Would you like to inspect the original subtitles? These are the user uploaded subtitles that are being translated:
1
00:00:06,606 --> 00:00:08,440
Man on radio:GOOD MORNING, NEW YORK!
2
00:00:08,442 --> 00:00:10,542
CHUCK BARBER HEREWITH YOUR SPORTS UPDATE.
3
00:00:10,544 --> 00:00:12,277
RECAPPINGLAST NIGHT'S ACTION --
4
00:00:12,279 --> 00:00:14,446
THE YANKS LOST.THE METS LOST.
5
00:00:14,448 --> 00:00:17,149
THE KNICKS LOST.THE NETS LOST.
6
00:00:17,151 --> 00:00:19,451
IN EXHIBITION FOOTBALL --[ RADIO TURNS OFF ]
7
00:00:19,453 --> 00:00:21,353
[ GRUNTS ]
8
00:00:25,792 --> 00:00:28,060
[ YAWNS ]
9
00:00:32,265 --> 00:00:34,333
[ MAN SNORING ]
10
00:00:44,778 --> 00:00:47,679
[ YAWNS ]
11
00:00:56,456 --> 00:00:58,791
OH, MAN.
12
00:00:58,793 --> 00:01:01,794
ONLY A SUBLET.
[ SHOWER RUNNING ]
13
00:01:01,796 --> 00:01:04,263
ONLY A SUBLET.
14
00:01:05,632 --> 00:01:08,300
[ KNOCK ON DOOR ]
15
00:01:08,302 --> 00:01:10,202
FUCK.
16
00:01:29,322 --> 00:01:31,690
[ SIRENS WAILING IN DISTANCE ]
17
00:01:35,628 --> 00:01:37,629
"RARE VILLAGE CHARMER.
18
00:01:37,631 --> 00:01:40,332
"WOOD-BURNING 'FIRPOKE'...
19
00:01:40,334 --> 00:01:42,468
FIREPLACE."
20
00:01:42,470 --> 00:01:44,803
IT'S PROBABLY A DUMP.
21
00:01:44,805 --> 00:01:47,506
IF IT'S NOT A DUMP,
IT'S PROBABLY GONE.
22
00:01:47,508 --> 00:01:50,476
IF IT'S NOT GONE,
THERE'S A CATCH.
23
00:01:50,478 --> 00:01:52,311
THERE'S ALWAYS A CATCH.
24
00:01:52,313 --> 00:01:56,448
♪ OH, I USED TO ASKMY MOTHER ♪
25
00:01:56,450 --> 00:02:00,319
♪ WOULD I EVER FINDTRUE LOVE? ♪
26
00:02:00,321 --> 00:02:02,154
♪ SHE WOULD TELL ME
27
00:02:02,156 --> 00:02:04,490
♪ TRUE LOVE♪ MM-HMM
28
00:02:04,492 --> 00:02:07,793
♪ OH, YEAH♪ IS HARD TO FIND
29
00:02:07,795 --> 00:02:10,162
♪ MM-HMM
30
00:02:10,164 --> 00:02:13,332
♪ SO I'VE TRAVELED ON
31
00:02:13,334 --> 00:02:16,335
♪ EVERYONE I CAME UPON
32
00:02:16,337 --> 00:02:19,338
♪ I WOULD STOP AND ASK,THEY WOULD TELL ME ♪
33
00:02:19,340 --> 00:02:21,840
♪ "TRUE LOVE
34
00:02:21,842 --> 00:02:25,344
♪ IS HARD TO FIND"
35
00:02:25,346 --> 00:02:27,679
♪ THAT'S WHAT THEY WOULD SAY
36
00:02:27,681 --> 00:02:30,482
♪ SO YEARS HAVE PASSED
37
00:02:30,484 --> 00:02:34,286
♪ AND I'M ALL ALONE,NO LONGER DO I ♪
38
00:02:34,288 --> 00:02:36,255
YOU MIND WATCHING THIS
FOR ME?
39
00:02:36,257 --> 00:02:38,290
♪ I JUST PLACE MY FAITH
40
00:02:38,292 --> 00:02:40,459
♪ IN FIVE LITTLE WORDS
41
00:02:40,461 --> 00:02:43,462
♪ FROM WAY BACK IN MY PAST
42
00:02:43,464 --> 00:02:45,330
♪ MY MAMA SAID
43
00:02:45,332 --> 00:02:51,470
♪ "SEEK AND YOU SHALL FIND"
44
00:02:51,472 --> 00:02:53,472
♪ THAT'S WHAT MAMA SAID
45
00:02:53,474 --> 00:03:01,180
♪ "SEEK AND YOU SHALL FIND"
46
00:03:01,182 --> 00:03:05,484
♪ 'CAUSE I KNOWIF I KEEP TRYING ♪
47
00:03:05,486 --> 00:03:07,819
♪ I CAN...
48
00:03:07,821 --> 00:03:10,656
♪ 'CAUSE THERE'S NO DENYING
49
00:03:10,658 --> 00:03:15,961
♪ "SEEK AND YOU SHALL FIND"
50
00:03:15,963 --> 00:03:19,331
♪ I KNOW THAT'SWHAT MY MAMA SAID ♪
51
00:03:19,333 --> 00:03:24,803
♪ "SEEK AND YOU SHALL FIND"
52
00:03:24,805 --> 00:03:27,472
♪ LORD
53
00:03:27,474 --> 00:03:30,409
♪ "SEEK AND YOU SHALL FIND"
54
00:03:30,411 --> 00:03:32,811
HELLO?
55
00:03:32,813 --> 00:03:36,348
♪ IF IT'S LOVETHAT YOU'RE LOOKING FOR ♪
56
00:03:36,350 --> 00:03:38,317
♪ "SEEK AND YOU SHALL FIND"
57
00:03:38,319 --> 00:03:41,486
I'LL TAKE IT.
58
00:03:41,488 --> 00:03:44,656
♪ IT MIGHT BERIGHT AROUND THE CORNER ♪
59
00:03:44,658 --> 00:03:47,659
♪ SEEK
60
00:03:47,661 --> 00:03:50,662
YOU MUST BEMR. LESTER.
61
00:03:50,664 --> 00:03:53,365
IT'S PERFECT.
SAM.
62
00:03:53,367 --> 00:03:54,499
HI, SAM.
63
00:03:54,501 --> 00:03:56,635
UM, YOU KNOW, SAM...
64
00:03:56,637 --> 00:03:59,338
AS I MENTIONED TO YOU
ON THE PHONE,
65
00:03:59,340 --> 00:04:01,773
IT'S A VERY
UNUSUAL SITUATION.
66
00:04:01,775 --> 00:04:03,809
WELL, IT'S...
67
00:04:03,811 --> 00:04:06,311
IT'S JUSTWHAT I'M LOOKING FOR.
68
00:04:08,781 --> 00:04:11,350
MR. McVEIGHIS GETTING MARRIED,
69
00:04:11,352 --> 00:04:14,353
BUT HE'D LIKE TO KEEP
THIS PLACE AND THE FURNITURE.
70
00:04:18,358 --> 00:04:20,359
TELL ME --
IS THE CURRENT TENANT...
71
00:04:20,361 --> 00:04:22,494
OH, IT'SBRIAN McVEIGH.
72
00:04:22,496 --> 00:04:25,464
IS BRIAN COLOR-BLIND?
73
00:04:36,409 --> 00:04:38,410
[ INDISTINCT CONVERSATIONS ]
74
00:04:41,447 --> 00:04:42,981
EXCUSE ME, MADAM.
NO, IT'S OKAY.
75
00:04:42,983 --> 00:04:45,817
IT'S MY SISTER
OVER HERE.
76
00:04:45,819 --> 00:04:46,985
HI, SWEETHEART.
77
00:04:46,987 --> 00:04:48,353
HELLO.
78
00:04:48,355 --> 00:04:49,821
YOUR HAIR'S LIGHTER.
79
00:04:49,823 --> 00:04:52,357
OH, SHUT UP.
[ CHUCKLES ]
80
00:04:54,827 --> 00:04:56,662
[ SIGHS ] YOU LOOK GREAT.
NICE OUTFIT.
81
00:04:56,664 --> 00:04:58,830
OH, THIS?
MATINEE DAY.
82
00:04:58,832 --> 00:05:00,365
OH, MY GOD.
83
00:05:00,367 --> 00:05:02,334
YOU SAW A PLAY.
I AM SHOCKED.
NO.
84
00:05:02,336 --> 00:05:03,669
NO, I WENT SHOPPING.
OH.
85
00:05:03,671 --> 00:05:05,337
BENDEL'S IS EMPTY
ON MATINEE DAY.
86
00:05:05,339 --> 00:05:06,438
OF COURSE.
87
00:05:06,440 --> 00:05:08,073
HOW WAS WORK?
88
00:05:08,075 --> 00:05:09,341
WHAT COULD BE NEW?
89
00:05:09,343 --> 00:05:11,943
I CAME, I FLOSSED,
I POLISHED.
90
00:05:13,012 --> 00:05:14,846
OKAY.
91
00:05:14,848 --> 00:05:18,383
SO WHAT'S
THE BIG NEWS?
92
00:05:18,385 --> 00:05:19,618
YOU'RE NOT PREGNANT.
93
00:05:21,487 --> 00:05:23,755
LUCY,
I'M A MARRIED WOMAN.
94
00:05:23,757 --> 00:05:25,324
YOU'RE NOT HAVING
AN AFFAIR.
95
00:05:25,326 --> 00:05:26,825
GET REAL.
96
00:05:26,827 --> 00:05:28,827
OKAY, YOU GIVE UP?
YOU GIVE UP.
97
00:05:28,829 --> 00:05:30,362
ALL RIGHT.
98
00:05:38,504 --> 00:05:40,339
"RARE VILLAGE CHARMER"...
99
00:05:40,341 --> 00:05:41,840
IT'S ONLY TWO DAYS A WEEK,
100
00:05:41,842 --> 00:05:44,376
BUT IT COULD BE LIKE MY OWN
WHAT-DO-YOU-CALL-IT IN THE CITY.
101
00:05:44,378 --> 00:05:45,677
PIED-à-TERRE.YEAH, WHATEVER.
102
00:05:45,679 --> 00:05:47,779
BUT --
ON TUESDAYS,
I-I-I COULD GO TO MUSEUMS.
103
00:05:47,781 --> 00:05:50,382
AND -- AND
ON THURSDAYS...
FOR SHOPPING.
104
00:05:50,384 --> 00:05:52,417
I COULD PAINT.
BUT --
105
00:05:52,419 --> 00:05:55,354
I COULD TAKE AN ART CLASS,
YOU KNOW?
106
00:06:03,430 --> 00:06:07,666
MR. McVEIGH WOULD LIKE TO OFFER
YOU THIS PLACE
107
00:06:07,668 --> 00:06:09,134
TWO DAYS A WEEK
108
00:06:09,136 --> 00:06:12,371
FOR $92 A MONTH.
109
00:06:12,373 --> 00:06:13,972
SOLD.
110
00:06:13,974 --> 00:06:16,675
YOU MEAN YOU DON'T CARE
THAT IT'S JUST TWO DAYS A WEEK?
111
00:06:16,677 --> 00:06:19,511
WELL, NO. ACTUALLY, IT'S ALL
I CAN AFFORD RIGHT NOW.
112
00:06:19,513 --> 00:06:21,146
OH.
113
00:06:21,148 --> 00:06:24,149
NO, NO, NO. WHAT I MEAN IS --
I MEAN RIGHT NOW.
114
00:06:24,151 --> 00:06:27,152
I'M ALREADY RENTING A PLACE...
WITH ROOMMATES --
115
00:06:27,154 --> 00:06:29,154
LOTS AND LOTS
OF ROOMMATES.
116
00:06:29,156 --> 00:06:32,391
OH, WELL, THEN I'M SURE
YOU'LL ENJOY SOME PRIVACY
117
00:06:32,393 --> 00:06:33,158
TWO NIGHTS A WEEK.
118
00:06:33,160 --> 00:06:34,159
RIGHT.
119
00:06:34,161 --> 00:06:35,694
OKAY, NOW...
120
00:06:35,696 --> 00:06:38,130
BRIAN KEEPS WEDNESDAYSAND FRIDAYS.
121
00:06:38,132 --> 00:06:40,399
TUESDAY NIGHTS
AND THURSDAY NIGHTS
122
00:06:40,401 --> 00:06:42,033
HAVE ALREADY
BEEN CLAIMED.
123
00:06:42,035 --> 00:06:43,168
SO THAT LEAVES...
124
00:06:43,170 --> 00:06:45,504
WELL,
SO I'LL TAKE MONDAY
125
00:06:45,506 --> 00:06:47,472
AND, UM...
126
00:06:48,141 --> 00:06:51,676
SATURDAY, IN CASE
I, UH, WANT TO GO ON A --
127
00:06:51,678 --> 00:06:54,146
WELL, NOT EXACTLY A DATE,
BUT IN CASE I...
128
00:06:54,148 --> 00:06:56,648
IN CASE
YOU GET LUCKY?
129
00:06:56,650 --> 00:06:59,718
[ INDISTINCT CONVERSATIONS,
TELEPHONES RINGING ]
130
00:07:04,724 --> 00:07:07,125
Mrs. Winkler:BRIAN, IT'S RENTED.
131
00:07:11,030 --> 00:07:13,198
MRS. WINKLER...
132
00:07:13,200 --> 00:07:16,034
I COULD KISS YOU.
133
00:07:16,036 --> 00:07:18,570
[ SMOOCHING ]
134
00:07:18,572 --> 00:07:20,172
I LOVE THIS WOMAN.
135
00:07:20,174 --> 00:07:22,174
[ CHEERING ]
136
00:07:23,543 --> 00:07:25,844
OKAY, EVERYBODY,
I GOT AN ANNOUNCEMENT.
137
00:07:25,846 --> 00:07:28,180
I KNOW THERE'S BEEN
A LOT OF RUMORS GOING AROUND
138
00:07:28,182 --> 00:07:31,783
THAT, UH, BECAUSE OF, UH...
BECAUSE I'M --
139
00:07:31,785 --> 00:07:33,785
BECAUSE SHE OWNS YOU.
[ LAUGHTER ]
140
00:07:33,787 --> 00:07:37,022
BECAUSE OF MY BETROTHAL,
I WAS GOING TO GIVE UP...
141
00:07:37,024 --> 00:07:39,858
PLEASURE.
THE LION'S DEN.
142
00:07:39,860 --> 00:07:41,193
NO.NO.NO.
143
00:07:41,195 --> 00:07:46,798
WHERE THERE'S A RENT-CONTROLLED
LEASE, THERE'S ALWAYS A WAY.
144
00:07:46,800 --> 00:07:49,534
SO...[CLEARS THROAT]
WHAT'S THE DEAL?
145
00:07:49,536 --> 00:07:51,870
WELL,
TWO DAYS A WEEK --
146
00:07:51,872 --> 00:07:55,173
T.G.I.F.
AND WEDNESDAY-NIGHT POKER.
147
00:07:55,175 --> 00:07:57,108
AAH!
[ LAUGHING ]
GIMME, GIMME,
GIMME, GIMME, YEAH!
148
00:07:57,110 --> 00:07:59,544
AH!
WHO COMMERCED?
149
00:07:59,546 --> 00:08:00,879
A-A STEWARDESS?
150
00:08:00,881 --> 00:08:02,180
I DON'T EVEN KNOW THEM.
151
00:08:02,182 --> 00:08:04,549
I HAD, UH, MY SECRETARY
152
00:08:04,551 --> 00:08:08,186
SET UP AN UNEQUAL THREE-WAYTIME-SHARING PROGRESSION.
153
00:08:08,188 --> 00:08:09,521
WIGGY.WIGGY-WIGGY.
154
00:08:09,523 --> 00:08:11,156
YEAH, RIGHT.
155
00:08:11,158 --> 00:08:13,525
ONE'S GONNA PAINT...
156
00:08:13,527 --> 00:08:15,694
AND MRS. WINKLERSAYS THE OTHER ONE
157
00:08:15,696 --> 00:08:17,863
IS GETTING OVERA-A BROKEN HEART.
158
00:08:25,705 --> 00:08:27,539
TWO YEARS OF MY LIFE.
159
00:08:27,541 --> 00:08:29,541
WHAT A WASTE.
160
00:08:29,543 --> 00:08:32,177
I WONDER
HOW SHE'S DOING.
161
00:08:51,964 --> 00:08:54,699
OH, A MIRROR --
THAT'S A LITTLE SELF-ABSORBED.
162
00:08:54,701 --> 00:08:57,769
IT'S A REFLECTION
ON OUR NARCISSISTIC CULTURE.
163
00:08:57,771 --> 00:08:59,137
YEAH.
164
00:08:59,139 --> 00:09:01,172
SAM, MAYBE YOUSHOULDN'T HAVE COME TONIGHT.
165
00:09:01,174 --> 00:09:02,541
I'M FINE.
166
00:09:02,543 --> 00:09:04,576
[ GASPING ]
167
00:09:08,247 --> 00:09:10,882
ADEEKA, ADEEKA,
ADEEKA, ADEEKA.
168
00:09:10,884 --> 00:09:13,218
LA-DI-DA, LA-DI-DA,
LA-DI-DA, DA-DI-DA.
169
00:09:13,220 --> 00:09:16,221
[ French accent ] MY MOTHER,
MY SISTER, MY MOTHER, MY SISTER.
170
00:09:16,223 --> 00:09:18,123
WHAT IS SHE DOING?
[ GASPS ]
171
00:09:18,125 --> 00:09:20,058
AAAH!
172
00:09:20,060 --> 00:09:21,593
OH! NO!
173
00:09:21,595 --> 00:09:23,061
OH!
174
00:09:23,063 --> 00:09:25,730
JESUS CHRIST.
WHAT IS SHE DOING?
175
00:09:25,732 --> 00:09:27,732
IT'S -- IT'S AN EXPRESSION
OF HER FRUSTRATION
176
00:09:27,734 --> 00:09:29,200
WITH THE WEIGHT
OF EUROPEAN HISTORY.
177
00:09:29,202 --> 00:09:31,069
AH.
SHH!
178
00:09:31,071 --> 00:09:33,672
AHH. AHH.
179
00:09:33,674 --> 00:09:35,040
OH...
180
00:09:35,042 --> 00:09:37,709
WHO'S THE LITTLE LOBSTER?
WOULD YOU LIKE SOME LOBSTER?
181
00:09:37,711 --> 00:09:38,710
[ GASPS ]
182
00:09:38,712 --> 00:09:40,178
[ THUD ]
183
00:09:40,180 --> 00:09:42,047
[ GASPS ]
184
00:09:42,049 --> 00:09:44,716
[ SPEAKING FRENCH ]
185
00:09:44,718 --> 00:09:46,351
UNCLE SAM.
186
00:09:46,353 --> 00:09:48,787
WOULD YOU DANCE
WITH ME, PLEASE?
SAM.
187
00:09:48,789 --> 00:09:52,023
WHAT'S THAT
SUPPOSED TO MEAN?
IT'S A SYMBOL, SAM.
188
00:09:52,025 --> 00:09:53,358
[ COUGHING, GASPING ]
189
00:09:53,360 --> 00:09:54,893
BOYS --
190
00:09:54,895 --> 00:09:56,094
AAAH!
191
00:09:57,363 --> 00:09:59,230
[ CAR ALARM BLARING ]
192
00:09:59,232 --> 00:10:01,232
I THOUGHT IT WENT OVER
VERY WELL.
193
00:10:01,234 --> 00:10:05,904
BERTRAND MISSED HIS,
UH, LIGHTNING CUES, THE FOOL.
194
00:10:05,906 --> 00:10:07,739
R-REALLY?
I THOUGHT SO.
195
00:10:07,741 --> 00:10:09,374
BUT I DON'T THINK
ANYBODY THERE NOTICED.
196
00:10:09,376 --> 00:10:13,345
[ SCOFFS ] WHAT DOES YOU KNOW
ABOUT ART?
197
00:10:13,347 --> 00:10:16,214
YOU KNOW, PASTEL, I WORRY
ABOUT YOU WALKING HOME ALONE...
198
00:10:16,216 --> 00:10:17,882
SAM!
IN THE NEIGHBORHOOD.
199
00:10:17,884 --> 00:10:20,352
I DON'T USE
A LECTURE NOW.
200
00:10:20,354 --> 00:10:21,720
[ SCOFFS ]
201
00:10:21,722 --> 00:10:23,088
ALL RIGHT.
202
00:10:24,223 --> 00:10:25,357
[ SIGHS ]
203
00:10:25,359 --> 00:10:28,059
OH, SAMMY.
204
00:10:28,061 --> 00:10:29,894
[ GRUNTS ]
205
00:10:46,078 --> 00:10:48,079
THE OLD APARTMENT.
206
00:10:48,081 --> 00:10:50,749
PUT THE BAG THERE.
207
00:10:50,751 --> 00:10:52,250
[ SIGHS ]
208
00:10:52,252 --> 00:10:53,752
[ HUMMING ]
209
00:10:53,754 --> 00:10:55,220
AHH.
210
00:10:55,222 --> 00:10:56,721
HMM.
211
00:10:56,723 --> 00:10:58,123
[ SIGHS ]
212
00:10:59,358 --> 00:11:02,060
YOU PUT SOME NEW POSTERS
OF YOURSELF UP.
213
00:11:02,062 --> 00:11:05,296
I DIDN'T WANT, UH,MEMORIES OF US, UH,
214
00:11:05,298 --> 00:11:08,733
HAUNTING ME NOW THAT THE PLACEIS MINE NOW, HMM?
215
00:11:08,735 --> 00:11:10,235
[ MUMBLES ]
216
00:11:13,739 --> 00:11:15,373
[ SIGHS ]
217
00:11:15,375 --> 00:11:16,841
HMM?
218
00:11:18,377 --> 00:11:20,745
HEY, UM...
219
00:11:20,747 --> 00:11:22,914
YOU WANT ME TO...
RUN DOWNSTAIRS
220
00:11:22,916 --> 00:11:25,917
AND PICK UP
SOME FOOD AND...
221
00:11:25,919 --> 00:11:27,719
WHIP SOMETHING UP?
222
00:11:32,091 --> 00:11:33,758
NO.
[ CHUCKLES ]
223
00:11:36,896 --> 00:11:39,230
[ SIGHS ]
WHEN YOU COOK FOR ME,
224
00:11:39,232 --> 00:11:41,266
I FALL IN LOVE AGAIN.
225
00:11:45,905 --> 00:11:48,807
I CANNOT DO
THIS NOW, HMM?
226
00:11:49,909 --> 00:11:51,910
MM.
227
00:11:51,912 --> 00:11:56,381
I HAVE AN APPOINTMENT EARLY
IN THE MORNING FOR THE PBS TV.
228
00:11:56,383 --> 00:11:59,484
[ CHUCKLES ]
I SHOW THEM TONIGHT'S TAPE.
OMELETTE?
229
00:11:59,486 --> 00:12:01,920
SAM, MNH-MNH.
230
00:12:01,922 --> 00:12:04,222
SOMEDAY WHEN YOU'RE
A BIG RESTAURATEUR
231
00:12:04,224 --> 00:12:06,758
AND I AM A STAR,
MAYBE FOR US IT WILL WORK.
232
00:12:06,760 --> 00:12:08,393
BUT NOW...
233
00:12:08,395 --> 00:12:10,161
YOU MUST GO.
