All language subtitles for 08. Shadow Colors as Affected by Lighting

Hello.

This time, we learn about the light of the past and the century theory that

Let's practice playback using the colors of the shadows.

There's been a lot of theoretical learning so far, so it's a bit difficult.

This time I will practice with such a theory and follow the coloring process.

See how the theory we have learned so far can be applied in practice so we can get a better feel for what we are learning.

This time, we will examine some simple examples that apply light and color theory.

Trying to make an easy choice.

Coloring with back colors and other popular, slightly more recent, may face problems that people do not expect.

To make these problems easier to solve, please repeat them during the exercise until you are familiar with the basic theory and working order.

Why does the sequence even need to be like this?

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Let's practice together with the goal of getting logical reasons and know-how and stuff like that.

Even if it's just scribbling, just repeat the drawing process that must be followed over and over again to get familiar with the techniques

The attitude of relying on materials disappears a lot when drawing afterwards, and it is a good basis when learning new theories.

It's good to aim for an internship that is familiar with myself and the sequence of my work.

To some extent, when people who are skilled in their work apply

If you have a part from the way I work, I recommend that you apply it to the work, even if it's just a small part.

First, let's take some examples of soldier-building conditions worthy of our representation, check them out on the light theory, and then color in the shadows.

The time when the illumination is highest in low natural light and the color of the ambient light is clearly visible.

So the toe surface and the shadow are clearly separated, so the implanted advertisement affecting the shadow is clearly visible.

So the bright side is brighter than the traditional object color, the

The highest degree of light and dark match should be reflected in the shadows as a whole with blue light.

In addition, daylight also shines strongly on the background or surrounding objects, so that the reflected reflected light also affects the shadows clearly.

Lighting conditions in clear daylight.

Because of the conditions just mentioned, which are the most familiar lighting conditions to our eyes.

Because the colors are also very vivid, it is commonly used in the game's illustrations and in many illustrations.

To better confirm the color of the shadows, I prepared four simple but representative objects.

We started by placing objects in white and black colors, as well as objects in our usual oil colors - red and skin tones.

In order to apply it in later coloring exercises, to see how the color of the shadows changes according to the light

I'll reflect on this in future work.

First of all, when there are objects, the shadows are also affected by the yellow scene light, so the ambient light will be affected.

Therefore, the shadows do not appear completely black because they are illuminated to a certain extent.

In Photoshop, there is a composite that darkens the colors, so in this case, it will use a composite called multiflight.

When clutching sex, the blue system do not completely determine the blue color to black, when the light of the sky is in contact

To what extent does it become blue?

Think about it, the brightness will become higher and the saturation will be slightly higher.

For compositing shadows into multiplayer with this color, try the color of the shadows lit by the sky.

And the bright kite with white objects, the light is enough illumination, so the white will appear as it is, but the shadows can't be black.

It's true that the brightness of the darkness drops, but because of the ambient light, enough blue needs to come in, so a little blue light is added that

to show the whole ambient light.

If the light source is as narrow as the sun, the contrast will be clearly visible.

This affects not only objects in the sun, but also greens, such as the ground that

The light reflected from the green should also be reflected here, in which case move it to the green, please

which is also slightly brighter, the

When green is added, the

Add a little more green.

The closer you get to the bottom.

The green color has a big influence, so you can change the color to make it closer to blue.

The name is already reflecting enough light so it's white, so there's no need to paint green on top of that.

where it is difficult for reflected or ambient light to intervene where objects are close to each other.

The shadows are closed shadows, so they will stop.

And black objects are semi-black, too.

Some pigments so absorb the light of the object, but not the black that we commonly use, right?

And if the base color is too dark, there will be a big change in contrast compared to white.

For example, when I paint the base color this way

I try to paint the shadows as dark as possible.

In this case

If you look at the difference in urination, you will see that the contrast between the list and the shade is much worse than the white.

So start by applying the base color and just think about 30 or so with dead bright colors

In this state, you must have shading.

The valley level difference is large enough.

In this state, under the sunlight, in order to add some warm colors

To add a little bit of saturation to this color

Instead, the shadows are

Outside of the extra illumination in blue, move it to blue and increase the brightness to receive light.

Increase the saturation of the

Illuminated by the sky like this to create a little bit of a blue swirling effect.

So does the green.

Go to green, increase brightness, and

Ability to increase the green color that rises from below.

Again, I'll do closed painting of my performance.

And for these dark objects, light reflections are more visible than white, so the usual representation of the feeling of the material

It looks better than brightly colored objects.

If I have a high texture.

Depending on the light Hoon, it's better to have a more aggressive color change.

And other object colors, remember to try them too

For red objects, when the light shines

It is generally taken for granted that shadows darken

In this case, like the sunlight, the

Because of the high illumination, colors that are more saturated than the ones here will appear.

Therefore, the saturation of the roster decreases, instead

The saturation of the light and dark borders and the highest point.

Instead, the shadows shift from red to a slightly bluish tint.

Instead, it is better to reduce the saturation enough.

The green below will be painted the same.

If it's painted green here, sometimes it will appear in colors that we don't want.

So we have to move almost in the opposite direction

Tune the colors a little bit, lower the saturation a lot, and lower the brightness a little bit.

Hetero also painted with color first, then

In this state, if you add a little more green, you can render the light reflection more naturally.

Again, pressing down hard with closed shadows, the

will enter naturally.

The skin also drops the color of the shadows from here just fine.

We know the skin will be more saturated than here.

The illumination of the name is cheaper, so it will be a little bit more saturated than the traditional colors, appearing in the brightness that

Called head angle light, if the object inside the blood or something strong light

appears on the business card race, so by this light and dark boundary

Not down here like this, if you see this color, not down here like this

It's the colored pottery, it goes through the deep red that

This relationship

The admiral goes through the high red and then goes down.

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So it doesn't matter if the shade is slightly red overall.

Because here it's blue like the sky.

So, if you want to show that the color is moving, you can turn it slightly pinker and, on the contrary, the saturation will be much lower.

The green is also greener than what was there, so lower the system enough.

The concentration should also be lowered so that the color will have reflected light, right?

If the bright skin tones here also cause a lot of bad effects here, the

Move the yellow tint here a little bit, a little bit brighter, but a little bit less saturated

Heterogeneous is also the color.

The ball that will penetrate red.

Like the shadows, since it's a low-light ski, it's okay not to add reflected light like this.

But if the shadows of the situation are now masked by 7.

In those cases, they will be masked.

Shade

Because there is no effect of the juzumine, only the color blue of the ambient light is used as a criterion

There should be color here.

Instead, if these lights come in, the

As I've shown before, we'll soon see that

should increase the color of the light.

