Would you like to inspect the original subtitles? These are the user uploaded subtitles that are being translated:
1
00:00:02,125 --> 00:00:04,416
♪ DARING DUCK OF MYSTERY ♪
2
00:00:04,416 --> 00:00:06,833
♪ CHAMPION OF RIGHT ♪
3
00:00:06,833 --> 00:00:08,833
♪ SWOOPS OUT
OF THE SHADOWS ♪
4
00:00:08,833 --> 00:00:11,291
♪ DARKWING OF THE NIGHT ♪
5
00:00:11,291 --> 00:00:13,583
♪ SOMEWHERE
SOME VILLAIN SCHEMES ♪
6
00:00:13,583 --> 00:00:15,083
♪ BUT HIS NUMBER'S UP ♪
7
00:00:15,083 --> 00:00:16,208
3, 2, 1!
8
00:00:16,208 --> 00:00:18,083
♪ DARKWING DUCK ♪
9
00:00:18,083 --> 00:00:20,625
♪ WHEN THERE'S TROUBLE
YOU CALL D.W. ♪
10
00:00:20,625 --> 00:00:22,500
♪ DARKWING DUCK ♪
11
00:00:22,500 --> 00:00:25,250
LET'S GET DANGEROUS.
12
00:00:25,250 --> 00:00:27,416
♪ DARKWING DUCK ♪
13
00:00:27,416 --> 00:00:29,750
DARKWING, DARKWING DUCK!
14
00:00:29,750 --> 00:00:31,708
♪ A CLOUD OF SMOKE
AND HE APPEARS ♪
15
00:00:31,708 --> 00:00:34,000
♪ THE MASTER OF SURPRISE ♪
16
00:00:34,000 --> 00:00:36,583
♪ WHO'S THAT CUNNING
MIND BEHIND ♪
17
00:00:36,583 --> 00:00:38,708
♪ THE SHADOWY DISGUISE ♪
18
00:00:38,708 --> 00:00:40,958
♪ NOBODY KNOWS FOR SURE ♪
19
00:00:40,958 --> 00:00:42,500
♪ THE BAD GUYS
ARE OUT OF LUCK ♪
20
00:00:42,500 --> 00:00:43,583
♪ HERE COMES ♪
21
00:00:43,583 --> 00:00:45,208
♪ DARKWING DUCK ♪
22
00:00:45,208 --> 00:00:46,416
LOOK OUT!
23
00:00:46,416 --> 00:00:48,375
♪ WHEN THERE'S TROUBLE
YOU CALL D.W. ♪
24
00:00:48,375 --> 00:00:49,583
♪ DARKWING DUCK ♪
25
00:00:49,583 --> 00:00:52,875
LET'S GET DANGEROUS!
26
00:00:52,875 --> 00:00:54,708
♪ DARKWING DUCK ♪
27
00:00:54,708 --> 00:00:57,458
♪ YOU BETTER WATCH OUT,
YOU BAD BOYS ♪
28
00:00:57,458 --> 00:00:59,416
♪ DARKWING DUCK ♪♪
29
00:01:17,458 --> 00:01:22,583
STOP IT. YOUR FACE
WILL STICK THAT WAY.
30
00:01:22,875 --> 00:01:25,583
AH, IT'S A DEFINITE
IMPROVEMENT.
31
00:01:25,583 --> 00:01:28,708
WATCH IT. I'LL
REARRANGE YOUR FACE.
32
00:01:28,708 --> 00:01:32,166
I CAN HARDLY WAIT
TO SEE THIS.
33
00:01:32,166 --> 00:01:34,708
OUR CHILDREN'S ART
ON DISPLAY
34
00:01:34,708 --> 00:01:36,625
IN THE ST. CANARD
MUSEUM.
35
00:01:36,625 --> 00:01:39,166
ISN'T THIS
A LOVELY WORK?
36
00:01:39,166 --> 00:01:40,583
SO VERY PEACEFUL.
37
00:01:40,583 --> 00:01:42,583
IS THIS YOURS, HONKER?
38
00:01:42,583 --> 00:01:43,583
NO.
39
00:01:43,583 --> 00:01:45,291
THIS IS MINE.
40
00:01:45,291 --> 00:01:49,083
IT'S CALLED,
CRUSTY FLAKESTO THE 14th POWER.
41
00:01:49,083 --> 00:01:51,416
I'M PROUD OF YOU.
42
00:01:51,416 --> 00:01:54,291
THAT'LL BE WORTH
A FORTUNE.
43
00:01:54,291 --> 00:01:56,333
THAT KIND
OF OBSESSIVENESS
44
00:01:56,333 --> 00:01:58,833
SUGGESTS AN
UNHAPPY HOME LIFE.
45
00:01:58,833 --> 00:02:00,708
HERE'S A REAL
MASTERPIECE.
