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A.
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Twelve twenty five
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a fire destroyed the quiet of
the former cathedral of Beauvais.
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First built on a grand scale
in the years around one
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thousand the old church
had probably been extended
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with a new choir
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in the late eleventh hundreds.
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The new cathedral
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dedicated to st Peter
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was initiated
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by the powerful
bishop miles of Dante
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said
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to have been
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as proud as nebuchadnezzar.
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Lavish funding derived from
the regular income of the clergy
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permitted
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an ambitious
architectural program
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and rapid can instruction.
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The new gothic
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cathedral the present one
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has a generous transept
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and choir
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unusually wide
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is flanked by double isles
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the inner one
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taller than the outer
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like old st Peter's in Rome.
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Work began on the transept arms
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and the outer walls of
the first base of the choir
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west to east
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north
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before south.
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Each transept on
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was to be flanked
by great twin towers.
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As construction moved
east into the choir
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the spacing of the
piers was increased
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culminating in a
very wide third bay.
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Seven years into the project
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the bishop's funds
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were already exhausted
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and
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to make things worse
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in twelve thirty two
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rioting on the part
of the townsfolk
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led to the hostile intervention
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of the young king
Louis the ninth
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who confiscated the
bishop's palace and revenues
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forcing him to flee your city.
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The new bishop
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robbers
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of Crescent sack
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submitted
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to royal sovereignty and
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with the restore all
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of the
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revenues
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work resumed on
the polygonal eastern
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end of the choir
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the hemicycle
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as well as the interior supports
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00:02:01,500 --> 00:02:02,520
which are made thinner
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than their counterparts
in the transept.
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The eastern end is slightly
misaligned with the body of the coil
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suggesting
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poorly coordinated
building campaigns
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caused
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by political upheaval
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in the twelve fifties under the
direction of a parisian master Mason
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work continued
on the upper choir
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under the bishop
William of grants.
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It was decided to increase
the height of the superstructure
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in order to transcend the
nearby cathedral of emea.
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The goal
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was to reach one hundred and
forty four feet to the keystone
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heaven
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is described in the
book of revelation
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as one hundred and
forty four cubits in height.
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The first mass
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was held in the completed choir
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on the Eve
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of all saints day
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twelve seventy two.
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The cathedral
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is known above all as the tallest
of the French gothic cathedrals
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00:02:56,010 --> 00:02:57,790
but it's special characteristics
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go well beyond great height.
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This was a white
double space structure
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00:03:02,670 --> 00:03:03,330
with a low
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00:03:03,450 --> 00:03:05,010
outta toll in the aisle
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00:03:05,370 --> 00:03:06,780
and with a transfer of sexual
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00:03:07,050 --> 00:03:07,530
properly
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00:03:07,680 --> 00:03:08,460
originally planned
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around
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equal actual triangle asset
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damn of Paris
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and bush cathedral.
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00:03:14,934 --> 00:03:17,468
Very wide spacing of the
stemmed appears at the
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00:03:17,468 --> 00:03:21,520
main arcade yielded
spectacular views into an
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00:03:21,630 --> 00:03:22,470
and ambulatory
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00:03:22,680 --> 00:03:23,430
girded by a
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00:03:23,590 --> 00:03:24,120
forum
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and
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glowing stained-glass windows.
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The towering upper choir
was increased in height
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during construction
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producing a square
transfer section
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and a structure
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that was dangerously
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top heavy.
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Alas
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such sublime beauty was perilous
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surviving only
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a decade and a half.
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Reading from a source
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contemporary to the disaster
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quote.
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On
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Friday November twenty
ninth twelve eighty four
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at eight o'clock in the evening
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the great vaults
of the choir fell
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and several xd period
pillows were broken
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00:04:00,600 --> 00:04:02,890
and the great windows smashed.
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00:04:03,180 --> 00:04:04,230
Divine office
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ceased
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00:04:05,430 --> 00:04:06,880
her forty years.
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00:04:14,190 --> 00:04:15,330
The extent of the collapse
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was actually quite limited
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one transverse arch
in the middle bay
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00:04:20,370 --> 00:04:21,780
of the upper playa failed
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00:04:22,170 --> 00:04:23,040
and came down
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00:04:23,490 --> 00:04:25,410
together with it's
attendant flyers
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and adjacent volt panels
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00:04:28,230 --> 00:04:29,040
the tracery
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00:04:29,280 --> 00:04:32,130
of the two history windows
to the east on each side
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was badly damaged
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while the western windows
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those to your left
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00:04:36,930 --> 00:04:38,500
remained intact.
