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1
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Country fans, it's my pleasure
to introduce at this time
2
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a man who's made an
unbelievable comeback
3
00:01:48,408 --> 00:01:49,933
in the last couple of years.
4
00:01:50,010 --> 00:01:52,309
Here he is, your
dean of country music
5
00:01:52,412 --> 00:01:54,779
the one and only
Big Buck Buckley.
6
00:02:28,915 --> 00:02:32,181
Switchboard, this is a code seven
scramble call to Oscar Goldman.
7
00:02:42,129 --> 00:02:44,325
Hello. Put him on.
8
00:02:45,866 --> 00:02:46,866
Hello, Bill.
9
00:02:49,736 --> 00:02:51,967
Bill? Bill, are you there?
10
00:03:33,146 --> 00:03:34,590
Okay. Hold on. Hold
on. Wait. Wait. Wait.
11
00:03:34,614 --> 00:03:37,083
Someone is not singing
and if we don't all sing,
12
00:03:37,150 --> 00:03:39,210
we're not gonna win
the school talent contest.
13
00:03:39,286 --> 00:03:40,345
Right, Pam?
14
00:03:41,855 --> 00:03:43,551
Well, we're not gonna
win with her help.
15
00:03:43,623 --> 00:03:45,524
Patty. PAM: She's
right, Miss Sommers.
16
00:03:45,592 --> 00:03:46,821
I can't sing.
17
00:03:46,893 --> 00:03:48,638
Well, honey, how do
you know if you don't try?
18
00:03:48,662 --> 00:03:49,662
I'm tone deaf.
19
00:03:49,863 --> 00:03:51,331
Oh.
20
00:03:51,398 --> 00:03:54,493
Well, that really isn't what's
the most important thing though.
21
00:03:55,001 --> 00:03:56,979
You know, I mean, if you sing,
so you're contribute your energy,
22
00:03:57,003 --> 00:04:00,098
and then we all have fun and
then it sounds great. Right?
23
00:04:01,274 --> 00:04:02,274
Okay?
24
00:04:02,342 --> 00:04:03,366
Yeah.
25
00:04:04,945 --> 00:04:07,710
Uh, come on now. This is
everybody's song. Okay?
26
00:04:07,781 --> 00:04:10,893
I want everybody to sing. And I want
you to lighten up and let's have some fun.
27
00:04:10,917 --> 00:04:13,250
Okay? From the top of
the chorus again. One, two.
28
00:04:41,648 --> 00:04:42,741
Okay.
29
00:04:44,684 --> 00:04:45,811
Pretty bad, huh?
30
00:04:46,353 --> 00:04:48,447
No, I mean it wasn't...
31
00:04:48,522 --> 00:04:50,320
Maybe I could play
the tambourine?
32
00:04:50,390 --> 00:04:53,326
That's a great idea. You
should play the tambourine.
33
00:04:53,927 --> 00:04:55,156
Okay.
34
00:04:57,230 --> 00:04:59,199
All right, I'm gonna
be right back, okay?
35
00:04:59,266 --> 00:05:00,598
On second thought,
36
00:05:00,667 --> 00:05:02,101
if I am not back in 10 minutes,
37
00:05:02,169 --> 00:05:03,446
go ahead and
finish your... What?
38
00:05:03,470 --> 00:05:04,870
Your algebra homework, okay?
39
00:05:04,938 --> 00:05:06,804
And, uh, just wait for the bell.
40
00:05:06,873 --> 00:05:08,432
And, Patty, you're in charge.
41
00:05:11,278 --> 00:05:12,576
Oscar. Hello, Jaime.
42
00:05:12,646 --> 00:05:15,343
Hi, Oscar. Listen, whatever it
is, can't it wait for another week?
43
00:05:15,415 --> 00:05:17,927
I mean, the kids are getting
ready for their school talent contest,
44
00:05:17,951 --> 00:05:19,829
and if they have to go in
there with a substitute teacher...
45
00:05:19,853 --> 00:05:23,255
Uh, excuse me, but it don't sound to
me like there's much left to be done.
46
00:05:23,423 --> 00:05:25,085
I mean, those kids
sing pretty good.
47
00:05:25,192 --> 00:05:27,593
Um, most of them, anyway.
48
00:05:28,161 --> 00:05:30,562
You hear that? Now that's a
man that really ought to know.
49
00:05:31,298 --> 00:05:32,994
He's a top pro in country music.
50
00:05:33,066 --> 00:05:36,798
Jaime Sommers, I want you to
meet Muffin Calhoon, my old friend.
51
00:05:36,870 --> 00:05:38,361
Howdy! Mighty nice to know you.
52
00:05:38,438 --> 00:05:39,438
How do you do?
53
00:05:42,609 --> 00:05:44,601
He's going to be your
ticket to Nashville.
54
00:05:45,212 --> 00:05:46,373
Nashville?
55
00:05:48,849 --> 00:05:49,849
Nashville?
56
00:06:02,963 --> 00:06:05,763
All right. So you and Oscar were in
Intelligence together during Korea?
57
00:06:05,832 --> 00:06:06,856
Yeah, that's right.
58
00:06:06,933 --> 00:06:10,267
Only I had the intelligence to
get out of this racket after the war.
59
00:06:10,804 --> 00:06:12,170
Hey, can I help you?
60
00:06:12,239 --> 00:06:14,279
No, lady, I can handle it.
Oh, come on, let me help.
61
00:06:30,757 --> 00:06:32,089
Uh, thanks a lot, lady.
62
00:06:33,260 --> 00:06:35,923
Doggone it, if I'd... If I'd
known you were that strong,
63
00:06:35,996 --> 00:06:37,396
I'd let you carry your own bag.
64
00:06:37,464 --> 00:06:39,330
I'm not in this revolution
business, you know.
65
00:06:39,466 --> 00:06:40,832
Okay, let me get
this straight now.
66
00:06:40,901 --> 00:06:44,963
Someone is passing top secret
information to a contact in Nashville?
67
00:06:45,038 --> 00:06:46,336
You got it.
68
00:06:46,406 --> 00:06:48,341
Trouble is we don't
know who the contact is,
69
00:06:48,408 --> 00:06:50,036
or what he does
with the information.
70
00:06:50,110 --> 00:06:52,079
Once he gets it,
it just disappears.
71
00:06:52,145 --> 00:06:53,738
Well, so we're at
a dead end, right?
72
00:06:53,880 --> 00:06:55,348
Well, not quite.
73
00:06:55,415 --> 00:06:57,577
You see, one of Oscar's men
74
00:06:57,651 --> 00:06:59,483
did get a clue
before he got lost.
