Original subtitles

Hello.

This time, we'll be in the big individual tomb we're working on together, at a smaller rate

Let's take a moment to describe the details of the features, hair, small props and individuals.

As a general rule, it is best to flip the illustration from a large brush to a small one, with a gradual decrease in transparency.

It is best to go beyond small and clear descriptions.

Therefore, generally when drawing hair or face, the part that works well will be depicted first.

In this case, the overall maturity

Because it is difficult, I recommend you to do small parts of the description after completing the big description, if possible.

So, up to last time, get back to work.

First of all, our depiction of the hat and the corners of the coat is partially done.

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Let the props go with the dolls here.

From this one, we zoom in on the possible abyss that

It's okay to look, and to use the clearest, smallest brush for detailed depiction in the usual working brush.

Just think about it and proceed.

In addition to these terms, which we distinguish with details, most of these illustrations show

It's better to have them all done.

First we start with the doll part to finish, pre-laying a layer of shadow on the side of the knife base shadow, usually these props and stuff like that

There's a lot of detail in the painting.

Trying to finally describe these parts was a bit overwhelming physically for us, so there was a lot of relative decrease in completion.

So, if possible, when the brush is still a bit bigger, start with such easy to finish poor props first.

Usually I was able to muster up the strength for something like a face or eyes, and accidentally did it at the end when the overall improvement in finish

Kind of helps.

Similarly, this layer can continue to buy three layers as usual, or combine them into one, and

You can slowly pile up the descriptions.

First, it's best to render the work first, starting with the corresponding parts of the light and dark races.

Because it is a very small part, this large brush is dominated by the depiction of the unraveling, so make the brush slightly larger, and then weaker

From now on, it's better to use a small brush to force the shadows and draw them clearly and accurately to separate the shadow shapes.

Detail section

Because of the small size, the shadows will also be smaller, and if this part is blended to where it is not needed

Anyway, because of the poor readability, it is better to have a clear description if you want to mount it.

Similarly, the black background is a bit poorly readable, so brighten it up a bit so that it is described in a clearly visible state.

As with the basic description, it's better to organize it together.

In this state, the brush is smaller, sharper, and

Finishing and blending can be omitted almost simultaneously.

Most of the shading descriptions owned by the objects above.

Think it's all over this time, it would be nice to proceed calmly.

Among the things we haven't carried out, the ear part of the doll is a cup of hair or something like that

In that case, if you use a child's brush

There is another way to add quickly by using a brush without opacity to shape the shape and fill this interior with color.

The kind of parts that are too big may create a heterogeneous look, but in the smaller parts can be blown in without

Many congratulations can be given on the efficiency of the work.

Easily add glossy surfaces and don't forget to exceed the thickness.

Such a strong sense of structure in such a split part

In the periphery of the character, it's better to emphasize that part when you trim it by hand

Also, we put the shadows together in a group.

Basically, no matter what color you choose, the black will go back to white, so please paint this state with a little bit of area that

Don't be too afraid of vulgarity.

In this state, using a small brush to blend the shapes or tones of the wrinkles a little bit

add a little bit of tint naturally.

Especially on white objects.

Because very often, if the shading is too simple in tone, the finish is greatly reduced and looks flat.

So, adding some weak tones in such a narrow area will help when it comes to improving the finish.

We combined light and color theory and then simply finished an illustration that

and the process was almost as simple as the character finished, more reflective, more calm

Try to improve the finish and avoid feeling alienated from the basic character.

A slight release of such a hard ending part would not splash in the overall description and would buy a few points, I think.

00:06:12,538 And when these shadows come up, there are some places where there's a glossy surface that

Catch the shape first like this, so that the shape becomes visible, and then finally it's released naturally and the shadows increase.

In this state, then overlay with the beauty color and let the description blend naturally.

Reduce the orange part of the route to capture the shadows in this way, release, re-cover, and

Doing the natural process is mostly universal for wrinkles.

And the details that go into this role

We didn't mark it carefully.

If later this description ends, the

If you have details that you want to pursue, please put the representation here gently at the present stage that

Just add the expression slightly temporarily and run it over to do the work later when you add the details.

Immediately fold the outer wall side clear to fully produce a sense of individual rate drop.

Now, this skirt section

Depending on the lines, the sense of individuality is decreasing, and this part is slightly brighter at the end if you want to show the difference between light and dark.

00:07:38,391 Make the area bright enough, and then darken the inside.

Let the colors drop, and then these colors

When released, a natural color separation with lines as borders will be created.

Although it is only a very small part, relying on lines to separate the painting in this way does not produce the maximum effect of colorful

Even the atmospheric screen habit statement book also use these parts of the color to make a difference where it is good.

Storms like this, shadows

Citing the whole body would be a bit darker, but since this part is the bright side, the roster is no longer enough.

So, in those areas, we don't need to make it darker and the basic colors are separate enough.

To this state, if you tune out a certain ton, it will clean it up and

Please touch the model.

Smaller than usual when painting alternately

Slightly harder fingers, pressed with the required le, and good practice drawing clearly.

Use a small brush a little harder, the brush is too out of the federation, the stroke is not as clean as you think.

A lot of times the crawl is dirty and only these parts are clear so we can pull out the maximum effect of what we put in with details.

So, as we go through the descriptions, the

the smaller the part, the smaller the brushes, the more we have to take into account to be able to be clear.

After this description, when you add details and add later paper

Start the hair dress from low light and end with smaller, more vibrant and 27 lines.

The brush also tapers in order, so it is best to cook it in advance.

In a way, if they are positioned

The clipped side is also a small part, but the shaded part will have a sharper shadow, and this part adds another tint.

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Taken from Microfine, making a midtone, and then adding a midtone

Make the circle just a little too close.

It's a very small part, but even if it's just a little bit, the thickness goes backwards then

If the bright side and the dark side, if these go in, there is a sense of three-dimensionality in the subtle places, so it can be expressed somewhat realistically.

Instead of finishing the ends.

Where the shadows gather, please use dark shadows to show the shadows of the markers.

If there are unnatural areas, please sort out, immediately

The situation inside, if you confirm with the control wye, is the same color separated, and these parts also put inside slightly darker.

releasing it naturally.

to express the shadow of the lungs.

And these parts

There's no reflected light, and if you go into a shadow, your legs look too flat.

To prevent these, let's have a volume reflection at the other end of the closed shadow

The ball is very wide and weak, and needs a little more emphasis on the light and dark borders.

And then rearranging the outer frame.