That's it.

I'll confirm the lighting for the other time periods.

Sunset time is also called Chennaio on the photo, but the main illumination is in very sharp colors.

Conversely, the illumination is somewhat lower than at Dayna, so the sky illuminated by the sun or reflected light is less effective for shadow areas.

Therefore, the name symbols of the orchid family and the black and blue shadows create colorful colors and make the illustration appear more vivid.

So, when applying the shadows, I settled on these colors, each bright enough and more saturated in the blue family.

If you multiply the composite with colors that are much darker and less saturated than this, it appears like this.

In fact, you can multiply the object with this color, which is used for the multiplicative inverse painted here.

But multiplicative compositing is the way to calculate the color, and sometimes the color will be different than what is desired.

Don't just take advantage of it. When you start practicing, please concentrate more on how the colors of the shadows behave better.

Let me check the white object first.

The white object to remain white on is characterized by moderate light illumination of the lamp and equal wavelengths.

This is not the case now.

So, on the bright side of the white ball that we entered, starting with the color

should be influenced by the color of the light

So there should be a high saturation of messy colors and the shadows are darkened.

It's much darker than the lighting here.

The contrast would be too low if this color were used.

So

There should be colors that are darker to this degree.

and the light-dark match.

These two colors, so moving back and forth between orange and blue, the saturation drops too much.

So, between this color and the color and between this color and the white mix some red light, so the light is red.

It's better to mix the red light together to make the Zaichi saturation.

If the exposure is too much

Instead, it's a little artificial and feels slightly past a little bit of red light before going down.

In this state, the

Slightly live with the bright colors of providence, saturation is slightly higher, brightness will be slightly higher, so that the color will come in as a whole, right?

And then the shadows of the paths are paved black.

Hopefully, this will add realism.

In black, the illumination is much lower than in daylight, so the roster gets darker.

But because the saturation is very high, compared to the originally painted color

Instead of the sky being dark, this system needs to be very high.

A little bit of red light around the trunk of the tree

Instead, we should keep the contrast of the shadows.

The shadows should be dark enough, because the extent of this will vary.

You can add some blue to the shadows.

Move with blue, increase the brightness and decrease the saturation.

Slightly slightly, but add a little bit of blue light.

Similarly, the light reflection works well, so here the color of the light

will go into a bright spot.

The red sphere is the sunlight emitting red wavelengths', so the red color will be clearly visible.

Conversely, the shadows need to be dark enough compared to daylight.

So, please reduce the brightness here by a lot, the

It's a good idea to give the shadows a darker layer compared to the daytime.

and the illumination is low, so the colors given this way do not have to be the same.

The illumination is low enough to be red.

Just add a little blue here and the light will be weaker.

So, you just move the color a little bit and

The saturation is a little bit low, the

Better add some very pale blue to the mix.

Like the skin, not much different from a clear day, but the roster will be starkly difficult to color.

Because the light itself carries a very warm color.

Instead of getting darker, the saturation becomes very high, and

Move with a slightly raw color mirror that corresponds to the color of the light.

Shading.

It's much darker than we thought.

Because the shadows are going to be darker than the answer, the shadows should be dark enough that

And don't take the community out of that context, either

Look here, don't just go down and move towards higher elevations as you move past a little bit of red light that

Just let the color drop.

Let the color of the shadows move towards blue.

Shifts the red light and reduces the saturation.

Remember to add predicted names for light effects.

So fragile that

The light of the sky can be rendered in shadow.

On the red ball, if there is some yellow here

Move it to the yellow family and lower the saturation instead of specifying the height.

Let this color come through and you're done.

The color wheel is more light theoretical than imagined

Expressing the color of shadows and light reflections is easier than imagined, so we recommend you to practice it well.

At night or in dark areas, the light source is not present, so the object looks very dark.

Having said that, there are things you don't like in such lighting conditions, even if you know them.

There are no significant light sources in the theoretical space.

So there's a little moon here.

Any smaller, and even if there were stars, these sources of light themselves would be very distant, and

Even if there were bright lights, they wouldn't affect the object any more than one would think, so it's hard to point with meaningful illumination.

So the whole object is lit by the environment with the night sky that

If the background is about to become a light source, then the object to be drawn must be darker than the background night sky.

If the target is shown to be brighter than the background, it means that some other light source is illuminating the space.

In this case, the direction of the light becomes ambient.

Starting from the shadows, it will first be very blurred.

If you blur it in the filter like this, and then blur the Gaoxian, the shadows will become so blurred.

Much more blurred than expected.

In this state, the

Even if it is a white object, this house must be darker than the night sky.

No need for darkening or high saturation.

Therefore, the white ball will also appear in this color.

Because the direction of the light is not obvious, only the shadows appear

Only the closed shadow is drawn.

The black ball also lacks illumination, so be sure that only the color sense appears as darkness.

If you want to show light reflections, even in bright places, they must be very fragile and faintly entering.

This should never be bright.

So, in fact, in a dark place, a dark interior

It's better to blacken the ball.

And red and skin color.

First of all, the basic thing to protect is darker than the background.

Saturation should also be reduced.

If this is the case, the saturation will be lowered and

A little lower

At times when there is

Sometimes it will be lowered to the end of the gray, when please protect the words, basically darker than white or skin tone.

Therefore, the only way to effectively distinguish the color in the dark is to understand the object-specific beryl.

Both

The path's attraction point is painted slightly.

If you have to add blue light, move the hue pink line here.

No lower saturation, but lower it a little bit

A little bit of pink to paint.

With a skin like this, the night sky is blue, so on the other side the color will go down because of that

Just raise the territory a little bit and it will look relatively blue.

Instead, just don't have the moon that embraces the night sky at this time.

In this case, the white light will ignite the support layer that

The only force point is based on the light source here, and the light will appear brighter than the night sky if it spreads.

You have to do it here.

The red hardness will increase and the saturation will increase.

So, if these colors are reflected, and if these lights are sufficient

Let it come closer in a more pure way.

Then, if you shine it with a flash or something like that, the color will appear that way.

The skin is as saturated as it is bright.

Just move gradually to skin tones.

Weather overcast

When the sun is endangered by clouds, the sunlight spreads out.

So, in a clear daytime together just now, because the white illumination just falls off the jacket

The shadows appear clearly so that the direction of the lighting is seen correctly.

In this case, the sun shines through the clouds so that they can illuminate the world.

Therefore, the sunlight is covered by the clouds and spread wide, so the illumination is spread evenly compared to a clear day.

The contrast between the shadows and the list is reduced, the

The thicker the clouds, the lower the illumination, and in this case the lower the saturation, the less the effect will be.

