Original subtitles

IN ALL TRIBAL CULTURES, EVERY VILLAGE HAD A SENTINEL.

NOW, A SENTINEL IS CHOSEN

BECAUSE OF A GENETIC ADVANTAGE.

A SENSORY AWARENESS THAT CAN BE DEVELOPED

BEYOND NORMAL HUMANS.

YOUR TIME SPENT IN PERU HAS GOT TO BE CONNECTED

WITH WHAT'S HAPPENING TO YOU NOW.

I'VE GOT HUNDREDS OF DOCUMENTED CASES

OF 1 OR 2 HYPERACTIVE SENSES,

BUT NOT ONE SINGLE SUBJECT WITH ALL 5.

YOU COULD BE THE REAL THING.

ALL I'M SAYING, IS THAT IT WOULD BE NICE TO KNOW THAT IF I GOT INTO A JAM,

THAT YOU CAN COVER MY BACK.

UH-UH, NO WAY, MAN. I'M NOT GOIN' AROUND PACKIN'.

MY DEAL IS, IS THAT I'M HERE STRICTLY, STRICTLY AS AN OBSERVER.

SOMEBODY'S COMING.

IT'S HIM.

DOES YOUR MOTHER KNOW YOU LOOK LIKE THIS?

SCREW YOU.

GOOD TO SEE YOU, DANNY.

GOOD TO SEE YOU, TOO.

SO O'TOOLE TOOK OVER ANOTHER WATERFRONT TRUCKING FIRM?

S.K.B. FREIGHT, RUN BY A GUY NAMED RAY KAMINSKI.

WORD IS HE TOLD MICKEY O'TOOLE TO DROP DEAD.

THEN, ONE MORNING, HE WALKS INTO HIS 4-YEAR-OLD DAUGHTER'S ROOM

AND FINDS THAT SOMEBODY'S CUT THE HEADS OFF ALL HER STUFFED TOYS.

SO NOW, KAMINSKI'S GOT HIMSELF A NOT-SO-SILENT PARTNER,

25% OF HIS BUSINESS PROFITS, BUT HE GETS TO SLEEP NIGHTS AND NOT WORRY ABOUT HIS KIDS.

YEP. GOT IT.

YOU OK?

I'M COOL.

YOU DOUBLED BACK ON YOUR WAY OVER HERE?

YEAH, YEAH.

NO CALLS HOME, RIGHT?

LOOK, YOU'RE NOT MY BIG BROTHER ANYMORE.

I CAN TAKE CARE OF MYSELF.

ALL RIGHT.

I'LL TALK TO YOU NEXT WEEK.

WATCH YOUR BACK. ALWAYS DO.

DANNY!

BLAIR, GET DOWN!

IT'S GONNA BE ALL RIGHT.

COME ON.

OH, GOD.

CALL AN AMBULANCE. COME ON. COME ON, BUDDY.

CALL AN AMBULANCE! COME ON.

IT'S TOO LATE, MAN--

IT'S NOT TOO LATE! NOW CALL AN AMBULANCE!

HE'S GONE, MAN. COME ON!

COME ON, BUDDY!

HE'S GONE, BUDDY. HE'S GONE!

NO! NOT HIM!

NO!

JIM, I THINK YOU KNOW ASSISTANT D.A., BEVERLY SANCHEZ.

YEAH, WE'VE MET.

WE GOT ONE HELL OF A MESS HERE, GUYS.

2 MONTHS WORTH OF UNDERCOVER WORK

WITH MICKEY O'TOOLE RIGHT WHERE WE WANTED HIM.

BUT WITHOUT OFFICER CHOI'S TESTIMONY, OUR CASE IS DEAD.

IN CASE YOU HAVEN'T NOTICED, MISS SANCHEZ,

THERE'S A LOT MORE THAT'S DEAD HERE THAN YOUR CASE.

I'M SORRY. YOU'RE RIGHT.

WELL, THE GOOD NEWS IS, WE HAVE A POSITIVE I.D. ON THE SHOOTER.

TOMMY JUNO.

YOU'RE KIDDING.

YOU KNOW HOW MANY TIMES JUNO HAS WALKED WITHOUT SO MUCH AS AN ARREST?

YES. HE ALWAYS HAS AN IRONCLAD ALIBI.

BUT NOT THIS TIME.

THE MAN I SAW WAS DEFINITELY TOMMY JUNO AND I'LL SWEAR TO IT.

THIS CHANGES EVERYTHING.

O'TOOLE MUST HAVE HIRED JUNO TO HIT DANNY CHOI.

WE NAIL JUNO, TIE HIM TO O'TOOLE, WE COULD STILL MAKE OUR CASE.

HOLD ON.

LISA, WAKE UP JUDGE PERLMAN. I NEED A WARRANT.

JUNO!

PUT YOUR HANDS IN THE AIR.

WHAT'S THIS ALL ABOUT?

IT'S ABOUT YOU BEING UNDER ARREST FOR MURDER.

YOU'RE WASTING YOUR TIME.

I SPENT THE WHOLE EVENING AT A BENEFIT PARTY.

I'VE GOT WITNESSES.

MA'AM, I'D GET OUT OF THE LINE OF FIRE, IF I WERE YOU.

AGAINST THE CAR.

TAKE IT EASY NOW, HUH? THIS CAR IS A CLASSIC.

GET THIS CREEP OUT OF HERE.

AT LEAST PUT THE TOP UP, HUH? IT'S GONNA RAIN.

GOOD.

NICE JOB, GENTLEMEN.

DID I SAY SOMETHING WRONG?

DANNY LOST HIS DAD WHEN HE WAS A LITTLE KID.