Oh, my God.

As with Ribbon, the later parts or arms will be sorted in the same way.

There's this clump of shadows in place.

Let's make these parts a little bit clearer so that they feel realistic, right?

The top of the ribbon is light and the inside is dark, corresponding to the thickness of the ribbon

The inside of the shaded mass is slightly darker on this side.

00:13:01,413 and when the colors are completely separated, we separate it by hand.

to make a neat picture.

Now here the colors also collide, so the basic bottom brighter bow part is slightly brighter.

Separated from the evolution.

These are trivial, but they're all sorted out

And it's not recommended to press a button on such a small brush if possible.

When touches are stacked, touching the touch circle creates an overlapping part, and a big fire is somehow a way to re-tap with a big brush.

The small brush has a very limited release method, so it's more than the feeling of accumulating some stuff

Like painting with crayons, it's better to make the area a big one-touch and just do it for the trainee.

So then, after the Rakuten touch pile, when you trim this

The other touches are better described like this carving in like this.

If the sketch is not clear, these parts will be retouched, too

Make the replacement a little more specific.

Zooming in on these window sections.

There may be some details that show up as hats, so if you want to add some small sections later

It's nice to take out the layers that are made temporarily and put the expressions that you want to put here, and put them out at once best temporarily.

These parts are also please slightly darker on the periphery.

For example, when there are cones and round plates used, please darken slightly the side of the distorted round paste.

Make the back side of this disc lighter, so that the objects are slightly separated

Clean it up so that the picture is not flat

It may change.

This part is

We'll connect with the spearhead later, so without proceeding now, the

Later on, when the details come in, I'll sort through it again.

This part is very far from the picture.

Slightly reduced contrast relatively speaking.

In this current state, with just a little bit of shading.

Give a little bit of dimensionality and go over it.

And look at the lace part of the original character.

There's a hole like this.

To bring uniformity to the same object, we're going to put a hole in that part as well.

Fill color through the hole

Slightly erase this background

Retouching

Where there's no background like this, gently touch the color of the object behind to make it feel transparent

He's fitting on the glass.

In fact, it's definitely not a difficult place to be.

etc. Details and things like that are easy to put in place when they're not spared.

Put it down.

If there are easier details than expected, you can add them right away while working

Very good.

Remove the middle shadow and re-cover it to make it visible as a cube.

Tidy it up naturally.

If the hands are too thick.

because the drawing can look like a sticker.

If you open a hole, be sure to lightly erase the leather when a thousand seeds are made, so that the natural brush gold of the painting is retained.

Please sort it out.

If you write all the endings cleanly.

Erased again, this part of the poem is also left with a residual mud

Rearranging it a little bit.

I hope you won't end there.

Curved sections like this are 10 old people not baked in a room.

Make a few touches, and after honing, porridge a little faster.

On the contrary, the part corresponding to the straight line

If possible, use the long hand than the wrist

Use the elbow to draw a different feeling and give after using a long line, kind of developing a rental kind of bar.

Let's do it together with the hair as well.

In this case, the hair will simply be divided into two colors, in which case priority will be given to describing these borders.

At this point, instead of using a small brush, use a brush with a slight transparency to keep the hair facing the texture.

Take the shading color and paint the long

repaint the bright color again.

Make the border slightly blended symbols along the head

Thus, these shades that are not related to the hair texture

The border does not go in the direction of the match, but the shadows appear along the texture of the hair, and then there are highlights.

The shadows appear, the bright side, and gradually repeat this relationship to represent the texture of the shadows.

Here again the shade of our shadow only sets the extent of the area in which that mass of shadow is knotted.

In this state, the light color comes in, the shadow comes out, the light color comes in, leaving the shadow

Go in slightly this way according to the light and dark borders, finishing first with a brush that has transparency.

After that, touch this border carefully with a small brush.

This texture has never been shown in the light and dark races.

Then finishing the ending edge again with a small brush and going in to record.

Now this hair, each object is thinner and it takes some time to sort of

If possible, it is recommended to add the too thin hair from the next stage of the light in the current stage quickly.

At this stage you need to sort out the hair that has a big chunky feel first

In this process, when dividing the texture

This curve changes slightly more than the regular curvature, so that some hair has a steeper curvature that

Any hair curvature is more severe, so use your meat when drawing hair

It's also easy to add detail.

The process is now derived from the role document.

Simply skip the tutorial to slow down and proceed easily.

I'll do the same once in this work.

The hair is turned over from behind this

When you want it to fly to the other side, use a brush with no transparency

Grab the outer frame of the personality first, fill this inside with Mith color, and quickly make a block that

If this isn't natural, rearrange it with a small spark and it will go quickly.

This will turn the beginning of the hair into a shadow.

Makes the shadows more defined.

In the "Auto Select" pool

If the lady is not filled neatly, it will appear in the hair gaps.

It is recommended to remove these parts and tidy them up at the same time.

Similarly, the paper describing the high density approximation in cases similar to this hatch is also major

relative to a part where the line of sight is not a long stay

With the goal of being neater, first organize the description

Concentrate.

So these gadgets

The props made for this video, if the finish is low, the effect will go back and forth when you go in.

Therefore, the appropriate amount of props that can be handled in the design first check on the design that

Compared to the main object, one should practice finishing the ending in order not to lack completion.

In particular, these are not things that we add to the details of

The performance is the process of drawing lines when finishing this stream, so you absolutely cannot be bothered.

Think of it as one of the important processes and being organized in a well-organized way.

Instead, we go into the details of this doll and the main character part of

This can be done effectively by using the other features of a digital painting program like Photoshop.

Domingo, at this stage, the

Calmly

Go ahead and complete these descriptions.

Caught in some way.

In this state, the

The part that looks like a face, touched in a little bit of detail, on the trunk

A little bit more blue light

A little bit more of the eyelashes of our process.

Grabbing the outer hand of the eyelashes.

Make the shape more concrete.

erasing one more negative space with the eraser.

Re-arrange it by hand to naturally add a sense of space, right?

00:28:55,233 And re-finish the whole thing again.

In this state, check for deficiencies and then flip over the main count chart.

Let's start preparing to complete the compound tombist.

Now the part that we haven't finished.

The hair part, the light part over here, the decorative part at the end of this hat, and the fading cloud part here are still left.

If you think this part improves the finish a little bit with a small brush, that would be great.

First, let's start with this light section.

We don't need to concentrate on describing the yangchen, because this is an object that glows on the lamp

It's better to focus on finishing.

