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[Script Info]
ScriptType: v4.00+
Collisions: Normal
PlayResX: 852
PlayResY: 428
Timer: 100.0
WrapStyle: 0
ScaledBorderAndShadow: yes
[V4+ Styles]
Format: Name, Fontname, Fontsize, PrimaryColour, SecondaryColour, OutlineColour, BackColour, Bold, Italic, Underline, StrikeOut, ScaleX, ScaleY, Spacing, Angle, BorderStyle, Outline, Shadow, Alignment, MarginL, MarginR, MarginV, Encoding
Style: Default,sans-serif,31,&H00FFFFFF,&H00FFFFFF,&H000F0F0F,&H000F0F0F,0,0,0,0,100,100,0,0.00,1,1.03,0.86,2,20,20,20,0
[Events]
Format: Layer, Start, End, Style, Name, MarginL, MarginR, MarginV, Effect, Text
Dialogue: 0,0:02:13.02,0:02:17.42,Default,,0,0,0,,{\c&HFFFF00&} There's no record of an {\c}\N{\c&HFFFF00&} Andrea Whitford being born here, {\c}
Dialogue: 0,0:02:17.50,0:02:20.50,Default,,0,0,0,,{\c&HFFFF00&} nor was Elizabeth Whitford {\c}\N{\c&HFFFF00&} ever a patient of ours. {\c}
Dialogue: 0,0:02:20.58,0:02:23.54,Default,,0,0,0,,{\c&HFFFF00&} So this birth certificate, {\c}\N{\c&HFFFF00&} it's a fake? {\c}
Dialogue: 0,0:02:23.62,0:02:25.06,Default,,0,0,0,,{\c&HFFFF00&} It doesn't appear to be. {\c}
Dialogue: 0,0:02:25.14,0:02:27.58,Default,,0,0,0,,{\c&HFFFF00&} Then why does it list Fairhaven {\c}\N{\c&HFFFF00&} as the place of birth? {\c}
Dialogue: 0,0:02:27.66,0:02:30.58,Default,,0,0,0,,{\c&HFFFF00&} Did Dr. Phillips falsify {\c}\N{\c&HFFFF00&} the information on it? {\c}
Dialogue: 0,0:02:31.22,0:02:34.82,Default,,0,0,0,,{\c&HFFFF00&} I'm not here to embarrass the {\c}\N{\c&HFFFF00&} hospital or cause a scandal. {\c}
Dialogue: 0,0:02:34.90,0:02:37.74,Default,,0,0,0,,{\c&HFFFF00&} I'm running a {\c}\N{\c&HFFFF00&} homicide investigation. {\c}
Dialogue: 0,0:02:38.82,0:02:39.90,Default,,0,0,0,,{\c&HFFFF00&} It would appear {\c}
Dialogue: 0,0:02:39.98,0:02:42.66,Default,,0,0,0,,{\c&HFFFF00&} that wrong information's {\c}\N{\c&HFFFF00&} been recorded, yes. {\c}
Dialogue: 0,0:02:58.14,0:02:59.54,Default,,0,0,0,,{\c&HFFFF00&} Hey, you've reached Helen, {\c}
Dialogue: 0,0:02:59.62,0:03:00.02,Default,,0,0,0,,{\c&HFFFF00&} leave a message. {\c}
Dialogue: 0,0:03:00.02,0:03:01.46,Default,,0,0,0,,{\c&HFFFF00&} leave a message. {\c}
Dialogue: 0,0:03:01.98,0:03:04.06,Default,,0,0,0,,{\c&HFFFF00&} Could you please, um, {\c}\N{\c&HFFFF00&} call me back. {\c}
Dialogue: 0,0:03:04.14,0:03:06.66,Default,,0,0,0,,{\c&HFFFF00&} I really need to talk {\c}\N{\c&HFFFF00&} to you about something. {\c}
Dialogue: 0,0:03:14.74,0:03:16.02,Default,,0,0,0,,{\c&HFFFF00&} Nico. What's up? {\c}
Dialogue: 0,0:03:16.10,0:03:17.02,Default,,0,0,0,,{\c&HFFFF00&} I think we've ID'd {\c}
Dialogue: 0,0:03:17.06,0:03:18.70,Default,,0,0,0,,{\c&HFFFF00&} Patrick Haber's blackmailer. {\c}
Dialogue: 0,0:03:19.78,0:03:22.62,Default,,0,0,0,,{\c&HFFFF00&} The view outside Haber's {\c}\N{\c&HFFFF00&} office, two months ago. {\c}
Dialogue: 0,0:03:22.70,0:03:24.58,Default,,0,0,0,,{\c&HFFFF00&} There! {\c}\N{\c&HFFFF00&} Freeze it. {\c}
Dialogue: 0,0:03:24.66,0:03:26.10,Default,,0,0,0,,{\c&HFFFF00&} Zoom in. {\c}
Dialogue: 0,0:03:26.90,0:03:28.86,Default,,0,0,0,,{\c&HFFFF00&} Huh! {\c}\N{\c&HFFFF00&} It's Rachel Griggs. {\c}
Dialogue: 0,0:03:28.94,0:03:31.06,Default,,0,0,0,,{\c&HFFFF00&} I recognised her from one {\c}\N{\c&HFFFF00&} of your missing persons reports. {\c}
Dialogue: 0,0:03:31.14,0:03:34.06,Default,,0,0,0,,{\c&HFFFF00&} She's in Haber's calendar, but {\c}\N{\c&HFFFF00&} there's no patient file for her. {\c}
Dialogue: 0,0:03:34.14,0:03:35.66,Default,,0,0,0,,{\c&HFFFF00&} How many times did she see him? {\c}
Dialogue: 0,0:03:35.74,0:03:38.10,Default,,0,0,0,,{\c&HFFFF00&} Three times over {\c}\N{\c&HFFFF00&} consecutive months. {\c}
Dialogue: 0,0:03:38.18,0:03:40.10,Default,,0,0,0,,{\c&HFFFF00&} The day before each appointment, {\c}
Dialogue: 0,0:03:40.18,0:03:42.14,Default,,0,0,0,,{\c&HFFFF00&} Haber withdrew five Gs {\c}\N{\c&HFFFF00&} from his bank account. {\c}
Dialogue: 0,0:03:42.22,0:03:44.42,Default,,0,0,0,,{\c&HFFFF00&} That's 15 grand. {\c}
Dialogue: 0,0:03:45.30,0:03:47.10,Default,,0,0,0,,{\c&HFFFF00&} She had at least twice {\c}\N{\c&HFFFF00&} that much money hidden. {\c}
Dialogue: 0,0:03:47.98,0:03:49.18,Default,,0,0,0,,{\c&HFFFF00&} Do you know if she was pregnant? {\c}
Dialogue: 0,0:03:49.26,0:03:50.06,Default,,0,0,0,,{\c&HFFFF00&} I don't. {\c}
Dialogue: 0,0:03:50.10,0:03:51.30,Default,,0,0,0,,{\c&HFFFF00&} Any idea on what {\c}\N{\c&HFFFF00&} she had over him? {\c}
Dialogue: 0,0:03:51.38,0:03:53.90,Default,,0,0,0,,{\c&HFFFF00&} I'm betting it's got something {\c}\N{\c&HFFFF00&} to do with Artemis. {\c}
Dialogue: 0,0:04:11.58,0:04:13.22,Default,,0,0,0,,{\c&HFFFF00&} - Hey. {\c}
Dialogue: 0,0:04:14.06,0:04:15.78,Default,,0,0,0,,{\c&HFFFF00&} Sorry to hear about {\c}\N{\c&HFFFF00&} you and Andie. {\c}
Dialogue: 0,0:04:16.54,0:04:17.86,Default,,0,0,0,,{\c&HFFFF00&} I'm sure you'll work it out. {\c}
Dialogue: 0,0:04:18.94,0:04:20.42,Default,,0,0,0,,{\c&HFFFF00&} Is that a prediction? {\c}
Dialogue: 0,0:04:20.50,0:04:24.58,Default,,0,0,0,,{\c&HFFFF00&} No. No, it's more a platitude. {\c}\N{\c&HFFFF00&} What are you going to do now? {\c}
Dialogue: 0,0:04:24.66,0:04:26.98,Default,,0,0,0,,{\c&HFFFF00&} Well, you're the psychic, {\c}\N{\c&HFFFF00&} you tell me. {\c}
Dialogue: 0,0:04:28.46,0:04:32.14,Default,,0,0,0,,{\c&HFFFF00&} No, I'm serious. {\c}\N{\c&HFFFF00&} I could use some advice. {\c}
Dialogue: 0,0:04:43.78,0:04:44.90,Default,,0,0,0,,{\c&HFFFF00&} What? {\c}
Dialogue: 0,0:04:47.30,0:04:48.66,Default,,0,0,0,,{\c&HFFFF00&} What!? {\c}
Dialogue: 0,0:04:50.94,0:04:53.14,Default,,0,0,0,,{\c&HFFFF00&} I think you should leave. {\c}
Dialogue: 0,0:05:02.70,0:05:04.54,Default,,0,0,0,,{\c&HFFFF00&} Hey, {\c}\N{\c&HFFFF00&} what'd you find out? {\c}
Dialogue: 0,0:05:04.62,0:05:05.66,Default,,0,0,0,,{\c&HFFFF00&} I spoke {\c}\N{\c&HFFFF00&} to Shane Griggs. {\c}
Dialogue: 0,0:05:05.74,0:05:07.34,Default,,0,0,0,,{\c&HFFFF00&} No evidence that {\c}\N{\c&HFFFF00&} Rachel was pregnant. {\c}
Dialogue: 0,0:05:07.42,0:05:08.62,Default,,0,0,0,,{\c&HFFFF00&} Yeah, figured as much. {\c}
Dialogue: 0,0:05:08.70,0:05:11.38,Default,,0,0,0,,{\c&HFFFF00&} And get this, she was pregnant {\c}\N{\c&HFFFF00&} about 15 years ago, {\c}
Dialogue: 0,0:05:11.46,0:05:13.82,Default,,0,0,0,,{\c&HFFFF00&} when she left home {\c}\N{\c&HFFFF00&} for the first time. {\c}
Dialogue: 0,0:05:16.98,0:05:18.10,Default,,0,0,0,,{\c&HFFFF00&} So Rachel's got a kid? {\c}
Dialogue: 0,0:05:18.18,0:05:20.54,Default,,0,0,0,,{\c&HFFFF00&} Well, no, according to what {\c}\N{\c&HFFFF00&} Rachel told her old man, {\c}
Dialogue: 0,0:05:20.62,0:05:23.58,Default,,0,0,0,,{\c&HFFFF00&} the baby died, {\c}\N{\c&HFFFF00&} stillborn apparently. {\c}
Dialogue: 0,0:05:23.66,0:05:25.62,Default,,0,0,0,,{\c&HFFFF00&} Okay, thanks. {\c}
Dialogue: 0,0:05:36.06,0:05:38.34,Default,,0,0,0,,{\c&HFFFF00&} Just getting some fresh air. {\c}\N{\c&HFFFF00&} There she is. {\c}
Dialogue: 0,0:05:38.42,0:05:39.90,Default,,0,0,0,,{\c&HFFFF00&} - Thank you. {\c}\N{\c&HFFFF00&} - No worries. {\c}
Dialogue: 0,0:05:52.78,0:05:54.34,Default,,0,0,0,,{\c&HFFFF00&} How you doing, Mum? {\c}
Dialogue: 0,0:06:00.78,0:06:02.74,Default,,0,0,0,,{\c&HFFFF00&} I need to ask you something. {\c}
Dialogue: 0,0:06:03.58,0:06:05.54,Default,,0,0,0,,{\c&HFFFF00&} Do you remember {\c}\N{\c&HFFFF00&} the day I was born? {\c}
Dialogue: 0,0:06:06.38,0:06:08.74,Default,,0,0,0,,{\c&HFFFF00&} You were living in Yarraville, {\c}\N{\c&HFFFF00&} in Kellaway Street. {\c}