Therefore, the shadows should be very blurred and there is no reason to show them clearly.

As I said, in the absence of a casting name, the object must be darker than the light source.

When the sunlight is somehow still directed, the

shadows could not be seen as clearly as they are now.

Its tracks should become blurred.

But here you have to know that the sky and stuff becomes brighter overall, so it doesn't have to be so dark, more than expected.

Became brighter than expected

This way the contrast between roster and shadows is less than expected.

Meaning that in this case, you just really catch the light and shadows and that's enough to make a point.

Because the contrast in black should be diminished, too

If the overall brightening of the

The shadows are also brightened

The contrast between the list and the shadows is less pronounced.

Sure enough, just catch the closed shadows.

So when the light reflects, you shouldn't draw it like this so that the light is clear.

Helvetia Multi

Should be very fragile and vague addition.

In the flesh as well....

It's not the same as what you've just learned, but if there's a difference, the saturation should be reduced along with the brightness.

Because the light gets weaker, the light light gets lower, then the last century comes out.

In this case, we can't give enough rain.

The fly darkens the shadows.

Should not enter centuries of dark plans.

Overall, the contrast between the list and the shadows should be weak.

The skin tones are about the same, but if there is any difference, the light becomes weaker, so the transmission process itself is less likely to appear.

Following a certain color that is written in the rock game can be less annoying, even if we draw normally, we can draw as a color block.

Put it down a little bit

A doughnut like this goes in, it's a lot of work, only this part of the saturation, after a little bit of red light, vaguely

It would be nice to moderate a little bit.

Ending with the professor's shadow.

As with neon, the wavelength of light

Due to skew, the color of the object is poorly represented compared to natural light and is more affected by the color of the light.

Therefore, the more light is reflected, the clearer the color of the light, the

If it is violet, yellow objects and such will appear very dark and muddy.

Indirect light, so ambient and reflected light will also be affected by the only purple neon light that exists now.

Objects illuminated by these purple neon lights, or reflected light from other objects, usually illuminate the color of the light as well.

In addition to neon, these illuminations are also common, for example, in strong light representations such as neon and remnant lights.

If these reserves are applied in illustrations, you should know that the lighting color has a very strong influence than the object color.

Shadows now look like neon lights

The direction of illumination is obvious when close to the object, so indirect and low light is clearly used

Shadows are dark, and you can leave them behind.

Even with white objects, the light itself now exists with cheek pressure light.

Therefore, the light is temporarily insufficient to reflect white.

Therefore, we have to paint this area purple.

But purely only so specific wavelengths are not, albeit slightly, there is a case of reflecting the color of the object.

So, we'd better apply it to the salt fire.

And the direction of the light is very clear.

That's it.

Clearly distributing rosters and shadows, even though ambient swords are rarely present

When the violet color is reflected to come elsewhere, the violet light is usually seen as it is.

And if you use the graph to confirm that the wavelength is so skewed, the

When the white light hits like this, now the bole light is like this, so the relative illumination is relatively insufficient, right?

Therefore, the black object

The wavelength of the light source is not equal, so the illumination is reduced compared to natural light, so it is painted darker.

As long as the color follows the color of the light, it's fine.

So a color like white would be so reflective that

looks very dark.

It must look very dark, separate from the white.

Instead, when the Haylight is expressed in these places

the color of the light is reflected.

You can represent light reflection this way. Now, let me see the body color.

Neon is really solid, so you should make the object color move toward the illumination color.

So this color can't be rendered as it is, so please move it towards the purple color, the

farther away from us, which will also reduce the brightness of

the system will also go down, the

appears in this color.

Shadows should be as dark as white.

I recommend you, in this case you will soon see the saturation.

You can reduce the saturation enough.

It doesn't seem to make a difference, but when overlapping colors later

can produce subtle differences

Similarly, skin color

Neon is really rough.

All the way down from the original color.

If you go very far, you should lower the saturation a bit.

The color should always go down, the

The saturation should be greatly reduced, and the brightness should be sufficiently reduced.

It will be painted as this color.

So saturation is close to 13, low to near gray, and

What needs to be confirmed at this point is that the red object is much brighter than when the value was confirmed.

Please be in full agreement with the red color next to it and the contrast.

Even if you want to express two rolls but at this point the back down the red can not just pass

through this solid stone between the color and the color, slightly moving the red light slightly

There will be this little bit of color.

The closed shadows in this case are better if they are also together for 7 days.

If there are neon lights here.

like something yellow, which would strongly illuminate it.

This side, here, is more influenced by the illumination color than the object color, so it's originally red in the illumination color

Zooming in to yellow, reducing the brightness and saturation of

To go in like this knotted together.

It is brighter than what you see now in Bayou, so a slightly higher brightness is better.

There's a simple way to express this.

What do I do?

I remember if there's a gray object here.

If there's a purple neon here, you can duplicate two layers

For the top layer, please click on the control and turn on the curves first.

To make this purple, the red curve should be made higher, and the blue curve should be made higher.

When receiving this level of illumination, the color will first temporarily obscure the curses, and also rest, shadows

may be blacked out, and even then

Red family

Turn up the blue symbol slightly and it will turn green.

Look underneath this bright layer that you just made, and you're ready to make the masks.

If you do the Basque function next year, there will be white windows next to it, right?

The white part is visible, the black is invisible. "

Therefore, with the black color

If you erase the memory, the shaded colors appear like this.

Makes the color of the light easy.

Conversely, if the Peep Show looks more interesting, use a multi-field black mask.

This will enter the fur price if you just paint the area where the light shines white.

Strong leather skin and particularly common features, so it would be better to check in advance.

Up to here, the color of the shadows was analyzed once by representative lighting conditions.

Based on this content, we will have a hands-on practice together while exploring the coloring course.

Before we learn a little bit about the order of performing coloring.

Coloring is usually divided into medium and semi-detail and material representations mainly, which describe the target structure that initially determines the lighting and tone.

What will be explored afterwards is the use of light and color theory, so color will be more prominent than the drawing process.

Where the initial stages of shaping the frame with the area and color of the shadows can show you tools like the foundation of a smooth coloring process.

Especially the depiction of shadows.

Unlike drawing, which is represented by faces, the initial process of color and the sketches drawn are quite important.

If the drawing of a dog with the look of the target is drawn with lines

The initial color is the process of depicting light with shadows and colors, so it should be understood.

Let's take a look at the beginning stages of coloring.

Let me start by pointing out in the drawing phase.

What the character is wearing, what he looks like.

In the drawing phase, it can all be done, and then go to the line, in other words, go to the line phase.

Some people may find it difficult to distinguish between drawing and sketching, but drawing includes sketching

Deletes unwanted lines to draw objects after the drawing is done.

