All language subtitles for fall4367573

This is a day out of your rumble.
Picture is up. Number six. Full sound.

Five feet. Speed cameras.
One-on-one feet. Autistic. A camera mark.

Five.

One-on-one feet. Ready.

Three, two, one, action!

They're in almost every
movement. You just don't

know that they're there.
Because that's the job.

They're the unknowns, not performers.
And they get paid to do the cool stuff.

They also get paid
to take it on the chin.

And everywhere else,
if you know what I mean.

Oh, that's... that's
me. Full teamers.

Getting blown up and hiding
my face in a muddy puddle.

Which isn't ideal when you're
trying to look cool in front of Jody.

We just so happen to have a major
crush on her. She's a camera operator.

She's definitely going to achieve her goal
of being a big-time Hollywood movie director.

I don't want to over-romanticize it
or anything, but I think what Jody

and I got is the kind of thing we
can only really find in the movies.

Hey, Jody. Hey, Colt, thanks
so much for those dumb chats.

Dumb chats. I love them many times.

Hey, uh, Tommy says he was a monitor.

Uh-oh. You might have trouble.

She's talking about Tom Ryder, who happens
to be the biggest action star on the plane.

Why am I explaining this to me? You
know what Tom Ryder is? It's Tom Ryder.

Anyway, I've been a stunt
double for six years now.

Flying it?

What happened? What's up?

Guess we're going again.

You know, Tommy Gale.
There's a lot of grumbling and

a bunch of hand gestures over at the
monitor, so... Let me guess, too much face.

Is that the one for me?

Um, Jody, right? Excuse me.

That is not my chin.
Look at my face.

Look at my jaw compared to
his jaw. It's like his chin is off.

Yeah, it's not my face's face.

It's like Mr. Potato Head.
It's not a fence or anything, but you know?

Sorry, I got lost in your
beautiful jaw, right? Excuse me.

No, listen, we're just
saying it's not working first.

Let's try.

Okay. Let's go again? Oh, yeah.

No, we're going
to have to go again.

Okay, yeah.

100%.

I don't know, man. Do you think,
uh... Can I make some magic?

Maybe you could do it backwards or
something? I don't know. It's just less face.

The woman freebasing the Diet
Coke is Tom's producer, Gale.

She's been making them look good for years.

And it's not always easy.

Give it some... Oh, I can't complain.
I'm working with my dream girl.

On my dream job.

We've got to switch the
pick points to the front.

I'm letting the dream.

Let's go again.

Do you want to go backwards?

Do you want me to go backwards?

Joanne, go to two.

Thank you.

Do you have a question for me?

Uh, yeah, just-just now.
Like, you wanted to ask me something.

Oh, I was going to go for a
spice of margarita, which is work.

I'm doing a few drinks.
Spice of margaritas.

Um, well, just to keep it professional.
I can only have one spice of margarita...

because if I have two, I can
start making bad decisions.

Well, you know, drinking margaritas
is all about making bad decisions.

Which reminds me, um, after
this job, I gotta go sit on the sand

somewhere and I was wondering
if I was gonna ask you a question.

Tell me.

Do you have any
towels that I could borrow?

Yeah, I have some towels. You know
it's so dangerous to swim with them.

Well, I would ask you
to, you know, be my swim

buddy, but I don't know
if you have a bathing suit.

Wait a second, what do you call that?
Across the board?

We call it a swimming costume.

Imagine that. After this, you and I
could both be on the beach somewhere

in swimming costumes, drinking
spicy margaritas, making bad decisions.

Imagine that.

What's that saying, pride
comes before the fall? Well,

they don't mention that it
sticks around afterwards, too.

Jodie tried so hard to be there for
me, she really did, I just couldn't do it.

Then I just disappeared completely.

Well, at least I thought I did.

Hello.

Oh, Colt, it's Gail,
your favorite producer.

How'd you get this number?

Someone said you were working
at the Captain's Cockatoo, a valet.

Wow, I didn't believe it.

It's actually El Cockatoo and El Capitan.
It's a family-run place. We pull tips.

Once I get all the burritos, I can. Kind of
live in the dream, if you think about it.

Like that door.
It's not a customer. Number 43.

Yo, bro, I know you from somewhere.
Where I know you from, bro?

Oh, yeah, you were in the
typewriter movie I was on.

You're the stunt
guy! Not anymore.

Did you, like, break your
back or some shit? I did, yeah.

I know things haven't been
easy for you since the incident.

And I just hope that you
don't hold it against me or Tom.

You know, we were absolutely devastated.

He sent you a message, right?

The prayer hand's emoji.

Right, yeah, he's still an asshole.

How are you even
saying this? I don't know.

Hey, come here.

I wish I wasn't out of town.

Come here, you gotta hear this.

You don't have to hear this. It's funny.

This dude was on
a movie I was on.

The most epic fail I've ever seen.

I don't blame either one of you, Dale.
That was my fault.

And when you start making mistakes
like that, it's time to hang up the pads.

Oh, it was an accident, Cole.
Everybody knows that.

Tom has put me in a
real situation here, Cole.

I just need a little
bit of help from an old

friend who just
happened to be, you know,

the best stuntman I've
ever worked with in my life.

Which is why you are getting on a
plane for me tomorrow, coming to Sydney.

I'm not getting on a plane, Galen.

I can't bear that you wouldn't
throw away all that talent.

You shouldn't be parking cars, Cole.

You need to be smashing, burning
Kawasaki's to your paint of glass.

You old fall guy?

Yo, bring my car back without a scratch.

I got crispy five-year feet, bro.

Come on. You've done me like old times.

I know you've missed it.

Goodbye, Galen.

Wait, wait, wait, wait. Hold on.

Did I tell you? Did I tell you that the
directors asked for you specifically?

Sorry to disappoint them.

You want to know
who it is? Nope.

It's Jodie.

I'm giving her a big break.

Make sure it's an aisle suite.

I don't know. Maybe I
just spent so much time

writing a shotgun at
someone else's story.

I forgot how to take
the wheel on my own.

Wait, does that make sense?

I don't know why I'm
talking so much anyway.

I'm not the hero of the story.

I'm just a stunt guy.

I'm a stunt guy.

I'm a stunt guy.

Ooh.

Yeah!

Yeah!

I didn't realize they were
scanning doubles now.

Ah, it's new technology.

Basically, we did geometry
of your face to retarget writer's

face, and we put writer's
face back on top of your face.

Like a deep fake situation.

You got a chance to remove
the tongue bruise, would you?

Hey, welcome to Sydney.
Are you cold seamers? Yeah.

Hey, do you know where I could get some
coffee? This jet bike is really kickin' in.

Yeah, no stress. I've got you.

And does the director know I'm here?

She asked for me, and then
she went and stayed behind.

I haven't heard.
No, sorry, bro.

But the stunt coordinator wants to see you.
He's just an objective man.

Okay, great.

But you just tell her I'm here, and
you know that coffee if you get a chance.

Oh, Dan Tucker. Big Tom Hollywood
stunt coordinator. It's about time.

Thank you. Look at you.

So do I call you sir now,
or how does that work?

Feel free to call me boss.

Okay, boss. I don't think I
should be in this no means, right?

We're not doing anything crazy.

I was just about to explain that.

I can't enroll!

It's time for you to start rolling
cards again instead of parking.

You had an accident.

It was a massive
miscalculation of the ring.

I almost killed myself
over the whole crew.

I'd rather just not have my
first stunt back be another

epic failure, especially in
front of Joni. You understand?

It's not about how hard
of a hit you can give.

It's about how many times you
can get hit and keep moving forward.

That's messed up.
Kick what Rocky on me like that.

So it's a laser gun with a dagger.

Yes, like a bayonet.

Right. Do we need the bayonet
when the laser achieved?

On the battlefield, yes.

100%.

It just gives it a quite strange shape.

Oh, this guitar bit
at the end? Yeah.

Well, you said you wanted
metal, so it's like heavy metal.

