All language subtitles for Walker s02e13 Money Train.eng

"This was no ordinary night.

It hung like a shroud.

Dark, dank, deadly."

What are you doing?

Hey, you ever think about
down the road?

- After the Rangers, I mean.
- I like what I'm doing just fine.

So do I. Yeah, but think about this.

The last couple of weeks,
we've been shot at, dynamited,

nearly decapitated
by that semi-truck.

You know what kind of stress
that does on your biorhythms?

No, but I'm sure
you're gonna tell me.

What we need is some soft duty.

What are you up to?

All units in the vicinity,

silent alarm at Arcadia Tool and Die,
Taylor and Park.

- This is Walker. We're on it.
- No!

Walker.
Look, man, I've been up all night.

Three days of stakeout.
No, I want a shower

and I want a warm bed.

- It's only two miles away.
- Walker.

See? The gate's locked.

Quiet as a tomb.
Just let the locals handle it.

Well, we're here now.
Let's check it out.

We can get over this way.

- What are you doing?
- This is the best way over.

- You all right?
- Yeah. What the hell was that?

I don't know.
They were dressed up like ninjas.

- Damn, those were Rangers.
- Just go. Go!

Come on, go!

We do special tooling
for cars and planes.

Nothing appears to be missing
that I can nail down.

- Where's your safe?
- Right in here.

We had the payroll in there, Walker,

and I appreciate you
cutting the buzzards off at the pass.

Maybe we got here
before they got to the safe.

They jumped us from the second floor.
What's up there?

Just storage for clamps, railroad keys,
small custom units and such.

Just cookie-cutter type stuff.

I want a list of everything,
missing or not.

Okay, sure. Take about a day,

but I'll have Suzanne
get an inventory to you.

If that means fast, I'm a witness.

Yeah, the guys I was fighting with

were tae kwon do stylists,
Korean system.

- What style are you?
- Chun Kuk Do.

- What system is that?
- All of them.

- You could've scared me to death.
- That is not what I had in mind.

I was worried sick about you

when I heard
there were Rangers involved.

Well, a couple of them
stumbled into it.

- One was a pretty good fighter.
- That'd be Cordell Walker.

Old man Parsons knew him
and said he was their top man.

You said there'd be no problems,
Cody.

Look, you just stay cool, okay?

We'll be sunning in Mazatlán
by next week.

All I'm saying is that a guy has to keep
an open mind about the future

so that when opportunity knocks...

Look, don't include me
in any more of your crazy schemes.

I have never had anything but your
best interests in mind, you know that.

Oh, is that right?
What about the phony stock fund?

- Slight error in judgment.
- Yeah, and the oil investment?

Yeah, see, we could still
come out on top in that.

- If the IRS changes their mind...
- Well, how about the cattle deal?

- Turned out there were no cattle.
- Who knew there were no cattle?

Look, just cross me off
your sucker list, okay?

We've had our misfortunes, but this
is an investment in time, not money.

- Oh, yeah.
- Not one red cent...

Not one plug nickel's
gonna come out of your pocket.

I've been looking for you two.
I got the news you've been waiting for.

What news?

Well, Jimmy explained
how you were feeling,

I mean, with the heavy caseload,
close to burnout.

So when he volunteered you,
I had it cleared through the captain.

Hold it. Volunteered me for what?

The movie.

What movie?

- You didn't tell him?
- Not yet.

Tell me what?

I'm late for court,
so Jimmy can fill you in.

Yeah. Thanks.
No need to thank me yet, partner.

- What are we doing on this movie?
- Technical adviser.

Technical adviser? No way.

Walker, you gotta stop
and smell the coffee, all right?

- You're gonna be great on this one.
- Trivette.

No way.

But you're a man out of time.

Cut, cut, cut. No, no, no.

That crane's supposed to be
all the way up to the height by now.

We're gonna have to reset
this whole shot again.

Okay, Brenda, somebody, give me
a cappuccino out of craft service.

Oh, is this great or what, huh?

Did I tell you I used to ditch school
to go to Westerns?

Caught every one in town.

What is this?
Hollywood in our back yard, Walker.

It's Hollywood, all right.
Those guys can't even ride a horse.

I thought they were pretty good.