46
00:02:00,708 --> 00:02:04,708
IT'S ABOUT THE GRUESOME
STRUGGLE FOR SURVIVAL.
47
00:02:04,708 --> 00:02:08,458
WHAT KIND OF HOME LIFE
DOES THAT SUGGEST?
48
00:02:08,458 --> 00:02:10,583
IT'S JUST A PAINTING.
49
00:02:10,583 --> 00:02:13,708
AS CHIEF CURATOR,
I WILL JUDGE
50
00:02:13,708 --> 00:02:19,000
THE ENTRIES SUBMITTED
FORSCHOOL DAYAT THE MUSEUM.
51
00:02:44,291 --> 00:02:47,708
MOM, SOMEBODY'S
IN A PAINTING
BACK THERE.
52
00:02:47,708 --> 00:02:51,166
SHH, LITTLE DEAR.
MAYBE THE NICE MAN
53
00:02:51,166 --> 00:02:54,250
WILL GIVE YOUR PAINTING
AN AWARD.
54
00:02:54,250 --> 00:02:58,458
COULD I HAVE QUIET
SO I COULD CONCENTRATE?
55
00:02:58,458 --> 00:03:02,500
WHY WON'T ANYBODY
LISTEN TO ME?
56
00:03:04,875 --> 00:03:08,250
OUT OF MY WAY,
YOU PEST.
57
00:03:21,291 --> 00:03:24,333
THE TOOTOOCOMMONTONAME
GOLD STATUE.
58
00:03:24,333 --> 00:03:26,208
IT'S GONE!
59
00:03:26,208 --> 00:03:28,291
YOU LITTLE THIEF.
60
00:03:28,291 --> 00:03:31,416
NO, IT WASN'T ME.
IT WAS HER.
61
00:03:31,416 --> 00:03:33,000
SHE'S IN HERE.
62
00:03:33,000 --> 00:03:35,500
NOW HE'S STEALING
A PAINTING.
63
00:03:35,500 --> 00:03:38,000
O.K., WATCH YOUR
BLOOD PRESSURE.
64
00:03:38,000 --> 00:03:40,000
HE DIDN'T
STEAL ANYTHING.
65
00:03:40,000 --> 00:03:43,416
HE DOESN'T
HAVE IT ON HIM.
66
00:03:43,416 --> 00:03:45,416
BUT HE'S
AN EYEWITNESS
67
00:03:45,416 --> 00:03:48,333
TO THE CRIME
OF THE CENTURY.
68
00:03:48,333 --> 00:03:50,333
WHAT DID YOU SEE?
69
00:03:50,333 --> 00:03:52,250
WHAT DID YOU SEE?
70
00:03:52,250 --> 00:03:54,708
UM, WELL, I, UH...
71
00:03:54,708 --> 00:03:55,958
UM...UM..UM...
72
00:03:55,958 --> 00:03:58,000
THERE WAS THIS, UM...
73
00:03:58,000 --> 00:03:59,458
YEAH, YEAH, YEAH.
74
00:03:59,458 --> 00:04:01,083
STAND BACK, EVERYBODY.
75
00:04:01,083 --> 00:04:04,083
IT'S TRUE HONKER
IS VERY SHY,
76
00:04:04,083 --> 00:04:07,083
BUT I'VE DEALT
WITH THIS BEFORE.
77
00:04:07,083 --> 00:04:08,375
HONKER...
78
00:04:08,375 --> 00:04:09,750
SPIT IT OUT!
79
00:04:09,750 --> 00:04:11,375
A LADY JUMPED OUT
OF THAT PAINTING
80
00:04:11,375 --> 00:04:15,250
AND TOOK THE STATUE
BACK IN THAT PICTURE.
81
00:04:17,708 --> 00:04:20,416
OH, YEAH,
I BUY IT.
82
00:04:20,416 --> 00:04:23,750
SHOULDN'T
A CERTAIN CRIMEFIGHTER
NAMED DARKWING DUCK
83
00:04:23,750 --> 00:04:25,625
BE INTERESTED IN THIS?
84
00:04:25,625 --> 00:04:28,583
THE EXCITEMENT
MUST'VE OVERLOADED
HONKER'S BRAIN.
85
00:04:28,583 --> 00:04:31,083
THAT EXPLAINS
WHY HE'S LYING.
86
00:04:31,083 --> 00:04:32,583
HONKER CAN'T LIE.
87
00:04:32,583 --> 00:04:36,166
I TRIED TEACHING HIM,
BUT HE NEVER LEARNED.
88
00:04:36,166 --> 00:04:38,208
OH, LIE! OH, MY!
89
00:04:38,208 --> 00:04:41,250
I WONDER IF...
WELL, YOU KNOW,
90
00:04:41,250 --> 00:04:45,166
GOSALYN'S INFLUENCE
IS TOO MUCH
FOR OUR HONKER.