How many of you have done like this?

Two.

Okay, kind of.

Cool. Okay.

Yeah, fantastic.

It looks like a guitar.

Nigel, how are we doing
on the pyrotechnics?

I think we only
have enough for one take.

No.

Can't we?

Yes, we could create something that
looks way more realistic than the other.

I don't want real. I don't want real. This
is a sci-fi epic. I just make a love story.

Okay, of course,
with proportions.

It's got to mirror that otherworldly
thing when you fall in love.

You know, it's imperfect.
It's beautiful. I want it that way, okay?

Let's go big with our one take, okay?

Okay, was that it? Was
that my one take? Oh, sure.

Oh, my God.

Well, I've got to say,
though, it looks fantastic.

Look at that.

Are you sure you
want to use real pyros?

Yes, you don't need these.

And then again, we're
just going to loop you at us.

That's okay, right?
It's a stuntman in a car with a helmet on.

Okay? No looping.

What the hell is
going on over there, Russ?

We did not call for pyro.

I will dare you to protect your family.
We killed everyone.

This is why they're doing it, because
they feel you don't respect them, Nigel.

It's my turn.

Your tone, your words, all of it.

Darla, yes.

Okay, yeah, I'm sorry. I couldn't
get my printer working last night,

but I sort of synthesized that
conversation that we had on the third act.

And what is? One of the characters
in the film is more than just in the film

that we're having a
problem with the third act.

Yeah? No, no, but I appreciate
you thinking that's like what's done.

I agree with you, Nigel.

I will get you like
the face that you are.

Come on!

Yep.

Test went well.

Fantastic. Okay.

So, guys, simmer down. Eyes on me.
Here's what's going to happen.

No VFX venti. It looks absolutely fabulous.

Nigel, we need to shoot now.
The tide's coming in.

Let's go. The shot's going to be epic.

The shot's up and quiet, people. Thank you.

Cool?

Brother?

What's happening, man? Bad sand.

Bad sand.

Yeah.

I think we got a postpone.

Hate to say it.

Dad, what's the play, please?

We're just doing a little safety check.

The density. It's bad density.

We're looking at the density of the sand.

There's a new driver.

Who is it? Where's the movie?

Nigel, this is the
biggest shot of the film.

And I have a newbie.

The guy says we can do it.

Seriously, we're going
to drift all over the place.

What is that, a king tide?

Here's what you do.
You wait until it comes in.

We shoot sunset, we're sought out.

You're stalling.

Baby.

You're stalling.

Two things can be true, brother.

I've got a full handful of
rookie Australians out here.

I'm going to be sick.

You got this. You're the one.

Why are you going to say that?

You've done this a million times.

I'm so pure. You
know, you just changed it.

It's a strange thing.

Dad, I need to drive it
in the car now, please.

Hey, the tide's coming up.
Thank you so much.

Appreciate it.

Is that Judy? Yes, it's Judy.

She says something
about me? Stop with it.

Your face, stop it. Stop it.

She doesn't say anything about me.

Turn the car!

This is really important to her.

Yes, it's important to her.

Is this Comic Con
or something? Hall H.

This is one of those times, whether
it's an inch or a mile, a win is a win.

It's easy. Fast and furious.

Let's go.

You got this.

Did you see the coffee lady
she was wearing with your hat?

And I see you in the car.

This is the hero setter.
I've got five more after that.

Are you ready, Dad? Yeah.

Look her up.

Thank you.

Okay, let's get buckled in.
Stop the lady.

Got the vehicle.

Everybody knows their spots.

All right.

Everybody knows their responsibilities.

Please go off on the cannon.

You're right.

We need to send
them when it goes home.

You got the DSI in the cannon.

All right, guys. Stay resting.

All right, guys.
But the sand's a little loose.

I can't get any traction.

What are you doing?

Stop standing close to you.
You're going to lose the camera.

No, no, no, we're getting it.

The mental stance gives me all clear.

So good, isn't it?

Loved it, loved it.

Ah, I think it was girls, though, yeah?

I thought it was your idea.

I just found out about this yesterday.

Dan, come on.

I didn't approve him.

I didn't approve him.
I would never have approved him.

She didn't approve me?

I'm not approved.

Interesting. Really, really interesting.

Just very casual.

Here you are.
You show up and I'm your new stuntman.

You can't do that.
You can't do that.

Do you have to?

Why are you here?

I think there's been a misunderstanding.

Because I was under the
impression that you did want me here.

That's a delusional thought.
We haven't spoken in a year.

Gail told me.

Whatever, I don't even care
about it, but you clicked the camera.

I'm a little rustic.

Comic-con shot ruined.

All H.

Yeah.

It's a big deal.

Thank you.

I'll be for you.

The whole director thing looks good on you.

Even the gardening hat, somehow.

Everyone wears them.
It's like a set thing.

Okay? Yeah, I see it.

They're not making you
look as good as you are.

And I'm not trying to be flat out.
I'm just saying the facts.

But you look good in everything.
You look good in nothing, whatever.

No, I don't mean that bad.

This isn't gonna work.

No, I do. But
it's not what I mean.

I'll take anyone. Anyone else.
Anyone but him.

Can I be honest with you?
We literally have no one else.

What's this?

The fire, though.

It's your call.

Okay.

We're gonna put a nurse on standby, please.
We're gonna set this man on fire.

He's good.

We're gonna go again, thumbs up, okay?

Technical issue, little bump on the jolly.

Can you fix that,
Jimmy? Thank you.

Cole, do you feel a bit
flung in at the deep end here?

I'm just wondering, because
you have more of the script, if

you'd like some background,
some context, if that's good.

Let's go, will it?

Yeah, thoughtful.
Okay, here we go.

So, sci-fi love story.
Two characters, one of them's an alien.

Aliena and your space cowboy.
They shared what's called a moon season.

In real life, you
might call it a plane.

Brief, but very intense.

And hopeful.

Now, neither of them had ever
been in a relationship that deep before.

And they told each
other that, over and over

and over again, they
hit him more than her.

You know, to the point where sometimes
she was like, chill out, you know.

But anyway, in a tragic turn of
events, space cowboy is wounded.

And he just disappears.

Without a trace.

I can keep going.

I can hit the
rock better now. Thank you.

We're going again.

Okay.

And action.

Come on.

Let's attack.

Let's attack.

A little bit of context, Carl.

Aliena sort of devastated.

And she starts sort of replaying
everything in her head over and over again.

Did she misread the vibe?

Was it just a fling?

Did she let her imagination run wild again?

Or did he lie to her?

Is he full of shit?

But let me be clear.

Eventually, Aliena did move on.

All right?

And she started doing Pilates.

She got herself a bang in revenge body.

And then she started dating other humans.

One after another.

And she had so many
mind-blowing, far superior experiences.

You wouldn't even believe it.

Right, girl?

Yeah, it was like a sushi train.

And you know what?

We're going to go again, Carl, because
there was a little buzz on that one.

What a fucking accident!

It's just feeling so withheld.

So how about some dialogue?

Yeah, that's all right, darling.

I'm going to go straight to the source.

Hey, Carl, it's best cowboy
had to say something.

If he was forced to say
something, what would he say?

How would he justify this year
she spent spinning out over this?

What could he say?

It's a puzzler, isn't it?

But have you got any
thoughts? Maybe he.

Carl, can you get me a ball one?
I can't hear him.

Probably.

Come again, Carl.
What was that?

It's already on.

In this movie, do the aliens and the humans
ever talk in private? No, not really.

No private conversations?

No, they don't like doing private.
They like to keep it very public.

They open.

Well, you know, let's
open it up to the group here.

Have you ever been in one of those
situations where you want to say something

and it's so important
that you can't mess it up?

So you think long
and hard about it, and

then you realize you've
already messed it up

because you've got too
long and too hard about it?

You know what? What's that?

You want that?

I had a similar situation when I
fell in love with my wife's sister.

