subtitlecat.com

All language subtitles for Thats.Entertainment.1974.1080p.WEBRip.x264.AAC-[YTS.MX]

Afrikaans

Albanian

Amharic

Arabic

Armenian

Azerbaijani

Basque

Belarusian

Bengali

Bosnian

Bulgarian

Catalan

Cebuano

Chichewa

Chinese (Simplified)

Chinese (Traditional)

Corsican

Croatian

Czech

Danish

Dutch

English

Esperanto

Estonian

Filipino

Finnish

French

Frisian

Galician

Georgian

German

Greek

Gujarati

Haitian Creole

Hausa

Hawaiian

Hebrew

Hindi

Hmong

Hungarian

Icelandic

Igbo

Indonesian

Irish

Italian

Japanese

Javanese

Kannada

Kazakh

Khmer

Korean

Kurdish (Kurmanji)

Kyrgyz

Lao

Latin

Latvian

Lithuanian

Luxembourgish

Macedonian

Malagasy

Malay

Malayalam

Maltese

Maori

Marathi

Mongolian

Myanmar (Burmese)

Nepali

Norwegian

Pashto

Persian

Polish

Portuguese Download

Punjabi

Romanian

Russian

Samoan

Scots Gaelic

Serbian

Sesotho

Shona

Sindhi

Sinhala

Slovak

Slovenian

Somali

Spanish

Sundanese

Swahili

Swedish

Tajik

Tamil

Telugu

Thai

Turkish

Ukrainian

Urdu

Uzbek

Vietnamese

Welsh

Xhosa

Yiddish

Yoruba

Zulu

Odia (Oriya)

