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1
00:00:04,796 --> 00:00:10,260
**
2
00:00:10,301 --> 00:00:12,303
Chance, what's happening?
What's up, bro?
3
00:00:12,345 --> 00:00:13,805
How you doing?
What's going on?
Hey!
4
00:00:13,847 --> 00:00:14,848
How are you?
5
00:00:14,889 --> 00:00:16,766
Carson, long time no see.
6
00:00:16,808 --> 00:00:18,143
Hey!
7
00:00:19,102 --> 00:00:22,188
He left me.
I don't know where he is.
8
00:00:22,230 --> 00:00:24,232
I guess John and I
are gonna start a duo now.
9
00:00:24,274 --> 00:00:25,608
Hmm.
Dan + John.
10
00:00:25,650 --> 00:00:28,153
That kind of
has a ring to it.
11
00:00:28,194 --> 00:00:29,904
There you are!
Where have you been?
12
00:00:29,946 --> 00:00:32,115
Did you miss me?
I missed you.
13
00:00:32,157 --> 00:00:34,701
We're going in to work today.
Can't wait!
14
00:00:34,743 --> 00:00:37,996
Daly: Give it up
for your Season 25 coaches --
15
00:00:38,038 --> 00:00:41,082
John Legend, Dan + Shay,
16
00:00:41,124 --> 00:00:46,379
Chance the Rapper,
and Reba McEntire!
17
00:00:46,421 --> 00:00:48,798
[ Cheers and applause ]
18
00:00:48,840 --> 00:00:50,050
Here it is!
19
00:00:50,091 --> 00:00:54,554
**
20
00:00:54,596 --> 00:00:55,805
Yoo-hoo!
21
00:00:55,847 --> 00:00:57,307
Daly: We're gonna
get to more knockouts.
22
00:00:57,349 --> 00:00:58,600
Let's chat
with the coaches here.
23
00:00:58,641 --> 00:01:01,311
Chance the Rapper's
in the building!
24
00:01:01,353 --> 00:01:04,230
Reba, this is your second
knockouts now.
25
00:01:04,272 --> 00:01:05,732
What did you learn
from the first time around
26
00:01:05,774 --> 00:01:07,067
that you can apply now?
27
00:01:07,108 --> 00:01:08,443
It's very competitive,
it's very tough,
28
00:01:08,485 --> 00:01:10,278
and it gets
very emotional.
29
00:01:10,320 --> 00:01:12,489
And I see that John's
got on his stealing jacket.
30
00:01:12,530 --> 00:01:15,116
It was specifically made
to intimidate me.
31
00:01:15,158 --> 00:01:16,868
And honestly,
it's working a little bit.
32
00:01:16,910 --> 00:01:19,371
Ah, come on!
33
00:01:19,412 --> 00:01:21,748
Thank you, Coaches.
Let's get to it.
34
00:01:22,791 --> 00:01:24,376
Keith: I love this part.
35
00:01:24,417 --> 00:01:25,752
I love that they get to choose
their own songs.
Yeah.
36
00:01:25,794 --> 00:01:27,253
A lot of people
that come on the show,
37
00:01:27,295 --> 00:01:29,005
like, their whole lives
have been,
38
00:01:29,047 --> 00:01:30,590
"I can't wait to be
on 'The Voice.'"
39
00:01:30,632 --> 00:01:33,385
And then they're on, and they're
taking all this advice,
40
00:01:33,426 --> 00:01:35,804
but really, it's their moment
to shine and sing the song
41
00:01:35,845 --> 00:01:37,889
that they've been singing in
the mirror their whole lives,
42
00:01:37,931 --> 00:01:39,432
on national television.
Totally.
43
00:01:39,474 --> 00:01:42,352
Next up, we've got Kamalei
and Maddi.
44
00:01:42,394 --> 00:01:44,688
Kamalei sang "Redemption Song."
45
00:01:44,729 --> 00:01:49,442
I'd never heard a song that's
so radical sound so peaceful.
46
00:01:49,484 --> 00:01:52,362
Maddi, on the other hand,
she did, like, a rap at the end.
47
00:01:52,404 --> 00:01:54,114
So, she has this diva energy.
48
00:01:54,155 --> 00:01:56,825
But they're probably two of
my strongest people on my team.
49
00:01:56,866 --> 00:01:57,909
Let's meet them.
50
00:01:57,951 --> 00:01:59,077
Hey!
Hello!
51
00:01:59,119 --> 00:02:00,370
What it do?
52
00:02:00,412 --> 00:02:01,788
Whoa!
What's up?
53
00:02:01,830 --> 00:02:02,872
Hi!
54
00:02:02,914 --> 00:02:04,624
What?!
Come on in.
55
00:02:04,666 --> 00:02:05,917
Oh, my God!
56
00:02:05,959 --> 00:02:08,753
When I saw Keith Urban,
I was just blown away.
57
00:02:08,795 --> 00:02:10,213
Aloha!
Aloha!
58
00:02:10,255 --> 00:02:11,673
I'm a huge Keith Urban fan,
59
00:02:11,715 --> 00:02:13,341
so I was just ready
to work with him
60
00:02:13,383 --> 00:02:15,468
and so excited
to hear his feedback.
61
00:02:15,510 --> 00:02:16,970
What song
are you singing today?
62
00:02:17,012 --> 00:02:18,596
I'm singing "All of Me."
63
00:02:18,638 --> 00:02:20,140
By John Legend?
Oh, my gosh.
64
00:02:20,181 --> 00:02:21,808
I'm his nemesis.
This is crazy.
65
00:02:21,850 --> 00:02:24,644
I was hoping
you wouldn't say that.
It's the wrong team!
66
00:02:24,686 --> 00:02:26,396
No, John Legend is my biggest
inspiration in the world.
67
00:02:26,438 --> 00:02:27,939
I just keep joking
about him being my nemesis.
68
00:02:27,981 --> 00:02:30,275
I love John.
Why did you choose
"All of Me"?
69
00:02:30,316 --> 00:02:32,944
It takes me home to my wife.
70
00:02:32,986 --> 00:02:34,404
I love her.
I miss her.
71
00:02:34,446 --> 00:02:36,489
So, this is, like,
my little gift to her.
72
00:02:36,531 --> 00:02:38,450
* What I do without... *
73
00:02:38,491 --> 00:02:39,993
The song means a lot to me
74
00:02:40,035 --> 00:02:42,495
because this was the first song
that I sang for my wife.
75
00:02:42,537 --> 00:02:45,331
* 'Cause all of me *
76
00:02:45,373 --> 00:02:47,000
Cierra and I
went to high school together.
77
00:02:47,042 --> 00:02:49,336
* Loves all of you *
78
00:02:49,377 --> 00:02:51,963
She took a young,
immature boy,
79
00:02:52,005 --> 00:02:53,340
and she turned him into a man.
80
00:02:53,381 --> 00:02:55,133
She changed the whole path
of my life.
81
00:02:55,175 --> 00:02:58,303
She pushed me to pursue music.
82
00:02:58,345 --> 00:03:00,180
And if I didn't meet her
10 years ago,
83
00:03:00,221 --> 00:03:01,222
I wouldn't be here.
84
00:03:01,264 --> 00:03:02,557
So, doing this song
85
00:03:02,599 --> 00:03:04,351
allows me to say
thank you to her.
86
00:03:04,392 --> 00:03:05,977
* 'Cause I give you all... *
87
00:03:06,019 --> 00:03:08,938
I feel drawn
to soulful type of music.
88
00:03:08,980 --> 00:03:11,191
And I feel like this song
is a good representation
89
00:03:11,232 --> 00:03:12,984
of who I want to be
as an artist.
90
00:03:13,026 --> 00:03:17,280
* Oh *
Incredible.
91
00:03:17,322 --> 00:03:18,907
When you sing a song,
92
00:03:18,948 --> 00:03:21,451
it's your song
and the lyrics in that moment.
93
00:03:21,493 --> 00:03:23,870
To hear a John song
not sound like John
94
00:03:23,912 --> 00:03:25,455
is a huge feat.
95
00:03:25,497 --> 00:03:27,040
Oh, that means a lot.
Thank you.
96
00:03:27,082 --> 00:03:29,334
I'm a guitar player,
so it's been a little challenge
97
00:03:29,376 --> 00:03:30,835
figuring out what to do
with my hands.
98
00:03:30,877 --> 00:03:33,213
Several places
you can always put your hands.
99
00:03:33,254 --> 00:03:36,633
On the mic.
One on the stand.
100
00:03:36,675 --> 00:03:38,426
You could put them
in your pockets,
101
00:03:38,468 --> 00:03:41,346
but I did not notice
your hands one time.
102
00:03:41,388 --> 00:03:43,181
That song is so suited
to you.
103
00:03:43,223 --> 00:03:47,602
The only thing is, I would
rein it in just a little bit.
104
00:03:47,644 --> 00:03:49,396
Like, when you start the song,
105
00:03:49,437 --> 00:03:51,731
you could be even
a little more tender,
106
00:03:51,773 --> 00:03:54,484
and you're going to pull me in
with your voice and your heart,
107
00:03:54,526 --> 00:03:57,404
'cause it's completely one.
Thank you.
108
00:03:57,445 --> 00:03:59,906
Kamalei, there's a vulnerability
about him,
109
00:03:59,948 --> 00:04:02,826
but also a nice spiritual,
calming energy
110
00:04:02,867 --> 00:04:04,035
about him, as well.
111
00:04:04,077 --> 00:04:05,245
Alright, Maddi.
112
00:04:05,286 --> 00:04:07,080
You know how I get, man.
113
00:04:07,122 --> 00:04:09,958
Let's see -- Let's see --
Let's see it.
Maddi: Yes! Yes!
114
00:04:10,000 --> 00:04:11,584
I think Kamalei is amazing.
115
00:04:11,626 --> 00:04:14,421
It was like every note
was perfect.
116
00:04:14,462 --> 00:04:16,923
It definitely lit a fire in me
117
00:04:16,965 --> 00:04:18,967
to continue on
in this competition.
118
00:04:19,009 --> 00:04:22,178
So, today, I'm gonna be singing
"New Rules" by Dua Lipa.
119
00:04:22,220 --> 00:04:23,638
Oh, nice.
120
00:04:23,680 --> 00:04:26,266
* Talkin' in my sleep at night *
121
00:04:26,307 --> 00:04:27,559
I chose this song
122
00:04:27,600 --> 00:04:30,437
because Dua Lipa brings
a lot of energy.
123
00:04:30,478 --> 00:04:32,439
* One,
don't pick up the phone *
124
00:04:32,480 --> 00:04:34,691
It's a song
that everyone can dance to.
125
00:04:34,733 --> 00:04:36,609
I definitely want to be pop.
126
00:04:36,651 --> 00:04:39,612
I want to bring the party.
I also love telling stories.
127
00:04:39,654 --> 00:04:41,156
So, I'm very interested in rap.
128
00:04:41,197 --> 00:04:43,491
* But I've been still
trying to work it *
129
00:04:43,533 --> 00:04:44,951
You said it.
I told you!
130
00:04:44,993 --> 00:04:46,286
* Yeah, I eat, sleep,
and breathe it *
131
00:04:46,327 --> 00:04:47,537
* Rehearse and repeat it *
132
00:04:47,579 --> 00:04:49,456
My little sister
loves this song,
133
00:04:49,497 --> 00:04:52,625
and I know that it's
inspired a lot of women
134
00:04:52,667 --> 00:04:54,461
to keep their standards high.
135
00:04:54,502 --> 00:04:56,254
My little sister's name is Mia.
136
00:04:56,296 --> 00:04:57,714
We've grown up doing theater
137
00:04:57,756 --> 00:04:59,799
and so many activities together.
138
00:04:59,841 --> 00:05:02,510
She's out here pursuing music
with me now,
139
00:05:02,552 --> 00:05:04,471
and having family close to me
140
00:05:04,512 --> 00:05:06,097
while I'm going through
something like this
141
00:05:06,139 --> 00:05:07,766
has been such a huge blessing.
142
00:05:07,807 --> 00:05:11,478
* You ain't gettin' over him *
143
00:05:13,855 --> 00:05:16,649
You're so explosive, ma'am.
Aww, thanks.
144
00:05:16,691 --> 00:05:20,195
I brought you on the show 'cause
I liked the rap that you did.
145
00:05:20,236 --> 00:05:23,365
But when we did the battles,
you really surprised me
146
00:05:23,406 --> 00:05:25,158
with your vocal ability.
Mm-hmm.
147
00:05:25,200 --> 00:05:28,161
There's a part --
there's a bridge that you do...
148
00:05:28,203 --> 00:05:31,456
* Practice makes perfect,
I'm still tryna learn it *
149
00:05:31,498 --> 00:05:33,833
Do you like singing that part,
or you wanted to rap that part?
150
00:05:33,875 --> 00:05:36,461
I think that my rapping
needs work.
151
00:05:36,503 --> 00:05:38,755
It is a singing song.
Like, why not sing it?
152
00:05:38,797 --> 00:05:40,256
You know what I mean?
Yeah, for sure.
Yeah.
153
00:05:40,298 --> 00:05:41,675
Hey, I would also add,
154
00:05:41,716 --> 00:05:44,511
the first time
you hit the [Vocalizes]
155
00:05:44,552 --> 00:05:46,137
I would hold that longer.
Yeah. Okay.
156
00:05:46,179 --> 00:05:47,764
'Cause it's the first time
we've heard that range,
157
00:05:47,806 --> 00:05:49,516
really, from you.
Mm-hmm.
158
00:05:49,557 --> 00:05:51,476
And it's just too good
a moment that you're sort of
159
00:05:51,518 --> 00:05:53,019
pulling the rug out
from under it too quick.
160
00:05:53,061 --> 00:05:54,270
Yeah, absolutely.
161
00:05:54,312 --> 00:05:55,814
* You ain't gettin' over him *
162
00:05:55,855 --> 00:05:57,774
Chance: Maddi, she's got
that energy, that charisma
163
00:05:57,816 --> 00:06:01,152
that you immediately recognize
as star power when you see it.
164
00:06:01,194 --> 00:06:04,030
* Whoo! *
Chance: She's a good singer.
She loves rap.
165
00:06:04,072 --> 00:06:06,449
She's got great rhythm.
She's got great melody.
166
00:06:06,491 --> 00:06:07,659
She's gonna kill it.
167
00:06:07,701 --> 00:06:09,035
You're a star, man.
Yeah.
168
00:06:09,077 --> 00:06:11,496
Well, you guys are
both huge inspirations.
169
00:06:11,538 --> 00:06:12,956
Thanks, Maddi.
Thank you.
170
00:06:12,997 --> 00:06:15,208
Kamalei, can you come up, too?
Yeah, for sure.
171
00:06:15,250 --> 00:06:16,710
The scary part for me is that
172
00:06:16,751 --> 00:06:18,878
I don't have a playoff pass
for this round.
173
00:06:18,920 --> 00:06:22,090
It's really gonna come down
to who's really pushing it.
174
00:06:22,132 --> 00:06:24,926
I would sing, like,
"Even if Chance doesn't pick me,
175
00:06:24,968 --> 00:06:27,012
one of the other coaches
would be stupid
176
00:06:27,053 --> 00:06:28,304
not to steal me."
177
00:06:28,346 --> 00:06:29,806
You're both bringing
equal strengths.
178
00:06:29,848 --> 00:06:31,641
They're different
from one another.
179
00:06:31,683 --> 00:06:33,184
It's gonna be a great night
for both of you, I think.
180
00:06:33,226 --> 00:06:34,519
Thank you so much.
Thank you.
181
00:06:34,561 --> 00:06:37,022
Kamalei, Maddi,
both, like, top tier.
182
00:06:37,063 --> 00:06:39,774
Best all-time
Team Chance talent.
183
00:06:39,816 --> 00:06:41,443
I really don't know
what I'm gonna do.
184
00:06:41,484 --> 00:06:42,527
We killed it.
Great job.
185
00:06:42,569 --> 00:06:43,945
Keith: That was fantastic.
186
00:06:43,987 --> 00:06:45,238
It's gonna be tough
to make these decision.
187
00:06:45,280 --> 00:06:47,365
Brutal.
Yeah.
188
00:06:47,407 --> 00:06:49,242
John: Go, Maddi Jane!
189
00:06:49,284 --> 00:06:51,453
[ Cheers and applause ]
190
00:06:51,494 --> 00:06:54,581
Now singing "New Rules,"
here is Maddi Jane.
191
00:06:56,249 --> 00:07:00,253
**
192
00:07:00,295 --> 00:07:02,339
* Talkin' in my sleep at night *
193
00:07:02,380 --> 00:07:05,175
* Makin' myself crazy *
194
00:07:05,216 --> 00:07:06,676
* Out of my mind *
195
00:07:06,718 --> 00:07:08,470
* Out of my mind *
196
00:07:08,511 --> 00:07:10,305
* My love *
197
00:07:10,347 --> 00:07:13,433
* He makes me feel
like nobody else *
198
00:07:13,475 --> 00:07:16,019
Yes!
* Nobody else *
199
00:07:16,061 --> 00:07:19,773
* But my love,
he doesn't love me *
200
00:07:19,814 --> 00:07:22,275
* So I tell myself *
201
00:07:22,317 --> 00:07:24,944
* I tell myself *
202
00:07:24,986 --> 00:07:27,030
* One, don't pick up the phone *
203
00:07:27,072 --> 00:07:29,282
* You know he's only calling
'cause he's drunk and alone *
204
00:07:29,324 --> 00:07:30,950
* Two, don't let him in *
205
00:07:30,992 --> 00:07:33,078
* You'll have to
kick him out again *
206
00:07:33,119 --> 00:07:35,205
* Three, don't be his friend *
207
00:07:35,246 --> 00:07:38,041
* You know you're gonna wake up
in his bed in the morning *
Wow!
208
00:07:38,083 --> 00:07:41,836
* And if you're under him,
you ain't gettin' over him *
209
00:07:41,878 --> 00:07:44,130
* I got new rules,
I count 'em *
210
00:07:45,757 --> 00:07:48,802
* I got new rules,
I count 'em *
211
00:07:49,803 --> 00:07:52,972
* I gotta tell them to myself *
212
00:07:54,015 --> 00:07:57,143
* I got new rules,
I count 'em *
213
00:08:00,355 --> 00:08:02,023
* Practice makes perfect *
214
00:08:02,065 --> 00:08:06,611
* I'm still tryna learn it
by heart *
215
00:08:06,653 --> 00:08:08,530
* Yeah *
216
00:08:08,571 --> 00:08:10,407
* Eat, sleep, and breathe it *
217
00:08:10,448 --> 00:08:12,534
* Rehearse and repeat it *
218
00:08:12,575 --> 00:08:14,911
* 'Cause I *
219
00:08:14,953 --> 00:08:16,663
* I got new rules,
I count 'em *
220
00:08:16,705 --> 00:08:18,623
* One, don't pick up the phone *
221
00:08:18,665 --> 00:08:20,875
* You know he's only calling
'cause he's drunk and alone *
222
00:08:20,917 --> 00:08:22,711
* Two, don't let him in *
223
00:08:22,752 --> 00:08:24,963
* You'll have to
kick him out again *
224
00:08:25,005 --> 00:08:26,923
* Three, don't be his friend *
225
00:08:26,965 --> 00:08:29,884
* You know you're gonna wake up
in his bed in the morning *
226
00:08:29,926 --> 00:08:35,265
* If you're under him,
you ain't gettin' over hiiiim *
227
00:08:35,306 --> 00:08:40,854
* If you're under him,
you ain't gettin' over hiiiim *
228
00:08:40,895 --> 00:08:45,817
* Hey, you ain't gettin'
over him now, baby *
229
00:08:45,859 --> 00:08:48,903
* I got new rules,
I count 'em *
230
00:08:49,904 --> 00:08:52,866
* You ain't gettin' over him *
231
00:08:52,907 --> 00:08:55,452
[ Cheers and applause ]
232
00:08:55,493 --> 00:08:57,662
Yeah, Maddi!
233
00:09:00,623 --> 00:09:02,709
Whoo-hoo!
234
00:09:06,755 --> 00:09:10,175
With "All of Me,"
here's Kamalei Kawa'a.
235
00:09:11,343 --> 00:09:19,434
**
236
00:09:19,476 --> 00:09:23,396
* What would I do
without your smart mouth *
237
00:09:23,438 --> 00:09:27,400
* Drawing me in,
and you kicking me out? *
238
00:09:27,442 --> 00:09:30,111
* You've got my head spinning *
239
00:09:30,153 --> 00:09:34,991
* No kidding,
I can't pin you down *
240
00:09:35,033 --> 00:09:38,912
* What's going on
in that beautiful mind? *
241
00:09:38,953 --> 00:09:42,749
* I'm on your
magical mystery ride *
242
00:09:42,791 --> 00:09:47,420
* And I'm so dizzy
don't know what hit me *
243
00:09:47,462 --> 00:09:51,049
* But I'll be alright *
244
00:09:51,091 --> 00:09:57,472
* My head's under water,
but I'm breathing fire *
245
00:09:57,514 --> 00:09:58,932
Yeah, Kamalei!