WHEN JIM WAS IN COLLEGE, HE SORT OF BECAME HIS BIG BROTHER.

THEY WERE REAL CLOSE.

JIM WAS THE ONE WHO HELPED DANNY GET INTO THE ACADEMY.

EXCUSE ME A MINUTE.

DETECTIVE, I DIDN'T REALIZE YOU HAD A HISTORY WITH OFFICER CHOI.

I KNOW I WAS A BIT COLD EARLIER.

I'M SORRY.

IT'S NO PROBLEM.

I'D LIKE TO MAKE IT UP. MAYBE I COULD BUY YOU A BEER.

IT'S GETTING KIND OF LATE.

SOME OTHER TIME.

UH...

MAYBE A BEER WOULD BE A GOOD IDEA.

OK. YOU PICK THE PLACE.

SANDBURG'S ALWAYS TRYING TO GET ME TO TAKE UP MEDITATION OR SOME SUCH THING.

BUT I FIGURE, WITH THIS PLACE, WHO NEEDS IT, YOU KNOW?

CAROLYN NEVER SEEMED TO LIKE IT, THOUGH. SHE THOUGHT IT WAS TOO QUIET.

OH, THAT'S THE BEST PART. YEAH.

WHO'S CAROLYN?

MY EX, CAROLYN PLUMMER.

HEAD OF THE FORENSICS AND TECH LAB.

IT MUST BE HARD WORKING WITH HER DOWN AT THE STATION.

SOMETIMES.

MY EX IS A COP, TOO. BACK IN TACOMA.

HE WAS A GOOD GUY. SO WHY THE HELL DIDN'T IT WORK OUT?

I ASKED MYSELF THAT ONE A FEW TIMES.

MUST BE GREAT ON SUNDAY AFTERNOONS,

WATCHING ALL THE BOATS OUT ON THE BAY.

YEAH.

WHAT IS IT?

I WAS JUST THINKING ABOUT DANNY,

HOW MUCH HE LOVED TO SAIL.

HE USED TO SAY THERE WERE 2 THINGS IN LIFE THAT MADE HIM FEEL REALLY ALIVE.

SAILING AND BEING A COP.

I SHOULD GO.

RIGHT.

I'M REALLY GLAD YOU CAME.

ME, TOO.

GOOD NIGHT.

GOOD NIGHT.

WHAT'S WRONG?

IT'S JUST NOT REALLY A GREAT NIGHT.

I UNDERSTAND.

I'M SORRY.

MAYBE SOME OTHER TIME.

GOOD NIGHT.

WELL, IT SURE LOST ITS TASTE.

JIM?

JIM?

JIM?

OH.

YOU SHOULD'VE CALLED ME IMMEDIATELY.

FOR WHAT?

FOR WHAT? YOU LOSE YOUR SENSE OF HEARING AND TASTE FOR ALMOST AN HOUR,

AND YOU DON'T THINK IT'S ANY BIG DEAL.

I'M FINE. WOULD YOU JUST LIGHTEN UP?

NO. WE GOTTA GO GET YOU CHECKED OUT A.S.A.P.

THIS COULD BE SOME SIDE EFFECT THAT WE DON'T KNOW ABOUT.

WOULD YOU JUST FORGET IT?

I AM NOT GOING TO BE SOME HUMAN LAB RAT FOR YOU TO PROD AND PROBE

EVERY TIME SOMETHING GOES WRONG. YOU GOT THAT?

LOOK, I'M JUST TRYING TO HELP.

JIM.

WE'LL TALK ABOUT IT LATER.

HI. HOW ARE YOU?

GOOD. I GOT THIS IN THIS MORNING'S MAIL. IT'S FROM THE I.R.S.

APPARENTLY, WE OWE A PENALTY ON SOME BACK TAXES FROM WHEN WE WERE MARRIED.

$4,000. JIM.

GOOD MORNING.

HI, BEVERLY. GOOD MORNING.

HOW ARE YOU?

FINE.

HOW ARE YOU?

GREAT. NICE TIE.

OH. THANKS.

UH, I'M BLAIR SANDBURG.

OH, I'M SORRY, THIS IS--

BEVERLY SANCHEZ, ASSISTANT D.A. NICE TO MEET YOU.

YOU, TOO.

LIEUTENANT CAROLYN PLUMMER.

OH, OF COURSE. PLUMMER.

WELL, I GUESS I SHOULD BE GOING. NICE TO MEET YOU BOTH.

JIM, I'LL SEE YOU AT THE ARRAIGNMENT LATER? GREAT.

OK. YEAH.

SO, ABOUT THE I.R.S. PENALTY.

RIGHT. UH, IT'S A LOT OF MONEY.

GUESS THE ONLY FAIR THING TO DO WOULD BE TO SPLIT IT.

LOOK, AS FAR AS I'M CONCERNED, I'M NOT PAYING FOR YOUR SCREW-UPS ANYMORE.

OOH!

W-WHAT WAS THAT ABOUT?

YOU KNOW, FOR A GUY WITH HYPERACTIVE SENSES, YOU CAN BE PRETTY DENSE.

MEANING WHAT?

MEANING THAT ANYONE CAN TELL THAT THERE WAS ENOUGH HEAT

BETWEEN YOU AND MISS BEVERLY SANCHEZ HERE

TO INCINERATE A FOOTBALL STADIUM.

OH, THAT. YEAH, "OH, THAT."

CAROLYN AND I HAVE BEEN DIVORCED FOR NEARLY 2 YEARS.

IT DOESN'T MATTER.

ANTHROPOLOGICALLY SPEAKING, A RELATIONSHIP NEVER TERMINATES,

AND HOMO SAPIENS RESIST CHANGE.

THANK YOU FOR THE SCIENCE LECTURE, TEACH.