Dialogue: 0,0:06:08.82,0:06:09.94,Default,,0,0,0,,{\c&HFFFF00&} Do you remember that house? {\c}
Dialogue: 0,0:06:11.38,0:06:13.78,Default,,0,0,0,,{\c&HFFFF00&} Hey, it's all good. {\c}
Dialogue: 0,0:06:13.86,0:06:15.14,Default,,0,0,0,,{\c&HFFFF00&} It's all good. {\c}
Dialogue: 0,0:06:15.66,0:06:21.46,Default,,0,0,0,,{\c&HFFFF00&} Here, I brought some old photos. {\c}
Dialogue: 0,0:06:22.26,0:06:24.74,Default,,0,0,0,,{\c&HFFFF00&} They might jog some memories. {\c}
Dialogue: 0,0:06:24.82,0:06:26.22,Default,,0,0,0,,{\c&HFFFF00&} Remember this? {\c}
Dialogue: 0,0:06:26.30,0:06:29.26,Default,,0,0,0,,{\c&HFFFF00&} The house! {\c}\N{\c&HFFFF00&} There's the old oak tree. {\c}
Dialogue: 0,0:06:30.66,0:06:32.30,Default,,0,0,0,,{\c&HFFFF00&} Oh... {\c}
Dialogue: 0,0:06:33.98,0:06:35.82,Default,,0,0,0,,{\c&HFFFF00&} Andie. {\c}
Dialogue: 0,0:06:39.78,0:06:42.18,Default,,0,0,0,,{\c&HFFFF00&} Can you remember back for me? {\c}
Dialogue: 0,0:06:42.26,0:06:44.50,Default,,0,0,0,,{\c&HFFFF00&} You know, to when I was born. {\c}
Dialogue: 0,0:06:44.58,0:06:46.50,Default,,0,0,0,,{\c&HFFFF00&} Can you remember the day, {\c}\N{\c&HFFFF00&} the day I arrived? {\c}
Dialogue: 0,0:06:46.58,0:06:51.18,Default,,0,0,0,,{\c&HFFFF00&} We were so happy, your father {\c}\N{\c&HFFFF00&} and me. We'd waited so long. {\c}
Dialogue: 0,0:06:52.10,0:06:53.86,Default,,0,0,0,,{\c&HFFFF00&} She came to the door with you. {\c}
Dialogue: 0,0:06:54.26,0:06:55.38,Default,,0,0,0,,{\c&HFFFF00&} Who, Mum? {\c}
Dialogue: 0,0:06:55.46,0:06:56.30,Default,,0,0,0,,{\c&HFFFF00&} Who came to the door? {\c}
Dialogue: 0,0:06:56.34,0:06:58.86,Default,,0,0,0,,{\c&HFFFF00&} Your father was over the moon, {\c}\N{\c&HFFFF00&} he was so excited. {\c}
Dialogue: 0,0:06:58.94,0:07:00.02,Default,,0,0,0,,{\c&HFFFF00&} So was I, {\c}\N{\c&HFFFF00&} I couldn't stop shaking. {\c}
Dialogue: 0,0:07:00.02,0:07:01.30,Default,,0,0,0,,{\c&HFFFF00&} So was I, {\c}\N{\c&HFFFF00&} I couldn't stop shaking. {\c}
Dialogue: 0,0:07:01.38,0:07:03.58,Default,,0,0,0,,{\c&HFFFF00&} Who came to the door, Mum? {\c}
Dialogue: 0,0:07:03.66,0:07:05.06,Default,,0,0,0,,{\c&HFFFF00&} Jean did. {\c}
Dialogue: 0,0:07:09.06,0:07:12.02,Default,,0,0,0,,{\c&HFFFF00&} Did Jean tell you {\c}\N{\c&HFFFF00&} where I came from? {\c}
Dialogue: 0,0:07:13.42,0:07:18.26,Default,,0,0,0,,{\c&HFFFF00&} What a wonder you were. {\c}\N{\c&HFFFF00&} Oh, look at you. {\c}
Dialogue: 0,0:07:18.34,0:07:21.10,Default,,0,0,0,,{\c&HFFFF00&} So small and precious. {\c}
Dialogue: 0,0:07:21.18,0:07:23.90,Default,,0,0,0,,{\c&HFFFF00&} What did Jean tell you, Mum? {\c}
Dialogue: 0,0:07:23.98,0:07:25.54,Default,,0,0,0,,{\c&HFFFF00&} Oh, we were so lucky. {\c}
Dialogue: 0,0:07:25.62,0:07:28.62,Default,,0,0,0,,{\c&HFFFF00&} No one wanted the {\c}\N{\c&HFFFF00&} brown baby but us. {\c}
Dialogue: 0,0:07:29.30,0:07:32.78,Default,,0,0,0,,{\c&HFFFF00&} Yeah, because Dad {\c}\N{\c&HFFFF00&} was indigenous, but, {\c}
Dialogue: 0,0:07:32.86,0:07:34.74,Default,,0,0,0,,{\c&HFFFF00&} where did I come from? {\c}
Dialogue: 0,0:07:35.42,0:07:37.06,Default,,0,0,0,,{\c&HFFFF00&} From Jean. {\c}
Dialogue: 0,0:07:37.26,0:07:40.94,Default,,0,0,0,,{\c&HFFFF00&} No, Jean brought me to you. {\c}
Dialogue: 0,0:07:41.50,0:07:44.42,Default,,0,0,0,,{\c&HFFFF00&} So who was my birth mother? {\c}
Dialogue: 0,0:07:44.50,0:07:45.74,Default,,0,0,0,,{\c&HFFFF00&} Did Jean tell you? {\c}
Dialogue: 0,0:07:45.82,0:07:48.78,Default,,0,0,0,,{\c&HFFFF00&} Did she say anything about me? {\c}\N{\c&HFFFF00&} Think Mum, please. {\c}
Dialogue: 0,0:07:51.14,0:07:52.66,Default,,0,0,0,,{\c&HFFFF00&} Mum? {\c}
Dialogue: 0,0:07:53.46,0:07:55.34,Default,,0,0,0,,{\c&HFFFF00&} Mum! {\c}
Dialogue: 0,0:08:25.26,0:08:27.42,Default,,0,0,0,,{\c&HFFFF00&} - Hey. {\c}\N{\c&HFFFF00&} - Hey, how is he? {\c}
Dialogue: 0,0:08:27.98,0:08:30.10,Default,,0,0,0,,{\c&HFFFF00&} The doctor's still not {\c}\N{\c&HFFFF00&} happy with his heart rhythm. {\c}
Dialogue: 0,0:08:30.18,0:08:31.22,Default,,0,0,0,,{\c&HFFFF00&} So Sam will be here {\c}
Dialogue: 0,0:08:31.30,0:08:33.10,Default,,0,0,0,,{\c&HFFFF00&} for at least another {\c}\N{\c&HFFFF00&} couple of days. {\c}
Dialogue: 0,0:08:33.18,0:08:35.26,Default,,0,0,0,,{\c&HFFFF00&} - Okay? {\c}\N{\c&HFFFF00&} - Thanks. {\c}
Dialogue: 0,0:09:01.70,0:09:04.66,Default,,0,0,0,,{\c&HFFFF00&} Your wife and Miers {\c}\N{\c&HFFFF00&} staged their deaths. {\c}
Dialogue: 0,0:09:04.74,0:09:07.38,Default,,0,0,0,,{\c&HFFFF00&} This was taken from a {\c}\N{\c&HFFFF00&} servo security camera {\c}
Dialogue: 0,0:09:07.46,0:09:10.10,Default,,0,0,0,,{\c&HFFFF00&} just outside of Darwin {\c}\N{\c&HFFFF00&} last Saturday. {\c}
Dialogue: 0,0:09:11.46,0:09:14.78,Default,,0,0,0,,{\c&HFFFF00&} If Claire wanted a divorce, {\c}\N{\c&HFFFF00&} she could have just asked me. {\c}
Dialogue: 0,0:09:15.82,0:09:17.66,Default,,0,0,0,,{\c&HFFFF00&} I don't think that's {\c}\N{\c&HFFFF00&} why they took off. {\c}
Dialogue: 0,0:09:17.74,0:09:21.06,Default,,0,0,0,,{\c&HFFFF00&} They probably had an escape {\c}\N{\c&HFFFF00&} plan in the works for years. {\c}
Dialogue: 0,0:09:21.46,0:09:23.22,Default,,0,0,0,,{\c&HFFFF00&} Escape plan from what? {\c}
Dialogue: 0,0:09:23.30,0:09:26.70,Default,,0,0,0,,{\c&HFFFF00&} The past. {\c}\N{\c&HFFFF00&} From Artemis. {\c}
Dialogue: 0,0:09:27.14,0:09:29.30,Default,,0,0,0,,{\c&HFFFF00&} Maddie wasn't just a once off? {\c}
Dialogue: 0,0:09:29.38,0:09:33.30,Default,,0,0,0,,{\c&HFFFF00&} That Claire, what, was involved {\c}\N{\c&HFFFF00&} in illegal adoptions? {\c}
Dialogue: 0,0:09:33.38,0:09:36.22,Default,,0,0,0,,{\c&HFFFF00&} They weren't illegal adoptions. {\c}
Dialogue: 0,0:09:36.30,0:09:38.30,Default,,0,0,0,,{\c&HFFFF00&} They were actually {\c}\N{\c&HFFFF00&} trafficking babies. {\c}
Dialogue: 0,0:09:38.78,0:09:40.98,Default,,0,0,0,,{\c&HFFFF00&} At least 35 of them. {\c}
Dialogue: 0,0:09:41.06,0:09:42.34,Default,,0,0,0,,{\c&HFFFF00&} Rachel Griggs is missing. {\c}
Dialogue: 0,0:09:42.42,0:09:44.82,Default,,0,0,0,,{\c&HFFFF00&} I think 15 years ago she {\c}\N{\c&HFFFF00&} was a victim of this racket. {\c}
Dialogue: 0,0:09:44.90,0:09:46.70,Default,,0,0,0,,{\c&HFFFF00&} Recently she started {\c}\N{\c&HFFFF00&} to blackmail them. {\c}
Dialogue: 0,0:09:46.78,0:09:48.18,Default,,0,0,0,,{\c&HFFFF00&} I think that led to a crisis. {\c}
Dialogue: 0,0:09:48.26,0:09:51.26,Default,,0,0,0,,{\c&HFFFF00&} Maybe Claire and Miers {\c}\N{\c&HFFFF00&} decided to protect themselves {\c}
Dialogue: 0,0:09:51.34,0:09:52.98,Default,,0,0,0,,{\c&HFFFF00&} by silencing the others. {\c}
Dialogue: 0,0:09:53.50,0:09:54.54,Default,,0,0,0,,{\c&HFFFF00&} By killing them? {\c}
Dialogue: 0,0:09:54.62,0:09:57.02,Default,,0,0,0,,{\c&HFFFF00&} Or maybe paying the {\c}\N{\c&HFFFF00&} Masons to do it for them. {\c}
Dialogue: 0,0:09:58.22,0:10:00.02,Default,,0,0,0,,{\c&HFFFF00&} You know Claire {\c}\N{\c&HFFFF00&} better than anyone. {\c}
Dialogue: 0,0:10:00.02,0:10:00.26,Default,,0,0,0,,{\c&HFFFF00&} You know Claire {\c}\N{\c&HFFFF00&} better than anyone. {\c}
Dialogue: 0,0:10:00.34,0:10:02.14,Default,,0,0,0,,{\c&HFFFF00&} Do you think she's {\c}\N{\c&HFFFF00&} capable of this? {\c}
Dialogue: 0,0:10:02.54,0:10:04.86,Default,,0,0,0,,{\c&HFFFF00&} Of hiring the Masons to kill? {\c}
Dialogue: 0,0:10:06.22,0:10:09.14,Default,,0,0,0,,{\c&HFFFF00&} I have no idea who {\c}\N{\c&HFFFF00&} my wife is anymore. {\c}