So, as with our depiction of the Mario net, we use a fine brush

Well-organized.

In order not to be a sorry part of the painting, I will add details little by little and then proceed to the seat.

These glowing objects usually become noticeable when making a painting, so that

the part that will be seen first if the finish decreases. Therefore

If we depict the face first and then go into the light, we will naturally reduce the density of this area

Even though it's a pain in the ass, it's good to proceed first and finally describe the face to really improve the degree.

Drawing objects with high reflectance

Usually, when you get to the material description, your finish will be a little better than what you see.

Don't try to polish first in the present state, erase the unnecessary parts, first of all, please focus on that.

Especially when it comes to the glowing parts, the contrast increases

Aiming to proceed as cleanly as possible will give you trim.

The interior will appear blue, and we will emphasize and advance the light with a bluer light.

When showing luminescence, try not to use transparent brushes, but instead use opaque brushes to accurately

Could you please specify the position

The second half also proceeds more neatly, the

Because there are no regrets on the chart, so give me to do, if the peripheral sound guys have thicker parts, will support a little bit of

So that the fine expression of the figure is preserved.

and emphasizing a little bit of the sense of shaving structure in the outer parts.

and the transparent brush on the outside.

Just a little bit of emphasis on the outer edge so that the painting doesn't feel flat and the amount of rinsing needs to be adjusted.

Vote with Iram

And so on, and now next to that there's all kinds of things that share almost the same design that

If you select this section as a lasso and then perform a control notification track, then you will now only duplicate this image in the layer.

Move it to the side and

Make the color a little darker for the memory

It is better to reduce the brightness and adjust the color while increasing the saturation.

If you want this state to be greener, just click on the control rain and raise the classification a bit.

Then, by dragging the control press shift to the object next to it and then move it, first simply adjusting the vertical axis.

Adjust the position with the arrow keys and resize again.

And here's the object that

When controlling, please drag, in the present case, the size is slightly worse.

In this case, please align the bottom first, then press and hold to control the Tee.

Please designate this as an Alter.

If you press Alt again to shift to reduce distortion, this part can be resized.

In this state, resize evenly and press Enter.

Then the three lights are done.

Again, so that this part doesn't become a sorry part as well, I'll fix it a little bit and pull the degree up.

And as here, we'll connect with a rope, so please build a connection part for the installation that

Just adjust it a little bit more with the metal color next to it.

I personally like this kind of lighting and that kind of design, so I found a lot of

You can see the lights floating in the cultural circle over in Turkey, reminiscent of the figure exchange rate.

Instead of necessarily painting things beautifully, the

If you reference designs from a certain cultural circle and then pile those up in a visual library, naturally when you find those designs

not just simply searching for lights on places like Pinterest, but going further and searching for keywords about the cultural scene that

You can then apply some relevant patterns, or design styles.

When you punch a hole in a place like this

The spacing is narrower on the outside, slightly wider in the middle, and the three-dimensionality will naturally play a role if it becomes narrower again.

When you eat the pattern below, the wider the middle is also, the narrower the outside is, it can assist the three-dimensional sense, right?

There's also something at the end.

And this figure of Marionette and the lace of that skirt share a similar pattern, so there's a hole through the iron fence here, too

to create common ground.

similar to the blue rubber part to make the body neat and tidy, the same as described on the hair

Switch the border section back and forth a few times along the texture, using a brush with transparency, and

using a small brush to turn the sharing into a little bit of color.

Naturally pile up the samurai.

And use this part of the rubber to make the negative marker very natural.

We sorted out the outer parts of the

All at once, give me the emphasis, give me the closed painting agent, and you can have realistic performance, right?

Officially

The hands will also be an important part.

Into the bright glowing individuals in the dark, loosening the middle only slightly, finishing for the main trim

To not reduce the finish and make the paint clean.

Red parts like this will stay as we change the world.

If you use these parts to paint on shadows, the saturation doesn't drop, and it naturally shows skin tones, right?

First apply the shadow area to the outer part or the joint.

Relax your hands as you go along

Give me the mix and then do it when finishing.

You can finish objects quickly when finishing.

Specifically, drawing takes a long time

Very often, when the case does not know the efficient sequence of these operational processes, many problems arise.

So, if you work longer than required, do you get into unnecessary processes and what are the reasons.

From simple things to complex things, for the sake of consumption, please make sure that there is no order of proceeding better.

Especially physical strength.

We do the parts that are as important as the face first, and then we start to instinctively share some of the physical strength that

At this point, I suddenly became powerless.

To design characters so that they have completion, that certain specific parts look prettier than the breast stars.

The overall finish is maintained instead so that the overall density becomes striped, thus increasing the finish.

This part also shares the lace pattern, so adding dimensional details to the end of the lace that has become smaller

And then pulling out the bumpy bright color, emphasizing it a little bit, and then putting a colored layer on that part of the hole to let the skin tone come through a little bit, and

Share the design to make it more harmonious.

This part is also a little bit eye. Jung Myung-hoon is easy to leave behind.

After putting his hand on his face

Overall, the finish of the painting is going to improve to the point where you don't have to listen to additional documents with a brush, so whenever possible, come up and

If there's such a sorry place.

It's because the political people went out and rose to become a way to make the process of the work uncomplicated.

The first thing to do is to start with the hair.

It's best to start touching from the point where the light and dark races are clearly visible.

So now this bright and dark separate parts or textures to be shown, but painted too rough parts.

Let's start by having Google start with the parts of the interior that don't appear textured in the light and dark race.

There's not much reason to soften the light and dark match in a situation like this.

Because the shadows themselves are already very finely divided, it is perfectly possible to express the texture while finishing these parts.

So, we just need to tidy up with a clear brush that

There's a lot of clumping around the bright colors.

So if we distinguish it with black, it stands out too much, so calmly

In the blending process, the

Here, finishing with a slightly darker blue than the one used for the exertion, so that the painting doesn't splatter.

The subtle tones of the opinion would not be the abyss of possibility though, but with a little bit of blending

further aids your head.

Don't put the end up in black.

And this brighter part gets darker and darker and splattered in the middle.

So let only any teacher come in here to adequately distinguish individuals, but into darker brightness, so let's use blue.

leaving some negatives here, too.

Let this hat shine out and then distinguish it with a very dark blue.

A little bit, but it takes advantage of the sense of space.

Compared to such a short treatment, let these lines treat natural splashes and less

Turn in, make the hand elongated, and continue the previous results.