How would you know?
You're from Baltimore.

Right. Mean Streets to Six Guns.

What's that?

Poor kid from the hood

claws his way up to become
a two-fisted Texas Ranger.

So that's what you've been doing
on that computer.

Hey, Desley and Winslow
would love to get their hands...

Who?

Denzel Washington
and Wesley Snipes, man.

I'm talking about the real deal here.
A real-life action hero.

I've got more important things to do
than hang around here all day.

Hey, I was thinking about Mel Gibson
to play you.

- Great.
- Walker.

- What'd you think of that shot?
- Great.

Okay, people, here we go.

Help!

Oh, help!

Okay, boy, I got you.

Slow down.

- Are you okay?
- I'll be fine.

I'll die of embarrassment when you
find out I grew up around these parts.

And I really do know how to ride.

- You must be Ranger Walker.
- That's right.

- Ellie Preston.
- You okay, Ellie?

Yeah, I'm fine. Ranger Walker,
this is my brother, Cody.

He's doing stunts on the show.
This is Walker, our new tech.

Way you chased down that horse,
looked like you could do my job.

- You sure you're okay?
- Fine.

Well, it was nice
to make your acquaintance.

Nice meeting you.

Seems to me
she's cozy with that Ranger already.

Don't worry.

- She doesn't know anything.
- Yeah?

Well, if this is as good as we're told,
we're talking millions.

Your sister, Walker,
I don't care who it is,

anybody gets in my way, I'll break
them down like a.410 shotgun.

- Hey, Jake.
- What's up, Jake?

- How you doing, man?
- Hey, boys, how you doing?

I just got back in
from scouting around.

Something about riding the rails
flat out seeps into your blood.

What's the score?

We're gonna hit
a Federal Reserve shipment.

- You mean cash?
- I mean $28 million cash.

New currency from
the Bureau of Engraving and Printing,

headed for the banks in Dallas.

- When do we go?
- Three days.

Where do we stop the train?

That's the beauty of it, see.
We don't stop it.

Cody here tell me
you got the equipment I need,

but you hit a little speed bump
along the way?

Two Rangers dropped in
from out of nowhere.

- One's named Walker.
- Cordell Walker?

- You know him?
- Yeah, I know him, all right.

He's like a snake
that grows a new tail.

- You can't kill him and he won't die.
- That's not all.

This morning, Walker and his partner
showed up on the set.

- What?
- Hey, relax.

I mean, they don't suspect anything.
They're our technical advisers.

That's it.

Yeah, okay, you could be right.
Yeah, makes sense.

Walker's got a rep.

Somebody probably thought he'd lend
some weight to the PR proceedings.

Hey, you boys know how long
I've been dreaming of this heist?

Ever since I was a little kid listening
to that midnight-special whistle,

heading for parts unknown.

We're gonna go on schedule.

- What about Walker?
- Walker's a man.

No more, no less.
If he gets in the way,

we're just gonna have to prove
he's human.

Show him how to die.

Right.

Well, it's a fact,

Sam Bass robbed more trains
and more stagecoaches

than any other desperado
in the history of Texas.

Captain Jones
took a company of Rangers,

went down to Round Rock,
wasted him.

Yep, sure did.

There wasn't a woman
riding with Sam Bass.

This is the Hollywood version, C.D.

You mean it can be like
it didn't actually happen?

Right. No Ellie Preston,
no money for the movie.

She's hot.

Well, I can understand that.
I sure can.

Yeah, she wanted to see Cordell.

Speak of the devil.
Don't get sick on those peanuts.

- Is Trivette here, C. D?
- He's over there. He can't eat his chili.

They gave him a deadline
on the script.

This Hollywood business
is getting completely out of hand.

This is wonderful, isn't it?

I'm gonna have to hire somebody
full-time to come down here.

I'm spending so much time
out on the set.

That's what they call it, the set.

- What are you talking about?
- Here, take a look at this.

"C.D. Parker, Texas Ranger."

- What is this?
- That's my credits.

Yeah, in the movie biz,
they call it a resume.

- You mean "résumé."
- No, it's a resume.

See, you work a job, the job is over,

then you resume working
on another job.

It says here you played
Stanley Kowalski

in A Streetcar Named Desire.

