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I turned death towards me
like an enormous sunflower.
I was wandering the streets very downtrodden looking for hats,
These Days spilled onto the sidewalk as it did into my headphones
all that autumn he suicided,
the waves of Nico's horse-pulped voice
as smooth as the dark lake he choked on:
These days, she sang, as all Thanksgiving he drowned in the gravy of despair
No one could begrudge or temper;
as in the song I went out walking.
Anniversary of the nacho...
I stopped at a bar,
unsuccessfully:
Watch out for Charley's girl, chided the stereo.
Ligature your etceteras.
These days
I have been adjusting the space between us.
I have been regretting the complications.
I go on the internet,
read about mets,
read about Mets;
read the boxscores & the cancer journals;
stare at photos of first teeth,
funeral selfies, lives miscarried.
No wonder there's a shorthand for I love you,
the bloodred lumpen hearts.
We need a glossary of GIFs to cover all this pain
without losing too much plasma.
A girl on Broadway under Prince went
really cute pregnant belly.
A girl at Broadway and Bleecker went
So are we like done with SoHo?
The shriveling egg sac of her bucket list,
silky smile. Warm air
sang from the grates into my teeth:
I'd fight anyone,
it's common knowledge.
I'm available.
Don't Forget Me, Air,
Trouble Man:
amid the playlists I find a place I like.
and then I leave;
I get on a bus,
I get on a bus.
I don't know what I'm doing.
Burn.
I tell a waitress named Virginia
no one ever had such a beautiful name.
I tell her all my friends will name their kids Virginia,
I swear.
I refuse to speak to the children of my friends.
I go out walking:
the city's ooze produces
this aging teen hope singing Maroon 5 on the C train.
He hits the high note of future imperative love,
emphasis on the will.
Subjunctive love's is just a dream
from another time, imperfect,
in which I was.
Last night I had to wash with some Irish Thing
and that shit had me itching like a motherfucker
goes some lady at St. Nicholas and 139th Street all itching into the phone
so you know it's true.
Everything happens on the C train.
I stay in other people's houses while they watch TV:
woman screams to an endless hitparade of golden oldies / Carmina Burana.
Laughter,
net-flecked.
I cut out for somewhere else on a bus and all there is
is bus people watching TV.
The women won't stop
screaming;
still I love the sight of daylight out a Greyhound window,
the sunshine scared shitless,
spires of Buffalo. Dawn strikes in motion, potholing south,
Port Byron Plaza, an allcaps of a place a whisper, no nothing purgatory:
a flock of sky over misty green field;
and the black birds splitting in silhouette
into a trajectory of morning.
Me on bus to LaGuardia: [emanating light.]
Me on bus to Rochester:
Hello world.
Me on bus:
O Jesus when will it
end.
You tell me
Every once in a while
I have this half notion
No one knows I'm me
so what am I worried about?
Like I'm hauling around this body like a costume.
The Harlem Sun spinning hiphop hits of the ninetiesโ
I in my winding sheet of summerlost,
despair's free rein,
short leash, limned in sweat as round you the light leaks in;
on the impromptu sidewalk stoop say I want to know
how many days I have left.
I do,
I don't,
and the nightly crickets here sound like police cars through wet
polyester and the wail of One Thing Leads to Another,
the plaster cracks.
Your sweet body is a costume.
A bird is trying to fuck my shoe
you wrote me once w/ photo attached;
& my sympathies lay with the bird.
And this man at bar says Dubrovnik was a ghost town
with the breathtaking finality of a sunsetโ
but I am a congenital overreactor,
and my breath is always coming back again, like a speed bag
or blush of blackflies, sucker for human warmth.
You are hailing this body, every day, like a taxi,
and every day it passes.
I leave you and end up in the mouth of the nightโ
you know where the night takes people like me:
a hundred free everything
and seven hours later the guys at the bar like
What's the difference between jackals and hyenas?
It's like a cradle
the world holds you in,
I think.
To myself,
the you.
These incidental men,
their dawn split conjecturing. Their jackal laughter,
my unabating aniseed amertume:
the origin story has become loss:
the tough spent seed of it.
And on the E train southbound my thoughts forment into a lacuna:
thoughts ofโ. And I think, [ ]. Full stop
I think, a shiner of it. Mash my head in.
And the dryvoiced wind wheezing tide is high,
the tide is high, like the men at the bar still singing.
One evening
Garret stood me enough Campari to float a toy freighter
and showed me where the Art Deco proletarian brick Western Union
behaves in sunset like a maquette of itself
and youโ
by which I mean youโ
should have seen
the pearly cumulonimbus over glittering Hudson yards in the distance
I'm saying, really it dazzled & bedaubed
& By the way I asked why's Chinatown warmer than anywhere else in this town
and found out that sometimes the dragons of East Broadway
breathe an iron fisted fury that disperses the island's western weathersystems
so you know,
remember this place is an island.