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00:04:38,940 --> 00:04:41,490
It has been hard to
avoid the simplistic notion
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00:04:41,850 --> 00:04:43,830
that pride goes before a fall
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00:04:44,310 --> 00:04:45,060
attributing
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the disaster to the great
height of the cathedral
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in fact.
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00:04:50,010 --> 00:04:52,920
The disaster resulted
from a serious design flaw
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00:04:53,310 --> 00:04:54,450
which can be located
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in a specific part
of the building.
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The third day of the choir
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00:04:59,520 --> 00:05:02,250
to the east is the largest
space in the cathedral
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it's masonry vault
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00:05:03,810 --> 00:05:05,010
was therefore the heaviest
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00:05:05,220 --> 00:05:07,600
with the greatest
outward thrust.
152
00:05:08,280 --> 00:05:10,020
On the east side of this vault
153
00:05:10,230 --> 00:05:11,640
that trust was met
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00:05:11,820 --> 00:05:15,970
by the solid blocks of masonry
at the base of the chapels.
155
00:05:16,410 --> 00:05:17,820
On the west side however
156
00:05:18,120 --> 00:05:19,440
the skinny isle appears
157
00:05:19,710 --> 00:05:21,100
and upper buttresses
158
00:05:21,300 --> 00:05:22,660
were inadequate.
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00:05:24,270 --> 00:05:26,130
The peers themselves
were unsuitable
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00:05:26,400 --> 00:05:28,200
tending to rotate inward
161
00:05:28,710 --> 00:05:31,200
and the exposed upper
supports were subject
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00:05:31,560 --> 00:05:32,910
to extreme isolation
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in winter windstorms
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00:05:35,040 --> 00:05:36,870
the failure these supports
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caused the flyers snap
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00:05:38,850 --> 00:05:41,340
bringing down one
main transverse arch
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together with the adjacent
portions of the hi volts.
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Panic ensued and a
massive program of demolition
169
00:06:02,370 --> 00:06:03,840
and rebuilding continued
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00:06:04,110 --> 00:06:05,890
for more than half a century.
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Although the upper castes
the wall and the roof amazingly
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00:06:09,960 --> 00:06:11,070
remained intact
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the three original base
of the climb were doubled
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through the insertion of additional
supports both in the main arcade
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and in the aisles
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moreover
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the exterior uprights
and the flyers
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at the west side of
the critical third bay
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were entire aly rebuilt.
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The history and voting
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the three
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straight days of the choir were
demolished and rebuilt a six space
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reusing
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many of the old stones.
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The heavy cycle
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00:06:38,940 --> 00:06:40,390
remained intact.
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For more than a century and
a half the cathedral remained
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in it's unfinished
state propped up
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and provisionally closed in
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at the cliff like
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western end.
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In the years
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towards fifteen hundred
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noticing that the western peers
were tending to lean out when
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the clergy began to consider the
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work of completion.
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00:07:01,620 --> 00:07:03,480
For the demolition
of the old cathedral
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cleared the way
for a new transit
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00:07:05,730 --> 00:07:06,330
to be built
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00:07:06,570 --> 00:07:09,120
by the most prestigious
parisian architect
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of late gothic
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Marcel Jean bij
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well known
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from his previous work
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on the transept
of songs cathedral.
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Sean beach
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had exploratory trenches dug
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finding
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the foundations
of the old cathedral
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were about thirty feet deep.
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Work started
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on the very public
south transept quarter.
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This was a new kind
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of super gothic
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00:07:33,330 --> 00:07:34,350
where substantial
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00:07:34,500 --> 00:07:35,730
masses of masonry
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00:07:35,970 --> 00:07:36,810
were enlivened
218
00:07:37,020 --> 00:07:41,940
with a profusion of niches pilasters
canopies and tracery yet the simple
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00:07:42,150 --> 00:07:44,280
intersection of
balustrade and gable
220
00:07:44,520 --> 00:07:45,600
surmounting the portal
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record
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the prestigious transept
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of notre dame of Paris.
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00:07:50,580 --> 00:07:54,120
Work then concluded on the
more secluded north transept facade
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where forms are simpler.