I'm glad you asked about that one,
Cordell. Yes, sirree.

Get a load of this.

Stella? Oh, Stella?

You like that? Charlie, let me have
your hat. How about this one?

Never discuss family business
in front of strangers.

Listen to me, Santino.

We got booze, we got women.

We don't need narcotics.

No narcotics, Santino.

Yeah, that's good, C.D.

That was Marlon Brando
in The Godfather.

Yeah, yeah, yeah. I know.

What was the name of that restaurant
where I took on that hostage situation

and saved those 14 people?

It was six people, Trivette,
and we saved them.

It's already been written.

I got a message you heard
from that tool-and-die plant.

Yeah, the inventory
only had two items missing:

A railroad switch key and
a signal-maintainer switch-lock key.

A switch key and
a signal-maintainer switch-lock key?

Yes. Go figure.

- Don't give me grief about this, Ellie.
- Cody. Let go of my arm, Cody.

Decoupage.

You know, plastered things there.
Stick them up on the wall there.

Something else.

You have a problem, Ellie?

- This is family business, Ranger.
- She said let go of her arm.

- Favor, Walker?
- Sure.

I could use a ride to my hotel.

Mama died when we were young.

My daddy was just a wildcatter.

He wasted his life chasing dry holes
and whiskey and women.

I decided to try acting
just to get out of Coalton, Oklahoma.

So I headed for California.

Got married when I was 18.

Searching for my identity, I guess.

Who was it said
"love is just a dance"?

Well, he's just taillights to me now.

I'm not sure what to do, Walker.

Maybe I just need somebody
to talk to.

- About Cody?
- He's fighting his own demons.

He's been in trouble
since he was 15 years old.

What kind of trouble?

First, it was juvenile hall.

After that, it was market robbery
and then more of the same.

I got him into stunt work.
I thought I had him straightened out.

And now?

Well, I know it's not a job
for the Rangers,

but Cody's always had these big ideas
about how to beat the system.

I just know
every time he's got those ideas,

there's bound to be trouble.

Is that what you two
were arguing about?

No. The usual.

Money. He spends it faster
than I can make it.

Well, he's not a kid anymore,
you know.

You mean, why do I put up with it?

Well, when we were growing up,
we were in a bad situation.

We had abuse, neglect.

Cody protected me.

We have a bond.

I'll never walk away from him
if he needs me.

Well, that's what a family's all about.

You know,
you've got a hard shell, Walker,

but I don't think you're so tough.

I'd say it's just a smoke screen
for a gentle soul.

Don't worry. I won't tell anybody.

Now, what we got here,
this is early in the picture

when the gang goes from
robbing banks to their first stagecoach.

Right, before they graduated
to the trains.

- You read the script.
- Right.

I love the twist before the train heist

and the way the love story
was layered...

Layers are for cakes.
Action's what sells.

Now, what we've got here
is the guard on the stage,

he's really a Texas Ranger,
but he's undercover.

Now, do you have any trouble
with that?

No, that's fine.

Great. Cody, Burkett, climb onboard.

Now, they have been riding
in front of the gang.

They leap from the horses
onto the stage.

Now, the Ranger, he spots them,

wheels, opens with his shotgun,
misses.

What? Walker, what?

Well, a Ranger wouldn't miss
from that distance

with a double-barreled shotgun.

So you're saying a fistfight,
that would be better?

- Well, I'd think so, huh?
- Yeah.

- What would you do?
- Yeah.

Why doesn't the famous Ranger
show us?

Wait a minute. I'm not an actor.

Come on.
We're all actors in our own way.

Come on, Walker.
It's all make-believe.

Holy buckets.

What do you guys have in mind?

Well, I had something like this
in mind.

What's going on?

I don't believe this.

Make-believe, huh?

Those guys like
living on the edge, huh?

Yeah, when you live on the edge,
you're never far from falling off.

Burkett's package is
a little more serious than Cody's.

Got a B and E and an armed robbery
in Frisco and L.A.

All right, we're gonna hit the train
right here below Texarkana

where there's a 20-mile stretch
of badlands.

Now, this is gonna require
split-second timing.

The money is gonna be
in a post-office boxcar

shut tight and guarded
by treasury agents from the inside.

So how do we get in?

