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Would you like to inspect the original subtitles? These are the user uploaded subtitles that are being translated: 1 00:00:01,460 --> 00:00:04,090 - ? Hard work, yeah, dedication ? 2 00:00:04,090 --> 00:00:06,300 ? Know I'm great, it ain't no debating ? 3 00:00:06,300 --> 00:00:08,180 ? Always know the people waiting ? 4 00:00:08,180 --> 00:00:09,680 [alarm dinging] 5 00:00:09,680 --> 00:00:11,890 ? Ran it up just to make a statement ? 6 00:00:11,890 --> 00:00:13,810 ? Hard work, yeah, dedication ? 7 00:00:13,810 --> 00:00:15,690 - I thought that me and this sign would be 8 00:00:15,680 --> 00:00:18,430 somewhere more permanent, but business has changed. 9 00:00:18,440 --> 00:00:21,110 I thought I handled talent like Zaara and Annika. 10 00:00:21,100 --> 00:00:25,150 But what I really handle is inspiration. 11 00:00:25,150 --> 00:00:27,530 Sure, my dad isn't sold on the plan, 12 00:00:27,530 --> 00:00:30,370 but Dad hasn't seen my new roster of clients-- 13 00:00:30,360 --> 00:00:33,400 like Deanna, a TikToker who's huge 14 00:00:33,410 --> 00:00:36,540 in the vegan celiac community. 15 00:00:36,540 --> 00:00:39,790 What is more inspiring than a working digestive system? 16 00:00:41,290 --> 00:00:43,330 Or Magnus, a motivational speaker 17 00:00:43,340 --> 00:00:46,010 who's conveniently taken a vow of silence. 18 00:00:46,000 --> 00:00:48,630 And I'm not just his manager. [phone chimes] 19 00:00:48,630 --> 00:00:51,340 - ? Ran it up just to make a statement ? 20 00:00:51,340 --> 00:00:54,010 - Hmm. 21 00:00:54,010 --> 00:00:55,930 I'm also his client. 22 00:00:55,930 --> 00:00:57,640 It's all in the mission statement. 23 00:00:57,640 --> 00:00:59,060 Get, period. 24 00:00:59,060 --> 00:01:00,730 The, period. 25 00:01:00,730 --> 00:01:02,360 Bag, period. 26 00:01:02,350 --> 00:01:04,230 So, if you've got a talent-- 27 00:01:04,230 --> 00:01:06,770 or better yet, a following-- come through. 28 00:01:06,780 --> 00:01:09,120 And, yeah, 2,000 coffee sleeves 29 00:01:09,110 --> 00:01:10,950 sure did put a dent in my profits, 30 00:01:10,950 --> 00:01:12,450 but it's like they always say-- 31 00:01:12,450 --> 00:01:15,620 inspiration is always right around the corner. 32 00:01:15,620 --> 00:01:18,080 [indistinct chatter, camera shutters clicking] 33 00:01:18,080 --> 00:01:20,790 - Oh, my God, it's the new Squid drop. 34 00:01:20,790 --> 00:01:23,040 - The Squid strikes again. 35 00:01:23,040 --> 00:01:24,750 - I hear The Squid's going to Art Basel. 36 00:01:24,750 --> 00:01:27,460 - Oh, my God, Malia Obama just reposted my Squid photo. 37 00:01:27,460 --> 00:01:29,210 So did Complex. 38 00:01:29,210 --> 00:01:32,170 [ethereal synth music] 39 00:01:32,180 --> 00:01:34,560 - Wow. 40 00:01:34,550 --> 00:01:37,720 Who's The Squid? 41 00:01:37,720 --> 00:01:40,010 And are they seeking representation? 42 00:01:41,640 --> 00:01:43,810 both: ? Watch out, world ? 43 00:01:43,810 --> 00:01:45,310 ? I'm grown now ? 44 00:01:45,310 --> 00:01:47,020 ? I'm grown ? 45 00:01:47,020 --> 00:01:49,190 - ? Learn something new every day ? 