These individuals and the distinguished parts of the individuals are more than these internal descriptions

It's good to distinguish a little bit more clearly

That's all.

If there is a touch of silver, wipe the ball off immediately

For me personally

The finishing hand is not splashed immediately recommended to be able to pick the dark color

Even this saturated part is very low, any color will immediately become black when you press it, so you can quickly tidy up.

Take your time.

Such a short line makes the long line appear shaded according to the original missing direction.

Distinguish the object and the part of the hierarchy to be a little clearer.

And the hand gets thinner at the end, so it's good to do this part in further finishing.

Also, do I need to protect the distinction here as well?

Slightly blue, separating the hair from the back of the hair.

00:44:08,545 In such a thin part, the hand will be very thin and

Give it to me afterwards and make it disappear if the thickness becomes this.

Sure.

Pull this part out, line it naturally towards the upper surface and the continuation, and tidy up the distortion.

The captures of long hair can be separated as the ends of the hair fall cleanly.

And also the interior I rearranged out, using thin hands to change light colors once and dark colors once, so adding an expression.

Please pay a little more attention where the texture changes.

And the internal contrast can't be too big, so use the book next to it for that.

If we also have a clear description on the sketch line, are these parts better to lower the lucidity correctly?

There is no sharp distinct match, and if all of them are gently untied, there is no hair divided into blocks, and they become a mass tied together.

So these textures are added together in the middle

It's better to have a large enough block density of hair.

In this state, the natural

change the curvature a little bit, instead of dropping to about 1, it goes slightly inward, or spreads slightly outward, and then the hair

drawing a shadow, first.

with a bright color on it, and then you can replace the hand naturally.

Too much is not good, but if the hand is stretched out too far, it is good to just repeat the walk so that you can change the walk to share halfway through.

This part is the outer edge of the face, and saturation is important, so duck in a little bit.

and this

After crossing the part we will cleanly take off the hand part without imagining that we need to touch something

So we are insurance that clean hands will work at such times, right?

Only to such a weak part and then add a little bit of strength, only do something else Ani Nenko ticket will be enough.

Personally, the reason why the new world I'm hard to

These colors and stuff like that

Like in the case of black, you can just use this short width, but white this wide width all the time, so the difficulty is very high.

So, if possible, this side can really mix up the darker colors than just using colors with widths that need strong parts.

Give that into being able to use the stalk open method slightly more effectively.

The colors that are as sensitive to saturation as yellow are brighter colors, compared to white

Saturation also became important and became the most difficult color to handle in the painting.

So it's a little bit basic when you guys want to color objects easily or if the expression of the reduction is a little bit weak in places.

Minimally colored dark, less saturated brown or green corporate utilization.

If China I want to do study firm this time, it is also good to use white or yellow objects to emphasize.

Again, the hair here will show the texture.

As soon as the shadows appear, the bright colors will also enter once, using the blue armor here, etc.

Does the whole thing fall into this line now?

On the fresco, the kinds also get shared, first painting the show shadow, the bright side of this shadow, touching with the trace

The thin held can naturally increase the density of the soccer, right?

Can't be too fried, so please congratulate when you carry out a re-check.

The contrast is weaker

The elements themselves are in and out in a big way, retreating with short shots, again

The texture expression is never emphasized on the parts that change these partial textures.

Doing this as a whole, looking at it once from a distance, are there any anomalies in the doors and proportions?

Please continue to check if any part of the description appears.

It's too thick here compared to the bright colors, so it could be made slightly brighter.

Pull or when the forehead is too wide, it will slightly stain the second line of color that

Covering the original presence of the pre-test lady.

to narrow the forehead area.

This is the opposite of

However, the processes around it

This part is not natural, please rearrange it.

Want the whip to come down from this wide later, not now.

Here it ends with Haruki and

Proceed from the point where there is a comparison.

Don't think of painting with shine, but continue the process of painting shadows, right?

The shading texture changes and the intensity of the shading changes.

After I finish painting these

One return is valid and confirmable.

The whole process proceeds as the contrast becomes increasingly clearer and lighter.

Like this if the texture has the correct change of place, this part looks at the tight part of the words, each volume has.

This gap for each volume block

Please weight the part a little more.

Then finishing up without blowing up, use the second line of color to paint this distorted one halo a little bit, natural chunking it.

And from this state, now the whole thing gets 1.

The curvature of the shadows is a little bit different, the

Even more impressive are these glossy surfaces

The days when a layer was added on top that naturally shrunk a little bit more, slightly distorted the direction of the lines

The hair will also look natural.

So it's best to try to take advantage of the sunsets that we do.

And the outer group of each object has to be darker before it feels like the clump is tied up in a larger

Don't drop to black with Kimba, and dense the shadow density a little bit towards the outside, the

Emphasize that it's better to organize it after a sense of structure.

And, there are cases where the object is a little bit complicated

In this case it is better to start with four parts and work on them.

Light up and come in once, get and come in once, and finally not come in...

With this unnatural match of young hands that

re-establishing density.

and finishing naturally.

If it's too dark here, might as well compare it to before.

After the paper is pulled tightly off the accumulation, gently overwrite to restore brightness.

Capcom although similar in color.

Inwardly precise

If there is an individual that needs to come in, then it is a good idea to determine this convention.

And naturally describe the rest of the hair as well, which is now the only part that is densely populated overall.

So if it continues, the density of the hair will be higher than we need

In this case, if the black lady is drawn out and covered slightly larger transparently

naturally, the contrast becomes weaker and the density will be slightly balanced.

Slightly covering these areas.

And the high density of this interior, the nitrogen will drag away

The hair shadows are far apart and the contrast is weak so that the outer hair is focused.

High heat flows out from the outside, and the hair passes through the outside, adding brightness, in this state

There are also ways to close safely.

The list moves in first, which is awesome

The outside is mainly finishing

This part too

There are some strange areas.

Erase immediately

And here's the hair coming out the back....

This creates the density of negative space.

To avoid unnaturalness, the

to re-distinguish them.

while continuing to confirm at a distance that

Please keep checking that the progress is safe.

Please sort out this part, which is what you see now

Although this hat did fall off, it will be drawn more clearly if you use your hand to distinguish it, right?

It's a pain to organize, but give it to me first.

These objects from the inside out

Making it clearer that

And, if something is indistinguishable even from a distance with these hands, you can intentionally drop to a slightly brighter color.

Need 2 people to consider separating gold or objects from objects better.

The painting is not done by itself, so the person who draws it has to always consider something on the left side of the painting technique as well.