Kinyarwanda

Turkmen

Tatar

Uyghur

Would you like to inspect the original subtitles? These are the user uploaded subtitles that are being translated: 1 00:00:25,358 --> 00:00:27,060 [STRUMMING UKULELE] 2 00:00:27,160 --> 00:00:30,196 ♪ DA DID-DIDDLE-OO ♪ 3 00:00:30,263 --> 00:00:31,898 ♪ I'M SINGIN' 4 00:00:31,899 --> 00:00:33,533 IN THE RAIN ♪ 5 00:00:33,600 --> 00:00:34,818 ♪ JUST SINGIN' IN 6 00:00:34,819 --> 00:00:36,036 THE RAIN ♪ 7 00:00:36,102 --> 00:00:37,337 ♪ WHAT A GLORIOUS 8 00:00:37,338 --> 00:00:38,571 FEELING ♪ 9 00:00:38,671 --> 00:00:40,507 ♪ I'M HAPPY AGAIN... ♪ 10 00:00:40,573 --> 00:00:42,409 - [FRANK SINATRA] - THE YEAR IS 1929. 11 00:00:42,509 --> 00:00:44,528 THE SINGER, CLIFF EDWARDS, 12 00:00:44,529 --> 00:00:46,546 ALSO KNOWN AS UKULELE IKE. 13 00:00:46,613 --> 00:00:48,515 THE FILM, HOLLYWOOD REVUE. 14 00:00:48,581 --> 00:00:50,016 - IT IS THE FIRST - ALL-TALKING, 15 00:00:50,083 --> 00:00:51,818 ALL-SINGING, ALL-DANCING 16 00:00:51,819 --> 00:00:53,553 MOVIE EVER MADE. 17 00:00:53,620 --> 00:00:54,905 ♪ EVERYONE 18 00:00:54,906 --> 00:00:56,189 FROM THE PLACE ♪ 19 00:00:56,256 --> 00:00:58,024 - ♪ COME ON - WITH YOUR RAIN ♪ 20 00:00:58,091 --> 00:00:59,559 ♪ I'VE GOT A SMILE 21 00:00:59,560 --> 00:01:01,027 ON MY FACE ♪ 22 00:01:01,094 --> 00:01:02,562 - ♪ I'LL WALK - DOWN THE LANE... ♪ 23 00:01:02,629 --> 00:01:04,297 - IN THE YEARS - THAT FOLLOWED, 24 00:01:04,397 --> 00:01:05,698 SINGIN' IN THE RAIN 25 00:01:05,765 --> 00:01:06,917 WOULD BECOME 26 00:01:06,918 --> 00:01:08,068 A THEME SONG FOR MGM. 27 00:01:08,134 --> 00:01:09,886 ♪ SINGIN' 28 00:01:09,887 --> 00:01:11,638 IN THE RAIN ♪♪ 29 00:01:11,738 --> 00:01:13,190 [HUMMING 30 00:01:13,191 --> 00:01:14,641 [SINGIN' IN THE RAIN] 31 00:01:14,741 --> 00:01:16,376 IN THE 1930s, 32 00:01:16,443 --> 00:01:17,544 JIMMY DURANTE GAVE US 33 00:01:17,545 --> 00:01:18,645 THIS RENDITION. 34 00:01:18,745 --> 00:01:20,113 ♪ DA DA YA DA ♪ 35 00:01:20,213 --> 00:01:22,082 ♪ YA DA DA DI DUM ♪ 36 00:01:22,148 --> 00:01:23,366 YOU... YOU WROTE THAT 37 00:01:23,367 --> 00:01:24,584 THIS MORNING? 38 00:01:24,651 --> 00:01:26,119 YEAH. IT'S SOMETHING 39 00:01:26,120 --> 00:01:27,587 THEY REMEMBER. 40 00:01:27,654 --> 00:01:28,772 YEAH. I REMEMBER IT 41 00:01:28,773 --> 00:01:29,889 ALREADY. 42 00:01:29,956 --> 00:01:32,058 ♪ I'M SINGIN' IN THE RAIN ♪ 43 00:01:32,125 --> 00:01:33,677 ♪ OH, I'M SINGIN' 44 00:01:33,678 --> 00:01:35,228 IN THE RAIN ♪ 45 00:01:35,295 --> 00:01:37,497 - ♪ WHAT A GRAND, - WHAT A GLORIOUS FEELING ♪ 46 00:01:37,597 --> 00:01:39,165 ♪ I'M HAPPY AGAIN... ♪ 47 00:01:39,265 --> 00:01:40,600 IN THE 1940s, 48 00:01:40,667 --> 00:01:41,735 JUDY GARLAND 49 00:01:41,736 --> 00:01:42,802 DID IT HER WAY. 50 00:01:42,902 --> 00:01:44,104 ♪ SO DARK UP ABOVE ♪ 51 00:01:44,170 --> 00:01:46,906 ♪ THE SUN'S IN MY HEART ♪ 52 00:01:46,973 --> 00:01:48,942 - ♪ I'M GETTIN' READY - FOR LOVE ♪ 53 00:01:49,008 --> 00:01:50,610 ♪ THE STORMY CLOUDS CHASE ♪ 54 00:01:50,677 --> 00:01:53,113 ♪ EVERYONE FROM THE PLACE ♪ 55 00:01:53,179 --> 00:01:55,115 - ♪ AND COME ON - WITH THE RAIN ♪ 56 00:01:55,181 --> 00:01:57,817 ♪ I'VE A SMILE ON MY FACE ♪ 57 00:01:57,917 --> 00:02:00,253 ♪ I'LL WALK DOWN THE LANE ♪ 58 00:02:00,320 --> 00:02:02,188 ♪ WITH A HAPPY REFRAIN ♪ 59 00:02:02,288 --> 00:02:04,691 ♪ AND SINGIN' ♪ 60 00:02:04,791 --> 00:02:06,960 ♪ SINGIN' ♪ 61 00:02:07,026 --> 00:02:10,697 ♪ I'M SINGIN' 62 00:02:10,698 --> 00:02:14,367 IN THE RAIN ♪♪ 63 00:02:15,802 --> 00:02:17,137 IN THE 1950s, 64 00:02:17,203 --> 00:02:18,672 GENE KELLY, DEBBIE REYNOLDS, 65 00:02:18,673 --> 00:02:20,140 AND DONALD O'CONNOR 66 00:02:20,206 --> 00:02:21,541 PUT IT ALL TOGETHER 67 00:02:21,641 --> 00:02:23,076 IN WHAT MANY CALL 68 00:02:23,077 --> 00:02:24,511 THE BEST MUSICAL EVER MADE. 69 00:02:24,611 --> 00:02:26,146 ♪ SINGIN' IN THE RAIN ♪ 70 00:02:26,212 --> 00:02:28,148 - ♪ JUST SINGIN' - IN THE RAIN ♪ 71 00:02:28,214 --> 00:02:30,183 ♪ WHAT A GLORIOUS FEELING ♪ 72 00:02:30,283 --> 00:02:32,152 ♪ WE'RE HAPPY AGAIN ♪ 73 00:02:32,218 --> 00:02:33,620 ♪ WE'LL WALK DOWN... ♪♪ 74 00:02:33,686 --> 00:02:35,188 IF YOU'RE WONDERING 75 00:02:35,189 --> 00:02:36,689 WHAT HAPPENED IN BETWEEN, 76 00:02:36,789 --> 00:02:38,525 WELL, SIT BACK AND RELAX. 77 00:02:38,625 --> 00:02:40,360 YOU'RE ABOUT TO FIND OUT. 78 00:04:51,924 --> 00:04:53,793 IT'S BEEN QUITE SOME TIME 79 00:04:53,860 --> 00:04:54,978 SINCE I FIRST CAME 80 00:04:54,979 --> 00:04:56,095 TO THIS PLACE, 81 00:04:56,162 --> 00:04:57,480 AND MGM IS CERTAINLY NOT 82 00:04:57,481 --> 00:04:58,798 THE SAME STUDIO, 83 00:04:58,865 --> 00:05:00,767 - AND HOLLYWOOD'S - NOT THE SAME TOWN, 84 00:05:00,833 --> 00:05:02,352 BUT THE FILMS WE MADE HERE 85 00:05:02,353 --> 00:05:03,870 ARE STILL AROUND. 86 00:05:03,970 --> 00:05:05,138 SOME STUDIOS CAN CLAIM 87 00:05:05,204 --> 00:05:07,140 - THEY MADE - THE FINEST GANGSTER FILMS 88 00:05:07,206 --> 00:05:08,808 - OR THE GREATEST - HORROR MOVIES, 89 00:05:08,875 --> 00:05:10,093 BUT WHEN IT CAME 90 00:05:10,094 --> 00:05:11,311 TO MUSICALS, 91 00:05:11,377 --> 00:05:12,612 MGM, THEY WERE 92 00:05:12,613 --> 00:05:13,846 THE CHAMPIONS. 93 00:05:13,946 --> 00:05:15,815 MUSICALS WERE FANTASY TRIPS 94 00:05:15,882 --> 00:05:17,784 - FOR THE AUDIENCES - OF THEIR DAY. 95 00:05:17,850 --> 00:05:20,486 - FOR INSTANCE... BOY MEETS GIRL, - BOY LOSES GIRL, 96 00:05:20,553 --> 00:05:21,704 BOY SINGS A SONG 97 00:05:21,705 --> 00:05:22,855 AND GETS GIRL. 98 00:05:22,955 --> 00:05:24,457 THE PLOTS WERE THAT SIMPLE. 99 00:05:24,524 --> 00:05:25,825 THE MUSICALS 100 00:05:25,826 --> 00:05:27,126 OF THE 1930s, '40s, OR '50s 101 00:05:27,193 --> 00:05:28,578 MAY NOT TELL YOU WHERE 102 00:05:28,579 --> 00:05:29,962 OUR HEADS WERE AT. 103 00:05:30,029 --> 00:05:31,431 THEY TELL YOU 104 00:05:31,432 --> 00:05:32,832 WHERE OUR HEARTS WERE AT. 105 00:05:37,537 --> 00:05:38,555 {\an8}AND ALL OF THIS 106 00:05:38,556 --> 00:05:39,572 {\an8}LOVABLE NONSENSE 107 00:05:39,672 --> 00:05:41,140 {\an8}BEGAN BACK IN 1929 108 00:05:41,207 --> 00:05:43,009 {\an8}WHEN THE SILENT FILM 109 00:05:43,010 --> 00:05:44,811 {\an8}HAD BECOME A THING OF THE PAST 110 00:05:44,877 --> 00:05:46,813 {\an8}AND SOUND WAS THE KING. 111 00:05:46,879 --> 00:05:48,348 {\an8}♪ DON'T BRING A FROWN 112 00:05:48,349 --> 00:05:49,816 {\an8}TO OLD BROADWAY ♪ 113 00:05:49,882 --> 00:05:51,367 {\an8}♪ YOU'VE GOT TO CLOWN 114 00:05:51,368 --> 00:05:52,852 {\an8}ON BROADWAY... ♪ 115 00:05:52,919 --> 00:05:54,320 {\an8}BROADWAY MELODY OF 1929 116 00:05:54,387 --> 00:05:57,223 - {\an8}WON AN OSCAR - FOR THE BEST PICTURE THAT YEAR, 117 00:05:57,323 --> 00:05:59,409 {\an8}AND MGM WAS OFF AND RUNNING 118 00:05:59,410 --> 00:06:01,494 {\an8}WITH A NEW FORMULA FOR SUCCESS. 119 00:06:01,561 --> 00:06:02,662 {\an8}CHARLES KING 120 00:06:02,729 --> 00:06:03,947 {\an8}AND A LINE OF SLIGHTLY 121 00:06:03,948 --> 00:06:05,164 {\an8}OVERWEIGHT CHORUS GIRLS 122 00:06:05,231 --> 00:06:06,866 {\an8}WERE THE BEGINNING 123 00:06:06,867 --> 00:06:08,501 {\an8}OF A NEW MOTION-PICTURE ART FORM 124 00:06:08,568 --> 00:06:11,371 - {\an8}THAT WOULD CAPTIVATE AUDIENCES - FOR YEARS TO COME. 125 00:06:11,437 --> 00:06:13,339 - {\an8}♪ ON THE GREAT - WHITE WAY ♪ 126 00:06:13,406 --> 00:06:15,492 {\an8}♪ THAT'S 127 00:06:15,493 --> 00:06:17,577 {\an8}THE BROADWAY MELODY ♪ 128 00:06:34,761 --> 00:06:36,229 {\an8}♪ NO SKIES OF GRAY 129 00:06:36,230 --> 00:06:37,697 {\an8}ON THE GREAT WHITE WAY ♪ 130 00:06:37,764 --> 00:06:42,468 {\an8}♪ THAT'S THE BROADWAY MELODY ♪♪ 131 00:06:45,538 --> 00:06:47,073 WITHIN A FEW SHORT YEARS, 132 00:06:47,140 --> 00:06:48,291 THE MUSICAL 133 00:06:48,292 --> 00:06:49,442 HAD COME OF AGE. 134 00:06:49,542 --> 00:06:51,377 THE PRIMITIVE STAGE SHOW 135 00:06:51,444 --> 00:06:52,879 HAD NOW BECOME 136 00:06:52,880 --> 00:06:54,313 A CINEMATIC SPECTACULAR. 137 00:06:54,414 --> 00:06:56,149 HERE, FRANK MORGAN, 138 00:06:56,150 --> 00:06:57,884 RAY BOLGER, NELSON EDDY, 139 00:06:57,950 --> 00:06:59,719 AND A CAST OF THOUSANDS 140 00:06:59,786 --> 00:07:01,037 WATCH ELEANOR POWELL DANCE 141 00:07:01,038 --> 00:07:02,288 IN ROSALIE. 142 00:07:37,523 --> 00:07:38,524 {\an8}[MEN'S CHORUS] 143 00:07:38,525 --> 00:07:39,525 {\an8}♪ ROSALIE ♪ 144 00:07:39,625 --> 00:07:43,262 {\an8}♪ HAVE MERCY ♪ 145 00:07:43,329 --> 00:07:45,899 {\an8}♪ ROSALIE, ROSALIE, 146 00:07:45,900 --> 00:07:48,468 {\an8}DON'T DECLINE ♪ 147 00:07:48,534 --> 00:07:50,937 {\an8}♪ MAKE MY LIFE THRILLING ♪ 148 00:07:51,003 --> 00:07:53,656 {\an8}♪ AND TELL ME YOU'RE WILLING 149 00:07:53,657 --> 00:07:56,309 {\an8}TO BE MINE ♪ 150 00:07:56,375 --> 00:08:00,279 {\an8}♪ ROSALIE, MINE ♪♪ 151 00:08:04,183 --> 00:08:07,186 [APPLAUSE] 152 00:08:31,878 --> 00:08:37,016 ♪ WHEN I'M CALLING YOU ♪ 153 00:08:37,083 --> 00:08:39,018 - THE MOST SUCCESSFUL - SINGING TEAM 154 00:08:39,085 --> 00:08:41,020 - IN THE HISTORY - OF MOTION PICTURES... 155 00:08:41,087 --> 00:08:42,922 - NELSON EDDY - AND JEANETTE MacDONALD 156 00:08:43,022 --> 00:08:44,323 IN ROSE MARIE. 157 00:08:44,390 --> 00:08:50,730 ♪ WILL YOU ANSWER, 158 00:08:50,731 --> 00:08:57,069 TOO? ♪ 159 00:08:57,169 --> 00:09:02,675 ♪ THEN I WILL KNOW ♪ 160 00:09:02,742 --> 00:09:10,742 ♪ OUR LOVE WILL COME TRUE ♪ 161 00:09:17,857 --> 00:09:24,597 ♪ YOU'LL BELONG TO ME ♪ 162 00:09:24,697 --> 00:09:32,697 ♪ I'LL BELONG TO YOU ♪ 163 00:09:48,120 --> 00:09:49,605 IN 1936, THE GREAT ZIEGFELD 164 00:09:49,606 --> 00:09:51,090 WON AN OSCAR 165 00:09:51,157 --> 00:09:52,358 FOR THE BEST PICTURE 166 00:09:52,359 --> 00:09:53,559 OF THAT YEAR. 167 00:09:53,626 --> 00:09:55,094 VIRGINIA BRUCE 168 00:09:55,095 --> 00:09:56,562 AND A GANG OF LOVELY LADIES 169 00:09:56,629 --> 00:09:58,598 - CLUTTERED UP HOLLYWOOD'S - BIGGEST STAIRCASE, 170 00:09:58,664 --> 00:10:00,566 - AND SOMEWHERE - IN THAT LOVELY MOB, 171 00:10:00,633 --> 00:10:02,969 - YOU'LL FIND DENNIS MORGAN - SINGING A SONG. 172 00:10:03,069 --> 00:10:04,821 IF ANYONE COULD AFFORD TO FILM 173 00:10:04,822 --> 00:10:06,572 THIS EXTRAVAGANT NUMBER TODAY, 174 00:10:06,639 --> 00:10:07,974 PERHAPS IT WOULD LOOK 175 00:10:07,975 --> 00:10:09,308 SOMETHING LIKE THIS. 176 00:10:10,643 --> 00:10:12,111 ♪ JUST LIKE 177 00:10:12,112 --> 00:10:13,579 A HEAVENLY RHAPSODY ♪ 178 00:10:13,646 --> 00:10:15,331 ♪ SHE CAPTURES YOU 179 00:10:15,332 --> 00:10:17,016 RIGHT FROM THE START ♪ 180 00:10:17,116 --> 00:10:18,601 ♪ JUST LIKE 181 00:10:18,602 --> 00:10:20,086 A BEAUTIFUL MELODY ♪ 182 00:10:20,152 --> 00:10:21,737 ♪ SHE'LL PLAY ON THE STRINGS 183 00:10:21,738 --> 00:10:23,322 OF YOUR HEART ♪ 184 00:10:23,422 --> 00:10:26,659 ♪ A PRETTY GIRL ♪ 185 00:10:26,759 --> 00:10:30,096 ♪ IS LIKE A MELODY ♪ 186 00:10:30,162 --> 00:10:33,466 ♪ THAT HAUNTS YOU 187 00:10:33,467 --> 00:10:36,769 NIGHT AND DAY ♪ 188 00:10:36,836 --> 00:10:39,639 ♪ JUST LIKE THE STRAIN ♪ 189 00:10:39,705 --> 00:10:42,608 ♪ OF A HAUNTING REFRAIN ♪ 190 00:10:42,675 --> 00:10:44,160 ♪ SHE'LL START UPON 191 00:10:44,161 --> 00:10:45,645 A MARATHON ♪ 192 00:10:45,711 --> 00:10:48,347 ♪ AND RUN AROUND YOUR BRAIN ♪ 193 00:10:48,447 --> 00:10:51,183 ♪ YOU CAN'T ESCAPE ♪ 194 00:10:51,283 --> 00:10:54,620 ♪ SHE'S IN YOUR MEMORY ♪ 195 00:10:54,687 --> 00:10:57,690 ♪ BY MORNING, NIGHT, 196 00:10:57,691 --> 00:11:00,693 AND NOON ♪ 197 00:11:00,793 --> 00:11:03,629 ♪ SHE WILL LEAVE YOU ♪ 198 00:11:03,696 --> 00:11:06,198 ♪ AND THEN ♪ 199 00:11:06,298 --> 00:11:09,201 ♪ COME BACK AGAIN ♪ 200 00:11:09,301 --> 00:11:10,636 ♪ SHE WILL COME BACK AGAIN ♪ 201 00:11:10,703 --> 00:11:17,210 ♪ A PRETTY GIRL 202 00:11:17,211 --> 00:11:23,716 IS JUST LIKE A PRETTY TUNE ♪ 203 00:11:23,816 --> 00:11:27,653 ♪ SHE'S IN YOUR MEMORY ♪ 204 00:11:27,720 --> 00:11:31,724 ♪ BY MORNING, NIGHT, 205 00:11:31,725 --> 00:11:35,728 AND NOON ♪ 206 00:11:35,828 --> 00:11:38,664 ♪ SHE WILL LEAVE YOU ♪ 207 00:11:38,731 --> 00:11:41,734 ♪ AND THEN ♪ 208 00:11:41,834 --> 00:11:45,671 ♪ COME BACK AGAIN ♪ 209 00:11:45,738 --> 00:11:50,243 ♪ A PRETTY GIRL 210 00:11:50,244 --> 00:11:54,747 IS JUST LIKE A PRETTY TUNE ♪ 211 00:11:54,847 --> 00:11:59,018 ♪ BEAUTIFUL MELODY ♪ 212 00:11:59,085 --> 00:12:02,788 ♪ A PRETTY GIRL ♪ 213 00:12:02,888 --> 00:12:06,358 ♪ IS JUST LIKE ♪ 214 00:12:06,425 --> 00:12:14,425 ♪ A PRETTY TUNE ♪♪ 215 00:12:27,246 --> 00:12:28,981 {\an8}THE LAST OF THE BIG BLACK- 216 00:12:28,982 --> 00:12:30,716 {\an8}AND-WHITE PRODUCTION NUMBERS, 217 00:12:30,783 --> 00:12:32,818 - {\an8}STARRING ELEANOR POWELL - AND FRED ASTAIRE, 218 00:12:32,918 --> 00:12:34,286 {\an8}COLE PORTER'S MUSIC, 219 00:12:34,386 --> 00:12:35,755 {\an8}THE SETS AND THE CAMERA WORK, 220 00:12:35,821 --> 00:12:37,556 {\an8}THE DIRECTION BY NORMAN TAUROG, 221 00:12:37,623 --> 00:12:38,925 {\an8}THE INCREDIBLE TAP-DANCING 222 00:12:38,926 --> 00:12:40,226 {\an8}BY THESE TWO... 223 00:12:40,292 --> 00:12:41,293 {\an8}WELL, IT ALL SEEMED 224 00:12:41,294 --> 00:12:42,294 {\an8}TO COME TOGETHER 225 00:12:42,394 --> 00:12:44,096 {\an8}IN BROADWAY MELODY OF 1940. 226 00:12:44,163 --> 00:12:45,164 {\an8}YOU CAN WAIT AROUND 227 00:12:45,165 --> 00:12:46,165 {\an8}AND HOPE, 228 00:12:46,265 --> 00:12:47,566 {\an8}BUT I'LL TELL YOU, 229 00:12:47,633 --> 00:12:49,051 {\an8}YOU'LL NEVER SEE 230 00:12:49,052 --> 00:12:50,469 {\an8}THE LIKES OF THIS AGAIN. 231 00:14:58,597 --> 00:15:01,100 [APPLAUSE] 232 00:15:08,908 --> 00:15:10,576 ♪ DON'T BE AFRAID ♪ 233 00:15:10,643 --> 00:15:11,694 ♪ YOU'LL 234 00:15:11,695 --> 00:15:12,745 MAKE THE GRADE ♪ 235 00:15:12,811 --> 00:15:14,413 - ♪ WHY, - YOU CAN SING ♪ 236 00:15:14,480 --> 00:15:15,681 ♪ AS GOOD 237 00:15:15,682 --> 00:15:16,882 AS BING... ♪ 238 00:15:16,949 --> 00:15:18,184 AND HERE, THE OLD PRO 239 00:15:18,185 --> 00:15:19,418 JAMES DURANTE 240 00:15:19,485 --> 00:15:21,453 - GIVES A NEWCOMER - A FEW POINTERS 241 00:15:21,553 --> 00:15:23,489 IN IT HAPPENED IN BROOKLYN. 242 00:15:23,589 --> 00:15:24,757 SING IT, DANNY. 243 00:15:24,823 --> 00:15:25,891 MAKE ME 244 00:15:25,892 --> 00:15:26,959 PROUD OF YOU. 245 00:15:27,059 --> 00:15:29,395 O.K., NICK. STAND BACK. 246 00:15:29,461 --> 00:15:30,930 ♪ IT DOESN'T HAVE TO BE 247 00:15:30,931 --> 00:15:32,398 WITTY OR SMART ♪ 248 00:15:32,464 --> 00:15:33,732 SMILE. 249 00:15:33,799 --> 00:15:34,934 ♪ LONG AS IT COMES 250 00:15:34,935 --> 00:15:36,068 FROM THE HEART ♪ 251 00:15:36,135 --> 00:15:37,403 KEEP GOING. 252 00:15:37,469 --> 00:15:38,687 ♪ IT DOESN'T HAVE TO BE 253 00:15:38,688 --> 00:15:39,905 CLASSIC OR ART ♪ 254 00:15:39,972 --> 00:15:41,006 GREAT! 255 00:15:41,106 --> 00:15:42,975 - ♪ LONG AS IT COMES - FROM THE HEART ♪ 256 00:15:43,075 --> 00:15:44,410 - THIS KID - IS BRILLIANT. 257 00:15:44,476 --> 00:15:46,395 ♪ I'LL GIVE 'EM THAT, 258 00:15:46,396 --> 00:15:48,314 I'LL GIVE 'EM THIS ♪ 259 00:15:48,414 --> 00:15:50,516 ♪ I'LL STRUT AWAY ♪ 260 00:15:50,616 --> 00:15:52,484 BOY, YOU CAN'T MISS! 261 00:15:52,584 --> 00:15:54,453 - ♪ JUST PUT A STAR - ON MY CHART ♪ 262 00:15:54,520 --> 00:15:55,854 - THEY WON'T NEED THIS - ANYMORE. 263 00:15:55,955 --> 00:15:57,156 ♪ 'CAUSE THE SONG'S GONNA 264 00:15:57,157 --> 00:15:58,357 COME FROM THE HEART ♪ 265 00:15:58,457 --> 00:15:59,591 DON'T WORK CHEAP! 266 00:15:59,658 --> 00:16:01,493 ♪ ON OPENING NIGHTS ♪ 267 00:16:01,593 --> 00:16:03,462 ♪ YOUR NAME IN LIGHTS ♪ 268 00:16:03,529 --> 00:16:05,464 - ♪ WHY, - WE WON'T STOP ♪ 269 00:16:05,531 --> 00:16:07,433 - ♪ TILL YOU REACH - THE TOP ♪ 270 00:16:07,499 --> 00:16:08,767 ♪ WE'LL ORDER OUR MEALS 271 00:16:08,768 --> 00:16:10,035 A LA CARTE ♪ 272 00:16:10,135 --> 00:16:11,437 THAT'S EXPENSIVE! 273 00:16:11,503 --> 00:16:12,655 ♪ IF THE SONG 274 00:16:12,656 --> 00:16:13,806 COMES FROM THE HEART ♪ 275 00:16:13,872 --> 00:16:15,274 - ♪ WE'LL BE - TREMENDOUS ♪ 276 00:16:15,341 --> 00:16:16,659 ♪ IF THE SONG 277 00:16:16,660 --> 00:16:17,977 COMES FROM THE HEART ♪ 278 00:16:18,043 --> 00:16:19,378 - ♪ THEY'LL HOLLER - "BRA-VO" ♪ 279 00:16:19,478 --> 00:16:21,947 ♪ IF THE SONG ♪ 280 00:16:22,014 --> 00:16:26,151 ♪ COMES FROM THE HEART ♪ 281 00:16:27,886 --> 00:16:31,357 ♪ HEART ♪♪ 282 00:16:34,660 --> 00:16:35,828 THAT'S JUST A SAMPLE 283 00:16:35,894 --> 00:16:37,429 OF WHAT'S BEEN GOING ON 284 00:16:37,430 --> 00:16:38,964 FOR THE PAST 40 YEARS. 285 00:16:39,031 --> 00:16:40,266 THE WORK WAS HARD, 286 00:16:40,267 --> 00:16:41,500 BUT IT WAS GREAT FUN, 287 00:16:41,567 --> 00:16:43,502 - BECAUSE THE PEOPLE - YOU WORKED WITH 288 00:16:43,569 --> 00:16:45,471 - REALLY KNEW WHAT - THEY WERE DOING. 289 00:16:45,537 --> 00:16:47,806 - IT WAS SAID - THAT THROUGH THOSE DOORS 290 00:16:47,873 --> 00:16:50,142 - PASSED THE MOST FAMOUS STARS - IN HOLLYWOOD. 291 00:16:50,209 --> 00:16:51,394 I DON'T THINK ANYONE 292 00:16:51,395 --> 00:16:52,578 WILL ARGUE ABOUT IT. 293 00:16:52,678 --> 00:16:54,463 HERE'S ONE OF THE MOST LOVELY 294 00:16:54,464 --> 00:16:56,248 AND TALENTED OF THOSE STARS, 295 00:16:56,348 --> 00:16:57,816 MISS ELIZABETH TAYLOR. 296 00:17:10,562 --> 00:17:12,531 I WAS 10 YEARS OLD 297 00:17:12,532 --> 00:17:14,500 WHEN I FIRST CAME TO MGM, 298 00:17:14,566 --> 00:17:16,552 AND I SPENT MOST OF THE NEXT 299 00:17:16,553 --> 00:17:18,537 18 YEARS OF MY LIFE 300 00:17:18,604 --> 00:17:19,739 BEHIND THE WALLS 301 00:17:19,740 --> 00:17:20,873 OF THAT STUDIO. 302 00:17:20,939 --> 00:17:22,725 AS A YOUNG GIRL GROWING UP 303 00:17:22,726 --> 00:17:24,510 IN THAT STRANGE PLACE, 304 00:17:24,576 --> 00:17:26,261 IT'S HARD TO RECALL 305 00:17:26,262 --> 00:17:27,946 WHAT WAS REAL AND WHAT WASN'T. 306 00:17:28,047 --> 00:17:30,049 PERHAPS MY MOST VIVID MEMORIES 307 00:17:30,050 --> 00:17:32,051 WERE OF MGM MUSICALS. 308 00:17:32,117 --> 00:17:33,235 JUST TO STAND THERE 309 00:17:33,236 --> 00:17:34,353 ON THE SET 310 00:17:34,420 --> 00:17:35,738 AND WATCH THE SINGING 311 00:17:35,739 --> 00:17:37,056 AND THE DANCING... 312 00:17:37,122 --> 00:17:38,591 IT WAS LIKE FANTASY 313 00:17:38,592 --> 00:17:40,059 COME TRUE. 314 00:17:40,125 --> 00:17:41,994 TOTAL INNOCENCE, 315 00:17:41,995 --> 00:17:43,862 LOVELINESS. 316 00:17:43,929 --> 00:17:47,183 ♪ I LOVE A MELODY 317 00:17:47,184 --> 00:17:50,436 OF SPRING ♪ 318 00:17:50,536 --> 00:17:52,204 ♪ LILACS IN BLOOM ♪ 319 00:17:52,271 --> 00:17:53,406 ♪ BIRDS 320 00:17:53,407 --> 00:17:54,540 ON THE WING... ♪ 321 00:17:54,606 --> 00:17:56,608 I MADE MY MUSICAL DEBUT 322 00:17:56,609 --> 00:17:58,610 WHEN I WAS 15 YEARS OLD 323 00:17:58,710 --> 00:18:00,479 IN A FILM CALLED CYNTHIA. 324 00:18:00,579 --> 00:18:02,498 I WAS CERTAINLY NO THREAT 325 00:18:02,499 --> 00:18:04,416 TO JANE POWELL OR JUDY GARLAND, 326 00:18:04,483 --> 00:18:06,552 AS YOU WILL SEE. 327 00:18:06,618 --> 00:18:10,372 ♪ FOR LIFE IS A DEAR 328 00:18:10,373 --> 00:18:14,126 AND JOYOUS THING ♪ 329 00:18:14,226 --> 00:18:18,664 ♪ WHENEVER I HEAR ♪ 330 00:18:18,764 --> 00:18:22,234 ♪ THE MUSIC ♪ 331 00:18:22,301 --> 00:18:27,906 ♪ OF ♪ 332 00:18:27,973 --> 00:18:30,509 ♪ SPRING ♪♪ 333 00:18:30,609 --> 00:18:32,344 MAYBE THAT EXPERIENCE 334 00:18:32,345 --> 00:18:34,079 HELPED GIVE ME 335 00:18:34,146 --> 00:18:36,365 THE ENORMOUS REGARD 336 00:18:36,366 --> 00:18:38,584 THAT I HAVE FOR MUSICAL TALENTS. 337 00:18:38,650 --> 00:18:40,235 AND BELIEVE ME, AT MGM, 338 00:18:40,236 --> 00:18:41,820 I SAW THE BEST. 339 00:18:41,920 --> 00:18:44,156 ♪ EVERY HONEYBEE ♪ 340 00:18:44,256 --> 00:18:46,091 - ♪ SIGHS WITH - JEALOUSY... ♪ 341 00:18:46,158 --> 00:18:47,893 FOR INSTANCE, 342 00:18:47,894 --> 00:18:49,628 IF LENA HORNE WAS IN A MOVIE, 343 00:18:49,695 --> 00:18:51,013 THEN IT ALMOST HAD TO BE 344 00:18:51,014 --> 00:18:52,331 FROM MGM. 345 00:18:52,431 --> 00:18:55,367 ♪ HONEYSUCKLE ROSE ♪ 346 00:18:56,602 --> 00:18:58,771 ♪ WHEN WE'RE PASSING BY, 347 00:18:58,772 --> 00:19:00,939 FLOWERS DROOP AND SIGH ♪ 348 00:19:01,006 --> 00:19:02,091 ♪ AND I KNOW 349 00:19:02,092 --> 00:19:03,175 THE REASON WHY ♪ 350 00:19:03,275 --> 00:19:04,894 ♪ YOU'RE MUCH SWEETER, 351 00:19:04,895 --> 00:19:06,512 GOODNESS KNOWS ♪ 352 00:19:06,612 --> 00:19:10,682 ♪ HONEYSUCKLE ROSE ♪ 353 00:19:10,782 --> 00:19:15,521 ♪ I DON'T BUY SUGAR ♪ 354 00:19:15,621 --> 00:19:17,406 ♪ YOU JUST HAVE TO 355 00:19:17,407 --> 00:19:19,191 TOUCH MY CUP ♪ 356 00:19:19,291 --> 00:19:22,694 ♪ YOU'RE MY SUGAR ♪ 357 00:19:22,794 --> 00:19:24,296 ♪ IT'S SWEET 358 00:19:24,297 --> 00:19:25,797 WHEN YOU STIR IT UP ♪ 359 00:19:25,864 --> 00:19:27,916 ♪ WHEN I'M TAKING SIPS 360 00:19:27,917 --> 00:19:29,968 FROM YOUR TASTY LIPS ♪ 361 00:19:30,035 --> 00:19:31,337 ♪ SEEMS THE HONEY 362 00:19:31,338 --> 00:19:32,638 FAIRLY DRIPS ♪ 363 00:19:32,704 --> 00:19:34,940 ♪ YOU'RE CONFECTION, 364 00:19:34,941 --> 00:19:37,176 GOODNESS KNOWS ♪ 365 00:19:37,242 --> 00:19:40,913 ♪ YOU'RE MY HONEYSUCKLE ROSE ♪ 366 00:19:41,013 --> 00:19:44,883 [PLAYING JAZZ MUSIC] 367 00:19:44,983 --> 00:19:51,323 ♪ YOU'RE MY HONEYSUCKLE ROSE ♪♪ 368 00:19:51,390 --> 00:19:53,192 [APPLAUSE] 369 00:19:53,258 --> 00:19:54,993 ♪ 'CAUSE IT'S ONE ♪ 370 00:19:55,060 --> 00:19:56,528 - ♪ THREE STRIKES, - YOU'RE OUT ♪ 371 00:19:56,595 --> 00:19:59,665 ♪ AT THE OLD BALL GAME ♪♪ 372 00:19:59,731 --> 00:20:01,250 WHEN FRANK SINATRA 373 00:20:01,251 --> 00:20:02,768 AND GENE KELLY TEAMED UP 374 00:20:02,868 --> 00:20:04,536 FOR A SERIES OF FILMS, 375 00:20:04,603 --> 00:20:06,205 - THE RESULTS - WERE IRRESISTIBLE. 