Okay, no. Alright.

No? Okay.

And again, this is hard
because I haven't read this script.

But...

I'm afraid that he's been
living in total regret since then.

You're afraid that he'll never get
an opportunity to make it up to her

because he waited too long
and he's probably moved on.

Sorry, Jody.
Speaking of moving on, we are...

One more?

I love another chair, now.

Roll it, then.

Let's turn over, please.

All camera, you roll it.

Shut up, sound speed.

Let go, light them up.

Gail?

Gail? You're here.

Oh, no, don't use
that. It's broken.

Eight and a half rolls.
That is a world record!

Thank you so much.

It's better than parking cars, isn't it?

Oh!

Would you cut the shape,
Gail? It was amazing.

What are you talking about?

She doesn't want me here, Gail.

Yes, she does.
Of course she does.

You lied.

Oh.

You lied. You know how that feels?

I think you deserve a second chance.

It's like the message in all my movies.

What's the message in all my movies?

Nihilism is a viable worldview.

Well, that's just the entertainment.

That's like the sexy bacon,
you know? It's like dogs.

You've got to wrap the
message in some sexy bacon.

I mean, all those movies, people fall down.

They're rolling in their own shit.

They don't think they
can cope, but they can.

They get back up.

Do you mind if I lie down?

With the multiple fireburns and the
cannon rolls and the jet lag, I just...

Yep, yep, yep.

Can you use a little shut eye?

Yep.

Okay, let me get this straight.

Nihilism is the sexy bacon.

Yeah.

The audience are dogs.

There we go.

And when you fall
down, you get back up.

Thank you.

I'm glad we did this.

Now, what am I really doing here now?

Um... Ryder's missing.

He has fallen in with some
shady, shitty, shitty people.

We'll kill... ...all the cops.

We can't call the cops.

Why not?

The studio will know
that I am way over budget.

They will pull the plug on this.

You know that.

Please go and find him.

Why me?

You're a stuntman, for God's sake.

No one's gonna notice
whether you're here or not.

No offence.

I mean, so I'm taking...
You know him, intimately.

It can be so simple.

You pick him up.

You dust him off.

You bring him back here.

I know I can trust you.

And you know who can
trust you more than anyone?

She just doesn't realize it yet, as Jodie.

This is her big chance.

Do you want her first
movie to be her last?

You've gotta help me out, man.

It's been a long couple days.

I'm gonna go to the hotel.

I'm gonna...

what is it? It's why... yesterday it's
your... I'm gonna call you here tomorrow.

Right, no, today, that is the
door code of Ryder's Loft.

The patio door.

Took it from his trailer.

He's still getting this person out there.

Oh.

Let's not even get into that.

This point is like, momentum level.

I can only keep this from Jodie
in the studio 48 hours, Max.

Save Jodie's movie.

And maybe you get
the love of your life back.

Did you just turn Jodie
into the sexy bacon?

She's been the sexy bacon all along.

You good?

Is there any left-hander I ever had?

Please don't wreck it.

It's product placement.

There's only two of them.

I know how you stunt, he's dry.

You sit to destroy all I hold dear.

What are you doing?

Just, uh, chilling down.

Were you chilling down to Taylor Swift?

No.

Is this something else you're
really excited for? Really.

I've been here for six
months, I've never heard it.

Yeah, chilling down. I've already
known it's shorter to stay chilling down.

Are you even crying? Not at all.

You're never even crying.

Check my...

Oh, so dangerous.
I'm very sorry.

Why do you want like that?

Just break it out.

I feel better.

I deserve to.

I'm gonna make the
camera up to you, by the way.

Can I get in the car with you?

I'm in the face, you're a mess.

So how have you been? Oh, no.

Yeah? Thumbs up? God, I hate that bullshit.
That stunk-eyed bullshit.

And that's fine. You don't have
to explain anything. It's all good.

It was a fling. Less than a fling.
It was a flingette. And that's fine.

I don't even want to know. And the problem
with forcing something is you get nowhere.

You know, one time my mom forced my
dad to exercise. Do you know what happened?

Snapped his ankle. First time he
stepped on the treadmill. She forced it.

Now he has a piece
of metal in his foot.

Moral of the story is,
you should just be here.

Well, look, I've done a lot
about this, actually, and I, uh...

It's not like I didn't want
to apologize a million times.

Yeah.

Uh, it's just, every time I...

You know, when I think
of something to say...

It doesn't seem like enough.

No problem. Boundaries. Boundaries.

That's important.
Because I have a lot of pressure on me.

I have no idea how hard it was
for me to make this movie, okay?

I just need to focus. If you're
gonna stay here, we need to keep it.

Like, super-profesh.

Professions by
little, right? No, no.

I thought your middle name was Danger.

What's a stage name?

Cold-professed seabirds.

Promise me you're not gonna
derail this, okay? Promise.

I'm gonna do some dance.

Do you want to drive me
to my car? Um, let me see.

Yeah, let me check to
make sure you're okay.

Cold.

I thought you were dead.

Why you gotta be such a pussy bitch.

Tom, I have to ask you not to
refer to me as a pussy or a bitch.

Okay, but you got hurt like a
pussy and you're acting like a bitch.

Tom, cold-seavers.
Just check it in on you.

Jody needs you back on set, pal.

I don't want to be a part of
any breaking-in role-play games.

All right.

Hey, guys!

Why do you look so familiar?

Where do I know you from?

I'm Iggy Star, lead actress on Metal Storm.

I'm Ryder's girlfriend.

You're in Metal Storm? Yeah.

Hey, were you in that movie Car
Jack where the guy named Jack

steals your car and then
shoot him in the hand

and you say, I hope you
know how to drive stick.

And it doesn't make
sense because it's like

should be automatic, but the way
you say it... That's the only one!

I'm just a stunt guy.
I'm working on Metal Storm too.

You're lying!
We're on you, Metal Storm one!

I'm on the whole solo!

Is this a prop sword? Mm-hmm.

I'm a good actress.

Hey, are you really working on Metal Storm?
Why are you sneaking around here?

Just trying to find Ryder.

He's like really dropped
up and paranoid right

now. He thinks
someone's trying to kill him.

And I'm like, if you don't finish
Metal Storm, I'm gonna kill you myself.

There is some dark shit going on. And the
sooner I can get out of here, the better.

Wow. Any idea where I could find him?

Uh, you could try this
club he hangs out at.

But you're never gonna
get in looking like a povo.

What's a povo?

A poor person like you.

Oh. Cool.

What's with your Miami
Vice stunt team jacket?

Oh, it was the first show I ever did.
I had to jump a bow through a ring of fire.

It got so good I could do it
with my inside behind my back.

Wow. You're really into yourself.

Yeah, you did ask.

It's neon night at the
club. He's always having

this guy called Doon
who's his drug dealer.

He's got like leopard
print tats on his head.

They won't let nobody like you
into the club, so just act like Tom.

You're a stunt double.
You know how to do that, don't you?

Yeah, just act like I own
everything and everyone

and there's no
repercussions for my action.

I do it like that.

You think you're gonna come see me?

Yeah, sit down, get a drink. Hey, get
him a drink. What do you want? Oh, no, no.

I'm good. I'm just looking
for Ryder. You see them?

They must show the temple.
Sit down, bro. Sit down.

I see no offense, Mr. Doon.
I just want to find Ryder.

How come no one ever wants
to chat with a drug dealer? Sorry.

Hi, Dad.

I mean, no. No disrespect.
Just had a long day.

Ryder hasn't shown up
for work. That was fast.

You do a stunt today?

I just, uh, yeah, carload.

Just the carload!

Just the carload! I want
to stop him! What I do.

.. Hey, that's why I like you.

Because you do all the hard shit.

They give us this for that.

For stunts?

No.

Nope.

Hey, for the unsung heroes.

I'll drink to that.

Yeah.

Huh.

You know what, man?
We're up before cartoons.

See, movies are always
trying to make things real.