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00:07:56,670 --> 00:07:57,630
In the interior
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shall be
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00:07:58,770 --> 00:08:01,620
used his characteristic
undulating supports
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00:08:01,950 --> 00:08:04,020
bringing in the south
transept full-height
230
00:08:04,410 --> 00:08:05,160
before turning
231
00:08:05,370 --> 00:08:06,056
to the camp please
232
00:08:06,390 --> 00:08:07,860
have the upper north transept
233
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where he was joined
234
00:08:09,270 --> 00:08:10,020
by his son
235
00:08:10,260 --> 00:08:11,260
Pierre.
236
00:08:11,850 --> 00:08:13,290
My sunshine beach died
237
00:08:13,530 --> 00:08:14,730
in fifteen thirty two
238
00:08:15,060 --> 00:08:17,070
and was buried in
the crossing space
239
00:08:17,310 --> 00:08:18,730
of his cathedral.
240
00:08:19,620 --> 00:08:21,150
Rather than continuing
241
00:08:21,270 --> 00:08:22,830
to the completion of the nave
242
00:08:23,010 --> 00:08:25,530
the builders of the
cathedral were seduced
243
00:08:25,830 --> 00:08:28,680
by the notion of a very
tall central tower and spire
244
00:08:29,040 --> 00:08:32,530
going beyond the height of
the new st Peter's in Rome.
245
00:08:32,670 --> 00:08:33,450
Work began
246
00:08:33,720 --> 00:08:35,310
on a masonry lantern tower
247
00:08:35,640 --> 00:08:36,660
topped by a wooden
248
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spire
249
00:08:37,560 --> 00:08:38,670
in the fifteen fifties
250
00:08:39,030 --> 00:08:39,810
the total high white
251
00:08:40,050 --> 00:08:41,280
has to be close
252
00:08:41,430 --> 00:08:43,480
to four hundred and fifty feet.
253
00:08:43,980 --> 00:08:45,420
It was said from the top
254
00:08:45,660 --> 00:08:49,360
one could see the distant
towers and spires of Paris.
255
00:08:51,330 --> 00:08:52,350
The openwork lantern
256
00:08:52,590 --> 00:08:54,240
must have been
particularly awesome
257
00:08:54,750 --> 00:08:55,350
at night
258
00:08:55,710 --> 00:08:58,110
a great lamp that
sometimes raised aloft
259
00:08:58,320 --> 00:08:59,460
and lowered inside
260
00:08:59,820 --> 00:09:00,990
creating a spectacle
261
00:09:01,230 --> 00:09:01,770
visible
262
00:09:01,920 --> 00:09:03,520
for miles around.
263
00:09:07,050 --> 00:09:09,030
Plans for the completion
of the cathedral
264
00:09:09,240 --> 00:09:11,460
which must have
existed at the start of work
265
00:09:11,790 --> 00:09:12,630
were updated
266
00:09:12,840 --> 00:09:13,740
with the construction
267
00:09:14,040 --> 00:09:15,270
of the new steeple
268
00:09:15,690 --> 00:09:16,650
here we see
269
00:09:16,860 --> 00:09:19,110
a possible scheme that
might have been devised
270
00:09:19,350 --> 00:09:21,600
at the inception of work
in twelve twenty five
271
00:09:22,020 --> 00:09:22,590
a nave
272
00:09:22,770 --> 00:09:23,790
with double isles
273
00:09:24,060 --> 00:09:27,190
and and not a damn
of Paris type for some.
274
00:09:28,560 --> 00:09:29,790
St Peter's of Beauvais
275
00:09:30,030 --> 00:09:31,470
could finally surpass
276
00:09:31,650 --> 00:09:32,370
st Peter's
277
00:09:32,490 --> 00:09:33,490
Rome.
278
00:09:33,660 --> 00:09:34,110
Now
279
00:09:34,290 --> 00:09:35,370
this earlier vision
280
00:09:35,610 --> 00:09:37,170
morphs into a scheme
281
00:09:37,410 --> 00:09:38,160
appropriate
282
00:09:38,280 --> 00:09:39,630
for the sixteenth century
283
00:09:39,960 --> 00:09:42,030
somewhat in the style
of massage on the beach
284
00:09:42,420 --> 00:09:43,680
with triple portals
285
00:09:43,800 --> 00:09:46,650
set in a sumptuously
decorated western frontispiece
286
00:09:46,860 --> 00:09:47,340
kept
287
00:09:47,580 --> 00:09:48,060
one only
288
00:09:48,240 --> 00:09:49,990
by stumpy turrets.