376 00:20:06,271 --> 00:20:08,173 - THIS IS ONE - OF THEIR BEST... 377 00:20:08,240 --> 00:20:09,575 TAKE ME OUT 378 00:20:09,576 --> 00:20:10,909 TO THE BALL GAME. 379 00:21:06,798 --> 00:21:10,269 ♪ THOU SWELL, THOU WITTY ♪ 380 00:21:10,335 --> 00:21:13,772 ♪ THOU SWEET, THOU GRAND ♪ 381 00:21:13,839 --> 00:21:15,307 ♪ WOULDST KISS ME 382 00:21:15,308 --> 00:21:16,775 PRETTY? ♪ 383 00:21:16,842 --> 00:21:19,778 ♪ WOULDST HOLD MY HAND? ♪ 384 00:21:19,845 --> 00:21:21,330 ♪ BOTH THINE EYES 385 00:21:21,331 --> 00:21:22,814 ARE CUTE, TOO ♪ 386 00:21:22,914 --> 00:21:26,318 ♪ WHAT THEY DO TO ME ♪ 387 00:21:26,418 --> 00:21:27,919 ♪ HEAR ME HOLLER ♪ 388 00:21:27,986 --> 00:21:29,955 ♪ I CHOOSE A SWEET 389 00:21:29,956 --> 00:21:31,923 LOLLAPALOOZA IN THEE... ♪ 390 00:21:31,990 --> 00:21:33,759 JUNE ALLYSON, 391 00:21:33,825 --> 00:21:35,043 MGM's MOST POPULAR 392 00:21:35,044 --> 00:21:36,261 MUSICAL SWEETHEART, 393 00:21:36,328 --> 00:21:38,314 IN RODGERS AND HART'S 394 00:21:38,315 --> 00:21:40,299 WORDS AND MUSIC. 395 00:21:40,365 --> 00:21:43,335 ♪ TWO ROOMS AND KITCHEN ♪ 396 00:21:43,435 --> 00:21:46,638 ♪ I'M SURE WOULD DO ♪ 397 00:21:46,705 --> 00:21:49,341 ♪ GIVE ME JUST A PLOT OF ♪ 398 00:21:49,441 --> 00:21:52,444 ♪ NOT A LOT OF LAND ♪ 399 00:21:52,511 --> 00:21:53,712 ♪ AND ♪ 400 00:21:53,812 --> 00:21:56,682 ♪ THOU SWELL, THOU WITTY ♪ 401 00:21:56,782 --> 00:21:58,016 ♪ THOU GRAND! ♪♪ 402 00:22:05,691 --> 00:22:07,076 EVERYBODY'S FAVORITE 403 00:22:07,077 --> 00:22:08,460 COLLEGE MUSICAL... 404 00:22:08,527 --> 00:22:09,795 GOOD NEWS, 405 00:22:09,861 --> 00:22:11,346 STARRING JUNE ALLYSON 406 00:22:11,347 --> 00:22:12,831 AND PETER LAWFORD. 407 00:22:12,898 --> 00:22:14,450 THOSE SURE WERE 408 00:22:14,451 --> 00:22:16,001 THE GOOD OLD DAYS. 409 00:23:10,522 --> 00:23:12,391 ♪ THE BOY, GARCON ♪ 410 00:23:12,457 --> 00:23:14,359 ♪ GETS GIRL, LA FILLE ♪ 411 00:23:14,426 --> 00:23:16,762 ♪ THAT'S GOOD, C'EST BON ♪ 412 00:23:16,862 --> 00:23:18,764 ♪ THE SHOW, FINI ♪ 413 00:23:18,864 --> 00:23:20,866 ♪ THE MORAL TO THIS TALE 414 00:23:20,867 --> 00:23:22,868 IS LEARN TO PARLEZ VOUS ♪ 415 00:23:22,934 --> 00:23:25,370 ♪ SEND HER A BILLET-DOUX ♪ 416 00:23:25,437 --> 00:23:26,705 ♪ TELL HER 417 00:23:26,706 --> 00:23:27,973 HER EYES ARE BLUE ♪ 418 00:23:28,073 --> 00:23:29,374 THEY SURE ARE BLUE. 419 00:23:29,441 --> 00:23:33,362 ♪ JE VOUS ADORE 420 00:23:33,363 --> 00:23:37,282 MEANS I LOVE YOU ♪♪ 421 00:23:45,924 --> 00:23:47,826 WHAT WONDERFUL YEARS 422 00:23:47,827 --> 00:23:49,728 THOSE WERE AT MGM. 423 00:23:49,795 --> 00:23:51,396 ONE DAY I REMEMBER MEETING 424 00:23:51,463 --> 00:23:54,065 - A TERRIBLY HANDSOME YOUNG MAN - FROM ENGLAND. 425 00:23:54,132 --> 00:23:55,267 HE'D JUST STARTED WORK 426 00:23:55,268 --> 00:23:56,401 AT THE STUDIO. 427 00:23:56,468 --> 00:23:57,820 NATURALLY, I FELL 428 00:23:57,821 --> 00:23:59,171 WILDLY IN LOVE WITH HIM. 429 00:23:59,271 --> 00:24:00,906 I STILL ADORE HIM. 430 00:24:00,972 --> 00:24:02,774 HE'S STILL ONE OF MY CLOSEST 431 00:24:02,775 --> 00:24:04,576 AND DEAREST FRIENDS... 432 00:24:04,643 --> 00:24:06,144 PETER LAWFORD. 433 00:24:06,244 --> 00:24:09,147 [COLLEGE CHEER] 434 00:24:23,495 --> 00:24:24,930 THIS BUILDING, 435 00:24:24,931 --> 00:24:26,364 OR WHAT'S LEFT OF IT, 436 00:24:26,465 --> 00:24:28,200 WAS, AMONG OTHER THINGS, 437 00:24:28,201 --> 00:24:29,935 TAIT COLLEGE IN GOOD NEWS. 438 00:24:30,001 --> 00:24:31,770 YOU MIGHT SAY THAT JUNE ALLYSON, 439 00:24:31,771 --> 00:24:33,538 MEL TORME, AND I 440 00:24:33,638 --> 00:24:34,940 GRADUATED FROM HERE. 441 00:24:35,006 --> 00:24:36,658 WE WERE ALL UNDER CONTRACT 442 00:24:36,659 --> 00:24:38,310 TO MGM IN THOSE DAYS. 443 00:24:38,376 --> 00:24:40,278 - THE STUDIO - PRETTY MUCH TOLD US 444 00:24:40,345 --> 00:24:41,663 WHAT PICTURES 445 00:24:41,664 --> 00:24:42,981 WE WERE GOING TO APPEAR IN. 446 00:24:43,048 --> 00:24:44,950 - THEY PUT US - IN DRAMAS, COMEDIES, 447 00:24:45,016 --> 00:24:46,535 AND IN MY CASE... 448 00:24:46,536 --> 00:24:48,053 AND DON'T ASK ME WHY... 449 00:24:48,153 --> 00:24:49,888 AN OCCASIONAL MUSICAL. 450 00:24:49,988 --> 00:24:51,623 AS A SINGER OR DANCER, 451 00:24:51,690 --> 00:24:53,342 I WAS ILL-EQUIPPED TO COMPETE 452 00:24:53,343 --> 00:24:54,993 WITH ASTAIRE OR KELLY, 453 00:24:55,060 --> 00:24:56,562 BUT WE DID 454 00:24:56,563 --> 00:24:58,063 WHAT WE WERE TOLD TO DO. 455 00:25:02,300 --> 00:25:05,003 WHEN I FIRST CAME TO MGM, 456 00:25:05,070 --> 00:25:06,571 THE WORLD WAS AT WAR. 457 00:25:06,671 --> 00:25:08,356 FOR THE GIs OVERSEAS 458 00:25:08,357 --> 00:25:10,041 AND THE AUDIENCES HERE AT HOME, 459 00:25:10,141 --> 00:25:12,811 - MUSICALS WERE A VERY SPECIAL - KIND OF ESCAPE, 460 00:25:12,878 --> 00:25:14,046 BOTH DURING THE WAR 461 00:25:14,047 --> 00:25:15,213 AND AFTERWARDS. 462 00:25:17,549 --> 00:25:19,034 THE FILMS WE MADE HERE 463 00:25:19,035 --> 00:25:20,519 HAD A CERTAIN STYLE... 464 00:25:20,585 --> 00:25:22,487 - A LOOK - THAT WAS UNMISTAKABLE. 465 00:25:22,554 --> 00:25:25,156 - WHETHER IT WAS THE DIRECTING - OR THE WRITING 466 00:25:25,223 --> 00:25:26,441 OR THE SCENERY, 467 00:25:26,442 --> 00:25:27,659 COSTUMES, THE LIGHTING, 468 00:25:27,726 --> 00:25:29,227 I DON'T REALLY KNOW, 469 00:25:29,327 --> 00:25:31,346 BUT SOMEHOW, YOU COULD ALWAYS 470 00:25:31,347 --> 00:25:33,365 TELL THAT IT WAS AN MGM MOVIE, 471 00:25:33,431 --> 00:25:36,001 ESPECIALLY THE MUSICALS. 472 00:25:41,840 --> 00:25:43,275 ALL RIGHT. CUT IT. 473 00:25:43,375 --> 00:25:44,709 PRINT IT, JANE. 474 00:25:44,776 --> 00:25:45,944 ALL RIGHT. TAKE ME 475 00:25:45,945 --> 00:25:47,112 INTO NUMBER ONE. 476 00:25:47,212 --> 00:25:49,247 O.K., NUMBER ONE. 477 00:25:49,347 --> 00:25:50,582 O.K., EVERYBODY. 478 00:25:50,682 --> 00:25:51,683 ALL RIGHT. 479 00:25:51,684 --> 00:25:52,684 WE'RE ROLLING. 480 00:25:52,751 --> 00:25:54,386 SPEED. 481 00:25:54,452 --> 00:25:55,452 ACTION. 482 00:25:55,520 --> 00:25:56,597 - [PETER LAWFORD] - THE STUDIO 483 00:25:56,621 --> 00:25:57,901 - WAS CONSTANTLY - EXPERIMENTING, 484 00:25:57,956 --> 00:25:59,958 - CONSTANTLY SHOWCASING - NEW TALENT... 485 00:26:00,058 --> 00:26:02,761 - FOR INSTANCE, DEBBIE REYNOLDS - AND CARLETON CARPENTER 486 00:26:02,861 --> 00:26:04,362 IN TWO WEEKS WITH LOVE. 487 00:26:04,429 --> 00:26:05,606 - ♪ ABA DABA DABA - DABA DABA DABA DAB ♪ 488 00:26:05,630 --> 00:26:07,365 - ♪ SAID CHIMPIE - TO THE MONK ♪ 489 00:26:07,432 --> 00:26:08,743 - ♪ ABA DABA DABA DABA - DABA DABA DAB ♪ 490 00:26:08,767 --> 00:26:10,535 - ♪ SAID THE MONKEY - TO THE CHIMP ♪ 491 00:26:10,602 --> 00:26:12,246 - ♪ ALL THEY NIGHT LONG - THEY'D CHATTER AWAY ♪ 492 00:26:12,270 --> 00:26:14,105 - ♪ ALL DAY LONG - THEY WERE HAPPY AND GAY ♪ 493 00:26:14,205 --> 00:26:15,407 ♪ SWINGING AND SINGING ♪ 494 00:26:15,473 --> 00:26:17,042 - ♪ IN THEIR - HONKY-TONKY WAY ♪ 495 00:26:17,108 --> 00:26:18,586 - ♪ ABA DABA DABA DABA - DABA DABA DAB ♪ 496 00:26:18,610 --> 00:26:20,545 - ♪ MEANS MONK, - I LOVE BUT YOU ♪ 497 00:26:20,612 --> 00:26:22,047 - ♪ BABA DABA DAB - IN MONKEY TALK ♪ 498 00:26:22,113 --> 00:26:23,548 - ♪ MEANS CHIMP, - I LOVE YOU, TOO ♪ 499 00:26:23,615 --> 00:26:25,550 - ♪ THEN THE BIG BABOON - ONE NIGHT IN JUNE ♪ 500 00:26:25,617 --> 00:26:27,319 - ♪ HE MARRIED THEM, - AND VERY SOON ♪ 501 00:26:27,419 --> 00:26:29,321 ♪ THEY WENT UPON 502 00:26:29,322 --> 00:26:31,222 THEIR ABA DABA HONEYMOON ♪♪ 503 00:26:31,289 --> 00:26:32,958 - [LAWFORD] - ELIZABETH TAYLOR STARRED 504 00:26:33,058 --> 00:26:34,492 IN A DATE WITH JUDY, 505 00:26:34,593 --> 00:26:36,495 ONE OF THE FIRST IN A NEW WAVE 506 00:26:36,496 --> 00:26:38,396 OF TEEN-AGE MUSICALS, 507 00:26:38,463 --> 00:26:39,848 MOST OF THEM PRODUCED 508 00:26:39,849 --> 00:26:41,232 BY JOE PASTERNAK. 509 00:26:41,299 --> 00:26:43,568 - THAT ISN'T ELIZABETH'S VOICE - YOU'RE HEARING. 510 00:26:43,635 --> 00:26:45,103 MGM KEPT HER TOO BUSY 511 00:26:45,104 --> 00:26:46,571 TO REHEARSE AND RECORD. 512 00:26:46,638 --> 00:26:48,573 - HER CO-STAR, JANE POWELL, - QUICKLY BECAME 513 00:26:48,640 --> 00:26:49,941 ONE OF THE STUDIO'S 514 00:26:49,942 --> 00:26:51,242 MOST POPULAR YOUNG TALENTS. 515 00:26:51,309 --> 00:26:56,681 ♪ AS AN OLD NATIVE-BORN ♪ 516 00:26:56,781 --> 00:27:02,621 ♪ CALIFORNIAN WOULD SAY...♪♪ 517 00:27:02,687 --> 00:27:04,139 ♪ IT'S A MOST 518 00:27:04,140 --> 00:27:05,590 UNUSUAL DAY ♪ 519 00:27:05,657 --> 00:27:07,175 ♪ THERE ARE PEOPLE 520 00:27:07,176 --> 00:27:08,693 GREETING PEOPLE ♪ 521 00:27:08,793 --> 00:27:10,695 ♪ THERE IS 522 00:27:10,696 --> 00:27:12,597 SUNSHINE EVERYWHERE ♪ 523 00:27:12,664 --> 00:27:14,299 ♪ THERE ARE PEOPLE 524 00:27:14,300 --> 00:27:15,934 GREETING PEOPLE ♪ 525 00:27:16,001 --> 00:27:17,903 ♪ AND A FEELING OF SPRING 526 00:27:17,904 --> 00:27:19,804 IN THE AIR ♪ 527 00:27:19,871 --> 00:27:22,374 ♪ IT'S A MOST 528 00:27:22,375 --> 00:27:24,876 UNUSUAL TIME ♪ 529 00:27:24,976 --> 00:27:26,795 ♪ I KEEP FEELING 530 00:27:26,796 --> 00:27:28,613 MY TEMPERATURE CLIMB ♪ 531 00:27:28,680 --> 00:27:30,399 ♪ IF MY HEART WON'T BEHAVE 532 00:27:30,400 --> 00:27:32,117 IN THE USUAL WAY ♪ 533 00:27:32,183 --> 00:27:33,935 ♪ THEN THERE'S 534 00:27:33,936 --> 00:27:35,687 ONLY ONE THING TO SAY ♪ 535 00:27:35,787 --> 00:27:38,223 ♪ IT'S A MOST UNUSUAL ♪ 536 00:27:38,323 --> 00:27:40,225 ♪ MOST UNUSUAL ♪ 537 00:27:40,325 --> 00:27:48,325 ♪ MOST UNUSUAL DAY ♪♪ 538 00:27:50,869 --> 00:27:52,337 HERE SHE COMES! 539 00:27:52,404 --> 00:27:54,205 YAY! 540 00:27:54,305 --> 00:27:57,175 ♪ WHOO, WHOO, WHOO-OO ♪ 541 00:27:57,242 --> 00:27:59,044 ♪ HEY, JIM, YOU 542 00:27:59,045 --> 00:28:00,845 BETTER GET THE RIG ♪ 543 00:28:00,912 --> 00:28:02,547 ♪ WHOO, WHOO, WHOO, 544 00:28:02,548 --> 00:28:04,182 WHOO-OO ♪ 545 00:28:04,249 --> 00:28:06,217 - ♪ SHE'S GOT A LIST - OF PASSENGERS ♪ 546 00:28:06,317 --> 00:28:07,652 ♪ THAT'S PRETTY BIG ♪ 547 00:28:07,719 --> 00:28:09,388 ♪ AND THEY'LL ALL WANT LIFTS 548 00:28:09,389 --> 00:28:11,056 TO BROWN'S HOTEL ♪ 549 00:28:11,156 --> 00:28:12,658 ♪ 'CAUSE LOTS OF THEM BEEN 550 00:28:12,659 --> 00:28:14,159 TRAVELIN' FOR QUITE A SPELL ♪ 551 00:28:14,225 --> 00:28:15,961 ♪ ON THE WAY 552 00:28:15,962 --> 00:28:17,696 TO CALIFORN-I-AY ♪ 553 00:28:17,762 --> 00:28:20,065 ♪ ON THE ATCHISON, TOPEKA ♪ 554 00:28:20,165 --> 00:28:21,199 ♪ CHOO CHOO CHOO ♪ 555 00:28:21,266 --> 00:28:23,068 ♪ ON THE ATCHISON, TOPEKA ♪ 556 00:28:23,168 --> 00:28:24,402 ♪ CHOO CHOO CHOO ♪ 557 00:28:24,502 --> 00:28:26,237 ♪ ON THE ATCHISON, TOPEKA ♪ 558 00:28:26,337 --> 00:28:31,209 ♪ AND THE SANTA FE ♪ 559 00:28:31,276 --> 00:28:32,744 - [LAWFORD] - THE HARVEY GIRLS, 560 00:28:32,844 --> 00:28:34,179 DIRECTED BY GEORGE SIDNEY, 561 00:28:34,245 --> 00:28:35,246 STARRED JUDY GARLAND 562 00:28:35,247 --> 00:28:36,247 AND RAY BOLGER, 563 00:28:36,347 --> 00:28:37,849 AND THIS OSCAR-WINNING SONG 564 00:28:37,916 --> 00:28:39,334 WAS WRITTEN BY HARRY WARREN 565 00:28:39,335 --> 00:28:40,752 AND JOHNNY MERCER. 566 00:28:40,852 --> 00:28:42,737 ♪ IN THIS DAY AND AGE, 567 00:28:42,738 --> 00:28:44,622 GIRLS DON'T LEAVE HOME ♪ 568 00:28:44,723 --> 00:28:46,375 ♪ BUT IF YOU GET A HANKERIN' 569 00:28:46,376 --> 00:28:48,026 YOU WANT TO ROAM ♪ 570 00:28:48,093 --> 00:28:50,245 ♪ OUR ADVICE TO YOU 571 00:28:50,246 --> 00:28:52,397 IS RUN AWAY ♪ 572 00:28:52,464 --> 00:28:53,849 ♪ ON THE ATCHISON, 573 00:28:53,850 --> 00:28:55,233 TOPEKA ♪ 574 00:28:55,300 --> 00:29:01,372 ♪ AND THE SANTA FE ♪ 575 00:29:01,439 --> 00:29:03,041 [CHEERING] 576 00:29:03,108 --> 00:29:04,142 BOARD! 577 00:29:04,242 --> 00:29:07,812 ♪ ALL ABOARD ♪ 578 00:29:07,912 --> 00:29:10,715 ♪ WHOO-OO ♪ 579 00:29:10,782 --> 00:29:13,034 ♪ I CAN'T BELIEVE 580 00:29:13,035 --> 00:29:15,286 I'M HERE AT LAST ♪ 581 00:29:15,386 --> 00:29:16,771 ♪ WHEN YOU GO TRAVELING, 582 00:29:16,772 --> 00:29:18,156 IT'S NATCH FOR YOU ♪ 583 00:29:18,256 --> 00:29:19,824 ♪ TO TAKE THE ATCHISON, 584 00:29:19,825 --> 00:29:21,392 TOPEKA AND THE SANTA FE ♪ 585 00:29:21,459 --> 00:29:22,627 ♪ I CAN'T BELIEVE 586 00:29:22,628 --> 00:29:23,795 THAT ANYTHING ♪ 587 00:29:23,895 --> 00:29:25,563 ♪ WOULD GO SO FAST ♪ 588 00:29:25,630 --> 00:29:27,465 ♪ THEN YOU PULL 589 00:29:27,466 --> 00:29:29,300 THAT THROTTLE ♪ 590 00:29:29,400 --> 00:29:31,770 ♪ WHISTLE BLOWS ♪ 591 00:29:31,836 --> 00:29:33,805 - ♪ A-HUFFIN' - AND A-PUFFIN' ♪ 592 00:29:33,905 --> 00:29:36,241 ♪ AND AWAY SHE GOES ♪ 593 00:29:36,307 --> 00:29:39,711 ♪ ALL ABOARD 594 00:29:39,712 --> 00:29:43,114 FOR CALIFORN-I-AY ♪ 595 00:29:43,181 --> 00:29:44,816 ♪ ON THE ATCHISON ♪ 596 00:29:44,916 --> 00:29:46,117 ♪ ON THE ATCHISON ♪ 597 00:29:46,184 --> 00:29:47,786 - ♪ ON THE ATCHISON, - TOPEKA ♪ 598 00:29:47,852 --> 00:29:49,087 - ♪ ON THE ATCHISON, - TOPEKA ♪ 599 00:29:49,154 --> 00:29:50,955 - ♪ ON THE ATCHISON, - TOPEKA AND ♪ 600 00:29:51,022 --> 00:29:52,457 - ♪ ATCHISON, TOPEKA - AND ♪ 601 00:29:52,524 --> 00:29:53,724 - ♪ ON THE ATCHISON, - TOPEKA ♪ 602 00:29:53,758 --> 00:30:01,758 ♪ AND THE SANTA FE ♪♪ 603 00:30:05,537 --> 00:30:06,621 BY THE 1950s, 604 00:30:06,622 --> 00:30:07,705 THE MOVIE MUSICAL 605 00:30:07,806 --> 00:30:09,574 WAS REACHING A LEVEL OF 606 00:30:09,575 --> 00:30:11,342 INVENTIVENESS AND SOPHISTICATION 607 00:30:11,442 --> 00:30:13,845 THAT WAS PRETTY HARD TO TOP, 608 00:30:13,945 --> 00:30:15,814 EVEN BY TODAY'S STANDARDS. 609 00:30:15,880 --> 00:30:17,782 - BUT IT WASN'T ALWAYS - LIKE THAT, 610 00:30:17,849 --> 00:30:19,167 AND HERE'S SOMEONE 611 00:30:19,168 --> 00:30:20,485 TO TELL YOU ABOUT IT, 612 00:30:20,552 --> 00:30:21,720 AND HE'S PRETTY HARD 613 00:30:21,721 --> 00:30:22,887 TO TOP, TOO... 614 00:30:22,987 --> 00:30:24,622 MR. JAMES STEWART. 615 00:30:26,691 --> 00:30:28,159 IN THE LATE 1920s 616 00:30:28,160 --> 00:30:29,627 AND EARLY '30s, 617 00:30:29,694 --> 00:30:30,912 THESE 200 ACRES 618 00:30:30,913 --> 00:30:32,130 OF REAL ESTATE 619 00:30:32,197 --> 00:30:33,665 WERE A SCENE OF PANIC, 620 00:30:33,666 --> 00:30:35,133 PANDEMONIUM. 621 00:30:35,200 --> 00:30:36,952 SOUND PICTURES 622 00:30:36,953 --> 00:30:38,703 HAD REPLACED SILENT FILMS 623 00:30:38,803 --> 00:30:40,071 VIRTUALLY OVERNIGHT. 624 00:30:40,171 --> 00:30:41,523 THE ONLY ACTOR IN TOWN 625 00:30:41,524 --> 00:30:42,874 THAT WASN'T WORRIED 626 00:30:42,974 --> 00:30:44,676 WAS RIN TIN TIN. 627 00:30:44,742 --> 00:30:46,644 AS LONG AS HE COULD BARK, 628 00:30:46,711 --> 00:30:48,029 WELL, SOUND WAS 629 00:30:48,030 --> 00:30:49,347 NO THREAT TO HIM. 630 00:30:52,217 --> 00:30:53,685 FOR MGM 631 00:30:53,686 --> 00:30:55,153 AND THE REST OF HOLLYWOOD, 632 00:30:55,220 --> 00:30:56,605 THERE WERE 633 00:30:56,606 --> 00:30:57,989 GLOOMY DAYS AHEAD. 634 00:30:58,056 --> 00:30:59,107 SOME OF THE BIGGEST 635 00:30:59,108 --> 00:31:00,158 SILENT STARS 636 00:31:00,225 --> 00:31:01,410 SPOKE WITH THICK 637 00:31:01,411 --> 00:31:02,594 FOREIGN ACCENTS. 638 00:31:02,694 --> 00:31:04,846 OTHERS HAD A LISP 639 00:31:04,847 --> 00:31:06,998 OR TALKED THROUGH THEIR NOSES. 640 00:31:07,065 --> 00:31:09,067 THE EARLY MICROPHONES 641 00:31:09,167 --> 00:31:10,385 SEEMED TO 642 00:31:10,386 --> 00:31:11,603 EXAGGERATE THE FLAWS 643 00:31:11,703 --> 00:31:14,038 THAT SILENT FILM HAD HIDDEN. 644 00:31:14,105 --> 00:31:15,473 AS QUICKLY AS 645 00:31:15,474 --> 00:31:16,841 THE SOUND STAGES WENT UP, 646 00:31:16,908 --> 00:31:18,910 CAREERS COLLAPSED. 647 00:31:20,678 --> 00:31:22,614 - THE STUDIO HEADS - WERE DESPERATE. 648 00:31:22,714 --> 00:31:24,582 WHERE WOULD THE NEW STARS, 649 00:31:24,682 --> 00:31:26,684 - THE NEW PERSONALITIES, - COME FROM, 650 00:31:26,751 --> 00:31:28,086 THEY WONDERED? 651 00:31:28,186 --> 00:31:30,088 - WELL, THE ANSWER - WAS OBVIOUS... 652 00:31:30,188 --> 00:31:31,439 FROM THE THEATER, 653 00:31:31,440 --> 00:31:32,690 FROM BROADWAY. 654 00:31:32,757 --> 00:31:34,058 THEATRICAL EXPERIENCE 655 00:31:34,125 --> 00:31:35,660 SUDDENLY BECAME 656 00:31:35,661 --> 00:31:37,195 A PASSPORT TO HOLLYWOOD, 657 00:31:37,262 --> 00:31:39,097 EVEN IF IT MEANT NO MORE 658 00:31:39,197 --> 00:31:40,482 THAN A FEW WEEKS 659 00:31:40,483 --> 00:31:41,766 OF SUMMER STOCK. 660 00:31:41,866 --> 00:31:43,701 OVER THE NEXT FEW YEARS, 661 00:31:43,702 --> 00:31:45,536 A STEADY STREAM OF HOPEFULS 662 00:31:45,603 --> 00:31:47,405 MARCHED THROUGH THE GATES 663 00:31:47,406 --> 00:31:49,207 OF EVERY STUDIO IN TOWN, 664 00:31:49,274 --> 00:31:51,309 INCLUDING MGM. 665 00:31:54,279 --> 00:31:55,580 I SHOULD KNOW. 666 00:31:55,647 --> 00:31:57,466 I WAS ONE OF THOSE HUNGRY 667 00:31:57,467 --> 00:31:59,284 YOUNG ACTORS FROM THE EAST. 668 00:31:59,384 --> 00:32:00,551 - EVERYTHING - ALL RIGHT? 669 00:32:00,618 --> 00:32:01,719 O.K., FRED. 670 00:32:01,786 --> 00:32:03,054 HOW ARE THE CAMERAS? 671 00:32:03,121 --> 00:32:04,155 ALL READY. 672 00:32:04,255 --> 00:32:05,790 - BOB, HOW ARE - YOUR LIGHTS? 673 00:32:05,890 --> 00:32:07,458 - ALL SET, CHIEF, - WHENEVER YOU ARE! 674 00:32:07,558 --> 00:32:08,960 - GOOD. - HOW'S THE MUSIC? 675 00:32:09,060 --> 00:32:11,105 - [JAMES STEWART] - MUSICALS WERE THE MOST - POPULAR COMMODITY 676 00:32:11,129 --> 00:32:12,397 IN THE EARLY '30s, 677 00:32:12,463 --> 00:32:14,032 AND THEY WERE CRANKED OUT 678 00:32:14,033 --> 00:32:15,600 AT AN INCREDIBLE RATE. 679 00:32:15,667 --> 00:32:16,785 MOST OF THEM REALLY 680 00:32:16,786 --> 00:32:17,902 WEREN'T VERY GOOD, 681 00:32:17,969 --> 00:32:19,871 BUT IF AUDIENCES SUFFERED, 682 00:32:19,872 --> 00:32:21,773 THEY DIDN'T COMPLAIN. 683 00:32:21,839 --> 00:32:23,224 THE REAL VICTIMS 684 00:32:23,225 --> 00:32:24,609 WERE THE DRAMATIC ACTORS. 685 00:32:24,676 --> 00:32:26,211 THE STUDIO PUSHED 686 00:32:26,212 --> 00:32:27,745 NEARLY EVERY ONE OF THEM 687 00:32:27,812 --> 00:32:29,280 INTO MUSICAL ROLES. 688 00:32:29,347 --> 00:32:33,451 ♪ IT MUST BE YOU ♪ 689 00:32:33,518 --> 00:32:35,220 ♪ WHO CARRIES ME 690 00:32:35,221 --> 00:32:36,921 AWAY... ♪ 691 00:32:36,988 --> 00:32:38,873 HERE, AN UNCOMFORTABLE 692 00:32:38,874 --> 00:32:40,758 ROBERT MONTGOMERY 693 00:32:40,825 --> 00:32:44,095 TRIES HIS BEST. 694 00:32:44,162 --> 00:32:47,198 ♪ FOR WHEN YOU'RE NEAR ♪ 695 00:32:47,298 --> 00:32:49,000 ♪ THERE'S MUSIC 696 00:32:49,001 --> 00:32:50,702 IN MY SOUL ♪ 697 00:32:50,802 --> 00:32:53,788 ♪ WHICH FADES 698 00:32:53,789 --> 00:32:56,774 EACH TIME WE PART... ♪♪ 699 00:32:56,841 --> 00:32:58,777 BOB MONTGOMERY WAS ONLY ONE 700 00:32:58,778 --> 00:33:00,712 OF MANY MGM CONTRACT PLAYERS 701 00:33:00,812 --> 00:33:03,147 FORCED TO SING AND DANCE. 702 00:33:03,214 --> 00:33:04,432 IN THE FRANTIC SEARCH 703 00:33:04,433 --> 00:33:05,650 FOR MUSICAL STARS, 704 00:33:05,717 --> 00:33:07,969 MANY WOULD BE CALLED, 705 00:33:07,970 --> 00:33:10,221 BUT FEW WOULD SUCCEED. 706 00:33:10,321 --> 00:33:11,956 - HERE'S ONE - OF MY FAVORITES, 707 00:33:12,023 --> 00:33:13,208 AND I KNOW YOU ALL 708 00:33:13,209 --> 00:33:14,392 LIKE HER, TOO, 709 00:33:14,492 --> 00:33:15,932 - BECAUSE SHE'S - THE PERSONIFICATION 710 00:33:15,960 --> 00:33:17,312 OF YOUTH AND BEAUTY 711 00:33:17,313 --> 00:33:18,663 AND JOY AND HAPPINESS... 712 00:33:18,730 --> 00:33:20,064 JOAN CRAWFORD. 713 00:33:22,500 --> 00:33:24,335 - ♪ DID YOU EVER - SEE SOMEBODY ♪ 714 00:33:24,402 --> 00:33:26,037 ♪ WHO COULD LOVE SOMEBODY ♪ 715 00:33:26,137 --> 00:33:27,638 ♪ MUCH AS I LOVE YOU? ♪ 716 00:33:27,705 --> 00:33:28,806 HUH? DID YA? 717 00:33:28,873 --> 00:33:30,675 - ♪ YOU'RE THE KIND - OF SWEET SOMEBODY ♪ 718 00:33:30,742 --> 00:33:32,210 ♪ WHO COULD LOVE SOMEBODY ♪ 719 00:33:32,310 --> 00:33:33,978 HOW ABOUT ME, TOO? HUH? 720 00:33:34,045 --> 00:33:35,597 ♪ OH, MY, 721 00:33:35,598 --> 00:33:37,148 YOU'RE THE ONE I CRAVE ♪ 722 00:33:37,215 --> 00:33:40,885 ♪ I COULD BE YOUR SLAVE ♪ 723 00:33:40,985 --> 00:33:43,021 ♪ HONEY, LET ME RAVE ♪ 724 00:33:43,087 --> 00:33:45,056 ♪ GOT A FEELING FOR YOU ♪ 725 00:33:46,257 --> 00:33:47,925 ♪ CRAZY 'BOUT YOUR SMILE ♪ 726 00:33:48,026 --> 00:33:49,060 ♪ BOP BOP ♪ 727 00:33:49,160 --> 00:33:50,862 ♪ FREE AND EASY STYLE ♪ 728 00:33:50,928 --> 00:33:52,530 ♪ YOU'RE A LOVIN' CHILD ♪ 729 00:33:52,597 --> 00:33:54,432 ♪ GOT A FEELING FOR YOU ♪ 730 00:33:54,532 --> 00:33:55,533 ♪ OOH OOH ♪ 731 00:33:55,600 --> 00:33:57,535 - ♪ LIKE YOUR - TURNED-UP NOSE ♪ 732 00:33:57,602 --> 00:33:58,653 ♪ LIKE YOUR THESE 733 00:33:58,654 --> 00:33:59,704 AND THOSE ♪ 734 00:33:59,771 --> 00:34:00,805 ♪ FROM YOUR HEAD 735 00:34:00,806 --> 00:34:01,839 TO YOUR TOES ♪ 736 00:34:01,906 --> 00:34:03,207 ♪ GOT A FEELING FOR YOU ♪ 737 00:34:03,274 --> 00:34:04,342 - ♪ BA BA DA - DA DA BUM ♪ 738 00:34:04,409 --> 00:34:06,010 - ♪ DID YOU EVER - SEE SOMEBODY ♪ 739 00:34:06,077 --> 00:34:07,178 ♪ WHO COULD LOVE SOMEBODY ♪ 740 00:34:07,245 --> 00:34:09,113 ♪ MUCH AS I LOVE YOU? ♪ 741 00:34:09,213 --> 00:34:10,813 - ♪ YOU'RE THE KIND - OF SWEET SOMEBODY ♪ 742 00:34:10,882 --> 00:34:11,925 ♪ WHO COULD LOVE SOMEBODY ♪ 743 00:34:11,949 --> 00:34:13,451 - ♪ COULD YOU - LOVE ME, TOO? ♪ 744 00:34:13,551 --> 00:34:14,585 ♪ OH, MY ♪ 745 00:34:14,685 --> 00:34:16,554 ♪ YOU'RE THE ONE I CRAVE ♪ 746 00:34:16,621 --> 00:34:18,589 ♪ I COULD BE YOUR SLAVE ♪ 747 00:34:18,689 --> 00:34:20,558 ♪ HONEY, LET ME RAVE ♪ 748 00:34:20,625 --> 00:34:22,226 ♪ GOT A FEELING FOR YOU ♪ 749 00:34:22,293 --> 00:34:24,195 - ♪ BA DA DA DA - DA DUM ♪♪ 750 00:34:24,262 --> 00:34:25,572 - WHAT'LL YOU EVER BE? - WHAT'LL YOU EVER DO? 751 00:34:25,596 --> 00:34:27,181 HOW WILL YOU KNOW 752 00:34:27,182 --> 00:34:28,766 IF YOU DON'T TAKE A CHANCE? 