234
00:12:10,163 --> 00:12:12,163
[ SIGHS ]
235
00:12:13,766 --> 00:12:15,233
[ SIGHS ]
236
00:12:15,235 --> 00:12:18,236
DON'T MAKE IT
ANY HARDER FOR US.
237
00:12:18,238 --> 00:12:20,171
[ CHUCKLES ]
238
00:12:23,909 --> 00:12:25,977
[ SHOWER RUNNING ]
239
00:12:27,913 --> 00:12:29,914
[ SIGHS ]
240
00:12:29,916 --> 00:12:31,449
[ SINGING IN FRENCH ]
241
00:12:33,385 --> 00:12:35,186
WELL...
242
00:12:36,756 --> 00:12:38,389
GUESS I'LL BE GOING.
243
00:12:38,391 --> 00:12:40,091
Pastel: [ LAUGHS ]
244
00:12:40,093 --> 00:12:42,260
COULD YOU PUT OUT
MY CIGARETTE?
245
00:12:42,262 --> 00:12:43,394
[ BOTH LAUGHING ]
246
00:12:43,396 --> 00:12:45,063
SURE.
247
00:12:46,265 --> 00:12:48,266
CIAO, SAMMY.
248
00:13:06,919 --> 00:13:11,156
Janet: ♪ ROCKABY, BABY,ON THE TREETOP ♪
249
00:13:11,158 --> 00:13:15,226
AAH!
♪ WHEN THE WIND BLOWS,THE CRADLE WILL ROCK ♪
250
00:13:15,228 --> 00:13:19,097
COME ON, BABY.
[ LAUGHING ]
♪ WHEN THE BOUGH BREAKS,THE CRADLE WILL FALL ♪
251
00:13:19,099 --> 00:13:22,934
OOH!
♪ AND DOWN WILL COME BABY,CRADLE AND ALL ♪
252
00:13:22,936 --> 00:13:24,402
YEAH! OOH!
253
00:13:24,404 --> 00:13:26,137
YEAH!
254
00:13:26,139 --> 00:13:29,974
OOH! OOH! OOH!OOOOH![ GASPS ] OH!
255
00:13:29,976 --> 00:13:33,278
[ LAUGHS ]
OOH, YEAH.
256
00:13:33,280 --> 00:13:35,346
[ ALARM CLOCK RINGING ]
257
00:13:54,099 --> 00:13:56,100
[ RINGING STOPS ]
258
00:13:56,102 --> 00:13:57,836
[ CHUCKLES ]
259
00:13:59,271 --> 00:14:01,973
IT'S WAKE-UP TIME,
BRIAN.
260
00:14:04,276 --> 00:14:06,845
[ CLASSICAL MUSIC PLAYS
ON RADIO ]
261
00:14:09,114 --> 00:14:10,348
BRIAN?
262
00:14:17,289 --> 00:14:19,257
Man on radio:THIS IS 96.3...
263
00:14:19,259 --> 00:14:20,358
GOOD MORNING.
264
00:14:20,360 --> 00:14:22,961
MOZARTIN THE MORNING.
265
00:14:22,963 --> 00:14:25,029
[ MUSIC RESUMES ]
266
00:14:33,105 --> 00:14:35,874
I WAS HAVING
THE BEST DREAM ABOUT US.
267
00:14:37,109 --> 00:14:39,244
SO WAS I.
268
00:14:39,246 --> 00:14:42,947
OH, I DREAMT THAT
WE WERE OLD, BRIAN...
269
00:14:42,949 --> 00:14:46,117
AND THAT WE'D BEEN MARRIED
FOR 50 YEARS.
270
00:14:46,119 --> 00:14:49,120
AND ALL OUR GRANDCHILDREN
AND OUR GREAT-GRANDCHILDREN
271
00:14:49,122 --> 00:14:51,589
WERE ALL GATHERED AT MOMMY'S
IN NANTUCKET
272
00:14:51,591 --> 00:14:53,925
FOR OUR ANNIVERSARY.
273
00:14:53,927 --> 00:14:55,960
[ INHALES DEEPLY ]
274
00:14:55,962 --> 00:14:58,296
WHAT WAS
YOUR DREAM ABOUT?
275
00:14:58,298 --> 00:14:59,497
MINE?
276
00:15:01,533 --> 00:15:04,302
UH...
LIKE THAT.
277
00:15:04,304 --> 00:15:06,104
SAME KIND.
278
00:15:06,106 --> 00:15:09,107
MR. JONATHAN IS COMING OVER
WEDNESDAY AFTER WORK,
279
00:15:09,109 --> 00:15:10,942
AND HE'S GONNA SHOW US
SOME FABRICS.
280
00:15:10,944 --> 00:15:12,243
WE DON'T HAVE TO DECIDE
RIGHT AWAY.
281
00:15:12,245 --> 00:15:13,945
THAT'S WHAT
WE PAY HIM FOR.
282
00:15:13,947 --> 00:15:16,114
WEDNESDAY?
[ MUMBLING ]
283
00:15:16,116 --> 00:15:17,582
I THOUGHT
I WAS GONNA SEE THE GUYS.
284
00:15:17,584 --> 00:15:20,251
WELL, YOU'LL HAVE
TO CHANGE IT, DARLING.
285
00:15:22,121 --> 00:15:24,289
NO PROBLEM.
286
00:15:24,291 --> 00:15:27,959
OH, BESIDES, WE HAVE THE BALLET
WEDNESDAY NIGHTS.
287
00:15:27,961 --> 00:15:31,262
[ Muffled ]
OH, YEAH, BALLET.
288
00:15:31,264 --> 00:15:33,531
I KEEP FORGETTING THAT.
289
00:15:36,435 --> 00:15:39,137
THANK YOU.
GOOD MORNING,
MRS. BEEHAN.
290
00:15:39,139 --> 00:15:40,138
MR. BEEHAN.
291
00:15:40,140 --> 00:15:41,272
WHAT?
NO.
292
00:15:41,274 --> 00:15:43,141
NO, I'M BEEHAN,
HE'S McVEIGH,
293
00:15:43,143 --> 00:15:45,376
BUT JUST FOR
A FEW MORE MONTHS.
294
00:15:49,949 --> 00:15:52,150
AH, FUCK.
295
00:15:55,587 --> 00:15:57,422
EXCUSE ME.
296
00:16:00,125 --> 00:16:02,593
[ SIGHS ]
RINSE, MR. POTESKY.
297
00:16:02,595 --> 00:16:04,295
[ DENTIST DRILL WHIRRING ]
298
00:16:04,297 --> 00:16:06,264
[ GARGLING ]
299
00:16:06,266 --> 00:16:08,433
I SAID, "RINSE,"
NOT GARGLE, MR. POTESKY.
300
00:16:08,435 --> 00:16:10,168
RINSE.
301
00:16:11,971 --> 00:16:13,137
HMM.
302
00:16:13,139 --> 00:16:14,973
YEAH.
303
00:16:14,975 --> 00:16:16,975
YEAH.
[ SIGHS ]
304
00:16:16,977 --> 00:16:19,143
[ WOMAN TALKING INDISTINCTLY ]
305
00:16:19,145 --> 00:16:20,712
YOU MAY SPIT.
306
00:16:24,616 --> 00:16:27,285
WOULD YOU ADJUST
MY HEADREST AGAIN
307
00:16:27,287 --> 00:16:29,587
ON THE LEFT SIDE HERE,
'CAUSE...
308
00:16:29,589 --> 00:16:31,422
DO YOU LIKE MY SHIRT?
IT'S VERY NICE.
309
00:16:31,424 --> 00:16:35,293
I JUST GOT IT IN LONDON.
WOULD YOU -- HAVE --
310
00:16:35,295 --> 00:16:37,595
WOULD YOU LIKE TO GO
TO LONDON SOMETIME?
311
00:16:37,597 --> 00:16:40,598
I'M A MARRIED WOMAN,
MR. POTESKY.
312
00:16:40,600 --> 00:16:42,266
HAPPILY?
313
00:16:42,268 --> 00:16:44,302
DR. JOHN.
314
00:16:44,304 --> 00:16:46,604
DR. JOHN --
315
00:16:46,606 --> 00:16:48,773
SHE WON'T GO TO LONDON
WITH ME, DOC.
316
00:16:48,775 --> 00:16:50,441
HAVE A LOLLY.
HE'S ALL YOURS.
317
00:16:50,443 --> 00:16:51,776
THANKS.
318
00:16:53,145 --> 00:16:54,779
CAN I ASK YOU SOMETHING?
319
00:16:54,781 --> 00:16:57,148
WHEN SHE WORKS ON ME
WITH THOSE RUBBER GLOVES,
320
00:16:57,150 --> 00:17:01,452
THAT'S JUST A STANDARD PRACTICE
NOW, ISN'T IT?
321
00:17:01,454 --> 00:17:02,787
IT'S NOT --
322
00:17:02,789 --> 00:17:04,122
OPEN.
323
00:17:19,438 --> 00:17:21,372
[ BRAKES SQUEAL ]
324
00:17:28,213 --> 00:17:29,781
[ DOOR CLOSES ]
Aaron: AHH.
325
00:17:29,783 --> 00:17:32,450
I KNOW, I KNOW --
I'M LATE.
IT'S OKAY.
326
00:17:32,452 --> 00:17:35,319
THERE WAS A TIE-UP
ON THE BELT PARKWAY
YOU WOULDN'T BELIEVE.
327
00:17:35,321 --> 00:17:37,288
OH, AARON, IT'S NOT LIKE
THE TUNA'S GONNA GET COLD.
328
00:17:37,290 --> 00:17:39,290
ALL RIGHT, THE TRUTH --
329
00:17:39,292 --> 00:17:41,459
I WAS AT MARTY'SWATCHING THE ISLANDERS,
330
00:17:41,461 --> 00:17:43,094
OVERTIME.
331
00:17:44,329 --> 00:17:45,463
LOOK, I WAS WITH --
PASS THE KETCHUP.
332
00:17:45,465 --> 00:17:47,165
OH, THANKS.
YEAH.
333
00:17:47,167 --> 00:17:48,800
ANYWAY, UH...
334
00:17:48,802 --> 00:17:50,802
I WAS WITH LUCY,
AND SHE WANTED --
THAT'S
GOOD-LOOKING TUNA.
335
00:17:50,804 --> 00:17:53,304
I LIED.
336
00:17:53,306 --> 00:17:56,574
THERE WAS
NO OVERTIME.
337
00:17:56,576 --> 00:17:59,310
NO ONE'S MAKING
A FEDERAL CASE OUT OF IT.
338
00:17:59,312 --> 00:18:01,813
I'VE GOT A SURPRISE.
339
00:18:01,815 --> 00:18:03,648
WE'RE MOVING.
340
00:18:03,650 --> 00:18:06,784
Ellen: WHAT?TO WHERE?
341
00:18:06,786 --> 00:18:11,556
TO OUR NEW RANCH-STYLE
MODERN COLONIAL
342
00:18:11,558 --> 00:18:16,160
WITH WRAP DECKAND HALLWAY ATRIUM.
343
00:18:16,162 --> 00:18:17,495
WHAT?
344
00:18:17,497 --> 00:18:18,629
YOU'RE JOKING.
345
00:18:18,631 --> 00:18:20,798
NO. I JUST WENT OUT
AND DID IT.
346
00:18:20,800 --> 00:18:22,500
MARTY TALKED ME
INTO IT.
347
00:18:22,502 --> 00:18:25,169
EXIT 52ON THE L.I.E.
348
00:18:25,171 --> 00:18:28,406
SPARROW'S NESTDEVELOPMENT.
349
00:18:30,509 --> 00:18:32,543
[ SIGHS ]
350
00:18:33,812 --> 00:18:35,646
[ SIGHS ]
351
00:18:38,317 --> 00:18:39,550
OH.
352
00:18:42,788 --> 00:18:44,455
[ BOTTLES CLINKING ]
353
00:18:44,457 --> 00:18:46,224
I GOT IT.
354
00:19:01,406 --> 00:19:03,808
SECRET GARRET...
355
00:19:03,810 --> 00:19:06,177
REDISCOVERS A HORIZON
356
00:19:06,179 --> 00:19:09,347
OF COLOR...
357
00:19:09,349 --> 00:19:10,748
AND FORM.
358
00:19:18,290 --> 00:19:21,225
Woman: AND I'LL TAKEHALF A POUND OF FRENCH CHEVRET.
359
00:19:21,227 --> 00:19:22,360
WANT TO TRY DOMESTIC?
360
00:19:22,362 --> 00:19:23,628
WHAT'S THE DIFFERENCE?
361
00:19:23,630 --> 00:19:25,696
ABOUT $4 A POUND.
362
00:19:28,467 --> 00:19:31,302
OTHERWISE, THE FRENCH
IS A LITTLE MORE STATUS.
363
00:19:31,304 --> 00:19:34,438
THE DOMESTIC IS -- IT'S FRESHER.
IT'S MILKIER.
364
00:19:34,440 --> 00:19:36,874
WE HAVE
SOME VERY GOOD --
I'LL TAKE THE FRENCH.
365
00:19:36,876 --> 00:19:38,309
FRENCH.
366
00:19:42,181 --> 00:19:43,414
THANK YOU.
367
00:19:43,416 --> 00:19:45,349
HEATHENS.
368
00:19:45,351 --> 00:19:48,653
Man on P.A.: SAM, PICK UPLINE 2. LINE 2, SAM.EXCUSE ME.
369
00:19:48,655 --> 00:19:50,321
EXCUSE ME.
370
00:19:50,323 --> 00:19:52,323
GOT TO BUY
FRENCH CHEESE.
371
00:19:52,325 --> 00:19:54,659
GOT TO BUY
FRENCH CHEESE.
372
00:19:54,661 --> 00:19:56,327
HELLO?
Good morning.
373
00:19:56,329 --> 00:19:59,697
This is Mrs. Winklercalling for Brian McVeigh...
374
00:19:59,699 --> 00:20:02,800
UH, WHO'S HAD AN UNAVOIDABLE
CHANGE OF SCHEDULING
375
00:20:02,802 --> 00:20:04,802
AND WAS WONDERING
IF YOU WOULDN'T MIND
376
00:20:04,804 --> 00:20:08,306
SWITCHING YOUR MONDAY NIGHT
FOR HIS WEDNESDAY.
377
00:20:08,308 --> 00:20:10,474
Sam:Just Wednesday?MM-HMM.
378
00:20:10,476 --> 00:20:12,476
UH, SURE.
WEDNESDAY IS FINE.
379
00:20:12,478 --> 00:20:14,278
Oh, good.Then it's settled.
380
00:20:14,280 --> 00:20:18,249
NOW, IT'LL BE BRIAN ON MONDAY
AND SAM WEDNESDAY.
381
00:20:18,251 --> 00:20:20,818
Oh, should I send youanother chart?
382
00:20:20,820 --> 00:20:22,553
NO. DON'T BE SILLY,
MRS. WINKLER.
383
00:20:22,555 --> 00:20:24,355
Bye.
384
00:20:24,357 --> 00:20:25,556
OH, YES!
YES!
385
00:20:25,558 --> 00:20:28,492
EXCUSE ME.
UH, EXCUSE ME.
386
00:20:28,494 --> 00:20:32,430
HALF A POUND OF
ST. ANDRE TRIPLE CRèME, PLEASE.
387
00:20:35,667 --> 00:20:38,002
TRIPLE CRèME.
388
00:20:38,004 --> 00:20:40,304
TRIPLE CRèME.
389
00:20:40,306 --> 00:20:41,939
THAT IS
HEART-ATTACK CHEESE.
390
00:20:41,941 --> 00:20:43,541
[ ALL GASPING ]
391
00:20:43,543 --> 00:20:46,310
JUST TAKE A KNIFE
TO YOUR HEART AND STAB IT.
392
00:20:46,312 --> 00:20:49,347
IT'S, UH...
A LITTLE OVER.
393
00:20:49,349 --> 00:20:50,815
STUPID FRENCH.
SAM.
394
00:20:50,817 --> 00:20:52,483
SMOKE CIGARETTES.
COME ON, SAM.
395
00:20:52,485 --> 00:20:53,985
EAT FAT CHEESE.
396
00:20:53,987 --> 00:20:57,421
IT DOESN'T HURT THEM.
NOTHING HURTS THEM.
397
00:20:58,290 --> 00:21:00,891
BUT NO CHARGE.
398
00:21:00,893 --> 00:21:03,494
SAM, THIS ISN'T
ABOUT CHEESE.
399
00:21:03,496 --> 00:21:06,831
[ SPEAKING FRENCH ]
400
00:21:06,833 --> 00:21:10,001
IT'S NOT ABOUT CHEESE,
IT'S TOO BAD?
401
00:21:10,003 --> 00:21:12,503
FAUX PAS.PITY, SADNESS.
402
00:21:12,505 --> 00:21:14,338
WHAT ARE YOU --
CAMUS?
403
00:21:14,340 --> 00:21:17,008
IS PASTEL SEEING
SOMEONE, SAM?
404
00:21:17,010 --> 00:21:18,509
NO.
405
00:21:18,511 --> 00:21:20,378
YES.
406
00:21:20,380 --> 00:21:21,345
MAYBE.
407
00:21:21,347 --> 00:21:22,647
I DON'T KNOW.
408
00:21:22,649 --> 00:21:24,649
I'M SORRY.
409
00:21:24,651 --> 00:21:27,318
BIG DEAL.
WHAT'S THE DIFFERENCE?
410
00:21:27,320 --> 00:21:28,986
WHY? WHAT MAKES
YOU THINK THAT SHE IS?
411
00:21:28,988 --> 00:21:31,355
WELL, AN ARTIST
NEEDS...
412
00:21:31,357 --> 00:21:34,325
NEEDS TO EXPERIENCE
THINGS.
WHAT DOES THAT MEAN?
413
00:21:34,327 --> 00:21:36,661
I SUPPOSE THAT
I'M SEXUALLY PARANOID?
414
00:21:36,663 --> 00:21:38,829
NO, IT'S TOO LATE.
YOU'RE WAY PAST THAT.
415
00:21:38,831 --> 00:21:41,666
YOU'RE ON THE VERGE
OF THE PSYCHOTIC.
416
00:21:41,668 --> 00:21:43,401
WHAT'S
HER PROBLEM, THEN?
417
00:21:43,403 --> 00:21:46,370
NO MATTER WHAT I WANT FROM HER,
SHE CAN'T GIVE IT TO ME.
418
00:21:46,372 --> 00:21:50,007
WHAT IS HER PROBLEM THAT NO
MATTER WHAT I WANT FROM HER,
SHE CAN'T GIVE IT TO ME.
419
00:21:50,009 --> 00:21:52,376
WHAT IS HER PROBLEM THAT NOMATTER WHAT I WANT FROM HER...SAM, INSTEAD OF ASKING
420
00:21:52,378 --> 00:21:57,515
MAYBE IT WOULD BE BETTER TO ASK,
"WHAT IS MY PROBLEM --
421
00:21:57,517 --> 00:22:02,086
THAT I AM TRYING TO GET
SOMETHING FROM SOMEONE
WHO CAN'T GIVE IT TO ME?"
422
00:22:04,656 --> 00:22:06,357
WHAT'S YOUR POINT?
423
00:22:06,359 --> 00:22:07,692
MY POINT IS --
424
00:22:09,328 --> 00:22:12,663
I'VE GOT A GIRL I WANT YOU
TO MEET, TO DATE.
425
00:22:12,665 --> 00:22:15,366
OH, NO.
NO, I CAN'T.
426
00:22:15,368 --> 00:22:16,500
I COULDN'T.
427
00:22:16,502 --> 00:22:19,437
YOU CAN, SAM.
YOU SHOULD.
428
00:22:20,872 --> 00:22:24,475
[ DOORBELL BUZZES ]
429
00:22:37,389 --> 00:22:38,689
[ KNOCK ON DOOR ]
430
00:22:38,691 --> 00:22:40,758
IT'S CATHA.COME IN.
431
00:22:42,394 --> 00:22:44,395
I KNOW.
432
00:22:44,397 --> 00:22:47,998
I KNOW I HAVE BEEN
IN THIS BUILDING BEFORE.
433
00:22:48,000 --> 00:22:51,001
IT IS THE WEIRDEST THING,
BUT I KNOW.
434
00:22:51,003 --> 00:22:53,671
I KNOW. YES.
435
00:22:53,673 --> 00:22:56,140
YES. YES.
436
00:22:56,142 --> 00:22:58,008
WELL, MAYBE YOU WERE.
437
00:22:58,010 --> 00:22:59,410
I'M SAM.
438
00:22:59,412 --> 00:23:02,380
BUT I WASN'T, DON'T YOU SEE?
I WASN'T...
439
00:23:02,382 --> 00:23:04,148
NOT IN THIS LIFE.
440
00:23:04,150 --> 00:23:07,518
BUT THERE'S
AN AURA I --
441
00:23:07,520 --> 00:23:09,120
[ SIGHS ]
442
00:23:09,122 --> 00:23:10,855
I KNOW.
I KNOW, KOOKY, RIGHT?
443
00:23:10,857 --> 00:23:12,390
NO, NO.
N-NOT AT ALL.
444
00:23:12,392 --> 00:23:14,825
MY CHIROPRACTOR, TOM --HE'S WONDERFUL.
445
00:23:14,827 --> 00:23:16,026
HE'S JUST AMAZING.
446
00:23:16,028 --> 00:23:20,030
AND HE SAYS THAT MAYBE
IT'S MY ALIGNMENT.
447
00:23:20,032 --> 00:23:21,532
IS THAT VEAL?
448
00:23:21,534 --> 00:23:23,033
NOT JUST ANY VEAL.
449
00:23:23,035 --> 00:23:24,635
I DON'T EAT VEAL.
450
00:23:24,637 --> 00:23:27,037
I-I DON'T EAT MEAT, BUT
I ESPECIALLY DO NOT EAT VEAL.
451
00:23:27,039 --> 00:23:29,073
DO YOU KNOW HOW THEY TREAT VEAL
WHEN IT'S YOUNG?
452
00:23:29,075 --> 00:23:31,675
WELL, ACTUALLY,
VEAL ISN'T AN ANIMAL.
453
00:23:31,677 --> 00:23:34,478
THEY PEN IT UP.
LILLIAN SAYS THAT IT'S --
WHO'S LILLIAN?
454
00:23:34,480 --> 00:23:38,416
LILLIAN, MY NUTRITIONALIST,
SHE SAYS THAT IT'S ANTIBIOTICS
455
00:23:38,418 --> 00:23:42,019
ALL RIGHT, WELL,
WE DON'T HAVE TO EAT IT.
456
00:23:42,021 --> 00:23:43,421
ALL RIGHT.
457
00:24:03,542 --> 00:24:06,043
I COULD MAKE
AN OMELETTE.
458
00:24:06,045 --> 00:24:10,181
EGGS, UH,
DON'T COMBINE AT ALL.
459
00:24:10,183 --> 00:24:13,150
NO, THEY DON'T,
DO THEY?
460
00:24:13,152 --> 00:24:15,152
I COMBINE NOW.
461
00:24:15,154 --> 00:24:18,022
BESIDES,
I'M -- I'M LACTO-OVO.
462
00:24:18,024 --> 00:24:22,193
WELL, SO WAS MY SISTER,
EXCEPT FOR CHINESE FOOD.
463
00:24:23,862 --> 00:24:25,996
RIGHT.
OKAY.
464
00:24:25,998 --> 00:24:27,698
UH...