Usually, these things don't automate any of the functions of Photoshop, so we're very close to here, here and here separately.

You have to go ahead and express the same thing with the image.

The rest of it is also adjusted in a very detailed way that

It's a good idea to touch all the parts of these fibers that remain.

where this part of the description is now more concentrated, so we stacked this part of the description too much and

It doesn't seem to work if the density increases.

So, this part starts with a large brush instead of a small one, and starts with the color of the prepared texture.

A little bit of eye also dark color

If you come in large and weak, the contrast will become weaker when you sort it out again, and it won't bounce up.

So there is no need to be too precise, instead, when the brush marks overlap on the same texture

when dealing with those, the density increases as well, so it piles up unburdened that

Putting some of the texture expressions on lightly.

If possible, raise the part of the large individual and the large individual separate slightly by 10,000 ratios.

If the rest of the part is made by smelting technique, check Zhao before and after

Check to see if it's going well.

Change the texture slightly with a lighter color

It only makes sense to climb up there, right?

When we sort out the efficiency part, we'll consider these hairs that

sorting out the unprocessed parts, too.

And quite naturally.

We use these negative spaces

to express the sense of space.

Painting with some dirty parts.

Use a small brush to facilitate the kinds of it.

And, if you think that each section is too easy, then in the section where Lee is

Add a little bit of texture with a brush that has transparency, and the outer range of structures will also become light states when viewed in three dimensions.

This part will stand out a little bit more.

Because once you've done the same description, the

overall, I would describe it together.

Similarly, the

When this texture is expressed, the

Slightly more curvilinear lines with a slight increase in curvature are also preferable.

Especially for this part, the

The part of the painting with the most emphasis on silhouette is dominated by shadow density rather than

It is good to carry death and party system with mainly peripheral lines, so a slight twist in these areas means little.

Since, like the surrounding Golden Niners, with thin but long lines

It is better to show the shape of the hair of the bell horn.

Draw a very thick line that

Derive it with the color of the hair and form the shape if it can be carried out a little faster in length, right?

Where the texture changes a lot, the lump is divided into two halves.

All distant areas with similarly oriented hair.

Might as well put the bright side there and interrupt once in the middle of this golden line and die.

Tidy up a bit.

At this point, the drawn hair can cover the existing graves while adding a bit of density.

So the hair

Cheers, instead of figuring out Nora's direction, we should adjust the overall direction.

Put the goal aside and pursue the natural feeling while breaking the balance.

Especially in this light hair situation, where the hair will suddenly stretch outward and

Sometimes there are opposite curves of bending in the original direction, and the more of those things, the lighter it feels.

Like what I'm drawing now, the ones that keep going in a consistent direction, the

There's a feeling.

General

In the part that corresponds to the upper part of the hair, please always unite this hair directionality so that it calms down well.

Like the tips of the hair, there is air between them, and each hair becomes farther apart.

It should make it feel easier.

So on the tips of the hair, the

It would be nice if existing curves bending along a slightly different direction of thin hair suddenly continued to be added.

Gently erasing these blurred areas.

Can slightly cultivate this dull-looking pine plum and hair block, I guess.

And it seems like it can be covered by hair at any time if it's fried too big.

Don't be vague, point in the right direction, use the checkpoint paint and build the first space to move.

Make a name needed in the middle of the work.

The key is not the technique of mastering the key that

Because the hardware issue is a bit of a problem, it would be better to consider watching it later.

One last thing to sort out.

There are comments now.

Then confirm again at the far end.

If there is a stable hair pattern overall, you can consider it to be fully sorted.

If it's a little lacking for the sake of meeting, please do a little more finishing, or add details later.

It's okay to look at the density of the overall object and check it again.

And I noticed that across here on the catalyst.

Describing in the last point that

Now you see that this thousandth of a hundredth of us, even with the details put in, there's no pattern on the brightness of the end

Overall, the direction of the sleeve facing itself is diffused downward, but the hair is also diffused in the same direction.

All three of these individuals are indistinguishable.

Therefore, this boundary line will not be too simple, the

The hair comes in, it's better to shake the border a little bit, but let's put a little bit more of this expression in.

So we can show the wrinkles on these sleeves, the back rat and the space in front of

or entered from a slightly different direction, or the end was obscured

coming out instead of them.

It's an extension of the hair and the shadows, so relax a little bit.

Let this hair color action

Hold in your hand.

into this crease, the sense of space will adjust slightly.

and now a little higher curvature than this one.

Add a little bit more nearby.

Watch out for Han-jin, etc.

And then to put together a little bit more detail on the end of

Together with these sections, the degree of qualification

Re-emphasize the sense of space between the hair and the clothes.

Even if it's troublesome, the end becomes unnatural and

While finishing

Being planned as a picture, every time you look from a distance

Double check for unnatural descriptions and what needs more natural treatment.

I'll confirm that.

Doesn't look like too much of a line going in is good.

Take this hair off and bend it a little bit.

Again, starting with the shaded color you can put in and drop it down a little bit with the brighter color.

And now it's the last closest to the long hair, so calmly describe it.

Here is the bright side, loaded with vermilion clouds, and here is the interior, make sure to do a good job of contrasting this side.

So, clear description and texture rendering first into here, inside just as we described here

With a medical or unpleasant transparent brush, let the texture go through greatly and then

Attach the eyelashes with a small brush tip and texture them naturally.

I think it's good to get the hair in there, too

We'll add that part of the detail later, so we'll need to think about it then.

So, let's go ahead and organize that

The goal is to drop it off the tape.

And the shawl here is almost the same color as the green.

As we did with this part, we piled up a portion of the structure gold shade

Plus the separation, which is still readable now.

And these small parts

Lumpy parts can easily weaken the description, so clean and sharp dogs must be sorted out.

Thin hair passing through.

If there is such a similar description around, I can't separate it.

So, deliberately covering the description of the people around it to make it weaker underneath that

would make that hair look a little bit better.

This part is also glued to the color.

Intentionally turning on the exciting bright colors that

This is the part where you can hear some of the darker side and let the cows rest.

Don't end on such a caustic note

It's like drawing a foster child, actively using the lines that come out of the overlapping hands.

Separate the ears with bright colors, too

Separate it from the color that's next to it now.

Because things like allowing theoretical shadows and stuff like that will come up every time you draw the motor.

And a little bit of principle sweet, give it to the enemy.

Can cope with various situations that arise when drawing various kinds of pictures.