46 00:01:49,190 --> 00:01:52,110 ? I don't know so I'ma feel my way ? 47 00:01:52,110 --> 00:01:54,650 ? Got the weight of the world on me ? 48 00:01:54,660 --> 00:01:55,700 ? But no regrets ? 49 00:01:55,700 --> 00:01:57,660 ? This is what I say ? 50 00:01:57,660 --> 00:01:59,620 both: ? Watch out, world ? 51 00:01:59,620 --> 00:02:00,710 ? I'm grown now ? 52 00:02:00,700 --> 00:02:02,120 ? I'm grown ? 53 00:02:02,120 --> 00:02:03,790 - ? You can't tell me nothin' ? 54 00:02:03,790 --> 00:02:06,920 both: ? My heartbeat is so loud ? 55 00:02:06,920 --> 00:02:08,460 ? ? 56 00:02:08,460 --> 00:02:12,050 ? Mama, look, I'm grown now ? 57 00:02:12,050 --> 00:02:13,510 ? I'm grown ? 58 00:02:13,510 --> 00:02:15,850 ? ? 59 00:02:15,840 --> 00:02:18,800 [plucky string music] 60 00:02:18,810 --> 00:02:21,270 [door opens and closes] 61 00:02:21,270 --> 00:02:23,480 - Guys, I think I found my next client 62 00:02:23,480 --> 00:02:24,980 who's gonna make me a ton of money 63 00:02:24,980 --> 00:02:27,190 and get me a nice office I can rub in my dad's face. 64 00:02:27,190 --> 00:02:29,280 - Hold on, brother--it's a staring contest going on. 65 00:02:29,270 --> 00:02:30,810 - Oh. 66 00:02:30,820 --> 00:02:32,490 - All right, fellas. I call draw, 67 00:02:32,490 --> 00:02:34,410 because I lost interest five minutes ago. 68 00:02:34,400 --> 00:02:36,740 - Yes! I'm undefeated. 69 00:02:36,740 --> 00:02:38,410 My eyes stay moist. 70 00:02:38,410 --> 00:02:41,370 - Guys, I'm going to manage... 71 00:02:41,370 --> 00:02:42,540 The Squid. 72 00:02:42,540 --> 00:02:43,880 - What's The Squid? 73 00:02:43,870 --> 00:02:45,330 - I got this, Andre. 74 00:02:45,330 --> 00:02:47,040 See, squids are ocean-dwelling creatures. 75 00:02:47,040 --> 00:02:49,210 They're like a mixed-race octopus. 76 00:02:49,210 --> 00:02:51,090 - [sighs] 77 00:02:51,090 --> 00:02:52,930 If you guys are wondering why I'm getting advice 78 00:02:52,920 --> 00:02:55,170 from these three billy goats instead of my A-team, 79 00:02:55,180 --> 00:02:57,140 aka The Girlies, 80 00:02:57,140 --> 00:02:59,060 they actually have lives. 81 00:02:59,050 --> 00:03:00,590 No. No. 82 00:03:00,600 --> 00:03:03,060 The Squid is a street artist who recently inked 83 00:03:03,060 --> 00:03:05,310 the Business School building. - Ah. 84 00:03:05,310 --> 00:03:07,730 The anonymous Cal U artist. - Yes. 85 00:03:07,730 --> 00:03:09,900 - They're going by "The Squid"? - Yeah. 86 00:03:09,900 --> 00:03:13,320 - Yeah. The Squid is their tag. Their identity is unknown. 87 00:03:13,320 --> 00:03:15,070 - Wait, but how do you make money off of graffiti? 88 00:03:15,070 --> 00:03:16,280 - Well, a ton of prominent artists 89 00:03:16,280 --> 00:03:17,530 got their start in graffiti. 90 00:03:17,530 --> 00:03:19,410 I think The Squid has the potential 91 00:03:19,410 --> 00:03:21,580 to become the next Banksy. 92 00:03:21,580 --> 00:03:25,670 I could manage the next Banksy. 93 00:03:25,660 --> 00:03:28,450 I could be a cultivator of taste worldwide. 94 00:03:28,460 --> 00:03:32,170 I could be like the-- the DJ Khaled of the art world. 