Afrikaans
Akan
Albanian
Amharic
Arabic
Armenian
Azerbaijani
Basque
Belarusian
Bemba
Bengali
Bihari
Bosnian
Breton
Bulgarian
Cambodian
Catalan
Cebuano
Cherokee
Chichewa
Chinese (Simplified)
Chinese (Traditional)
Corsican
Croatian
Czech
Danish
Dutch
English
Esperanto
Estonian
Ewe
Faroese
Filipino
French
Frisian
Ga
Galician
Georgian
German
Greek
Guarani
Gujarati
Haitian Creole
Hausa
Hawaiian
Hebrew
Hindi
Hmong
Hungarian
Icelandic
Igbo
Indonesian
Interlingua
Irish
Italian
Japanese
Javanese
Kannada
Kazakh
Kinyarwanda
Kirundi
Kongo
Korean
Krio (Sierra Leone)
Kurdish
Kurdish (Soranรฎ)
Kyrgyz
Laothian
Latin
Latvian
Lingala
Lithuanian
Lozi
Luganda
Luo
Luxembourgish
Macedonian
Malagasy
Malay
Malayalam
Maltese
Maori
Marathi
Mauritian Creole
Moldavian
Mongolian
Myanmar (Burmese)
Montenegrin
Nepali
Nigerian Pidgin
Northern Sotho
Norwegian
Norwegian (Nynorsk)
Occitan
Oriya
Oromo
Pashto
Persian
Polish
Portuguese (Brazil)
Portuguese (Portugal)
Punjabi
Quechua
Romanian
Romansh
Runyakitara
Russian
Samoan
Scots Gaelic
Serbian
Serbo-Croatian
Sesotho
Setswana
Seychellois Creole
Shona
Sindhi
Sinhalese
Slovak
Slovenian
Somali
Spanish
Spanish (Latin American)
Sundanese
Swahili
Swedish
Tajik
Tamil
Tatar
Telugu
Thai
Tigrinya
Tonga
Tshiluba
Tumbuka
Turkish
Turkmen
Twi
Uighur
Ukrainian
Urdu
Uzbek
Vietnamese
Welsh
Wolof
Xhosa
Yiddish
Yoruba
Zulu
have a look at this image imagine how
hard it would be to select the sky
behind it right so how do we do that
first of all let's click on the lock to
unlock the layer then double click on
the right hand side of the layer right
about there this will open the layer
style dialog box inside of that we have
to wonder what do we want to remove
first of all we want to remove the blues
now where do you want to remove it from
we want to remove it from the bright
areas so in the Blended section instead
of the Grays click on the drop down
choose blue because that's what we want
to remove which area do we want to
remove it from from the bright areas or
the dark areas the bright areas right we
want to remove the brighter Blues the
right hand side represent the bright
areas the left hand side represent the
dark areas so as soon as you begin to
take the slider to the left have a look
at it you've got a transparent
background so cool isn't it have a look
at it this is a little harsh right the
more you take this ladder to the left
the kind of harsher it gets so how do
you make the transition between the
areas that show up and the areas that
are transparent smoother how do you make
this transition alright so this area
shows up this area doesn't show up
there's a very harsh transition so how
do you make the transition smoother you
hold the ALT key or the option key click
on the slider to break it apart and take
it apart this makes the transition
smoother you can take it apart like this
take it a little more to the right and
have a look at it this is so darn
amazing isn't it and that my friend is
the magic of blendif if none of this is
making sense don't worry we're gonna get
through it together so what is plentif
in the first place the easiest way to
understand blendif is this blend if
controls which area show up and which
areas hide based on brightness levels
that's all there is to it here's a super
easy example to illustrate that so here
in layer one we have a simple gradient
from black to white on layer 2 we have
bright orange to a slightly darker
orange simple ingredients alright now
let's open up the blendif for Layer Two
and how do we do that we double click on
the right hand side of the layer this
opens up the layer file dialog box
inside of that at the bottom you'll find
the blendif section now let's say you
want to remove the bright areas of layer
1 from layer 2. does that make sense no
let us make it clear
so this is layer one right let's say you
want to remove these bright areas of
layer 1 from layer 2. keep in mind we
have opened the blender for layer 2. so
whatever we do will happen to layer 2
anyway but we want to remove the bright
areas of layer 1 from layer 2. now what
is layer 1 in relation to layer 2 this
is layer 1 this is Layer Two now what is
layer 1's relation to layer two layer
one is a layer under layer 2 right
so in other words we can say that layer
1 is an underlying layer right so we
want to remove the bright areas of layer
1 from layer 2 so we have to work with
the underlying layer sliders
now what do we want to remove we want to
remove the bright areas the right hand
side is for the bright areas the left
hand side is for the dark areas very
clearly shown right here so we have to
take the slider from the right let's
make it smaller to the left have a look
have a look what's happening
we are removing the bright areas of
layer 1 from layer 2. that's all now if
you work with the left slider the
opposite would happen now all that is
happening is that the areas are being
removed based on the brightness levels
of the underlying layer based on the
brightness levels of layer 1 why because
it is an underlying layer and we are
working with the underlying layer
sliders so here's a recap left slide off
the underlying layer removes the dark
areas of the underlying layer from the
current layer right slide of the
underlying layer removes the bright
areas of the underlying layer from the
current layer everything will happen to
the current layer now here comes the
current layer what if you want to remove
the bright areas of the current existing
layer from the current existing layer
then you work with the current layer now
we know that at the top we have a
brighter orange at the bottom we have a
