All language subtitles for Highway.To.Heaven.S01E02.Highway.to.Heaven.Part.2.1080p.WEB-DL.AAC2.0.H.264-squalor_track3_[eng]

[theme music]

How about some lemonade?

Sounds good.

That hit the spot.

There's something
different about you today.

Different?

JONATHAN: Yeah, it's your hair.

You're wearing your
hair different.

Yes.

JONATHAN: Well, it looks great.

Thanks.

Um, I-- I wanted to
ask you a question.

Mhm.

LESLIE: It's not
a question really.

It's--

Hey, take a look.

I don't believe it.

Estelle is out of her room.

Where'd she get that dog?

JONATHAN: Oh, I-- I found him.

I asked her if she'd take
care of him during the day.

You know, walk him and stuff.

Mr. Haskins isn't
going to like it.

What does Mr. Haskins like?

Good day, Mrs. Wicks Estelle.

JONATHAN: The pup's not
giving you any trouble,

is he, Estelle?

ESTELLE: Heavens, no.

I'll never have to bathe again.

He washes my face every minute.

Have you named him yet?

Yes.

Poofy.

Poofy?

Yes.

The first dog I ever had
when I was a little girl

was named Poofy.

I'll change it if
you don't like it.

He is your dog.

Oh, no, I think Poofy's fine.

What do you think, Leslie?

I think it suits him.

All right, Poofy it is then.

Oh, good.

One more thing.

If there's ever a time when
you have to be busy or away,

I want you to know that
Poofy can sleep here with me.

Oh, that's very kind of you.

Thank you.

Hey, as a matter
of fact, I'm just

getting settled at my place.

I've got a lot of
work to do there.

It would be a lot easier
for me if he could

stay here with you for a while.

Oh, fine.

Fine.

Well, I better take
him for his walk.

A growing boy
needs his exercise.

Come on, Poofy.

I'm happy to see her out.

Hey, now, what was that question
you were going to ask me?

Oh, um, I forgot.

It slipped my mind.

Well, I better get
this grass cut then

before Haskins gets on my case.

Thanks for the lemonade.

Would you like to
have dinner at my place?

Sure.

What time?

7:00.

Is that too early or too late?

7:00's fine.

OK, see you then.

Well, fancy meeting you here.

Mr. Gould, I'm
trying to walk my dog.

Am I stopping you?

That's a nice doggy.

Listen, now that you're
out of your room,

I thought we might have dinner
together in the dining room.

No, thank you.

Why not?

I'm not such a bad person.

We could talk a little.

I can't.

I can't leave Poofy alone.

Poofy?

My dog.

He's only a puppy.

I can't leave him.

Listen to this.

Suppose I bring the
trays down to your room,

and we have dinner
there, more private?

Mr. Gould, you
ought to be ashamed.

SIDNEY: Of what?

Flirting at your age.

Listen to this.

Do you know how old
George Burns is?

You're not George Burns.

Yes, I know.

If I was George Burns, you'd
have to be 20 years old for me

to ask you to dinner.

Good day, Mr. Gould.

Let me tell you one more
thing, Mrs. Wicks Estelle.

You know the difference
between you and me?

I still have feelings.

Mr. Gould, I don't like
to eat later than 5 o'clock.

Mrs. Wicks Estelle,
I'll be there

5 o'clock sharp with bells on.

[upbeat music]

Where'd you get
all that stuff?

LESLIE: What stuff?

All the makeup.

Is there something
wrong with it?

No, it's just not
like you is all.

I know.

It's almost 7:00.

I'm going, don't worry.

I just hope you don't
wind up getting hurt.

Good night, Mark.

See you later.

I look pretty.

[suspenseful music]

LESLIE: Are you sure you
wouldn't like a beer?

No, I'm fine really.

You play the piano?

Oh, once in a great while.

Do you like onion dip?

Mhm.

LESLIE: Well, dinner won't be
ready for about 30 minutes.

So I'll make some to keep
our stomachs from growling.

All right.

What are you cooking anyway?

It smells good.

Chicken and peppers.

I hope it's good.

Good company
makes for good food.

My brother doesn't care much
about food except for steak,

so I really don't get a chance
to try different things.

No, I knew I'd forget something.

What do you need?

I didn't get any sour cream.

I think I got
some at my place.

- I had it on my list.
- Don't worry about it.

It'll just take me a minute.

I'll be right back.

JONATHAN: Can I help you, Mark?

Yeah, you can help me.

You can help me by telling
me what you're after?

JONATHAN: I don't
know what you mean.

Oh, come on, don't play
Mickey the Dunce with me.

I've been there.