It would be nice to think of it as a finishing phase that leaves only the lines needed for coloring.

First of all, even if it's just a simple scribble, draw once and practice once from drawing to line steps.

The first time I was in the drawing stage, the

Using the most basic brush, "Hard Circle".

Draw as you would draw in a notebook, adjusting as you go.

Art sketching can be written several times.

During the drawing phase, use the Control T T-fader to use the Control T-Tee during the drawing phase so that, during the drawing phase, you only have to organize clearly.

Modify the target that

Alternatively, touch plot using various filters, preferably all before lines.

The production of a good lecture that

Also prepare the script

I'd like to give you an explanation, but, if you do

unexpected situations occur, so try to be comfortable when explaining this coloring process

I'll explain it to you.

Feel free to watch it, it will be better.

However, all such processes with larger hands are modified too late when the hands are removed.

If possible

Make all changes in the drawing stage.

During the drawing phase, at the end of the hand drawing process

If you think of the "first" step as the time to sort out what has been drawn separately

Okay?

So

That is, it is enough to draw cleanly.

Get some rest, you know.

Try it. Find a way to be more comfortable than drawing in the next week

Repeat in a sequence centered on accumulating the know-how that

It's natural that you'll find it very difficult to draw a lot of

Now, you'll naturally get into the skills.

Being able to think fully about the object's looks.

Fear and dread

Personally, if you finish painting your face.

When you eat some food or something like that, it's like saving some of your favorite dishes.

If I finish the stuff I like first, the next element gets a little boring.

Drawn just right.

So, if you're in the area where you want to relax

draw to the last point.

Instead, a little bit in the middle of the painting

Is it the usual relaxed shoes, or is it the tips of the hair

Drawing a video first, and then drawing the part of the speech that

Put the order on the distribution so there's no problem.

It is good to finish the details on the drawing.

The part where you want to use that hand with a brush small enough to paint with.

Recommend not to put unnecessary me.

To facilitate the color of me, I increase the size.

When you take a break, you can press Alt to move the middle axis.

For example, grab the river as the reverse air prevails, and when you press Alt to shift to raise the big, it becomes bigger with that place as the base.

And cover the line, while the line knife usually

In the back corner hand as well as the front shade clearly left, the business card game or the structure line becomes the choice in the line stage.

This is the process that is carried out for the body color

Depending on the style, the line process is very time consuming and is sometimes omitted.

When I want to improve the finish on chess in the future, I often do the sentiment first, so that I am comfortable.

Come on, the line phase is an insurance policy, so it's more carefully organized.

In the drawing phase, all unwanted lines are cleared, the

so clearly leaving outlines or path shadows or something like that, from later color to now

and treat it as a trimming time so that all the lines can be used significantly.

Like I do when I'm on top of a sketch line, so that immediately the finishing line is somewhat speed favored.

In this picture demo, the

In short, the hand painting on the drawing is the basic brush that

As I said in the initial description, there is no such thing as a big brush press, just press it a little and you'll steamroll the third of these three

So use it with a heavy brush and organize it cleanly and neatly.

When you let go of the hand

Because it doesn't make sense to end if 6 hands snap and organize like this.

That's all the chatter.

Also called wool, it's not broken, but it leaves unwanted pixels in the coloring process.

Therefore, we'd better practice neatly by forgetting the idea of dots to dots when drawing hands.

And if you break your hand like this at the beginning, the same will bounce around, if possible, with a long hand

Please draw it and make the part that needs to be shorter so that it's better to trim the lines.

If you want to practice this, I accidentally like drawing things like things than character illustrations.

When I draw things like chairs and things like that, doing low service practice on that.

I practice using the right hand.

Especially learning perspective went a long way, so through the Department of Arts and Letters

The accuracy of straight lines has also improved a lot.

So, I erased it and used it back and forth on the brush, so it was very time-consuming and

Maybe this process was too much trouble, so it was omitted, and

Depending on the style, it can be omitted, but later, when we want to improve the finish

hand can't be organized and improving the finish sometimes encounters big problems.

Therefore, the insurance idea is to rest that

Neat and tidy.

So the hand that's drawn now, if possible, can utilize up to 9 rolls of lines that

The hair is also more detailed than can be divided like this

Leave only the necessary parts, if possible, to the periphery and the shadows of the waste water.

It is better to be able to trim a little.

The shaded masses into closed shadows.

These parts in Sun Hao prior to draw so thick some, as long as the rest, the most world later can also be fully used.

Knowing that the screen will rotate after

Press to shift

Turn 15 degrees and draw a picture.

This way you can go back to the original angle at any time, just keep turning in the direction convenient for your hand.

So, when you let go of the hand, what the object looks like, do not do this morphological annoyance that

Putting the worries in the drawing stage to finish, when you take off the hand, is that the hand that I need for the nichrome that I'm using now?

For example, this wrinkle was just drawn happily, and then unnecessarily, it had to be erased all together.

So now I draw the lines

Consider if you can handle it in the coloring stage and just draw it.

So, if possible, leaving lines on the periphery would be a safe choice.

Again, I cherish the face.

Think it would be good to get rid of all unnecessary cows.

These simple books in the future

After that, at the end of the design process, I'll show you the work that I saw. I've never seen it before, and I'll take it easy on the side.

Even if it's awkward.

I hope you'll enjoy watching.

So while we're in the process of plotting

everything has to be cleaned up.

It's okay to make partial changes to the wrong parts

When it becomes a habit, it's natural to ignore the drawing process.

The less the shape is changed during the first reach, the better, if possible.

Process exceptions

In order not to produce, the painting also flows smoothly and the progress proceeds as planned.

Now we can finish it interestingly and finish it.

So, if possible, before entering the stage

It is better to match.

And once the line is taken off, it's usually not overhauled.

So

In this process, if the shape is contrary to the body color

corrected, or very troublesome.

Specifically, these floats that we do pile up and realize that up itself is not a convenient job to modify, so if possible

in a drawing contest, just draw the correct object.

Takes a little longer than expected.

The harder the drawing, the more time the drawing and line phases take up.

Originally, I took the drawing that I had made and

watching them actually paint.

Please look at the order in which you work.

It looks like it's going to the sky

Photographed.

I hope this helps with the work.

Originally a more complex drawing

More into theft, more into anatomy, it would be better to show many things in the expression.

The fact that not all of the images apply.

The 6 colors that were studied before, the

Not necessary, better if you have it in the repository so you can use useful tools while working.

Especially the parts like this pair of shoes I'm also the part that a lot of people want to finish right away

But drawing the ending part in this way falls on the finished drawing, and the result is very unfortunate.