95 00:03:32,170 --> 00:03:33,710 [imitating DJ Khaled] Another one. 96 00:03:33,710 --> 00:03:37,340 - Alas, what happens when an unstoppable manager meets 97 00:03:37,340 --> 00:03:39,090 an unknowable force? 98 00:03:39,090 --> 00:03:40,550 - Mm. That's deep. 99 00:03:40,550 --> 00:03:42,180 - Cole, are you The Squid? 100 00:03:42,180 --> 00:03:44,270 - Well, that doesn't make sense, considering the fact 101 00:03:44,270 --> 00:03:46,860 that you just told me they exist. 102 00:03:46,850 --> 00:03:49,100 - Yeah, I mean, The Squid is clearly white-- 103 00:03:49,100 --> 00:03:51,270 you know, damaging public property and all. 104 00:03:51,270 --> 00:03:52,730 - Mm. - Mm-hmm. 105 00:03:52,730 --> 00:03:54,770 - And they got to be a woman. - What? 106 00:03:54,780 --> 00:03:57,320 - I-I can't elaborate for fear of sounding sexist. 107 00:03:57,320 --> 00:03:59,410 - This is the teamwork we need, though, 108 00:03:59,410 --> 00:04:02,200 if we're gonna find The Squid, so let's keep it up, boys. 109 00:04:02,200 --> 00:04:04,370 Let's put our heads together. - Hey, guys, I'm all-in. 110 00:04:04,370 --> 00:04:06,120 You know I love a good mystery, all right? 111 00:04:06,120 --> 00:04:07,540 I don't know if you guys know this, 112 00:04:07,540 --> 00:04:09,290 but I actually read every Agatha Christie book, 113 00:04:09,290 --> 00:04:11,750 even the original racist versions. 114 00:04:11,750 --> 00:04:14,920 She would hate me, but I love her. 115 00:04:14,920 --> 00:04:17,010 - Then it's settled. Let's go find this white lady! 116 00:04:17,010 --> 00:04:18,300 - Let's do it. - Let's do it! 117 00:04:18,300 --> 00:04:19,630 - Any ideas? Where are we looking first? 118 00:04:19,630 --> 00:04:21,220 - Ah. - Starbucks. 119 00:04:21,220 --> 00:04:23,010 - Let's just go with it. - Starbucks. 120 00:04:23,010 --> 00:04:24,890 - That's a good place to go. 121 00:04:24,890 --> 00:04:26,350 - When is Svetlana gonna realize 122 00:04:26,350 --> 00:04:28,020 Brett only does that when he's drinking? 123 00:04:28,020 --> 00:04:30,480 - She's blind to the red flags. That's the point of the show. 124 00:04:30,480 --> 00:04:31,940 - Ah, you're right. 125 00:04:31,940 --> 00:04:33,530 You've done it again, "Blind Drink Love: Kosovo." 126 00:04:33,520 --> 00:04:35,190 You have done it again. 127 00:04:35,190 --> 00:04:38,150 - Brother, I, uh, do appreciate you having me hibernate here 128 00:04:38,150 --> 00:04:40,190 in my post-Sloane breakup era. 129 00:04:40,200 --> 00:04:41,530 It's triggering, man. 130 00:04:41,530 --> 00:04:43,570 All I see are women, bikes, 131 00:04:43,580 --> 00:04:45,170 and the men that could be married 132 00:04:45,160 --> 00:04:46,580 to the woman that I'm dating. 133 00:04:46,580 --> 00:04:48,420 Except for Edie. I know she's not married. 134 00:04:48,410 --> 00:04:50,290 - You do? - Mm-hmm. Yeah. 135 00:04:50,290 --> 00:04:51,960 I blew my paycheck on a private doxxer 136 00:04:51,960 --> 00:04:53,920 for my friends, family, and acquaintances. 