WHAT'S THE SHORT VERSION?

THE SHORT VERSION? CAROLYN'S JEALOUS.

YOU'RE DEAD MEAT.

BASED ON THE EVIDENCE, YOUR HONOR,

WE ASK THE COURT TO BIND MR. JUNO OVER FOR TRIAL

FOR THE MURDER OF OFFICER DANIEL CHOI.

WHAT EVIDENCE, YOUR HONOR?

THE PROSECUTION HAS NO WEAPON, NO MOTIVE, NO OPPORTUNITY.

WE HAVE A WITNESS, YOUR HONOR.

DETECTIVE JAMES ELLISON OF THE CASCADE P.D.

SAW THE DEFENDANT COMMIT THE CRIME.

UH, IF IT PLEASES THE COURT, I HAVE HERE A COPY

OF THIS MORNING'S CASCADE TRIBUNE. MAY I APPROACH?

YOU MAY.

ON PAGE 7 OF THE ARTS AND ENTERTAINMENT SECTION,

THERE'S A STORY ABOUT A BENEFIT HELD LAST NIGHT AT THE CASCADE ART CENTER.

UH, THE CAPTION TO ONE OF THE PHOTOGRAPHS READS,

"AMONG LAST NIGHT'S BLACK-TIE PARTIERS

WERE SAMANTHA PARKS AND MR. THOMAS JUNO."

YOUR HONOR, THAT BENEFIT STARTED AT 8:30.

DANIEL CHOI WAS SHOT AND KILLED AT 11:15.

IT WOULD HAVE BEEN SIMPLE ENOUGH FOR MR. JUNO TO HAVE HIS PHOTOGRAPH TAKEN

AND STILL HAVE AMPLE TIME TO GET ACROSS TOWN AND SHOOT OFFICER CHOI.

I HAVE STATEMENTS FROM NO FEWER THAN 11 WITNESSES ESTABLISHING THAT MR. JUNO

ARRIVED AT THE BENEFIT AT 8:45 AND DID NOT LEAVE UNTIL 11:45.

DETECTIVE ELLISON HAS POSITIVELY IDENTIFIED MR. JUNO

AS THE MAN WHO SHOT AND KILLED OFFICER CHOI.

YOUR HONOR, I'D LIKE TO ASK DETECTIVE ELLISON A FEW QUESTIONS.

I'LL ALLOW IT.

NOW, DETECTIVE ELLISON, OFFICER CHOI WAS SHOT AND KILLED AT 11:15 P.M.,

IN FRONT OF THE OLD DELMONICO CANNERY ON GRAND BOULEVARD,

BETWEEN 10TH AND 12TH STREETS, IS THAT RIGHT?

THAT'S CORRECT.

AND WHERE WAS THE KILLER

WHEN HE FIRED THE SHOT THAT TOOK OFFICER CHOI'S LIFE?

AT AN ABANDONED WAREHOUSE DOWN THE STREET. KOPPELMAN VAN AND STORAGE.

TELL US EXACTLY WHAT YOU SAW.

I SAW THE SHOOTER AT A 3RD-STORY WINDOW.

HE HAD SHORT, DARK HAIR AND WAS WEARING A BLACK TURTLENECK.

I IDENTIFIED THE SHOOTER AS TOMMY JUNO.

ANYTHING ELSE?

HE WAS ARMED WITH A KNIGHT .30 CALIBER SNIPER RIFLE,

STARLIGHT NIGHT-VISION SCOPE WITH LASER SIGHT.

HE USED IT TO SHOOT AND KILL DANNY CHOI.

AND YOU'RE ABSOLUTELY CERTAIN THAT THE MAN YOU SAW SHOOT OFFICER CHOI

WAS TOMMY JUNO?

I'M ABSOLUTELY CERTAIN.

I'M WELL AWARE OF WHO THE DEFENDANT IS.

EARLIER, YOU DESCRIBED KOPPELMAN VAN AND STORAGE AS BEING "DOWN THE STREET."

EXACTLY HOW FAR DOWN THE STREET?

I DON'T REMEMBER.

YOU WERE ABLE TO DESCRIBE

THE CLOTHES MR. JUNO WAS WEARING,

THE COLOR OF HIS HAIR, THE WEAPON HE WAS USING,

BUT YOU'RE NOT SURE HOW FAR AWAY HE WAS?

NOT EXACTLY. YOU SEE--

DETECTIVE, ARE YOU AWARE THAT THE DISTANCE BETWEEN THE DELMONICO CANNERY

AND KOPPELMAN VAN AND STORAGE IS OVER 200 YARDS?

UH, NO, I WAS NOT AWARE OF THAT.

IT WAS 11:15 AT NIGHT,

THE KILLER IS THE EQUIVALENT OF 2 FOOTBALL FIELDS AWAY,

AND THERE ARE NO LIGHTS ON THE STREET.

HOW COULD YOU POSSIBLY MAKE A POSITIVE IDENTIFICATION OF MR. JUNO,

THE WAY HE CUT HIS HAIR, THE CLOTHES HE WAS WEARING,

THE WEAPON HE WAS USING, OR, IN FACT, ANYTHING AT ALL?

I'M WAITING FOR YOUR ANSWER, DETECTIVE.

JUDGE PERLMAN'S DECISION

TO DISMISS THE CASE SHOULD COME AS NO SURPRISE.

MY CLIENT NEVER SHOULD HAVE BEEN ARRESTED IN THE FIRST PLACE.

THE CHARGES WERE TOTAL NONSENSE AND THE AUTHORITIES KNEW IT.

ARE YOU SUGGESTING THEY CONSPIRED TO MANUFACTURE EVIDENCE?