246
00:09:58,973 --> 00:10:04,312
* You're crazy
and I'm out of my mind *
247
00:10:04,354 --> 00:10:10,944
* 'Cause all of me
loves all of you *
248
00:10:10,985 --> 00:10:15,073
* I love your curves
and all your edges *
249
00:10:15,115 --> 00:10:18,868
* All your perfect
imperfections *
250
00:10:18,910 --> 00:10:22,664
* Give your all to me *
251
00:10:22,706 --> 00:10:26,292
* I'll give my all to you *
252
00:10:26,334 --> 00:10:30,171
* You're my end
and my beginning *
253
00:10:30,213 --> 00:10:33,925
* Even when I lose
I'm winning *
254
00:10:33,967 --> 00:10:39,806
* 'Cause I give you all of me *
255
00:10:39,848 --> 00:10:41,641
Yes, Kamalei!
256
00:10:41,683 --> 00:10:49,107
* And you give me all of you *
257
00:10:49,149 --> 00:10:56,823
* And I give you all of me *
258
00:10:56,865 --> 00:11:03,496
* And you give me all of you *
259
00:11:03,538 --> 00:11:06,708
* Oh *
260
00:11:06,750 --> 00:11:08,335
[ Cheers and applause ]
261
00:11:08,376 --> 00:11:10,295
Yes, Kamalei!
262
00:11:14,382 --> 00:11:16,259
Man!
Yes!
263
00:11:20,013 --> 00:11:21,514
-Such a good job.
-So sick.
264
00:11:21,556 --> 00:11:22,974
That was so crazy.
265
00:11:23,016 --> 00:11:25,352
That was two, very,
very different performances
266
00:11:25,393 --> 00:11:26,728
in the best kind of way.
267
00:11:26,770 --> 00:11:28,646
Kamalei, that's such
an incredible song.
268
00:11:28,688 --> 00:11:30,023
It's an all-timer,
but you took it
269
00:11:30,065 --> 00:11:31,399
and made it sound
not like a cover.
270
00:11:31,441 --> 00:11:32,859
It sounded like Kamalei
singing that song.
271
00:11:32,901 --> 00:11:34,903
Thank you.
Mahalo.
272
00:11:36,279 --> 00:11:37,864
Shay: Maddi Jane,
in a song like that,
273
00:11:37,906 --> 00:11:39,240
you know, that's very dance-y,
274
00:11:39,282 --> 00:11:41,034
and you were able to bring
out your voice.
275
00:11:41,076 --> 00:11:43,578
And I mean, some of those
high notes were ridiculous.
276
00:11:43,620 --> 00:11:44,829
Thank you so much.
277
00:11:44,871 --> 00:11:46,373
I feel like Chance
has his hands full
278
00:11:46,414 --> 00:11:48,124
because you guys both
deserve to be here,
279
00:11:48,166 --> 00:11:50,251
and it was just
a phenomenal performance.
280
00:11:51,252 --> 00:11:53,338
Kamalei, thank you
for singing my song.
281
00:11:53,380 --> 00:11:55,173
One of the things
that I'm known for in this show
282
00:11:55,215 --> 00:11:57,967
is that I'm a bit tough
on people covering my songs,
283
00:11:58,009 --> 00:12:00,512
but I was just really
into your version.
284
00:12:00,553 --> 00:12:02,013
It was beautiful.
285
00:12:02,055 --> 00:12:04,057
The whole demeanor
with which you carry yourself
286
00:12:04,099 --> 00:12:05,725
with, like, gratitude
and in your spirit,
287
00:12:05,767 --> 00:12:08,895
we feel that, and it comes
through in your voice as well.
288
00:12:08,937 --> 00:12:10,230
Thank you so much.
Mahalo.
289
00:12:10,271 --> 00:12:12,023
It means the world
coming from you.
290
00:12:12,065 --> 00:12:14,984
And Maddi, I love
that you take on songs
291
00:12:15,026 --> 00:12:16,611
that require a lot
of breath control,
292
00:12:16,653 --> 00:12:18,238
a lot of rhythmic singing.
293
00:12:18,279 --> 00:12:20,365
Not easy to do
in a singing competition.
294
00:12:20,407 --> 00:12:22,409
You were really creative
and artistic
295
00:12:22,450 --> 00:12:26,037
in finding ways to also show,
"Hey, I can sing, too."
296
00:12:26,079 --> 00:12:27,706
I don't know who
Chance is going to choose,
297
00:12:27,747 --> 00:12:29,874
but I know
I have a steal left.
298
00:12:30,625 --> 00:12:34,421
Kamalei, your voice,
it just makes me feel good.
299
00:12:34,462 --> 00:12:36,172
Kind of like every time
I go to Hawaii.
300
00:12:36,214 --> 00:12:39,092
Your people are so warm
and welcoming,
301
00:12:39,134 --> 00:12:41,302
and you brought that.
302
00:12:41,344 --> 00:12:43,096
I quite literally
brought Hawaii to you.
303
00:12:43,138 --> 00:12:45,765
My family's here
in the audience.
304
00:12:45,807 --> 00:12:47,934
Love that.
Wonderful.
305
00:12:47,976 --> 00:12:50,854
Maddi, you are
a force of nature.
306
00:12:50,895 --> 00:12:53,273
The sassiness of it,
the attitude.
307
00:12:53,314 --> 00:12:54,941
Thank you so much.
Very talented.
308
00:12:54,983 --> 00:12:56,776
Yeah, you're on your own
on this one.
309
00:12:56,818 --> 00:12:58,445
I have no idea.
310
00:12:58,486 --> 00:13:00,447
Thank you, Coaches.
311
00:13:00,488 --> 00:13:02,949
Alright, Chance,
it comes down to you, buddy.
312
00:13:02,991 --> 00:13:04,743
Amazing performances.
313
00:13:04,784 --> 00:13:06,870
Kamalei, it's hard
to cover John
314
00:13:06,911 --> 00:13:09,205
because he has such
specific tone.
315
00:13:09,247 --> 00:13:10,999
Though we have seen
you do it successfully
316
00:13:11,041 --> 00:13:12,584
with "Ordinary People."
[ Laughter ]
317
00:13:12,625 --> 00:13:14,753
That's so different,
impersonating someone's tone
318
00:13:14,794 --> 00:13:17,922
and being able to invoke
the feeling of these lyrics
319
00:13:17,964 --> 00:13:20,175
that John wrote
is a talent in and of itself.
320
00:13:20,216 --> 00:13:22,052
It makes it easy when you have
a beautiful wife...
321
00:13:22,093 --> 00:13:23,970
Ah!
...to think of
when you do this.
322
00:13:24,012 --> 00:13:25,805
Let's go, dude!
Yeah!
323
00:13:25,847 --> 00:13:27,640
How can you not
love this guy?
324
00:13:27,682 --> 00:13:30,352
[ Laughter ]
325
00:13:30,393 --> 00:13:34,439
Maddi, you have such confidence
and attitude on stage,
326
00:13:34,481 --> 00:13:37,150
but then you also have
the vocal talent to back it up,
327
00:13:37,192 --> 00:13:38,777
which is a big deal,
and like John was saying,
328
00:13:38,818 --> 00:13:42,947
doing a song that's so rhythmic
is a difficult thing.
329
00:13:42,989 --> 00:13:44,449
I thought that was awesome.
330
00:13:44,491 --> 00:13:46,993
Chance, it's time.
331
00:13:47,035 --> 00:13:48,411
Who's the winner
of this knockout?
332
00:13:48,453 --> 00:13:49,412
Oh, damn.
333
00:13:49,454 --> 00:13:51,373
[ Laughter ]
334
00:13:51,414 --> 00:13:52,749
This is tough, Chance.
335
00:13:52,791 --> 00:13:54,292
Honestly...
336
00:13:55,710 --> 00:13:58,338
...I think both you guys
are amazing vocalists,
337
00:13:58,380 --> 00:14:01,299
but the winner
of this knockout is...
338
00:14:02,842 --> 00:14:04,511
...uh...
339
00:14:04,552 --> 00:14:09,516
**
340
00:14:14,729 --> 00:14:16,064
* This is "The Voice" *
341
00:14:16,106 --> 00:14:17,440
Daly: Welcome back.
342
00:14:18,400 --> 00:14:20,944
Chance, who is the winner
of this knockout?
343
00:14:20,985 --> 00:14:23,154
[ Laughter ]
344
00:14:23,196 --> 00:14:24,572
This is tough, Chance.
345
00:14:24,614 --> 00:14:26,282
Chance: Honestly...
346
00:14:27,659 --> 00:14:30,245
...I think both you guys
are amazing vocalists,
347
00:14:30,286 --> 00:14:33,540
but the winner
of this knockout is...
348
00:14:33,581 --> 00:14:34,833
Maddi.
349
00:14:34,874 --> 00:14:36,126
Maddi, congratulations!
350
00:14:36,167 --> 00:14:37,711
You're moving on
to the playoffs!
351
00:14:37,752 --> 00:14:39,879
Chance: Maddi is just
an amazing performer.
352
00:14:39,921 --> 00:14:41,965
Like, through and through,
she's an entertainer.
353
00:14:42,007 --> 00:14:44,050
She can sing, she can rap.
354
00:14:44,092 --> 00:14:46,928
Maddi really showcased
her superstar power.
355
00:14:46,970 --> 00:14:49,723
Coaches, let me remind you that
Kamalei is available to steal.
356
00:14:49,764 --> 00:14:51,850
Anything you'd like
to say to your coach?
357
00:14:51,891 --> 00:14:54,102
I really can't repay you
for the moments
358
00:14:54,144 --> 00:14:56,604
that you gave me here,
so thank you.
359
00:14:56,646 --> 00:14:58,440
Oh, man.
360
00:14:58,481 --> 00:15:01,693
Whoa!
We got a steal!
361
00:15:01,735 --> 00:15:04,362
We got two steals!
362
00:15:04,404 --> 00:15:05,739
Yeah!
363
00:15:05,780 --> 00:15:07,991
[ Cheers and applause ]
364
00:15:08,867 --> 00:15:10,827
You are back
in this competition.
365
00:15:10,869 --> 00:15:13,788
Let's hear from John.
He hit his steal button first.
366
00:15:13,830 --> 00:15:17,459
You bring so much of you
to this competition,
367
00:15:17,500 --> 00:15:21,421
and this would be the most
poetic outcome to this moment.
368
00:15:21,463 --> 00:15:22,756
[ Laughter ]
369
00:15:22,797 --> 00:15:24,716
Alright, John, you got
some stiff competition.
370
00:15:24,758 --> 00:15:25,884
Queen Reba.
371
00:15:25,925 --> 00:15:27,302
The greatest singers
in the world
372
00:15:27,344 --> 00:15:29,471
sometimes don't touch
my heart.
373
00:15:29,512 --> 00:15:32,932
So, you've got a big heart,
and you share it with people.
374
00:15:32,974 --> 00:15:34,559
Thank you so much
for your kind words.
375
00:15:34,601 --> 00:15:36,019
Mahalo.
376
00:15:36,895 --> 00:15:39,105
Cool. [ Chuckles ]
377
00:15:39,147 --> 00:15:41,524
Kamalei, who do you pick
as your coach?
378
00:15:42,650 --> 00:15:44,611
[ Audience shouting ]
379
00:15:44,652 --> 00:15:51,993
**
380
00:15:52,035 --> 00:15:53,620
We're gonna go
with John Legend.
381
00:15:53,661 --> 00:15:54,871
There it is!
382
00:15:54,913 --> 00:15:58,375
John Legend steals
Kamalei Kawa'a!
383
00:15:58,416 --> 00:15:59,918
Come on!
384
00:15:59,959 --> 00:16:02,379
Kamalei gave such a beautiful
interpretation of the song.
385
00:16:02,420 --> 00:16:04,798
So proud of you, man.
You're amazing.
Thank you.
386
00:16:04,839 --> 00:16:07,509
I felt his heart.
I felt his emotion.
387
00:16:07,550 --> 00:16:10,053
I had to push for him.
He came to Team Legend.
388
00:16:10,095 --> 00:16:12,555
What better ending
could there be?
389
00:16:16,559 --> 00:16:18,395
Hi, honey.
390
00:16:19,396 --> 00:16:20,772
I'm so proud of you.
Thank you.
391
00:16:20,814 --> 00:16:21,981
I love you so much.
392
00:16:22,023 --> 00:16:23,274
Love you more.
393
00:16:23,316 --> 00:16:26,027
Yeah, he's got
a huge heart, man.
394
00:16:26,069 --> 00:16:27,987
He got me.
He really did.
395
00:16:28,029 --> 00:16:29,781
Kamalei brought me to tears.
396
00:16:29,823 --> 00:16:33,034
I was bummed out because
John got him on the steal.
397
00:16:33,076 --> 00:16:34,994
But it was meant to be.
398
00:16:35,036 --> 00:16:38,581
So, I'm the only one of
the coaches with a steal left.
399
00:16:38,623 --> 00:16:40,125
Keith: Is Legend
your real name?
400
00:16:40,166 --> 00:16:42,335
John: No.
My last name is Stevens.
Wow.
401
00:16:42,377 --> 00:16:44,004
John Roger Stevens.
402
00:16:44,045 --> 00:16:45,880
And yours?
Is true.
403
00:16:45,922 --> 00:16:47,007
Urban?
Yeah.
404
00:16:47,048 --> 00:16:48,133
Keith Urban works.
405
00:16:48,174 --> 00:16:50,010
I think it served you well.
406
00:16:50,051 --> 00:16:51,094
It is what it is.
407
00:16:51,136 --> 00:16:52,554
How do you feel?
408
00:16:52,595 --> 00:16:54,889
I'm a little nervous.
I'm excited.
409
00:16:54,931 --> 00:16:56,016
John: We've got Gene.
410
00:16:56,057 --> 00:16:58,351
He's got this great tenor voice.
411
00:16:58,393 --> 00:16:59,894
He's really talented.
412
00:16:59,936 --> 00:17:02,480
And then Mafe,
she has this gorgeous,
413
00:17:02,522 --> 00:17:04,399
classical, beautiful voice.
414
00:17:04,441 --> 00:17:05,567
Ready to meet them?
Oh, yeah.
415
00:17:05,608 --> 00:17:06,901
Alright, bring them out.
Let's do it.
416
00:17:06,943 --> 00:17:08,236
Oh, my God!
417
00:17:08,278 --> 00:17:10,947
We've got Keith Urban here!
418
00:17:10,989 --> 00:17:12,407
Our mega mentor.
419
00:17:12,449 --> 00:17:14,701
This is like a country
rock star.
420
00:17:14,743 --> 00:17:16,786
He rocks really hard.
He plays guitar.
421
00:17:16,828 --> 00:17:18,329
This guy is a heavy hitter,
422
00:17:18,371 --> 00:17:21,708
and it's a huge, huge plus
to get as many tips
423
00:17:21,750 --> 00:17:23,001
as I can get from him.
424
00:17:23,043 --> 00:17:24,461
Keith: What song
did you pick, Gene?
425
00:17:24,502 --> 00:17:26,504
I picked
"I Don't Want to Miss a Thing."
426
00:17:26,546 --> 00:17:29,090
Aerosmith.
Chance: Oh, nice.
Classic.
427
00:17:29,132 --> 00:17:30,508
I love Aerosmith.
428
00:17:30,550 --> 00:17:32,135
That was actually one
of the first bands
429
00:17:32,177 --> 00:17:33,678
that I remember hearing
as a kid growing up.
430
00:17:33,720 --> 00:17:36,014
Is that where you see
yourself musically?
Yes.
431
00:17:36,056 --> 00:17:37,682
I've always been in rock bands,
432
00:17:37,724 --> 00:17:39,392
so it's just, like,
my favorite thing to do.
Excellent.
433
00:17:39,434 --> 00:17:41,770
When I was a kid,
I would hear Aerosmith.
434
00:17:41,811 --> 00:17:44,105
It just stayed in my head.
It was like an earworm.
435
00:17:44,147 --> 00:17:47,275
And that was the first time
I was like [Vocalizes]
436
00:17:47,317 --> 00:17:48,985
like, figuring out high notes
like that.
437
00:17:49,027 --> 00:17:54,532
* I could stay awake
just to hear you breathing *
438
00:17:54,574 --> 00:17:56,117
Then, like my teen years,
439
00:17:56,159 --> 00:17:58,912
I would get ideas
from Steven Tyler.
440
00:17:58,953 --> 00:18:00,372
How does he do his rock poses?
441
00:18:00,413 --> 00:18:02,624
How does he sing these songs?
442
00:18:02,665 --> 00:18:05,168
I don't really see too many
people of color doing rock.
443
00:18:05,210 --> 00:18:06,795
* ...is a moment I treasure *
444
00:18:06,836 --> 00:18:09,297
That's a genre that's
kind of slept on right now.
445
00:18:09,339 --> 00:18:10,965
So, here I am.
446
00:18:11,007 --> 00:18:12,550
* I don't wanna
close my eyes *
447
00:18:12,592 --> 00:18:14,260
"Don't Want to Miss a Thing"
is a really bold choice
448
00:18:14,302 --> 00:18:15,261
for Gene.
449
00:18:15,303 --> 00:18:16,513
I love him for that.
450
00:18:16,554 --> 00:18:18,973
He actually had
an amazing range.
451
00:18:19,015 --> 00:18:21,226
He really took charge.
452
00:18:21,267 --> 00:18:24,854
Yeah!
* ...a thing *
453
00:18:24,896 --> 00:18:27,065
Wow.
Alright! Well done.
454
00:18:27,107 --> 00:18:28,274
Thank you.
455
00:18:28,316 --> 00:18:29,567
I'd like you
to think about
456
00:18:29,609 --> 00:18:31,611
how to dirty it up
a little bit,
457
00:18:31,653 --> 00:18:34,572
'cause you sound
very proper.
458
00:18:34,614 --> 00:18:37,075
But it doesn't sound
like rock 'n' roll,
459
00:18:37,117 --> 00:18:39,869
because rock has
a little bit dirt to it.
Like [Growls] Yeah.
460
00:18:39,911 --> 00:18:42,372
I think it's about throwing
off some of the syllables
461
00:18:42,414 --> 00:18:44,666
in ways that are, like,
a little more casual.
462
00:18:44,708 --> 00:18:46,668
I'm down. Yeah.
Is this the original key?
463
00:18:46,710 --> 00:18:47,961
Original key.
464
00:18:48,003 --> 00:18:49,462
I'm hearing the D
at the end, right?
Yeah.
465
00:18:49,504 --> 00:18:51,089
You're hitting that,
which is crazy.
466
00:18:51,131 --> 00:18:53,008
Yeah.
But 80% of the song
467
00:18:53,049 --> 00:18:55,343
is in around G-flat, E, D.
468
00:18:55,385 --> 00:18:56,678
That's kind of
where you're living.
469
00:18:56,720 --> 00:18:58,096
And I almost feel
like your voice sits
470
00:18:58,138 --> 00:18:59,305
a little higher than that.
471
00:18:59,347 --> 00:19:01,057
And I don't know
if it's okay,
472
00:19:01,099 --> 00:19:04,519
but to explore maybe even
a half step up or something.
Right.
473
00:19:04,561 --> 00:19:07,022
* And I don't wanna
miss a thing *
474
00:19:07,063 --> 00:19:08,648
I'm learning from John
475
00:19:08,690 --> 00:19:11,568
that you can be the best
technical singer in the world,
476
00:19:11,609 --> 00:19:14,279
but if you're not making
people feel something,
477
00:19:14,320 --> 00:19:15,780
what's the point?
478
00:19:15,822 --> 00:19:17,699
Oh, I desperately want to win
this knockout
479
00:19:17,741 --> 00:19:19,701
because I want to get
to the playoffs.
480
00:19:19,743 --> 00:19:21,411
I feel like
I'm just getting started.
481
00:19:21,453 --> 00:19:23,371
* ...a thing *
482
00:19:23,413 --> 00:19:25,874
I like the key.
I think so.
483
00:19:25,915 --> 00:19:27,083
Fantastic, Gene.
484
00:19:27,125 --> 00:19:29,461
Mafe, come on up.
Hello!
485
00:19:29,502 --> 00:19:33,506
I chose "Almost Is Never Enough"
by Ariana Grande.
486
00:19:33,548 --> 00:19:36,926
* I'd like to say
we gave it a try *
487
00:19:36,968 --> 00:19:40,555
I've been a fan of Ariana Grande
since I can remember.
488
00:19:40,597 --> 00:19:42,599
When I do my own music,
489
00:19:42,640 --> 00:19:47,562
I want to go through that
R&B path like Ariana Grande.
490
00:19:47,604 --> 00:19:50,899
This song helped a lot
to learn English.
491
00:19:50,940 --> 00:19:53,818
From trying to understand
the words
492
00:19:53,860 --> 00:19:57,781
to now being in front
of this coaches,
493
00:19:57,822 --> 00:20:00,909
singing this song,
is mind-blowing.
494
00:20:00,950 --> 00:20:02,744
I just want them
to see my passion
495
00:20:02,786 --> 00:20:04,454
and that I want to stay here.
496
00:20:04,496 --> 00:20:09,626
* The truth is every one knows *
497
00:20:09,668 --> 00:20:12,754
Mafe has a really soulful voice,
a really inviting voice.
498
00:20:12,796 --> 00:20:14,422
And this song means
a lot to her,
499
00:20:14,464 --> 00:20:16,716
and I can feel it
when I see her performing.
500
00:20:16,758 --> 00:20:20,762
* ...enough *
Oh, my goodness.
501
00:20:20,804 --> 00:20:22,389
Beautiful!
