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Honey, go film over there.

What?

Film out of the window and pan to me.

Now he's bossing me around. You can see my reflection.

You're in this film, too.

Yes.

- Did you sleep well? - Yes.

- Hi. - Hi. Mummy's filming.

Mummy's filming.

This is our new house.

- Hi! - Hi.

Do you like living in our new, huge apartment?

We're going to be in Bangkok for six months.

Jang is shooting his next movie,

and I've agreed to document it.

This is new, to be with him while he is shooting.

Last time I stayed home with the kids.

That was ten months,

and it was just too hard to be apart.

But I think it is a huge decision to go with him,

and take the kids out of school

and go live in Bangkok, which is so far away.

But it's not an option for Jang to stay in Denmark and shoot there.

Why should he, when his career abroad is going so well?

- Were you sad? - And then I went into the hole...

- Lola is Skyping. - Can I say something?

Your shorts had fallen down into that hole,

- and I had to climb down to get them. - What?

That hole, before you fall down...

Lola, you are not allowed to climb down.

No, but it was to get your shorts!

- You come and get one of us, then. - You climbed outside on the 42nd floor?

- Yeah! - You're living on the edge.

Let me just show it to Jang really quickly.

- And then I went down there... - You must never do that, Lola!

- But they would've blown away! - It's okay if they blow away.

- What did you do? - You must never climb over this.

- Did you climb over that? - Yes, she is quite the acrobat.

But Lola, you can never climb over these, you understand?

Let's go inside to Clara. And they're waiting on Skype.

Why hang laundry out here? It's dangerous for the kids.

Can't we hang the laundry someplace else, so she won't do that again?

It was you who wanted to live on the 42nd floor.

But it's a very nice view.

I've discovered that it's like playing chess.

I only have so many scenes to change around,

because I don't want any more scenes. I can't afford them.

I have to find out how I make the most of these scenes.

It's like being black and white. The audience is black and I'm white.

So I make the first move.

Is the audience bored now?

Second move. Are they bored? Do they get it?

Those are things I consider until I deliver a checkmate.

Or maybe they don't like the film. Then I'm checkmate.

Are you making any progress?

Yes, but I don't think it'll be as commercial as Drive.

That's what...

And you're saying...

I'm saying that it probably won't be as commercial as Drive...

...and then I know that everyone will be on my back.

I don't think it will be as commercial as Drive either.

But that's a conscious choice you made, right?

Yes, but the audience is of a different opinion.

They want more of the same.

It doesn't matter how many times you tell them, they still think that...

He's asking if you think it'll be any good. It's the movie up there.

Mum, can you help me?

- How much is it? - In Danish kroner? 200,000.

90, 91, 92, 93, 94,

95, 96, 97, 98, 99, 100.

I'm worried about whether the story of Ryan and the girl will work.

I understand.

Why do you understand that?

Because it has to be done right.

So you don't think it works either?

- I didn't say that. - Yes, you did.

That's what you're saying when you say you understand it.

I understand that you're worried about it.

Those are the extras.

Why is there so much stuff, Johnny?

Why does it have to be so vast?

How did it go yesterday?

It went okay.

Not really or what?

Yes, it was okay. It's just that...

I've spent three years on this movie,

and I don't really know what it's about.

But you seemed so enthusiastic yesterday.

I have to. Right?

I can't show fear, doubt, nervousness...

Must be calm, when everybody else...

The only thing you can do is make it different.

I think you're doing that.

You always do that.

Why are you nervous about people's expectations?

It's because when you read the blogs and distributors are talking

about us being a classic duo...

You can't possibly live up to that.

With Drive there weren't any expectations.

I'm the guy who made Drive.

For many years you were the guy who made Pusher.

Every time you make a film, people will also watch your older films.

Yes, but Lars isn't the guy who made Breaking the Waves.

No...

What do we do with LizzieLou when she comes home?

Where will they go?

You're finished by six.

- Yes, she'll be home by two. - They'll go down to the water.

Should we get some sleep?

I just need to wind down a bit.

And think about today's problems and tomorrow's problems.

And the day after tomorrow's and next week's.

You do that while watching a film?

Yes.

- Why are you in a bad mood? - Honey...

Because sometimes I need a little love, too.

- I'm not a machine. - Oh, please.

Why do you say that? What are you complaining about?

- I'm not complaining. - I do show you love.

You don't show me any love either.

I show you plenty.

You're working all the time. I have to work, too.

I... Okay.

Sometimes I think you just want me to be a housewife.

Come again?

See, now you're mad at me.

Yes. Because I don't think it's fair.