Sometimes its weather
is human flesh on fire.
Feel its fog and feel the tide of yer own miscellaneous ineptitudes
wash cheekbone-high like the futile fruitless blush unrequited.
But then these fireflies in Tribeca Park,
just this little triangle of green and glow high lit by Garret's fingertip
and I could hear someone singing Funky funky Broadway.
I thought Maybe I hate this Hollywood shit, but.
I thought
if it's not one thing
it's another damn thing.
Salt amplifying my face and dumb
I walked through the fireflies
seared and breathless as though I, too were aflame.
As though I had never heard of anything so miraculous.
That minute, I hadn't,
the air knit with comets failing.
Next minute, on the sidewalk,
passing:
That shit was the first time I drank beer, man...
She had like, severe depression ..
...you get seizures when it's too hot out.
Lies, lies, lies.
Everybody lies in this heat:
I'm walking behind a guy going
That's why you're not supposed to wear flip flops with your kind of feet
at his suitcase luggin girl.
The sun on Adam Clayton Powell's bronze face,
the low rise yellow breath of it;
the deli: suspiciousness and sportstalk
and coldcuts and Salt'n'Pepa.
Inexplicably, a fisherman galoshing past on Malcolm X,
shouldered rod and tackle box.
Ducking back into the end of summer rain like barreling home from work four a.m.
thru skunks & blossoms
the wrenching scent of it.
Thinking of you and of the rain
after Finn's wedding, that girl at Dundas West station
slumped on the bus lane kerb noise of the deluge and her contrapuntal complaint:
They called me the next day and said he was charged
and I'm all nothing to brag
and kids are jumping turnstiles
and I figure
Bet she started it. Trust no one, heard or overโ
like out of my coffee cup that doomed afternoon
when I said,
When you touch me.
And you laughed.
Oh.
And my clarity went.
I walk eighty blocks
through palsied film sets and smartphone pilons,
deadeyed google mapsters and felicitous firemen and some lady
who quit giving out to this other guy for five seconds to tell me
Looking foxy!
I see a car reared on its hind legs like a horse that died
in battle, towing north. The actors stewing within
like a tropical disease.
I trip on my own toes, nose in a book.
I order a pastis. I cloud.
I walk and walk, tire of wanting, remember:
my brother has no memories of me. Says I don't exist anywhere but now
a fallacy so staggering verily I stagger.
And on I carry,
ever so merrily,
sackcloth rat in no one's clothing.
Remember I roll with the speedball punches, existing and not like a time-sagged
fluorescent tube like a neon light that's broke, blinking
was I wasn't was.
Remember November's stark
effigies, failed armistice
My brother thinks we could possibly have a future and I'm like
Who are you?
Futureless I go on eavesdropping every stupid cunt on the sidewalk:
I need a support system.
(Woman at 8th Street and 6th.) Her gasleak certaintyโ
I consider offering my services.
I lived in a house once built on nothing; below that house the hack
hack swampy spores of its settler disease.
like the future of anything without foundation,
rotten air.
Oh, my mother watches teevee only I don't watch it
I just put it on for her and watch for two seconds and walk away
says man on a street named unsweet Jane.
I fall asleep and wake again
before dawn to the late Rothko skyline, its inky promise,
conifer tips abrading the sky like pointed remarks.
Again I wake.
And then the lush city moring: petunias,
begonias, plummeting humidity a decaffeinated moan
the octopus traffic, reaching.
The sad tidings flickering on the screen of this portable device
like the laxative seep of Jay-Z or the Eagles from a truck window:
stuttered shades of despair, discharging,
milking the color from our conversationsโ
how saltwater chokes upon tampered sky
how the bad news drips from the stars how the wind whips our hair
into a mustache or a burqa.
How our faces collapse
so beautifully in the unsnappable dark.
Overlaid, the distant hints of birds;
their degenerative road trip refrain:
Will we ever get there?
Please, no.
Please stop the memorial buffet.
Let's talk about never.
I'll never give up my superlatives,
bad attitude, state secrets.
You cannot make me, though due to you
I am unmade like a hotel bed or decomposing paramour
left here to my own devices, lying
in my constituent parts.
The same part of me that begs you Never leave
hopes partially, that you stay out
once you're gone.
The failed heart loves inertia, like muck in motion, caked on a boot
Bootless, my heart fails like the light, gathering itself into tomorrow, unrelenting
and impermanent deaths, ducks in a row.
The light again cracks the sky like a deejay scratched record,
tugging the faithful to its capricious jitters.
Watch me sway among the fallen.
Watch me shimmer.
Play me that song, Sunday.
I've been asking all night long.
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