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๏ฟฝ๏ฟฝ๏ฟฝ ๏ฟฝ๏ฟฝ๏ฟฝ๏ฟฝ๏ฟฝ๏ฟฝ๏ฟฝ ๏ฟฝ๏ฟฝ ๏ฟฝ๏ฟฝ๏ฟฝ๏ฟฝ๏ฟฝ๏ฟฝ
,๏ฟฝ๏ฟฝ๏ฟฝ๏ฟฝ๏ฟฝ๏ฟฝ๏ฟฝ ๏ฟฝ๏ฟฝ๏ฟฝ๏ฟฝ๏ฟฝ ๏ฟฝ๏ฟฝ ๏ฟฝ๏ฟฝ๏ฟฝ๏ฟฝ๏ฟฝ๏ฟฝ๏ฟฝ๏ฟฝ๏ฟฝ
๏ฟฝ๏ฟฝ๏ฟฝ ๏ฟฝ๏ฟฝ ๏ฟฝ๏ฟฝ๏ฟฝ๏ฟฝ๏ฟฝ๏ฟฝ ๏ฟฝ...
๏ฟฝ๏ฟฝ๏ฟฝ๏ฟฝ๏ฟฝ๏ฟฝ!
- ๏ฟฝ๏ฟฝ! - ๏ฟฝ๏ฟฝ!
๏ฟฝ๏ฟฝ๏ฟฝ ๏ฟฝ๏ฟฝ๏ฟฝ ๏ฟฝ๏ฟฝ๏ฟฝ๏ฟฝ๏ฟฝ
๏ฟฝ๏ฟฝ๏ฟฝ๏ฟฝ๏ฟฝ ๏ฟฝ๏ฟฝ๏ฟฝ๏ฟฝ๏ฟฝ๏ฟฝ ๏ฟฝ๏ฟฝ๏ฟฝ๏ฟฝ ๏ฟฝ๏ฟฝ๏ฟฝ
๏ฟฝ๏ฟฝ๏ฟฝ ๏ฟฝ๏ฟฝ๏ฟฝ ๏ฟฝ๏ฟฝ๏ฟฝ๏ฟฝ๏ฟฝ
๏ฟฝ๏ฟฝ๏ฟฝ ๏ฟฝ๏ฟฝ๏ฟฝ ๏ฟฝ๏ฟฝ๏ฟฝ๏ฟฝ ๏ฟฝ๏ฟฝ๏ฟฝ๏ฟฝ
๏ฟฝ๏ฟฝ๏ฟฝ ๏ฟฝ๏ฟฝ๏ฟฝ๏ฟฝ ๏ฟฝ๏ฟฝ๏ฟฝ๏ฟฝ๏ฟฝ ๏ฟฝ๏ฟฝ๏ฟฝ
IT'S FOLLOWED YOU AWAY ๏ฟฝ๏ฟฝ ๏ฟฝ๏ฟฝ๏ฟฝ ๏ฟฝ๏ฟฝ๏ฟฝ๏ฟฝ๏ฟฝ
๏ฟฝ๏ฟฝ๏ฟฝ ๏ฟฝ๏ฟฝ๏ฟฝ๏ฟฝ, ๏ฟฝ๏ฟฝ๏ฟฝ๏ฟฝ๏ฟฝ
๏ฟฝ๏ฟฝ ๏ฟฝ๏ฟฝ๏ฟฝ๏ฟฝ๏ฟฝ๏ฟฝ ๏ฟฝ๏ฟฝ๏ฟฝ๏ฟฝ๏ฟฝ ๏ฟฝ๏ฟฝ๏ฟฝ๏ฟฝ๏ฟฝ
I'LL MISS THE WAY YOU SMILE
AS THOUGH IT'S JUST FOR ME
AND EACH AND EVERY NIGHT
I'LL WRITE YOU FAITHFULLY
๏ฟฝ๏ฟฝ๏ฟฝ ๏ฟฝ๏ฟฝ๏ฟฝ ๏ฟฝ๏ฟฝ๏ฟฝ๏ฟฝ๏ฟฝ
IT'S AWFUL HARD TO BEAR
๏ฟฝ๏ฟฝ๏ฟฝ ๏ฟฝ๏ฟฝ๏ฟฝ ๏ฟฝ๏ฟฝ๏ฟฝ๏ฟฝ๏ฟฝ
GUESS I'LL ALWAYS CARE.
THE MOST RIDICULOUS THING I'VE EVER HEARD.
๏ฟฝ๏ฟฝ๏ฟฝ๏ฟฝ ๏ฟฝ๏ฟฝ๏ฟฝ, ๏ฟฝ๏ฟฝ ๏ฟฝ๏ฟฝ๏ฟฝ๏ฟฝ๏ฟฝ๏ฟฝ
๏ฟฝ๏ฟฝ๏ฟฝ๏ฟฝ ๏ฟฝ๏ฟฝ๏ฟฝ, ๏ฟฝ๏ฟฝ๏ฟฝ.
๏ฟฝ๏ฟฝ๏ฟฝ, ๏ฟฝ๏ฟฝ๏ฟฝ๏ฟฝ ๏ฟฝ๏ฟฝ๏ฟฝ๏ฟฝ๏ฟฝ๏ฟฝ๏ฟฝ, ๏ฟฝ๏ฟฝ๏ฟฝ๏ฟฝ๏ฟฝ ๏ฟฝ๏ฟฝ๏ฟฝ๏ฟฝ๏ฟฝ,
๏ฟฝ๏ฟฝ๏ฟฝ๏ฟฝ ๏ฟฝ๏ฟฝ๏ฟฝ๏ฟฝ๏ฟฝ๏ฟฝ๏ฟฝ๏ฟฝ ๏ฟฝ๏ฟฝ๏ฟฝ๏ฟฝ๏ฟฝ ๏ฟฝ๏ฟฝ๏ฟฝ๏ฟฝ๏ฟฝ ๏ฟฝ๏ฟฝ ๏ฟฝ๏ฟฝ๏ฟฝ๏ฟฝ๏ฟฝ,
๏ฟฝ๏ฟฝ๏ฟฝ๏ฟฝ๏ฟฝ๏ฟฝ๏ฟฝ ๏ฟฝ๏ฟฝ๏ฟฝ ๏ฟฝ๏ฟฝ๏ฟฝ๏ฟฝ ๏ฟฝ๏ฟฝ ๏ฟฝ๏ฟฝ๏ฟฝ,
๏ฟฝ๏ฟฝ๏ฟฝ๏ฟฝ๏ฟฝ๏ฟฝ ๏ฟฝ๏ฟฝ๏ฟฝ๏ฟฝ!
๏ฟฝ๏ฟฝ ๏ฟฝ๏ฟฝ๏ฟฝ๏ฟฝ ๏ฟฝ๏ฟฝ๏ฟฝ ๏ฟฝ๏ฟฝ ๏ฟฝ๏ฟฝ๏ฟฝ๏ฟฝ๏ฟฝ๏ฟฝ ๏ฟฝ๏ฟฝ๏ฟฝ๏ฟฝ ๏ฟฝ๏ฟฝ๏ฟฝ๏ฟฝ.
๏ฟฝ๏ฟฝ๏ฟฝ ๏ฟฝ๏ฟฝ๏ฟฝ๏ฟฝ๏ฟฝ ๏ฟฝ๏ฟฝ๏ฟฝ๏ฟฝ๏ฟฝ๏ฟฝ ๏ฟฝ๏ฟฝ ๏ฟฝ๏ฟฝ ๏ฟฝ๏ฟฝ๏ฟฝ๏ฟฝ๏ฟฝ๏ฟฝ๏ฟฝ ๏ฟฝ๏ฟฝ
๏ฟฝ๏ฟฝ ๏ฟฝ๏ฟฝ๏ฟฝ๏ฟฝ ๏ฟฝ๏ฟฝ๏ฟฝ๏ฟฝ๏ฟฝ ๏ฟฝ๏ฟฝ๏ฟฝ๏ฟฝ ๏ฟฝ๏ฟฝ ๏ฟฝ๏ฟฝ๏ฟฝ๏ฟฝ๏ฟฝ ๏ฟฝ๏ฟฝ๏ฟฝ๏ฟฝ๏ฟฝ๏ฟฝ๏ฟฝ ๏ฟฝ๏ฟฝ๏ฟฝ๏ฟฝ๏ฟฝ.
๏ฟฝ๏ฟฝ๏ฟฝ, ๏ฟฝ๏ฟฝ๏ฟฝ๏ฟฝ ๏ฟฝ๏ฟฝ ๏ฟฝ๏ฟฝ๏ฟฝ๏ฟฝ๏ฟฝ ๏ฟฝ๏ฟฝ๏ฟฝ๏ฟฝ๏ฟฝ?
๏ฟฝ๏ฟฝ ๏ฟฝ๏ฟฝ?
๏ฟฝ๏ฟฝ๏ฟฝ๏ฟฝ๏ฟฝ๏ฟฝ๏ฟฝ๏ฟฝ ๏ฟฝ๏ฟฝ๏ฟฝ.
๏ฟฝ๏ฟฝ๏ฟฝ๏ฟฝ๏ฟฝ๏ฟฝ๏ฟฝ ๏ฟฝ๏ฟฝ๏ฟฝ. ๏ฟฝ๏ฟฝ๏ฟฝ๏ฟฝ ๏ฟฝ๏ฟฝ๏ฟฝ๏ฟฝ๏ฟฝ๏ฟฝ๏ฟฝ ๏ฟฝ๏ฟฝ๏ฟฝ...
๏ฟฝ๏ฟฝ๏ฟฝ๏ฟฝ๏ฟฝ๏ฟฝ ๏ฟฝ๏ฟฝ๏ฟฝ๏ฟฝ๏ฟฝ๏ฟฝ
๏ฟฝ๏ฟฝ ๏ฟฝ๏ฟฝ ๏ฟฝ๏ฟฝ๏ฟฝ๏ฟฝ! ๏ฟฝ๏ฟฝ๏ฟฝ๏ฟฝ๏ฟฝ ๏ฟฝ๏ฟฝ๏ฟฝ๏ฟฝ ๏ฟฝ๏ฟฝ๏ฟฝ๏ฟฝ!
๏ฟฝ๏ฟฝ๏ฟฝ ๏ฟฝ๏ฟฝ 39, ๏ฟฝ๏ฟฝ๏ฟฝ๏ฟฝ๏ฟฝ.
๏ฟฝ๏ฟฝ๏ฟฝ ๏ฟฝ๏ฟฝ๏ฟฝ๏ฟฝ ๏ฟฝ๏ฟฝ๏ฟฝ๏ฟฝ ๏ฟฝ๏ฟฝ๏ฟฝ๏ฟฝ๏ฟฝ๏ฟฝ๏ฟฝ ๏ฟฝ๏ฟฝ๏ฟฝ.
๏ฟฝ๏ฟฝ๏ฟฝ ๏ฟฝ๏ฟฝ ๏ฟฝ๏ฟฝ๏ฟฝ๏ฟฝ๏ฟฝ ๏ฟฝ๏ฟฝ๏ฟฝ๏ฟฝ๏ฟฝ๏ฟฝ ๏ฟฝ๏ฟฝ๏ฟฝ๏ฟฝ ๏ฟฝ๏ฟฝ๏ฟฝ.
MY MIND IS MADE UP, ALBERT.
AS YOU KNOW, I'VE BEEN WITH ALMAELOU FOR EIGHT YEARS.
I'VE BEEN MORE THAN JUST A SECRETARY TO YOU.
OH, I GET IT NOW.
YOU WANT A RAISE.
WRONG! YOU KNOW WHAT I WANT, ALBERT.
ROSIE, IF YOU'RE REFERRING
TO ANYTHING OF A MORE PERMANENT NATURE...
WELL, I'M JUST NOT READY FOR IT.
BESIDES, THERE ARE RELIGIOUS DIFFERENCES.
SPANISH IS NOT A RELIGION.
IF IT'S PART OF THE COMPANY YOU'RE AFTER,
THE ANSWER IS NO TO THAT TOO!
ALMAELOU IS ME, MOMMA AND LOU.
ANY CHANGE WOULD KILL THAT WONDERFUL WOMAN THAT BORE ME!
NOTHING COULD KILL YOUR MOTHER, AL, EXCEPT A SILVER BULLET.
AND I WON'T DROP POOR OLD LOU, EITHER.
HE LOVED YOU, ROSE.
OH, I LOVED LOU TOO.
SURE, HE WAS WARM, HE WAS LOYAL, HE WAS LOVABLE.
BUT HE DIED SIX YEARS AGO.
BESIDES, HE WAS A WIRE-HAIRED TERRIER!
ANYHOW, I DON'T WANT A PART OF THE COMPANY!
THIS IS SOMETHING MUCH MORE IMPORTANT!
YOU'RE GONNA DISCUSS WHAT I THINK YOU ARE,
I'M IN NO MOOD TO DISCUSS IT!
THERE'S NOTHING TO DISCUSS. CONRAD BIRDIE'S GOING INTO THE ARMY AND I QUIT!
YOU CAN GIVE UP THE BUSINESS, GO BACK TO COLLEGE.
ROSE, I AM UP TO MY EARS IN DEBT!
CONRAD BIRDIE HAS A $50,000 GUARANTEE
WHICH I CAN'T PAY,
AND I HAVE JUST TAKEN A SEVERE OVERDOSE OF ASPIRIN.
ALBERT, THIS MAY BE YOUR VERY LAST CHANCE.
WILL YOU LISTEN TO ME, ALBERT
I'M SERIOUS.
HIS GOING IN THE ARMY IS THE BEST THING HE COULD DO
NOW YOU'RE FREE TO START TO DO WHAT YOU WANTED TO
ALBERT, ALBERT, ALBERT!
I REMEMBER HOW YOU TOLD ME I SHOULD TRUST YOU FOR A YEAR
IT WOULD JUST BE FOR A YEAR
BUT IT'S EIGHT YEARS, ALBERT
EIGHT LONG YEARS, ALBERT...
IT TAKES TIME TO BUILD A BUSINESS, ROSIE.
IT WAS ONLY A SIDELINE, THAT'S WHAT YOU SAID
YOU JUST NEEDED SOME MONEY, THAT'S WHAT YOU SAID
YOU WERE GOING TO COLLEGE AND GET AHEAD
INSTEAD OF BEING A MUSIC-BUSINESS BUM
YOU WERE GOING TO N.Y.U. AND BECOME...
DON'T SAY IT, ROSIE.
AN ENGLISH TEACHER!
AND FURTHERMORE, YOU WROTE POETRY. IN THE N.Y.U. YEARBOOK,
UNDER ALBERT PETERSON'S FAVORITE PIECE OF LITERATURE--
YOU WANT TO KNOW WHAT IT SAYS "LITTLE WOMEN."
AN ENGLISH TEACHER
AN ENGLISH TEACHER
IF ONLY YOU'D BEEN AN ENGLISH TEACHER
WE'D HAVE A LITTLE APARTMENT IN QUEENS
YOU'D GET A SUMMER VACATION
AND WE WOULD KNOW WHAT LIFE MEANS
A MAN WHO'S GOT HIS MASTER'S
IS REALLY SOMEONE
HOW PROUD I'D BE IF YOU HAD BECOME ONE
IT COULD HAVE BEEN SUCH A WONDERFUL LIFE
I COULD HAVE BEEN MRS. PETERSON
MRS. ALBERT PETERSON
MRS. "PHI BETA KAPPA" PETERSON
THE ENGLISH TEACHER'S WIFE.