WHAT I AM SUGGESTING IS THAT THERE SHOULD BE AN INVESTIGATION

INTO THE CONDUCT, OR SHOULD I SAY MISCONDUCT,

OF DETECTIVE JAMES ELLISON, WHOSE TESTIMONY IN COURT WAS SO OBVIOUSLY FABRICATED.

IT'S COPS LIKE HIM WHO GIVE OUR POLICE DEPARTMENT A BAD NAME.

TRAGIC.

YOUR FRIEND.

DYING IN YOUR ARMS LIKE THAT, HUH?

ALL YOU COULD DO WAS WATCH.

THAT'S A REAL SAD STORY.

WISH I COULD HAVE BEEN THERE, HUH?

YOU DON'T-- COME ON, NOT HERE.

COME ON, IT'S NOT WORTH IT.

HE'S STANDING THERE SMUG AS HE COULD BE AND I'M GRABBING--

UNBELIEVABLE!

I KNOW WHAT YOU MEAN. I MEAN, HOW THE HELL DOES HE MANUFACTURE THESE ALIBIS?

I AM TALKING ABOUT YOU, DETECTIVE.

ME? WELL, YOU DON'T THINK I KNOW WHAT HAPPENED?

A COP GETS KILLED, YOU DON'T HAVE A CASE,

SO YOU DECIDE TO HELP IT ALONG.

WELL, WHAT ARE YOU SAYING? ONLY YOU GOT CAUGHT.

AND NOW YOU'VE MADE THE ENTIRE POLICE DEPARTMENT LOOK BAD.

JUST ONE DAMNED MINUTE.

I VOUCH FOR THE HONESTY OF ANY MAN ON MY TEAM, SO DON'T YOU COME IN HERE--

WHAT HE SAW WAS IMPOSSIBLE.

UNLESS YOU'RE TRYING TO TELL ME

THAT HE CAN SEE THINGS NOBODY ELSE CAN.

I DON'T BUY IT.

WELL, WHY DON'T YOU BUY THIS? TOMMY JUNO IS A STONE KILLER.

NOW, I SAY WE PUT HIM UNDER 24-HOUR SURVEILLANCE AND WE NAIL HIM.

JUNO'S ATTORNEY IS ALREADY THREATENING TO SUE FOR FALSE ARREST.

I AM NOT GOING TO GIVE HIM AMMUNITION FOR CHARGES OF HARASSMENT.

I WANT THIS DEPARTMENT TO LEAVE TOMMY JUNO ALONE.

AND THAT INCLUDES YOU, DETECTIVE.

YOU SO MUCH AS GO NEAR HIM, AND I WILL PERSONALLY GO TO THE CHIEF ON THIS.

WHY THE HELL DIDN'T YOU TELL ME JUNO WAS 200 YARDS AWAY?

SIMON, I DIDN'T REALIZE IT. YOU'VE GOT TO UNDERSTAND THAT WITH THIS SENTINEL THING,

I CAN SEE THINGS THAT OTHER PEOPLE CAN'T.

AND WE'RE NOT GOING TO LET JUNO WALK ON THIS ONE, ARE WE, SIMON?

WELL, THERE'S REALLY NOT MUCH WE CAN DO ABOUT IT, IS THERE?

EVEN IF YOU CAME FORWARD AND TOLD THE TRUTH,

NO ONE WOULD BELIEVE YOU.

WHAT DO YOU WANT FROM ME, O'TOOLE?

I'VE GOT AN APPOINTMENT WITH MY AUTO MECHANIC.

MAYBE I JUST WANTED TO CONGRATULATE YOU ON A NICE PIECE OF WORK.

YOU COULD HAVE LEFT THAT ON MY VOICEMAIL.

HOW'D YOU MANAGE TO BE AT THE ART MUSEUM

AT THE SAME TIME YOU WHACKED CHOI, ANYWAY?

TRADE SECRET.

OK, I GOT ANOTHER JOB FOR YOU.

SOMEONE WHO'S BEEN GIVING ME A LOT OF TROUBLE LATELY.

THIS ONE I'LL ENJOY.

STANLEY BOYLE?

IT'S ME. HOW YOU DOIN'?

TOMMY. I'VE BEEN TRYING TO GET A HOLD OF YOU ALL MORNING.

WHERE HAVE YOU BEEN?

I HAD SOME BUSINESS TO TAKE CARE OF.

IS EVERYTHING OK?

YEAH, SURE. EVERYTHING'S FINE.

HEY, MAN, GOT YOUR MESSAGE. WHAT?

TOMMY, DID YOU THINK OVER WHAT WE TALKED ABOUT?

YEAH.

I DON'T WANNA PRESS A LAWSUIT FOR FALSE ARREST.

YOU'RE RECORDING TOMMY JUNO'S PHONE CALLS?

YOU GOT A PROBLEM WITH THAT?

WITHOUT A WARRANT? IT'S ILLEGAL.

ONLY IF HE FINDS OUT.

JIM, THIS IS WAY, WAY OVER THE LINE, MAN.

OH, LISTEN, BOY SCOUT. JUNO KILLED DANNY.

NOW HE'S GOING DOWN FOR THAT.

YEAH, BUT BANKS SAID NOT TO--

THIS HAS NOTHING TO DO WITH BANKS.

NOW, EITHER YOU WANT TO BE INVOLVED,

OR THERE'S THE DOOR. YOUR CHOICE.

WHAT'S HE DOING?

I DON'T KNOW.

WE'RE GONNA FIND OUT.

OW!

I CAN'T SEE A THING.

DON'T WORRY ABOUT IT. I CAN.

WHAT IS IT?