darker Orange so let's say I want to
remove the bright parts of just this
current layer so if you work with this
slider see the top goes away if you want
to remove the dark areas do the opposite
and there you go also as you can see the
transition is Harsh once we do this have
a look if we take the slider of the
underlying layer from right to left we
are removing the bright areas of the
underlying layer from the current layer
that is clear to you right
but this transition is very harsh so how
do we make the transition smoother we
hold the ALT key or the option key click
on the slider to break it apart and the
more far apart you take it the smoother
the transition will be so if you take it
absolutely far apart the transition is
very very smooth so that my friend is
blendif in a nutshell now there are so
many more incredible things you can do
with it I think we already have 20 such
videos on applications of blendif now
before we get into some exciting
projects with blendif thanks to the
awesome envato elements for sponsoring
this video whether you're just getting
started with Photoshop or you have used
Photoshop for a long time or you are a
seasoned user and water elements is the
best companion I personally use it and
have used it way before sponsorships
whether you need those amazing Photoshop
actions to create incredible effects or
you need photoshop brushes stock photos
stock videos even video templates for
animations like this graphic templates
you have everything you need and the
best part is it's unlimited for a single
subscription fee you can download as
much as you want as many as you want I
highly recommend checking it out there
also currently have a special discount
for students check the link in the
description to keep up with the latest
pricing and discounts now one of my
favorite things with blend if is adding
shine and dimension and you can easily
use this technique to add shine to hair
it's just like going to the hair salon
and getting a few highlights even better
you don't have any side effects right
here so first of all let's create a
solid color adjustment layer click on
the adjustment layer icon and then
choose solid color for now just hit ok
now we are not going to keep the
highlights black let's turn it off let's
double click on the symbol of the
adjustment layer we only did it so that
we can turn it off and open it again to
sample the actual color of the Highlight
so we'll sample a color like this that's
fine if it's not sampling you want to
make sure that sample all layers is
selected from right here and you can
choose a brighter shade the best part
about it is that you can change it later
the way we are doing it we are doing it
absolutely non-destructively so hit okay
once you're satisfied turn it on select
the mask press Ctrl or command I now all
you have to do is to take the brush you
already know where we are going with
this take a soft round brush make it
slightly larger and just dab in the
areas where you want to add the shine
that's all so let's dab right about
right here with white make sure the
foreground color is white you can always
press X to toggle between the foreground
and the background color let's dab right
here make sure flow and opacity are at
100 there we go we have some shine I
know it looks odd wait for it let's add
some shine right here some right over
here some may be right here like that
maybe in this area
do you think it's more than enough I
guess it's more than enough all right
now how do we make the shine brighter
because this is not going to make
anything darker right it's a shine it's
going to make things brighter it's it's
a bright spot so what is the blend mode
which makes things brighter we just
learned it screen in the previous
lessons do remember to watch it change
the blend mode from normal to screen
there you go this is bright the shine is
there but it's still looking odd you
know why it's looking odd because it's
also brightening the dark areas so we
want to take it away from the dark areas
of what from the dark areas of the layer
that lies under it or the underlying
layer see where we are going with this
now double click on the right hand side
of the Highlight layer and we want to
take it away from the dark areas right
so we have to work with the left hand
side sliders now dark areas of what dark
areas of this subject layer or the
underlying layer so we will work with
which slider this slider right here
underlying layer the left hand side so
take the slider to the the right just
like that but again this is Harsh so how
do we make the transition smoother we
hold the ALT key or the option key click
on the slider to break it apart and take
it apart like that have a look at the
shine that is just incredible so I'm
going to keep it about this way I like
that it's subtle all around hit okay now
here's the best part you can double
click on the symbol of the adjustment
layer this opens up the Color Picker and
you can change the highlight color after
the fact you can make it more saturated
less saturated reddish
yellowish it's up to you so I'm going to
keep it this color maybe a little less
saturated that's up to you you can make
it brighter or darker this is so
convenient now if you want to add an
extra layer of highlight that is also
possible you can have it of a different
color but for Simplicity I'm going to
have it for the same color let's select
this layer press Ctrl or command J to
make a copy we have some additional
highlights so double click on the right
hand side of the layer again and make it
finer by the way if you want to reset