I know the difference between
a straight John and a con man.

Do you want to talk to me, or
you want to talk to the cops?

Go on.

I have been to every
nursery, every bicycle shop

in this town.

None of them have
ever heard of you.

Now can you explain that to me?

I'd rather not.

And what about this place?

I mean, you've got no clothes.

You don't have any food.

You don't even have a
toothbrush or a razor.

You don't live here.

This place is a front.

I want some answers, Mr. Smith.

Look, all I can tell you
is I'm just doing my job.

I'm not here to hurt anybody.

Please believe me.

You sound like all
the rest of them.

I'm innocent.

Please believe me.

Now, I'm going to
tell you one more time

either you talk to me,
or I call the cops.

If you do that, I'll have
to leave before my job's done.

Then talk.

If I tell you, you're not
going to believe me anyway.

Try me.

All right, in my job, I
am sent to various places

by my boss to try
to help people.

Go on.

I'd like to leave it at that.

Yeah, I bet you would.

Come on.
Come on now.

What is the setup here?

I mean, who's your boss?

God.

What?

My boss is God.

Oh, boy.

Oh, boy.

My sister really
picked a winner.

I mean, you're
nothing but a kook.

I told you you
wouldn't believe me.

And you were right.

Listen, I don't know
whether you're a harmless

kook or a dangerous kook.

But I'll tell you one thing
I am not leaving you alone

with my sister, not
until the police

have a chance to check you out.

JONATHAN: I'll let
you leave in a minute.

What do you mean
you'll let me leave?

JONATHAN: Just what I said.

You wanted the truth.

I'm giving it to you.

I'm an angel.

I'm not one of the
best, but I try.

And I make mistakes.

The bicycles were a mistake.

He let me have them.

He?

Yeah, God.

I guess he figures the
only way I'm going to learn

is by mistakes.

I'm kind of new at this.

Boy, oh, boy, oh boy, oh, boy.

Listen, friend, you need help.

Yes, I do.

I need your help.

What good is it going to
do you to go to the police?

I'll be gone by the
time you get back,

and I wouldn't have
finished my job.

You going to hurt a whole
bunch of innocent people

for no reason and
all because you

don't trust your fellow man.

There an awful lot of good
people in this world, Mark.

I'm just here to
try to help them.

Well, I said my piece.

You can go now.

If you change your mind
about talking to the police,

you're welcome to
have dinner here.

Leslie said you like steak.

You'll find one in
the refrigerator.

I got to bring her
the sour cream.

I'm sorry I took so long.

No, no, I hadn't
heard about it.

I don't know.

Of course.

Don't cry, Estelle.

Look, I'll be right there.

Yes, I will.

I'm sure he will.

All right, goodbye.

What's wrong?

LESLIE: That was Estelle.

Mr. Haskins notified
everyone tonight the home

will be sold by Friday.

They have to find
other accommodations.

They're all so upset.

I said that I'd come
down and see them.

I'll go with you.

LESLIE: Thanks.

I'll turn off the stove.

Now where are you going?

Mark, what are you
doing in the bushes?

Never mind what I'm
doing in the bushes.

Where you going?

There's been a
problem with the home.

Oh.

Come on, I'll drive you.

I haven't made that call yet.

JONATHAN: I know.

How can they do this?

Just like that out.

All of you out.

Jeez, just when things
were starting to get good.

We were starting to
feel like a family.

They don't care
because we're old people.

If they treated animals that
way, they'd be in trouble.

Why do people care more about
animals than they do people?

Because they don't
like themselves.

Where will they send us?

Wherever there's a room.

They don't care.

Now, wait a minute.

Wait a minute.

There still might be
something we can do.

Let me talk to Mr.
Haskins tomorrow.

What can you do?

It's money here, profit.

That's all we're talking about.

If they make more by
selling, they sell.

He's right.

We'll never see
each other again.

Oh, what do you care?

You don't have to worry.

Your family want you.

You'll have a good home.

They don't want me.

All I have is you,
you people here.

My daughter isn't in Europe.

I wanted you to believe it,
and I wanted to believe it.

She said I'd be better off--

happier.

She said it was for my own good.

But I was a nuisance
and a bother to her.

She had no right
to send me here.

She has room, lots of it,
and she doesn't have to work.

She doesn't have to do anything.

And I hate her for
throwing me away.

Why can't she remember when
I held her to my breast?

[mournful music]

Look, selling this
place wasn't my idea.

I just work here.

This is no picnic for me.

I'm out of a job.

JONATHAN: And what about
those old people out there?

What about them?

They're not my problem.

They're not yours either.

If I were you, I'd worry about
finding myself another job.