465
00:24:27,700 --> 00:24:31,168
KENNETH TELLS ME THAT YOU TWO
WENT TO ART SCHOOL TOGETHER.
466
00:24:31,170 --> 00:24:34,872
OH, YES.
UM, A LIFETIME AGO.
467
00:24:34,874 --> 00:24:36,240
[ CHUCKLES ]
468
00:24:38,176 --> 00:24:39,877
WINE?
469
00:24:39,879 --> 00:24:43,214
NO.
ALCOHOL...
470
00:24:43,216 --> 00:24:45,216
DOESN'T COMBINE,
DOES IT?
471
00:24:45,218 --> 00:24:47,852
IT -- IT
BREEDS YEAST.
472
00:25:04,102 --> 00:25:05,936
[ BIRDS CHIRPING ]
473
00:25:07,105 --> 00:25:09,940
[ DOOR SQUEAKS, OPENS ]
474
00:25:25,557 --> 00:25:27,558
Ellen:"DEAR THURSDAY...
475
00:25:27,560 --> 00:25:30,194
"YOU CAN SAVORMY VEAL STEW...
476
00:25:30,196 --> 00:25:32,563
OR YOU CAN TURN
THIS PAGE."
477
00:25:32,565 --> 00:25:34,231
OKAY.
478
00:25:37,202 --> 00:25:39,036
[ CHUCKLES ]
479
00:25:39,038 --> 00:25:41,171
"I'LL SPARE YOU
THE HUMILIATING DETAILS,
480
00:25:41,173 --> 00:25:43,874
"BUT LAST NIGHT'S DATE
WAS A WASH,
481
00:25:43,876 --> 00:25:46,544
"WHICH MEANS IF YOU DON'T EAT
MY LEFTOVERS,
482
00:25:46,546 --> 00:25:49,046
"THEY WILL SPOIL...
483
00:25:49,048 --> 00:25:52,716
"WHICH BRINGS ME BACK
TO LAST NIGHT'S DATE.
484
00:25:52,718 --> 00:25:54,184
ENOUGH SAID."
485
00:25:54,186 --> 00:25:56,053
YEAH.
486
00:25:56,055 --> 00:25:59,557
"HOPE YOU ENJOY IT.
LEAVE ME THE DISHES.
487
00:25:59,559 --> 00:26:03,727
YOURS IN RENT CONTROL,
WEDNESDAY."
488
00:26:05,897 --> 00:26:07,197
HMM.
489
00:26:09,935 --> 00:26:13,571
[ MEN SHOUTING INDISTINCTLY ]
490
00:26:13,573 --> 00:26:15,873
YEAH!
491
00:26:25,584 --> 00:26:28,152
[ HEAVY METAL MUSIC PLAYS ]
492
00:26:43,902 --> 00:26:47,805
[ MID-TEMPO MUSIC PLAYS ]
493
00:26:47,807 --> 00:26:50,274
[ SLOW MUSIC PLAYS ]
494
00:26:52,077 --> 00:26:53,911
Man on radio: FOOTBALL --THE GIANTS DROPPED A --
495
00:26:53,913 --> 00:26:56,280
[ MID-TEMPO MUSIC PLAYS ]
496
00:27:06,224 --> 00:27:08,392
[ MUSIC STOPS ]
497
00:27:10,195 --> 00:27:12,129
[ SIGHS ]
498
00:27:17,002 --> 00:27:19,303
[ HUMMING ]
499
00:27:27,746 --> 00:27:30,814
[ ROBERT CRAY'S
"BOUNCIN' BACK" PLAYS ]
500
00:27:40,058 --> 00:27:44,061
♪ HER NAME CAME UP TODAY
501
00:27:46,064 --> 00:27:51,201
♪ TO MY SURPRISE
502
00:27:51,203 --> 00:27:54,905
♪ MY EYES WATERED UP
503
00:27:54,907 --> 00:28:00,177
♪ BUT I DIDN'T CRY
504
00:28:00,179 --> 00:28:03,247
♪ I PICTURED OUR GOOD TIMES
505
00:28:03,249 --> 00:28:05,249
♪ AND I ALMOST HAD A LAUGH
506
00:28:05,251 --> 00:28:08,152
♪ I'M FINALLY BOUNCIN' BACK
507
00:28:10,388 --> 00:28:15,259
♪ I'M FINALLY BOUNCIN' BACK,YEAH ♪
508
00:28:17,929 --> 00:28:21,398
♪ FALL AND WINTER'S GONE
509
00:28:23,735 --> 00:28:28,138
♪ I'VE MADE ITTHROUGH THE COLD ♪[ LAUGHING ]
510
00:28:29,240 --> 00:28:35,079
♪ SHIVERED THROUGH SOME STORMS,
MAN, ALL NIGHT ALL ALONE ♪
511
00:28:35,081 --> 00:28:38,082
♪ I DIDN'T LIKE THAT
512
00:28:38,084 --> 00:28:40,751
♪ I CAN SEE
THAT SILVER LINING ♪
513
00:28:40,753 --> 00:28:43,020
♪ I SEE IT NOW AT LAST
514
00:28:43,022 --> 00:28:45,489
♪ I'M FINALLY BOUNCIN' BACK
515
00:28:48,093 --> 00:28:51,729
♪ I'M FINALLY BOUNCIN' BACK
516
00:28:53,231 --> 00:28:56,500
♪ I'M FINALLY BOUNCIN' BACK
517
00:29:02,407 --> 00:29:04,475
[ SAXOPHONE SOLO ]
518
00:29:15,253 --> 00:29:16,920
[ SPEAKS INDISTINCTLY ]
519
00:29:16,922 --> 00:29:19,256
[ CHUCKLES ]
520
00:29:19,258 --> 00:29:21,091
YOU SURE -- YOU SUREYOU DON'T WANT SOME WINE?
521
00:29:21,093 --> 00:29:22,760
NO.
NO, REALLY.
522
00:29:22,762 --> 00:29:24,328
OKAY.
[ CHUCKLES ]
523
00:29:24,330 --> 00:29:27,264
♪ ...TO SING AGAIN
524
00:29:27,266 --> 00:29:29,399
♪ I'VE GOT THE URGE
525
00:29:29,401 --> 00:29:31,769
♪ TO DANCEHELLO.
526
00:29:31,771 --> 00:29:34,404
♪ I CAN SEE MYSELF AGAIN[ LAUGHING ]
527
00:29:34,406 --> 00:29:39,409
♪ GIVING LOVE
JUST ONE MORE CHANCE ♪
528
00:29:42,781 --> 00:29:47,251
♪ I'VE BEEN AWAY TOO LONG,
WAY OFF TRACK ♪
529
00:29:47,253 --> 00:29:49,953
♪ I'M FINALLY BOUNCIN' BACK
530
00:29:52,223 --> 00:29:56,226
♪ I'M FINALLY BOUNCIN' BACK
531
00:29:57,562 --> 00:30:01,265
♪ I'M FINALLY BOUNCIN' BACK
532
00:30:04,235 --> 00:30:08,272
♪ I'VE BEEN AWAY TOO LONG,
WAY OFF TRACK ♪
533
00:30:08,274 --> 00:30:12,176
♪ AND I'M FINALLY
BOUNCIN' BACK ♪
534
00:30:13,945 --> 00:30:17,281
♪ I'M FINALLY BOUNCIN' BACK[ CHUCKLES ]
535
00:30:19,584 --> 00:30:23,854
♪ I'VE GOT THE URGE TO DANCE
536
00:30:23,856 --> 00:30:29,259
Ellen: "DEAR ROOMMATE, LOVEWHAT YOU DID TO THE APARTMENT.
537
00:30:29,261 --> 00:30:31,562
ELLEN.P.S., FOOD'S GREAT."
538
00:30:31,564 --> 00:30:33,397
[ BURPS ]
LET ME SEE THAT NOTE.
539
00:30:33,399 --> 00:30:35,399
NAH.
OFFICIAL.
WHAT?
540
00:30:35,401 --> 00:30:37,401
WHO'S IT FROM?
541
00:30:37,403 --> 00:30:40,270
THE PAINTER CHICK,
THE ONE WHO COMES ON THURSDAY.
542
00:30:40,272 --> 00:30:42,406
YOU DOING HER, HUH?
WIGGY, WIGGY, WIGGY.
543
00:30:42,408 --> 00:30:44,174
YOU GIVING HER
THE BIG DART, HUH?
544
00:30:44,176 --> 00:30:45,242
[ LAUGHTER ]
545
00:30:45,244 --> 00:30:48,078
HEY, COME BACK HERE.
WIGGY!
546
00:30:48,080 --> 00:30:51,281
SHE JUST LEFT A NOTE SAYING
HOW MUCH SHE LIKES THE PLACE.
[ LAUGHING ]
547
00:30:51,283 --> 00:30:53,417
OBVIOUSLY,
SHE'S GOT GOOD TASTE.
548
00:30:53,419 --> 00:30:55,118
OBVIOUSLY.
549
00:30:55,120 --> 00:30:58,288
HEY, GUYS,
CHECK THIS OUT.
550
00:30:58,290 --> 00:31:01,592
THE NEW REMOTE CONTROL.
551
00:31:01,594 --> 00:31:03,126
OOH!
552
00:31:03,128 --> 00:31:04,595
CHUCK BARBER
HERE IN THE STUDIO.
553
00:31:04,597 --> 00:31:06,063
WHILE WE WERE AWAY,
554
00:31:06,065 --> 00:31:08,565
THE UMPIRES HAVE CONVENED
ON THE FIELD
555
00:31:08,567 --> 00:31:12,035
AND ARE MEETING TO DISCUSS --
WELL, LET'S JUST TAKE
A LOOK DOWN THERE
556
00:31:12,037 --> 00:31:13,937
AND SEE WHAT'S GOING ON.
557
00:31:13,939 --> 00:31:17,007
IT TURNS OUT THE UMPIRESHAVE DECIDED
558
00:31:17,009 --> 00:31:19,576
TO CALL OUT
THE GROUNDS CREW HERE.
559
00:31:19,578 --> 00:31:22,279
UH, THE, UH, STORMTHAT IS BREWING --
560
00:31:22,281 --> 00:31:25,616
IT SHOULDN'T BEWITH US TOO LONG,I CAN'T BELIEVE THIS.
561
00:31:25,618 --> 00:31:28,585
BUT, HEY, NO SENSEIN TAKING CHANCES.WHERE'S IT RAINING?
562
00:31:28,587 --> 00:31:31,955
YOU KNOW,DRIVING OVER HERE...HUH? TELL ME!
563
00:31:31,957 --> 00:31:33,957
WHERE THE FUCK
IS IT RAINING?!
564
00:31:33,959 --> 00:31:36,393
SHIT -- THE PIZZA.
565
00:31:38,129 --> 00:31:40,397
OH, GOD.
566
00:31:40,399 --> 00:31:42,432
OH, GREAT.
567
00:31:42,434 --> 00:31:44,134
HEY,PIZZA'S ON FIRE.
568
00:31:44,136 --> 00:31:46,236
HEY, I SCREWED UP.
569
00:31:48,439 --> 00:31:51,108
WOULD YOU PUT IT OUT?
570
00:31:54,946 --> 00:31:57,514
THERE'S
A CAPPUCCINO PLACE...
571
00:31:59,117 --> 00:32:02,119
[ SIGHS ]
HE IS SUCH A JERK.
572
00:32:02,121 --> 00:32:05,255
LOOK AT THIS.
I SEWED THESE BY HAND.
573
00:32:05,257 --> 00:32:08,125
THEN YOU DESERVE
WHAT YOU GET.
574
00:32:08,127 --> 00:32:10,127
OH, GOD.
THESE ARE GOOD.
575
00:32:10,129 --> 00:32:12,596
SO WHAT IF HE USED
YOUR CURTAINS TO DRAIN THEM?
576
00:32:12,598 --> 00:32:14,298
NO. THAT'S THE --
577
00:32:14,300 --> 00:32:17,434
THIS IS THE OTHER GUY.
THIS IS T-THE BAD MAN.
578
00:32:17,436 --> 00:32:19,436
THOSE ARE
FROM THE GOOD MAN.
579
00:32:19,438 --> 00:32:20,704
MMM.
580
00:32:20,706 --> 00:32:22,973
YOU REALLY SHOULD MEET HIM
ONE OF THESE DAYS.
581
00:32:22,975 --> 00:32:26,443
OH, THAT'S IT.
GOD DAMN IT.
582
00:32:28,980 --> 00:32:30,280
[ SIGHS ]
583
00:32:31,549 --> 00:32:33,150
HAS HE NO SHAME?
584
00:32:35,119 --> 00:32:36,253
NO.
585
00:32:36,255 --> 00:32:38,121
COME ON, JUST TRY.
586
00:32:38,123 --> 00:32:41,959
I DON'T HAVE TO DO ANYTHING
OR BE ANYTHING. COME ON.
587
00:32:41,961 --> 00:32:44,194
I DON'T HAVE TO DO ANYTHING
OR BE ANYTHING.
588
00:32:44,196 --> 00:32:45,595
OKAY?
GOOD.
589
00:32:45,597 --> 00:32:47,130
AND...
590
00:32:47,132 --> 00:32:51,601
I CAN LOVE MYSELF
JUST BECAUSE I'M ME.
591
00:32:51,603 --> 00:32:54,304
Man on P.A.:SAM, GIRL ON LINE ONE.
592
00:32:54,306 --> 00:32:57,140
AMERICAN ACCENT.
593
00:32:57,142 --> 00:32:58,375
HELLO?
594
00:32:58,377 --> 00:33:00,277
Ellen: Where the hell
do you get off?
595
00:33:00,279 --> 00:33:01,979
I'M SORRY,
WHO'S THIS?
596
00:33:01,981 --> 00:33:04,448
I'm Ellen. I'm not your mother.
I'm not your wife.
597
00:33:04,450 --> 00:33:06,283
I'm not supposed to clean up
after you,
598
00:33:06,285 --> 00:33:09,987
and what you did
to my basil plants
is completely unforgivable.
599
00:33:09,989 --> 00:33:12,456
OH, WAIT A MINUTE.
YOU'RE ELLEN FROM THE APARTMENT?
600
00:33:12,458 --> 00:33:14,257
Duh.
601
00:33:14,259 --> 00:33:16,193
UH, YOU DIDN'T LIKE
WHAT I DID TO THE PLANT?
602
00:33:16,195 --> 00:33:17,694
I THOUGHT
THAT YOU'D BE HAPPY.
603
00:33:17,696 --> 00:33:19,596
HAPPY?
YOU THOUGHT I'D BE HAPPY?
604
00:33:19,598 --> 00:33:22,366
THIS IS UNBELIEVABLE.
YOU THOUGHT I'D BE HAPPY?
YOU KNOW WHAT?
605
00:33:22,368 --> 00:33:24,768
You're outof your fucking macho mind!
606
00:33:24,770 --> 00:33:27,270
[ PHONE CLICKS, DIAL TONE ]
607
00:33:35,146 --> 00:33:36,780
MNH-MNH-MNH.
TSK, TSK, TSK.
608
00:33:36,782 --> 00:33:39,249
NEXT.
609
00:33:39,251 --> 00:33:41,318
[ TELEPHONES RINGING ]
610
00:33:41,320 --> 00:33:43,453
[ WHISTLING ]
611
00:33:52,730 --> 00:33:54,398
MRS. WINKLER...
612
00:33:54,400 --> 00:33:57,134
COULD YOU SEND SOME FLOWERS TO
MY TUESDAY AND THURSDAY WOMAN
613
00:33:57,136 --> 00:33:58,301
AT THE LION'S DEN?
614
00:33:58,303 --> 00:34:00,437
SHE, UH, SENT MEA NICE NOTE.
615
00:34:01,606 --> 00:34:04,775
"MI CASA ES SU CASA.
616
00:34:04,777 --> 00:34:08,578
FONDLY, BRIAN."
617
00:34:13,251 --> 00:34:15,318
[ DENTIST DRILL WHIRRING ]
618
00:34:15,320 --> 00:34:17,454
[ Muffled ] ELLEN, HI.
I BOUGHT YOU A LITTLE GIFT.
619
00:34:17,456 --> 00:34:19,456
MR. POTESKY, I THOUGHT
YOU JUST HAD X-RAYS.
620
00:34:19,458 --> 00:34:22,159
HUH? OH, NO,
BUT I MOVED LAST TIME.
621
00:34:22,161 --> 00:34:25,295
MAYBE YOU SHOULD HOLD ME DOWN.
[ CHUCKLES ]
HOLD YOU DOWN?
622
00:34:25,297 --> 00:34:28,298
Woman on P.A.: ELLEN, IT'SAARON. HE'S GETTING OUTOF WORK EARLY TONIGHT.
623
00:34:28,300 --> 00:34:32,803
HI. I CAN'T -- I CAN'T TALK.
I HAVE MR. POTESKY IN THE CHAIR.
624
00:34:32,805 --> 00:34:34,371
TONIGHT?
625
00:34:34,373 --> 00:34:35,472
[ SNIFFLES ]
626
00:34:35,474 --> 00:34:38,075
[ MAN SPEAKING RUSSIAN
ON-SCREEN ]
627
00:34:40,445 --> 00:34:41,778
OH, CHRIST.
628
00:34:41,780 --> 00:34:44,281
[ WOMAN SPEAKING RUSSIAN
ON-SCREEN ]
[ CHUCKLES ]
629
00:34:44,283 --> 00:34:47,417
I DON'T EVEN KNOW
WHAT SHE'S DOING.
630
00:34:47,419 --> 00:34:50,287
ISN'T SHE
SUPPOSED TO BE DEAD?
631
00:34:52,457 --> 00:34:54,658
[ BEEPING ]
632
00:34:56,627 --> 00:34:58,495
GAME'S STARTING.
633
00:35:01,632 --> 00:35:04,334
AARON, IT'S JUST
TWO MORE MINUTES.
634
00:35:04,336 --> 00:35:06,803
CHUCK BARBER BACK WITH YOUIN THE NCK STUDIOS.
635
00:35:06,805 --> 00:35:08,839
IF YOU'RE AN ISLANDER FAN,YOU'LL WANT TO...
636
00:35:08,841 --> 00:35:10,807
ELLEN, WE'RE GONNA MISS
THE 10:40.
637
00:35:10,809 --> 00:35:13,176
WHO CARES?RELAX.A FOREIGN MOVIE.
638
00:35:13,178 --> 00:35:15,178
I DON'T READ ENOUGH DURING THE
DAY. I HAVE TO READ SUBTITLES?
639
00:35:15,180 --> 00:35:17,347
I HAVE A SURPRISE FOR YOU.
JUST HOLD ON ONE SECOND.
WHAT IS IT?
640
00:35:17,349 --> 00:35:19,316
OKAY, WAIT. SHH.
CLOSE YOUR EYES.
641
00:35:19,318 --> 00:35:22,452
WHY?
BECAUSE I HAVE A SURPRISE
FOR YOU.
642
00:35:22,454 --> 00:35:26,323
OH, OH, COME ON,
THIS IS SO STUPID.
COME ON.
NO, IT'S NOT.
643
00:35:26,325 --> 00:35:28,291
[ SIGHS ]
COME ON.
GIVE ME YOUR HAND.
644
00:35:28,293 --> 00:35:29,659
SUBTITLES.
645
00:35:32,630 --> 00:35:35,165
ELLEN,
WHAT ARE YOU DOING?
646
00:35:35,167 --> 00:35:38,468
I'M ADDING ROMANCE
TO OUR LIFE.
647
00:35:38,470 --> 00:35:40,470
WE'RE MARRIED.
[ LAUGHS ]
648
00:35:40,472 --> 00:35:43,306
WE'RE GONNA HAVE
A NICE, LITTLE ROMANTIC
EVENING IN THIS PLACE.
649
00:35:43,308 --> 00:35:45,408
STAY RIGHT THERE.
OKAY.
650
00:35:47,311 --> 00:35:48,712
MUSIC.
651
00:35:50,181 --> 00:35:51,648
[ SLOW JAZZ MUSIC PLAYS ]
652
00:35:51,650 --> 00:35:53,350
OH.
653
00:35:53,352 --> 00:35:54,484
[ LAUGHS ]
654
00:35:54,486 --> 00:35:56,486
BACK.
655
00:35:56,488 --> 00:35:58,588
[ HUMMING ]
656
00:36:03,628 --> 00:36:05,695
[ CHUCKLES ]
657
00:36:08,466 --> 00:36:10,667
[ BOTH LAUGHING ]
658
00:36:12,170 --> 00:36:14,337
[ SIGHS ]
659
00:36:14,339 --> 00:36:16,306
WHAT IS THIS?
660
00:36:16,308 --> 00:36:17,807
THIS IS, UM,
[CLEARS THROAT]
661
00:36:17,809 --> 00:36:20,343
YOU KNOW KAREN,
THE RECEPTIONIST AT WORK --
662
00:36:20,345 --> 00:36:22,345
SHE GAVE IT TO US
FOR THE EVENING.
663
00:36:22,347 --> 00:36:24,814
IT'S LIKE OUR OWN LITTLE
ROMANTIC PIED-à-TERRE
664
00:36:24,816 --> 00:36:26,483
IN THE CITY.
665
00:36:26,485 --> 00:36:27,817
[ LAUGHS ]
666
00:36:27,819 --> 00:36:29,319
ELLEN?
YEAH?
667
00:36:29,321 --> 00:36:31,655
ELLEN. ELLEN.
ELLEN. ELLEN.
668
00:36:31,657 --> 00:36:33,823
THIS IS A SLUM.
669
00:36:33,825 --> 00:36:36,193
I-I-IT REMINDS ME
OF MY GRANDMOTHER'S.
670
00:36:36,195 --> 00:36:38,328
THERE'S NO CARPET.
671
00:36:38,330 --> 00:36:41,364
IT'S OLD.
I...[ SIGHS ]
672
00:36:41,366 --> 00:36:42,799
OH, LOOK AT THESE.
673
00:36:42,801 --> 00:36:45,635
LOOK AT
THESE PAINTINGS.
674
00:36:45,637 --> 00:36:47,804
[ SIGHS, SHUDDERS ]
675
00:36:47,806 --> 00:36:50,307
I IMAGINE WHAT SHE
PAID FOR THIS PLACE.
SO IT'S A RENTAL, RIGHT?
676
00:36:50,309 --> 00:36:53,343
SHE COULD PROBABLY OWN SOMETHING
IN FLUSHING FOR LESS.
677
00:36:57,815 --> 00:37:00,483
[ JACKHAMMER POUNDING ]
678
00:37:00,485 --> 00:37:02,719
[ WHIRRING ]
679
00:37:08,259 --> 00:37:10,327
♪ ...TO DRY MY TEARS
680
00:37:10,329 --> 00:37:13,663
♪ SO WHAT DO I DOWITH THE THOUGHT OF YOU? ♪
681
00:37:13,665 --> 00:37:16,833
♪ TO FORGET YOUIS MY GREATEST FEAR ♪
682
00:37:16,835 --> 00:37:18,368
♪ I'D LOSE MY...
683
00:37:18,370 --> 00:37:21,271
[ MUSIC STOPS ]
[ SIGHS ]
684
00:37:21,273 --> 00:37:23,440
[ MAN SINGING IN FRENCH ]
685
00:37:26,644 --> 00:37:28,311
[ LAUGHS ]
686
00:37:28,313 --> 00:37:30,347
[ DOG PANTING ]
687
00:37:30,349 --> 00:37:33,350
OH, SHIT.IT'S THE FUN COPS.