75
00:07:00,220 --> 00:07:03,247
He seemed to think this whole thing
has something to do with Buck Buckley.
76
00:07:03,523 --> 00:07:04,523
The Buck Buckley?
77
00:07:05,191 --> 00:07:06,625
One and the same.
78
00:07:06,726 --> 00:07:08,804
And I guess that's where I
come into this whole thing
79
00:07:08,828 --> 00:07:11,093
because, you know, Buck
and I grew up together.
80
00:07:11,164 --> 00:07:13,258
Fact, I used to play
guitar in his band.
81
00:07:15,568 --> 00:07:18,265
But, you know, I just
can't seem to think that
82
00:07:18,405 --> 00:07:20,374
Buck's got anything
to do with espionage,
83
00:07:20,440 --> 00:07:22,739
I mean, he's a real patriot.
84
00:07:23,243 --> 00:07:25,212
And he's a good friend, too.
85
00:07:25,278 --> 00:07:26,769
That's one of the
reasons I'm on this
86
00:07:26,846 --> 00:07:29,077
is because I want to help
prove Buck's innocence,
87
00:07:29,149 --> 00:07:30,981
just as much as I
do to help Oscar.
88
00:07:32,619 --> 00:07:35,298
Okay. So you don't think we'll have
any trouble getting in to see him, right?
89
00:07:35,322 --> 00:07:36,756
See him?
90
00:07:36,823 --> 00:07:38,382
We're gonna be staying with him.
91
00:07:38,458 --> 00:07:40,927
Ol' Buck Buckley
never forgets a friend.
92
00:07:41,361 --> 00:07:43,489
Are you Mr. Calhoon?
93
00:07:44,130 --> 00:07:45,962
Well I was when I
woke up this mornin'.
94
00:07:47,400 --> 00:07:48,527
I'm Penn Mathers.
95
00:07:48,601 --> 00:07:50,780
I'm supposed to take you and
your guest to Mr. Buckley's spread.
96
00:07:50,804 --> 00:07:52,204
All right. I'll take those bags.
97
00:07:52,372 --> 00:07:53,616
The car's right out
here. Thank you.
98
00:07:53,640 --> 00:07:54,640
After you.
99
00:08:20,266 --> 00:08:22,360
Ol' Buck never was
the modest type.
100
00:08:22,435 --> 00:08:24,165
He's waiting for you
around back. Come on.
101
00:08:28,708 --> 00:08:29,801
This way.
102
00:08:34,848 --> 00:08:36,714
Man, this is some
kind of spread here.
103
00:08:36,783 --> 00:08:38,046
Certainly is.
104
00:08:38,251 --> 00:08:41,016
Hey, isn't that the ol'
recording studio down there?
105
00:08:41,421 --> 00:08:45,017
Yep. His producer, Tammy Dalton, had it
moved in here when they built the house.
106
00:08:45,291 --> 00:08:47,171
Couldn't get the same
acoustics in a new studio.
107
00:08:47,227 --> 00:08:49,753
Yeah, Tammy always
was one for details.
108
00:08:49,829 --> 00:08:51,525
She never did sing too good.
109
00:08:51,631 --> 00:08:53,042
But it looks like
she's doing all right
110
00:08:53,066 --> 00:08:54,377
in the producer
end of this thing.
111
00:08:54,401 --> 00:08:56,165
Well, she and Mr. Buckley
make a good team.
112
00:08:56,236 --> 00:08:58,467
Six gold albums in two years.
113
00:08:58,538 --> 00:09:01,667
Muffin! Muffin Calhoon,
you ol' hound dog.
114
00:09:01,741 --> 00:09:03,741
Buck, you old son of a
gun, how are you doin', man?
115
00:09:03,843 --> 00:09:05,539
It's good to see you.
You looking good.
116
00:09:05,612 --> 00:09:06,978
It's good to see you!
117
00:09:07,047 --> 00:09:08,687
Nashville ain't been
the same without you.
118
00:09:08,815 --> 00:09:10,459
Well, Buck, I'm gonna
tell you, I missed it,
119
00:09:10,483 --> 00:09:11,746
and I missed you, too.
120
00:09:11,818 --> 00:09:13,295
Putting on a little
weight there, kid.
121
00:09:13,319 --> 00:09:14,446
Yeah, I'm carrying a little.
122
00:09:14,521 --> 00:09:17,218
Hey, I want to introduce you
to Miss Jody-Lee Sommers.
123
00:09:17,290 --> 00:09:18,781
She's a good friend of mine.
124
00:09:18,858 --> 00:09:20,870
And a mighty pretty one,
too. How you doing, darling?
125
00:09:20,894 --> 00:09:22,419
I'm just fine,
Mr. Buckley. Thank you.
126
00:09:22,495 --> 00:09:23,986
Your house is fantastic!
127
00:09:24,264 --> 00:09:26,344
Well, call me Buck. And
you're welcome here any time.
128
00:09:26,533 --> 00:09:27,762
Thank you. Hey, Buck,
129
00:09:27,834 --> 00:09:30,201
I see you even got the old
studio down there. That's it.
130
00:09:30,270 --> 00:09:32,705
Man, we used to have a
ball in that place, didn't we?
131
00:09:32,772 --> 00:09:34,741
Yep. Listen, is it
okay if we look inside?
132
00:09:34,808 --> 00:09:36,848
Why sure! Come on. Tammy
and the boys are down there
133
00:09:36,876 --> 00:09:38,811
cutting a track for my
new album. Mr. Buckley.
134
00:09:39,079 --> 00:09:40,411
What's up, Penn?
135
00:09:41,347 --> 00:09:43,077
The studio may
not be a good idea.
136
00:09:45,351 --> 00:09:47,980
Oh, that's right. I forgot
about that. Daggum it.
137
00:09:48,054 --> 00:09:49,317
Rules are rules, you know.
138
00:09:49,956 --> 00:09:51,956
Why, what's the matter,
Buck? Something wrong here?
139
00:09:52,692 --> 00:09:54,932
Well, no, nothing's wrong,
man. We just got a new policy.
140
00:09:55,128 --> 00:09:57,673
We don't allow people in the studio
unless they're on company business.
141
00:09:57,697 --> 00:09:59,937
It'll probably be okay for
you to come in, Muffin, but...
142
00:10:00,066 --> 00:10:01,534
Well, I'm sorry, Jody-Lee.
143
00:10:03,169 --> 00:10:06,037
Well, wait, wait, wait just a
minute here, Buck. Hold on.
144
00:10:06,106 --> 00:10:07,369
Doggone it now.