Dialogue: 0,0:10:30.74,0:10:33.10,Default,,0,0,0,,{\c&HFFFF00&} I've been sitting here {\c}\N{\c&HFFFF00&} watching you sleep. {\c}
Dialogue: 0,0:10:33.98,0:10:36.10,Default,,0,0,0,,{\c&HFFFF00&} I could have smothered {\c}\N{\c&HFFFF00&} you with a pillow. {\c}
Dialogue: 0,0:10:36.18,0:10:39.38,Default,,0,0,0,,{\c&HFFFF00&} I could have injected {\c}\N{\c&HFFFF00&} rat poison into your drip, {\c}
Dialogue: 0,0:10:39.46,0:10:43.30,Default,,0,0,0,,{\c&HFFFF00&} if I was a killer. {\c}
Dialogue: 0,0:10:45.02,0:10:47.22,Default,,0,0,0,,{\c&HFFFF00&} But you got me all wrong, Sam. {\c}
Dialogue: 0,0:10:47.30,0:10:51.70,Default,,0,0,0,,{\c&HFFFF00&} All the pain you've caused me, {\c}\N{\c&HFFFF00&} it pales in comparison {\c}
Dialogue: 0,0:10:51.78,0:10:54.10,Default,,0,0,0,,{\c&HFFFF00&} to what you must be {\c}\N{\c&HFFFF00&} going through right now, {\c}
Dialogue: 0,0:10:54.18,0:10:55.94,Default,,0,0,0,,{\c&HFFFF00&} facing your own mortality. {\c}
Dialogue: 0,0:10:56.94,0:11:00.02,Default,,0,0,0,,{\c&HFFFF00&} Who's the sick fuck now, hmm? {\c}
Dialogue: 0,0:11:00.02,0:11:00.70,Default,,0,0,0,,{\c&HFFFF00&} Who's the sick fuck now, hmm? {\c}
Dialogue: 0,0:11:03.94,0:11:07.06,Default,,0,0,0,,{\c&HFFFF00&} You've made my life {\c}\N{\c&HFFFF00&} miserable, Sam. {\c}
Dialogue: 0,0:11:09.22,0:11:10.78,Default,,0,0,0,,{\c&HFFFF00&} My only comfort is knowing {\c}
Dialogue: 0,0:11:10.86,0:11:13.10,Default,,0,0,0,,{\c&HFFFF00&} that you're going to die soon {\c}\N{\c&HFFFF00&} and you're going to die {\c}
Dialogue: 0,0:11:13.18,0:11:15.58,Default,,0,0,0,,{\c&HFFFF00&} having never caught {\c}\N{\c&HFFFF00&} Luke Samson's killer. {\c}
Dialogue: 0,0:11:16.22,0:11:19.06,Default,,0,0,0,,{\c&HFFFF00&} I hope little Luke {\c}\N{\c&HFFFF00&} forgives you, because I don't. {\c}
Dialogue: 0,0:11:19.14,0:11:22.94,Default,,0,0,0,,{\c&HFFFF00&} I've seen your future, Sam. {\c}\N{\c&HFFFF00&} There's nothing there. {\c}
Dialogue: 0,0:11:23.02,0:11:27.10,Default,,0,0,0,,{\c&HFFFF00&} Just a big black void. {\c}
Dialogue: 0,0:11:28.86,0:11:30.82,Default,,0,0,0,,{\c&HFFFF00&} You're going to hell. {\c}
Dialogue: 0,0:11:35.34,0:11:37.66,Default,,0,0,0,,{\c&HFFFF00&} I'll save you a seat. {\c}
Dialogue: 0,0:11:42.58,0:11:44.66,Default,,0,0,0,,{\c&HFFFF00&} Your prints were found {\c}\N{\c&HFFFF00&} inside the Hyundai. {\c}
Dialogue: 0,0:11:44.74,0:11:47.10,Default,,0,0,0,,{\c&HFFFF00&} I already told you, I drive {\c}\N{\c&HFFFF00&} Lachie's car all the time. {\c}
Dialogue: 0,0:11:47.18,0:11:49.02,Default,,0,0,0,,{\c&HFFFF00&} Yeah, which means you {\c}\N{\c&HFFFF00&} know where he kept it, {\c}
Dialogue: 0,0:11:49.10,0:11:51.02,Default,,0,0,0,,{\c&HFFFF00&} up in a garage on Buller. {\c}
Dialogue: 0,0:11:51.10,0:11:52.10,Default,,0,0,0,,{\c&HFFFF00&} Maybe you boys went up there {\c}
Dialogue: 0,0:11:52.10,0:11:53.50,Default,,0,0,0,,{\c&HFFFF00&} and took it without {\c}\N{\c&HFFFF00&} Lachie knowing. {\c}
Dialogue: 0,0:11:53.58,0:11:54.74,Default,,0,0,0,,{\c&HFFFF00&} Didn't happen. {\c}
Dialogue: 0,0:11:54.82,0:11:57.14,Default,,0,0,0,,{\c&HFFFF00&} You've worked for Harris {\c}\N{\c&HFFFF00&} for many years. {\c}
Dialogue: 0,0:11:57.22,0:11:59.02,Default,,0,0,0,,{\c&HFFFF00&} Are you and Claire close? {\c}
Dialogue: 0,0:11:59.10,0:12:00.02,Default,,0,0,0,,{\c&HFFFF00&} Not that close. {\c}
Dialogue: 0,0:12:00.02,0:12:00.94,Default,,0,0,0,,{\c&HFFFF00&} Not that close. {\c}
Dialogue: 0,0:12:06.62,0:12:09.62,Default,,0,0,0,,{\c&HFFFF00&} Michael Novak's abandoned {\c}\N{\c&HFFFF00&} car was found on Timbertop. {\c}
Dialogue: 0,0:12:11.82,0:12:13.66,Default,,0,0,0,,{\c&HFFFF00&} Nothing to do with us. {\c}
Dialogue: 0,0:12:13.74,0:12:16.70,Default,,0,0,0,,{\c&HFFFF00&} Jean Grierson vanished from {\c}\N{\c&HFFFF00&} the Buller to Stirling Trail. {\c}
Dialogue: 0,0:12:16.78,0:12:17.86,Default,,0,0,0,,{\c&HFFFF00&} So what? {\c}
Dialogue: 0,0:12:17.94,0:12:20.02,Default,,0,0,0,,{\c&HFFFF00&} She was killed with one {\c}\N{\c&HFFFF00&} of your knives, Liam. {\c}
Dialogue: 0,0:12:20.10,0:12:22.50,Default,,0,0,0,,{\c&HFFFF00&} What's Lachie going to tell {\c}\N{\c&HFFFF00&} me when I get to question him? {\c}
Dialogue: 0,0:12:22.58,0:12:23.78,Default,,0,0,0,,{\c&HFFFF00&} Well how the fuck would I know? {\c}
Dialogue: 0,0:12:23.86,0:12:26.98,Default,,0,0,0,,{\c&HFFFF00&} What if he tells me Liam's {\c}\N{\c&HFFFF00&} never been in his car, {\c}
Dialogue: 0,0:12:27.06,0:12:28.38,Default,,0,0,0,,{\c&HFFFF00&} or that your brother's {\c}\N{\c&HFFFF00&} never driven it? {\c}
Dialogue: 0,0:12:28.46,0:12:30.06,Default,,0,0,0,,{\c&HFFFF00&} Then he's a fucking liar. {\c}
Dialogue: 0,0:12:30.14,0:12:32.02,Default,,0,0,0,,{\c&HFFFF00&} I've got one of your knives {\c}\N{\c&HFFFF00&} as the murder weapon. {\c}
Dialogue: 0,0:12:32.10,0:12:33.14,Default,,0,0,0,,{\c&HFFFF00&} We sell dozens of them. {\c}
Dialogue: 0,0:12:33.22,0:12:35.50,Default,,0,0,0,,{\c&HFFFF00&} I've got your brother's {\c}\N{\c&HFFFF00&} prints in the car {\c}
Dialogue: 0,0:12:35.58,0:12:37.22,Default,,0,0,0,,{\c&HFFFF00&} that struck Rachel Griggs. {\c}
Dialogue: 0,0:12:37.30,0:12:39.66,Default,,0,0,0,,{\c&HFFFF00&} I can now connect Rachel {\c}\N{\c&HFFFF00&} Griggs to the other victims. {\c}
Dialogue: 0,0:12:39.74,0:12:43.62,Default,,0,0,0,,{\c&HFFFF00&} This puts you boys, {\c}\N{\c&HFFFF00&} firmly in the frame, Nash. {\c}
Dialogue: 0,0:12:45.02,0:12:49.58,Default,,0,0,0,,{\c&HFFFF00&} Or maybe, Liam acted alone. {\c}
Dialogue: 0,0:12:52.78,0:12:54.62,Default,,0,0,0,,{\c&HFFFF00&} Are we done? {\c}
Dialogue: 0,0:12:56.34,0:12:58.26,Default,,0,0,0,,{\c&HFFFF00&} Can I see me brother now? {\c}
Dialogue: 0,0:12:59.34,0:13:00.02,Default,,0,0,0,,{\c&HFFFF00&} Sure. {\c}
Dialogue: 0,0:13:00.02,0:13:00.38,Default,,0,0,0,,{\c&HFFFF00&} Sure. {\c}
Dialogue: 0,0:13:06.22,0:13:08.18,Default,,0,0,0,,{\c&HFFFF00&} Let's go. {\c}
Dialogue: 0,0:13:11.70,0:13:13.42,Default,,0,0,0,,{\c&HFFFF00&} Get up. {\c}
Dialogue: 0,0:13:20.74,0:13:22.22,Default,,0,0,0,,{\c&HFFFF00&} Get onto the Darwin Police. {\c}
Dialogue: 0,0:13:22.30,0:13:24.54,Default,,0,0,0,,{\c&HFFFF00&} Make sure they've got {\c}\N{\c&HFFFF00&} a territory-wide KALOF. {\c}
Dialogue: 0,0:13:24.62,0:13:26.22,Default,,0,0,0,,{\c&HFFFF00&} Yep. {\c}
Dialogue: 0,0:13:26.30,0:13:28.42,Default,,0,0,0,,{\c&HFFFF00&} How'd you go, Sarge? {\c}\N{\c&HFFFF00&} Nothing to charge them with? {\c}
Dialogue: 0,0:13:28.50,0:13:29.42,Default,,0,0,0,,{\c&HFFFF00&} Not yet. {\c}
Dialogue: 0,0:13:29.46,0:13:32.38,Default,,0,0,0,,{\c&HFFFF00&} Until Claire Harris is caught {\c}\N{\c&HFFFF00&} and extradited back here, {\c}
Dialogue: 0,0:13:32.46,0:13:34.38,Default,,0,0,0,,{\c&HFFFF00&} there's not a lot more {\c}\N{\c&HFFFF00&} we can do. {\c}
Dialogue: 0,0:13:47.54,0:13:49.74,Default,,0,0,0,,{\c&HFFFF00&} - Where's Helen and Kirra? {\c}\N{\c&HFFFF00&} - Come in. {\c}
Dialogue: 0,0:13:53.62,0:13:55.34,Default,,0,0,0,,{\c&HFFFF00&} I'm afraid Helen doesn't {\c}\N{\c&HFFFF00&} want to talk to you. {\c}
Dialogue: 0,0:13:55.42,0:13:57.98,Default,,0,0,0,,{\c&HFFFF00&} Yeah, too bad. {\c}\N{\c&HFFFF00&} I want to talk to her. Helen! {\c}
Dialogue: 0,0:13:58.06,0:13:59.14,Default,,0,0,0,,{\c&HFFFF00&} Then you'll have to phone her. {\c}
Dialogue: 0,0:13:59.22,0:14:00.02,Default,,0,0,0,,{\c&HFFFF00&} Face to face. {\c}
Dialogue: 0,0:14:00.02,0:14:00.38,Default,,0,0,0,,{\c&HFFFF00&} Face to face. {\c}
Dialogue: 0,0:14:00.46,0:14:02.06,Default,,0,0,0,,{\c&HFFFF00&} That's not possible, Sergeant. {\c}