502
00:20:22,430 --> 00:20:24,140
The key will
be just making sure
503
00:20:24,182 --> 00:20:26,559
that you're able to connect
on that lower part of the song.
504
00:20:26,601 --> 00:20:28,728
It's about breath support
because low notes
505
00:20:28,770 --> 00:20:31,648
are often harder to support,
especially live.
506
00:20:31,690 --> 00:20:33,983
Be mindful of the nervousness
507
00:20:34,025 --> 00:20:36,444
of moving hands on
the microphone too much.
Yeah.
508
00:20:36,486 --> 00:20:37,946
Particularly in a setting
where the camera's
509
00:20:37,987 --> 00:20:40,448
going to come in really close
and be right here,
510
00:20:40,490 --> 00:20:42,784
'cause this will pick up huge.
Okay.
511
00:20:42,826 --> 00:20:44,244
Gosh,
you've got a good voice.
512
00:20:44,285 --> 00:20:49,749
* ...is never enough *
513
00:20:49,791 --> 00:20:51,543
How are we gonna
pick a winner?
514
00:20:51,584 --> 00:20:54,129
I'm gonna wait and see
who steps up to that moment
515
00:20:54,170 --> 00:20:56,256
because the knockouts
are high pressure.
516
00:20:56,297 --> 00:20:57,841
Everyone is a great singer,
517
00:20:57,882 --> 00:20:59,634
but it's gonna make
a difference who really comes
518
00:20:59,676 --> 00:21:02,220
with their A-plus game
for this performance.
519
00:21:02,262 --> 00:21:04,973
[ Cheers and applause ]
520
00:21:05,015 --> 00:21:06,808
Beautiful!
521
00:21:09,519 --> 00:21:11,104
Daly: With
"I Don't Want to Miss a Thing,"
522
00:21:11,146 --> 00:21:13,815
here's Gene Taylor.
523
00:21:14,858 --> 00:21:21,406
**
524
00:21:21,448 --> 00:21:28,913
* I could stay awake
just to hear you breathing *
525
00:21:28,955 --> 00:21:35,754
* I could stay lost
in this moment forever *
526
00:21:35,795 --> 00:21:39,507
* Oh, every moment
spent with you *
527
00:21:39,549 --> 00:21:45,430
* Is a moment I treasure *
528
00:21:45,472 --> 00:21:49,225
* I don't wanna close my eyes *
529
00:21:49,267 --> 00:21:51,519
* I don't wanna fall asleep *
530
00:21:51,561 --> 00:21:53,438
* 'Cause I'd miss you, baby *
531
00:21:53,480 --> 00:21:56,483
* And I don't wanna
miss a thing *
532
00:21:56,524 --> 00:22:00,362
* Well, I don't wanna
miss one smile *
533
00:22:00,403 --> 00:22:03,698
* No, I don't wanna
miss one kiss *
534
00:22:03,740 --> 00:22:06,451
* Oh, I just wanna
be with you *
535
00:22:06,493 --> 00:22:09,120
* Right here with you *
536
00:22:09,162 --> 00:22:11,539
* Just like this *
537
00:22:11,581 --> 00:22:15,210
* Oh, I just wanna
hold you close *
538
00:22:15,251 --> 00:22:19,589
* I feel your heart
so close to mine *
539
00:22:19,631 --> 00:22:22,967
* And just stay here
in this moment *
540
00:22:23,009 --> 00:22:27,722
* For all the rest of time *
541
00:22:27,764 --> 00:22:31,935
* Yeah, yeah, yeah *
542
00:22:31,976 --> 00:22:35,897
* I don't wanna close my eyes *
543
00:22:35,939 --> 00:22:38,024
* I don't wanna fall asleep *
544
00:22:38,066 --> 00:22:40,235
* 'Cause I'd miss you, baby *
545
00:22:40,276 --> 00:22:43,613
* And I don't wanna
miss a thing *
546
00:22:43,655 --> 00:22:46,533
* 'Cause even
when I dream of you *
547
00:22:46,574 --> 00:22:48,993
* Oh, the sweetest dream
would never do *
548
00:22:49,035 --> 00:22:51,663
* Oh, I'd still miss you, baby *
549
00:22:51,705 --> 00:22:54,708
* And I don't wanna
miss a thing *
550
00:22:54,749 --> 00:22:57,836
* I don't wanna close my eyes *
551
00:22:57,877 --> 00:23:02,841
* I don't wanna fall asleep,
yeah *
552
00:23:02,882 --> 00:23:10,181
* And I don't wanna
miss a thing *
553
00:23:10,223 --> 00:23:12,475
[ Cheers and applause ]
554
00:23:23,319 --> 00:23:24,654
* This is "The Voice" *
555
00:23:24,696 --> 00:23:26,531
Daly: Welcome back
to the knockouts.
556
00:23:28,158 --> 00:23:30,118
Now with
"Almost Is Never Enough,"
557
00:23:30,160 --> 00:23:32,037
here's Mafe.
558
00:23:33,121 --> 00:23:34,664
Come on, Mafe!
559
00:23:34,706 --> 00:23:36,958
[ Cheers and applause ]
560
00:23:38,168 --> 00:23:42,088
**
561
00:23:42,130 --> 00:23:47,260
* I'd like to say
we gave it a try *
562
00:23:48,094 --> 00:23:53,892
* I'd like to blame it
all on life *
563
00:23:53,933 --> 00:23:58,355
* Maybe we just weren't right *
564
00:23:58,396 --> 00:24:01,358
* But that's a lie *
565
00:24:01,399 --> 00:24:04,110
* That's a lie *
566
00:24:04,152 --> 00:24:09,699
* And we can deny it
as much as we want *
567
00:24:09,741 --> 00:24:15,747
* But in time,
our feelings will show *
568
00:24:15,789 --> 00:24:18,750
* 'Cause sooner or later *
569
00:24:18,792 --> 00:24:21,711
* We'll wonder why we gave up *
570
00:24:21,753 --> 00:24:26,883
* The truth is everyone knows *
571
00:24:26,925 --> 00:24:30,679
* Oh, almost *
572
00:24:30,720 --> 00:24:36,518
* Almost is never enough *
573
00:24:36,559 --> 00:24:42,065
* So close to being in love *
574
00:24:42,107 --> 00:24:47,487
* If I would have known
that you wanted me *
575
00:24:47,529 --> 00:24:51,074
* The way I wanted you *
576
00:24:51,116 --> 00:24:56,413
* Then maybe we wouldn't be
two worlds apart *
577
00:24:56,454 --> 00:25:01,918
* But right here
in each other's arms *
578
00:25:01,960 --> 00:25:05,880
* And we almost *
579
00:25:05,922 --> 00:25:11,052
* We almost knew what love was *
Yeah!
580
00:25:11,094 --> 00:25:17,100
* But almost is never enough *
581
00:25:17,142 --> 00:25:23,106
* But almost is never enough *
582
00:25:23,148 --> 00:25:29,154
* Almost is never enough *
583
00:25:29,195 --> 00:25:37,620
* Almost is never enough *
584
00:25:37,662 --> 00:25:39,873
[ Cheers and applause ]
585
00:25:40,665 --> 00:25:42,250
Beautiful!
586
00:25:44,461 --> 00:25:45,712
Killed it!
587
00:25:46,713 --> 00:25:48,048
Way to go!
588
00:25:48,089 --> 00:25:50,008
Gene, I'll start with you.
589
00:25:50,050 --> 00:25:52,802
You put your own
personality and style
590
00:25:52,844 --> 00:25:54,888
into a great
Aerosmith song.
591
00:25:54,929 --> 00:25:56,806
Steven Tyler would be proud.
592
00:25:56,848 --> 00:25:58,433
See how I dropped
that name just right there?
593
00:25:58,475 --> 00:25:59,726
-Yeah.
-That was nice.
594
00:25:59,768 --> 00:26:01,186
I'm just gonna
pick that up now.
595
00:26:01,227 --> 00:26:02,896
You know your way
around a stage.
596
00:26:02,937 --> 00:26:04,731
You're a great entertainer.
597
00:26:04,773 --> 00:26:07,442
And Mafe,
I love that tone.
598
00:26:07,484 --> 00:26:10,320
It makes you want to snuggle up
in a real cozy blanket
599
00:26:10,362 --> 00:26:13,323
and just sit there and listen
to you all night long.
600
00:26:13,365 --> 00:26:15,158
Thank you so much.
601
00:26:15,200 --> 00:26:17,369
Mafe, I always love
your performances.
602
00:26:17,410 --> 00:26:19,829
This is a Ariana song.
You didn't sound like Ariana.
603
00:26:19,871 --> 00:26:21,206
You sounded like yourself,
604
00:26:21,247 --> 00:26:22,707
and if you can make
us feel the song,
605
00:26:22,749 --> 00:26:24,084
like, it goes a long way,
606
00:26:24,125 --> 00:26:25,835
and I really felt connected.
607
00:26:25,877 --> 00:26:27,295
Thank you so much.
608
00:26:27,337 --> 00:26:29,589
Gene, you always give
passionate performances,
609
00:26:29,631 --> 00:26:32,300
but I think this time it
kind of messed with your pitch
610
00:26:32,342 --> 00:26:33,718
in a few moments.
611
00:26:33,760 --> 00:26:35,428
If I had to choose,
I'd probably lean
612
00:26:35,470 --> 00:26:37,514
a little bit more towards Mafe.
613
00:26:37,555 --> 00:26:38,682
Okay.
614
00:26:38,723 --> 00:26:40,100
Gene, your voice
is phenomenal.
615
00:26:40,141 --> 00:26:42,018
I mean, it's technically --
616
00:26:42,060 --> 00:26:44,562
you have one of the best voices
on the show.
617
00:26:44,604 --> 00:26:46,189
Dan: Mafe, you have such
618
00:26:46,231 --> 00:26:47,816
an incredible control
of your voice.
619
00:26:47,857 --> 00:26:49,401
It feels like
a world-class painter.
620
00:26:49,442 --> 00:26:51,444
You know when to dip in
and out of vibrato.
621
00:26:51,486 --> 00:26:53,571
You're just such an
unbelievably talented singer.
622
00:26:53,613 --> 00:26:54,864
You both are.
623
00:26:54,906 --> 00:26:55,907
This was a great,
great knockout.
624
00:26:55,949 --> 00:26:57,367
Thank you so much.
625
00:26:57,409 --> 00:26:59,285
Daly: Thank you, Coaches.
626
00:26:59,327 --> 00:27:01,204
Alright, John,
it comes down to you, of course.
627
00:27:01,246 --> 00:27:03,039
Give us some thoughts
before you tell us who won.
628
00:27:03,081 --> 00:27:05,625
Well, both of you
are such a joy to work with.
629
00:27:05,667 --> 00:27:08,545
Gene, I feel like you exude
just positive light
630
00:27:08,586 --> 00:27:10,422
and a love for being on stage.
631
00:27:10,463 --> 00:27:11,881
It's really infectious.
632
00:27:11,923 --> 00:27:14,342
And then, Mafe,
your energy is more like warmth.
633
00:27:14,384 --> 00:27:15,719
It feels like love.
634
00:27:15,760 --> 00:27:17,554
You feel so connected
to the songs.
635
00:27:17,595 --> 00:27:18,847
For both of you,
it's a joy
636
00:27:18,888 --> 00:27:21,182
to be around people like that.
637
00:27:21,224 --> 00:27:22,559
Thank you for giving us that.
638
00:27:22,600 --> 00:27:24,477
Thank you.
Thank you.
639
00:27:24,519 --> 00:27:26,187
Daly: John, you got
a tough decision here.
640
00:27:26,229 --> 00:27:28,398
Who is the winner
of this knockout?
641
00:27:28,440 --> 00:27:38,241
**
642
00:27:38,283 --> 00:27:40,952
The winner of this knockout
is Mafe.
643
00:27:40,994 --> 00:27:42,704
Mafe, congratulations!
644
00:27:42,746 --> 00:27:44,372
You're moving on
to the playoffs!
645
00:27:44,414 --> 00:27:46,833
John: I love Mafe.
Her tone is so beautiful.
646
00:27:46,875 --> 00:27:51,880
Her energy is so warm and calm,
and it's just really special.
647
00:27:51,921 --> 00:27:54,841
Wonderful.
Thank you so much.
648
00:27:54,883 --> 00:27:56,426
She's shown us
some versatility
649
00:27:56,468 --> 00:27:58,178
in the type of song
she can perform.
650
00:27:58,219 --> 00:28:00,221
I can't wait to see
what she does next.
651
00:28:00,263 --> 00:28:03,641
Give it up for Gene Taylor,
ladies and gentlemen.
652
00:28:03,683 --> 00:28:06,436
John: We're really getting down
to the best of the best.
653
00:28:06,478 --> 00:28:08,188
Inevitably,
we're gonna send some
654
00:28:08,229 --> 00:28:10,607
incredibly talented
artists home.
655
00:28:10,648 --> 00:28:13,276
It's so frustrating,
but these are the knockouts.
656
00:28:13,318 --> 00:28:15,278
We've got to make
some tough decisions.
657
00:28:15,320 --> 00:28:18,823
Daly: Still to come on
the final night of knockouts...
658
00:28:18,865 --> 00:28:20,200
expert coaching...
659
00:28:20,241 --> 00:28:22,077
I'd get up on the mic
just a little bit more
660
00:28:22,118 --> 00:28:24,037
and get a bit more intimate.
Okay.
661
00:28:24,079 --> 00:28:26,956
* The Georgia rain *
662
00:28:26,998 --> 00:28:28,958
Daly: ...extraordinary
performances...
663
00:28:29,000 --> 00:28:32,962
* Your sweet love *
Yes!
664
00:28:33,004 --> 00:28:34,339
I thought you slayed that.
665
00:28:34,381 --> 00:28:36,633
Absolutely sang the mess
out of that song.
666
00:28:36,675 --> 00:28:39,260
My Lord,
that was beautiful.
667
00:28:40,011 --> 00:28:41,638
-Yeah!
-Oh!
668
00:28:41,680 --> 00:28:44,974
Daly: ...and Reba uses
the last steal of the season.
669
00:28:51,690 --> 00:28:52,899
* This is "The Voice" *
670
00:28:52,941 --> 00:28:55,068
Daly: Welcome back
to "The Voice."
671
00:28:56,361 --> 00:28:58,613
Alright, so,
this is my last chance.
672
00:28:58,655 --> 00:29:00,115
I have one steal.
673
00:29:00,156 --> 00:29:01,866
You're the only one
with a steal.
Yeah.
674
00:29:01,908 --> 00:29:03,284
I'm jealous of the steal.
675
00:29:03,326 --> 00:29:04,994
There's still
some great talent left.
676
00:29:05,036 --> 00:29:06,579
Yeah, I have some great people
on Team Legend
677
00:29:06,621 --> 00:29:09,457
that they would love
to be on Team Reba.
678
00:29:09,499 --> 00:29:11,418
[ Laughter ]
679
00:29:11,459 --> 00:29:13,503
We're campaigning
to have two steals.
680
00:29:13,545 --> 00:29:14,921
We've got two chairs.
681
00:29:14,963 --> 00:29:16,423
Wait a minutes.
Is that right?
682
00:29:16,464 --> 00:29:17,507
Can they do that?
683
00:29:17,549 --> 00:29:19,551
They are one coach,
as a team
684
00:29:19,592 --> 00:29:22,887
'cause each of them is like
half a coach, really, honestly.
685
00:29:22,929 --> 00:29:24,681
Oh!
Wow!
686
00:29:24,723 --> 00:29:26,141
Wow!
Oh, no.
687
00:29:26,182 --> 00:29:27,934
Unbelievable.
Did I say that?
688
00:29:27,976 --> 00:29:29,352
I'm excited.
689
00:29:29,394 --> 00:29:31,521
When we're here,
there's something so pure
690
00:29:31,563 --> 00:29:33,356
about seeing
these artists compete.
691
00:29:33,398 --> 00:29:35,066
And still stay friends.
Yeah.
692
00:29:35,108 --> 00:29:36,609
They come in, they hug,
they compete.
693
00:29:36,651 --> 00:29:38,236
That's one of the best parts
of the show, honestly.
694
00:29:38,278 --> 00:29:40,196
Somebody had
a secret handshake earlier.
695
00:29:40,238 --> 00:29:41,531
You remember
our secret handshake, Chance,
696
00:29:41,573 --> 00:29:42,907
that we came up with?
I forgot it
697
00:29:42,949 --> 00:29:43,992
as soon as you
taught it to me.
698
00:29:44,034 --> 00:29:45,243
Oh, man.
[ Laughs ]
699
00:29:45,285 --> 00:29:46,619
We started out,
it was like this.
700
00:29:46,661 --> 00:29:48,246
I remember that part.
And it comes off,
701
00:29:48,288 --> 00:29:50,457
and then we elbow,
and then we punch John.
702
00:29:50,498 --> 00:29:51,583
[ Laughter ]
703
00:29:51,624 --> 00:29:53,126
You remember.
Well, we changed it.
704
00:29:53,168 --> 00:29:54,586
Listen, I don't know
the handshake.
705
00:29:54,627 --> 00:29:56,755
I'm gonna remember this.
It's a work in process.
706
00:29:56,796 --> 00:29:59,132
I'm ready to do this.
More knockouts!
Let's go!
707
00:29:59,174 --> 00:30:01,509
Let's fire it up.
Reba's got a steal to use.
708
00:30:01,551 --> 00:30:02,969
I'm nervous.
709
00:30:03,011 --> 00:30:06,014
Shay: Being able to mentor
these contestants is incredible.
710
00:30:06,056 --> 00:30:07,140
You've really done that for us
over the years,
711
00:30:07,182 --> 00:30:08,475
which we're very grateful for.
712
00:30:08,516 --> 00:30:09,726
Dan: These people
all look up to you, man.
713
00:30:09,768 --> 00:30:10,977
And that means a lot.
714
00:30:11,019 --> 00:30:12,395
The words
that you give them,
715
00:30:12,437 --> 00:30:13,772
I feel like they're gonna
carry with them
716
00:30:13,813 --> 00:30:15,190
the rest of their lives.
Awesome.
717
00:30:15,231 --> 00:30:16,608
Dan: Love you, brother.
Love you, too, Dan.
718
00:30:16,649 --> 00:30:19,361
Doing squats. Whew!
Get rid of the nerves.
719
00:30:19,402 --> 00:30:21,112
How are you still nervous?
720
00:30:21,154 --> 00:30:22,655
I don't know.
You got it.
You got it.
721
00:30:22,697 --> 00:30:24,991
Ducote, Karen,
they're very different singers.
722
00:30:25,033 --> 00:30:28,453
Karen is this powerhouse,
Carrie Underwood-type singer.
723
00:30:28,495 --> 00:30:30,789
And Ducote has a special grit
to his voice,
724
00:30:30,830 --> 00:30:32,665
and I think it's gonna
make for a great pairing.
725
00:30:32,707 --> 00:30:34,626
Adios!
After you, lady.
726
00:30:36,002 --> 00:30:38,129
What's up, guys?
Let's go!
727
00:30:38,171 --> 00:30:39,798
Come on!
No way!
728
00:30:39,839 --> 00:30:41,257
Let's go!
How are you, Karen?
729
00:30:41,299 --> 00:30:43,301
Oh, my gosh!
Yes, yes!
Nice to see you.
730
00:30:43,343 --> 00:30:45,261
Yes! Nice to meet you!
731
00:30:45,303 --> 00:30:46,638
Ducote: Keith Urban
can do everything.
732
00:30:46,680 --> 00:30:48,306
He performs.
He puts on a great show.
733
00:30:48,348 --> 00:30:50,475
It's crazy to be able
to get input
734
00:30:50,517 --> 00:30:53,353
from a guy that's done
amazing with his career.
735
00:30:53,395 --> 00:30:55,522
I literally just was
at your show in Nashville.
736
00:30:55,563 --> 00:30:57,273
Were you?
To walk in the room
737
00:30:57,315 --> 00:31:00,610
and see that level
of a performer about to help me?
738
00:31:00,652 --> 00:31:02,195
I was like, "Yes!"
739
00:31:02,237 --> 00:31:04,489
Let's dive in.
Alright. Let's do this.
740
00:31:04,531 --> 00:31:06,157
Dan: It's gonna be a good one.
741
00:31:06,199 --> 00:31:07,701
Tell me what song
are you gonna do?
742
00:31:07,742 --> 00:31:09,160
Oh, I'm gonna be doing
"She Got the Best of Me"
743
00:31:09,202 --> 00:31:10,745
by Luke Combs.
Oh, cool.
744
00:31:10,787 --> 00:31:14,708
* 17, you don't think
that much about life *
745
00:31:14,749 --> 00:31:16,167
* You just live it *
746
00:31:16,209 --> 00:31:18,795
I look back on life
when I was way younger,
747
00:31:18,837 --> 00:31:21,840
three years ago,
when I was [Laughing] 17,
748
00:31:21,881 --> 00:31:25,135
going to the lake all day,
staying up all night,
749
00:31:25,176 --> 00:31:26,761
living free.
750
00:31:26,803 --> 00:31:28,388
And then 18 comes along,
751
00:31:28,430 --> 00:31:30,515
got into fire school
and became a firefighter.
752
00:31:30,557 --> 00:31:32,350
And then school on top
of all that.