But it's not real. It's a movie.
It's not meant to be real.

That's why I like cartoons.
Because cartoons don't pretend to be real.

So I go back.

See Dumbo?

Yeah, Dumbo changed my life.

You didn't see what Dumbo is?

Even for the bad champagne days, I
saved a pink elephant for raiding shit.

Oh, it's like this, please.

Hey, stop mashing.

Why don't you come with us?

Come on, get some nice and
comfortable at that hotel, huh? I'm cold.

I'm with you right here.

I'm on the top of this car.

You're clearly high, Cole.

And you're clearly checkin' shit!

Okay, we're on top of this.
Talk to us later.

Hey, guys, what are you doing?

Why? Why, bro?

Hey, you need to chill.
Relax, just relax.

Hey, just relax.
I'm gonna have a little fighter, okay?

Where's Ryder?

I just broke you,
because they paid me to.

Who's that?

The guy that runs Ryder's security.

I deliver trucks to him at the
council hotel sometimes, okay?

What room?

I don't know what room.

How many changes?

Just ask Kevin for the fruit plate.

Kevin?

Kevin, K
-E
-B
-I
-N.

I know Kevin.

You know Kevin?

I don't know Kevin.

Well, then you're gonna get to
know Kevin asking for a fruit plate.

They don't give you keys.

How long did this last?

What?

How long is this gonna last?

What are you even saying?

Oh, long does this last.

Oh, when you stop seeing unicorns?

I like to speak to Kevin.

Kevin's, uh, on a break.

Okay, maybe you could help me.
Can I order the fruit plate? Okay.

Do you want me to call
room service? I don't know.

Is that what happens?

Do you have a room?

Do I need one?

To order the fruit plate.

Fruit plate.

Oh, wow.

Hi.

What happened to you guys?

Hi. Okay.

You look good.

How are you?

It's good to see you.

You look terrible.

You look amazing.

Did you fool?

What happened to you?

Wow, you're so pretty.

It's crazy.

Your face is bleeding.

What happened to you?

Oh, no, it was running.

It's just running.

It's a very unusual
athleisure weather for a run.

This? Yeah.

Yeah, they gave me the
wrong bags at the airport.

But, you know, it works.

I can sweat.

If I'm going to play Rider, I
thought I should just wait a little.

You seem kind of twiggy.

I'm a little spotty.

When my glucose levels get low, I
get a little... Okay. Is that a new thing?

Is that a new thing?

Is that a new
thing? Yes, I cut it.

I changed my hair.

You changed your number.

We're even.

I thought we'd sort of even the score.

Yeah.

I've learned a lot about myself
since we last seen each other.

Why'd you disappear?

God, I wanted to be there for you.

I don't know how she's
supposed to do quality

work if you keep
harassing her all the time.

Okay, can you go and grab
your things? We have really.

..

Okay, you got a zip.

Yep.

Seriously.

Cool, do you...

You look like you've been busy.

Yeah, real busy, girl.

Yeah, good.

Let her run around, girl.

We'll get a drink and discuss that.

But right now, the studio is so
far up my arse, I can taste them.

Okay.

Yep.

You're having problems with the third act?

We're gonna go and do things right now.

I'm gonna go write it.

It's like the studio wanting
me to contort the love

story so that it all ends
happily and everything's rosy.

But I feel like if I
lean into reality, then

maybe that's the way to go and most
love stories don't end well, usually.

What do I mean?

I strongly disagree with that, so
we should keep chomping it up.

Yeah?

Should we? It's important.

It's the ending.

Okay.

Sir?

Hi.

Yeah.

Hi.

I hear that you're
interested in a fruit platter.

Okay.

Yes.

Okay, sorry.

It's one more.

It's nice.

Boo! Yeah! Hello.

What do you think about
split-screen? Jodi? Yeah.

Is this okay?

I'm calling you.

It's cool.

Yeah, it's fine.

Yeah?

We can chop it up.

Let's chop it up.

It's a good time.

I'm not doing anything.

Okay, great.

Go split-screen.

Right.

Do you think that it's
like nostalgic, super cool?

Or do you think it's forgiving?

Um... I think it
could be super cool.

Mm-hmm.

Yeah.

How do you want to use it?

I mean, you know, tell me.

Tell me everything.

Tell me, you know, about your vision.

So, I like that they're on screen together.

But they are in separate worlds.

You know, visually and emotionally.

So you've got this very prominent
divide between the lovers.

And I want that.

You want the divide?

I want the divide, yes.

Mm-hmm.

It's funny, because I
didn't get the impression

that there was that
much keeping them apart.

Well, you haven't read the script.

All I know so far is that the alien
lady and the cowboy are having what...

seem to be pretty manageable problems.

Judy. Judy.

How's this?

Manageable problems.

The aliens invaded Earth,
and they left it intact us.

So there's something in the studio
pushing for the lovecockers all thing.

I'm not buying it.

Well, I have to admit that I'm
surprised to hear you say that.

Why?

Well, I'm just a boy in a neon
suit standing in front of a girl...

reminding her that Notting
Hill is her favorite movie.

And she watches Love
Actually every year at Christmas.

Well, you know, I watched it again
this year and I didn't love it, actually.

Wow, that's worse than I thought.

Yeah, it's a really sad
day for Notting Hill as well.

They're happy ever after stuff.
Unsubscribe me.

I didn't get happily ever
after from Notting Hill.

What are you talking about?
Of course you didn't.

Yes, of course they're not.
They're on the park bench.

She's got her head in his knees.
She's a regular girl.

Maybe, but we don't know for sure if she's
not going to go back to work in the street.

All we know is that in the beginning, she's
pretty much up for anything but kissing.

And in the end,
she's open to kissing him.

And it gives us hope.

You have got your Jimmy
Roberts movie so twisted.

A little hope.

That is Pretty Woman,
where she is a lady of the night

and this is Notting Hill,
which should be very fancy.

Well, don't listen to me, otherwise.

Look, you're the director.
You're going to make the right choice.

I'm just saying, for people like me, who
may not necessarily get the metaphors.

You may not get the deeper
metaphor, but you're going to see it.

You're going to see
this bright line between

them that we're going
to ache to see blur.

You know, but maybe it can't.
Maybe it doesn't.

Right, right. Yeah.

But what do we know,
right? Because all we know

at this point is that the
cowboy likes the alien.

Does the alien like the cowboy?

She's on the fence.

Right. Because they got problems.

Because she's an alien, and he's
a cowboy, and that's a problem.

But is it a problem they can't overcome?

Here's a question.
Are they even going to try?

What do you think? Do you
think they're going to try? I think.

.. I think this was
a great brainstorm.

So, what did you decide
about the split screen?

I have a better idea.

I'm thinking you did. I think
the connection between these

characters is so strong that
nothing can come between them.

Jodie.

Hello?

Dead guy on ice.

What?

There is a dead guy
on ice at the hotel girl.

Wait, sorry. What are you talking about?

Well, if you think that doesn't make
sense, don't order the fruit plate.

Hold on. You're seriously telling
me you've just seen a dead body.

Yes, girl. On the rocks in the hotel.

What hotel?

The one I just saw you in, girl.

It was so dead ill.

It was so dead ill.

It was very dead. Super dead.

Hold on. How did you even get there?

Gail, you asked me to do this.
Okay? So please try and keep up.

I know. I'm sticking.

I went to Roger's apartment,
just like you told me.

That's where Iggy with the
sword gave me the neon suit

and they sent me to the
man with the leopard print.

It goes by the name of Dune.

It was Dune's goons who dirtied
my Shirley and not in a fun way, Gail.

I think they were
trying to kill me, Gail.

Step away and calm down.
I am going to handle everything.

No more handling!
I want the police.

It's very aggressive.

I'm sorry. I'm sorry,
I want the police.

You're not going to talk to the police.

You don't talk to anyone about this, okay?

Come on, I'm going
to talk to the police.

Excuse me, sir.