ROSIE, I'LL MAKE A DEAL WITH YOU.
STAY WITH ME.
HELP ME GET THE MONEY TO PAY CONRAD'S GUARANTEE,
AND I PROMISE AS SOON AS I'M OUT OF THE RED
I WILL DISSOLVE THIS COMPANY
AND GO BACK TO THE ACADEMIC LIFE.
ALBERT, YOU'RE ON.
OH, ROSIE, THAT'S GREAT.
IT MAY TAKE ME A WHILE, BUT I'M SURE BY 1973--
- PICK A NAME. - PICK A NAME
WHAT ARE YOU TALKING ABOUT
NEVER MIND. I'LL PICK ONE FOR YOU.
MacAFEE. KIM MacAFEE.
PRESIDENT AND RECORDING SECRETARY,
CONRAD BIRDIE FAN CLUB NUMBER 2748,
SWEET APPLE, OHIO.
MARY, GET ME SWEET APPLE, OHIO,
- CAPITOL 7820. - RIGHT.
WHAT ARE YOU TALKING ABOUT WHO'S THIS KIM MacFRACKETY
MacAFEE, ALBERT. KIM MacAFEE IS GONNA SEND YOU BACK TO COLLEGE
WITH THE BIGGEST HIT SONG THIS INDUSTRY HAS EVER HEARD.
IT'S CALLED... "ONE LAST KISS."
- I NEVER HEARD OF IT. - YOU HAVEN'T WRITTEN IT YET.
BUT WHEN YOU DO, AND WHEN THAT ONE LAST KISS IS FROM CONRAD
ON HIS WAY INTO THE BIG, COLD ARMY FOR TWO LONG YEARS,
AND HE GIVES THAT KISS TO ONE OF HIS FANS--
CHOSEN AT RANDOM FROM 1,200,000
SCREAMING, HYSTERICAL TEENAGERS,
IT'LL MAKE MR. BIRDIE THE HOTTEST SOLDIER SINCE JOAN OF ARC!
I'M BEGINNING TO GET THE POINT.
WE CUT THE RECORD HERE IN NEW YORK--
TAKE CONRAD BIRDIE TO SWEET APPLE--
LET HIM KISS THIS KIM--
THEN RELEASE THE RECORD!
YOU'LL MAKE ENOUGH TO STAY IN COLLEGE THE REST OF YOUR LIFE!
ROSIE, YOU'RE WONDERFUL!
I PROMISE, THE MINUTE THIS IS SETTLED,
IT'LL JUST BE THE TWO OF US TOGETHER IN PERFECT BLISS.
I'LL GET A JOB TEACHING ENGLISH AND...
BLISS. KISS.
THAT RHYMES.
WONDER IF ANYONE'S EVER USED IT BEFORE
WHAT DIFFERENCE DOES IT MAKE
IT'LL BE PERFECT FOR THE SONG.
OH-- OH, ONE LAST KISS
IT REALLY IS SUCH BLISS
OUR LIPS WILL NEVER MISS
JUST TURN YOUR HEAD LIKE THIS.
- Mary: ROSIE, ALL THE LINES ARE BUSY. - NOT BAD.
EVERY PHONE IN SWEET APPLE CAN'T BE BUSY.
- WHAT'S GOING ON THERE - ( humming )
Rose: KIM MacAFEE JUST GOT PINNED TO WHO
WHOM.
( telephones ringing )
HI, NANCY
HI, HELEN
WHAT'S THE STORY, MORNING GLORY
WHAT'S THE TALE, NIGHTINGALE
TELL ME QUICK ABOUT HUGO AND KIM
HI, MARGIE
HI, ALICE
WHAT'S THE STORY, MORNING GLORY
WHAT'S THE WORD, HUMMINGBIRD
HAVE YOU HEARD ABOUT HUGO AND KIM
DID THEY REALLY GET PINNED
DID SHE KISS HIM AND CRY
DID HE PIN THE PIN ON
OR WAS HE TOO SHY
- I HEARD THEY GOT PINNED - YEAH, YEAH
- I WAS HOPING THEY WOULD - UH-HUH
- THEY'RE LIVING AT LAST - HE'S GONE
- GOING STEADY FOR GOOD - HELLO, MR. MERKLE
THIS IS HARVEY JOHNSON
CAN I SPEAK TO URSULA, PLEASE
- IS IT TRUE ABOUT KIM - URSULA
- I KNEW IT SOMEHOW... - ABOUT OUR DATE...
- I MUST CALL HER RIGHT UP... - Saturday
I CAN'T TALK TO YOU NOW!
- GOING STEADY - YOU KNOW IT, MAN
- GOING STEADY - IT'S CRAZY, MAN
- GOING STEADY - YOU KNOW IT
IT WON'T LAST
NOT A PRAYER
SHE'S TOO COOL
HE'S TOO SQUARE
HELLO, MRS. MILLER, THIS IS HARVEY JOHNSON
CAN I SPEAK TO DEBRA SUE
HIYA, HUGO
Hiya, stupid
What ya wanna go get pinned for
- I HEARD THEY GOT PINNED - HEY, YA MEATHEAD
- I WAS HOPING THEY WOULD - Lost your marbles
- THEY'RE LIVING AT LAST - Are ya nutty
- GOING STEADY FOR-- - HELLO, MRS. GARFEIN...
IS CHARITY HOME FROM SCHOOL YET
- DID THEY REALLY GET PINNED - SHE SAW HIM
- I WAS HOPING THEY WOULD - SHE DUG HIM
- GOING STEADY - SHE NAILED HIM
YA GOTTA GO, THAT'S THE WAY TO GO
Men: WHEN THEY GOT YOU HOOKED
THEN YOU'RE REALLY COOKED
WHAT YA GONNA DO WHAT YA GONNA DO
- I HEARD THEY GOT PINNED - OH, MAN
- I WAS THINKING THEY WOULD - OH, MAN
NOW THEY'RE LIVING AT LAST, GOING STEADY FOR GOOD
- GOING STEADY, GOING STEADY - AH-OOH, AH-OOH
STEADY FOR GOOD, GOING STEADY
GOING STEADY, GOING STEADY, STEADY FOR GOOD
HE'S IN LOVE WITH KIM
KIM'S IN LOVE WITH HIM
GOING STEADY, GOING STEADY
DO TELL
WELL, WELL, DO TELL
- THAT'S THE WAY IT SHOULD BE - OH, YEAH
- THEY'LL BE HAPPY, I KNOW - OH, YEAH
- GOING STEADY'S FOR ME - OH, YEAH
- THAT'S THE WAY YOU SHOULD GO - GOING STEADY...
GOING STEADY, STEADY FOR GOOD
( repeating ) GOING STEADY...
OHHHH, YEAH!
OH, YEAH!
( telephone ringing )
I'LL GET IT!
HELLO
KIM MacAFEE, WHAT DO YOU MEAN YOU'RE RESIGNING FROM THE FAN CLUB
JUST BECAUSE HUGO PEABODY GAVE YOU HIS PIN
DOESN'T MEAN YOU HAVE TO RETIRE FROM ALL SOCIAL LIFE.
GOING STEADY IS VERY IMPORTANT,
but some things are more important than very important.
The Conrad Birdie Fan Club is one of them.
KIM, WHERE ELSE CAN WE GIRLS GATHER
TO WORSHIP SUCH A WONDERFUL CREATURE
DO YOU REALIZE WHAT YOU WOULD BE GIVING UP, KIM
I'M SORRY, URSULA, BUT I'VE MADE UP MY MIND.
OF COURSE, I'LL STILL PLAY HIS RECORDS,
BUT THINGS LIKE THE PLEDGE
AND THE SCREAM ARE PAST ME NOW.
YOU'RE GIVING UP THE SCREAM
WHEN CONRAD BIRDIE SINGS ON TELEVISION,
YOU'RE NOT GOING TO GO...
( screams )
OH, KIM!
Woman: KIM, DEAR
YES, MOTHER
WOULD YOU PLEASE GET OFF THE PHONE
I HAVE SOME CALLS TO MAKE.
I'M SORRY, URSULA, I HAVE TO GET OFF THE PHONE.
YOU'LL EXPLAIN EVERYTHING TO THE OTHER KIDS
WELL, I SUPPOSE I HAVE TO.
OH, KIM, ARE YOU SURE
I MEAN, REALLY, KIM.
I MEAN, AFTER ALL, ARE YOU ABSOLUTELY SURE
I'M POSITIVE. IT'S TIME I SETTLED DOWN.
( sighs )
BYE, KIM.
BYE.
WHEN YOU'RE A SKINNY CHILD OF 15
WIRED WITH BRACES FROM EAR TO EAR
YOU DOUBT THAT YOU COULD EVER BE APPEALING
THEN, HALLELUJAH, YOU'RE 17
AND THE BRACES DISAPPEAR
AND YOUR SKIN IS SMOOTH AND CLEAR
AND YOU HAVE THAT HAPPY GROWN-UP FEMALE FEELING
HOW LOVELY TO BE A WOMAN
THE WAIT WAS WELL WORTHWHILE
HOW LOVELY TO WEAR MASCARA
AND SMILE A WOMAN'S SMILE
HOW LOVELY TO HAVE A FIGURE
THAT'S ROUND INSTEAD OF FLAT
WHENEVER YOU HEAR BOYS WHISTLE
YOU'RE WHAT THEY'RE WHISTLING AT
IT'S WONDERFUL TO FEEL
THE WAY A WOMAN FEELS
IT GIVES YOU SUCH A GLOW
JUST TO KNOW
YOU'RE WEARING LIPSTICK AND HEELS
HOW LOVELY TO BE A WOMAN
AND HAVE ONE JOB TO DO
TO PICK OUT A BOY AND TRAIN HIM
AND THEN WHEN YOU ARE THROUGH
YOU'VE MADE HIM THE MAN YOU WANT HIM TO BE
LIFE'S LOVELY WHEN YOU'RE A WOMAN
LIKE ME
HOW WONDERFUL TO KNOW
THE THINGS A WOMAN KNOWS
HOW MARVELOUS TO WAIT
FOR A DATE
IN SIMPLY BEAUTIFUL CLOTHES
HOW LOVELY TO BE A WOMAN
AND CHANGE FROM BOYS TO MEN
TO GO TO A FANCY NIGHT CLUB
AND STAY OUT AFTER 10
HOW LOVELY TO BE SO GROWN-UP AND FREE
LIFE'S LOVELY WHEN YOU'RE A WOMAN
LIKE ME.
( music playing )
Announcer: Robert Young...
and Jane Wyatt...
with Elinor Donahue, Billy Gray,
- and Lauren Chapin... - ( telephone ringing )
in "Father Knows Best."
Man on TV: Don't come down the stairs like that, Bud,
you sound like an elephant wearing golf shoes.
- ( ringing continuing ) - Bud: Hello Oh, hi, Joe.
No matter what it is you want, I can't do it.
Sounds great, but I can't go.
I'll ask my dad, but it's no use.
- HELLO - Father: How do you know it's no use
You shouldn't make up your mind in advance.
You make me sound like your jailer instead of your father.
Can I go with the fellas on our scooters to the quarry
KIM, IT'S FOR YOU.
THE OPERATOR SAYS SHE'S BEEN TRYING TO GET THROUGH FOR THREE-QUARTERS OF AN HOUR.
- THANK YOU, DORIS. - SHE SAID IT WAS LONG DISTANCE--
- WHAT DID YOU SAY - I SAID, "THANK YOU, DORIS."
- GREAT. - HELLO
YES, THIS IS SHE.
YES, I'LL WAIT.
THERE'S NO NEED TO BE UPSET.
IT'S MODERN TO CALL YOUR MOTHER BY HER FIRST NAME.
MAKES MOTHER AND DAUGHTER FEEL MORE LIKE PALS.
- Doris: AND YOUR FATHER - I'LL CALL HIM HARRY, NATURALLY.
BY THE WAY, I THINK HARRY TOOK THE NEWS
ABOUT HUGO AND I AWFULLY WELL.
I DON'T KNOW. YESTERDAY, I WAS A MOTHER.
TODAY, I'M A PAL.
COULDN'T YOU CALL ME MOM THAT'S MODERN.
I'M SORRY. TIMES ARE CHANGING.
YOU'VE GOT TO GO ALONG, OR YOU'RE GONNA BE
LEFT BEHIND WITH THE OLD FOLKS.
YES, I HEARD WHAT YOU SAID.
CONRAD BIRDIE IS COMING HERE TO KISS ME.
THANK YOU SO MUCH. BYE-BYE.
Boy on TV: So long.
Girl: Bye.
Kim: DORIS
MOMMY!
MOMMA!
- WHAT IS IT - IT'S CONRAD BIRDIE.
HE'S GOING TO KISS ME!
OH. THAT'S NICE, DEAR.
NO, MOMMY, YOU DON'T UNDERSTAND.
IT'S CONRAD BIRDIE--
HE'S COMING HERE TO SWEET APPLE!
HE'S GOING TO KISS ME GOODBYE!
OH, MOMMY!
MOMMY!
I NEVER THOUGHT I'D SAY THIS,
BUT GOD BLESS CONRAD BIRDIE.
WELL, IT'S ABOUT TIME.
- WHAT'S THE EMERGENCY - WAIT TILL EVERYONE GETS HERE.
- WHAT'S UP - I'LL TELL YOU IN A MINUTE.
Both: WHAT'S GOING ON WHAT'S SO IMPORTANT
TAKE A DEEP BREATH AND I'LL TELL YOU.
- ( inhaling together ) - IT'S ABOUT CONRAD BIRDIE.
( screaming )
HE'S COMING HERE IN PERSON.
- TO SWEET APPLE! - OH, MY GOD!
- ASK ME WHY. - Girls: WHY!
HE'S GOING TO KISS KIM MacAFEE GOODBYE
BEFORE HE GOES INTO THE ARMY.
- KIM HOW COME - SHE WAS CHOSEN.
- OH, MY GOD! - THAT LUCKY DUCK!
WE'LL GET TO SEE HIM, MAYBE EVEN GET TO MEET HIM.
IF HE SAID HELLO TO ME, I'D PASS OUT!
I WOULDN'T KNOW WHAT TO SAY TO HIM!
HOW ABOUT, "HAVE A NICE TIME IN THE ARMY"
I DON'T THINK THEY DO.
- WHAT WOULD YOU SAY - I DON'T KNOW.
- YOU KNOW WHAT I'D SAY - WHAT
BYE BYE, BIRDIE
I'M GONNA MISS YOU SO
BYE BYE, BIRDIE
WHY'D YOU HAVE TO GO
NO MORE SUNSHINE
IT'S FOLLOWED YOU AWAY
I'LL CRY, BIRDIE
TILL YOU'RE HOME TO STAY
I'LL MISS THE WAY YOU SMILE
AS THOUGH IT'S JUST FOR ME
AND EVERY SINGLE NIGHT
I'LL WRITE YOU FAITHFULLY
BYE BYE, BIRDIE
IT'S AWFUL HARD TO BEAR
BYE BYE, BIRDIE
GUESS I'LL ALWAYS CARE
WE'RE GONNA MISS HIM TERRIBLY
IT'S GONNA BE REAL TOUGH
TO EASE THE PAIN
OF COURSE WE'VE GOT
A LOT OF BIRDIE STUFF
LIKE MY BIRDIE SWEATS, I WEAR THEM DAY AND NIGHT
THEY'RE REALLY OUTTA SIGHT
MY BIRDIE COLA COMFORTS ME AT ALL MY SODA BREAKS
- AT EVERY BREAKFAST TIME, I MUNCH MY BIRDIE FLAKES... - ME, TOO!