145
00:10:07,440 --> 00:10:09,452
I mean, that's what I
brought Jody-Lee out here for,
146
00:10:09,476 --> 00:10:11,676
so you can get her in the
studio and listen to her sing.
147
00:10:11,744 --> 00:10:13,440
I mean, she's really
something else.
148
00:10:14,147 --> 00:10:16,343
Pacific Records wanted
to sign her up but I said,
149
00:10:16,516 --> 00:10:19,975
"No way, man. I'm gonna
take her on out to Nashville,
150
00:10:20,520 --> 00:10:23,149
"let my old buddy's company
have first shot at her."
151
00:10:23,289 --> 00:10:24,848
Is that right, Jody-Lee?
Can you sing?
152
00:10:26,693 --> 00:10:28,423
That's what some people say.
153
00:10:32,198 --> 00:10:34,167
Well, I think it'll be all
right this time, Penn.
154
00:10:35,235 --> 00:10:36,498
All right.
155
00:10:36,569 --> 00:10:37,798
Come on.
156
00:10:44,210 --> 00:10:45,371
Is the drawbridge down?
157
00:10:47,714 --> 00:10:48,714
Yes, sir.
158
00:10:49,015 --> 00:10:50,039
Drawbridge?
159
00:10:50,950 --> 00:10:53,647
Yeah, Tammy had a security
system designed for the place
160
00:10:53,720 --> 00:10:57,179
so that no more music thieves
get in here and steal my songs.
161
00:10:57,257 --> 00:10:59,089
Yeah, you mean like
the Country Opera?
162
00:10:59,159 --> 00:11:00,923
Yeah, we don't want
it to happen again.
163
00:11:02,295 --> 00:11:05,129
What kind of a
security system is this?
164
00:11:05,598 --> 00:11:08,796
Well, we just walked through an electric
eye beam fence there, 10 feet high.
165
00:11:09,402 --> 00:11:11,530
Triggers alarms
all over the estate.
166
00:11:11,838 --> 00:11:13,363
And, if anybody
gets through that,
167
00:11:13,640 --> 00:11:16,007
the door here is equipped
with knockout gas.
168
00:11:16,876 --> 00:11:19,573
Good timing. They'll be
listening to a playback now.
169
00:12:06,593 --> 00:12:09,256
I'm gonna need some
more top on Slim's mandolin.
170
00:12:09,362 --> 00:12:12,298
Hi, honey. Just give me a minute
to re-record this track, okay?
171
00:12:12,465 --> 00:12:13,956
In here, I let her be boss.
172
00:12:15,268 --> 00:12:17,703
Okay, fellas, let's take it
from the top of the break.
173
00:12:18,104 --> 00:12:20,164
Tape's rolling, speed.
174
00:12:38,458 --> 00:12:40,256
Okay. Bring it
up. Bring it up two.
175
00:12:54,874 --> 00:12:57,901
Okay, fellas, you can take
five. We'll do the trio next.
176
00:12:58,578 --> 00:13:00,410
This is the lady who
made it all happen.
177
00:13:00,980 --> 00:13:02,073
Hi, Muffin.
178
00:13:02,148 --> 00:13:05,380
Hi, there, Tammy.
Say, you're lookin' good.
179
00:13:05,485 --> 00:13:08,455
Even better than I remembered
you. And that was real good.
180
00:13:08,988 --> 00:13:11,822
Uh, Tammy, I'd like to introduce
you to Miss Jody-Lee Sommers.
181
00:13:12,825 --> 00:13:13,825
Hi, there.
182
00:13:13,893 --> 00:13:14,893
How do you do?
183
00:13:15,094 --> 00:13:17,086
Mr. Calhoon says she's a singer.
184
00:13:18,398 --> 00:13:19,957
Jody-Lee's gonna
audition for us.
185
00:13:20,133 --> 00:13:23,126
Muffin tells me Pacific
Records wants her real bad.
186
00:13:23,436 --> 00:13:25,871
Oh, well, in that case, since
we've got the boys here,
187
00:13:25,938 --> 00:13:28,032
why don't we let her
have a go at it right now?
188
00:13:34,280 --> 00:13:36,909
Listen, don't you
know anything else?
189
00:13:37,016 --> 00:13:39,952
Hey, man, you're the one that
got me into this in the first place.
190
00:13:40,019 --> 00:13:43,353
We'll get by. Now just
relax and have a ball.
191
00:13:44,157 --> 00:13:47,127
Muffin, Jody-Lee,
ready when you are.
192
00:13:48,461 --> 00:13:50,692
All right, now, let's
get up there and sing.
193
00:13:51,264 --> 00:13:52,288
Put it on 'em.
194
00:13:52,365 --> 00:13:53,424
Boys, you ready?
195
00:13:53,499 --> 00:13:54,865
Oh, yeah. Let's do it!
196
00:13:54,934 --> 00:13:56,534
Let's get it on. - All right.
197
00:13:56,736 --> 00:14:01,265
Okay, here we go. And
one, two, three, four, one.
198
00:16:20,980 --> 00:16:22,744
I never agreed to murder.
199
00:16:22,815 --> 00:16:24,875
We can let him go just
as soon as this is all over.
200
00:16:24,951 --> 00:16:26,044
He knows too much.
201
00:16:26,319 --> 00:16:28,811
Besides, the OSI's going to
wonder what happened to him.
202
00:16:29,088 --> 00:16:30,750
Well, do something.
203
00:16:30,857 --> 00:16:32,758
Sell him for interrogation.
204
00:16:32,859 --> 00:16:33,859
Maybe.
205
00:17:42,028 --> 00:17:43,028
All right!
206
00:17:46,032 --> 00:17:47,056
So good.
207
00:17:47,133 --> 00:17:49,034
She's not bad for
a greenhorn, huh?
208
00:17:49,168 --> 00:17:51,535
Really good singing. What
label was that wanted you?
209
00:17:51,604 --> 00:17:54,267
That was Pacific,
Buck. Pacific Records.
210
00:17:54,373 --> 00:17:56,433
Well, we'll have
to see about that.
211
00:18:04,717 --> 00:18:07,949
Jody-Lee, I think there's a real
future for you in this business.
212
00:18:09,555 --> 00:18:11,649
Well, I'm... I'm
confused, you know.
213
00:18:11,891 --> 00:18:13,969
Oh, I mean, I've got all
the contract offers coming in
214
00:18:13,993 --> 00:18:15,325
and I've got all the attention.
215
00:18:16,495 --> 00:18:18,987
I just need some
down-home advice
216
00:18:19,065 --> 00:18:20,795
as to how to get it going.
217
00:18:20,900 --> 00:18:22,061
I mean, how did you do it?