688
00:37:33,352 --> 00:37:35,318
COME ON,
I GOT TO GO TO WORK.
689
00:37:35,320 --> 00:37:37,887
[ GRUNTS, LAUGHING ][ WOMAN LAUGHING ]
690
00:37:39,490 --> 00:37:41,491
[ WHINES ]
691
00:37:41,493 --> 00:37:45,262
I'M SORRY, DUDE.
YOU KNOW HOW IT IS.
692
00:37:47,365 --> 00:37:48,665
[ GASPS ]
693
00:37:48,667 --> 00:37:50,667
[ Laughing ]
OH, SHIT.
694
00:37:50,669 --> 00:37:52,502
OH, SHIT.
695
00:37:52,504 --> 00:37:55,338
P-PASTEL,
WHAT ARE YOU DOING HERE?
OH, SAM.
696
00:37:55,340 --> 00:37:58,508
WHAT IS IT
YOU'RE DOING HERE?
697
00:37:58,510 --> 00:38:00,910
OH.
[ LAUGHS ]
698
00:38:05,816 --> 00:38:08,351
BARK, BARK, WOOF!
699
00:38:08,353 --> 00:38:10,320
[ LAUGHING ]
700
00:38:10,322 --> 00:38:13,423
[ LAUGHING ]
701
00:38:17,495 --> 00:38:19,362
HOW CAN YOU EAT
THAT STUFF?
702
00:38:19,364 --> 00:38:21,031
SAM, DON'T START.FINE.
703
00:38:21,033 --> 00:38:23,333
HEY, PASTEL,
BONJOUR.
704
00:38:23,335 --> 00:38:25,001
[ SPEAKING FRENCH ]
705
00:38:25,003 --> 00:38:26,403
YOU BELIEVE THIS?
706
00:38:26,405 --> 00:38:30,006
NO, I DIDN'T KNOW
SHEP WAS CRASHED WITH SAM.
707
00:38:30,008 --> 00:38:32,509
WHO -- WHO'S SHEP?
HEY, DUDE.
708
00:38:32,511 --> 00:38:36,012
I'M A FRIEND OF LESLIE'S.
I GOT HERE LAST NIGHT.
MORNING.
709
00:38:36,014 --> 00:38:39,349
LAST NIGHT? YOU MET HIM
LAST NIGHT, AND ALREADY
YOU'RE SLEEPING WITH HIM?
710
00:38:39,351 --> 00:38:41,518
SO WHAT?
[ CHUCKLES ]
711
00:38:42,687 --> 00:38:44,354
GET ON MY BACK ALREADY.
712
00:38:44,356 --> 00:38:46,856
I'M NOT YOUR LITTLE GIRL
WAITING TO BE RESCUED.
713
00:38:46,858 --> 00:38:48,825
[ SCOFFS ]
WHERE DID
YOU GUYS MEET?
714
00:38:48,827 --> 00:38:51,828
MM, WELL,
A MEAT MARKET.
715
00:38:51,830 --> 00:38:54,464
[ LAUGHTER ]
716
00:38:57,368 --> 00:38:59,102
OH, SAM.
717
00:39:00,338 --> 00:39:03,340
I AM SORRY YOU CANNOT DEAL
WITH REJECTION.
718
00:39:03,342 --> 00:39:05,342
OH, I'M BEING REJECTED.
I'M BEING REJECTED.
719
00:39:05,344 --> 00:39:06,509
THAT'S A GOOD ONE.
MM-HMM.
720
00:39:06,511 --> 00:39:08,345
I'M NOT
BEING REJECTED.
721
00:39:08,347 --> 00:39:10,380
I'M...
722
00:39:10,382 --> 00:39:12,949
I'M DISAPPOINTED
IN YOU.
723
00:39:12,951 --> 00:39:15,385
WHO'S BEING REJECTED?
SAM.
GOOD MORNING, LESLIE.
724
00:39:15,387 --> 00:39:17,020
HEY, SHEP.
725
00:39:17,022 --> 00:39:18,388
HI, LES.
726
00:39:18,390 --> 00:39:21,358
GO AHEAD.
PLAY WATER SPORTS WITH TEX HERE.
727
00:39:21,360 --> 00:39:23,360
THAT OUGHT TO LIBERATE YOU
ARTISTICALLY.
728
00:39:23,362 --> 00:39:25,495
YOU'RE VERY HARD
ON HER.
OH, YOU SEE?
729
00:39:25,497 --> 00:39:28,698
OH, YOU SEE. [ SMOOCHES ]
OH, EVERYONE SEES.
730
00:39:28,700 --> 00:39:31,000
YOU WANT ME
TO BE SOMETHING YOU WANT,
731
00:39:31,002 --> 00:39:32,535
NOT WHAT I WANT!
732
00:39:32,537 --> 00:39:35,839
WHAT YOU SAY YOU WANT TO DO,
NOT WHAT YOU DO DO!
733
00:39:35,841 --> 00:39:38,007
NO, I DO DO
WHAT I SAY I DO!
734
00:39:38,009 --> 00:39:40,377
WHAT I DON'T DOIS WHAT YOU SAY I DO!
735
00:39:40,379 --> 00:39:42,512
I WANT TO DO.
736
00:39:43,848 --> 00:39:47,684
I DON'T UNDERSTAND THAT.
I DIDN'T UNDERSTAND THAT.
UM, UH, UH, MORE COFFEE?
737
00:39:47,686 --> 00:39:50,153
[ SIGHS ] I -- NO,
I CAN'T DEAL WITH THIS NOW.
738
00:39:50,155 --> 00:39:52,021
I CAN'T DEAL
WITH THIS NOW.
739
00:39:52,023 --> 00:39:55,024
UH, I HAVE A REHEARSAL AT PBS
FOR MY VIDEO.
740
00:39:55,026 --> 00:39:57,394
NOT THAT YOU CARE
EVEN STILL.
741
00:39:57,396 --> 00:39:58,862
WHY SHOULD I CARE
ABOUT THAT?
742
00:39:58,864 --> 00:40:00,697
OH, THAT'S NICE.
TYPICAL MALE EGO.
743
00:40:00,699 --> 00:40:02,031
NO, YOU LEAVE
SAM ALONE!
744
00:40:02,033 --> 00:40:04,434
OH, HO HO.
745
00:40:05,536 --> 00:40:08,037
WELL, SAM...
746
00:40:08,039 --> 00:40:11,541
WILL YOU TAPE IT FOR ME TONIGHT
ON YOUR VCR?
747
00:40:12,510 --> 00:40:15,178
HUH?
PLEASE?
748
00:40:15,180 --> 00:40:17,147
SAMMY.
749
00:40:17,149 --> 00:40:18,782
HMM?
750
00:40:18,784 --> 00:40:20,517
EXCUSE ME.
751
00:40:20,519 --> 00:40:23,953
DO YOU HAVE ANY
REALLY POOR-QUALITY,
LOW-GRADE VIDEOTAPE?
752
00:40:23,955 --> 00:40:26,456
[ LEO SAYER'S
"WHEN I NEED YOU" PLAYS ]
753
00:40:27,158 --> 00:40:30,026
THAT'S IT.
NOW I KNOW IT'S OVER.
754
00:40:30,028 --> 00:40:32,195
THAT WAS
A TOUGH MORNING, SAM.
755
00:40:32,197 --> 00:40:34,164
NO, NO, THE MUSIC.
756
00:40:34,166 --> 00:40:37,700
YOU KNOW YOU'RE REALLY
BREAKING UP WHEN EVERY
LAST SONG YOU HEAR,
757
00:40:37,702 --> 00:40:41,070
NO MATTER HOW STUPID, SUDDENLY
SOUNDS INCREDIBLY POIGNANT.
758
00:40:41,072 --> 00:40:43,206
♪ ...AND I'M WITH YOU
759
00:40:43,208 --> 00:40:45,108
THIS IS
THE SADDEST SONG.
760
00:40:45,110 --> 00:40:51,047
♪ AND ALL THAT I SO WANT TOGIVE YOU, BABE ♪
761
00:40:51,049 --> 00:40:53,683
[ CASH REGISTER WHIRRING,
DINGING ]
762
00:40:53,685 --> 00:40:55,018
THANK YOU VERY MUCH.
YEP.
763
00:40:55,020 --> 00:40:56,853
HAVE A NICE DAY.
764
00:40:56,855 --> 00:40:59,189
SHE HAD NO WAY OF KNOWING
YOU WERE LIVING THERE, TOO.
765
00:40:59,191 --> 00:41:03,193
THAT'S THE THING.
IT'S ALMOST LIKE...
766
00:41:03,195 --> 00:41:06,196
LIKE I WAS MEANT TO SEE HER,
SO IT WOULD FINALLY SINK IN.
767
00:41:06,198 --> 00:41:08,531
$4.50.
NO BAG.
SAVE A TREE.
768
00:41:08,533 --> 00:41:10,867
[ SIGHS ] I MEAN,
IT CAN'T BE AN ACCIDENT
769
00:41:10,869 --> 00:41:13,703
THAT THE GUY SHE PICKED UP
JUST GOT INTO NEW YORK
770
00:41:13,705 --> 00:41:16,172
AND HAPPENS TO BE CRASHING
AT THE PLACE
771
00:41:16,174 --> 00:41:18,708
THAT I HAPPEN
TO BE SUBLETTING.
[ SIGHS ]
772
00:41:18,710 --> 00:41:19,876
YOU KNOW?
HELLO?
773
00:41:19,878 --> 00:41:21,711
DON'T YOU THINK?
774
00:41:21,713 --> 00:41:25,548
I MEAN, THERE'S GOT TO BE
A REASON FOR IT, RIGHT?
775
00:41:25,550 --> 00:41:28,184
SAM, THERE IS NO REASON
FOR ANYTHING.
776
00:41:28,186 --> 00:41:30,053
THANK YOU.
THANK YOU.
777
00:41:30,055 --> 00:41:32,222
REMIND ME NEVER TO INVITE YOU
TO A FUNERAL.
778
00:41:32,224 --> 00:41:35,758
WHATEVER HAPPENS, HAPPENS, SAM.
THAT'S ALL I'M SAYING.
779
00:41:36,861 --> 00:41:38,862
PEZ?
SURE.
780
00:41:38,864 --> 00:41:41,164
UH, NAH.
YEAH.
781
00:41:41,166 --> 00:41:43,700
AH. I CAN'T MAKE UP
MY MIND.
782
00:41:43,702 --> 00:41:46,669
BUT YOU NEED TO HAVE
A LITTLE FUN IN YOUR LIFE.
783
00:41:47,872 --> 00:41:49,539
WHATEVER HAPPENED
TO CATHA?
784
00:41:49,541 --> 00:41:51,741
WE DIDN'T COMBINE WELL.
785
00:41:53,043 --> 00:41:55,879
WELL, WHY DON'T YOU ASK
LESLIE OUT?
786
00:41:55,881 --> 00:41:57,714
OH, COME ON.
787
00:41:57,716 --> 00:41:59,883
NO, I-I'M NOT READY
FOR A RELATIONSHIP RIGHT NOW.
788
00:41:59,885 --> 00:42:01,551
I CAN'T HANDLE IT.
789
00:42:01,553 --> 00:42:03,219
WELL --
CAN'T EVEN HANDLE A PLANT.
790
00:42:03,221 --> 00:42:05,054
ON THE BRIGHT SIDE,
NO SEX IS SAFE SEX.
791
00:42:05,056 --> 00:42:06,523
YEAH.
792
00:42:06,525 --> 00:42:10,226
YOU KNOW WHAT I'D LIKE?
YOU WANT TO KNOW WHAT
I'D LIKE RIGHT NOW?
793
00:42:10,228 --> 00:42:12,729
I'D LIKE TO MEET A GIRL
FROM NORWAY...
794
00:42:12,731 --> 00:42:16,165
WHO SPEAKS NO ENGLISH
AT ALL AND IS ONLY IN
THIS COUNTRY FOR TWO WEEKS
795
00:42:16,167 --> 00:42:20,036
'CAUSE SHE'S GONNA BE FLYING
TO MALAYSIA OR BURMA
796
00:42:20,038 --> 00:42:23,206
AND GONNA STAY THERE
FOR ABOUT FIVE YEARS.
797
00:42:23,208 --> 00:42:24,874
THAT I CAN HANDLE.
798
00:42:24,876 --> 00:42:26,175
[ Norwegian accent ]
PARDON ME.
799
00:42:26,177 --> 00:42:29,612
DO YOU KNOW
IF I AM GREENWICH VILLAGE?
800
00:42:36,053 --> 00:42:37,787
THERE IT IS.
OVER THERE.
801
00:42:43,694 --> 00:42:46,062
OH, I'M SORRY.IT'S OVER THERE.
802
00:42:46,064 --> 00:42:48,131
IT'S OVER THERE.
803
00:42:51,569 --> 00:42:53,202
RIGHT HERE...
804
00:42:53,204 --> 00:42:55,972
WILL BE
A TWO-STORY ATRIUM.
805
00:42:57,207 --> 00:43:00,176
SO WHEN YOU WALK IN
PAST THE LANDSCAPED LAWN AREA,
806
00:43:00,178 --> 00:43:04,347
YOU'LL GET A FEELING
OF VASTNESS...
807
00:43:04,349 --> 00:43:07,083
OF OPENNESS,
IF YOU WILL.
808
00:43:07,085 --> 00:43:09,218
A CHANDELIER ABOVE...
809
00:43:09,220 --> 00:43:11,854
WILL LIGHT THE WAY
810
00:43:11,856 --> 00:43:13,189
TOWARD...
811
00:43:18,762 --> 00:43:22,265
THE COLONIAL-STYLE
LIVING ROOM...
812
00:43:24,368 --> 00:43:29,105
WITH MOCK FIELDSTONE
FIREPLACE.
813
00:43:29,107 --> 00:43:31,240
[ CAMERA SHUTTER CLICKS ]
NOW, THE BEDROOMS --
814
00:43:31,242 --> 00:43:33,076
UH, YOU ORDERED, UH...
815
00:43:33,078 --> 00:43:34,110
FOUR.
816
00:43:34,112 --> 00:43:36,813
TWO BOYS AND A GIRL.
817
00:43:45,356 --> 00:43:47,056
AARON MEANS WELL,
YOU KNOW,
818
00:43:47,058 --> 00:43:48,358
BUT IT'S JUST LIKE
THE WHOLE DAY
819
00:43:48,360 --> 00:43:50,360
I FELT LIKE I WAS
IN ANOTHER TIME ZONE.
820
00:43:50,362 --> 00:43:52,195
Lucy:YEAH, LIKE 20 YEARS.
821
00:43:52,197 --> 00:43:53,363
[ SIGHS ]
822
00:43:53,365 --> 00:43:55,231
DO YOU WANT TO STAY HERE
FOR A WHILE?
823
00:43:55,233 --> 00:43:57,000
YOU'RE WELCOME TO.
824
00:43:59,737 --> 00:44:03,206
I KEEP TRYING TO TELL HIM,
BUT IT'S LIKE HE JUST
DOESN'T WANT TO LISTEN.
825
00:44:03,208 --> 00:44:05,241
WELL, YOU'VE GOT TO DO
SOMETHING.
826
00:44:05,243 --> 00:44:07,210
YOU CAN'T MOVE
OUT THERE.
827
00:44:09,246 --> 00:44:12,015
I'M THINKING
OF HAVING AN AFFAIR.
828
00:44:12,017 --> 00:44:13,783
YOU'RE KIDDING.
829
00:44:13,785 --> 00:44:15,685
[ LAUGHS ]
830
00:44:15,687 --> 00:44:17,186
YOU MEAN YOU'RE NOT UPSET?
831
00:44:17,188 --> 00:44:19,255
JUST LET ME KNOW
IF YOU WANT ME TO LIE
832
00:44:19,257 --> 00:44:21,791
OR TO COVER OR TO STALL --
ANYTHING.
833
00:44:21,793 --> 00:44:24,894
[ SIGHS ] IT'S GONNA
BE WEIRD, THOUGH --
SLEEPING WITH ANOTHER MAN.
834
00:44:24,896 --> 00:44:26,896
GOD.
CAN YOU IMAGINE?
835
00:44:26,898 --> 00:44:29,899
PROMISE TO TELL ME
WHAT IT'S LIKE.
IT'S BEEN SO LONG.
836
00:44:29,901 --> 00:44:31,734
YEAH, LIKE 29 YEARS.
837
00:44:31,736 --> 00:44:33,936
WELL, ELLEN,
YOU'RE 29.
YEAH.
838
00:44:33,938 --> 00:44:36,005
SO IT CAN'T HAVE BEEN
29 YEARS.
839
00:44:36,007 --> 00:44:37,373
IT CAN'T?
NOT UNLESS...
840
00:44:37,375 --> 00:44:39,208
[ CHUCKLES ]
NO.
841
00:44:39,210 --> 00:44:40,410
DON'T TELL ME.
842
00:44:40,412 --> 00:44:42,412
WHAT?
OH, MY GOD.
843
00:44:42,414 --> 00:44:44,180
[ LAUGHING ]
844
00:44:44,182 --> 00:44:46,816
WHAT?!
845
00:44:46,818 --> 00:44:50,119
I'M SORRY. IT'S JUST...
HOW CAN THAT BE?
846
00:44:50,121 --> 00:44:52,822
I DON'T KNOW.
[ SIGHS ]
847
00:44:55,693 --> 00:44:57,827
[ INDISTINCT TALKING ]
848
00:44:59,263 --> 00:45:00,229
TALK TO ME.
849
00:45:00,231 --> 00:45:01,931
DO YOU SELL CAVIAR?
850
00:45:01,933 --> 00:45:04,067
I'M CHEESE.
CAVIAR'S DOWN THERE.
851
00:45:04,069 --> 00:45:05,201
THEY TOLD ME
THAT YOU...
852
00:45:05,203 --> 00:45:06,736
YOU WOULD KNOW.
853
00:45:06,738 --> 00:45:09,072
I'M KIND OF AN INSTITUTION
AROUND HERE.
854
00:45:09,074 --> 00:45:11,908
UM, ALL RIGHT,
WHAT'S THE OCCASION?
855
00:45:11,910 --> 00:45:16,245
UH, WELL, ONE -- IT'S A SPECIAL
NIGHT WITH A SPECIAL PERSON.
856
00:45:16,247 --> 00:45:18,214
AND TWO --I HAVE CHAMPAGNE.
857
00:45:18,216 --> 00:45:21,017
AND, UH, THREE --WHAT GOES WITH IT?
858
00:45:21,019 --> 00:45:24,053
FOUR --
ANYTHING BUT TUNA.
OH.
859
00:45:24,055 --> 00:45:26,255
Woman:EXCUSE ME.
860
00:45:26,257 --> 00:45:28,391
ALL RIGHT,SO MUCH FOR JOKES.
861
00:45:28,393 --> 00:45:31,260
NO, IT WAS FUNNY.
IT WAS JUST...
862
00:45:31,262 --> 00:45:35,231
UH, HOW WELL DOES
THIS SPECIAL PERSON
KNOW HIS CAVIAR?
863
00:45:35,233 --> 00:45:38,267
UM, I'M NOT SURE.
864
00:45:38,269 --> 00:45:40,937
WELL, HOW WELL DO YOU KNOW
THIS SPECIAL PERSON?
865
00:45:40,939 --> 00:45:44,373
WELL, WE --
WE, UH, LIVE TOGETHER.
866
00:45:44,375 --> 00:45:46,876
EXCUSE ME.
I'M DOUBLE-PARKED.
867
00:45:46,878 --> 00:45:49,846
I HAVE SOME, UH,
OVERPRICED BELUGA.
868
00:45:49,848 --> 00:45:52,381
OH, IT'S MARVELOUS.
I HAD IT LAST WEEKEND.
869
00:45:52,383 --> 00:45:56,252
AND I HAVE SOME CALIFORNIA.
IT'S TRENDY, BUT SO-SO.
870
00:45:56,254 --> 00:45:59,388
OR WE JUST GOT A NEW SHIPMENT IN
FROM CHINA.
871
00:45:59,390 --> 00:46:02,225
I'VE TASTED IT,
AND IT'S FINE, REALLY FINE.
872
00:46:02,227 --> 00:46:05,762
ONLY THING IS, NOBODY
BELIEVES THAT THEY
MAKE CAVIAR IN CHINA,
873
00:46:05,764 --> 00:46:07,497
SO IT'S
ABOUT HALF THE PRICE.
874
00:46:09,266 --> 00:46:11,100
MM.
875
00:46:11,102 --> 00:46:13,136
IT'S A REALLY
SPECIAL EVENING.
876
00:46:13,138 --> 00:46:14,771
I KNOW.
877
00:46:14,773 --> 00:46:17,273
YOU'LL TAKE
THE OVERPRICED BELUGA.
878
00:46:17,275 --> 00:46:19,175
NO.
879
00:46:19,177 --> 00:46:23,946
UM...[SIGHS] JUST GIVE ME ENOUGH
FOR TWO PEOPLE,
880
00:46:23,948 --> 00:46:25,815
AND I THINK
HE EATS A LOT.
881
00:46:36,093 --> 00:46:38,261
SHE TRUSTS ME.
SHE TRUSTS ME.
882
00:46:43,233 --> 00:46:46,836
I'LL TAKE
THE OVERPRICED BELUGA.
883
00:46:48,038 --> 00:46:50,306
Together:T.G.I.F.!
884
00:46:50,308 --> 00:46:52,375
WIGGY.
885
00:46:54,945 --> 00:46:57,346
OKAY.
886
00:46:57,348 --> 00:47:01,050
LET THE GAME BEGIN.
887
00:47:02,252 --> 00:47:04,353
WHAT?BUDDHA'S NOT COMING?HE WATCHEDTHE GAME ALREADY.
888
00:47:04,355 --> 00:47:07,123
GREAT. WE ALLAGREE NOT TO WATCH IT,AND HE WATCHES THE GAME.
889
00:47:07,125 --> 00:47:10,226
OW!
WHY DO YOU THINK THESE PEOPLEINVENTED THE VCR?
890
00:47:10,228 --> 00:47:13,062
HEY.
WHAT THE FUCK?
891
00:47:13,064 --> 00:47:15,932
WHAT -- I DON'T BELIEVE
THIS SHIT.
892
00:47:15,934 --> 00:47:18,100
WELL, YOU MUST HAVE SET
IT WRONG -- THE TIMER.
893
00:47:18,102 --> 00:47:20,536
RIGHT. ME...
SET A VCR TIMER WRONG?
894
00:47:20,538 --> 00:47:24,240
WELL, BRIAN, DOES SHE LOOK
LIKE A LINEBACKER TO YOU?
895
00:47:24,242 --> 00:47:26,108
OH, SHIT.
896
00:47:26,110 --> 00:47:28,277
THE CHICK
MUST HAVE TAPED IT.
897
00:47:30,180 --> 00:47:32,114
OH, CHRIST. THIS IS SOME SORT
OF PBS THING.
898
00:47:32,116 --> 00:47:33,950
PBS?
WE'RE FUCKED.
YEAH.
899
00:47:33,952 --> 00:47:35,418
OH, SHIT.
I'M SORRY, GUYS.
900
00:47:35,420 --> 00:47:37,320
FAST-FORWARD IT.