THE PLASTIC BIRDIE STATUETTES
ARE REALLY WORKS OF ART
I WEAR MY BIRDIE TRAINING BRA
TO KEEP HIM NEAR MY HEART
HERE ON MY CALENDAR I'VE MARKED THE FATEFUL DAY
WHEN HE'LL REPORT TO UNCLE SAM
AND BRAVELY MARCH AWAY...
All: OHH!
BYE BYE, BIRDIE
THE ARMY'S GOT YOU NOW
I'LL TRY, BIRDIE
TO GO ON SOMEHOW
I SIGH, BIRDIE
EACH TIME YOU MOVE THOSE LIPS
I DIE, BIRDIE
WHEN YOU TWIST THOSE HIPS
( shrieks )
YOU REALLY TURN ME ON
I'M LIKE A SAVAGE BEAST
THE ARMY SHOULD MAKE YOU A GENERAL AT LEAST...
OH, YEAH!
BYE BYE, BIRDIE
DO WHAT YOU HAVE TO DO
COME BACK, BIRDIE
I WILL WAIT FOR YOU
WE'LL BE HERE FOR YOU.
( sobbing )
Man on PA: Porter to track number six.
Porter to track number six.
Your attention, please--
train number 99, southeast service to Miami
via Washington, Richmond, Norfolk, Wilmington...
GIRLS, GATHER 'ROUND. WE HAVE TO REHEARSE THE CONRAD BIRDIE THEME SONG
BEFORE THE REPORTERS GET HERE, ALL RIGHT
NICE AND WIDE. ( hums )
RIGHT ABOUT THERE. READY AND...
WE LOVE YOU, CONRAD, OH YES, WE DO
WE LOVE YOU, CONRAD, AND WE'LL BE TRUE
WHEN YOU'RE NOT NEAR US, WE'RE BLUE
- THAT'S RIGHT. - OH, CONRAD, WE LOVE YOU.
- WHAT'S WRONG WITH YOU - I'M SAD...
BECAUSE CONRAD BIRDIE IS GOING INTO THE ARMY.
I'LL BE TOO OLD FOR HIM WHEN HE GETS OUT.
I THINK YOU STILL HAVE A FEW GOOD YEARS LEFT.
COME ON, THINGS CAN'T BE THAT BLACK.
LITTLE GIRL, THIS IS AN ADULT SPEAKING.
I ORDER YOU TO SMILE!
HEH HEH!
PLEASE
GRAY SKIES ARE GONNA CLEAR UP
PUT ON A HAPPY FACE
BRUSH OFF THE CLOUDS AND CHEER UP
PUT ON A HAPPY FACE
TAKE OFF THE GLOOMY MASK OF TRAGEDY
IT'S NOT YOUR STYLE
YOU'LL LOOK SO GOOD THAT YOU'LL BE GLAD
YOU DECIDED TO SMILE
PICK OUT A PLEASANT OUTLOOK
STICK OUT THAT NOBLE CHIN
WIPE OFF THAT FULL-OF-DOUBT LOOK
SLAP ON A HAPPY GRIN
AND SPREAD SUNSHINE ALL OVER THE PLACE
JUST PUT ON A HAPPY FACE
PUT ON A HAPPY FACE
PUT ON A HAPPY FACE
AND IF YOU'RE FEELING CROSS AND BICKERISH
DON'T SIT AND WHINE
THINK OF BANANA SPLITS AND LICORICE
AND YOU'LL FEEL FINE
I KNEW A GIRL SO GLOOMY
SHE'D NEVER LAUGH OR SING...
( laughs )
SHE WOULDN'T LISTEN TO ME
NOW SHE'S A MEAN OLD THING
SO SPREAD SUNSHINE ALL OVER THE PLACE
JUST PUT ON A HAPPY FACE.
( applause )
Man on PA: Your attention, please.
train number 463...
ROSIE!
WHAT ARE YOU DOING
CARRYING OUR LUGGAGE WITH NO HELP FROM YOU, ALBERT.
I DON'T SUPPOSE A GENEROUS TIP WOULD HELP
WE'VE GOT TO GET TO THOSE REPORTERS BEFORE THEY GET TO CONRAD.
- WAIT, I CAN'T GO. - WHY NOT
I HAVE TO WAIT FOR MOMMA.
YOU HAVEN'T TOLD HER ABOUT DISSOLVING ALMAELOU YET
I COULDN'T, ROSE.
YESTERDAY WAS THE ANNIVERSARY.
- OF WHAT - LOU.
SIX YEARS AGO, HE WAS HIT ON 181st STREET AND BROADWAY
BY A LOADED BEER TRUCK.
Woman: YOO-HOO!
GEE, YOU SUPPOSE THAT COULD BE MOMMA
- IT'S EITHER HER OR THE ALL CLEAR. - SONNY BOY!
MOMMA! OH!
MOMMA, WHAT'S THE MATTER
DON'T WORRY ABOUT ME, SONNY BOY.
I'M JUST A LITTLE FAINT FROM THE SUBWAY.
MOMMA, I TOLD YOU TO TAKE A TAXI.
TAXIS. WHAT DO I NEED WITH TAXIS
I'LL LEAVE THE TAXIS FOR MY SUCCESSFUL SON.
A MOTHER CAN RIDE CROWDED IN A DIRTY SUBWAY FULL OF FOREIGN PEOPLE
WHO WOULDN'T GIVE YOU A SEAT IF YOUR LIFE DEPENDED ON IT.
BUT WHAT'S THE DIFFERENCE
NOWADAYS, A MOTHER IS LOWER THAT DIRT ANYWAY.
SO HERE'S THE MONEY THAT I SAVED
FROM NOT TAKING THE TAXI.
BUY SOME CANDY WITH IT.
WHO IS SHE
MOMMA, YOU REMEMBER ROSE ALVAREZ FROM THE OFFICE
THIS IS ROSE ALVAREZ
PRETTY LITTLE ROSE ALVAREZ I CAN'T BELIEVE IT!
ROSE, WHAT HAPPENED
YOU HAD A SUDDEN SHOCK OR SOMETHING
๏ฟฝ๏ฟฝ๏ฟฝ๏ฟฝ๏ฟฝ.
๏ฟฝ๏ฟฝ๏ฟฝ๏ฟฝ ๏ฟฝ๏ฟฝ๏ฟฝ๏ฟฝ, ๏ฟฝ๏ฟฝ๏ฟฝ๏ฟฝ ๏ฟฝ๏ฟฝ๏ฟฝ, ๏ฟฝ๏ฟฝ๏ฟฝ ๏ฟฝ๏ฟฝ๏ฟฝ ๏ฟฝ๏ฟฝ๏ฟฝ ๏ฟฝ๏ฟฝ๏ฟฝ๏ฟฝ๏ฟฝ.
IT'S A WONDER SOME OLDER MAN DOESN'T SNATCH HER OFF.
WHAT A CATCH YOU'D BE FOR A CONVALESCENT.
- GOODBYE, ROSE. - GOODBYE, MAE.
๏ฟฝ๏ฟฝ๏ฟฝ๏ฟฝ๏ฟฝ ๏ฟฝ๏ฟฝ ๏ฟฝ๏ฟฝ ๏ฟฝ๏ฟฝ๏ฟฝ๏ฟฝ๏ฟฝ๏ฟฝ๏ฟฝ.
๏ฟฝ๏ฟฝ๏ฟฝ๏ฟฝ๏ฟฝ!
MOMMA, WHAT I WANTED TO TALK TO YOU ABOUT
ACTUALLY INVOLVES ROSE.
( clears throat ) MAYBE YOU SHOULD SIT DOWN, MOMMA.
WHY I KNOW MY SONNY BOY. HE LOVES HIS MOMMA.
HE ISN'T GOING TO SAY ANYTHING THAT'D BREAK HER HEART.
GO AHEAD, DEAR. WHAT ABOUT, UH...
- ROSE. - ROSE
- IT'S ABOUT LOU, TOO. - LOU!
LOU!
WHERE ARE YOU, LOU
STRUCK DOWN BY A BEVERAGE
I CONSUMED FAITHFULLY FOR 32 YEARS.
WHAT ABOUT LOU
WELL, MOMMA...
ROSE FEELS, AND I AGREE,
THAT MAYBE I SHOULD GIVE UP ALMAELOU.
- OH! - WHAT'S THE MATTER, MOMMA
NOTHING IS THE MATTER. YOU KILLED ME, THAT'S ALL.
LOU, I'M COMING! I'M ON MY WAY UP!
MOMMA, YOU DON'T UNDERSTAND.
IT'S JUST ROSE-- NEVER MIND.
TAKE THE MONEY AND TAKE A TAXI.
THE SUBWAY IS TOO CROWDED!
NOTHING IS TOO CROWDED FOR A MOTHER.
I'LL GO DURING THE RUSH HOUR. THAT'S THE WORST TIME.
WAIT A MINUTE. HOW MANY BLOCKS IS IT
ONLY 107 I'LL WALK.
ENJOY YOURSELF, SON. TAKE CARE.
WEAR YOUR HEAVY COAT.
BE CAREFUL CROSSING THE STREET.
KEEP YOUR MONEY IN YOUR INSIDE POCKET.
AND, UH, WEAR YOUR RUBBERS.
AND, UH...
EAT A HOT LUNCH.
Girl: HE'S HERE! HE'S HERE!
๏ฟฝ๏ฟฝ๏ฟฝ๏ฟฝ๏ฟฝ ๏ฟฝ๏ฟฝ๏ฟฝ๏ฟฝ๏ฟฝ ๏ฟฝ๏ฟฝ๏ฟฝ!
Man on PA: Your attention, please.
Announcing the departure of train number 314,
express deluxe service
to Scranton, Pittsburgh, Wheeling, Columbus,
with connections to Zanesville,
Sweet Apple and Moundsville,
now departing, track number five.
All aboard!
HOW ABOUT ANSWERING A COUPLE OF QUESTIONS, CONRAD
- SURE. - HOW DO YOU FEEL ABOUT GOING INTO THE ARMY
HOW DOES HE FEEL YOU ASK HOW HE FEELS.
HE'S MUCH TOO SHY TO TELL YOU,
SO I'LL TELL YOU HOW HE FEELS.
HE FEELS BRAVE AND EAGER
STRANGELY HUMBLE
PROUD TO BE A PLAIN G.I.
HE WOULD GLADLY FACE THOSE BULLETS
FOR HE'S NOT AFRAID TO DIE
FOR HE'S A FINE, UPSTANDING, PATRIOTIC
HEALTHY, NORMAL AMERICAN BOY...
AND THAT'S WHY HE VOLUNTEERED.
VOLUNTEERED I THOUGHT HE WAS DRAFTED.
AND HE APPEALED THREE TIMES!
- SING. - WE LOVE YOU, CONRAD, OH YES, WE DO
WE LOVE YOU, CONRAD, AND WE'LL BE TRUE
WHEN YOU'RE NOT NEAR US, WE'RE BLUE
OH, CONRAD, WE LOVE YOU...
- VERY NICE. - WHAT'S THE PICTURE ON YOU AND THAT HOLLYWOOD
- ARE YOU TWO ENGAGED - IS HE ENGAGED
IS CONRAD ENGAGED
THERE'S ABSOLUTELY NOTHING TO THE RUMOR HE'S ENGAGED.
SHE'S A REAL PAL, LIKE A SISTER
BUT IT DOESN'T MEAN A THING
AND THAT 18-CARAT DIAMOND
IT WAS JUST A FRIENDSHIP RING
FOR HE'S A FINE, UPSTANDING, PATRIOTIC
HEALTHY, NORMAL AMERICAN BOY...
THEN WHY WAS HER HUSBAND SO MAD
- SING! - WE LOVE YOU, CONRAD
- OKAY, OKAY. - OH YES, WE DO
WE LOVE YOU, CONRAD, AND WE'LL BE TRUE...
I'LL NEVER FORGET CONRAD'S FIRST WORDS
WHEN HE HEARD HE'D BEEN ACCEPTED BY THE ARMED FORCES.
"GEE, MR. PETERSON," HE CRIED EAGERLY,
"YOU THINK THEY'LL ASSIGN ME TO ONE OF THOSE TRENCHES
THAT WAY I'M SURE TO GET MY HANDS ON OF THEM DIRTY JERRIES!"
- ALBERT. - OR WHOEVER'S DIRTY THIS TIME.
IS IT TRUE YOU FOUND CONRAD IN A REFORM SCHOOL
Together: THAT IS A LIE, A LIE THROUGH AND THROUGH
I'LL TELL YOU WHERE HE CAME FROM
HERE'S THE STORY, AND IT'S TRUE
HE WAS BORN IN INDOCHINA
HE WAS BORN IN OLD VIRGINNY
- SON OF MISSIONARIES THERE - ON A 1000-ACRE FARM
VERY POOR AND VERY HUNGRY
FROM A LINE OF WEALTHY PLANTERS
- WHAT A CRUEL LIFE TO BEAR - FULL OF GENTEEL SOUTHERN CHARM
THEN HE DRIFTED DOWN TO HONG KONG
- EVERY EVENING BY THE RIVER - TO A WATERFRONT SALOON
IN THE MOONLIGHT THEY WOULD CROON
THAT IS WHERE WE HEARD HIM SINGING
THAT'S WHERE CONRAD STARTED SINGING
'NEATH THAT DIRTY HONG KONG MOON
'NEATH THAT OLD PLANTATION MOON
Girls: WE LOVE YOU, CONRAD, OH YES, WE DO...
Albert and Rosie: OH, BEAUTIFUL, FOR SPACIOUS SKIES
FOR AMBER WAVES OF GRAIN
AMERICA, AMERICA...
WE LOVE YOU, CONRAD, WE'LL BE TRUE
FOR HE'S A FINE, UPSTANDING, AVERAGE, MODEST
PATRIOTIC, HEALTHY, NORMAL
AMERICAN
AMERICAN BOY.
( screaming and cheering )
( marching band playing )
SHH! SHH!
( music stops )
( panting )
CONRAD BIRDIE, WELCOME TO SWEET APPLE.
BEFORE WE ESCORT YOU TO THE TOWN HALL,
WHERE THE MAYOR HIMSELF IS WAITING,
I WOULD FIRST LIKE TO INTRODUCE YOU
TO THE GIRL UPON WHOM YOU HAVE CHOSEN
TO BESTOW YOUR FINAL KISS UPON,
AND WHO WILL NOW LEAD US
IN THE RECITING OF THE CONRAD BIRDIE PLEDGE--
KIM MacAFEE!
( cheering )
I...
KIM MacAFEE,
BEING OF SOUND MIND AND BODY,
DO HEREBY PROMISE
TO BE LOYAL, COURTEOUS, STEADFAST AND TRUE
TO CONRAD BIRDIE
AND THE UNITED STATES OF AMERICA,
BOTH INDIVISIBLE,
WITH LIBERTY AND JUSTICE FOR ALL!
( marching band playing )
ROSIE, I'M GOING TO GO WITH CONRAD.