Dialogue: 0,0:14:02.14,0:14:04.58,Default,,0,0,0,,{\c&HFFFF00&} - Are they in the studio? {\c}\N{\c&HFFFF00&} - No, they're in Melbourne. {\c}
Dialogue: 0,0:14:04.66,0:14:05.98,Default,,0,0,0,,{\c&HFFFF00&} They left a few hours ago. {\c}
Dialogue: 0,0:14:06.06,0:14:08.06,Default,,0,0,0,,{\c&HFFFF00&} Helen has an appointment {\c}\N{\c&HFFFF00&} with Benedict Roland {\c}
Dialogue: 0,0:14:08.14,0:14:09.78,Default,,0,0,0,,{\c&HFFFF00&} at his Richmond gallery. {\c}
Dialogue: 0,0:14:10.94,0:14:14.50,Default,,0,0,0,,{\c&HFFFF00&} I can't figure you out, Rose. {\c}\N{\c&HFFFF00&} What are you up to here? {\c}
Dialogue: 0,0:14:14.78,0:14:15.78,Default,,0,0,0,,{\c&HFFFF00&} Up to? {\c}
Dialogue: 0,0:14:15.86,0:14:17.14,Default,,0,0,0,,{\c&HFFFF00&} What are you {\c}\N{\c&HFFFF00&} getting out of this? {\c}
Dialogue: 0,0:14:17.30,0:14:18.98,Default,,0,0,0,,{\c&HFFFF00&} Is it about a commission? {\c}
Dialogue: 0,0:14:19.06,0:14:21.22,Default,,0,0,0,,{\c&HFFFF00&} I respect Helen's talent, {\c}
Dialogue: 0,0:14:21.30,0:14:23.06,Default,,0,0,0,,{\c&HFFFF00&} which is a damn {\c}\N{\c&HFFFF00&} sight more than you do. {\c}
Dialogue: 0,0:14:23.14,0:14:24.22,Default,,0,0,0,,{\c&HFFFF00&} I beg your fucking pardon. {\c}
Dialogue: 0,0:14:24.30,0:14:26.22,Default,,0,0,0,,{\c&HFFFF00&} You've been using {\c}\N{\c&HFFFF00&} Helen's tragedy for years {\c}
Dialogue: 0,0:14:26.30,0:14:27.82,Default,,0,0,0,,{\c&HFFFF00&} to control her, {\c}\N{\c&HFFFF00&} to manipulate her. {\c}
Dialogue: 0,0:14:27.90,0:14:29.98,Default,,0,0,0,,{\c&HFFFF00&} Bullshit! You're the one {\c}\N{\c&HFFFF00&} manipulating her. {\c}
Dialogue: 0,0:14:30.06,0:14:31.98,Default,,0,0,0,,{\c&HFFFF00&} I've liberated Helen {\c}\N{\c&HFFFF00&} from her fear. {\c}
Dialogue: 0,0:14:32.06,0:14:34.14,Default,,0,0,0,,{\c&HFFFF00&} Best thing you can do {\c}\N{\c&HFFFF00&} for her is to let her go. {\c}
Dialogue: 0,0:14:34.22,0:14:35.38,Default,,0,0,0,,{\c&HFFFF00&} Let her pursue her dream. {\c}
Dialogue: 0,0:14:35.46,0:14:36.70,Default,,0,0,0,,{\c&HFFFF00&} I've never stopped her. {\c}
Dialogue: 0,0:14:36.78,0:14:37.58,Default,,0,0,0,,{\c&HFFFF00&} Well look at what you did, {\c}
Dialogue: 0,0:14:37.62,0:14:39.34,Default,,0,0,0,,{\c&HFFFF00&} bringing her up here {\c}\N{\c&HFFFF00&} in the middle of nowhere! {\c}
Dialogue: 0,0:14:39.42,0:14:41.78,Default,,0,0,0,,{\c&HFFFF00&} - To protect her. {\c}\N{\c&HFFFF00&} - To isolate her. {\c}
Dialogue: 0,0:14:42.62,0:14:44.70,Default,,0,0,0,,{\c&HFFFF00&} Fortunately for Helen, {\c}\N{\c&HFFFF00&} she met me. {\c}
Dialogue: 0,0:14:45.50,0:14:47.78,Default,,0,0,0,,{\c&HFFFF00&} You've been nothing but a {\c}\N{\c&HFFFF00&} crane-weight around her neck. {\c}
Dialogue: 0,0:14:49.22,0:14:50.74,Default,,0,0,0,,{\c&HFFFF00&} And you're a cunt! {\c}
Dialogue: 0,0:15:57.22,0:15:59.66,Default,,0,0,0,,{\c&HFFFF00&} I'm afraid the Historical {\c}\N{\c&HFFFF00&} Society's papers {\c}
Dialogue: 0,0:15:59.74,0:16:00.02,Default,,0,0,0,,{\c&HFFFF00&} aren't in the best of shape. {\c}
Dialogue: 0,0:16:00.02,0:16:01.98,Default,,0,0,0,,{\c&HFFFF00&} aren't in the best of shape. {\c}
Dialogue: 0,0:16:02.06,0:16:04.14,Default,,0,0,0,,{\c&HFFFF00&} We've got old papers going {\c}\N{\c&HFFFF00&} back from the 1800s. {\c}
Dialogue: 0,0:16:04.22,0:16:08.22,Default,,0,0,0,,{\c&HFFFF00&} But you just wanted stuff {\c}\N{\c&HFFFF00&} from the 1960s, right? {\c}
Dialogue: 0,0:16:08.30,0:16:09.78,Default,,0,0,0,,{\c&HFFFF00&} Yeah. {\c}
Dialogue: 0,0:16:11.42,0:16:13.34,Default,,0,0,0,,{\c&HFFFF00&} Can I ask you {\c}\N{\c&HFFFF00&} what you're looking for? {\c}
Dialogue: 0,0:16:14.34,0:16:16.14,Default,,0,0,0,,{\c&HFFFF00&} I might be able to steer you {\c}\N{\c&HFFFF00&} in the right direction. {\c}
Dialogue: 0,0:16:16.22,0:16:18.26,Default,,0,0,0,,{\c&HFFFF00&} I'm looking for anything {\c}
Dialogue: 0,0:16:18.34,0:16:21.50,Default,,0,0,0,,{\c&HFFFF00&} that is related to {\c}\N{\c&HFFFF00&} Rose De Vigny's place. {\c}
Dialogue: 0,0:16:21.58,0:16:22.98,Default,,0,0,0,,{\c&HFFFF00&} The Farm? {\c}
Dialogue: 0,0:16:23.82,0:16:25.38,Default,,0,0,0,,{\c&HFFFF00&} Why? {\c}
Dialogue: 0,0:16:26.74,0:16:29.94,Default,,0,0,0,,{\c&HFFFF00&} It's okay, Tammy. I appreciate {\c}\N{\c&HFFFF00&} you bringing all this over, {\c}
Dialogue: 0,0:16:30.02,0:16:31.74,Default,,0,0,0,,{\c&HFFFF00&} but you can just {\c}\N{\c&HFFFF00&} leave it with me. {\c}
Dialogue: 0,0:16:32.38,0:16:33.82,Default,,0,0,0,,{\c&HFFFF00&} Oh I can't do that, Andie. {\c}
Dialogue: 0,0:16:34.46,0:16:36.18,Default,,0,0,0,,{\c&HFFFF00&} These are original documents. {\c}
Dialogue: 0,0:16:38.22,0:16:41.22,Default,,0,0,0,,{\c&HFFFF00&} All these missing people, {\c}\N{\c&HFFFF00&} and Jean Grierson, {\c}
Dialogue: 0,0:16:41.30,0:16:43.22,Default,,0,0,0,,{\c&HFFFF00&} the murdered hiker. {\c}
Dialogue: 0,0:16:43.30,0:16:46.38,Default,,0,0,0,,{\c&HFFFF00&} It's possible it's got {\c}\N{\c&HFFFF00&} something to do with The Farm. {\c}
Dialogue: 0,0:16:46.46,0:16:49.18,Default,,0,0,0,,{\c&HFFFF00&} I dunno what exactly or how. {\c}
Dialogue: 0,0:16:49.94,0:16:51.30,Default,,0,0,0,,{\c&HFFFF00&} Okay. {\c}
Dialogue: 0,0:16:51.86,0:16:53.70,Default,,0,0,0,,{\c&HFFFF00&} Okay! {\c}
Dialogue: 0,0:17:08.74,0:17:09.94,Default,,0,0,0,,{\c&HFFFF00&} Kirra? {\c}
Dialogue: 0,0:17:32.66,0:17:33.90,Default,,0,0,0,,{\c&HFFFF00&} Hey... {\c}
Dialogue: 0,0:17:35.58,0:17:38.86,Default,,0,0,0,,{\c&HFFFF00&} It's cold, {\c}\N{\c&HFFFF00&} you shouldn't be outside. {\c}
Dialogue: 0,0:17:39.50,0:17:41.10,Default,,0,0,0,,{\c&HFFFF00&} I can't sleep. {\c}
Dialogue: 0,0:17:41.18,0:17:43.34,Default,,0,0,0,,{\c&HFFFF00&} I didn't want to wake {\c}\N{\c&HFFFF00&} anyone in the house. {\c}
Dialogue: 0,0:17:44.42,0:17:45.86,Default,,0,0,0,,{\c&HFFFF00&} Here. {\c}
Dialogue: 0,0:17:46.90,0:17:48.98,Default,,0,0,0,,{\c&HFFFF00&} Thank you. {\c}
Dialogue: 0,0:17:51.90,0:17:53.90,Default,,0,0,0,,{\c&HFFFF00&} Sophie, when did you {\c}\N{\c&HFFFF00&} have your baby? {\c}
Dialogue: 0,0:17:57.38,0:17:59.82,Default,,0,0,0,,{\c&HFFFF00&} Sophie, what happened? {\c}
Dialogue: 0,0:18:03.18,0:18:09.94,Default,,0,0,0,,{\c&HFFFF00&} I, I went into labour {\c}\N{\c&HFFFF00&} two nights ago. {\c}
Dialogue: 0,0:18:10.78,0:18:14.30,Default,,0,0,0,,{\c&HFFFF00&} - One month premature. {\c}\N{\c&HFFFF00&} - The baby? {\c}
Dialogue: 0,0:18:21.10,0:18:23.22,Default,,0,0,0,,{\c&HFFFF00&} Oh, you poor thing. {\c}
Dialogue: 0,0:18:24.58,0:18:26.78,Default,,0,0,0,,{\c&HFFFF00&} You're not alone in this. {\c}
Dialogue: 0,0:18:28.10,0:18:32.30,Default,,0,0,0,,{\c&HFFFF00&} You've got support. {\c}\N{\c&HFFFF00&} You've got your Aunt Rose. {\c}
Dialogue: 0,0:18:32.38,0:18:35.22,Default,,0,0,0,,{\c&HFFFF00&} She's not really my aunt, {\c}\N{\c&HFFFF00&} I um... {\c}
Dialogue: 0,0:18:37.62,0:18:40.34,Default,,0,0,0,,{\c&HFFFF00&} I got pregnant in the city, {\c}
Dialogue: 0,0:18:41.14,0:18:44.58,Default,,0,0,0,,{\c&HFFFF00&} and then I met Claire Harris {\c}\N{\c&HFFFF00&} at the City Mission. {\c}
Dialogue: 0,0:18:45.62,0:18:49.34,Default,,0,0,0,,{\c&HFFFF00&} She's a charity worker there, {\c}\N{\c&HFFFF00&} and she was real kind. {\c}
Dialogue: 0,0:18:50.70,0:18:52.86,Default,,0,0,0,,{\c&HFFFF00&} She told me about this place, {\c}
Dialogue: 0,0:18:52.94,0:18:55.18,Default,,0,0,0,,{\c&HFFFF00&} and said that it would {\c}\N{\c&HFFFF00&} be a safe place {\c}
Dialogue: 0,0:18:55.26,0:18:57.78,Default,,0,0,0,,{\c&HFFFF00&} where I could have my baby. {\c}