218
00:18:22,768 --> 00:18:23,768
It was Tammy.
219
00:18:24,103 --> 00:18:26,902
Tammy? She's only been
with you for two years.
220
00:18:27,707 --> 00:18:29,676
Yeah, I guess I did
okay on my own.
221
00:18:29,942 --> 00:18:32,138
But after a while there was
nobody to write songs for.
222
00:18:32,612 --> 00:18:34,808
My music got old, stale.
223
00:18:35,648 --> 00:18:37,810
I was on my way down
and I didn't really care.
224
00:18:40,486 --> 00:18:43,456
Hey, what was that about a
Country Opera or something?
225
00:18:44,957 --> 00:18:47,757
Listen, that was the one thing that
could've pulled me out of my slump.
226
00:18:47,793 --> 00:18:49,694
I put two years
of my life into it,
227
00:18:49,762 --> 00:18:51,230
then I lost it all overnight.
228
00:18:51,831 --> 00:18:52,855
How?
229
00:18:52,932 --> 00:18:55,243
The night before we were supposed
to go into the studio and record it,
230
00:18:55,267 --> 00:18:57,065
somebody broke in
and stole everything.
231
00:18:57,570 --> 00:18:59,562
Two months later it
came out as a Rock Opera.
232
00:19:00,139 --> 00:19:01,801
Well you could sue
for that, couldn't you?
233
00:19:02,441 --> 00:19:03,534
No, we checked it out.
234
00:19:03,609 --> 00:19:05,921
They changed just enough of
it so that our hands were tied.
235
00:19:05,945 --> 00:19:07,038
But it was mine.
236
00:19:09,248 --> 00:19:10,944
And that's when
I started drinking.
237
00:19:11,684 --> 00:19:14,984
Tammy found me in a
flophouse guzzlin' hair tonic.
238
00:19:15,054 --> 00:19:16,317
Rock bottom.
239
00:19:17,023 --> 00:19:18,867
I'm sorry, Buck. You
know, I didn't mean to pry.
240
00:19:18,891 --> 00:19:20,202
I'm always sticking
my foot in my mouth.
241
00:19:20,226 --> 00:19:22,195
Hey, nothing to be sorry about.
242
00:19:22,261 --> 00:19:24,506
As a matter of fact, that's when
things started getting better.
243
00:19:24,530 --> 00:19:26,260
Tammy gave me love.
244
00:19:27,299 --> 00:19:29,530
She gave me someone
to write songs for.
245
00:19:30,136 --> 00:19:33,732
Somehow she got the
money, produced an album,
246
00:19:34,306 --> 00:19:37,208
and six months later we
were number one on the charts.
247
00:19:37,276 --> 00:19:42,271
That is what I call a very
romantic American success story.
248
00:19:43,783 --> 00:19:47,743
Well, I guess it is. But it's the
truth, and I owe it all to Tammy.
249
00:19:49,689 --> 00:19:52,022
I guess that's my
down-home advice, Jody-Lee.
250
00:19:52,892 --> 00:19:55,225
Find somebody to help
you over the rough spots.
251
00:19:55,494 --> 00:19:58,430
Somebody to care for. And...
252
00:19:59,899 --> 00:20:00,958
Yes?
253
00:20:01,600 --> 00:20:04,297
You forget about Pacific
Records. Buckley's a better label.
254
00:20:08,174 --> 00:20:09,584
I don't know what
to think, Oscar.
255
00:20:09,608 --> 00:20:11,770
My instincts tell me
that Buck isn't involved.
256
00:20:12,445 --> 00:20:15,847
All I know is that I heard Penn
and Tammy talking about the OSI.
257
00:20:15,915 --> 00:20:18,248
And it sounded to me like
they're holding your agent.
258
00:20:18,484 --> 00:20:19,747
Bill Womullun. Where?
259
00:20:20,252 --> 00:20:22,531
I don't know. But if it's anywhere,
they've got to be holding him
260
00:20:22,555 --> 00:20:25,491
in that recording studio
because the security's incredible!
261
00:20:25,558 --> 00:20:26,924
Have you got his picture, Jaime?
262
00:20:27,093 --> 00:20:28,493
Yeah, I've got it here.
263
00:20:28,761 --> 00:20:30,195
Oscar, I've got to tell you,
264
00:20:30,262 --> 00:20:32,040
this poor guy, if you sent
him in here looking like this,
265
00:20:32,064 --> 00:20:34,144
it's no wonder he got
caught. He looks just like you.
266
00:20:34,467 --> 00:20:36,800
But that's an OSI
requirement, Jaime.
267
00:20:36,969 --> 00:20:38,335
We all look alike.
268
00:20:38,604 --> 00:20:41,164
No, don't worry. It
was an old picture.
269
00:20:41,240 --> 00:20:44,210
He was as country as an ear
of corn when we sent him out.
270
00:20:44,710 --> 00:20:46,406
Oh, oh, oh, okay,
there's one more thing.
271
00:20:46,479 --> 00:20:49,108
Now, I heard a beeping sound
while they were recording.
272
00:20:49,348 --> 00:20:51,544
Now, it was very high
pitched, even for me.
273
00:20:52,718 --> 00:20:56,348
Well, maybe it was your bionic
ear reacting to the studio electronics.
274
00:20:56,689 --> 00:21:00,182
Oh, no. It had a definite
pattern to it. It was like a code.
275
00:21:00,593 --> 00:21:01,593
Hmm.
276
00:21:02,061 --> 00:21:04,826
Maybe that's what Bill found
out before he disappeared.
277
00:21:05,698 --> 00:21:08,862
Well, we'll see. I'm gonna go
back in there tonight and find out.
278
00:21:09,001 --> 00:21:10,333
All right, Jaime,
279
00:21:10,669 --> 00:21:11,932
but be careful.
280
00:21:12,538 --> 00:21:14,837
I don't want to
lose a rising star.
281
00:21:16,509 --> 00:21:18,102
Goodbye, Oscar.
282
00:23:28,841 --> 00:23:31,276
Womullun? Bill?
283
00:23:51,363 --> 00:23:52,363
Bill?
284
00:24:05,411 --> 00:24:06,845
Here's the one they did today.
285
00:24:26,231 --> 00:24:28,325
This looked so
easy this afternoon.
286
00:24:47,886 --> 00:24:50,321
Okay. Now what?
287
00:24:53,993 --> 00:24:54,993
Power.
288
00:25:13,579 --> 00:25:15,844
Earphones. Okay.
289
00:25:33,098 --> 00:25:35,863
It is a code. It's a
high frequency code.