753
00:31:32,392 --> 00:31:34,269
* She got the best of me *
754
00:31:34,310 --> 00:31:37,355
This whole experience
has been a great reminder
755
00:31:37,397 --> 00:31:39,315
that you got to do
what makes you happy.
756
00:31:39,357 --> 00:31:40,608
Live in the moment now,
while you can,
757
00:31:40,650 --> 00:31:42,360
'cause eventually,
it's gonna end
758
00:31:42,402 --> 00:31:44,195
and you're gonna have to go back
to your real world.
759
00:31:44,237 --> 00:31:46,197
This song showcases
the artist I want to be
760
00:31:46,239 --> 00:31:48,366
because it's a rough
country song.
761
00:31:48,408 --> 00:31:50,493
But it also has some
very vulnerable parts.
762
00:31:50,535 --> 00:31:53,913
* You get what's left of me *
763
00:31:53,955 --> 00:31:56,541
What a sick song.
Such a smash on country radio.
764
00:31:56,583 --> 00:31:59,127
I feel like this allows him
to show a more vulnerable,
765
00:31:59,169 --> 00:32:00,920
more soft side,
which I think is important.
766
00:32:00,962 --> 00:32:03,381
He's got the charisma.
He's got the personality.
767
00:32:03,423 --> 00:32:05,425
I think that's really
going to translate.
768
00:32:05,467 --> 00:32:06,926
-Yeah, buddy.
-Yeah, man.
769
00:32:06,968 --> 00:32:08,470
Dan: Obviously, I think
you're most at home
770
00:32:08,511 --> 00:32:09,888
when you're doing,
like, the growl,
771
00:32:09,929 --> 00:32:11,348
kind of, like,
tougher thing.
772
00:32:11,389 --> 00:32:12,515
I just want to feel
the same confidence
773
00:32:12,557 --> 00:32:13,975
in the tender part.
Yep.
774
00:32:14,017 --> 00:32:15,393
To this point
in the competition,
775
00:32:15,435 --> 00:32:16,353
we haven't heard
anything kind of soft
776
00:32:16,394 --> 00:32:17,437
like that from you.
777
00:32:17,479 --> 00:32:18,897
Keith:
Right out of the gate,
778
00:32:18,938 --> 00:32:20,815
might be nice if there was
just piano and you.
779
00:32:20,857 --> 00:32:22,734
Okay.
And then maybe
the band can build up.
780
00:32:22,776 --> 00:32:24,694
And when we hit the chorus,
then we go into that.
781
00:32:24,736 --> 00:32:26,905
I really want you
to sell that part --
782
00:32:26,946 --> 00:32:28,073
"She got the best of me."
783
00:32:28,114 --> 00:32:30,909
* She got the best of me *
784
00:32:30,950 --> 00:32:33,203
And just really,
like, let that sink in.
Okay.
785
00:32:33,244 --> 00:32:35,413
I would save, like,
the big gritty growl
786
00:32:35,455 --> 00:32:37,957
for the last line of that
to really make it matters.
787
00:32:37,999 --> 00:32:42,587
* Is beating in this guitar
every night *
788
00:32:42,629 --> 00:32:44,255
Okay.
Let that be the moment.
789
00:32:44,297 --> 00:32:45,965
I like changing things up.
790
00:32:46,007 --> 00:32:49,969
* 17, you don't think
that much about life *
791
00:32:50,011 --> 00:32:51,429
* You just live it *
792
00:32:51,471 --> 00:32:53,765
Breaking down that beginning
really helped.
793
00:32:53,807 --> 00:32:55,266
Thank you so much, man.
Thank y'all.
794
00:32:55,308 --> 00:32:56,267
Shay: Thanks
for listening to us.
795
00:32:56,309 --> 00:32:59,062
Ducote is so unique.
796
00:32:59,104 --> 00:33:00,605
I've lived in Nashville
a long time,
797
00:33:00,647 --> 00:33:02,399
and I've played music
with a lot of people,
798
00:33:02,440 --> 00:33:04,442
and I've never heard
anybody sing quite like him,
799
00:33:04,484 --> 00:33:06,778
so I really have to bring it.
800
00:33:06,820 --> 00:33:08,655
Tell us about
where you're singing today.
801
00:33:08,697 --> 00:33:10,740
I'm singing "Georgia Rain"
by Trisha Yearwood.
802
00:33:10,782 --> 00:33:14,577
* Barefoot in the bed
of your truck *
803
00:33:14,619 --> 00:33:18,581
This song is really emotional
and is a storytelling song.
804
00:33:18,623 --> 00:33:20,750
It's about everybody's
love story
805
00:33:20,792 --> 00:33:24,838
that they look back on
and reminisce in a positive way.
806
00:33:24,879 --> 00:33:27,507
I moved to Nashville, Tennessee,
after college.
807
00:33:27,549 --> 00:33:30,218
I was living
in a really run-down house,
808
00:33:30,260 --> 00:33:31,970
playing bar gigs,
809
00:33:32,012 --> 00:33:34,097
and I was in a relationship
810
00:33:34,139 --> 00:33:36,391
where I was traveling
to see a guy
811
00:33:36,433 --> 00:33:38,101
that was living in Georgia.
812
00:33:38,143 --> 00:33:42,355
It was a conflicting emotional
roller coaster for years.
813
00:33:42,397 --> 00:33:45,316
Finally, I decided
I'm going to put music first.
814
00:33:45,358 --> 00:33:47,402
* The Georgia rain *
815
00:33:47,444 --> 00:33:49,654
I feel like I'm getting better,
816
00:33:49,696 --> 00:33:52,574
working with the coaches,
pushing myself.
817
00:33:52,615 --> 00:33:54,659
I don't want the ride
to be over.
818
00:33:54,701 --> 00:33:56,661
You sound like a record
when you sing.
819
00:33:56,703 --> 00:33:58,830
You got such a great voice.
Thank you.
820
00:33:58,872 --> 00:34:01,791
Don't think about performing
so much right out of the gate.
Okay.
821
00:34:01,833 --> 00:34:03,501
I'd get up on the mic
just a little bit more
822
00:34:03,543 --> 00:34:05,420
and get a bit more intimate.
Okay.
823
00:34:05,462 --> 00:34:07,088
Let yourself be
vulnerable on that.
824
00:34:07,130 --> 00:34:08,548
That's it.
How would Adele do it?
825
00:34:08,590 --> 00:34:10,342
She knows
how to tell the story,
826
00:34:10,383 --> 00:34:11,968
and she pulls you in.
Yeah.
827
00:34:12,010 --> 00:34:13,178
Save some of the big,
828
00:34:13,219 --> 00:34:15,013
expansive arms motions
and stuff,
829
00:34:15,055 --> 00:34:16,931
till when you're
really going for it at the end.
Karen: Okay.
830
00:34:16,973 --> 00:34:19,184
'Cause I think that'll make
it pay off a little bit more.
831
00:34:19,225 --> 00:34:23,355
* Barefoot in the bed
of your truck *
832
00:34:23,396 --> 00:34:24,856
Keith:
Dan + Shay have a couple
833
00:34:24,898 --> 00:34:27,067
of really legit country artists
on their team.
834
00:34:27,108 --> 00:34:28,735
Karen came with this big voice.
835
00:34:28,777 --> 00:34:30,528
But when you're choosing
a Trisha Yearwood song,
836
00:34:30,570 --> 00:34:31,988
you have to be a storyteller.
837
00:34:32,030 --> 00:34:34,491
That's what Trisha does
so exceptionally well.
838
00:34:34,532 --> 00:34:39,788
* Georgia rain *
839
00:34:39,829 --> 00:34:42,749
Yeah! Yeah, yeah, yeah!
840
00:34:42,791 --> 00:34:44,209
Did that help?
Oh, my --
841
00:34:44,250 --> 00:34:45,502
That was night and day.
842
00:34:45,543 --> 00:34:46,836
The more restraint
that you use,
843
00:34:46,878 --> 00:34:48,588
that sells it 10 times
more to me
844
00:34:48,630 --> 00:34:49,881
'cause I believe it.
Okay, yeah.
845
00:34:49,923 --> 00:34:51,549
Come on up here, Ducote.
846
00:34:51,591 --> 00:34:53,885
We're all lucky to get to hang
with this guy today.
847
00:34:53,927 --> 00:34:55,553
I mean, absolute legend, dude.
Ducote: Thank you, guys.
848
00:34:55,595 --> 00:34:57,263
Thank you, Keith,
for being here today.
849
00:34:57,305 --> 00:34:59,265
You are the ultimate
inspiration for performers.
Seriously.
850
00:34:59,307 --> 00:35:01,309
Our country knockout,
Karen versus Ducote.
851
00:35:01,351 --> 00:35:02,811
Karen's a tough competitor.
852
00:35:02,852 --> 00:35:04,896
She's such a good singer.
She's a seasoned pro.
853
00:35:04,938 --> 00:35:07,899
Ducote's got that gravel in his
voice, the growl kind of thing.
854
00:35:07,941 --> 00:35:09,734
This is gonna be
an impossible decision.
855
00:35:09,776 --> 00:35:11,903
This is the worst decision
we're gonna have to make.
856
00:35:11,945 --> 00:35:14,239
In country music, the words are
the most important thing.
857
00:35:14,280 --> 00:35:17,200
Whoever connects to those lyrics
more, I think is gonna move on.
858
00:35:17,242 --> 00:35:18,451
Dude, we need
a triple chair.
859
00:35:18,493 --> 00:35:19,994
We got to keep you
around, man.
860
00:35:20,036 --> 00:35:21,746
Just don't give any good advice
to the other teams
861
00:35:21,788 --> 00:35:23,581
and we'll be all set.
Exactly.
We'll be good to go.
862
00:35:25,542 --> 00:35:26,960
Shay: Okay, Karen!
863
00:35:29,129 --> 00:35:30,130
Let's go.
864
00:35:30,171 --> 00:35:31,214
Now singing "Georgia Rain,"
865
00:35:31,256 --> 00:35:32,966
here's Karen Waldrup.
866
00:35:33,008 --> 00:35:34,968
[ Cheers and applause ]
867
00:35:35,010 --> 00:35:39,806
**
868
00:35:39,848 --> 00:35:44,602
* Barefoot in the bed
of your truck *
869
00:35:44,644 --> 00:35:48,481
* On a blanket lookin' up *
870
00:35:49,482 --> 00:35:53,778
* Half a moon
peeking down at us *
871
00:35:53,820 --> 00:35:58,783
* From underneath the clouds *
872
00:35:58,825 --> 00:36:01,995
* Teenage kids
sneakin' out again *
873
00:36:02,037 --> 00:36:03,455
Whoo!
874
00:36:03,496 --> 00:36:06,750
* I heard the thunder
rollin' in *
875
00:36:06,791 --> 00:36:08,043
Wow.
876
00:36:08,084 --> 00:36:11,880
* We were fallin'
the moment when *
877
00:36:11,921 --> 00:36:18,219
* It all came pourin' down *
878
00:36:18,261 --> 00:36:21,139
* The Georgia rain *
879
00:36:21,181 --> 00:36:27,187
* On the Jasper County clay *
880
00:36:27,228 --> 00:36:30,315
* Couldn't wash away *
881
00:36:30,357 --> 00:36:36,738
* What I felt for you that day *
882
00:36:38,531 --> 00:36:42,702
* Just you and me
down an ol' dirt road *
883
00:36:42,744 --> 00:36:47,332
Yes!
* Nothin' in our way *
884
00:36:47,374 --> 00:36:50,710
* Except for *
885
00:36:50,752 --> 00:37:00,053
* The Georgia raaaain *
886
00:37:00,095 --> 00:37:02,514
* Couldn't wash away *
887
00:37:02,555 --> 00:37:09,479
* The way I loved you
to this day *
888
00:37:11,606 --> 00:37:16,528
* The ol' dirt road's
paved over now *
889
00:37:16,569 --> 00:37:22,367
* Nothin' here's the same *
890
00:37:22,409 --> 00:37:26,246
* Except for *
891
00:37:26,287 --> 00:37:32,210
* The Georgia rain *
892
00:37:32,252 --> 00:37:33,503
Yes!
893
00:37:33,545 --> 00:37:36,297
[ Cheers and applause ]
894
00:37:36,339 --> 00:37:38,049
Reba: Whoo!
895
00:37:46,266 --> 00:37:47,600
* This is "The Voice" *
896
00:37:47,642 --> 00:37:49,060
Daly: Welcome back
to the knockouts.
897
00:37:50,103 --> 00:37:52,272
Looking good, Ducote.
Let's go!
898
00:37:52,313 --> 00:37:53,606
It's all country these days.
899
00:37:53,648 --> 00:37:55,108
You look like a stud.
900
00:37:55,150 --> 00:37:59,112
With "She Got the Best of Me,"
here's Ducote Talmage.
901
00:37:59,154 --> 00:38:01,114
[ Cheers and applause ]
902
00:38:01,156 --> 00:38:06,077
**
903
00:38:06,119 --> 00:38:10,248
* 17, you don't think
that much about life *
904
00:38:10,290 --> 00:38:12,584
* You just live it *
905
00:38:12,625 --> 00:38:16,463
* Like kerosene dancing
'round a fire *
906
00:38:16,504 --> 00:38:18,131
* But you're in it *
907
00:38:18,173 --> 00:38:21,301
* So you jump right in *
908
00:38:21,343 --> 00:38:23,803
* Ain't afraid to fall *
909
00:38:23,845 --> 00:38:26,931
* And you give it all *
910
00:38:26,973 --> 00:38:30,143
* She got the best of me *
911
00:38:31,019 --> 00:38:33,355
* She broke my heart *
912
00:38:33,396 --> 00:38:36,775
* And all that's left of me *
913
00:38:36,816 --> 00:38:39,194
* Is beating in this guitar *
914
00:38:39,235 --> 00:38:43,281
* Oh, every night,
a different town *
915
00:38:43,323 --> 00:38:45,492
* She follows me around *
916
00:38:45,533 --> 00:38:48,661
* So you get what's left of me *
917
00:38:48,703 --> 00:38:52,374
* Yeah, you get
what's left of me *
918
00:38:52,415 --> 00:38:57,962
* She got the best of me *
919
00:38:59,464 --> 00:39:03,927
* Whoa *
920
00:39:04,719 --> 00:39:07,681
* She got the best of me *
921
00:39:08,515 --> 00:39:10,892
* She broke my heart *
922
00:39:10,934 --> 00:39:14,145
* Now all that's left of me *
923
00:39:14,187 --> 00:39:18,149
* Is beating in this guitar *
924
00:39:18,191 --> 00:39:20,819
* Every night,
a different town *
925
00:39:20,860 --> 00:39:23,071
* She follows me around *
926
00:39:23,113 --> 00:39:26,199
* So you get what's left of me *
927
00:39:26,241 --> 00:39:29,786
* Yeah, you get
what's left of me *
928
00:39:29,828 --> 00:39:35,125
* She got the best of me *
929
00:39:36,126 --> 00:39:41,589
* She got the best of me *
930
00:39:42,424 --> 00:39:45,635
* She got the best of me *
931
00:39:45,677 --> 00:39:49,264
* Ohhh *
932
00:39:49,305 --> 00:39:51,349
[ Cheers and applause ]
933
00:39:53,643 --> 00:39:56,021
Good job, Ducote!
934
00:39:56,062 --> 00:39:57,605
Not bad!
935
00:39:59,649 --> 00:40:01,401
Congratulations.
That was wonderful.
936
00:40:01,443 --> 00:40:05,405
Ducote, I love your
cool rasp in your voice.
937
00:40:05,447 --> 00:40:09,075
You used it in a way
that was really well chosen.
938
00:40:09,117 --> 00:40:10,744
Thank you so much.
Mm-hmm.
939
00:40:10,785 --> 00:40:14,748
And, Karen, my Lord,
that was beautiful.
940
00:40:14,789 --> 00:40:17,792
Your tone has this
really nice openness to it.
941
00:40:17,834 --> 00:40:20,879
I was really impressed.
942
00:40:20,920 --> 00:40:23,631
Ducote, that texture
in your voice, I love it.
943
00:40:23,673 --> 00:40:24,924
Sexy.
944
00:40:24,966 --> 00:40:26,468
That was a great song
for you.
945
00:40:26,509 --> 00:40:30,347
And, Karen, you were that person
in the Georgia rain.
946
00:40:30,388 --> 00:40:33,308
You stayed in the moment
throughout the whole song.
947
00:40:33,350 --> 00:40:36,144
I just loved
your performance of it.
Thanks.
948
00:40:36,186 --> 00:40:38,521
Ducote, I think that was
your best performance so far.
949
00:40:38,563 --> 00:40:41,941
I thought it was passionate
but also, like, controlled.
950
00:40:41,983 --> 00:40:44,027
Karen, that was so raw.
951
00:40:44,069 --> 00:40:46,112
It felt a little
like Celine Dion.
952
00:40:46,154 --> 00:40:48,823
Yeah, it was like
big pop diva vocal.
Yeah.
953
00:40:48,865 --> 00:40:51,284
You just have a very angelic,
delicate voice,
954
00:40:51,326 --> 00:40:52,619
but it's very intentional.
955
00:40:52,660 --> 00:40:54,329
I'm leaning towards Karen.
956
00:40:54,371 --> 00:40:56,706
Thank you, Coaches.
Alright, Dan + Shay.
957
00:40:56,748 --> 00:40:57,999
Give us some thoughts
on the knockout,
958
00:40:58,041 --> 00:40:59,626
and then tell us who won.
959
00:40:59,668 --> 00:41:01,878
Ducote, I think the first verse
of that performance
960
00:41:01,920 --> 00:41:03,672
really showcased
that more tender,
961
00:41:03,713 --> 00:41:05,090
kind of soft,
real breathy thing,
962
00:41:05,131 --> 00:41:06,633
and you nailed it.
Thank you.
963
00:41:06,675 --> 00:41:08,343
I love the way
that you light up the room
964
00:41:08,385 --> 00:41:09,761
whenever you walk in it.
965
00:41:09,803 --> 00:41:11,137
I feel like I'm writing him
a love letter.
966
00:41:11,179 --> 00:41:12,180
"Dear Ducote..."
967
00:41:12,222 --> 00:41:13,473
You were so thoughtful
in the way
968
00:41:13,515 --> 00:41:14,641
that you delivered this song.
969
00:41:14,683 --> 00:41:15,684
That was
the best performance
970
00:41:15,725 --> 00:41:16,643
I think that I've heard you do
971
00:41:16,685 --> 00:41:18,436
this entire competition.
972
00:41:18,478 --> 00:41:20,897
Dan: Karen, you just have one
of the most incredible voices.
973
00:41:20,939 --> 00:41:23,108
A lot of people need an engineer
in the studio,
974
00:41:23,149 --> 00:41:24,943
twisting knobs to make a voice
push and pull like that.
975
00:41:24,984 --> 00:41:27,612
Yeah.
Giving Chance
the Celine Dion feels
976
00:41:27,654 --> 00:41:28,697
on some
of that tender stuff.
977
00:41:28,738 --> 00:41:30,490
Straight up.
Straight up.
978
00:41:30,532 --> 00:41:33,827
That's an incredible ability
that not everybody has, really.
979
00:41:33,868 --> 00:41:36,996
Yeah, straight up.
Yeah, shout out Celine, dude.
980
00:41:37,038 --> 00:41:38,790
Chance's heart will go on.
981
00:41:38,832 --> 00:41:40,500
[ Laughter ]
982
00:41:40,542 --> 00:41:42,794
I have just fallen in love
with both of you guys.
983
00:41:42,836 --> 00:41:44,546
This is a tough decision.
984
00:41:44,587 --> 00:41:45,922
Dan + Shay,
the time has come.
985
00:41:45,964 --> 00:41:48,258
Who is the winner
of this knockout?
986
00:41:48,299 --> 00:41:53,680
**
987
00:41:53,722 --> 00:41:54,764
[ Sighs ]
988
00:41:54,806 --> 00:41:57,058
The winner...
989
00:41:57,100 --> 00:41:58,435
is Karen.
990
00:41:58,476 --> 00:42:00,270
Karen, congratulations!
991
00:42:00,311 --> 00:42:02,522
Karen and Ducote,
our country pairing,
992
00:42:02,564 --> 00:42:04,024
both really brought the heat.
993
00:42:04,065 --> 00:42:05,734
I just think Karen edged it
out a little bit.
994
00:42:05,775 --> 00:42:07,360
She really just was
super dynamic
995
00:42:07,402 --> 00:42:09,487
in her performance
and super precise.
996
00:42:09,529 --> 00:42:10,697
Karen is a superstar, man.
997
00:42:10,739 --> 00:42:12,115
I think she's so good.
998
00:42:12,157 --> 00:42:13,992
She can sing any song
we throw her way.
999
00:42:14,034 --> 00:42:15,994
She wants to be a country artist
through and through,
1000
00:42:16,036 --> 00:42:17,537
and she's gonna crush it
on this show.
1001
00:42:17,579 --> 00:42:19,414
She has so much potential.
1002
00:42:19,456 --> 00:42:22,751
Give it up for Ducote Talmage,
ladies and gentlemen!
1003
00:42:22,792 --> 00:42:24,669
Man, I was tough
to see Ducote go.
1004
00:42:24,711 --> 00:42:26,504
We love that guy.
It's heartbreaking.
1005
00:42:26,546 --> 00:42:28,298
You know, we have developed
relationships with these people,
1006
00:42:28,340 --> 00:42:30,008
and it's hard to see
them go home.