91
00:04:45,166 --> 00:04:47,708
HOW COME
I'M THE HEAVY?
92
00:04:47,708 --> 00:04:51,250
YEAH. MAYBE IT'S BETTER
IF, YOU KNOW...
93
00:04:51,250 --> 00:04:55,458
IF THEY SAW LESS
OF EACH OTHER.
94
00:04:58,458 --> 00:05:01,750
HONKER, UNTIL YOU
STOP LYING,
95
00:05:01,750 --> 00:05:05,500
I'M AFRAID I'M GONNA
HAVE TO GROUND YOU.
96
00:05:05,500 --> 00:05:09,000
NO GOING OUT TO PLAY,
NO TELEVISION,
97
00:05:09,000 --> 00:05:11,458
NO FOOD, WATER,
OR SUNLIGHT...
98
00:05:11,458 --> 00:05:12,458
HERB.
99
00:05:12,458 --> 00:05:14,833
OH, YEAH, ALL RIGHT.
100
00:05:14,833 --> 00:05:17,875
I GUESS WE'LL
STILL FEED YOU.
101
00:05:17,875 --> 00:05:21,708
OTHERWISE YOU'RE
GROUNDED UP
SOMETHING FIERCE.
102
00:05:26,750 --> 00:05:29,708
I REALLY LET
MY PARENTS DOWN.
103
00:05:29,708 --> 00:05:32,125
THEY THINK
I'M A LIAR.
104
00:05:32,125 --> 00:05:35,125
MY DAD ALWAYS THINKS
I'M LYING.
105
00:05:35,125 --> 00:05:36,958
HE'S USUALLY RIGHT.
106
00:05:36,958 --> 00:05:39,500
I WISH
I COULD DISAPPEAR.
107
00:05:39,500 --> 00:05:43,208
THERE'S ONLY
ONE WAY TO PROVE
YOURSELF HONEST.
108
00:05:43,208 --> 00:05:45,250
WHAT'S THAT?
109
00:05:45,250 --> 00:05:48,125
WE'LL HAVE TO
SOLVE THE CRIME
OURSELVES.
110
00:05:48,125 --> 00:05:49,375
HOW?
111
00:05:49,375 --> 00:05:51,083
I'M GROUNDED.
112
00:05:51,083 --> 00:05:53,583
FUTURE GENERATIONS
WILL BE DEPRIVED
113
00:05:53,583 --> 00:05:56,333
OF THOSE
ARTISTIC MASTERPIECES.
114
00:06:06,000 --> 00:06:07,208
IT'S...HER!
115
00:06:07,208 --> 00:06:08,458
WHERE?
116
00:06:08,458 --> 00:06:10,000
IN THE BOAT,
117
00:06:10,000 --> 00:06:11,500
CROSSING
THE DELAWARE.
118
00:06:14,583 --> 00:06:16,416
NO WAY!
119
00:06:16,416 --> 00:06:19,333
YOU'RE THE BANE
OF MY EXISTENCE!
120
00:06:19,333 --> 00:06:24,000
I WON'T HAVE YOU
ENFANTS TERRIBLES
WRECKING MY PLANS!
121
00:06:24,000 --> 00:06:26,416
RUN!
122
00:06:33,166 --> 00:06:36,250
I WANTED THE OTHER ONE.
123
00:06:36,250 --> 00:06:38,250
YOU'VE MADE
HONKER'S LIFE
124
00:06:38,250 --> 00:06:40,166
UNHAPPIER
THAN IT WAS.
125
00:06:40,166 --> 00:06:41,708
ANY SECOND NOW,
126
00:06:41,708 --> 00:06:43,833
HE'LL BE BACK
WITH THE POLICE
127
00:06:43,833 --> 00:06:46,333
TO THROW YOU IN JAIL.
128
00:06:46,333 --> 00:06:49,833
AH, YES.
FOR SUCH
AN ABSURD CHILD,
129
00:06:49,833 --> 00:06:52,708
ONLY AN ABSTRACT
WILL DO.
130
00:06:53,708 --> 00:06:54,833
HEY!
131
00:07:09,166 --> 00:07:11,708
SIR, I NEED YOUR HELP.
132
00:07:11,708 --> 00:07:12,708
YES?
133
00:07:12,708 --> 00:07:14,416
YOU AGAIN!
134
00:07:14,416 --> 00:07:16,875
WHAT ARE YOU
DOING HERE?
135
00:07:16,875 --> 00:07:20,125
SHE CAME OUT
OF ANOTHER PAINTING.
136
00:07:20,125 --> 00:07:22,875
SAVE IT
FOR THE JUDGE.
137
00:07:25,500 --> 00:07:26,875
HONKER!
138
00:07:26,875 --> 00:07:29,208
I CAN'T GET...OUT!