Wait, who's there? Who's there?

It's the police I'm going to talk to.

No, no, no, no, no. Don't talk.

I can't hear any time.

Sorry. Just making sure we're both here.

I'm here, mate.

I want to report a crime.

Okay.

An ice crime.

Yeah, you're still getting the tape, mate.

I've got to tell
Jody about the dead guy.

How do you know he was dead?

He'd just been knocked up on ice.

Yeah, ice baths are very
good for inflammation.

And are you forgetting that you were high?

How can I continue
fixating on that one point?

Okay, you know what?
Let me just stop you right there.

Whatever you told Jody
last night, I started off fired up.

You know what?

And now I have to build a
truck for a 250-foot jump.

In a day and a half.

Sounds pretty cool, actually.

And on top of
that, the fight scene today.

And Jody has decided that
she wants to do it all in one take.

A one-er!

Dad, did you tell him about
the one-er? Yes! So cool.

Right? Yeah.

So good he's into it.

Hey, can I talk
to you for a second?

Okay, about this sequence today.

Right.

Well, it's interesting you
say that because that's...

That's what I want
to talk to you about.

Me too. Me too.

Because we don't need him.

We don't need him.

Let me just tell you.

Last night?

I was so excited.

After we spoke, it all came to me.

Really?

Yeah, the third act, this sequence, all
of it, I've been... After talking to you?

Yeah, you know I was shocked
when you showed up, right? Yeah.

Well, it was shocking.

But I just started to wonder if maybe
you showed up just at the right time.

And I'm going for this
thing and the action.

And I've never been able to get it.

Like this feeling of the pursuit of love.

And how far would you go for the
one that you love? And, you know.

..

And then, you know, I realize it's not
very far with Ryder because he's a drip.

And he runs weird.

Right.

And he can't do action.

Well, you can.

You can.

I'm limited with you.

I can do everything
and everything with you.

And it just made my brain just...

So cool.

I don't need cuts.

I don't need gimmicks.

I don't need anything.

I just need you to finish this movie and
maybe even make it a great movie, you know?

Wow.

What do you think?

Do you want to work together?

Shoot the shit out of Sydney
Opera House in four hours?

Three hours and 52 minutes.

Three hours and 52 minutes.

What are we waiting for? Good.

Okay.

Venti, Venti, come on.

I'm going to get some dots on your
face because I need you, but not your face.

Oh, God. Yeah, just get rid of it.

Yeah, and then stick Ryder's head on this.

Okay.

Yeah.

Cool. Okay, here.

Ready for a take?

Make it rain, please.

Here we go.

Tell me you're back.

Hello, this is the first sentence.

How did we do, boss?

Yeah, it was good. I
mean, it was amazing.

It was so amazing. We're
gonna go do some karaoke.

If you like karaoke, you know, you
could come. Like, I would like you to.

I'll be there.

Okay.

I don't know what that was.
That was just so awful.

Really? Yeah, from she.

Okay.

Yeah.

Yeah.

Halstead.

It's Halstead.

It's done. Forget.
You never saw it.

I saw that.

You saw the finger guns?

Oh, I saw the finger guns.

She started it.

Oh, yeah.

I didn't have breakfast.

Yeah, you did.

I disagree.

I gave you a break throughout this morning.

Technically, this is all your
penalty if you want, but... It's fine.

I'm just saying, I want to
be as cool about it as I am.

No, I didn't.

What is this?

I've got you on a 5.55
flight out of here, okay?

I have a car waiting for you.

Now? Yeah.

Come on.

There is some serious shit going on, okay?

I just told Jodie
I was going to leave.

And I'm actually embarrassed
that I got you here.

I haven't got any more time left.

I just want to get you out of
here before I cussk a night.

Take your stuff together.

We're going to a goodness flight.

Thank you.

Sorry.

Okay, but I'm late and I've got
to get Ryder's rocket today here.

Fluffy needs her whole meal back.
She gets high.

Mr. Mitchell, I've been
looking for another job, Papa.

Your brother's assistant, you must know.

All I can tell you is that if
Ryder has a no-show tomorrow,

the studio will shut us down.

Oh, poor Jodie.

Say hello to the director's jail.

Oh, crazy.

What is Ryder's part? He's.

.. he's... Wow, he's
got some great qualities.

He does...
he makes you go for it, doesn't he?

Bonjour, monsieur.

Bonjour.

Qu'est-ce que tu père.

Qu'est-ce que tu père.

Qu'est-ce que tu père.

Qu'est-ce que tu père.

Qu'est-ce que tu père.

Sorry, his commands are in French.

French, I know.

Hey, where do you
really want a movie on?

I can't believe you kept them.

Well, it's more for a party trick, really.

This one's got a command
where you'll bite people in the balls.

Yeah, yeah, we would know.

I'm not easy.

No, no, no. I don't know, right? I'm...
Gold-seavers. I know who you are.

So, the last time I saw Tom,
everything was pretty normal.

He and Henry won some kind of drug-induced
shirtless shit-show grappling match.

But then Gail called me early
the next morning in a panic.

Drop whatever you're doing.
Tom has lost his phone again.

So, I found the phone.

The one that Drizzler, writer's creepy
security dude, just called me about.

Battle storm crew, we have
a call time of 6am tomorrow.

Good day.

Hey, two shots at the table please.

Hey, Gail.

Hey.

Wow.

Good thing you like coming to these things.

What are you talking about?

Nothing since people
mad at my favorite songs.

Thank you.

I gotta get to karaoke.

Hi.

Thanks, Amy.

Well, it wasn't fun.
You gotta get rid of that thing.

Why don't you just give it to Gail?

Whatever's on this phone
is a goddamn bazooka that'll

blow a movie-star-sized hole
through somebody's career.

I'm happy to get this into
the hands of a good guy.

Okay.

For the right price.

What do you want for it?

A producer credit.

On battle storm?

Look, I need career protection, okay?
I'm burning myself with this.

I'm a stunt guy.
What am I supposed to do?

You're a stunt guy who used to date
the director and seems to be getting

close to rekindling some sort of
short but legendary tour of love affair.

Do you think we're close to rekindling?

I mean, it feels like it's amazing.

Is it a deal or not?

It can help you find writer.

I'll do what I can.

I don't have the passcode. Just figure
it out okay, stuntman. Just find a writer.

I'm gonna need you to sign an NDA.
As you know, nothing in this industry.

Wait, wait.

Rod is fine.

Where is it? What am I
doing? What am I doing?

You saw that you left home.

Who? Come.

No, you didn't.

He's coming here. He's swinging by.
Do you see him some karaoke? No, I.

.. I gave him the tickets.

I see it! I see it!
We need to go.

You talk to me about it.

Okay, talk to us.
I'll play you a drink with yourself.

You've been so distracted.
You should have spoken to me.

Crossfire, excuse me.
Can I get another piece? Thank you.

I thought you wanted me to get rid of him.
And he just left.

Wow, he didn't tell you.

Thank you.

That's fine. That's fine.

But you know what?

He can do whatever he wants. He's an adult
human male. And he should do as he pleases.

He should just...

He's not going all the way.

But that means you can focus out now.

You have a massive... Do you know
you have a big fat hit on your hands? Look.

It's hiding at the
edge of the universe.

Yes, lay yourself.

To get by him.

Just wanna give us a
round of applause for Johnny.

Here she is.
Big round of applause for Johnny.

Why don't you want to change my song?

I just want you to walk away.
Just let you leave without a trace.

I love this song.

I love this song.

Are you okay?

Cole?

Where are you?

Where's Johnny? He's left.

Where are you?

At a rave?

In a sewer?

What's with the dog?

Give me a sunset on
ice in the water bank.

Coming right up.

What's this?

It's Ryder's phone.
Why are you on Ryder's phone?

All I know is the really
bad guys are trying to get it.

Are you serious? What?

I just gotta figure out what's on there.

Then find Ryder and get
him to finish Joey's movie.