290
00:25:38,170 --> 00:25:39,604
What're you doin' in here?
291
00:25:43,275 --> 00:25:45,220
Well, I guess you already know
the answer to that, don't you?
292
00:25:45,244 --> 00:25:46,321
I ought to tear
you limb from limb.
293
00:25:46,345 --> 00:25:48,337
Coming in here with my
old friend and using us.
294
00:25:48,414 --> 00:25:50,406
Trying to get your grubby
hands on my music.
295
00:25:51,116 --> 00:25:54,177
Who do you work for? Same people who
stole my music the last time, don't you?
296
00:25:54,853 --> 00:25:57,846
Punk kids in leather pants,
trying to turn it into rock 'n' roll.
297
00:25:57,956 --> 00:25:59,116
Wait a minute. Wait a minute.
298
00:25:59,158 --> 00:26:01,650
You think I came here
to steal your music?
299
00:26:01,727 --> 00:26:04,253
Don't play dumb with me.
Why else would you be here?
300
00:26:08,100 --> 00:26:11,332
I'm here because
the OSI sent me here.
301
00:26:12,204 --> 00:26:15,333
The OSI? "Jaime Sommers."
302
00:26:19,044 --> 00:26:20,822
What do you want with
me? I haven't done anything.
303
00:26:20,846 --> 00:26:24,339
Well, maybe not. But somebody
who works with you has.
304
00:26:25,084 --> 00:26:26,916
And I think you'd better
listen to something.
305
00:26:35,060 --> 00:26:37,996
The codes have been transferred
onto every one of your records.
306
00:26:38,063 --> 00:26:39,087
They're too high to hear
307
00:26:39,164 --> 00:26:41,690
unless you slow the tape or
the record down to this speed.
308
00:26:43,202 --> 00:26:44,966
And these codes are
stolen information?
309
00:26:45,571 --> 00:26:47,005
Top secret.
310
00:26:47,206 --> 00:26:50,768
All an enemy agent has to do
is to walk into any record store,
311
00:26:50,843 --> 00:26:53,836
buy one of your records, and there's
nothing our guys can do about it.
312
00:26:56,348 --> 00:26:57,509
Who did this?
313
00:27:00,552 --> 00:27:02,180
Penn and... I knew it!
314
00:27:02,754 --> 00:27:06,282
I knew it! There's always been
something wrong with that man.
315
00:27:07,092 --> 00:27:08,856
Like he's been
hiding things from us.
316
00:27:10,796 --> 00:27:12,424
Tammy never caught it but I did.
317
00:27:12,798 --> 00:27:14,198
Something wrong.
318
00:27:16,301 --> 00:27:17,633
Anybody else?
319
00:27:19,438 --> 00:27:20,438
Uh, yes.
320
00:27:21,940 --> 00:27:23,374
Well, come on. Who is it?
321
00:27:24,977 --> 00:27:25,977
Tammy.
322
00:27:27,713 --> 00:27:30,410
Uh-uh. Uh-uh. No,
I don't believe it.
323
00:27:30,816 --> 00:27:32,079
Sorry, Buck, it's true.
324
00:27:32,251 --> 00:27:33,851
I don't believe it.
She wouldn't do that.
325
00:27:34,486 --> 00:27:35,486
Tammy?
326
00:27:36,655 --> 00:27:38,317
No, I don't believe it.
327
00:27:39,358 --> 00:27:40,690
Look, do you see this?
328
00:27:41,293 --> 00:27:43,338
Tammy game me this the week
after she got me out of that hotel
329
00:27:43,362 --> 00:27:44,362
and sobered me up.
330
00:27:46,198 --> 00:27:49,066
It's a little tin star, a little
sheriff's badge, like kids wear.
331
00:27:49,968 --> 00:27:52,961
She said, "That's what
you are, Buck. A star."
332
00:27:53,772 --> 00:27:55,035
And she was right.
333
00:27:55,941 --> 00:27:57,603
And I love her for that.
334
00:27:58,277 --> 00:27:59,745
I love her.
335
00:28:05,250 --> 00:28:07,014
Oh, Buck, I'm sorry.
336
00:28:08,220 --> 00:28:09,220
No!
337
00:28:16,662 --> 00:28:18,563
I'm gonna have to call
Washington now, Buck.
338
00:28:24,736 --> 00:28:26,102
Put it down, Jaime.
339
00:28:31,910 --> 00:28:34,141
I mean it. Put it down.
340
00:28:41,620 --> 00:28:42,620
No, wait.
341
00:28:42,988 --> 00:28:45,355
Call Tammy up at the house
and ask her to come down here.
342
00:28:47,192 --> 00:28:49,752
No matter what her
reasons were for doing this,
343
00:28:49,828 --> 00:28:51,854
I'm gonna stand by
her like she stood by me.
344
00:29:07,913 --> 00:29:09,404
I don't know.
345
00:29:09,514 --> 00:29:11,540
One minute I'm
upstairs, snoozing away,
346
00:29:11,617 --> 00:29:13,457
and the next minute, I'm
being hauled down here
347
00:29:13,518 --> 00:29:14,958
by a couple of my
ol' buddy's guards.
348
00:29:15,854 --> 00:29:17,550
I'm gonna tell you, sweetheart,
349
00:29:17,623 --> 00:29:20,024
you sure know how to
make enemies out of friends.
350
00:29:20,192 --> 00:29:21,922
Don't rub it in, all right?
351
00:29:23,195 --> 00:29:25,824
I don't know. I just can't
understand how ol' Buck could be
352
00:29:25,897 --> 00:29:27,456
behind something like this.
353
00:29:35,707 --> 00:29:37,801
Tammy, don't you see
how dangerous this is?
354
00:29:37,943 --> 00:29:39,571
Why did you do it?
355
00:29:39,645 --> 00:29:41,079
I did it for you!
356
00:29:41,146 --> 00:29:43,741
For me? How can you say that?
357
00:29:43,849 --> 00:29:45,977
No one would take you, Buck.
358
00:29:46,151 --> 00:29:50,885
When I found you and got you
started again, no one would take you.
359
00:29:51,456 --> 00:29:52,696
They all said you were a drunk.
360
00:29:53,191 --> 00:29:55,183
Said you couldn't
write music anymore.
361
00:29:55,460 --> 00:29:56,621
Well, they were wrong.
362
00:29:56,695 --> 00:29:59,859
I knew it but they wouldn't
give me the cash to prove it.
363
00:30:02,134 --> 00:30:03,830
I couldn't get the money!
364
00:30:03,902 --> 00:30:06,804
Where did you get the $100,000
to do the first album, then?