139
00:07:29,208 --> 00:07:31,583
I'LL GET YOUR DAD.
140
00:07:32,458 --> 00:07:35,583
I CAN ONLY
GIVE YOU $75.
141
00:07:35,583 --> 00:07:37,458
I MUST HAVE MORE.
142
00:07:37,458 --> 00:07:39,500
IF THE NEO-POSTMODERNIST
BACKLASH
143
00:07:39,500 --> 00:07:42,458
HADN'T CAUGHT
PRE-ANTIREALISM IN ITS WAKE,
144
00:07:42,458 --> 00:07:44,583
YOU'D BE SITTING PRETTY.
145
00:07:44,583 --> 00:07:47,875
DO I HAVE TO STEAL
THEMONA LISA
146
00:07:47,875 --> 00:07:49,875
TO GET REAL CASH?
147
00:07:49,875 --> 00:07:51,125
NOW YOU'RE TALKING.
148
00:07:54,583 --> 00:07:59,583
MR. MALLARD,
THE THIEF STUCK
GOSALYN IN A PAINTING.
149
00:07:59,583 --> 00:08:02,208
EVEN I DON'T BELIEVE THIS.
150
00:08:02,208 --> 00:08:06,583
I DON'T KNOW WHY
YOU WON'T TELL THE TRUTH.
151
00:08:06,583 --> 00:08:09,625
GOSALYN IS UP IN HER ROOM.
152
00:08:09,625 --> 00:08:12,458
GOSALYN,
COME HERE, PLEASE.
153
00:08:12,458 --> 00:08:13,458
GOSALYN!
154
00:08:13,458 --> 00:08:15,166
OH, GOSALYN.
155
00:08:15,166 --> 00:08:18,458
WHEN I FIND OUT
WHAT'S GOING ON,
156
00:08:18,458 --> 00:08:20,875
I MAY BE ANNOYED.
157
00:08:22,333 --> 00:08:26,250
UM, SHE'S AROUND HERE
SOMEWHERE.
158
00:08:30,750 --> 00:08:33,291
WHEN THE LIGHT HITS IT,
159
00:08:33,291 --> 00:08:35,875
THAT LOOKS LIKE GOSALYN.
160
00:08:35,875 --> 00:08:38,333
BECAUSE ITIS ME.
161
00:08:39,375 --> 00:08:42,750
WHAT EXACTLY IS
GOING ON AROUND HERE?
162
00:08:42,750 --> 00:08:44,291
AAH!
163
00:08:44,291 --> 00:08:48,708
YOUNG LADY, GET OUT
OF THAT PAINTING
IMMEDIATELY.
164
00:08:48,708 --> 00:08:51,291
LOVE TO,
BUT I'M STUCK!
165
00:08:56,458 --> 00:09:01,833
THERE'S THE ONE
WHO PUT GOSALYN
IN THE PAINTING.
166
00:09:02,750 --> 00:09:06,875
I'M THE TERROR
THAT FLAPS IN THE NIGHT.
167
00:09:06,875 --> 00:09:09,708
I'M THE TUBE
OF CADMIUM YELLOW
168
00:09:09,708 --> 00:09:12,500
THAT'S IMPOSSIBLE
TO OPEN.
169
00:09:12,500 --> 00:09:15,583
I...AM DARKWING...
170
00:09:15,583 --> 00:09:17,750
DUCK.
171
00:09:17,750 --> 00:09:19,333
RELEASE THE GIRL
172
00:09:19,333 --> 00:09:22,208
AND RETURN
THE STOLEN ARTWORKS.
173
00:09:22,208 --> 00:09:26,583
WHAT HAVOC SPAWNS
WHEN ART APPEALS
TO MIDDLEBROW TASTES.
174
00:09:26,583 --> 00:09:27,958
WHAT?
175
00:09:27,958 --> 00:09:30,458
THE VERISIMILITUDE
OF MY ENDEAVORS
176
00:09:30,458 --> 00:09:34,250
IS BEYOND THE GRASP
OF YOUR BOURGEOIS MINDS.
177
00:09:34,250 --> 00:09:35,833
WELL, HEY...
178
00:09:35,833 --> 00:09:37,458
STEALING'S
STEALING.
179
00:09:38,625 --> 00:09:42,000
YOU MAY BAMBOOZLE
MY LESS-THAN-LITERATE
FRIEND,
180
00:09:42,000 --> 00:09:43,875
BUT I'M ANOTHER MATTER.
181
00:09:43,875 --> 00:09:45,458
I'LL BYPASS THAT
182
00:09:45,458 --> 00:09:48,000
IF YOU'LL
CONFRONT THE FACT
183
00:09:48,000 --> 00:09:51,458
THAT I OPERATE
ABOVE SOCIETY'S
SIMPLISTIC RULES.
184
00:09:51,458 --> 00:09:53,000
WELL, HEY, UM...
