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1
00:00:05,588 --> 00:00:07,007
Shh! Shh! Shh!
2
00:00:07,048 --> 00:00:08,925
I'm going to let
you guys in on a secret.
3
00:00:08,967 --> 00:00:10,301
I made it the playoffs.
[ Laughs ]
4
00:00:10,343 --> 00:00:12,971
Playoffs night one
start right now.
5
00:00:13,013 --> 00:00:14,139
Yes!
6
00:00:14,180 --> 00:00:15,849
Team Legend,
Team Dan + Shay
7
00:00:15,890 --> 00:00:19,686
are all going to sing tonight
for no saves, no steals.
8
00:00:19,728 --> 00:00:22,272
They've got to convince us
they're ready for the lives.
9
00:00:22,313 --> 00:00:25,442
Team Legend gets to work
with guest mentor Maluma.
10
00:00:25,483 --> 00:00:27,652
[ Singing in native language ]
11
00:00:27,694 --> 00:00:31,990
**
12
00:00:32,032 --> 00:00:33,867
Woman: Maluma is
a global superstar
13
00:00:33,908 --> 00:00:37,579
and is literally one of the most
successful Latin artists ever.
14
00:00:37,620 --> 00:00:39,247
Woman #2: He's done
such a good job at both
15
00:00:39,289 --> 00:00:41,750
the American audience
and the Latin audience,
16
00:00:41,791 --> 00:00:43,793
and that's something
I look up to.
17
00:00:43,835 --> 00:00:46,046
Tonight is all about
Team Legend and Team Dan + Shay,
18
00:00:46,087 --> 00:00:49,007
Get ready for a night
of mind-blowing performances.
Let's do this.
19
00:00:49,049 --> 00:00:51,384
Olivia: Team Dan + Shay get to
work with guest mentor
20
00:00:51,426 --> 00:00:53,928
[Imitates drumroll]
Saweetie!
21
00:00:53,970 --> 00:00:56,514
* That's my best friend,
she a real bad... *
22
00:00:56,556 --> 00:00:59,768
* Drive her own car,
she don't need no Lyft *
23
00:00:59,809 --> 00:01:02,270
Karen: Saweetie is one of the
fastest-growing
24
00:01:02,312 --> 00:01:03,980
superstars out there.
25
00:01:04,022 --> 00:01:06,858
* That's my best friend,
she a real bad... *
26
00:01:06,900 --> 00:01:08,318
* Drive her own car *
27
00:01:08,360 --> 00:01:09,944
Karen: And Saweetie's music
keeps me going
28
00:01:09,986 --> 00:01:12,989
when I want to give up,
and I am not giving up now.
29
00:01:13,031 --> 00:01:14,449
Whoo!
30
00:01:14,491 --> 00:01:16,326
I'm glad I get to watch
Team Dan + Shay
31
00:01:16,368 --> 00:01:18,411
and Team Legend
fight with their emotions
32
00:01:18,453 --> 00:01:20,330
and figure out the biggest
decision of their lives.
33
00:01:20,372 --> 00:01:22,207
I'm gonna just be chilling.
34
00:01:22,248 --> 00:01:24,417
I'm so excited
to listen to them.
35
00:01:24,459 --> 00:01:26,211
It's gonna be wild.
About to bring it.
36
00:01:26,252 --> 00:01:29,589
I'm gonna lay it
to this live show, baby!
37
00:01:29,631 --> 00:01:31,049
Let's get it!
38
00:01:31,091 --> 00:01:32,592
Here we go!
39
00:01:33,426 --> 00:01:34,719
Maluma:
I saw the battles.
40
00:01:34,761 --> 00:01:36,388
I mean, you have crazy,
crazy voices.
41
00:01:36,429 --> 00:01:37,722
Yeah, we got
some great people,
42
00:01:37,764 --> 00:01:39,432
and you're gonna help me
decide, you know,
43
00:01:39,474 --> 00:01:40,767
who my final three
are going to be because --
44
00:01:40,809 --> 00:01:42,602
I'll help you out,
but at the end of the day,
45
00:01:42,644 --> 00:01:43,937
it's your choice, man,
you know?
46
00:01:43,978 --> 00:01:45,480
Yes. That is true.
47
00:01:45,522 --> 00:01:47,440
I need to make some
really critical decisions.
48
00:01:47,482 --> 00:01:49,818
It's gonna be tough for me,
so I brought in some help.
49
00:01:49,859 --> 00:01:53,279
I brought in global superstar
Maluma.
50
00:01:53,321 --> 00:01:56,908
You've done this before, right?
"The Voice Colombia," Mexico?
51
00:01:56,950 --> 00:01:58,451
Mexico, I won one time.
52
00:01:58,493 --> 00:02:00,662
And then in Colombia,
one time.
Wow.
53
00:02:00,704 --> 00:02:03,456
You're bringing great
winning experience to my team.
54
00:02:03,498 --> 00:02:05,291
I like that.
You won already?
55
00:02:05,333 --> 00:02:07,460
I have won once,
so I got to win again.
56
00:02:07,502 --> 00:02:09,004
Bro, I'm pretty sure
you're gonna win
57
00:02:09,045 --> 00:02:10,630
because I saw
some crazy talent
58
00:02:10,672 --> 00:02:12,841
in your team.
Ah! I'm glad
you're saying that.
59
00:02:12,882 --> 00:02:15,385
Let's do it, man.
I'm here to help you out.
Alright.
60
00:02:15,427 --> 00:02:17,137
Maluma comes from Colombia,
61
00:02:17,178 --> 00:02:19,889
but he's crossed over to the US
and all around the world.
62
00:02:19,931 --> 00:02:21,266
He's a huge star,
63
00:02:21,307 --> 00:02:22,642
and we're so lucky
to have him here.
64
00:02:22,684 --> 00:02:24,728
Are you ready?
Yeah, let's go.
65
00:02:26,146 --> 00:02:27,731
John: Hey!
Maluma: What's up, bro?
66
00:02:27,772 --> 00:02:29,274
Maluma's here!
Wow! Look at that outfit!
67
00:02:29,315 --> 00:02:31,151
Oh, my God.
Looking good, man.
68
00:02:31,192 --> 00:02:33,194
Look at that, bro.
Respect, respect.
69
00:02:33,236 --> 00:02:35,155
Maluma has been
in the business for a while.
70
00:02:35,196 --> 00:02:36,823
Okay, bro.
I got to get -- oh!
71
00:02:36,865 --> 00:02:38,324
He's reggae tone.
72
00:02:38,366 --> 00:02:41,202
His sound is very specific
and very current.
73
00:02:41,244 --> 00:02:42,662
I love your outfit.
Bro, same.
74
00:02:42,704 --> 00:02:43,997
Bro, I love
your boots, man.
75
00:02:44,039 --> 00:02:45,081
Look at that.
76
00:02:45,123 --> 00:02:46,541
He's got a huge fan base.
77
00:02:46,583 --> 00:02:48,835
So, he knows a lot
about creating a lane,
78
00:02:48,877 --> 00:02:51,838
creating music
that is specific to a world.
79
00:02:51,880 --> 00:02:53,340
That's what I've been trying
to do.
80
00:02:53,381 --> 00:02:54,674
So it was super sick to,
like,
81
00:02:54,716 --> 00:02:56,509
chop it up with him
a little bit.
82
00:02:56,551 --> 00:02:59,804
Nathan, I'm starting
this playoff with five artists,
83
00:02:59,846 --> 00:03:01,890
but I'm going to choose three
to go to the lives
84
00:03:01,931 --> 00:03:04,267
and let America decide
from then on.
85
00:03:04,309 --> 00:03:08,438
So, all you got to do is earn
your way into that top three.
86
00:03:08,480 --> 00:03:10,148
We're gonna try to do it.
Yeah.
87
00:03:10,190 --> 00:03:12,484
* Oh, darling *
88
00:03:12,525 --> 00:03:16,363
* Oh, darling *
89
00:03:16,404 --> 00:03:18,782
Nathan is singing
"Oh! Darling."
90
00:03:18,823 --> 00:03:21,534
He loves that classic soul,
bluesy old school vibe.
91
00:03:21,576 --> 00:03:22,994
I'm gonna wear
my shades.
92
00:03:23,036 --> 00:03:26,915
* Well, you know
I nearly broke down *
93
00:03:26,956 --> 00:03:29,167
* And cried *
94
00:03:29,209 --> 00:03:32,003
John: I don't think anyone's
making music like him right now,
95
00:03:32,045 --> 00:03:34,506
and I believe it's great
for him to have an identity
96
00:03:34,547 --> 00:03:36,925
that's distinct
from everyone else on the show.
97
00:03:36,966 --> 00:03:40,595
Some of my favorite artists
include James Brown,
98
00:03:40,637 --> 00:03:43,598
Marvin Gaye, Stevie Wonder.
99
00:03:43,640 --> 00:03:46,810
They all have
really great style.
100
00:03:46,851 --> 00:03:50,021
I would like to think
that I also have
101
00:03:50,063 --> 00:03:52,691
a unique style of some sort.
102
00:03:52,732 --> 00:03:53,900
What you think?
103
00:03:53,942 --> 00:03:58,571
**
104
00:03:58,613 --> 00:04:00,740
[ Laughs ]
Hey!
105
00:04:00,782 --> 00:04:02,450
I need to wear
my shades, man.
106
00:04:02,492 --> 00:04:04,119
So bright right here.
107
00:04:04,160 --> 00:04:05,745
[ Laughs ]
108
00:04:05,787 --> 00:04:06,830
What a star, man.
109
00:04:06,871 --> 00:04:08,415
Hey, I appreciate it.
Thank you.
110
00:04:08,456 --> 00:04:09,708
I just want it
to sound more urgent.
111
00:04:09,749 --> 00:04:12,293
Too mellow?
Yeah, it sounds very proper.
112
00:04:12,335 --> 00:04:13,837
Rock it out a little bit more.
113
00:04:13,878 --> 00:04:16,089
So, I want to hear
some crackle in your voice.
114
00:04:16,131 --> 00:04:17,465
Got you.
115
00:04:17,507 --> 00:04:19,050
Sometimes the tempo
of the songs,
116
00:04:19,092 --> 00:04:21,720
it doesn't mean that the song
is actually slow
117
00:04:21,761 --> 00:04:25,515
because my heart
is always beating pretty fast.
118
00:04:25,557 --> 00:04:26,599
You know what I mean?
119
00:04:26,641 --> 00:04:27,934
So, for me, it's just
120
00:04:27,976 --> 00:04:29,894
to put the heart
in the right situation,
121
00:04:29,936 --> 00:04:31,771
the right way,
also your mind, man.
122
00:04:31,813 --> 00:04:34,399
You know, like,
trust yourself, you know?
123
00:04:34,441 --> 00:04:36,651
And this thing about
the intent of the song, too,
124
00:04:36,693 --> 00:04:38,445
'cause it's like
it's begging her.
125
00:04:38,486 --> 00:04:41,239
"Come on, baby.
Come on. Stay with me."
126
00:04:41,281 --> 00:04:45,577
Working with John and Maluma is
one of the most positive things
127
00:04:45,618 --> 00:04:47,245
I think I've been lucky
enough to experience.
128
00:04:47,287 --> 00:04:49,789
Your voice is strong.
Fuerte.
129
00:04:49,831 --> 00:04:51,458
Yeah, fuerte.
Muy fuerte.
130
00:04:51,499 --> 00:04:53,585
Maybe you go a little bit
further from the mic.
131
00:04:53,626 --> 00:04:54,961
Oh, okay.
Yes.
132
00:04:55,003 --> 00:04:57,047
The way they bounce
off of each other,
133
00:04:57,088 --> 00:04:58,298
it's kind of cool to watch.
134
00:04:58,340 --> 00:04:59,466
You can take the mic stand
135
00:04:59,507 --> 00:05:01,509
and * When you told me *
136
00:05:01,551 --> 00:05:03,136
Oh. Feel it.
Yeah, yeah.
137
00:05:03,178 --> 00:05:06,639
He has the whole complement
of everything, the look.
138
00:05:06,681 --> 00:05:08,350
I loved his voice,
139
00:05:08,391 --> 00:05:10,060
and I feel like
he's super humble,
140
00:05:10,101 --> 00:05:13,521
and he wants to keep learning
from John, from the team.
141
00:05:13,563 --> 00:05:15,023
He could be in the finale.
142
00:05:15,065 --> 00:05:16,149
It's gonna be dope.
143
00:05:16,191 --> 00:05:17,317
Ah! Let's go!
144
00:05:17,359 --> 00:05:19,277
Let's go.
My man.
145
00:05:19,319 --> 00:05:21,529
[ Cheers and applause ]
146
00:05:22,405 --> 00:05:24,407
Let's go, Nathan!
147
00:05:24,449 --> 00:05:27,452
With "Oh! Darling,"
here's Nathan Chester.
148
00:05:27,494 --> 00:05:30,413
**
149
00:05:30,455 --> 00:05:34,292
* Oh! Darling *
150
00:05:34,334 --> 00:05:38,004
* Please believe me *
151
00:05:39,255 --> 00:05:44,469
* I'll never do you no harm *
152
00:05:46,721 --> 00:05:50,058
* Believe me when I tell you *
153
00:05:50,100 --> 00:05:55,897
* Oh, I'll never do ya
no harm *
154
00:05:58,525 --> 00:06:00,610
[ Cheers and applause ]
Yeah!
155
00:06:00,652 --> 00:06:05,532
* Whoa, darling *
156
00:06:05,573 --> 00:06:09,619
* If you leave me *
157
00:06:10,537 --> 00:06:13,665
* I'll never make it alone *
158
00:06:13,707 --> 00:06:18,211
* Make it alone *
159
00:06:18,253 --> 00:06:22,257
* Believe me when I beg you *
160
00:06:22,298 --> 00:06:28,346
* Don't ever leave me alone *
161
00:06:28,388 --> 00:06:30,223
You know what I'm talking about!
162
00:06:30,265 --> 00:06:32,559
Uh-huh!
Hey!
163
00:06:33,351 --> 00:06:36,813
* When you told me *
164
00:06:36,855 --> 00:06:41,234
* You didn't need me anymore *
165
00:06:41,276 --> 00:06:48,825
* Well, you know
I nearly broke down and cried *
166
00:06:48,867 --> 00:06:52,537
* When you told me *
167
00:06:52,579 --> 00:06:57,042
* You didn't need me anymore *
168
00:06:57,083 --> 00:07:04,424
* Well, you know
I nearly broke down and died *
169
00:07:04,466 --> 00:07:07,635
* Oh, darling *
170
00:07:08,511 --> 00:07:12,098
* If you leave me *
171
00:07:13,016 --> 00:07:20,774
* I'll never let you down *
172
00:07:20,815 --> 00:07:24,069
* Believe me when I tell you *
173
00:07:24,110 --> 00:07:30,200
* Oh, I'll never do you
no harm *
174
00:07:30,241 --> 00:07:34,621
* You got to know, got to know,
got to know, come on *
175
00:07:34,662 --> 00:07:36,456
* Baby, you and I *
176
00:07:36,498 --> 00:07:40,460
* Believe me when I tell you *
177
00:07:40,502 --> 00:07:42,921
* I'll never *
178
00:07:42,962 --> 00:07:52,389
* I'll never do you no harm *
179
00:07:52,430 --> 00:07:54,891
[ Cheers and applause ]
180
00:07:54,933 --> 00:07:56,184
Yeah!
181
00:07:56,226 --> 00:07:57,769
Daly: That is how
you do it in the playoffs!
182
00:07:57,811 --> 00:08:00,438
Let's go!
Nathan Chester!
183
00:08:00,480 --> 00:08:01,815
[ Laughs ]
184
00:08:01,856 --> 00:08:03,441
Whoo!
That was amazing.
185
00:08:03,483 --> 00:08:04,984
I have a lot to say about it,
but no one cares.
186
00:08:05,026 --> 00:08:06,569
Reba, let's start with you.
[ Laughter ]
187
00:08:06,611 --> 00:08:08,822
Best performance ever.
188
00:08:08,863 --> 00:08:11,116
[ Laughs ]
[ Cheers and applause ]
189
00:08:12,075 --> 00:08:13,159
Thank you.
190
00:08:13,201 --> 00:08:14,744
You had me
at the very beginning
191
00:08:14,786 --> 00:08:15,829
when you had
a hold of that microphone,
192
00:08:15,870 --> 00:08:16,996
you was looking this way,
193
00:08:17,038 --> 00:08:18,540
and then
when you did the splits,
194
00:08:18,581 --> 00:08:20,667
I went, "Man,
that's something else.
195
00:08:20,709 --> 00:08:22,460
America needs to see
this again."
196
00:08:22,502 --> 00:08:23,712
Alright.
Chance?
197
00:08:23,753 --> 00:08:25,005
Chance:
Amazing performance.
198
00:08:25,046 --> 00:08:26,798
You have, like,
a very particular style,
199
00:08:26,840 --> 00:08:28,258
like you're very much yourself.
200
00:08:28,299 --> 00:08:30,051
The choreography, your tone.
201
00:08:30,093 --> 00:08:31,970
If I were you, I would send him
to the lives. Yes.
202
00:08:32,012 --> 00:08:34,180
[ Laughs ]
[ Cheers and applause ]
203
00:08:34,222 --> 00:08:36,016
Dan + Shay.
204
00:08:36,057 --> 00:08:37,934
As an artist, you really took
that song and made it your own.
205
00:08:37,976 --> 00:08:39,394
That's a really important thing
206
00:08:39,436 --> 00:08:40,812
at this point
in the competition.
207
00:08:40,854 --> 00:08:41,980
I think this is your
best performance yet.
208
00:08:42,022 --> 00:08:43,356
Oh, God.
And you're styling, too.
209
00:08:43,398 --> 00:08:45,150
That suit is just, like,
on fire.
210
00:08:45,191 --> 00:08:47,235
[ Cheers and applause ]
211
00:08:48,945 --> 00:08:51,239
When you're running around
on stage, I know how that is.
212
00:08:51,281 --> 00:08:52,741
I'm out of breath.
213
00:08:52,782 --> 00:08:54,367
If I were to come
and give you a hug right now,
214
00:08:54,409 --> 00:08:56,536
I don't think I could hit
a high note.
[ Laughter ]
215
00:08:56,578 --> 00:08:58,121
You could do
the splits, though.
I could do the splits,
though, yeah.
216
00:08:58,163 --> 00:09:00,457
That is untrue, guys.
[ Laughter ]
217
00:09:00,498 --> 00:09:02,042
It was flawless.
218
00:09:02,083 --> 00:09:03,835
Move this man
to the lives, John!
Let's go, John!
219
00:09:03,877 --> 00:09:06,546
Let's go.
Thank you, guys.
220
00:09:06,588 --> 00:09:09,591
Nathan, that was
your best performance yet,
221
00:09:09,632 --> 00:09:12,177
and you do it
with such conviction
222
00:09:12,218 --> 00:09:15,680
and such enthusiasm
and such great execution.
223
00:09:15,722 --> 00:09:18,350
It's not all tricks.
It's not all splits.
224
00:09:18,391 --> 00:09:20,143
It's not all the outfit.
225
00:09:20,185 --> 00:09:22,645
You can sing, man.
226
00:09:22,687 --> 00:09:24,898
You made
an emphatic statement
227
00:09:24,939 --> 00:09:27,650
about you deserving
to be in the live show.
228
00:09:27,692 --> 00:09:30,695
Thank you.
Wow, that's what you want
to hear from your coach.
229
00:09:30,737 --> 00:09:32,614
Give it up
for Nathan Chester.
230
00:09:32,655 --> 00:09:34,324
[ Cheers and applause ]
231
00:09:34,366 --> 00:09:36,910
I'm looking for an artist
who is making
232
00:09:36,951 --> 00:09:39,746
memorable moments on this stage.
233
00:09:39,788 --> 00:09:42,248
Where they stand in their gift
and their power
234
00:09:42,290 --> 00:09:44,501
and give us something
we'll remember.
235
00:09:44,542 --> 00:09:45,794
That's who's going to the lives.
236
00:09:45,835 --> 00:09:47,295
Nathan's already making
a statement.
237
00:09:47,337 --> 00:09:49,255
He just put everything
out there on the stage.
238
00:09:49,297 --> 00:09:53,009
He was doing splits.
He has that lilt to his voice.
239
00:09:53,051 --> 00:09:55,261
It's romantic, it's classic.
240
00:09:55,303 --> 00:09:58,348
Tonight's going to be
a tough decision for me.
241
00:09:58,390 --> 00:09:59,974
He nailed it.
That was 100%.
242
00:10:00,016 --> 00:10:01,935
All of the choreography
was so good.
243
00:10:01,976 --> 00:10:04,229
He just bounced up.
I can do a fake split.
244
00:10:04,270 --> 00:10:06,106
[ Laughs ]
245
00:10:06,147 --> 00:10:07,649
Daly: Coming up...
You better say that
with your chest, girl.
246
00:10:07,691 --> 00:10:09,234
I know that's right.
247
00:10:09,275 --> 00:10:11,111
If Saweetie thinks I'm a
diamond, then I'm a diamond.
248
00:10:11,152 --> 00:10:13,363
Daly: ...our mentors help
the artists reach new heights.
249
00:10:13,405 --> 00:10:15,949
You can also, like, clap
and perform.
That's fun.
250
00:10:15,990 --> 00:10:17,325
You don't even have to play.