the blend if you can right click on it
and then choose remove where did that go
it's hard to find sometimes there's so
many things right in here clear layer
style there you have it it removes all
the layer styling that you apply to it
it also means that it also removes the
blend mode so let's set it back to
screen double click on the right hand
side of the limb and this time make it
even finer so about this much hold the
ALT key option key click on it to take
it apart like this
this is more precise highlights so
here's the before here's the after now
it also affects the skin a little bit so
how do you take that away from it first
of all I feel the Highlight is too much
so I'm going to take the right broken
slider all the way to the right hit okay
and then we're gonna make a group of
both of these so select the first one
hold the controller command select the
second one both of them are now selected
press controller command G this creates
a group and click on the mask button
right here take the brush black as the
foreground color and simply remove the
extras that's all let's take a look so
here's the before here's the after
sometimes this can be too much we are
human so you can always decrease the
opacity to something that works for you
we're gonna go for probably 74 and
that's just fantastic now you can use
the absolute same technique to add drama
to the eyes have a look at it at the top
we have the catch light so right here we
would have some reflected light right so
how do we add that first of all we add a
curves adjustment layer by clicking on
the adjustment layer icon and then
choosing curves right here simply take
it up nothing complicated right here now
select the mask press controller command
I this inverts The Mask take the brush
take a soft round brush and just dab on
the opposite side like this now
nothing's happening because the color is
black dab with white like this now I
love this shine let's increase it even
more now remove the extras first of all
press X to toggle between the foreground
and the background and remove the extras
from right here now this by itself is
looking great but we want to add some
drama and we want to keep the brightness
only to The Brighter areas so how do we
do that again blend if so double click
on the right hand side of the layer and
take the slider of the underlying layer
from left to right there you go that's
nice now hold the ALT key the option key
click on the slider to break it apart
and take it apart
and do something like this now have a
look at the difference it creates it
makes it more subtle it keeps it more
natural and at the same time it looks
dramatic hit okay and have a look at the
before and after so here's the before
here's the after now you can copy to the
other eye nothing difficult so select
the mask right here
select the move tool from right here
hold the ALT key or the option key and
just drag it and drop it right here
nothing complicated let's take a look at
the before and after so here is the
before and here is the after night and
day difference now you can also use the
same technique to Target a specific area
have a look at the highlights if you
think that the highlights are too bright
and you want to bring more skin tone to
it click on the adjustment layer icon
and choose curves again and this time
we're going to take it down so create a
point in the middle and simply take it
down I don't know why it is lagging for
some reason anyway we want to limit this
Darkness to the bright areas so how do
we do that double click on the right
hand side of the layer the other way to
phrase it is that we want to remove the
curves effect from the dark areas of the
underlying layer and keep it only in the
bright areas so to remove this effect
from the dark areas of the underlying
layer we will move the slider of the
underlying left from left to right keep
it only in the bright areas but this is
extremely harsh so hold the alt carry
the option key click on it to break it
apart and I'm gonna just take it all the
way to the right hand side and control
this part
that's about right hit okay let's take a
look at the before and after so here's
the before and here's the after that's
pretty fantastic isn't it now you can go
back right here and control the curve to
your liking so I want to keep it
probably this way and also it affects
the entire image here's the before
here's the after if you only wanted it
on the skin you might want to select the
mask press Ctrl or command I take the
brush white as the foreground color and
just paint on areas where you wanted it
that's all now sometimes these can be
too harsh so you also might want to
decrease the opacity in this case we're
going to keep it 76 here's the before
here's the after that's a nice rich skin
tone there are so many more applications
and adjustments with blend if you can
also add drama with it and you can check
out this video in which we completely
added drama in 3d effect to kind of a
flat photo you might want to watch it
later because we have so many more
incredible things coming up starting
with masking with blend if remember the
very first example where we removed the
sky now it's going to become clearer to
you because now we are moving to
different channels inside of plentif so
first of all let's unlock the layer
double click on the right hand side of
the layer again to open up the layer
style dialog box now up until now we
were working with the Great channel
right here we also have the option to
work with the red green and blue
channels so in this case since blue is