Dialogue: 0,0:19:00.78,0:19:04.42,Default,,0,0,0,,{\c&HFFFF00&} I didn't even get to {\c}\N{\c&HFFFF00&} hold him and oh... {\c}
Dialogue: 0,0:19:04.50,0:19:05.78,Default,,0,0,0,,{\c&HFFFF00&} What? {\c}
Dialogue: 0,0:19:06.62,0:19:10.54,Default,,0,0,0,,{\c&HFFFF00&} Rose, she rushed him {\c}\N{\c&HFFFF00&} out when he wasn't breathing. {\c}
Dialogue: 0,0:19:11.38,0:19:12.70,Default,,0,0,0,,{\c&HFFFF00&} Afterwards she said it, {\c}
Dialogue: 0,0:19:12.78,0:19:16.26,Default,,0,0,0,,{\c&HFFFF00&} it'd be for the best {\c}\N{\c&HFFFF00&} that I didn't see him. {\c}
Dialogue: 0,0:19:16.34,0:19:20.14,Default,,0,0,0,,{\c&HFFFF00&} Oh, no, no, no, you, {\c}\N{\c&HFFFF00&} you need closer. {\c}
Dialogue: 0,0:19:22.42,0:19:25.46,Default,,0,0,0,,{\c&HFFFF00&} I'll talk to Rose in the morning {\c}
Dialogue: 0,0:19:25.54,0:19:27.46,Default,,0,0,0,,{\c&HFFFF00&} and I'll see if I {\c}\N{\c&HFFFF00&} can sort something. {\c}
Dialogue: 0,0:19:27.54,0:19:29.18,Default,,0,0,0,,{\c&HFFFF00&} I promise. {\c}
Dialogue: 0,0:19:47.74,0:19:49.38,Default,,0,0,0,,{\c&HFFFF00&} Here's something. {\c}
Dialogue: 0,0:19:50.78,0:19:53.02,Default,,0,0,0,,{\c&HFFFF00&} It's the old {\c}\N{\c&HFFFF00&} Brokenridge Gazette. {\c}
Dialogue: 0,0:19:54.70,0:19:57.70,Default,,0,0,0,,{\c&HFFFF00&} It's an article from June '74. {\c}
Dialogue: 0,0:19:59.98,0:20:00.02,Default,,0,0,0,,{\c&HFFFF00&} Before it was an orchard. {\c}
Dialogue: 0,0:20:00.02,0:20:01.54,Default,,0,0,0,,{\c&HFFFF00&} Before it was an orchard. {\c}
Dialogue: 0,0:20:01.62,0:20:04.22,Default,,0,0,0,,{\c&HFFFF00&} When it was still {\c}\N{\c&HFFFF00&} an artist collective. {\c}
Dialogue: 0,0:20:04.30,0:20:06.98,Default,,0,0,0,,{\c&HFFFF00&} - That's Rose. {\c}\N{\c&HFFFF00&} - Yeah. {\c}
Dialogue: 0,0:20:12.06,0:20:13.82,Default,,0,0,0,,{\c&HFFFF00&} Max Phillips. {\c}
Dialogue: 0,0:20:36.54,0:20:37.90,Default,,0,0,0,,{\c&HFFFF00&} Solomon? {\c}
Dialogue: 0,0:21:04.50,0:21:05.78,Default,,0,0,0,,{\c&HFFFF00&} Good morning. {\c}
Dialogue: 0,0:21:12.22,0:21:13.54,Default,,0,0,0,,{\c&HFFFF00&} Stay the fuck {\c}\N{\c&HFFFF00&} away from him. {\c}
Dialogue: 0,0:21:13.62,0:21:16.10,Default,,0,0,0,,{\c&HFFFF00&} It's not like I forced {\c}\N{\c&HFFFF00&} him to come up here. {\c}
Dialogue: 0,0:21:16.18,0:21:19.30,Default,,0,0,0,,{\c&HFFFF00&} You've had your perverted {\c}\N{\c&HFFFF00&} claws in Liam for years now. {\c}
Dialogue: 0,0:21:19.38,0:21:21.90,Default,,0,0,0,,{\c&HFFFF00&} I offered your brother a {\c}\N{\c&HFFFF00&} sanctuary when he needed it. {\c}
Dialogue: 0,0:21:21.98,0:21:23.46,Default,,0,0,0,,{\c&HFFFF00&} My old man never made Liam {\c}
Dialogue: 0,0:21:23.54,0:21:25.58,Default,,0,0,0,,{\c&HFFFF00&} mow someone down {\c}\N{\c&HFFFF00&} on the fucking road! {\c}
Dialogue: 0,0:21:25.66,0:21:28.70,Default,,0,0,0,,{\c&HFFFF00&} Why the fuck would you {\c}\N{\c&HFFFF00&} want Rachel Griggs dead? {\c}
Dialogue: 0,0:21:28.78,0:21:31.14,Default,,0,0,0,,{\c&HFFFF00&} If you really want {\c}\N{\c&HFFFF00&} to protect your brother, {\c}
Dialogue: 0,0:21:31.22,0:21:32.86,Default,,0,0,0,,{\c&HFFFF00&} I wouldn't go spreading that. {\c}
Dialogue: 0,0:21:32.94,0:21:36.82,Default,,0,0,0,,{\c&HFFFF00&} I'd hate for Liam to spend {\c}\N{\c&HFFFF00&} the rest of his life in prison, {\c}
Dialogue: 0,0:21:36.90,0:21:39.14,Default,,0,0,0,,{\c&HFFFF00&} after everything {\c}\N{\c&HFFFF00&} he's been through. {\c}
Dialogue: 0,0:21:52.30,0:21:55.14,Default,,0,0,0,,{\c&HFFFF00&} Oh shit! Kee! {\c}\N{\c&HFFFF00&} Where the hell are you? {\c}
Dialogue: 0,0:21:56.98,0:21:58.70,Default,,0,0,0,,{\c&HFFFF00&} Kirra? {\c}
Dialogue: 0,0:21:58.78,0:22:00.02,Default,,0,0,0,,{\c&HFFFF00&} No, only me. I thought I saw {\c}\N{\c&HFFFF00&} you up in the house just now. {\c}
Dialogue: 0,0:22:00.02,0:22:02.18,Default,,0,0,0,,{\c&HFFFF00&} No, only me. I thought I saw {\c}\N{\c&HFFFF00&} you up in the house just now. {\c}
Dialogue: 0,0:22:02.26,0:22:04.86,Default,,0,0,0,,{\c&HFFFF00&} - Were you looking for me? {\c}\N{\c&HFFFF00&} - Oh, I was looking for Kirra. {\c}
Dialogue: 0,0:22:04.94,0:22:06.38,Default,,0,0,0,,{\c&HFFFF00&} Maybe she's just gone for {\c}\N{\c&HFFFF00&} a walk in the orchard. {\c}
Dialogue: 0,0:22:06.46,0:22:09.94,Default,,0,0,0,,{\c&HFFFF00&} She's left her phone behind, {\c}\N{\c&HFFFF00&} so yeah, she can't of gone far. {\c}
Dialogue: 0,0:22:15.58,0:22:17.30,Default,,0,0,0,,{\c&HFFFF00&} Mum! {\c}
Dialogue: 0,0:22:18.26,0:22:19.18,Default,,0,0,0,,{\c&HFFFF00&} Kee? {\c}
Dialogue: 0,0:22:19.22,0:22:21.38,Default,,0,0,0,,{\c&HFFFF00&} You fucking weirdo. {\c}\N{\c&HFFFF00&} Get off me. {\c}
Dialogue: 0,0:22:21.46,0:22:23.14,Default,,0,0,0,,{\c&HFFFF00&} Hey! You let her go! {\c}
Dialogue: 0,0:22:24.02,0:22:26.50,Default,,0,0,0,,{\c&HFFFF00&} One more word out of you {\c}\N{\c&HFFFF00&} and I'll snap her fucking neck. {\c}
Dialogue: 0,0:22:28.86,0:22:31.70,Default,,0,0,0,,{\c&HFFFF00&} Rose! Rose! Rose? {\c}
Dialogue: 0,0:22:31.78,0:22:33.10,Default,,0,0,0,,{\c&HFFFF00&} Get in the ute, Helen. {\c}
Dialogue: 0,0:22:33.18,0:22:34.90,Default,,0,0,0,,{\c&HFFFF00&} Wha... Rose? {\c}
Dialogue: 0,0:22:35.58,0:22:37.78,Default,,0,0,0,,{\c&HFFFF00&} - Put her in the car. {\c}\N{\c&HFFFF00&} - Hang on. {\c}
Dialogue: 0,0:22:37.86,0:22:38.94,Default,,0,0,0,,{\c&HFFFF00&} What? {\c}
Dialogue: 0,0:22:39.78,0:22:40.78,Default,,0,0,0,,{\c&HFFFF00&} We didn't sign up for this shit. {\c}
Dialogue: 0,0:22:40.82,0:22:42.14,Default,,0,0,0,,{\c&HFFFF00&} Want her going to the cops? {\c}
Dialogue: 0,0:22:42.54,0:22:44.46,Default,,0,0,0,,{\c&HFFFF00&} What the fuck is going on, Rose? {\c}
Dialogue: 0,0:22:45.34,0:22:46.90,Default,,0,0,0,,{\c&HFFFF00&} This is fucked. {\c}
Dialogue: 0,0:22:46.98,0:22:49.78,Default,,0,0,0,,{\c&HFFFF00&} You brought this on yourself. {\c}\N{\c&HFFFF00&} Now clean up your own mess. {\c}
Dialogue: 0,0:22:49.86,0:22:51.22,Default,,0,0,0,,{\c&HFFFF00&} Kirra? {\c}
Dialogue: 0,0:22:52.98,0:22:55.46,Default,,0,0,0,,{\c&HFFFF00&} Kirra, it's okay. {\c}
Dialogue: 0,0:23:03.54,0:23:05.50,Default,,0,0,0,,{\c&HFFFF00&} That's the title deed {\c}\N{\c&HFFFF00&} for The Farm. {\c}
Dialogue: 0,0:23:05.58,0:23:09.98,Default,,0,0,0,,{\c&HFFFF00&} It was purchased in 1982 by {\c}\N{\c&HFFFF00&} Artemis Fidelity Holdings. {\c}
Dialogue: 0,0:23:10.98,0:23:13.74,Default,,0,0,0,,{\c&HFFFF00&} They're all part of this {\c}\N{\c&HFFFF00&} baby trafficking racket. {\c}
Dialogue: 0,0:23:17.06,0:23:20.02,Default,,0,0,0,,{\c&HFFFF00&} But Claire and Miers {\c}\N{\c&HFFFF00&} are still alive? {\c}
Dialogue: 0,0:23:20.10,0:23:21.70,Default,,0,0,0,,{\c&HFFFF00&} Yeah, they faked {\c}\N{\c&HFFFF00&} their own disappearance. {\c}
Dialogue: 0,0:23:21.78,0:23:23.86,Default,,0,0,0,,{\c&HFFFF00&} They probably knew the {\c}\N{\c&HFFFF00&} shit was going to hit the fan. {\c}
Dialogue: 0,0:23:27.46,0:23:32.14,Default,,0,0,0,,{\c&HFFFF00&} So, um, who killed the others? {\c}
Dialogue: 0,0:23:32.22,0:23:34.30,Default,,0,0,0,,{\c&HFFFF00&} Rose de Vigny. {\c}\N{\c&HFFFF00&} She's the only one left. {\c}
Dialogue: 0,0:23:34.38,0:23:36.94,Default,,0,0,0,,{\c&HFFFF00&} Because I reckon it all {\c}\N{\c&HFFFF00&} happened up at The Farm. {\c}
Dialogue: 0,0:23:37.02,0:23:39.14,Default,,0,0,0,,{\c&HFFFF00&} That's where the {\c}\N{\c&HFFFF00&} babies were born. {\c}
Dialogue: 0,0:23:39.22,0:23:40.54,Default,,0,0,0,,{\c&HFFFF00&} Why would they do it? {\c}
Dialogue: 0,0:23:40.62,0:23:42.30,Default,,0,0,0,,{\c&HFFFF00&} Look at the financials. {\c}
