't a good one. Meaner. 759 00:39:05,512 --> 00:39:06,888 -Reset. -MAN: Resetting. 760 00:39:06,930 --> 00:39:09,474 -Like, she has to be aggressive. -Yes. 761 00:39:09,516 --> 00:39:11,351 MAN: And action. 762 00:39:11,393 --> 00:39:13,520 JOJO: Go in there. There you go. 763 00:39:13,561 --> 00:39:15,522 (JOJO SIGHS) Cut. 764 00:39:15,563 --> 00:39:17,774 -CAN: Her energy. Talk to her. -JOJO: Yeah, yeah. 765 00:39:17,816 --> 00:39:19,776 JOJO: Mitra, give me one that's a little bigger. 766 00:39:19,818 --> 00:39:22,529 -Bigger, which one? -I'm saying when you grab it, 767 00:39:22,570 --> 00:39:24,239 it looks like you're trying to be nice to it. 768 00:39:24,280 --> 00:39:27,409 If you're gonna grab it, it's, like, grab it... (GRUNTS) 769 00:39:27,450 --> 00:39:29,494 You can do action better than a normal person. 770 00:39:29,536 --> 00:39:31,913 So, when it doesn't look special, 771 00:39:31,955 --> 00:39:33,289 that's when I get upset. 772 00:39:33,331 --> 00:39:35,375 I can direct Mitra a little differently 773 00:39:35,417 --> 00:39:36,751 than an actor I've just met. 774 00:39:36,793 --> 00:39:39,587 I've trained her. I've known her a long time. 775 00:39:39,629 --> 00:39:40,797 Right now, it's really important 776 00:39:40,839 --> 00:39:42,382 that we get this done really fast, 777 00:39:42,424 --> 00:39:45,093 so I don't really have time to mince words. 778 00:39:45,135 --> 00:39:47,345 OK. One more. 779 00:39:47,387 --> 00:39:48,638 MAN: And action. 780 00:39:48,680 --> 00:39:50,849 -(ACTORS GRUNT) -Good. Good! 781 00:39:50,890 --> 00:39:53,393 -(HENCHMAN SCREAMS) -(JOJO GROANS) 782 00:39:53,435 --> 00:39:54,811 JOJO: OK. 783 00:39:54,853 --> 00:39:57,355 I take responsibility if a performer doesn't do well. 784 00:39:57,397 --> 00:39:59,649 That's my fault, too. That reflects on me. 785 00:39:59,691 --> 00:40:00,942 JOJO: You're enjoying this. 786 00:40:00,984 --> 00:40:02,902 You finally get a chance to kill that guy. 787 00:40:02,944 --> 00:40:05,447 What would you do? What are you gonna do? 788 00:40:05,488 --> 00:40:07,073 You're gonna stand there and go... 789 00:40:07,115 --> 00:40:09,743 Or are you gonna go boom? Like, you have intensity. 790 00:40:09,784 --> 00:40:13,663 You gotta find within yourself how to turn that on. 791 00:40:13,705 --> 00:40:15,373 -Hmm. -You have to feel it. 792 00:40:15,415 --> 00:40:17,250 You have to feel it coming down here. 793 00:40:17,292 --> 00:40:19,586 OK, yep. 794 00:40:19,627 --> 00:40:21,046 JOJO: I'm the person responsible. 795 00:40:21,087 --> 00:40:23,798 It's my responsibility to make this work. 796 00:40:23,840 --> 00:40:25,925 So as frustrating as it is, 797 00:40:25,967 --> 00:40:27,802 it's just as much on me as it is on her 798 00:40:27,844 --> 00:40:29,763 that we're not nailing this scene. 799 00:40:29,804 --> 00:40:32,474 I tend to be a lot harder on members of my team 800 00:40:32,515 --> 00:40:34,768 because I know what they're capable of. 801 00:40:34,809 --> 00:40:38,688 I know Mitra can do this and I don't want her to fail. 802 00:40:38,730 --> 00:40:41,024 Twenty takes is unacceptable. 803 00:40:45,570 --> 00:40:46,988 He's right. 804 00:40:48,698 --> 00:40:50,367 MITRA: You always wanna do a good job. 805 00:40:50,408 --> 00:40:51,576 So, when you feel like 806 00:40:51,618 --> 00:40:53,703 you're not doing a good job, that's like... 807 00:40:53,745 --> 00:40:54,954 You gotta snap out it. 808 00:40:54,996 --> 00:40:59,000 There's no time for self-pity. Just do better. 809 00:40:59,042 --> 00:41:00,710 Perform better. 810 00:41:16,559 --> 00:41:18,603 MAN: And action. 811 00:41:19,479 --> 00:41:21,314 JOJO: Cut. Cut, cut. 812 00:41:21,356 --> 00:41:23,024 Cut. Cut. 813 00:41:23,066 --> 00:41:24,150 Cut, cut. 814 00:41:24,192 --> 00:41:26,569 (GRUNTING, SCREAMING) 815 00:41:26,611 --> 00:41:28,279 Forget it. Right. 816 00:41:28,321 --> 00:41:29,739 -MAN: Cutting. -Cut, cut. 817 00:41:48,508 --> 00:41:49,676 -Reset. -MAN: Resetting. 818 00:41:49,718 --> 00:41:51,761 -MAN: Still rolling. -Cut. No, no. Cut. Cut. 819 00:41:54,681 --> 00:41:58,059 (JOJO SIGHS) Let's do it again. Shoot again. 820 00:42:01,479 --> 00:42:05,734 Subtitles: Iyuno 62304

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