251
00:10:17,367 --> 00:10:18,952
* Everything's
gonna be alright *
252
00:10:18,993 --> 00:10:20,829
* Everything's
gonna be alright *
253
00:10:20,870 --> 00:10:23,790
* No woman, no cry *
254
00:10:23,832 --> 00:10:26,084
Daly: And both teams
step up their style.
255
00:10:26,126 --> 00:10:29,879
* Come on now,
we're runnin' outta moonlight *
256
00:10:29,921 --> 00:10:34,592
* ...things we never had *
257
00:10:34,634 --> 00:10:35,969
Dang!
258
00:10:36,011 --> 00:10:37,262
That was crazy, John.
That was awesome.
259
00:10:37,303 --> 00:10:39,347
First time today
that I got chills.
260
00:10:39,389 --> 00:10:42,642
And when I do get the chills,
I also wear my bathrobe.
261
00:10:42,684 --> 00:10:44,394
It's a free country.
262
00:10:44,436 --> 00:10:46,813
[ Laughter ]
263
00:10:52,485 --> 00:10:54,446
* This is "The Voice" *
264
00:10:54,487 --> 00:10:55,739
Daly: Welcome back.
265
00:10:55,780 --> 00:10:57,615
[ Cheers and applause ]
266
00:10:57,657 --> 00:10:59,200
Alright, Karen.
Here we go.
267
00:10:59,951 --> 00:11:03,246
Man! * Them boots
are made for walking *
268
00:11:03,288 --> 00:11:05,999
Those are cool.
Shay: Reba's online shopping.
269
00:11:06,041 --> 00:11:07,751
No, I'm like,
"Where's her dressing room?"
270
00:11:07,792 --> 00:11:09,252
[ Laughter ]
271
00:11:09,294 --> 00:11:10,962
Dan: So, first time
as a mentor on "The Voice."
272
00:11:11,004 --> 00:11:12,839
First time.
How are you feeling?
273
00:11:12,881 --> 00:11:14,299
I'm looking forward
to the talent.
274
00:11:14,341 --> 00:11:17,177
We chose to bring in Saweetie.
She is amazing.
275
00:11:17,218 --> 00:11:19,220
Saweetie really cut through
on social media --
276
00:11:19,262 --> 00:11:20,638
TikTok, Instagram.
277
00:11:20,680 --> 00:11:22,057
That's a tough world.
278
00:11:22,098 --> 00:11:23,183
We got a lot of good people
on our team,
279
00:11:23,224 --> 00:11:24,851
and they're gonna be nervous
280
00:11:24,893 --> 00:11:26,561
'cause we were nervous
to get to meet you.
281
00:11:26,603 --> 00:11:28,271
Like, I'm nervous
for them --
I would be nervous.
282
00:11:28,313 --> 00:11:29,481
whenever they're
out there.
I'm sweating.
283
00:11:29,522 --> 00:11:30,857
I'm nervous right now.
284
00:11:30,899 --> 00:11:31,816
This is way more difficult
than anything
285
00:11:31,858 --> 00:11:33,193
we had to do coming up.
286
00:11:33,234 --> 00:11:34,694
I have a lot of empathy
for the people
287
00:11:34,736 --> 00:11:35,862
who have the courage
and the bravery
288
00:11:35,904 --> 00:11:37,405
to come out here
and perform.
289
00:11:37,447 --> 00:11:39,366
Let's create
the vibe for them.
Let's do it.
290
00:11:39,407 --> 00:11:41,284
Shay: Saweetie is such
an incredible hip-hop artist.
291
00:11:41,326 --> 00:11:43,078
These contestants,
they dream about
292
00:11:43,119 --> 00:11:44,496
exactly what she's doing
right now.
293
00:11:44,537 --> 00:11:46,206
She's new, she's fresh,
and she's massive.
294
00:11:46,247 --> 00:11:47,874
She's absolutely crushing it.
295
00:11:47,916 --> 00:11:49,334
She embodies everything
296
00:11:49,376 --> 00:11:51,670
that a new artist
really strives to be.
297
00:11:51,711 --> 00:11:54,214
We got Karen.
I'm very excited about Karen.
She kills it.
298
00:11:54,255 --> 00:11:55,965
Like, she's been performing
for a long time.
299
00:11:56,007 --> 00:11:57,425
Just, like, a country singer,
through and through.
300
00:11:57,467 --> 00:11:58,885
Shay: Absolutely.
301
00:11:58,927 --> 00:11:59,886
I'm excited you're getting
the introduction
302
00:11:59,928 --> 00:12:01,471
into country.
303
00:12:01,513 --> 00:12:03,348
Come on over. Let's go.
I smell a feature coming.
304
00:12:03,390 --> 00:12:05,809
Let's go. You guys got that
on tape, right?
305
00:12:05,850 --> 00:12:07,394
She said -- yeah,
you heard it, right?
306
00:12:07,435 --> 00:12:09,562
Hey!
307
00:12:09,604 --> 00:12:10,730
Hello.
308
00:12:10,772 --> 00:12:12,732
Look at you!
Wow, hello!
309
00:12:12,774 --> 00:12:13,942
Karen: Oh, my gosh,
when I walked in
310
00:12:13,983 --> 00:12:15,276
and I saw Saweetie...
311
00:12:15,318 --> 00:12:17,529
She has been nominated
for Grammys.
312
00:12:17,570 --> 00:12:21,324
She is such
an incredible musician, artist.
313
00:12:21,366 --> 00:12:23,618
My best friend and I's
song is "Best Friend."
314
00:12:23,660 --> 00:12:24,703
Really?
315
00:12:24,744 --> 00:12:26,579
I was like, "Oh, my gosh!"
316
00:12:26,621 --> 00:12:28,206
I was so excited.
317
00:12:28,248 --> 00:12:30,917
I can't wait to tell my friend
that I got to meet her.
318
00:12:30,959 --> 00:12:33,086
* I never stay in one place
too long *
319
00:12:33,128 --> 00:12:35,588
I'm singing "Heart Like a Truck"
by Lainey Wilson.
320
00:12:35,630 --> 00:12:38,550
This song really connects
to my personal music career.
321
00:12:38,591 --> 00:12:42,095
When I moved to Nashville,
I didn't know anyone.
322
00:12:42,137 --> 00:12:44,973
I had a twin-sized bed,
an acoustic guitar,
323
00:12:45,015 --> 00:12:47,684
a dream in my heart,
and a voice.
324
00:12:47,726 --> 00:12:49,269
* And I can't help it *
325
00:12:49,310 --> 00:12:51,938
I have taken a garment
that I wore to a gig to a shop,
326
00:12:51,980 --> 00:12:53,398
sold that garment,
327
00:12:53,440 --> 00:12:56,026
and literally used the same $20
to turn around
328
00:12:56,067 --> 00:12:59,279
and buy a secondhand garment
from that same shop.
329
00:12:59,320 --> 00:13:02,782
I have done whatever it took
to get to the next gig.
330
00:13:02,824 --> 00:13:04,784
If I look back
at my whole career,
331
00:13:04,826 --> 00:13:06,828
it literally went like this.
332
00:13:06,870 --> 00:13:08,830
I never had that huge spike.
333
00:13:08,872 --> 00:13:11,541
This is that.
This is the spike, baby!
334
00:13:11,583 --> 00:13:13,793
I kind of want to create, like,
an arc to this performance.
335
00:13:13,835 --> 00:13:15,337
Towards the front half,
336
00:13:15,378 --> 00:13:17,047
I feel like you can be
a little bit more internal,
337
00:13:17,088 --> 00:13:18,715
save something to be desired.
338
00:13:18,757 --> 00:13:20,884
As it builds, then you open up
a little bit more
339
00:13:20,925 --> 00:13:22,385
and really work that crowd.
340
00:13:22,427 --> 00:13:23,970
Shay: I think it takes
a really tough person
341
00:13:24,012 --> 00:13:25,805
to be able to show
that vulnerability.
342
00:13:25,847 --> 00:13:27,390
My mom was sending me a text.
343
00:13:27,432 --> 00:13:28,767
She's like, "I don't know
how you do all this."
344
00:13:28,808 --> 00:13:30,101
I said, "Because I love it."
345
00:13:30,143 --> 00:13:31,519
I moved to Nashville
when I was 21,
346
00:13:31,561 --> 00:13:33,313
and I've been full-time
playing music,
347
00:13:33,355 --> 00:13:35,523
touring all across America
for 12 years.
348
00:13:35,565 --> 00:13:37,692
You know, there's no deadline
to dreams.
349
00:13:37,734 --> 00:13:39,444
And I feel like
a lot of people
350
00:13:39,486 --> 00:13:41,071
would've threw in the towel,
you know?
Karen: Yes.
351
00:13:41,112 --> 00:13:42,739
But you have
that ambitious spirit.
352
00:13:42,781 --> 00:13:44,324
And that's really important
for the world to see that.
353
00:13:44,366 --> 00:13:45,492
That's so sweet.
354
00:13:45,533 --> 00:13:46,910
It was spicy,
355
00:13:46,951 --> 00:13:48,161
but it was vulnerable
at the same time.
356
00:13:48,203 --> 00:13:49,788
Like, as a woman, I felt it.
357
00:13:49,829 --> 00:13:52,665
Don't strive for perfection,
strive for personality.
358
00:13:52,707 --> 00:13:53,833
We want to hear
a good song.
359
00:13:53,875 --> 00:13:55,794
We also want to,
like, know you.
360
00:13:55,835 --> 00:13:57,462
Whoo!
Preaching over here.
361
00:13:57,504 --> 00:13:58,838
You're like
a motivational speaker.
362
00:13:58,880 --> 00:14:00,507
Shay: Unbelievable!
363
00:14:00,548 --> 00:14:02,050
I love, love, love Karen.
364
00:14:02,092 --> 00:14:03,551
* I got a heart... *
365
00:14:03,593 --> 00:14:06,471
Despite her years
of being in the industry,
366
00:14:06,513 --> 00:14:08,181
she still feels fresh
367
00:14:08,223 --> 00:14:10,266
and persevering
through any circumstance.
368
00:14:10,308 --> 00:14:12,227
She's the poster child for that.
369
00:14:12,268 --> 00:14:13,603
I'm definitely a fan.
370
00:14:13,645 --> 00:14:15,855
So good.
Alright.
Thank you guys so much.
371
00:14:15,897 --> 00:14:17,190
To move on to the live rounds,
372
00:14:17,232 --> 00:14:18,525
you really got to bring
your A game.
373
00:14:18,566 --> 00:14:20,068
If Karen really digs deep,
374
00:14:20,110 --> 00:14:21,611
puts herself into the story
of "Heart Like a Truck,"
375
00:14:21,653 --> 00:14:23,738
I feel like she is
such a strong contender
376
00:14:23,780 --> 00:14:25,115
to move forward
to the live shows.
377
00:14:25,156 --> 00:14:26,908
She loves singing.
Yeah, I could feel it.
378
00:14:26,950 --> 00:14:28,451
I can't wait
till she has her moment.
379
00:14:28,493 --> 00:14:29,828
It's gonna be a big moment
for her, for sure.
380
00:14:29,869 --> 00:14:31,079
Yeah.
381
00:14:32,622 --> 00:14:33,665
Whoo!
382
00:14:33,707 --> 00:14:35,917
[ Cheers and applause ]
383
00:14:37,627 --> 00:14:40,880
With "Heart Like a Truck,"
here's Karen Waldrup.
384
00:14:40,922 --> 00:14:42,799
Let's go, Karen!
385
00:14:42,841 --> 00:14:49,723
**
386
00:14:49,764 --> 00:14:52,517
* I never stay in one place
too long *
387
00:14:52,559 --> 00:14:55,895
* The dirt road's singing me
a siren's song *
388
00:14:55,937 --> 00:14:59,149
* I gotta find a field *
389
00:14:59,190 --> 00:15:03,445
* I need to spin my wheels *
390
00:15:03,486 --> 00:15:06,406
* I gotta hankerin'
for four wide tires *
391
00:15:06,448 --> 00:15:09,909
* And I can't help it,
it's the way I'm wired *
392
00:15:09,951 --> 00:15:12,996
* 'Fore you get too close *
393
00:15:13,038 --> 00:15:16,374
* Boy, you need to know *
394
00:15:16,416 --> 00:15:19,669
* I got a heart like a truck *
395
00:15:19,711 --> 00:15:23,006
* It's been drug
through the mud *
396
00:15:23,048 --> 00:15:26,426
* Runs on dreams and gasoline *
397
00:15:26,468 --> 00:15:29,763
* And that ole highway
holds the key *
398
00:15:29,804 --> 00:15:33,266
* It's got a lead foot down
when it's leavin' *
399
00:15:33,308 --> 00:15:36,561
* Lord knows it's taken
a hell of a beatin' *
400
00:15:36,603 --> 00:15:40,357
* A little bit of love
is all that it's needin' *
401
00:15:40,398 --> 00:15:43,026
* But it's good as it is tough *
402
00:15:43,068 --> 00:15:45,695
* I got a heart like a truck *
403
00:15:45,737 --> 00:15:50,617
**
404
00:15:50,658 --> 00:15:54,245
* Go on and see if you can
knock off the dust, yeah *
405
00:15:54,287 --> 00:15:57,499
* Shine it up, rev it up,
and let it run, yeah *
406
00:15:57,540 --> 00:16:01,670
* It gets a high ridin' off
into the sun, yeah *
407
00:16:04,464 --> 00:16:07,676
* I got a heart like a truck *
408
00:16:07,717 --> 00:16:11,012
* It's been drug
through the mud *
409
00:16:11,054 --> 00:16:14,474
* Runs on dreams and gasoline *
410
00:16:14,516 --> 00:16:17,811
* That ole highway
holds the key *
411
00:16:17,852 --> 00:16:21,272
* It's got a lead foot down
when it's leavin' *
412
00:16:21,314 --> 00:16:24,484
* Lord knows it's taken
a hell of a beatin' *
413
00:16:24,526 --> 00:16:28,321
* A little bit of love
is all that it's needin' *
414
00:16:28,363 --> 00:16:31,032
* But it's good as it is tough *
415
00:16:31,074 --> 00:16:38,707
* I got a heaaaaart *
416
00:16:38,748 --> 00:16:42,836
* Like a truck *
417
00:16:42,877 --> 00:16:45,171
* Oh *
418
00:16:45,213 --> 00:16:50,343
* So let it ruuuuuun *
419
00:16:50,385 --> 00:16:55,515
* So let it ruuuuuun *
420
00:16:55,557 --> 00:17:01,146
* 'Cause it gets a high
ridin' off into the sun *
421
00:17:01,187 --> 00:17:03,398
[ Cheers and applause ]
422
00:17:05,233 --> 00:17:06,568
Daly: That's how you do it.
423
00:17:06,609 --> 00:17:07,861
Team Dan + Shay.
424
00:17:07,902 --> 00:17:11,239
That is Karen Waldrup,
ladies and gentlemen.
425
00:17:11,281 --> 00:17:13,700
Man. Karen.
Come on!
426
00:17:14,826 --> 00:17:18,621
Oh, this is great music
happening on this stage.
427
00:17:18,663 --> 00:17:21,041
Yeah!
428
00:17:21,082 --> 00:17:22,417
This is so awesome.
429
00:17:22,459 --> 00:17:24,544
Celebrate.
That was a great performance.
430
00:17:24,586 --> 00:17:26,171
Round after round,
you're showing us
431
00:17:26,212 --> 00:17:28,006
what a credible artist
you are.
432
00:17:28,048 --> 00:17:29,674
I love the clarity
in your voice.
433
00:17:29,716 --> 00:17:33,053
I felt like I was listening
to a country star.
Uh-huh!
434
00:17:33,094 --> 00:17:35,055
Thank you so much, John.
Reba.
435
00:17:35,096 --> 00:17:36,389
Carson, I'm just sitting here
436
00:17:36,431 --> 00:17:38,058
doing a little playback
in my mind.
437
00:17:38,099 --> 00:17:42,812
Because at blind auditions,
I wanted you on my team.
438
00:17:42,854 --> 00:17:44,731
Then somebody over there --
439
00:17:44,773 --> 00:17:46,274
[ Laughter ]
440
00:17:46,316 --> 00:17:50,195
...blocked me, where I could not
have her on my team.
441
00:17:50,236 --> 00:17:51,738
Y'all better watch it.
442
00:17:51,780 --> 00:17:53,323
[ Laughter ]
443
00:17:53,365 --> 00:17:56,034
Well, now I feel bad.
Oh, my gosh.
444
00:17:56,076 --> 00:17:57,702
Karen, spectacular.
445
00:17:57,744 --> 00:17:59,579
Thank you.
446
00:17:59,621 --> 00:18:00,705
Chance.
447
00:18:00,747 --> 00:18:01,956
I love how you interact
with the crowd
448
00:18:01,998 --> 00:18:03,583
and how confident you are.
449
00:18:03,625 --> 00:18:05,460
And I feel like that's, like,
the main point of lives,
450
00:18:05,502 --> 00:18:08,213
captivate an audience even
through the lens to their TV.
451
00:18:08,254 --> 00:18:11,341
So, if I was in your position,
I would send her to the lives.
452
00:18:12,133 --> 00:18:14,135
Daly: Okay, Dan + Shay.
453
00:18:14,177 --> 00:18:16,513
Karen, I'm so proud
of how you've progressed
454
00:18:16,554 --> 00:18:18,264
throughout this competition.
455
00:18:18,306 --> 00:18:20,141
Just hearing that from
the Queen of Country music --
456
00:18:20,183 --> 00:18:21,685
I literally
almost started crying.
457
00:18:21,726 --> 00:18:23,228
It's crazy you guys blocked
the chance --
458
00:18:23,269 --> 00:18:24,688
We don't need
to talk about it, John.
459
00:18:24,729 --> 00:18:26,648
This is about Karen
right now.
460
00:18:26,690 --> 00:18:28,942
It's wild.
It's really wild.
It is kind of crazy.
461
00:18:28,983 --> 00:18:31,569
I think about it, you know,
country music is a family,
462
00:18:31,611 --> 00:18:33,321
and that's something that
we're looking for in the lives.
463
00:18:33,363 --> 00:18:35,240
You brought us up, and then you
brought it back here
464
00:18:35,281 --> 00:18:36,449
for the ending,
and we were all just in awe.
465
00:18:36,491 --> 00:18:38,243
I'm so happy for you.
466
00:18:38,284 --> 00:18:40,245
I think that was my favorite
performance you've done so far.
467
00:18:40,286 --> 00:18:41,913
We know you've got
a powerhouse voice.
468
00:18:41,955 --> 00:18:44,791
But I felt like on this song,
you connected to the lyric,
469
00:18:44,833 --> 00:18:46,960
more so than any
of the previous performances.
Agreed.
470
00:18:47,002 --> 00:18:49,337
You're a pro. You left
everything on the stage.
471
00:18:49,379 --> 00:18:51,297
Incredible.
Thank you so much.
472
00:18:51,339 --> 00:18:53,550
Give it up for Karen Waldrup,
everybody!
473
00:18:53,591 --> 00:18:55,427
Moving forward
to these live shows,
474
00:18:55,468 --> 00:18:57,345
we are looking for people
to show us they have
475
00:18:57,387 --> 00:18:59,305
the ability to make
people feel something.
476
00:18:59,347 --> 00:19:00,640
Karen set the bar so high.
477
00:19:00,682 --> 00:19:02,267
If that's a sign
of what's to come,
478
00:19:02,308 --> 00:19:04,185
we're in for an insane night.
Way to go!
479
00:19:04,227 --> 00:19:06,312
She killed it.
Nailed it.
480
00:19:13,028 --> 00:19:14,237
* This is "The Voice" *
481
00:19:14,279 --> 00:19:16,573
Daly: Welcome back
to the playoffs.
482
00:19:16,614 --> 00:19:18,491
Shay: Are you chilling
over there, Chance?
483
00:19:18,533 --> 00:19:20,285
All my coffee kicked
in at the same time.
484
00:19:20,326 --> 00:19:21,661
Right now.
485
00:19:21,703 --> 00:19:23,038
[ Laughter ]
486
00:19:23,079 --> 00:19:24,831
[ Cheers and applause ]
487
00:19:24,873 --> 00:19:26,708
Go, Kamalei!
488
00:19:27,709 --> 00:19:29,961
Is this gonna be crazy?
It's gonna be dope.
489
00:19:31,796 --> 00:19:34,174
Maluma: It is weird
because I was raised
490
00:19:34,215 --> 00:19:36,259
listening to American music.
491
00:19:36,301 --> 00:19:38,261
So, the American roots
492
00:19:38,303 --> 00:19:40,513
gave me tools to become
the artist
493
00:19:40,555 --> 00:19:42,140
that I am right now, too.
494
00:19:42,182 --> 00:19:43,433
So, it's great, you know?
495
00:19:43,475 --> 00:19:44,809
That's what music is,
you know.
496
00:19:44,851 --> 00:19:46,936
We're all influenced
by each other.
497
00:19:46,978 --> 00:19:48,521
Man: Ready, ready?
Ready.
498
00:19:50,774 --> 00:19:52,609
Kamalei, welcome!
499
00:19:52,650 --> 00:19:54,069
How are you?
How's it going?
500
00:19:54,110 --> 00:19:55,737
John: We've got Maluma
with us!
501
00:19:55,779 --> 00:19:58,031
Maluma: What's up, man?
How are you?
502
00:19:58,073 --> 00:20:00,200
Kamalei: Walking into the room
and see Maluma,
503
00:20:00,241 --> 00:20:01,701
someone who's been
Grammy nominated,
504
00:20:01,743 --> 00:20:03,745
who's been
on the top Billboards,
505
00:20:03,787 --> 00:20:06,706
it was just mind-blowing
to be in the same space as him.