137 00:04:53,920 --> 00:04:55,840 That's how I knew that Andre wasn't living here. 138 00:04:55,840 --> 00:04:57,300 - Mm-mm. - Are y'all good? 139 00:04:57,300 --> 00:04:59,800 - Uh, you'll have to ask him. 140 00:04:59,800 --> 00:05:03,220 Also, as for Edie, she won't be hanging for a few days. 141 00:05:03,220 --> 00:05:05,180 Why, you ask? Is she traveling? 142 00:05:05,180 --> 00:05:07,060 Work retreat? Medical procedure? 143 00:05:07,060 --> 00:05:08,810 Essence Fest? Who's to say? 144 00:05:08,810 --> 00:05:10,770 - Man, why is it that we're always up in one place 145 00:05:10,770 --> 00:05:12,310 and then down in another? 146 00:05:12,310 --> 00:05:14,400 You know, it's like I'm making strides in business, 147 00:05:14,400 --> 00:05:16,320 and then as soon as that happens, boom, 148 00:05:16,320 --> 00:05:18,530 Sloane has this sneaky link of a husband she lives with. 149 00:05:18,530 --> 00:05:20,410 - I think you might be the sneaky link in that situation, 150 00:05:20,400 --> 00:05:21,940 but please continue. 151 00:05:21,950 --> 00:05:23,740 - We're not side pieces. We're entr�es. 152 00:05:23,740 --> 00:05:25,370 Put some respect on our names. 153 00:05:25,370 --> 00:05:26,960 I really don't know what got into me, man. 154 00:05:26,950 --> 00:05:28,990 Why would I give Sloane's son a bike? 155 00:05:29,000 --> 00:05:31,250 What is the universe trying to tell me? 156 00:05:31,250 --> 00:05:32,710 - I wish the universe would tell me anything 157 00:05:32,710 --> 00:05:34,170 about my relationship with Edie. 158 00:05:34,170 --> 00:05:37,090 Is it even a relationship, or am I just a Costco sample? 159 00:05:37,090 --> 00:05:39,090 Because, yeah, sure, you eat it because it's free, 160 00:05:39,090 --> 00:05:40,840 but you're never really gonna buy bulk poutine. 161 00:05:40,840 --> 00:05:42,130 Know what I mean? - Okay. Enough. 162 00:05:42,130 --> 00:05:43,840 This is like the blind leading the blind, 163 00:05:43,840 --> 00:05:45,970 and we're not--we're not going down this road again. 164 00:05:45,970 --> 00:05:48,680 We need professional help, and I have it. 165 00:05:48,680 --> 00:05:50,390 There's an exotic dancer-- 166 00:05:50,390 --> 00:05:52,560 Not like that. - Oh. 167 00:05:52,560 --> 00:05:53,940 - Kind of like that, actually. - Okay. 168 00:05:53,940 --> 00:05:55,610 - But she gives the best advice. 169 00:05:55,610 --> 00:05:57,240 Bro, she started off dancing 'cause she wanted 170 00:05:57,230 --> 00:05:58,860 to pay for her psych studies, yeah? 171 00:05:58,860 --> 00:06:00,610 And then she realized she would make more money 172 00:06:00,610 --> 00:06:02,650 just asking men about their past traumas 173 00:06:02,650 --> 00:06:04,490 while dancing to "Pony." - Simultaneously? 174 00:06:04,490 --> 00:06:06,240 - Yes. Absolutely. - Interesting. 175 00:06:06,240 --> 00:06:08,280 - If we need to find what's next, we need to find Destiny. 176 00:06:08,290 --> 00:06:09,670 - Destiny--that's her name? 177 00:06:09,660 --> 00:06:11,120 That's a little on the nose, don't you think? 178 00:06:11,120 --> 00:06:12,750 - No, her name's actually Rebecca. 179 00:06:12,750 --> 00:06:14,630 - Oh, okay. When do we leave? - Tomorrow. 