753 00:34:28,866 --> 00:34:30,301 - [STEWART] - JEAN HARLOW, 754 00:34:30,401 --> 00:34:31,702 THE BLONDE BOMBSHELL, 755 00:34:31,769 --> 00:34:34,372 - TRIED OUT HER MUSICAL ABILITIES - IN RECKLESS. 756 00:34:34,439 --> 00:34:37,092 ♪ I WANT TO LIVE, LOVE, 757 00:34:37,093 --> 00:34:39,744 LEARN A LOT ♪ 758 00:34:39,811 --> 00:34:41,563 ♪ I'LL LIGHT MY CANDLE, 759 00:34:41,564 --> 00:34:43,314 AND I'LL BURN A LOT ♪ 760 00:34:43,414 --> 00:34:45,216 - ♪ YOU'LL HAVE - SOME BAD SHOCKS ♪ 761 00:34:45,283 --> 00:34:46,384 ♪ HARD KNOCKS ♪ 762 00:34:46,451 --> 00:34:47,636 I'M ON MY OWN 763 00:34:47,637 --> 00:34:48,820 IF I BRUISE. 764 00:34:48,920 --> 00:34:50,588 - ♪ AND THERE'LL BE - SMILES, TEARS ♪ 765 00:34:50,655 --> 00:34:52,056 ♪ SHOUTS, JEERS ♪ 766 00:34:52,123 --> 00:34:53,358 AND I CAN TAKE IT 767 00:34:53,359 --> 00:34:54,592 ON THE CHIN IF I LOSE, 768 00:34:54,659 --> 00:34:56,127 BECAUSE I'M RECKLESS! 769 00:34:56,227 --> 00:34:57,995 - ♪ BECAUSE - SHE'S RECKLESS ♪ 770 00:34:58,096 --> 00:34:59,564 RECKLESS! 771 00:34:59,630 --> 00:35:01,599 - ♪ BECAUSE - YOU'RE RECKLESS ♪♪ 772 00:35:02,934 --> 00:35:04,753 I'M GONNA GO PLACES 773 00:35:04,754 --> 00:35:06,571 AND LOOK LIFE IN THE FACE. 774 00:35:06,637 --> 00:35:08,239 HEY! 775 00:35:08,306 --> 00:35:09,574 ♪ DID I REMEMBER... ♪♪ 776 00:35:09,640 --> 00:35:12,176 - [STEWART] - JEAN HARLOW'S MUSICAL TALENTS 777 00:35:12,276 --> 00:35:13,778 WERE SOMEWHAT LIMITED. 778 00:35:13,845 --> 00:35:15,630 THE STUDIO USUALLY USED SOMEONE 779 00:35:15,631 --> 00:35:17,415 ELSE'S VOICE FOR HER VOCALS, 780 00:35:17,482 --> 00:35:19,517 BUT IN A MOVIE CALLED SUZY, 781 00:35:19,617 --> 00:35:20,952 HER CO-STAR CARY GRANT 782 00:35:20,953 --> 00:35:22,286 DID HIS OWN SINGING, 783 00:35:22,353 --> 00:35:23,488 AND DARN WELL, TOO. 784 00:35:23,588 --> 00:35:24,589 CHARMING. CHARMING. 785 00:35:24,655 --> 00:35:26,215 - HOW DO YOU KNOW? - YOU DIDN'T HEAR IT. 786 00:35:26,257 --> 00:35:27,876 I HEARD EVERY WORD. 787 00:35:27,877 --> 00:35:29,494 LET ME CONVINCE YOU. 788 00:35:29,594 --> 00:35:30,795 SIT DOWN. 789 00:35:30,862 --> 00:35:32,363 - GENTLEMEN, - PLAY IT AGAIN. 790 00:35:32,463 --> 00:35:34,198 YOU BE THE AUDIENCE. 791 00:35:34,298 --> 00:35:36,868 [MUSIC STARTS] 792 00:35:36,968 --> 00:35:38,269 DID I REMEMBER 793 00:35:38,336 --> 00:35:39,554 TO TELL YOU 794 00:35:39,555 --> 00:35:40,771 YOU'RE DELIGHTFUL? 795 00:35:40,838 --> 00:35:42,573 YOU'RE EVERYTHING 796 00:35:42,574 --> 00:35:44,308 I WANT YOU TO BE. 797 00:35:45,643 --> 00:35:48,946 ♪ YOUR EYES ARE LOVELY ♪ 798 00:35:49,013 --> 00:35:50,315 ♪ AND FAR BEYOND 799 00:35:50,316 --> 00:35:51,616 COMPARING ♪ 800 00:35:51,682 --> 00:35:53,734 ♪ ESPECIALLY WHEN 801 00:35:53,735 --> 00:35:55,786 THEY'RE GLARING AT ME ♪ 802 00:35:55,853 --> 00:35:58,156 [LAUGHTER] 803 00:35:58,222 --> 00:35:59,824 - ♪ I CAN'T - MAKE UP WORDS ♪ 804 00:35:59,891 --> 00:36:01,859 - ♪ TO SAY HOW SWELL - YOU ARE ♪ 805 00:36:01,959 --> 00:36:03,227 ♪ BUT I CAN 806 00:36:03,228 --> 00:36:04,495 TELL YOU ARE ♪ 807 00:36:04,562 --> 00:36:06,314 ♪ I KNOW SO WELL 808 00:36:06,315 --> 00:36:08,065 YOU ARE ♪ 809 00:36:09,133 --> 00:36:10,868 ♪ I STARTED FALLING ♪ 810 00:36:10,968 --> 00:36:12,420 ♪ THE MOMENT 811 00:36:12,421 --> 00:36:13,871 THAT I SAW YOU ♪ 812 00:36:13,971 --> 00:36:16,390 ♪ BELIEVE ME, 813 00:36:16,391 --> 00:36:18,809 I ADORE YOU, CHERIE ♪♪ 814 00:36:18,876 --> 00:36:19,977 [LAUGHTER] 815 00:36:20,044 --> 00:36:21,679 ♪ I'M SURE YOU'LL 816 00:36:21,680 --> 00:36:23,314 HATE TO HEAR ♪ 817 00:36:23,381 --> 00:36:25,150 ♪ THAT I 818 00:36:25,151 --> 00:36:26,918 ADORE YOU, DEAR ♪ 819 00:36:27,018 --> 00:36:28,937 ♪ BUT GRANT ME 820 00:36:28,938 --> 00:36:30,855 JUST THE SAME ♪ 821 00:36:30,922 --> 00:36:34,175 ♪ I'M NOT ENTIRELY 822 00:36:34,176 --> 00:36:37,428 TO BLAME ♪ 823 00:36:37,528 --> 00:36:40,548 ♪ FOR YOU'D BE 824 00:36:40,549 --> 00:36:43,568 SO EASY TO LOVE... ♪ 825 00:36:43,668 --> 00:36:45,336 I WAS LUCKY ENOUGH 826 00:36:45,403 --> 00:36:47,338 - TO SING - A COLE PORTER SONG 827 00:36:47,405 --> 00:36:48,540 IN BORN TO DANCE 828 00:36:48,541 --> 00:36:49,674 WITH ELEANOR POWELL. 829 00:36:49,740 --> 00:36:51,509 - AT FIRST, - THE STUDIO PLANNED 830 00:36:51,576 --> 00:36:52,794 TO HAVE SOMEONE ELSE 831 00:36:52,795 --> 00:36:54,011 RECORD THE VOCAL, 832 00:36:54,078 --> 00:36:55,380 BUT THE TUNE BECAME 833 00:36:55,381 --> 00:36:56,681 SUCH A BIG HIT 834 00:36:56,747 --> 00:36:57,932 THAT THEY DECIDED 835 00:36:57,933 --> 00:36:59,116 TO LET ME DO IT. 836 00:36:59,217 --> 00:37:00,618 YOU SEE, THEY FIGURED 837 00:37:00,619 --> 00:37:02,019 THE SONG WAS SO GOOD 838 00:37:02,086 --> 00:37:03,304 THAT EVEN MY SINGING 839 00:37:03,305 --> 00:37:04,522 COULDN'T HURT IT. 840 00:37:04,589 --> 00:37:07,425 ♪ WE'D BE SO GRAND 841 00:37:07,426 --> 00:37:10,261 AT THE GAME ♪ 842 00:37:10,361 --> 00:37:13,531 ♪ SO CAREFREE TOGETHER ♪ 843 00:37:13,598 --> 00:37:15,700 ♪ THAT IT DOES 844 00:37:15,701 --> 00:37:17,802 SEEM A SHAME ♪ 845 00:37:17,902 --> 00:37:21,889 ♪ THAT YOU CAN'T SEE 846 00:37:21,890 --> 00:37:25,876 YOUR FUTURE WITH ME ♪ 847 00:37:25,943 --> 00:37:31,666 ♪ 'CAUSE YOU'D BE, 848 00:37:31,667 --> 00:37:37,388 OH, SO EASY TO LOVE ♪♪ 849 00:37:37,455 --> 00:37:38,990 I KNOW YOU WILL JOIN US 850 00:37:39,090 --> 00:37:40,158 IN GIVING A ROUSING, 851 00:37:40,159 --> 00:37:41,225 RIP-ROARING RECEPTION 852 00:37:41,292 --> 00:37:42,994 - TO HARRY VAN - AND LES BLONDES. 853 00:37:43,094 --> 00:37:44,228 MR. VAN. 854 00:37:44,295 --> 00:37:45,730 - [STEWART] - NORMA SHEARER 855 00:37:45,796 --> 00:37:47,465 AND EDWARD ARNOLD LOOKED ON 856 00:37:47,565 --> 00:37:48,666 AS CLARK GABLE 857 00:37:48,667 --> 00:37:49,767 MADE HIS MUSICAL DEBUT 858 00:37:49,834 --> 00:37:51,068 IN IDIOT'S DELIGHT. 859 00:37:51,135 --> 00:37:52,970 - THANKS FOR THAT - LOVELY INTRODUCTION. 860 00:37:53,070 --> 00:37:54,238 THANKS A MILLION, 861 00:37:54,305 --> 00:37:55,623 AND I WON'T SETTLE 862 00:37:55,624 --> 00:37:56,941 FOR A CENT LESS. 863 00:37:57,008 --> 00:37:59,010 - IN OUR MODEST ACT, - WE'LL BE ABLY ASSISTED 864 00:37:59,110 --> 00:38:00,211 BY PROFESSOR POLLOTHA 865 00:38:00,212 --> 00:38:01,312 AND HIS TALENTED TEAM. 866 00:38:01,412 --> 00:38:02,780 GIVE THEM A HAND. 867 00:38:06,651 --> 00:38:08,653 - OKEY-DOKE, PROFESSOR. - TAKE IT AWAY. 868 00:38:08,753 --> 00:38:10,621 [MUSIC STARTS] 869 00:38:10,688 --> 00:38:11,689 THIS WILL BE 870 00:38:11,690 --> 00:38:12,690 AMUSING. 871 00:38:12,790 --> 00:38:14,292 I HOPE SO. 872 00:38:17,528 --> 00:38:18,696 ♪ IF YOU'RE BLUE ♪ 873 00:38:18,796 --> 00:38:20,531 - ♪ AND YOU DON'T KNOW - WHERE TO GO TO ♪ 874 00:38:20,631 --> 00:38:22,200 ♪ WHY DON'T YOU GO WHERE 875 00:38:22,201 --> 00:38:23,768 HARLEM SITS? ♪ 876 00:38:23,834 --> 00:38:25,102 ♪ PUTTIN' ON THE RITZ ♪ 877 00:38:26,270 --> 00:38:27,655 ♪ SPANGLED GOWNS 878 00:38:27,656 --> 00:38:29,040 UPON A BEVY OF HIGHBROWS ♪ 879 00:38:29,140 --> 00:38:30,642 ♪ FROM DOWN THE LEVEE, 880 00:38:30,643 --> 00:38:32,143 ALL MISFITS ♪ 881 00:38:32,209 --> 00:38:33,778 ♪ PUTTIN' ON THE RITZ ♪ 882 00:38:34,945 --> 00:38:37,064 ♪ THAT'S WHERE EACH AND EVERY 883 00:38:37,065 --> 00:38:39,183 LULUBELLE GOES ♪ 884 00:38:39,283 --> 00:38:40,802 ♪ EVERY THURSDAY EVENING 885 00:38:40,803 --> 00:38:42,320 IN HER SWELL CLOTHES ♪ 886 00:38:42,386 --> 00:38:43,721 ♪ RUBBING ELBOWS ♪ 887 00:38:43,821 --> 00:38:44,955 ♪ COME WITH ME ♪ 888 00:38:45,022 --> 00:38:46,624 - ♪ AND WE'LL ATTEND - THE JUBILEE ♪ 889 00:38:46,691 --> 00:38:48,159 ♪ AND SEE THEM SPEND 890 00:38:48,160 --> 00:38:49,627 THEIR LAST TWO BITS ♪ 891 00:38:49,694 --> 00:38:51,295 ♪ PUTTIN' ON THE RITZ ♪♪ 892 00:39:13,217 --> 00:39:15,319 - [STEWART] - CLARK GABLE SURPRISED EVERYONE 893 00:39:15,386 --> 00:39:16,521 WITH HIS DELIGHTFULLY 894 00:39:16,522 --> 00:39:17,655 CORNY ROUTINE, 895 00:39:17,722 --> 00:39:18,940 AND YET HIS FANS 896 00:39:18,941 --> 00:39:20,157 WERE JUST OUTRAGED 897 00:39:20,224 --> 00:39:21,692 TO SEE HIM EVEN TRY 898 00:39:21,693 --> 00:39:23,160 SINGING AND DANCING. 899 00:39:23,227 --> 00:39:24,445 THEIR HERO 900 00:39:24,446 --> 00:39:25,663 WAS ABOVE SUCH NONSENSE, 901 00:39:25,730 --> 00:39:27,665 - BUT IT WAS - PERFECTLY ALL RIGHT 902 00:39:27,732 --> 00:39:28,950 FOR A YOUNGSTER 903 00:39:28,951 --> 00:39:30,167 NAMED JUDY GARLAND 904 00:39:30,234 --> 00:39:31,719 TO DEDICATE A SONG 905 00:39:31,720 --> 00:39:33,204 TO THEIR IDOL. 906 00:39:33,270 --> 00:39:36,173 ♪ DEAR MR. GABLE ♪ 907 00:39:36,240 --> 00:39:37,825 ♪ I AM WRITING 908 00:39:37,826 --> 00:39:39,410 THIS TO YOU ♪ 909 00:39:39,510 --> 00:39:40,862 ♪ AND I HOPE 910 00:39:40,863 --> 00:39:42,213 THAT YOU WILL READ IT ♪ 911 00:39:42,279 --> 00:39:44,615 ♪ SO YOU'LL KNOW ♪ 912 00:39:44,715 --> 00:39:46,450 ♪ MY HEART BEATS 913 00:39:46,451 --> 00:39:48,185 LIKE A HAMMER ♪ 914 00:39:48,252 --> 00:39:49,837 ♪ AND I STUTTER 915 00:39:49,838 --> 00:39:51,422 AND I STAMMER ♪ 916 00:39:51,522 --> 00:39:54,325 ♪ EVERY TIME I SEE YOU 917 00:39:54,326 --> 00:39:57,128 AT THE PICTURE SHOW ♪ 918 00:39:57,228 --> 00:39:59,881 ♪ I GUESS I'M JUST 919 00:39:59,882 --> 00:40:02,533 ANOTHER FAN OF YOURS ♪ 920 00:40:02,600 --> 00:40:04,152 ♪ AND I THOUGHT 921 00:40:04,153 --> 00:40:05,703 I'D WRITE ♪ 922 00:40:05,770 --> 00:40:13,544 ♪ AND TELL YOU SO-O-O-O ♪ 923 00:40:13,611 --> 00:40:18,549 ♪ YOU MADE ME LOVE YOU ♪ 924 00:40:18,616 --> 00:40:21,051 ♪ I DIDN'T WANT TO DO IT ♪ 925 00:40:21,118 --> 00:40:22,837 ♪ I DIDN'T 926 00:40:22,838 --> 00:40:24,555 WANT TO DO IT ♪ 927 00:40:24,622 --> 00:40:30,227 ♪ YOU MADE ME LOVE YOU ♪ 928 00:40:30,294 --> 00:40:31,395 ♪ AND ALL THE TIME 929 00:40:31,396 --> 00:40:32,496 YOU KNEW IT ♪ 930 00:40:32,596 --> 00:40:34,432 ♪ I GUESS YOU 931 00:40:34,433 --> 00:40:36,267 ALWAYS KNEW IT ♪ 932 00:40:36,333 --> 00:40:39,837 ♪ YOU MADE ME HAPPY ♪ 933 00:40:39,937 --> 00:40:43,257 ♪ SOMETIMES 934 00:40:43,258 --> 00:40:46,577 YOU MADE ME GLAD ♪ 935 00:40:46,644 --> 00:40:52,850 ♪ BUT THERE WERE TIMES, SIR ♪ 936 00:40:52,950 --> 00:40:55,803 ♪ YOU MADE ME FEEL 937 00:40:55,804 --> 00:40:58,656 SO SAD ♪ 938 00:40:58,756 --> 00:41:02,426 ♪ YOU MADE ME SIGH ♪ 939 00:41:02,493 --> 00:41:04,545 ♪ 'CAUSE I DIDN'T WANT 940 00:41:04,546 --> 00:41:06,597 TO TELL YOU ♪ 941 00:41:06,664 --> 00:41:10,267 ♪ I DIDN'T WANT TO TELL YOU ♪ 942 00:41:10,334 --> 00:41:13,270 ♪ I THINK YOU'RE GRAND ♪ 943 00:41:13,337 --> 00:41:16,841 ♪ THAT'S TRUE, YES, I DO ♪ 944 00:41:16,941 --> 00:41:18,309 ♪ 'DEED I DO ♪ 945 00:41:18,375 --> 00:41:20,611 ♪ YOU KNOW I DO ♪ 946 00:41:20,678 --> 00:41:23,147 ♪ I DON'T CARE WHAT HAPPENS, 947 00:41:23,148 --> 00:41:25,616 LET THE WHOLE WORLD STOP ♪ 948 00:41:25,683 --> 00:41:28,736 ♪ AS FAR AS I'M CONCERNED, 949 00:41:28,737 --> 00:41:31,789 YOU'LL ALWAYS BE THE TOP ♪ 950 00:41:31,856 --> 00:41:34,575 ♪ 'CAUSE YOU KNOW 951 00:41:34,576 --> 00:41:37,294 YOU MADE ME ♪ 952 00:41:37,361 --> 00:41:44,168 ♪ LOVE YOU ♪♪ 953 00:41:45,736 --> 00:41:47,788 DEAR MR. GABLE 954 00:41:47,789 --> 00:41:49,840 WAS A MILESTONE IN ITS DAY. 955 00:41:49,907 --> 00:41:51,309 IT WAS THE FIRST TIME 956 00:41:51,310 --> 00:41:52,710 A STUDIO PERMITTED A SONG 957 00:41:52,810 --> 00:41:53,911 TO BE DEDICATED 958 00:41:53,912 --> 00:41:55,012 TO ONE OF ITS STARS. 959 00:41:55,079 --> 00:41:56,130 AND IT WAS SUNG 960 00:41:56,131 --> 00:41:57,181 BY A LITTLE GIRL 961 00:41:57,248 --> 00:41:59,150 WHO WOULD SOON BECOME 962 00:41:59,151 --> 00:42:01,051 MGM's NEWEST STAR. 963 00:42:01,151 --> 00:42:02,629 - NOW, HERE'S SOMEONE - WHO CAN TELL YOU 964 00:42:02,653 --> 00:42:03,854 MORE ABOUT 965 00:42:03,855 --> 00:42:05,055 THAT REMARKABLE TALENT. 966 00:42:05,155 --> 00:42:06,323 HE'S A REMARKABLE TALENT 967 00:42:06,324 --> 00:42:07,491 HIMSELF... 968 00:42:07,558 --> 00:42:09,326 MICKEY ROONEY. 969 00:42:32,950 --> 00:42:35,619 THIS IS CARVEL STREET. 970 00:42:35,719 --> 00:42:37,004 FOR ANYONE WHO'S EVER SEEN 971 00:42:37,005 --> 00:42:38,289 AN ANDY HARDY MOVIE, 972 00:42:38,389 --> 00:42:40,041 WELL, THIS IS WHERE THEY 973 00:42:40,042 --> 00:42:41,692 WERE ALL SHOT, RIGHT HERE. 974 00:42:41,759 --> 00:42:42,844 OVER THERE, THAT WAS 975 00:42:42,845 --> 00:42:43,928 POLLY BENEDICT'S HOME 976 00:42:44,028 --> 00:42:45,029 ACROSS THE STREET. 977 00:42:45,095 --> 00:42:46,447 THIS WAS THE HOME 978 00:42:46,448 --> 00:42:47,798 OF THE HARDY FAMILY. 979 00:42:47,898 --> 00:42:49,550 THE PICKET FENCE IS GONE 980 00:42:49,551 --> 00:42:51,201 AND THE MAILBOX, TOO, 981 00:42:51,268 --> 00:42:53,087 BUT IT'S... STILL 982 00:42:53,088 --> 00:42:54,905 THE HARDY HOME. 983 00:42:54,972 --> 00:42:56,373 - YOU KNOW, - IT MIGHT SEEM STRANGE 984 00:42:56,440 --> 00:42:57,875 THAT A PERSON COULD SPEND 985 00:42:57,876 --> 00:42:59,310 OVER 20 YEARS GROWING UP 986 00:42:59,410 --> 00:43:01,045 ON THE SAME MOVIE SET, 987 00:43:01,111 --> 00:43:02,446 BUT IN A WAY, 988 00:43:02,447 --> 00:43:03,781 THAT'S WHAT HAPPENED TO ME. 989 00:43:03,881 --> 00:43:05,716 I WAS ABOUT 10 YEARS OLD 990 00:43:05,783 --> 00:43:07,034 WHEN I FIRST CAME 991 00:43:07,035 --> 00:43:08,285 TO METRO-GOLDWYN-MAYER, 992 00:43:08,385 --> 00:43:10,254 AND I WAS RARING TO GO. 993 00:43:21,298 --> 00:43:22,516 THE MOVIE WAS 994 00:43:22,517 --> 00:43:23,734 BROADWAY TO HOLLYWOOD, 995 00:43:23,801 --> 00:43:25,353 AND YOU GUESSED IT... 996 00:43:25,354 --> 00:43:26,904 IT WAS A MUSICAL. 997 00:43:26,971 --> 00:43:28,973 [APPLAUSE] 998 00:43:32,977 --> 00:43:35,196 WELL, WE ALL CHANGE A LITTLE 999 00:43:35,197 --> 00:43:37,414 OVER THE YEARS, DON'T WE? 1000 00:43:37,481 --> 00:43:39,033 YOU KNOW, WHEN YOU'VE BEEN 1001 00:43:39,034 --> 00:43:40,584 RAISED AT A STUDIO 1002 00:43:40,651 --> 00:43:41,952 THE WAY I WAS, 1003 00:43:42,019 --> 00:43:43,904 YOU LEARN A CERTAIN ABILITY 1004 00:43:43,905 --> 00:43:45,789 THAT TIME CAN'T SEEM TO ERASE. 1005 00:43:45,856 --> 00:43:47,074 YOU LEARN TO RECOGNIZE 1006 00:43:47,075 --> 00:43:48,292 REAL TALENT. 1007 00:43:48,359 --> 00:43:49,560 YOU SEE SO MANY PEOPLE 1008 00:43:49,561 --> 00:43:50,761 COME AND GO 1009 00:43:50,828 --> 00:43:52,296 THAT WHEN AN EXCEPTIONAL 1010 00:43:52,297 --> 00:43:53,764 TALENT COMES ALONG, 1011 00:43:53,831 --> 00:43:55,316 IT SEEMS TO STICK OUT 1012 00:43:55,317 --> 00:43:56,800 LIKE A SORE THUMB. 1013 00:43:56,867 --> 00:43:58,802 - I WAS A SEASONED VETERAN - OF 17 1014 00:43:58,869 --> 00:44:00,704 - WHEN I FIRST - HAD THE OPPORTUNITY 1015 00:44:00,804 --> 00:44:02,289 OF WORKING WITH THE GREAT 1016 00:44:02,290 --> 00:44:03,774 AND WONDERFUL JUDY GARLAND. 1017 00:44:03,841 --> 00:44:05,326 I KNEW WHEN I SAW HER STANDING 1018 00:44:05,327 --> 00:44:06,810 BEFORE THE CAMERA 1019 00:44:06,877 --> 00:44:08,779 - THAT SHE HAD - THAT CERTAIN MAGIC. 1020 00:44:08,846 --> 00:44:10,064 HER TALENT SEEMED TO JUMP 1021 00:44:10,065 --> 00:44:11,281 RIGHT OFF THE SCREEN. 1022 00:44:11,348 --> 00:44:12,583 ♪ DO RE MI 1023 00:44:12,584 --> 00:44:13,817 FA SOL LA TI DO ♪♪ 1024 00:44:13,884 --> 00:44:15,786 - JUDY AND I - BECAME CLOSE FRIENDS 1025 00:44:15,853 --> 00:44:17,071 WHEN WE DID A SERIES 1026 00:44:17,072 --> 00:44:18,288 OF FILMS TOGETHER 1027 00:44:18,355 --> 00:44:19,657 THAT THE STUDIO CALLED 1028 00:44:19,658 --> 00:44:20,958 "BACKYARD MUSICALS." 1029 00:44:21,025 --> 00:44:22,243 AUDIENCES SEEMED TO LOVE 1030 00:44:22,244 --> 00:44:23,460 THE PICTURES, 1031 00:44:23,527 --> 00:44:25,029 EVEN THOUGH THE PLOTS 1032 00:44:25,030 --> 00:44:26,530 WERE SUSPICIOUSLY ALIKE. 1033 00:44:26,630 --> 00:44:27,882 ONLY OUR NAMES 1034 00:44:27,883 --> 00:44:29,133 SEEMED TO CHANGE. 1035 00:44:29,199 --> 00:44:30,467 HOW DO YOU DO? 1036 00:44:30,534 --> 00:44:31,835 GOOD MORNING! 1037 00:44:31,902 --> 00:44:33,604 I'M BETSY BOOTH. 1038 00:44:33,605 --> 00:44:35,305 I SING, YOU KNOW. 1039 00:44:35,372 --> 00:44:36,206 I HEARD YOU. 1040 00:44:36,306 --> 00:44:37,341 YOU'RE ANDY HARDY, 1041 00:44:37,342 --> 00:44:38,375 AREN'T YOU? 1042 00:44:38,475 --> 00:44:40,411 - THIS IS BARBARA JO. - MR. WILLIAMS. 1043 00:44:40,511 --> 00:44:42,212 PLEASED TO MEET YOU. 1044 00:44:42,312 --> 00:44:43,480 DANNY, THIS IS 1045 00:44:43,481 --> 00:44:44,648 MISS GINGER GRAY. 1046 00:44:44,715 --> 00:44:46,083 YES, WE'VE MET. 1047 00:44:46,183 --> 00:44:47,384 THIS IS MY COUSIN, 1048 00:44:47,385 --> 00:44:48,585 MISS POLLY WILLIAMS. 1049 00:44:48,686 --> 00:44:50,654 - MR. DANIEL CHURCHILL - JUNIOR. 1050 00:44:50,721 --> 00:44:51,722 MISS BARTON, 1051 00:44:51,723 --> 00:44:52,723 THIS IS MISS ESSEX, 1052 00:44:52,823 --> 00:44:54,758 - THE ONCE-FAMOUS - BABY ROSALIE. 1053 00:44:54,858 --> 00:44:56,326 - THIS IS - MICKEY MORAN. 1054 00:44:56,393 --> 00:44:57,695 HOW DO YOU DO? 1055 00:44:57,761 --> 00:45:00,164 - MY NAME IS TOMMY WILLIAMS. - WHAT'S YOURS? 1056 00:45:00,230 --> 00:45:01,565 - I DON'T - LIKE YOU! 1057 00:45:01,665 --> 00:45:02,533 THANK YOU. 1058 00:45:02,599 --> 00:45:03,734 YOU'RE WELCOME! 1059 00:45:03,834 --> 00:45:06,570 I WANT SUCCESS SO. 1060 00:45:06,670 --> 00:45:08,189 YOU'LL HAVE IT. 1061 00:45:08,190 --> 00:45:09,707 I KNOW YOU WILL, MICKEY. 1062 00:45:09,773 --> 00:45:11,985 - JUST THINK, WHEN OUR NAMES - ARE UP IN ELECTRIC LIGHTS... 1063 00:45:12,009 --> 00:45:13,911 - YOU THE BIG COMPOSER - AND PRODUCER 1064 00:45:14,011 --> 00:45:15,879 AND ME THE SINGING STAR. 1065 00:45:15,946 --> 00:45:17,314 WE COULD HAVE OUR OWN GREAT 1066 00:45:17,315 --> 00:45:18,682 MODERN DANCE ORCHESTRA. 1067 00:45:18,749 --> 00:45:20,851 - WE'VE GOT EVERYTHING WE NEED - RIGHT HERE. 1068 00:45:20,918 --> 00:45:22,069 WE'VE GOT THE BRASS, 1069 00:45:22,070 --> 00:45:23,220 THE PIANO, THE REEDS. 1070 00:45:23,287 --> 00:45:25,222 - WE COULD MAKE - OUR OWN ARRANGEMENTS 1071 00:45:25,289 --> 00:45:26,957 - AND PLAY - FOR ALL THE DANCES. 1072 00:45:27,057 --> 00:45:28,926 - WE'LL HAVE - A GREAT SHOW 1073 00:45:29,026 --> 00:45:30,861 - WITH A MILLION - LAUGHS, COLOR, 1074 00:45:30,928 --> 00:45:32,896 - A LOT OF LIGHTS, - AND WONDERFUL SONGS 1075 00:45:32,963 --> 00:45:33,964 WITH YOU OUT THERE 1076 00:45:33,965 --> 00:45:34,965 SELLING THEM. 1077 00:45:35,065 --> 00:45:36,133 IT'LL BE WONDERFUL! 1078 00:45:36,233 --> 00:45:37,901 - SAY, THAT'S NOT - A BAD IDEA. 1079 00:45:37,968 --> 00:45:39,203 WE COULD PUT ON 1080 00:45:39,204 --> 00:45:40,437 OUR OWN SHOW. 1081 00:45:40,537 --> 00:45:42,106 - THAT WOULD BE - DIFFERENT. 1082 00:45:42,206 --> 00:45:43,491 YOU'LL NEED 1083 00:45:43,492 --> 00:45:44,775 A WHOLE CITY BLOCK! 1084 00:45:44,875 --> 00:45:46,276 - YEAH! - SURE, THAT'S IT... 1085 00:45:46,376 --> 00:45:47,711 - RIGHT - IN THE NEIGHBORHOOD! 1086 00:45:47,778 --> 00:45:48,779 WE'LL ROPE IT OFF. 1087 00:45:48,780 --> 00:45:49,780 EVERYBODY WILL COME. 1088 00:45:49,880 --> 00:45:50,898 A WESTERN RODEO. 1089 00:45:50,899 --> 00:45:51,915 DANIEL BOONE! 1090 00:45:51,982 --> 00:45:52,983 JESSE JAMES 1091 00:45:52,984 --> 00:45:53,984 AND BUFFALO BILL! 1092 00:45:54,084 --> 00:45:55,419 100 BEAUTIFUL GIRLS. 1093 00:45:55,486 --> 00:45:56,486 ON HORSEBACK! 1094 00:45:56,553 --> 00:45:58,031 - GLORIOUS COSTUMES! - HAPPY! CAREFREE! 1095 00:45:58,055 --> 00:45:58,956 GAY! 1096 00:45:59,056 --> 00:46:00,241 I'LL PUT ON A SHOW 1097 00:46:00,242 --> 00:46:01,425 HERE IN SEAPORT! 1098 00:46:01,492 --> 00:46:02,727 IT'LL BE THE MOST 1099 00:46:02,728 --> 00:46:03,961 UP-TO-DATE THING 1100 00:46:04,061 --> 00:46:05,562 THESE HICKS HAVE EVER SEEN. 1101 00:46:05,629 --> 00:46:07,631 - OPENING NIGHT, - WE'LL HAVE MAX GORDON, 1102 00:46:07,731 --> 00:46:08,832 SAM HARRIS, LANE SCHUBERT. 