YOU STAY HERE AND WATCH THE BAGS.
I'LL SEND A TAXI AS SOON AS I CAN-- IF I CAN FIND ONE.
Kim: I CAN'T BELIEVE IT!
( girls giggling )
- OKAY. - OKAY, COME ON.
KIM, BEFORE YOU GO, CAN I TALK TO YOU
RIGHT NOW COULDN'T IT WAIT
- WE'RE IN A HURRY. - I DON'T THINK SO, KIM. IT'S IMPORTANT.
HUGO PEABODY, WHAT'S SO IMPORTANT
THAT YOU HAVE TO TALK TO KIM NOW
WHAT'S SO IMPORTANT! I'LL TELL YOU WHAT'S SO IMPORTANT!
THE DAY AFTER I GIVE HER MY PIN,
SHE GOES KISSING SOMEONE ELSE!
I WANT YOU TO KNOW I'M QUITE UPSET ABOUT THIS.
I'VE HAD SEVERAL HEADACHES AND A NOSEBLEED.
WHY, YOU'RE ACTUALLY JEALOUS OF CONRAD BIRDIE.
ME JEALOUS
I'M THE OPPOSITE OF JEALOUS.
I'M VERY JEALOUS,
AND I HAVE EVERY RIGHT TO BE!
KIM'S MY STEADY.
THAT'S JUST IT, HUGO. I'M YOUR STEADY.
I MEAN, I MAY ADMIRE CONRAD BIRDIE
AS ONE ADMIRES A FAR DISTANT UNATTAINABLE IDEAL,
BUT I'M PINNED TO YOU, HUGO,
AND I DON'T CARE HOW COMMON AND ORDINARY YOU ARE.
THAT'S HOW I'M GOING TO STAY.
YOU'RE NOT JUST SAYING THAT TO MAKE ME FEEL BETTER
OH, HUGO, NO.
I MEAN EVERY WORD OF IT.
CONRAD BIRDIE IS JUST A FLING.
A STEADY IS FOREVER.
ONE BOY, ONE SPECIAL BOY
ONE BOY TO GO WITH, TO TALK WITH AND WALK WITH
ONE BOY
THAT'S THE WAY IT SHOULD BE
ONE BOY, ONE CERTAIN BOY
ONE BOY TO LAUGH WITH, TO JOKE WITH, HAVE COKE WITH
ONE BOY
NOT TWO OR THREE
ONE DAY, YOU'LL FIND OUT
THIS IS WHAT LIFE IS ALL ABOUT
YOU NEED SOMEONE WHO
IS LIVING JUST FOR YOU
ONE BOY, ONE STEADY BOY
ONE BOY TO BE WITH FOREVER AND EVER
ONE BOY
THAT'S THE WAY IT SHOULD BE
THAT'S THE WAY IT SHOULD BE...
OH, KIM, I FEEL SO MUCH BETTER NOW.
ALL THOUGHTS OF A NOSEBLEED HAVE UTTERLY VANISHED.
YOU WERE SILLY TO WORRY, HUGO.
CONRAD BIRDIE MAY BE A GREAT PUBLIC FIGURE,
BUT HE DOESN'T MAKE ME FEEL ALL FAINT AND DIZZY
WHEN I THINK OF HIM.
ONLY MY STEADY DOES THAT.
WHY, EVEN WHEN I SAY HIS NAME, I DON'T FEEL A THING. LISTEN--
CONRAD BIRDIE.
CONRAD BIRDIE.
CONRAD...
BIRDIE.
ONE BOY, ONE STEADY BOY
ONE BOY TO BE WITH FOREVER AND EVER
ONE BOY
THAT'S THE WAY IT SHOULD BE
THAT'S THE WAY IT SHOULD BE
THAT'S THE WAY IT SHOULD BE.
OH, ALBERT, YOU'RE DRIVING ME CRAZY.
CAN'T SHAKE THAT DREAM OF YOU AND ME
IN SOME LITTLE TOWN
IF YOU'D SHAPE UP
WE'D SETTLE DOWN
LEAVE THE MESS AND THE STRESS OF BIG-CITY LIVING
TRADE THAT GRABBING AND SHOVING
FOR LOVING AND GIVING
I'M TIRED OF YOUR TALKING
I WANT IT NOW
THAT HOUSE AND YARD WITH ONLY BIRDS
BRINGING SONGS AROUND
DON'T BE AFRAID
TO SETTLE DOWN
THAT GREEN STUFF'S GRASS
AND THAT SMELL EVERYWHERE
KNOW WHAT THAT IS
FRESH AIR
THE YEARS ARE GOING BY SO FAST
HEY, IT'S TIME WE FOUND SOME PEACE OF MIND
OUR PIECE OF GROUND
LET'S SETTLE DOWN.
- ( marching band playing ) - ( screaming and cheering )
Woman: NOW BE CAREFUL, GIRLS!
IT GIVES ME GREAT PLEASURE TO PRESENT TO YOU
THIS GENUINE, 14-KARAT SOLID GOLD KEY
SO GENEROUSLY DONATED BY THE MEN
AT THE SWEET APPLE BRASS WORKS.
AS I PRESENT THIS KEY TO YOU, CONRAD BIRDIE--
- ( girl shrieks ) - HE SAID IT!
HE SAID THE NAME!
( screaming )
WHAT HAPPENED ALL I SAID WAS "CONRAD BIRDIE."
( screaming )
IF YOU GIRLS DON'T STOP, I CAN'T FINISH MY SPEECH.
WHO CARES ABOUT YOUR SPEECH
WE WANT TO HEAR FROM CONRAD!
SPEAK TO US, O BEAUTIFUL ONE!
TELL US HOW YOU MAKE THAT WONDROUS SOUND
THAT EVEN NOW, IN ANTICIPATION OF IT,
HAS REDUCED ME TO A SNARLING, RAGING,
PANTING JUNGLE BEAST!
( guitar playing )
YOU GOTTA BE SINCERE...
- OHH... - EDNA, WHAT'S THE MATTER
YOU GOTTA BE SINCERE
YOU GOTTA FEEL IT HERE
'CAUSE IF YOU FEEL IT HERE
WELL, THEN, YOU'RE GONNA BE
HONESTLY
SINCERE
IF WHAT YOU FEEL IS TRUE
REALLY FEEL IT
YOU MAKE THEM FEEL IT, TOO
WRITE THIS DOWN NOW
YOU GOTTA BE SINCERE
HONESTLY SINCERE
MAN, YOU GOTTA BE
SINCERE
IF YOU'RE REALLY SINCERE
IF YOU'RE REALLY SINCERE
IF YOU FEEL IT IN HERE
THEN IT'S GOTTA BE RIGHT, OH, BABY!
OH, HONEY!
HUG ME
SUFFER
IN EVERYTHING I DO
MY SINCERITY SHOWS THROUGH
I LOOK YOU IN THE EYE
DON'T EVEN HAVE TO TRY, IT'S AUTOMATIC
- I'M SINCERE - OH! OH!
WHEN I SING ABOUT A TREE
I REALLY FEEL THAT TREE
WHEN I SING ABOUT A GIRL
OH, I REALLY FEEL THAT GIRL
OH, I MEAN, I REALLY FEEL
SINCERE
IF YOU'RE REALLY SINCERE
IF YOU'RE REALLY SINCERE
IF YOU FEEL IT IN HERE
THEN IT'S GOTTA BE RIGHT
OH, BABY!
OH, HONEY!
HUG ME
SUFFER
YOU GOTTA BE SINCERE, OH, OH
OH, MAN, YOU GOTTA FEEL IT HERE
OH, MY BABY
WHOA, MY BABY
OH, YEAH
OH, MY BABY
WHOA, YEAH
WELL, YOU GONNA BE SINCERE
WELL, YOU GONNA BE SINCERE
YEAH!
WELL, YOU GONNA BE SINCERE
- YOU GONNA BE SINCERE - YEAH!
WELL, YOU GONNA BE SINCERE
YOU GONNA BE SINCERE
YEAH!
OH, MY BABY
OH, YEAH
OH, MY BABY
OH, YEAH
WELL, YOU'RE GONNA BE SINCERE
YEAH, YOU'RE GONNA BE SINCERE
OH, MY BABY
OH, YEAH
OH, MY BABY
OH, YEAH
OH, MY BABY
OH, YEAH
OH, MY BABY...
AAH!
THANK YOU. THANK YOU VERY MUCH.
OHHH
YEAH, YEAH, YEAH.
OHH...
WHOO!
( car doors shut )
( faint voices approaching )
IT IS SUCH AN HONOR TO HAVE YOU IN OUR HOME, MR. BIRDIE.
CONRAD, LET ME SHOW YOU UP TO YOUR ROOM.
HARRY WILL BE UP WITH YOUR LUGGAGE SHORTLY.
RANDOLPH, TAKE MISS ALVAREZ AND MR. PETERSON'S UP.
WE'D HAVE TO DO A LITTLE PHOTO SHOOT OR SOMETHING HERE.
ED WOULD LOVE THIS. OH, MY GOODNESS.
ALBERT, WHY ARE WE DOING THIS
I MADE RESERVATIONS AT THE HOTEL.
- THE HOTEL IS MILES AWAY. - AND YOU'D HAVE TO PAY.
THAT'S RI-- THAT HAS NOTHING TO DO WITH IT.
I THINK WE SHOULD KEEP A CLOSE WATCH ON CONRAD.
WHY KEEP A CLOSE WATCH
YEAH, WE SHOULD STAY HERE.
I'M SURE YOU'D LIKE TO FRESHEN UP.
WHY DON'T YOU GO RIGHT UPSTAIRS
THANK YOU, MRS. MacAFEE, YOU'RE REALLY VERY KIND.
NONSENSE, WE'RE THRILLED TO HAVE YOU STAY WITH US.
MI CASA ES YOUR CASA.
SI.
OH, MRS. MacAFEE
IF MY MOTHER SHOULD CALL, WOULD YOU LET ME KNOW
IS SHE HERE, TOO WE'D LOVE TO HAVE HER STAY WITH US.
I DOUBT SHE'LL BE COMING.
SHE'S NOT IN THE BEST OF HEALTH. ( coughs )
TAKE THEM UPSTAIRS, HARRY.
MR. PETERSON WILL STAY IN THE SPARE ROOM.
MISS ALVAREZ WILL ROOM WITH KIM. ISN'T THAT CUTE
CONRAD BIRDIE IS STAYING IN OUR ROOM.
- WHERE ARE WE STAYING - WITH RANDOLPH.
ISN'T THAT CUTE
( dog barking )
( sighs )
- ( snoring ) - ( sighs )
( muffled ) AAH! OH!
WHAT DO YOU WANT, THE WHOLE BED
ROLL OVER. I CAN'T BREATHE.
THEN STOP ROLLING UNDER ME.
IT FEELS LIKE I'M SLEEPING ON A PEBBLE.
NOT A PEBBLE. YOU MEAN A PEA.
WHAT ARE YOU TALKING ABOUT, "A PEA"
A PEA!
GET UP AND GO TO THE BATHROOM, DEAR.
NO, "THE PRINCESS AND THE PEA."
THEY TESTED HER TO SEE IF SHE WAS A REAL PRINCESS.
THEY PUT A TINY PEA UNDER HER MATTRESS
TO SEE IF SHE COULD FEEL IT.
AND SHE DID.
SO I AM A REAL PRINCESS AFTER ALL!
DAD!
( girls singing hoarsely ) WE LOVE YOU, CONRAD
OH YES, WE DO
WE LOVE YOU, CONRAD, AND WE'LL BE TRUE
WHEN YOU'RE NOT NEAR US, WE'RE BLUE
OH, CONRAD, WE LOVE YOU.
Helen: I'M TIRED, URSULA.
WE'VE BEEN HERE ALL NIGHT.
WELL, TOO BAD FOR YOU.
WE PROMISED TO SING THE SONG 10,000 TIMES, DIDN'T WE
WE STILL HAVE 5276 TO GO, SO SING!
DORIS, WHERE'S MY PAPER
DIDN'T THEY DELIVER IT THIS MORNING
I GAVE IT TO MR. PETERSON.
HE WAS ANXIOUS TO READ ABOUT CONRAD.
MOTHER, DADDY, COULD YOU PLEASE KEEP YOUR VOICES DOWN
CONRAD MIGHT STILL BE SLEEPING.
I'M SURE HE'S VERY TIRED FROM MOVING HIS HIPS.
DADDY, COULD YOU PLEASE HURRY
I WANT TO HAVE THIS MESS CLEARED BEFORE CONRAD COMES DOWN.
"THIS MESS," KIM, HAPPENS TO BE MY BREAKFAST.
- I INTEND TO ENJOY IT. - MOTHER.
KIM, DEAR, YOUR FATHER HAS A PERFECT RIGHT
TO ENJOY HIS BREAKFAST,
BUT I'M SURE HE WON'T MIND IF WE QUIETLY START
CLEARING SOME OF THESE OTHER THINGS AWAY.
I KNOW IT'S BEEN A HECTIC MORNING, DEAR,
BUT KIM'S GONE TO A LOT OF TROUBLE TO MAKE
A SPECIAL BREAKFAST FOR MR. BIRDIE.
I WANT TO MAKE SURE EVERYTHING'S READY AND WAITING
WHEN HE COMES DOWNSTAIRS.
AFTER ALL, HE IS A NATIONAL FIGURE.
I WANT TO SHOW THESE NEW YORK PEOPLE
WE KNOW HOW TO TREAT A NATIONAL FIGURE IN SWEET APPLE.
NOT THAT IT MATTERS MUCH TO ME PERSONALLY, BUT FOR KIM'S SAKE...
THERE, ALL DONE.
DID YOU ENJOY IT, DEAR GOOD.
NOW IF YOU'LL HURRY ALONG, I'LL CLEAR AWAY THESE OTHER THINGS.
DORIS, I AM NOT BUDGING FROM THIS TABLE
TILL I'VE HAD MY COFFEE AND READ MY NEWSPAPER.
I'M SORRY, WE ONLY HAVE ENOUGH COFFEE FOR OUR GUEST.
HOW ABOUT A NICE WARM ROOT BEER
MORNING, PA. HERE'S THE MORNING PAPER.
HOPE YOU DON'T MIND, BUT I CUT OUT A FEW STORIES ABOUT CONRAD.
( sighs )
I HAVE TRIED TO RUN THIS HOUSEHOLD ON A DEMOCRATIC BASIS.
I HAVE EXTENDED THE PRIVILEGE OF SELF-DETERMINATION
TO BOTH THE WOMAN I'VE MARRIED AND THE CHILDREN I HAVE SIRED.
THE VOTE HAS BEEN DENIED NO ONE
FOR REASONS OF AGE, SEX OR POLITICAL AFFILIATION.
THERE'S BEEN NO TAXATION WITHOUT REPRESENTATION,
AND OPEN COVENANTS HAVE BEEN OPENLY ARRIVED AT.
LAST NIGHT, I GAVE UP THE LAST PIECE
OF MY FAVORITE PIE-- STRAWBERRY RHUBARB--
TO A GUEST WHO REPEATEDLY REFERRED TO ME AS "FATS."
TELEPHONE CALLS WERE MADE ON MY PHONE
TO NEW YORK, CHICAGO,
FAIRBANKS, ALASKA AND HONG KONG.