180 00:06:14,620 --> 00:06:16,790 I mean, as far as I know, she does not dance on Fridays. 181 00:06:16,790 --> 00:06:18,380 - But isn't Friday, like, a big night? 182 00:06:18,380 --> 00:06:19,380 - It's Shabbat. 183 00:06:19,380 --> 00:06:20,670 - Ah. - Mm-hmm. 184 00:06:20,670 --> 00:06:21,920 - With four sets of eyes, 185 00:06:21,920 --> 00:06:23,670 we can spread out and look for evidence. 186 00:06:23,680 --> 00:06:25,470 - You know, a good Agatha Christie trope 187 00:06:25,470 --> 00:06:27,390 is that the answer is right there, 188 00:06:27,390 --> 00:06:29,350 often overlooked. - Exactly. 189 00:06:29,350 --> 00:06:31,190 So we're looking for paint chips, trash, 190 00:06:31,180 --> 00:06:33,020 eyewitness testimonies, 191 00:06:33,020 --> 00:06:34,520 "Law & Order" style. 192 00:06:36,400 --> 00:06:38,440 I can't believe the university would paint 193 00:06:38,440 --> 00:06:40,440 over a Squid original. 194 00:06:40,440 --> 00:06:44,190 - As they come, so they must go. 195 00:06:44,200 --> 00:06:46,540 - Ho, ho, ho, ho, ho, ho, ho. - You can't do this. 196 00:06:46,530 --> 00:06:48,120 This could be worth millions one day. 197 00:06:48,120 --> 00:06:50,210 - Oh, yeah. So were my baseball cards as a kid, okay? 198 00:06:50,200 --> 00:06:51,740 But here I am. 199 00:06:51,750 --> 00:06:53,540 - Hey, man, just 'cause you don't have taste 200 00:06:53,540 --> 00:06:55,250 or a keen eye for alternative art 201 00:06:55,250 --> 00:06:56,380 doesn't make this trash. 202 00:06:56,370 --> 00:06:57,830 And what's next? 203 00:06:57,830 --> 00:06:59,920 - You've heard of those famous criminal profilers, hmm? 204 00:06:59,920 --> 00:07:02,670 "Mindhunter," chick from "Silence of the Lambs"? 205 00:07:02,670 --> 00:07:04,550 Yeah? Well, that's gonna be me, okay? 206 00:07:04,550 --> 00:07:06,300 But with The Squid. 207 00:07:06,300 --> 00:07:08,550 Uh, but not in a-- not in a murderer-y way. 208 00:07:08,550 --> 00:07:11,010 And with the phone cameras, the geotagging, 209 00:07:11,010 --> 00:07:13,720 and all that digital footprint nonsense, 210 00:07:13,730 --> 00:07:15,020 we're getting close. 211 00:07:15,020 --> 00:07:16,610 You better believe we're getting close. 212 00:07:16,600 --> 00:07:19,440 - Wow. You're intense. - Mm-hmm. 213 00:07:19,440 --> 00:07:21,780 These days, no one can stay anonymous for long. 214 00:07:21,780 --> 00:07:23,700 See you soon, Squid. 215 00:07:23,690 --> 00:07:25,570 - Hey, yo, who is he talking to? 216 00:07:25,570 --> 00:07:27,990 - Shit! I have to find The Squid 217 00:07:27,990 --> 00:07:29,910 before this weirdly motivated security guard 218 00:07:29,910 --> 00:07:32,000 deep-fries them like calamari. 219 00:07:36,460 --> 00:07:40,050 - When inspiration strikes, it's important to strike back 220 00:07:40,040 --> 00:07:42,960 before it's taken from you or arrested. 221 00:07:42,960 --> 00:07:44,800 - Bro, have you slept? 222 00:07:44,800 --> 00:07:46,680 - I'll sleep when The Squid is safe 223 00:07:46,680 --> 00:07:49,470 in the Andre Johnson Entertainment aquarium. 