1103 00:46:08,932 --> 00:46:10,234 HOW ABOUT IT, KIDS? 1104 00:46:10,300 --> 00:46:12,236 - ♪ THEY CALL US - BABES IN ARMS ♪ 1105 00:46:12,302 --> 00:46:13,570 {\an8}♪ WE NEVER DANCE ♪ 1106 00:46:13,637 --> 00:46:14,805 ♪ THEY THINK THEY MUST 1107 00:46:14,806 --> 00:46:15,973 DIRECT US ♪ 1108 00:46:16,073 --> 00:46:17,241 ♪ GOT NO CHANCE ♪ 1109 00:46:17,307 --> 00:46:19,143 - ♪ BUT IF WE'RE - BABES IN ARMS ♪ 1110 00:46:19,243 --> 00:46:20,410 ♪ TO FIND ROMANCE ♪ 1111 00:46:20,477 --> 00:46:21,528 ♪ WE'LL MAKE THEM ALL 1112 00:46:21,529 --> 00:46:22,579 RESPECT US ♪ 1113 00:46:22,646 --> 00:46:23,646 ♪ MY, OH, MY ♪ 1114 00:46:23,680 --> 00:46:25,549 ♪ WHY HAVE WE GOT 1115 00:46:25,550 --> 00:46:27,417 OUR ARMS? ♪ 1116 00:46:27,484 --> 00:46:29,453 - ♪ WHAT HAVE WE GOT - OUR SIGHT FOR? ♪ 1117 00:46:29,520 --> 00:46:30,621 - ♪ SIGHT FOR, - SIGHT FOR ♪ 1118 00:46:30,687 --> 00:46:31,955 ♪ PLAYDAY IS DONE ♪ 1119 00:46:32,022 --> 00:46:33,457 - ♪ WE'VE A PLACE - IN THE SUN ♪ 1120 00:46:33,524 --> 00:46:37,427 ♪ WE MUST FIGHT FOR ♪♪ 1121 00:46:41,498 --> 00:46:43,367 - [MICKEY ROONEY] - WHEN OUR MOVIES TOOK OFF 1122 00:46:43,467 --> 00:46:44,635 AT THE BOX OFFICE, 1123 00:46:44,701 --> 00:46:45,819 WE FOUND OUR BUDGETS 1124 00:46:45,820 --> 00:46:46,937 TAKING OFF, TOO. 1125 00:46:47,004 --> 00:46:48,272 SO THEY MOVED JUDY AND I 1126 00:46:48,273 --> 00:46:49,540 OUT OF THE BACKYARD 1127 00:46:49,640 --> 00:46:51,008 AND INTO THE BARN, 1128 00:46:51,108 --> 00:46:53,477 THEN TO THE HIGH-SCHOOL GYM 1129 00:46:53,544 --> 00:46:55,445 - AND LATER - TO A BROADWAY STAGE 1130 00:46:55,512 --> 00:46:56,730 THAT WOULD NEVER HAVE FIT 1131 00:46:56,731 --> 00:46:57,948 IN A REAL THEATER. 1132 00:46:58,015 --> 00:46:59,417 WHERE WE GOT ALL THAT ENERGY, 1133 00:46:59,418 --> 00:47:00,818 I'LL NEVER KNOW, 1134 00:47:00,884 --> 00:47:02,386 BUT A LOT OF IT WAS INSPIRED 1135 00:47:02,387 --> 00:47:03,887 BY OUR DIRECTOR, 1136 00:47:03,987 --> 00:47:05,522 - A GENIUS... - BUSBY BERKELEY. 1137 00:47:05,622 --> 00:47:06,824 ♪ GO DOWN ♪ 1138 00:47:06,890 --> 00:47:08,125 ♪ AND BRING 1139 00:47:08,126 --> 00:47:09,359 YOUR BEST BEAU DOWN ♪ 1140 00:47:09,459 --> 00:47:10,677 ♪ WE'RE FACING 1141 00:47:10,678 --> 00:47:11,895 A SHOWDOWN ♪ 1142 00:47:11,995 --> 00:47:14,231 ♪ WE GOT TO MAKE HAY ♪♪ 1143 00:47:14,331 --> 00:47:16,166 ♪ 1, 2, 3... BOOM ♪ 1144 00:47:16,233 --> 00:47:18,068 ♪ 1, 2, 3... BOOM ♪ 1145 00:47:18,168 --> 00:47:19,803 ♪ 1, 2, 3... BOOM ♪♪ 1146 00:47:19,870 --> 00:47:22,072 [RUMBA MUSIC PLAYING] 1147 00:47:41,391 --> 00:47:42,893 ♪ WATCH THEM 1148 00:47:42,894 --> 00:47:44,394 SHUFFLIN' ALONG ♪ 1149 00:47:44,494 --> 00:47:45,829 ♪ SEE THEM 1150 00:47:45,830 --> 00:47:47,164 SHUFFLIN' ALONG ♪ 1151 00:47:47,231 --> 00:47:48,999 - ♪ GO TAKE - YOUR BEST GAL ♪ 1152 00:47:49,066 --> 00:47:50,901 ♪ YOUR REAL PAL ♪ 1153 00:47:51,001 --> 00:47:52,669 - ♪ GO DOWN - ON THE LEVEE ♪ 1154 00:47:52,736 --> 00:47:54,171 - ♪ I SAID TO - THE LEVEE ♪ 1155 00:47:54,238 --> 00:47:55,823 ♪ AND WE'LL JOIN 1156 00:47:55,824 --> 00:47:57,407 THAT SHUFFLIN' THRONG ♪ 1157 00:47:57,507 --> 00:47:58,959 ♪ HEAR THAT MUSIC 1158 00:47:58,960 --> 00:48:00,410 AND SONG ♪ 1159 00:48:00,510 --> 00:48:02,446 - ♪ IT'S SIMPLY GREAT, - MATE ♪ 1160 00:48:02,546 --> 00:48:04,081 ♪ WAITIN' ON THE LEVEE ♪ 1161 00:48:04,181 --> 00:48:06,133 ♪ WAITIN' FOR 1162 00:48:06,134 --> 00:48:08,085 THE ROBERT E. LEE ♪ 1163 00:48:52,396 --> 00:48:53,447 ♪ WE'RE BABES 1164 00:48:53,448 --> 00:48:54,498 ON BROADWAY ♪ 1165 00:48:54,598 --> 00:48:56,300 ♪ WE'RE GOING PLACES ♪ 1166 00:48:56,400 --> 00:49:00,070 ♪ WHEN OUR NEW FACES APPEAR ♪ 1167 00:49:00,137 --> 00:49:02,022 ♪ IT'S A WONDERFUL STREET 1168 00:49:02,023 --> 00:49:03,907 FOR BABES LIKE US TO BE ON ♪ 1169 00:49:03,974 --> 00:49:05,960 ♪ WE'RE HERE BECAUSE 1170 00:49:05,961 --> 00:49:07,945 WE WANT OUR NAMES IN NEON ♪ 1171 00:49:08,011 --> 00:49:09,880 ♪ WE LEFT TOPEKA, 1172 00:49:09,881 --> 00:49:11,748 WE LEFT EUREKA ♪ 1173 00:49:11,815 --> 00:49:13,500 ♪ AND CAME TO SEEK 1174 00:49:13,501 --> 00:49:15,185 A CAREER ♪ 1175 00:49:15,285 --> 00:49:17,104 ♪ OH, WE'RE MILKING APPLAUSE 1176 00:49:17,105 --> 00:49:18,922 INSTEAD OF MILKING A COW ♪ 1177 00:49:18,989 --> 00:49:26,046 ♪ 'CAUSE WE'RE 1178 00:49:26,047 --> 00:49:33,103 BABES ON BROADWAY NOW ♪♪ 1179 00:49:33,170 --> 00:49:34,688 [STRIKE UP THE BAND 1180 00:49:34,689 --> 00:49:36,206 [PLAYING] 1181 00:49:54,358 --> 00:49:58,061 ♪ WITH OUR FLAG UNFURLED ♪ 1182 00:49:58,161 --> 00:50:02,833 ♪ WE CAN FACE THE WORLD ♪ 1183 00:50:02,899 --> 00:50:07,070 ♪ HEY, LEADER, 1184 00:50:07,071 --> 00:50:11,241 STRIKE UP THE BAND ♪♪ 1185 00:50:27,891 --> 00:50:29,810 {\an8}[SINGIN' IN THE RAIN 1186 00:50:29,811 --> 00:50:31,728 [{\an8}PLAYING] 1187 00:50:31,828 --> 00:50:33,230 - [ROONEY] - THERE'S ANOTHER FELLOW 1188 00:50:33,330 --> 00:50:35,065 - WHO WORKED ON THIS LOT - WITH JUDY, 1189 00:50:35,165 --> 00:50:37,000 - AND SOME OF MGM's - BEST MUSICALS 1190 00:50:37,067 --> 00:50:39,286 ARE A DIRECT RESULT 1191 00:50:39,287 --> 00:50:41,505 OF HIS CONSIDERABLE TALENTS... 1192 00:50:41,571 --> 00:50:42,839 GENE KELLY. 1193 00:50:44,608 --> 00:50:45,993 THIS IS MGM's 1194 00:50:45,994 --> 00:50:47,377 NEW YORK STREET. 1195 00:50:47,444 --> 00:50:48,495 AND FOR AS LONG 1196 00:50:48,496 --> 00:50:49,546 AS I CAN REMEMBER, 1197 00:50:49,613 --> 00:50:51,848 - THIS HAS BEEN - THE BUSIEST STANDING SET 1198 00:50:51,915 --> 00:50:53,717 ON THE WHOLE BACK LOT. 1199 00:50:53,784 --> 00:50:55,235 ANY ACTOR OR ACTRESS 1200 00:50:55,236 --> 00:50:56,686 WHO MADE, LET'S SAY, 1201 00:50:56,753 --> 00:50:58,789 - MORE THAN ONE OR TWO FILMS - AT THIS STUDIO 1202 00:50:58,889 --> 00:51:00,290 SOONER OR LATER 1203 00:51:00,291 --> 00:51:01,691 PROBABLY WOULD FIND HIMSELF 1204 00:51:01,758 --> 00:51:03,860 SHOOTING A SEQUENCE HERE. 1205 00:51:03,927 --> 00:51:05,429 WHICH REMINDS ME, 1206 00:51:05,529 --> 00:51:07,230 - IF YOU'RE - A SONG-AND-DANCE MAN 1207 00:51:07,297 --> 00:51:08,765 AND YOU'VE SPENT SOME TIME 1208 00:51:08,766 --> 00:51:10,233 IN PICTURES, 1209 00:51:10,300 --> 00:51:12,235 - INEVITABLY, - SOME INTERVIEWER WILL ASK, 1210 00:51:12,302 --> 00:51:13,720 "WHO WAS YOUR FAVORITE 1211 00:51:13,721 --> 00:51:15,138 DANCING PARTNER? 1212 00:51:15,238 --> 00:51:17,307 WAS IT RITA HAYWORTH 1213 00:51:17,308 --> 00:51:19,376 OR VERA-ELLEN OR LESLIE CARON?" 1214 00:51:19,443 --> 00:51:20,744 BUT IF YOU'RE SMART, 1215 00:51:20,811 --> 00:51:22,279 YOU'LL NEVER GIVE THEM 1216 00:51:22,280 --> 00:51:23,747 A STRAIGHT ANSWER. 1217 00:51:23,814 --> 00:51:25,516 WELL, I'M GOING TO BREAK 1218 00:51:25,517 --> 00:51:27,217 THAT RULE RIGHT NOW. 1219 00:51:27,284 --> 00:51:29,269 IT MAY NOT BE GALLANT, 1220 00:51:29,270 --> 00:51:31,254 BUT I'D LIKE TO SHOW YOU 1221 00:51:31,321 --> 00:51:32,739 THE GREATEST PARTNER 1222 00:51:32,740 --> 00:51:34,157 I'VE EVER DANCED WITH. 1223 00:51:41,298 --> 00:51:42,516 WHEN YOU DANCE 1224 00:51:42,517 --> 00:51:43,733 WITH FRED ASTAIRE, 1225 00:51:43,800 --> 00:51:45,018 YOU REALLY HAVE TO BE 1226 00:51:45,019 --> 00:51:46,236 ON YOUR TOES. 1227 00:51:46,303 --> 00:51:48,138 - THIS NUMBER - FROM ZIEGFELD FOLLIES 1228 00:51:48,238 --> 00:51:49,823 WAS THE ONLY TIME WE'VE HAD 1229 00:51:49,824 --> 00:51:51,408 A CHANCE TO WORK TOGETHER, 1230 00:51:51,475 --> 00:51:52,626 BUT I'D CHANGE MY NAME 1231 00:51:52,627 --> 00:51:53,777 TO GINGER 1232 00:51:53,844 --> 00:51:55,946 IF WE COULD DO IT AGAIN. 1233 00:53:18,228 --> 00:53:19,246 FRED ASTAIRE 1234 00:53:19,247 --> 00:53:20,263 HAS BEEN THE TOPS 1235 00:53:20,363 --> 00:53:23,233 - IN EVERY FIELD OF SHOW BUSINESS - HE EVER ENTERED, 1236 00:53:23,333 --> 00:53:24,851 AND THE MOTION-PICTURE MUSICAL 1237 00:53:24,852 --> 00:53:26,369 OWES HIM A GREAT DEAL. 1238 00:53:26,436 --> 00:53:29,556 ♪ THE WAY 1239 00:53:29,557 --> 00:53:32,676 YOU WEAR YOUR HAT ♪ 1240 00:53:32,742 --> 00:53:35,462 ♪ THE WAY 1241 00:53:35,463 --> 00:53:38,181 YOU SIP YOUR TEA ♪ 1242 00:53:38,248 --> 00:53:43,019 ♪ THE MEM'RY OF ALL THAT ♪ 1243 00:53:43,086 --> 00:53:45,756 ♪ NO, NO, THEY CAN'T TAKE THAT 1244 00:53:45,757 --> 00:53:48,425 AWAY FROM ME ♪ 1245 00:53:48,525 --> 00:53:51,144 ♪ THE WAY YOUR SMILE 1246 00:53:51,145 --> 00:53:53,763 JUST BEAMS ♪ 1247 00:53:53,863 --> 00:53:56,399 ♪ THE WAY 1248 00:53:56,400 --> 00:53:58,935 YOU SING OFF-KEY ♪ 1249 00:53:59,035 --> 00:54:01,404 ♪ THE WAY YOU HAUNT 1250 00:54:01,405 --> 00:54:03,773 MY DREAMS ♪ 1251 00:54:03,873 --> 00:54:06,626 ♪ NO, NO, THEY CAN'T TAKE THAT 1252 00:54:06,627 --> 00:54:09,379 AWAY FROM ME ♪♪ 1253 00:54:09,446 --> 00:54:11,147 - [GENE KELLY] - WHEN HE STARRED 1254 00:54:11,248 --> 00:54:12,533 IN A SERIES OF MUSICALS 1255 00:54:12,534 --> 00:54:13,817 WITH GINGER ROGERS, 1256 00:54:13,917 --> 00:54:15,402 THEY QUICKLY BECAME 1257 00:54:15,403 --> 00:54:16,886 THE MOST POPULAR DANCE TEAM 1258 00:54:16,953 --> 00:54:18,171 IN THE HISTORY 1259 00:54:18,172 --> 00:54:19,389 OF MOTION PICTURES. 1260 00:54:19,456 --> 00:54:20,641 BUT FOR FRED 1261 00:54:20,642 --> 00:54:21,825 AS AN INDIVIDUAL, 1262 00:54:21,925 --> 00:54:23,360 IT WAS ONLY THE BEGINNING 1263 00:54:23,361 --> 00:54:24,794 OF A SCREEN CAREER 1264 00:54:24,894 --> 00:54:26,746 THAT WOULD DELIGHT SEVERAL 1265 00:54:26,747 --> 00:54:28,598 GENERATIONS OF MOVIEGOERS. 1266 00:54:55,125 --> 00:54:58,261 [APPLAUSE] 1267 00:54:58,328 --> 00:54:59,379 ♪ STAND UP 1268 00:54:59,380 --> 00:55:00,430 AND SING ♪ 1269 00:55:00,497 --> 00:55:02,432 - ♪ WE'VE GOT THE GANG - TOGETHER ♪ 1270 00:55:02,499 --> 00:55:04,434 - ♪ WE ALWAYS - SANG TOGETHER ♪ 1271 00:55:04,501 --> 00:55:05,569 ♪ STAND UP 1272 00:55:05,570 --> 00:55:06,636 AND SING ♪♪ 1273 00:55:06,703 --> 00:55:08,938 - OVER THE YEARS, - FRED ASTAIRE'S TRADEMARK 1274 00:55:09,005 --> 00:55:10,173 WOULD BECOME 1275 00:55:10,174 --> 00:55:11,341 THE TOP HAT AND TAILS. 1276 00:55:11,441 --> 00:55:13,060 HE WORE THE OUTFIT IN 1277 00:55:13,061 --> 00:55:14,678 HIS VERY FIRST FILM APPEARANCE... 1278 00:55:14,778 --> 00:55:15,879 DANCING LADY 1279 00:55:15,880 --> 00:55:16,980 WITH JOAN CRAWFORD. 1280 00:55:46,176 --> 00:55:48,445 ♪ I GUESS I'LL HAVE TO 1281 00:55:48,446 --> 00:55:50,714 CHANGE MY PLAN ♪ 1282 00:55:50,814 --> 00:55:52,849 ♪ I SHOULD HAVE REALIZED 1283 00:55:52,850 --> 00:55:54,884 THERE'D BE ANOTHER MAN... ♪ 1284 00:55:54,984 --> 00:55:56,486 {\an8}JACK BUCHANAN, THE DEBONAIR 1285 00:55:56,487 --> 00:55:57,987 {\an8}BRITISH MUSICAL STAR, 1286 00:55:58,054 --> 00:55:59,923 {\an8}JOINED FRED IN THE BAND WAGON. 1287 00:56:00,023 --> 00:56:02,392 ♪ UNTIL THE BIG AFFAIR 1288 00:56:02,393 --> 00:56:04,761 BEGAN ♪ 1289 00:56:04,861 --> 00:56:07,097 ♪ BEFORE I KNEW 1290 00:56:07,098 --> 00:56:09,332 WHERE I WAS AT ♪ 1291 00:56:09,399 --> 00:56:11,918 ♪ I FOUND MYSELF UPON THE SHELF, 1292 00:56:11,919 --> 00:56:14,437 AND THAT WAS THAT ♪ 1293 00:56:14,537 --> 00:56:17,006 ♪ I TRIED TO REACH THE MOON ♪ 1294 00:56:17,073 --> 00:56:20,210 ♪ BUT WHEN I GOT THERE ♪ 1295 00:56:20,276 --> 00:56:21,928 ♪ ALL THAT I COULD GET 1296 00:56:21,929 --> 00:56:23,580 WAS THE AIR ♪ 1297 00:56:23,680 --> 00:56:26,049 ♪ MY FEET ARE BACK 1298 00:56:26,050 --> 00:56:28,418 UPON THE GROUND ♪ 1299 00:56:28,518 --> 00:56:31,154 ♪ I'VE LOST THE ONE GIRL 1300 00:56:31,155 --> 00:56:33,790 I FOUND ♪♪ 1301 00:56:35,592 --> 00:56:36,926 {\an8}BUT BESIDES ELEGANCE, 1302 00:56:37,026 --> 00:56:38,478 {\an8}THERE'S A LOT MORE 1303 00:56:38,479 --> 00:56:39,929 {\an8}TO THE ASTAIRE STYLE. 1304 00:56:40,029 --> 00:56:41,531 {\an8}FRED WAS CONSTANTLY 1305 00:56:41,532 --> 00:56:43,032 {\an8}STRIVING FOR PERFECTION, 1306 00:56:43,099 --> 00:56:44,934 {\an8}REHEARSING HOUR AFTER HOUR, 1307 00:56:45,034 --> 00:56:46,503 {\an8}SEARCHING FOR A NEW STEP 1308 00:56:46,504 --> 00:56:47,971 {\an8}OR A NEW DEVICE 1309 00:56:48,071 --> 00:56:50,039 - {\an8}THAT WOULD BRING - SOMETHING FRESH 1310 00:56:50,106 --> 00:56:52,208 {\an8}TO EACH OF HIS NUMBERS. 1311 00:57:01,117 --> 00:57:02,919 BECAUSE OF HIS INGENUITY 1312 00:57:02,986 --> 00:57:04,220 AND PRECISION, 1313 00:57:04,287 --> 00:57:05,722 AUDIENCES NEVER REALIZED 1314 00:57:05,789 --> 00:57:07,557 HOW MUCH INCREDIBLE EFFORT 1315 00:57:07,624 --> 00:57:09,559 FRED POURED INTO HIS WORK. 1316 00:57:09,626 --> 00:57:12,562 HE MADE IT ALL APPEAR SO EASY. 1317 00:57:12,629 --> 00:57:14,063 IN ROYAL WEDDING, 1318 00:57:14,130 --> 00:57:16,099 FRED DANCED WITH A HATRACK, 1319 00:57:16,166 --> 00:57:17,567 AND, AS USUAL, 1320 00:57:17,634 --> 00:57:20,236 HE MADE HIS PARTNER LOOK GOOD. 1321 00:57:57,974 --> 00:57:59,542 {\an8}IN THE BARKLEYS 1322 00:57:59,543 --> 00:58:01,110 {\an8}OF BROADWAY, 1323 00:58:01,177 --> 00:58:02,329 {\an8}FRED AND CHOREOGRAPHER 1324 00:58:02,330 --> 00:58:03,480 {\an8}HERMES PAN 1325 00:58:03,546 --> 00:58:05,665 {\an8}CONCEIVED THE BRILLIANT 1326 00:58:05,666 --> 00:58:07,784 {\an8}"SHOES WITH WINGS ON" NUMBER. 1327 00:58:50,560 --> 00:58:52,045 FRED AND DIRECTOR 1328 00:58:52,046 --> 00:58:53,530 STANLEY DONEN COLLABORATED 1329 00:58:53,596 --> 00:58:55,315 ON THIS MIND-BOGGLING ROUTINE 1330 00:58:55,316 --> 00:58:57,033 FROM ROYAL WEDDING. 1331 00:58:57,100 --> 00:58:58,969 MOVIE BUFFS ARE STILL ARGUING 1332 00:58:58,970 --> 00:59:00,837 ABOUT HOW IT WAS DONE. 1333 01:00:24,754 --> 01:00:26,222 {\an8}THE GIMMICKS FRED USED 1334 01:00:26,223 --> 01:00:27,690 {\an8}WERE EXCITING AND FUN, 1335 01:00:27,790 --> 01:00:28,975 {\an8}BUT HIS TALENTS 1336 01:00:28,976 --> 01:00:30,159 {\an8}WERE SO EXTRAORDINARY 1337 01:00:30,259 --> 01:00:31,728 {\an8}THAT HE COULD EASILY 1338 01:00:31,729 --> 01:00:33,196 {\an8}GET ALONG WITHOUT THEM. 1339 01:00:33,296 --> 01:00:34,748 {\an8}THIS IS THE ASTAIRE 1340 01:00:34,749 --> 01:00:36,199 {\an8}I LOVE TO WATCH... 1341 01:00:36,299 --> 01:00:37,801 {\an8}WITH A LOVELY PARTNER 1342 01:00:37,802 --> 01:00:39,302 {\an8}LIKE CYD CHARISSE, 1343 01:00:39,369 --> 01:00:40,637 {\an8}A SIMPLE SETTING, 1344 01:00:40,703 --> 01:00:42,438 {\an8}A MARVELOUS SONG BY HOWARD DIETZ 1345 01:00:42,439 --> 01:00:44,173 {\an8}AND ARTHUR SCHWARTZ. 1346 01:00:44,273 --> 01:00:45,775 {\an8}THESE ARE THE ONLY INGREDIENTS 1347 01:00:45,776 --> 01:00:47,276 {\an8}FRED WOULD NEED 1348 01:00:47,343 --> 01:00:49,145 {\an8}TO CREATE A CLASSIC MOMENT. 1349 01:00:49,212 --> 01:00:51,081 {\an8}DANCING IN THE DARK 1350 01:00:51,082 --> 01:00:52,949 {\an8}FROM THE BAND WAGON. 1351 01:02:28,544 --> 01:02:30,013 FRED ASTAIRE WAS AND IS 1352 01:02:30,014 --> 01:02:31,481 A UNIQUE TALENT. 1353 01:02:31,581 --> 01:02:32,766 THERE'LL NEVER BE 1354 01:02:32,767 --> 01:02:33,950 ANOTHER LIKE HIM. 1355 01:02:34,050 --> 01:02:35,502 AND THAT'S WHAT I LOVE 1356 01:02:35,503 --> 01:02:36,953 ABOUT OUR PROFESSION, 1357 01:02:37,053 --> 01:02:38,505 BECAUSE EVERY SO OFTEN, 1358 01:02:38,506 --> 01:02:39,956 AN ARTIST COMES ALONG 1359 01:02:40,056 --> 01:02:41,474 WHO IS IMPOSSIBLE TO COMPARE 1360 01:02:41,475 --> 01:02:42,892 WITH ANYONE ELSE. 1361 01:02:42,959 --> 01:02:44,477 HERE IS ANOTHER OF MY FAVORITE 1362 01:02:44,478 --> 01:02:45,995 DANCING PARTNERS... 1363 01:02:46,095 --> 01:02:47,897 DONALD O'CONNOR. 1364 01:02:47,964 --> 01:02:49,799 MGM SEEMED TO ACQUIRE TALENT 1365 01:02:49,899 --> 01:02:51,417 THE WAY YOU AND I 1366 01:02:51,418 --> 01:02:52,935 PICK UP PAPER CLIPS... 1367 01:02:53,002 --> 01:02:54,403 BY THE HANDFUL. 1368 01:02:54,470 --> 01:02:56,305 WHEN I WAS AT THIS STUDIO, 1369 01:02:56,405 --> 01:02:57,907 WE WERE UP TO OUR EARS 1370 01:02:57,908 --> 01:02:59,408 IN TENORS AND BARITONES, 1371 01:02:59,475 --> 01:03:01,410 TAP-DANCERS, PIANISTS. 1372 01:03:01,477 --> 01:03:02,812 THEY WERE ALL GOOD, 1373 01:03:02,912 --> 01:03:04,347 BUT THIS SET BELONGED 1374 01:03:04,348 --> 01:03:05,782 PRETTY MUCH TO ONE STAR. 1375 01:03:05,848 --> 01:03:07,350 I ONLY WISH WE'D HAD A CHANCE 1376 01:03:07,351 --> 01:03:08,851 TO WORK TOGETHER. 1377 01:03:08,951 --> 01:03:10,153 SHE WAS NOT ONLY 1378 01:03:10,154 --> 01:03:11,354 A LOVELY ACTRESS 1379 01:03:11,454 --> 01:03:13,422 - WITH A BEAUTIFUL FACE - AND FIGURE, 1380 01:03:13,489 --> 01:03:14,957 BUT SHE COULD ALSO 1381 01:03:14,958 --> 01:03:16,425 SING AND DANCE 1382 01:03:16,492 --> 01:03:18,427 AND EVEN HANDLE COMEDY. 1383 01:03:18,494 --> 01:03:20,429 AND IF THAT WASN'T ENOUGH, 1384 01:03:20,496 --> 01:03:21,648 SHE WAS DYNAMITE 1385 01:03:21,649 --> 01:03:22,799 IN THE WATER. 1386 01:03:22,865 --> 01:03:24,684 OF COURSE, I'M TALKING 1387 01:03:24,685 --> 01:03:26,502 ABOUT MISS ESTHER WILLIAMS. 1388 01:03:26,602 --> 01:03:27,937 A CHAMPION SWIMMER, 1389 01:03:28,004 --> 01:03:29,189 ESTHER WAS WORKING 1390 01:03:29,190 --> 01:03:30,373 AS A MODEL 1391 01:03:30,473 --> 01:03:31,674 IN A LOS ANGELES 1392 01:03:31,675 --> 01:03:32,875 DEPARTMENT STORE 1393 01:03:32,975 --> 01:03:34,293 WHEN MGM TALENT SCOUTS 1394 01:03:34,294 --> 01:03:35,611 DISCOVERED HER. 1395 01:03:38,881 --> 01:03:40,433 THE STUDIO BUILT 1396 01:03:40,434 --> 01:03:41,984 A SPECIAL SWIMMING POOL FOR HER 1397 01:03:42,051 --> 01:03:43,319 ON THE BACK LOT 1398 01:03:43,386 --> 01:03:44,921 AND STARRED HER IN A FILM 1399 01:03:44,922 --> 01:03:46,455 CALLED BATHING BEAUTY. 1400 01:03:46,522 --> 01:03:48,624 THE REST IS HISTORY. 1401 01:03:52,195 --> 01:03:54,130 MGM FEATURED ESTHER 1402 01:03:54,197 --> 01:03:56,499 - IN A SERIES - OF SPECTACULAR PRODUCTIONS. 1403 01:03:56,566 --> 01:03:57,967 DURING HER CAREER, 1404 01:03:58,034 --> 01:03:59,702 SHE SWAM OPPOSITE SOME OF MGM's 1405 01:03:59,703 --> 01:04:01,370 MOST POPULAR LEADING MEN. 1406 01:04:01,470 --> 01:04:02,972 SOME OF THEM EVEN 1407 01:04:02,973 --> 01:04:04,473 GOT THEIR HAIR WET... 1408 01:04:04,540 --> 01:04:05,975 LIKE HOWARD KEEL... 1409 01:04:06,042 --> 01:04:09,879 ♪ LIGHT TAHITIAN SKIES ♪ 1410 01:04:09,979 --> 01:04:11,731 FERNANDO LAMAS, 1411 01:04:11,732 --> 01:04:13,482 WHOM SHE WOULD LATER MARRY... 1412 01:04:13,549 --> 01:04:16,018 ♪ AND THE STARLIT WATERS ♪ 1413 01:04:16,085 --> 01:04:17,486 VAN JOHNSON... 1414 01:04:17,553 --> 01:04:19,856 ♪ LINGER IN YOUR EYES ♪ 1415 01:04:19,922 --> 01:04:21,490 PETER LAWFORD... 1416 01:04:21,557 --> 01:04:24,994 ♪ NATIVE HILLS ARE CALLING ♪ 1417 01:04:25,061 --> 01:04:27,163 RICARDO MONTALBAN... 1418 01:04:27,230 --> 01:04:29,832 ♪ TO THEM WE BELONG ♪ 1419 01:04:29,899 --> 01:04:32,935 EVEN TOM AND JERRY... 1420 01:04:33,035 --> 01:04:37,874 ♪ AND WE'LL CHEER EACH OTHER ♪ 1421 01:04:37,940 --> 01:04:39,876 JIMMY DURANTE... 1422 01:04:39,942 --> 01:04:42,545 ♪ WITH THE PAGAN ♪ 1423 01:04:42,612 --> 01:04:44,513 AND RED SKELTON. 1424 01:04:44,580 --> 01:04:48,184 ♪ LOVE SONG ♪♪ 1425 01:05:00,129 --> 01:05:01,397 AS HER FAME GREW, 1426 01:05:01,464 --> 01:05:02,932 SO DID THE SIZE AND POPULATION 1427 01:05:02,933 --> 01:05:04,400 OF HER SWIMMING POOLS. 1428 01:05:04,467 --> 01:05:06,269 ESTHER NO LONGER COULD 1429 01:05:06,270 --> 01:05:08,070 SIMPLY CLIMB UP A DIVING BOARD 1430 01:05:08,137 --> 01:05:09,438 AND JUMP IN. 1431 01:05:09,538 --> 01:05:10,957 NOW SHE HAD TO BE 1432 01:05:10,958 --> 01:05:12,375 PRESENTED LIKE VENUS... 1433 01:05:12,441 --> 01:05:14,110 RISING FROM THE SEA. 1434 01:05:18,581 --> 01:05:19,766 IN THE RANKS 1435 01:05:19,767 --> 01:05:20,950 OF GREAT MUSICAL STARS, 1436 01:05:21,050 --> 01:05:22,318 THERE HAVE BEEN SINGERS, 1437 01:05:22,319 --> 01:05:23,586 DANCERS, MUSICIANS, 1438 01:05:23,653 --> 01:05:25,054 EVEN ICE-SKATERS. 1439 01:05:25,121 --> 01:05:27,390 BUT MGM SAW TO IT THAT THERE WAS 1440 01:05:27,391 --> 01:05:29,659 ONLY ONE ESTHER WILLIAMS. 1441 01:09:23,692 --> 01:09:25,394 [CHUCKLES] 1442 01:09:25,494 --> 01:09:26,762 EAT YOUR HEART OUT, 1443 01:09:26,763 --> 01:09:28,030 MARK SPITZ. 1444 01:09:28,130 --> 01:09:29,374 - YOU KNOW, - PEOPLE SAY THAT PERFORMERS 1445 01:09:29,398 --> 01:09:31,333 - ARE OVERLY AFFECTIONATE - WITH ONE ANOTHER. 1446 01:09:31,400 --> 01:09:33,302 THAT MAY BE TRUE, 1447 01:09:33,369 --> 01:09:34,870 - BUT I DON'T - HAVE TO APOLOGIZE 1448 01:09:34,970 --> 01:09:36,639 - FOR THE WAY I FEEL - ABOUT A YOUNG LADY 1449 01:09:36,705 --> 01:09:38,474 - THAT I WORKED WITH - HERE AT MGM. 1450 01:09:38,541 --> 01:09:39,675 I LOVE HER. 1451 01:09:39,742 --> 01:09:41,043 AND SHE'S AS BIG A HIT 1452 01:09:41,044 --> 01:09:42,344 RIGHT NOW ON BROADWAY 1453 01:09:42,411 --> 01:09:44,380 AS SHE WAS IN HOLLYWOOD. 1454 01:09:44,480 --> 01:09:45,681 SHE NEVER STOPS. 1455 01:09:45,748 --> 01:09:47,082 MISS DEBBIE REYNOLDS. 1456 01:09:47,183 --> 01:09:49,836 I MADE MY FIRST MOVIE FOR MGM 1457 01:09:49,837 --> 01:09:52,488 BACK IN 195... AHEM! 1458 01:09:52,555 --> 01:09:55,157 REMEMBER THREE LITTLE WORDS? 1459 01:09:55,224 --> 01:09:56,659 FELLAS, CAN WE BORROW 1460 01:09:56,660 --> 01:09:58,093 YOUR PIANO JUST A MINUTE? 1461 01:09:58,194 --> 01:09:59,428 LISTEN. 1462 01:09:59,528 --> 01:10:01,013 [DEBBIE REYNOLDS] 1463 01:10:01,014 --> 01:10:02,498 OF COURSE, THE REAL STARS 1464 01:10:02,565 --> 01:10:04,400 - WERE FRED ASTAIRE - AND RED SKELTON, 1465 01:10:04,500 --> 01:10:06,252 BUT SEE THAT FUNNY-LOOKING KID 1466 01:10:06,253 --> 01:10:08,003 COMING DOWN THE STEPS? 