506
00:20:06,748 --> 00:20:10,794
He earned his way on the team
singing my song, "All of Me."
507
00:20:10,835 --> 00:20:13,004
And he killed it.
508
00:20:13,046 --> 00:20:16,508
* Give your all to me *
509
00:20:16,549 --> 00:20:18,510
* I'll give my all to you *
510
00:20:18,551 --> 00:20:21,096
John: I love Kamalei.
His voice is beautiful.
511
00:20:21,137 --> 00:20:23,223
His energy, just the whole vibe.
512
00:20:23,264 --> 00:20:25,308
Everybody loves
to be around him.
513
00:20:25,350 --> 00:20:27,519
Daly: Whoa!
We got a steal!
514
00:20:27,560 --> 00:20:29,020
And I had to steal him.
515
00:20:29,062 --> 00:20:30,939
I'm so happy he's
on Team Legend now.
516
00:20:30,980 --> 00:20:34,192
As an artist coming from,
you know, a small town --
Yeah.
517
00:20:34,234 --> 00:20:36,444
...how were you able to take
all of those cultural things
518
00:20:36,486 --> 00:20:38,071
with you to the mainstream?
519
00:20:38,113 --> 00:20:42,659
I always take my roots
and my essence everywhere I go,
520
00:20:42,701 --> 00:20:45,328
because that's what
makes me feel unique.
521
00:20:45,370 --> 00:20:48,415
Hawaii make you the guy
that you are right now.
522
00:20:48,456 --> 00:20:50,917
Your ability
to translate those roots
523
00:20:50,959 --> 00:20:54,713
to the mainstream culture
is what makes artists work.
524
00:20:54,754 --> 00:20:57,382
Why did you want to do
Bob Marley again?
525
00:20:57,424 --> 00:21:00,051
Bob Marley stands for
a lot of the same things
526
00:21:00,093 --> 00:21:01,845
that we stand for in Hawaii.
527
00:21:01,886 --> 00:21:03,930
And some of the things that
I bring to the stage with me
528
00:21:03,972 --> 00:21:06,933
when I perform and when I sing
a message of peace,
529
00:21:06,975 --> 00:21:08,101
a message of love.
530
00:21:08,143 --> 00:21:13,606
* No woman, no cry *
531
00:21:13,648 --> 00:21:17,944
* No woman, no cry *
532
00:21:17,986 --> 00:21:20,613
I feel like I share
a lot with Bob Marley.
533
00:21:20,655 --> 00:21:23,783
Our cultures have suffered
the same ways.
534
00:21:23,825 --> 00:21:25,452
I can also relate
to him in the song.
535
00:21:25,493 --> 00:21:27,245
You know, he speaks
about Trenchtown,
536
00:21:27,287 --> 00:21:28,496
the place that he grew up.
537
00:21:28,538 --> 00:21:30,623
It takes me home
to my Trenchtown,
538
00:21:30,665 --> 00:21:32,500
to my neighborhood,
to all the good times,
539
00:21:32,542 --> 00:21:34,377
all the friends
that I have there.
540
00:21:34,419 --> 00:21:37,213
* Good friends we've had... *
541
00:21:37,255 --> 00:21:39,341
Maluma:
Kamalei has this texture
542
00:21:39,382 --> 00:21:42,594
where he can do
this kind of rhythms and genres.
543
00:21:42,635 --> 00:21:44,387
So, for him,
this is a perfect song.
544
00:21:44,429 --> 00:21:45,972
John: Your voice
sounds gorgeous.
545
00:21:46,014 --> 00:21:47,724
I'm just thinking
about the arrangement.
546
00:21:47,766 --> 00:21:51,227
Right now, it feels
like it's a little flat,
547
00:21:51,269 --> 00:21:53,646
but maybe it build
the arrangement as it goes.
548
00:21:53,688 --> 00:21:55,899
It doesn't have to become
some big production.
549
00:21:55,940 --> 00:21:59,069
I agree with you that maybe
if you put the drums,
550
00:21:59,110 --> 00:22:01,780
I was thinking piano,
like a little element behind it.
551
00:22:01,821 --> 00:22:04,532
So, people, they actually see
that you can also,
552
00:22:04,574 --> 00:22:06,368
like, clap and perform.
553
00:22:06,409 --> 00:22:08,078
It's not only your vocals
and the guitar.
554
00:22:08,119 --> 00:22:09,704
It's more a performance
and seeing the people around
555
00:22:09,746 --> 00:22:11,331
is important too, you know.
556
00:22:11,373 --> 00:22:12,707
Take your hands
off the guitar
557
00:22:12,749 --> 00:22:14,167
for that "everything's
gonna be alright."
558
00:22:14,209 --> 00:22:15,543
And when you get
everybody doing
559
00:22:15,585 --> 00:22:17,003
* Everything's
gonna be alright *
560
00:22:17,045 --> 00:22:18,380
you don't even have to play.
561
00:22:18,421 --> 00:22:20,173
* Everything's
gonna be alright *
562
00:22:20,215 --> 00:22:21,800
And just let it build.
563
00:22:21,841 --> 00:22:23,968
* Everything's
gonna be alright *
564
00:22:24,010 --> 00:22:25,679
Alright.
* Everything's gonna... *
565
00:22:25,720 --> 00:22:27,972
I looked over
at Maluma and John,
566
00:22:28,014 --> 00:22:30,558
you know, grooving
and dancing with me.
567
00:22:30,600 --> 00:22:32,519
It just gave me a boost
of confidence.
568
00:22:32,560 --> 00:22:34,521
They were full-on
feeling the song.
569
00:22:34,562 --> 00:22:36,898
Gave me validation
that what I'm doing is right,
570
00:22:36,940 --> 00:22:39,025
and what I'm doing is good,
and what I'm doing is enough.
571
00:22:39,067 --> 00:22:41,903
I love the song, man.
Great song.
572
00:22:41,945 --> 00:22:44,447
Thank you so much.
What a pleasure.
573
00:22:45,240 --> 00:22:46,991
Let's go, Kamalei!
574
00:22:47,033 --> 00:22:48,743
[ Cheers and applause ]
575
00:22:48,785 --> 00:22:52,539
With "No Woman, No Cry,"
here's Kamalei Kawa'a.
576
00:22:52,580 --> 00:22:54,833
[ Cheers and applause continue ]
577
00:22:56,418 --> 00:23:01,131
* No woman, no cry *
578
00:23:02,257 --> 00:23:06,469
* No woman, no cry *
579
00:23:08,013 --> 00:23:13,727
* Said I remember
when we used to sit *
580
00:23:13,768 --> 00:23:18,440
* In the government yard
in Trenchtown *
581
00:23:19,607 --> 00:23:23,778
* Oba-observing the hypocrites *
582
00:23:23,820 --> 00:23:29,784
* As they would mingle
with the good people we meet *
583
00:23:31,494 --> 00:23:33,663
* Good friends we've had *
584
00:23:33,705 --> 00:23:41,963
* Good friends we've lost
along the way *
585
00:23:42,964 --> 00:23:48,762
* In this great future,
you can't forget your past *
586
00:23:48,803 --> 00:23:53,808
* So dry your tears I say *
587
00:23:54,726 --> 00:23:59,814
* No woman, no cry *
588
00:24:00,648 --> 00:24:04,652
* No woman, no cry *
589
00:24:05,445 --> 00:24:06,905
* Hey! *
590
00:24:06,946 --> 00:24:12,243
* Said I remember
when we used to sit *
591
00:24:12,285 --> 00:24:17,165
* In the government yard
in Trenchtown *
592
00:24:18,124 --> 00:24:23,129
* And then Georgie,
he would make the fire light *
593
00:24:23,880 --> 00:24:28,635
* A log wood burning
through the night *
594
00:24:29,511 --> 00:24:35,475
* And then we would cook
corn meal porridge, yeah *
595
00:24:35,517 --> 00:24:40,271
* Of which I'll share with you *
596
00:24:41,356 --> 00:24:46,528
* But my feet
is my only carriage *
597
00:24:47,529 --> 00:24:50,657
* So I've got to
push on through *
598
00:24:50,699 --> 00:24:52,867
* But while I'm gone, come on *
599
00:24:52,909 --> 00:24:55,036
* Everything's
gonna be alright *
600
00:24:55,078 --> 00:24:57,956
* Listen!
Everything's gonna be alright *
601
00:24:57,997 --> 00:25:00,834
* Come on!
Everything's gonna be alright *
602
00:25:00,875 --> 00:25:05,213
* No woman, no cry *
603
00:25:05,255 --> 00:25:10,051
* No woman, no cry *
604
00:25:10,844 --> 00:25:15,098
* No woman, no cry *
605
00:25:16,725 --> 00:25:24,315
* No woman, no cry *
606
00:25:24,357 --> 00:25:26,860
[ Cheers and applause ]
607
00:25:26,901 --> 00:25:28,194
Wow!
608
00:25:28,236 --> 00:25:30,530
Daly: Kamalei Kawa'a,
ladies and gentlemen!
609
00:25:30,572 --> 00:25:31,906
Yes, yes, yes.
610
00:25:31,948 --> 00:25:33,700
Good job, Kamalei.
Great job.
611
00:25:33,742 --> 00:25:35,577
Let's go to your former coach.
What's up, Chance?
612
00:25:35,618 --> 00:25:37,203
Dude, that was so amazing.
613
00:25:37,245 --> 00:25:38,413
Great breath control,
614
00:25:38,455 --> 00:25:40,081
great improvisational moments.
615
00:25:40,123 --> 00:25:43,543
If I was John, I would 100%
need you on my live team.
616
00:25:43,585 --> 00:25:45,211
I think that was
a great performance.
617
00:25:45,253 --> 00:25:47,797
[ Laughs ]
618
00:25:47,839 --> 00:25:51,051
Kamalei, man, your voice is
very comforting to me.
619
00:25:51,092 --> 00:25:52,469
Every time you open
your mouth to sing,
620
00:25:52,510 --> 00:25:54,346
it's like an audible hug.
621
00:25:54,387 --> 00:25:56,097
[ Laughter ]
Man.
622
00:25:56,139 --> 00:25:57,724
When you said, like,
everything's gonna be alright?
623
00:25:57,766 --> 00:26:00,518
I was like, it is!
It's gonna be alright.
624
00:26:00,560 --> 00:26:02,145
I wasn't scared.
625
00:26:02,187 --> 00:26:03,229
Oh, right on.
626
00:26:03,271 --> 00:26:05,065
Awesome to have you
on the show.
627
00:26:05,106 --> 00:26:06,649
Thank you.
628
00:26:06,691 --> 00:26:08,151
You know
I'm your biggest fan.
629
00:26:08,193 --> 00:26:10,153
Oh, thank you so much.
You're strong.
630
00:26:10,195 --> 00:26:13,406
And you convey that strength
in your music and your singing.
631
00:26:13,448 --> 00:26:16,034
Oh, yeah. Lots.
Thank you.
632
00:26:16,076 --> 00:26:17,202
[ Laughs ]
633
00:26:17,243 --> 00:26:18,244
You got an "Oh, yeah."
634
00:26:18,286 --> 00:26:19,746
Oh, yeah.
635
00:26:19,788 --> 00:26:21,790
John: Kamalei, you've covered
Bob Marley now twice.
636
00:26:21,831 --> 00:26:23,917
And I just feel like you're
really honoring his legacy
637
00:26:23,958 --> 00:26:25,543
in such a beautiful way.
638
00:26:25,585 --> 00:26:27,337
You don't attempt
to sound like him.
639
00:26:27,379 --> 00:26:30,256
You're not Ja-faking
your accent or anything.
640
00:26:30,298 --> 00:26:31,841
[ Laughter ]
641
00:26:31,883 --> 00:26:35,095
It's like you're just
coming out here being yourself,
642
00:26:35,136 --> 00:26:37,263
and I'm so happy
I get to work with you.
643
00:26:37,305 --> 00:26:41,267
How about another big hand
for Kamalei Kawa'a.
644
00:26:41,309 --> 00:26:45,105
John: Kamalei's voice
is so warm. It's so inviting.
645
00:26:45,146 --> 00:26:48,108
I feel like Kamalei has
a way of putting his own spice
646
00:26:48,149 --> 00:26:50,318
on every version
of every song that he does.
647
00:26:50,360 --> 00:26:52,737
And I think America's
gonna love Kamalei.
648
00:26:52,779 --> 00:26:54,072
What am I supposed to do?
649
00:26:54,114 --> 00:26:55,990
I can't send all of them
to the lives.
650
00:26:56,032 --> 00:26:57,909
They're making it
so difficult for me.
651
00:26:57,951 --> 00:27:00,370
Oh, yeah,
they're not making it easy.
652
00:27:00,412 --> 00:27:02,122
I wish somebody would suck.
653
00:27:02,163 --> 00:27:03,957
[ Laughter ]
654
00:27:03,998 --> 00:27:07,961
* No woman, no cry *
655
00:27:14,467 --> 00:27:15,677
* This is "The Voice" *
656
00:27:15,719 --> 00:27:16,928
Daly: Welcome back
to the playoffs
657
00:27:16,970 --> 00:27:19,305
at Universal Studios, Hollywood.
658
00:27:19,347 --> 00:27:21,808
Shay: Oh, John. Hey, man.
Well, looky here.
659
00:27:21,850 --> 00:27:23,143
Hey!
What's going on?
660
00:27:23,184 --> 00:27:24,894
I see you guys
got the memo.
661
00:27:24,936 --> 00:27:26,438
Shay: Yeah.
Yeah, got the e-mail.
662
00:27:26,479 --> 00:27:28,314
We thought, like,
if John Legend can wear a robe,
663
00:27:28,356 --> 00:27:29,441
we can all wear robes.
664
00:27:29,482 --> 00:27:31,818
Gray.
Kind of drab.
665
00:27:31,860 --> 00:27:33,361
Well, that's --
You see me,
666
00:27:33,403 --> 00:27:35,989
you see how calm
and cool and comfortable I am.
667
00:27:36,031 --> 00:27:37,824
Hey, Reba.
I was thinking --
668
00:27:37,866 --> 00:27:39,075
Now, this is
what I'm talking about.
669
00:27:39,117 --> 00:27:40,952
You like it?
We needed some color.
670
00:27:40,994 --> 00:27:42,287
Yes!
Who do you guys think
671
00:27:42,328 --> 00:27:43,997
has the best robe on
though right now?
672
00:27:44,039 --> 00:27:46,166
Between Dan and Chance
are two of my favorites.
673
00:27:46,207 --> 00:27:48,918
I really like this gray.
Uh, excuse me.
674
00:27:48,960 --> 00:27:50,628
Well, Reba,
you always look amazing,
675
00:27:50,670 --> 00:27:53,173
so it's not really fair.
John: Yeah.
It's the boots.
676
00:27:53,214 --> 00:27:54,632
Is it?
Yeah, you know what?
677
00:27:54,674 --> 00:27:55,675
Our colors,
they're on the inside.
678
00:27:55,717 --> 00:27:57,010
Let's get out there, guys.
679
00:27:57,052 --> 00:27:58,511
You guys are
definitely not stressed.
680
00:27:58,553 --> 00:28:00,430
I'm the image
of not stressed.
681
00:28:00,472 --> 00:28:02,307
Alright, let's go.
682
00:28:32,337 --> 00:28:34,881
Dan: So, Anya, today,
you'll be singing
683
00:28:34,923 --> 00:28:36,716
one of the best
Taylor Swift songs.
684
00:28:36,758 --> 00:28:38,218
The best, in my opinion.
Yeah, come on.
685
00:28:38,259 --> 00:28:40,053
"All Too Well
(Taylor's Version)."
686
00:28:40,095 --> 00:28:41,388
I'm a fan.
Shay: It's amazing.
687
00:28:41,429 --> 00:28:43,473
I love her words so much.
688
00:28:43,515 --> 00:28:45,767
* And I know
it's long gone and... *
689
00:28:45,809 --> 00:28:48,311
"I know it's long gone, and
the magic's not here no more,
690
00:28:48,353 --> 00:28:50,188
and I might be okay,
but I'm not fine at all."
691
00:28:50,230 --> 00:28:54,359
* ...okay, but I'm not fine
at all *
692
00:28:54,401 --> 00:28:56,194
She wrote it
about relationships,
693
00:28:56,236 --> 00:28:59,739
but to me, it really
reminds me of growing up.
694
00:28:59,781 --> 00:29:03,201
You know, I'm, like, one year
away from being an adult.
695
00:29:03,243 --> 00:29:06,037
I'm leaving for college,
and even being on "The Voice,"
696
00:29:06,079 --> 00:29:09,207
this is, like, the first step
to, like, adulthood.
697
00:29:09,249 --> 00:29:11,418
I am growing up, and it sucks,
698
00:29:11,459 --> 00:29:14,045
but also, like,
the future is so bright.
699
00:29:14,087 --> 00:29:16,881
* Maybe we got lost
in translation *
700
00:29:16,923 --> 00:29:19,300
* Maybe I asked for too much *
701
00:29:19,342 --> 00:29:22,804
Saweetie: I love Anya
because the old soul in her
702
00:29:22,846 --> 00:29:24,597
was balanced with,
like, her innocence.
703
00:29:24,639 --> 00:29:27,434
And I felt like what
she has is a gift from God.
704
00:29:27,475 --> 00:29:30,645
So, it was nice to see someone
so young shine so bright.
705
00:29:30,687 --> 00:29:32,564
* All too well *
706
00:29:32,605 --> 00:29:33,940
Whoo!
Dan: Awesome.
707
00:29:33,982 --> 00:29:35,692
Shay: That was captivating.
It really was.
708
00:29:35,734 --> 00:29:37,110
I would just say, like,
709
00:29:37,152 --> 00:29:38,903
this is a really,
really important round.
710
00:29:38,945 --> 00:29:41,239
No pressure or anything,
but it's, you know --
No pressure.
711
00:29:41,281 --> 00:29:44,242
It's just about being confident
and enunciating those words.
712
00:29:44,284 --> 00:29:46,202
The lyrics are super important
in this song.
713
00:29:46,244 --> 00:29:48,872
Mean what you're saying
and be intentional about it.
714
00:29:48,913 --> 00:29:50,498
Girl, you got
an old soul in there.
715
00:29:50,540 --> 00:29:51,875
Aww, thank you!
716
00:29:51,916 --> 00:29:53,501
And I know, like,
you said it's no pressure,
717
00:29:53,543 --> 00:29:54,753
but it is pressure.
718
00:29:54,794 --> 00:29:56,296
The industry is pressure.
719
00:29:56,338 --> 00:29:58,298
Everything is pressure,
but pressure makes diamonds.
720
00:29:58,340 --> 00:29:59,966
Yeah.
I think you're a diamond.
721
00:30:00,008 --> 00:30:02,260
Thank you.
Do you think so?
722
00:30:02,302 --> 00:30:04,637
Yeah. [ Laughs ]
You better say that
with your chest, girl.
723
00:30:04,679 --> 00:30:06,139
I know, that's right.
Yes.
724
00:30:06,181 --> 00:30:08,141
Saweetie thinks
I'm a diamond. I'm a diamond.
725
00:30:08,183 --> 00:30:10,560
-That's right.
-No, I love that.
726
00:30:10,602 --> 00:30:12,145
But in my opinion,
727
00:30:12,187 --> 00:30:14,314
I don't mind, like,
no eye contact in the beginning.
728
00:30:14,356 --> 00:30:15,899
But as it starts to grow,
just, like,
729
00:30:15,940 --> 00:30:17,484
making that connection with us,
730
00:30:17,525 --> 00:30:20,362
just showcasing your spirit,
your soul, your personality.
731
00:30:20,403 --> 00:30:22,072
People are gonna connect
with that.
732
00:30:22,113 --> 00:30:23,490
We could see
Anya being a huge artist.
733
00:30:23,531 --> 00:30:25,033
I feel like she has a lot
of the intangibles
734
00:30:25,075 --> 00:30:26,409
that Taylor Swift has.
735
00:30:26,451 --> 00:30:27,994
Thank you so much.
You're the best, Anya.
736
00:30:28,036 --> 00:30:30,121
I feel like if Anya brings
the confidence,
737
00:30:30,163 --> 00:30:31,664
the eye contact,
the charisma,
738
00:30:31,706 --> 00:30:33,917
just really connecting
to the DNA of the lyrics...
739
00:30:33,958 --> 00:30:35,251
You're gonna crush it.
740
00:30:35,293 --> 00:30:36,878
...she's gonna be
a strong contender.
741
00:30:36,920 --> 00:30:38,380
We're rooting for Anya.
We love her so much.
742
00:30:39,547 --> 00:30:41,049
Here's Anya True.