Dialogue: 0,0:23:42.38,0:23:45.78,Default,,0,0,0,,{\c&HFFFF00&} They made serious money and {\c}\N{\c&HFFFF00&} now she's cleaning house. {\c}
Dialogue: 0,0:23:47.38,0:23:51.90,Default,,0,0,0,,{\c&HFFFF00&} Some impressive {\c}\N{\c&HFFFF00&} detective work, Sergeant. {\c}
Dialogue: 0,0:23:51.98,0:23:54.50,Default,,0,0,0,,{\c&HFFFF00&} Thanks, means a lot {\c}\N{\c&HFFFF00&} coming from you. {\c}
Dialogue: 0,0:23:56.22,0:23:57.62,Default,,0,0,0,,{\c&HFFFF00&} It shouldn't! {\c}
Dialogue: 0,0:23:57.70,0:24:00.02,Default,,0,0,0,,{\c&HFFFF00&} Rose de Vigny's {\c}\N{\c&HFFFF00&} been doing all of this {\c}
Dialogue: 0,0:24:00.02,0:24:00.22,Default,,0,0,0,,{\c&HFFFF00&} Rose de Vigny's {\c}\N{\c&HFFFF00&} been doing all of this {\c}
Dialogue: 0,0:24:00.30,0:24:02.78,Default,,0,0,0,,{\c&HFFFF00&} for years under my watch. {\c}
Dialogue: 0,0:24:03.42,0:24:05.66,Default,,0,0,0,,{\c&HFFFF00&} She sucked Helen in too. {\c}
Dialogue: 0,0:24:06.90,0:24:08.18,Default,,0,0,0,,{\c&HFFFF00&} Where you going? {\c}
Dialogue: 0,0:24:08.26,0:24:11.50,Default,,0,0,0,,{\c&HFFFF00&} Get a search warrant and then {\c}\N{\c&HFFFF00&} I'm going to arrest the bitch. {\c}
Dialogue: 0,0:24:11.58,0:24:15.10,Default,,0,0,0,,{\c&HFFFF00&} Andie, be careful. {\c}
Dialogue: 0,0:24:18.22,0:24:19.38,Default,,0,0,0,,{\c&HFFFF00&} Sergeant Whitford. {\c}
Dialogue: 0,0:24:19.46,0:24:21.30,Default,,0,0,0,,{\c&HFFFF00&} The Masons have got {\c}\N{\c&HFFFF00&} Helen and your daughter. {\c}
Dialogue: 0,0:24:21.38,0:24:22.30,Default,,0,0,0,,{\c&HFFFF00&} What? {\c}
Dialogue: 0,0:24:22.34,0:24:24.38,Default,,0,0,0,,{\c&HFFFF00&} I saw them in their ute {\c}\N{\c&HFFFF00&} driving down the mountain. {\c}
Dialogue: 0,0:24:24.46,0:24:26.18,Default,,0,0,0,,{\c&HFFFF00&} Is this some more of {\c}\N{\c&HFFFF00&} your psychic bullshit? {\c}
Dialogue: 0,0:24:26.26,0:24:27.06,Default,,0,0,0,,{\c&HFFFF00&} Because I'm over it. {\c}
Dialogue: 0,0:24:27.10,0:24:28.42,Default,,0,0,0,,{\c&HFFFF00&} They nearly ran me off the road. {\c}
Dialogue: 0,0:24:28.50,0:24:29.98,Default,,0,0,0,,{\c&HFFFF00&} Helen and Kirra {\c}\N{\c&HFFFF00&} are in Melbourne. {\c}
Dialogue: 0,0:24:30.06,0:24:31.10,Default,,0,0,0,,{\c&HFFFF00&} Is that what Rose told you? {\c}
Dialogue: 0,0:24:31.18,0:24:33.98,Default,,0,0,0,,{\c&HFFFF00&} Look, I am standing in the {\c}\N{\c&HFFFF00&} shed next to Helen's car. {\c}
Dialogue: 0,0:24:34.06,0:24:36.26,Default,,0,0,0,,{\c&HFFFF00&} If you don't believe me, {\c}\N{\c&HFFFF00&} I can send you a photo. {\c}
Dialogue: 0,0:24:41.82,0:24:43.78,Default,,0,0,0,,{\c&HFFFF00&} They've got Helen and Kirra. {\c}
Dialogue: 0,0:24:43.86,0:24:46.30,Default,,0,0,0,,{\c&HFFFF00&} Alert Mansfield, put a {\c}\N{\c&HFFFF00&} KALOF out on their ute. {\c}
Dialogue: 0,0:24:46.38,0:24:48.26,Default,,0,0,0,,{\c&HFFFF00&} I'm heading to the {\c}\N{\c&HFFFF00&} Mason's property now. {\c}
Dialogue: 0,0:24:48.34,0:24:49.34,Default,,0,0,0,,{\c&HFFFF00&} Copy that. {\c}
Dialogue: 0,0:26:33.34,0:26:36.66,Default,,0,0,0,,{\c&HFFFF00&} No, no, no, no, no! {\c}\N{\c&HFFFF00&} Fuck! {\c}
Dialogue: 0,0:27:14.86,0:27:16.42,Default,,0,0,0,,{\c&HFFFF00&} No! No! {\c}
Dialogue: 0,0:27:16.94,0:27:19.22,Default,,0,0,0,,{\c&HFFFF00&} Hey, no, don't! {\c}\N{\c&HFFFF00&} Just let her go. {\c}
Dialogue: 0,0:27:19.30,0:27:21.62,Default,,0,0,0,,{\c&HFFFF00&} - I can't... {\c}\N{\c&HFFFF00&} - Kirra! {\c}
Dialogue: 0,0:27:23.22,0:27:24.66,Default,,0,0,0,,{\c&HFFFF00&} Run, Kirra, run! {\c}
Dialogue: 0,0:27:24.74,0:27:27.02,Default,,0,0,0,,{\c&HFFFF00&} Run Kirra! Run Kirra! {\c}
Dialogue: 0,0:27:29.34,0:27:30.94,Default,,0,0,0,,{\c&HFFFF00&} No! {\c}
Dialogue: 0,0:27:40.18,0:27:41.70,Default,,0,0,0,,{\c&HFFFF00&} Yeah, copy that. {\c}
Dialogue: 0,0:28:02.14,0:28:03.62,Default,,0,0,0,,{\c&HFFFF00&} What are you doing? {\c}
Dialogue: 0,0:28:04.06,0:28:06.42,Default,,0,0,0,,{\c&HFFFF00&} What's it look like? {\c}\N{\c&HFFFF00&} Tie the kid up. {\c}
Dialogue: 0,0:28:06.50,0:28:08.66,Default,,0,0,0,,{\c&HFFFF00&} Why? I thought we were just {\c}\N{\c&HFFFF00&} going to fucking do 'em in. {\c}
Dialogue: 0,0:28:09.06,0:28:10.18,Default,,0,0,0,,{\c&HFFFF00&} We're going to leave them here. {\c}
Dialogue: 0,0:28:10.26,0:28:11.18,Default,,0,0,0,,{\c&HFFFF00&} Well someone {\c}\N{\c&HFFFF00&} will find them. {\c}
Dialogue: 0,0:28:11.22,0:28:13.54,Default,,0,0,0,,{\c&HFFFF00&} Yeah, in a few days, {\c}
Dialogue: 0,0:28:13.62,0:28:16.78,Default,,0,0,0,,{\c&HFFFF00&} which will give us time {\c}\N{\c&HFFFF00&} to get the fuck away. {\c}
Dialogue: 0,0:28:16.86,0:28:18.62,Default,,0,0,0,,{\c&HFFFF00&} You should listen {\c}\N{\c&HFFFF00&} to your brother. {\c}
Dialogue: 0,0:28:18.70,0:28:20.38,Default,,0,0,0,,{\c&HFFFF00&} And you should shut the fuck up! {\c}
Dialogue: 0,0:28:21.58,0:28:24.42,Default,,0,0,0,,{\c&HFFFF00&} If you don't have the balls, {\c}\N{\c&HFFFF00&} I'll do 'em both myself. {\c}
Dialogue: 0,0:28:27.90,0:28:29.06,Default,,0,0,0,,{\c&HFFFF00&} Fuck this! {\c}
Dialogue: 0,0:28:37.86,0:28:39.06,Default,,0,0,0,,{\c&HFFFF00&} This is Mansfield. {\c}
Dialogue: 0,0:28:39.14,0:28:40.66,Default,,0,0,0,,{\c&HFFFF00&} We've got a couple {\c}\N{\c&HFFFF00&} of units responding. {\c}
Dialogue: 0,0:28:44.26,0:28:47.06,Default,,0,0,0,,{\c&HFFFF00&} I spent my whole life {\c}\N{\c&HFFFF00&} trying to protect you. {\c}
Dialogue: 0,0:28:47.14,0:28:49.42,Default,,0,0,0,,{\c&HFFFF00&} Yeah? {\c}\N{\c&HFFFF00&} Well you did a shit job. {\c}
Dialogue: 0,0:28:49.50,0:28:50.94,Default,,0,0,0,,{\c&HFFFF00&} He punched my fucking brains in. {\c}
Dialogue: 0,0:28:51.02,0:28:53.66,Default,,0,0,0,,{\c&HFFFF00&} Don't blame me {\c}\N{\c&HFFFF00&} for what the old man did. {\c}
Dialogue: 0,0:28:53.74,0:28:56.02,Default,,0,0,0,,{\c&HFFFF00&} - He did a lot worse too. {\c}\N{\c&HFFFF00&} - I don't want to hear it. {\c}
Dialogue: 0,0:28:56.10,0:28:58.50,Default,,0,0,0,,{\c&HFFFF00&} You let him fuck me up so {\c}\N{\c&HFFFF00&} he wouldn't come after you. {\c}
Dialogue: 0,0:29:00.10,0:29:02.94,Default,,0,0,0,,{\c&HFFFF00&} - Bullshit. {\c}\N{\c&HFFFF00&} - You knows it's true, Nash. {\c}
Dialogue: 0,0:29:11.82,0:29:13.38,Default,,0,0,0,,{\c&HFFFF00&} Shit! {\c}
Dialogue: 0,0:29:13.46,0:29:14.78,Default,,0,0,0,,{\c&HFFFF00&} Cops! {\c}
Dialogue: 0,0:29:21.94,0:29:23.46,Default,,0,0,0,,{\c&HFFFF00&} This is Sergeant Whitford! {\c}
Dialogue: 0,0:29:24.02,0:29:28.66,Default,,0,0,0,,{\c&HFFFF00&} Nash, Liam! I know you've got {\c}\N{\c&HFFFF00&} Helen and Kirra there with you. {\c}
Dialogue: 0,0:29:32.18,0:29:34.50,Default,,0,0,0,,{\c&HFFFF00&} I want you to send {\c}\N{\c&HFFFF00&} them out safely, {\c}
Dialogue: 0,0:29:35.54,0:29:37.14,Default,,0,0,0,,{\c&HFFFF00&} and then we can {\c}\N{\c&HFFFF00&} figure something out. {\c}
Dialogue: 0,0:29:44.82,0:29:46.26,Default,,0,0,0,,{\c&HFFFF00&} We're not giving ourselves up. {\c}
Dialogue: 0,0:29:46.34,0:29:47.94,Default,,0,0,0,,{\c&HFFFF00&} Yeah, well, we're not {\c}\N{\c&HFFFF00&} doing a hostage situation. {\c}
Dialogue: 0,0:29:48.02,0:29:49.50,Default,,0,0,0,,{\c&HFFFF00&} That's 30 years jail. {\c}
Dialogue: 0,0:29:51.14,0:29:54.94,Default,,0,0,0,,{\c&HFFFF00&} Don't make this situation worse. {\c}\N{\c&HFFFF00&} You've got nowhere to go. {\c}
Dialogue: 0,0:30:03.90,0:30:05.90,Default,,0,0,0,,{\c&HFFFF00&} Should've left when {\c}\N{\c&HFFFF00&} I said, mate. {\c}
Dialogue: 0,0:30:07.02,0:30:08.14,Default,,0,0,0,,{\c&HFFFF00&} No choice now. {\c}
Dialogue: 0,0:30:08.22,0:30:09.58,Default,,0,0,0,,{\c&HFFFF00&} You do what you want, {\c}