ALL NIGHT LONG I LAY AWAKE
WHILE OUTSIDE MY WINDOW THREE HARPIES SHRIEKED,
"WE LOVE YOU, CONRAD, WE LOVE YOU, CONRAD,"
4723 TIMES!
I HAVE JUST LOST TWO FRIED EGGS!
GENTLEMEN, THE DEMOCRACY IS OVER!
PARLIAMENT'S BEEN DISSOLVED,
THE MAGNA CARTA IS REVOKED,
AND NERO IS BACK IN TOWN.
OH FOLKS, WOULD YOU MIND STAYING OFF THE PHONE FOR A WHILE
I'M EXPECTING A LONG-DISTANCE CALL FROM NEW YORK.
HE'S COMING! HE'S COMING!
- HE'S COMING! HE'S COMING! - HE'S COMING!
I'LL GET THE EGGS! YOU CALL THE KIDS.
GIRLS, HURRY IF YOU WANT TO WATCH HIM EAT!
( shrieking )
Woman: SORRY, DORIS, WE HAD TO COME TOO.
WE'LL STAND QUIETLY BACK HERE.
HERE HE IS! HERE HE IS! HERE HE IS!
( yawns )
( can hisses )
AHH...
( burps )
- AHH... - AHH!
DON'T CALL ME FOR LUNCH.
HIYA, FATS.
( can hisses )
OHH.
( burps )
NOW LOOK HERE, DORIS--
- HARRY, THE BOY'S JUST SHY. - KIM IS STILL IN HIGH SCHOOL--
DADDY, PLEASE, NOT IN FRONT OF EVERYBODY!
- I DON'T CARE WHO'S HERE. NO ILL MANNERED LOUT-- - TELL 'EM, PA.
- SHUT UP. - YOU HAVE NO RIGHT. THE BOY'S OUR GUEST.
- UNTIL YOU'RE 18-- - BUT DADDY--
- WILL YOU SHUT UP - DADDY!
- WILL YOU LEAVE ME ALONE! - MR. AND MRS. MacAFEE!
KIM! RANDOLPH!
IS THIS THE WAY YOU WANT 75 MILLION AMERICANS TO SEE YOU
WHAT'RE YOU TALKING ABOUT
- YOU'RE ALL GOING TO BE ON TELEVISION WITH CONRAD. - ON TELEVISION
I JUST GOT THE CONFIRMATION CALL FROM ED SULLIVAN HIMSELF!
YOU MEAN, WE'RE GOING TO BE ON THE "SULLIVAN SHOW"
THAT'S RIGHT. THEY'RE GONNA CUT IN TO SWEET APPLE
AT 8:05 THIS SUNDAY EVENING AND YOU'RE ALL GONNA BE ON.
THE ED SULLIVAN "SULLIVAN SHOW"
TO THAT GREAT AUDIENCE OUT THERE,
YOU ARE AN AMERICAN DREAM COME TRUE.
I BEG YOU, MR. MacAFEE, FOR THE SAKE OF THE FREE WORLD,
DON'T DESTROY THAT DREAM.
ME...
ON "THE ED SULLIVAN SHOW"
ED SULLIVAN...
ME, HARRY MacAFEE, APPEARING WITH...
ED SULLIVAN
ED
ED SULLIVAN
ED
ED SULLIVAN
- AHH - ED SULLIVAN
- AHH - ED SULLIVAN
ED
ED
SULL
SULL
ED SULLIVAN
ED SULLIVAN
WE'RE GONNA BE ON "ED SULLIVAN"
HOW COULD ANY FAMILY BE
HALF AS FORTUNATE AS WE
WE'LL BE COAST-TO-COAST
WITH OUR FAVORITE HOST
ED SULLIVAN
ED SULLIVAN
ED SULLIVAN
WE'RE GONNA BE ON "ED SULLIVAN..."
I'VE GOT A WONDERFUL WIFE, TWO SWELL KIDS,
GOOD JOB
AND NOW THIS.
I AM SO VERY HAPPY.
AHH
SOMEDAY WE'LL RECALL
THE GREATEST DAY OF ALL...
ED, I LOVE YOU.
ED SULLIVAN.
THIS IS IT, ALBERT. WHAT DO YOU THINK
ROSE, IT LOOKS GREAT. NOW LISTEN--
IT'S JUST AN OLD VAUDEVILLE THEATER,
BUT I THINK IT'LL BE PERFECT FOR THE "SULLIVAN SHOW."
- WHAT I WANTED-- - THEY'LL SEND CAMERAS AND LIGHTS AND COSTUMES.
WOULD YOU FORGET ABOUT THE "SULLIVAN SHOW"
THERE'S SOMETHING SERIOUS I WANT TO TALK ABOUT. IT INVOLVES YOU AND I.
"YOU AND ME," ENGLISH TEACHER.
ROSE, I'M SERIOUS.
I'M REALLY GLAD THAT YOU AND ME-- YOU AND I--
YOU AND ME, YOU AND I--
ARE OUT HERE AWAY FROM NEW YORK.
I WANT YOU TO KNOW I WROTE MOMMA AND TOLD HER NO MATTER WHAT HAPPENS,
I'M DEFINITELY GIVING UP ALMAELOU.
OH, ALBERT, YOU DIDN'T.
I WROTE TO HER THE DAY WE LEFT,
AND IT'S BEEN THREE DAYS AND THREE NIGHTS
- AND WE HAVEN'T HEARD A WORD. - OH, ALBERT!
THREE DAYS AND THREE NIGHTS ON A CROWDED BUS.
BUT WHAT'S THE DIFFERENCE I'M ONLY A MOTHER,
AND FOR A MOTHER, A BUS IS GOOD ENOUGH.
MOMMA, WHAT ARE YOU DOING HERE
DID YOU THINK I WOULDN'T COME
A WOMAN GETS A LETTER
OBVIOUSLY WRITTEN UNDER THE INFLUENCE OF DRUGS,
AND SHE SHOULD STAY HOME
"DEAR MOM, THIS IS TO LET YOU KNOW ALMAELOU IS DISSOLVED.
YOUR FRIEND, ALBERT."
"ALMAELOU IS DISSOLVED." DISSOLVE ME.
WHO AM I, ANYWAY A SICK OLD WOMAN,
PROBABLY WON'T LAST THE NIGHT.
ALL I WANT IS A SIMPLE STONE WITH ONE WORD--
"ALBERT'S MOTHER."
DON'T HIRE A LIMOUSINE TO TAKE ME TO THE FINAL RESTING PLACE.
I'LL WALK.
TELL THAT LADY FRIEND OF YOURS I FORGIVE HER.
SHE KNOWETH NOT WHAT SHE DONETH.
MOMMA, ROSE IS RIGHT HERE.
THIS IS ROSE
I CAN'T BELIEVE IT.
SHE LOOKS LIKE MARGO
WHEN THEY TOOK HER OUT OF SHANGRI-LA.
FOR HER OWN SAKE, SEND HER BACK TO TIBET.
AND DON'T WORRY ABOUT A SECRETARY.
I FOUND, ON THE BUS, A PERFECT SECRETARY--
A WONDERFUL, REFINED GIRL ON HER WAY TO AKRON,
BUT I PERSUADED HER TO COME HERE.
SONNY BOY, SAY HELLO...
TO GLORIA RASPUTIN.
YOU ARE SO CUTE!
MOMMA, I DON'T NEED ANOTHER SECRETARY.
I HAVE ROSIE.
OH, BUT I DON'T JUST TYPE.
- YOU DO OTHER THINGS - I TAP DANCE.
I FIGURE I COULD HELP YOU WITH THIS SECRETARY THING,
AND YOU COULD HELP ME BREAK INTO SHOW BUSINESS.
GET A LOAD OF THIS, AL. MAE, CAN YOU HUM "SWANEE RIVER"
MY FAVORITE SELECTION.
HIT IT!
( vocalizing "Swanee River" ) YEAH!
( vocalizing continuing )
THAT'S HER FAVORITE PART.
"BRAVE-O," "BRAVE-O."
SO DO I GET THE JOB
YOU CERTAINLY HAVE SOME WONDERFUL QUALIFICATIONS.
I AM USED TO WORKING WITH MISS ALVAREZ HERE.
DO YOU HAVE TO STAY DOWN THERE LIKE THAT
ONLY FOR A COUPLE OF MINUTES.
MAE, COULD YOU GIVE ME A LITTLE HELPING HAND
AL, IF YOU COULD GRAB THE OTHER ONE. EASY DOES IT!
SONNY, FOR THE MOVIES, THEY COULD ALWAYS CUT AWAY WHILE THEY JACK HER UP.
SONNY BOY, WHY DON'T YOU TAKE GLORIA SOMEWHERE
AND SEE HOW FAST SHE TYPES
WE DO HAVE ALL THOSE RELEASES TO GET OUT.
I'M SURE THAT GLORIA COULD HELP OUT WITH THOSE.
THAT IS--
THAT IS IF IT DOESN'T MAKE ANY DIFFERENCE TO YOU, UH...
- ROSE. - ROSE.
WHY SHOULD IT MAKE AND DIFFERENCE TO ME, UH, ALBERT
I'LL GO SEE IF I CAN FIND YOU A TYPEWRITER.
DO YOU USE THE...
TOUCH SYSTEM
WHENEVER POSSIBLE.
TYPE SOME RELEASES, ROSE.
MISS ALVAREZ
IT'S HUGO PEABODY. CAN I SPEAK TO YOU FOR A MINUTE
I'M LOOKING FOR KIM MacAFEE.
I WANT TO TELL HER SHE'S NOT TO KISS CONRAD BIRDIE
ON THAT "ED SULLIVAN SHOW."
IF SHE DOES, I THINK I HAVE TO--
MISS ALVAREZ, IS ANYTHING WRONG
MISS ALVAREZ,
CAN I-- CAN I DO ANYTHING FOR YOU
YES, HUGO, I THINK YOU CAN.
( bell ringing )
Sullivan: Now as you know,
in just about 14 hours,
one of show business' brightest talents
is going off to play a very special engagement.
Tonight, before he goes,
he wants to leave a certain lucky young lady
with one last kiss.
Ladies and gentlemen,
we take you to Sweet Apple, Ohio,
where a typical American family--
Mr. and Mrs. Harry MacAfee
and their children Randolph and Kim--
- WHERE'S ED - ...are gathered to bid farewell
to a typical American soldier--
Conrad Birdie.
( cheering )
( music playing )
- WHERE'S ED - OH, ONE LAST KISS
OH, GIVE ME ONE LAST KISS
IT NEVER FELT LIKE THIS, NO, NEVER FELT LIKE THIS
YOU KNOW I NEED YOUR LOVE, OH, OH, OH
GIVE ME ONE LAST KISS
OH, ONE MORE TIME, OH, BABY, ONE MORE TIME
IT REALLY IS SUBLIME
AW, HONEY, SO SUBLIME
YOU KNOW I NEED YOUR LOVE, OH, OH, OH
GIVE ME ONE LAST KISS
( snapping )
BAAA-BY
GIVE ME ONE LAST KISS
BAAA-BY
GIVE ME ONE LAST KISS
ONE LAST KISS, OH, GIVE ME ONE LAST KISS
IT NEVER FELT LIKE THIS, NO, NEVER FELT LIKE THIS
YOU KNOW I NEED YOUR LOVE, OH, OH, OH
GIVE ME ONE LAST KISS
TURN BACK HISTORY'S PAGES
GO BACK THROUGH THE AGES
SEE HOW BRAVE SOLDIER BOYS OF YORE
SAID GOODBYE WHEN THEY WENT OFF TO WAR
- WENT OFF TO WAR - WENT OFF TO WAR
( laughing, cheering )
OH, ONE LAST KISS, OH, GIVE ME ONE LAST KISS
IT NEVER FELT LIKE THIS, NO, IT NEVER FELT LIKE THIS
YOU KNOW I NEED YOUR LOVE, OH, OH, OH
GIVE ME ONE LAST KISS
OH, ONE MORE TIME, OH, BABY, ONE MORE TIME
IT REALLY IS SUBLIME, AW, HONEY, SO SUBLIME
YOU KNOW I NEED YOUR LOVE, OH, OH, OH
GIVE ME ONE LAST KISS
BAAA-BY
GIVE ME ONE LAST KISS
BAAA-BY
GIVE ME ONE LAST KISS
OH, ONE LAST KISS, OH, GIVE ME ONE LAST KISS
IT NEVER FELT LIKE THIS, NO, IT NEVER FELT LIKE THIS
YOU KNOW I NEED YOUR LOVE, OH, OH, OH
OH, GIVE ME ONE LAST KISS, ONE LAST KISS
ONE LAST KISS
OH, GIVE ME ONE LAST KISS
ONE LAST KISS, ONE LAST KISS
OH, GIVE ME ONE LAST...
BRACE YOURSELF, CHICK.
BRACE YOURSELF, CONRAD BIRDIE!
HUGO, YOU HIT HIM!
HE DESERVED IT! HE WAS A THIEF OF LOVE!
HUGO F. PEABODY, I DON'T EVER WANT TO SPEAK TO YOU AGAIN!
KIM!
I DEMAND TO KNOW WHO IS RESPONSIBLE FOR THIS!
- WHO LET THAT KID IN HERE - I DID, ALBERT.
IT'S SORT OF A FAREWELL PRESENT TO YOU AND MISS RASPUTIN.
- WEAR IT IN GOOD HEALTH! - ROSIE, YOU CAN'T LEAVE ME ALONE.
OH, YOU'RE NOT ALONE, ALBERT.
YOU'RE ON TELEVISION.
( weakly ) FOR HE'S A FINE, UPSTANDING
PATRIOTIC
HEALTHY, NORMAL AMERICAN BOY
FOR HE'S A FINE, UPSTANDING, PATRIOTIC
HEALTHY, NORMAL AMERICAN BOY.
EIGHT YEARS, EIGHT YEARS
THAT'S HOW LONG I WASTED ON HIM
THAT'S ALL, I'M THROUGH
ALBERT, DEAR, TO PUT IT SWEETLY
TO HELL WITH YOU!
THAT'S RIGHT, ALBERT. TO HELL WITH YOU.
FROM NOW ON, IT'S GOING TO BE ME,
ROSIE, ON THE TOWN,
DANCING AND SINGING AND HAVING A BALL,
TRYING TO MAKE UP FOR EIGHT YEARS
OF BEING IN LOVE WITH A MOMMA-CLUTCHING,
ASPIRIN-SPLITTING TOWER OF... APPLESAUCE!
WHAT DID I EVER SEE IN HIM
HOW COULD I EVER GET INVOLVED THAT WAY
NOW THAT IT'S OVER, I CAN SMILE AND SAY
WHAT DID I EVER SEE IN HIM
BOY, I WAS WAY OUT ON A LIMB
NOW THAT MY FEET ARE ON THE GROUND AGAIN
NOW THAT MY SENSES HAVE BEEN FOUND AGAIN
WHAT DID I EVER SEE IN HIM
IS HE TENDER NO, HE'S NOT
IS HE THOUGHTFUL NO, HE'S NOT
AM I CRAZY WHAT'S HE GOT
THAT I FOUND SO DAMN APPEALING
WHAT DID HE EVER DO FOR ME
WELL, TO BE HONEST, HE WAS SOMETIMES NICE
BUT STILL IT WASN'T WORTH THE AWFUL PRICE
IT WAS ROUGH FROM THE START
BROKEN DATES, BROKEN NAILS, BROKEN HEART
HOW DID I EVER, WHY DID I EVER
WHAT DID I EVER...