We're gonna drop in by chopper.

Then we're gonna disable the agents
with nitrous oxide.

But if the train stops
before it gets to Dallas,

the Dallas Tower's gonna know

and they're gonna wanna
communicate with the engine by radio.

So here's what we're gonna do.

We're gonna hit it right here

just as it slows
to go through this whistle stop

on its Dallas approach.

- Who the hell is that?
- Cody, you in there?

Get rid of her.

- You said you'd call.
- Now, wait.

I said, get rid of her now.

- What the hell are you doing here?
- Parsons, he's been asking questions.

He may be suspicious.

No loose ends.

Okay? Understand?

- Let's try this now.
- How's that?

All right, here we go, everyone.

Set for rehearsal.

Come on, we got a meeting.

No way. I'm in the middle of a shootout
at Joe Bob's Grill.

We didn't have a shootout
at Joe Bob's Grill.

- Poetic license.
- Let's go.

Action.

No, no, no,
that's not working for me.

Brenda, somebody,
give me a cappuccino.

I don't believe this, guys.

We've come across something
you may be interested in, Jake.

Oh, is that right?
It's always good to see you, Walker.

- Jake Lassiter.
- Jimmy Trivette.

You know, Walker and me,

we took down some bad bandidos
together last year,

sliding across the border,
trying to loot cargo.

They wore this cut-up rug
on their boots

so they wouldn't leave tracks.

Walker, he's got that nose.

That Indian blood of his.

Well, on this one,
we don't know who they are.

It all started with a break-in
at a tool-and-die plant near Denton.

Now, what would security
be interested in

a break-in
at a tool-and-die plant for?

They took a switch key and
a signal-maintainer switch-lock key.

Well, maybe somebody's got
a set of Lionels for Christmas,

wanna play switchman.

Walker thinks there's more to it
than that.

In what way?

Is there anything valuable being
transported in the next few days?

Something coming and going
all the time here, you know that.

Something big.

First, you gotta understand

the volume of merchandise
that passes through here every week.

Millions of dollars worth.
Tell you what I can do.

I'll check the manifest
for valuable paintings,

jewelry, et cetera, et cetera.
But it's all on a need-to-know.

Does that mean
we don't need to know?

No, that means anything sizeable
that comes through here

has already got extra security
attached to it,

unless there's a crime committed.

Look, Walker,
I appreciate your interest,

but all you have here is
a meaningless break-in and a hunch.

I'll tell you what.

I'll alert our people.
We'll be on top of it from here.

Good seeing you again.

Nice to meet you, Tribette.

Tribette.

Better than Trivet.

Guy says you're the man
with the golden gut,

and then he shines us on
with this need-to-know crap.

It only confirms
something going down.

- Think there's gonna be a hit?
- Yeah.

Then go back to your crystal ball,
find out what's going on, man.

Trivette.

Trivette, you and Walker have a call
from a Buck Parsons.

Arcadia Tool and Die?

That's him. Wants you to meet him
in Denton, 620 Decker.

Says it's urgent.

She didn't show up for work
this morning. I got concerned.

She'd been acting funny
ever since the break-in.

I got to thinking maybe she knew
something, she just wasn't telling.

- Did you move that knife, Buck?
- No, no.

- That's...
- Cody Preston.

Look, some other time, okay, Ellie?

A woman has been murdered, Cody.
Suzanne Moore. Did you know her?

What have you gotten yourself into?

My God, Cody,
we never lied to each other.

That was our bond.

I'm sorry, okay, Ellie?

Yeah, Bubba.

Yeah, well, Bubba,
I sure do appreciate it.

No, I'll hold,
but I don't wanna be here all day.

- Any luck?
- On one front, it looks good, Jimmy.

But I jumped plumb naked
to get out here looking for Cody.

- Where is he?
- He finished the picture.

He's out of town like a scalded cat.

- Cody's gone.
- So's Ellie.

Yeah, and she's awful upset too.

You didn't say anything to her
about the body?

Well, I guess l...
She was asking for Cordell,

and I just let it slip
the murdered girl knew Cody.

Yeah?

Yeah, okay. Well, that...
Yeah, that's good information.

Yeah, I think we can use that.

Yeah, well, it's good to talk to you,
Bubba.