743
00:30:41,091 --> 00:30:43,259
[ Cheers and applause ]
744
00:30:43,301 --> 00:30:47,013
**
745
00:30:47,055 --> 00:30:50,141
* I walked
through the door with you *
746
00:30:50,183 --> 00:30:52,352
* The air was cold *
747
00:30:52,394 --> 00:30:56,481
* But something about it
felt like home somehow *
748
00:30:56,523 --> 00:31:01,861
* And I left my scarf there
at your sister's house *
749
00:31:01,903 --> 00:31:07,867
* And you've still got it
in your drawer even now *
750
00:31:07,909 --> 00:31:10,245
* And I know it's long gone *
751
00:31:10,286 --> 00:31:12,664
* And that magic's not here
no more *
752
00:31:12,706 --> 00:31:18,878
* And I might be okay,
but I'm not fighting it all *
753
00:31:18,920 --> 00:31:23,299
* Oh *
754
00:31:23,341 --> 00:31:28,346
* There we are again
on that little town street *
755
00:31:28,388 --> 00:31:32,684
* You almost ran the red 'cause
you were lookin' over at me *
756
00:31:32,726 --> 00:31:35,353
* Wind in my hair,
I was there *
757
00:31:35,395 --> 00:31:44,070
* I remember it all too well *
758
00:31:44,112 --> 00:31:45,989
* And I know it's long gone *
759
00:31:46,031 --> 00:31:48,742
* And there was
nothing else I could do *
760
00:31:48,783 --> 00:31:51,411
* And I forget about you
long enough *
761
00:31:51,453 --> 00:31:58,460
* To forget why I needed to *
762
00:31:58,501 --> 00:32:01,421
* Maybe we got lost
in translation *
763
00:32:01,463 --> 00:32:04,090
* Maybe I asked for too much *
764
00:32:04,132 --> 00:32:07,093
* But maybe this thing
was a masterpiece *
765
00:32:07,135 --> 00:32:09,220
* Till you tore it all up *
766
00:32:09,262 --> 00:32:11,431
* Running scared,
I was there *
767
00:32:11,473 --> 00:32:19,272
* I remember it all too well *
768
00:32:19,314 --> 00:32:22,317
* And you call me up again *
769
00:32:22,359 --> 00:32:24,861
* Just to break me
like a promise *
770
00:32:24,903 --> 00:32:29,616
* So casually cruel
in the name of being honest *
771
00:32:29,657 --> 00:32:34,120
* I'm a crumpled up
piece of paper lying here *
772
00:32:34,162 --> 00:32:40,126
* I remember it all, all, all *
773
00:32:40,168 --> 00:32:42,671
* Wind in my hair,
you were there *
774
00:32:42,712 --> 00:32:45,048
* You remember it all *
775
00:32:45,090 --> 00:32:48,009
* Down the stairs,
you were there *
776
00:32:48,051 --> 00:32:50,428
* You remember it all *
777
00:32:50,470 --> 00:32:53,139
* It was rare,
I was there *
778
00:32:53,181 --> 00:32:58,561
* I remember it all too well *
779
00:33:00,855 --> 00:33:03,191
* No *
780
00:33:03,233 --> 00:33:05,485
[ Cheers and applause ]
781
00:33:06,528 --> 00:33:09,447
Daly: That is Anya True,
ladies and gentlemen.
782
00:33:10,281 --> 00:33:11,866
Chance, let's start with you.
What'd you think?
783
00:33:11,908 --> 00:33:15,161
I didn't really see you
in a pop space until now.
784
00:33:15,203 --> 00:33:17,330
I've always felt like you had,
like, a very cool,
785
00:33:17,372 --> 00:33:18,998
like, folk-leaning
country sound,
786
00:33:19,040 --> 00:33:20,500
but it was a very cool
performance.
787
00:33:20,542 --> 00:33:21,876
It was good to see.
Thank you.
788
00:33:21,918 --> 00:33:23,378
[ Cheers and applause ]
John?
789
00:33:23,420 --> 00:33:25,505
This felt like
the right song for you.
790
00:33:25,547 --> 00:33:27,173
It's pop,
but it's still, you know,
791
00:33:27,215 --> 00:33:29,426
got some of Taylor's
country heritage in it.
792
00:33:29,467 --> 00:33:32,429
There's a big space
for that kind of music,
793
00:33:32,470 --> 00:33:34,806
and I was really compelled
by the performance.
794
00:33:34,848 --> 00:33:37,017
Thank you so much.
Reba?
795
00:33:37,058 --> 00:33:38,435
You are so sweet.
796
00:33:38,476 --> 00:33:40,311
I loved it when you quit
playing your guitar
797
00:33:40,353 --> 00:33:42,188
and you put your hands
up to your heart.
798
00:33:42,230 --> 00:33:44,524
I knew that you were
really into it.
799
00:33:44,566 --> 00:33:47,444
If you backed up off the mic
just a little bit,
800
00:33:47,485 --> 00:33:49,237
I think I would have been
able to understand
801
00:33:49,279 --> 00:33:50,697
the words a little better.
802
00:33:50,739 --> 00:33:52,365
I love the song,
and I love you singing it.
803
00:33:52,407 --> 00:33:53,616
It was great.
Thank you so much.
804
00:33:53,658 --> 00:33:54,701
I'll work on it.
805
00:33:54,743 --> 00:33:56,870
Your coaches, Dan + Shay.
Guys?
806
00:33:56,911 --> 00:33:59,914
That was my favorite
performance of yours so far.
807
00:33:59,956 --> 00:34:02,792
It's easy to really go over
the top, emulating Taylor Swift.
808
00:34:02,834 --> 00:34:04,711
I didn't feel that at all
from you. I heard Anya.
809
00:34:04,753 --> 00:34:06,588
You absolutely stepped up
and crushed it.
810
00:34:06,629 --> 00:34:08,048
Thank you, Dan.
811
00:34:08,089 --> 00:34:10,508
You have this kind of
Julia Michaels way
812
00:34:10,550 --> 00:34:11,885
that you sing.
813
00:34:11,926 --> 00:34:13,303
I don't know if you are
a fan of hers, like we are.
814
00:34:13,345 --> 00:34:14,554
Yeah, a huge fan.
Thank you.
815
00:34:14,596 --> 00:34:16,306
There's this sharpness
to her voice.
816
00:34:16,348 --> 00:34:19,351
You approach the way
that you sing very similarly.
817
00:34:19,392 --> 00:34:21,436
"Similarly." Is that
how you say that word?
818
00:34:21,478 --> 00:34:23,313
Yeah, that's the adverb version.
It's the adverb?
819
00:34:23,355 --> 00:34:24,898
Well, we don't need to
get into all that.
820
00:34:24,939 --> 00:34:26,566
I don't know what
you're talking about, John.
821
00:34:26,608 --> 00:34:28,443
It's hard sitting next to John
because he's so smart,
822
00:34:28,485 --> 00:34:29,611
and I'm just --
I know words,
823
00:34:29,652 --> 00:34:30,779
but I don't know
what they mean.
824
00:34:30,820 --> 00:34:31,988
I know how to use them.
825
00:34:32,030 --> 00:34:33,323
But no, Anya,
we're such fans.
826
00:34:33,365 --> 00:34:35,075
I feel like
we're your older brothers
827
00:34:35,116 --> 00:34:37,577
over here,
just beaming with pride.
828
00:34:37,619 --> 00:34:39,621
As Reba would say,
you're cute as a button,
829
00:34:39,662 --> 00:34:42,957
and we're just grateful
to have you here on the show.
Thank you, guys.
830
00:34:42,999 --> 00:34:46,378
How about another big hand
for Anya True, everybody?
831
00:34:46,419 --> 00:34:47,796
I just love Anya so much.
832
00:34:47,837 --> 00:34:49,089
She is so sweet
833
00:34:49,130 --> 00:34:50,256
and so talented
beyond her years.
834
00:34:50,298 --> 00:34:52,050
-Great job.
-Come on!
835
00:34:52,092 --> 00:34:53,093
Great job, Anya.
836
00:34:53,134 --> 00:34:54,260
I'll be honest, Dan.
837
00:34:54,302 --> 00:34:55,553
I'm sweating in places
838
00:34:55,595 --> 00:34:57,347
that I didn't know
I could sweat.
839
00:34:57,389 --> 00:34:59,265
We have to send
two people home,
840
00:34:59,307 --> 00:35:01,351
and we love every single person
on our team.
841
00:35:01,393 --> 00:35:03,228
This is just hard, man.
What are we going to do?
842
00:35:03,269 --> 00:35:04,938
I don't know.
I don't know.
843
00:35:04,979 --> 00:35:06,523
Similarly-ly-ly.
844
00:35:06,564 --> 00:35:08,525
It doesn't help that John was
an English major.
845
00:35:08,566 --> 00:35:10,110
Were you an English major?
I was.
846
00:35:10,151 --> 00:35:11,736
I was.
No wonder, dude.
847
00:35:11,778 --> 00:35:14,614
I didn't go to college,
so, guys, I'm trying my best.
848
00:35:14,656 --> 00:35:16,783
[ Laughter ]
849
00:35:21,996 --> 00:35:23,206
* This is "The Voice" *
850
00:35:23,248 --> 00:35:25,250
Daly: Welcome back
to "The Voice."
851
00:35:27,127 --> 00:35:28,628
John:
So, Bryan is coming next.
852
00:35:28,670 --> 00:35:33,174
He's the guy I saved
with my playoff pass.
Okay.
853
00:35:33,216 --> 00:35:34,676
* Could have had it all *
854
00:35:34,718 --> 00:35:36,845
He's special. I feel like
he could be in the finale.
855
00:35:36,886 --> 00:35:38,179
Sing, Bryan!
856
00:35:38,221 --> 00:35:40,974
You're like,
how is he not already a star?
857
00:35:41,016 --> 00:35:42,892
Daly: We got two steals!
858
00:35:43,935 --> 00:35:45,186
There it is!
859
00:35:45,228 --> 00:35:47,313
The Playoff Pass!
860
00:35:47,355 --> 00:35:48,606
He's such a great vocalist,
861
00:35:48,648 --> 00:35:50,150
but also
a really good performer.
862
00:35:50,191 --> 00:35:51,568
His voice sounds
like the radio.
863
00:35:51,609 --> 00:35:53,403
You're just singing
at such a high level,
864
00:35:53,445 --> 00:35:55,697
but you're also performing
at such a high level.
865
00:35:55,739 --> 00:35:58,283
I'm like, how's this guy
not already
866
00:35:58,324 --> 00:36:00,160
out there making records?
A single, yeah.
867
00:36:00,201 --> 00:36:01,828
Playing arenas
all the time.
868
00:36:01,870 --> 00:36:04,330
Bryan: I know I keep saying
I'm the oldest contestant.
869
00:36:04,372 --> 00:36:06,249
Somehow, I'm still doing music,
870
00:36:06,291 --> 00:36:09,627
but it was always
alongside some other job
871
00:36:09,669 --> 00:36:11,338
to help make that happen.
872
00:36:11,379 --> 00:36:12,714
I've worked at an airline,
873
00:36:12,756 --> 00:36:14,924
out in the tarmac,
pushing the plane,
874
00:36:14,966 --> 00:36:16,217
throwing the bags in.
875
00:36:16,259 --> 00:36:17,677
I was a window washer.
876
00:36:17,719 --> 00:36:19,387
I'm still a good
professional window washer.
877
00:36:19,429 --> 00:36:20,972
You know, if "The Voice"
thing doesn't work out,
878
00:36:21,014 --> 00:36:22,432
you need me, find my number.
879
00:36:22,474 --> 00:36:24,017
You name it,
I've probably done it.
880
00:36:24,059 --> 00:36:26,936
All these things
I hoped to just put together
881
00:36:26,978 --> 00:36:28,521
to make music happen,
882
00:36:28,563 --> 00:36:30,440
and when you're about ready
to throw in the towel,
883
00:36:30,482 --> 00:36:32,108
some cool opportunity
would come up,
884
00:36:32,150 --> 00:36:33,234
right in the nick of time.
885
00:36:33,276 --> 00:36:34,569
And "The Voice," for sure,
886
00:36:34,611 --> 00:36:36,821
is the biggest platform
that I've had.
887
00:36:36,863 --> 00:36:39,699
* I bless the rains
down in Africa *
888
00:36:39,741 --> 00:36:42,327
John:
Bryan is back in the arena.
889
00:36:42,369 --> 00:36:43,578
And I'm so excited.
890
00:36:43,620 --> 00:36:46,373
He's gonna sing
"Africa" by Toto.
891
00:36:46,414 --> 00:36:48,041
* Gonna take some time
to do... *
892
00:36:48,083 --> 00:36:49,709
John: I just love hearing
Bryan's voice
893
00:36:49,751 --> 00:36:51,461
on some classic rock 'n' roll.
894
00:36:51,503 --> 00:36:54,547
The chorus is just so big
and uplifting.
895
00:36:54,589 --> 00:36:56,549
I think this is gonna
really sound great for him.
896
00:36:56,591 --> 00:36:58,677
* I bless the rains... *
897
00:36:58,718 --> 00:37:01,388
I want for John to know
that he made the right decision
898
00:37:01,429 --> 00:37:03,056
in giving me the Playoff Pass.
899
00:37:03,098 --> 00:37:04,182
* I bless the... *
900
00:37:04,224 --> 00:37:05,517
My bad on that last chorus.
901
00:37:05,558 --> 00:37:07,060
Go crazy with it.
902
00:37:07,102 --> 00:37:08,978
Let the background singers
sing the main thing,
903
00:37:09,020 --> 00:37:11,356
and then just structurally
make sure the melodies feel
904
00:37:11,398 --> 00:37:12,857
connected to each other,
905
00:37:12,899 --> 00:37:14,901
and not you trying this
and you trying that.
906
00:37:14,943 --> 00:37:19,572
* I bless the rains
down in Africa *
907
00:37:19,614 --> 00:37:21,491
This is going to be
pretty tough for John
908
00:37:21,533 --> 00:37:24,744
because he needs to pick
only three from five.
909
00:37:24,786 --> 00:37:27,247
Bryan, he's been in the game
for a while.
910
00:37:27,288 --> 00:37:28,665
You can tell.
911
00:37:28,707 --> 00:37:30,542
His vocal range is
from another world.
912
00:37:30,583 --> 00:37:32,627
So, he has to
take advantage of it
913
00:37:32,669 --> 00:37:34,212
and do a great performance.
914
00:37:34,254 --> 00:37:36,089
Bryan: Should I have the guitar
ready for the choruses?
915
00:37:36,131 --> 00:37:38,675
I really love playing the guitar
with my friends and everything,
916
00:37:38,717 --> 00:37:40,760
but on tour,
I don't vibe with it
917
00:37:40,802 --> 00:37:42,053
because I have another vision.
918
00:37:42,095 --> 00:37:43,763
I want to focus in other things.
919
00:37:43,805 --> 00:37:45,557
So, it's fine
if you play the instrument,
920
00:37:45,598 --> 00:37:46,891
if you feel like it's something
921
00:37:46,933 --> 00:37:48,601
that is gonna be a plus
in your show.
922
00:37:48,643 --> 00:37:50,979
Everything you're doing
is intentional and cool.
923
00:37:51,021 --> 00:37:52,397
So, I trust you.
924
00:37:52,439 --> 00:37:53,606
Yeah, I don't need
to waste your time,
925
00:37:53,648 --> 00:37:54,733
even though I'd love to hang.
926
00:37:54,774 --> 00:37:56,192
What are you guys doing later?
927
00:37:56,234 --> 00:37:57,277
You want to hang?
[ Laughter ]
928
00:37:57,318 --> 00:37:59,112
[ Cheers and applause ]
929
00:37:59,154 --> 00:38:01,281
Yeah, Bryan!
Rock Star Ken.
930
00:38:01,322 --> 00:38:03,533
We got Rock Star Ken up here.
931
00:38:04,451 --> 00:38:06,494
Let's go, Bryan!
932
00:38:07,328 --> 00:38:10,498
With "Africa,"
here's Bryan Olesen.
933
00:38:11,875 --> 00:38:16,963
* It's gonna take a lot
to drag me away from you *
934
00:38:17,005 --> 00:38:21,968
* There's nothing that a hundred
men or more could ever do *
935
00:38:22,010 --> 00:38:27,265
* I bless the rains
down in Africa *
936
00:38:27,307 --> 00:38:32,354
* Gonna take some time
to do the things we never had *
937
00:38:32,395 --> 00:38:34,939
* Oh *
938
00:38:34,981 --> 00:38:40,070
**
939
00:38:40,111 --> 00:38:43,448
* I hear the drums
echoing tonight *
940
00:38:43,490 --> 00:38:50,497
* But she hears only whispers
of some silent conversation *
941
00:38:51,873 --> 00:38:55,168
* She's coming in,
12:30 flight *
942
00:38:55,210 --> 00:38:57,754
* The moonlit wings
reflect the stars *
943
00:38:57,796 --> 00:39:02,384
* That guide me
towards salvation *
944
00:39:03,593 --> 00:39:06,888
* I seek to cure
what's deep inside *
945
00:39:06,930 --> 00:39:13,687
* Frightened of this thing
that I've become *
946
00:39:13,728 --> 00:39:18,858
* It's gonna take a lot
to drag me away from you *
947
00:39:18,900 --> 00:39:24,072
* There's nothing that a hundred
men or more could ever do *
948
00:39:24,114 --> 00:39:29,202
* I bless the rains
down in Africa *
949
00:39:29,244 --> 00:39:37,127
* Gonna take some time
to do the things we never had *
950
00:39:37,168 --> 00:39:45,677
**
951
00:39:45,719 --> 00:39:51,516
* Hurry, boy, she's waiting
there for you, oh *
952
00:39:51,558 --> 00:39:53,143
* Sing it *
953
00:39:53,184 --> 00:39:57,397
* Gonna take a lot
to drag me away from you *
954
00:39:57,439 --> 00:40:02,861
* There's nothing that a hundred
men or more could ever do *
955
00:40:02,902 --> 00:40:08,116
* I bless, I bless,
I bless the rain *
956
00:40:08,158 --> 00:40:17,167
* I bless, I bless,
I bless the rain *
957
00:40:17,208 --> 00:40:19,085
* I bless the rains *
958
00:40:19,127 --> 00:40:20,754
* I bless the rains
down in Africa *
959
00:40:20,795 --> 00:40:23,757
* Ahhhh, take the time *
960
00:40:23,798 --> 00:40:30,972
* Take some time to do
the things we never had *
961
00:40:31,014 --> 00:40:35,101
**
962
00:40:35,143 --> 00:40:38,438
Yeah! Yeah! Yeah!
963
00:40:38,480 --> 00:40:40,899
Daly: Bryan Olesen!
964
00:40:40,940 --> 00:40:41,900
Yes, Bryan!
965
00:40:41,941 --> 00:40:44,778
[ Cheers and applause ]
Yeah!
966
00:40:44,819 --> 00:40:47,113
Dude, you just seem
like you're already a superstar.
967
00:40:47,155 --> 00:40:49,282
You seem like
a guest performer on the show.
968
00:40:49,324 --> 00:40:51,618
It's compelling.
I can't take my eyes off you.
969
00:40:51,659 --> 00:40:54,162
It's not just the pink suit,
but it's that voice.
970
00:40:54,204 --> 00:40:55,622
Thank you.
971
00:40:55,663 --> 00:40:57,415
Alright, Reba,
what'd you think?
972
00:40:57,457 --> 00:40:59,417
We missed you.
I missed you, too.
973
00:40:59,459 --> 00:41:00,877
You're the perfect package,
974
00:41:00,919 --> 00:41:02,629
and I loved you getting
the guitar.
975
00:41:02,671 --> 00:41:04,673
Way to go.
You need to be on the lives.
976
00:41:04,714 --> 00:41:06,007
Definitely.
Thank you.
977
00:41:06,049 --> 00:41:09,052
Alright.
And you are 100% a rock star.
978
00:41:09,094 --> 00:41:12,097
To see somebody that can,
like, control the crowd,
979
00:41:12,138 --> 00:41:13,390
create a moment.
980
00:41:13,431 --> 00:41:14,683
If I was John,
I would definitely
981
00:41:14,724 --> 00:41:15,975
try and move you to lives.
982
00:41:16,017 --> 00:41:17,644
I know I've said
that every time so far.
983
00:41:17,686 --> 00:41:19,729
Your team is doing good.
You got a great team.
984
00:41:19,771 --> 00:41:21,773
Bryan,
you just show up here every time
985
00:41:21,815 --> 00:41:24,401
and make it feel
like we're at Bryan's concert.
986
00:41:24,442 --> 00:41:26,319
You're such a pro.
987
00:41:26,361 --> 00:41:29,072
I feel your intention
in everything you do as well.
988
00:41:29,114 --> 00:41:31,032
I love the way
you took the guitar
989
00:41:31,074 --> 00:41:32,450
in the middle
of the performance.
990
00:41:32,492 --> 00:41:33,827
It just made you
look more like
991
00:41:33,868 --> 00:41:35,829
you were the boss
up on stage.
992
00:41:35,870 --> 00:41:37,997
I'm glad I used
my Playoff Pass on you.
993
00:41:38,039 --> 00:41:41,459
You deserved it.
Thank you, John.
That means a lot.
994
00:41:41,501 --> 00:41:42,836
Give it up
for the man in pink,
995
00:41:42,877 --> 00:41:45,171
Bryan Olesen,
everybody.
996
00:41:45,213 --> 00:41:47,465
Bryan justified
getting that playoff pass.
997
00:41:47,507 --> 00:41:49,592
He delivers every single time.
998
00:41:49,634 --> 00:41:51,428
Yeah.
999
00:41:51,469 --> 00:41:52,846
I'm so proud
of Team Legend.
1000
00:41:52,887 --> 00:41:56,016
These performances
have been next level.
1001
00:41:56,057 --> 00:41:58,852
Nathan's my throwback
soul artist.
1002
00:41:58,893 --> 00:42:01,354
Kamalei is our aloha spirit.
1003
00:42:01,396 --> 00:42:03,189
Bryan's my rock star.
1004
00:42:03,231 --> 00:42:05,984
All the coaches think all
of them should go to the lives.
1005
00:42:06,026 --> 00:42:08,695
This decision is so difficult.
1006
00:42:14,367 --> 00:42:15,577
* This is "The Voice" *
1007
00:42:15,618 --> 00:42:17,954
Daly: Welcome back
to "The Voice."