the dominant color and we want to remove
the Blues from the bright areas it's
much better to work with Blues because
if we worked with the gray Channel and
we removed the bright areas have a look
bright areas from the tree also go away
so to avoid that you want to only target
the blues and then when you do it the
trees are fine for the most part now if
you go extreme it will go away from
there as well but for the most part most
of the Blues from the back will just go
away and to make the sorry about the
construction work happening in the
background I'm not sure if you can hear
it and of course to make the transition
smoother you would hold the ALT key or
the option key click on the slider to
break it apart and take it apart like
this that's nice
hit OK so here's the sky I have let's
drag it and drop it into photoshop on
top of the canvas let's make it larger
something like this hit enter or return
now we're gonna place it under this
layer and we have this guy replaced now
let's move it right about there or here
that's up to you now it's not matching
well because the original sky was
brighter so we just have to make it
slightly brighter so click on the
adjustment layer icon and then choose
curves everything is related to Curves
and you can do a lot of things with
curves it's very important to learn
curves there's an entire video on how it
works and you can Master curves using
this one watch this after watching this
video we have already covered the basics
of Curves I think in previous lessons a
little bit now let's make it slightly
brighter like this and there you go this
guy is very nicely replaced now can you
turn whatever you created let's turn all
of this off for a moment
can you turn this into a selection
because right now it's not actually a
selection but some areas are just
getting transparent the easiest way to
do that for some reason if you wanted to
is right click on it and choose convert
to Smart object and now you can hold the
controller command click on it and now
that turns into a selection so if you
ever wanted that that is the way to do
it now moving on to a final example
blendif is a great way to place any
object on any surface and it's fun so
let's say in this wall right here I want
to place a logo or something exciting so
I have this scary graphic right here
which fits perfectly let's drag it and
drop it right here this is transparent
so let's adjust it to our liking like
this let's keep it at the center we want
to match it up to this line right here
in the middle and maybe make it smaller
large larger that's up to you if you're
going to keep it this size maybe take it
up like this hit enter or return now we
have to think about it in terms of paint
and lighting so the dark paint in here
is going to darken the wall and the
brighter paint in here is going to
brighten the wall so first of all let's
talk about darkening the wall but before
we do anything just make two copies
because we are brightening and darkening
so here's the graphic press Ctrl or
command J to make a duplicate turn off
the first one this is for darkening so
for darkening what is the blend mode
let's not forget multiply change the
blend mode from normal to multiply but
we only want the dark paints to darken
the wall and also it will be gone from
the bright areas a little bit so first
of all let's change the blend mode name
to multiply so that we can keep track of
things and double click on the right
hand side of the layer now first of all
what did we decide we only want the
darker paints to darken the wall so
let's remove the brighter paints from
the current layer right so let's work
with the sliders of the current layer to
remove the brighter paints like this now
this is going to be harsh so hold the
alt clear the option key click on it to
break it apart and something like this
is fine
now you can play with this later that's
fine too now we have to remove the paint
from the bright areas of the wall which
is an underlying layer to add that shine
off the wall so take the slider of the
underlying left from right to left like
this
again of course this is Harsh so hold
the all security option key click on it
to break it apart and take it apart like
this that looks absolutely realistic so
we can leave it at that or go all in
like this hit okay now let's turn this
one on this is for brightening so what
is the blend mode which brightens the
screen so change the blend mode from
normal to screen double click on the
right hand side of clear for this one we
only want the bright paints to brighten
stuff so let's take away the dark paints
from the current layer so take the slide
of the current layer from left to right
like this
hold the alt carry option key click on
the slider to break it apart take it all
apart like this that's nice
now we want to take this away from the
dark areas to have those Shadows of the
texture of the wall take the slider off
the underlying left from left to right
like this this is looking very
interesting now hold the ALT key option
key click on it to break it apart and
take it apart like this
okay now that is something
damn that looks realistic now again the
paint won't be so perfect and so sharp
right so if you have to blur it a little
bit so select the first one by the way
this is screen right let's name the
layers
double click on the text to name it
let's go to filter blur and then
gaussian blur
two pixels is fine hit OK you can
actually copy the same layer right here
hold the ALT key option key click and
drag the smart filter and drop it right
here as well both of them have blur in
them now that's looking nicer realistic