Yeah, Venti.
She's like a genius at this stuff.

Thank you.

Big Venti.

Hey, what's popping
on boys? Yeah, Venti.

You know how to get into this thing?

I've seen some of these guys.
This thing is a vault.

It'll take me, like, for a few days.

It's like a genius, you know?

What if you don't have three days?

You need the passport.
I'm telling you that.

You're next.

Nature!

Nature!

Knowing Ryder, it's been unopposed
to know his apartment somewhere.

Okay, next up, we've got Dan.

Come on, buddy. Come on, Dan.

Don't be short, all right?
Come on, buddy. Let's go.

You owe me.

You owe my soul.

She's gotta be around here somewhere.

She's with her.

She's not close.

She's like out there in that cockatooie.

Oh. You know what?
I deserve this.

And he has.

Cole? Cole! I got it! Cole!

Finishing the movie.
I think I got it.

All right. I think I mentioned the video.

Oh, baby, I'm here at work, but I got a
little something for you, a little surprise.

It's just above my ass.

Right? Oh, my God.

I thought it was yours.

I think I've seen Tom's
ass going to my own.

Really?

Now is the winter of our discontent.

We tend to make
glorious sun by the sun.

It's such a deal.

But God is God.

What about this?

Well, here's that part his
assistant was talking about.

Iggy! That's Henry.

That's right, his thumb double.

It looks a lot like the
guy sat at the hotel.

And you were high?

You ever seen unicorns?

I need to take guy in the race.

Don't you just kill Henry?

What's venting? Hey, uh.

..

The dead body discovered
this morning at the

Pendleton Hotel has been
identified as Henry Herrera,

an American stuntman known
for doubling superstar Tom Reiner.

Authorities are investigating
his death as a murder.

Their prime suspect is
another stuntman, Colt Severs,

who was last seen in the hotel room
where Herrera's body was discovered.

Police have released
this security footage

showing Severs leaving
the scene of the crime.

If you have any information,
please do us a favor

and reach out to Crime
Stoppers by the number...

I gotta call Jody.

Tommy!

He is a universe, folks.

Which one was that?

That was Take Four.

God damn it, Jody.

It looks like freakin' Burning Man.

My balls are drenched.
I need a towel.

This dude always forgets that he is mine.

I know. He says the
craziest... Craziest shit.

I know, I know.

What is it, on airplane mode?

If this was the fugitive and
you were Harrison Ford,

the bad guys would be closing in.

Michael!

Damn it! You stay alive.

Stay alive.

No matter how long it
takes, no matter how far,

I will find you!

That's an emergency!

God damn it, boys!

Stocks!

That's another one!

Take support!

No!

The way in the rock, Johnson!

We're in the fire!

Where's the phone, Stottman?

We gotta get this phone to the cops.

Okay.

It's the only thing.

What are you doing?

What are you doing?

Where's the phone,
Stottman? You're close.

Attack him!

I'm gonna take that.

Be careful, that big guy.

I'm gonna go out the front,

and make sure no one's there.

Okay.

All right.

He takes you on the
clock, would you? All I see.

..

It's you and my Stottman.

Shit! Cold steel.

Big fella better buy that.

Can you make it?
Can you make it?

Can you make it?
Can you make it?

No!

It's too dangerous!

You gotta be serious!
Whoa! Hey, man.

You're making a movie here.

Did you leave this
place? Ooh, girl.

So tense.

Remember old
Josie, right? Stottman.

I never forget a fist.

Fist on any of the phone.

Where is it?

It's a matter of
urgency I need to know.

Right.

The one that proves that
you killed Henry, not me.

That's all.

Well, yeah.

I'm gonna hold on to that.

Seems I can see all I think
keeping me alive right now.

What?

He's the prime suspect.

Dodie.

Okay.

Are you kidding? I know.

Cult.

There's no way.

There's no way.

What went wrong?

What went wrong?

What went wrong?

Well, as I look at
it, you know, you're

torturing me right outside your
super yacht like a Bond villain.

Dead shit!

What went wrong?

What went right? You changed.

You changed.

Yeah.

We used to be like brothers.

You and I entered into the sacred
bond of actor and stuntman, man.

Oh, God.

Yeah.

You think Cole could murder
a human being? No, I don't.

Did you tell them
that? This is a man.

This is a man who spent 23 minutes
ushering a cockroach out of my room once.

And I was just stuck on it.

And he was like, no,
let it live and miss Cole.

I told them all of that.

I told him who he
is, who I thought he was.

Did you, emphatically?
Yes, I did.

Yeah, because he was at
the airport where you sent him.

He never got on the plane.

How many movies do we know?

How many? I don't know.

Yeah, too many to count.

That's right.

Because I put you in
the contract, didn't I?

I put you there.

Right there.

Yeah? That's right.

I had the assistant, makeup
and hair, trainer and then book.

Writer's number one stuntman.

Cole Seevers.

That was me.

I did that.

I did that for you.

What are you going to do for me?

Huh? Die, I guess.

Right?

Die?

Is that the plan?

It's not in person.

Well, I'm taking your person.

Yeah, I can see that.

You know what?

It's just business.

It's just business.

It's the next time a
writer is a global brand.

I literally move.

Marcus, if I go down, the
freakin' dial goes down.

If you break your back,
I replace you like this.

Boom.

You know, if you just
stuck to your job instead

of trying to hog this spotlight,
this wouldn't have happened.

I mean, Henry wouldn't be on the scene.

He's axing when it happened.

You're axing.

Freaky little fox.

You just push my buttons, man.

What are you thinking?

What?

What?

What'd you say about my axing?

Well, you know, you
pushed me over the edge.

You literally pushed the button.

I mean, you didn't.

I mean, I pushed the button.

I had to crank it up a notch.

That was you.

Yeah.

I had to teach you a
little lesson, didn't I?

Gotta love to thank for
your babes, thank you.

Henry's no different, you know.

Hey, you do your own stunts?

Do I do my own stunts in
front of all those people?

It's humiliating.

Yeah, I'm gonna kick you into next week.

But at Gayo, you know,
remember Gayo, right?

I've known her for 15 years.

Oh, yeah.

Forget, because you've
been out of the game so long.

I introduced the two of you.

It calls me out.

It just doesn't look good.

Bad for marketing.

I'm branding.

Oh, a lot of murder.

I know.

I don't... I really don't
need this right now.

Look at that, right?

Don't worry about it.

You lay low...

and I will handle everything.

But maybe we don't know
people as well as we think we do.

Oh, my God, it's cold.

Give me some milk.

What are you doing?

Give me some milk!

Oh, no, Jesus Christ!

Right, Gayo! Oh, my God.

Oh, my God.

Let me help you.

Let me take a minute.

You know what?
Just give me a minute.

Yeah.

Just give me a minute.

Yep.

Come on.

This poem is so simple.

Yeah.

We're gonna put Henry's body
on ice so it doesn't decompose.

We can put you out from
that rock you crawled under.

My life, yeah.

You know, scan your face.

Drezi here is gonna stick
you on the murder video.

Drug you.

Drive you and Henry's body
up the Sydney Harbour Bridge.

In your car.

Boom.

You got murder, suicide,
cut, check the gay, move on.

Beautiful.

We have different ideas of what simple is.

You just didn't stay down, did you?

You had to create a big scene.

My cult seabirds died.

But you know what?

This can still work because
we got the murderer.

Now we just need the suicide.

Sad.

It's plot heavy.

We're getting tangled in exposition.

Lose the last part, the suicide.

You lose the audience
if there's too much, cult.

Where's the phone?

Tom.

You need carbs!

Your brain runs on glucose!

For simple cognitive
functions, you need them.

You're the fall guy.

You're the fall guy, you know.

Where's the phone?

I mean, you can keep taking
hits all night, but you know what?

You can think of a few
other people who can't.

You can bring Dan up
here, make Jodie, perhaps.

I mean, I like Jodie, but you know.

There's no phone.