224 00:07:49,470 --> 00:07:51,930 - Yeah, but if Cal U finds The Squid, won't that help you? 225 00:07:53,600 --> 00:07:55,390 - No. What? 226 00:07:55,390 --> 00:07:57,020 If Cal U knows who The Squid is, 227 00:07:57,020 --> 00:07:58,730 then everybody knows who The Squid is, 228 00:07:58,730 --> 00:08:01,070 and then the value of the art decreases 229 00:08:01,060 --> 00:08:02,600 because everyone knows who the artist is. 230 00:08:02,610 --> 00:08:04,740 I am protecting The Squid's identity 231 00:08:04,730 --> 00:08:06,360 so that I can protect my bag. 232 00:08:06,360 --> 00:08:07,780 - [softly] All right. 233 00:08:07,780 --> 00:08:09,780 - Squid has dropped a new piece every night 234 00:08:09,780 --> 00:08:11,570 for the past week. 235 00:08:11,570 --> 00:08:13,410 They keep getting taken down immediately. 236 00:08:13,410 --> 00:08:15,410 But thanks to the FindTheSquid subreddit-- 237 00:08:15,410 --> 00:08:17,580 - Wait. Hold-- They already have a subreddit? 238 00:08:17,580 --> 00:08:19,830 Mine's been pending since 2014. 239 00:08:19,830 --> 00:08:22,830 - Yes, and fans are posting theories and locations 240 00:08:22,840 --> 00:08:25,340 on where they think The Squid is gonna drop next. 241 00:08:25,340 --> 00:08:27,680 - Wait, but what about the camera footage? 242 00:08:27,670 --> 00:08:30,210 - No. There's no footage. 243 00:08:30,220 --> 00:08:32,810 The Squid keeps posting in blind spots. 244 00:08:32,800 --> 00:08:34,890 Whoever they are, they are brilliant. 245 00:08:34,890 --> 00:08:37,600 You just know there's a deeper message behind all of it. 246 00:08:37,600 --> 00:08:39,480 - Brother, this looks like a lot of work. 247 00:08:39,480 --> 00:08:41,730 Wouldn't it just be easier to stick with the influencers 248 00:08:41,730 --> 00:08:43,770 you've been working with? - No. 249 00:08:43,770 --> 00:08:45,440 Influencers make pennies in comparison 250 00:08:45,440 --> 00:08:47,190 to what I have planned for The Squid. 251 00:08:47,190 --> 00:08:49,400 - And, uh, what is that exactly? 252 00:08:49,400 --> 00:08:52,070 - A bigger canvas, longevity. 253 00:08:52,070 --> 00:08:54,240 Why look for what's at the end of the rainbow 254 00:08:54,240 --> 00:08:55,870 when The Squid is the rainbow? 255 00:08:55,870 --> 00:08:57,870 You know, Banksy doesn't have to do deals 256 00:08:57,870 --> 00:08:59,500 with energy-drink companies. 257 00:08:59,500 --> 00:09:04,050 His last piece of art sold for $25.4 million. 258 00:09:04,040 --> 00:09:05,170 - That's a lot. - Hold up. 259 00:09:05,170 --> 00:09:07,550 [dramatic music] 260 00:09:07,550 --> 00:09:09,260 [cat meows] 261 00:09:09,260 --> 00:09:11,300 What are we looking for? What am I missing? 262 00:09:11,300 --> 00:09:13,680 ? ? 263 00:09:13,680 --> 00:09:15,310 The buildings. 264 00:09:15,310 --> 00:09:22,230 ? ? 265 00:09:24,440 --> 00:09:25,940 - Oh, oh. [indistinct chatter] 266 00:09:25,940 --> 00:09:28,030 - They're yours. - Partridge. 267 00:09:28,030 --> 00:09:30,070 Bam. Yes. Yes. Yes. Yes. 268 00:09:30,070 --> 00:09:31,820 Straight to Lepore. 269 00:09:31,820 --> 00:09:34,360 What are we cooking with, good-lookin'? 