My regards to the wife and kid.
You bet. Thank you, Bubba.

I'll tell you, that old boy
is something else.

You know, he worked 42 years
for the railroad over here in Mineola.

They put a white shirt
and a clip bow tie on him,

made an executive out of him.
But let me tell...

C.D., what did he say?

Well, it's confidential and it's strictly
on a need-to-know basis.

We need to know.

I'm coming to it, Cordell.

This may be a carload of currency
coming out of Washington

for the Dallas banks.

How much?

Well, in the neighborhood
of $28 million.

That's a sweet neighborhood.

- When's it coming in?
- Gentlemen, it's coming as we speak.

Cody's involved somehow.
Let's go check his motel.

Thanks, C.D.

That's Ellie's car.

It's Ellie's.

Go ahead, C.D.

Cordell's old friend Lassiter's
not in the office today.

- Lassiter.
- Ask him about the train.

C.D., what about the train?

All right, stay on it.

According to Dallas Tower,
the train's on time.

- Should be crossing into Texas now.
- Let's go.

Tiger One,
we're ready to rock 'n' roll.

That's a go, Tiger Two, that's a go.

Jamming all
central-control frequencies.

That's the four-by-four we saw
at the tool-and-die.

Let's see your hands.

Get out.

Get out.

Turn around.
Hands behind your head.

- They got Takimura and Davis.
- No witnesses.

Yeah, Jimmy? Tell Cordell
he was right about that train robbery.

- How?
- That car carrying that new currency...

C.D., what about it?

- It disappeared.

What do you mean, disappeared?

The train arrived on schedule
at Union Station,

but the car was missing.

We can't get a clear picture
of this damn thing.

Don't that beat all?

Walker showed up again.
He caught Takimura and Davis.

- We had to take them out.
- Walker?

He's still out there.

Hey, what...? Get busy.
What did I tell you, to stop? Come on.

Go help them. Come on.

C.D. Says internal systems
at Central Traffic Control was jammed,

so they couldn't tell
when the car was cut loose.

That sucker's somewhere, man.

But where and how?

You've heard of a flying switch,
right?

No, I've never heard
of a flying switch.

You said you grew up
watching Western movies.

Think about it.

It was switched off
to an old branch line?

- Son of a gun.
- That's why they took the switch key.

So the siding switch was thrown,
money car snatched,

and the siding switched back when
the rest of the train continued on.

Son of a gun.

There's an old branch line
right down the road here.

Leads to a meat-packing plant
that hasn't been used in years.

Just like in the movies. Yeah.

- Hey, Jake, listen...
- No, no, no, you listen.

What'd I tell you about
mixing family with business, huh?

You have to cut your losses
in the end.

Look, there is no reason to hurt her.

Hurt her? We're not gonna hurt her.

She's gonna be dead.

Come on. Come on!

- Walker!
- They got Ellie.

No!

Cover me.

I've been looking forward to this,
Walker.

Hey.

Where do you think you're going, huh?
Come on.

Hope you enjoyed it.

Lassiter!

Walker.

Cody.

I'm sorry.

You think you know someone,
and then you discover you don't,

even as close as Cody and I were.

He was always looking for that pot
at the end of the rainbow.

Nothing that was gonna stop him,
no matter what I did.

He went down the wrong path, Ellie,

but in the end,
he proved that he loved you.

Miss Ellie, I'm sure everything's
gonna get easier for you.

And I'm just delighted that the film's
gonna continue to shoot here.

Well, I'm a survivor, C.D.

- Yes, ma'am.
- I'll be fine.

Jimmy.

Hey, Jimmy, you look lower
than a snake's belly in a wagon rut.

Producers rejected my script.

Jimmy, all they did was take a pass.

That's what they call it in the biz,
a pass.

It was my life. They flushed my life.

You're not gonna give up, are you?

I mean,
maybe what you should do...

...is punch it up a little bit.
You know what I mean?

Pump it up a little?

- Take out the dull spots.
- Right.

- Little more heart.
- You got it.

- Drama.
- Yeah.

Pedal to the metal
with the action, man.

- Absolutely.
- Yeah.

Now, Jimmy, you'll wanna change
your name to protect the innocent too.

Especially mine.

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