1008
00:42:17,996 --> 00:42:19,247
John: Y'all having a good time?
1009
00:42:19,289 --> 00:42:20,582
[ Cheers and applause ]
1010
00:42:20,623 --> 00:42:22,042
My cardigan is
very controversial.
1011
00:42:22,083 --> 00:42:24,461
What do you think?
[ Laughter ]
1012
00:42:24,502 --> 00:42:26,504
And then he goes, "Ah!"
1013
00:42:26,546 --> 00:42:28,590
That was tepid.
He was like, "Ah."
1014
00:42:28,631 --> 00:42:31,301
Nah. It was alright.
1015
00:42:31,343 --> 00:42:33,887
Shay: It's exciting
to be able to pass along some
1016
00:42:33,928 --> 00:42:35,972
of the stupid things
that we've done in our career
1017
00:42:36,014 --> 00:42:37,891
to keep them from making
the same mistakes that we did.
1018
00:42:37,932 --> 00:42:39,726
I feel like it's an honor
for me to be here,
1019
00:42:39,768 --> 00:42:41,102
because giving back
is the purpose
1020
00:42:41,144 --> 00:42:42,395
we have in the first place,
you know?
1021
00:42:42,437 --> 00:42:43,688
I agree.
1022
00:42:43,730 --> 00:42:44,814
We all have
different journeys,
1023
00:42:44,856 --> 00:42:46,274
but one thing
that we all,
1024
00:42:46,316 --> 00:42:48,068
like, commonly share
is our love for music.
1025
00:42:48,109 --> 00:42:49,235
I'm just happy to be
sharing the stage with you guys.
1026
00:42:49,277 --> 00:42:50,904
Yeah, likewise.
1027
00:42:50,945 --> 00:42:54,240
I'm just so grateful and stoked
to even be in the playoffs.
1028
00:42:54,282 --> 00:42:55,950
You are so good.
1029
00:42:55,992 --> 00:42:57,410
Olivia: During the battles,
losing on Team John,
1030
00:42:57,452 --> 00:43:02,957
but then getting stolen
by Dan + Shay,
1031
00:43:02,999 --> 00:43:07,212
it really worked out in
a really cool, beautiful way.
1032
00:43:07,253 --> 00:43:09,631
Shay: How much more fun is Team
Dan + Shay than Team Legend?
1033
00:43:09,673 --> 00:43:10,757
[ Exhales sharply ]
Come on.
1034
00:43:10,799 --> 00:43:11,883
Ooh!
I mean...
1035
00:43:11,925 --> 00:43:13,468
Let's go. That's all we need.
1036
00:43:13,510 --> 00:43:16,262
You can talk trash here.
That's all
we need in here.
1037
00:43:16,304 --> 00:43:17,972
Stop, you guys are gonna
get me in trouble.
1038
00:43:18,014 --> 00:43:19,557
Shay: Freaking love Olivia.
1039
00:43:19,599 --> 00:43:21,518
Poor John, yeah,
he's probably crying right now.
1040
00:43:21,559 --> 00:43:23,269
Yeah!
1041
00:43:23,311 --> 00:43:25,105
John: In the knockouts,
Olivia made me regret
1042
00:43:25,146 --> 00:43:26,940
ever letting her go.
Whoo!
1043
00:43:26,981 --> 00:43:28,900
And I'm a little bit jealous
1044
00:43:28,942 --> 00:43:30,151
that Dan + Shay
get to coach her now.
1045
00:43:30,193 --> 00:43:32,779
* I'll stand by you,
oh *
1046
00:43:32,821 --> 00:43:36,449
Olivia: I'm singing
"I'll Stand By You"
by The Pretenders.
1047
00:43:36,491 --> 00:43:39,202
It's really intimate,
but also really powerful.
1048
00:43:39,244 --> 00:43:44,040
* For you,
I'll stand by you *
1049
00:43:44,082 --> 00:43:45,792
There's such amazing control,
just like,
1050
00:43:45,834 --> 00:43:47,127
going from the big stuff,
the high stuff
1051
00:43:47,168 --> 00:43:48,962
to those real
intimate moments.
1052
00:43:49,004 --> 00:43:50,338
It means a lot.
Thank you.
1053
00:43:50,380 --> 00:43:52,298
I like your eyes.
I can get lost in them.
1054
00:43:52,340 --> 00:43:54,801
Like, stare at us, the girl.
Point at us.
1055
00:43:54,843 --> 00:43:56,469
Like, let us know
you gon' stand by us.
1056
00:43:56,511 --> 00:43:57,846
Absolutely.
It's just
an easy little,
1057
00:43:57,887 --> 00:43:59,139
* I'll stand by you *
1058
00:43:59,180 --> 00:44:00,432
[ Laughter ]
1059
00:44:00,473 --> 00:44:02,267
Absolutely.
I ain't about to
play myself.
1060
00:44:02,308 --> 00:44:06,146
Do you have any advice
for young women in the biz?
1061
00:44:06,187 --> 00:44:08,940
My biggest advice
is not taking no for an answer.
1062
00:44:08,982 --> 00:44:10,817
So always fight for the yes,
1063
00:44:10,859 --> 00:44:12,944
know your boundaries, never
settle with your standards,
1064
00:44:12,986 --> 00:44:15,405
because if you respect you,
the world will respect you,
you know?
1065
00:44:15,447 --> 00:44:17,782
Absolutely.
I got that right from Saweetie.
1066
00:44:17,824 --> 00:44:19,034
No one can take that away
from me now.
1067
00:44:19,075 --> 00:44:20,493
Uh-huh, that's right,
girl.
1068
00:44:20,535 --> 00:44:21,661
Shay: Hey!
Dropping facts
over here.
1069
00:44:21,703 --> 00:44:23,038
Dropping straight facts.
1070
00:44:23,079 --> 00:44:24,789
Olivia:
Saweetie, she's such a boss.
1071
00:44:24,831 --> 00:44:27,876
It's a lot of the stuff that
I feel like I needed to hear.
1072
00:44:27,917 --> 00:44:30,211
When I really need to evoke
a certain emotion,
1073
00:44:30,253 --> 00:44:32,922
it's a good trick.
The more that you feel it,
1074
00:44:32,964 --> 00:44:35,175
the more that we feel it.
Olivia: Yeah.
1075
00:44:35,216 --> 00:44:36,301
Go all the way.
1076
00:44:36,343 --> 00:44:37,802
Totally.
1077
00:44:37,844 --> 00:44:39,846
It is so important
to make Dan + Shay proud.
1078
00:44:39,888 --> 00:44:41,556
I just want to keep
bumping it up,
1079
00:44:41,598 --> 00:44:45,185
making them more excited
to keep having me on their team
1080
00:44:45,226 --> 00:44:48,271
and hopefully get them a win.
1081
00:44:48,313 --> 00:44:50,023
[ Cheers and applause ]
1082
00:44:50,065 --> 00:44:51,524
Daly: Now it's time
for the pop-rocker
1083
00:44:51,566 --> 00:44:54,194
from Delaware
who's taking on a rock classic.
1084
00:44:54,235 --> 00:44:57,447
Singing "I'll Stand By You,"
here's Olivia Rubini.
1085
00:44:57,489 --> 00:44:58,865
Yeah, Olivia!
1086
00:44:58,907 --> 00:45:02,952
**
1087
00:45:02,994 --> 00:45:08,792
* Oh, why you look so sad? *
1088
00:45:08,833 --> 00:45:12,671
* Tears are in your eyes *
1089
00:45:12,712 --> 00:45:16,800
* Come on and come to me now *
1090
00:45:16,841 --> 00:45:23,056
* Don't be ashamed to cry *
1091
00:45:23,098 --> 00:45:26,434
* Let me see you through *
1092
00:45:26,476 --> 00:45:30,939
* 'Cause I've seen
the dark side too *
1093
00:45:30,980 --> 00:45:34,567
* When the night falls on you *
1094
00:45:34,609 --> 00:45:37,153
* You don't know what to do *
1095
00:45:37,195 --> 00:45:40,573
* Nothing you confess *
1096
00:45:40,615 --> 00:45:43,993
* Could make me love you less *
1097
00:45:44,035 --> 00:45:46,496
* I'll stand by you *
1098
00:45:46,538 --> 00:45:47,664
[ Cheers and applause ]
1099
00:45:47,706 --> 00:45:50,875
* I'll stand by you *
1100
00:45:50,917 --> 00:45:54,587
* Won't let nobody hurt you *
1101
00:45:54,629 --> 00:45:57,632
* I'll stand by you *
1102
00:45:57,674 --> 00:45:59,092
**
1103
00:45:59,134 --> 00:46:05,181
* So if you're mad, get mad *
1104
00:46:05,223 --> 00:46:08,893
* Don't hold it all inside *
1105
00:46:08,935 --> 00:46:13,356
* Come on and come to me now *
1106
00:46:13,398 --> 00:46:19,612
* Hey, what you got to hide? *
1107
00:46:19,654 --> 00:46:23,283
* I get angry too *
1108
00:46:23,324 --> 00:46:27,454
* Well, I'm a lot like you *
1109
00:46:27,495 --> 00:46:29,497
* And when *
1110
00:46:29,539 --> 00:46:33,668
* When the night falls on you,
baby *
1111
00:46:33,710 --> 00:46:37,005
* You're feeling all alone *
1112
00:46:37,047 --> 00:46:40,508
* You won't be on your own *
1113
00:46:40,550 --> 00:46:43,970
* I'll stand by you *
1114
00:46:44,012 --> 00:46:47,307
* I'll stand
by you *
1115
00:46:47,349 --> 00:46:49,517
* Won't let nobody hurt you *
1116
00:46:50,935 --> 00:46:54,272
* I'll stand by you *
1117
00:46:54,314 --> 00:46:58,151
* Take me into
your darkest hour *
1118
00:46:58,193 --> 00:47:01,529
* And I'll never desert you *
1119
00:47:01,571 --> 00:47:05,075
* I'll stand by you *
1120
00:47:05,116 --> 00:47:08,328
* I'll stand
by you *
1121
00:47:08,370 --> 00:47:12,123
* Won't let nobody hurt you *
1122
00:47:12,165 --> 00:47:15,794
* I'll stand by you *
1123
00:47:15,835 --> 00:47:19,089
* I'll stand
by you *
1124
00:47:19,130 --> 00:47:23,009
* Won't let nobody hurt you *
1125
00:47:23,051 --> 00:47:28,973
* I'll stand by you *
1126
00:47:29,015 --> 00:47:30,850
[ Cheers and applause ]
1127
00:47:30,892 --> 00:47:32,268
**
1128
00:47:32,310 --> 00:47:34,521
Daly: There's Olivia Rubini,
everybody.
1129
00:47:34,562 --> 00:47:35,647
Give it up for her!
1130
00:47:35,689 --> 00:47:37,023
[ Cheers and applause ]
1131
00:47:37,065 --> 00:47:38,191
Chance, talk to us.
1132
00:47:38,233 --> 00:47:41,027
You have a very, like --
like,
1133
00:47:41,069 --> 00:47:44,155
Stevie Nicks, rockstar,
'70s vibe to you.
1134
00:47:44,197 --> 00:47:45,532
And I think you do have
a great voice,
1135
00:47:45,573 --> 00:47:46,825
and that's
why you've come so far.
1136
00:47:46,866 --> 00:47:48,368
Thank you.
1137
00:47:48,410 --> 00:47:49,994
But I wish there was
a little bit more dynamics
1138
00:47:50,036 --> 00:47:51,621
and just, like, a little
bit more of your range.
1139
00:47:51,663 --> 00:47:53,415
And I think Dan + Shay
have a lot to think about.
1140
00:47:53,456 --> 00:47:54,708
Thank you.
1141
00:47:54,749 --> 00:47:56,376
And let's go
to your former coach, John.
1142
00:47:56,418 --> 00:47:59,337
Olivia, you're always
such a wonderful singer.
1143
00:47:59,379 --> 00:48:01,381
Thank you.
1144
00:48:01,423 --> 00:48:03,675
And I feel like you were doing
little things with your voice
1145
00:48:03,717 --> 00:48:06,720
and with your body
to try to kind of find, like,
1146
00:48:06,761 --> 00:48:08,555
some rock 'n roll in this song.
1147
00:48:08,596 --> 00:48:10,306
I just feel
like maybe this song wasn't
1148
00:48:10,348 --> 00:48:11,766
the best song for this moment.
1149
00:48:11,808 --> 00:48:13,059
Thank you.
Alright, Olivia,
let's hear your coaches,
1150
00:48:13,101 --> 00:48:14,561
Team Dan + Shay.
1151
00:48:14,602 --> 00:48:16,354
Olivia, first of all,
we've loved you, you know,
1152
00:48:16,396 --> 00:48:17,981
since the beginning
of this competition,
1153
00:48:18,023 --> 00:48:19,482
when we got to steal you.
1154
00:48:19,524 --> 00:48:20,859
As far as, like,
1155
00:48:20,900 --> 00:48:22,235
the high stuff that
you like to do, like, I dig it.
1156
00:48:22,277 --> 00:48:23,778
He's gonna be trying to do that.
1157
00:48:23,820 --> 00:48:25,238
I'll be trying to do that
immediately after this.
1158
00:48:25,280 --> 00:48:26,906
I'll be trying to do it.
1159
00:48:26,948 --> 00:48:28,742
I feel like you have
so much originality.
1160
00:48:28,783 --> 00:48:30,326
There's no one else in this
competition that sings like you.
1161
00:48:30,368 --> 00:48:31,828
You're awesome.
Thank you so much.
1162
00:48:31,870 --> 00:48:33,079
Good job, Olivia.
Thank you so much.
1163
00:48:33,121 --> 00:48:35,081
Another big hand
for Olivia Rubini!
1164
00:48:35,123 --> 00:48:37,625
Ladies and gentlemen.
1165
00:48:37,667 --> 00:48:39,627
Shay: Olivia was a steal
from Team Legend in the battle,
1166
00:48:39,669 --> 00:48:42,172
so it's really cool
to see her growth, you know.
1167
00:48:42,213 --> 00:48:43,840
Whenever she's finally
able to have a good coach,
1168
00:48:43,882 --> 00:48:44,966
you know.
Aw!
1169
00:48:45,008 --> 00:48:47,093
I was kidding.
It was amazing.
1170
00:48:47,135 --> 00:48:48,511
Yes, Olivia.
1171
00:48:48,553 --> 00:48:50,430
Shay:
She's just such
a great singer,
1172
00:48:50,472 --> 00:48:52,432
and I feel like
she has so much potential,
1173
00:48:52,474 --> 00:48:55,060
but I'm feeling incredible
about Team Dan + Shay.
1174
00:48:55,101 --> 00:48:57,937
Dan: I would say Karen is more
of our country leading singer.
1175
00:48:57,979 --> 00:48:59,356
Anya, I really love her voice.
1176
00:48:59,397 --> 00:49:01,274
It has so much uniqueness.
1177
00:49:01,316 --> 00:49:04,277
Olivia's got this, like,
retro throwback sound to her.
1178
00:49:04,319 --> 00:49:07,030
They're making this decision,
like, literally impossible.
1179
00:49:07,072 --> 00:49:09,157
She's like, I got to win
this competition!
1180
00:49:09,199 --> 00:49:11,534
Pretty voice, though.
Yeah. I really like her.
1181
00:49:11,576 --> 00:49:12,744
**
1182
00:49:17,791 --> 00:49:19,125
* This is "The Voice" *
1183
00:49:19,167 --> 00:49:22,796
Daly:
Welcome back to the playoffs.
1184
00:49:22,837 --> 00:49:24,881
Let's get it.
Leyenda.
1185
00:49:24,923 --> 00:49:28,009
[ Laughs ]
Wow, yeah. Juan Legenda.
1186
00:49:28,051 --> 00:49:29,427
Yeah.
You'll be Juan Legenda.
1187
00:49:29,469 --> 00:49:32,013
Juan Leyenda, yeah.
My name is Juan, too.
1188
00:49:32,055 --> 00:49:33,598
Ah, nice.
So Juan Legenda y Don Juan.
1189
00:49:33,640 --> 00:49:34,974
Let's get it.
1190
00:49:35,016 --> 00:49:37,560
Alright, it's happening.
Juan Legenda.
1191
00:49:37,602 --> 00:49:38,478
[ Laughter ]
1192
00:49:38,520 --> 00:49:40,814
Man: Ready ready?
Yes.
1193
00:49:40,855 --> 00:49:42,565
I'm ready.
1194
00:49:42,607 --> 00:49:44,150
**
1195
00:49:44,192 --> 00:49:46,986
Mafe, look who's here!
Hola,Mafe.
1196
00:49:47,028 --> 00:49:49,114
Maluma!
1197
00:49:49,155 --> 00:49:50,782
How are you?
Hola, I'm good.
1198
00:49:50,824 --> 00:49:54,202
Seeing Maluma was insane.
1199
00:49:54,244 --> 00:49:56,996
Latino, Latino power right here.
1200
00:49:57,038 --> 00:49:59,791
Mafe: He comes from Colombia,
and I'm from Venezuela,
1201
00:49:59,833 --> 00:50:02,919
and Colombia and Venezuela are
brothers and sisters.
1202
00:50:02,961 --> 00:50:04,254
Like, we are the same people.
1203
00:50:04,295 --> 00:50:05,755
How are you?
How do you feel?
1204
00:50:05,797 --> 00:50:07,382
I feel great, honestly.
1205
00:50:07,424 --> 00:50:09,259
And it was so easy
to talk to him.
1206
00:50:09,300 --> 00:50:10,677
It felt right.
1207
00:50:10,719 --> 00:50:13,179
VamosVenezuela.
Venezuela, let's go.
1208
00:50:13,221 --> 00:50:14,973
Venezuela en la casa.
1209
00:50:15,015 --> 00:50:17,934
Your accent is good, bro.
I took Spanish class,
you know.
1210
00:50:17,976 --> 00:50:20,228
I heard the song
that you do with --
With Sebastián.
1211
00:50:20,270 --> 00:50:22,355
And I've done one
with Juanes.
1212
00:50:22,397 --> 00:50:24,315
Yeah.
A couple of your
fellow Colombians.
1213
00:50:24,357 --> 00:50:26,401
Yeah.
That means
me and you next.
1214
00:50:26,443 --> 00:50:27,736
Yes, please.
Me and you next.
1215
00:50:27,777 --> 00:50:29,320
Let's get it.
1216
00:50:29,362 --> 00:50:34,659
* Never mind,
I'll find someone like you *
1217
00:50:34,701 --> 00:50:38,288
I'm gonna be singing
"Someone Like You" by Adele.
1218
00:50:38,329 --> 00:50:41,583
It is a very challenging song
because it's fast
1219
00:50:41,624 --> 00:50:44,502
and is a lot of words
that are hard for me to say.
1220
00:50:44,544 --> 00:50:46,880
But I'm going to show
the coaches
1221
00:50:46,921 --> 00:50:48,882
absolutely everything I've got.
1222
00:50:48,923 --> 00:50:51,009
What do you if you think
if we want a half step up?
1223
00:50:51,051 --> 00:50:52,886
Yeah.
1224
00:50:52,927 --> 00:50:54,637
'Cause there's a lot of time
in that lower part of the song,
1225
00:50:54,679 --> 00:50:56,723
'cause your voice is
really quiet down there.
1226
00:50:56,765 --> 00:50:59,267
Everybody thinks
that it is more difficult
1227
00:50:59,309 --> 00:51:01,227
to sing up there, right?
1228
00:51:01,269 --> 00:51:03,480
It's always more difficult
to sing lower.
1229
00:51:03,521 --> 00:51:05,732
When I do "Ordinary People,"
1230
00:51:05,774 --> 00:51:09,277
like, the end of the song is one
of the lowest notes --
1231
00:51:09,319 --> 00:51:10,945
I have to, like,
really take a breath.
1232
00:51:10,987 --> 00:51:12,947
That's going to be the key --
somehow finding a way
1233
00:51:12,989 --> 00:51:16,451
to gather yourself
and then support those quiet,
1234
00:51:16,493 --> 00:51:18,203
low notes at the very end.
1235
00:51:18,244 --> 00:51:20,080
* Would I *
1236
00:51:20,121 --> 00:51:21,581
John:
I picked this song for Mafe
1237
00:51:21,623 --> 00:51:23,583
because this is
a classic ballad.
1238
00:51:23,625 --> 00:51:25,835
You've got to be
able to handle the classics.
1239
00:51:25,877 --> 00:51:27,420
* Someone like you *
Sing it, Mafe!
1240
00:51:27,462 --> 00:51:30,548
I really believed
she could do it justice.
1241
00:51:30,590 --> 00:51:31,591
Whoo!
1242
00:51:31,633 --> 00:51:33,885
Whoo! That's why
he's Juan Legenda.
1243
00:51:33,927 --> 00:51:35,512
[ Laughter ]
Legend,
you know what I mean?
1244
00:51:35,553 --> 00:51:37,806
He knew about
the key.
1245
00:51:37,847 --> 00:51:39,724
It is stunning.
Like, I was about to cry.
1246
00:51:39,766 --> 00:51:42,102
It was like, 'cause
you had me under your spell.
1247
00:51:42,143 --> 00:51:43,645
Don't break that spell.
1248
00:51:43,687 --> 00:51:45,730
I'm here just to say
that I'm proud of you
1249
00:51:45,772 --> 00:51:49,275
as a Latino because
for us coming to the states
1250
00:51:49,317 --> 00:51:51,569
becoming a big star is not easy.