289
00:09:50,370 --> 00:09:50,880
However
290
00:09:51,120 --> 00:09:53,670
only one bay of the
nave was ever completed
291
00:09:54,030 --> 00:09:55,980
and the remnants
of the old cathedral
292
00:09:56,190 --> 00:09:57,360
remain in place
293
00:09:57,570 --> 00:09:58,290
to this day
294
00:09:58,830 --> 00:10:00,750
the enormous weight
of the central tower
295
00:10:01,080 --> 00:10:03,610
soon induced grave deformation
296
00:10:03,720 --> 00:10:06,910
in the fort supporting
piers of the crossing
297
00:10:07,080 --> 00:10:07,920
the western pa
298
00:10:08,444 --> 00:10:09,794
unsupported by the nave
299
00:10:10,034 --> 00:10:11,114
continued to move
300
00:10:11,384 --> 00:10:12,614
but the eastern peers
301
00:10:12,824 --> 00:10:14,564
buttressed by the
presence of the choir
302
00:10:14,774 --> 00:10:15,614
shit off
303
00:10:15,974 --> 00:10:17,384
allowing the steeple and ta
304
00:10:17,551 --> 00:10:18,134
to topple
305
00:10:18,434 --> 00:10:19,674
to the northeast.
306
00:10:20,474 --> 00:10:21,674
On the day of ascension
307
00:10:21,974 --> 00:10:22,814
April thirtieth
308
00:10:23,054 --> 00:10:24,314
fifteen seventy three
309
00:10:24,674 --> 00:10:25,844
at seven am
310
00:10:26,324 --> 00:10:28,544
the gigantic mass
of stone and timber
311
00:10:28,844 --> 00:10:29,654
came down
312
00:10:29,864 --> 00:10:31,784
in a tangle of debris and dust
313
00:10:32,174 --> 00:10:34,514
injuring a priest
who was saying mass
314
00:10:34,724 --> 00:10:36,014
in the adjacent chapel
315
00:10:36,284 --> 00:10:37,454
of the holy sepulchre
316
00:10:37,844 --> 00:10:38,234
and
317
00:10:38,414 --> 00:10:39,374
badly damaging
318
00:10:39,584 --> 00:10:40,724
the northwest corner
319
00:10:40,994 --> 00:10:42,174
of the choir.
320
00:10:42,494 --> 00:10:43,094
Plans
321
00:10:43,424 --> 00:10:44,354
for the completion
322
00:10:44,564 --> 00:10:45,674
of the western end
323
00:10:45,854 --> 00:10:46,994
within abandoned
324
00:10:47,264 --> 00:10:49,784
the unfinished nave was
propped up to the west
325
00:10:50,054 --> 00:10:51,344
with massive buttresses
326
00:10:51,524 --> 00:10:52,304
and closed in
327
00:10:52,604 --> 00:10:54,774
with a provisional what a wall.
328
00:10:55,064 --> 00:10:56,654
In nineteen eighty six
329
00:10:56,924 --> 00:10:58,244
extreme isolation
330
00:10:58,454 --> 00:11:00,224
was noticed in the
flying buttresses
331
00:11:00,434 --> 00:11:00,914
during
332
00:11:01,124 --> 00:11:02,904
an intense windstorm.
333
00:11:03,464 --> 00:11:05,894
Work began on the
installation of tubular
334
00:11:06,104 --> 00:11:07,754
metallic tight races
335
00:11:07,994 --> 00:11:09,984
to stabilize the system
336
00:11:10,124 --> 00:11:11,084
and then panic
337
00:11:11,474 --> 00:11:12,524
over the cumulative
338
00:11:12,734 --> 00:11:15,104
movement of the western
supports the edifice
339
00:11:15,374 --> 00:11:16,664
in the nineteen nineties
340
00:11:16,994 --> 00:11:18,194
led to the installation
341
00:11:18,404 --> 00:11:19,184
of the massive
342
00:11:19,454 --> 00:11:19,934
wooden
343
00:11:20,204 --> 00:11:22,344
tight races in the transept
344
00:11:22,484 --> 00:11:23,534
and the great prop
345
00:11:23,774 --> 00:11:24,464
to support
346
00:11:24,674 --> 00:11:26,144
the western isle peers
347
00:11:26,354 --> 00:11:27,894
on the north side.
348
00:11:29,264 --> 00:11:31,244
The future of this
glorious cathedral
349
00:11:31,424 --> 00:11:33,114
remains uncertain.
350
00:11:33,824 --> 00:11:36,734
So.
351
00:11:42,944 --> 00:11:57,704
And so.
22748
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