1467 01:10:08,070 --> 01:10:10,506 - WELL, LOOK OUT, HOLLYWOOD. - HERE I COME. 1468 01:10:10,573 --> 01:10:12,241 ♪ I WANNA BE 1469 01:10:12,242 --> 01:10:13,909 LOVED BY YOU ♪ 1470 01:10:14,009 --> 01:10:16,011 ♪ ALONE ♪ 1471 01:10:16,078 --> 01:10:17,613 - ♪ BOOP BOOP - BE DOO ♪♪ 1472 01:10:17,713 --> 01:10:19,649 ♪ MMM, I WANNA BE 1473 01:10:19,650 --> 01:10:21,584 LOVED BY YOU ♪ 1474 01:10:21,684 --> 01:10:23,018 ♪ JUST YOU ♪ 1475 01:10:23,085 --> 01:10:24,720 ♪ AND NOBODY ELSE 1476 01:10:24,721 --> 01:10:26,355 BUT YOU ♪ 1477 01:10:26,422 --> 01:10:28,174 ♪ OH, I WANNA BE 1478 01:10:28,175 --> 01:10:29,925 LOVED BY YOU ♪ 1479 01:10:30,025 --> 01:10:31,060 ♪ ALONE ♪ 1480 01:10:31,126 --> 01:10:32,528 CARLETON CARPENTER AND I 1481 01:10:32,595 --> 01:10:33,896 ONLY DID THIS ONE NUMBER 1482 01:10:33,897 --> 01:10:35,197 IN THE PICTURE, 1483 01:10:35,264 --> 01:10:37,199 - BUT IT CERTAINLY HELPED - OUR CAREERS, 1484 01:10:37,266 --> 01:10:39,101 - EVEN THOUGH THE VOICE - WASN'T MINE. 1485 01:10:39,201 --> 01:10:40,569 MGM BROUGHT IN THE SONG'S 1486 01:10:40,570 --> 01:10:41,937 ORIGINATOR, HELEN KING, 1487 01:10:42,037 --> 01:10:43,405 TO SING THE VOCAL. 1488 01:10:43,472 --> 01:10:44,924 ♪ TO MAKE YOU 1489 01:10:44,925 --> 01:10:46,375 MY OWN ♪ 1490 01:10:46,442 --> 01:10:47,743 ♪ BA BA BEE DA 1491 01:10:47,744 --> 01:10:49,044 BOOP BOOP BA DOOP ♪ 1492 01:10:49,111 --> 01:10:51,030 ♪ MMM, I WANNA BE 1493 01:10:51,031 --> 01:10:52,948 LOVED BY YOU ♪ 1494 01:10:53,048 --> 01:10:54,049 ♪ JUST YOU ♪ 1495 01:10:54,116 --> 01:10:55,835 ♪ AND NOBODY ELSE 1496 01:10:55,836 --> 01:10:57,553 BUT YOU ♪ 1497 01:10:57,620 --> 01:10:59,338 ♪ I WANNA BE 1498 01:10:59,339 --> 01:11:01,056 LOVED BY YOU ♪ 1499 01:11:01,123 --> 01:11:03,058 - ♪ BA DUP BE DUP - BE DUP BE DUP ♪ 1500 01:11:03,125 --> 01:11:05,060 ♪ BOOP BOOP BA DOO ♪♪ 1501 01:11:07,129 --> 01:11:08,564 WHEN I FIRST REPORTED 1502 01:11:08,565 --> 01:11:09,999 TO THE STUDIO, 1503 01:11:10,099 --> 01:11:11,267 MGM WAS CELEBRATING 1504 01:11:11,268 --> 01:11:12,434 ITS 25th ANNIVERSARY. 1505 01:11:12,501 --> 01:11:14,236 THEY HAD CONVERTED THE BIGGEST 1506 01:11:14,237 --> 01:11:15,971 SOUND STAGE ON THE LOT 1507 01:11:16,071 --> 01:11:17,940 INTO A RESTAURANT. 1508 01:11:18,007 --> 01:11:19,742 THEY ONLY SERVED ONE MEAL, 1509 01:11:19,808 --> 01:11:22,478 - BUT IT WAS A LUNCH - OLD-TIMERS STILL TALK ABOUT. 1510 01:11:22,578 --> 01:11:24,480 THE STUDIO USED TO BOAST 1511 01:11:24,580 --> 01:11:26,582 THAT IT HAD "MORE STARS 1512 01:11:26,583 --> 01:11:28,584 THAN THERE ARE IN THE HEAVENS," 1513 01:11:28,651 --> 01:11:29,919 AND THAT DAY, 1514 01:11:29,920 --> 01:11:31,186 THEY WEREN'T KIDDING. 1515 01:11:35,624 --> 01:11:38,527 - THE FIRST TIME I MET "THE KING," - CLARK GABLE, 1516 01:11:38,627 --> 01:11:40,396 HE LOOKED DOWN AT ME AND SAID, 1517 01:11:40,397 --> 01:11:42,164 "HELLO, BEAUTIFUL." 1518 01:11:42,264 --> 01:11:43,599 AND I NEARLY FAINTED. 1519 01:11:43,666 --> 01:11:45,151 THIS PLACE WAS 1520 01:11:45,152 --> 01:11:46,635 THE LAND OF GIANTS, 1521 01:11:46,702 --> 01:11:48,604 AND I WAS A SMALL FRY, 1522 01:11:48,671 --> 01:11:50,472 - BUT LIKE ANY OTHER - YOUNG HOPEFUL, 1523 01:11:50,539 --> 01:11:52,358 I WAS DETERMINED THAT SOMEHOW 1524 01:11:52,359 --> 01:11:54,176 AND SOMEDAY I'D MEASURE UP. 1525 01:11:54,276 --> 01:11:55,544 IN THE EARLY 1950s, 1526 01:11:55,644 --> 01:11:57,413 MGM WAS ENTERING A NEW ERA 1527 01:11:57,414 --> 01:11:59,181 OF MOTION PICTURES, 1528 01:11:59,281 --> 01:12:00,616 WITH MORE STAR POWER 1529 01:12:00,683 --> 01:12:02,502 THAN VIRTUALLY EVERY OTHER 1530 01:12:02,503 --> 01:12:04,320 STUDIO IN HOLLYWOOD COMBINED. 1531 01:13:17,726 --> 01:13:19,595 ♪ GOTTA HEAR THAT BEAT ♪ 1532 01:13:19,695 --> 01:13:21,630 - ♪ I GOTTA HEAR - THOSE DRUMS ♪ 1533 01:13:21,730 --> 01:13:23,966 ♪ AND EVEN WHEN 1534 01:13:23,967 --> 01:13:26,201 IT COMES TO ROMANCE ♪ 1535 01:13:26,268 --> 01:13:27,286 ♪ WHEN I FEEL 1536 01:13:27,287 --> 01:13:28,303 THAT I MIGHT FALL ♪ 1537 01:13:28,404 --> 01:13:29,805 ♪ I ALWAYS STALL 1538 01:13:29,806 --> 01:13:31,206 AND PLAY IT SMART ♪ 1539 01:13:31,273 --> 01:13:33,208 ♪ TILL I HEAR THAT BEAT ♪ 1540 01:13:33,275 --> 01:13:36,145 ♪ I GOTTA HEAR THAT BEAT ♪ 1541 01:13:36,245 --> 01:13:38,481 ♪ THAT CERTAIN BEAT 1542 01:13:38,482 --> 01:13:40,716 IN MY HEART ♪♪ 1543 01:13:42,317 --> 01:13:43,719 - [REYNOLDS] - ANN MILLER... 1544 01:13:43,786 --> 01:13:45,288 THE BEST TAP-DANCING LADY 1545 01:13:45,289 --> 01:13:46,789 ON THE LOT. 1546 01:13:46,889 --> 01:13:48,157 ANNIE'S TALENTS 1547 01:13:48,257 --> 01:13:50,159 - AND BUSBY BERKELEY'S - IMAGINATIVE DIRECTION 1548 01:13:50,259 --> 01:13:51,844 WERE A PERFECT COMBINATION 1549 01:13:51,845 --> 01:13:53,429 IN SMALL TOWN GIRL. 1550 01:14:55,491 --> 01:14:57,359 [APPLAUSE] 1551 01:14:57,459 --> 01:14:59,862 ♪ BE MY... ♪ 1552 01:14:59,962 --> 01:15:01,296 ♪ LOVE ♪ 1553 01:15:01,363 --> 01:15:02,581 ♪ FOR NO ONE ELSE 1554 01:15:02,582 --> 01:15:03,799 CAN END... ♪ 1555 01:15:03,866 --> 01:15:05,634 - A TRUCK DRIVER - FROM PHILADELPHIA 1556 01:15:05,701 --> 01:15:07,703 - BECAME THE MOST - SENSATIONAL NEW VOICE 1557 01:15:07,803 --> 01:15:09,238 IN MOTION PICTURES... 1558 01:15:09,338 --> 01:15:10,672 MARIO LANZA. 1559 01:15:10,739 --> 01:15:12,341 HE MADE ONLY A FEW FILMS. 1560 01:15:12,407 --> 01:15:13,859 THE TOAST OF NEW ORLEANS 1561 01:15:13,860 --> 01:15:15,310 WITH KATHRYN GRAYSON 1562 01:15:15,377 --> 01:15:17,513 WAS ONE OF HIS BEST. 1563 01:15:17,579 --> 01:15:19,481 ♪ COME FILL MY ARMS ♪ 1564 01:15:19,548 --> 01:15:21,267 ♪ THE WAY YOU FILL 1565 01:15:21,268 --> 01:15:22,985 MY DREAMS ♪ 1566 01:15:23,051 --> 01:15:26,021 ♪ THE DREAMS 1567 01:15:26,022 --> 01:15:28,991 THAT YOU INSPIRE ♪ 1568 01:15:29,057 --> 01:15:35,330 ♪ WITH EVERY SWEET DESIRE ♪ 1569 01:15:35,397 --> 01:15:37,733 ♪ BE MY LOVE ♪ 1570 01:15:37,833 --> 01:15:39,001 ♪ AH AHHH ♪ 1571 01:15:39,067 --> 01:15:42,254 ♪ AND WITH YOUR KISSES, 1572 01:15:42,255 --> 01:15:45,440 SET ME BURNING ♪ 1573 01:15:45,541 --> 01:15:49,545 ♪ ONE KISS IS ALL I NEED 1574 01:15:49,546 --> 01:15:53,549 TO SEAL MY FATE ♪ 1575 01:15:53,615 --> 01:15:55,150 ♪ AND HAND 1576 01:15:55,151 --> 01:15:56,685 IN HAND ♪ 1577 01:15:56,752 --> 01:15:58,103 ♪ WE'LL FIND LOVE'S 1578 01:15:58,104 --> 01:15:59,454 PROMISED LAND ♪ 1579 01:15:59,555 --> 01:16:02,825 ♪ THERE'LL BE NO ONE 1580 01:16:02,826 --> 01:16:06,094 BUT YOU FOR ME ♪ 1581 01:16:06,194 --> 01:16:14,194 ♪ ETERNALLY ♪ 1582 01:16:15,637 --> 01:16:21,710 ♪ IF YOU WILL BE ♪ 1583 01:16:21,777 --> 01:16:29,777 ♪ MY LOVE ♪♪ 1584 01:16:30,152 --> 01:16:31,887 ♪ MAKE 'EM LAUGH, 1585 01:16:31,888 --> 01:16:33,622 MAKE 'EM LAUGH ♪ 1586 01:16:33,722 --> 01:16:34,756 ♪ DON'T YOU KNOW ♪ 1587 01:16:34,823 --> 01:16:36,558 - ♪ EVERY ONE - WANTS TO LAUGH? ♪ 1588 01:16:36,625 --> 01:16:37,926 DONALD O'CONNOR 1589 01:16:37,927 --> 01:16:39,227 IN SINGIN' IN THE RAIN... 1590 01:16:39,294 --> 01:16:40,562 IN MY OPINION, 1591 01:16:40,629 --> 01:16:42,564 - THE FUNNIEST MUSICAL NUMBER - EVER DONE. 1592 01:16:42,631 --> 01:16:44,099 ♪ THEY'LL BE 1593 01:16:44,100 --> 01:16:45,567 STANDIN' IN LINES ♪ 1594 01:16:45,634 --> 01:16:47,353 ♪ FOR THOSE OLD 1595 01:16:47,354 --> 01:16:49,071 HONKY-TONK MONKEYSHINES ♪ 1596 01:16:49,137 --> 01:16:51,006 - ♪ NOW, YOU COULD - STUDY SHAKESPEARE ♪ 1597 01:16:51,106 --> 01:16:52,341 ♪ AND BE QUITE ELITE ♪ 1598 01:16:52,441 --> 01:16:53,918 - ♪ AND YOU COULD - CHARM THE CRITICS ♪ 1599 01:16:53,942 --> 01:16:55,410 ♪ AND HAVE NOTHIN' TO EAT ♪ 1600 01:16:55,477 --> 01:16:58,180 - ♪ JUST SLIP ON A BANANA PEEL, - THE WORLD'S AT YOUR FEET ♪ 1601 01:16:58,280 --> 01:17:01,249 - ♪ MAKE 'EM LAUGH, - MAKE 'EM LAUGH, MAKE 'EM LAUGH ♪ 1602 01:17:01,316 --> 01:17:02,651 ♪ MAKE... ♪ 1603 01:17:02,751 --> 01:17:04,086 ♪ MAKE 'EM LAUGH ♪ 1604 01:17:04,152 --> 01:17:05,837 ♪ DON'T YOU KNOW 1605 01:17:05,838 --> 01:17:07,522 EVERY ONE WANTS TO LAUGH? ♪ 1606 01:17:07,623 --> 01:17:09,358 ♪ MY GRANDPA SAID, 1607 01:17:09,359 --> 01:17:11,093 "GO OUT AND TELL 'EM A JOKE" ♪ 1608 01:17:11,159 --> 01:17:12,544 ♪ "BUT GIVE IT 1609 01:17:12,545 --> 01:17:13,929 PLENTY OF HOKE" ♪ 1610 01:17:13,996 --> 01:17:15,181 ♪ MAKE 'EM ROAR, 1611 01:17:15,182 --> 01:17:16,365 MAKE 'EM SCREAM ♪ 1612 01:17:16,465 --> 01:17:18,133 ♪ TAKE A FALL, BUTT A WALL, 1613 01:17:18,134 --> 01:17:19,801 SPLIT A SEAM ♪ 1614 01:17:19,868 --> 01:17:21,437 ♪ YOU START OFF BY PRETENDING 1615 01:17:21,438 --> 01:17:23,005 YOU'RE A DANCER WITH GRACE ♪ 1616 01:17:23,105 --> 01:17:24,557 ♪ YOU WIGGLE TILL THEY'RE 1617 01:17:24,558 --> 01:17:26,008 GIGGLIN' ALL OVER THE PLACE ♪ 1618 01:17:26,108 --> 01:17:28,777 - ♪ AND THEN YOU GET A GREAT BIG - CUSTARD PIE IN THE FACE ♪ 1619 01:17:28,844 --> 01:17:30,596 ♪ MAKE 'EM LAUGH, 1620 01:17:30,597 --> 01:17:32,347 MAKE 'EM LAUGH, MAKE 'EM LAUGH ♪ 1621 01:17:33,615 --> 01:17:34,950 ♪ MAKE 'EM LAUGH ♪ 1622 01:17:35,017 --> 01:17:36,619 ♪ DON'T YOU... ALL THE... 1623 01:17:36,620 --> 01:17:38,220 WANT... ♪ 1624 01:17:38,320 --> 01:17:39,320 ♪ MY DAD... ♪ 1625 01:17:39,354 --> 01:17:40,455 [CRACK] 1626 01:17:40,522 --> 01:17:41,456 [CRACK] 1627 01:17:41,523 --> 01:17:42,457 [CRACK] 1628 01:17:42,524 --> 01:17:43,458 [CRACK] 1629 01:17:43,525 --> 01:17:44,525 [CRACK] 1630 01:17:44,559 --> 01:17:46,011 ♪ THEY'LL BE STANDING 1631 01:17:46,012 --> 01:17:47,462 IN LINES ♪ 1632 01:17:47,529 --> 01:17:49,198 ♪ FOR THOSE OLD 1633 01:17:49,199 --> 01:17:50,866 HONKY-TONK MONKEYSHINES ♪ 1634 01:17:52,367 --> 01:17:54,369 HA HA! 1635 01:17:55,871 --> 01:17:57,372 HA HA! 1636 01:18:26,735 --> 01:18:27,836 HEY. 1637 01:18:27,903 --> 01:18:29,337 HO! 1638 01:18:29,404 --> 01:18:31,406 HERE WE GO. 1639 01:18:33,508 --> 01:18:34,843 ♪ MAKE 'EM LAUGH, 1640 01:18:34,844 --> 01:18:36,178 MAKE 'EM LAUGH ♪ 1641 01:18:36,244 --> 01:18:37,262 ♪ DON'T YOU KNOW 1642 01:18:37,263 --> 01:18:38,280 EVERY ONE... ♪ 1643 01:18:39,681 --> 01:18:41,183 - ♪ AH HA HA HA - AH HA HA HA ♪ 1644 01:18:41,249 --> 01:18:42,584 ♪ HA HA HA HA ♪ 1645 01:18:42,684 --> 01:18:43,936 ♪ AH HA HA HA 1646 01:18:43,937 --> 01:18:45,187 AH HA HA HA ♪ 1647 01:18:45,253 --> 01:18:48,423 ♪ HA HA HA HA ♪ 1648 01:18:48,523 --> 01:18:50,025 ♪ MAKE 'EM LAUGH ♪ 1649 01:18:50,092 --> 01:18:51,293 HA HA! 1650 01:18:52,761 --> 01:18:54,229 ♪ MAKE 'EM LAUGH ♪ 1651 01:18:54,296 --> 01:18:55,297 HA HA! 1652 01:18:56,932 --> 01:18:58,200 ♪ MAKE 'EM LAUGH ♪ 1653 01:18:58,266 --> 01:19:00,435 HA HA HA HA HA! 1654 01:19:00,535 --> 01:19:01,570 AAH! 1655 01:19:01,636 --> 01:19:03,388 ♪ MAKE 'EM LAUGH, 1656 01:19:03,389 --> 01:19:05,140 MAKE 'EM LAUGH ♪ 1657 01:19:05,240 --> 01:19:08,810 ♪ MAKE 'EM LAUGH ♪♪ 1658 01:19:10,879 --> 01:19:12,814 ♪ COTTON BLOSSOM ♪ 1659 01:19:14,783 --> 01:19:18,153 ♪ COTTON BLOSSOM ♪ 1660 01:19:19,788 --> 01:19:21,923 HEY, THE SHOW BOAT'S COMING! 1661 01:19:21,990 --> 01:19:23,525 COME ON, MULE. 1662 01:19:23,526 --> 01:19:25,060 GIT! 1663 01:19:25,127 --> 01:19:27,796 [WHISTLE BLOWS] 1664 01:19:32,467 --> 01:19:33,802 - [REYNOLDS] - SHOW BOAT... 1665 01:19:33,902 --> 01:19:36,605 - ONE OF THE BEST MUSICAL FILMS - MGM EVER MADE. 1666 01:19:36,671 --> 01:19:39,174 - IT STARRED KATHRYN GRAYSON, - HOWARD KEEL, 1667 01:19:39,274 --> 01:19:40,742 MARGE AND GOWER CHAMPION, 1668 01:19:40,809 --> 01:19:42,661 JOE E. BROWN, WILLIAM WARFIELD, 1669 01:19:42,662 --> 01:19:44,513 AND AVA GARDNER. 1670 01:19:55,824 --> 01:19:57,859 [WHISTLE BLOWS] 1671 01:20:28,857 --> 01:20:31,193 YAY! 1672 01:20:31,293 --> 01:20:33,728 ♪ SEE! THE SHOW BOAT ♪ 1673 01:20:33,829 --> 01:20:36,131 - ♪ IT'S OLD CAPTAIN ANDY'S - COTTON BLOSSOM ♪ 1674 01:20:36,198 --> 01:20:37,532 ♪ WILL YOU GO? ♪ 1675 01:20:37,632 --> 01:20:41,303 ♪ ARE YOU COMIN' TO THE SHOW? ♪ 1676 01:20:41,369 --> 01:20:43,138 ♪ 'TWILL BE ♪ 1677 01:20:43,205 --> 01:20:45,707 - ♪ DELIGHTFUL, - AND QUITE RIGHTFULLY WE SAY ♪ 1678 01:20:45,807 --> 01:20:48,210 ♪ THERE'S NOT A BETTER SHOW ♪ 1679 01:20:48,310 --> 01:20:49,845 ♪ FROM NEW ORLEANS 1680 01:20:49,846 --> 01:20:51,379 TO ST. JO ♪ 1681 01:20:51,479 --> 01:20:52,664 ♪ CAPTAIN ANDY 1682 01:20:52,665 --> 01:20:53,849 HAS GATHERED A TROUPE ♪ 1683 01:20:53,915 --> 01:20:55,250 ♪ IN THE GRANDEST OF DRAMAS 1684 01:20:55,251 --> 01:20:56,585 AND JOLLY COMEDIES ♪ 1685 01:20:56,685 --> 01:20:58,103 ♪ STEPHEN BAKER, 1686 01:20:58,104 --> 01:20:59,521 THE HANDSOMEST LEADING MAN ♪ 1687 01:20:59,588 --> 01:21:01,039 ♪ AND BEAUTIFUL 1688 01:21:01,040 --> 01:21:02,490 JULIE LaVERNE AS WELL ♪ 1689 01:21:02,557 --> 01:21:03,859 ♪ COTTON BLOSSOM, 1690 01:21:03,860 --> 01:21:05,160 COTTON BLOSSOM ♪ 1691 01:21:05,227 --> 01:21:06,462 ♪ CAPTAIN ANDY'S 1692 01:21:06,463 --> 01:21:07,696 FLOATING SHOW ♪ 1693 01:21:07,762 --> 01:21:09,014 ♪ THRILLS AND LAUGHTER, 1694 01:21:09,015 --> 01:21:10,265 CONCERT AFTER ♪ 1695 01:21:10,365 --> 01:21:12,701 ♪ EVERYBODY'S SURE TO GO ♪ 1696 01:21:12,767 --> 01:21:13,985 ♪ LEAVE THE LUMBER 1697 01:21:13,986 --> 01:21:15,203 IN THE SAWMILLS ♪ 1698 01:21:15,270 --> 01:21:17,389 ♪ LEAVE THE COTTON 1699 01:21:17,390 --> 01:21:19,507 ON THE STALKS ♪♪ 1700 01:21:19,574 --> 01:21:22,244 ♪ MAKE BELIEVE ♪ 1701 01:21:22,344 --> 01:21:25,314 ♪ OUR LIPS 1702 01:21:25,315 --> 01:21:28,283 ARE BLENDING ♪ 1703 01:21:28,383 --> 01:21:31,753 ♪ IN A PHANTOM KISS ♪ 1704 01:21:31,853 --> 01:21:36,191 ♪ OR TWO OR THREE ♪ 1705 01:21:36,258 --> 01:21:43,315 ♪ MIGHT AS WELL MAKE BELIEVE 1706 01:21:43,316 --> 01:21:50,372 I LOVE YOU ♪ 1707 01:21:50,438 --> 01:21:52,807 ♪ FOR ♪ 1708 01:21:52,908 --> 01:21:59,214 ♪ TO TELL THE TRUTH ♪ 1709 01:21:59,281 --> 01:22:07,281 ♪ I DO ♪♪ 1710 01:22:11,459 --> 01:22:16,331 ♪ OL' MAN RIVER ♪ 1711 01:22:16,431 --> 01:22:21,670 ♪ THAT OL' MAN RIVER ♪ 1712 01:22:21,770 --> 01:22:27,342 ♪ HE MUST KNOW SOMETHIN' ♪ 1713 01:22:27,442 --> 01:22:32,514 ♪ BUT DON'T SAY NOTHIN' ♪ 1714 01:22:32,614 --> 01:22:38,320 ♪ HE JUST KEEPS ROLLIN' ♪ 1715 01:22:38,420 --> 01:22:46,420 ♪ HE KEEPS ON ROLLIN' ALONG ♪ 1716 01:22:52,367 --> 01:22:55,070 ♪ YOU AND ME, 1717 01:22:55,071 --> 01:22:57,772 WE SWEAT AND STRAIN ♪ 1718 01:22:57,839 --> 01:23:00,325 ♪ BODY ALL ACHIN' 1719 01:23:00,326 --> 01:23:02,811 AND RACKED WITH PAIN ♪ 1720 01:23:02,877 --> 01:23:05,880 ♪ TOTE THAT BARGE 1721 01:23:05,881 --> 01:23:08,883 AND LIFT THAT BALE ♪ 1722 01:23:08,984 --> 01:23:12,454 ♪ YOU GET A LITTLE DRUNK ♪ 1723 01:23:12,520 --> 01:23:20,520 ♪ AND YOU LAND IN JAIL ♪ 1724 01:23:21,730 --> 01:23:26,167 ♪ I GETS WEARY ♪ 1725 01:23:26,234 --> 01:23:31,473 ♪ AND SICK OF TRYIN' ♪ 1726 01:23:31,539 --> 01:23:36,644 ♪ I'M TIRED OF LIVIN' ♪ 1727 01:23:36,711 --> 01:23:41,983 ♪ AND SCARED OF DYIN' ♪ 1728 01:23:42,050 --> 01:23:47,922 ♪ BUT OL' MAN RIVER ♪ 1729 01:23:48,023 --> 01:23:56,023 ♪ HE JUST KEEPS ROLLIN'♪ 1730 01:23:57,432 --> 01:24:05,432 ♪ ALONG ♪ 1731 01:24:06,107 --> 01:24:11,713 ♪ AHH ♪ 1732 01:24:11,780 --> 01:24:19,780 ♪ AHH ♪♪ 1733 01:24:21,256 --> 01:24:23,725 ♪ I GO MY WAY 1734 01:24:23,726 --> 01:24:26,194 BY MYSELF ♪ 1735 01:24:26,261 --> 01:24:27,729 ♪ LIKE A BIRD 1736 01:24:27,730 --> 01:24:29,197 ON THE WING... ♪ 1737 01:24:29,264 --> 01:24:30,899 - [REYNOLDS] - I REMEMBER SOMETHING ELSE 1738 01:24:30,965 --> 01:24:32,534 I LEARNED AT THE STUDIO 1739 01:24:32,600 --> 01:24:34,069 DURING MY STAY THERE... 1740 01:24:34,135 --> 01:24:35,270 MGM's MOTTO... 1741 01:24:35,370 --> 01:24:37,038 DO IT BIG, DO IT RIGHT, 1742 01:24:37,039 --> 01:24:38,706 AND GIVE IT CLASS. 1743 01:24:38,773 --> 01:24:40,642 - I'D LIKE YOU - TO MEET SOMEONE 1744 01:24:40,742 --> 01:24:43,111 - WHO CERTAINLY MEASURES UP - TO THAT PHRASE. 1745 01:24:43,211 --> 01:24:44,746 HE'S THE CLASSIEST GENTLEMAN 1746 01:24:44,747 --> 01:24:46,281 I'VE EVER WORKED WITH... 1747 01:24:46,381 --> 01:24:47,749 MR. FRED ASTAIRE. 1748 01:24:47,816 --> 01:24:51,786 ♪ I'M BY MYSELF ♪ 1749 01:24:51,886 --> 01:24:55,757 ♪ ALONE ♪♪ 1750 01:24:55,824 --> 01:24:58,927 [HUMMING BY MYSELF] 1751 01:25:04,232 --> 01:25:06,001 I HAVE A GREAT MANY 1752 01:25:06,002 --> 01:25:07,769 FOND MEMORIES ABOUT THIS PLACE, 1753 01:25:07,836 --> 01:25:09,604 SO MANY HAPPY MOMENTS HERE 1754 01:25:09,671 --> 01:25:11,506 WORRYING ABOUT WHETHER OR NOT 1755 01:25:11,507 --> 01:25:13,341 WE WERE GETTING THE JOB DONE. 1756 01:25:13,441 --> 01:25:14,742 WHAT FUN. 1757 01:25:14,809 --> 01:25:16,277 WE SHOT SOME 1758 01:25:16,278 --> 01:25:17,745 OF THE BAND WAGON HERE. 1759 01:25:17,812 --> 01:25:18,964 JUST BEING HERE AGAIN 1760 01:25:18,965 --> 01:25:20,115 BRINGS TO MIND 1761 01:25:20,181 --> 01:25:21,966 SOME OF THE WONDERFUL PEOPLE 1762 01:25:21,967 --> 01:25:23,751 I'VE WORKED WITH OVER THE YEARS, 1763 01:25:23,818 --> 01:25:25,303 AND ONE OF THEM 1764 01:25:25,304 --> 01:25:26,788 IN PARTICULAR 1765 01:25:26,855 --> 01:25:28,857 IS MY LONGTIME FRIEND... 1766 01:25:28,957 --> 01:25:31,025 GENE KELLY. 1767 01:25:31,126 --> 01:25:32,294 [MAKE 'EM LAUGH 1768 01:25:32,295 --> 01:25:33,461 [PLAYING] 1769 01:25:36,297 --> 01:25:37,832 IN THE PIRATE, 1770 01:25:37,833 --> 01:25:39,367 WITH THE NICHOLAS BROTHERS, 1771 01:25:39,467 --> 01:25:40,702 GENE DISPLAYED 1772 01:25:40,802 --> 01:25:43,171 - THE ROUGH-AND-TUMBLE - KIND OF ACROBATIC DANCING 1773 01:25:43,271 --> 01:25:45,040 THAT QUICKLY BECAME A POPULAR 1774 01:25:45,041 --> 01:25:46,808 PART OF HIS REPERTOIRE. 1775 01:25:46,875 --> 01:25:48,343 FROM THE START, GENE WAS 1776 01:25:48,344 --> 01:25:49,811 CONSTANTLY EXPERIMENTING, 1777 01:25:49,878 --> 01:25:51,296 FROM CLASSICAL BALLET 1778 01:25:51,297 --> 01:25:52,714 TO A BURLESQUE BUCK AND WING. 1779 01:25:52,814 --> 01:25:55,016 - HE WAS DETERMINED - TO BROADEN THE HORIZONS 1780 01:25:55,116 --> 01:25:56,284 OF THE FILM MUSICAL. 1781 01:25:56,351 --> 01:25:57,853 IN DOING SO, HE BECAME 1782 01:25:57,854 --> 01:25:59,354 ONE OF THE MOST VERSATILE 1783 01:25:59,454 --> 01:26:00,972 AND ORIGINAL PERFORMERS 1784 01:26:00,973 --> 01:26:02,490 THE MOVIES HAVE EVER KNOWN. 1785 01:26:26,514 --> 01:26:28,316 [APPLAUSE] 1786 01:26:32,687 --> 01:26:33,755 KELLY WAS FOREVER 1787 01:26:33,756 --> 01:26:34,822 BREAKING RULES. 1788 01:26:34,889 --> 01:26:36,357 THOUGH THE STUDIO 1789 01:26:36,358 --> 01:26:37,825 OFTEN TRIED TO STOP HIM, 1790 01:26:37,892 --> 01:26:39,077 GENE INSISTED ON DOING 1791 01:26:39,078 --> 01:26:40,261 HIS OWN STUNTS. 1792 01:26:40,361 --> 01:26:41,846 HIS BOSSES ALWAYS SEEMED TO 1793 01:26:41,847 --> 01:26:43,331 FIND OUT ABOUT IT 1794 01:26:43,398 --> 01:26:44,699 AFTER THE SCENE 1795 01:26:44,700 --> 01:26:46,000 HAD BEEN SHOT. 1796 01:26:46,067 --> 01:26:47,502 YAY! 1797 01:26:47,569 --> 01:26:49,037 BUT AUDIENCES LOVED 1798 01:26:49,038 --> 01:26:50,505 THE SIGHT OF GENE HIMSELF 1799 01:26:50,572 --> 01:26:52,140 FLYING THROUGH THE AIR 1800 01:26:52,141 --> 01:26:53,708 IN FILM AFTER FILM. 1801 01:27:03,084 --> 01:27:05,053 YAY! 1802 01:27:08,256 --> 01:27:11,960 HO HO HO! 1803 01:27:12,060 --> 01:27:13,561 HAAH! 1804 01:28:21,629 --> 01:28:23,197 HOO! 1805 01:28:23,298 --> 01:28:24,332 ♪ NEW YORK, NEW YORK, 1806 01:28:24,333 --> 01:28:25,366 A WONDERFUL TOWN ♪ 1807 01:28:25,466 --> 01:28:26,668 ♪ THE BRONX IS UP, 1808 01:28:26,669 --> 01:28:27,869 AND THE BATTERY'S DOWN ♪ 1809 01:28:27,969 --> 01:28:30,138 - ♪ THE PEOPLE RIDE - IN A HOLE IN THE GROUND ♪ 1810 01:28:30,204 --> 01:28:32,540 ♪ NEW YORK, NEW YORK, 1811 01:28:32,541 --> 01:28:34,876 IT'S A WONDERFUL TOWN! ♪ 1812 01:28:34,976 --> 01:28:36,611 - [FRED ASTAIRE] - IN ON THE TOWN 1813 01:28:36,678 --> 01:28:38,479 - WITH FRANK SINATRA - AND JULES MUNSHIN, 1814 01:28:38,546 --> 01:28:40,081 MANHATTAN BECAME THE BACKDROP 1815 01:28:40,082 --> 01:28:41,616 FOR THIS UNFORGETTABLE ROMP. 1816 01:28:41,683 --> 01:28:43,518 - A TRIBUTE - TO GENE'S PERSISTENCE, 1817 01:28:43,618 --> 01:28:45,503 IT WAS THE FIRST MAJOR MUSICAL 1818 01:28:45,504 --> 01:28:47,388 TO BE FILMED ON LOCATION. 1819 01:28:47,488 --> 01:28:48,856 ♪ THE FAMOUS PLACES 1820 01:28:48,857 --> 01:28:50,224 TO VISIT ARE SO MANY ♪ 1821 01:28:50,325 --> 01:28:51,893 - ♪ OR SO - THE GUIDEBOOKS SAY ♪ 1822 01:28:51,993 --> 01:28:53,328 ♪ I TOLD MY GRANDPA 1823 01:28:53,329 --> 01:28:54,662 I WOULDN'T MISS ON ANY ♪ 1824 01:28:54,729 --> 01:28:55,963 - ♪ AND WE GOT - JUST ONE DAY ♪ 1825 01:28:56,030 --> 01:28:57,310 - ♪ GOT TO SEE - THE WHOLE TOWN ♪ 1826 01:28:57,365 --> 01:28:59,043 - ♪ RIGHT FROM YONKERS - ON DOWN TO THE BAY ♪ 1827 01:28:59,067 --> 01:29:00,401 ♪ IN JUST ONE DAY ♪ 1828 01:29:00,501 --> 01:29:01,536 ♪ NEW YORK, NEW YORK, 1829 01:29:01,537 --> 01:29:02,570 A WONDERFUL TOWN ♪ 1830 01:29:02,670 --> 01:29:04,906 - ♪ THE BRONX IS UP, - AND THE BATTERY'S DOWN ♪ 1831 01:29:05,006 --> 01:29:06,908 - ♪ THE PEOPLE RIDE - IN A HOLE IN THE GROUND ♪ 1832 01:29:07,008 --> 01:29:09,544 ♪ NEW YORK, NEW YORK, 1833 01:29:09,545 --> 01:29:12,080 IT'S A WONDERFUL TOWN ♪ 1834 01:29:18,586 --> 01:29:19,587 ♪ MANHATTAN WOMEN ♪ 1835 01:29:19,687 --> 01:29:21,022 - ♪ ARE ALL IN SILK - AND SATIN ♪ 1836 01:29:21,089 --> 01:29:22,423 - ♪ OR SO - THE FELLAS SAY ♪ 1837 01:29:22,523 --> 01:29:24,492 - ♪ THERE'S JUST - ONE THING NECESSARY ♪ 1838 01:29:24,559 --> 01:29:25,593 ♪ IN MANHATTAN ♪ 1839 01:29:25,693 --> 01:29:26,870 - ♪ WHEN YOU GOT - JUST ONE DAY ♪ 1840 01:29:26,894 --> 01:29:28,062 - ♪ GOT TO PICK UP - A DATE ♪ 1841 01:29:28,162 --> 01:29:29,864 - ♪ MAYBE SEVEN OR EIGHT - ON YOUR WAY ♪ 1842 01:29:29,931 --> 01:29:31,165 ♪ IN JUST ONE DAY ♪ 1843 01:29:31,232 --> 01:29:32,317 ♪ NEW YORK, NEW YORK, 1844 01:29:32,318 --> 01:29:33,401 A WONDERFUL TOWN ♪ 1845 01:29:33,501 --> 01:29:35,436 - ♪ THE BRONX IS UP, - AND THE BATTERY'S DOWN ♪ 1846 01:29:35,536 --> 01:29:36,788 ♪ THE PEOPLE RIDE 1847 01:29:36,789 --> 01:29:38,039 IN A HOLE IN THE GROUND ♪ 1848 01:29:38,106 --> 01:29:42,009 ♪ NEW YORK, NEW YORK ♪ 1849 01:29:42,076 --> 01:29:48,182 ♪ IT'S A WONDERFUL TOWN ♪♪ 1850 01:29:52,086 --> 01:29:54,122 - [ASTAIRE] - I'VE HAD A LOT OF PARTNERS 1851 01:29:54,222 --> 01:29:55,356 IN MY DAY, 1852 01:29:55,423 --> 01:29:57,225 BUT CAN YOU IMAGINE A GROWN MAN 1853 01:29:57,291 --> 01:29:58,960 DANCING WITH A MOUSE? 