You're out of work
too, you know.

I want to speak to the owner.

MR. HASKINS: Old man Sinclair?

He's not going to see you.

I've only seen him once in
all the years I've been here.

JONATHAN: Where can I find him?

You're wasting your time.

I got plenty of time.

Suit yourself.

As I said, you're
wasting your time.

JONATHAN: Thank you.

Excuse me.

SINCLAIR: What are
you doing in here?

I'm sorry to bother
you, Mr. Sinclair.

SINCLAIR: Now, don't be sorry.

Just get out.

How did you get in here?

I got a buzzer
lock on that door.

Well, it must be out of order.

SINCLAIR: Well, I'll
have that fixed.

Now, just go on and get out.

It's very important
that I talk to you.

SINCLAIR: All right,
I asked you nicely.

Now, I'll have you thrown out.

It's a matter of
life and death, Cubby.

Cubby?

Where'd you get that from?

A friend of mine.

I haven't heard that name
since I left high school.

Alison Drake used
to call me that.

I know.

My friend told me.

Boy, it's a small
world, isn't it?

Very small.

We were going to get
married, but our parents

were against it.

It was hers really.

I-- I didn't have a dime.

That's when I went out in
the world to make my fortune.

And I see you did.

Do you know where she is now?

She passed away
a few years ago.

Oh, I see.

So what's this matter
of life and death?

You're selling Havencrest.

That's right.

I've got the papers
right here on my desk.

If that home is sold,
those old people will be

split up, sent who knows where.

And for some of them, that's
the only family they've got.

They need each
other, Mr. Sinclair.

SINCLAIR: And I'm sorry
about it, but it's business.

Aren't there some
things that are

more important than business?

For me, no.

There used to be a long time
ago when my nickname was Cubby,

but not anymore, Mr. uh--

Smith.

SINCLAIR: Well, Mr.
Smith, you may think I'm

very cold about this,
but it's a cold world.

People make it that way.

That may be true.

But I didn't get to the
top floor of this building

by being sentimental.

I worked for it
seven days a week.

That is how you become
a success in this world.

I'm glad to know that.

The offer I received was for--

let me see-- it's $116,000.

I'll sell it to you or anybody
else for the same price.

Those old people don't
have that kind of money,

and you know it.

Then I'm sorry.

How much time do I have
to come up with the money?

SINCLAIR: I was going
to close the deal today.

I'll give you till
6:00 tomorrow.

Thank you for your time.

SINCLAIR: Mr.
Smith, do you know--

did Alison get married?

No.

No, she waited for you.

I guess you were busy.

[knocking on door]

It's open.

How did it go
with Sinclair today?

You didn't see him?

Oh, yeah.

And?

And he spent most
of the time telling

me how he became a success.

It always amazes me how
people who are so lonely, so

devoid of love in
their lives, still

consider themselves successful.

Why don't you do something?

Like what?

I don't know.

If, you know-- if you're
what you say you are,

why don't you just
make things right?

Because it doesn't
work that way.

I'm just an employee.

I do what he lets me do.

What does he want you to do?

I told you I don't know.

Phew!

I can't believe I'm
talking like this.

Are you-- are you
really, you know,

what you say you are because
I'm gonna feel awful stupid

if this is some kind of trick?

It's not a trick.

Then why doesn't
he do something?

Because maybe he's
busy, or maybe he's

waiting for me to do something.

I just don't know.

Well, you just can't sit there
and let these old people down.

Look, I'm doing
the best I can.

At least I got Sinclair
to wait until 6 o'clock

tomorrow before he sells.

It will take a miracle.

Very well put.

Somewhere, somehow
we're going to have

to come up with $116,000.

Got any suggestions?

Yeah, how about we rob a bank?

Oh, that's very good.

What about a longshot?

Like what?

Like I said a
longshot, a horse.

Oh, no, he wouldn't like that.

Besides, it wouldn't be fair.

I can tell who is going to win.

You can what?

I can tell who
is going to win.

MARK: Well, then
you got to do it.

It's a 100% sure thing.

It's not a 100% sure
thing if he doesn't like it,

and he's not going to like
it because it's gambling.

Come on, what's
worse, a little gambling

or seeing those old people
thrown out on the street?

Listen, they even
play bingo in church

if it's for a good cause.

Now, all you got to do
is go out to that track.

He'll either let you
win, or he won't.

At least it's a chance.

We'd still have to come
up with the money to bet.

They got their monthly
checks, and Leslie and I

can come up with a few hundred.

And if they lose?

Jonathan, they are going to
lose for sure if you don't try.

I have a feeling I'm
going to regret this.