So, if you find it troublesome, you can enlarge the picture that

Even if it's just to make it a little bit cleaner, aim for it.

First time painting shoes

It was especially difficult for those who watched it, because the part that is easy to complete if the commission has information.

Therefore

It can be a little difficult to draw shoes on your own, giving plenty of time to find information that

Better start working.

Check again to see if the shape is wrong.

Try to draw a face that

In the face, each writer defaults to a lot of

hand picking in a different way, like I do, a little bit up on the type

darker.

Same as the eye

Although every picture is different.

but the cooling surface is drawn as clearly as possible on the periphery of the iris.

Is there no regret in the morphology?

Finally, we will go through the process of "dashing and standing".

After that, I did some coloring and touched it up a little bit so it would look easier.

and the Photoshop brushes, especially the basic brushes that I used.

Because it's a production process, you can see it's blurrier than you think if you zoom in.

So, after wiping your hands and making it to preference, the good stuff goes into the filter

The sharpening store has the tools.

If you check this.

Compare before and after

Looks somewhat clearer.

It's sharper if you apply it twice.

It is better to put your hand away in this state.

After that there is the stage called beauty.

This stage is called Michele.

When the object's intrinsic color is opaque, a base is placed below the southwest to stack the next stage of the depiction in the fill.

The beautiful colors can be painted as you choose, but to give you a hint, of those colors on this color wheel

In the shades, it is best to avoid solid colors, white and black as much as possible.

If you paint the beauty color red, so that the spring color of red, the digital is more vibrant than this.

After that it may become a problem of light performance.

White objects cannot be rendered brighter than this, if they are painted over with this pure, pure white object.

The light is invisible, or the light of a new organism that

Even for the later stages, even if it is brighter, it is better to paint with about 95% of the beauty color.

Because if black objects are painted off objects with too dark a color, later shadows cannot be reduced to less than zero point five percent, either

To prevent shadows and roster celestial objects from getting smaller, it is best to paint the minimum brightness to 30 points.

And generally the process of drawing concepts is best carried all the way here, and the line process can be simplified if sketches are used.

When drawing the base color, under the second line drawing layer, the

Hard Opacity

Usually with one layer to draw lines very cleanly.

In fact, it's a little bit of a pain to work with, so we have the know-how to do it.

On levels three and four, click on the Double Land Toy tool and then select outward.

That's it.

There's still all this empty space. I'll make a little bit of a choice.

Also, a click on the queue in this state will confirm our choice.

However, if you see it, these pixels will be kept.

I'm going to let this go into the hand.

Unlock the prompt again, go to pick a selection here, go to Modify deformation, go to Expend expansion, add pixels, and

Press the ballbar to confirm the time.

Like this, 1 pixel will go inside, so it will prevent the following from slipping away.

Make this

Pressing often.

You can see it once with the abbreviator and press the egg stunt to open the first letter in the existing panel menu.

Press "Alt Select" corresponding to "S", press "Modify" corresponding to "Apply", press "Expend "button.

To speed this up.

If Haitian Ammu presses this business, it will be fast.

Let this process record in the action, there are also ways that can be rested and utilized, because it is more often used than imagined function.

It is best to use the shortcut back.

And this state is selected up to now, so if you invert this selection, you can specify the unborn area.

That child is a shortcut to Inbus.

So the color is reversed if you press the control eye, and the selection area is reversed if you press the child that controls the transformation.

So, in this state, press the key and you will see this and the century designation.

The part that is not needed here, it is better to delete such a bit in advance of the selection process.

The tip of the place slightly two are not caught clean, so we need to personally touch a little.

There are these parts.

If all of them are checked, then it's selected.

On the layer

In parallel, paint once from the dark color first.

Then this is the area where Miss is specified.

In this state, the

Is there a lock on transparency here?

Click this and the brush or any correction will not affect the transparent pixels.

So, there is no effect outside of and color, so the painted color will not be exposed.

Take your time to do the countermeasure in this state.

The frequently used colors are stored on the watch and taken out when needed.

The method used is also good.

Layers the sum colors and then specifies the colors one by one.

There are also people who share, in fact, because it is a difference in taste, so I do not take advantage of it.

The advantage of painting them separately to modify them later or manage them more easily later

As far as I'm concerned, if there are too many unnecessary layers, they will fix that

concentration is broken, the

Something's gotten bigger

I don't really like Juliere's request, so most of this is going to be done with John in one tier.

Like the cell 17th century method, when actively using Photoshop's compositing capabilities to make up color

It's best to keep the menus separate.

When portraying brushes like we do, we usually don't need more layers than we think.

The management of layers can be done a bit by yourself according to your preferences.

Like this, put the outer thin hook that

Select the interior, then quickly expand the selection area, give me 7 days, and I'm flagging the bottom.

So, I

The shortcut key called Byte Em is used more often than I thought, so it is better to use it in a familiar way.

At first, I couldn't press the shortcut key with one hand.

It's when you press that one, think it's the time to look at the painting writer as a whole, and look at it with a check of about 1 second, and it looks good.

The color of the hair is beige

Only where these colors are separated from other overlapping colors

Sharing like this, adding pixels here will be quickly pointed out if you do.

A little bit of tidying up of the twisted out part is all that is needed.

Here, too, only the part that is separate from the pants is selected

Develop a horizontal pixel, then discard it in the fill, the

Tidy it up a little bit.

It does not add 1 pixel to the screen

Slightly between color and color.

No need to color in the pants.

Control Euro needs to be adjusted.

After the previous fix, the goal is to divide the monolith cleanly

If this stage is used for gradients, or if there is too much detail, then later when a large brush is used

Because of the inconvenience it will cause, the state in which the color is divided into is performed as simply as possible.

And if you look at this state, you can see something that needs to look slightly out of line.

On demonstrations that care about these, you can use the cut-and-paste mask function.

For example, the clipping mask will overlay the layer above to the layer area below.

For example, when a thin area is painted over, we nurture the pixels.

So if you cut it, all the fixed lines will go inside.

Because if we do the base color in this state, the hand will be shaded as well as it is now.

If you finish in various states, you will unnecessarily prevent the process of hand splash, right?

Help me sort out.

And we're painting our hands black now, and if we paint them black, the saturation is greatly reduced when we change colors later.

So, if I give a tip, Lee Sun Hwa will sleep more transparently, cheek rest, choose a slightly taupe buyer, and then

Give me a choice of taupe with low enough saturation and low brightness, and then the sky is pressed 7 times by the Alt-Delis.

Then maybe the ancestors would be this darker.

In this state, the

Compared to the multiplayer game, two below is the synthesis named mini passport linear number.