1007
00:42:30,050 --> 00:42:31,551
You're so beautiful.
Thank you.
1008
00:42:31,593 --> 00:42:33,553
Hey, you know, you go
to my cousin's store --
1009
00:42:33,595 --> 00:42:35,221
He's working it.
Working it.
1010
00:42:35,263 --> 00:42:37,849
Tell him you know me
next time.
You got it.
1011
00:42:37,891 --> 00:42:39,559
Thank you, everybody!
1012
00:42:39,601 --> 00:42:41,311
Reba, did he just
get your number?
1013
00:42:41,353 --> 00:42:42,479
He did.
1014
00:42:42,520 --> 00:42:44,064
[ Laughter ]
1015
00:42:44,105 --> 00:42:46,232
Dan + Shay
believed in me first.
1016
00:42:46,274 --> 00:42:48,985
That's right, we did.
That's right, we did!
1017
00:42:49,027 --> 00:42:51,237
Let's go!
Oh, you crushed that.
1018
00:42:51,279 --> 00:42:53,698
What a performance.
You're such a star.
1019
00:42:53,740 --> 00:42:54,949
This is gonna be so fun.
1020
00:42:54,991 --> 00:42:57,077
Let's go.
Let's go!
1021
00:42:57,118 --> 00:42:59,245
Come on.
Crushed it, Karen.
It's the playoffs!
1022
00:43:05,627 --> 00:43:07,462
* This is "The Voice" *
1023
00:43:07,504 --> 00:43:08,922
Daly: Welcome back.
1024
00:43:10,215 --> 00:43:11,841
L. Rodgers: Hi, Miss Reba!
Reba: Hey, hey!
1025
00:43:11,883 --> 00:43:13,093
How are you?
Good.
1026
00:43:13,134 --> 00:43:14,302
So, what's it like
sitting up there,
1027
00:43:14,344 --> 00:43:16,054
watching all of this?
So nice
1028
00:43:16,096 --> 00:43:17,806
because we haven't heard
everybody sing.
1029
00:43:17,847 --> 00:43:19,974
And so, like,
getting to see everybody...
1030
00:43:20,016 --> 00:43:21,851
Yeah.
It's amazing.
1031
00:43:21,893 --> 00:43:23,186
And, like, Kamalei already
made me sob.
1032
00:43:23,228 --> 00:43:25,313
Me, too, as you saw.
I know.
1033
00:43:25,355 --> 00:43:27,982
Thank you so much
for this opportunity.
You're welcome!
1034
00:43:28,024 --> 00:43:29,359
Like, I'm so grateful.
1035
00:43:29,401 --> 00:43:31,194
I'm very grateful
you're on my team.
1036
00:43:31,236 --> 00:43:32,904
And we're gonna have fun
at the playoffs.
1037
00:43:32,946 --> 00:43:34,614
Oh, yeah,
we're gonna do it.
1038
00:43:34,656 --> 00:43:39,119
So, the two -- now, really,
it's three that are coming out.
1039
00:43:39,160 --> 00:43:42,831
One is a duo,
Justin and Jeremy Garcia.
1040
00:43:42,872 --> 00:43:45,417
I stole him from Dan + Shay.
1041
00:43:45,458 --> 00:43:48,670
And then Zeya, she's got
a great range, powerful voice.
1042
00:43:48,712 --> 00:43:50,755
Let me know
what you think.
I can't wait
to hear them.
1043
00:43:50,797 --> 00:43:52,590
Yeah. Well,
bring them on in!
1044
00:43:52,632 --> 00:43:54,509
Yeah!
1045
00:43:54,551 --> 00:43:55,802
-Oh!
-What?!
1046
00:43:55,844 --> 00:43:57,470
Oh, my God!
1047
00:43:57,512 --> 00:43:58,930
Hi, there.
Hi!
1048
00:43:58,972 --> 00:44:01,016
Keith Urban --
I couldn't believe my eyes.
1049
00:44:01,057 --> 00:44:03,018
He is one of my
favorite country artists.
1050
00:44:03,059 --> 00:44:04,477
So, for me,
it was a big deal.
1051
00:44:04,519 --> 00:44:06,021
Good to see you, man.
1052
00:44:06,062 --> 00:44:07,439
Justin: You don't even need
to be into country
1053
00:44:07,480 --> 00:44:08,440
to know Keith Urban.
1054
00:44:08,481 --> 00:44:10,316
And him standing
next to Reba?
1055
00:44:10,358 --> 00:44:12,861
Two of the biggest
country artists in one room.
1056
00:44:12,902 --> 00:44:14,696
Right?
That's crazy.
1057
00:44:14,738 --> 00:44:16,239
We're so excited
to work with Reba
1058
00:44:16,281 --> 00:44:18,033
because she has
so much experience.
1059
00:44:18,074 --> 00:44:20,368
She can definitely teach us
how to really perform.
1060
00:44:20,410 --> 00:44:22,037
So, what are y'all
singing today?
1061
00:44:22,078 --> 00:44:23,663
"You Are the Reason"
by Calum Scott.
1062
00:44:23,705 --> 00:44:25,081
Why'd you pick it?
1063
00:44:25,123 --> 00:44:27,417
The lyrics really embody
our brotherly bond.
1064
00:44:27,459 --> 00:44:28,668
Aww!
Keith: Wow.
1065
00:44:28,710 --> 00:44:30,253
* There goes my heart... *
1066
00:44:30,295 --> 00:44:33,089
The story to the song
shows that there is a reason
1067
00:44:33,131 --> 00:44:34,632
why you keep moving,
1068
00:44:34,674 --> 00:44:37,927
and for the both of us,
it's each other.
1069
00:44:37,969 --> 00:44:40,722
* I'd climb every mountain *
1070
00:44:40,764 --> 00:44:43,308
Growing up, we weren't
always the best of friends,
1071
00:44:43,350 --> 00:44:45,643
'cause Justin was
the sports dude,
1072
00:44:45,685 --> 00:44:46,978
and I was in the band.
1073
00:44:47,020 --> 00:44:48,688
So, we definitely had
a little separation.
1074
00:44:48,730 --> 00:44:50,357
But as we got older,
we knew
1075
00:44:50,398 --> 00:44:53,777
that singing was a passion
that we both shared.
1076
00:44:53,818 --> 00:44:56,071
Music was that one thing
that brought us together.
1077
00:44:56,112 --> 00:44:57,906
[ Vocalizing ]
1078
00:44:57,947 --> 00:45:00,909
I really love this pop
acoustic style.
1079
00:45:00,950 --> 00:45:03,161
We get to show
this vulnerable side.
1080
00:45:03,203 --> 00:45:06,081
* ...broken *
1081
00:45:06,122 --> 00:45:08,792
Justin and Jeremy
do such a good job together.
1082
00:45:08,833 --> 00:45:12,253
I like to work with harmonies.
That's what I grew up with.
1083
00:45:12,295 --> 00:45:14,214
I think it's really good
for them being a duo.
1084
00:45:14,255 --> 00:45:16,049
They're gonna stand out
in the competition.
1085
00:45:16,091 --> 00:45:17,092
They're different.
1086
00:45:17,133 --> 00:45:20,929
* ...the reason *
1087
00:45:20,970 --> 00:45:22,389
Keith: Alright.
1088
00:45:22,430 --> 00:45:24,557
Reba: Bravo!
Good job.
1089
00:45:24,599 --> 00:45:26,142
Okay, since this is
the first time
1090
00:45:26,184 --> 00:45:28,103
I've got to visit
with you guys --
1091
00:45:28,144 --> 00:45:29,604
Right.
...your singing's great.
1092
00:45:29,646 --> 00:45:31,439
Now, let's work on communication
with the audience.
1093
00:45:31,481 --> 00:45:33,775
For sure.
Jeremy, you were so cute.
1094
00:45:33,817 --> 00:45:35,777
You got through with your part
and you were like,
1095
00:45:35,819 --> 00:45:37,570
"Whew! Got that done.
1096
00:45:37,612 --> 00:45:40,949
Whoo! I'm tickled to pieces.
Now it's your turn."
1097
00:45:40,990 --> 00:45:42,826
You got to stay
in that moment.
1098
00:45:42,867 --> 00:45:44,953
And, Justin,
smile with your eyes.
1099
00:45:44,994 --> 00:45:46,621
Barry Manilow told me
one time,
1100
00:45:46,663 --> 00:45:48,998
"Are you smiling
when you're singing that line?"
1101
00:45:49,040 --> 00:45:50,792
I said, "No."
He said, "Do it."
1102
00:45:50,834 --> 00:45:53,378
Because if you smile when
you're singing, we can hear it.
1103
00:45:53,420 --> 00:45:55,255
Good advice, Reba.
Thank you.
1104
00:45:55,296 --> 00:45:56,798
Have you had to learn
all this the hard way?
1105
00:45:56,840 --> 00:45:57,966
Yes, I did.
1106
00:45:58,008 --> 00:45:59,592
[ Laughter ]
1107
00:45:59,634 --> 00:46:02,637
When you guys sing
the high broken line...
Yeah.
1108
00:46:02,679 --> 00:46:04,389
...it's the only part
of the song
1109
00:46:04,431 --> 00:46:06,474
that feels like
it's forced, vocally.
1110
00:46:06,516 --> 00:46:08,893
What are you singing
on that part?
1111
00:46:08,935 --> 00:46:10,311
* Broken *
1112
00:46:10,353 --> 00:46:11,855
* ...en *
You there?
1113
00:46:11,896 --> 00:46:13,690
And you're * ...en *
You're there.
Yeah.
1114
00:46:13,732 --> 00:46:15,233
What if they went
in their head voice?
1115
00:46:15,275 --> 00:46:17,694
* Broken *
1116
00:46:17,736 --> 00:46:19,988
* Broken *
1117
00:46:20,030 --> 00:46:22,240
Instead of full voice.
Keith: Yeah.
1118
00:46:22,282 --> 00:46:26,536
* And fix what I've broken *
1119
00:46:26,578 --> 00:46:28,580
Yeah.
That was a lot,
lot better.
1120
00:46:28,621 --> 00:46:30,498
'Cause it's also vulnerable.
Thank you.
1121
00:46:30,540 --> 00:46:33,335
Okay, Zeya.
Come on up, girl.
1122
00:46:33,376 --> 00:46:35,670
It's very hard
to go against a duo.
1123
00:46:35,712 --> 00:46:37,255
Kill it.
It did scare me a bit,
1124
00:46:37,297 --> 00:46:39,341
but I want to win this knockout
1125
00:46:39,382 --> 00:46:43,386
because I just feel so complete
doing music every day.
1126
00:46:43,428 --> 00:46:44,804
What are you gonna
sing for us?
1127
00:46:44,846 --> 00:46:48,058
I am singing "River"
by Bishop Briggs.
1128
00:46:48,099 --> 00:46:52,020
This song is about empowerment.
1129
00:46:52,062 --> 00:46:53,938
* Shut your mouth, baby *
1130
00:46:53,980 --> 00:46:56,232
My mom has really inspired me.
1131
00:46:56,274 --> 00:46:58,193
With everything in music
and in life,
1132
00:46:58,234 --> 00:47:01,237
she's always pushed me
to never give up.
1133
00:47:01,279 --> 00:47:03,448
She had me at 16.
1134
00:47:03,490 --> 00:47:06,368
She was a single mom, and it was
really, really hard on her.
1135
00:47:06,409 --> 00:47:08,661
She had to grow up very fast.
1136
00:47:08,703 --> 00:47:13,124
But she always made sure that
she had a smile on her face,
1137
00:47:13,166 --> 00:47:16,044
and she never showed
that she was struggling.
1138
00:47:16,086 --> 00:47:18,296
My mom is very proud of me.
1139
00:47:18,338 --> 00:47:20,840
She calls me every day,
and she just can't believe
1140
00:47:20,882 --> 00:47:22,842
that I'm finally
living my dream.
1141
00:47:22,884 --> 00:47:25,053
* Choke this love
till the veins start to shiver *
1142
00:47:25,095 --> 00:47:26,471
I chose this song
because I feel
1143
00:47:26,513 --> 00:47:28,682
like it shows
my powerhouse side.
1144
00:47:28,723 --> 00:47:32,811
So, I'm really hoping Reba can
hear this other side of my voice
1145
00:47:32,852 --> 00:47:34,396
that she hasn't heard before.
1146
00:47:34,437 --> 00:47:39,442
* Shut your mouth
and run me like a river *
1147
00:47:40,485 --> 00:47:41,778
What a song!
1148
00:47:41,820 --> 00:47:43,196
That's a great song.
1149
00:47:43,238 --> 00:47:46,783
The only thing I see
is breath.
Yes.
1150
00:47:46,825 --> 00:47:48,410
Get your lyrics out
1151
00:47:48,451 --> 00:47:50,912
and start marking
where you take a breath.
Okay.
1152
00:47:50,954 --> 00:47:52,205
I'm assuming
you guys get
1153
00:47:52,247 --> 00:47:53,790
little to no sleep
during this period.
1154
00:47:53,832 --> 00:47:55,250
I didn't get a lot of sleep.
1155
00:47:55,291 --> 00:47:57,210
I was thinking about today.
1156
00:47:57,252 --> 00:47:59,129
When your voice is
not quite there for you,
1157
00:47:59,170 --> 00:48:01,423
'cause you're tired,
the vocal gets affected.
1158
00:48:01,464 --> 00:48:03,216
Mm-hmm.
You can't hit the note
you want to go for
1159
00:48:03,258 --> 00:48:04,968
'cause you didn't have
the breath under it.
1160
00:48:05,010 --> 00:48:07,637
[ Vocalizing ]
1161
00:48:07,679 --> 00:48:09,556
* That note's really high *
You know?
1162
00:48:09,597 --> 00:48:12,475
Forget that high note
and find the lower note
1163
00:48:12,517 --> 00:48:14,769
that you could hit
that lyric right there
1164
00:48:14,811 --> 00:48:16,396
and maybe one note up there.
1165
00:48:16,438 --> 00:48:18,023
Okay.
Make the lyric be the thing.
1166
00:48:18,064 --> 00:48:19,441
My voice is not there?
Alright.
1167
00:48:19,482 --> 00:48:21,776
I'm gonna tell the story
even more.
1168
00:48:21,818 --> 00:48:23,278
Okay.
Good note.
1169
00:48:23,319 --> 00:48:24,904
I want to use that.
1170
00:48:24,946 --> 00:48:26,656
I might have use it myself.
1171
00:48:26,698 --> 00:48:27,866
[ Laughter ]
1172
00:48:27,907 --> 00:48:30,285
Write that down.
1173
00:48:30,326 --> 00:48:32,537
I thought Zeya had
a really good song choice.
1174
00:48:32,579 --> 00:48:35,290
She's got a real innate swagger
about her.
1175
00:48:35,331 --> 00:48:37,334
And that song --
a very good match.
1176
00:48:37,375 --> 00:48:38,877
Thank you so much.
1177
00:48:38,918 --> 00:48:41,421
This pairing is hard
because Justin and Jeremy
1178
00:48:41,463 --> 00:48:43,798
have the singer/songwriter
thing,
1179
00:48:43,840 --> 00:48:47,635
and then Zeya has
more of a vocal ability.
1180
00:48:47,677 --> 00:48:51,264
But that may not connect
if she over-sings.
1181
00:48:51,306 --> 00:48:53,183
This is going to be
a really tough decision.
1182
00:48:53,224 --> 00:48:54,351
Bye-bye.
One more.
1183
00:48:54,392 --> 00:48:55,935
One more. One more.
1184
00:48:55,977 --> 00:48:57,187
Y'all are cute as a button.
1185
00:48:57,228 --> 00:49:00,315
John: Alright, Garcias.
Let's go!
1186
00:49:00,357 --> 00:49:01,649
Singing "You Are the Reason,"
1187
00:49:01,691 --> 00:49:04,319
here are
Justin and Jeremy Garcia.
1188
00:49:04,361 --> 00:49:05,987
Go, baby!
1189
00:49:06,029 --> 00:49:08,740
[ Cheers and applause ]
1190
00:49:08,782 --> 00:49:11,576
**
1191
00:49:11,618 --> 00:49:15,497
* There goes my heart beating *
1192
00:49:15,538 --> 00:49:19,834
* 'Cause you are the reason *
1193
00:49:19,876 --> 00:49:23,963
* I'm losing my sleep *
1194
00:49:24,005 --> 00:49:26,841
* Please come back now *
1195
00:49:26,883 --> 00:49:28,426
Alright.
1196
00:49:28,468 --> 00:49:32,514
* If I could turn back
the clock *
1197
00:49:32,555 --> 00:49:36,518
* And make sure
the light defeated the dark *
1198
00:49:36,559 --> 00:49:41,022
* I'd spend every hour
of every day *
1199
00:49:41,064 --> 00:49:44,526
* Keeping you safe *
1200
00:49:44,567 --> 00:49:49,197
* And I'd climb every mountain *
1201
00:49:49,239 --> 00:49:53,451
* And swim every ocean *
1202
00:49:53,493 --> 00:49:57,288
* Just to be with you *
1203
00:49:57,330 --> 00:50:02,043
* And fix what I've broken *
1204
00:50:02,085 --> 00:50:06,131
* Oh, 'cause I need you *
1205
00:50:06,172 --> 00:50:10,051
* To see *
1206
00:50:10,093 --> 00:50:17,350
* That you are the reason *
1207
00:50:17,392 --> 00:50:21,563
* I need you
to hold me tonight *
* Come a little closer *
1208
00:50:21,604 --> 00:50:24,482
* Come a little closer *
* Come a little closer now *
1209
00:50:24,524 --> 00:50:25,900
* Come a little closer now *
1210
00:50:25,942 --> 00:50:31,614
* I need you
to hold me tonight *
1211
00:50:32,782 --> 00:50:37,328
* I'd climb every mountain *
1212
00:50:37,370 --> 00:50:42,709
* And swim every ocean *
1213
00:50:42,751 --> 00:50:46,546
* Just to be with you *
1214
00:50:46,588 --> 00:50:51,217
* And fix what I've broken *
1215
00:50:51,259 --> 00:50:55,221
* Oh, 'cause I need you *
1216
00:50:55,263 --> 00:51:00,518
* To see *
1217
00:51:01,311 --> 00:51:06,441
* That you are the reason *
1218
00:51:06,483 --> 00:51:08,735
[ Cheers and applause ]
1219
00:51:25,210 --> 00:51:26,503
* This is "The Voice" *
1220
00:51:26,544 --> 00:51:30,382
Daly: Welcome back
to the knockouts.
1221
00:51:30,423 --> 00:51:33,426
Alright, Zeya.
1222
00:51:33,468 --> 00:51:36,137
Now with "River," Zeya Rae.
1223
00:51:37,597 --> 00:51:41,309
* Like a river, like a river *
1224
00:51:41,351 --> 00:51:44,688
* How do you fall in love *
1225
00:51:44,729 --> 00:51:48,483
* Harder than
a bullet could hit ya *
1226
00:51:48,525 --> 00:51:52,404
* How do we fall apart *
1227
00:51:52,445 --> 00:51:55,532
* Faster than
a hairpin trigger *
1228
00:51:55,573 --> 00:51:59,661
* Don't you say,
don't you say it *
1229
00:51:59,703 --> 00:52:03,707
* Don't say,
don't you say it *
1230
00:52:03,748 --> 00:52:05,208
* One breath *
1231
00:52:05,250 --> 00:52:07,669
* It'll just break it *
1232
00:52:07,711 --> 00:52:11,840
* So shut your mouth and
run me like a river *
1233
00:52:11,881 --> 00:52:15,552
* Shut your mouth,
baby, stand and deliver *
1234
00:52:15,593 --> 00:52:19,931
* Holy hands,
will they make me a sinner *
1235
00:52:19,973 --> 00:52:21,725
* Like a river *
1236
00:52:21,766 --> 00:52:23,309
* Like a river *
1237
00:52:23,351 --> 00:52:27,063
* Shut your mouth and
run me like a river *
1238
00:52:27,105 --> 00:52:30,859
* Choke this love
till the veins start to shiver *
1239
00:52:30,900 --> 00:52:35,196
* One last breath
till the tears start to wither *
1240
00:52:35,238 --> 00:52:37,115
* Like a river *
1241
00:52:37,157 --> 00:52:38,700
* Like a river *
1242
00:52:38,742 --> 00:52:44,122
* Shut your mouth
and run me like a river *
1243
00:52:44,164 --> 00:52:47,417
* Woah *
1244
00:52:47,459 --> 00:52:51,504
* Oh woah *
1245
00:52:51,546 --> 00:52:56,468
* Oh woah *
1246
00:52:56,509 --> 00:53:01,931
* Like a river *
1247
00:53:01,973 --> 00:53:05,769
* Stand and deliver *
* Stand and deliver *
1248
00:53:05,810 --> 00:53:07,312
* Holy hands,
will they make me a sinner *
1249
00:53:07,354 --> 00:53:09,731
* Make me a sinner *
1250
00:53:09,773 --> 00:53:11,649
* Like a river *
1251
00:53:11,691 --> 00:53:13,151
* Like a river *
1252
00:53:13,193 --> 00:53:16,946
* Shut your mouth and
run me like a river *
1253
00:53:16,988 --> 00:53:20,784
* Choke this love
till the veins start to shiver *
1254
00:53:20,825 --> 00:53:25,246
* One last breath
till the tears start to wither *
1255
00:53:25,288 --> 00:53:27,082
* Like a river *
1256
00:53:27,123 --> 00:53:28,625
* Like a river *
1257
00:53:28,667 --> 00:53:33,296
* Shut your mouth and
run me like a river *
1258
00:53:33,338 --> 00:53:37,384
[ Cheers and applause ]
1259
00:53:37,425 --> 00:53:40,470
**
1260
00:53:40,512 --> 00:53:42,972
Good job.