901
00:47:41,258 --> 00:47:42,425
...CHANNEL 21 --
902
00:47:42,427 --> 00:47:44,260
CHRIS SPUNKHOUSER
FROM THE BOSTON AREA.
903
00:47:44,262 --> 00:47:46,128
OH.
NOW, CHRIS
IS IN A REAL...
904
00:47:46,130 --> 00:47:48,397
NOW THEY'RE GONNA AUCTION
OFF LEONARD BERNSTEIN'S
BARCALOUNGER!
905
00:47:48,399 --> 00:47:49,966
I'M SORRY, GUYS.
906
00:47:49,968 --> 00:47:53,102
THIS IS A NIGHTMARE.
YOU'RE LOSING CONTROL.
907
00:47:53,104 --> 00:47:54,503
I'M REALLY SORRY.
908
00:48:00,110 --> 00:48:01,944
ANOTHER?
909
00:48:01,946 --> 00:48:03,412
MM...
910
00:48:05,115 --> 00:48:08,284
NO.
I REALLY SHOULDN'T.
911
00:48:08,286 --> 00:48:11,420
I'M ABOUT TO HAVE
MY FIRST AFFAIR.
912
00:48:11,422 --> 00:48:13,289
OH.
913
00:48:13,291 --> 00:48:15,258
WELL, THEN
YOU REALLY SHOULD.
914
00:48:15,260 --> 00:48:16,959
ON THE HOUSE.
915
00:48:16,961 --> 00:48:18,427
[ LAUGHS ]
916
00:48:18,429 --> 00:48:20,263
HEY, EVERYBODY,
THIS LADY'S JUST ABOUT --
917
00:48:20,265 --> 00:48:22,298
NO. SHH.
[ CHUCKLES ]
918
00:48:22,300 --> 00:48:24,433
DON'T TELL ANYBODY.
919
00:48:24,435 --> 00:48:25,968
I'M MARRIED.
920
00:48:25,970 --> 00:48:28,504
AH.
ARE YOU NERVOUS?
921
00:48:28,506 --> 00:48:30,539
NO.
922
00:48:32,309 --> 00:48:34,043
WHY?
923
00:48:36,580 --> 00:48:39,215
I DON'T KNOW.
MAYBE A LITTLE, YEAH.
924
00:48:39,217 --> 00:48:41,284
AH, DON'T BE.
YOU LOOK GREAT.
925
00:48:41,286 --> 00:48:43,486
YOU'RE GONNA BE FINE.
926
00:48:43,488 --> 00:48:46,255
[ SIGHS DEEPLY ]
927
00:48:46,257 --> 00:48:49,292
MY HUSBAND
DOESN'T UNDERSTAND ME.
928
00:48:50,193 --> 00:48:51,928
HE NEVER WILL.
929
00:48:54,231 --> 00:48:56,933
YOU DESERVE BETTER.
930
00:49:00,270 --> 00:49:02,571
DO I?
MM-HMM.
931
00:49:02,573 --> 00:49:06,075
TO THE MAN WHO REALLY
UNDERSTANDS YOU.
932
00:49:07,311 --> 00:49:09,278
YEAH.
[ LAUGHS ]
933
00:49:09,280 --> 00:49:10,513
TO BRIAN.
934
00:49:17,554 --> 00:49:22,258
♪ SIT RIGHT DOWNAND LET ME TELL YOU ♪
935
00:49:26,430 --> 00:49:30,733
♪ WHAT MY LOVE IS TO ME
936
00:49:32,602 --> 00:49:34,437
[ CHUCKLES ]
937
00:49:34,439 --> 00:49:36,305
I DO.
938
00:49:38,442 --> 00:49:44,213
♪ IT'S GONNA BE JUST DANDY
939
00:49:47,150 --> 00:49:51,253
♪ THE DAY I TAKE MY CANDY
940
00:49:54,624 --> 00:50:01,397
♪ AND MAKE HER MINE,ALL MINE ♪
941
00:50:05,602 --> 00:50:10,239
♪ THE DAY I TAKE MY CANDY
942
00:50:10,241 --> 00:50:16,312
♪ AND MAKE HER MINE,ALL MINE ♪
943
00:50:20,283 --> 00:50:21,784
Brian:IT'S OPEN.
944
00:50:28,358 --> 00:50:30,292
HI.
945
00:50:30,294 --> 00:50:32,795
[ DOOR CLOSES ]
946
00:50:32,797 --> 00:50:35,297
I'M ELLEN.
947
00:50:35,299 --> 00:50:36,766
ELLEN?
948
00:50:36,768 --> 00:50:39,168
[ CHUCKLES ]
949
00:50:39,170 --> 00:50:42,438
OH, YEAH,
THE PAINTER CHICK.
950
00:50:42,440 --> 00:50:44,106
WELL,
COME ON IN.
951
00:50:45,609 --> 00:50:48,677
UH, I'M SORRY. YOU'RE EXPECTING
SOMEONE, AREN'T YOU?
952
00:50:48,679 --> 00:50:52,248
OH, THIS?
NAH.
953
00:50:52,250 --> 00:50:56,252
I HAD SOME COMPANY EARLIER,
BUT, UH...
954
00:50:56,254 --> 00:50:57,620
THEY PUSSIED OUT.
955
00:50:57,622 --> 00:51:00,122
[ SIREN WAILING IN DISTANCE ]
956
00:51:02,626 --> 00:51:06,162
I WAS JUST, UM...
957
00:51:06,164 --> 00:51:08,230
IN THE NEIGHBORHOOD,
YOU KNOW, AND, UM...
958
00:51:08,232 --> 00:51:10,166
I FORGOT MY UMBRELLA.
959
00:51:10,168 --> 00:51:11,300
OH, YEAH?
YEAH.
960
00:51:11,302 --> 00:51:13,335
IS IT RAINING?
NO.
961
00:51:13,337 --> 00:51:16,305
BUT IT'S SO HOT AND STICKY OUT,
I WISH IT WOULD.
962
00:51:16,307 --> 00:51:18,808
IT'S FUNNY, ISN'T IT?
963
00:51:18,810 --> 00:51:23,446
ALL THIS TIME
LIVING TOGETHER, AND, UH...
964
00:51:23,448 --> 00:51:25,281
WE NEVER ACTUALLY MEET.
965
00:51:25,283 --> 00:51:26,449
YEAH.
966
00:51:26,451 --> 00:51:28,317
BUT I LIKED
YOUR ROSES.
967
00:51:28,319 --> 00:51:29,785
[ CRUNCHING ]
968
00:51:29,787 --> 00:51:31,787
OH.
969
00:51:31,789 --> 00:51:33,255
HEY, UM...
970
00:51:33,257 --> 00:51:35,157
COULD YOU?
971
00:51:35,159 --> 00:51:37,593
OH, YEAH.
972
00:51:38,795 --> 00:51:40,329
YOU KNOW, UH...
973
00:51:43,166 --> 00:51:46,302
YOU'RE EXACTLY THE WAY
I PICTURED YOU.
974
00:51:46,304 --> 00:51:48,471
I AM?
MM.
975
00:51:52,676 --> 00:51:54,743
[ INHALES DEEPLY ]
976
00:52:00,317 --> 00:52:03,252
SO, MARTY, YOU WANT TO KNOW
WHERE I'M GOING TONIGHT?
977
00:52:09,626 --> 00:52:11,327
DID YOU TELL HIM
WE WERE CLOSING?
978
00:52:11,329 --> 00:52:12,294
YES.
979
00:52:12,296 --> 00:52:14,163
[ GRUNTS ]
980
00:52:14,165 --> 00:52:15,431
SORRY, RAMON.
981
00:52:15,433 --> 00:52:19,401
HE'S A KIDDER, EDDIE.
GOOD NIGHT.
GOOD NIGHT.
982
00:52:21,805 --> 00:52:24,340
SO, MARTY, AREN'T YOU GONNA
ASK ME WHAT I'M DOING TONIGHT?
983
00:52:24,342 --> 00:52:28,344
WHAT'S TO ASK? YOU GO HOME,
YOU EAT SOME TUNA, YOU PIDDLE.
UNH-UNH.
984
00:52:28,346 --> 00:52:31,347
I GOT TICKETS TO SEE
NEIL DIAMOND AT THE COLISEUM.
985
00:52:31,349 --> 00:52:32,314
YOU'RE SHITTING ME.
986
00:52:32,316 --> 00:52:34,817
LOOK AT THAT.
SCALPER.
987
00:52:34,819 --> 00:52:36,485
ELLEN DOESN'T KNOW
ABOUT IT.
988
00:52:36,487 --> 00:52:39,321
I'M GONNA GO UP TO LUCY'S
AND GET HER -- SURPRISE HER.
989
00:52:39,323 --> 00:52:41,190
WOW.
990
00:52:44,294 --> 00:52:46,462
POW.
991
00:52:46,464 --> 00:52:49,165
SOMETHING WRONG
WITH THE ELECTRICITY IN HERE?
992
00:52:49,167 --> 00:52:51,333
NO, NO, NO.
IT'S FINE.
993
00:52:51,335 --> 00:52:54,303
THERE'S, UH,
PLENTY BETWEEN US.
994
00:52:54,305 --> 00:52:56,639
[ LAUGHS ]
995
00:52:56,641 --> 00:52:59,642
YEAH, RIGHT.
996
00:52:59,644 --> 00:53:02,311
OH, THAT WAS SARCASTIC, RIGHT?
I SHOULDN'T DO THAT.
997
00:53:02,313 --> 00:53:03,679
I...
998
00:53:05,315 --> 00:53:07,183
[ SIGHS ]
999
00:53:07,185 --> 00:53:09,485
GOD. I WISH YOU HAD
YOUR UNIFORM ON.
1000
00:53:09,487 --> 00:53:11,487
I LOVE THOSE
LITTLE WHITE SKIRTS.
1001
00:53:11,489 --> 00:53:12,888
[ CHUCKLES ]
1002
00:53:15,192 --> 00:53:17,660
[ EXHALES SHARPLY,
LAUGHS ]
1003
00:53:17,662 --> 00:53:19,328
UM, YOU HUNGRY?
1004
00:53:19,330 --> 00:53:22,431
I HAVE SOME, YOU KNOW,
CAVIAR, CHAMPAGNE.
1005
00:53:22,433 --> 00:53:24,500
[ POUNDING ]
1006
00:53:26,303 --> 00:53:28,804
[ CHAMPAGNE BOTTLE POPS ]
1007
00:53:28,806 --> 00:53:30,806
[ CHAMPAGNE POURING ]
1008
00:53:30,808 --> 00:53:33,342
I'M, UH,
JUST A LITTLE DRUNK.
1009
00:53:33,344 --> 00:53:34,643
[ CHUCKLES ]
1010
00:53:34,645 --> 00:53:37,646
THAT'S OKAY.
I LIKE THAT IN A WOMAN.
1011
00:53:37,648 --> 00:53:39,548
OH.
[ LAUGHS ]
1012
00:53:41,818 --> 00:53:43,886
GOOD.
[ LAUGHING ]
1013
00:53:48,325 --> 00:53:49,692
NAH.
1014
00:53:51,494 --> 00:53:53,996
[ SIGHS ]
COME ON.
1015
00:53:53,998 --> 00:53:56,265
WHAT?
[ CHUCKLES ]
1016
00:53:58,368 --> 00:54:00,970
WE BOTH KNOW
WHY YOU'RE HERE.
1017
00:54:00,972 --> 00:54:03,572
[ CAR HORN HONKING ]
1018
00:54:05,342 --> 00:54:07,376
OH, SHIT.
1019
00:54:10,814 --> 00:54:13,983
LUCY!
HI, IT'S ME -- AARON!
1020
00:54:13,985 --> 00:54:16,485
GET MY WIFE!
I GOT A SURPRISE FOR HER!
1021
00:54:16,487 --> 00:54:18,821
OH, SHIT.
WHAT?!
1022
00:54:18,823 --> 00:54:20,990
HOW SWEET!
1023
00:54:20,992 --> 00:54:24,660
UH, IT'S TOO BAD.
SHE'S, UM, NOT HERE!
1024
00:54:24,662 --> 00:54:26,829
WHERE IS SHE?
1025
00:54:26,831 --> 00:54:29,999
WHERE IS SHE?!
OH, SHE...
1026
00:54:30,001 --> 00:54:33,369
SHE HAD TO GO BACK TO THE CITY
ALL OF A SUDDEN!
1027
00:54:33,371 --> 00:54:36,672
A DENTAL-HYGIENE
EMERGENCY!
1028
00:54:36,674 --> 00:54:39,675
OH, FOR CRYING
OUT LOUD.
1029
00:54:39,677 --> 00:54:40,843
WHEN WAS THIS?
1030
00:54:40,845 --> 00:54:42,344
OH, GOD.
I DON'T KNOW.
1031
00:54:42,346 --> 00:54:44,513
YOU KNOW ME!
I'M JUST -- ECCH!
1032
00:54:44,515 --> 00:54:45,848
[ CHUCKLES ]
1033
00:54:45,850 --> 00:54:48,350
OH.
1034
00:54:48,352 --> 00:54:51,320
UH...
I GUESS I BETTER WAIT.
1035
00:54:51,322 --> 00:54:53,989
SHE'S NOT GONNA
WANT TO MISS THIS --
1036
00:54:53,991 --> 00:54:55,658
NEIL DIAMOND.
1037
00:54:55,660 --> 00:54:57,326
OH, YOU'RE KIDDING.
1038
00:54:57,328 --> 00:55:00,496
UM, W-- UM,
SHE LEFT A NUMBER.
1039
00:55:00,498 --> 00:55:02,364
MAYBE I CAN REACH HER.
1040
00:55:02,366 --> 00:55:03,432
GREAT.
1041
00:55:11,574 --> 00:55:14,376
OH, LOOK,
HOW DO I GET THIS OFF?
UH, IT'S REALLY --
1042
00:55:14,378 --> 00:55:17,446
I MEAN, WHAT IS THIS --
BEAT THE CLOCK?
1043
00:55:17,448 --> 00:55:19,515
[ TELEPHONE RINGING ]
1044
00:55:28,425 --> 00:55:30,959
[ DIAL TONE ]
1045
00:55:30,961 --> 00:55:34,997
ALL RIGHT, COME ON, BABY.
JUST LET ME LIE DOWN.
1046
00:55:34,999 --> 00:55:37,066
JUST RELAX.
SHH.
1047
00:55:39,669 --> 00:55:42,338
AY-YI-YI.
1048
00:55:44,941 --> 00:55:47,676
[ MUSIC CONTINUES ]
1049
00:55:47,678 --> 00:55:50,079
[ BRIAN MOANING ]
1050
00:55:52,916 --> 00:55:55,084
[ MUSIC STOPS ]
1051
00:55:58,388 --> 00:55:59,855
[ CHUCKLES ]
1052
00:55:59,857 --> 00:56:02,024
MAN...
1053
00:56:02,026 --> 00:56:05,027
YOU CAME TO PLAY.
1054
00:56:05,029 --> 00:56:08,697
GOOD WINDUP,
GOOD DELIVERY...
1055
00:56:08,699 --> 00:56:10,899
GOOD FOLLOW-THROUGH.
1056
00:56:14,671 --> 00:56:16,405
WHAT?
1057
00:56:18,842 --> 00:56:22,010
UH, JUST A LITTLE,
UH, PLAY-BY-PLAY.
1058
00:56:22,012 --> 00:56:24,079
[ LAUGHS ]
1059
00:56:28,385 --> 00:56:29,518
[ SIGHS ]
1060
00:56:29,520 --> 00:56:32,421
CAN YOU, LIKE, HOLD ME
OR SOMETHING?
1061
00:56:34,524 --> 00:56:36,859
I THOUGHT
WE WERE DONE.
1062
00:56:36,861 --> 00:56:38,527
OKAY.
1063
00:56:41,398 --> 00:56:43,599
[ SIGHS ]
1064
00:56:52,542 --> 00:56:55,144
YOU KNOW, UH...
1065
00:56:55,146 --> 00:56:57,713
YOU'RE REALLY
A GREAT FUCK.
1066
00:56:59,849 --> 00:57:01,850
I CAN'T BELIEVE
YOU JUST SAID THAT.
1067
00:57:01,852 --> 00:57:03,719
OH, BUT IT'S TRUE.
1068
00:57:03,721 --> 00:57:06,188
MM.
1069
00:57:06,190 --> 00:57:08,857
NO, I JUST...
[ CLEARS THROAT ]
1070
00:57:08,859 --> 00:57:11,860
I DON'T KNOW. I GUESS MAYBE
I THOUGHT YOU WERE...
1071
00:57:11,862 --> 00:57:13,862
A LITTLE BIT
MORE ROMANTIC.
1072
00:57:13,864 --> 00:57:16,165
I GUESS I DON'T REALLY
KNOW YOU, AND...
1073
00:57:16,167 --> 00:57:20,702
BRIAN McVEIGH.
DARTMOUTH, CLASS OF '84.
1074
00:57:20,704 --> 00:57:22,838
NO, I MEAN, I...
1075
00:57:24,140 --> 00:57:27,209
I GUESS I JUST HAD
A DIFFERENT IMAGE OF YOU...
1076
00:57:27,211 --> 00:57:30,045
WITH YOUR MUSIC
AND...
1077
00:57:30,047 --> 00:57:33,449
COOKING AND...
FURNITURE.
1078
00:57:33,451 --> 00:57:36,485
YEAH, IT'S
NICE STUFF, HUH?
1079
00:57:38,154 --> 00:57:40,189
OH,"BEYOND THE FJORD."
1080
00:57:40,191 --> 00:57:43,525
WASN'T THIS A GOOD MOVIE.
I REALLY LIKED THIS.
1081
00:57:43,527 --> 00:57:46,028
I WAS SO GLAD YOU CUT
THAT AD OUT,
1082
00:57:46,030 --> 00:57:47,863
[ CHUCKLING ]
AND I FOUND IT.
1083
00:57:47,865 --> 00:57:50,199
RIGHT.
ME SEE A FOREIGN MOVIE?
1084
00:57:50,201 --> 00:57:54,203
IT'S BAD ENOUGH I GOT TO GO SEE
THE, UH, BALLET
1085
00:57:54,205 --> 00:57:56,538
WITH MY, UH, FIANCéE.
1086
00:57:56,540 --> 00:57:58,207
FIANCéE? FIAN--
1087
00:57:58,209 --> 00:57:59,775
FIANCéE?!
1088
00:58:01,211 --> 00:58:03,712
HOW COULD YOU?
IT WASN'T MY IDEA.
1089
00:58:03,714 --> 00:58:05,714
HER FOLKS GOT US
SEASON TICKETS...
1090
00:58:05,716 --> 00:58:07,716
EVERY WEDNESDAY.
1091
00:58:07,718 --> 00:58:09,184
AREN'T YOU HERE
WEDNESDAYS?
1092
00:58:09,186 --> 00:58:13,021
NO. THAT'S WHY I HAD TO SWITCH
MY NIGHTS WITH, UH...
1093
00:58:14,190 --> 00:58:15,557
UH...
1094
00:58:15,559 --> 00:58:17,125
SAM?
1095
00:58:18,695 --> 00:58:20,863
OH...
1096
00:58:20,865 --> 00:58:23,198
OH...
1097
00:58:23,200 --> 00:58:25,534
OH, MY GOD.
WHAT?
1098
00:58:25,536 --> 00:58:27,669
OH, MY GOD.
WHAT?
1099
00:58:27,671 --> 00:58:29,671
I SLEPT
WITH THE WRONG GUY.
1100
00:58:29,673 --> 00:58:31,707
[ SIGHS ]
1101
00:58:31,709 --> 00:58:33,141
OH, MY GOD.
1102
00:58:33,143 --> 00:58:35,878
THE ONE TIME IN MY LIFE I CHEAT,
AND I SCREW IT UP,
1103
00:58:35,880 --> 00:58:37,179
AND I SLEEP
WITH THE WRONG GUY.
1104
00:58:37,181 --> 00:58:39,114
AND YOU --
HOW COULD YOU?!
1105
00:58:39,116 --> 00:58:42,117
IT'S...YOU KNOW,
ONE LAST FLING.
1106
00:58:42,119 --> 00:58:45,554
A CONDEMNED MAN IS ENTITLED
TO ONE LAST HEARTY BREAKFAST.
1107
00:58:45,556 --> 00:58:47,556
OH, SHUT UP!
1108
00:58:47,558 --> 00:58:49,224
WHAT?WHAT DID I SAY?
1109
00:58:49,226 --> 00:58:51,293
I MEAN, HOW COULD YOU SLEEPWITH ME?!
1110
00:58:51,295 --> 00:58:55,197
YEAH, BUT THAT'S
BECAUSE I THOUGHT
YOU WERE SOMEONE ELSE.
1111
00:58:55,199 --> 00:58:57,065
BOY...
1112
00:58:57,067 --> 00:58:59,134
WAY TO MAKE
A GUY FEEL WANTED.
1113
00:59:00,169 --> 00:59:02,704
I MEAN,
YOU DON'T EVEN KNOW ME.
1114
00:59:02,706 --> 00:59:04,540
WELL, AT LEAST I KNOW
WHO YOU WERE.
1115
00:59:04,542 --> 00:59:07,042
YOU'RE THE BABE WHO COOKS
ALL THAT GREAT FOOD.
1116
00:59:07,044 --> 00:59:09,545
NO, THAT IS SAM,
YOU IDIOT!
1117
00:59:09,547 --> 00:59:11,747
YOU'RE THE ONE
WITH THE UGLY FURNITURE!
1118
00:59:11,749 --> 00:59:13,549
NO, BABY,
YOU GOT IT ALL WRONG.
1119
00:59:13,551 --> 00:59:17,052
THIS IS MY FURNITURE.
HIS IS THE UGLY STUFF.
1120
00:59:17,054 --> 00:59:18,186
[ SIGHS ]
1121
00:59:18,188 --> 00:59:21,223
[ SIGHS ]
OH, MY GOD.
1122
00:59:21,225 --> 00:59:23,158
WHAT? WHAT?
WHAT?
1123
00:59:27,130 --> 00:59:28,730
AARON.
1124
00:59:32,235 --> 00:59:34,736
[ SIGHS ]
1125
00:59:34,738 --> 00:59:36,204
CHICKS.
1126
00:59:36,206 --> 00:59:39,241
[ VEHICLE APPROACHING ]
1127
00:59:39,243 --> 00:59:40,776
[ WHISTLES ]
[ BRAKES SQUEAL ]
1128
00:59:42,345 --> 00:59:45,614
[ MAN TALKING INDISTINCTLY
ON TELEVISION ]
1129
00:59:54,724 --> 00:59:56,725
YEAH?
[ CRIES, SNIFFLES ]
1130
00:59:56,727 --> 00:59:59,227
[ Crying ] CAN -- CAN YOU TAKE
ME TO ELMHURST?
1131
00:59:59,229 --> 01:00:00,362
NO, NO, I DON'T KNOW
WHERE IT IS.
1132
01:00:00,364 --> 01:00:01,730
IT'S IN QUEENS.
1133
01:00:01,732 --> 01:00:03,932
NO, NO, MADAM,
THAT'S VERY FAR. PLEASE.
1134
01:00:03,934 --> 01:00:06,068
COME ON, NO --PLEASE.I NEED TO GO TO QUEENS.
1135
01:00:06,070 --> 01:00:08,236
UH, BUT...[ CRIES ]
1136
01:00:08,238 --> 01:00:10,305
COME ON, LADY.PLE-- HELLO? HELLO?