1854 01:29:59,060 --> 01:30:01,028 - WELL, GENE DID JUST THAT - IN ANCHORS AWEIGH. 1855 01:30:01,095 --> 01:30:02,313 HIS DANCING PARTNER 1856 01:30:02,314 --> 01:30:03,531 WAS JERRY THE MOUSE 1857 01:30:03,598 --> 01:30:05,566 OF TOM AND JERRY FAME. 1858 01:30:05,633 --> 01:30:07,235 THE CRITICS SAID IT WAS 1859 01:30:07,301 --> 01:30:10,104 - THE MOST EFFECTIVE USE - OF LIVE AND ANIMATION TECHNIQUE 1860 01:30:10,204 --> 01:30:11,706 EVER PUT ON FILM, 1861 01:30:11,773 --> 01:30:13,741 AND I CERTAINLY AGREE. 1862 01:30:18,646 --> 01:30:20,198 LOOK AT ME! 1863 01:30:20,199 --> 01:30:21,749 I'M DANCING! 1864 01:30:57,251 --> 01:30:59,687 [HUMMING] 1865 01:30:59,787 --> 01:31:01,489 - [ASTAIRE] - MORE THAN ANY OTHER STAR, 1866 01:31:01,589 --> 01:31:02,423 I THINK, 1867 01:31:02,490 --> 01:31:03,858 GENE KELLY BECAME THE SYMBOL 1868 01:31:03,958 --> 01:31:05,276 OF THE MGM MUSICAL 1869 01:31:05,277 --> 01:31:06,594 OF THE 1950s. 1870 01:31:06,661 --> 01:31:08,463 AND HERE'S A CLASSIC ROUTINE 1871 01:31:08,464 --> 01:31:10,264 AUDIENCES WOULD NEVER FORGET. 1872 01:31:10,331 --> 01:31:11,699 THIS IS MY FAVORITE NUMBER 1873 01:31:11,799 --> 01:31:13,768 - FROM ONE - OF HIS VERY BEST MUSICALS, 1874 01:31:13,835 --> 01:31:15,803 SINGIN' IN THE RAIN. 1875 01:31:15,870 --> 01:31:17,839 ♪ I'M SINGIN' 1876 01:31:17,840 --> 01:31:19,807 IN THE RAIN ♪ 1877 01:31:19,874 --> 01:31:23,311 ♪ JUST SINGIN' IN THE RAIN ♪ 1878 01:31:23,377 --> 01:31:26,681 ♪ WHAT A GLORIOUS FEELING ♪ 1879 01:31:26,781 --> 01:31:30,651 ♪ I'M HAPPY AGAIN ♪ 1880 01:31:30,718 --> 01:31:32,120 ♪ I'M LAUGHING 1881 01:31:32,121 --> 01:31:33,521 AT CLOUDS ♪ 1882 01:31:33,621 --> 01:31:37,658 ♪ SO DARK UP ABOVE ♪ 1883 01:31:37,725 --> 01:31:38,860 ♪ THE SUN'S 1884 01:31:38,861 --> 01:31:39,994 IN MY HEART ♪ 1885 01:31:40,061 --> 01:31:43,564 ♪ AND I'M READY FOR LOVE ♪ 1886 01:31:43,664 --> 01:31:47,168 ♪ LET THE STORMY CLOUDS CHASE ♪ 1887 01:31:47,235 --> 01:31:50,538 ♪ EVERYONE FROM THE PLACE ♪ 1888 01:31:51,572 --> 01:31:53,674 ♪ COME ON WITH THE RAIN ♪ 1889 01:31:53,741 --> 01:31:57,845 ♪ I'VE A SMILE ON MY FACE ♪ 1890 01:31:57,912 --> 01:31:59,647 ♪ I'LL WALK 1891 01:31:59,648 --> 01:32:01,382 DOWN THE LANE ♪ 1892 01:32:01,482 --> 01:32:04,919 ♪ WITH A HAPPY REFRAIN ♪ 1893 01:32:05,019 --> 01:32:07,088 ♪ JUST SINGIN' ♪ 1894 01:32:07,188 --> 01:32:08,422 ♪ SINGIN' ♪ 1895 01:32:08,523 --> 01:32:12,260 ♪ IN THE RAIN ♪ 1896 01:32:12,360 --> 01:32:15,396 ♪ DANCIN' IN THE RAIN ♪ 1897 01:32:15,496 --> 01:32:19,567 ♪ DA DA DE DA DE DA ♪ 1898 01:32:23,337 --> 01:32:26,674 ♪ I'M HAPPY AGAIN ♪ 1899 01:32:33,214 --> 01:32:35,182 ♪ I'M SINGIN' ♪ 1900 01:32:35,249 --> 01:32:40,121 ♪ AND DANCIN' IN THE RAIN ♪ 1901 01:34:30,164 --> 01:34:32,566 ♪ I'M DANCIN' ♪ 1902 01:34:32,667 --> 01:34:34,802 ♪ AND SINGIN' ♪ 1903 01:34:34,869 --> 01:34:39,573 ♪ IN THE RAIN ♪♪ 1904 01:34:57,091 --> 01:34:59,060 - THE FINALE - TO THE BROADWAY BALLET 1905 01:34:59,160 --> 01:35:00,995 FROM SINGIN' IN THE RAIN 1906 01:35:01,062 --> 01:35:03,031 SEEMS TO ME TO EXEMPLIFY 1907 01:35:03,032 --> 01:35:04,999 THE GENIUS OF GENE KELLY... 1908 01:35:05,066 --> 01:35:07,235 ACTOR, SINGER, DANCER, 1909 01:35:07,236 --> 01:35:09,403 CHOREOGRAPHER, AND DIRECTOR. 1910 01:35:10,438 --> 01:35:13,107 ♪ GOTTA DANCE ♪ 1911 01:35:15,876 --> 01:35:18,079 ♪ GOTTA DANCE ♪ 1912 01:35:25,219 --> 01:35:27,121 ♪ GOTTA DANCE ♪ 1913 01:35:27,221 --> 01:35:28,289 ♪ GOTTA DANCE ♪ 1914 01:35:28,389 --> 01:35:32,927 ♪ GOTTA DANCE ♪ 1915 01:36:01,622 --> 01:36:06,460 ♪ THAT'S THE BROADWAY ♪ 1916 01:36:06,560 --> 01:36:14,560 ♪ MELODY ♪♪ 1917 01:36:23,110 --> 01:36:25,546 WELL, YOU'VE SEEN GENE KELLY'S 1918 01:36:25,547 --> 01:36:27,982 WORK ON THE SCREEN, SO... 1919 01:36:29,750 --> 01:36:32,019 I THINK I'VE SAID IT ALL. 1920 01:36:32,119 --> 01:36:33,871 HE'S ONE OF THOSE RARE TALENTS 1921 01:36:33,872 --> 01:36:35,623 WHO REALLY UNDERSTANDS 1922 01:36:35,689 --> 01:36:36,891 WHAT THE MOVIE MUSICAL 1923 01:36:36,892 --> 01:36:38,092 IS ALL ABOUT. 1924 01:36:39,693 --> 01:36:41,162 NOW I'D LIKE YOU 1925 01:36:41,163 --> 01:36:42,630 TO MEET SOMEONE 1926 01:36:42,696 --> 01:36:44,031 - THAT RECENTLY - JOINED THE GANG. 1927 01:36:44,131 --> 01:36:46,600 - IF HOLLYWOOD BREEDING - COULD BE COMPARED TO ROYALTY, 1928 01:36:46,667 --> 01:36:48,236 THEN SHE WOULD CERTAINLY 1929 01:36:48,237 --> 01:36:49,804 BE OUR CROWN PRINCESS. 1930 01:36:49,870 --> 01:36:51,789 I REMEMBER SO WELL WHEN SHE, 1931 01:36:51,790 --> 01:36:53,707 AS A TINY LITTLE GIRL, 1932 01:36:53,808 --> 01:36:55,609 USED TO SIT ON THE SET 1933 01:36:55,676 --> 01:36:57,187 - WATCHING HER FATHER, - VINCENTE MINNELLI, 1934 01:36:57,211 --> 01:36:58,246 DIRECTING ME 1935 01:36:58,247 --> 01:36:59,280 IN SEVERAL PICTURES. 1936 01:36:59,346 --> 01:37:01,015 HER MOTHER? 1937 01:37:01,115 --> 01:37:02,950 THE FABULOUS JUDY GARLAND. 1938 01:37:03,017 --> 01:37:04,986 YET THIS YOUNG LADY 1939 01:37:04,987 --> 01:37:06,954 HAS MADE IT ALL ON HER OWN. 1940 01:37:07,021 --> 01:37:08,722 YES, SHE HAS. 1941 01:37:08,823 --> 01:37:10,558 MISS LIZA MINNELLI. 1942 01:37:16,697 --> 01:37:18,165 THE FIRST STUDIO 1943 01:37:18,166 --> 01:37:19,633 I'D EVER BEEN INSIDE WAS MGM. 1944 01:37:19,700 --> 01:37:21,218 I CAN'T REALLY SAY 1945 01:37:21,219 --> 01:37:22,736 THAT I GREW UP HERE, 1946 01:37:22,837 --> 01:37:24,305 BUT FOR OVER 10 YEARS, 1947 01:37:24,371 --> 01:37:25,806 I'D RACE LIKE CRAZY 1948 01:37:25,807 --> 01:37:27,241 AFTER SCHOOL TO GET HERE 1949 01:37:27,341 --> 01:37:29,126 AND VISIT WHATEVER SET 1950 01:37:29,127 --> 01:37:30,911 MY MOTHER AND FATHER WERE ON. 1951 01:37:31,011 --> 01:37:32,613 UM... YOU MAY NOT 1952 01:37:32,614 --> 01:37:34,215 KNOW THIS, BUT, UH... 1953 01:37:35,482 --> 01:37:37,985 I MADE MY FILM DEBUT AT MGM. 1954 01:37:38,052 --> 01:37:39,320 ♪ HER HAND 1955 01:37:39,321 --> 01:37:40,588 AND SHE HOLDS YOURS... ♪ 1956 01:37:40,688 --> 01:37:42,457 IN THE VERY LAST SHOT 1957 01:37:42,458 --> 01:37:44,225 FOR THE GOOD OLD SUMMERTIME, 1958 01:37:44,325 --> 01:37:45,826 - THEY NEEDED - A LITTLE GIRL 1959 01:37:45,893 --> 01:37:47,311 TO PLAY THE DAUGHTER 1960 01:37:47,312 --> 01:37:48,729 OF VAN JOHNSON AND MAMMA. 1961 01:37:48,829 --> 01:37:50,397 GUESS WHO GOT THE PART. 1962 01:37:50,497 --> 01:37:52,266 - OH! - THERE SHE IS, FOLKS. 1963 01:37:52,366 --> 01:37:53,667 WHAT PERSONALITY! 1964 01:37:53,734 --> 01:37:55,319 THERE'S NO WONDER 1965 01:37:55,320 --> 01:37:56,904 I DIDN'T GET ANY BILLING. 1966 01:38:02,276 --> 01:38:04,228 IT'S NO WONDER THIS PLACE 1967 01:38:04,229 --> 01:38:06,180 WILL ALWAYS BE A PART OF ME. 1968 01:38:06,247 --> 01:38:07,465 MY FATHER DIRECTED 1969 01:38:07,466 --> 01:38:08,682 DOZENS OF FILMS HERE, 1970 01:38:08,749 --> 01:38:10,651 AND MAMMA... THIS WAS 1971 01:38:10,652 --> 01:38:12,553 HER HOME FOR OVER 15 YEARS 1972 01:38:12,620 --> 01:38:14,288 AND 30 FILMS. 1973 01:38:14,388 --> 01:38:17,458 IT BEGAN IN 1935. 1974 01:38:17,558 --> 01:38:18,793 ♪ LA CUCARACHA, 1975 01:38:18,794 --> 01:38:20,027 LA CUCARACHA ♪ 1976 01:38:20,094 --> 01:38:21,629 ♪ YA NO PUEDE CAMINAR ♪ 1977 01:38:21,729 --> 01:38:23,130 ♪ PORQUE NO TIENE, 1978 01:38:23,131 --> 01:38:24,531 PORQUE LE FALTA ♪ 1979 01:38:24,598 --> 01:38:25,598 ♪ MARIJUANA QUE FUMAR ♪ 1980 01:38:25,633 --> 01:38:28,235 IN AN MGM MUSICAL SHORT, 1981 01:38:28,302 --> 01:38:30,471 - A VAUDEVILLE TEAM - CALLED THE GUMM SISTERS 1982 01:38:30,571 --> 01:38:32,473 - MADE THEIR FIRST - APPEARANCE ON FILM. 1983 01:38:32,573 --> 01:38:33,824 12-YEAR-OLD FRANCES 1984 01:38:33,825 --> 01:38:35,075 WAS THE STANDOUT. 1985 01:38:35,142 --> 01:38:36,594 TALENT SCOUTS FROM MGM 1986 01:38:36,595 --> 01:38:38,045 DECIDED TO GIVE HER A CHANCE. 1987 01:38:38,112 --> 01:38:39,747 FIRST, THEY CHANGED HER NAME 1988 01:38:39,748 --> 01:38:41,382 FROM FRANCES GUMM 1989 01:38:41,448 --> 01:38:43,284 TO JUDY GARLAND. 1990 01:38:43,384 --> 01:38:50,291 ♪ QUE FUMAR ♪♪ 1991 01:38:50,391 --> 01:38:51,909 THE STUDIO PUT MAMMA 1992 01:38:51,910 --> 01:38:53,427 IN ANOTHER SHORT SUBJECT. 1993 01:38:53,494 --> 01:38:55,429 - THIS TIME, - THEY PAIRED HER OFF 1994 01:38:55,496 --> 01:38:56,948 WITH A YOUNG OPERATIC SINGER 1995 01:38:56,949 --> 01:38:58,399 NAMED DEANNA DURBIN. 1996 01:38:58,465 --> 01:38:59,767 THESE MUSICAL SHORTS 1997 01:38:59,768 --> 01:39:01,068 WERE LIKE A SCREEN TEST. 1998 01:39:01,135 --> 01:39:02,269 IN THOSE DAYS, 1999 01:39:02,336 --> 01:39:03,904 - IF YOU CAME ACROSS - IN A TWO-REELER, 2000 01:39:03,971 --> 01:39:05,456 YOU MIGHT HAVE A CHANCE 2001 01:39:05,457 --> 01:39:06,941 IN A REAL MUSICAL. 2002 01:39:07,007 --> 01:39:09,743 ♪ SWING ♪ 2003 01:39:09,810 --> 01:39:10,828 ♪ NORTH, SOUTH, 2004 01:39:10,829 --> 01:39:11,845 EAST, WEST ♪ 2005 01:39:11,946 --> 01:39:14,415 ♪ JUST SWING ♪ 2006 01:39:14,481 --> 01:39:15,833 ♪ YOU'LL FIND 2007 01:39:15,834 --> 01:39:17,184 THAT SWING IS BEST ♪ 2008 01:39:17,284 --> 01:39:18,786 ♪ SWING ♪ 2009 01:39:18,852 --> 01:39:21,255 ♪ MAKE IT A NATIONAL THING ♪ 2010 01:39:21,322 --> 01:39:23,123 ♪ DOO DAT DOO DAT DOO DAT ♪ 2011 01:39:23,190 --> 01:39:25,776 ♪ OHH OHH OHH OHH 2012 01:39:25,777 --> 01:39:28,362 OHH OHH ♪ 2013 01:39:28,462 --> 01:39:30,497 ♪ HA HA HA HA ♪ 2014 01:39:30,597 --> 01:39:33,267 ♪ HA HA HA HA ♪ 2015 01:39:33,334 --> 01:39:34,368 ♪ YOU'LL FIND ♪ 2016 01:39:34,468 --> 01:39:35,769 ♪ AH AH AH ♪ 2017 01:39:35,836 --> 01:39:36,937 ♪ THERE IS A CHANCE 2018 01:39:36,938 --> 01:39:38,038 FOR ROMANCE ♪ 2019 01:39:38,138 --> 01:39:39,473 ♪ AH AH AH ♪ 2020 01:39:39,540 --> 01:39:41,308 ♪ HERE ON THE DANCE FLOOR ♪ 2021 01:39:41,375 --> 01:39:43,177 ♪ SO DANCE, DANCE, 2022 01:39:43,178 --> 01:39:44,979 DANCE, DANCE ♪ 2023 01:39:45,045 --> 01:39:53,045 ♪ AMERICANA ♪♪ 2024 01:39:54,888 --> 01:39:56,957 - ALTHOUGH MGM WOULD DROP - DEANNA DURBIN, 2025 01:39:57,024 --> 01:39:58,426 SOME EXECUTIVES 2026 01:39:58,427 --> 01:39:59,827 AT THE STUDIO PLEADED 2027 01:39:59,893 --> 01:40:00,978 TO KEEP MY MOTHER 2028 01:40:00,979 --> 01:40:02,062 UNDER CONTRACT, 2029 01:40:02,162 --> 01:40:03,630 AND THEY FINALLY WON. 2030 01:40:03,697 --> 01:40:06,033 [APPLAUSE] 2031 01:40:10,537 --> 01:40:12,222 {\an8}WELL, THEY KEPT HER AT MGM... 2032 01:40:12,223 --> 01:40:13,907 {\an8}JUST BARELY. 2033 01:40:14,008 --> 01:40:15,776 {\an8}SHE SPENT THE NEXT FEW YEARS 2034 01:40:15,777 --> 01:40:17,544 {\an8}IN LOW-BUDGET MUSICALS. 2035 01:40:17,644 --> 01:40:19,546 {\an8}ONCE IN A WHILE, SHE'D APPEAR 2036 01:40:19,646 --> 01:40:21,582 {\an8}AS A SORT OF NOVELTY ACT 2037 01:40:21,682 --> 01:40:22,983 {\an8}IN A BIG EXTRAVAGANZA 2038 01:40:23,050 --> 01:40:25,085 - {\an8}LIKE THE BROADWAY MELODY - OF 1938 2039 01:40:25,185 --> 01:40:26,720 {\an8}WITH BUDDY EBSEN. 2040 01:40:33,694 --> 01:40:35,496 {\an8}MAMMA ONCE TOLD ME 2041 01:40:35,562 --> 01:40:37,531 - {\an8}MGM SEEMED OBSESSED - WITH SHIRLEY TEMPLE. 2042 01:40:37,598 --> 01:40:39,566 - {\an8}THEY EVEN OFFERED - 20th CENTURY-FOX 2043 01:40:39,666 --> 01:40:41,168 {\an8}JEAN HARLOW AND CLARK GABLE 2044 01:40:41,235 --> 01:40:42,670 {\an8}JUST TO GET TEMPLE 2045 01:40:42,671 --> 01:40:44,104 {\an8}FOR A CERTAIN PICTURE 2046 01:40:44,204 --> 01:40:45,572 {\an8}METRO WAS PREPARING. 2047 01:40:45,672 --> 01:40:47,508 {\an8}BUT THE DEAL FELL THROUGH, 2048 01:40:47,574 --> 01:40:49,043 {\an8}SO MGM FINALLY 2049 01:40:49,044 --> 01:40:50,511 {\an8}WENT AHEAD WITH THE PICTURE 2050 01:40:50,577 --> 01:40:51,996 AND LET MAMMA PLAY 2051 01:40:51,997 --> 01:40:53,414 THE ROLE OF DOROTHY 2052 01:40:53,514 --> 01:40:55,349 IN THE WIZARD OF OZ. 2053 01:40:55,416 --> 01:40:56,484 ♪ YOU'RE OFF 2054 01:40:56,485 --> 01:40:57,551 TO SEE THE WIZARD ♪ 2055 01:40:57,618 --> 01:40:59,186 ♪ THE WONDERFUL WIZARD OF OZ ♪ 2056 01:40:59,253 --> 01:41:01,221 - ♪ YOU'LL FIND HE IS - A WHIZ OF A WIZ ♪ 2057 01:41:01,288 --> 01:41:02,689 - ♪ IF EVER A WIZ - THERE WAS ♪ 2058 01:41:02,756 --> 01:41:04,525 - ♪ IF EVER, OH, EVER - A WIZ THERE WAS ♪ 2059 01:41:04,591 --> 01:41:06,126 - ♪ THE WIZARD OF OZ - IS ONE BECAUSE ♪ 2060 01:41:06,226 --> 01:41:07,845 ♪ BECAUSE, BECAUSE, 2061 01:41:07,846 --> 01:41:09,463 BECAUSE, BECAUSE, BECAUSE ♪ 2062 01:41:09,563 --> 01:41:11,932 - ♪ BECAUSE OF THE WONDERFUL - THINGS HE DOES ♪♪ 2063 01:41:13,067 --> 01:41:14,151 ♪ I'M AFRAID 2064 01:41:14,152 --> 01:41:15,235 THERE'S NO DENYIN' ♪ 2065 01:41:15,302 --> 01:41:16,353 ♪ I'M JUST 2066 01:41:16,354 --> 01:41:17,404 A DANDELION ♪ 2067 01:41:17,471 --> 01:41:19,440 - ♪ A FATE - I DON'T DESERVE ♪ 2068 01:41:20,774 --> 01:41:21,842 ♪ I'D BE BRAVE 2069 01:41:21,843 --> 01:41:22,910 AS A BLIZZARD ♪ 2070 01:41:22,976 --> 01:41:24,878 - ♪ I'D BE GENTLE - AS A LIZARD ♪ 2071 01:41:24,945 --> 01:41:26,013 ♪ I'D BE CLEVER 2072 01:41:26,014 --> 01:41:27,081 AS A GIZZARD ♪ 2073 01:41:27,147 --> 01:41:29,116 - ♪ IF THE WIZARD - IS A WIZARD ♪ 2074 01:41:29,216 --> 01:41:32,219 ♪ WHO WILL SERVE ♪ 2075 01:41:32,286 --> 01:41:33,304 ♪ THEN I'M SURE 2076 01:41:33,305 --> 01:41:34,321 TO GET A BRAIN ♪ 2077 01:41:34,421 --> 01:41:35,722 ♪ A HEART ♪ 2078 01:41:35,789 --> 01:41:36,657 ♪ A HOME ♪ 2079 01:41:36,757 --> 01:41:38,158 ♪ THE NERVE ♪ 2080 01:41:38,258 --> 01:41:39,259 ♪ OHHH ♪♪ 2081 01:41:39,326 --> 01:41:41,128 - [MINNELLI] - THE WIZARD OF OZ 2082 01:41:41,228 --> 01:41:42,729 - FINALLY DID IT - FOR MAMMA. 2083 01:41:42,796 --> 01:41:44,264 WITH RAY BOLGER, 2084 01:41:44,265 --> 01:41:45,732 JACK HALEY, AND BERT LAHR, 2085 01:41:45,799 --> 01:41:47,184 SHE REALLY STARTED OFF 2086 01:41:47,185 --> 01:41:48,569 ON THE ROAD TO SUCCESS. 2087 01:41:48,635 --> 01:41:50,104 WHATEVER ROCKS OR BUMPS 2088 01:41:50,105 --> 01:41:51,572 THERE WERE IN THAT ROAD, 2089 01:41:51,638 --> 01:41:52,940 SHE NEVER LET IT SHOW 2090 01:41:52,941 --> 01:41:54,241 IN HER FILMS. 2091 01:41:54,308 --> 01:41:55,609 FOR MAMMA, 2092 01:41:55,676 --> 01:41:56,794 IT WAS STRAIGHT UP 2093 01:41:56,795 --> 01:41:57,911 ALL THE WAY. 2094 01:41:57,978 --> 01:42:00,848 ♪ SOMEWHERE ♪ 2095 01:42:00,948 --> 01:42:04,351 ♪ OVER THE RAINBOW ♪ 2096 01:42:04,451 --> 01:42:09,423 ♪ WAY UP HIGH ♪ 2097 01:42:09,490 --> 01:42:12,243 ♪ THERE'S A LAND 2098 01:42:12,244 --> 01:42:14,995 THAT I HEARD OF ♪ 2099 01:42:15,095 --> 01:42:20,033 ♪ ONCE IN A LULLABY ♪ 2100 01:42:20,134 --> 01:42:22,336 ♪ SOMEWHERE ♪ 2101 01:42:22,436 --> 01:42:26,173 ♪ OVER THE RAINBOW ♪ 2102 01:42:26,273 --> 01:42:31,445 ♪ SKIES ARE BLUE ♪ 2103 01:42:31,512 --> 01:42:34,265 ♪ AND THE DREAMS 2104 01:42:34,266 --> 01:42:37,017 THAT YOU DARE TO DREAM ♪ 2105 01:42:37,117 --> 01:42:41,221 ♪ REALLY DO COME TRUE ♪ 2106 01:42:41,321 --> 01:42:43,607 ♪ SOMEDAY I'LL WISH 2107 01:42:43,608 --> 01:42:45,893 UPON A STAR ♪ 2108 01:42:45,993 --> 01:42:49,430 ♪ AND WAKE UP WHERE THE CLOUDS 2109 01:42:49,431 --> 01:42:52,866 ARE FAR BEHIND ME ♪ 2110 01:42:54,368 --> 01:42:55,753 ♪ WHERE TROUBLES MELT 2111 01:42:55,754 --> 01:42:57,137 LIKE LEMON DROPS ♪ 2112 01:42:57,204 --> 01:42:58,589 ♪ AWAY ABOVE 2113 01:42:58,590 --> 01:42:59,973 THE CHIMNEY TOPS ♪ 2114 01:43:00,040 --> 01:43:04,345 ♪ THAT'S WHERE 2115 01:43:04,346 --> 01:43:08,649 YOU'LL FIND ME ♪♪ 2116 01:43:08,715 --> 01:43:12,136 ♪ THEY'RE WRITING 2117 01:43:12,137 --> 01:43:15,556 SONGS OF LOVE ♪ 2118 01:43:15,656 --> 01:43:19,393 ♪ BUT NOT FOR ME ♪ 2119 01:43:19,493 --> 01:43:24,398 ♪ A LUCKY STAR'S ABOVE ♪ 2120 01:43:24,498 --> 01:43:28,202 ♪ BUT NOT FOR ME ♪ 2121 01:43:28,268 --> 01:43:33,173 ♪ WITH LOVE TO LEAD THE WAY ♪ 2122 01:43:33,240 --> 01:43:35,643 ♪ I'VE FOUND 2123 01:43:35,644 --> 01:43:38,045 MORE SKIES OF GRAY ♪ 2124 01:43:38,111 --> 01:43:42,583 ♪ THAN ANY RUSSIAN PLAY ♪ 2125 01:43:42,683 --> 01:43:46,186 ♪ COULD GUARANTEE ♪♪ 2126 01:43:46,253 --> 01:43:47,771 ♪ "CLANG, CLANG, CLANG," 2127 01:43:47,772 --> 01:43:49,289 WENT THE TROLLEY ♪ 2128 01:43:49,389 --> 01:43:51,008 ♪ "DING, DING, DING," 2129 01:43:51,009 --> 01:43:52,626 WENT THE BELL ♪ 2130 01:43:52,726 --> 01:43:54,128 ♪ "ZING, ZING, ZING," 2131 01:43:54,129 --> 01:43:55,529 WENT MY HEARTSTRINGS ♪ 2132 01:43:55,596 --> 01:43:57,248 ♪ FROM THE MOMENT 2133 01:43:57,249 --> 01:43:58,899 I SAW HIM, I FELL ♪ 2134 01:44:01,068 --> 01:44:02,770 ♪ "CHUG, CHUG, CHUG," 2135 01:44:02,771 --> 01:44:04,471 WENT THE MOTOR ♪ 2136 01:44:04,571 --> 01:44:06,173 ♪ "BUMP, BUMP, BUMP," 2137 01:44:06,174 --> 01:44:07,774 WENT THE BRAKE ♪ 2138 01:44:07,874 --> 01:44:09,159 ♪ "THUMP, THUMP, THUMP," 2139 01:44:09,160 --> 01:44:10,444 WENT MY HEARTSTRINGS ♪ 2140 01:44:10,544 --> 01:44:12,129 ♪ WHEN HE SMILED, 2141 01:44:12,130 --> 01:44:13,714 I COULD FEEL THE CAR SHAKE ♪ 2142 01:44:13,780 --> 01:44:15,649 ♪ CLANG, CLANG, CLANG ♪ 2143 01:44:15,749 --> 01:44:17,351 ♪ HE TIPPED HIS HAT 2144 01:44:17,352 --> 01:44:18,952 AND TOOK A SEAT ♪ 2145 01:44:19,052 --> 01:44:20,654 ♪ HE SAID HE HOPED HE HADN'T 2146 01:44:20,655 --> 01:44:22,256 STEPPED UPON MY FEET ♪ 2147 01:44:22,322 --> 01:44:23,924 ♪ HE ASKED MY NAME ♪ 2148 01:44:23,991 --> 01:44:25,459 ♪ I HELD MY BREATH ♪ 2149 01:44:25,559 --> 01:44:27,027 ♪ I COULDN'T SPEAK BECAUSE 2150 01:44:27,028 --> 01:44:28,495 HE SCARED ME HALF TO DEATH ♪ 2151 01:44:28,595 --> 01:44:29,663 HIYA! 2152 01:44:29,763 --> 01:44:31,382 ♪ "CHUG, CHUG, CHUG," 2153 01:44:31,383 --> 01:44:33,000 WENT THE MOTOR ♪ 2154 01:44:33,100 --> 01:44:34,718 ♪ "PLOP, PLOP, PLOP," 2155 01:44:34,719 --> 01:44:36,336 WENT THE WHEELS ♪ 2156 01:44:36,436 --> 01:44:37,855 ♪ "STOP, STOP, STOP," 2157 01:44:37,856 --> 01:44:39,273 WENT MY HEARTSTRINGS ♪ 2158 01:44:39,339 --> 01:44:40,841 ♪ AS HE STARTED TO GO ♪ 2159 01:44:40,941 --> 01:44:43,010 ♪ THEN I STARTED TO KNOW 2160 01:44:43,011 --> 01:44:45,078 HOW IT FEELS ♪ 2161 01:44:45,145 --> 01:44:49,283 ♪ WHEN THE UNIVERSE REELS ♪♪ 2162 01:44:52,452 --> 01:44:54,271 ♪ IF YOU LIKE-A ME 2163 01:44:54,272 --> 01:44:56,089 LIKE I LIKE-A YOU ♪ 2164 01:44:56,156 --> 01:44:58,225 ♪ AND WE LIKE-A 2165 01:44:58,226 --> 01:45:00,294 BOTH THE SAME ♪ 2166 01:45:00,360 --> 01:45:02,129 ♪ I LIKE-A SAY ♪ 2167 01:45:02,195 --> 01:45:03,830 ♪ THIS VERY DAY ♪ 2168 01:45:03,930 --> 01:45:07,100 ♪ I LIKE-A CHANGE YOUR NAME ♪ 2169 01:45:07,167 --> 01:45:09,102 ♪ 'CAUSE I LOVE-A YOU ♪ 2170 01:45:09,169 --> 01:45:10,604 ♪ AND LOVE-A YOU TRUE ♪ 2171 01:45:10,671 --> 01:45:14,808 ♪ AND IF YOU-A LOVE-A ME ♪ 2172 01:45:14,875 --> 01:45:16,810 ♪ ONE LIVE AS TWO ♪ 2173 01:45:16,877 --> 01:45:18,278 ♪ TWO LIVE AS ONE ♪ 2174 01:45:18,345 --> 01:45:20,781 ♪ UNDER THE BAMBOO TREE ♪♪ 2175 01:45:20,847 --> 01:45:24,318 ♪ HOW CAN I IGNORE 2176 01:45:24,319 --> 01:45:27,788 THE BOY NEXT DOOR? ♪ 2177 01:45:27,854 --> 01:45:31,575 ♪ I LOVE HIM 2178 01:45:31,576 --> 01:45:35,295 MORE THAN I CAN SAY ♪ 2179 01:45:35,362 --> 01:45:37,081 ♪ DOESN'T TRY 2180 01:45:37,082 --> 01:45:38,799 TO PLEASE ME ♪ 2181 01:45:38,865 --> 01:45:42,369 ♪ DOESN'T EVEN TEASE ME ♪ 2182 01:45:42,469 --> 01:45:46,090 ♪ AND HE NEVER SEES ME 2183 01:45:46,091 --> 01:45:49,710 GLANCE HIS WAY ♪♪ 2184 01:45:53,213 --> 01:45:54,648 - [MINNELLI] - SUMMER STOCK 2185 01:45:54,715 --> 01:45:56,650 - WAS MAMMA'S - FINAL FILM FOR MGM. 2186 01:45:56,717 --> 01:45:58,685 - HER LAST DAYS - OF SHOOTING HERE 2187 01:45:58,752 --> 01:46:00,320 WERE DEVOTED TO THIS NUMBER, 2188 01:46:00,387 --> 01:46:01,522 WHICH A LOT OF PEOPLE, 2189 01:46:01,523 --> 01:46:02,656 INCLUDING MYSELF, 2190 01:46:02,723 --> 01:46:05,359 FEEL WAS ONE OF HER VERY BEST. 2191 01:46:07,027 --> 01:46:08,395 ♪ FORGET YOUR TROUBLES, 2192 01:46:08,396 --> 01:46:09,763 COME ON, GET HAPPY ♪ 2193 01:46:09,863 --> 01:46:11,148 ♪ YOU BETTER CHASE 2194 01:46:11,149 --> 01:46:12,432 ALL YOUR CARES AWAY ♪ 2195 01:46:12,532 --> 01:46:14,017 ♪ SHOUT HALLELUJAH, 2196 01:46:14,018 --> 01:46:15,502 COME ON, GET HAPPY ♪ 2197 01:46:15,569 --> 01:46:16,837 ♪ GET READY 2198 01:46:16,838 --> 01:46:18,105 FOR THE JUDGMENT DAY ♪ 2199 01:46:18,205 --> 01:46:19,573 ♪ THE SUN IS SHINING, 2200 01:46:19,574 --> 01:46:20,941 COME ON, GET HAPPY ♪ 2201 01:46:21,041 --> 01:46:22,326 ♪ THE LORD IS WAITIN' 2202 01:46:22,327 --> 01:46:23,610 TO TAKE YOUR HAND ♪ 2203 01:46:23,710 --> 01:46:25,195 ♪ SHOUT HALLELUJAH, 2204 01:46:25,196 --> 01:46:26,680 COME ON, GET HAPPY ♪ 2205 01:46:26,747 --> 01:46:28,215 ♪ WE'RE GOING 2206 01:46:28,216 --> 01:46:29,683 TO THE PROMISED LAND ♪ 2207 01:46:29,750 --> 01:46:31,051 ♪ WE'RE HEADIN' 2208 01:46:31,052 --> 01:46:32,352 'CROSS THE RIVER ♪ 2209 01:46:32,419 --> 01:46:33,887 ♪ WASH YOUR SINS AWAY 2210 01:46:33,888 --> 01:46:35,355 IN THE TIDE ♪ 2211 01:46:35,422 --> 01:46:38,558 ♪ IT'S ALL SO PEACEFUL ♪ 2212 01:46:38,625 --> 01:46:40,360 ♪ ON THE OTHER SIDE ♪ 2213 01:46:40,427 --> 01:46:41,762 ♪ FORGET YOUR TROUBLES, 2214 01:46:41,763 --> 01:46:43,096 COME ON, GET HAPPY ♪ 2215 01:46:43,196 --> 01:46:44,865 ♪ YOU BETTER CHASE 2216 01:46:44,866 --> 01:46:46,533 ALL YOUR CARES AWAY ♪ 2217 01:46:46,600 --> 01:46:48,018 ♪ SHOUT HALLELUJAH, 2218 01:46:48,019 --> 01:46:49,436 COME ON, GET HAPPY ♪ 2219 01:46:49,536 --> 01:46:51,605 - ♪ GET READY - FOR THE JUDGMENT DAY ♪ 2220 01:46:51,705 --> 01:46:53,707 ♪ FORGET YOUR TROUBLES, 2221 01:46:53,708 --> 01:46:55,709 COME ON, GET HAPPY ♪ 2222 01:46:55,776 --> 01:46:58,912 ♪ CHASE YOUR CARES AWAY ♪ 2223 01:46:58,979 --> 01:47:01,381 ♪ HALLELU, GET HAPPY ♪ 2224 01:47:01,448 --> 01:47:03,483 ♪ BEFORE THE JUDGMENT DAY ♪ 2225 01:47:03,583 --> 01:47:04,918 ♪ THE SUN IS SHINING, 2226 01:47:04,919 --> 01:47:06,253 COME ON, GET HAPPY ♪ 2227 01:47:06,319 --> 01:47:07,471 ♪ THE LORD IS WAITING 2228 01:47:07,472 --> 01:47:08,622 TO TAKE YOUR HAND ♪ 2229 01:47:08,722 --> 01:47:10,174 ♪ SHOUT HALLELUJAH, 2230 01:47:10,175 --> 01:47:11,625 COME ON, GET HAPPY ♪ 2231 01:47:11,725 --> 01:47:13,277 ♪ WE'RE GONNA BE GOIN' 2232 01:47:13,278 --> 01:47:14,828 TO THE PROMISED LAND ♪ 2233 01:47:14,928 --> 01:47:16,213 ♪ SHOUT HALLELUJAH, 2234 01:47:16,214 --> 01:47:17,497 COME ON, GET HAPPY ♪ 2235 01:47:17,597 --> 01:47:18,882 ♪ YOU BETTER CHASE 2236 01:47:18,883 --> 01:47:20,167 ALL YOUR CARES AWAY ♪ 2237 01:47:20,267 --> 01:47:21,785 ♪ SHOUT HALLELUJAH, 2238 01:47:21,786 --> 01:47:23,303 COME ON, GET HAPPY ♪ 2239 01:47:23,403 --> 01:47:25,972 ♪ GET READY ♪ 2240 01:47:26,072 --> 01:47:28,975 ♪ GET READY ♪ 2241 01:47:29,075 --> 01:47:31,111 ♪ GET READY ♪ 2242 01:47:31,178 --> 01:47:32,245 ♪ FOR THE JUDGMENT ♪ 2243 01:47:32,312 --> 01:47:33,413 ♪ HALLELUJAH 2244 01:47:33,480 --> 01:47:34,915 ♪ HALLELUJAH ♪ 2245 01:47:34,981 --> 01:47:37,684 ♪ HALLELU ♪♪ 2246 01:47:37,784 --> 01:47:39,953 [APPLAUSE] 2247 01:47:47,928 --> 01:47:49,429 THANK GOD FOR FILM. 2248 01:47:49,496 --> 01:47:50,964 - IT CAN CAPTURE - A PERFORMANCE 2249 01:47:51,031 --> 01:47:52,632 - AND HOLD IT - RIGHT THERE FOREVER. 