Wonderful.
1261
00:53:43,014 --> 00:53:45,225
Shay: Zeya, your intensity
matched the song.
1262
00:53:45,266 --> 00:53:47,435
The whole production, shout out
to everybody doing the lights
1263
00:53:47,477 --> 00:53:49,896
and the screens and the band
and everything was awesome.
1264
00:53:49,938 --> 00:53:51,648
I still can't see right now.
Yeah.
1265
00:53:51,690 --> 00:53:53,191
There was one single light
that hit me in the eyeball,
1266
00:53:53,233 --> 00:53:54,984
and I -- I think I passed away
for a second.
1267
00:53:55,026 --> 00:53:56,820
Yeah.
But it was worth it.
1268
00:53:56,861 --> 00:53:58,655
He has risen.
That's right.
1269
00:53:58,697 --> 00:54:01,157
Zeya, vocally, technically,
1270
00:54:01,199 --> 00:54:03,284
you've grown a lot
to this competition.
1271
00:54:03,326 --> 00:54:05,370
Don't pull away from the mic.
That happens to me all the time.
1272
00:54:05,412 --> 00:54:07,706
Sometimes I just put down
the mic and just run around
1273
00:54:07,747 --> 00:54:09,499
and hope that Dan's got my back.
1274
00:54:09,541 --> 00:54:11,001
Uh, thank you.
Got you, due.
1275
00:54:11,042 --> 00:54:12,836
But I thought it was
a great performance.
1276
00:54:12,877 --> 00:54:14,462
Justin and Jeremy,
1277
00:54:14,504 --> 00:54:16,923
your confidence has boosted
with every performance.
1278
00:54:16,965 --> 00:54:18,675
For sure, for sure.
Thank you.
1279
00:54:18,717 --> 00:54:20,176
It's the blood harmony thing,
like Reba said.
1280
00:54:20,218 --> 00:54:21,678
It's just so dialed.
1281
00:54:21,720 --> 00:54:23,346
I got to go with my boys,
Justin and Jeremy, man.
1282
00:54:23,388 --> 00:54:26,850
You guys, the voice.
1283
00:54:26,891 --> 00:54:28,685
Man,
that was fire.
1284
00:54:28,727 --> 00:54:31,604
Zeya, I sense a little
lack of confidence
1285
00:54:31,646 --> 00:54:33,314
in the very early parts
of the song.
1286
00:54:33,356 --> 00:54:35,525
When a person runs into that
and fights back
1287
00:54:35,567 --> 00:54:38,194
and ends up giving one
of their better performances,
1288
00:54:38,236 --> 00:54:39,738
I always have
to call that out.
Yeah.
1289
00:54:39,779 --> 00:54:42,198
You gave
a bad ass performance.
1290
00:54:42,240 --> 00:54:43,491
Thank you.
1291
00:54:43,533 --> 00:54:45,076
Justin and Jeremy,
I wish there was
1292
00:54:45,118 --> 00:54:47,454
a little bit
more energy in the performance.
1293
00:54:47,495 --> 00:54:48,663
Right.
1294
00:54:48,705 --> 00:54:50,081
You're so technically
talented
1295
00:54:50,123 --> 00:54:53,418
that it's still just
a beautiful performance.
1296
00:54:53,460 --> 00:54:55,211
John: Justin and Jeremy,
1297
00:54:55,253 --> 00:54:57,047
I really loved a lot
of the falsetto stuff
1298
00:54:57,088 --> 00:54:58,715
where you're doing
harmonies together.
1299
00:54:58,757 --> 00:55:00,967
But you guys can work
on being a little more
1300
00:55:01,009 --> 00:55:03,094
in sync together
so you can open up
1301
00:55:03,136 --> 00:55:05,889
and do what you know
you can do as vocalist, okay?
1302
00:55:05,930 --> 00:55:07,432
Got it. Thank you so much.
Thank you so much.
1303
00:55:07,474 --> 00:55:10,352
Zeya, I really love those
higher chest voice
1304
00:55:10,393 --> 00:55:12,312
notes you were doing.
1305
00:55:12,354 --> 00:55:15,231
I felt a little bit more
connected to Zeya's performance.
1306
00:55:15,273 --> 00:55:17,067
Daly: Thank you, coaches.
1307
00:55:17,108 --> 00:55:19,569
Alright, Queen Reba, give us
some thoughts on the knockout.
1308
00:55:19,611 --> 00:55:21,529
Reba: Zeya, you did a great job.
1309
00:55:21,571 --> 00:55:23,323
I would've loved
to have seen you stay
1310
00:55:23,365 --> 00:55:25,075
in one position in that song.
1311
00:55:25,116 --> 00:55:28,453
But your voice is great,
you know that.
Zeya: Thank you.
1312
00:55:28,495 --> 00:55:31,456
Justin and Jeremy,
y'all are cute as a button.
1313
00:55:31,498 --> 00:55:32,582
Look at that smile.
1314
00:55:32,624 --> 00:55:34,209
Oh, my gosh.
[ Laughs ]
1315
00:55:34,250 --> 00:55:36,044
I thought you did
a great job.
1316
00:55:36,086 --> 00:55:37,671
There were a few little things
1317
00:55:37,712 --> 00:55:39,172
where I thought you
might have gotten lost,
1318
00:55:39,214 --> 00:55:41,758
but congratulations
on pulling this off,
1319
00:55:41,800 --> 00:55:43,009
and you did a wonderful job.
1320
00:55:43,051 --> 00:55:44,344
Thank you.
Thank you so much.
1321
00:55:44,386 --> 00:55:45,720
Daly: Alright, Reba.
1322
00:55:45,762 --> 00:55:48,390
Who is the winner
of this knockout?
1323
00:55:48,431 --> 00:55:50,225
[ Sighs ]
1324
00:55:50,266 --> 00:55:53,353
[ Dramatic music plays ]
1325
00:55:53,395 --> 00:55:56,981
Winner of this knockout...
1326
00:55:57,023 --> 00:55:59,776
is Justin and Jeremy.
1327
00:55:59,818 --> 00:56:03,988
Justin and Jeremy Garcia,
you are in the playoffs.
1328
00:56:04,030 --> 00:56:07,033
It like really makes us feel
like we have something to offer,
1329
00:56:07,075 --> 00:56:09,160
and we belong
in this competition.
1330
00:56:09,202 --> 00:56:11,329
We're going to the playoffs,
whoo!
We're going to the playoffs!
1331
00:56:11,371 --> 00:56:13,832
Give it up for Zeya Rae,
ladies and gentlemen.
1332
00:56:13,873 --> 00:56:17,210
Reba: It was a hard decision
because Zeya is so good,
1333
00:56:17,252 --> 00:56:19,671
but I had to choose
Justin and Jeremy
1334
00:56:19,713 --> 00:56:22,340
because of the uniqueness
of their act.
1335
00:56:22,382 --> 00:56:24,259
Everybody's great singers,
1336
00:56:24,300 --> 00:56:26,136
but we have to have
something a little different.
1337
00:56:26,177 --> 00:56:29,806
And going with the brothers
was part of my strategy.
1338
00:56:29,848 --> 00:56:32,183
Reba, you're the only one
with the steal left.
1339
00:56:32,225 --> 00:56:33,685
I am.
1340
00:56:39,524 --> 00:56:40,608
* This is "The Voice" *
1341
00:56:40,650 --> 00:56:42,444
Daly: Welcome back.
1342
00:56:44,821 --> 00:56:47,157
Hey, what are you
singing today?
1343
00:56:47,198 --> 00:56:48,575
Alright,
turn your chairs around.
1344
00:56:48,616 --> 00:56:50,535
* I can hear... *
1345
00:56:50,577 --> 00:56:52,912
[ Cheers and applause ]
1346
00:56:52,954 --> 00:56:55,040
Turn your chairs around,
see if he passes the test.
1347
00:56:55,081 --> 00:56:58,335
* Here's you one chance, Fancy,
don't let me down *
1348
00:56:58,376 --> 00:57:00,378
[ Cheers and applause ]
1349
00:57:00,420 --> 00:57:01,796
That's -- You know?
1350
00:57:01,838 --> 00:57:03,173
Rletto: You're now Team Chance,
like...
1351
00:57:03,214 --> 00:57:04,883
Alyssa: I was thinking
about that today,
1352
00:57:04,924 --> 00:57:06,551
and everybody's so excited
about the mega mentor.
1353
00:57:06,593 --> 00:57:08,386
I'm like, this is my
first time working with Chance.
1354
00:57:08,428 --> 00:57:09,971
That's what I'm saying.
Hey just stole me.
1355
00:57:10,013 --> 00:57:11,514
Alyssa's brand new
to my team.
1356
00:57:11,556 --> 00:57:13,892
I stole her from Reba.
1357
00:57:13,933 --> 00:57:15,393
Daly: Whoa!
1358
00:57:15,435 --> 00:57:17,395
Chance: Alyssa has a
really soulful voice,
1359
00:57:17,437 --> 00:57:20,065
and she also has this tenacity
to work through performances.
1360
00:57:20,106 --> 00:57:21,733
And so, I put her up
against Rletto.
1361
00:57:21,775 --> 00:57:23,610
He's an amazingly
talented singer.
1362
00:57:23,651 --> 00:57:24,736
And if you're new
to Team Chance,
1363
00:57:24,778 --> 00:57:25,904
you got to prove your worth.
1364
00:57:25,945 --> 00:57:28,323
Hey!
Oh, my God!
1365
00:57:28,365 --> 00:57:30,825
[ Laughs ] What's good?
Rletto, how are you?
1366
00:57:30,867 --> 00:57:32,744
He said my name.
I'm great. How are you?
1367
00:57:32,786 --> 00:57:34,079
Yeah, I'm good.
1368
00:57:34,120 --> 00:57:36,373
When I saw Keith,
I was like, Yo.
1369
00:57:36,414 --> 00:57:37,999
This is crazy.
1370
00:57:38,041 --> 00:57:40,001
He's won so many Grammys
and has number one singles.
1371
00:57:40,043 --> 00:57:41,419
Did you get stolen?
I'm the steal.
1372
00:57:41,461 --> 00:57:42,837
How about that?
1373
00:57:42,879 --> 00:57:44,547
Alyssa: Keith was actually
my first concert
1374
00:57:44,589 --> 00:57:47,676
after I had begun my
sobriety journey.
1375
00:57:47,717 --> 00:57:51,763
Also, he just oozes stardom.
1376
00:57:51,805 --> 00:57:53,306
I want to say again
thank you
1377
00:57:53,348 --> 00:57:56,434
for giving me
another opportunity.
1378
00:57:56,476 --> 00:57:59,104
I appreciate you so much.
Chance: Thank you.
1379
00:57:59,145 --> 00:58:01,815
This is the way
it was supposed to go down.
1380
00:58:01,856 --> 00:58:03,900
* Don't wish it away *
1381
00:58:03,942 --> 00:58:08,405
* Don't look at it
like it's forever *
1382
00:58:08,446 --> 00:58:11,449
I am singing "I Guess That's Why
They Call it the Blues"
1383
00:58:11,491 --> 00:58:13,118
by Elton John,
1384
00:58:13,159 --> 00:58:15,161
but I'm doing the
Alessia Cara version.
1385
00:58:15,203 --> 00:58:16,788
* I could honestly say *
1386
00:58:16,830 --> 00:58:20,083
It's about loving somebody
that's far away from you.
1387
00:58:20,125 --> 00:58:22,377
I'm, of course,
singing to my fiancé, Dan,
1388
00:58:22,419 --> 00:58:23,962
because he's the love
of my life
1389
00:58:24,004 --> 00:58:26,798
and he's lots of miles
away from me,
1390
00:58:26,840 --> 00:58:29,968
unfortunately, and this
whole process has been really,
1391
00:58:30,010 --> 00:58:32,804
really hard being away
from our life together.
1392
00:58:32,846 --> 00:58:34,180
* And it won't be long *
1393
00:58:34,222 --> 00:58:36,057
But at the same time,
1394
00:58:36,099 --> 00:58:38,309
this song is also about
being able to find yourself
1395
00:58:38,351 --> 00:58:41,146
while you're away
from the person you love.
1396
00:58:41,187 --> 00:58:43,023
And we've learned so much
about ourselves
1397
00:58:43,064 --> 00:58:45,817
and how we're able to live
our lives separately,
1398
00:58:45,859 --> 00:58:49,070
but still be in a really strong
connected relationship together.
1399
00:58:49,112 --> 00:58:51,072
* Time on my hands *
1400
00:58:51,114 --> 00:58:53,533
He is biggest support
in my musical journey.
1401
00:58:53,575 --> 00:58:56,661
He's taken over paying our bills
and taking care of our house
1402
00:58:56,703 --> 00:58:59,497
and our animals, while I'm
out here living my dream.
1403
00:58:59,539 --> 00:59:02,584
I want to win this knockout
so badly for him.
1404
00:59:02,625 --> 00:59:07,172
* And I guess that's why they
call it the blues *
1405
00:59:07,213 --> 00:59:08,673
Chance: I loved Alyssa's pick,
and I think
1406
00:59:08,715 --> 00:59:11,551
what it really showcased to me
is her voice.
1407
00:59:11,593 --> 00:59:14,596
She has this, like,
soulful rock tinge
1408
00:59:14,637 --> 00:59:16,890
to it, almost
like a country tinge to it.
1409
00:59:16,931 --> 00:59:18,767
Even though she's
not a country artist,
1410
00:59:18,808 --> 00:59:20,643
she brings a little
soulful southern feel to it.
1411
00:59:20,685 --> 00:59:22,520
That's what makes her so unique.
1412
00:59:22,562 --> 00:59:27,192
* The blues *
1413
00:59:27,233 --> 00:59:29,027
Nice.
Alright.
1414
00:59:29,069 --> 00:59:30,987
Do you feel comfortable
with the key it's in?
1415
00:59:31,029 --> 00:59:32,322
I'm just still working
the kinks out.
1416
00:59:32,364 --> 00:59:33,948
'Cause to me,
it sounded like you were
1417
00:59:33,990 --> 00:59:35,617
flatting a lot of parts.
Did you guys go up?
1418
00:59:35,658 --> 00:59:38,912
Yes. We started F,
and we went to F Sharp.
1419
00:59:38,953 --> 00:59:40,205
You just gonna rain
in your adrenaline.
1420
00:59:40,246 --> 00:59:42,207
Yeah.
1421
00:59:42,248 --> 00:59:43,958
You're so excited to get to
those big notes at the end,
1422
00:59:44,000 --> 00:59:46,044
that you're not in the moment
you're in.
1423
00:59:46,086 --> 00:59:48,129
So just be in the moments.
1424
00:59:48,171 --> 00:59:49,881
The first time
you did laughing like children
1425
00:59:49,923 --> 00:59:51,049
was the first time
you got pitchy,
1426
00:59:51,091 --> 00:59:54,010
so keep rehearsing it.
Okay.
1427
00:59:54,052 --> 00:59:55,303
The ownership you had
at the end of the song
1428
00:59:55,345 --> 00:59:57,055
after you hit
that high note,
1429
00:59:57,097 --> 00:59:58,515
and then you just let it
sit for as long
1430
00:59:58,556 --> 01:00:00,225
as you wanted
before you came back in, right?
1431
01:00:00,266 --> 01:00:02,185
The whole band's
waiting on you.
[ Chuckles ]
1432
01:00:02,227 --> 01:00:04,437
Have that ownership from
the very beginning to the end.
1433
01:00:04,479 --> 01:00:05,689
Alright.
1434
01:00:05,730 --> 01:00:09,526
* And dust out
the demons inside *
1435
01:00:09,567 --> 01:00:12,195
This sounds great.
It's so much better.
1436
01:00:12,237 --> 01:00:13,863
Let's give Rletto a shot.
1437
01:00:13,905 --> 01:00:15,740
Dude, you sound fire, man.
1438
01:00:15,782 --> 01:00:17,075
What song are you singing?
1439
01:00:17,117 --> 01:00:18,493
"Stay" by Justin Bieber
and Kid Laroi.
1440
01:00:18,535 --> 01:00:20,787
And Kid Laroi. I'm like ahh!
Okay.
1441
01:00:20,829 --> 01:00:22,455
Justin Bieber,
that's my ace.
1442
01:00:22,497 --> 01:00:25,750
I know. I want to do it as much
justice as I possibly can.
1443
01:00:25,792 --> 01:00:27,627
* I get drunk, wake up *
1444
01:00:27,669 --> 01:00:30,422
The line "I realize time
that I wasted here"...
1445
01:00:30,463 --> 01:00:32,590
* The time
that I've wasted here *
1446
01:00:32,632 --> 01:00:34,342
...that has so much
weight to it.
1447
01:00:34,384 --> 01:00:36,594
I did a lot of odd jobs
growing up.
1448
01:00:36,636 --> 01:00:38,805
I worked at a coffee shop
when I could have been doing
1449
01:00:38,847 --> 01:00:40,140
something music related.
1450
01:00:40,181 --> 01:00:42,183
I was just wasting time
in these spots
1451
01:00:42,225 --> 01:00:43,852
that weren't meant for me.
1452
01:00:43,893 --> 01:00:47,772
And now I'm working
with someone that's so great.
1453
01:00:47,814 --> 01:00:52,402
Chance is literally one of the
most humblest human beings ever.
1454
01:00:52,444 --> 01:00:55,613
I want to stay on Team Chance.
I want to win bad.
1455
01:00:55,655 --> 01:00:57,198
Yeah, sing for real.
1456
01:00:57,240 --> 01:00:59,617
Rletto, he's just
unapologetically himself.
1457
01:00:59,659 --> 01:01:02,579
He's very open with how he feels
about the arrangements,
1458
01:01:02,620 --> 01:01:04,122
with why he picks songs.
1459
01:01:04,164 --> 01:01:06,499
He's like, I'm me, I'm Rletto.
This is what I do.
1460
01:01:06,541 --> 01:01:10,670
* I need you to stay,
need you to stay *
1461
01:01:10,712 --> 01:01:12,255
Alright.
Yeah.
1462
01:01:12,297 --> 01:01:13,840
That song is so fast.
1463
01:01:13,882 --> 01:01:16,593
Would you feel comfortable
slowing it down at all?
1464
01:01:16,634 --> 01:01:18,553
I'm down to slow it down.
1465
01:01:18,595 --> 01:01:20,805
You've thrived so much
when you did the Whitney song.
1466
01:01:20,847 --> 01:01:22,640
If you do ballad and soul
stuff on the show,
1467
01:01:22,682 --> 01:01:24,351
people are gonna love
it every time.
1468
01:01:24,392 --> 01:01:26,019
Make it a real ballad.
I like all this.
1469
01:01:26,061 --> 01:01:27,812
I need all of this.
1470
01:01:27,854 --> 01:01:29,898
Turning these pop rap songs
into ballads,
1471
01:01:29,939 --> 01:01:32,901
this can be a cool
new venture of my artistry.
1472
01:01:32,942 --> 01:01:35,070
I haven't heard anyone do
this song slow yet.
1473
01:01:35,111 --> 01:01:36,571
The biggest challenge for me
right now
1474
01:01:36,613 --> 01:01:38,156
is going to
be getting comfortable
1475
01:01:38,198 --> 01:01:39,949
with this new arrangement.
1476
01:01:39,991 --> 01:01:42,327
But I got this.
I can do this.
1477
01:01:42,369 --> 01:01:44,662
When you get to the end
of need you to stay,
1478
01:01:44,704 --> 01:01:46,581
need you to stay, you change
the melody a little bit.
1479
01:01:46,623 --> 01:01:49,459
Yeah.
I think you need to do
that in the slow bit as well.
1480
01:01:49,501 --> 01:01:52,170
Okay.
'Cause when you do
the * stay, stay *,
1481
01:01:52,212 --> 01:01:53,838
it's just not
going to be there...
1482
01:01:53,880 --> 01:01:56,383
Mm-hmm.
...when you're
in that fragile moment.
1483
01:01:56,424 --> 01:01:58,426
Yeah.
* Need you to stay *
1484
01:01:58,468 --> 01:01:59,928
Whatever you do there...
Yeah.
1485
01:01:59,969 --> 01:02:01,346
...it is so much better.
1486
01:02:01,388 --> 01:02:03,181
Dang, you just hit
that note so easily.
1487
01:02:03,223 --> 01:02:04,849
Whenever I turn a song
into a ballad,
1488
01:02:04,891 --> 01:02:06,893
you would think
that because you have more time,
1489
01:02:06,935 --> 01:02:09,646
you're saying more words, but
I'm usually cutting out words.
1490
01:02:09,688 --> 01:02:12,065
You should be remembering
the emotion on each bar.
1491
01:02:12,107 --> 01:02:13,858
Yeah.
1492
01:02:13,900 --> 01:02:16,277
* I told you I'd change,
even when I knew I never could *
1493
01:02:16,319 --> 01:02:18,029
Yeah.