MISS ALVAREZ, DON'T BE SO UPSET.
ALL MEN CAN'T BE LIKE THAT.
EVERY SINGLE ONE OF THEM,
EXCEPT FOR MAYBE ALBERT SCHWEITZER,
AND I'M NOT HIS TYPE.
OH, THEY'RE ALL THE SAME FROM PUBERTY TO SENILITY,
FROM BENEDICT ARNOLD TO MUSSOLINI.
I NEVER UNDERSTOOD WHY INGRID BERGMAN
MARRIED HIM IN THE FIRST PLACE.
EGOTISTICAL, SELFISH HUMAN BEASTS!
WHAT ARE WE POOR WOMEN TO DO, MISS ALVAREZ
USE THEM. YES, USE THEM.
LET THEM BE OUR PLAYTHINGS
WHILE WE LIVE,
SIP FROM THE CUP OF LIFE.
MIX THAT POTION FULL AND STRONG,
AND DRAIN IT TO THE DREGS!
HOW DO YOU LIKE THEM APPLES, MR. PETERSON
DO WE NEED THEM NO, WE DON'T
DO WE WANT THEM NO, WE DON'T
- WILL WE LEAVE THEM - NO, WE WON'T
TELL ME, WHAT DID I SAY THAT FOR
WHAT DID WE EVER SEE IN THEM
HOW COULD WE EVER THINK THAT THEY WERE NICE
TAKE IT FROM US, WE'VE PAID AN AWFUL PRICE
IT WAS ROUGH FROM THE START
BROKEN DATES, BROKEN NAILS, BROKEN HEART
WHAT DID WE EVER SEE IN...
HUGO F. PEABODY!
HUGO! WHAT DID I EVER SEE IN HIM!
WHY, HE'S AS BAD AS MR. PETERSON, IF NOT WORSE!
MISS ALVAREZ, I'M COMING WITH YOU.
NOW, KIM, WHY DON'T YOU JUST STAY HOME
AND HAVE SOME MILK AND COOKIES
MILK AND COOKIES
MISS ALVAREZ, IT'S TOO LATE FOR THAT.
I WANT TO LIVE.
A-HA, THERE SHE IS.
THE TRAITOR WHO STABBED ME IN THE HEART
THE MINUTE MY BACK WAS TURNED!
STAY OUT OF MY WAY, ALBERT.
CAREFUL, SONNY. SHE MAY BE ARMED.
DON'T WORRY, MOMMA. I CAN HANDLE HER.
TAKE CONRAD UPSTAIRS AND MAKE SURE HE GETS INTO BED.
FOR THE LAST TIME, ALBERT, STAY OUT OF MY WAY.
I'M GOING OUT ON THE TOWN TONIGHT.
I DON'T WANT TO WASTE ANOTHER MINUTE.
NOT UNTIL I'VE HAD MY SAY, ROSE.
THANKS TO MOMMA'S QUICK THINKING,
THE KISS WILL TAKE PLACE AFTER ALL--
TOMORROW MORNING AT THE TRAIN STATION
JUST BEFORE CONRAD LEAVES.
AND SO YOU HAVE FAILED, MISS ROSE ALVAREZ,
AS ANYONE MUST FAIL
WHO TRIES TO BUCK AL PETERSON--
ONE OF THE GIANTS, ONE OF THE TITANS,
ONE OF THE KING KONGS OF THE MUSIC INDUSTRY!
( laughs ) ROSIE
ROSE
ROSE
( laughs )
WHERE DO YOU THINK YOU'RE GOING, YOUNG LADY
OUT WITH ROSIE, TO DRAIN DEEP THE DREGS
AND SIP FULL HEARTY THE BRIMMING CUP.
TO LIVE.
UPSTAIRS.
- BUT DADDY! - YOU HEARD ME, I SAID UPSTAIRS.
ROSIE WAS RIGHT-- YOU'RE ALL THE SAME,
FROM PUBERTY TO MUSSOLINI!
WHAT'S THAT YOU DARE SAY PUBERTY
IN FRONT OF YOUR OWN FATHER
NOT TO MENTION MUSSOLINI.
OH, DORIS.
WE HAVE FAILED AS PARENTS.
( sighs ) I NEVER ASKED FOR MUCH FROM MY CHILDREN,
JUST RESPECT-- A LITTLE RESPECT.
THAT'S ALL I ASK FOR-- RESPECT.
BUT DID I GET RESPECT
I DID NOT GET RESPECT. I GOT NO RESPECT.
I RESPECT YOU, PA.
I DON'T WANT YOUR RESPECT. YOU'RE A CHILD.
WHAT GOOD IS RESPECT FROM A CHILD
DORIS, I THINK YOU'D BETTER TAKE ME UPSTAIRS.
I'M NOT A WELL MAN.
CERTAIN WORDS I NEVER WANTED TO HEAR IN THIS HOUSE.
PUBERTY WAS ONE OF 'EM.
MUSSOLINI'S ANOTHER.
DREGS WOULD BE THE THIRD.
EIGHT YEARS, HUH, EIGHT YEARS
THAT'S HOW LONG I PUT UP WITH HER
WELL, THAT'S IT
FINIS
FROM NOW ON, I'M CARING ONLY
FOR ALBERT P...
WHEN I FOUND HER, SHE WAS JUST A SKINNY KID FROM PITTSBURGH, P.A.
DIDN'T EVER HEAR OF SMOKED SALMON,
AND NOW IT'S HER FAVORITE FOOD.
I TAUGHT HER EVERYTHING SHE KNOWS. TYPING, FILING, SHOPPING--
EVERYTHING! EVERYTHING! THIS IS THE GRATITUDE I GET!
WELL, MOMMA WAS RIGHT!
WHAT DID I EVER SEE IN HER
WHY DID I EVER LET HER IN MY LIFE
SHE HAD THE GALL TO WANT TO BE MY WIFE
WHAT DID I EVER SEE IN HER
( gurgling )
WHY DID I BUY HER JEWELS AND FURS
SO WHAT IF THEY WERE FAKE THEY STILL LOOK REAL
BELIEVE ME, I'LL SURVIVE THIS, NO BIG DEAL
WHAT DID I EVER SEE IN HER
FEELS SHE'S CLEVER, DO I CARE
SWEET, EFFICIENT, DO I CARE
SO SHE'S GORGEOUS, DO I CARE
NO, I'LL BE JUST FINE WITHOUT HER
ME, I DON'T NEED A GIRL, NO, SIR
FROM THIS DAY FORTH, I'M ON A SINGLE TRACK
I'LL MERELY LAUGH IF SHE COMES CRAWLING BACK...
HA, HA, HA! AND I'LL SAY, "SORRY, ROSE
IT'S BEEN FUN, BUT IT'S DONE, ADIOS"
HOW DID I EVER, WHY DID I EVER
WHAT DID I EVER...
OOH, I DON'T LOOK WELL. I'M ALL PALE.
OOH, I DON'T FEEL SO WELL, EITHER.
MY STOMACH MUST BE UPSET.
( groans ) MY TONGUE'S ALL COATED.
MY EYES LOOK PUFFY AND I FEEL KIND OF BLOATED.
WAIT A MINUTE.
COATED, BLOATED...
- ( snaps ) - THAT RHYMES.
SO YOU SEE, MISS ROSE ALVAREZ,
YOU HAVE FAILED TO SHAKE MY CONFIDENCE
OR DESTROY MY GIFT.
AM I NERVOUS NO, I'M NOT
THOUGH MY SPELLING'S NOT SO HOT
WHAT'S SO SPECIAL WHAT'S SHE GOT
BESIDES LOOKS AND BRAINS AND TALENT
SHE WASN'T REALLY RIGHT FOR ME...
OH, YOU WERE RIGHT, MOMMA. YOU WERE RIGHT.
OUR MARRIAGE WOULDN'T HAVE WORKED OUT AT ALL
LET'S FACE IT, SHE'S ABOUT AN INCH TOO TALL
WHAT DID I EVER SEE
IN HER
ARE YOU HAVING TROUBLE SLEEPING, DARLING
OF COURSE.
YOU WANT ME TO TELL YOU A STORY
NO.
HOW 'BOUT A LITTLE LULLABY
( sarcastically ) OH, PLEASE.
WYNKEN AND BLYNKEN AND NOD.
MOMMA, PLEASE DON'T SING.
ALL RIGHT. I'LL JUST HUM.
( humming )
I CAN'T SLEEP, MOMMA.
YOU WANNA COME DOWN AND LET ME RUB YOUR BACK
- PLEASE GO TO SLEEP. - MAYBE YOU WANT ME UP THERE AND RUB YOUR BACK.
GOOD NIGHT, MOMMA.
GOOD NIGHT, SONNY BOY.
( telephone ringing )
( ringing continuing )
YES
YES, THIS IS HIM-- HE-- HIM.
OH, HELLO, ED.
WELL, THAT IS VERY NICE OF YOU TO CALL.
WHAT OH, WELL, THAT WAS AN ACCIDENT, ED--
YOU KNOW, LIKE AN ACT OF GOD.
YES, I HEARD YOU. YOU'RE UPSET.
THE NETWORK'S UPSET. THE WHOLE COUNTRY'S UPSET.
WELL, UH... WELL, WELL, WELL...
I'M VERY SORRY, ED-- M-MR. SULLIVAN, SIR.
UH...
ROSIE, I NEED YOU.
SONNY BOY, WHERE ARE YOU GOING
I'M GOING OUT TO FIND ROSIE.
WHY
BECAUSE I LOVE HER AND I WANT HER BACK.
OH, IS THAT ALL
I THOUGHT IT WAS SOMETHING SERIOUS.
BY ALL MEANS, SONNY BOY,
FIND HER AND BRING HER BACK HERE.
BY THE WAY, DEAR, WHEN YOU GET BACK,
BE SURE TO STOP IN THE KITCHEN,
TAKE MY HEAD OUT OF THE OVEN,
AND TURN OFF THE GAS.
ONLY BEFORE YOU DO,
I BETTER GIVE YOU THE MESSAGE FROM CONRAD FIRST.
- WHAT MESSAGE - NOTHING TO WORRY ABOUT, DARLING.
HE JUST SAYS HE'S GOING OUT TONIGHT,
AND HE DOESN'T THINK HE'LL BE BACK IN TIME TO KISS KIM TOMORROW.
WHAT! MOMMA, WHY DIDN'T YOU TELL ME BEFORE
I TRIED TO, DARLING, BUT YOU KEPT BRINGING UP
A CERTAIN PARTY FROM SOUTH OF THE BORDER.
CONRAD! CONRAD, COME DOWNSTAIRS RIGHT NOW!
WHAT IS THE MATTER WITH HIM
HE KNOWS HOW IMPORTANT THIS IS.
MOMMA! MOMMA!
IT'S ELECTRIC! IT'S ELECTRIC.
JUST TAKE IT EASY. I'M COMING.
BEFORE YOU START TO HOLLER AT ME,
I WANT YOU TO KNOW I'VE MADE UP MY MIND.
I'M TIRED OF WAKING UP EVERY MORNING AT 9:00,
HAVING PEOPLE WATCH ME WHEN I EAT,
AND LETTING THAT KID GO POKING ME IN THE EYE.
I WANT TO GO OUT, I WANT TO HAVE SOME FUN,
I WANT TO FIND A COUPLE OF YOUNG CHICKS.
DON'T YOU GET IT, ALBERT
I AM TENSE.
MOMMA, DON'T JUST STAND THERE, DO SOMETHING.
CONRAD...
DID YOU EVER THINK IN TERMS OF A...
MORE MATURE WOMAN
Albert: MOMMA!
YOU CANNOT GO OUT WITHOUT MY PERMISSION.
IT'S IN YOUR CONTRACT. STAY THERE.
I'M SORRY, BUDDY, THIS IS MY LAST FREE NIGHT BEFORE I GO INTO THE ARMY.
I'M GOING OUT.
AH...
THERE ARE CHICKS
JUST RIPE FOR SOME KISSIN'
AND I MEAN TO KISS ME A FEW
MAN, THOSE CHICKS
DON'T KNOW WHAT THEY'RE MISSIN'
I GOT A LOT OF LIVIN' TO DO
SIZZLIN' STEAKS
ALL READY FOR TASTIN'
AND THERE'S CADILLACS ALL SHINY AND NEW
GOTTA MOVE
'CAUSE TIME IS A-WASTIN'
THERE'S SUCH A LOT OF LIVIN' TO DO
THERE ARE MEN
OF 19 OR 20
WHO ARE SUAVE
AND RECKLESS AND TRUE
OLDER MEN
WHO'LL GIVE A GIRL PLENTY
I'VE GOT A LOT OF LIVIN' TO DO
THERE'S MUSIC TO PLAY, PLACES TO GO
PEOPLE TO SEE
EVERYTHING FOR YOU AND ME...
HEY! HEY!
HEY, YOU KIDS LIVE AROUND HERE NOW, DON'T YOU
YES, MR. BIRDIE!
WHAT'S THE LOW-DOWN ON THIS TOWN
WHERE DO YOU GO TO HAVE A BALL
WELL, THERE'S THE CHURCH BASEMENT
AND THE SWEET SHOP.
- THE OLDER KIDS GO TO THE ICEHOUSE. - YEAH WHY
- WHAT'S THERE - IT HAPPENS, MR. BIRDIE,
THE ICEHOUSE IS WHERE THEY GO
WHEN THEY WANT TO BE ALONE.
HEY, YOU'RE THAT CHICK I WAS SUPPOSED TO KISS.
I AM NOT A CHICK. I'M A FULLY GROWN WOMAN,
AND I INSIST ON BEING TREATED AS SUCH.
AS A MATTER OF FACT, THAT'S WHY I'M LEAVING HOME.
NOW YOU'RE TALKING! COME ON, LET'S MOVE. WE GOT THINGS TO DO.
CRAZY CLOTHES
AND MOTORBOAT RACES
SOMEONE NICE
TO CUDDLE UP TO
BROADWAY LIGHTS
AND WIDE-OPEN SPACES
THERE'S SUCH A LOT OF LIVIN' TO DO
LOTS OF DATES
- AND NO ONE TO SCOLD YOU - Girl: OH YEAH!
LOOP-THE-LOOP
AND LAUGH AT THE VIEW
MOONLIGHT SWIMS
AND SOMEONE TO HOLD YOU
YEAH, WE'VE GOT A LOT OF LIVIN' TO DO
THERE'S MUSIC TO PLAY, PLACES TO GO
PEOPLE TO SEE
EVERYTHING...
- YEAH! - OH!
( police radio chatter )
SHH.
( softly ) LIFE'S A BALL
IF ONLY YOU KNOW IT
AND IT'S ALL
JUST WAITING FOR YOU
( louder ) YOU'RE ALIVE
SO COME ON AND SHOW IT...
- YEAH! - WE'VE GOT A LOT OF LIVIN'
SUCH A LOT OF LIVIN'
WHAT A LOT OF LIVIN' TO
DO.
- KIM! - KIM
- KIM! - KIM!
KIM, WHERE ARE YOU
( bicycle bell rings )
HUGO, HAVE YOU SEEN KIM
DON'T ASK ME.
- ASK CONRAD BIRDIE. - WHAT'RE YOU TALKING ABOUT
THEY'RE OUT HAVING MOONLIGHT SWIMS
AND MOTORBOAT RACES AND LOOP-THE-LOOP.