And again submitted confirmation from a distance.

Drew enough hair.

But this part will be slightly sharper, as the color is reduced to too bright compared to the heterochromatic tube.

are separated.

A little carelessness, there is a pattern underneath, probably from the lighting is a triad to throw it away. Hair is a part that can easily become dense.

If you just know how, you can use it as a really good design element.

Because the brush is very small, the size of the painting doesn't change much compared to the rest of the

Instead, because the freedom of the stroke is larger than the reduced part, the

It is better to know the non-handling method when designing.

So got the hair all sorted out, now let's get in there and see.

Need to go ahead and confirm the face before and after, so I'll duplicate the layer?

Please consider it for process storage.

And to get into the head, like the hair, the saturation is kind of important.

So, we can't just use the color here, we need to continue to choose solidity in the middle and use it.

For example, if there's such a muddy color in and around these snow leaves, we'll have to drag that color in front of the correction.

If possible, the

This theoretical approach

at the edges of the skin, such as the nose, nasal, lateral ear and jaw line.

Slightly higher and brighter than the color now prepared.

Doing the dirty stuff once.

Overlay these colors with natural color and saturation, the

Color we're going to play with color pottery

Even so the end of the cover anyway should be intentionally painted high saturation.

The experiment used as Photoshop has a saturation drop in July, so now the handy part.

It is recommended that we use more parts of the touch and follow him straight once in the direction of the upper stone.

The red, slightly back also raises the form that

and aggressively finishing.

First, starting with the part that is a bit unnaturally uncolored like now, releasing the big road numbers first should take priority in the order.

20,000 is round, this part has to spread a little farther, so there will be a lot of brush, right?

along this part deliberately laying the vegetables slightly higher pink to a similar value that

It's too dark.

A little brighter.

Sweet going back and forth here, please slightly prevent Cai Dongxu from dying.

Only with minimal processing, the face and such will appear softly, if you save this part of the touch, it will look too doll-like.

To overcome this dilemma, even if it's a pain, it's still best to cross the vegetables over the high colors once.

That way, the saturation will naturally fade down.

If you see this color move, it will fall down when you cross the upper level of the world, and if you untangle it, it will come down in a straight line.

in such a way that it doesn't look like real skin that

It feels like marble.

So it's better to do it once even if it's troublesome.

This is the same situation with ophthalmology, a little bit protruding from the top, going in and out.

Adding a slightly brighter color, putting the bottom ready to clean the pink

On this immediate ring, please let the wonderful border blur naturally.

This way, it's okay to use the colors above if possible, right?

The book washed in this state, let the saturation drop a little and let it go.

The back sides are graded, so release them smoothly to make this part clear, thus leaving the clear parts.

So go ahead and compare before and after.

A highly saturated blend would be very successful.

Again, there are other parts to release, in the case of balls like this one, to go over very round.

So putting the color a little bit further out here.

The previous poise is broadened again, and the colors naturally intertwine into intermediate colors in addition to the light and dark races.

This way the colors do not become muddy when compared before and after.

Let those who need a big brush to release them

Make me soft makeup.

Especially in a case like the nose, this side has to be clear and this side has to be loose, so the saturation tends to be lower in the north.

So, I intentionally put the red solids on the map that

back and forth to understand it, and then put it a little bit farther away that

will produce subtle differences in saturation, and these now become the natural density of the painting.

It's very bright, but the shadows are clumped together.

Although we are saying that we are lush in reverse phase, the color is also a little stiff in this part.

Therefore, please let this part put once bright colors of 2 camps, only these residual touches very relaxed hands.

Please stay gently.

And this mouth, I want to get slightly more rounded than the plane drop, because of which the corners of the mouth.

Please have a good sleep with the bright colors here

Let this part go through the red tones that

After the hidden release of the Tang Dynasty, this contrast is so powerful, and then stamped with "unborn".

This part can produce subtle shading.

And the overall blend. After proceeding, just use a small brush from now on.

First, start in with the eyebrows that can be clear and easy to do.

Take the top of this red and paint it once naturally with the hand color that we used on the hair.

For eyebrows like this, don't draw them all at once, because each line has it.

Consolation

And just let the touch that gradually falls sideways naturally backwards the harder it is.

Red is turning around thin and dark on this side

Just eat a little bit of that part and the overlay will unnaturally creep upwards.

First, before the overlay, the

Starting with the shape of the eyebrows, I wanted to draw some sad impressions, so rather than going ahead and putting on the eyebrows

Think about this reaction that

up and sliding outward while slowly showing power.

Then Yoon So-mi naturally rises up a little bit on the top, I guess.

This way the eyebrows are set in the right direction.

Slightly cover the shadows with color while finishing the surrounding parts.

And then, when you apply this color, underneath is the red, the shaded color, and someone inside of the color that's stacked up

very naturally climbing up unnaturally.

And the pupil, that part looks like lines now, it's not good to leave lines like that.

So, to finish, unpaint (shade), draw this color, and untangle the volume tip.

Intentionally adding a bright color to the bottom, this folded expression becomes this expression.

This part is similarly, please release, all at once

And then dropping the bottom to a slightly lighter color and inscribing the contrast will emphasize the reduced expression.

This part, in addition to the inner eyelids, or some skin folding, or the commonly used method of

Unwinding something if it's a little bit blurry, raising in July, raising the contrast in the middle

Better emphasize the middle pin note.

The part with this blood color is dominated by the back, not the front.

Instructions to cover slightly if the area is too wide.

So, you make me weak and difficult to change the book and just be yourself.

This Cole is also a little bit of a caricature of what's going on, but to emphasize the prominence of this

The first half of the saturation is intentionally slightly colored, painted with fist-sized red tones that

Just put this further and further back.

But it's definitely going to be black

After dark, cover from the pages, leaving only the end, gently cover.

This first half will be gently highlighted.

If this part is overemphasized, it is best to slightly cover it with the underside to make the concave and convex swords weaker.

The same for the bottom, especially with a little more saturation.

It increases like a tattoo as it enters the whole road, but intentionally almost saturated.

blast the high color naturally once twice or three times in the finishing room right away to give colorful makeup that

The color used here on the bloody cloth

Draw the shape of the leaf and end. Part of the hole pattern is now made slightly in black

In order not to reduce the saturation, like this put Wen Yi records are the same, if too splash, with the following color overlay stacking

It's also good to hide the expression.

On the leaves, it is sometimes difficult to set the lip with a brush.

Use the trap like this to press the conti on the proposal, then turn on the control oven.