365
00:30:06,872 --> 00:30:08,170
I gave it to her, Buck.
366
00:30:11,743 --> 00:30:13,177
I believed in you, too.
367
00:30:13,278 --> 00:30:14,278
You?
368
00:30:14,579 --> 00:30:16,241
In exchange for a few favors.
369
00:30:16,381 --> 00:30:17,849
Yeah, treason.
370
00:30:17,916 --> 00:30:21,614
Oh, come on, Buck. The
United States hasn't crumbled.
371
00:30:22,120 --> 00:30:23,850
The flag's colors
are still the same.
372
00:30:23,922 --> 00:30:25,857
These kind of things
go on all the time.
373
00:30:25,924 --> 00:30:27,984
Yeah, well, not where
I come from, buddy.
374
00:30:31,697 --> 00:30:33,893
Buck, I'm sorry.
375
00:30:35,534 --> 00:30:37,196
I did it for us, honey.
376
00:30:37,669 --> 00:30:40,070
I didn't think
it'd come to this.
377
00:30:40,672 --> 00:30:43,699
Look, this is the last
record we have to do for him.
378
00:30:43,909 --> 00:30:45,537
Penn promised me.
379
00:30:45,644 --> 00:30:47,078
Only it won't be a record.
380
00:30:49,915 --> 00:30:52,680
How can you be listening to
something that you can't even hear?
381
00:30:53,151 --> 00:30:55,143
I read lips.
382
00:30:55,687 --> 00:30:57,280
The OSI is getting too close.
383
00:30:57,356 --> 00:30:58,833
We've got to get
the code out tonight.
384
00:30:58,857 --> 00:31:01,102
All of the information we've
sent out in the last two years
385
00:31:01,126 --> 00:31:02,846
won't make any sense
without the final data.
386
00:31:02,961 --> 00:31:04,589
It's the key to the
entire operation.
387
00:31:04,696 --> 00:31:05,755
We can't wait any longer.
388
00:31:06,098 --> 00:31:08,242
Why don't you use the
telephone and leave us out of it?
389
00:31:08,266 --> 00:31:09,344
It's too high pitched.
390
00:31:09,368 --> 00:31:12,600
A telephone doesn't have
the fidelity. And it's traceable.
391
00:31:13,305 --> 00:31:14,671
The radio's a better way.
392
00:31:15,173 --> 00:31:16,173
The radio?
393
00:31:16,842 --> 00:31:18,470
You mean the
music-house broadcast?
394
00:31:19,077 --> 00:31:22,104
I'm installing an ultrasonic
playback unit in your guitar.
395
00:31:22,180 --> 00:31:23,341
Oh, I don't like it.
396
00:31:23,415 --> 00:31:25,384
Look, let's hear him
out, honey, okay?
397
00:31:26,351 --> 00:31:28,115
When you play it
on the radio tonight,
398
00:31:28,820 --> 00:31:30,260
the code will come
through the music.
399
00:31:30,322 --> 00:31:32,052
It won't have the same
fidelity as a record,
400
00:31:32,591 --> 00:31:34,560
but I figure 80%
should come through.
401
00:31:37,462 --> 00:31:39,340
What about them? What
are you gonna do? Kill 'em?
402
00:31:39,364 --> 00:31:40,388
Of course not.
403
00:31:40,799 --> 00:31:42,392
The people I work for have drugs
404
00:31:42,467 --> 00:31:44,587
that can make them forget
everything about this place.
405
00:31:44,770 --> 00:31:47,103
They'll show up in a month
or two without their memory.
406
00:31:47,973 --> 00:31:49,100
That's all.
407
00:31:50,942 --> 00:31:52,274
I promise.
408
00:31:55,280 --> 00:31:59,081
Look, Buck, it's the last
thing we got to do for him.
409
00:31:59,418 --> 00:32:01,011
Then we're free.
410
00:32:03,789 --> 00:32:05,314
Please, Buck. Do it.
411
00:32:07,859 --> 00:32:09,521
Trust me, honey.
412
00:32:11,797 --> 00:32:13,197
You know I will, baby.
413
00:32:15,000 --> 00:32:16,400
Good, Buck.
414
00:32:17,569 --> 00:32:20,835
Why don't you get down to the
music-house and get ready for the show?
415
00:32:22,040 --> 00:32:23,770
We'll come along later,
416
00:32:24,109 --> 00:32:25,873
after I cable my contacts.
417
00:32:26,745 --> 00:32:28,270
Yeah, you go on.
418
00:32:53,972 --> 00:32:56,203
Muffin, we've got
to get out of here.
419
00:32:56,274 --> 00:32:59,335
Well, you tell me how
and I'll be right behind you.
420
00:32:59,744 --> 00:33:02,976
Tell you, I'm as squirmy
as a snake in a frying pan.
421
00:33:07,552 --> 00:33:09,248
How fast can you
make it to that door?
422
00:33:09,855 --> 00:33:11,084
The door?
423
00:33:11,156 --> 00:33:13,853
Hey, those boys over
there got real guns.
424
00:33:13,925 --> 00:33:15,587
Count me out of this one.
425
00:33:15,660 --> 00:33:18,773
Come on. It's better than sitting around
here waiting for them to get rid of us.
426
00:33:18,797 --> 00:33:21,242
Listen, they're just as tired as
we are. We could surprise 'em.
427
00:33:21,266 --> 00:33:24,345
Yeah, well, how about those gas jets
on that door over there. You know, Buck...
428
00:33:24,369 --> 00:33:25,513
Buck just walked out the door,
429
00:33:25,537 --> 00:33:27,130
which means the
security system is off.
430
00:33:27,205 --> 00:33:28,673
Now are you gonna do it?
431
00:33:29,241 --> 00:33:30,504
Okay.
432
00:33:33,612 --> 00:33:34,910
Okay. You ready?
433
00:33:34,980 --> 00:33:36,107
Am I what?
434
00:33:36,181 --> 00:33:37,181
Go!
435
00:33:48,994 --> 00:33:50,519
Muffin, come on!
436
00:33:50,595 --> 00:33:51,756
Penn!
437
00:34:06,311 --> 00:34:09,145
Take 'em to the control room.
And get the other agent, Womullun.
438
00:34:09,214 --> 00:34:11,080
Might as well take
care of all of 'em at once.
439
00:34:15,620 --> 00:34:18,749
That's good. Now put her
arms up on that console control.
440
00:34:19,124 --> 00:34:21,068
That way it looks like they
were fiddlin' with the equipment.
441
00:34:21,092 --> 00:34:23,065
It's all set. They
announced Buck's special
442
00:34:23,089 --> 00:34:25,086
performance on the
radio about an hour ago.