So the decision is yours.

If we get lucky, you
can own this place.

If we're not, you're going to
be right back where you started.

Minus a few dollars.

That's right, Sid.

And you say you're pretty
good at this picking the ponies.

Oh, he's real good at it.

SIDNEY: Well, I for one
say nothing ventured,

nothing gained.

How about the rest?

Well, what are we waiting for?

Let's cash our checks
and get to the track.

[upbeat music]

TRACK ANNOUNCER: In today's
race, there's a late scratch.

In the fifth race, scratch
number five Billy Joyce.

Number five Billy Joyce has been
scratched from the fifth race.

See anything you like?

Shush!

You see anything you like?

Would you wait a minute?

Number three looks
like a runaway.

Look at those odds 6 to 5.

Maybe you ought to wait and
pick something in the next race.

Would you be
quiet for a minute?

I'm just trying to pick a horse.

Sorry.

TRACK ANNOUNCER: Less than
10 minutes to first post.

First post in 10 minutes.

Riders up.

[horse neighing]

What are the odds
on number five?

MARK: The odds are right.

30 to 1.

He's the one.

You sure?

You want to pick the horse?

I'm just asking.

He's the one.

Let's go.

[suspenseful music]

TRACK ANNOUNCER:
Ladies and gentlemen,

there's a late scratch
in the ninth race.

In the ninth race today, number
one Betsy has been scratched.

Scratch number one
Betsy in the ninth race.

All right, Sid,
it's number five.

SIDNEY: Number five?

That's right.

Everything on number
five on the nose.

On the nose?

To win.

Of course, to win.

You think I'd bet him to lose.

Sidney, maybe I
better go with you.

My friend, don't
worry about a thing.

I used to be an accountant.

There you go.

Good luck.

Next.

Number three. $100
to win on third place.

There you go.
Next.

Come on.

Come on.

You got a line behind you.

TRACK ANNOUNCER:
Now five minutes.

Five minutes to post time.

Old-timer, are you all right?

I'm fine.

Just praying.

TRACK ANNOUNCER: The horses
have reached the starting gate.

They're at the post
for the first race.

First half of the daily double.

Waiting on number
four, Top Award.

Top Award delaying the start.

JONATHAN: Here he comes.

Everything go all right?

As they say, the
fat's in the fire.

TRACK ANNOUNCER: The flag is up.

They're all in line and
ready for the start.

And they're off.

Risky Red on the outside,
charging up to take the lead.

Towards the inside, that's
Patches, and in between horses,

Ray Rocket followed by
Windsock and Cannonball

as they move to
the clubhouse turn.

They're tightly bunched
on the front end.

Cannonball charging
up on the outside.

Come on five.

Come on five.

What's our
horse's name anyway?

Devil's Lad.

TRACK ANNOUNCER: As the field
moves down the next stretch,

the front-runner Risky
Red drops out of it,

and here comes Windsock
to take the lead.

Cindy Kim from the back of
the pack is right there,

and charging up its
Devil's Lad on the outside

followed by Cannonball.

The field moves to
the far turn that way.

On the inside,
Windsock has the lead.

On the outside, Cindy Kim,
and Devil's Lad is flying.

Around the far
turn, on the inside,

it's Windsock leading it
by three parts of a length.

On the outside,
Cindy Kim is second,

Devil's Lad is third
with every stride.

As the field moves to
the top of the stretch,

Cindy Kim now taking
the lead by a head.

Here comes Devil's
Lad on the outside.

And down the stretch, they come.

Cindy Kim and Devil's
Lad side by side.

Cindy Kim on the inside.

Devil's Lad driving
on the outside.

Cindy Kim on the inside
now pulling away.

It's going to be Cindy
Kim winning impressively.

Devil's Lad was second.

The unofficial order of
finish here in the first race.

Number seven Cindy Kim
was first under the wire.

Number five Devil's
Lad was second.

And there's a photograph
for show position.

SIDNEY: I know you feel
bad, but you tried.

We thank you for that.

TRACK ANNOUNCER:
Attention, please.

Now, wait a minute, enquiry.

It ain't over yet.

SIDNEY: What--
what's this enquiry?

It's a foul, and if it's on
number seven, he gets set back.

Number five will win.

TRACK ANNOUNCER: Ladies
and gentlemen, a stewards'

enquiry here in the first race.

Please hold all tickets.

Attention, please.

The enquiry sign appears
on the totalizator board.

Please hold all tickets.

Ladies and gentlemen, after
reviewing the videotape

of the first race, the
stewards found no reason

for a disqualification.

The results are official.

We might as well go home.