Yeah.
1494
01:02:18,071 --> 01:02:20,365
There's a lot of pressure going
into these knockout rounds.
1495
01:02:20,407 --> 01:02:22,867
I'm really feeling
for all the artists.
1496
01:02:22,909 --> 01:02:24,619
* Need you stay *
1497
01:02:24,661 --> 01:02:28,331
Keith: There's this incredible
balancing act of being calm,
1498
01:02:28,373 --> 01:02:31,626
centered, but energized
that every one of them
1499
01:02:31,668 --> 01:02:33,545
gotta strike
because it's do or Die.
1500
01:02:33,586 --> 01:02:36,673
"The Voice" is so much more
about you as an individual.
1501
01:02:36,715 --> 01:02:40,343
This is really your opportunity
to platform who you are,
1502
01:02:40,385 --> 01:02:45,181
so get up there
and show yourself.
1503
01:02:45,223 --> 01:02:46,891
Thank you.
Thank you.
1504
01:02:46,933 --> 01:02:50,395
[ Cheers and applause ]
1505
01:02:54,065 --> 01:02:55,984
Let's go.
1506
01:02:56,026 --> 01:02:58,778
With "I Guess That's
Why They Call It The Blues,"
1507
01:02:58,820 --> 01:03:00,905
here's Alyssa Crosby.
1508
01:03:00,947 --> 01:03:02,949
[ Cheers and applause ]
1509
01:03:02,991 --> 01:03:08,455
**
1510
01:03:08,496 --> 01:03:10,373
* Don't wish it away *
1511
01:03:10,415 --> 01:03:15,587
* Don't look at it
like it's forever *
1512
01:03:15,628 --> 01:03:17,505
**
1513
01:03:17,547 --> 01:03:21,217
* Between you and me *
1514
01:03:21,259 --> 01:03:24,262
* I could honestly
say that things *
1515
01:03:24,304 --> 01:03:29,059
* Can only get better *
1516
01:03:29,100 --> 01:03:33,605
* And while I'm away *
1517
01:03:33,646 --> 01:03:38,401
* Dust out the demons inside *
1518
01:03:38,443 --> 01:03:40,653
* And it won't be long *
1519
01:03:40,695 --> 01:03:43,490
* Before you and me run *
1520
01:03:43,531 --> 01:03:53,458
* To the place in our hearts
where we hide *
1521
01:03:53,500 --> 01:03:58,213
* And I guess that's why they
call it the blues *
1522
01:03:58,254 --> 01:04:00,715
* Time on my hands *
1523
01:04:00,757 --> 01:04:03,968
* Could be time
spent with you *
1524
01:04:04,010 --> 01:04:06,971
* Laughing like children *
1525
01:04:07,013 --> 01:04:09,557
* Living like lovers *
1526
01:04:09,599 --> 01:04:16,606
* Rolling like thunder
under the covers *
1527
01:04:16,648 --> 01:04:22,654
* And I guess that's why
they call it the blues *
1528
01:04:22,696 --> 01:04:26,616
* I guess that's why they
call it the blues *
1529
01:04:26,658 --> 01:04:29,661
* Time on my hands *
1530
01:04:29,703 --> 01:04:32,664
* Could be time
spent with you *
1531
01:04:32,706 --> 01:04:35,458
* Laughing like children *
1532
01:04:35,500 --> 01:04:38,503
* Living like lovers *
1533
01:04:38,545 --> 01:04:47,012
* Rolling like thunder
under the covers *
1534
01:04:47,053 --> 01:04:49,556
Yeah.
Hey.
1535
01:04:51,641 --> 01:04:59,190
* And I guess
that's why they call it *
1536
01:04:59,232 --> 01:05:05,196
* The blues *
1537
01:05:05,238 --> 01:05:07,782
That's great.
1538
01:05:07,824 --> 01:05:09,534
[ Cheers and applause ]
1539
01:05:09,576 --> 01:05:10,994
Whoo!
1540
01:05:11,036 --> 01:05:12,787
[ Cheers and applause ]
1541
01:05:19,085 --> 01:05:20,420
* This is "The Voice" *
1542
01:05:20,462 --> 01:05:22,130
Daly: Welcome back
to the knockouts
1543
01:05:22,172 --> 01:05:24,174
at Universal Studios, Hollywood.
1544
01:05:24,215 --> 01:05:26,134
Rletto!
1545
01:05:26,176 --> 01:05:28,428
Whoo!
1546
01:05:28,470 --> 01:05:30,889
Now with "Stay,"
here's our Rletto.
1547
01:05:30,930 --> 01:05:32,974
[ Cheers and applause ]
1548
01:05:33,016 --> 01:05:37,103
**
1549
01:05:37,145 --> 01:05:39,272
* I do the same thing *
1550
01:05:39,314 --> 01:05:41,274
* I told you that
I never would *
1551
01:05:41,316 --> 01:05:42,650
* I told you I'd change *
1552
01:05:42,692 --> 01:05:45,111
* Even when I knew
I never could *
1553
01:05:45,153 --> 01:05:49,407
* Know that I can't find nobody
else as good as you *
1554
01:05:49,449 --> 01:05:53,953
* I need you to stay, oh *
1555
01:05:53,995 --> 01:05:55,622
* I get drunk *
1556
01:05:55,663 --> 01:05:58,124
* Wake up, I'm wasted still *
1557
01:05:58,166 --> 01:06:02,128
* Realize the time
that I wasted here *
1558
01:06:02,170 --> 01:06:05,799
* I feel like you can't feel
the way I feel *
1559
01:06:05,840 --> 01:06:10,095
* I'll be messed up
if I can't be right here *
1560
01:06:10,136 --> 01:06:14,974
* Oh *
1561
01:06:15,016 --> 01:06:18,228
* Oh *
1562
01:06:18,269 --> 01:06:22,023
* Oh *
1563
01:06:22,065 --> 01:06:26,403
* I'll be messed up if I can't
be right here *
1564
01:06:26,444 --> 01:06:28,154
* I do the same thing *
1565
01:06:28,196 --> 01:06:30,323
* I told you
that I never would *
1566
01:06:30,365 --> 01:06:31,991
* I told you I'd change *
1567
01:06:32,033 --> 01:06:34,285
* Even when I knew
I never could *
1568
01:06:34,327 --> 01:06:38,331
* Know that I can't find nobody
else as good as you *
1569
01:06:38,373 --> 01:06:43,003
* I need you to stay,
I need you to stay, hey *
1570
01:06:43,044 --> 01:06:46,923
* When I'm away from you,
I miss your touch *
1571
01:06:46,965 --> 01:06:51,553
* You're the reason
I believe in love *
1572
01:06:51,594 --> 01:06:55,140
* It's been difficult
for me to trust *
1573
01:06:55,181 --> 01:06:59,561
* And I'm afraid
that I'ma mess it up *
1574
01:06:59,602 --> 01:07:03,231
* Ain't no way
that I can leave you stranded *
1575
01:07:03,273 --> 01:07:07,527
* 'Cause you ain't
never leave me empty-handed *
1576
01:07:07,569 --> 01:07:09,738
* And you know that I know *
1577
01:07:09,779 --> 01:07:13,783
* That I can't live
without you *
1578
01:07:13,825 --> 01:07:19,039
* So won’t you stay *
1579
01:07:19,080 --> 01:07:22,083
* Ooh *
1580
01:07:22,125 --> 01:07:23,335
He's on fire.
1581
01:07:23,376 --> 01:07:26,629
* Stay *
1582
01:07:26,671 --> 01:07:30,508
* I need you to stay *
1583
01:07:30,550 --> 01:07:35,430
* So won’t you stay *
1584
01:07:35,472 --> 01:07:40,185
[ Cheers and applause ]
1585
01:07:40,226 --> 01:07:42,062
That was sick.
1586
01:07:43,063 --> 01:07:45,774
Man, that was such a great
performance by both of you guys.
1587
01:07:45,815 --> 01:07:48,068
Alyssa, your technique
is just insane.
1588
01:07:48,109 --> 01:07:50,737
Elton's not an easy singer,
but you absolutely crushed it.
1589
01:07:50,779 --> 01:07:52,113
This was one of
the best knockout performances
1590
01:07:52,155 --> 01:07:53,907
of the day, for sure.
It genuinely was.
1591
01:07:53,948 --> 01:07:56,701
Y'all crushed it.
That was such
a fun performance.
1592
01:07:56,743 --> 01:07:58,036
Song selection
was phenomenal.
1593
01:07:58,078 --> 01:07:59,954
It just had something
a little extra,
1594
01:07:59,996 --> 01:08:01,831
and it just showed a lot about
who you want to be as an artist,
1595
01:08:01,873 --> 01:08:04,042
and I was very impressed
with that, so well done.
1596
01:08:04,084 --> 01:08:05,085
Thank you so much.
1597
01:08:05,126 --> 01:08:06,503
Rletto, dude,
1598
01:08:06,544 --> 01:08:07,754
always bringing
the heat with the outfits.
1599
01:08:07,796 --> 01:08:09,255
Just a legend, man.
1600
01:08:09,297 --> 01:08:10,799
I don't know who came up
with that arrangement,
1601
01:08:10,840 --> 01:08:12,425
if that was you and Chance
or Chance?
1602
01:08:12,467 --> 01:08:13,843
I think that was so dope.
1603
01:08:13,885 --> 01:08:15,637
It's got so much soul
and body to it.
1604
01:08:15,679 --> 01:08:16,971
I thought you slayed that.
Thank you.
1605
01:08:17,013 --> 01:08:19,099
That was crazy.
1606
01:08:19,140 --> 01:08:21,017
You could put on a master class
on what it means to perform
1607
01:08:21,059 --> 01:08:23,478
because you brought me
into that performance,
1608
01:08:23,520 --> 01:08:27,399
and I believe every word
that you sang.
1609
01:08:27,440 --> 01:08:29,734
Rletto,
you really are just cool.
1610
01:08:29,776 --> 01:08:31,486
Your tone is just fresh.
1611
01:08:31,528 --> 01:08:33,279
You feel like a tastemaker,
You know what I'm saying?
1612
01:08:33,321 --> 01:08:35,907
Yeah.
Like Rihanna,
she can really sing.
1613
01:08:35,949 --> 01:08:38,159
But also, everybody just
thinks she's cooler than them,
1614
01:08:38,201 --> 01:08:39,953
and they want to know
what she likes.
1615
01:08:39,994 --> 01:08:42,580
I think I'd placed my bets
on Rletto going forward.
1616
01:08:42,622 --> 01:08:45,250
Thank you.
1617
01:08:45,291 --> 01:08:49,129
Alyssa, you have grown
leaps and bounds.
1618
01:08:49,170 --> 01:08:52,632
You really showcase that.
with the real gritty
1619
01:08:52,674 --> 01:08:54,718
I'm going to get in there,
and then the very
1620
01:08:54,759 --> 01:08:57,178
soft little whisper
and tender moments.
1621
01:08:57,220 --> 01:08:59,180
I'm just real proud of you.
1622
01:08:59,222 --> 01:09:03,810
And Rletto, great stage
presence, great performance.
1623
01:09:03,852 --> 01:09:07,480
I'm going to go with Alyssa
because of your growth.
1624
01:09:07,522 --> 01:09:10,525
Thank you.
Daly: Thank you, coaches.
1625
01:09:10,567 --> 01:09:12,360
Chance, you got
a tough decision here.
1626
01:09:12,402 --> 01:09:14,446
But first, give us
some thoughts on the knockout.
1627
01:09:14,487 --> 01:09:16,906
Alyssa, you killed the song.
Like top to bottom,
1628
01:09:16,948 --> 01:09:19,617
it was an amazing performance
on a brand new team.
1629
01:09:19,659 --> 01:09:21,536
I thought it was awesome.
1630
01:09:21,578 --> 01:09:24,372
Rletto, you showed a mastery
of the song
1631
01:09:24,414 --> 01:09:26,666
and an intention with the lyrics
1632
01:09:26,708 --> 01:09:30,295
that really
made it personal for me.
1633
01:09:30,337 --> 01:09:32,672
When Justin
and The Kid Laroi see it,
1634
01:09:32,714 --> 01:09:34,341
they'll be proud
of the performance.
1635
01:09:34,382 --> 01:09:36,343
I kind of wish that
you went a little bit harder
1636
01:09:36,384 --> 01:09:37,552
in your higher register.
1637
01:09:37,594 --> 01:09:38,553
Why not go hard, you know?
1638
01:09:38,595 --> 01:09:40,722
I feel that.
Sorry.
1639
01:09:40,764 --> 01:09:42,223
That's the end
of what I was going to say.
1640
01:09:42,265 --> 01:09:44,392
[ Laughter and applause ]
1641
01:09:44,434 --> 01:09:45,894
Alright, Chance.
1642
01:09:45,935 --> 01:09:47,187
Thanks for letting
us know you're done.
1643
01:09:47,228 --> 01:09:48,563
Yeah, man.
1644
01:09:48,605 --> 01:09:50,398
Not an easy decision.
We need to know.
1645
01:09:50,440 --> 01:09:52,984
Who's the winner
of this knockout?
1646
01:09:53,026 --> 01:09:55,028
There's a very,
very difficult decision.
1647
01:09:55,070 --> 01:09:56,905
Both you guys are
amazing artists.
1648
01:09:56,946 --> 01:10:00,658
But the winner
of this knockout...
1649
01:10:00,700 --> 01:10:03,370
[ Dramatic music plays ]
1650
01:10:03,411 --> 01:10:04,746
...is Rletto.
1651
01:10:04,788 --> 01:10:06,623
Rletto, congratulations.
1652
01:10:06,664 --> 01:10:10,335
You're moving on the playoffs
for Team Chance.
1653
01:10:10,377 --> 01:10:11,753
Oh, this is crazy.
1654
01:10:11,795 --> 01:10:13,380
I'm going to the playoffs.
This is wild.
1655
01:10:13,421 --> 01:10:16,800
Give it up for Alyssa Crosby,
ladies and gentlemen.
1656
01:10:16,841 --> 01:10:19,302
Chance: A decision like this
is incredibly difficult.
1657
01:10:19,344 --> 01:10:22,430
Alyssa really grew
so much every round so far,
1658
01:10:22,472 --> 01:10:23,973
but I had to go with Rletto.
1659
01:10:24,015 --> 01:10:25,934
He's just a world class talent.
1660
01:10:25,975 --> 01:10:29,854
My favorite part about Rletto
is his ability to improvise
1661
01:10:29,896 --> 01:10:31,898
and make every performance
of any song sound
1662
01:10:31,940 --> 01:10:33,858
like a brand new song.
1663
01:10:33,900 --> 01:10:35,652
He's honestly, sneakily, like,
one of my favorites.
1664
01:10:35,694 --> 01:10:37,237
He's super dope.
1665
01:10:43,451 --> 01:10:44,744
* This is "The Voice" *
1666
01:10:44,786 --> 01:10:46,913
Daly: Welcome back
to "The Voice."
1667
01:10:46,955 --> 01:10:50,750
Okay, we got this.
I'm so excited!
1668
01:10:50,792 --> 01:10:53,003
So we've got
Jackie and Zoe.
1669
01:10:53,044 --> 01:10:55,922
Jackie, she's got
this crackle in her tone.
1670
01:10:55,964 --> 01:10:57,257
Oh, cool. Nice.
It's super cool,
I love it.
1671
01:10:57,298 --> 01:10:59,801
And then Zoe is my
only country artist.
1672
01:10:59,843 --> 01:11:02,595
She won against a trio,
which was pretty difficult.
1673
01:11:02,637 --> 01:11:04,389
In John we trust.
In John we trust.
1674
01:11:04,431 --> 01:11:06,016
Look at who's here.
Look.
1675
01:11:06,057 --> 01:11:07,976
We've got a mega mentor.
His name is Keith Urban.
1676
01:11:08,018 --> 01:11:10,103
[ Squeals ]
Oh, my God.
1677
01:11:10,145 --> 01:11:11,730
Zoe: I'm kind of freaked out
a little bit.
1678
01:11:11,771 --> 01:11:13,273
I grew up listening to him.
1679
01:11:13,314 --> 01:11:15,734
He knows how to really
elevate a performance,
1680
01:11:15,775 --> 01:11:17,318
'cause he's worked so hard
on his own,
1681
01:11:17,360 --> 01:11:19,654
and he's worked with
so many other talented artists.
1682
01:11:19,696 --> 01:11:21,698
So, Jackie,
tell me what song you chose.
1683
01:11:21,740 --> 01:11:23,992
I'm singing "Love on the Brain"
by Rihanna.
1684
01:11:24,034 --> 01:11:26,119
Oh, I love this song.
1685
01:11:26,161 --> 01:11:29,164
It's exactly everything
that I want to be as an artist.
1686
01:11:29,205 --> 01:11:30,498
Yeah.
You know,
that pop soul genre.
1687
01:11:30,540 --> 01:11:31,875
Yep.
1688
01:11:31,916 --> 01:11:35,754
* And you got me like oh *
1689
01:11:35,795 --> 01:11:37,839
This is my first ballad,
1690
01:11:37,881 --> 01:11:41,134
and I'm excited to show
how much I can let loose
1691
01:11:41,176 --> 01:11:44,095
and just be totally raw
and unfiltered.
1692
01:11:44,137 --> 01:11:47,223
* Baby you got me like oh *
1693
01:11:47,265 --> 01:11:50,518
I vividly remember the
first time I heard this song.
1694
01:11:50,560 --> 01:11:52,896
I was in the car with my mom.
1695
01:11:52,937 --> 01:11:57,359
My mom has given up so much
for me to be here.
1696
01:11:57,400 --> 01:12:00,070
Even just for me
to record in a studio,
1697
01:12:00,111 --> 01:12:01,821
she sold her wedding ring.
1698
01:12:01,863 --> 01:12:04,032
I want to pay my mom back
for everything
1699
01:12:04,074 --> 01:12:06,034
that she's done for me,
1700
01:12:06,076 --> 01:12:08,244
and I'm gonna keep
fighting every single round.
1701
01:12:08,286 --> 01:12:13,124
* Must be love on the brain *
1702
01:12:13,166 --> 01:12:14,751
What do you think,
Keith?
1703
01:12:14,793 --> 01:12:16,711
She can sing.
Yeah.
1704
01:12:16,753 --> 01:12:17,879
[ Laughter ]
1705
01:12:17,921 --> 01:12:19,381
She can sing.
1706
01:12:19,422 --> 01:12:21,091
It's so great you
get to choose your own songs.
1707
01:12:21,132 --> 01:12:23,635
Tells us so much about
where you see yourself.
1708
01:12:23,677 --> 01:12:25,303
I can feel a bit of nerves.
1709
01:12:25,345 --> 01:12:28,223
I felt like I was hearing your
voice more than feeling you.
1710
01:12:28,264 --> 01:12:30,392
I think you need
to get into character.
1711
01:12:30,433 --> 01:12:33,228
Yeah.
Feel like you're
in a sweaty blues club.
1712
01:12:33,269 --> 01:12:35,730
Put more stank
on your personality.
1713
01:12:35,772 --> 01:12:36,898
You know what I'm saying?
Yeah.
1714
01:12:36,940 --> 01:12:38,191
And you got it.
It's that look.
1715
01:12:38,233 --> 01:12:40,360
[ Laughs ]
It's that swag.
1716
01:12:40,402 --> 01:12:41,861
Yes.
1717
01:12:41,903 --> 01:12:44,114
* I can for miles *
1718
01:12:44,155 --> 01:12:46,533
* Just to get a taste *
1719
01:12:46,574 --> 01:12:48,868
Whoa!
* Must be love *
1720
01:12:48,910 --> 01:12:50,745
John: I love the crackle
in Jackie's voice.
1721
01:12:50,787 --> 01:12:51,996
I love that tone.
1722
01:12:52,038 --> 01:12:54,916
Rihanna also has
that kind of ugh
1723
01:12:54,958 --> 01:12:56,918
that you love to feel
in a voice.
1724
01:12:56,960 --> 01:12:58,712
And I think Jackie can do
this song justice.
1725
01:12:58,753 --> 01:13:02,132
That was really great progress
from take one to take two.
1726
01:13:02,173 --> 01:13:04,009
I'm over here being
staged at, like...
1727
01:13:04,050 --> 01:13:06,011
Yes.
[ Laughter ]
1728
01:13:06,052 --> 01:13:07,887
Jackie killed it
in rehearsal.
1729
01:13:07,929 --> 01:13:09,889
She is such a powerhouse,
1730
01:13:09,931 --> 01:13:12,600
and that's not necessarily
my strength,
1731
01:13:12,642 --> 01:13:14,185
just the big, cool high note.
1732
01:13:14,227 --> 01:13:16,438
But I'm just going to continue
to focus and sing
1733
01:13:16,479 --> 01:13:18,606
true to myself
and play to my strengths.
1734
01:13:18,648 --> 01:13:20,025
So, I am singing
1735
01:13:20,066 --> 01:13:22,777
"Cowboy Take Me Away"
by the Chicks.
1736
01:13:22,819 --> 01:13:24,779
Alright.
1737
01:13:24,821 --> 01:13:27,657
I sit in the singer/songwriter,
folk kind of country genre,
1738
01:13:27,699 --> 01:13:30,452
and I feel like this song is
right in my sweet spot.