IT'S NOT ENOUGH THAT THE POLICE ARREST MY CLIENT

AND FALSIFY TESTIMONY AGAINST HIM,

NOW THEY'RE STALKING HIM LIKE HE'S SOME KIND OF ANIMAL.

ON TOP OF THAT, THEY'RE BUGGING HIS PRIVATE TELEPHONE

WITHOUT A WARRANT.

IS THIS TRUE?

DOES THE POLICE DEPARTMENT HAVE A PERSONAL VENDETTA AGAINST TOMMY JUNO?

DETECTIVE, WE NEED AN ANSWER.

YOU VIOLATED HIS CIVIL RIGHTS, FOR GOD SAKES!

YOU KNOW WHAT THAT MAKES THIS? A FEDERAL CASE!

AND YOU. THE ONLY REASON YOUR ASS ISN'T IN JAIL RIGHT NOW

IS BECAUSE I DON'T WANT TO WASTE A CELL.

IT WAS MY FAULT, SIR. BLAIR HAD NOTHING TO DO WITH THIS.

OH, DAMN IT.

I KNOW YOU HAVEN'T BEEN THINKING STRAIGHT SINCE CHOI WAS KILLED, BUT THIS--

I CAN'T COVER FOR YOU.

PENDING AN INTERNAL AFFAIRS INVESTIGATION,

YOU ARE OFF THE STREETS UNTIL FURTHER NOTICE.

ALL YOUR CASES ARE REASSIGNED.

AND YOUR ACCESS TO THIS DEPARTMENT HAS BEEN REVOKED.

GIVE ME YOUR CREDENTIALS. NOW!

GET OUT.

YOU REALLY LET ME DOWN ON THIS ONE, JIM.

THIS IS EXACTLY WHAT JUNO WANTS.

YEAH, AND YOU PLAYED RIGHT INTO HIS HANDS.

DON'T SAY IT. SAY WHAT?

THAT YOU'RE AN ARROGANT, SELF-DESTRUCTIVE SCHMUCK?

I SAY IT TO YOU, I GOTTA SAY IT TO ME, TOO.

I MEAN, I WENT ALONG WITH YOU.

GUESS YOU'RE GONNA HAVE TO FIND YOURSELF ANOTHER THESIS SUBJECT.

SAYS WHO?

THIS THING IS NOT OVER UNTIL I GET TOMMY JUNO LOCKED UP.

ALL RIGHT.

WHAT IS IT?

JIM, WHAT'S WRONG?

IT'S MY HANDS.

I--I'VE LOST ALL THE FEELING IN MY HANDS.

THAT WAS A BIG WASTE OF TIME.

YOU KNOW, JUST 'CAUSE THE NUMBNESS WENT AWAY, DOESN'T MEAN IT'S NOT SERIOUS.

AT LEAST NOW WE KNOW THAT IT'S NOT SOME TRADITIONAL MEDICAL PROBLEM.

WHICH MEANS IT'S PROBABLY SOME SENTINEL THING THAT I DON'T UNDERSTAND.

IN OTHER WORDS, WE SPENT HALF A DAY

TRYING TO FIGURE OUT WHAT I ALREADY KNOW.

YOU HAVEN'T GOT A CLUE.

I DON'T KNOW.

MAYBE IT'S RELATED SOMEHOW TO THE ZONE-OUT FACTOR.

YOU KNOW, WHEN YOU GET SO FOCUSED ON ONE SENSE

THAT THE OTHERS GET TUNED OUT?

NO. THAT WOULDN'T EXPLAIN IT.

MAYBE IT'S GOT SOMETHING TO DO WITH YOUR DIET.

YOU BEEN EATING ANYTHING WEIRD LATELY?

WELL, I HAVE HAD THESE CRAVINGS. YEAH?

LAST NIGHT, I--I ORDERED PIZZA,

PEPPERONI AND 30 WEIGHT MOTOR OIL.

OH, COME ON.

THE ONLY WAY THAT WE'RE GONNA FIGURE THIS THING OUT IS IF WE GO AT IT SCIENTIFICALLY.

NOT NOW. TOO BUSY.

WITH WHAT? NAILING JUNO.

OH, MAN, ARE WE BACK ON THAT AGAIN?

WE NEVER GOT OFF OF IT.

WE JUST TOOK A BRIEF DETOUR TO THE SANDBURG ZONE.

SO WHO IS THIS GUY?

RAY KAMINSKI. DANNY TOLD ME

THAT MICKEY O'TOOLE WAS USING THREATS AGAINST KAMINSKI'S FAMILY

IN ORDER TO STRONG-ARM HIM INTO MAKING O'TOOLE A SILENT PARTNER.

GOOD EVENING.

PAULINE, LISTEN, YOU GO INSIDE AND WASH UP FOR DINNER, OK? GO ON.

CAN I DO SOMETHING FOR YOU GUYS?

DETECTIVE ELLISON, CASCADE P.D.

THIS IS BLAIR SANDBURG. WE'D LIKE TO ASK YOU A FEW QUESTIONS.

I'M KIND OF BUSY RIGHT NOW.

WE KNOW OF YOUR INVOLVEMENT WITH MICKEY O'TOOLE.

WELL, IF YOU DO, THEN YOU ALSO KNOW WHY I DECIDED TO COOPERATE.

THAT MEANS THERE'S NOTHING YOU CAN THREATEN ME WITH

THAT'S GONNA MAKE ME TALK TO YOU.

YOU WANT TO SPEND THE REST OF YOUR LIFE

UNDER THE THUMB OF MICKEY O'TOOLE?

YOU COOPERATE WITH US, WE CAN MAKE SURE

THAT HE GETS PUT AWAY SOMEPLACE WHERE HE CAN'T HURT YOU OR ANYBODY ELSE.