443
00:34:25,897 --> 00:34:27,263
Did you give 'em the drug?
444
00:34:27,332 --> 00:34:28,425
What drug?
445
00:34:28,500 --> 00:34:29,991
The one to make them forget.
446
00:34:30,235 --> 00:34:32,466
You didn't think I was serious
about that now, did you?
447
00:34:33,638 --> 00:34:35,004
Penn, that's murder.
448
00:34:35,073 --> 00:34:36,166
Now you promised me...
449
00:34:36,241 --> 00:34:38,142
Sometimes I make
promises I can't keep.
450
00:34:38,877 --> 00:34:40,087
All right, boys, you
know what to do.
451
00:34:40,111 --> 00:34:42,239
Overload the console
and get out fast.
452
00:34:42,314 --> 00:34:44,476
The fire's gonna destroy
more than the tapes and them.
453
00:34:44,783 --> 00:34:47,981
I won't do it. And Buck won't
do it. When he finds out that...
454
00:34:48,053 --> 00:34:49,715
He doesn't have to know.
455
00:34:51,856 --> 00:34:55,452
Look, Tammy, these people
can send Buck to prison.
456
00:34:57,195 --> 00:34:58,686
He's up to his neck.
457
00:34:58,897 --> 00:35:02,129
Do you want to ruin
his career? Ruin his life?
458
00:35:02,901 --> 00:35:05,063
Ruin everything you
ever built for him?
459
00:35:05,136 --> 00:35:06,331
No!
460
00:35:07,572 --> 00:35:08,904
It's the only way.
461
00:35:16,748 --> 00:35:18,182
Make sure they can't get out.
462
00:35:18,416 --> 00:35:20,009
I'll meet you at
the music-house.
463
00:35:21,453 --> 00:35:23,319
Get yourself
dressed for the show.
464
00:35:23,955 --> 00:35:25,116
Go on.
465
00:35:26,324 --> 00:35:27,417
Move!
466
00:35:40,805 --> 00:35:42,603
Get out of here.
I'm right behind you.
467
00:36:18,109 --> 00:36:19,270
Something wrong, honey?
468
00:36:28,153 --> 00:36:31,282
Well, look, I understand why
you did it, and I still love you.
469
00:36:34,693 --> 00:36:36,423
Oh, I know, Buck.
470
00:36:37,662 --> 00:36:39,790
Okay, Buck, it's all set.
471
00:36:41,299 --> 00:36:42,665
The tape's inside.
472
00:36:43,468 --> 00:36:45,937
All you have to do is turn
on the guitar and strum.
473
00:36:46,805 --> 00:36:48,433
And this is the last time?
474
00:36:48,506 --> 00:36:50,202
I haven't lied to you yet, Buck.
475
00:37:06,958 --> 00:37:08,517
Muffin? Muffin?
476
00:37:08,593 --> 00:37:09,720
Yeah.
477
00:37:09,794 --> 00:37:11,524
Are you all right? I'm okay.
478
00:37:12,130 --> 00:37:14,099
Jaime, my God, it's Womullun.
479
00:37:14,165 --> 00:37:15,765
He's alive. Get him
out of here! Come on!
480
00:37:16,000 --> 00:37:18,526
Let me take him!
Come on! Open the door!
481
00:37:18,903 --> 00:37:19,903
Open the door!
482
00:37:19,971 --> 00:37:21,599
Come on.
483
00:37:22,040 --> 00:37:24,009
I can't! It's locked!
484
00:37:24,075 --> 00:37:25,755
Come hold him for
a second! Come on!
485
00:37:32,383 --> 00:37:34,352
The heat must be getting to me.
486
00:37:35,720 --> 00:37:36,744
Come on!
487
00:37:43,261 --> 00:37:44,638
Wait a minute. Hold
on. Hold it. Hold it.
488
00:37:44,662 --> 00:37:45,806
Can you hold him for a second?
489
00:37:45,830 --> 00:37:46,923
I got him. I got him.
490
00:37:59,344 --> 00:38:00,869
Please work.
491
00:38:02,881 --> 00:38:04,645
Come on, Muffin, the gas is off.
492
00:38:15,360 --> 00:38:16,658
Womullun?
493
00:38:17,962 --> 00:38:19,522
Are you all right?
Yeah. Where... Where?
494
00:38:20,865 --> 00:38:22,128
Who are you?
495
00:38:22,200 --> 00:38:26,900
I'm Jaime Sommers, and the guy in
the pajamas here is Muffin Calhoon.
496
00:38:27,238 --> 00:38:28,536
We're from the OSI.
497
00:38:28,773 --> 00:38:30,639
I thought Oscar
had given up on me.
498
00:38:31,376 --> 00:38:33,038
The code.
499
00:38:33,111 --> 00:38:35,022
Oh, they're sending it
out over the radio tonight.
500
00:38:35,046 --> 00:38:36,757
Muffin, we've got to
get to the music-house.
501
00:38:36,781 --> 00:38:37,908
Right.
502
00:38:37,982 --> 00:38:39,693
Well, Buck's got to have
a spare car I can hotwire.
503
00:38:39,717 --> 00:38:41,310
Come on. Let's get out of here.
504
00:38:43,721 --> 00:38:44,799
Ladies and gentlemen,
505
00:38:44,823 --> 00:38:46,655
country music lovers
all over the world,
506
00:38:46,758 --> 00:38:49,489
it's broadcast
time in Nashville!
507
00:38:49,594 --> 00:38:52,723
Welcome to the world famous
Country Land Music-House.
508
00:39:05,210 --> 00:39:06,701
Oh, the show's started already!
509
00:39:06,778 --> 00:39:09,942
Don't worry, honey. This ol'
country boy knows all the shortcuts.
510
00:39:10,148 --> 00:39:11,741
Hold on! Here we go!
511
00:39:48,186 --> 00:39:50,485
The Red Mountain Boys!
Aren't they wonderful?
512
00:39:52,891 --> 00:39:54,860
And now we have a
very special treat for you.
513
00:39:55,159 --> 00:39:57,094
The moment we've
all been waiting for.
514
00:39:57,161 --> 00:39:59,995
Here to sing all the hits from
his new, unreleased album.
515
00:40:00,064 --> 00:40:01,692
Oh, we're not gonna make it!
516
00:40:01,766 --> 00:40:03,701
All of you listeners
know and love.
517
00:40:03,835 --> 00:40:07,328
The original, the one and
only dean of country music,
518
00:40:07,472 --> 00:40:08,472
Big Buck Buckley!
519
00:40:11,142 --> 00:40:12,940
No, Buck! Don't do it!