185
00:09:53,000 --> 00:09:54,583
STEALING'S
STEALING.
186
00:10:06,500 --> 00:10:09,583
UH, THAT DOOR'S
NOT REAL, D.W.
187
00:10:09,583 --> 00:10:14,500
NO. BUT THE PAIN
I'M EXPERIENCING IS.
188
00:10:16,625 --> 00:10:18,708
SHE WENT IN THERE.
189
00:10:18,708 --> 00:10:21,708
I'M REDUCED
TO THE BANANA PEEL.
190
00:10:21,708 --> 00:10:25,416
I DESPISE CREATING
SUCH MUNDANE ART.
191
00:10:32,000 --> 00:10:35,750
DAD, GET ME OUT.
MY FACE HURTS.
192
00:10:35,750 --> 00:10:37,833
I'LL TAKE YOU HOME
193
00:10:37,833 --> 00:10:43,000
TILL I FIGURE OUT
HOW TO GET YOU OUT.
194
00:10:43,000 --> 00:10:44,458
OH! EASY, DAD.
195
00:10:44,458 --> 00:10:46,458
I'M GETTING DIZZY.
196
00:10:48,708 --> 00:10:49,958
THIEF.
197
00:10:49,958 --> 00:10:51,458
STOP! THIEF!
198
00:10:51,458 --> 00:10:53,208
KNOCK IT OFF.
199
00:10:53,208 --> 00:10:55,208
THIS IS MY DAUGHTER.
200
00:10:55,208 --> 00:10:56,708
YOU'RE CRAZY, TOO.
201
00:10:56,708 --> 00:10:58,458
GUARD!
202
00:10:58,458 --> 00:11:01,375
THE ONLY WAY
TO HELP GOSALYN
203
00:11:01,375 --> 00:11:04,333
IS TO CATCH THAT VILLAIN.
204
00:11:05,000 --> 00:11:08,000
YOU WILL SOLVE
ALL MY TROUBLES.
205
00:11:08,000 --> 00:11:12,291
HOLD IT RIGHT THERE,
YOU MISGUIDED DUCKALANGELO.
206
00:11:17,000 --> 00:11:19,083
CAN SHE DO THAT?
207
00:11:19,083 --> 00:11:22,250
COME ON, LAUNCHPAD,
LET'S GET...
208
00:11:22,250 --> 00:11:23,458
SURREALISTIC?
209
00:11:25,125 --> 00:11:28,458
YOU'RE FINISHED,
YOU ROTTEN
REMBRANDT ROBBER.
210
00:11:38,125 --> 00:11:41,625
I'M SURE MY FRIENDS
CAN CONVINCE YOU
211
00:11:41,625 --> 00:11:44,875
TO KEEP OUT
OF MY BUSINESS.
212
00:11:58,375 --> 00:12:01,458
CALL THEM OFF,
YOU DEMENTED DA VINCI.
213
00:12:01,458 --> 00:12:04,208
"TOO EXPERIMENTAL,"
THE CRITICS SAID.
214
00:12:04,208 --> 00:12:08,375
I'LL NOT BE BOUND
BY SELF-IMPOSED LIMITS
OF UNORIGINALITY.
215
00:12:08,375 --> 00:12:10,458
THEY COULDN'T STOP ME.
216
00:12:10,458 --> 00:12:14,458
I'VE REAPED GREAT REWARDS
FROM MY EXPERIMENTATION.
217
00:12:14,458 --> 00:12:17,125
I DISCOVERED
CHEMICAL COMPOUNDS
218
00:12:17,125 --> 00:12:19,583
ALLOWING ME
TO CONTROL ART.
219
00:12:19,583 --> 00:12:21,208
MY DEPLETED FINANCES
220
00:12:21,208 --> 00:12:26,083
HAVE HINDERED
MY SHOWING THE WORLD
WHAT I CAN ACCOMPLISH.
221
00:12:26,083 --> 00:12:27,291
I'M BROKE.
222
00:12:27,291 --> 00:12:30,208
I'VE HEARD OF
STARVING ARTISTS,
223
00:12:30,208 --> 00:12:32,125
BUT NEVER
STARVING ART.
224
00:12:32,125 --> 00:12:34,583
WHEN I KIDNAP
THEMONA LISA,
225
00:12:34,583 --> 00:12:37,625
I'LL HAVE
SUFFICIENT FUNDING.
226
00:12:37,625 --> 00:12:39,000
ARRGH!
227
00:12:39,000 --> 00:12:42,750
ARRGH!
228
00:12:50,250 --> 00:12:51,958
WATCH IT, D.W.
229
00:13:10,375 --> 00:13:12,708
I'LL GET YOU OUT.