It is the synthesis that forces the color to darken, and if it becomes like this, it will steam up like burning lines.

The colors made here we can fully use in the coloring process, so in a way, according to personal preference, the teacher

You can composite it like this.

If you feel a little awkward compositing brown, like white

Instead, it's okay to have a blue composite instead of a taupe one.

That's it.

Then, at the end of the color matching phase, match the light direction and paint the approximate green dot area larger.

Do not think that the words painted at this stage are very detailed, the

Just lay the shading on first like that

Don't think that the painting is meticulous, but consider the name character of the rain direction and the percentage of shading, and then lay it on big.

Just think about it.

Example.

Positive case.

The shading is so narrow that the shading accounts for 10% to 20% of the overall figure and the roster accounts for about 90% to 80.

In the case of backlighting, on the contrary, the shadows are much larger and the area on the roster will be much smaller.

Trim this into shape. Don't think about it, think about splitting the percentages, just simply split the area of the shade proportionally.

So when you draw a torso or something like that

drawing each zigzag and structure, the lighting direction gets a little blurry, causing the drawing to become unnatural.

First, when the shading is 7, the

Please slightly ignore the three-dimensional structure and give priority to the area occupied by the whole shadow, showing the direction of the rain.

If you are given a hint here, the

If the main object is bright and colored, use the front circle if the shadows become narrower.

Makes it very difficult to make tonal differences on this bright side that

Because it is difficult to produce a sense of three-dimensionality, so generally the bright folk color of the painting is shaded fully spread four light that

It is best to use backlighting, etc.

Conversely, if the art is as dark as blue or black

because it would be hard to describe when choosing something like a backlight where the shadows are painted too dark.

Instead, it's best to orient the light a bit forward to reduce the scale of the shadows.

Although it is not essential, it is better to remember it because it is more helpful to know than you think for lighting setup in character design.

Try applying the character, then immediately create a new layer that

Put the shadows on properly as is, because the base color is too complex to see clearly sometimes.

At this point, you then duplicate the original unborn layer, and

temporarily filled with the appropriate gray color.

This layer is a temporary uniform base color that can be turned off later.

So instead of thinking of this gray layer as an object, you should paint it gray and think about it.

Please set the shadow so that it appears empty.

As it is now, our folk color is spot lit.

Getting enough shadows in

Reduced homo.

It's the texture of the hair, you despise your face

Think of the body as a percentage going in too

The legs seem to be different too, very tasty, so that the larger first distributed.

And it is best to first draw the shadows that are to be clearly entered in this state.

For example, the shadows produced by the head.

Shadows from pants

Draw me the same thing, first.

From a distance, this is the direction that we expect the lighting to go, the

Just confirm it first.

After this, just like the process we saw, the

There are light and dark boundaries like this.

The light and dark dividing lines between the shadows and the list portray a sense of structure hard from the beginning.

If and when the color is too complex to cast shadows

Same as earlier, lay down a gray layer with the base color, and after the shadow layer is depicted, erase the gray layer so that the body color will be easier.

Some people run into the problem of where to start when doing the body color, from top to bottom, the

Don't be as part-oriented as you are with hands and faces, and start with the shading that describes the clearest and most detailed light and dark borders to be revealed.

It is best to perform a structural tracing.

In describing this structure, the clothing folds, etc. with the zigzag, in which direction the shadows extend

Or is soft and fluffy, or can be painted better.

to describe the clear and soft parts.

and the farther you get from the economy of light and dark, the more careful you have to be in depicting it. Piling shadows on the light side will darken the light side.

If the light square initially set becomes blurred, and the tonal differences in the internal curvature of the shadows are too large, the

because the painting often becomes unnatural.

It is recommended to describe mainly light and dark borders until the early and mid-color period.

If this stage has to include light and dark, the

Don't paint a little on the border, don't use lines, but use a large area with a large paint, which works well.

So, light and dark

Just express this zigzag little by little with the second line that passes through the boundary.

Draw with shadows, erase with glossy surfaces, etc.

While showing directionality, you can also show your hair texture

So even if you initially trim based on these lines, they will still be relative to the line.

The shading should be shaped.

The face is round, so the shading is added to the shape of the curve that

because the color here is now double sawed, so it might feel a little bit unnatural that

Every detail has gone through the process of later

The step now is in what direction the clearest shadows appear in the light-dark race

In what structure does it appear, just think about it first.

Now, I'm coloring for simplicity's sake

Having looked at the sketch in a way that omits as many twists and turns and things like that as possible, if you want to draw some intricate folds of clothing on the outside wall

If the shaded light and dark match is oriented through those complex parts of the

the density will increase significantly.

So...

Just like the painting, in this race of light and dark, light side and dark side passing by, my clothes wrinkled and

If the sense of structure is maximized, then the overall density of the painting is focused on that part.

Need to slowly start trimming from the light and dark cordons

So, at the bottom, the

shadows and such can be clearly drawn, the

It's the dark side of the light side, so when you draw each one of those in those places, the

overall, the light side starts to get darker, and as it builds up, it washes away all the direction of the rain.

So the farther you get from here, the more you have to be very careful to dominate the green miscellaneous expressions.

So in a case like mine, the temptation to use a brush with pen pressure to capture the area is to be careful at this point.

This way the delineation becomes mixed, for example, the

Drawing this area larger, the

Not real guests, but draw the area wider and then trim the boundaries of the long phase area here.

Draw it a little bit wider, the

capturing this structure again.

Just write it a little bit bigger, with something that looks like a wrinkle.

Trim this borderline a little bit more.

Grab the area, match the bend, and

Needs to be trimmed.

This one is also inside

Similarly, the direction of the rain will break if the drawing body enters too boldly.

So, the further away from here, the further away from this part, the more carefully the elements enter.

In a way, the

Simply pretentious, so don't stay here too long, stop for a while before moving on to the next step.

If the shaded layer is already colored, the color of the shadows will change with the lighting conditions.

What I learned today I think this process is somewhat important.

In Photoshop, use the composite that darkens the color like a multiplying female to add color to the shadows for 7 days, easy and convenient.

At this point, it is really important to remember the specific color, not the writing machine, and know which color of the shadows is checked out according to the lighting conditions.

Therefore, the candle of the lamp in the painting I'm going to draw should also consider the indirect lamp that affects the color shading, according to the light

To know which color is the result, perhaps there is nothing wrong with the world of shadows.

Especially when multiplying compositing, it is not too dark if compositing blue by using color value speech.

Synthesis of yellow blue almost becomes black, so that the color of the shadow unique to a picture

In particular, there are often cases where values are not naturally distorted, so let me give you an example.

First, the white and

Black

and red.

