Original subtitles

One of the intrinsic differences between photography and filmmaking

is that when making a film, the composition of your image can change.

Mid-Frame.

This could be the result of a moving camera or a moving subject.

Here's an example of a frame in which the subject

is approaching the camera within the same frame.

We are getting a complete range of shots, everything from a wide shot

to an extreme close up as an object or subject

increases in inside, it becomes more significant in the frame.

This may seem obvious, but it is an incredibly useful technique

when establishing a certain mood.

In designating importance

in this scene, as the subject grows larger in the frame

through the use of a POV shot, we have successfully

created a sense of impending doom and suspense.

Another important

consideration when composing in motion is the position of your character.

When the camera is moving.

If you position your character

in the center of the frame with symmetrical composition combined

with the camera retreating backwards with the character's movement,

it illustrates confidence and serenity by adjusting the composition.

It now appears that the Ronit is moving much faster

by using a medium close up and removing some lead room.

We have greatly increased the energy of the scene

and here we have both scenes side by side.

Look at the difference

as we can see all the rules of static composition

apply when we are moving the camera.

Additional considerations are the position of the lights

in the starting and ending positions of the movement.

Some lenses like fisheye lenses might work well for a static shot,

but one once we move the distortion and vignetting

of the corners of the frame might be unwanted additional effects.

Or it might be exactly what we want.

Once again, it really depends on what are we trying to say?