1137
01:00:10,307 --> 01:00:12,908
PLEASE DON'T CRY. I-I SAID
I'LL TAKE YOU TO QUEENS.
[ CRYING ]
1138
01:00:12,910 --> 01:00:14,743
I NEED TO GO TO QUEENS.
WE'LL GO TO QUEENS.
1139
01:00:14,745 --> 01:00:17,746
HERE. HERE.
SEE? WE GO TO QUEENS.
1140
01:00:17,748 --> 01:00:19,381
[ BLOWS NOSE ]
1141
01:00:19,383 --> 01:00:20,916
[ SIGHS ]
1142
01:00:20,918 --> 01:00:23,085
I SLEPT
WITH THE WRONG GUY.
1143
01:00:23,087 --> 01:00:25,220
DON'T BE SO HARD
ON HIM, LADY.
1144
01:00:25,222 --> 01:00:26,888
GIVE HIM A CHANCE.
1145
01:00:26,890 --> 01:00:30,225
HOW COULD I BE SO STUPID
TO SLEEP WITH THE WRONG GUY?!
1146
01:00:30,227 --> 01:00:32,361
OH, DON'T WORRY.
YOU'LL FIND THE RIGHT GUY.
1147
01:00:32,363 --> 01:00:34,029
YOU'LL FIND
A BETTER GUY.
1148
01:00:34,031 --> 01:00:35,731
I HAVE A BETTER GUY!
1149
01:00:35,733 --> 01:00:37,199
THENWHAT'S THE PROBLEM?
1150
01:00:37,201 --> 01:00:40,102
WELL, WHAT AM I GONNA TELL
MY HUSBAND?
1151
01:00:40,104 --> 01:00:42,371
OH.
DON'T TELL HIM.
1152
01:00:42,373 --> 01:00:44,206
DON'T TELL HIM
ANYTHING.
1153
01:00:44,208 --> 01:00:46,908
IF HE DOESN'T KNOW,
HE'LL TAKE YOU BACK.
1154
01:00:46,910 --> 01:00:49,711
BUT I DON'T WANT HIM
TO TAKE ME BACK.
BUT THEN
WHAT DO YOU WANT?
1155
01:00:49,713 --> 01:00:51,380
I WANT SAM!
1156
01:00:51,382 --> 01:00:54,249
NOW, WHO IS SAM?
I DON'T KNOW!
1157
01:00:54,251 --> 01:00:55,717
[ SNIFFLES ]
1158
01:00:55,719 --> 01:00:57,986
OH!
1159
01:00:59,322 --> 01:01:01,757
OH, THERE'S
SOMETHING --
AND WHAT DO YOU --
1160
01:01:01,759 --> 01:01:04,259
MADAM, THIS IS A TAXI, MADAM,
NOT A BEDROOM.
1161
01:01:04,261 --> 01:01:06,228
[ Laughing ]
I GOT TO GET --
1162
01:01:06,230 --> 01:01:07,929
OH.
1163
01:01:07,931 --> 01:01:09,865
[ CRYING ]
CALM DOWN.CALM...
1164
01:01:09,867 --> 01:01:12,367
HERE.HERE, BLOW YOUR --I DIDN'T MEANTO DO IT.
1165
01:01:12,369 --> 01:01:16,171
CALM.EVERYTHING WILL BE FINE.
1166
01:01:41,264 --> 01:01:43,298
OH, SHIT.
1167
01:01:53,376 --> 01:01:55,143
[ GRUNTS ]
1168
01:01:57,113 --> 01:01:58,747
THE GAME WAS GREAT.
1169
01:01:58,749 --> 01:02:00,816
[ GROANS SOFTLY ]
1170
01:02:02,218 --> 01:02:05,087
WATCHED IT TWICE...
1171
01:02:05,089 --> 01:02:06,855
WITH THE GUYS.
1172
01:02:09,926 --> 01:02:11,226
YEAH...
1173
01:02:14,931 --> 01:02:16,298
GOOD NIGHT.
1174
01:02:48,397 --> 01:02:50,265
BRIAN?
1175
01:02:59,942 --> 01:03:02,210
OH, BRIAN.
1176
01:03:09,252 --> 01:03:12,354
BRIAN, BRIAN, BRIAN,
BRIAN, BRIAN.
1177
01:03:32,575 --> 01:03:34,976
[ GRUNTING ]
1178
01:03:38,047 --> 01:03:40,982
[ KEYS THUD ]
1179
01:03:45,254 --> 01:03:47,956
WHAT HAVEYOU BEEN DOING?
1180
01:03:47,958 --> 01:03:49,291
I WAS OUT
WITH LUCY.
1181
01:03:49,293 --> 01:03:52,260
UH, YOU KNOW,
I WAS, UH...
1182
01:03:52,262 --> 01:03:55,230
NO, I WASN'T.
I WAS OUT.
1183
01:03:55,232 --> 01:03:57,098
YEAH, I KNOW.
1184
01:04:00,269 --> 01:04:02,204
I'M SORRY.
1185
01:04:02,206 --> 01:04:04,239
WHAT ARE
YOU SORRY ABOUT?
1186
01:04:04,241 --> 01:04:07,175
NOTHING HAPPENED TO BE SORRY
ABOUT, RIGHT?
1187
01:04:08,411 --> 01:04:11,379
NO,
SOMETHING HAPPENED.
1188
01:04:13,249 --> 01:04:15,317
JUST LIKE THAT.
1189
01:04:17,587 --> 01:04:19,921
[ SIGHS ]
JUST LIKE THAT.
1190
01:04:19,923 --> 01:04:22,991
YOU'RE BUYING
HOUSES...
1191
01:04:24,427 --> 01:04:26,127
WITHOUT TELLING ME,
AARON.
1192
01:04:26,129 --> 01:04:28,196
YOU KNOW,
YOU'RE NAMING CHILDREN. AND...
1193
01:04:28,198 --> 01:04:29,865
IT'S NOT MY FAULT.
1194
01:04:29,867 --> 01:04:31,867
I'M NOT SCREWING AROUND.
1195
01:04:33,302 --> 01:04:35,570
DON'T BLAME ME
'CAUSE YOU'RE HAVING AN AFFAIR.
1196
01:04:35,572 --> 01:04:38,907
I DON'T KNOW WHY I DID IT.
I-I, UH...
1197
01:04:38,909 --> 01:04:42,577
IT DIDN'T EVEN MEAN
ANYTHING, ANYWAY.
1198
01:04:47,283 --> 01:04:49,284
MAYBE I DID IT
'CAUSE I'M TRYING TO TELL YOU,
1199
01:04:49,286 --> 01:04:52,954
AND I'M T-TRYING TO
TELL MYSELF
1200
01:04:52,956 --> 01:04:54,589
THAT I'M NOT HAPPY.
1201
01:04:54,591 --> 01:04:56,458
ELLEN...
1202
01:04:58,127 --> 01:05:01,062
IF I WANT TO GET
YOUR ATTENTION...
1203
01:05:02,298 --> 01:05:04,933
I DON'T THROW A ROCK
AT YOUR HEAD.
1204
01:05:04,935 --> 01:05:07,269
ALL YOU HAD TO DOWAS SAY SOMETHING.
1205
01:05:07,271 --> 01:05:10,605
HOW COULD YOU BUY A HOUSE
WITHOUT TELLING ME?
1206
01:05:12,308 --> 01:05:14,175
I LOVE YOU.
1207
01:05:16,279 --> 01:05:18,246
THAT'S WHAT YOU DO.
1208
01:05:18,248 --> 01:05:20,282
YOU MARRY,
YOU...
1209
01:05:20,284 --> 01:05:22,117
YOU BUY A HOUSE,
YOU HAVE CHILDREN.
1210
01:05:22,119 --> 01:05:23,585
THAT'S WHAT YOU DO.
1211
01:05:29,125 --> 01:05:31,593
[ Voice breaking ]
YOU SHOULD HAVE TOLD ME.
1212
01:05:36,599 --> 01:05:39,367
[ SIGHS DEEPLY ]
1213
01:05:41,437 --> 01:05:45,140
I'M GONNA PRETEND
THIS DIDN'T HAPPEN, OKAY?
1214
01:05:45,142 --> 01:05:47,475
UH, NEITHER OF US
WILL MENTION IT.
1215
01:05:53,316 --> 01:05:55,283
I'M SORRY...
1216
01:05:55,285 --> 01:05:57,452
AARON.
1217
01:05:57,454 --> 01:05:58,954
OH, WHAT FOR?
1218
01:05:58,956 --> 01:06:01,122
NOTHING HAPPENED.
1219
01:06:01,124 --> 01:06:03,224
NOTHING'S CHANGED.
1220
01:06:05,461 --> 01:06:07,595
[ HUMMING ]
1221
01:06:07,597 --> 01:06:10,665
[ JACKIE WILSON'S
"YOUR LOVE KEEPS LIFTIN' ME
(HIGHER AND HIGHER)" PLAYS ]
1222
01:06:20,977 --> 01:06:23,979
♪ YOUR LOVE,LIFTING ME HIGHER ♪
1223
01:06:23,981 --> 01:06:25,714
CIAO.
1224
01:06:25,716 --> 01:06:28,249
♪ THAN I'VE EVERBEEN LIFTED BEFORE ♪
1225
01:06:28,251 --> 01:06:29,985
LESS.
1226
01:06:29,987 --> 01:06:32,153
MORE.
1227
01:06:32,155 --> 01:06:33,254
LESS.
1228
01:06:33,256 --> 01:06:35,457
MORE.
1229
01:06:35,459 --> 01:06:37,325
MORE.
1230
01:06:37,327 --> 01:06:39,060
LESS.
1231
01:06:39,062 --> 01:06:40,362
OKAY.
1232
01:06:40,364 --> 01:06:41,763
♪ YOU KNOW YOUR LOVE
1233
01:06:41,765 --> 01:06:43,264
♪ YOUR LOVE KEEPS LIFTING ME
1234
01:06:43,266 --> 01:06:45,300
♪ KEEP ON LIFTING
1235
01:06:45,302 --> 01:06:47,602
UM, I'D LIKE
THE OTHER PIECE.
1236
01:06:47,604 --> 01:06:50,438
♪ HIGHER AND HIGHER
1237
01:06:50,440 --> 01:06:52,140
♪ I SAID YOUR LOVE
1238
01:06:52,142 --> 01:06:54,142
♪ YOUR LOVE KEEPS LIFTING ME
1239
01:06:54,144 --> 01:06:55,310
NO PROBLEM, MA'AM.
1240
01:06:55,312 --> 01:06:57,779
THAT'S WHAT
WE'RE HERE FOR.
1241
01:06:57,781 --> 01:06:59,481
♪ HIGHER AND HIGHER
1242
01:06:59,483 --> 01:07:01,783
HAVE A NICE DAY.
1243
01:07:01,785 --> 01:07:03,785
SAM,
ARE YOU ALL RIGHT?
1244
01:07:03,787 --> 01:07:06,287
[ Norwegian accent ]
GUESS WHO'S COMING TO DINNER.
1245
01:07:06,289 --> 01:07:10,625
♪ DISAPPOINTMENTWAS MY CLOSEST FRIEND ♪
1246
01:07:10,627 --> 01:07:15,797
♪ BUT THEN YOU CAME,AND HE SOON DEPARTED ♪
1247
01:07:15,799 --> 01:07:20,802
♪ AND YOU KNOW HE NEVER SHOWEDHIS FACE AGAIN ♪
1248
01:07:20,804 --> 01:07:22,237
♪ THAT'S WHY YOUR LOVE
1249
01:07:22,239 --> 01:07:24,606
♪ YOUR LOVE KEEPS LIFTING ME
1250
01:07:24,608 --> 01:07:26,608
[ INGA LAUGHING ]
Sam: MMM.
1251
01:07:26,610 --> 01:07:28,610
OH, MMM.
MMM.
1252
01:07:28,612 --> 01:07:30,678
[ LAUGHING ]
1253
01:07:32,615 --> 01:07:35,350
[ IMITATES DOG, LAUGHS ]
[ LAUGHING ]
1254
01:07:38,154 --> 01:07:39,154
MMM.
1255
01:07:39,156 --> 01:07:40,321
MMM.
1256
01:07:40,323 --> 01:07:41,456
IT'S GOOD.
GOOD.
1257
01:07:41,458 --> 01:07:43,324
THANK YOU.
1258
01:07:43,326 --> 01:07:45,293
WHAT IS?
1259
01:07:45,295 --> 01:07:47,729
IT'S PASTA WITH DUCK.
1260
01:07:49,165 --> 01:07:51,299
DOG? DOG?
[ BARKING ]
1261
01:07:51,301 --> 01:07:53,802
DOG?
NO. OH, NO, NO, NO,
NO, DUCK. DUCK.
1262
01:07:53,804 --> 01:07:57,305
UM, UM, NOT DOG.
NOT DOG.
[ SPEAKING
NORWEGIAN LANGUAGE ]
1263
01:07:57,307 --> 01:07:59,340
UH...
[ QUACKING ]
1264
01:07:59,342 --> 01:08:01,476
DUCK.
QUACK, QUACK, QUACK.
1265
01:08:01,478 --> 01:08:04,279
OH, YEAH, YEAH.
DUCK. LITTLE DUCK.
1266
01:08:04,281 --> 01:08:06,281
[ SPEAKING
NORWEGIAN LANGUAGE ]
[ REPEATING IN
NORWEGIAN LANGUAGE ]
1267
01:08:06,283 --> 01:08:08,450
[ LAUGHTER ]
1268
01:08:10,286 --> 01:08:11,586
[ SPEAKING
NORWEGIAN LANGUAGE ]
1269
01:08:11,588 --> 01:08:13,488
[ REPEATING IN
NORWEGIAN LANGUAGE ]
1270
01:08:15,424 --> 01:08:19,227
MORE.
WE NEED MORE WINE.
1271
01:08:20,596 --> 01:08:24,232
I'LL GO GET SOME,
AND I WILL BE RIGHT BACK.
1272
01:08:25,101 --> 01:08:27,102
I GO.
I GO?
1273
01:08:27,104 --> 01:08:29,437
NO, NO.YOU STAY, I GO.
1274
01:08:29,439 --> 01:08:31,139
BE RIGHT BACK.
1275
01:08:31,141 --> 01:08:32,807
RIGHT BACK.
1276
01:08:35,111 --> 01:08:36,277
[ CHUCKLES ]
1277
01:08:36,279 --> 01:08:38,179
OH, MY GOD.
1278
01:08:39,615 --> 01:08:41,149
STAY.
OH.
1279
01:08:41,151 --> 01:08:43,852
JUST...
JUST STAY.
1280
01:08:45,888 --> 01:08:46,888
STAY. STAY.
1281
01:08:46,890 --> 01:08:49,257
[ LAUGHING ]
1282
01:08:49,259 --> 01:08:50,792
HELLO.
1283
01:08:56,132 --> 01:08:57,432
AAAH!
1284
01:09:02,338 --> 01:09:06,141
HOW MUCH
ARE THESE POTATOES?
1285
01:09:06,143 --> 01:09:08,343
HOW --
[ TELEPHONE RINGING ]
1286
01:09:15,784 --> 01:09:18,286
[ BELLS JINGLE ]
1287
01:09:18,288 --> 01:09:19,454
Hello?
1288
01:09:19,456 --> 01:09:22,357
[ BELLS JINGLE ]
1289
01:09:22,359 --> 01:09:25,260
YOU'RE WELCOME.
MY NAME IS INGA.
1290
01:09:26,495 --> 01:09:28,429
HELLO?
1291
01:09:35,771 --> 01:09:37,572
HELLO?
1292
01:09:40,876 --> 01:09:43,278
[ DOG BARKING ]
1293
01:09:48,284 --> 01:09:50,852
[ BREATHES DEEPLY ]
1294
01:09:52,521 --> 01:09:54,622
HI.
1295
01:09:54,624 --> 01:09:56,524
HI.
[ CHUCKLES ]
1296
01:10:01,630 --> 01:10:03,331
OH, INGA.
1297
01:10:04,934 --> 01:10:07,802
INGA, YOU WAITED.
1298
01:10:07,804 --> 01:10:08,937
[ POPS ]
1299
01:10:08,939 --> 01:10:10,872
[ CHUCKLES ]
1300
01:10:19,615 --> 01:10:20,915
[ SPEAKING
NORWEGIAN LANGUAGE ]
1301
01:10:20,917 --> 01:10:23,218
[ REPEATING IN
NORWEGIAN LANGUAGE ]
1302
01:10:29,925 --> 01:10:31,859
[ GLASS BREAKS ]
1303
01:10:33,796 --> 01:10:35,663
[ GLASS BREAKS ]
1304
01:10:41,971 --> 01:10:43,938
YOU ARE WELCOME TO ME.
1305
01:10:43,940 --> 01:10:45,540
[ SIGHS ]
1306
01:10:45,542 --> 01:10:48,977
THANK YOU, GOD.
1307
01:11:01,790 --> 01:11:03,691
[ INGA AND SAM LAUGHING ]
1308
01:11:05,461 --> 01:11:06,995
[ DOG BARKING ]
1309
01:11:18,807 --> 01:11:20,642
[ SIGHS ]
1310
01:11:20,644 --> 01:11:22,310
[ SIGHS ]
1311
01:11:22,312 --> 01:11:24,312
[ LAUGHS ]
1312
01:11:26,482 --> 01:11:28,483
[ SIGHS ]
1313
01:11:28,984 --> 01:11:31,052
[ IMITATING DOG ]
1314
01:11:38,294 --> 01:11:39,794
HI.
1315
01:11:39,796 --> 01:11:41,462
DO YOU KNOW
WHO LIVES NEXT DOOR?
1316
01:11:41,464 --> 01:11:43,965
NO.
NO.
1317
01:11:43,967 --> 01:11:45,800
[ MUMBLING ]
1318
01:11:45,802 --> 01:11:46,968
Inga: OOH!
1319
01:11:46,970 --> 01:11:49,470
YOU WOULDN'T BELIEVE
WHAT GOES ON IN THERE.
1320
01:11:49,472 --> 01:11:50,805
[ LOUD THUD ]
OOOH!
1321
01:11:50,807 --> 01:11:52,974
THIS ONE'S A PAINTER.
THAT ONE'S A COOK.
1322
01:11:52,976 --> 01:11:55,009
WHAT ABOUT THE ROSES
FROM BRIAN?
1323
01:11:55,011 --> 01:11:57,645
HAVE YOU, UM...
1324
01:11:57,647 --> 01:11:59,947
HAVE YOU SEEN HIM
IN THERE BEFORE?
1325
01:11:59,949 --> 01:12:01,816
MAYBE.
I DON'T KNOW FOR SURE.
1326
01:12:01,818 --> 01:12:04,919
YOU DON'T KNOW?
[ CHUCKLES ] HE FORGETS.
1327
01:12:04,921 --> 01:12:05,987
[ LAUGHS ]
1328
01:12:05,989 --> 01:12:07,322
TWICE A WEEK
HE COMES.
1329
01:12:07,324 --> 01:12:08,956
UH, LIKE CLOCKWORK.
1330
01:12:08,958 --> 01:12:11,959
BUT LIKE I SAID, IT'S HIS
OWN BUSINESS WHAT HE DOES.
1331
01:12:11,961 --> 01:12:14,095
AND, UM...
AND THE GIRL?
1332
01:12:14,097 --> 01:12:15,697
OH, DON'T KNOW
THIS ONE.
1333
01:12:15,699 --> 01:12:19,100
THERE'S ANOTHER.
OH, OH, PAINTER. OOH-OOH.
1334
01:12:19,102 --> 01:12:20,935
TWICE A WEEK.
LIKE CLOCKWORK.
1335
01:12:20,937 --> 01:12:22,470
[ INGA SHOUTS ]
THANK YOU.
1336
01:12:22,472 --> 01:12:23,805
I JUST --
I GOT TO GO NOW.
1337
01:12:23,807 --> 01:12:25,473
BUT LIKE I SAID,
THAT'S HIS BUSINESS.
1338
01:12:25,475 --> 01:12:26,741
WE DON'T SEEA THING.
1339
01:12:26,743 --> 01:12:29,811
[ GRUNTS ]
FJORD. OSLO.
1340
01:12:29,813 --> 01:12:31,979
[ BOTH GRUNTING ]
1341
01:12:32,982 --> 01:12:36,884
Inga:[ LAUGHS ] AHHH.[ SPITS ]
1342
01:12:39,688 --> 01:12:41,989
[ LOCK RATTLING ]
MM. MM.
1343
01:12:41,991 --> 01:12:48,129
SON OF A BITCH?
SON OF A BITCH?
OH, YOU NO-GOOD
SON OF A BITCH!
1344
01:12:48,131 --> 01:12:50,498
WHAT? WHAT?
1345
01:12:50,500 --> 01:12:54,135
OKAY,WHERE'S BRIAN?
1346
01:12:54,137 --> 01:12:55,436
HUH?
1347
01:12:55,438 --> 01:12:56,637
UH...
WHO IS BRIAN?
1348
01:12:56,639 --> 01:12:58,940
I-I-I THINK THAT YOU HAVE
THE WRONG NIGHT.
1349
01:12:58,942 --> 01:13:01,809
NO, NO, NO, STAY.
CALM DOWN.
OH, BULLSHIT!
1350
01:13:01,811 --> 01:13:03,611
CALM DOWN.STAY.WHERE IS HE?
1351
01:13:03,613 --> 01:13:06,647
L-LADY,
PLEASE, I BEG YOU.
1352
01:13:06,649 --> 01:13:08,883
COME OUT,YOU SON OF A BITCH!
1353
01:13:08,885 --> 01:13:10,551
NO. NO, NO, NO, NO.
STAY.
[ GASPS ]
1354
01:13:10,553 --> 01:13:12,120
NO, NO, NO.
I-I CAN EXPLAIN.
[ LOUD CRASHING ]
1355
01:13:12,122 --> 01:13:14,122
SEE, I DON'T ACTUALLY,
UH, LIVE HERE ALONE.
1356
01:13:14,124 --> 01:13:15,823
I MEAN, I DO,WHEN I HAVE THE PLACE,
1357
01:13:15,825 --> 01:13:18,793
BUT I-I ONLY HAVE THE PLACET-TWO NIGHTS A WEEK.
1358
01:13:18,795 --> 01:13:20,828
IT'S KIND OF
A-A TIMESHARE THING.
1359
01:13:20,830 --> 01:13:23,131
UM, YOU KNOW,
THIS NEW YORK SPACE IS TIGHT.
NO!
1360
01:13:23,133 --> 01:13:25,133
LADY, STOP!
STOP!
1361
01:13:25,135 --> 01:13:26,501
STOP. STOP.
[ CRYING ]
1362
01:13:26,503 --> 01:13:27,969
ANYWAY, THIS WOMAN
SEEMS TO BE LOOKING
1363
01:13:27,971 --> 01:13:29,704
FOR ONE
OF THE CO-TENANTS.
1364
01:13:29,706 --> 01:13:33,841
AND, UH, UH, EVIDENTLY THEY'VE
BEEN HAVING SOME DISCORD.
1365
01:13:33,843 --> 01:13:35,676
GET OUT!
GET OUT! GET OUT!
1366
01:13:35,678 --> 01:13:37,645
GET OUT!
GET OUT! GET OUT!
1367
01:13:37,647 --> 01:13:39,647
TAKE IT EA--
NO, INGA.