but do you think it's too much blur
let's open up the gaussian blur double
click on it and keep it probably 1.2
this one as well 1.2 that's nice okay
now there's one more thing missing the
paint wouldn't be so perfect right some
areas would come off some areas would be
scratched so how do we bring that first
of all let's put both of them in a group
so select the first one hold the
controller command select the second one
press Ctrl or command G now we have to
introduce a grunge mask so this is an
image I have with a lot of scratches
let's open that have a look at it we can
absolutely use this to hide different
areas so let's just drag it and drop it
into photoshop on a new document for now
let's continue that's fine controller
command a to select all Ctrl or command
C let's come back to this this now let's
create a mask by clicking on the mask
button let's open up the mask by holding
the ALT key of the option key click on
the mask and then paste it inside of the
Mask remember using an image as a mask
we covered it in the layer mask lesson I
recommend watching that lesson later if
you haven't press Ctrl or command V hold
the ALT key the option key click on the
layer now most of it is gone why is it
gone because we want the opposite of it
we want in this mask the black areas to
show up and the white areas to hide but
that doesn't happen so how do we deal
with that we invert the mask select the
mask press Ctrl or command I there you
go now the scratches and everything are
black hold the ALT key the option key
click on the mask again now you have all
of these scratches so here's the before
here's the after but it's also not very
evident so first of all press Ctrl or
command D to deselect now we want to
transform this crunch texture which is
inside the mask if you press Ctrl or
command D and try to readjust anything
the contents will get adjusted too we
don't want that we want to adjust the
mask separately so how do we do that we
click on the link right here remove the
link and then with the mask selected we
press Ctrl or command T and then we
bring it right here possibly that's
looking nicer you can actually also
resize it
let this area be gone
do something like that that's also nice
hit enter or return now the intensity of
this mask is not too much so how do we
increase the intensity so select the
mask press Ctrl or command M to bring up
the curves adjustment and adjust it
there you go it's becoming more and more
intense we are just making the dark
areas darker there we go we can even
adjust it further like this
see the intensity there I like it hit
okay now look at it so without it it's
all well and nice it's looking fake but
with it you see all the grunts right
there that's fantastic now to make it
even more dramatic you can take it
further by color grading so click on the
adjustment layer icon and then choose
color lookup that's one of the easiest
ways to do it choose something like
probably crisp warm and there you go
that is just straight dangerous right
here now this is too much so we're going
to decrease the opacity to about 60
percent I believe we can add more drama
to it and one of the ways you can do it
is just under the color lookup let's
create one more curves adjustment layer
let's brighten it like this that looks
nice now select the mask and with the
gradient tool right here by the way you
can choose the new gradients at the top
choose a gradient from white to black
choose a radial gradient and you can
create a gradient like this
that's interesting now you can control
the curve make it brighter or darker now
that looks very very nice now I believe
that the color lookup is darkening these
areas way too much so let's create one
more curves adjustment layer and just
add a faded effect take the left point
up like this and create a point right
here and take it down as well and for
additional contrast you can take this
point up as well so curves is a very fun
thing to experiment with on top of it
you can add textures by the way if you
haven't yet check out do consider
checking out the piximper effect
compositing plugin it's a plugin where
all of the steps of creating a composite
is listed and every function is a
shortcut for example you want to match
colors of a subject to a new background
just with two clicks here's a demo you
can easily match the colors
automatically inside of the plugin in
the structures section you'll also find
some overlays and textures so let's
apply this one and there you go I love
this texture right here and the best
part is first of all let's click on this
button to apply it
this is seamless so you can double click
on the thumbnail of the adjustment layer
you can move it around and you can scale
it if you like you can make it smaller
or larger that's up to you I'm going to
keep it smaller 45 sorry about the
construction work in the background and
there you have your dangerous tunnel
where you don't want to be so that's all
about blendif it simply controls which
areas show up and which areas hide based
on brightness levels I hope this video
helped you and if it did make sure to
give us a like and also don't forget to
subscribe and not just subscribe ring
the bell so that you my friend don't
miss any other feature tips tricks or
tutorials thank you so much for watching
I'll see you in my next one till then
stay tuned and make sure that you keep
creating
[Music]
and somehow we get it right every time
[Music]
and I like it like that
[Music]
Can't find what you're looking for?
Get subtitles in any language from opensubtitles.com, and translate them here.