230
00:13:24,458 --> 00:13:27,958
I BELIEVE IN
EXPOSING MYSELF TO ART,
231
00:13:27,958 --> 00:13:31,458
BUT THAT WAS
TOO CLOSE FOR COMFORT.
232
00:13:31,458 --> 00:13:33,083
HEY! OVER HERE!
233
00:13:33,083 --> 00:13:37,291
IT'S LUCKY THE GUY
WHO PAINTED THIS IS DEAD.
234
00:13:37,291 --> 00:13:40,833
IF HE WASN'T,
I'D HURT HIM.
235
00:13:46,000 --> 00:13:50,958
IF I CATCH YOU
STUCK IN ANOTHER
WORK OF ART...
236
00:13:50,958 --> 00:13:52,583
I FOUND
SPLATTER PHOENIX.
237
00:13:52,583 --> 00:13:53,750
WHERE?
238
00:13:53,750 --> 00:13:57,208
SHE MADE A LEFT AT
FRENCH IMPRESSIONISM,
239
00:13:57,208 --> 00:13:59,166
HEADING TOWARD
ABSTRACT IMPRESSIONISM.
240
00:13:59,166 --> 00:14:00,708
YOU WAIT HERE.
241
00:14:00,708 --> 00:14:05,625
LIKE I'M GOING TO
MISS A SECOND OF THIS.
242
00:14:15,625 --> 00:14:17,833
I HAVE YOU NOW,
243
00:14:17,833 --> 00:14:19,083
YOU WRETCHED RENOIR.
244
00:14:19,083 --> 00:14:23,500
D.W., I THINK WE'RE
IN GOSALYN'S PAINTING.
245
00:14:24,833 --> 00:14:29,333
[RAHRR]
246
00:14:29,333 --> 00:14:32,750
GOTTA HAVE A LONG TALK
WITH HER.
247
00:14:32,750 --> 00:14:34,000
[RAHRR]
248
00:14:36,583 --> 00:14:38,583
OH, I ENVY YOU.
249
00:14:38,583 --> 00:14:41,750
PAIN SO ENRICHES
THE ARTIST'S SOUL.
250
00:14:45,208 --> 00:14:49,083
[RAHRR]
251
00:14:50,083 --> 00:14:53,750
YOU'VE GOT
A SCREW LOOSE, LAUTREC.
YOU'RE CRAZY.
252
00:14:53,750 --> 00:14:55,625
SO WAS VAN GOGH,
253
00:14:55,625 --> 00:14:57,750
AND HIS PAINTINGS
ARE PRICELESS.
254
00:14:57,750 --> 00:14:59,291
HELP!
255
00:15:02,208 --> 00:15:03,708
OH, NO!
256
00:15:03,708 --> 00:15:06,250
HONKER, HELP US!
257
00:15:13,375 --> 00:15:17,625
I'LL TAKE CARE
OF THIS MYSELF.
258
00:15:17,625 --> 00:15:20,583
[DARKWING DUCK]
HONKER, NO!
259
00:15:20,583 --> 00:15:23,625
IT'S THE BIG HOUSE
FOR YOU, LITTLE ONE.
260
00:15:25,458 --> 00:15:28,375
HONKER, AS SOON
AS WE MAKE BAIL,
261
00:15:28,375 --> 00:15:31,708
YOU'RE GROUNDED
FOR LIFE!
262
00:15:31,708 --> 00:15:33,000
HERB!
263
00:15:33,000 --> 00:15:36,125
WELL, MAKE THAT
10 YEARS?
264
00:15:36,125 --> 00:15:37,583
YES, SIR.
265
00:15:37,583 --> 00:15:40,000
HONKSTER DOES TIME
IN THE SLAMMER.
266
00:15:40,000 --> 00:15:44,291
GOTTA HAND IT
TO YOU, JAILBIRD.
267
00:15:46,125 --> 00:15:49,583
GOSALYN'S IN TROUBLE.
268
00:15:49,583 --> 00:15:51,333
YOU GOTTA HELP ME
GET OUT OF HERE.
269
00:15:51,333 --> 00:15:55,458
SURE. HERE'S WHAT
YOU GOTTA DO.
270
00:15:57,875 --> 00:15:59,625
THERE'S YOU.
271
00:16:00,583 --> 00:16:03,083
GOSH. THANKS, TANK.
272
00:16:03,083 --> 00:16:06,708
HEY, WHAT ARE
BIG BROTHERS FOR?
273
00:16:13,458 --> 00:16:14,708
MOM! DAD!
274
00:16:14,708 --> 00:16:17,458
HONKER RAN AWAY!
275
00:16:21,333 --> 00:16:27,333
IF I COULD REACH
MY GAS GUN... GOT IT.
276
00:16:30,458 --> 00:16:35,000
AH-CHOO!
277
00:16:38,750 --> 00:16:41,000
TSK TSK.