1368
01:13:39,649 --> 01:13:43,818
YOU'RE WELCOME TO ME.
YOU'RE WELCOME TO ME.
OUT!
1369
01:13:43,820 --> 01:13:45,153
INGA.
1370
01:13:48,657 --> 01:13:50,658
INGA!
1371
01:13:50,660 --> 01:13:52,927
[ DOG BARKING ]
1372
01:14:00,969 --> 01:14:03,504
I DON'T KNOW
WHO YOU ARE...
1373
01:14:03,506 --> 01:14:06,007
OR WHAT
YOU'RE DOING HERE...
1374
01:14:06,009 --> 01:14:07,842
BUT I WANT YOU TO KNOW
1375
01:14:07,844 --> 01:14:10,678
YOU HAVE JUST COMMITTED
THE SINGLE CRUELEST ACT
1376
01:14:10,680 --> 01:14:12,680
SINCE THEY SHOT
BABAR'S MOM.
1377
01:14:12,682 --> 01:14:13,881
I'M SORRY.
1378
01:14:13,883 --> 01:14:15,683
YOU'RE SORRY?
1379
01:14:15,685 --> 01:14:18,686
YOU COME BARGING
INTO A STRANGER'S HOUSE
1380
01:14:18,688 --> 01:14:20,655
AT THE WORST POSSIBLE
MOMENT,
1381
01:14:20,657 --> 01:14:22,957
AND YOU HAVE NO IDEA
HOW MUCH I NEEDED
1382
01:14:22,959 --> 01:14:26,828
OR HOW LONG I'VE BEEN WAITING
FOR THAT WORST POSSIBLE MOMENT.
1383
01:14:26,830 --> 01:14:30,498
YOU DESTROYED MY ONE CHANCE
OF HAPPINESS IN THIS WORLD,
1384
01:14:30,500 --> 01:14:32,834
AND YOU'RE SORRY?
1385
01:14:32,836 --> 01:14:35,002
I WAS LOOKING
FOR BRIAN.
1386
01:14:35,004 --> 01:14:38,005
OH, WELL,
HE'S NOT HERE.
1387
01:14:38,007 --> 01:14:39,674
I'M SAM.
1388
01:14:39,676 --> 01:14:41,843
THIS IS MY NIGHT!
1389
01:14:41,845 --> 01:14:43,845
WHAT DOES THAT HAVE TO DO
WITH ANYTHING?!
1390
01:14:43,847 --> 01:14:45,146
HAVE YOU EVER HEARD
OF KNOCKING
1391
01:14:45,148 --> 01:14:48,149
BEFORE COMING
INTO A STRANGER'S HOME?!
1392
01:14:48,151 --> 01:14:51,152
WELL, I THOUGHT
THAT HE WAS HAVING AN AFFAIR!
1393
01:14:51,154 --> 01:14:52,854
BRIAN?
1394
01:14:52,856 --> 01:14:55,022
THE DEVELOPMENTALLY
STUNTED,
1395
01:14:55,024 --> 01:14:57,692
CONSUMER-OBSESSED,
COLOR-BLIND,
1396
01:14:57,694 --> 01:15:01,028
WHITE-BREAD-EATING MAN-CHILD
TRAPPED IN A PUDGY BODY
1397
01:15:01,030 --> 01:15:02,129
HAVING AN AFFAIR?!
1398
01:15:02,131 --> 01:15:04,966
I DON'T THINK SO!
1399
01:15:04,968 --> 01:15:08,102
YOU ARE TALKING
ABOUT MY HUSBAND-TO-BE.
1400
01:15:09,671 --> 01:15:12,139
I HAVE NEVER
ACTUALLY MET HIM.
1401
01:15:12,141 --> 01:15:16,511
I'M JUST PIECING IT TOGETHER
FROM CLUES.
1402
01:15:16,513 --> 01:15:19,547
WELL, HE'S HAVING
AN AFFAIR.
1403
01:15:21,517 --> 01:15:22,984
YOU'RE GONNA MARRY HIM.
1404
01:15:22,986 --> 01:15:25,086
YOU HAVE TO SLEEP WITH HIM.
1405
01:15:28,991 --> 01:15:30,157
FROM WHAT I CAN TELL,
1406
01:15:30,159 --> 01:15:33,528
HE USES THIS PLACE
AS A CLUBHOUSE.
1407
01:15:33,530 --> 01:15:35,162
IT'S SOME KIND OF
TREE HOUSE
1408
01:15:35,164 --> 01:15:36,998
FOR HIM AND
HIS FRATERNITY FRIENDS.
1409
01:15:37,000 --> 01:15:38,165
THEY'RE BROKERS.
1410
01:15:38,167 --> 01:15:39,867
SUE ME.
1411
01:15:39,869 --> 01:15:42,703
I THOUGHT THAT
HE WAS HAVING AN AFFAIR.
1412
01:15:42,705 --> 01:15:44,605
LADY, IS IT POSSIBLE
1413
01:15:44,607 --> 01:15:46,974
THAT YOU'RE BEING
SEXUALLY PARANOID?
1414
01:15:46,976 --> 01:15:49,610
WHO WOULD SLEEP
WITH THIS PALOOKA?
1415
01:15:51,680 --> 01:15:53,614
A PAINTER.
1416
01:15:55,684 --> 01:15:57,084
ELLEN?
1417
01:15:58,153 --> 01:16:00,688
TWICE A WEEK
FOR MONTHS.
1418
01:16:00,690 --> 01:16:02,189
HOW DO YOU KNOW?
1419
01:16:03,692 --> 01:16:05,626
THE NEIGHBORS.
1420
01:16:06,862 --> 01:16:09,030
I DON'T EVEN HAVE TO KNOW
THE WOMAN,
1421
01:16:09,032 --> 01:16:10,865
AND SHE BETRAYS ME.
1422
01:16:10,867 --> 01:16:14,702
YOU'RE IN LOVE WITH HER, TOO.
THIS IS DISGUSTING.
1423
01:16:14,704 --> 01:16:17,038
CALM DOWN, LADY.
1424
01:16:17,040 --> 01:16:18,706
I DON'T EVEN KNOW HER.
1425
01:16:18,708 --> 01:16:20,875
WE WROTE EACH OTHER
A FEW NOTES.
1426
01:16:20,877 --> 01:16:23,344
I BUILT A WINDOW BOX
FOR A BASIL PLANT.
1427
01:16:23,346 --> 01:16:25,346
SHE WENT NUTS ON ME.
1428
01:16:26,682 --> 01:16:29,984
WELL, I'M GONNA KILL HIM.
AND THE WEDDING'S OFF.
1429
01:16:29,986 --> 01:16:33,321
[ CHUCKLES ]
SHUT UP.
1430
01:16:33,323 --> 01:16:36,023
YOU'RE UPSET.
1431
01:16:36,025 --> 01:16:37,992
YOUR FEELINGS ARE HURT.
1432
01:16:37,994 --> 01:16:41,329
TRY TO KEEP SOME PERSPECTIVE.
YOU LOVE THIS GUY.
1433
01:16:41,331 --> 01:16:43,331
HAVE YOU EATEN?
1434
01:16:43,333 --> 01:16:44,932
I THOUGHT I DID.
1435
01:16:46,702 --> 01:16:48,002
YOU LOVE HIM...
1436
01:16:48,004 --> 01:16:52,073
SO IF YOU WANT HIM BACK,
YOU'LL GET HIM BACK...
1437
01:16:53,342 --> 01:16:56,177
JUST AS LONG
AS YOU DON'T FREAK OUT.
1438
01:16:56,179 --> 01:16:59,046
SEX IS A LITTLE BIT
LIKE POLITICS.
1439
01:16:59,048 --> 01:17:02,049
THE INCUMBENT ALWAYS
HAS THE ADVANTAGE.
1440
01:17:03,185 --> 01:17:05,353
HOW ROMANTIC.
[ DISHES RATTLING ]
1441
01:17:05,355 --> 01:17:07,121
WHEN SOMETHINGLIKE THIS HAPPENS,
1442
01:17:07,123 --> 01:17:10,625
THE BEST THING YOU CAN DO
IS JUST ACCEPT IT.
1443
01:17:12,027 --> 01:17:16,330
IF YOU TRY TO MAKE HIM DO
SOMETHING THAT HE DOESN'T
WANT TO DO, HE'LL RESENT IT.
1444
01:17:16,332 --> 01:17:20,067
AND IT'LL COME UP LATER
SOMEHOW.
1445
01:17:22,337 --> 01:17:23,938
DID YOU COOK THIS?
1446
01:17:23,940 --> 01:17:27,708
LOOK, ALL
THAT I'M SAYING IS...
1447
01:17:27,710 --> 01:17:30,311
YOU CAN'T CHANGE
SOMEBODY...
1448
01:17:30,313 --> 01:17:32,346
NOT OVERNIGHT.
1449
01:17:32,348 --> 01:17:35,016
[ SIGHS ] IF YOU TAKE AWAY
HIS FREEDOM,
1450
01:17:35,018 --> 01:17:38,886
HE'LL FEEL IT --
CHOKED.
1451
01:17:38,888 --> 01:17:42,089
THAT'S PROBABLY WHY
HE KEPT THIS APARTMENT
IN THE FIRST PLACE.
1452
01:17:43,725 --> 01:17:47,194
IF YOU LET HIM CHOOSE,
HE'LL CHOOSE YOU.
1453
01:17:49,698 --> 01:17:52,700
BOY, SAM, I'LL BET YOU'RE REALLY
GOOD AT RELATIONSHIPS.
1454
01:17:52,702 --> 01:17:54,702
ME?
1455
01:17:54,704 --> 01:17:56,704
A GENIUS.
1456
01:17:56,706 --> 01:17:57,972
MMM.
1457
01:17:57,974 --> 01:18:00,875
THIS IS REALLY GOOD.
1458
01:18:00,877 --> 01:18:03,044
THANK YOU.
1459
01:18:03,046 --> 01:18:05,046
DO YOU HAVE WINE?
1460
01:18:05,048 --> 01:18:06,914
YEAH, SURE.
1461
01:18:23,198 --> 01:18:25,733
BRIAN,
YOU'RE AWAKE.
1462
01:18:25,735 --> 01:18:27,435
WE NEED TO TALK.
1463
01:18:31,006 --> 01:18:34,975
IT'S OKAY.
WE DON'T HAVE TO TALK.
1464
01:18:36,178 --> 01:18:39,880
WE'RE BOTH A LITTLE JUMPYTHESE DAYS,
1465
01:18:39,882 --> 01:18:41,048
AND, UH...
1466
01:18:41,050 --> 01:18:43,417
I THINK
IT'S ONLY NATURAL.
1467
01:18:46,855 --> 01:18:48,723
SHH.
UH-OH.
HERE HE COMES.
1468
01:18:48,725 --> 01:18:51,726
[ TELEPHONE RINGING,
INDISTINCT CONVERSATIONS ]
1469
01:18:51,728 --> 01:18:54,028
SO, UH, IF YOU COULD TELL
MR. JAMESON
1470
01:18:54,030 --> 01:18:56,363
WE CAN, UH, DO A LUNCH
1471
01:18:56,365 --> 01:18:59,366
AT, UH, 2:00 AT RAUL'S.
1472
01:18:59,368 --> 01:19:01,368
CUT IT OFF!
CUT IT OFF!
CUT IT OFF!
1473
01:19:01,370 --> 01:19:03,070
HUH!
WHOO-WHOO-WHOO!
1474
01:19:03,072 --> 01:19:04,905
WIGGY, WIGGY, WIGGY!
WIGGY, WIGGY, WIGGY!
1475
01:19:04,907 --> 01:19:06,073
[ LAUGHTER ]
1476
01:19:06,075 --> 01:19:07,908
WELL...
1477
01:19:07,910 --> 01:19:10,377
GUYS, YOU'VE, UH...
1478
01:19:10,379 --> 01:19:12,513
REALLY OUTDONE YOURSELVES
THIS TIME.
1479
01:19:12,515 --> 01:19:15,516
THIS IS REALLY, UH...
1480
01:19:15,518 --> 01:19:17,351
THOUGHTLESS.
1481
01:19:17,353 --> 01:19:20,521
[ LAUGHTER ]
MRS. WINKLER,
COULD YOU DISPOSE OF THIS?
1482
01:19:20,523 --> 01:19:24,191
A-AND ALSO,
I-I THINK IT'S TIME WE GOT...
1483
01:19:24,193 --> 01:19:26,527
RID OF THE LION'S DEN.
1484
01:19:26,529 --> 01:19:29,530
SO NOTIFY THE TENANTS.
1485
01:19:29,532 --> 01:19:30,898
Aaron: ELLEN?
1486
01:19:30,900 --> 01:19:32,533
SORRY.
THANKS.
1487
01:19:32,535 --> 01:19:34,769
THANKS FOR THE RUSH.
1488
01:19:34,771 --> 01:19:36,370
I GOT A REALLY BIG NIGHT
ON THE TOWN TONIGHT.
1489
01:19:36,372 --> 01:19:37,905
OH, YEAH, YOU WANT TO TAKE
MY WIFE?
1490
01:19:37,907 --> 01:19:39,907
SHE LIKES BIG NIGHTS
OUT ON THE TOWN.
1491
01:19:39,909 --> 01:19:41,208
RIGHT, MARTY?
1492
01:19:41,210 --> 01:19:43,043
UH...
[ CHUCKLES ]
1493
01:19:43,045 --> 01:19:45,379
ALL RIGHT, THANKS.
1494
01:19:45,381 --> 01:19:47,381
[ DOOR OPENS ]
1495
01:19:47,383 --> 01:19:48,916
Woman: HI.HI.
1496
01:19:48,918 --> 01:19:52,052
I SPILLED SOME WINE.
I'M AFRAID IT'S RUINED.
1497
01:19:52,054 --> 01:19:53,087
HI, AARON.
1498
01:19:53,089 --> 01:19:54,355
HI, SUZANNE.
HOW ARE YOU?
1499
01:19:54,357 --> 01:19:55,990
GOOD.
1500
01:19:55,992 --> 01:19:59,026
YOU ARE SO LUCKY
TO HAVE HIM.
1501
01:20:01,530 --> 01:20:02,963
ANYWAY, IT'S, UH --
1502
01:20:02,965 --> 01:20:05,132
I THINK IT'LL COME OUT.
NO ONE WILL NOTICE.
1503
01:20:05,134 --> 01:20:08,369
YOU SEE HOW SHE THINKS, MARTY?
ELLEN, THIS IS SILK.
1504
01:20:08,371 --> 01:20:13,040
DON'T LISTEN TO HER PROMISES.
WE CAN TOUCH IT UP.
IT WON'T GO AWAY.
1505
01:20:13,042 --> 01:20:15,176
HE'S SO HONEST.
1506
01:20:17,078 --> 01:20:18,212
THANK YOU.
1507
01:20:18,214 --> 01:20:20,214
SEE YOU.
BYE.
1508
01:20:20,216 --> 01:20:23,050
ELLEN, IF IT'S RUINED,
TELL THEM IT'S RUINED.
1509
01:20:23,052 --> 01:20:24,985
MY WIFE...
1510
01:20:24,987 --> 01:20:26,387
THINKS SHE
CAN FIX EVERYTHING.
1511
01:20:26,389 --> 01:20:29,089
EVERYTHING
CAN BE FIXED.
1512
01:20:31,593 --> 01:20:34,562
Aaron: OH! I KNEW WE SHOULD
HAVE TAKEN NORTHERN BOULEVARD.
1513
01:20:34,564 --> 01:20:36,263
Ellen:AARON, IT HAPPENS.
1514
01:20:36,265 --> 01:20:38,899
WE TOOK A WRONG TURN,
AND WE'RE STUCK IN TRAFFIC.
1515
01:20:38,901 --> 01:20:40,067
RIGHT. RIGHT.
1516
01:20:40,069 --> 01:20:41,435
FAST.
1517
01:20:41,437 --> 01:20:43,137
RIGHT?
RIGHT, FAST.
1518
01:20:43,139 --> 01:20:44,905
IT'S MOVING NOW.
1519
01:20:44,907 --> 01:20:46,073
ALL RIGHT.MOVE.
1520
01:20:46,075 --> 01:20:47,074
ALL RIGHT!RIGHT L--
1521
01:20:47,076 --> 01:20:48,375
[ SCOFFS ]
1522
01:20:48,377 --> 01:20:50,144
NO, YOU MISSED IT.
1523
01:20:50,146 --> 01:20:52,279
YOU MISSED IT.
1524
01:20:52,281 --> 01:20:55,049
OH, THIS IS GREAT.
1525
01:20:55,051 --> 01:20:57,051
I TOLD YOU THE RIGHT LANE.
YOU DON'T LISTEN.
1526
01:20:57,053 --> 01:20:58,385
YOU'RE SO STUPID.
1527
01:20:58,387 --> 01:21:00,454
WHY DON'T YOULET ME DRIVE?
1528
01:21:02,390 --> 01:21:03,557
NOW WHAT?
1529
01:21:03,559 --> 01:21:05,059
YOU WANT TO DRIVE?
1530
01:21:05,061 --> 01:21:06,393
[ TIRES SCREECH ]
1531
01:21:06,395 --> 01:21:08,462
DRIVE.
1532
01:21:15,570 --> 01:21:18,138
[ TIRES SCREECH ]
1533
01:21:45,934 --> 01:21:49,003
[ TRAIN RATTLING ]
1534
01:21:56,244 --> 01:21:58,078
[ INDISTINCT CONVERSATIONS,
UP-TEMPO DANCE MUSIC PLAYS ]
1535
01:21:58,080 --> 01:22:00,915
FELLAS, FELLAS, FELLAS,
IT'S A PRIVATE PARTY.
1536
01:22:00,917 --> 01:22:02,116
GET BENT, MAN.
1537
01:22:02,118 --> 01:22:03,918
I THINK YOU'RE
A COWBOY...
1538
01:22:03,920 --> 01:22:07,221
SAMUEL, ONE CODEPENDENTS
ANONYMOUS MEETING, JUST ONE.
1539
01:22:07,223 --> 01:22:10,057
LOOK WHAT IT'S DONE
FOR ME.
1540
01:22:10,059 --> 01:22:11,225
SHIT!
UH-OH!
1541
01:22:11,227 --> 01:22:13,060
CLUB-SODA STAIN.
1542
01:22:13,062 --> 01:22:14,561
BETTER GET
A LITTLE RED WINE.
1543
01:22:14,563 --> 01:22:17,498
IT'LL LIFT THAT CLUB SODA
RIGHT OUT OF THERE.
1544
01:22:20,068 --> 01:22:22,069
PASTEL.
1545
01:22:22,071 --> 01:22:24,071
OH, SAMMY!
SAMMY!
1546
01:22:24,073 --> 01:22:25,940
HOW THE HELL
ARE YOU?
[ CHUCKLES ]
1547
01:22:25,942 --> 01:22:28,409
OH, DO YOU HAVE
MY VCR TAPE?
1548
01:22:28,411 --> 01:22:30,577
OH, JEEZ, I-I DIDN'T KNOW
1549
01:22:30,579 --> 01:22:33,080
THAT YOU WERE GONNA BE AT THE
GALLERY, SO I DIDN'T BRING IT.
1550
01:22:33,082 --> 01:22:34,448
BUT I HAVE IT,
1551
01:22:34,450 --> 01:22:37,584
AND I'M SURE THAT I CAN GET IT
TO YOU SOME OTHER TIME.
1552
01:22:37,586 --> 01:22:40,087
[ MUSIC CONTINUES ]
1553
01:22:40,089 --> 01:22:41,588
AAH!
1554
01:22:43,024 --> 01:22:44,058
I'M OVER HER.
1555
01:22:44,060 --> 01:22:46,093
YOU'RE BETTER OFF.
1556
01:22:46,095 --> 01:22:48,095
WHAT?
YOU'RE BETTER OFF.
1557
01:22:48,097 --> 01:22:49,730
YEAH.
1558
01:22:49,732 --> 01:22:53,067
UH, COME, SAMMY.
1559
01:22:53,069 --> 01:22:55,069
LET'S DANCE.
1560
01:22:55,071 --> 01:22:58,639
OH. I DON'T KNOW IF --
AAH! OW! OW! OW! OW!
1561
01:22:58,641 --> 01:23:01,108
EXCUSE ME.
OW!
1562
01:23:01,110 --> 01:23:04,111
COME. COME, COME, COME, COME.
COME ON.
1563
01:23:04,113 --> 01:23:05,079
COME, COME.
1564
01:23:05,081 --> 01:23:07,314
I'M KIND OF DRUNK,
PASTEL.
1565
01:23:07,316 --> 01:23:11,118
I DON'T THINK
THIS IS A GOOD IDEA.
YES, IT IS.
1566
01:23:14,122 --> 01:23:15,422
BARK, BARK.
1567
01:23:15,424 --> 01:23:18,392
[ LAUGHS ] COME ON.
1568
01:23:18,394 --> 01:23:21,228
WHOO!
[ CHUCKLES ]
1569
01:23:21,230 --> 01:23:23,998
PASTEL,YOU CAN'T DO THIS.WHY NOT?
1570
01:23:24,000 --> 01:23:25,566
COME ON, STOP.
1571
01:23:25,568 --> 01:23:27,234
UH...
1572
01:23:27,236 --> 01:23:29,103
NO, NO, NO.
GET UP. YOU CAN'T --
1573
01:23:29,105 --> 01:23:30,337
GET UP.
OOH-WHEE!
1574
01:23:30,339 --> 01:23:32,106
YOU CAN'T KEEP
PICKING PEOPLE UP
1575
01:23:32,108 --> 01:23:33,540
AND USING THEM
WHENEVER YOU WANT TO.
1576
01:23:33,542 --> 01:23:36,543
OH!
SINCE WHEN?
1577
01:23:38,146 --> 01:23:41,148
SAMMY, WHY ARE YOUSO SERIOUS?
1578
01:23:41,150 --> 01:23:43,050
PASTEL.
JUST CUT THE SHIT, PASTEL!
1579
01:23:43,052 --> 01:23:44,618
IT'S ENOUGH!
AAH!
1580
01:23:44,620 --> 01:23:46,186
AAH!
1581
01:24:04,105 --> 01:24:06,573
AAH! OH!
1582
01:24:09,744 --> 01:24:11,445
GOODBYE, PASTEL.
1583
01:24:15,083 --> 01:24:18,752
BYE...EVERYBODY.
1584
01:24:18,754 --> 01:24:21,588
IT'S BEEN A GREAT PARTY.
1585
01:24:21,590 --> 01:24:24,258
SEE YOU, KIDS.
1586
01:24:24,260 --> 01:24:25,626
BYE.
1587
01:24:27,429 --> 01:24:29,263
[ CHUCKLES ]
1588
01:24:29,265 --> 01:24:31,732
OH, MERCI.
1589
01:24:34,102 --> 01:24:36,537
[ DOG BARKING ]
1590
01:24:42,777 --> 01:24:44,445
IT'S OKAY.
1591
01:24:44,447 --> 01:24:47,114
SO I'M ALONE NOW.
1592
01:24:47,116 --> 01:24:50,250
LOTS OF PEOPLE ARE ALONE,
AND THEY LOVE IT.
1593
01:24:50,252 --> 01:24:53,120
HERMITS ARE ALONE.
1594
01:24:53,122 --> 01:24:55,589
MASS MURDERERS.
1595
01:24:55,591 --> 01:24:57,257
POSTAL CLERKS.