MOONLIGHT SWIMS
MOTORBOAT RACES
AREN'T YOU GOING TO DO ANYTHING ABOUT IT!
I'M GOING TO DO THE SENSIBLE THING
AND DRINK MYSELF TO DEATH.
"LOOP-THE-LOOP," DORIS. GET MY GUN.
HARRY, WHAT ARE YOU TALKING ABOUT YOU DON'T OWN A GUN.
WHERE'S THAT DAISY AIR RIFLE
- DAD, IT'S MINE. - YOU SHUT UP!
WHERE CAN I BUY BBs THIS TIME OF NIGHT
HERE'S THE DAISY AIR RIFLE.
I THINK IT'S BROKEN.
THE BOW AND ARROW SET WITH THE SUCTION TIPS
I BOUGHT YOU LAST CHRISTMAS
DON'T JUST STAND THERE!
YOUR SISTER'S RUN OFF TO LOOP-THE-LOOP WITH A FIEND!
GET ME A WATER GUN!
( sighs ) KIDS
I DON'T KNOW WHAT'S WRONG WITH THESE KIDS TODAY
KIDS! WHO CAN UNDERSTAND ANYTHING THEY SAY
KIDS! THEY ARE DISOBEDIENT
DISRESPECTFUL OAFS
NOISY, CRAZY, SLOPPY, LAZY LOAFERS
AND WHILE WE'RE ON THE SUBJECT
KIDS! YOU CAN TALK AND TALK TILL YOUR FACE IS BLUE
KIDS! BUT THEY STILL DO JUST WHAT THEY WANT TO DO
WHY CAN'T THEY BE LIKE WE WERE
PERFECT IN EVERY WAY
WHAT'S THE MATTER WITH KIDS TODAY
KIDS!
I DON'T MIND THE MOONLIGHT SWIMS.
IT'S THE LOOP-THE-LOOP THAT HURTS. KIDS!
WHY DON'T THEY LOWER THAT DRAFT AGE TO ABOUT 11
KIDS!
I DIDN'T KNOW WHAT PUBERTY WAS TILL I WAS ALMOST PAST IT.
LAUGHING, SINGING, DANCING, GRINNING MORONS
AND WHILE WE'RE ON THE SUBJECT
KIDS! THEY ARE JUST IMPOSSIBLE TO CONTROL
KIDS! WITH THEIR AWFUL CLOTHES AND THEIR ROCK AND ROLL
WHY CAN'T THEY DANCE LIKE WE DID
IN A ROMANTIC WAY.
HEY, PA. I GOT A PEASHOOTER.
NOW, WHAT GOOD IS-- GIVE ME THIS THING.
WHAT'S THE MATTER WITH KIDS TODAY
WHAT TIME DOES THE MEETING START
SOON AS HE CLOSES UP.
( clears throat )
- YEAH - GIVE ME A DOUBLE SCOTCH ON THE ROCKS--
- HEAVY ON THE ROCKS. - HOW OLD ARE YOU
- 32. - GET OUTTA HERE!
- WHAT ABOUT A BEER - I SAID,
"GET OUTTA HERE."
LET ME SIT HERE WITH AN EMPTY GLASS.
I WON'T MAKE ANY NOISE.
COULD I HAVE SOME WATER
I'M THROWING YOU OUT THE BACK DOOR, YOU KNOW WHY
- WHY - 'CAUSE YOU'RE A MINOR.
OKAY, BUT THAT'S THE LAST TIME
I DO MY DRINKING IN THIS PLACE!
AND DON'T COME BACK UNTIL YOU'RE 32.
DOUBLE BOURBON!
SCOTCH ON THE SIDE.
GOT YOU, YEAH.
AND PUT A CHERRY IN IT.
A CHERRY
MAKE THAT TWO CHERRIES,
AND BRING ON THE DANCING BOYS.
ALVAREZ IS THE NAME. CALL ME SPANISH ROSE.
OH, CUANTO LA GUSTA, LA GUSTA, LA GUSTA
LA GUSTA, LA GUSTA, YAY...
- WOULD YOU HOLD IT DOWN, PLEASE - WAIT A MINUTE,
I HAVE A RIGHT TO HAVE A DRINK HERE IF I CHOOSE,
AND GET AS LOUD AS I WANT IF I CHOOSE!
THIS IS SPANISH ROSE'S COMING-OUT PARTY.
WHEN I SAY "COMING OUT," I MEAN COMING OUT!
LOOK, IF THERE'S A MAN INVOLVED,
IT'S NOT WORTH IT.
TROUBLE IS, HE'S NOT A MAN,
HE'S A MOMMA'S BOY.
OH, THAT'S BAD.
AND HIS MOMMA HATES ME.
MOMMA'S BOYS' MOMMAS ALWAYS DO. WHAT'S THE PROBLEM
I'M JUST A SPANISH TAMALE, SHE LOVES TO SAY
RIGHT OFF THE BOAT FROM THE TROPICS, FAR, FAR AWAY...
WHICH IS KIND OF FUNNY,
SINCE I COME FROM ROMANTIC, EXOTIC
PITTSBURGH, P.A...
OH, SHE THINKS I'M SPANISH
I COULD SHOW HER SPANISH--
IF I EVER MARRY THAT MOUSE.
I'LL COOK THE TACO AND THE ENCHILADA
AND DAY AND NIGHT MY CASTANETS WILL CLICK
THE ONLY SONG I'LL SING WILL BE "GRANADA"
I'LL BE SO SPANISH, IT WILL MAKE HER SICK
SHE'LL VISIT IN OUR COZY HACIENDA
MY RED-HOT CHILI, IT WILL MAKE HER CRY
THE DAIQUIRIS WILL POUR OUT OF MY BLENDER
AND THEN WE DANCE FLAMENCO, AY-YI-YI
WATCH OUT FOR THE WILD SPANISH ROSE
THE WICKEDEST FLOWER THAT GROWS
HER SKIRT, SHE IS SPLIT, HER HIPS NEVER QUIT
THAT SPITFIRE SPANISH ROSE
- HEY, MRS. P., BE MY MAMACITA... - ( kissing )
A REAL LATINA DAUGHTER I WILL BE
TOGETHER WE WILL SHOP AT THE BODEGA
THEN WATCH THE SPANISH CHANNEL ON TV...
HOLA.
AND THEN BEFORE LONG, I SUPPOSE
YOU'LL HELP US PICK OUT BABY CLOTHES
FOR JUAN AND ENRIQUE, ROSA, ANITA
JOSE AND CARMEN, JESUS, CONSUELO
MOMMA, YOU CAN BET YOUR BOTTOM PESO
SOMEDAY I MAKE HIM ONE TERRIFIC WIFE
IT GIVES ME MUCHO HAPPINESS TO SAY SO
WITH ME, YOUR SONNY BOY COULD HAVE A LIFE
SO, BOYS, NOW YOU'VE MET SPANISH ROSE
THE WICKEDEST FLOWER THAT GROWS
I'M WILD, AND I'M FREE, I'M WHAT I MUST BE
DON'T WORRY 'BOUT ME
SPANISH ROSE.
( telephone rings )
- HELLO. - YES,
THIS IS ALBERT J. PETERSON SPEAKING.
IS ROSE ALVAREZ THERE
- WHO - CUANTO, CUANTO LA GUSTA.
I THINK I HEAR HER. COULD YOU PUT HER ON THE PHONE
CUANTO, CUANTO LA GUSTA, LA GUSTA.
SOME GUY NAMED PETERSON WANTS TO TALK TO YOU.
TELL THAT WEASELY LITTLE RAT I'M NOT HERE.
THAT PROVES IT'S HER. WHO ELSE WOULD KNOW I'M A WEASELY LITTLE RAT
- WHAT - ROSE, I HAVE TO TALK TO YOU ABOUT CONRAD.
EVEN IF I WERE THIS "ROSE," WHICH I AM NOT,
THE ONE THING THAT WOULD MAKE ME HANG UP
IS ANY MENTION OF ANYONE NAMED CONRAD!
NO, ROSE, ROSE! PLEASE DON'T HANG UP. PLEASE DON'T HANG UP.
I WON'T MENTION CONRAD.
We can talk about anything--
you and me.
YOU AND I.
ANYTHING.
OH, ROSIE, PLEASE...
TALK TO ME, BABY
WON'T YOU TALK TO ME
I DON'T CARE WHAT YOU SAY
BABY, TALK TO ME
Must you be
Oh, so far away from me
IT SEEMS ALL WRONG THIS WAY
TALK TO ME
- AND IF YOU MISS ME - Mmm
Tell me so
- Are you lonely - Mmm
TELL ME SO
SAY YOU LOVE ME
TELL ME SO
HONEY
Honey
Let me know
Mmm
TALK TO ME
TILL I PRESS YOU CLOSE TO ME
THEN YOU'LL SEE
WE WON'T HAVE TO TALK AT ALL
Must you be
Oh, so far away from me, baby
- I DON'T CARE WHAT YOU SAY - Oh, baby, talk
TALK TO ME
Go on, what can you lose It ain't gonna hurt
- AND IF YOU MISS ME - Tell him so
ARE YOU LONELY
Baby, baby, tell him so
SAY YOU LOVE ME
TELL ME SO
Honey, honey
LET ME KNOW, TALK TO ME
TILL I PRESS YOU CLOSE TO ME
THEN YOU'LL SEE
WE WON'T HAVE TO TALK AT ALL
Till I press you close to me
Then you'll see
WE WON'T HAVE TO TALK...
Ahh
Ahh
AT ALL
Talk to me
Talk to me
Talk to me
Talk to me
All: HMMMMM.
ROSE, ARE YOU ALONE
NO, I'M NOT ALONE, ALBERT.
I'M WITH FRIENDS. THANK YOU.
SEE YOU LATER, BOYS.
"SEE YOU LATER, BOYS"
AND THAT'S ONLY THE BEGINNING, ALBERT.
FROM NOW ON, THE SKY'S THE LIMIT.
PARTIES, BALLS, DANCES...
OH, CUANTO, CUANTO LA GUSTA.
- ROSIE RO-- - ( clicking )
ROSIE ROSE!
- HEY, WHAT GOES ON IN THERE - THAT'S A PRIVATE ROOM.
- PRIVATE FOR WHOM - FOR MEN ONLY, THAT'S FOR WHOM.
LISTEN, LADY, FINISH UP YOUR DRINK NOW, OKAY
I'M TRYING TO CLOSE UP.
MEN ONLY, HUH
THAT'S EXACTLY WHAT I'M LOOKING FOR.
Bartender: GENTLEMEN, BY THE POWER VESTED IN ME,
I DO HEREBY DECLARE THIS WEEKLY MEETING
OF THE MYSTIC ORDER OF THE EAST
IN SESSION.
FIRST I'D LIKE TO REMIND YOU
ABOUT OUR ANNUAL WEENIE ROAST ON AUGUST 4th,
AND TO THANK DRUCKER'S MEAT MARKET
FOR DONATING THE WEENIES.
NOW I'D LIKE TO BRING UP A SUBJECT
THAT I'M SURE IS ON EVERYBODY'S MIND TONIGHT.
IT'S A SUBJECT THAT'S DIFFICULT TO EXPRESS--
( Middle-Eastern music playing )
( growls )
( music fades out )
( music continues )
( groans, screams )
( shouting, screaming )
( screaming )
HEY!
HEY!
HEY!
HEY!
HEY!
HIYA!
HA!
HEY!
HEY!
WHEN I SING ABOUT A TREE
I REALLY FEEL THAT TREE
WHEN I SING ABOUT A GIRL, I REALLY FEEL THAT GIRL
I MEAN, I REALLY FEEL SINCERE.
( men shouting )
- SORRY. - OH, THANKS.
HUGO, WHAT ARE YOU DOING HERE
MY WHOLE WORLD IS COLLAPSING BEFORE ME.
KIM HAS RUN OFF WITH CONRAD BIRDIE.
( gasps ) WHERE'D THEY GO
MY GREATEST FEAR IS THEY'VE GONE TO THE ICEHOUSE.
WELL, LET'S GO.
RIGHT, HOP ON.
I DON'T KNOW WHY WE HAVE TO RUN AROUND LOOKING FOR SOMEONE
IT WOULD BE BETTER NOT TO FIND.
LISTEN TO ME, SONNY BOY, COME HOME, HAVE A CUP OF POSTUM
AND GO TO BED.
I TOLD YOU I'M NOT COMING HOME UNTIL I FIND ROSIE.
IF YOU WANT TO GO BACK HOME, IT'S FINE.
IT'S NOT A BAD IDEA. WHY DON'T YOU GO HOME, MOMMA
WHAT DID YOU SAY, DARLING SWEETHEART
I SAID, "WHY DON'T YOU GO HOME, MOMMA"
WOULD YOU MIND REPEATING THAT ONCE MORE, SUNSHINE OF MY EXISTENCE
I SAID, "GO HOME, MOMMA."
I DON'T NEED YOU ANYMORE.
SO IT'S COME AT LAST.
AT LAST, IT'S COME.
THE DAY I KNEW WOULD COME AT LAST HAS COME AT LAST.
MY SONNY BOY DOESN'T NEED ME ANY LONGER.
WELL, WHAT ARE YOU WAITING FOR
GET RID OF ME.
PUT ME OUT WITH THE GARBAGE.
JUST THROW ME OUT WITH THE USED GRAPEFRUITS
AND THE EMPTY CANS FROM THE TUNA FISH.
AND NEVER MIND PUTTING THE LID ON--
LEAVE IT OFF
SO A 100,000 PUSSYCATS
CAN WALK ALL OVER A MOTHER!
WHO BRONZED YOUR BABY SHOES,
KISSED EVERY LITTLE BRUISE
PICKED YOUR DIRTY SOCKS UP OFF THE FLOOR
YOU COUGHED AND WHO WAS THERE
IT'S JUST TOO HARD TO BEAR
A MOTHER DOESN'T MATTER ANYMORE
WITH BUNIONS ON MY FEET
I TRUDGED THROUGH SNOW AND SLEET
TO BRING YOU LICORICE FROM THE CORNER STORE
I SOLD MY TIFFANY LAMP
SO YOU COULD GO TO CAMP
MOMMA.
NOW A MOTHER DOESN'T MATTER ANYMORE...
THAT'S IT. I'M READY TO GO.
AND I DON'T WANT YOU TO SPEND A CENT.
FANCY FUNERALS ARE FOR RICH PEOPLE.
JUST WRAP ME IN A FLAG
AND DUMP ME IN THE RIVER ON MOTHER'S DAY.
AND, PRECIOUS, BY THE WAY
THE DOCTOR CALLED TODAY
- MOMMA. - WHAT I GOT'S A CONDITION
YES, HE'S SURE
THERE'S NOTHING THEY CAN DO
I'LL LAST A WEEK
OR TWO
BECAUSE FOR A CONDITION THERE'S NO CURE
THAT TIME YOU CAUGHT THE CROUP
WHO MADE YOU CHICKEN SOUP
AND READ YOU "BAMBI"
TILL HER THROAT WAS SORE
YOU SACRIFICE YOUR LIFE
THEN BANG! YOU GET THE KNIFE
NO, A MOTHER DOESN'T MATTER ANYMORE...
- ( groans ) - AH.
THERE, I FEEL BETTER NOW.
EVERYTHING IS AS IT SHOULD BE.