Blue

Then I'll do yellow.

When it's like this

We use the layer above this and convert it to "slightly additive multiplication".

When the white is composited, it will look darker to a certain extent.

But actually, if you check, you'll see that the contrast of the blacks is much lower, the

The whites will be much darker than expected.

This is adjustable to some extent, but the problem is when starting to add color here.

For example, if the color we normally composite (e.g. sky blue) turns into a shadow, the

this difference may not be felt as imagined.

The closer this color is to the original color the more synthetic it is, the greater the difference.

For example, if synthesizing blue, the

Like this, the blue color hardly gets darker, and if composited as red

Like this, the red will barely darken, and

So, it is difficult to color according to light theory because it only changes color according to the color operation.

Therefore, in this case, the

intentionally darkens this part of the shadow

Darken it as well

In this case, the yellow of the blue complementary color should minimize this part.

To be adjusted one by one.

However, how to make this adjustment depends on the value and illumination in light theory or color theory.

What color should the shadows be rendered in, the

Beru's most right 7.1, how much theoretical learning support to check the right tone.

This part is the most common part that those who paint digitally make mistakes, so it is important to know.

So, I'll go back to the original working laser.

Now that we've applied the shading, this gray Meyer is no longer needed, just like we just practiced when we hit the shading

When you say there's a black object, you should think about how that black will be brightened by the ambient light.

For example, if "the ambient light is a blue sky", it will be blue and brighter

Depending on how clear the sky is, the saturation will also become higher.

In deciding this point, the

Give me the color to do the shading, lock the transparency in, and apply the phase multiplier that

That way the color is decided.

But what needs to be confirmed here is that

How well does the value of the shade change?

As far as I'm concerned, there is much more white contrast than brown contrast.

The black contrast looks weaker.

You'll have to adjust for the difference in these Baylions first

To adjust it, rotate the color layer and select the pea box.

After selecting the part that corresponds to the white, just make the color in the shadows a little brighter.

Multiple can be given after the control.

Instead, the black shade will be darkened and

Do you see too much difference in contrast in this image?

The shadows are hard to spot the dots.

Therefore, in this case, the outer light-colored part often needs the roster to be brighter.

Therefore, if you want to make this part brighter, press and hold the control and click on the shadow layer.

is designated as the selection area like this.

In this state, the child who presses the control shift will only select the region, not the shadow.

After entering beauty from this state, the

Black, so when you choose the part that corresponds to the shoe

If you press the shift notification, you will have such a complete bottom version that you can see.

When clicking on black, the

Selects only the glossy side of black.

At this point, if you've brightened the color, the contrast will start to match.

So, in the shadow layer, the

You can adjust the color first, and then the light matches the eye, and touching the color is fine.

For example

If you now have skin tones, then the middle color

appears as a strange color, the

Choose your skin color.

This shade has a slightly bloodier color than blue, the

The two bold lights are best replaced with the famous color scheme, which is not in line with light theory if painted directly as a solid.

Therefore, we'd better use this color to paint colors that are better saturated and less bright than the ones we know.

And the part that corresponds to the light and dark race

You can see the shadows moving in a straight line direction.

So, this is what's causing some of the unnatural color, so we move the color towards the solid area that

This part of the

It is better to make the colors rise more clearly.

to make the colors.

Finally, I adjusted the color of the lines a little bit, the

overall a little bit to adjust the tone of the image.

So, if we decide the color of the shadows based on the lighting

Depending on the illumination later, you can either composite the bright color on the bright side again or make the white shadows darker once more.

In this way, if you make the tones detailed enough in the early stage, it is like carrying enough preparations as colors later in the process

The finer the shading color of the light, the more you can focus on blending in later spells.

It is difficult to adjust colors based on theory, but usually the color mixing process is not complicated.

The process of setting half colors in the early seventh century was a very short part of the overall work.

Thus, in this case, we lightly erase the shadows in order to show the reflected light emanating from the bottom.

Rai or

Same as just shown

Take the other end from the microflow

Make you feel decent

It's really useful to choose shadows in turn.

Also, three layers are created inside the shadows so that the chances of the hair are crossed parts.

or the jaw, or where the clothes and the clothes overlap.

Synthesize the color with black, reduce the transparency, and the color will naturally darken.

Do two more processes, make another tone, and after that it's purely

It is easier to focus on the structure of each wrinkle, skin or object.

In this state, you can stack three layers on top of each other, or group the targets together, as I'm doing now

Putting this little group together, the

There are also ways to organize into layers.

Merge it for simple organization when you have a simple handshake like mine.

So, once we're done with the first half of the colors

with the colors and tones as the base color.

In the most worlds, the intermediate process that usually provides a fine description of the target structure becomes the majority of the depiction time that

Compared to the initial process, the tones of the illustrations in the intermediate process remain almost unchanged.

The correction of misapplied colors in the first half of the process, especially when the shadows are improperly torn, is more complicated than expected later on.

If possible, the only way to establish the color in the process to here is to steadily accumulate descriptions later in the shading process.

Let's start this description briefly. Even so, the shading of

internally or after drying, don't go down from all parts like this

Need to start the description from the light and dark race part

In cases like mine, I usually want to end this post with a single brush.

When you write some descriptions for writing textured articles, you might tend to lean a little on danger.

And it's not a bit tasteful to describe it with a basic brush, if possible.

When changing colors, the

I would like these colors to be used as preparations for our description as well.

If possible.

Description After some degree of color or structure has been exhibited, the

immediately took out the little brush and tidied it up, just like a habit, very well.

Because the picture got dirty, because the beautiful design also lacked readability, the

Trying to organize a bottle would be more trouble than expected.

So if possible, the

The part where the description ends at once is best to start finishing immediately.

And even if you want to describe these parts as soon as possible, laughing and smiling are held back to rest.

The process of depicting the flow rate is simple and there are no color issues

What does this structure look like.

Is this part clear. If something like this is going to go over gently.

Simply unraveling the color then, using the color next to the prepared cow will suddenly reduce the difficulty of painting if it is drawn.

Even for a simple doodle drawing, as we just described at the beginning

Why such order and skill is so therapeutic, pay attention to

You will find that the coloring process is simple, starting with the title.

Want to paint a quick picture here, but now it's painting the inside of the group, so less after skimming, we

Only the dangerous border

Let's turn it into catch it first.

Tidy it up with a small brush if it's recently ended.

The rounded part, this gradient transformation will continue very far

The clear part is left as hard as the initial hard release, the object is rounded or soft

Distinguishing the drawing is all that is needed.

If you paint your skin in this color, too

the saturation is too low. So, using the colors we changed, the

If we can continue

Very convenient, you don't have to worry about the color and just focus on the state of the element.