Dialogue: 0,0:30:09.66,0:30:12.02,Default,,0,0,0,,{\c&HFFFF00&} but I'm walking out this door, {\c}\N{\c&HFFFF00&} getting in that ute, {\c}
Dialogue: 0,0:30:12.10,0:30:15.18,Default,,0,0,0,,{\c&HFFFF00&} and I'm driving away, {\c}\N{\c&HFFFF00&} with this bitch! {\c}
Dialogue: 0,0:30:15.26,0:30:18.54,Default,,0,0,0,,{\c&HFFFF00&} No, no, don't! {\c}\N{\c&HFFFF00&} Leave her. Take me! {\c}
Dialogue: 0,0:30:21.38,0:30:22.98,Default,,0,0,0,,{\c&HFFFF00&} No don't! Take me! {\c}
Dialogue: 0,0:30:24.10,0:30:26.06,Default,,0,0,0,,{\c&HFFFF00&} Please don't make {\c}\N{\c&HFFFF00&} me shoot you, Nash. {\c}
Dialogue: 0,0:30:26.58,0:30:27.86,Default,,0,0,0,,{\c&HFFFF00&} Because I'll do it. {\c}
Dialogue: 0,0:30:32.66,0:30:34.34,Default,,0,0,0,,{\c&HFFFF00&} I'll do it. {\c}
Dialogue: 0,0:30:51.78,0:30:53.86,Default,,0,0,0,,{\c&HFFFF00&} You cops better {\c}\N{\c&HFFFF00&} put your guns down. {\c}
Dialogue: 0,0:30:54.38,0:30:56.58,Default,,0,0,0,,{\c&HFFFF00&} I'll shoot her in {\c}\N{\c&HFFFF00&} the fucking head. {\c}
Dialogue: 0,0:31:03.06,0:31:04.38,Default,,0,0,0,,{\c&HFFFF00&} Lower your weapons. {\c}
Dialogue: 0,0:31:06.46,0:31:07.46,Default,,0,0,0,,{\c&HFFFF00&} Do it! {\c}
Dialogue: 0,0:31:09.66,0:31:11.66,Default,,0,0,0,,{\c&HFFFF00&} Andie! {\c}
Dialogue: 0,0:31:12.50,0:31:14.18,Default,,0,0,0,,{\c&HFFFF00&} It's gonna be okay, Kee. {\c}
Dialogue: 0,0:31:17.46,0:31:19.62,Default,,0,0,0,,{\c&HFFFF00&} Now I'm getting {\c}\N{\c&HFFFF00&} in this ute, {\c}
Dialogue: 0,0:31:19.70,0:31:21.18,Default,,0,0,0,,{\c&HFFFF00&} and if you follow me, {\c}
Dialogue: 0,0:31:21.26,0:31:25.22,Default,,0,0,0,,{\c&HFFFF00&} if I so much as see a {\c}\N{\c&HFFFF00&} cop car or a chopper, {\c}
Dialogue: 0,0:31:25.30,0:31:27.62,Default,,0,0,0,,{\c&HFFFF00&} I'll fucking put {\c}\N{\c&HFFFF00&} a bullet in her. {\c}
Dialogue: 0,0:31:35.38,0:31:36.38,Default,,0,0,0,,{\c&HFFFF00&} Liam! {\c}
Dialogue: 0,0:31:36.78,0:31:37.86,Default,,0,0,0,,{\c&HFFFF00&} Kirra! {\c}
Dialogue: 0,0:31:37.94,0:31:39.26,Default,,0,0,0,,{\c&HFFFF00&} Nash, {\c}\N{\c&HFFFF00&} hold it right there. {\c}
Dialogue: 0,0:31:46.42,0:31:47.34,Default,,0,0,0,,{\c&HFFFF00&} Liam! {\c}
Dialogue: 0,0:31:47.38,0:31:49.18,Default,,0,0,0,,{\c&HFFFF00&} Down you go! {\c}
Dialogue: 0,0:31:52.78,0:31:56.34,Default,,0,0,0,,{\c&HFFFF00&} - You okay? {\c}\N{\c&HFFFF00&} - My shoulder. {\c}
Dialogue: 0,0:32:20.18,0:32:22.26,Default,,0,0,0,,{\c&HFFFF00&} I'm right here, Kirra. {\c}
Dialogue: 0,0:32:27.50,0:32:30.38,Default,,0,0,0,,{\c&HFFFF00&} - She'll be fine. {\c}\N{\c&HFFFF00&} - Thanks to you. {\c}
Dialogue: 0,0:32:31.94,0:32:34.62,Default,,0,0,0,,{\c&HFFFF00&} I can't believe I fell {\c}\N{\c&HFFFF00&} for Rose's bullshit. {\c}
Dialogue: 0,0:32:38.38,0:32:40.02,Default,,0,0,0,,{\c&HFFFF00&} What happens now? {\c}
Dialogue: 0,0:32:40.10,0:32:42.54,Default,,0,0,0,,{\c&HFFFF00&} Oh, I'm going to arrest her. {\c}
Dialogue: 0,0:32:43.34,0:32:44.70,Default,,0,0,0,,{\c&HFFFF00&} Then we'll talk? {\c}
Dialogue: 0,0:32:46.46,0:32:48.14,Default,,0,0,0,,{\c&HFFFF00&} Are you here to collect Sam? {\c}
Dialogue: 0,0:32:48.22,0:32:49.82,Default,,0,0,0,,{\c&HFFFF00&} Ah, no. Why? {\c}
Dialogue: 0,0:32:49.90,0:32:52.74,Default,,0,0,0,,{\c&HFFFF00&} Oh, he checked himself out and {\c}\N{\c&HFFFF00&} said he was getting picked up. {\c}
Dialogue: 0,0:32:53.98,0:32:56.10,Default,,0,0,0,,{\c&HFFFF00&} - Oh shit! {\c}\N{\c&HFFFF00&} - What is it? {\c}
Dialogue: 0,0:32:56.18,0:32:58.14,Default,,0,0,0,,{\c&HFFFF00&} Silly old bugger's trying {\c}\N{\c&HFFFF00&} to protect me again. {\c}
Dialogue: 0,0:32:58.22,0:33:00.02,Default,,0,0,0,,{\c&HFFFF00&} - Keep me updated. {\c}\N{\c&HFFFF00&} - Yeah, of course. {\c}
Dialogue: 0,0:33:00.02,0:33:00.34,Default,,0,0,0,,{\c&HFFFF00&} - Keep me updated. {\c}\N{\c&HFFFF00&} - Yeah, of course. {\c}
Dialogue: 0,0:33:34.46,0:33:36.90,Default,,0,0,0,,{\c&HFFFF00&} I don't understand why {\c}\N{\c&HFFFF00&} we have to traipse all this way. {\c}
Dialogue: 0,0:33:36.98,0:33:39.82,Default,,0,0,0,,{\c&HFFFF00&} Just keep moving. {\c}\N{\c&HFFFF00&} Come on. Hurry up. {\c}
Dialogue: 0,0:33:39.90,0:33:43.46,Default,,0,0,0,,{\c&HFFFF00&} If you know who abducted {\c}\N{\c&HFFFF00&} me, why can't you just tell me? {\c}
Dialogue: 0,0:33:44.22,0:33:46.58,Default,,0,0,0,,{\c&HFFFF00&} What the hell is this all about? {\c}
Dialogue: 0,0:33:47.42,0:33:49.18,Default,,0,0,0,,{\c&HFFFF00&} It's about Artemis. {\c}
Dialogue: 0,0:33:49.26,0:33:51.82,Default,,0,0,0,,{\c&HFFFF00&} I have no idea what {\c}\N{\c&HFFFF00&} you're talking about. {\c}
Dialogue: 0,0:33:52.78,0:33:54.50,Default,,0,0,0,,{\c&HFFFF00&} It never crossed your mind? {\c}
Dialogue: 0,0:33:54.58,0:33:57.02,Default,,0,0,0,,{\c&HFFFF00&} All the lives {\c}\N{\c&HFFFF00&} you were destroying. {\c}
Dialogue: 0,0:33:57.54,0:33:59.82,Default,,0,0,0,,{\c&HFFFF00&} There were unwanted {\c}\N{\c&HFFFF00&} pregnancies, Sam. {\c}
Dialogue: 0,0:33:59.90,0:34:00.02,Default,,0,0,0,,{\c&HFFFF00&} Those girls couldn't {\c}\N{\c&HFFFF00&} look after their babies. {\c}
Dialogue: 0,0:34:00.02,0:34:01.66,Default,,0,0,0,,{\c&HFFFF00&} Those girls couldn't {\c}\N{\c&HFFFF00&} look after their babies. {\c}
Dialogue: 0,0:34:01.74,0:34:04.34,Default,,0,0,0,,{\c&HFFFF00&} I was helping them. {\c}\N{\c&HFFFF00&} Everyone benefited. {\c}
Dialogue: 0,0:34:04.42,0:34:05.82,Default,,0,0,0,,{\c&HFFFF00&} You're so fucking deluded. {\c}
Dialogue: 0,0:34:05.90,0:34:07.94,Default,,0,0,0,,{\c&HFFFF00&} What have I {\c}\N{\c&HFFFF00&} ever done to you? {\c}
Dialogue: 0,0:34:10.10,0:34:11.86,Default,,0,0,0,,{\c&HFFFF00&} You stole my child. {\c}
Dialogue: 0,0:34:13.06,0:34:15.06,Default,,0,0,0,,{\c&HFFFF00&} You didn't have a child. {\c}
Dialogue: 0,0:34:16.34,0:34:17.42,Default,,0,0,0,,{\c&HFFFF00&} Remember Deb? {\c}
Dialogue: 0,0:34:19.78,0:34:21.66,Default,,0,0,0,,{\c&HFFFF00&} I didn't even know {\c}\N{\c&HFFFF00&} she was pregnant. {\c}
Dialogue: 0,0:34:21.74,0:34:24.58,Default,,0,0,0,,{\c&HFFFF00&} She just disappeared one day. {\c}
Dialogue: 0,0:34:24.90,0:34:26.62,Default,,0,0,0,,{\c&HFFFF00&} I offered her sanctuary. {\c}
Dialogue: 0,0:34:26.70,0:34:29.46,Default,,0,0,0,,{\c&HFFFF00&} A safe place where she could {\c}\N{\c&HFFFF00&} have a baby and be comforted. {\c}
Dialogue: 0,0:34:29.54,0:34:31.14,Default,,0,0,0,,{\c&HFFFF00&} You told her the baby died. {\c}
Dialogue: 0,0:34:31.22,0:34:34.18,Default,,0,0,0,,{\c&HFFFF00&} She was 17, Sam. {\c}\N{\c&HFFFF00&} She couldn't look after a child. {\c}
Dialogue: 0,0:34:34.26,0:34:36.78,Default,,0,0,0,,{\c&HFFFF00&} She killed herself, {\c}\N{\c&HFFFF00&} because of you. {\c}
Dialogue: 0,0:34:36.86,0:34:39.54,Default,,0,0,0,,{\c&HFFFF00&} So what are you going {\c}\N{\c&HFFFF00&} to do, Sam? Arrest me? {\c}
Dialogue: 0,0:34:42.02,0:34:43.86,Default,,0,0,0,,{\c&HFFFF00&} You're going to {\c}\N{\c&HFFFF00&} jump off that bluff. {\c}
Dialogue: 0,0:34:45.94,0:34:49.18,Default,,0,0,0,,{\c&HFFFF00&} You are going to kill yourself {\c}\N{\c&HFFFF00&} out of guilt and shame, {\c}
Dialogue: 0,0:34:49.26,0:34:50.54,Default,,0,0,0,,{\c&HFFFF00&} for what you've done. {\c}
Dialogue: 0,0:34:51.18,0:34:54.34,Default,,0,0,0,,{\c&HFFFF00&} If you want me dead, you're {\c}\N{\c&HFFFF00&} going to have to shoot me. {\c}
Dialogue: 0,0:34:57.86,0:34:59.34,Default,,0,0,0,,{\c&HFFFF00&} Sam! {\c}
Dialogue: 0,0:34:59.94,0:35:00.02,Default,,0,0,0,,{\c&HFFFF00&} Let her go. {\c}