2250 01:47:52,699 --> 01:47:54,618 AND IF ANYONE SAYS TO YOU, 2251 01:47:54,619 --> 01:47:56,536 "WHO WAS HE?" OR "WHO WAS SHE?" 2252 01:47:56,636 --> 01:47:58,472 - OR "WHAT MADE THEM - SO GOOD?" 2253 01:47:58,538 --> 01:47:59,873 I THINK A PIECE OF FILM 2254 01:47:59,973 --> 01:48:01,541 ANSWERS THAT QUESTION 2255 01:48:01,542 --> 01:48:03,109 BETTER THAN ANY WORDS I KNOW OF. 2256 01:48:03,176 --> 01:48:04,845 MY GENERATION... 2257 01:48:04,945 --> 01:48:06,780 WELL, WE'RE JUST BEGINNING. 2258 01:48:06,847 --> 01:48:08,866 IT TAKES A LOT OF FILM 2259 01:48:08,867 --> 01:48:10,884 AND A LOT OF EXPERIENCE 2260 01:48:10,984 --> 01:48:12,836 AND A LOT OF TALENT 2261 01:48:12,837 --> 01:48:14,688 TO BECOME A REAL STAR. 2262 01:48:14,788 --> 01:48:15,806 NOW, HERE'S SOMEBODY 2263 01:48:15,807 --> 01:48:16,823 WHO I THINK QUALIFIES 2264 01:48:16,890 --> 01:48:18,325 ON ALL OF THOSE COUNTS. 2265 01:48:18,391 --> 01:48:19,543 OH, BOY! 2266 01:48:19,544 --> 01:48:20,694 MR. BING CROSBY. 2267 01:48:20,794 --> 01:48:22,829 YOU KNOW, ONE SOUND STAGE, 2268 01:48:22,896 --> 01:48:24,097 WELL, IT LOOKS 2269 01:48:24,098 --> 01:48:25,298 PRETTY MUCH LIKE ANOTHER. 2270 01:48:25,365 --> 01:48:27,367 BUT A BACK LOT, OUT HERE 2271 01:48:27,368 --> 01:48:29,369 WHERE THEY SHOOT THE EXTERIORS, 2272 01:48:29,469 --> 01:48:30,637 THAT SEEMS TO ME 2273 01:48:30,638 --> 01:48:31,805 THAT THE BACK LOT 2274 01:48:31,872 --> 01:48:34,307 - REFLECTS THE PERSONALITY, - THE CHARACTER OF ITS STUDIO. 2275 01:48:34,374 --> 01:48:36,343 THIS WAS THE BIGGEST 2276 01:48:36,344 --> 01:48:38,311 AND, I THINK, THE BEST BACK LOT 2277 01:48:38,378 --> 01:48:39,646 IN ALL OF HOLLYWOOD. 2278 01:48:39,713 --> 01:48:41,448 THE OLD BACK LOT LOOKS 2279 01:48:41,449 --> 01:48:43,183 A LITTLE SHABBY RIGHT NOW... 2280 01:48:43,250 --> 01:48:44,584 SORT OF SCRUFFY. 2281 01:48:44,684 --> 01:48:45,886 KIND OF AN ILLUSION 2282 01:48:45,887 --> 01:48:47,087 ON AN ILLUSION. 2283 01:48:47,187 --> 01:48:49,155 - THAT'S BECAUSE - MOST HOLLYWOOD FILMMAKERS, 2284 01:48:49,222 --> 01:48:51,157 - THEY DON'T USE - BACK LOTS ANYMORE. 2285 01:48:51,224 --> 01:48:53,159 THEY PREFER THE REAL THING. 2286 01:48:53,226 --> 01:48:54,594 ♪ HOLLYWOOD! ♪ 2287 01:48:55,862 --> 01:48:58,598 ♪ HOLLYWOOD! ♪ 2288 01:48:58,698 --> 01:49:01,668 I REMEMBER WHEN I DID 2289 01:49:01,735 --> 01:49:03,603 - MY FIRST MUSICAL - AT THIS STUDIO, 2290 01:49:03,703 --> 01:49:05,705 - THEY DESIGNED - A BIG PRODUCTION NUMBER. 2291 01:49:05,772 --> 01:49:07,607 IT WAS TO TAKE PLACE 2292 01:49:07,707 --> 01:49:09,609 - IN A VAST MANHATTAN - RAILROAD TERMINAL. 2293 01:49:09,709 --> 01:49:11,394 WE DIDN'T BOTHER 2294 01:49:11,395 --> 01:49:13,079 TO GO TO NEW YORK CITY. 2295 01:49:13,179 --> 01:49:14,347 MGM SIMPLY RE-CREATED 2296 01:49:14,348 --> 01:49:15,515 GRAND CENTRAL STATION, 2297 01:49:15,582 --> 01:49:16,717 ADDED A COUPLE 2298 01:49:16,718 --> 01:49:17,851 OF THOUSAND EXTRAS, 2299 01:49:17,918 --> 01:49:19,695 - AND WE FILMED THE WHOLE - NUMBER RIGHT HERE. 2300 01:49:19,719 --> 01:49:21,187 ♪ ONCE AGAIN ♪ 2301 01:49:21,254 --> 01:49:24,124 ♪ GOOD-BYE, PAL ♪ 2302 01:49:25,258 --> 01:49:27,310 ♪ OUT WHERE THEY SAY, 2303 01:49:27,311 --> 01:49:29,362 "LET US BE GAY" ♪ 2304 01:49:29,429 --> 01:49:32,699 ♪ I'M GOING HOLLYWOOD ♪ 2305 01:49:33,700 --> 01:49:35,452 ♪ I'LL BALLYHOO 2306 01:49:35,453 --> 01:49:37,203 GREETINGS TO YOU ♪ 2307 01:49:37,270 --> 01:49:41,074 ♪ I'M GOING HOLLYWOOD ♪ 2308 01:49:41,141 --> 01:49:43,760 ♪ HEY, WHILE YOU SLEEPYHEADS 2309 01:49:43,761 --> 01:49:46,379 ARE IN THAT HAY ♪ 2310 01:49:46,446 --> 01:49:48,248 ♪ I'LL BE DANCING ♪ 2311 01:49:48,315 --> 01:49:50,550 - ♪ I'M GONNA BE DANCIN' - WITH A SUN-KISSED BABY ♪ 2312 01:49:50,617 --> 01:49:53,119 ♪ AND I'M ON MY WAY ♪ 2313 01:49:53,219 --> 01:49:54,921 ♪ HERE'S MY BERET ♪ 2314 01:49:54,988 --> 01:49:59,225 ♪ I'M GOING HOLLYWOOD ♪♪ 2315 01:49:59,292 --> 01:50:00,627 WELL... 2316 01:50:00,727 --> 01:50:01,978 WELL, IT WAS VIGOROUS... 2317 01:50:01,979 --> 01:50:03,229 SPIRITED, ANYHOW. 2318 01:50:03,296 --> 01:50:05,665 I WAS WHAT YOU MIGHT CALL 2319 01:50:05,765 --> 01:50:07,000 A CASUAL PARTICIPANT 2320 01:50:07,001 --> 01:50:08,234 IN MGM MUSICALS 2321 01:50:08,301 --> 01:50:10,103 BECAUSE OVER 20 YEARS WENT BY 2322 01:50:10,170 --> 01:50:11,455 BETWEEN THE LITTLE EFFORT 2323 01:50:11,456 --> 01:50:12,739 WHICH YOU'VE JUST SEEN 2324 01:50:12,806 --> 01:50:14,140 AND MY NEXT ATTEMPT, 2325 01:50:14,240 --> 01:50:15,442 AND I FOUND FANTASTIC 2326 01:50:15,443 --> 01:50:16,643 CHANGES HAD OCCURRED. 2327 01:50:16,743 --> 01:50:18,778 - THEY HAD COLOR, - OH, STEREOPHONIC SOUND, 2328 01:50:18,845 --> 01:50:20,246 EVEN WIDE SCREENS. 2329 01:50:20,313 --> 01:50:22,182 AND MGM, IN A LOOSE MOMENT, 2330 01:50:22,282 --> 01:50:23,450 HAD DECIDED TO GIVE ME 2331 01:50:23,451 --> 01:50:24,618 ANOTHER CHANCE 2332 01:50:24,684 --> 01:50:26,169 IN A LITTLE PASTICHE 2333 01:50:26,170 --> 01:50:27,654 TO BE CALLED HIGH SOCIETY. 2334 01:50:27,754 --> 01:50:29,022 THIS STARRED GRACE KELLY, 2335 01:50:29,023 --> 01:50:30,290 LOUIS ARMSTRONG, 2336 01:50:30,357 --> 01:50:31,691 AND CELESTE HOLM, 2337 01:50:31,791 --> 01:50:33,627 - AND WAS DIRECTED - BY CHUCK WALTERS. 2338 01:50:33,693 --> 01:50:36,162 - OH, THERE WAS ANOTHER - FEATURED PERFORMER IN THERE. 2339 01:50:36,262 --> 01:50:37,514 WHAT WAS HIS NAME? 2340 01:50:37,515 --> 01:50:38,765 A BRASH, YOUNG NEWCOMER... 2341 01:50:38,832 --> 01:50:40,700 - FRANK, UH... - HE WAS CLEVER KID. 2342 01:50:40,800 --> 01:50:42,636 - HE HAD A LOT TO OFFER. - FRANK, UH... 2343 01:50:42,702 --> 01:50:45,305 - OH, WELL, YOU'LL RECOGNIZE - HIM WHEN YOU SEE THE FOOTAGE. 2344 01:50:45,372 --> 01:50:46,773 ♪ HAVE YOU HEARD ♪ 2345 01:50:46,840 --> 01:50:48,708 - ♪ ABOUT - DEAR BLANCHE? ♪ 2346 01:50:48,808 --> 01:50:50,093 ♪ GOT RUN DOWN 2347 01:50:50,094 --> 01:50:51,378 BY AN AVALANCHE ♪ 2348 01:50:51,478 --> 01:50:52,278 NO! 2349 01:50:52,345 --> 01:50:53,780 - DON'T WORRY. - SHE'S A GAME GIRL. 2350 01:50:53,847 --> 01:50:55,181 - GOT UP - AND FINISHED FOURTH. 2351 01:50:55,281 --> 01:50:56,316 - THIS KID'S - GOT GUTS. 2352 01:50:56,383 --> 01:50:57,451 HAVING A NICE TIME? 2353 01:50:57,452 --> 01:50:58,518 GRAB A LINE. 2354 01:50:58,618 --> 01:50:59,886 ♪ HAVE YOU HEARD 2355 01:50:59,887 --> 01:51:01,154 THAT MIMMSIE STARR ♪ 2356 01:51:01,221 --> 01:51:02,522 OH, WHAT NOW? 2357 01:51:02,622 --> 01:51:03,640 ♪ SHE GOT PINCHED 2358 01:51:03,641 --> 01:51:04,658 IN THE ASTOR BAR ♪ 2359 01:51:04,724 --> 01:51:05,825 SAUCED AGAIN, EH? 2360 01:51:05,892 --> 01:51:06,960 SHE WAS STONED. 2361 01:51:07,027 --> 01:51:08,061 WELL, DID YOU EVER? 2362 01:51:08,161 --> 01:51:09,729 ♪ WHAT A SWELL PARTY 2363 01:51:09,730 --> 01:51:11,297 THIS IS ♪ 2364 01:51:11,364 --> 01:51:13,233 - I'M GOING TO - HAVE A DRINK. 2365 01:51:13,333 --> 01:51:14,334 I MAY HAVE A BIT OF 2366 01:51:14,335 --> 01:51:15,335 THE BUBBLY MYSELF. 2367 01:51:15,402 --> 01:51:16,836 I'M GOING TO DANCE. 2368 01:51:16,903 --> 01:51:18,304 DON'T GET HURT. 2369 01:51:23,977 --> 01:51:25,645 OH, NO. 2370 01:51:29,883 --> 01:51:30,817 ♪ IT'S GREAT ♪ 2371 01:51:30,884 --> 01:51:32,152 ♪ OH, IT'S GREAT ♪ 2372 01:51:32,218 --> 01:51:33,218 ♪ IT'S GRAND ♪ 2373 01:51:33,253 --> 01:51:34,421 ♪ SO GRAND ♪ 2374 01:51:34,521 --> 01:51:36,790 ♪ IT'S WON-HA-HA-HA- 2375 01:51:36,791 --> 01:51:39,059 HA-HA-HA-DERLAND ♪ 2376 01:51:39,159 --> 01:51:40,694 ♪ LA LA ♪ 2377 01:51:40,760 --> 01:51:41,995 ♪ LA LA ♪ 2378 01:51:42,062 --> 01:51:43,563 ♪ YA DA BUM BUM BUM ♪ 2379 01:51:43,663 --> 01:51:45,331 ♪ LA LA ♪ 2380 01:51:45,398 --> 01:51:46,499 ♪ LA LA ♪ 2381 01:51:46,566 --> 01:51:48,068 - ♪ LA LA LA LA LA LA - YA DA DUM ♪ 2382 01:51:48,168 --> 01:51:49,369 ♪ WE SING ♪ 2383 01:51:49,436 --> 01:51:50,537 ♪ WE SING ♪ 2384 01:51:50,603 --> 01:51:51,538 ♪ SO RARE ♪ 2385 01:51:51,604 --> 01:51:52,839 ♪ TOO RARE ♪ 2386 01:51:52,906 --> 01:51:57,343 ♪ LIKE OLD CAMEMBERT ♪ 2387 01:51:57,410 --> 01:52:00,580 ♪ LIKE BABA AU RHUM ♪ 2388 01:52:00,680 --> 01:52:01,848 ♪ BA BA BA BA BUM ♪ 2389 01:52:01,915 --> 01:52:03,850 ♪ DON'T DIG THAT KIND 2390 01:52:03,851 --> 01:52:05,785 OF CROONING, CHUM ♪ 2391 01:52:05,885 --> 01:52:07,070 YOU MUST BE ONE 2392 01:52:07,071 --> 01:52:08,254 OF THE NEWER FELLAS. 2393 01:52:08,354 --> 01:52:10,056 ♪ HAVE YOU HEARD? 2394 01:52:10,057 --> 01:52:11,758 IT'S IN THE STARS ♪ 2395 01:52:11,858 --> 01:52:13,527 ♪ NEXT JULY, 2396 01:52:13,528 --> 01:52:15,195 WE COLLIDE WITH MARS ♪ 2397 01:52:15,261 --> 01:52:17,697 ♪ WELL, DID YOU EVER? ♪ 2398 01:52:17,764 --> 01:52:20,033 ♪ WHAT A SWELL PARTY ♪ 2399 01:52:21,434 --> 01:52:23,369 ♪ SWELL PARTY ♪ 2400 01:52:24,904 --> 01:52:26,389 ♪ SWELLEGANT, 2401 01:52:26,390 --> 01:52:27,874 ELEGANT PARTY ♪ 2402 01:52:27,941 --> 01:52:32,212 ♪ THIS IS ♪♪ 2403 01:52:35,048 --> 01:52:39,452 ♪ WHILE I GIVE TO YOU ♪ 2404 01:52:39,552 --> 01:52:43,957 ♪ AND YOU GIVE TO ME ♪ 2405 01:52:44,057 --> 01:52:47,894 ♪ TRUE LOVE ♪ 2406 01:52:49,062 --> 01:52:52,565 ♪ TRUE LOVE ♪ 2407 01:52:52,632 --> 01:52:56,636 ♪ SO ON AND ON ♪ 2408 01:52:56,736 --> 01:53:01,407 ♪ IT WILL ALWAYS BE ♪ 2409 01:53:01,474 --> 01:53:04,511 ♪ TRUE LOVE ♪ 2410 01:53:04,611 --> 01:53:09,082 ♪ TRUE LOVE ♪ 2411 01:53:09,149 --> 01:53:14,187 ♪ FOR YOU AND I ♪ 2412 01:53:14,287 --> 01:53:17,941 ♪ HAVE A GUARDIAN ANGEL 2413 01:53:17,942 --> 01:53:21,594 ON HIGH ♪ 2414 01:53:21,661 --> 01:53:26,766 ♪ WITH NOTHING TO DO ♪ 2415 01:53:29,002 --> 01:53:33,940 ♪ BUT TO GIVE TO YOU ♪ 2416 01:53:34,007 --> 01:53:39,279 ♪ AND TO GIVE TO ME ♪ 2417 01:53:39,345 --> 01:53:46,619 ♪ LOVE FOREVER TRUE ♪ 2418 01:53:48,855 --> 01:53:55,161 ♪ LOVE FOREVER ♪ 2419 01:53:55,228 --> 01:53:59,465 ♪ TRUE ♪ 2420 01:54:08,541 --> 01:54:10,043 ♪ I'M RECALLIN' 2421 01:54:10,044 --> 01:54:11,544 TIMES WHEN I WAS SMALL ♪ 2422 01:54:11,644 --> 01:54:13,246 ♪ IN LIGHT AND FREE 2423 01:54:13,247 --> 01:54:14,848 JUBILEE DAYS ♪ 2424 01:54:14,914 --> 01:54:16,883 - [BING CROSBY] - GET THIS CAST... 2425 01:54:16,983 --> 01:54:18,818 RUSS TAMBLYN, VIC DAMONE, 2426 01:54:18,885 --> 01:54:20,103 TONY MARTIN, KAY ARMEN, 2427 01:54:20,104 --> 01:54:21,321 DEBBIE REYNOLDS, 2428 01:54:21,387 --> 01:54:23,156 JANE POWELL, ANN MILLER, 2429 01:54:23,157 --> 01:54:24,924 AND THE PACIFIC FLEET 2430 01:54:25,024 --> 01:54:26,826 IN HIT THE DECK. 2431 01:54:26,893 --> 01:54:28,761 ♪ SING HALLELUJAH ♪ 2432 01:54:28,862 --> 01:54:30,663 ♪ HALLELUJAH ♪ 2433 01:54:30,730 --> 01:54:31,915 ♪ AND YOU'LL SHOO 2434 01:54:31,916 --> 01:54:33,099 THE BLUES AWAY ♪ 2435 01:54:33,199 --> 01:54:34,067 ♪ HALLELU ♪ 2436 01:54:34,167 --> 01:54:35,768 ♪ WHEN CARES PURSUE YA ♪ 2437 01:54:35,869 --> 01:54:37,503 ♪ HALLELUJAH ♪ 2438 01:54:37,570 --> 01:54:39,622 ♪ GETS YOU THROUGH 2439 01:54:39,623 --> 01:54:41,674 THE DARKEST DAY ♪ 2440 01:54:41,741 --> 01:54:44,344 ♪ SATAN LIES AWAITIN' ♪ 2441 01:54:44,410 --> 01:54:45,829 ♪ AND CREATIN' 2442 01:54:45,830 --> 01:54:47,247 SKIES OF GRAY ♪ 2443 01:54:47,347 --> 01:54:48,348 ♪ SKIES OF GRAY ♪ 2444 01:54:48,414 --> 01:54:49,966 ♪ BUT HALLELUJAH, 2445 01:54:49,967 --> 01:54:51,517 HALLELUJAH ♪ 2446 01:54:51,584 --> 01:54:53,503 ♪ HELPS TO SHOO 2447 01:54:53,504 --> 01:54:55,421 THE CLOUDS AWAY ♪ 2448 01:55:22,382 --> 01:55:24,884 ♪ SATAN LIES AWAITIN' ♪ 2449 01:55:24,951 --> 01:55:26,519 ♪ AND CREATIN' 2450 01:55:26,520 --> 01:55:28,087 SKIES OF GRAY ♪ 2451 01:55:28,154 --> 01:55:29,055 ♪ HALLELU ♪ 2452 01:55:29,122 --> 01:55:30,056 ♪ BUT HALLELUJAH ♪ 2453 01:55:30,123 --> 01:55:31,624 ♪ HALLELUJAH ♪ 2454 01:55:31,724 --> 01:55:33,159 ♪ SING HALLELUJAH ♪ 2455 01:55:33,259 --> 01:55:34,727 ♪ HALLELUJAH ♪ 2456 01:55:34,794 --> 01:55:37,897 ♪ HELPS TO SHOO 2457 01:55:37,898 --> 01:55:41,000 THE CLOUDS AWAY ♪ 2458 01:55:41,100 --> 01:55:45,038 ♪ SING HALLELU-WHOO-WHOO- 2459 01:55:45,039 --> 01:55:48,975 WHOO-WHOO-WHOO-JAH ♪♪ 2460 01:56:04,290 --> 01:56:06,326 - [CROSBY] - THE NEXT TIME ANYONE SAYS 2461 01:56:06,426 --> 01:56:07,860 - THAT DANCING - IS FOR SISSIES, 2462 01:56:07,961 --> 01:56:10,430 - REMIND THEM OF SEVEN BRIDES - FOR SEVEN BROTHERS. 2463 01:56:10,496 --> 01:56:12,232 PRODUCED BY JACK CUMMINGS, 2464 01:56:12,233 --> 01:56:13,967 DIRECTED BY STANLEY DONEN, 2465 01:56:14,033 --> 01:56:15,935 - AND CHOREOGRAPHED - BY MICHAEL KIDD, 2466 01:56:16,002 --> 01:56:17,520 IT'S PERHAPS THE MOST VIVID 2467 01:56:17,521 --> 01:56:19,038 AND EXUBERANT BALLET 2468 01:56:19,138 --> 01:56:20,673 EVER PUT ON FILM. 2469 01:56:31,985 --> 01:56:33,119 GO ON, CARL! 2470 01:56:33,186 --> 01:56:34,754 HEY, ATTABOY, 2471 01:56:34,755 --> 01:56:36,322 CARL! 2472 01:56:51,838 --> 01:56:53,840 [CHEERING] 2473 01:58:23,296 --> 01:58:24,564 ♪ GIGI ♪ 2474 01:58:24,630 --> 01:58:26,132 ♪ AM I A FOOL 2475 01:58:26,133 --> 01:58:27,633 WITHOUT A MIND ♪ 2476 01:58:27,733 --> 01:58:30,103 ♪ OR HAVE I MERELY BEEN 2477 01:58:30,104 --> 01:58:32,472 TOO BLIND TO REALIZE? ♪ 2478 01:58:32,572 --> 01:58:34,640 ♪ OH, GIGI ♪ 2479 01:58:34,740 --> 01:58:37,510 ♪ WHY, YOU'VE BEEN GROWING UP 2480 01:58:37,511 --> 01:58:40,279 BEFORE MY EYES ♪ 2481 01:58:43,616 --> 01:58:45,151 ♪ GIGI ♪ 2482 01:58:45,251 --> 01:58:47,604 ♪ YOU'RE NOT AT ALL THAT FUNNY, 2483 01:58:47,605 --> 01:58:49,956 AWKWARD LITTLE GIRL ♪ 2484 01:58:50,022 --> 01:58:53,159 ♪ I KNEW ♪ 2485 01:58:53,259 --> 01:58:55,161 ♪ OH, NO ♪ 2486 01:58:55,261 --> 01:58:57,964 ♪ OVERNIGHT, THERE'S BEEN 2487 01:58:57,965 --> 01:59:00,666 A BREATHLESS CHANGE ♪ 2488 01:59:00,766 --> 01:59:01,834 ♪ IN YOU ♪♪ 2489 01:59:01,934 --> 01:59:04,203 - [CROSBY] ONE OF THE FINEST - MUSICALS MADE... 2490 01:59:04,303 --> 01:59:06,772 - ALAN JAY LERNER - AND FREDERICK LOEWE'S GIGI. 2491 01:59:06,839 --> 01:59:08,574 IT WAS THAT RARE BLEND 2492 01:59:08,575 --> 01:59:10,309 OF STORY AND SONG, 2493 01:59:10,376 --> 01:59:12,278 AND IT STARRED LESLIE CARON, 2494 01:59:12,345 --> 01:59:14,280 - LOUIS JOURDAN, - HERMIONE GINGOLD, 2495 01:59:14,347 --> 01:59:15,515 AND THE MARVELOUS 2496 01:59:15,516 --> 01:59:16,682 MAURICE CHEVALIER, 2497 01:59:16,782 --> 01:59:18,901 ALL UNDER THE INSPIRED DIRECTION 2498 01:59:18,902 --> 01:59:21,020 OF VINCENTE MINNELLI. 2499 01:59:21,120 --> 01:59:23,222 [DOORBELL RINGS] 2500 01:59:28,361 --> 01:59:29,996 MAY I COME IN? 2501 01:59:30,062 --> 01:59:31,397 YES. 2502 01:59:37,870 --> 01:59:39,739 GASTON, PLEASE, 2503 01:59:39,839 --> 01:59:40,874 NO NEWSPAPERS, 2504 01:59:40,875 --> 01:59:41,908 NO SCANDAL. 2505 01:59:43,809 --> 01:59:45,511 MADAME, WILL YOU 2506 01:59:45,512 --> 01:59:47,213 DO ME THE HONOR, 2507 01:59:47,313 --> 01:59:48,998 THE FAVOR, 2508 01:59:48,999 --> 01:59:50,683 GIVE ME THE INFINITE JOY 2509 01:59:50,750 --> 01:59:53,286 OF BESTOWING ON ME 2510 01:59:53,287 --> 01:59:55,821 GIGI'S HAND IN MARRIAGE? 2511 02:00:06,899 --> 02:00:08,434 THANK HEAVEN. 2512 02:00:08,534 --> 02:00:12,271 ♪ FOR LITTLE GIRLS ♪ 2513 02:00:13,906 --> 02:00:16,876 ♪ FOR LITTLE GIRLS 2514 02:00:16,877 --> 02:00:19,845 GET BIGGER EVERY DAY ♪ 2515 02:00:19,912 --> 02:00:21,948 ♪ THANK HEAVEN ♪ 2516 02:00:22,048 --> 02:00:24,850 ♪ FOR LITTLE GIRLS ♪ 2517 02:00:24,917 --> 02:00:27,420 ♪ THEY GROW UP 2518 02:00:27,421 --> 02:00:29,922 IN THE MOST DELIGHTFUL WAY ♪ 2519 02:00:30,022 --> 02:00:31,424 - [CHORUS] - ♪ THOSE LITTLE EYES ♪ 2520 02:00:31,524 --> 02:00:32,909 ♪ SO HELPLESS 2521 02:00:32,910 --> 02:00:34,293 AND APPEALING ♪ 2522 02:00:34,393 --> 02:00:35,695 ♪ ONE DAY WILL FLASH ♪ 2523 02:00:35,761 --> 02:00:37,813 ♪ AND SEND YOU CRASHING 2524 02:00:37,814 --> 02:00:39,865 THROUGH THE CEILING ♪ 2525 02:00:39,932 --> 02:00:41,968 ♪ THANK HEAVEN ♪ 2526 02:00:42,068 --> 02:00:44,937 ♪ FOR LITTLE GIRLS ♪ 2527 02:00:45,037 --> 02:00:46,706 - ♪ THANK HEAVEN - FOR THEM ALL ♪ 2528 02:00:46,772 --> 02:00:48,241 ♪ NO MATTER WHERE, 2529 02:00:48,242 --> 02:00:49,709 NO MATTER WHO ♪ 2530 02:00:49,775 --> 02:00:52,578 ♪ WITHOUT THEM, 2531 02:00:52,579 --> 02:00:55,381 WHAT WOULD LITTLE BOYS DO? ♪ 2532 02:00:55,448 --> 02:00:56,882 ♪ THANK HEAVEN ♪ 2533 02:00:56,949 --> 02:00:58,217 ♪ THANK HEAVEN ♪ 2534 02:00:58,284 --> 02:01:00,052 ♪ THANK HEAVEN ♪ 2535 02:01:00,119 --> 02:01:01,554 ♪ THANK HEAVEN ♪ 2536 02:01:01,621 --> 02:01:03,656 ♪ THANK HEAVEN ♪ 2537 02:01:03,756 --> 02:01:10,730 ♪ FOR LITTLE GIRLS ♪ 2538 02:01:10,796 --> 02:01:12,898 ♪ AHH ♪♪ 2539 02:01:13,966 --> 02:01:15,234 THROUGH THE YEARS, 2540 02:01:15,301 --> 02:01:16,436 MGM HAS PRODUCED 2541 02:01:16,437 --> 02:01:17,570 OVER 200 MUSICAL FILMS. 2542 02:01:17,637 --> 02:01:19,405 AND IF YOU HAD TO SELECT 2543 02:01:19,406 --> 02:01:21,173 ONE NUMBER FROM ONE FILM 2544 02:01:21,274 --> 02:01:23,175 - THAT WOULD BEST REPRESENT - THE MGM MUSICALS, 2545 02:01:23,276 --> 02:01:24,727 I HAVE A FEELING THE VOTE 2546 02:01:24,728 --> 02:01:26,178 WOULD BE UNANIMOUS, 2547 02:01:26,279 --> 02:01:28,681 - ESPECIALLY AMONG - THE PEOPLE WHO WORKED HERE. 2548 02:01:28,781 --> 02:01:30,283 AND THAT'S WHY WE'VE SAVED 2549 02:01:30,284 --> 02:01:31,784 THE BEST FOR THE LAST... 2550 02:01:31,851 --> 02:01:33,252 AN AMERICAN IN PARIS, 2551 02:01:33,319 --> 02:01:35,187 - STARRING GENE KELLY - AND LESLIE CARON. 2552 02:01:35,288 --> 02:01:36,806 IT WON AN OSCAR 2553 02:01:36,807 --> 02:01:38,324 AS THE BEST PICTURE OF THE YEAR 2554 02:01:38,424 --> 02:01:39,759 OVER 20 YEARS AGO, 2555 02:01:39,825 --> 02:01:42,128 - BUT THE BALLET FROM THAT FILM - IS AS TIMELESS 2556 02:01:42,194 --> 02:01:43,796 - AS THE DAY YOU AND I - FIRST SAW IT. 2557 02:01:43,863 --> 02:01:45,431 PRODUCED BY ARTHUR FREED, 2558 02:01:45,498 --> 02:01:47,266 - DIRECTED BY - VINCENTE MINNELLI, 2559 02:01:47,333 --> 02:01:49,201 - AND CHOREOGRAPHED - BY GENE KELLY, 2560 02:01:49,302 --> 02:01:51,087 IT CAN ONLY BE DESCRIBED 2561 02:01:51,088 --> 02:01:52,872 AS MGM's MASTERPIECE. 2562 02:08:18,557 --> 02:08:19,942 {\an8}CAPTIONING MADE POSSIBLE BY 2563 02:08:19,943 --> 02:08:21,326 {\an8}WARNER BROS. 2564 02:08:21,393 --> 02:08:23,145 {\an8}CAPTIONED BY THE NATIONAL 2565 02:08:21,393 --> 02:08:24,897 www.ncicap.org... 2566 02:08:23,146 --> 02:08:24,897 {\an8}CAPTIONING INSTITUTE 276795