1251
00:51:51,611 --> 00:51:54,114
So I just want to give a big
applause to all the Latinos
1252
00:51:54,155 --> 00:51:56,116
that are watching me right now,
guys.
1253
00:51:56,157 --> 00:51:58,326
Congratulations.
We're here working hard.
1254
00:51:58,368 --> 00:51:59,661
Doing it.
Yeah.
1255
00:51:59,703 --> 00:52:01,287
Maluma, stop!
1256
00:52:01,329 --> 00:52:06,167
John: Mafe!
1257
00:52:06,209 --> 00:52:08,336
With "Someone Like You,"
here's Mafe.
1258
00:52:08,378 --> 00:52:10,213
[ Cheers and applause ]
1259
00:52:10,255 --> 00:52:16,469
**
1260
00:52:16,511 --> 00:52:23,643
* I heard that
you're settled down *
1261
00:52:23,685 --> 00:52:32,777
* That you found a girl
and you're married now *
1262
00:52:32,819 --> 00:52:38,658
* I heard that
your dreams came true *
1263
00:52:38,700 --> 00:52:46,458
* Guess she gave you things
I didn't give to you *
1264
00:52:46,499 --> 00:52:49,669
* I hate to turn up
out of the blue, uninvited *
1265
00:52:49,711 --> 00:52:53,506
* But I couldn't stay away,
I couldn't fight it *
1266
00:52:53,548 --> 00:52:55,342
* I had hoped
you'd see my face *
1267
00:52:55,383 --> 00:53:02,891
* And that you'd be reminded
that for me, it isn't over *
1268
00:53:02,932 --> 00:53:09,481
* Never mind,
I'll find someone like you *
1269
00:53:09,522 --> 00:53:16,654
* I wish nothing
but the best for you, too *
1270
00:53:16,696 --> 00:53:20,450
* "Don't forget me," I beg *
1271
00:53:20,492 --> 00:53:23,703
* I remember you said *
1272
00:53:23,745 --> 00:53:26,331
* "Sometimes it lasts in love" *
1273
00:53:26,373 --> 00:53:31,169
* "But sometimes
it hurts instead" *
1274
00:53:31,211 --> 00:53:33,463
* "Sometimes it lasts in love" *
1275
00:53:33,505 --> 00:53:39,094
* "But sometimes
it hurts instead" *
1276
00:53:39,135 --> 00:53:42,681
* Nothing compares,
no worries or cares *
1277
00:53:42,722 --> 00:53:46,226
* Regrets and mistakes,
they're memories made *
1278
00:53:46,267 --> 00:53:53,817
* Who would have known how
bittersweet this would...
1279
00:53:54,484 --> 00:54:00,448
* ...taste? *
1280
00:54:01,199 --> 00:54:07,455
* Never mind,
I'll find someone like you *
1281
00:54:07,497 --> 00:54:14,754
* I wish nothing
but the best for you, too *
1282
00:54:14,796 --> 00:54:18,466
* "Don't forget me," I beg *
1283
00:54:18,508 --> 00:54:25,181
* I remember you said *
1284
00:54:25,598 --> 00:54:28,059
* "Sometimes it lasts in love" *
1285
00:54:28,101 --> 00:54:38,069
* "But sometimes
it hurts instead" *
1286
00:54:38,111 --> 00:54:39,904
[ Cheers and applause ]
1287
00:54:39,946 --> 00:54:41,823
Man, beautiful.
1288
00:54:42,782 --> 00:54:45,952
Daly: There's Mafe,
ladies and gentlemen.
1289
00:54:45,994 --> 00:54:48,413
Beautiful.
1290
00:54:48,455 --> 00:54:49,998
Reba,
what did you think?
1291
00:54:50,040 --> 00:54:51,750
I just absolutely loved it.
1292
00:54:51,791 --> 00:54:54,753
And I also loved
that you stayed stationary
1293
00:54:54,794 --> 00:54:58,214
and just let your voice do
the convincing.
1294
00:54:58,256 --> 00:54:59,549
Yeah.
You really sold it to me.
1295
00:54:59,591 --> 00:55:02,052
So, boy, I think you need to--
Ep! Up!
1296
00:55:02,093 --> 00:55:03,636
Go to the lives.
Nah!
1297
00:55:03,678 --> 00:55:06,639
Chance?
She should go to the lives.
1298
00:55:06,681 --> 00:55:08,767
[ John shouting, laughter ]
1299
00:55:08,808 --> 00:55:11,269
I think your fellow coaches
are making it harder for you.
1300
00:55:11,311 --> 00:55:13,146
Oh, man.
1301
00:55:13,188 --> 00:55:15,148
This is a song that everybody's
heard a million times.
1302
00:55:15,190 --> 00:55:18,193
So we notice when you do
something really cool
1303
00:55:18,234 --> 00:55:20,528
and make a great choice.
1304
00:55:20,570 --> 00:55:22,197
That was fantastic, Mafe.
1305
00:55:22,238 --> 00:55:23,740
I agree with what
everyone's saying.
1306
00:55:23,782 --> 00:55:25,742
My only thing
that was distracting to me was,
1307
00:55:25,784 --> 00:55:28,036
in a song like this
that is so iconic,
1308
00:55:28,078 --> 00:55:30,830
all of the liberties that you
took, it moved too much,
1309
00:55:30,872 --> 00:55:32,749
and that's
just personal preference.
1310
00:55:32,791 --> 00:55:34,334
You're entitled to be wrong.
It's fine.
1311
00:55:34,376 --> 00:55:35,752
[ Laughter ]
1312
00:55:35,794 --> 00:55:38,046
You're entitled
to wearing sleeping clothes.
1313
00:55:38,088 --> 00:55:40,548
It's a free country.
1314
00:55:40,590 --> 00:55:42,258
But you're such
an amazing singer.
1315
00:55:42,300 --> 00:55:43,510
You should definitely go to
the lives.
1316
00:55:43,551 --> 00:55:45,261
Thank you so much.
Wow.
1317
00:55:45,303 --> 00:55:46,680
You could have
just said that.
1318
00:55:46,721 --> 00:55:48,973
What am I supposed to do?
1319
00:55:49,015 --> 00:55:51,976
Everybody keeps coming up here
being their very best selves.
1320
00:55:52,018 --> 00:55:55,980
And I disagree with Shay.
I thought the moments
1321
00:55:56,022 --> 00:55:58,817
when you took a few
melodic liberties were tasteful.
1322
00:55:58,858 --> 00:56:01,861
They didn't take me
out of the feeling of the song.
1323
00:56:01,903 --> 00:56:04,823
I love working with you, Mafe.
You're fantastic.
1324
00:56:04,864 --> 00:56:08,702
Give it up one more time
for Mafe, everybody.
1325
00:56:08,743 --> 00:56:13,081
To have this quality
of a team is astronomical.
1326
00:56:13,123 --> 00:56:14,874
I don't know what John's
gonna do.
Very good.
1327
00:56:14,916 --> 00:56:16,918
Chance:
Mafe did amazing.
1328
00:56:16,960 --> 00:56:19,462
I just love how
she always changes the song up
1329
00:56:19,504 --> 00:56:20,880
and makes it her own.
1330
00:56:20,922 --> 00:56:23,425
Seeing Team Legend
and Team Dan + Shay
1331
00:56:23,466 --> 00:56:24,884
makes me
a little nervous
1332
00:56:24,926 --> 00:56:26,511
'cause I know I got to make
these kind of
1333
00:56:26,553 --> 00:56:28,138
decisions next week.
1334
00:56:28,179 --> 00:56:30,432
So good. Love her singing.
1335
00:56:30,473 --> 00:56:31,933
Lot of back
to back show stoppers.
1336
00:56:31,975 --> 00:56:34,185
Yeah. Who do you send home
from that group?
1337
00:56:34,227 --> 00:56:37,731
**
1338
00:56:41,234 --> 00:56:43,194
* This is "The Voice" *
1339
00:56:43,236 --> 00:56:45,196
Daly: Welcome back.
1340
00:56:45,238 --> 00:56:47,073
We got Tae coming up next.
1341
00:56:47,115 --> 00:56:49,576
Yes. This is Tae's first round
on Team Dan + Shay.
1342
00:56:49,617 --> 00:56:54,080
Oh, wow.
We got him from Team Reba.
1343
00:56:54,122 --> 00:56:56,249
He's a country singer through
and through.
1344
00:56:56,291 --> 00:56:58,752
Just a great entertainer,
great spirit, very charismatic.
1345
00:56:58,793 --> 00:57:00,170
I'm gonna go with
Dan + Shay.
1346
00:57:00,211 --> 00:57:01,588
[ Dan and Shay cheering ]
1347
00:57:01,629 --> 00:57:03,340
Reba is really
gonna regret letting Tae go.
1348
00:57:03,381 --> 00:57:05,425
Man, congratulations.
I wouldn't let y'all down.
1349
00:57:05,467 --> 00:57:07,218
We had to get him
on Team Dan + Shay
1350
00:57:07,260 --> 00:57:08,762
'cause he has so much talent.
1351
00:57:08,803 --> 00:57:09,804
Let's bring him in.
Yeah, let's bring him in.
1352
00:57:09,846 --> 00:57:12,307
Jinx.
[ Laughs ]
1353
00:57:12,349 --> 00:57:14,392
All: Hey!
1354
00:57:14,434 --> 00:57:15,602
Tae, yes!
1355
00:57:15,643 --> 00:57:17,854
That's my guy.
Yo, it's Saweetie.
1356
00:57:17,896 --> 00:57:19,314
Yes, sir.
1357
00:57:19,356 --> 00:57:21,566
[ Tae and Saweetie cheering ]
1358
00:57:21,608 --> 00:57:25,278
It's crazy now
that I am in front of people
1359
00:57:25,320 --> 00:57:29,741
I grew up listening to --
Dan + Shay, as well as Saweetie.
1360
00:57:29,783 --> 00:57:31,659
It's a dream come true.
1361
00:57:31,701 --> 00:57:33,161
I've been listening to y'all
for so long.
1362
00:57:33,203 --> 00:57:35,205
I've, like, put y'all
on my vision board.
1363
00:57:35,246 --> 00:57:37,290
You're gonna make us cry,
dude.
No, I'm serious.
1364
00:57:37,332 --> 00:57:40,710
Like, and so this is
like a huge pivotal thing that,
1365
00:57:40,752 --> 00:57:42,796
like, I'm on y'all team now.
1366
00:57:42,837 --> 00:57:46,049
I'm just so happy. I'm so
excited that I'm on they team.
1367
00:57:46,091 --> 00:57:47,801
I really am.
What are you singing today?
1368
00:57:47,842 --> 00:57:49,636
I am singing
"Running Out of Moonlight"
1369
00:57:49,678 --> 00:57:52,138
by none other than Randy Houser.
1370
00:57:52,180 --> 00:57:55,100
I actually sing this song
when I go and perform.
1371
00:57:55,141 --> 00:57:57,018
This is, like, my opener.
I'd love to see it.
1372
00:57:57,060 --> 00:57:59,771
* Come on, baby,
don't ya keep me waitin' *
1373
00:57:59,813 --> 00:58:02,148
* I gotta go,
I got a reservation *
1374
00:58:02,190 --> 00:58:04,025
* Tailgate for two
underneath the stars *
1375
00:58:04,067 --> 00:58:05,985
Tae: I learned this song
from my brother.
1376
00:58:06,027 --> 00:58:09,197
We were arguing because
I had moved away from home.
1377
00:58:09,239 --> 00:58:12,158
It was hard for him
to understand why I left.
1378
00:58:12,200 --> 00:58:14,911
He showed me the song
because the song talks about,
1379
00:58:14,953 --> 00:58:16,955
you don't have a lot of time
to waste,
1380
00:58:16,996 --> 00:58:18,915
just spend as much time
as you can with each other.
1381
00:58:18,957 --> 00:58:20,709
And so it was that moment
1382
00:58:20,750 --> 00:58:22,502
I just fell in love
with that song.
1383
00:58:22,544 --> 00:58:24,796
* Come on, come on, come on,
we're runnin' outta moonlight *
1384
00:58:24,838 --> 00:58:27,132
Tae was such a burst of joy.
1385
00:58:27,173 --> 00:58:29,592
I wasn't expecting
his voice to be that big.
1386
00:58:29,634 --> 00:58:31,594
His presence is really strong.
1387
00:58:31,636 --> 00:58:33,513
If he was at a bar,
I would be captivated.
1388
00:58:33,555 --> 00:58:37,475
* Oh *
1389
00:58:37,517 --> 00:58:40,437
[ All cheering ]
We run out of moonlight.
1390
00:58:40,478 --> 00:58:42,522
* Running out of moonlight *
1391
00:58:42,564 --> 00:58:43,940
I like it. Thank you
for introducing me
1392
00:58:43,982 --> 00:58:45,692
further into
the country genre.
1393
00:58:45,734 --> 00:58:47,068
Absolutely.
1394
00:58:47,110 --> 00:58:48,862
It's such a perfect performance
to me.
1395
00:58:48,903 --> 00:58:50,572
I want to challenge you.
1396
00:58:50,613 --> 00:58:52,240
I want you to try
different moods.
1397
00:58:52,282 --> 00:58:53,992
Whatever personality
you want to tap into...
1398
00:58:54,034 --> 00:58:55,994
Okay.
1399
00:58:56,036 --> 00:58:57,537
...just challenge yourself
and be like, I want to go here.
1400
00:58:57,579 --> 00:58:58,538
I want to pull back.
I want to be light.
1401
00:58:58,580 --> 00:58:59,956
I want to be dark.
1402
00:58:59,998 --> 00:59:01,583
I want to be louder,
a little quieter.
1403
00:59:01,624 --> 00:59:03,168
If we're trying
to do some different stuff,
1404
00:59:03,209 --> 00:59:05,045
I feel like you could take
that mic off the stand
1405
00:59:05,086 --> 00:59:06,880
and move it, like, work it
around the stage a little bit,
1406
00:59:06,921 --> 00:59:08,465
too, if you weren't tethered
to that guitar.
1407
00:59:08,506 --> 00:59:11,051
I'm-a try it without the
guitar and see what y'all think.
1408
00:59:11,092 --> 00:59:12,719
Okay.
1409
00:59:12,761 --> 00:59:14,387
There's already a Randy Houser.
1410
00:59:14,429 --> 00:59:16,139
When you start trying to chase
what somebody else is doing,
1411
00:59:16,181 --> 00:59:19,684
you've already lost,
'cause you have to be 100%,
1412
00:59:19,726 --> 00:59:23,229
and you have to find out
exactly what that is.
1413
00:59:23,271 --> 00:59:25,398
* Oh, baby,
don't it feel so right *
1414
00:59:25,440 --> 00:59:28,109
* Come on, now, we're runnin'
outta moonlight *
1415
00:59:28,151 --> 00:59:30,236
If Tae makes this performance
his own,
1416
00:59:30,278 --> 00:59:32,781
really shows us
who Tae is as an artist...
1417
00:59:32,822 --> 00:59:34,783
* We're running out
of moonlight *
1418
00:59:34,824 --> 00:59:36,576
I feel like he's
a really strong contender
1419
00:59:36,618 --> 00:59:38,078
to move forward
to the live shows.
1420
00:59:38,119 --> 00:59:40,705
Whoo!
Yeah! I like that.
1421
00:59:40,747 --> 00:59:42,415
I like that,
'cause you know what?
1422
00:59:42,457 --> 00:59:44,834
You went from great performer
to great storyteller.
1423
00:59:44,876 --> 00:59:46,002
We grateful to have you
on team, Dan + Shay, dude.
1424
00:59:46,044 --> 00:59:48,838
Let's go. Let's get it popping.
1425
00:59:48,880 --> 00:59:51,466
With "Running Out of Moonlight,"
here's Tae Lewis.
1426
00:59:51,508 --> 00:59:53,051
[ Cheers and applause ]
1427
00:59:53,093 --> 00:59:56,388
**
1428
00:59:56,429 --> 00:59:59,099
Yeah!
1429
00:59:59,140 --> 01:00:00,433
Here we go.
1430
01:00:00,475 --> 01:00:03,019
* Don't you worry 'bout getting
fixed up *
1431
01:00:03,061 --> 01:00:06,022
* When you wake up,
you're pretty enough *
1432
01:00:06,064 --> 01:00:08,233
* Look out your window,
that’s a cloud of dust *
1433
01:00:08,274 --> 01:00:11,528
* That's my headlights,
that's my truck *
1434
01:00:11,569 --> 01:00:14,280
* Come on, baby,
don't ya keep me waitin' *
1435
01:00:14,322 --> 01:00:16,783
* I gotta go,
I got a reservation *
1436
01:00:16,825 --> 01:00:19,369
* Tailgate for two
underneath the stars *
1437
01:00:19,411 --> 01:00:22,872
* Kiss on your lips
when you're in my arms *
1438
01:00:22,914 --> 01:00:24,290
Background singers:
* Whoa, oh, oh *
1439
01:00:24,332 --> 01:00:26,167
* Come on, girl,
every now and then *
1440
01:00:26,209 --> 01:00:28,336
* You get a night like this *
1441
01:00:28,378 --> 01:00:30,088
* Whoa, oh, oh *
1442
01:00:30,130 --> 01:00:33,633
* Come on, this is one that we
don't want to miss, no *
1443
01:00:33,675 --> 01:00:36,720
* Come on, baby, let me take
you on a night ride *
1444
01:00:36,761 --> 01:00:39,472
* Windows down,
sittin' on my side *
1445
01:00:39,514 --> 01:00:41,975
* Tick tock, now we're knockin'
on midnight *
1446
01:00:42,017 --> 01:00:45,103
* Me and you, girl,
runnin' outta moonlight *
1447
01:00:45,145 --> 01:00:47,439
* I wanna hold you till
the break of dawn *
1448
01:00:47,480 --> 01:00:50,483
* And hear the crickets sing
a riverside love song *
1449
01:00:50,525 --> 01:00:53,445
* Hey baby all we got
is all night *
1450
01:00:53,486 --> 01:00:57,699
* Come on now,
we're runnin' outta moonlight *
1451
01:00:57,741 --> 01:01:00,410
* Yeah *
1452
01:01:00,452 --> 01:01:04,289
* Ooh, girl, I bet you thought
I lost my mind *
1453
01:01:04,330 --> 01:01:06,458
* Out of the blue pullin'
into your drive *
1454
01:01:06,499 --> 01:01:07,917
* Into your drive *
1455
01:01:07,959 --> 01:01:10,170
* Wonderin' why I got ya
way out here *
1456
01:01:10,211 --> 01:01:12,881
* Have you ever seen
a sky this clear? *
1457
01:01:12,922 --> 01:01:15,050
* Whoa, oh, oh *
1458
01:01:15,091 --> 01:01:18,511
* Girl, you never looked better
than you do right now *
1459
01:01:18,553 --> 01:01:20,513
* Whoa, oh, oh *
1460
01:01:20,555 --> 01:01:24,934
* Aw, heaven let your light
shine down, yeah *
1461
01:01:24,976 --> 01:01:26,603
[ Cheers and applause ]
1462
01:01:26,644 --> 01:01:29,731
* Come on, baby, let me
take you on a night ride *
1463
01:01:29,773 --> 01:01:32,442
* Windows down,
sittin' on my side *
1464
01:01:32,484 --> 01:01:35,028
* Tick tock, now we're knockin'
on midnight *
1465
01:01:35,070 --> 01:01:37,906
* Me and you, girl, runnin'
outta moonlight *
1466
01:01:37,947 --> 01:01:40,533
* Oh *
* I wanna hold you till
the break of dawn *
1467
01:01:40,575 --> 01:01:43,870
* Night, night *
* Hear the crickets sing
a riverside love song *
1468
01:01:43,912 --> 01:01:46,414
* Yeah *
* Hey, baby,
all we got is all night *
1469
01:01:46,456 --> 01:01:49,334
* Come on now, we're runnin'
outta moonlight *
1470
01:01:49,376 --> 01:01:52,045
* Oh, baby,
don't it feel so right *
1471
01:01:52,087 --> 01:01:54,923
* Come on now, we're runnin'
outta moonlight *
1472
01:01:54,964 --> 01:01:56,841
* Oh, baby,
wanna hold ya tight *
1473
01:01:56,883 --> 01:02:00,553
* Come on, come on, come on,
we're runnin' outta moonlight *
1474
01:02:00,595 --> 01:02:02,514
* Whoa, oh, oh *
1475
01:02:02,555 --> 01:02:05,892
* Hey, yeah, we're runnin
outta moonlight, say *
1476
01:02:05,934 --> 01:02:08,478
* Whoa, oh, oh *
1477
01:02:08,520 --> 01:02:13,066
* Oh, oh, oh *
1478
01:02:13,108 --> 01:02:15,694
[ Cheers and applause ]
1479
01:02:15,735 --> 01:02:17,404
Yes, sir!
Let's go!
1480
01:02:17,445 --> 01:02:19,906
**
1481
01:02:19,948 --> 01:02:23,284
Whoa.
Yeah.
1482
01:02:23,326 --> 01:02:25,787
You feel the playoff
fever pitch, John.
1483
01:02:25,829 --> 01:02:27,831
John: He's just trying
to tell Dan + Shay
1484
01:02:27,872 --> 01:02:29,666
y'all know
what y'all need to do.
1485
01:02:29,708 --> 01:02:31,960
[ Laughter ]
1486
01:02:32,002 --> 01:02:33,753
Everybody just
kind of leans forward
1487
01:02:33,795 --> 01:02:35,714
when you walk in the room
1488
01:02:35,755 --> 01:02:37,382
because they want to know
what you're gonna do next.