1739
01:13:30,493 --> 01:13:33,955
* I said I wanna
touch the earth *
1740
01:13:33,997 --> 01:13:36,541
* I wanna break it in my hands *
1741
01:13:36,583 --> 01:13:39,336
This song brings up
so many fond memories for me.
1742
01:13:39,377 --> 01:13:42,964
My family and I love
to do a backyard jam session
1743
01:13:43,006 --> 01:13:44,299
at my parents' house.
1744
01:13:44,341 --> 01:13:46,968
We've sang this song
so many times,
1745
01:13:47,010 --> 01:13:49,054
and so it just makes
me think of home.
1746
01:13:49,095 --> 01:13:51,723
* Set me free *
1747
01:13:51,765 --> 01:13:54,100
* Oh, I pray *
1748
01:13:54,142 --> 01:13:55,435
I grew up listening
to The Chicks.
1749
01:13:55,477 --> 01:13:57,771
They were like,
the first girls I saw
1750
01:13:57,812 --> 01:13:59,147
that were writing
their own songs
1751
01:13:59,189 --> 01:14:01,149
and playing their
own instruments.
1752
01:14:01,191 --> 01:14:02,609
I owe a lot of my
song writing style to them.
1753
01:14:02,650 --> 01:14:07,197
* Clothes to you *
1754
01:14:07,238 --> 01:14:09,574
Whoo!
It was so good.
1755
01:14:09,616 --> 01:14:11,284
Keith: It's really nice.
1756
01:14:11,326 --> 01:14:14,662
Is it a choice to do
the sensitive first chorus?
1757
01:14:14,704 --> 01:14:18,500
Yes.
You don't sound
confident in that angelic place.
1758
01:14:18,541 --> 01:14:20,502
You're confident
at the end of the song.
Yeah.
1759
01:14:20,543 --> 01:14:23,213
But in the first chorus,
I'm a little bit unsure.
1760
01:14:23,254 --> 01:14:26,007
Keith is right, because
you only have two minutes.
1761
01:14:26,049 --> 01:14:27,676
You got to win, you know?
That's your goal.
1762
01:14:27,717 --> 01:14:30,845
Falsetto is the first thing
to betray you in a live --
1763
01:14:30,887 --> 01:14:32,222
in a live performance.
[ Laughs ] It so is.
1764
01:14:32,263 --> 01:14:33,515
Yeah, yeah, yeah.
Yeah.
1765
01:14:33,556 --> 01:14:35,183
Just go for it on both
choruses.
1766
01:14:35,225 --> 01:14:37,686
I think you would be good
if you visualize
1767
01:14:37,727 --> 01:14:40,021
your own Cowboy,
whoever that is.
1768
01:14:40,063 --> 01:14:41,648
Well, she's engaged
to be married.
1769
01:14:41,690 --> 01:14:43,024
Yeah.
Oh, really?
1770
01:14:43,066 --> 01:14:44,526
So is your future husband
a cowboy?
1771
01:14:44,567 --> 01:14:46,528
In this song he is.
I mean, he's from Louisiana.
1772
01:14:46,569 --> 01:14:48,029
So, you know, it works.
So we'll -- we'll call him
a cowboy.
1773
01:14:48,071 --> 01:14:49,989
Absolutely.
Yeah.
1774
01:14:50,031 --> 01:14:51,408
You got to think more
about the story...
1775
01:14:51,449 --> 01:14:53,743
Yeah.
...and sing it to your guy.
1776
01:14:53,785 --> 01:14:55,829
That's the difference
between a good performance
1777
01:14:55,870 --> 01:14:56,871
and a great performance...
Yeah.
1778
01:14:56,913 --> 01:14:58,206
...Is that connection.
1779
01:14:58,248 --> 01:15:02,544
* Cowboy, take me away *
1780
01:15:02,585 --> 01:15:04,295
The biggest challenge
for this song
1781
01:15:04,337 --> 01:15:07,298
is I can get so focused
on hitting the right notes
1782
01:15:07,340 --> 01:15:09,592
that I forget
to just enjoy myself.
1783
01:15:09,634 --> 01:15:12,595
* Set me free, oh *
1784
01:15:12,637 --> 01:15:14,431
I really am so new at this,
1785
01:15:14,472 --> 01:15:16,725
but every time
I get on that stage,
1786
01:15:16,766 --> 01:15:18,435
I get more confident,
1787
01:15:18,476 --> 01:15:20,687
I get more relaxed
because John continues
1788
01:15:20,729 --> 01:15:22,856
to affirm my natural voice.
1789
01:15:22,897 --> 01:15:26,484
I can't wait to keep showing
John who I am as an artist
1790
01:15:26,526 --> 01:15:27,652
and what I'm able to do.
1791
01:15:27,694 --> 01:15:31,322
* Closer to you *
1792
01:15:31,364 --> 01:15:32,574
You're gonna have
a tough call, John.
1793
01:15:32,615 --> 01:15:33,742
It's always tough,
1794
01:15:33,783 --> 01:15:35,118
but I want it to be tough...
Hi.
1795
01:15:35,160 --> 01:15:36,619
...and I want everybody
to get stolen.
1796
01:15:36,661 --> 01:15:38,538
Go out there
and just be your best self.
1797
01:15:38,580 --> 01:15:40,290
Let's do it.
Yay!
1798
01:15:40,331 --> 01:15:42,584
Zoe and Jackie
are my two youngest artists,
1799
01:15:42,625 --> 01:15:45,587
and I'm seeing growth in
both Zoe and Jackie.
1800
01:15:45,628 --> 01:15:47,297
It's gonna be
a difficult decision,
1801
01:15:47,339 --> 01:15:49,341
but I'm gonna allow
myself to be in the moment
1802
01:15:49,382 --> 01:15:51,426
and see who steps up
to the plate.
1803
01:15:51,468 --> 01:15:52,969
So good.
1804
01:15:53,011 --> 01:15:55,430
[ Cheers and applause ]
1805
01:15:55,472 --> 01:15:58,558
Singing "Love on the Brain,"
here is Jackie Romeo.
1806
01:15:58,600 --> 01:16:01,770
[ Cheers and applause ]
1807
01:16:01,811 --> 01:16:08,985
**
1808
01:16:09,027 --> 01:16:14,032
* And you got me like oh *
1809
01:16:14,074 --> 01:16:16,326
* What you want from me *
1810
01:16:16,368 --> 01:16:19,037
* What you want from me *
1811
01:16:19,079 --> 01:16:22,082
* I tried to buy
your pretty heart *
1812
01:16:22,123 --> 01:16:25,251
* But the price too high *
1813
01:16:25,293 --> 01:16:30,465
* Baby you got me like oh *
1814
01:16:30,507 --> 01:16:33,468
* You love when I fall apart *
1815
01:16:33,510 --> 01:16:34,886
* Fall apart *
Yeah.
1816
01:16:34,928 --> 01:16:37,639
* So you can put me together *
1817
01:16:37,681 --> 01:16:42,018
* And throw me
against the wall *
1818
01:16:42,060 --> 01:16:48,483
* Baby you got me like ah *
1819
01:16:48,525 --> 01:16:51,945
* Ah *
1820
01:16:51,986 --> 01:16:53,530
* Don't stop loving me *
1821
01:16:53,571 --> 01:16:55,615
* Loving me *
* Just start loving me *
1822
01:16:55,657 --> 01:16:57,826
* Loving me *
* Don't quit loving me *
1823
01:16:57,867 --> 01:17:00,537
* Loving me *
1824
01:17:00,578 --> 01:17:02,205
* And babe *
1825
01:17:02,247 --> 01:17:04,374
* I'm fist fighting with fire *
1826
01:17:04,416 --> 01:17:06,835
* Just to get close to you *
1827
01:17:06,876 --> 01:17:10,296
* Can we burn something baby *
1828
01:17:10,338 --> 01:17:12,382
* I could run for miles *
1829
01:17:12,424 --> 01:17:15,343
* Just to get a taste *
1830
01:17:15,385 --> 01:17:18,680
* Must be love on the brain *
1831
01:17:18,722 --> 01:17:21,016
Yeah, Jackie!
Yeah!
1832
01:17:21,057 --> 01:17:23,935
* That's got me
feeling this way *
1833
01:17:23,977 --> 01:17:25,311
* Feeling this way *
1834
01:17:25,353 --> 01:17:27,856
* It beats me black and blue *
1835
01:17:27,897 --> 01:17:30,025
* But it loves me so good *
1836
01:17:30,066 --> 01:17:32,569
* And I can't get enough *
1837
01:17:32,610 --> 01:17:37,365
* Must be love on the brain *
1838
01:17:37,407 --> 01:17:40,452
* And it keeps cursing my name *
1839
01:17:40,493 --> 01:17:42,328
* Cursing my name *
1840
01:17:42,370 --> 01:17:44,372
* No matter what I do *
1841
01:17:44,414 --> 01:17:46,541
* I'm no good without you *
1842
01:17:46,583 --> 01:17:49,419
* And I can't get enough *
1843
01:17:49,461 --> 01:17:51,671
* Must be love on the *
1844
01:17:51,713 --> 01:17:55,967
* Brain *
1845
01:17:56,009 --> 01:17:58,553
Hey, hey!
1846
01:17:58,595 --> 01:18:00,972
Yeah, Jackie!
1847
01:18:01,014 --> 01:18:02,807
Whoo!
1848
01:18:08,938 --> 01:18:10,273
* This is "The Voice" *
1849
01:18:10,315 --> 01:18:12,025
Daly: Welcome back
to the knockouts.
1850
01:18:12,067 --> 01:18:14,110
[ Cheers and applause ]
1851
01:18:14,152 --> 01:18:16,946
Let's go!
1852
01:18:16,988 --> 01:18:18,323
Now with "Cowboy Take Me Away,"
1853
01:18:18,365 --> 01:18:20,450
Here's Zoe Levert.
1854
01:18:20,492 --> 01:18:22,911
[ Cheers and applause ]
1855
01:18:22,952 --> 01:18:27,290
**
1856
01:18:27,332 --> 01:18:30,960
* I said I wanna
touch the earth *
1857
01:18:31,002 --> 01:18:33,797
* I wanna break it in my hands *
1858
01:18:33,838 --> 01:18:39,219
* I wanna grow something wild
and unruly *
1859
01:18:39,260 --> 01:18:45,058
* Oh, it sounds good
to me *
1860
01:18:45,100 --> 01:18:50,313
* Cowboy, take me away *
1861
01:18:50,355 --> 01:18:53,274
* Fly this girl
as high as you can *
1862
01:18:53,316 --> 01:18:56,486
* Into the wild blue *
1863
01:18:56,528 --> 01:19:02,158
* Set me free oh, I pray *
1864
01:19:02,200 --> 01:19:04,994
* Closer to heaven above *
1865
01:19:05,036 --> 01:19:08,748
* And closer to you *
1866
01:19:08,790 --> 01:19:11,793
* I wanna walk and not run *
1867
01:19:11,835 --> 01:19:14,713
* I wanna skip and not fall *
1868
01:19:14,754 --> 01:19:17,549
* I wanna look at the horizon *
1869
01:19:17,590 --> 01:19:20,760
* And not see a building
standing tall *
1870
01:19:20,802 --> 01:19:23,972
* I wanna be the only one *
1871
01:19:24,014 --> 01:19:27,017
* For miles and miles *
1872
01:19:27,058 --> 01:19:29,144
Yeah.
* Except for maybe you *
1873
01:19:29,185 --> 01:19:31,855
* And your simple smile *
1874
01:19:31,896 --> 01:19:37,986
* Oh, it sounds so good
to me, oh *
1875
01:19:38,028 --> 01:19:42,866
* Cowboy, take me away *
1876
01:19:42,907 --> 01:19:45,660
* Fly this girl
as high as you can *
1877
01:19:45,702 --> 01:19:49,372
* Into the wild blue *
1878
01:19:49,414 --> 01:19:55,003
* Set me free, oh, I pray *
1879
01:19:55,045 --> 01:19:57,422
* Closer to heaven above *
1880
01:19:57,464 --> 01:20:01,217
* And closer to you *
1881
01:20:01,259 --> 01:20:07,098
* Closer to you, oh *
1882
01:20:07,140 --> 01:20:15,648
* Closer to you, yeah *
1883
01:20:15,690 --> 01:20:17,734
Yeah, Zoe!
1884
01:20:17,776 --> 01:20:19,194
[ Chuckles ]
1885
01:20:19,235 --> 01:20:23,907
* Closer to you *
1886
01:20:23,948 --> 01:20:25,784
Yes!
1887
01:20:25,825 --> 01:20:27,619
Who-oa.
1888
01:20:29,371 --> 01:20:31,289
What a great job both
of you did.
1889
01:20:31,331 --> 01:20:34,584
Jackie, you've got
a wonderful voice.
1890
01:20:34,626 --> 01:20:37,087
Love the way
you commanded the stage.
1891
01:20:37,128 --> 01:20:40,256
Zoe, I love your tone
and I love the runs.
1892
01:20:40,298 --> 01:20:41,925
They're so effortless.
Thank you.
1893
01:20:41,966 --> 01:20:44,010
You just to them like, ah,
I did that.
1894
01:20:44,052 --> 01:20:45,553
[ Laughs ]
1895
01:20:45,595 --> 01:20:49,474
Zoe, you just have
an amazing control of pitch.
1896
01:20:49,516 --> 01:20:51,351
I think you're
going to be a star.
1897
01:20:51,393 --> 01:20:52,894
Thank you so much.
1898
01:20:52,936 --> 01:20:56,564
Jackie, absolutely sang
the mess out of that song.
1899
01:20:56,606 --> 01:20:58,942
Oh, my gosh.
I just have a new understanding
and respect for that song.
1900
01:20:58,983 --> 01:21:01,986
I mean, it was really cool
to see your artistry at work.
1901
01:21:02,028 --> 01:21:03,446
Thank you.
1902
01:21:03,488 --> 01:21:04,948
Would you like
to make a suggestion, Chance?
1903
01:21:04,989 --> 01:21:06,783
Being honest, no.
No, I want.
1904
01:21:06,825 --> 01:21:08,785
Okay.
Awesome, perfect.
Moving on.
1905
01:21:08,827 --> 01:21:10,286
Because they were
both so good.
1906
01:21:10,328 --> 01:21:12,122
Okay, okay.
1907
01:21:12,163 --> 01:21:13,915
Jackie, you just have
such a powerful voice,
1908
01:21:13,957 --> 01:21:15,917
such amazing control.
You were feeling it.
1909
01:21:15,959 --> 01:21:17,711
In that moment
you threw that mic stand,
1910
01:21:17,752 --> 01:21:19,087
I was like, "Yeah,
that's what I'm talking about."
1911
01:21:19,129 --> 01:21:20,588
That was dope.
1912
01:21:20,630 --> 01:21:21,965
You remind me a lot
of my sister, Gabby.
1913
01:21:22,007 --> 01:21:23,508
Whenever she starts to sing,
she's, like,
1914
01:21:23,550 --> 01:21:25,385
throwing stuff down
on the ground.
1915
01:21:25,427 --> 01:21:27,721
Zoe, you know
that your range is here,
1916
01:21:27,762 --> 01:21:29,848
and you just absolutely nail
it inside of your range.
1917
01:21:29,889 --> 01:21:31,808
You flip to the falsetto
at the right time.
1918
01:21:31,850 --> 01:21:33,852
I feel like we're watching
the butterfly moment
1919
01:21:33,893 --> 01:21:35,437
where you've come out
of the cocoon.
1920
01:21:35,478 --> 01:21:36,980
I'm not talking
about your outfit.
1921
01:21:37,022 --> 01:21:39,315
[ Laughter ]
1922
01:21:39,357 --> 01:21:41,776
You remind me so much
of Taylor Swift.
1923
01:21:41,818 --> 01:21:44,988
Yeah.
You are unapologetically
yourself, just like Taylor is.
1924
01:21:45,030 --> 01:21:47,240
I feel like we're watching
you kind of come into your own.
1925
01:21:47,282 --> 01:21:49,117
I would say Zoe.
John: Okay.
1926
01:21:49,159 --> 01:21:50,827
She's one of my favorite
of the competition so far.
1927
01:21:50,869 --> 01:21:53,830
Whew!
Daly: Thank you, coaches.
1928
01:21:53,872 --> 01:21:55,999
Buddy, it all comes down to you,
of course.
1929
01:21:56,041 --> 01:22:00,670
Jackie, I saw you really
embracing the energy of the song
1930
01:22:00,712 --> 01:22:02,339
and emotionally
connecting to it.
1931
01:22:02,380 --> 01:22:05,925
But you also knew when to
finesse the notes as well,
1932
01:22:05,967 --> 01:22:08,303
and it was very in control
the way
1933
01:22:08,345 --> 01:22:10,472
you handled the dynamics
of the song.
1934
01:22:10,513 --> 01:22:12,349
Thank you.
1935
01:22:12,390 --> 01:22:15,310
And, Zoe, I do feel
like everybody's watching you
1936
01:22:15,352 --> 01:22:18,229
continue to grow
and surprise us.
1937
01:22:18,271 --> 01:22:21,316
You sounded like a great artist
who needs to be heard.
1938
01:22:21,358 --> 01:22:22,692
Thank you so much.
1939
01:22:22,734 --> 01:22:26,446
John, who is the winner
of this knockout?
1940
01:22:26,488 --> 01:22:28,782
* I don't know
what I want to do *
1941
01:22:28,823 --> 01:22:30,658
* I don't know
what I want to do *
1942
01:22:30,700 --> 01:22:34,412
[ Dramatic music plays ]
1943
01:22:34,454 --> 01:22:36,956
The winner of this knockout...
1944
01:22:36,998 --> 01:22:41,419
**
1945
01:22:41,461 --> 01:22:42,629
...is Zoe.
1946
01:22:42,671 --> 01:22:46,716
Zoe moves on.
Congratulations.
1947
01:22:46,758 --> 01:22:48,885
John: Zoe, she's been kind
of an underdog.
1948
01:22:48,927 --> 01:22:50,804
She was a one-chair
turn in the blinds,
1949
01:22:50,845 --> 01:22:53,306
but she keeps rising
to the occasion,
1950
01:22:53,348 --> 01:22:54,557
and we're watching her blossom.
1951
01:22:54,599 --> 01:22:56,643
Oh, my God.
Great job.
1952
01:22:56,685 --> 01:22:59,646
I think Zoe's definitely
going to be a lovable artist
1953
01:22:59,688 --> 01:23:01,523
for our country fans.
1954
01:23:01,564 --> 01:23:03,233
So I was like,
we got to keep going.
1955
01:23:03,274 --> 01:23:04,734
Let's go, Zoe.
1956
01:23:04,776 --> 01:23:06,194
Zoe: I'm so excited.
1957
01:23:06,236 --> 01:23:07,779
I feel like I've really grown,
1958
01:23:07,821 --> 01:23:09,781
and I just can't wait to explore
1959
01:23:09,823 --> 01:23:13,243
new sides to my artistry
with John.
1960
01:23:13,284 --> 01:23:15,829
Coaches, let me remind you that
Jackie's available to steal.
1961
01:23:15,870 --> 01:23:17,997
Jackie, anything
you'd like to say to John?
1962
01:23:18,039 --> 01:23:20,583
You've been an
absolutely incredible coach.
1963
01:23:20,625 --> 01:23:22,252
Thank you so much.
1964
01:23:22,293 --> 01:23:24,212
Give it up for Jackie Romeo.
1965
01:23:24,254 --> 01:23:25,588
One more time, everybody.
1966
01:23:25,630 --> 01:23:26,756
Thank you.
1967
01:23:26,798 --> 01:23:29,592
Yeah!
Hold it, Jackie!
1968
01:23:29,634 --> 01:23:31,720
That's the sound of a steal!
1969
01:23:31,761 --> 01:23:33,471
I was hoping
that would happen.
1970
01:23:33,513 --> 01:23:36,433
From Queen Reba!
Let's go!
1971
01:23:36,474 --> 01:23:37,851
Reba: Jackie can sing country,
1972
01:23:37,892 --> 01:23:39,769
Jackie could sing anything
she wants
1973
01:23:39,811 --> 01:23:42,063
'cause she's that strong
of a singer.
1974
01:23:42,105 --> 01:23:45,233
I'm very excited we get to work
with her on the playoffs.
1975
01:23:45,275 --> 01:23:47,193
[ Laughs, sobbing ]
1976
01:23:47,235 --> 01:23:50,488
[ Laughs ]
1977
01:23:50,530 --> 01:23:51,948
I hope you're having fun.
I am.
1978
01:23:51,990 --> 01:23:53,658
Excellent.
Continue to have fun.
1979
01:23:53,700 --> 01:23:55,452
Absolutely.
I love you.
1980
01:23:55,493 --> 01:23:57,620
Thank you so much.
I love you, too.
1981
01:23:57,662 --> 01:23:58,663
Man: Thank you, Reba!
1982
01:23:58,705 --> 01:24:00,290
Thank you, thank you.
1983
01:24:00,331 --> 01:24:01,458
I love you, Reba!
1984
01:24:01,499 --> 01:24:02,417
Who said that?
1985
01:24:02,459 --> 01:24:04,377
[ Laughter ]
1986
01:24:04,419 --> 01:24:14,095
**
1987
01:24:14,137 --> 01:24:22,312
**
1988
01:24:22,354 --> 01:24:31,029
**
1989
01:24:31,071 --> 01:24:34,240
**
139254
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