278
00:16:41,000 --> 00:16:43,125
YOUR TENACITY IS CHARMING,
279
00:16:43,125 --> 00:16:45,583
BUT ALAS,
UTTERLY FUTILE.
280
00:16:45,583 --> 00:16:48,125
THIS PAINTING IS DEVOID
OF ANY ARTISTIC MERIT.
281
00:16:48,125 --> 00:16:52,833
IT CAN ONLY BE HELPED
BY TURPENTINE SOLVENT.
282
00:16:52,833 --> 00:16:53,875
NO!
283
00:16:58,416 --> 00:17:01,125
OH, NO!
284
00:17:06,000 --> 00:17:09,500
NOW ONTO MY ENORMOUSLY
INVENTIVE AND FERTILE,
285
00:17:09,500 --> 00:17:12,458
BUT EQUALLY UNREALIZED
FELONY PHASE.
286
00:17:15,166 --> 00:17:18,125
GET THEM
OUT OF THERE NOW!
287
00:17:18,125 --> 00:17:19,375
UH...
288
00:17:19,375 --> 00:17:21,208
PLEASE.
289
00:17:24,250 --> 00:17:25,583
YOU...
290
00:17:25,583 --> 00:17:30,291
I HOPE THIS CONVICT
HASN'T BEEN
HARASSING YOU.
291
00:17:30,291 --> 00:17:32,416
WAIT. SHE'S THE THIEF.
292
00:17:32,416 --> 00:17:36,875
THE TRUTH IS SUCH
A FOREIGN CONCEPT TO YOU.
293
00:17:36,875 --> 00:17:39,208
HE'S NOT LYING, PAL.
294
00:17:39,208 --> 00:17:42,375
MY TICKET TO
ARTISTIC DOMINATION.
295
00:17:45,125 --> 00:17:46,416
NO!
296
00:17:46,416 --> 00:17:50,416
OPEN YOUR MOUTH,
AND THIS SMILE
GETS IT.
297
00:17:50,416 --> 00:17:54,875
HEY, PUT MY KISSER
BACK ON MY KISSER.
298
00:17:54,875 --> 00:17:58,875
YOU HAVE 24 HOURS
TO PAY MY RANSOM
299
00:17:58,875 --> 00:18:00,708
FOR THIS
PRECIOUS SMILE.
300
00:18:00,708 --> 00:18:02,625
LISTEN, FEATHERPUSS,
301
00:18:02,625 --> 00:18:04,708
PUT ME BACK!
302
00:18:14,583 --> 00:18:17,625
[MOUTH] YOU THINK
I'M A FINGER PAINTING?
303
00:18:17,625 --> 00:18:20,083
PAINT ME BACK.
304
00:18:25,416 --> 00:18:27,208
WHAT A DUMP.
305
00:18:27,208 --> 00:18:29,208
SHUT YOUR MOUTH,
MOUTH.
306
00:18:29,208 --> 00:18:31,416
[ALARM RINGS]
307
00:18:31,416 --> 00:18:32,958
WHAT CHEAP SENTIMENT
308
00:18:32,958 --> 00:18:37,416
STOPPED ME FROM BRUSHING
THIS FLY FROM MY FACE,
309
00:18:37,416 --> 00:18:39,583
I'LL NEVER KNOW.
310
00:18:39,583 --> 00:18:44,583
HA! I'VE HAD ALL I
CAN TAKE OFF YOU.
311
00:18:44,958 --> 00:18:46,083
YAA!
312
00:18:50,708 --> 00:18:55,708
YOU PUT THE BITE
ON THE WRONG MOUTH.
313
00:18:59,875 --> 00:19:03,875
I DIDN'T THINK WE'D
GET OUT IN ONE PIECE.
314
00:19:03,875 --> 00:19:05,416
WE DIDN'T.
315
00:19:05,416 --> 00:19:07,000
GOSALYN!
316
00:19:07,000 --> 00:19:09,000
I GOT HER BRUSH...
317
00:19:09,000 --> 00:19:11,458
YOU DON'T
LOOK SO GOOD.
318
00:19:11,458 --> 00:19:13,458
MAYBE THIS'LL HELP.
319
00:19:15,583 --> 00:19:17,708
THAT CAN'T
BE RIGHT.
320
00:19:17,708 --> 00:19:20,416
LET ME HAVE THAT.
321
00:19:22,833 --> 00:19:25,000
LOOK AT THE FOOL.
322
00:19:25,000 --> 00:19:28,166
I FEAR NO DETECTION
FROM THAT UBIQUITOUS
BUFFOON.
323
00:19:28,166 --> 00:19:31,125
[WHISTLES]
324
00:19:34,250 --> 00:19:36,375
FOLLOW ME.
325
00:19:36,375 --> 00:19:38,583
YOU HAVE TO BE CAREFUL.
326
00:19:38,583 --> 00:19:42,000
SHE HAS
THEMONA LISA'S SMILE.