And it's easy to adjust the mouth shape just a little bit, even in the middle

Will this expression be added?

It will be smaller compared to before and after, and it feels better to compare the tilt.

Please add together after finishing the usage.

and facial periphery map

Separate from other parts, so clear and separate again

And then there's what's underneath, even though I want to put that part into the detail.

The first thing that gives me the description of the memory lashes is also red, first across

Shape it first with the color you used initially.

If possible, give me a direction.

I painted thick eyelashes that

I like to look like a doll that gives an impression, so draw it on such a congress.

Checking the direction of eyelashes on one side

Natural overlay of red to bring up the color.

It doesn't make sense to shine this white in this state, so use the shaded color

where the shimmer is shining.

Adding such a bright color to show the sense of thickness.

If the brunette is dark, you don't need this, but paint the hair with a brighter color

The eyelashes are easily thickened, but if they become black, they will be patented, so the expression is better.

The end is also slightly microscopic eye color, so that the health care institute blends in.

Bottom view

Making the lines clear and

Through the black, the lower side is also the eye is looking this way, so than down like this, towards the outside

Please comment a few with the color of the shade.

And then I'm going to go into the pupils, and I've chosen some pupils of the white type that

But the colors here can't be the same, so pulling out the top sky color, the

lightly cover it with a brush that has transparency, leaving the bottom

The bottom corresponds to the part where the white is bright enough.

Cover with light color only

If the outer pupil is blue, use a blue hue if the red hue is red money

Slightly worse, cross only once to prevent clear separation like sticky paper.

Pupil

The pupil is more distinct than the iris for reasons that determine many impressions that

Deliberately giving a little power to the iris and giving some frozen air.

Now it's time to darken the color a little bit, starting by dropping this eyelash part down slightly.

Also, please use white to decide the position of the pupil and then make the color of Lee's eyes transparent.

Then sharpen the iris bit by bit, trimming only the ends to give crystalline paper.

Also, check for separate play while looking at it from a distance.

It's brighter if you do like me

The more you touch your face the more dense it gets.

Besides now, you can also come and touch once later when you are in the details.

or the part is too weak.

That is, the endings are re-emphasized with the red toonie that

Partly also cleaned, closed the door, the five senses

Let them be distinguished at the same time.

Also, turn the details off and on again to check that the surrounding decorations go in when they fit.

The end is too cloudy. Touch it again.

And making some progress

And then sorting out the things around the hair that also got dirty with the touch.

And the details of this area can slowly rise team

The soya face coming in slightly can show the head turning round in flight.

And these parts

About a hair or two

A little bit of variation.

Ghostly feeling when Tang gauge is piggybacking

It takes longer than the machine to end the

It's also worth looking at the spatial sense.

Instead of just going into here, the opposite places add some similar statements that

And the eyelashes that come through inside the hair can only be the end of the ability.

leaving this cloud of dust in the drama.

Inside, please describe the cleaning.

Then just put this directly underneath the fried one.

Same thing here.

The play, of course, after the description of the hair, infiltrates

Just cover it directly underneath.

This is carried out once even for the face. Please check again as a whole if there are any regrets in this state.

Because the facial description is more than you think

will go in in detail, so be sure to check if I'm a little bit expressive in other parts.

In a case like mine, the

The proscenium has to be a little bit brighter.

Emphasizing the performance of Gen.

And the lack of detail in the black part of the hair density of the rain connected together

For no reason fingerprints army mother-in-law and daughter-in-law young and old

Adjusting details to avoid slight conflict.

This part ends with an empty hand.

There is very little detail in this part of the traverse, so this part is slightly more head dominant for the next

The painting can put a little bit of the law of not splashing hair

and the part that we described initially that

For example, you check that these sections are not worse than the current degree of completion that

It's definitely not hard to sort out a little bit of people with laws like this.

Just like we had some feedback that

Please look strictly once.

And this kind of crinkles and such brooches won't stick together.

Just a few light touches to describe, for example, with this dark blue ending lightly kill the shading once

Definitely hard.

One more light shot with the bright color, just splash it on and cover the area anytime

Adding something to these that is darkly turned is very helpful.

Now after the fortress, the painting won't change much except for adding details.

If there is anything that can be modified, it can be done better now.

For example, now here

If you can, this does not match, now the opportunity to add

Cover the shaded area first.

Eventually, these elements that cross the Hanhans pull transparency and distinctly

It's much faster to draw.

Now it seems that

The depiction of the hand is weak, or apparently if you look again, the picture of the part you can touch stays somewhere.

Since these parts are my own drawings, it's best to take a little prediction to the bell road.

Compared to the density of this part, these parts should not be too weak either.

Sure. The rope is the same that

Is it hard to put another one or two or so heavy rates to Gwangju?

Finally take all the power in your hands

Add with comfort.

And Marionette also has the early stages, so the completion will be lower, the

The more these parts, the more I please you

Marionette is acting like a leaf.

In this part, the predicted bright side comes in, and the eyelashes are slightly placed on the large model side, which will stop it.

There is also Lee In-long Lee can also add hair that

Add a third one at the end so you can fill in the details.

There's also the space name change pion, once it must have lit up, put one in, and something is wrong.

Instead, put the last bit

Detail representation is beneficial for structural expression.

These parts are on the left

Help me break up that last little bit.

highlighting the tighter parts of the brighter colors.

Or you put me so much that you open up the gap in the middle and then intentionally put that part in white that

it's easily expressed.

It's too team melting

Compared to the traditional description, can't play the details, so put the plunder pact cleverly in the seconds

And those parts, like the hair that

Six or so additional climates would be nice, I guess.

So, at this stage, our goal is to complete the basic description

Maximize completion.

Subsequent modifications and drawing of detail axes, etc., are continuously added in lines that do not damage this description.

Since it is going up, it is better to depict all the sketches prepared in the present state if possible.

Looking very wide, coming in very wide.

The cover will fall off naturally if you put on the sewing machine once.

So whenever I briefly look at a painting from a distance, the

see the unfortunate words, don't hesitate to zoom in a little bit, do it again, and compare it back and forth.

For example, there are no shadows at all in these places.

01:40:09,607 01:40:09,607 Putting it in again to bring the sense of space to life, the

These overlaps will be slightly darker, the

Does it complement the closed painting expression

Or, because such places are separated into blurred lines, intentionally 6 poisoned corners.

Singer-cum-dermal parts give salt, a bag

The main part is

and finally the hue theorem.