1489
01:02:37,424 --> 01:02:40,510
Lives, absolutely.
That's my vote.
1490
01:02:40,552 --> 01:02:43,013
Noted.
Aw, man!
1491
01:02:43,054 --> 01:02:44,639
Chance: This was like your
most soulful performance.
1492
01:02:44,681 --> 01:02:46,474
You were doing, like,
the nay-nay kind of, like,
1493
01:02:46,516 --> 01:02:48,518
halfway, like,
around the stage the whole time.
1494
01:02:48,560 --> 01:02:50,937
That's the dance -- that's
the dance I was talking about.
1495
01:02:50,979 --> 01:02:52,897
Come on.
I would put him
on my live team.
1496
01:02:52,939 --> 01:02:55,150
Shay:
How about that?
1497
01:02:55,191 --> 01:02:56,943
You're an amazing
tenor vocalist.
1498
01:02:56,985 --> 01:02:58,903
You really showcased
your range in this.
1499
01:02:58,945 --> 01:03:00,947
I had this just fire
in my belly.
1500
01:03:00,989 --> 01:03:02,449
It might have been the tacos
I had for lunch,
1501
01:03:02,490 --> 01:03:03,825
but I'm not sure.
1502
01:03:03,867 --> 01:03:05,702
You are so fantastic, man,
1503
01:03:05,744 --> 01:03:07,787
and I am so proud
that you're on Team Dan + Shay.
1504
01:03:07,829 --> 01:03:09,039
Dan: You said,
"I won't let you guys down.
1505
01:03:09,080 --> 01:03:10,874
I'll make you proud."
1506
01:03:10,915 --> 01:03:12,459
And you did not let us
down today.
1507
01:03:12,500 --> 01:03:14,461
You made us damn proud
up here on the stage.
1508
01:03:14,502 --> 01:03:16,546
Let's go!
Come on, another round
for Tae Lewis.
1509
01:03:16,588 --> 01:03:19,799
Come on!
Come down.
1510
01:03:19,841 --> 01:03:22,594
Reba: Tae has a very special
place in my heart.
1511
01:03:22,635 --> 01:03:24,596
Way to go.
1512
01:03:24,637 --> 01:03:28,016
I just absolutely love his
energy, his attitude, his try.
1513
01:03:28,058 --> 01:03:32,187
He's got more try than
about anybody I know.
1514
01:03:32,228 --> 01:03:34,147
Tae proved that he deserved
our steal in the knockouts.
1515
01:03:34,189 --> 01:03:36,649
He immediately became one
of the best on Team Dan + Shay.
1516
01:03:36,691 --> 01:03:38,860
Sometimes, you got
to convince people on stage.
1517
01:03:38,902 --> 01:03:40,320
That's what he did.
I like him.
1518
01:03:40,362 --> 01:03:42,447
I think you got to put him
through, bro.
1519
01:03:42,489 --> 01:03:45,492
**
1520
01:03:48,703 --> 01:03:49,913
* This is "The Voice" *
1521
01:03:49,954 --> 01:03:53,041
Daly: Welcome back
to the playoffs.
1522
01:03:53,083 --> 01:03:54,626
What do you think
the chances are both you
1523
01:03:54,668 --> 01:03:56,086
and I getting in that robe?
1524
01:03:56,127 --> 01:03:58,088
Hey, we can fit.
We can fit.
1525
01:03:58,129 --> 01:03:59,547
[ Laughter ]
1526
01:03:59,589 --> 01:04:03,885
We have the great
global superstar Maluma here
1527
01:04:03,927 --> 01:04:06,221
to be our advisor
for Team Legend.
1528
01:04:06,262 --> 01:04:09,182
I'm Team Legend right now.
You already know, right?
1529
01:04:09,224 --> 01:04:11,142
Yeah.
For life.
1530
01:04:11,184 --> 01:04:13,812
So we're gonna do
some "Iris" by Goo Goo Dolls.
1531
01:04:13,853 --> 01:04:15,313
It's not exactly country.
1532
01:04:15,355 --> 01:04:16,981
Are you gonna country-fy
it a little bit?
1533
01:04:17,023 --> 01:04:18,983
I do want to turn it
into a ballad.
1534
01:04:19,025 --> 01:04:20,443
Yeah.
I'm a piano player.
1535
01:04:20,485 --> 01:04:22,987
I love the stripped-down,
dreamy vibe.
1536
01:04:23,029 --> 01:04:24,864
Yeah.
I think that's your zone.
1537
01:04:24,906 --> 01:04:26,408
Sounds like stuff
that I write.
1538
01:04:26,449 --> 01:04:28,326
Do you write a lot?
I do.
1539
01:04:28,368 --> 01:04:30,245
I think my main thing
I want to do is be a songwriter.
1540
01:04:30,286 --> 01:04:31,871
You ever released
your own songs?
1541
01:04:31,913 --> 01:04:34,082
I have, like,
videos on social media.
1542
01:04:34,124 --> 01:04:36,126
That's the way I started,
man.
Yeah.
1543
01:04:36,167 --> 01:04:40,255
* I'd give up forever
to touch you *
1544
01:04:40,296 --> 01:04:41,965
* 'Cause I know that
you feel me somehow *
1545
01:04:42,007 --> 01:04:45,969
Zoe -- She's so young, and
she reminds me when I started.
1546
01:04:46,011 --> 01:04:50,140
* And all I can taste
is this moment *
1547
01:04:50,181 --> 01:04:52,308
Yeah.
I like that.
1548
01:04:52,350 --> 01:04:54,269
Her voice reminds me,
like, a cloud,
1549
01:04:54,310 --> 01:04:56,146
like, the sky is so sweet,
so beautiful.
1550
01:04:56,187 --> 01:04:57,689
She's great.
1551
01:04:57,731 --> 01:05:01,151
* And I don't want the world
to see me *
1552
01:05:01,192 --> 01:05:03,611
Zoe:
Before being on the show,
1553
01:05:03,653 --> 01:05:07,657
I was just a girl in Louisiana,
writing songs in her room.
1554
01:05:07,699 --> 01:05:10,285
I've been a part of this band
with my fiance,
1555
01:05:10,326 --> 01:05:12,954
his brother,
and all of our musician friends.
1556
01:05:12,996 --> 01:05:16,541
Performing with people you love
is such a rare experience.
1557
01:05:16,583 --> 01:05:20,253
* I just want you to know
who I am *
1558
01:05:20,295 --> 01:05:22,797
Now I'm working
with John Legend and artists
1559
01:05:22,839 --> 01:05:25,967
like Maluma, performing
for all of America?
1560
01:05:26,009 --> 01:05:28,303
All of my dreams
are coming true.
1561
01:05:28,345 --> 01:05:30,847
It's just super cool
to have this platform.
1562
01:05:30,889 --> 01:05:34,142
Take advantage
of your lower voice.
1563
01:05:34,184 --> 01:05:35,810
You know what I mean?
1564
01:05:35,852 --> 01:05:37,395
Because it's so beautiful,
because we're always paying
1565
01:05:37,437 --> 01:05:39,189
attention to the higher notes,
right?
1566
01:05:39,230 --> 01:05:41,358
But once you hit
the lower notes, for me,
1567
01:05:41,399 --> 01:05:44,152
that's one of my favorite parts
of this whole performance,
1568
01:05:44,194 --> 01:05:45,362
too, so pay attention to it.
1569
01:05:45,403 --> 01:05:46,696
Yeah.
1570
01:05:46,738 --> 01:05:48,656
John: I like how conversational
you make it.
1571
01:05:48,698 --> 01:05:49,949
We were both looking at each
other when we were doing that.
1572
01:05:49,991 --> 01:05:51,826
We're like, yeah. That's it.
1573
01:05:51,868 --> 01:05:54,829
It gives you room to grow into,
like, the big belt-y stuff.
1574
01:05:54,871 --> 01:05:58,333
You're so close.
I feel like it's at 90% now.
1575
01:05:58,375 --> 01:06:01,628
Just make sure you are breathing
to support all those big notes
1576
01:06:01,670 --> 01:06:04,798
because occasionally, you're
like, pushing a little bit.
1577
01:06:04,839 --> 01:06:07,884
Breathing to support all
of that will make it 100%.
1578
01:06:07,926 --> 01:06:10,178
Maluma, you started so young.
1579
01:06:10,220 --> 01:06:12,681
I just wanted to ask
what was it like for you,
1580
01:06:12,722 --> 01:06:15,308
and if you have any advice for,
like, young artists.
1581
01:06:15,350 --> 01:06:17,435
Talent without discipline
is nothing.
1582
01:06:17,477 --> 01:06:19,354
So, for me,
discipline is first.
1583
01:06:19,396 --> 01:06:21,773
Keep writing
your own songs
1584
01:06:21,815 --> 01:06:24,693
because that's something that
not every artist could do it.
1585
01:06:24,734 --> 01:06:26,903
You're gonna make it.
You're full of talent.
1586
01:06:26,945 --> 01:06:28,196
Congratulations.
1587
01:06:28,238 --> 01:06:29,823
Thank you so much
for sharing.
1588
01:06:29,864 --> 01:06:31,199
I'm so excited for you, Zoe.
1589
01:06:31,241 --> 01:06:33,451
Zoe,
I just feel like she's growing
1590
01:06:33,493 --> 01:06:35,078
and getting more confident
with each round,
1591
01:06:35,120 --> 01:06:36,454
and I'm excited
to see what she'll do next.
1592
01:06:36,496 --> 01:06:38,665
It was so nice to meet you.
Bye, Zoe.
1593
01:06:38,707 --> 01:06:42,127
Will Zoe step up once again
and sing her way into the lives?
1594
01:06:42,168 --> 01:06:43,962
[ Cheers and applause ]
1595
01:06:44,004 --> 01:06:46,423
**
1596
01:06:46,464 --> 01:06:48,800
Now, it's a '90s rock hit
1597
01:06:48,842 --> 01:06:52,595
by Team Legend's Louisiana
pop singer Zoe Levert.
1598
01:06:52,637 --> 01:06:59,686
**
1599
01:06:59,728 --> 01:07:04,441
* I'd give up forever to
touch you *
1600
01:07:04,482 --> 01:07:09,154
* 'Cause I know
that you feel me somehow *
1601
01:07:09,195 --> 01:07:13,825
* You're the closest to heaven
that I'll ever be *
1602
01:07:13,867 --> 01:07:19,122
* And I don't wanna go home
right now *
1603
01:07:19,164 --> 01:07:23,293
* And all I can taste
is this moment *
1604
01:07:23,335 --> 01:07:28,298
* And all I can breathe
is your life *
1605
01:07:28,340 --> 01:07:32,635
* And sooner or later,
it's over *
1606
01:07:32,677 --> 01:07:37,390
* I just don't wanna miss you
tonight *
1607
01:07:37,432 --> 01:07:41,936
* And I don't want the world
to see me *
1608
01:07:41,978 --> 01:07:47,275
* 'Cause I don't think
that they'd understand *
1609
01:07:47,317 --> 01:07:51,529
* When everything's made
to be broken *
1610
01:07:51,571 --> 01:07:59,287
* I just want you to know
who I am *
1611
01:07:59,329 --> 01:08:02,791
Yeah!
I do like Zoe, man.
1612
01:08:02,832 --> 01:08:07,462
* And you can't fight the tears
that ain't coming *
1613
01:08:07,504 --> 01:08:12,300
* Or the moment of truth
in your lies *
1614
01:08:12,342 --> 01:08:16,680
* When everything feels
like the movies *
1615
01:08:16,721 --> 01:08:21,643
* Yeah, you bleed just to know
you're alive *
1616
01:08:21,685 --> 01:08:26,356
* And I don't want the world
to see me *
1617
01:08:26,398 --> 01:08:31,361
* 'Cause I don't think
that they'd understand *
1618
01:08:31,403 --> 01:08:35,657
* When everything's made
to be broken *
1619
01:08:35,699 --> 01:08:44,207
* I just want you to know
who I am *
1620
01:08:45,000 --> 01:08:51,548
* Oh, and I don't want the world
to see me *
1621
01:08:51,589 --> 01:08:56,678
* 'Cause I don't think
that they'd understand *
1622
01:08:56,720 --> 01:09:00,807
* When everything's made to be
broken *
1623
01:09:00,849 --> 01:09:10,400
* I just want you to know
who I am *
1624
01:09:10,442 --> 01:09:16,990
* I just want you
to know who I am *
1625
01:09:17,032 --> 01:09:20,618
[ Cheers and applause ]
1626
01:09:20,660 --> 01:09:23,413
Daly: Zoe Levert!
Put the coaches on their feet,
1627
01:09:23,455 --> 01:09:25,206
always a good sign.
1628
01:09:25,248 --> 01:09:27,042
That was so good!
1629
01:09:27,083 --> 01:09:29,502
That was crazy.
Oh, my God.
1630
01:09:29,544 --> 01:09:31,212
Wow.
Daly: Chance,
let's start with you.
1631
01:09:31,254 --> 01:09:33,089
That was my favorite
performance, man.
1632
01:09:33,131 --> 01:09:34,215
Oh, my God.
1633
01:09:34,257 --> 01:09:35,550
Thank you.
1634
01:09:35,592 --> 01:09:37,218
I'm not super
familiar with this song,
1635
01:09:37,260 --> 01:09:38,636
but I feel
like you should cover it,
1636
01:09:38,678 --> 01:09:40,221
and you should
probably put it out.
1637
01:09:40,263 --> 01:09:41,681
It was that good.
I like it a lot.
1638
01:09:41,723 --> 01:09:43,683
When it comes to the lives,
1639
01:09:43,725 --> 01:09:46,353
like, I've said for every
single person that's gone on.
1640
01:09:46,394 --> 01:09:47,729
[ Laughter ]
1641
01:09:47,771 --> 01:09:49,856
No, you don't know
what I'm gonna say.
1642
01:09:49,898 --> 01:09:52,776
You should send her
to the lives.
1643
01:09:52,817 --> 01:09:56,071
[ Laughter ]
1644
01:09:56,112 --> 01:10:00,575
When she performs, it's such
a, like, captivating thing.
1645
01:10:00,617 --> 01:10:02,702
You want somebody
that can spearhead your team,
1646
01:10:02,744 --> 01:10:04,704
and I feel like that
might be Zoe.
1647
01:10:04,746 --> 01:10:07,082
Thank you so much.
Daly: Dan + Shay?
1648
01:10:07,123 --> 01:10:08,750
Zoe,
that was unbelievable.
1649
01:10:08,792 --> 01:10:10,752
I've loved honestly, every
performance that you've done.
1650
01:10:10,794 --> 01:10:13,171
You were feeling every bit
of this moment.
1651
01:10:13,213 --> 01:10:15,173
And that matters so much
in the playoffs.
1652
01:10:15,215 --> 01:10:16,716
The stakes are so high.
1653
01:10:16,758 --> 01:10:18,259
There's so much talent,
and everybody watching
1654
01:10:18,301 --> 01:10:20,512
at home
knows who you are.
1655
01:10:20,553 --> 01:10:22,430
Bravo. Amazing.
1656
01:10:22,472 --> 01:10:23,723
Thank you.
Daly: Reba?
1657
01:10:23,765 --> 01:10:25,975
Boy, you brought it,
and I was like,
1658
01:10:26,017 --> 01:10:29,104
"Oh, my gosh, this gal is
somebody to reckon with."
1659
01:10:29,145 --> 01:10:32,232
Your voice,
your stage presence, your look.
1660
01:10:32,273 --> 01:10:34,693
I could listen to you
all night long.
1661
01:10:34,734 --> 01:10:38,905
You've just got that kind
of voice I never get tired of.
1662
01:10:38,947 --> 01:10:40,448
Absolutely beautiful.
1663
01:10:40,490 --> 01:10:41,908
John, your artists tonight
have been incredible.
1664
01:10:41,950 --> 01:10:44,327
This is your last artist.
Hey, hey, hey.
1665
01:10:44,369 --> 01:10:45,745
I'm sorry.
Hey, hey, hey.
1666
01:10:45,787 --> 01:10:47,956
John, you ought to
take her to the lives.
1667
01:10:47,997 --> 01:10:50,041
[ Laughter ]
1668
01:10:50,083 --> 01:10:51,793
Queen Reba, thank you.
1669
01:10:51,835 --> 01:10:55,380
Like the little pronunciations
and tonal things you were doing,
1670
01:10:55,422 --> 01:10:58,383
they just made it sound
like this is prime time.
1671
01:10:58,425 --> 01:11:00,427
I want to hear a record
with this voice on it.
1672
01:11:00,468 --> 01:11:03,263
You look like. "I am ready
for this moment,
1673
01:11:03,304 --> 01:11:06,641
and I want you to know
who I am."
1674
01:11:06,683 --> 01:11:08,143
Congratulations, Zoe.
1675
01:11:08,184 --> 01:11:11,229
Another big hand for
Zoe Levert!
1676
01:11:11,271 --> 01:11:14,190
John: I just feel like Zoe
is becoming a star
before our eyes.
1677
01:11:14,232 --> 01:11:15,650
I'm so impressed.
Wow!
1678
01:11:15,692 --> 01:11:18,111
[ Judges cheering ]
1679
01:11:18,153 --> 01:11:19,863
She crushed it.
1680
01:11:19,904 --> 01:11:21,698
But we can only take
three into the lives.
1681
01:11:21,740 --> 01:11:22,824
It's gonna be
some tough decisions,
1682
01:11:22,866 --> 01:11:24,617
and then it's on America.
1683
01:11:24,659 --> 01:11:26,995
Sounds like
superstar country.
1684
01:11:27,037 --> 01:11:28,413
Yeah, yeah.
Better and better every time.
1685
01:11:28,455 --> 01:11:32,000
**
1686
01:11:35,211 --> 01:11:36,546
* This is "The Voice" *
1687
01:11:36,588 --> 01:11:39,341
Daly:
Welcome back to the playoffs.
1688
01:11:39,382 --> 01:11:41,384
I feel like
you gave our team, like,
1689
01:11:41,426 --> 01:11:44,304
life lessons that they can take
with them on this competition,
1690
01:11:44,346 --> 01:11:45,680
but, like,
beyond this competition.
1691
01:11:45,722 --> 01:11:47,223
Just really, really good advice.
1692
01:11:47,265 --> 01:11:49,142
Well, I think the beautiful
thing about this show
1693
01:11:49,184 --> 01:11:51,978
is artists helping artists
we see ourselves in them.
1694
01:11:52,020 --> 01:11:54,189
Totally.
So it's like,
that's where it comes from.
1695
01:11:54,230 --> 01:11:55,690
I'm like, what would
I want someone to tell me?
1696
01:11:55,732 --> 01:11:57,108
Yeah.
1697
01:11:57,150 --> 01:11:58,485
Dan: So we've got Madison
coming up next.
1698
01:11:58,526 --> 01:12:00,111
She has been one
of our favorites
1699
01:12:00,153 --> 01:12:01,821
since the very beginning --
a person who just, like,
1700
01:12:01,863 --> 01:12:03,531
radiates light and positivity.
1701
01:12:03,573 --> 01:12:07,702
[ Singing in Spanish ]
1702
01:12:07,744 --> 01:12:09,079
I can see Madison being
successful
1703
01:12:09,120 --> 01:12:10,872
in the music industry.
1704
01:12:10,914 --> 01:12:13,208
Her voice is consistent.
It's dynamic.
1705
01:12:13,249 --> 01:12:16,002
It's engaging.
It's endearing.
1706
01:12:16,044 --> 01:12:17,170
Daly: We got a steal!
1707
01:12:17,212 --> 01:12:21,049
Oh, we've got something better!
1708
01:12:21,091 --> 01:12:22,884
She deserves
our Playoff Pass in a big way,
1709
01:12:22,926 --> 01:12:24,886
and I think she's gonna
make us proud.
1710
01:12:24,928 --> 01:12:27,305
I feel like you guys somehow
picked, like, the perfect song,
1711
01:12:27,347 --> 01:12:29,140
'cause this song reminds me
of my dad so much.
1712
01:12:29,182 --> 01:12:33,228
* Till the landslide
brought me down *
1713
01:12:33,269 --> 01:12:36,439
Madison: I'm singing "Landslide"
by Fleetwood Mac.
1714
01:12:36,481 --> 01:12:38,817
I think about my dad
when I sing it.
1715
01:12:38,858 --> 01:12:42,612
I'm just so proud of him,
like he's proud of me.
1716
01:12:42,654 --> 01:12:44,739
My dad's just sacrificed a lot.
1717
01:12:44,781 --> 01:12:47,283
He drives trucks
every day just to provide
1718
01:12:47,325 --> 01:12:49,202
the most beautiful life for us,
1719
01:12:49,244 --> 01:12:51,955
and he always just reminds us
that we're of love.
1720
01:12:51,996 --> 01:12:57,127
* And I'm getting older, too *
1721
01:12:57,168 --> 01:12:59,087
As we get older,
so do our parents.
1722
01:12:59,129 --> 01:13:02,424
And he is getting older,
and I just hope I can one day
1723
01:13:02,465 --> 01:13:04,092
be able to provide
for him the way
1724
01:13:04,134 --> 01:13:06,845
that he provided for me.
1725
01:13:06,886 --> 01:13:10,015
Standing ovation.
That's so --
1726
01:13:10,056 --> 01:13:11,141
I'm, like, shaking.
1727
01:13:11,182 --> 01:13:13,601
I have chills, dude.
That was so good.