327
00:19:44,375 --> 00:19:47,875
WHAT DO YOU NEED,
AN ENGRAVED INVITATION?
328
00:19:47,875 --> 00:19:48,958
GET HER!
329
00:19:48,958 --> 00:19:52,458
I'LL GIVE YOU
A FAT LIP.
330
00:20:14,583 --> 00:20:17,583
SORRY, DAD.
SORRY, SIR.
331
00:20:26,875 --> 00:20:28,208
AAH!
332
00:20:28,208 --> 00:20:30,416
AAH!
AAH!
AAH!
333
00:20:30,416 --> 00:20:31,458
[CRASH]
334
00:20:31,458 --> 00:20:34,125
1, 2, 3.
335
00:20:48,083 --> 00:20:50,250
FOR ALL ARTISTS
EVERYWHERE,
336
00:20:50,250 --> 00:20:53,750
I AVENGE THE CRITICS'
INTELLECTUAL POVERTY.
337
00:20:53,750 --> 00:20:54,458
WATCH OUT!
338
00:20:59,833 --> 00:21:03,416
I'VE HAD IT WITH
THESE VOLATILE
CREATIVE TYPES.
339
00:21:03,416 --> 00:21:04,708
IN THE NAME
OF SELF-DEFENSE,
340
00:21:04,708 --> 00:21:08,458
I MUST PAINT
A CARTOON PROP.
341
00:21:13,291 --> 00:21:16,166
IT'S YOUR FAULT
I'VE SUNK SO LOW.
342
00:21:24,125 --> 00:21:24,750
NO!
343
00:21:34,750 --> 00:21:37,291
YOU HAVE SOMETHING
ON YOUR FACE.
344
00:21:37,291 --> 00:21:41,000
HEY,GRAZIE-RINO, SISTER.
345
00:21:41,000 --> 00:21:42,625
THE ONLY ART
YOU'LL CREATE
346
00:21:42,625 --> 00:21:44,583
IS PAINTING
LICENSE PLATES
IN PRISON.
347
00:21:47,000 --> 00:21:49,375
OH, HONKER, DEAR,
348
00:21:49,375 --> 00:21:52,708
LET ME HANDLE THIS,
BINKUMS.
349
00:21:52,708 --> 00:21:54,708
YOU DISOBEYED
MY ORDERS.
350
00:21:54,708 --> 00:21:55,583
NOW I'M GOING TO
HAVE TO...
351
00:21:55,583 --> 00:21:57,333
WAIT.
352
00:21:57,333 --> 00:21:58,583
HE'S A LIAR.
353
00:21:58,583 --> 00:21:59,458
OUCH!
354
00:21:59,458 --> 00:22:03,083
HEY, LEAVE ME ALONE.
MOM! DAD!
355
00:22:03,083 --> 00:22:04,166
I'M TELLIN' YA...
356
00:22:04,166 --> 00:22:06,416
THIS KID IS NO LIAR.
357
00:22:06,416 --> 00:22:08,125
BUT...
358
00:22:08,125 --> 00:22:12,708
HEY, GOOD-LOOKIN',
WOULD I LIE?
23501
Can't find what you're looking for?
Get subtitles in any language from opensubtitles.com, and translate them here.
Afrikaans
Akan
Albanian
Amharic
Arabic
Armenian
Azerbaijani
Basque
Belarusian
Bemba
Bengali
Bihari
Bosnian
Breton
Bulgarian
Cambodian
Catalan
Cebuano
Cherokee
Chichewa
Chinese (Simplified)
Chinese (Traditional)
Corsican
Croatian
Czech
Danish
Dutch
English
Esperanto
Estonian
Faroese
Finnish
Galician
Georgian
German
Guarani
Haitian Creole
Hausa
Hawaiian
Hebrew
Hmong
Hungarian
Icelandic
Indonesian
Irish
Italian
Japanese
Kazakh
Kinyarwanda
Kirundi
Kongo
Korean
Krio (Sierra Leone)
Kurdish
Kyrgyz
Laothian
Latin
Latvian
Lithuanian
Luganda
Luo
Luxembourgish
Macedonian
Malagasy
Malay
Maltese
Maori
Mauritian Creole
Moldavian
Mongolian
Myanmar (Burmese)
Montenegrin
Nepali
Norwegian
Pashto
Persian
Polish
Portuguese (Brazil)
Portuguese (Portugal)
Quechua
Romanian
Romansh
Russian
Samoan
Scots Gaelic
Serbian
Sesotho
Setswana
Seychellois Creole
Shona
Sindhi
Sinhalese
Slovak
Slovenian
Somali
Spanish
Swedish
Tajik
Thai
Tigrinya
Tonga
Turkish
Turkmen
Ukrainian
Uzbek
Vietnamese
Welsh
Wolof