THIS MORNING, MICKEY O'TOOLE CAME TO SEE ME

TO GET HIS SALARY.

HE ASKED ME IF I'D HEARD ABOUT THE UNDERCOVER COP BEING KILLED.

THEN HE SAYS I MIGHT READ IN THE PAPER TOMORROW

ABOUT SOMEBODY ELSE WHO GOT IN HIS WAY

AND THOUGHT SHE COULD MAKE TROUBLE FOR HIM.

DID YOU SAY "SHE"?

THAT'S WHAT HE SAID, YEAH.

"SHE"? BEVERLY SANCHEZ.

BEVERLY SANCHEZ'S OFFICE.

IS BEVERLY IN?

SORRY, SHE'S GONE FOR THE DAY.

THIS IS DETECTIVE JAMES ELLISON.

CAN YOU TELL ME WHERE SHE'S GONE?

IT'S AN EMERGENCY.

SHE SAID SHE WAS GOING STRAIGHT HOME.

I NEED HER ADDRESS.

955 BROOKSBANK.

HEY, WHY DON'T YOU LET ME DIAL FOR YOU, MAN?

I CAN HANDLE IT.

DAMN! THERE'S NO ANSWER.

OH, NO. WHAT IS IT?

HE'S UP THERE. GO GET SANCHEZ. I'LL GET JUNO.

RIGHT, RIGHT.

HELLO?

HELLO?

HELLO?

BEVERLY!

GET DOWN!

JUNO!

HOW'S IT LOOK?

AFTER A FALL LIKE THAT, 4 STORIES.

I MEAN, T'S A MIRACLE HE'S EVEN BREATHING.

PROGNOSIS?

WE'VE HAD VIRTUALLY NO BRAIN ACTIVITY SINCE HE WAS ADMITTED,

COMBINED WITH HIS INTERNAL INJURIES...

FRANKLY, WE DON'T EXPECT HIM TO RECOVER.

LOOK, JIM, UH, I TALKED IT OVER WITH THE CHIEF,

AND AS OF TOMORROW MORNING, YOU'RE OFFICIALLY BACK ON FULL DUTY.

OF COURSE, THERE'S STILL GOING TO BE THAT I.A. INVESTIGATION

ABOUT THAT ILLEGAL WIRETAP,

BUT YOU SHOULD BE ABLE TO PULL THROUGH THAT WITH A REPRIMAND.

I WANTED TO THANK YOU.

I KNOW I OWE YOU AN ENORMOUS APOLOGY.

I JUST HOPE THAT YOU CAN FORGIVE--

IT'S LATE. I REALLY GOT TO GO.

WE'RE OUT OF HERE.

HELLO, SIR. HI.

HI.

UH, SPICY TUNA HAND ROLL AND 2 HAMACHI, PLEASE.

SOMETHING TO DRINK?

WOULD YOU LIKE SOMETHING TO DRINK?

WOULD YOU LIKE A DRINK? TEA, OR POP, OR SOME DRINK?

NO. NO. NO, NO.

$5.20, PLEASE.

UH, $5.00...

$5.20...

UH, YOU SPEAK ENGLISH?

OK.

HERE. $5.20.

I DON'T KNOW. SOMEHOW, HE MANAGED TO FAKE HIS COMA AND WALK RIGHT OUT OF HERE.

MAYBE HE TOOK SOME KIND OF DRUG

THAT SLOWED DOWN HIS METABOLISM.

HOLD IT.

DOCTOR? YEAH.

WHAT HAPPENED?

MASSIVE HEART FAILURE.

HOW LONG AGO?

MMM, HALF AN HOUR.

THANKS, MAN.

HI. THERE YOU ARE.

MY FORENSICS TEAM FOUND A BLOOD SPLATTER ON THE STREET BY THE SUSHI BAR.

IT WAS FRESH, SO IT MUST HAVE BEEN FROM THE GUNMAN YOU WOUNDED.

YEAH.

SO WE RAN A D.N.A. TEST ON IT AND COMPARED THE RESULTS

WITH D.N.A. FROM TOMMY JUNO'S CORPSE.

AND? THE D.N.A.'s THE SAME.

WHAT? NO, NO. THAT IS IMPOSSIBLE.

SEE FOR YOURSELF. THE BANDS ARE IDENTICAL, RIGHT DOWN THE LINE.

THERE'S GOT TO BE SOME MISTAKE.

MAYBE THE SAMPLE WAS MIXED UP OR CONTAMINATED SOMEHOW.

YEAH. IT'S GOTTA BE.

WOULD YOU SEE TO IT THAT IT GETS RUN AGAIN, PLEASE? OF COURSE.

WE GOTTA GO TO THE MORGUE FOR JUNO'S AUTOPSY. LET'S GO, CHIEF.

SOMETHING I'M REALLY LOOKING FORWARD TO.

LET'S GO, LET'S GO, LET'S GO. COME ON.

JIMMY? YEAH?

LISTEN, THE OTHER DAY, THE THING ABOUT THE TAX PENALTY?

I'M REALLY SORRY.

I GUESS I GOT JEALOUS. I KNOW I HAVE NO RIGHT TO BE.

IT'S JUST THAT, UM, WELL, SOMETIMES, YOU KNOW, IT'S HARD.

ANYWAY, I WISH YOU BOTH WELL.

WELL, THANKS. THERE'S NO REASON FOR YOU TO BE JEALOUS.

WE'RE BARELY ON SPEAKING TERMS.

HER LOSS.

WHY IS IT THAT WE'RE BETTER FRIENDS DIVORCED THAN WE WERE MARRIED?

EXCUSE ME.

ELLISON.