Okay?

That's the twist.

He shot it out of my hand.

Up there. Go check.

You too. Oh, I'll wait.

He shot it.

You didn't know you
did that? It's crazy.

I've been wanting to
tell you this whole time.

No, you didn't.

I was by the door frame.

And he shoots it out of my hands.

No.

Take the ties off.

Oh my God, what a relief.

It's crazy.

You were right about one thing that
was the only thing keeping you alive.

I really wish you could see what
Jodie's gonna do with Metal Storm.

It's gonna be awesome.

I don't know, honestly.

It'll be a banger.

Don't say a company nail, are you, mate?

Hey, says Mike,
Mike, put a lid on it!

Wish you didn't break that bomb, bro.

Break that bomb, man.

I'm afraid you're gonna find it.

All right? There we go.

All right?

Help!

Help!

Help! Oh my God.

Colt?

Hey.

What's going on?

What'd you say?

What? I karaoke.

I'm sorry I didn't make it.

It doesn't matter.
Listen, everyone's saying you killed Henry.

Oh, that's not true.

You're gonna hear a lot
of things that aren't true.

I just wanted to say that
when I first got here...

When you asked how I was doing
and they gave you the thumbs up.

You were like, that stunt guy bullshitting.

You're right.

It's total cliche.

But, you know, there's a reason you
don't see the thumbs down stunt guy.

You know, it's kind of
part of our training, right?

You know, you get hit by a car.

You get thrown out of a window.

You get set on fire.

You get the thumbs up.

But after my accident...

Turns out it was not
an accident, by the way.

I, uh...

I wasn't okay.

And not because I broke my back.

Because I just felt a huge...

And I realized that, uh...
You know, not invincible.

A huge shocker.

And... It's not maybe I
wasn't so special or something.

So I, uh...

Just figured that the thumbs down
version of me wasn't what you got in for.

So I disappeared.

But, you know,
I didn't just disappear.

I just disappeared on them.

On myself.

To... Anyway, I'm sorry.

You deserve more than that, I'm sorry.

I just wanted you to be honest.

You know, honestly, it all hurts.

Getting hit by a car hurts.

And being thrown out of a window hurts.

Getting set on fire really hurts.

But, uh...

None of it ever hurt as
much as not being with you.

Where are you?

Is that from a movie,
or I just think I love you?

It's pretty good.

You can use it if you want.

From what I've learned,
I'm still in love with you!

Gil... Croft's dead.

The stunt coordinator, Dan Tucker.

Is that him?

No.

Hey!

You two!

Helmets off!

Look at the stuff.

Following a dramatic boat
explosion on Sydney Harbour.

Police are... Following a dramatic
boat explosion on Sydney Harbour.

Police are currently investigating the
suicide of American stuntman Colton...

Don't care, we need to be quiet.

Don't care.

You think I can come to my set?

I'd stick up already! Please.

Please.

I knew it.

I knew it.

I knew you were alive.

Three shows a day six
days a week for three years.

The man in my stonja...

They remember.

Yes.

I knew you were alive.

Colton, Colton, so I knew you were alive.

I knew it.

Oh my God.

You were doing the knife.

I'm so sorry.

No, it was great.

You got up.

Just in time, I think being
poisoning didn't set up.

Just kiss.

What's going on?

Everyone's saying that you killed Henry.

Ryder killed Henry. He framed me.

That's footage of you.

They defaked me.

What?

They do it all
the time on the internet.

They keep Tom Cruise's
face, and they bring it on yours.

And you can't tell if they've been killed.

No, because it was the real footage of
Ryder killing Henry. How do we get it?

It was on Ryder's phone, and
then it got destroyed because

Dan's last limo. He can
explain it didn't work out.

What?

It's not his fault, you know?
He called Tomahawk first. Okay.

I got blanks only. And it was going pretty
well, actually. And then Trezler showed up.

So he, you know, he doesn't sleep.

She's the born shit.

Okay, I have so many questions.

Okay. Who else knows
you're alive? No one.

Great.

No, that's the point. I
mean, I figure we can't

finish the movie unless
they think I'm dead.

What movie? Metal Stone.

What about Metal Stone?

If they think I'm dead,
they'll come back and finish.

Who? Ryder.

Finish one.

The movie.

Metal Stone.

Are you insane?

Are you insane?

You need to be burning
your fingerprints off of

me to get across the
borders as fast as possible.

I'm going to hide you
until we play your name.

None of it is anymore.
It's just a stupid movie.

What?

It's just a stupid movie.

Don't say that.
That's Metal Storm you're talking about.

That's the movie you spent
your whole life trying to make.

Who knows? You might
inspire a whole generation of little

Jodys to pick up cameras
and make their own movies.

You're just, you're special.

And all of us get to be a part of something
special because it comes from you.

I obviously failed at
getting us our happy ending.

But I'll be damned if
I'm going to let space

calve away an alien
and not have theirs.

Don't give up.

What's that?

Shh.

No.

She's in on it.

What?

Yes. Let's just kiss.

No, come on.

Come on.

Come on.

Christ.

You all right there, my
darling? Take this open.

Rub it on my belly.

Come on.

Be quiet.

Don't make us hurt.

What?

Hi.

Oh, come here.

How's my favorite director?

A bit emotional here.

Jesus.

My Johnny and Amber have just been here.

We just need to vent because it's been...

Let's just pass up.

I'm so sorry about cold.

No, it's such a
shame, but what a mess.

Right.

Who knew?

I mean, I tried to help him.

I hope you know that.

But sometimes you can't help
people who don't want to be saved.

But silver lining to this very dark cloud.

I've got Ryder to come back.

And I have a plan.

Really?

But we're not going to be able to do
your big third act set piece, the car jump.

It is impossible, John.

Especially now.

We've come gone dead.

He's gone.

He's so dead.

Stay with me.

I spoke to Venti.

She says she can do it in VFX.

The car jump.

All we need to focus on is Ryder's
new final... BOMB-FASTIC monologue.

Read the pages.

God, you smashed it.

I knew you would.

We're going to get him covered.

You, meanwhile.

Please go and rest
up in Fiji, on me.

You know?

Check yourself on a beach.

And I'm going to take
care of all of it.

For you.

Yeah.

You've got so much to process.

No.

I can take care of all of it.

This is my movie.

Now listen to me.

I've learned so much from you.

I know.

I'm very grateful.

But the lesson I stand by
now that you've taught me.

Yeah.

You fall down.

You get right back up.

I am directing this movie.

Oh my God, that's my girl.

You're winning.
I'm so proud of you.

Good. Okay.

Thank you.

All right.

One last thing.

Have you seen Dan?

No, I think he's by the taco truck.

Probably over there somewhere.

Thank you so much.

I'm proud of you.

Thank you.

Okay, bye-bye.

Love you, darling.

Love you too. Bye.

You're going to finish the movie.

Oh, I'm going to clear your name.

Okay.

Okay.

Why can't we do
both? I think we can.

Dan, we're going to bring him
to set in a controlled environment.

And then we surround him.

And we beat the shit out of him.

No.

We're going to force the confession
out of him by putting him in a scene.

Right.

You know, he always forgets his mind.

What's better?

I'm just going to do it, Dan.

I know how to do that.

Make him do his own stunt.

The impossible job.

Then we beat the shit out of him.

One second.

One second.

One second.

One second.

Action.

It's high noon.

The edge of the universe, folks.

We're facing a powerful end.

Mainly a species born of
the worst of humanity's traits.

What our enemy doesn't see,
to their demise, is imminent.

And the most powerful
weapon in all galaxies.

Love.

Eat at every one of
you is as small, baby.

And even if we lose, we're against you.

Was that it? God, yeah.

Did we get it?
It was so good.

We got it? Yeah, yeah.

Oh, my God.

The girl was in blood.

I really felt that one.

Of course she did.

Because I had tears.

Yeah, I know, I can see them.

Yeah, it was fantastic.