A MOTHER IS LYING ON TOP OF A SANITATION TRUCK
BOUND FOR THE CITY DUMP,
AND A SON IS RUNNING AROUND WITH A FLOOZY
WHO CAME LOOKING FOR A GOOD TIME
AND STAYED TO RUIN AN AMERICAN WOMAN'S LIFE.
WHO GAVE UP NIGHTS OF REST
TO RUB VICKS ON YOUR CHEST
WHO NURSED HER SONNY BOY
TILL HE WAS 4
MY LIFE HAS BEEN IN VAIN
THIS COUNTRY'S DOWN THE DRAIN
'CAUSE A MOTHER DOESN'T MATTER
NO, A MOTHER DOESN'T MATTER
YES, A MOTHER DOESN'T MATTER ANYMORE.
ARE YOU FINISHED, MOMMA
YES, SONNY BOY.
GOOD NIGHT, MOMMA.
GOOD NIGHT, SONNY BOY.
MY NAME IS NOT "SONNY BOY."
GOOD NIGHT, ALBERT.
GOOD NIGHT, MOMMA.
YOU'RE JUST LIKE YOUR FATHER!
YOU'D MARRY ANYTHING!
( crying )
WELL,THIS IS THE ICEHOUSE.
WHAT'S IN THERE
I DON'T KNOW, ICE, I GUESS.
ROSE
ROSIE!
ROSE!
ROSIE
( people shouting )
URSULA'S GONE-- DISAPPEARED!
SHE LEFT THE DINNER TABLE WITHOUT EATING DESSERT.
I THOUGHT HARVEY WAS DOING HIS HOMEWORK.
HE'S WORKING ON A SCHOLARSHIP TO URSINUS.
WHAT'S GOTTEN INTO KIM SHE'S A STRAIGHT A STUDENT.
- WE'VE GOT TO DO SOMETHING. - SHOULD WE DRAG THE RIVER
- WHAT'RE WE GONNA DO - THE SHERIFF'S OUT OF TOWN
AT A POLICE CONVENTION IN TOLEDO.
- SHOULD WE DRAG THE RIVER - WHAT ARE YOU ALL DOING HERE
CONRAD BIRDIE HAS RUN OFF WITH MY KIM.
IF I DON'T FIND THEM VERY SOON,
I INTEND TO CALL THE FBI.
NO, I'M GOING TO CALL THE CIA!
WHO'S THE HEAD, DEAR IS IT STILL PETER LAWFORD
WAIT A MINUTE! HOW DO YOU KNOW ALL THIS
HUGO PEABODY TOLD US THEY'D RUN OFF TOGETHER.
- I'M SURE IT'S NOT TRUE. - I'M SURE HE'S ABDUCTED HER, AS WELL.
I KNOW THAT'S NOT TRUE!
THEY'RE PROBABLY DOWN AT THE SWEET SHOP
HAVING A MALTED OR A PHOSPHATE.
- PHOSPHATE! - THE SWEET SHOP IS CLOSED.
WHAT ABOUT THE DAIRY QUEEN
CONRAD BIRDIE IS TURNING SWEET APPLE INTO A SLUM!
- ( shouting ) - ROSIE!
ROSIE, WHAT HAPPENED TO YOUR BLOUSE
WHAT'RE YOU DOING WITH A GUITAR
ALBERT, KIM AND CONRAD ARE AT THE ICEHOUSE.
WHAT IS THAT, A NIGHT CLUB
- NO, IT'S AN ICEHOUSE. - THE ICEHOUSE
- THE ICEHOUSE. - THE ICEHOUSE
- THE ICEHOUSE. - THE ICEHOUSE
DORIS, CALL OUT THE NATIONAL GUARD
AND THE R.O.T.C.!
CALL MR. KEEN, TRACER OF LOST PERSONS!
CALL THE SHADOW!
LOOK HIM UP UNDER LAMONT CRANSTON!
WHOO!
TO THE ICEHOUSE!
( angry shouting )
( cheering, laughing )
( softly ) THE ICEHOUSE!
( coughing )
WELL...
HERE WE ARE.
THIS IS THE ICEHOUSE.
IT'S FUN, ISN'T IT
( siren wailing )
WELL, WHEN YOU'VE BEEN HERE AS MANY TIMES AS I HAVE...
CONRAD, YOU SEEM A BIT NERVOUS.
MAYBE A DRAG ON THIS WEED WOULD HELP RELAX YOU.
HOW ABOUT ONE OF THOSE REEFERS I'VE READ SO MUCH ABOUT
I COULD GO OUT AND GET YOU A FIX...
IF YOU TELL ME WHAT IT IS.
( spits )
WHEN YOU'VE HAD A DONKEY ON YOUR BACK AS LONG AS I HAVE...
SO YOU SEE, I REALLY KNOW THE SCORE.
I EVEN KNOW SOME OF THE WORDS!
"CONNUBIAN."
"PRE-MARRY-AL."
JAILBAIT.
THERE YOU ARE, O SENSUOUS ONE!
WE'VE BEEN LOOKING FOR YOU EVERYWHERE!
THAT'S NICE. I THINK GOT TO GO NOW.
YOU DON'T UNDERSTAND-- WE'RE COMING WITH YOU.
YOU SAID IT-- WE'VE GOT A LOT OF LIVING TO DO!
- WAIT, WAIT. - WE'LL NEVER GO HOME AGAIN!
KIM, ARE YOU ALL RIGHT
OH, HUGO, I'M SO GLAD TO SEE YOU.
IT'S OKAY. IT'S OKAY.
LOOK, I'M YOUR STEADY.
( girls screaming )
NO, LISTEN. THAT STUFF IS NOT AS MUCH FUN AS IT SOUNDS.
LET'S HAVE AN ORGY!
( screaming )
( screaming )
THANK GOD YOU CAME!
OFFICER, ARREST THIS MAN!
OFFICER, YOU CANNOT ARREST THIS MAN!
- WHAT'RE YOU TALKING ABOUT - HE IS A FORMER EAGLE SCOUT
AND A SOON-TO-BE VETERAN.
HE IS A ROLE MODEL FOR THE YOUTH.
ALBERT, LET ME HANDLE THIS.
MR. MacAFEE, DO NOT ARREST HIM!
THIS IS ALBERT J. PETERSON SPEAKING!
WHY DON'T YOU GO BACK TO THE HOUSE
I'LL GO TO THE COURTHOUSE AND TALK TO THE MAYOR.
I DON'T THINK YOU UNDERSTAND. THIS IS THE NEW ALBERT.
I JUST TOLD MOMMA TO GO HOME!
- ALBERT, YOU DIDN'T! - OH YES, I DID.
I TOOK A GIANT STEP
I'M MIGHTY PROUD OF ME
TODAY I AM THE MAN I HAD TO BE
THOSE APRON STRINGS AT LAST ARE CUT
IT'S LIKE I GREW SOME WINGS
AND FLEW OUT OF MY OEDIPAL RUT
I LEAPED A GIANT LEAP
I MADE THE WINNING PLAY
IT AIN'T JULY, BUT HEY
IT'S INDEPENDENCE DAY
NO MORE "SONNY BOY," IT'S MR. ALBERT P.
I TOOK A GIANT STEP
A SELF-RELIANT STEP
A BRAVE, DEFIANT STEP
AND I'M FREE!
I CLIMBED A GIANT PEAK
A DARING THING TO DO
I'M WAY UP HIGH, OH, ROSIE, WHAT A VIEW
I SEE THE FUTURE AND IT'S BRIGHT
IT'S NO MORE, "MOMMA, ANYTHING YOU SAY"
FROM MORNING TO NIGHT
I TOOK A GIANT STEP
A WIMPY KID NO MORE
YOU NEVER SAW A TURNAROUND LIKE THIS BEFORE
IT'S JUST ONE SMALL STEP FOR MANKIND
BUT FOR ME
IT WAS A FORCEFUL STEP
A MOST RESOURCEFUL STEP
A BOLD AND BRASSY STEP
A SASSY, CLASSY STEP
A SELF-RELIANT STEP
A BRAVE, DEFIANT STEP
I TOOK A GIANT STEP
AND I'M FREE!
FREE!
OH!
ALBERT, OH, THAT'S TERRIFIC.
I'M GOING TO GO TO THE COURTHOUSE--
NO, ROSE. THE NEW ALBERT IS GONNA GO TO THE COURTHOUSE
AND DEAL WITH THE MAYOR. I'D APPRECIATE IT
IF YOU'D MEET ME AT THE TRAIN STATION
AT 6:30 TOMORROW MORNING.
I INTEND TO BE THERE WITH CONRAD.
BY THE WAY, ROSE,
HAVE I EVER MENTIONED THAT I LOVE YOU
NO, YOU HAVEN'T.
WELL, I DO.
ABOUT THAT DREAM OF HIM AND ME
IN SOME LITTLE TOWN
I SEE THE SIGNS
HE'S COMIN' 'ROUND
TO A SONG WE CAN SING CALLED "HAPPILY EVER AFTER"
QUIET TALKS BY THE FIRE
AND A LIFETIME OF LAUGHTER
OH, CAN IT BE HE'S READY
TO SETTLE DOWN
JUST TAKE THAT ONE LAST GIANT STEP
AND YOU'LL SEE WE'VE FOUND
A DREAM TO SHARE
WE'RE ALMOST THERE
WE'LL SETTLE DOWN.
( water splashes )
HIYA, ROSIE.
HAVE YOU GOT A MINUTE TO SPARE
FOR A HEART-TO-HEART WITH AN OLD FRIEND
OF COURSE I HAVE A MINUTE TO SPARE
FOR THE MOTHER OF THE MAN WHO LOVES ME.
MISS ALVAREZ, I'LL MAKE A DEAL WITH YOU.
I'LL GIVE YOU THE COAT OFF MY BACK IF YOU'LL GIVE HIM UP.
NOT A CHANCE... MOTHER.
THE CRUELEST WORD I EVER HEARD.
TO THINK I'D LIVE TO SEE THE DAY
THAT I'D HAVE RELATIVES IN EL SALVADOR!
ADIOS, MOMMA.
ADIOS, ROSE.
OH, CALL ME MRS. PETERSON.
COME ON OUT. THE COAST IS CLEAR.
MAN, YOU REALLY SAVED MY NECK.
I'LL NEVER FORGET THAT.
YEAH, BUT I STILL OWE YOU THAT GUARANTEE.
ALBERT, YOU DON'T OWE ME ANYTHING.
YOU GOT A CONTRACT WITH ME FOR LIFE.
LOOK.
THIS IS A BLANK PIECE OF PAPER.
I JUST SIGNED MY NAME TO IT.
YOU JUST PUT ON THAT WHATEVER YOU WANT.
THAT'S THE NICEST THING.
- IT'S OKAY. - Momma: HELLO, ALBERT.
ROSE, YOU LOOK GOOD FOR A CHANGE.
I KNOW ALL ABOUT THE TWO OF YOU.
DON'T WORRY. I WON'T MAKE A FUSS.
I'LL DO WHAT ANY INTELLIGENT MOTHER HAS TO DO.
GOODBYE, DEAR.
DON'T WORRY ABOUT THE COAT.
YOU'LL HAVE THREE MINK STOLES
AS SOON AS THE TRAIN PASSES OVER ME.
( train whistle blowing )
THE TRAIN'S COMING.
RIGHT ON SCHEDULE.
THERE YOU GO.
MOMMA, I HAVE NO TIME FOR ANY OF YOUR NONSENSE.
I WANT YOU TO GET ON THIS TRAIN.
- THE TRAIN RAN OVER MY HAT. - I DON'T CARE ABOUT YOUR HAT.
- A MOTHER DOESN'T NEED A HAT. - THE TRAIN'S MOVING. LET'S GO!
- GOODBYE, CONRAD. - ALBERT, WAIT!
- ALBERT! - BYE, MOMMA.
ALBERT, FOR GOD'S SAKES, DON'T LEAVE ME!
- BYE, CONRAD. - ALBERT!
BYE, MOMMA!
( train whistle blowing )
ALBERT, WHERE'S THE TRAIN
IT LEFT AT 6:25, ROSE...
- YOU TOLD ME TO BE HERE AT... - WITH CONRAD...
AT 6:30 SHARP. I KNOW--
AND MOMMA.
ALBERT, YOU WANTED US TO MISS THAT TRAIN
WELL, IT STANDS TO REASON, ROSE.
WHY WOULD WE GET ON A TRAIN TO NEW YORK CITY
WHEN WE HAVE TICKETS TO PUMPKIN FALLS, IOWA
PUMPKIN FALLS, IOWA WHAT'S IN IOWA
A TEACHING POSITION AT THE PUMPKIN FALLS JUNIOR HIGH SCHOOL.
I READ ABOUT IT IN THE NEWSPAPER.
THEY WANT SOMEONE TO TEACH
DOMESTIC SCIENCE AND ENGLISH,
BUT THEY WOULD PREFER IF THE APPLICANT WAS MARRIED,
SO I REALLY HOPE YOU'RE FINALLY READY TO SETTLE DOWN, ROSE.
OH, ALBERT, AM I EVER!
OH, ROSIE, DID I EVER TELL YOU
THAT'S THE MOST BEAUTIFUL NAME
IN THE WHOLE WORLD
I WAS NEVER CRAZY FOR FLOWERS
I CONFESS THAT NOTHING LEFT ME COLDER
I COULD WATCH A DAISY FOR HOURS
AND ALL I'D FEEL WAS SEVERAL HOURS OLDER
LILACS OR LILIES, ANY BLOOM YOU PLEASE
ALL THAT THEY DID
WAS MAKE ME SHRUG OR SNEEZE
BUT NOW I LOVE EACH BLOSSOM THAT I SEE
FOR A LOVELY LITTLE ROSE LOVES ME
NOW MY LIFE IS ROSY
SINCE I FOUND MY ROSIE
WITH A GIRL LIKE ROSIE
HOW COULD I BE BLUE
HAND IN HAND WE'LL MOSEY
ME AND LITTLE ROSIE
WE WILL BE SO COZY
BY A FIRE BUILT FOR TWO
OH, I ONCE HEARD A POEM THAT GOES
"A ROSE
IS A ROSE
IS A ROSE"
BUT I DON'T AGREE
TAKE IT FROM ME
THERE'S ONE ROSE SWEETER
THAN ANY THAT GROWS
AND THAT'S MY ROSIE
I'M SO GLAD YOU CHOSE ME
LIFE IS ONE SWEET, BEAUTIFUL SONG TO ME
NOW MY LIFE IS ROSY
OH, WE'LL BE HAPPY, I KNOW
SINCE I FOUND MY ROSIE
OFF TO THE PREACHER WE'LL GO
WITH A GIRL LIKE ROSIE
SO HOW COULD WE
- HOW COULD I - Both: BE BLUE
OH, WE'LL HAVE US A HOME OUT WEST
A NICE LITTLE SPLIT-LEVEL NEST
AND IN EVERY ROOM, ROSES IN BLOOM
BUT THERE'S ONE ROSE SWEETER
THAN ALL OF THE REST
AND THAT'S MY ROSIE
Both: I'M SO GLAD YOU CHOSE ME
LIFE IS ONE SWEET, BEAUTIFUL SONG
WHEN LOVE IS RIGHT, THEN WHAT CAN BE WRONG
LIFE IS ONE SWEET, BEAUTIFUL SONG TO ME.
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