Instead of touching the overall tone, the tone type partially tidies up the parts of our description that are not sufficiently related.

Just think about it.

For example, from the control wye, there are places where the space does not feel spacious because the colors collide with each other.

For example, the end of this sleeve is indistinguishable from the skirt, or correct all those parts.

Yes.

At this point, we use the lasso tool

Intended to make the machine sensitive.

In which we select the calibration section so that you select the widest section first.

Please select wide enough.

Object can be ignored.

Then click the queue to confirm the selection area.

There is no selection area like this.

These sections are paper #10.

So we use this hot key to push in the drainage system that

or just paint with a brush to increase the selection area.

or erase the part that comes in.

Clearly separate the border first, except for this border, and erase cleanly with the gun

Leave only for competition.

If you are arrested to get enough earnestness, then if you see this part now

we decided to make the inside darker and the outside lighter.

So this part is controlled, the

Can naturally compensate for the correction, with the setting

When the opposite direction is selected, press the child who controls the shift.

Now the outside is selected, and the overlap is selectable if you press shift tee again with the trap.

Select this part.

Then erase the rest of the part naturally, and

This part is also a stand-in, Xu Luo

Naturally, clear the selection with a very large fire so that it only stays in the game.

And where we need to separate

Shine a little bit more with Control Aiwu.

This part will clean the tones.

It's best to utilize a quick mouthpiece.

For example, behind the Quick Mask, select the "Gradient" circle tool here.

And these parts

Let the shaded mass become such a place that

Releasing a fast mask of

Next time, if you use control snake gently herb, that part will naturally show the color of lungs.

And then, before saving again, the

Any regrets, please check to the very fine part while doing the ending.

For example, there are cases where the speed water is seen one after another, and even if that's not the case

Because of the effort to draw around it, this part is particularly concerned.

This idea ....

And

I decided to include some black eyes.

The slightly drunken side of this foot is broken blue

I stepped on my foot and crossed it only once.

The lips given, in order to make the zoom also come to life, with a high saturated red tone

Write less, make angry, and feel free to cover up the smile if it's too splashy.

And the color of the neck part is too separated.

It's the color that's prepared here

Needs to be overwritten slightly to leave the degree of connection.

This allows us to proceed and describe to a certain extent.

From then on, we will be left with some more details of the accumulation process that

Starting with the production of details, instead of it being the use of Photoshop's capabilities, on one side is the painting big change of the brush depiction that

plus colorful things, so if possible, everything that we planned in the sketch

better be done at this stage. Walk in

Let's look at some images from a distance, see the background and the details that

It's best to check in the descriptions to see if they are adequate.

A slightly brighter eye color for the surrounding face part is a little better, so it's too tight

There's a sense of slew.

Continue

The face looks a bit various, most

It is a good performance when drawing a worthy character, and the good side is also very soft

With the concept of Lee, the flexible helper, add this part of the face slightly brighter suggestions to record the palace shape perfectly.

When these details are expressed, it will be very aggressive to use something like pique manpower with hands, and then practice quietly.

So, the more you draw the painting 5, the more delicate expressions around it will keep adding in, right?

To distinguish the hair, we use bright colors

It's also easy to forget the back, it's a little bit better to put the tuning barrel without the big ball and relax a little bit harder

to adjust it.

The nose will naturally emphasize a little bit.

This is also the time of the physiological waterfall

Reducing the contrast of the elements that

Is it even partially too good for this part of the light?

A little bit brighter, the

Let the front fall off.

and some spooky pupil manifestations.

with a little bit more brightness.

And those parts that I cleaned up worse, those protruding parts were scraped once for the final cleanup, and this is the flame

In particular, the

The periphery of something clearly visible that is bound like a lantern would be left like this and would be difficult.

And this part

to the pro-government people giving that

Actually, I have a way to speed this up.

Please use the trap to select the part that stays in Zoe.

Please make a choice silently for the part that leaves the white part

especially these parts.

Make the selection wide.

Take control of this section and then touch the properties of the layer if you double-click.

At this point, there are three effects that add black to the interior: "Phosphorus Eagle Gloves".

If you open Inoglo, you'll see this effect that basically turns white.

Call this

Change from internal glove to black to normal, or

or change it to the same thing you see on the color, and then turn the area slightly

Please see a little less thickness and eyes.

And it is also adjusted for the open city, so you can confirm the darkening to the desired level.

If the range is adjusted, it may make the range sharper or blurrier.

So, after resizing the

Please make sure that that outer part is not blocked.

Then right click and after the display in the restaurant style

This effect will become standard if you let Leicesterize.

Then delete such unnaturally connected parts as backups with Shiraito trivia questions like this.

Clean up more quickly.

Troublesome processes do exist in Lost, but once we skip those parts, we don't continue to do that

Obviously, it's a good value of experience to be able to be meticulous and polished when you're practicing in a painful way, right?

Please confirm again that we haven't missed anything.

Things are coming up.

Please take your time to sort out the rest, and do this initially.

It's worth it to paint that picture on it.

This standard way of stacking is unavoidable.

These parts are not the ones that take very long.

We recommend that you perform a standard tune-up before your next course.

So, in fact, if three, four, clean, this process is much shorter that

you'll actually see a lot of light at this point.

I tried to work as an exercise and was satisfied with the quality of the results.

Things regretted

If that happens, I'll draw bigger, if that happens, I'll generally regret it, just like fixing the world.

For those parts, think about grandchildren's insurance and stuff like that, usually organize cleanly when you organize

Say yes

It can be confirmed like this.

The part that is obscured by the reference

Not required, so can be skipped, but these parts of the outermost view of the painting are dirty, and if backed off

The corresponding loss map becomes a fatal weakness.

Once again too much erasure on brighter matches if overall finishing is good?

Please confirm.

In 1:1, these tools are erased too much.

Also book a bit of text.

and layer

After all the finishing, in this state, we have finished the outer part with a transparent brush.

Press the control proposal to duplicate the layer and bring it right together so that the transparency of the layer is clearly visible in your hand.

After proceeding to this state, we will next step through the process of stacking the details step by step.

So most of the time in the description that you will see as you proceed will be spent sorting out the me drawn this way.

The details use the various features of Photoshop to add and organize the objects of our plan.

After that, some material representations will be added to match the reflectivity of each completed character.

Next, we'll sequence and approach the character design in a more efficient way to enhance the details.

And, these tips and Photoshop features observed together with the mnemonic river of learning together, you worked hard.

I'll see you next time.