520
00:40:13,244 --> 00:40:16,271
He left Muffin and Jaime in
the studio. He's burning it down.
521
00:40:17,949 --> 00:40:20,919
Oh, Penn murdered them,
honey, and he lied to me.
522
00:40:23,922 --> 00:40:25,254
Muffin and Jody-Lee?
523
00:40:25,623 --> 00:40:26,818
It was for your own good.
524
00:40:27,625 --> 00:40:28,625
I'm calling the police.
525
00:40:28,693 --> 00:40:29,693
Buck!
526
00:40:31,763 --> 00:40:33,425
Get back out there.
527
00:40:34,866 --> 00:40:37,097
No, Buck. Don't.
528
00:40:38,603 --> 00:40:41,664
We just can't let him
run our lives like this.
529
00:40:43,107 --> 00:40:44,473
I'll kill her.
530
00:40:47,979 --> 00:40:50,039
It doesn't matter anymore.
531
00:40:54,719 --> 00:40:56,278
Buck!
532
00:40:56,354 --> 00:40:57,617
Shut up!
533
00:41:47,572 --> 00:41:50,440
Dang! They started
the code already.
534
00:41:50,742 --> 00:41:52,643
How in the devil can you tell?
535
00:41:53,277 --> 00:41:55,007
Oh, forget I asked.
536
00:42:23,274 --> 00:42:24,274
Hold it!
537
00:42:27,011 --> 00:42:28,946
Now raise your
hands over your heads.
538
00:42:33,985 --> 00:42:35,977
Back up nice and easy.
539
00:42:42,226 --> 00:42:43,319
That's far enough.
540
00:43:00,478 --> 00:43:01,639
Stop right there.
541
00:43:05,917 --> 00:43:07,078
Keep playin', Buck.
542
00:43:14,325 --> 00:43:16,123
Put the gun down, Penn.
543
00:43:18,429 --> 00:43:19,897
I'll shoot her, Sommers.
544
00:43:30,708 --> 00:43:32,336
Boy, you're full of surprises.
545
00:43:32,410 --> 00:43:34,606
Yeah, just chalk one
up for the ol' Muffin.
546
00:43:34,679 --> 00:43:36,580
All right, Penn, let's get
out of here. Come on.
547
00:43:52,230 --> 00:43:54,131
Oh, Buck.
548
00:43:55,199 --> 00:43:57,259
It's okay, honey. It's okay.
549
00:43:59,570 --> 00:44:01,596
Oh, Buck, I'm sorry.
550
00:44:02,240 --> 00:44:03,731
It's all over.
551
00:44:11,782 --> 00:44:13,011
Thanks, Jody-Lee.
552
00:44:13,818 --> 00:44:14,979
Jaime.
553
00:44:19,056 --> 00:44:22,322
We Want Buck. We want Buck.
554
00:44:22,393 --> 00:44:25,625
We want Buck. We want Buck.
555
00:44:26,797 --> 00:44:29,289
I guess you'd better get
out there and sing something.
556
00:44:29,367 --> 00:44:31,427
Oh, no, I'm not leaving you.
557
00:44:32,803 --> 00:44:34,999
Oh, you're gonna have to, honey.
558
00:44:35,907 --> 00:44:36,966
Why?
559
00:44:42,513 --> 00:44:43,981
Prison, Buck.
560
00:44:50,388 --> 00:44:52,414
It's all right though, honey.
561
00:44:52,490 --> 00:44:57,952
You know, for the first time in almost
two whole years, I feel really free.
562
00:45:02,800 --> 00:45:03,844
We want Buck.
563
00:45:03,868 --> 00:45:06,108
Big Buck will be back
in just a second, folks.
564
00:45:06,170 --> 00:45:07,468
Just a small technical problem.
565
00:45:07,538 --> 00:45:09,200
We'll have it straightened
out right away.
566
00:45:10,241 --> 00:45:11,573
Sing it for them.
567
00:45:12,476 --> 00:45:13,808
Please.
568
00:45:15,646 --> 00:45:17,114
Sing it for me.
569
00:45:18,382 --> 00:45:20,442
Well, I'm gonna need some help.
570
00:45:22,753 --> 00:45:24,346
Oh, Buck.
571
00:45:26,324 --> 00:45:27,451
Come on.
572
00:45:28,826 --> 00:45:31,660
Well, Buck, just so long
as you don't ask me to sing
573
00:45:31,729 --> 00:45:33,698
'cause you know
I ain't no singer.
574
00:45:33,831 --> 00:45:35,231
Come on.
575
00:45:50,948 --> 00:45:52,439
This is Tammy Dalton.
576
00:45:52,516 --> 00:45:53,956
I think you all
know that I love her.
577
00:47:30,147 --> 00:47:31,911
Will you be at Tammy
and Buck's hearing?
578
00:47:32,083 --> 00:47:34,484
You'll get a full report
but it won't be good.
579
00:47:34,585 --> 00:47:35,951
The charges are serious, Jaime.
580
00:47:36,020 --> 00:47:39,184
I know that. I think they'll just
be so glad to get it over with.
581
00:47:39,256 --> 00:47:41,589
You know, they'll be
relieved. Going to prison?
582
00:47:41,659 --> 00:47:43,127
Well, Tammy said to me that
583
00:47:43,194 --> 00:47:46,358
this is the first time she's felt
really free in the last two years.
584
00:47:50,468 --> 00:47:51,766
They're strong people.
585
00:47:52,570 --> 00:47:53,799
I think they'll make it.
586
00:47:56,941 --> 00:47:58,432
You got that, Patty? Uh-huh.
587
00:47:58,509 --> 00:48:01,069
Okay, grab hold
now and don't lose it.
588
00:48:02,980 --> 00:48:03,980
Oh, hi, there.
589
00:48:05,249 --> 00:48:06,444
Come on in.
590
00:48:08,219 --> 00:48:11,951
All right, kids, now this next
number we're gonna do here
591
00:48:12,590 --> 00:48:16,425
is about the freedom you get
from doing things on your own.
592
00:48:17,094 --> 00:48:20,656
It's mighty important to a
good friend of mine about now.
593
00:48:21,465 --> 00:48:23,627
As a matter of
fact, he wrote it.
594
00:48:24,335 --> 00:48:27,931
Now if you all know the
words, just sing along.
595
00:48:28,339 --> 00:48:29,705
Even you, Pam.
596
00:48:32,376 --> 00:48:34,436
A one, two, three.
597
00:48:44,388 --> 00:48:45,788
That's Buck Buckley's song.
598
00:49:18,989 --> 00:49:20,514
All right!
45103
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