I run around taking care of everything with the children.

I do the laundry and the grocery shopping and I film this.

I want a new one!

Is there no more, sweetie?

I want a new one!

What?

I can feel...

Nothing.

You're so annoying. Just say it, honey.

What is it you're feeling?

- What? - Nothing.

- Just tell me. - No.

- What is it? - No.

What are you feeling?

- That people are tired? - Yes.

It wasn't that. No.

Is it to do with Ryan?

I think we have to go slowly today.

Honey, stop.

It's hard sometimes to do this film about you,

because you won't let me film whenever there's a crisis.

What do you mean?

Like yesterday.

You're completely depressed right now.

But what we saw in the editing room looked great.

Yes, but you can't spend two hours looking at that.

- How'd the first take go? - Not well.

Stressful night, eh?

And it's our last, so we have to get all the takes we need.

It looks really good, Jang.

Maybe you don't have to be so depressed.

Go away.

Jang, leave me alone.

- Tell me what happened. - No.

You haven't slept?

Three years.

I'm so tired of this film. You're depressed all the time.

I'm not depressed right now.

No, because now, you finally have...

...something to laugh at.

Listen. I've been coughing like this

for 24 hours. I haven't slept.

24 hours? I thought it was three years.

I haven't slept for three years. I've been coughing for 24 hours.

I slept from 2 to 5 AM.

I slept from 7 to 10.

- No. You slept until noon. - No, I woke up at 10.

You get to sleep in all the other days

because you're working so hard.

"Jang has to get some sleep". I never get any sleep.

If the kids are crying at night...

This film is about you, not me.

It's about us.

This is how Jang spends his Sundays.

Is the coconut giving you trouble?

Yes.

Look at the fireworks.

We're just giving him a present.

- LizzieLou, can I try? - Can I try? Can I try?

The scene out here turned out well.

Great.

There are still some things that need to be constructed better

so that they don't end up somewhere between strange and normal.

If it's right in the middle then it's just nothing.

That was the problem with Fear X. It was in-between.

That's why it didn't really go anywhere.

So it has to be stranger?

No, just more cogent.

Strange is not a bad thing, honey.

No.

Are you happy about the film?

I think it turned out quite well.

I think it's better than Drive.

Don't you think so, too?

Do you think Drive is better?

Did you like Drive better?

This one is not as commercial. Don't you realize that?

Yes. Sure.

It'll divide opinions. Some will love it, and some will think it's...

Do you think it's childish?

No, I don't think so.

You think so, a little.

Childish? No.

I'm hungry, mum. Mum!

Why are you in such a bad mood?

I think it's a bad film.

Should we eat now or wait a while, Lola?

I want to finish reading my story first.

Mum?

Not now. Earlier you thought it was good.

I don't think it's good. How many times do I have to tell you?

- What has happened? - It's done.

It's not good enough. Can't you understand that?

It didn't really "click".

Right?

Do you understand that? It didn't turn out well.

I think, ultimately, there's nothing more to be done about it.

I can't change anything, and then you see the final result.

And it's not what I hoped for.

Those are the realities.

I wasted six months of our lives.

Why aren't we going anywhere?

- Are you OK? - Yes.

- Are you sad about the rain? - Yes.

Jang, it's not the end of the world when it rains.

It's just a film.

Exactly.

Jang is very superstitious.

- I always think... - He thinks rain is a bad omen.

It's not, Jang.

I had my eyes closed and my fingers in my ears during the screening.

I was so nervous.

I was so nervous. Sometimes, I peeked to see, if anybody had left.

No one had.

I have a tension headache.

- You, too? - I was so nervous.

Why do they have to be so mean?

- The critics? - Listen to this one.

Hollywood Elsewhere wrote:

There must be positive reviews.

There are so many. But you don't read those. They're okay.

It's the mean ones...

In a way you asked for it.

It's not a crowd pleaser.

It would be boring if we all just made safe films.

One more. Just one more.

One more.

- Can I have a kiss as well? - Yes.

- What did Jodorowsky say? - He said I had talent.

And that there are billions of followers.

That was very sweet of him,

so it doesn't matter what everyone else thinks.

Here it is.

You, too. You, too, mum.

- You, too, mum. You, too. - Thank you.

- So now we're back. - What?

Now we're back in Denmark.

I think it's nice being back, don't you?

Yes, I think it's nice.

And now we're leaving for new adventures.

If you want to.

I'm up for it. I didn't want to be in Bangkok, but I went.

- A great experience. - Oh, yes.

- Not the end of the world. - Did I say that?

No, no.

You're not easy to live with.

But I love you anyway.