ARE YOU SURE ABOUT THAT? ALL RIGHT. I'M ON MY WAY.

THAT WAS THE MORGUE.

THEY RAN A TEST ON FINGERPRINTS TAKEN FROM JUNO'S CORPSE

THROUGH THE F.B.I.'s COMPUTER, AND GUESS WHAT? WHAT?

THE DEAD MAN'S NOT TOMMY JUNO.

ACCORDING TO HIS RAP SHEET, TOMMY JUNO WAS BORN

IN A LITTLE TOWN IN NORTHERN IRELAND CALLED DUNGIVEN.

IN 1967, A WOMAN NAMED SARA JUNO

DIED DURING CHILDBIRTH AT HOME.

HER HUSBAND WAS I.R.A. AND WANTED BY THE POLICE.

SO THERE WAS NO HOSPITAL AND NO BIRTH CERTIFICATE.

ALL THE LOCALS REMEMBER THAT MRS. JUNO GAVE BIRTH TO IDENTICAL TWINS.

TWINS? IDENTICAL.

TOMMY AND DYLAN.

IT'S NOT UNCOMMON FOR IDENTICAL TWINS TO HAVE MATCHING D.N.A. GENE STRANDS,

BUT THEY'D STILL HAVE DIFFERENT FINGERPRINTS.

I'LL BE DAMNED.

IN 1968, JUNO'S FATHER WAS KILLED IN A SHOOTOUT.

THE BROTHERS WERE ADOPTED BY DIFFERENT FAMILIES,

AND AS ADULTS, THEY TRACKED EACH OTHER DOWN,

THEN THEY MOVED TO THE UNITED STATES

TO BEGIN WORK AS FREELANCE HIT MEN.

BUT THEY KEPT THEIR DOUBLE IDENTITIES A SECRET.

AND TOMMY ALWAYS HAD AN IRONCLAD ALIBI FOR HIS HITS.

SO THE DEAD MAN WAS REALLY DYLAN JUNO.

NOW, THAT'S ONE HELL OF A GIMMICK.

YEAH, ONLY NOW, THE GIMMICK'S HISTORY.

AND TOMMY WANTS TO KILL THE MAN WHO KILLED HIS BROTHER.

GO WAIT BY THE DOOR.

HOW YOU DOIN', TOMMY?

I'M ALL RIGHT.

LOOKS PRETTY MESSY.

I OFFERED HIM PAINKILLERS. HE DIDN'T WANT ANY.

OH, THAT'S 'CAUSE OUR TOMMY'S A REAL TOUGH GUY, AREN'T YOU, TOMMY?

THE BULLET TORE UP A LOT OF TISSUE.

BUT AT LEAST NO BONES WERE BROKEN. IT'S GONNA HURT FOR A WHILE

BUT HE'LL SURVIVE.

TAKE OFF.

THANKS.

I MUST ADMIT, THE TWIN BROTHER THING

REALLY TOOK ME BY SURPRISE. WHO'D EVER HAVE THOUGHT, HUH?

MY SOURCES TELL ME THE COPS ARE LOOKING EVERYWHERE FOR YOU

AND THIS TIME, YOU DON'T HAVE AN ALIBI.

I DON'T NEED ONE.

I GOT ONE MORE PIECE OF PERSONAL BUSINESS TO TAKE CARE OF,

AND THEN I'M GOING TO DISAPPEAR.

ONE PROBLEM.

IT'S ONLY A MATTER OF TIME BEFORE THE COPS CONNECT YOU TO ME.

THEY'D NEVER GET A WORD OUT OF ME, MICK.

REALLY?

I'D DIE FIRST.

I'M GLAD TO HEAR IT.

YOU BASTARD.

SORRY, TOMMY.

I FIRED YOUR HELP, MICK.

HEY, JIM, WE GOTTA TALK ABOUT THESE SENSORY BLACKOUTS.

NOT NOW. HEY, DOC.

LOOK, THIS WHOLE THING STARTED AFTER DANNY'S DEATH, RIGHT?

SO, WHAT I THINK IS HAPPENING IS SOME FORM OF POST-TRAUMATIC STRESS.

IN OTHER WORDS, IT'S ALL IN MY MIND.

DANNY'S DEATH HURT YOU. IT MADE YOU FEEL LIKE YOU'VE FAILED.

SO YOUR EMOTIONS ARE ALL OUT OF WHACK.

MY EMOTIONS ARE JUST FINE.

RIGHT, YOU BROKE THE LAW, YOU GOT YOURSELF SUSPENDED.

I MEAN, YOU'RE SELF-DESTRUCTING AND YOU DON'T EVEN REALIZE IT.

WHOA, SINCE WHEN DID YOU BECOME MY SHRINK?

I'M NOT TRYING TO BE YOUR SHRINK.

IF I'M RIGHT, THE ONLY ONE WHO CAN STOP THESE BLACKOUTS IS YOU.

AND HOW IS THAT? JIM.

WE JUST GOT A TIP THAT THERE'S BEEN A SHOOTING AT O'TOOLE TRUCKING. LET'S ROLL.

ALL RIGHT, LOOK, SANDBURG, THIS IS A CRIME SCENE.

I DON'T WANT YOU TOUCHING ANYTHING.

I KNOW. I'M AN ANTHROPOLOGIST. I'VE BEEN ON EXCAVATIONS BEFORE.

YOU KNOW WHAT? ON SECOND THOUGHT, YOU STAY OUT HERE.

LET'S MOVE!

LET'S GO, LET'S GO!

WE'RE CLEAR.

MICKEY O'TOOLE.

CAPTAIN? YEAH.

WE'VE GOT SOME MORE BODIES OUT HERE.

LOOKS LIKE A COUPLE OF O'TOOLE'S GUYS.