TRACK ANNOUNCER: Officially
in the first race, the winner

number seven Cindy Kim.

Number five Devil's
Lad was second,

and number one Patches
finished third.

In the next race,
there are no changes.

No changes in the second race.

Second half of the daily double.

Post time in 25 minutes.

I still can't believe it.

A nose, that's how close.

$4,400 out the window
on number seven.

Number five.

Number-- wait a minute.

This doesn't say-- look at it.

Here, let me see that.

It's number seven.

I asked him for a five,
and he gave me a seven.

It is a seven.

We won.

What?

We won.

[cheering]

We won!

We won it.

Jonathan, we won.

What you talking about?

MARK: Look at this ticket.

Sidney got number
seven by mistake.

Number seven.

Number seven made $62.

That's more than enough money.

Let's get this ticket cashed.

We got some business
to take care of.

Thanks.

Yes, officer, yes.

No, I have no idea
where they are.

That's why I reported it.

No, no, they've never done
anything like this before.

They're not allowed--

[laughter]

Wait a minute-- they--

they-- may be back.

Yes.

I will!

Ms. Gordon, would you mind
telling me where you've been?

I've been worried sick.

You know our rules.

Mr. Haskins, from now on,
we have new rules, our rules.

We'll meet and
decide what they are.

I wasn't speaking
to you, Mr. Gould.

I know this, but as
one of the new owners

of this establishment,
I'm speaking to you.

What?

It's a long story, Mr.
Haskins, but it's true.

They bought the building.

And we'll be very
happy to keep you

on as long as you cooperate.

And that means
we can have pets.

And go on outings.

And barbecues.

Don't forget the barbecues.

You think about it.

Right now, we have to
get ready for a party.

Yeah!

[cheering]

[music playing]

Mrs. Wicks Estelle, you
look very beautiful tonight.

Thank you.

And you look very handsome.

Handsome, I don't.

But loving you I do.

Look at you blush
like a young girl.

May I ask you a question?

Go ahead.

Would you give me a kiss?

I haven't kissed a man
since my husband died.

It would be an honor to
have the first and the last.

Whoa!

You are missing one heck
of a party in there.

Leslie sent me to look for you.

I think-- is something wrong?

I have to go.

MARK: When?

Tonight.

My work's done here.

Can't you just
stay on a while?

JONATHAN: I wish I could,
but it's not up to me.

Where are you going to go?

Not sure yet.

He'll let me know.

It's the only hard
part of this job.

You meet people you care
about, and you have to move on.

It gets lonely sometimes.

MARK: Are you going
to tell Leslie?

No.

No, there'll be a
lot of questions.

It's better this way.

She's going to
take it awful hard.

JONATHAN: Oh, no, she's
going to be fine, believe me.

As long as you
give her a chance.

Me?

Yeah, you.

She's spent these past
years worrying about you

instead of living her own life.

You can't let her
do that anymore.

I'm all she's got.

JONATHAN: Oh, no, Mark.

She's all you've got.

You know I'm right, don't you?

Yeah.

Well, it's time for me to
ride off into the sunset.

I couldn't have done
that before I met you.

The world doesn't stink.

There is more than
the 6 o'clock news.

Thank you.

So long, happy.

So long, kemosabe.

LESLIE: Couldn't you find him?

Yeah, I found him.

Well, where is he?

He's gone.

He had to go.

What do you mean?

Just what I said.

He's moving on.

You mean now tonight?

But he can't.

He can't go.

He can't go.

Jonathan, Mark-- oh, excuse me.

Is-- is Jonathan in?

I don't know any Jonathan.

I just moved in here tonight.

He's gone already?

I'm afraid so.

The apartment just came up
for rent, and I grabbed it.

Oh, I see.

Well, I'm sorry to disturb you.

Oh, you didn't Ms. um--

Gordon.

Leslie Gordon.

Gary Johnson.

Again, I'm sorry.

You live around here?

Um, yeah, right
here next door.

I guess that means I'll
be seeing you around, huh?

Sure.

I'll be seeing you.

Need a lift?

What are you doing out here?

Well, you told me to
give Leslie a chance.

That's what I'm doing.

I thought I'd keep in touch.

Well, you didn't
waste any time.

I couldn't of.

I'm going to go with you.

Wait a minute.

I can't do that.

Come on, you said yourself
last night it's a lonely job.

Look, I know what
I said, but I--

I already know
everything about you.

Listen up.

I want to help you help people.

You can do that
without me, Mark.

Please give me chance.

If it doesn't work out, you
can always send me packing.

It's not my decision to make.

I'm sorry.

You're telling me no then?

Goodbye, friend.

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