1596
01:24:57,259 --> 01:24:59,126
IT'S NOT SO BAD.
1597
01:24:59,128 --> 01:25:00,494
[ THUD ]
1598
01:25:06,768 --> 01:25:09,103
AT LEAST
I'VE GOT THE PLACE.
1599
01:25:12,140 --> 01:25:13,774
THE HEARTH.
1600
01:25:15,276 --> 01:25:17,778
THE SANCTUARY.
1601
01:25:17,780 --> 01:25:19,847
[ WHIRRING ]
1602
01:25:23,151 --> 01:25:24,451
HMM.
1603
01:25:24,453 --> 01:25:27,621
"EVICTION NOTICE.
1604
01:25:27,623 --> 01:25:29,256
"AMIGOS...
1605
01:25:29,258 --> 01:25:32,593
"OUR NOBLE EXPERIMENT
HAS COME TO AN END.
1606
01:25:32,595 --> 01:25:36,263
"THANKS FOR SHARING WITH ME.
BRIAN.
1607
01:25:36,265 --> 01:25:41,201
P.S. PLEASE HAVE
ALL YOUR STUFF OUT BY MONDAY."
1608
01:25:43,905 --> 01:25:47,441
[ SIGHS ]
"THANKS FOR SHARING WITH ME."
1609
01:25:47,443 --> 01:25:48,909
OH, GREAT.
1610
01:25:48,911 --> 01:25:51,445
JUST GREAT.
1611
01:25:51,447 --> 01:25:53,447
ONE DAY LEFT...
1612
01:25:53,449 --> 01:25:55,516
NO GIRL.
1613
01:25:55,518 --> 01:25:57,184
NO FOOD.
1614
01:26:02,290 --> 01:26:04,258
NO BRANDY.
1615
01:26:10,932 --> 01:26:12,766
INGA!
1616
01:26:12,768 --> 01:26:14,835
[ WHIRRING CONTINUES ]
1617
01:26:16,604 --> 01:26:18,505
I SHOULD PACK.
1618
01:26:19,440 --> 01:26:21,441
OH, FORGET IT.
1619
01:26:21,443 --> 01:26:23,210
GO TO SLEEP.
1620
01:26:26,447 --> 01:26:28,949
IN THE MORNING...
1621
01:26:28,951 --> 01:26:31,285
EVERYTHING...
[ GRUNTS ]
1622
01:26:31,287 --> 01:26:34,188
IS GOING TO LOOK
A LOT WORSE.
1623
01:26:35,290 --> 01:26:37,291
AH.
1624
01:26:37,293 --> 01:26:39,526
[ WHIRRING STOPS ]
1625
01:27:15,964 --> 01:27:18,532
[ INDISTINCT CONVERSATIONS ]
1626
01:27:53,935 --> 01:27:56,003
[ GROANS ]
1627
01:28:04,312 --> 01:28:05,646
[ THUD ]
1628
01:28:05,648 --> 01:28:07,314
FUCK.
1629
01:28:11,653 --> 01:28:13,887
[ WATER RUNS, STOPS ]
1630
01:28:38,946 --> 01:28:41,481
HEY.
EXCUSE ME.
1631
01:28:41,483 --> 01:28:44,985
WHO ARE YOU?
WHAT ARE YOU DOING HERE?
1632
01:28:44,987 --> 01:28:47,321
[ SIGHS ]
I'M SORRY.
1633
01:28:47,323 --> 01:28:50,490
MY GRANDMOTHER
MADE THIS.
1634
01:28:50,492 --> 01:28:52,993
IT'S NICE.
I...
1635
01:28:52,995 --> 01:28:56,663
[ SIGHS ]
I USE IT WHEN I'M HERE.
1636
01:28:56,665 --> 01:28:58,065
OH, GREAT.
1637
01:28:58,067 --> 01:29:00,467
DO YOU ALSO READ MY MAIL?
1638
01:29:01,636 --> 01:29:04,037
LOOK, I'M SORRY.
I-I-I-I WAS...
1639
01:29:04,039 --> 01:29:05,706
[ SIGHS ]
1640
01:29:05,708 --> 01:29:08,408
I WAS STUCK IN THE CITY,
AND I-I TRIED TO CALL MY SISTER,
1641
01:29:08,410 --> 01:29:10,644
AND SHE WASN'T HOME, ANDTHEN I DIDN'T HAVE ANYPLACEELSE TO GO, SO I --
1642
01:29:10,646 --> 01:29:12,112
SAVE IT,
SAVE IT, SAVE IT.
1643
01:29:12,114 --> 01:29:13,914
[ SIGHS ]
1644
01:29:13,916 --> 01:29:15,749
I'M ELLEN.
1645
01:29:15,751 --> 01:29:17,951
OH...
1646
01:29:17,953 --> 01:29:20,454
YOU'RE ELLEN --
1647
01:29:20,456 --> 01:29:22,823
THE CRAZY PAINTER LADY
WHO YELLED AT ME
1648
01:29:22,825 --> 01:29:25,659
BECAUSE I PUT YOUR BASIL PLANT
IN A WINDOW BOX
1649
01:29:25,661 --> 01:29:27,794
THAT I BUILT
ALL BY MYSELF.
1650
01:29:27,796 --> 01:29:30,597
NO, NO, YOU SEE, I THOUGHT
BRIAN MADE THE BOXES AND --
1651
01:29:30,599 --> 01:29:34,134
BRIAN'S THE GUY WHO TREATED
YOUR PLANTS LIKE DIRT,
1652
01:29:34,136 --> 01:29:36,002
SO YOU SLEPT WITH HIM.
1653
01:29:36,004 --> 01:29:38,605
I'M THE GUY WHO LEFT THE NOTES
AND LEFTOVERS
1654
01:29:38,607 --> 01:29:40,073
AND DID STUFF
AROUND THE HOUSE,
1655
01:29:40,075 --> 01:29:41,942
SO YOU TREATED MELIKE DIRT.
1656
01:29:41,944 --> 01:29:43,877
THAT'S NOT FAIR.
ARE YOU CRAZY?
1657
01:29:43,879 --> 01:29:46,913
I KNOW IT'S NOT FAIR.
IT'S WHAT YOU DID.
1658
01:29:46,915 --> 01:29:49,649
YEAH, WELL,
YOU'RE NOT...
GET MAD AT ME
ABOUT IT.
1659
01:29:49,651 --> 01:29:51,518
LISTENING TO ME.
1660
01:29:51,520 --> 01:29:53,120
WHY DON'T MEN
EVER LISTEN?
1661
01:29:53,122 --> 01:29:55,489
[ KNOCK ON DOOR ]
GO AWAY.
1662
01:29:55,491 --> 01:29:57,124
COME IN.
[ HUMMING ]
1663
01:29:57,126 --> 01:29:58,825
WHO IS IT?
1664
01:29:58,827 --> 01:30:01,027
[ HUMMING CONTINUES ]
1665
01:30:01,963 --> 01:30:03,764
WHO IS THIS CLOWN?
1666
01:30:03,766 --> 01:30:07,134
DARTMOUTH,
CLASS OF '84.
DARTMOUTH,
CLASS OF '84.
1667
01:30:07,136 --> 01:30:09,136
BRIAN, MEET SAM --
THE WOMAN-HATER.
1668
01:30:09,138 --> 01:30:11,872
OH, HEY.
NICE TO MEET YOU.
1669
01:30:11,874 --> 01:30:13,974
SORRY TO BURST IN ON YOU
TWO LOVEBIRDS, BUT, UH...
1670
01:30:13,976 --> 01:30:15,675
[ CHUCKLES ]
1671
01:30:15,677 --> 01:30:17,511
FORGOT MY TUX.
1672
01:30:17,513 --> 01:30:19,079
AHH.
1673
01:30:19,081 --> 01:30:21,648
I DON'T WANT TO KEEP MY LITTLE
GIRL WAITING AT THE ALTAR,
1674
01:30:21,650 --> 01:30:22,816
YOU KNOW WHAT I MEAN?
1675
01:30:22,818 --> 01:30:25,018
HEY,
CAN YOU TIE THIS?
1676
01:30:26,120 --> 01:30:28,555
YEAH, SURE.
WHY NOT?
OH, THANKS.
1677
01:30:31,492 --> 01:30:34,094
ANYTHING HE SAYS --
SEE WHAT I MEAN?
1678
01:30:35,830 --> 01:30:37,063
WHAT'S HIS PROBLEM?
1679
01:30:37,065 --> 01:30:38,665
WHAT'S MY PROBLEM?
1680
01:30:38,667 --> 01:30:41,001
YOU'RE THROWING ME OUT
ON THE STREET WITH NO NOTICE.
1681
01:30:41,003 --> 01:30:42,969
I DON'T KNOW
WHAT HER PROBLEM IS.
1682
01:30:42,971 --> 01:30:45,972
WELL, I'M SORRY, COMPADRES,
BUT, UH...
1683
01:30:45,974 --> 01:30:48,208
YOU GOT TO DO
WHAT YOU GOT TO DO.
1684
01:30:49,844 --> 01:30:51,144
KNOW WHAT I MEAN?
1685
01:30:51,146 --> 01:30:53,680
THANKS, BABE.
1686
01:30:53,682 --> 01:30:55,015
MMM.
1687
01:30:55,017 --> 01:30:56,750
[ CHUCKLING ]
1688
01:30:58,019 --> 01:30:59,519
ADIOS, AMIGOS.
1689
01:30:59,521 --> 01:31:01,521
[ Imitating Brian ]
TAKE CARE, MAN.
1690
01:31:02,690 --> 01:31:05,659
[ DOOR CLOSES ]
WELL, LISTEN, I'M SORRY
THAT I YELLED AT YOU BEFORE.
1691
01:31:05,661 --> 01:31:07,594
BUT I'M...
1692
01:31:07,596 --> 01:31:09,129
I...
1693
01:31:09,997 --> 01:31:12,165
HOW CAN YOU SLEEP
WITH A GUY LIKE THAT?
1694
01:31:12,167 --> 01:31:13,967
YOU IDIOT!
1695
01:31:13,969 --> 01:31:15,702
I DIDN'T MEAN TO SLEEP
WITH HIM!
1696
01:31:15,704 --> 01:31:17,237
I MEANT TO SLEEP WITH YOU!
1697
01:31:17,239 --> 01:31:18,939
[ SIGHS ]
1698
01:31:21,742 --> 01:31:23,143
OH, WELL...
1699
01:31:23,145 --> 01:31:25,512
WELL, THAT'S OKAY.
YOU DON'T HAVE TO SAY THAT.
1700
01:31:25,514 --> 01:31:26,847
NO. WELL, I DID.
1701
01:31:26,849 --> 01:31:28,682
I BOUGHT CLOTHES.
1702
01:31:28,684 --> 01:31:31,785
AND I BOUGHT GOOD FOOD,
'CAUSE I KNOW YOU LIKE FOOD.
1703
01:31:31,787 --> 01:31:34,154
AND I EVEN
BOUGHT CAVIAR.
1704
01:31:34,156 --> 01:31:36,223
[ SIGHS ]
1705
01:31:40,695 --> 01:31:43,864
CHINESE CAVIAR?
[ LAUGHS ]
YES.
1706
01:31:43,866 --> 01:31:46,833
I JUST...
1707
01:31:46,835 --> 01:31:50,036
HAD THE DAYS CONFUSED,
AND...
1708
01:31:51,973 --> 01:31:53,073
[ DOOR OPENS ]
1709
01:31:53,075 --> 01:31:55,141
OOPS.
I'M SORRY.
1710
01:31:55,143 --> 01:31:58,245
LISTEN, GUYS, YOU KNOW,
I JUST REALIZED SOMETHING.
1711
01:31:59,847 --> 01:32:03,183
JUST 'CAUSE I'M GIVING UP
THE PLACE DOESN'T MEAN, UH...
1712
01:32:04,151 --> 01:32:07,153
I'LL TELL MRS. WINKLER TO SUBLET
IT TO THE TWO OF YOU...
1713
01:32:07,155 --> 01:32:08,688
FOR A WHILE.
1714
01:32:08,690 --> 01:32:10,524
UH, BRIAN?
1715
01:32:10,526 --> 01:32:13,527
HEY, PAL,
LET ME GIVE YOU A TIP.
1716
01:32:13,529 --> 01:32:15,996
ONE DRINK,
AND SHE'S YOURS.
1717
01:32:15,998 --> 01:32:17,697
[ CLICKING TONGUE ]
1718
01:32:17,699 --> 01:32:20,033
[ LAUGHS ]
1719
01:32:20,035 --> 01:32:21,001
ARRIVEDERCI!
1720
01:32:21,003 --> 01:32:22,636
YEAH!
1721
01:32:22,638 --> 01:32:23,904
[ DOOR CLOSES ]
1722
01:32:23,906 --> 01:32:26,706
Men:WIGGY, WIGGY, WIGGY, WIGGY!
1723
01:32:37,685 --> 01:32:40,020
HE'S NOT SUCH
A BAD GUY.
1724
01:32:46,694 --> 01:32:49,029
MAYBE I FOUND
A BETTER GUY.
1725
01:32:54,702 --> 01:32:55,869
I'M SAM.
1726
01:32:55,871 --> 01:32:57,771
[ LAUGHS ]
1727
01:33:06,013 --> 01:33:08,014
I'M ELLEN.
1728
01:33:08,016 --> 01:33:10,650
[ DR. JOHN'S
"MORE THAN YOU KNOW" PLAYS ]
1729
01:33:23,030 --> 01:33:26,700
♪ MORE THAN YOU KNOW
1730
01:33:28,169 --> 01:33:31,171
♪ MORE THAN YOU KNOW
1731
01:33:32,340 --> 01:33:35,041
♪ GIRL OF MY HEART
1732
01:33:35,043 --> 01:33:39,879
♪ I LOVE YOU SO
1733
01:33:39,881 --> 01:33:44,718
♪ LATELY I FIND
1734
01:33:44,720 --> 01:33:48,355
♪ YOU'RE ON MY MIND
1735
01:33:48,357 --> 01:33:52,092
♪ MORE THAN YOU KNOW
1736
01:33:57,698 --> 01:34:01,101
♪ WHETHER YOU'RE RIGHT
1737
01:34:02,003 --> 01:34:05,005
♪ WHETHER YOU'RE WRONG
1738
01:34:06,340 --> 01:34:10,010
♪ GIRL OF MY HEART
1739
01:34:10,012 --> 01:34:14,014
♪ I'LL STRING ALONG
1740
01:34:14,016 --> 01:34:17,250
♪ YOU NEED ME SO
1741
01:34:18,886 --> 01:34:25,692
♪ MORE THAN YOU'LL EVER KNOW
1742
01:34:29,897 --> 01:34:32,332
[ YA KID K.'s
"COME BACK HOME" PLAYS ]
1743
01:34:32,334 --> 01:34:36,169
♪ STILL PICKING
1744
01:34:36,171 --> 01:34:38,872
♪ UP THE PIECES OF MY HEART
1745
01:34:38,874 --> 01:34:41,708
♪ PICKING UP THE PIECESOF MY HEART ♪
1746
01:34:41,710 --> 01:34:44,344
♪ WHERE IS THE MISSING PART?
1747
01:34:44,346 --> 01:34:46,713
♪ YOU BROKE IT OFF
1748
01:34:46,715 --> 01:34:52,185
♪ YOUR NAME IS ENGRAVEDIN MY SOUL ♪
1749
01:34:52,187 --> 01:34:54,721
♪ YOUR NAME IS ENGRAVEDIN MY SOUL ♪
1750
01:34:54,723 --> 01:34:57,891
♪ DEEP DOWN INSIDE
1751
01:34:57,893 --> 01:35:01,728
♪ STILL FEEL THE PASSIONYOU NO LONGER SHOW ♪
1752
01:35:01,730 --> 01:35:05,031
♪ SO WHAT DO I DOWITH THE THOUGHT OF YOU? ♪
1753
01:35:05,033 --> 01:35:08,201
♪ JUST CAN'T GET YOUOFF MY MIND ♪
1754
01:35:08,203 --> 01:35:10,370
♪ LET ME REMIND YOU
1755
01:35:10,372 --> 01:35:15,709
♪ TRUE LOVE LIKE MINE,AIN'T NO OTHER PLACE TO FIND ♪
1756
01:35:15,711 --> 01:35:18,878
♪ HEAD OVER HEELS,SOMETHING'S WRONG ♪
1757
01:35:18,880 --> 01:35:22,048
♪ PUPPY LOVE, IT CAN'T BE,IT'S MUCH TOO STRONG ♪
1758
01:35:22,050 --> 01:35:27,887
♪ NOW YOU KNOW HOW IT FEELS IFYOU STILL REMEMBER LONG AGO ♪
1759
01:35:27,889 --> 01:35:29,889
♪ YES, YOU KNOW
1760
01:35:29,891 --> 01:35:33,727
♪ I'VE BEEN TRYING,TRYING HARD FOR SO LONG ♪
1761
01:35:33,729 --> 01:35:37,063
♪ TO LET THE BYGONESBE BYGONES ♪
1762
01:35:37,065 --> 01:35:39,733
♪ BUT IT'S A FEELINGI CAN'T BEAR ♪
1763
01:35:39,735 --> 01:35:42,135
♪ AND I'LL ALWAYS BEWAITING THERE ♪
1764
01:35:42,137 --> 01:35:47,040
♪ FOR YOU TO COME BACK HOME
1765
01:35:58,018 --> 01:36:01,521
♪ TIME AND AGAINI TRY TO FADE AWAY ♪
1766
01:36:01,523 --> 01:36:04,958
♪ MEMORIES OF YOU AND ME
1767
01:36:04,960 --> 01:36:09,028
♪ BUT AIN'T NO USE,AIN'T NO USE ♪
1768
01:36:09,030 --> 01:36:12,198
♪ AIN'T NO USE,AIN'T NO USE ♪
1769
01:36:12,200 --> 01:36:16,069
♪ I'D HAVE SAID, "GIVE IT ALITTLE MORE THOUGHT AND TIME" ♪
1770
01:36:16,071 --> 01:36:20,907
♪ BUT KEEPING MYSELF ON A LINEWOULDN'T MAKE YOU MINE ♪
1771
01:36:20,909 --> 01:36:23,376
♪ AND AS LONG AS YOU'RE HAPPY
1772
01:36:23,378 --> 01:36:26,379
♪ I SHOULD BE FINE
1773
01:36:26,381 --> 01:36:29,916
♪ SO WHAT DO I DOWITH THE THOUGHT OF YOU? ♪
1774
01:36:29,918 --> 01:36:33,219
♪ JUST CAN'T SEEM TO DRYMY TEARS ♪
1775
01:36:33,221 --> 01:36:37,056
♪ SO WHAT DO I DOWITH THE THOUGHT OF YOU? ♪
1776
01:36:37,058 --> 01:36:40,026
♪ TO FORGET YOUIS MY GREATEST FEAR ♪
1777
01:36:40,028 --> 01:36:42,896
♪ I'D LOSE MY BRAINAND GO INSANE ♪
1778
01:36:42,898 --> 01:36:46,065
♪ IF YOU'D MAKE MEWAIT IN VAIN ♪
1779
01:36:46,067 --> 01:36:50,036
♪ SO TELL ME SOMETHING, BABY
1780
01:36:50,038 --> 01:36:53,139
♪ JUST TO EASE THE PAIN
1781
01:36:54,208 --> 01:36:57,911
♪ HEAD OVER HEELS,SOMETHING'S WRONG ♪
1782
01:36:57,913 --> 01:37:01,080
♪ PUPPY LOVE, IT CAN'T BE,IT'S MUCH TOO STRONG ♪
1783
01:37:01,082 --> 01:37:06,920
♪ NOW YOU KNOW HOW IT FEELS IFYOU STILL REMEMBER LONG AGO ♪
1784
01:37:06,922 --> 01:37:08,922
♪ YES, YOU KNOW
1785
01:37:08,924 --> 01:37:12,559
♪ I'VE BEEN TRYING,TRYING HARD FOR SO LONG ♪
1786
01:37:12,561 --> 01:37:16,095
♪ TO LET THE BYGONESBE BYGONES ♪
1787
01:37:16,097 --> 01:37:18,565
♪ BUT IT'S A WANTTHAT I CAN'T BEAR ♪
1788
01:37:18,567 --> 01:37:21,034
♪ AND I'LL ALWAYS BEWAITING THERE ♪
1789
01:37:21,036 --> 01:37:25,572
♪ FOR YOU TO COME BACK HOME
1790
01:37:43,390 --> 01:37:45,558
♪ COME BACK HOME
1791
01:37:45,560 --> 01:37:48,094
♪ COME BACK HOME
1792
01:37:51,098 --> 01:37:54,234
♪ HEAD OVER HEELS,SOMETHING'S WRONG ♪
1793
01:37:54,236 --> 01:37:57,237
♪ PUPPY LOVE, IT CAN'T BE,IT'S MUCH TOO STRONG ♪
1794
01:37:57,239 --> 01:38:03,209
♪ NOW YOU KNOW HOW IT FEELS IFYOU STILL REMEMBER LONG AGO ♪
1795
01:38:03,211 --> 01:38:05,211
♪ YES, YOU KNOW
1796
01:38:05,213 --> 01:38:09,015
♪ I'VE BEEN TRYING,TRYING HARD FOR SO LONG ♪
1797
01:38:09,017 --> 01:38:12,218
♪ TO LET THE BYGONESBE BYGONES ♪
1798
01:38:12,220 --> 01:38:15,054
♪ BUT IT'S A WANTTHAT I CAN'T BEAR ♪
1799
01:38:15,056 --> 01:38:19,058
♪ AND I'LL ALWAYS BE WAITINGTHERE FOR YOU TO COME BACK ♪
1800
01:38:19,060 --> 01:38:21,461
♪ HEAD OVER HEELS...
116867
Can't find what you're looking for?
Get subtitles in any language from opensubtitles.com, and translate them here.
Afrikaans
Akan
Albanian
Amharic
Arabic
Armenian
Azerbaijani
Basque
Belarusian
Bemba
Bengali
Bihari
Bosnian
Breton
Bulgarian
Cambodian
Catalan
Cebuano
Cherokee
Chichewa
Chinese (Simplified)
Chinese (Traditional)
Corsican
Croatian
Czech
Danish
Dutch
English
Esperanto
Estonian
Faroese
Finnish
Galician
Georgian
German
Greek
Guarani
Haitian Creole
Hausa
Hawaiian
Hebrew
Hmong
Hungarian
Icelandic
Indonesian
Irish
Italian
Japanese
Kazakh
Kinyarwanda
Kirundi
Kongo
Korean
Krio (Sierra Leone)
Kurdish
Kyrgyz
Laothian
Latin
Latvian
Lithuanian
Luganda
Luo
Luxembourgish
Macedonian
Malagasy
Malay
Maltese
Maori
Mauritian Creole
Moldavian
Mongolian
Myanmar (Burmese)
Montenegrin
Nepali
Norwegian
Pashto
Persian
Polish
Portuguese (Portugal)
Quechua
Romanian
Romansh
Russian
Samoan
Scots Gaelic
Serbian
Sesotho
Setswana
Seychellois Creole
Shona
Sindhi
Sinhalese
Slovak
Slovenian
Somali
Spanish (Latin American)
Swedish
Tajik
Thai
Tigrinya
Tonga
Turkish
Turkmen
Ukrainian
Uzbek
Vietnamese
Welsh
Wolof