ALL RIGHT. YOU'D BETTER CALL THE CORONER AND THE FORENSICS.

YES, SIR.

THE REST OF YOU GUYS, TAKE A LOOK AROUND OUT THERE.

SEE WHAT ELSE YOU CAN FIND.

ALL RIGHT. BE CAREFUL.

WHAT YOU GOT THERE, JIM?

LOOKS LIKE SOMEBODY WAS PLAYING DOCTOR TO A GUNSHOT WOUND.

10 TO 1, THAT WOUNDED MAN IS JUNO.

SO THEY CAME HERE FOR HELP AND SOMETHING WENT SOUR.

HELLO.

ELLISON?

YEAH.

DAMN YOU FOR WHAT YOU DONE.

HE WAS MORE THAN JUST MY BROTHER.

HE WAS THE OTHER HALF OF MY SOUL.

WHAT DO YOU WANT, TOMMY?

YOU SAY HELLO TO A FRIEND OF YOURS.

JIM? IT'S BEVERLY. I WAS JUST--

THAT'S ENOUGH.

I THINK YOU GET THE POINT.

WE'LL BE IN TOUCH.

YEAH, THIS IS CAPTAIN BANKS.

I NEED TO PUT A TRACE ON ALL CALLS COMING INTO A CELL PHONE.

NUMBER 555-1447.

IT'S REGISTERED TO MICHAEL O'TOOLE.

NO, THAT'S TOO LONG.

THIS IS AN EMERGENCY. HE COULD BE CALLING BACK ANY MINUTE.

HOLD ON.

ELLISON.

BE AT THE OLD FAIRGROUNDS ON THE MIDWAY IN 30 MINUTES.

WHERE I'LL TRADE SANCHEZ FOR YOU.

BUT, IF I SEE ANY COPS,

SHE DIES.

FORGET IT.

WHAT DO YOU MEAN, "FORGET IT"?

YOU THINK I WON'T KILL HER?

I GOT A DIFFERENT DEAL FOR YOU.

THERE'S SOMETHING YOU DON'T KNOW.

YOUR BROTHER DYLAN ISN'T DEAD.

I DON'T BELIEVE YOU.

WE LET OUT THAT REPORT TO FORCE YOUR HAND.

WE'VE BEEN KEEPING HIM IN A GUARDED WARD AT THE HOSPITAL.

AND HE'S PRETTY BANGED UP, BUT HE'S VERY MUCH ALIVE. NOW, YOU WANT TO TRADE?

YOUR BROTHER FOR SANCHEZ.

YOU BETTER NOT BE LYING TO ME. AND YOU BETTER NOT SCREW WITH ME.

OR WHAT'S LEFT OF YOUR FRIEND WON'T FILL A MATCHBOX.

ALL RIGHT, ALL RIGHT. I JUST NEED A LITTLE MORE TIME.

GIVE ME AN HOUR.

45 MINUTES.

HE TOOK THE DEAL.

GREAT.

NOW ALL WE HAVE TO DO IS FIND A WAY TO BRING A BODY BACK TO LIFE.

JUNO!

THROW YOUR GUN AWAY!

ALL RIGHT. WHERE'S MY BROTHER?

BRING HIM IN!

DYLAN, IS THAT YOU?

IT'S ME. HOW YOU DOIN'?

ARE YOU OK?

TOMMY, I'VE BEEN

TRYING TO GET A HOLD OF YOU ALL MORNING. WHERE HAVE YOU BEEN?

DYLAN, ARE YOU OK?

IS EVERYTHING OK?

YEAH, SURE.

EVERYTHING'S FINE.

ALL RIGHT. YOU SEND HIM OVER.

UH-HUH. YOU SEND OUT SANCHEZ.

THEN I'LL SEND DYLAN OVER AT THE SAME TIME.

ALL RIGHT. BUT JUST REMEMBER,

YOU TRY ANYTHING, SHE DIES.

DYLAN!

YOU KNOW WHAT THEY SAY, ELLISON. HUH?

YOU CAN RUN,

BUT YOU CAN'T HIDE.

COME ON, DAMN IT. NOT NOW.

NO, NO, COME ON.

COME ON, YOU CAN DO IT.

YOU CAN PULL IT TOGETHER. THAT'S IT.

WELL, YOU WERE RIGHT. IT WAS ME.

I MEAN, IT WAS THE WEIRDEST THING.

I WAS STANDING THERE, AND EVERYTHING WAS A BLUR.

AND IT WAS AS IF I--I WAS STANDING OUTSIDE MYSELF LOOKING AT MYSELF.

AND I COULD MAKE MYSELF MOVE AND SEE AND-- AND HEAR.

BUT IT WASN'T ME, YOU KNOW?

IT WAS SOMEONE ELSE.

THE MOST IMPORTANT THING HERE IS THAT YOU,

YOU TOOK CONTROL. YOU SEE WHAT I'M SAYIN'?

WELL, KNOWING THAT THE FAITHFUL COMPANION'S MOST IMPORTANT JOB

IS KNOWING WHEN TO GET LOST, I'LL SEE YOU LATER, MAN.

YOU KNOW, THAT'S THE SECOND TIME IN 2 DAYS YOU'VE SAVED MY LIFE.

YEAH.

SANDBURG'S INSINUATED

THAT I HAVE AN ADDICTIVE PERSONALITY.

SPENT THE LAST COUPLE OF DAYS THINKING ABOUT YOU AND ME.

AND?

WELL, MAYBE WE SHOULD JUST TRY BEING FRIENDS.

FRIENDS?

YEAH. WHAT DO YOU THINK?

FRIENDS.

FRIENDS.

WITH POTENTIAL.