So listen, all we have left is the
alien truck coverage, all right? That's it.

Yep, we're into the car jump.

No one told me about another setup.

There was another setup.

I didn't know what we needed.

It's close up, all right?

I needed it's close up,
right here, for the coverage.

All right, 15 minutes tops.

That's all I need.

This is the bed.

Do you remember?

We're a space cabin.

We steal the alien vehicle.

Come on, this is his moment.

Wait, wait, wait, wait.

I'm not going to even need driving.

I'm going to feel really nauseous.

It's a blue screen setup.

I need this.

I need this, okay?

Zero notice here.

We're moving as fast
as we can, all right?

Everyone!

Now move the bed!

And we're in position!

We need an upcharge to blow
this keg in sky-high, people!

Okay, where are we?

Go fast with him, knowledge.

We're as ready as we can be.

Hey, get ready to come in and
check the mics before we go.

Sam, can you come down
here and check where his mic is?

All right, Tom, you ready? Yeah.

Okay, you ready to sleep?

You're going to be in the
alien vehicle? Mm-hmm.

Okay?

Yep.

Okay?

And with no where to go, you're
going to jump the car over the ravine.

So, I just need
a quick pop on you.

Space cowboy, I'm scared now.

I'll remain.

Okay.

I'm thinking maybe just a
couple of reactions to that.

Yeah.

I'm dripping my tea.

Oh, my God, damn.

Something like that.

Yeah, yeah, yeah.

I stole it.

Yeah, yeah.

All right.

Okay.

I think it's going to be great.

Yeah, I love the choice.

All right, let's pop these on.

Okay, what's this?

No, this is because
you just gave the aliens.

This is necessary.

This is cool.

Raise the stakes.

Kind of cool.

Yeah, it's cool.

Okay, let's do it.

Yeah, space cowboy.

Nobody can get a space cowboy.

No, wait.

You know when he's
coming? Tom, I'm sorry.

I told you this before, guys.

Appreciate you, Tom.

Thank you so much.

Okay, great.

So, you got this
guy coming on your left.

All right.

Take him out.

Someone else is going to
crash down on the bonnet.

You're going to take him out.

No, no, no.

See, what I'm thinking
is, maybe I come down, I

take him out first, and
I'm like, pow, pow, pow.

I slide over and go pow.

And maybe I say a little lie.

Like, I was shooting aliens way before.

I was paid to.

Fantastic.

All right, let's lock it up.

Let's shoot, guys.

Standing by, please.

You're it.

Take one.

Mark up.

In three, two, one.

Action.

You're on your left today, alien.

You got to go.

Get out on me.

I'm space cowboy.

You are approaching the moon.

There's nowhere else to go.

You have no choice.

You're going to have to make the jump.

In three, two, one.

Who's not in the car with you?

We're in the middle of a
take right now, asshole.

What are you doing?

He's just buckling you in. Safety first.

That's it.

Really tight.

It's just necessary.

Hey, we are filming right now.

Keep rolling.

Keep rolling.

You said it, Tom.

It looks amazing.

Just not.

Get out of the car.

What's happening?

What the hell are you doing?

What the hell are you doing?

I'm doing something real.

I'm doing a deal.

I'm covering my head.

Hey, Dad.

They're approaching
out the shotty right now.

We're running.

Let me out.

What now?

What are you going to do, huh?

You're going to kill me? Again.

Do you want time?

Smoke's screaming in three, two, one.

This is nursing safe, man.

I see them.

Everything's going to black.

They shall not pass.

I see them.

They're entering our valley.

You are catching shit.

Again.

What? Again.

You got a lot more bait, John.

Ah, mother!

Goddamn!

I can't think you can drive like this.

You're supposed to be dead.

You blew up in a thousand pieces.

You ain't kaboom!

Why would I load up on Ryder?

Why are you saying my name like that?

Ladies and gentlemen,
this is the first time

that a blind man can
seem to do his songwriter.

Okay, let's do it. Let's do it.

Roll the cameras, we're
heading for the jump.

Tom riders, do what he's ever done.

Everyone roll.

Uncle, Jack, Penny.

I'm not taking the pause because
you're going to do your own structure.

I don't want to do my own stuff.

This is the 250 foot jump
that will probably kill us.

It's never been done before.

We're on the clock.

Molly, it's a big deal.

What are you doing?

I thought he'd stay there one last time.

You know, like little wings.

Kilmer and Louise.

Yeah, they die at the end.

Stop this.

Murder suicide.

You just belong or
let me out right now.

If I could not miss the car
until you, Tom rider, tell me.

See versus the truck.

Right away, right away.

It's okay.

When I kill headings,
why don't you cover it up?

Because to be honest, face
count was one of my best goals yet.

And I don't want this movie to fail.

So you're saying that Gail Meyer was
responsible for bringing your murder of Henry.

Yes! Yes!

But what's your real
name? Tom Rider.

Did you get that, Joey?

We got it! He confessed.

You're wearing a wire in the road.
You recording this? This is in traffic?

You can't do that.

Oh, it's not in traffic.

What are you doing?

Because you're wearing a wire in the jet.

Go, go now.

I'm just an actor! I'm good.

You're alive.

Are you okay?

I told you I'd make
the camera up, do you?

It was fantastic.

Christopher, come in!

Can you hear me?
We're gonna get out of here!

Yes!

Christopher, bring that
helicopter to the trench.

What about Roger?

Now!

Now, about this date.

Where is that place, you nutty?

Can we call it a date?

I mean, that's what it is, right?

Son of a bitch!

Oh, God! Gail, Gail.

Listen.

Give me the recording, Gail.

Darling, calm down.

Just come with me.

We don't need all this toxic
masculinity because we're the same.

You and me, you know, we're survivors.

No, no, no, no.
I'm nothing like you.

I don't want to be
present to it. I mean...

Let's call it speed. It's speed.

That's why I gave you the job.

Well, man, because you're
so easily moldable, you know.

Oh!

This is a Gail Meyer production!

Not yours!

Roger, I built the boss in the canyon.

Extraction at the spaceship set.

Spaceship set?

Oh, no, Big Red.

I don't think you're
going to make that one.

Start set!

Start set!

Go!

Trust me, I will not be taking the
form for this because I deliver a hit.

For all you little people, you're welcome.

It's not a mess!

It's not a game, darling.

This design is growing on me.

Here we are. I'm going to jump in.

Look where they are, look where they are.

I'm going to jump onto this gate
and I'm going to beat this shit out.

No, just get the recording.

Go! Go! Ah, shit.

Go!

Get me down!

Get me down!

Get me down!

Can't get her under the
bus with the costumes.

Just drink a spicy margarita or something.

Yeah, yeah, make some bad decisions.

Okay, sure, yes.

It's not like a plan.

It's a better plan than this.

Okay, please be careful.

Okay, let's do it.

He's one of the best
dumbbells I've ever had.

It's empty, Gail.

Go!

Tonight,

I want to see you in your life.

If you look mad at you,

There's something bad driving you wild.

And tonight,

We're going to make it all come true.

Cause the girl you were made with me.

I just think we're going
to make it through, baby.

You're going to make it through, baby.

You're going to make it through, baby.

You're going to make it through.

And universal pictures

Comes a cosmic love story

Of avid proportion.

Starring MTV Best Kiss
award nominee, Jason Momoa.

It's high noon at
the edge of the universe.

I know these creatures.

I fought them.

I love them.

I'm not going to lie to you.

We are facing a powerful enemy.

But what our enemy does not know Is
that inside each and every one of you

There's a goddamn fire!

Justice is on the horizon.

A metal storm.

Metal storm was a huge hit.

Alien on Space Cowboy
finally got that happy ending.

As for Jody and I,

We got something even better.

We got a new beginning.

Tilled with spicy margaritas
and bad decisions.

And look, I don't want to
over romanticize it or anything,

But I think what Jody and I got

Is even better than what
we find in the movies.

Well I'm not going to run and hide.