And the part where the fortress ends is with a small brush

to tidy it up a little bit and carry on with

Go to the next stage, which is to go to the detail or material stage.

The finishing phase is a bit tasteful, but I personally think

In the latter fifteen or in the figure body that controls the degree of depiction

The finishing step must be sufficient to

Commercial.

The readability is also particularly good, the

I think it's better to do it with the whole ear as well.

The more complicated parts like this after the light and dark race are the normal pictures

The part that takes the longest to draw, so don't skip it sloppily.

Just give me a clear description.

So the cleaner we start off disengaging our hands, the much shorter this process will be, the

And as I said at the beginning, if you look at a pass record insurance

just the process of organizing around such

in the detail process, it makes perfect sense.

I need to clean up these lines that are unnaturally standing up

So theorem only describes theorem only depicts color only color

In this way, each course

Separating the ideas for each thing that needs to be done, the

Repeat in this process without violating the ground to complete the words, the natural design or difficult light performance that is not usually attempted

It is the idleness of applying something like special post-fur to the painting to see.

So theoretical learning is now a little bit difficult to explain in preparing the script that

At the beginning of this and before, than the skill of drawing people

It is better to describe it according to the theoretical part.

After that, even if I explain it casually, what I have talked about last time is still a bit

Even if it's hard, if possible, aim to understand it and turn it a few times.

Is there a part that can be applied to the picture.

or what I know and what I know differently.

I think maybe you would be more focused on the process.

Paying particular attention to where the saturation might change, the

must slowly enter the depiction of the salvage money.

But at this point, as with the glossy depiction, the intermediate color will be printed directly here, which is much more prominent than expected.

So that's how much territory is left from the Lambert-Conser law, starting with the idea of Greene I inside the bright star.

Repair with care

It should be described with a vague description.

So surprisingly, the painting was done at the junior high level . Most of the T-shirts are beehives.

The second half of the course will accumulate to subtle differences in the people who are just looking at the painting.

So, as we slowly get into the finishing touches, first, we'll show the interior of the painting show that

A brief look at the glossy interior as well.

It's convenient to stack the shadows of the paths a little thicker like this.

B shrink the play if you can friend, hand

Because from the beginning of what I'm drawing now, it goes in much clearer, a little bit thinner, the

Probably the process force of finishing like this is now complete.

But the digital consciousness is piled up again with the digital style, and the density of the brush marks made will become the charm of the painting, too.

When you see this process, don't think that the most annoying process usually includes the troublesome process.

The way this works is what you'd better think of as a particular style.

When you enter the picture from this state, if you start with the glossy description

The middle dish used in the middle here will be much darker than expected if you apply it directly, which also goes against the theory.

Therefore, inside the bright side, the description is the middle of the two colors and the dichroic

It is not that there are 45 degrees of brightness between 60 and 34, but a brighter color.

So, in terms of brightness, a little bit lower luminosity is enough to describe with this color.

Description of the stacking even if not conspicuous

If overall it is better to zoom in a little to avoid comb direction breakage and color distortion, the description is careful if hot.

Because the presentation of the material afterwards will accumulate brighter colors, the

The solidity color will pile up, because it's interesting to describe now, so just put the solidity on, the

The depiction will have to be more prominent later, but it won't splash out, the painting starts to distort, the flow of the sight is more indistinct than expected, the

Sometimes we run into some unexpected problems.

So

After performing the able and weak descriptions, just go directly to the collation.

Please do not express what I mean at this stage.

If possible, everyone thinks that there is no shine and simply painting lightless objects

It is better to focus on the shaded skin temperature.

The shadow of the backwater is drawn clearly.

Painting colors spreads too easily in these places.

Especially when hair or skin needs to appear saturated

The error just described appears a lot.

So, if possible, pictures post-production of faces or hair passing through are also good choices.

So inside the shadows, the

If you paint colors that are illuminated by reflected light, you can't put such bright colors

Very weak, no splash, going in wide and light.

Very small expression, so may not feel economical.

considering only those economic factors.

If we need a higher priority the depiction becomes very difficult and the drawing becomes even more uneconomical.

So, it doesn't matter what is described later, as long as you look it up carefully.

Just keep piling up vaguely.

For example, when you draw this inner pleat

It's more difficult to focus on a clear crease like this one than we might think.

So, even if you go in, it's better to go in very fragile and faint.

The reflected light of the skin should also be very prominent.

The painting can be done effectively.

So, like the face, soon the saturated parts are needed

There are many cases of color treatment done directly by blending than the color prepared now.

Especially when it's on snow, you quickly overwrite the saturated colors once and

This is the time to depict with color so that there is an angry expression of

Even if it is troublesome, while doing color control on the original production of the color

It is better to take care of the color.

sounding vibrant expressions.

Rather than going directly to the ground, think of it as weak, wide, and vague.

A gentle release time would be nice.

So small

After entering the part, if you put the color into the full degree, the finish of the painting will suddenly decrease all at once, the

Even if it's troublesome, please apply it as a solid paddle and trim on top of it, the color will naturally rise and

produce density.

So, these details

are all added to further represent the light reflection according to the reflectance of each individual.

Finishes the coloring process by further depicting the differences in the materials as reflections or highlights, etc.

Now in the shadows, the blue color is weak enough that

Again, depending on the material to describe the

Justice rises just fine from low light.

Getting brighter and clearer and

Adding a little more light later on, the

is the sharpest, shiniest light at the end, the

It's good to finish this.

So even if you organize the drawing priorities in this way, just rest, and every time you draw a picture, there is no confusion that

Completion without deviation.

Add more details, as needed

Recommended symbols for repetitive practice to improve drawing completion

Especially when the face is trying to be finished, it is surprising that the finish is even higher if you draw it again.

The density of the eyelashes with fine hair

Different parts and differences in descriptive power.

Up to here, we perform the body color according to the blood theory.

If it is difficult to catch the information thinking about good colors every time you draw

It is better to practice adequately according to the basic theory and color order and add more in-depth expressions.

And if possible, it is recommended not to stop in the middle of the painting, but always proceed until it is finished.

Catching the behemoth in the game does not give experience value.

Even simple monsters are given a realm of catching them to the end, so pull the start of the painting until it is finished

Set the standard for finishing the finish, and also have to draw the skill, just become a habit.

Even if it is simple and easy, it is necessary to develop the habit of practicing like this, and it will be more difficult later, plus new attempts to continue naturally.

In the following time, we will start the formal process of characterization, in which, before working on the painting, we come up with the idea that

Let me start by talking about how to gather information.

It was hard to listen to the lecture. I'll see you next time.