1728
01:13:13,643 --> 01:13:15,770
Thank you, guys.
Thank you.
1729
01:13:15,812 --> 01:13:17,105
I could tell you
were thinking about your dad.
1730
01:13:17,147 --> 01:13:19,441
I was -- oh, man.
That was incredible.
1731
01:13:19,482 --> 01:13:23,111
That literally stopped me in
my tracks and just blew me away.
1732
01:13:23,153 --> 01:13:25,488
I hope he loves it as much
as I love singing it.
1733
01:13:25,530 --> 01:13:26,656
I think that's my favorite thing
I've ever heard.
1734
01:13:26,698 --> 01:13:28,116
I'm about to tear up right now.
1735
01:13:28,158 --> 01:13:29,909
If I know that Dan + Shay
saw my heart,
1736
01:13:29,951 --> 01:13:32,454
I can't imagine what
America would think about it,
1737
01:13:32,495 --> 01:13:34,289
so I'm excited.
1738
01:13:34,330 --> 01:13:36,791
If I were just to give you
this one little note --
1739
01:13:36,833 --> 01:13:39,419
I began to know you more
towards the end of the song.
1740
01:13:39,461 --> 01:13:41,004
Mm-hm.
1741
01:13:41,046 --> 01:13:42,505
And I would just want to see
more
1742
01:13:42,547 --> 01:13:43,506
of that Puerto Rican
personality.
1743
01:13:43,548 --> 01:13:45,800
Right.
1744
01:13:45,842 --> 01:13:47,135
'Cause the voice is
also symbolic of just
1745
01:13:47,177 --> 01:13:49,471
where you come from,
your heritage.
1746
01:13:49,512 --> 01:13:53,183
Madison is very special.
She felt like a little sister.
1747
01:13:53,224 --> 01:13:55,143
I think the fact
that she's that young
1748
01:13:55,185 --> 01:13:57,270
and by having the presence
that she has already,
1749
01:13:57,312 --> 01:13:59,356
that she's destined
for great things.
1750
01:13:59,397 --> 01:14:01,399
Dan: There's a reason
that you are our Playoff Pass,
1751
01:14:01,441 --> 01:14:03,568
and I want you to go into
this performance knowing that,
1752
01:14:03,610 --> 01:14:05,153
keeping that in the back
of your mind,
1753
01:14:05,195 --> 01:14:08,281
being confident
and just being yourself.
1754
01:14:08,323 --> 01:14:11,493
With "Landslide,"
here's Madison Curbelo.
1755
01:14:11,534 --> 01:14:18,500
**
1756
01:14:18,541 --> 01:14:24,214
* I took my love,
I took it down *
1757
01:14:24,255 --> 01:14:29,594
* I climbed a mountain
and I turned around *
1758
01:14:29,636 --> 01:14:36,017
* And I saw my reflection
in the snow-covered hills *
1759
01:14:36,059 --> 01:14:42,315
* Till the landslide brought me
down *
1760
01:14:42,357 --> 01:14:45,360
* Oh, mirror in the sky *
1761
01:14:45,402 --> 01:14:48,279
* What is love? *
1762
01:14:48,321 --> 01:14:54,911
* Can the child within my heart
rise above? *
1763
01:14:54,953 --> 01:15:01,292
* Can I sail through
the changin' ocean tides? *
1764
01:15:01,334 --> 01:15:10,677
* Can I handle the seasons
of my life? *
1765
01:15:10,719 --> 01:15:13,722
[ Cheers and applause ]
1766
01:15:13,763 --> 01:15:19,019
* Well, I've been afraid
of changin' *
1767
01:15:19,060 --> 01:15:26,568
* 'Cause I've built my life
around you *
1768
01:15:26,609 --> 01:15:29,738
* But time makes you bolder *
1769
01:15:29,779 --> 01:15:33,074
* Even children get older *
1770
01:15:33,116 --> 01:15:39,122
* And I'm getting older too *
1771
01:15:39,164 --> 01:15:46,880
* Oh, I'm getting older, too *
1772
01:15:46,921 --> 01:15:52,010
* Take my love, take it down *
1773
01:15:52,052 --> 01:15:58,058
* Oh-oh, if I climbed a mountain
and I turned around *
1774
01:15:58,099 --> 01:16:04,439
* And I saw my reflection
in the snow-covered hills *
1775
01:16:04,481 --> 01:16:10,278
* Till the landslide
brought me down *
1776
01:16:10,320 --> 01:16:19,496
* And if you see my reflection
in the snow-covered hills *
1777
01:16:19,537 --> 01:16:21,206
[ Cheers and applause ]
1778
01:16:21,247 --> 01:16:25,877
* Well, the landslide will
bring it down *
1779
01:16:25,919 --> 01:16:32,634
* Oh-ohh, the landslide
will bring it down *
1780
01:16:32,676 --> 01:16:35,387
[ Cheers and applause ]
1781
01:16:35,428 --> 01:16:38,014
**
1782
01:16:38,056 --> 01:16:42,811
Daly: Madison Curbelo
wraps it up for Team Dan + Shay
1783
01:16:42,852 --> 01:16:44,646
in the playoffs.
1784
01:16:44,688 --> 01:16:47,816
I got chills.
You gave me goose bumps.
1785
01:16:47,857 --> 01:16:49,651
I love your voice.
1786
01:16:49,693 --> 01:16:51,820
Thank you so much.
1787
01:16:51,861 --> 01:16:53,613
I wanted to cry a little bit.
1788
01:16:53,655 --> 01:16:55,240
Yeah.
Just a little bit.
1789
01:16:55,281 --> 01:16:57,033
No, I'm actually
going to ask the producers
1790
01:16:57,075 --> 01:16:58,660
if I could get a copy
of that performance
1791
01:16:58,702 --> 01:17:00,203
'cause I want to listen to it
again.
1792
01:17:00,245 --> 01:17:03,665
It was really, really special.
Thank you so much.
1793
01:17:03,707 --> 01:17:04,874
And Carson,
if it was up to me.
1794
01:17:04,916 --> 01:17:06,251
Yeah, Chance?
1795
01:17:06,292 --> 01:17:07,669
I would be sending her
to the lives.
1796
01:17:07,711 --> 01:17:09,170
John: Hey, alright now.
1797
01:17:09,212 --> 01:17:10,839
-High praise from Chance.
-High praise, yeah.
1798
01:17:10,880 --> 01:17:13,591
That's rare -- he never says
that, so that's --
1799
01:17:13,633 --> 01:17:16,678
Well, Madison, what you did
up there was so beautiful
1800
01:17:16,720 --> 01:17:20,390
because it felt so easy
coming from you.
1801
01:17:20,432 --> 01:17:22,392
You're amazing.
You should go to the lives.
1802
01:17:22,434 --> 01:17:23,685
It's obvious.
1803
01:17:23,727 --> 01:17:25,979
Wow.
Thank you so much.
1804
01:17:26,021 --> 01:17:27,605
Dan + Shay,
what are you going to do?
1805
01:17:27,647 --> 01:17:29,357
Dan: Unreal.
1806
01:17:29,399 --> 01:17:31,401
I'm so glad we gave
you the Playoff Pass
1807
01:17:31,443 --> 01:17:34,154
because you truly showed up
and show that you deserved it.
1808
01:17:34,195 --> 01:17:35,864
There's just something
about your voice
1809
01:17:35,905 --> 01:17:38,366
that carries more
than just notes.
1810
01:17:38,408 --> 01:17:42,162
It doesn't just go to my ears.
It goes straight to my soul.
1811
01:17:42,203 --> 01:17:44,664
That was the first time today
that I got chills.
1812
01:17:44,706 --> 01:17:46,875
I never get the chills.
1813
01:17:46,916 --> 01:17:50,503
Maybe when I'm listening to
John Legend sing sometimes.
1814
01:17:50,545 --> 01:17:52,213
Me? Moi?
And yeah, I know.
1815
01:17:52,255 --> 01:17:53,590
It's rare that I say
something nice about him.
1816
01:17:53,631 --> 01:17:55,508
Oh, man.
1817
01:17:55,550 --> 01:17:57,635
And when I do get the chills,
I also wear my bathrobe.
1818
01:17:57,677 --> 01:17:59,888
Yeah.
1819
01:17:59,929 --> 01:18:02,057
Completely appropriate.
Convenient.
1820
01:18:02,098 --> 01:18:05,393
Maybe you're sick.
I can talk
about you all night.
1821
01:18:05,435 --> 01:18:07,896
I'm so proud
that you're part of our team,
1822
01:18:07,937 --> 01:18:08,980
and that's all
I have to say.
1823
01:18:09,022 --> 01:18:10,357
Thank you.
Awesome.
1824
01:18:10,398 --> 01:18:12,400
Thank you so much.
1825
01:18:12,442 --> 01:18:14,736
An impossible decision is coming
up from these teams over here.
1826
01:18:14,778 --> 01:18:17,072
Another big hand
for Madison Curbelo!
1827
01:18:17,113 --> 01:18:18,615
Ladies and gentlemen.
1828
01:18:18,656 --> 01:18:20,825
Dan: I was absolutely blown
away by Madison's
1829
01:18:20,867 --> 01:18:22,202
performance of "Landslide."
1830
01:18:22,243 --> 01:18:24,079
So good, Madison.
Amazing, Madison.
1831
01:18:24,120 --> 01:18:25,789
Shay: Moving forward
to these live shows,
1832
01:18:25,830 --> 01:18:27,457
we have to think about
who has been consistent
1833
01:18:27,499 --> 01:18:30,835
throughout the performances
and that we know can deliver.
1834
01:18:30,877 --> 01:18:32,212
Someone help us.
Help!
1835
01:18:34,089 --> 01:18:35,256
They have to make
this decision hard.
Help us make
this decision please.
1836
01:18:35,298 --> 01:18:38,093
**
1837
01:18:41,638 --> 01:18:42,931
* This is "The Voice" *
1838
01:18:42,972 --> 01:18:44,933
Daly: Welcome back.
1839
01:18:44,974 --> 01:18:47,936
Alright, everybody. We've just
seen 5 incredible performances
1840
01:18:47,977 --> 01:18:51,898
from Team Dan + Shay.
1841
01:18:51,940 --> 01:18:54,109
[ Cheers and applause ]
1842
01:18:54,150 --> 01:18:57,070
Unfortunately, only three
can represent Dan + Shay
1843
01:18:57,112 --> 01:18:58,863
in the live shows,
in the top 12.
1844
01:18:58,905 --> 01:18:59,906
How are you feeling
in this moment?
1845
01:18:59,948 --> 01:19:01,241
I'm sure it's tough.
1846
01:19:01,282 --> 01:19:02,492
Dan: My heart is beating
out of my chest.
1847
01:19:02,534 --> 01:19:04,119
I'm getting emotional now.
1848
01:19:04,160 --> 01:19:05,537
Y'all have made us so happy
and so proud.
1849
01:19:05,578 --> 01:19:07,122
Thank you, guys,
1850
01:19:07,163 --> 01:19:10,417
for trusting us
to be your coaches.
1851
01:19:10,458 --> 01:19:12,961
Nice work.
Now, the hard work.
1852
01:19:13,003 --> 01:19:20,719
Dan + Shay, who is
the first artist moving on?
1853
01:19:20,760 --> 01:19:25,765
The very, very first artist
that is moving on to the lives
1854
01:19:25,807 --> 01:19:27,100
is Madison.
1855
01:19:27,142 --> 01:19:29,477
Madison, congratulations!
1856
01:19:29,519 --> 01:19:31,521
You are in the top 12.
1857
01:19:31,563 --> 01:19:33,815
How in the world would
you not let Madison through
1858
01:19:33,857 --> 01:19:34,983
to the live shows?
1859
01:19:35,025 --> 01:19:36,526
Congratulations.
1860
01:19:36,568 --> 01:19:38,111
Shay: There's just something
about her voice.
1861
01:19:38,153 --> 01:19:39,738
You feel it in your soul
and your heart.
1862
01:19:39,779 --> 01:19:41,865
And that's an important thing
moving into these live shows.
1863
01:19:41,906 --> 01:19:43,575
Thank you.
Dan: We'll see you soon.
1864
01:19:43,616 --> 01:19:45,243
So well deserved.
1865
01:19:45,285 --> 01:19:48,246
Alright, Dan + Shay, who is
the next artist moving on?
1866
01:19:48,288 --> 01:19:49,664
**
1867
01:19:49,706 --> 01:19:52,000
This is so tough.
I know.
1868
01:19:52,042 --> 01:19:58,965
The second artist advancing
to the lives
1869
01:19:59,007 --> 01:19:59,966
is Karen.
1870
01:20:00,008 --> 01:20:01,426
[ Cheers and applause ]
1871
01:20:01,468 --> 01:20:05,096
Karen also
moving on to the live shows.
1872
01:20:05,138 --> 01:20:06,348
Dan: We moved Karen forward
1873
01:20:06,389 --> 01:20:07,599
'cause she delivered
an absolutely
1874
01:20:07,640 --> 01:20:09,267
incredible performance.
1875
01:20:09,309 --> 01:20:11,227
She is so consistent.
She is someone we can depend on.
1876
01:20:11,269 --> 01:20:15,231
That's what you need, moving
forward to the live shows.
1877
01:20:15,273 --> 01:20:18,360
Dan + Shay, who is
your last artist moving on?
1878
01:20:18,401 --> 01:20:20,945
I was okay till now.
1879
01:20:20,987 --> 01:20:24,366
This is a very, very
difficult decision right now.
1880
01:20:24,407 --> 01:20:27,369
The third artist moving
on to the lives...
1881
01:20:27,410 --> 01:20:32,123
**
1882
01:20:32,165 --> 01:20:33,041
Tae.
1883
01:20:33,083 --> 01:20:37,420
Tae Lewis.
Congratulations.
1884
01:20:37,462 --> 01:20:39,130
You're in the top 12
of Team Dan + Shay.
Yeah, Tae!
1885
01:20:39,172 --> 01:20:40,965
I know when
those live shows come around,
1886
01:20:41,007 --> 01:20:43,968
the lights come on, the cameras
are on Tae, he's gonna deliver.
1887
01:20:44,010 --> 01:20:45,220
He is so exciting.
1888
01:20:45,261 --> 01:20:47,097
He is so energetic,
1889
01:20:47,138 --> 01:20:48,306
and he wants this almost more
than anybody
1890
01:20:48,348 --> 01:20:50,308
on this entire competition.
1891
01:20:50,350 --> 01:20:53,061
And another big hand
for team Dan + Shay.
1892
01:20:53,103 --> 01:20:54,896
I love you so much.
I love y'all so much.
1893
01:20:54,938 --> 01:20:56,398
Dan: I feel like we've built
connections and relationships
1894
01:20:56,439 --> 01:20:58,149
with everybody
on Team Dan + Shay,
1895
01:20:58,191 --> 01:21:00,902
and to have to see a few
of those artists go home
1896
01:21:00,944 --> 01:21:04,656
is heartbreaking, and it just
really makes our decision tough.
1897
01:21:04,698 --> 01:21:06,908
I have no doubt that there's
the winner of "The Voice"
1898
01:21:06,950 --> 01:21:07,951
is on Team Dan + Shay.
Let's go.
1899
01:21:07,992 --> 01:21:09,327
I'll tell you that right now.
1900
01:21:09,369 --> 01:21:10,912
Here they are,
Team Legend.
1901
01:21:10,954 --> 01:21:12,539
Come on out.
1902
01:21:12,580 --> 01:21:14,416
[ Cheers and applause ]
1903
01:21:14,457 --> 01:21:17,460
**
1904
01:21:17,502 --> 01:21:20,296
This is going to be a tough
decision for our friend John.
1905
01:21:20,338 --> 01:21:22,716
Guys,
great work tonight.
1906
01:21:22,757 --> 01:21:25,218
John, what would you like
to say to Team Legend?
1907
01:21:25,260 --> 01:21:29,014
You all took the feedback
that we gave you in rehearsals.
1908
01:21:29,055 --> 01:21:32,684
You took all
of your passion and ingenuity,
1909
01:21:32,726 --> 01:21:36,938
and you poured it into
beautiful performances tonight,
1910
01:21:36,980 --> 01:21:38,940
and I'm very proud of you.
1911
01:21:38,982 --> 01:21:40,233
Thank you.
1912
01:21:40,275 --> 01:21:41,818
[ Cheers and applause ]
1913
01:21:41,860 --> 01:21:44,112
Daly: Well said, Coach.
We have decisions to make.
1914
01:21:44,154 --> 01:21:45,280
We do have decisions to make.
1915
01:21:45,321 --> 01:21:47,240
Only three of your artists
1916
01:21:47,282 --> 01:21:49,451
can move on to represent you
in the lives.
1917
01:21:49,492 --> 01:21:54,497
Who is the first artist
moving on?
1918
01:21:54,539 --> 01:21:57,417
The first artist moving
on to the lives...
1919
01:21:57,459 --> 01:22:03,465
**
1920
01:22:03,506 --> 01:22:04,883
...is Nathan.
1921
01:22:04,924 --> 01:22:08,970
Daly: Nathan! Congratulations!
You're in the final 12.
1922
01:22:09,012 --> 01:22:12,932
John:
I chose Nathan because he's
been so consistently fantastic.
1923
01:22:12,974 --> 01:22:14,642
Way to go, Nathan.
1924
01:22:14,684 --> 01:22:16,644
I love that he gives
us the full performance
1925
01:22:16,686 --> 01:22:19,230
from choreography
to vocals to everything.
1926
01:22:19,272 --> 01:22:21,816
He's the full package.
1927
01:22:21,858 --> 01:22:25,153
I'm going to lives.
I'll see you in the lives.
1928
01:22:25,195 --> 01:22:28,573
John, who is the next artist
moving on?
1929
01:22:28,615 --> 01:22:30,658
The next artist moving
on to the lives...
1930
01:22:30,700 --> 01:22:34,954
**
1931
01:22:34,996 --> 01:22:36,539
...is Zoe.
1932
01:22:36,581 --> 01:22:37,791
Daly: Zoe!
1933
01:22:37,832 --> 01:22:40,085
I chose Zoe because
she's just gotten better
1934
01:22:40,126 --> 01:22:41,920
and better with time,
1935
01:22:41,961 --> 01:22:44,506
and this performance was
my favorite in this round.
1936
01:22:44,547 --> 01:22:45,840
You earned it.
1937
01:22:45,882 --> 01:22:47,467
I was waiting
to be moved in the moment,
1938
01:22:47,509 --> 01:22:50,178
and Zoe did exactly what
she needed to do.
1939
01:22:50,220 --> 01:22:53,139
Congratulations.
1940
01:22:53,181 --> 01:22:54,474
Alright,
it is the moment of truth,
1941
01:22:54,516 --> 01:22:56,059
three incredible artists
are left.
1942
01:22:56,101 --> 01:22:58,353
You can only take one more.
1943
01:22:58,395 --> 01:23:01,064
John Legend, who is
your last artist moving on?
1944
01:23:01,106 --> 01:23:03,024
Nobody deserves to go home.
1945
01:23:03,066 --> 01:23:05,902
You're all amazing, and this is
only part of your journey.
1946
01:23:05,944 --> 01:23:09,531
The final artist going to
the lives for Team Legend...
1947
01:23:09,572 --> 01:23:17,706
**
1948
01:23:17,747 --> 01:23:19,040
...is Bryan.
1949
01:23:19,082 --> 01:23:23,169
Daly: Bryan, congratulations.
1950
01:23:23,211 --> 01:23:24,838
Bryan is a star.
1951
01:23:24,879 --> 01:23:26,381
And whenever I'm watching
him perform,
1952
01:23:26,423 --> 01:23:28,383
I feel like I'm at Bryan's
concert.
1953
01:23:28,425 --> 01:23:30,343
His presence on stage
is so confident.
1954
01:23:30,385 --> 01:23:32,387
His voice is amazing.
1955
01:23:32,429 --> 01:23:34,556
Brian deserves to be
in the lives.
1956
01:23:34,597 --> 01:23:35,890
You got this.
1957
01:23:35,932 --> 01:23:37,517
I can't wait to see
what we do next together.
1958
01:23:37,559 --> 01:23:40,228
My team is ready
for America to vote,
1959
01:23:40,270 --> 01:23:43,273
and we're gonna prove
that we belong in this moment.
1960
01:23:43,314 --> 01:23:44,941
Go Team Legend.
1961
01:23:44,983 --> 01:23:47,068
Nice work, John.
Yeah.
1962
01:23:47,110 --> 01:23:48,570
Wow.
1963
01:23:48,611 --> 01:23:50,572
All these performances
have been incredible.
1964
01:23:50,613 --> 01:23:53,116
So it just makes me excited to
see what my team is going to do.
1965
01:23:53,158 --> 01:23:55,201
Wow.
Okay.
1966
01:23:55,243 --> 01:23:56,578
Another chapter over with.
1967
01:23:56,619 --> 01:23:58,413
Watching John,
Dan, and Shay
1968
01:23:58,455 --> 01:23:59,998
having to make all
these decisions.
1969
01:24:00,040 --> 01:24:01,624
Ay, ay, ay.
1970
01:24:01,666 --> 01:24:03,209
Oh, yeah, I know I'm gonna
have to do that next week.
1971
01:24:03,251 --> 01:24:05,754
Oof! I'm sweating about it
right now.
1972
01:24:06,796 --> 01:24:13,928
**
1973
01:24:13,970 --> 01:24:21,144
**
1974
01:24:21,186 --> 01:24:28,610
**
1975
01:24:28,651 --> 01:24:35,867
**
141518
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