Dialogue: 0,0:35:00.02,0:35:00.94,Default,,0,0,0,,{\c&HFFFF00&} Let her go. {\c}
Dialogue: 0,0:35:02.98,0:35:04.42,Default,,0,0,0,,{\c&HFFFF00&} Let her go, Sam. {\c}
Dialogue: 0,0:35:04.50,0:35:06.50,Default,,0,0,0,,{\c&HFFFF00&} Andie please, just walk away. {\c}
Dialogue: 0,0:35:06.58,0:35:09.02,Default,,0,0,0,,{\c&HFFFF00&} You know I can't do that. {\c}\N{\c&HFFFF00&} Step away from the edge. {\c}
Dialogue: 0,0:35:09.10,0:35:11.38,Default,,0,0,0,,{\c&HFFFF00&} Both of you, now! {\c}
Dialogue: 0,0:35:15.54,0:35:17.22,Default,,0,0,0,,{\c&HFFFF00&} He's out of his mind. {\c}
Dialogue: 0,0:35:17.98,0:35:21.70,Default,,0,0,0,,{\c&HFFFF00&} You killed Novak {\c}\N{\c&HFFFF00&} and Jean Grierson. {\c}
Dialogue: 0,0:35:21.78,0:35:24.58,Default,,0,0,0,,{\c&HFFFF00&} He was you that tried to kill {\c}\N{\c&HFFFF00&} me that night on the road. {\c}
Dialogue: 0,0:35:24.66,0:35:26.10,Default,,0,0,0,,{\c&HFFFF00&} Is that true? {\c}
Dialogue: 0,0:35:27.14,0:35:30.14,Default,,0,0,0,,{\c&HFFFF00&} Did you kill Michael Novak {\c}\N{\c&HFFFF00&} and Jean Grierson? {\c}
Dialogue: 0,0:35:34.22,0:35:35.58,Default,,0,0,0,,{\c&HFFFF00&} I just... {\c}
Dialogue: 0,0:35:40.90,0:35:43.86,Default,,0,0,0,,{\c&HFFFF00&} I just wanted to know what {\c}\N{\c&HFFFF00&} they'd done with Deb's baby. {\c}
Dialogue: 0,0:35:44.38,0:35:46.10,Default,,0,0,0,,{\c&HFFFF00&} Novak... {\c}
Dialogue: 0,0:35:46.74,0:35:49.54,Default,,0,0,0,,{\c&HFFFF00&} He, he ran away from me. {\c}
Dialogue: 0,0:35:51.58,0:35:53.26,Default,,0,0,0,,{\c&HFFFF00&} Fell down a ravine. {\c}
Dialogue: 0,0:35:53.34,0:35:55.02,Default,,0,0,0,,{\c&HFFFF00&} What about Grierson? {\c}
Dialogue: 0,0:36:01.22,0:36:02.90,Default,,0,0,0,,{\c&HFFFF00&} I trusted you. {\c}
Dialogue: 0,0:36:03.30,0:36:04.46,Default,,0,0,0,,{\c&HFFFF00&} Why? {\c}
Dialogue: 0,0:36:04.54,0:36:05.90,Default,,0,0,0,,{\c&HFFFF00&} It was Deb's suffering. {\c}
Dialogue: 0,0:36:06.26,0:36:09.86,Default,,0,0,0,,{\c&HFFFF00&} Before she took her {\c}\N{\c&HFFFF00&} own life she told me, {\c}
Dialogue: 0,0:36:10.86,0:36:12.58,Default,,0,0,0,,{\c&HFFFF00&} that the baby didn't die. {\c}
Dialogue: 0,0:36:13.50,0:36:15.42,Default,,0,0,0,,{\c&HFFFF00&} She told me that the, {\c}
Dialogue: 0,0:36:15.70,0:36:19.86,Default,,0,0,0,,{\c&HFFFF00&} the Wirrk Wirrk stole our baby. {\c}
Dialogue: 0,0:36:19.94,0:36:21.38,Default,,0,0,0,,{\c&HFFFF00&} The Wirrk Wirrk? {\c}
Dialogue: 0,0:36:21.46,0:36:23.98,Default,,0,0,0,,{\c&HFFFF00&} I didn't know what {\c}\N{\c&HFFFF00&} it was myself, until later. {\c}
Dialogue: 0,0:36:24.62,0:36:26.50,Default,,0,0,0,,{\c&HFFFF00&} And then I investigated, {\c}
Dialogue: 0,0:36:28.06,0:36:30.26,Default,,0,0,0,,{\c&HFFFF00&} and I found out {\c}\N{\c&HFFFF00&} what she had done. {\c}
Dialogue: 0,0:36:32.34,0:36:34.70,Default,,0,0,0,,{\c&HFFFF00&} Rose is the Wirrk Wirrk. {\c}
Dialogue: 0,0:36:40.82,0:36:42.50,Default,,0,0,0,,{\c&HFFFF00&} Hands were I can see them, Sam. {\c}
Dialogue: 0,0:36:42.58,0:36:43.90,Default,,0,0,0,,{\c&HFFFF00&} It's alright. {\c}
Dialogue: 0,0:36:43.98,0:36:46.06,Default,,0,0,0,,{\c&HFFFF00&} I just want to show {\c}\N{\c&HFFFF00&} you something. {\c}
Dialogue: 0,0:37:01.14,0:37:03.62,Default,,0,0,0,,{\c&HFFFF00&} I brought you up here so {\c}\N{\c&HFFFF00&} I could get to know you. {\c}
Dialogue: 0,0:37:10.62,0:37:11.98,Default,,0,0,0,,{\c&HFFFF00&} Deb? {\c}
Dialogue: 0,0:37:13.54,0:37:15.38,Default,,0,0,0,,{\c&HFFFF00&} She was your mother. {\c}
Dialogue: 0,0:37:26.94,0:37:28.46,Default,,0,0,0,,{\c&HFFFF00&} Sam! {\c}
Dialogue: 0,0:37:32.54,0:37:35.26,Default,,0,0,0,,{\c&HFFFF00&} - Oh, Sam. {\c}
Dialogue: 0,0:37:35.74,0:37:38.18,Default,,0,0,0,,{\c&HFFFF00&} Sam. {\c}
Dialogue: 0,0:37:40.98,0:37:43.02,Default,,0,0,0,,{\c&HFFFF00&} This is Sergeant Andie Whitford, {\c}
Dialogue: 0,0:37:43.10,0:37:47.18,Default,,0,0,0,,{\c&HFFFF00&} I need an ambulance to {\c}\N{\c&HFFFF00&} the bluff at De Vigny's farm. {\c}
Dialogue: 0,0:37:47.26,0:37:48.78,Default,,0,0,0,,{\c&HFFFF00&} Sam Dyson's been shot. {\c}
Dialogue: 0,0:37:48.86,0:37:50.30,Default,,0,0,0,,{\c&HFFFF00&} [woman on radio] {\c}\N{\c&HFFFF00&} Copy that, Sergeant. {\c}
Dialogue: 0,0:37:50.38,0:37:51.82,Default,,0,0,0,,{\c&HFFFF00&} Why didn't you tell me? {\c}
Dialogue: 0,0:37:51.90,0:37:53.42,Default,,0,0,0,,{\c&HFFFF00&} I couldn't... {\c}
Dialogue: 0,0:37:54.78,0:37:59.50,Default,,0,0,0,,{\c&HFFFF00&} ..because of what I had {\c}\N{\c&HFFFF00&} to do to, to find you. {\c}
Dialogue: 0,0:38:18.22,0:38:19.38,Default,,0,0,0,,{\c&HFFFF00&} You okay, Sarge? {\c}
Dialogue: 0,0:38:19.46,0:38:21.78,Default,,0,0,0,,{\c&HFFFF00&} Brett's filled us in on {\c}\N{\c&HFFFF00&} everything that's happened, {\c}
Dialogue: 0,0:38:21.86,0:38:25.38,Default,,0,0,0,,{\c&HFFFF00&} but what the hell was {\c}\N{\c&HFFFF00&} Sam Dyson doing here? {\c}
Dialogue: 0,0:38:30.06,0:38:33.14,Default,,0,0,0,,{\c&HFFFF00&} I think Sarge just needs {\c}\N{\c&HFFFF00&} a bit of time here, boss. {\c}
Dialogue: 0,0:38:33.70,0:38:35.10,Default,,0,0,0,,{\c&HFFFF00&} Yeah, of course, {\c}
Dialogue: 0,0:38:35.18,0:38:38.54,Default,,0,0,0,,{\c&HFFFF00&} but I want a full report {\c}\N{\c&HFFFF00&} first thing in the morning. {\c}
Dialogue: 0,0:38:40.98,0:38:42.22,Default,,0,0,0,,{\c&HFFFF00&} Yep. {\c}
Dialogue: 0,0:38:42.66,0:38:45.50,Default,,0,0,0,,{\c&HFFFF00&} Cheers Reza, {\c}\N{\c&HFFFF00&} let's give her a sec. {\c}
Dialogue: 0,0:39:20.10,0:39:22.18,Default,,0,0,0,,{\c&HFFFF00&} Andie. {\c}
Dialogue: 0,0:39:27.82,0:39:29.46,Default,,0,0,0,,{\c&HFFFF00&} What? {\c}
Dialogue: 0,0:39:33.42,0:39:35.26,Default,,0,0,0,,{\c&HFFFF00&} And this is your Mum? {\c}
Dialogue: 0,0:39:35.58,0:39:36.86,Default,,0,0,0,,{\c&HFFFF00&} Deb. {\c}
Dialogue: 0,0:39:42.38,0:39:44.74,Default,,0,0,0,,{\c&HFFFF00&} Yeah, I can {\c}\N{\c&HFFFF00&} see you in her. {\c}
Dialogue: 0,0:39:46.18,0:39:47.70,Default,,0,0,0,,{\c&HFFFF00&} Hmm, and who's he? {\c}
Dialogue: 0,0:39:48.66,0:39:50.30,Default,,0,0,0,,{\c&HFFFF00&} That's Sam. {\c}
Dialogue: 0,0:39:50.54,0:39:51.90,Default,,0,0,0,,{\c&HFFFF00&} Ah... {\c}
Dialogue: 0,0:39:53.22,0:39:55.22,Default,,0,0,0,,{\c&HFFFF00&} Sam's my father. {\c}
Dialogue: 0,0:39:58.66,0:40:00.02,Default,,0,0,0,,{\c&HFFFF00&} Oh my God. {\c}
Dialogue: 0,0:40:00.02,0:40:00.22,Default,,0,0,0,,{\c&HFFFF00&} Oh my God. {\c}
Dialogue: 0,0:40:04.62,0:40:06.54,Default,,0,0,0,,{\c&HFFFF00&} So what now? {\c}
Dialogue: 0,0:40:09.50,0:40:11.74,Default,,0,0,0,,{\c&HFFFF00&} I honestly don't know. {\c}
Dialogue: 0,0:40:15.70,0:40:17.90,Default,,0,0,0,,{\c&HFFFF00&} It's good you found {\c}\N{\c&HFFFF00&} out the truth. {\c}
Dialogue: 0,0:40:18.58,0:40:20.30,Default,,0,0,0,,{\c&HFFFF00&} Found my mob. {\c}
Dialogue: 0,0:40:21.42,0:40:24.46,Default,,0,0,0,,{\c&HFFFF00&} Oh, this is massive, Hel. {\c}
Dialogue: 0,0:40:29.42,0:40:32.42,Default,,0,0,0,,{\c&HFFFF00&} Alright, I better {\c}\N{\c&HFFFF00&} get back to Kee. {\c}
Dialogue: 0,0:40:35.10,0:40:36.78,Default,,0,0,0,,{\c&HFFFF00&} Coming? {\c}
Dialogue: 0,0:40:38.90,0:40:40.54,Default,,0,0,0,,{\c&HFFFF00&} Just give me a minute. {\c}
Dialogue: 0,0:40:41.46,0:40:42.66,Default,,0,0,0,,{\c&HFFFF00&} Sure. {\c}
Dialogue: 0,0:41:32.70,0:41:35.62,Default,,0,0,0,,{\c&HFFFF00&} What the hell am I {\c}\N{\c&HFFFF00&} going to do, Sam? {\c}
Dialogue: 0,0:42:31.14,0:43:00.02,Default,,0,0,0,,{\c&HFFFF00&} {\c}
Dialogue: 0,0:43:00.02,0:43:44.50,Default,,0,0,0,,{\c&HFFFF00&} {\c}
64520
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