270 00:09:34,370 --> 00:09:36,920 Lepore to Enoch. 271 00:09:36,910 --> 00:09:39,790 And you are Kudus. 272 00:09:39,790 --> 00:09:41,170 - He's gonna get them like this. 273 00:09:41,160 --> 00:09:44,370 - Partridge, Lepore, Enoch, Kudus. 274 00:09:44,380 --> 00:09:48,640 Partridge, Lepore, Enoch, Kudus. 275 00:09:48,630 --> 00:09:49,920 - What does that mean? 276 00:09:49,920 --> 00:09:52,090 ? ? 277 00:09:52,090 --> 00:09:54,430 - I know where The Squid's gonna strike next. 278 00:09:54,430 --> 00:09:56,470 A new building is being dedicated 279 00:09:56,470 --> 00:09:58,060 in Derek Wright's name. 280 00:09:58,060 --> 00:09:59,350 I'll explain in the car. 281 00:09:59,350 --> 00:10:01,480 [hip-hop music] 282 00:10:01,480 --> 00:10:03,570 - I thought this was where Rebecca worked, 283 00:10:03,560 --> 00:10:05,100 but at least the bouncer was cool enough 284 00:10:05,100 --> 00:10:06,690 to tell us where she transferred to. 285 00:10:06,690 --> 00:10:09,900 - Yeah, he told us that after we paid the cover charge. 286 00:10:09,900 --> 00:10:11,900 Here's what I think we should do. 287 00:10:11,900 --> 00:10:13,860 We go back inside for investigation purposes only, 288 00:10:13,860 --> 00:10:15,570 just to make sure we're headed in the right direction. 289 00:10:15,570 --> 00:10:17,070 I had a great OJ in there, so let's just go back in. 290 00:10:17,080 --> 00:10:18,540 - Professor Jackson? - Huh? 291 00:10:18,540 --> 00:10:19,790 - Or we can go right now. 292 00:10:19,790 --> 00:10:23,380 - Our Uber's probably still right there. 293 00:10:23,370 --> 00:10:25,330 [distant siren wailing] 294 00:10:25,330 --> 00:10:27,870 - Every building The Squid has hit so far was funded 295 00:10:27,880 --> 00:10:29,840 by an exploitative capitalist. 296 00:10:29,840 --> 00:10:32,680 Thurman used child labor. 297 00:10:32,670 --> 00:10:34,880 Kudus manipulated the markets. 298 00:10:34,880 --> 00:10:38,090 And Derek Wright is just the worst. 299 00:10:38,100 --> 00:10:41,100 - I tell you, that's some darn good detective work. 300 00:10:41,100 --> 00:10:43,560 Agatha Christie would have been so proud. 301 00:10:43,560 --> 00:10:45,520 I mean, a little conflicted, but-- 302 00:10:45,520 --> 00:10:47,230 - Yeah. - So proud. 303 00:10:47,230 --> 00:10:48,940 - Dawg, 5-0 is everywhere. 304 00:10:48,940 --> 00:10:51,110 [tense music] 305 00:10:51,110 --> 00:10:53,240 - Bro, you sure The Squid would risk it? 306 00:10:53,240 --> 00:10:54,780 - If I know The Squid-- 307 00:10:54,780 --> 00:10:56,780 and after the last 24 hours, I feel like I do-- 308 00:10:56,780 --> 00:10:58,820 they're close by. 309 00:10:58,830 --> 00:11:01,210 - Damn, we've been out here all day. 310 00:11:01,200 --> 00:11:02,990 Hey, yo, you know, we should go get 311 00:11:03,000 --> 00:11:04,420 some hold-us-over snacks, you know? 312 00:11:04,410 --> 00:11:05,830 - Oh, smart. - Yeah. 313 00:11:05,830 --> 00:11:07,830 - Yo, there's an army-surplus store nearby. 314 00:11:07,830 --> 00:11:09,620 - Word. - They got some face paint, 315 00:11:09,630 --> 00:11:12,260 night-vision goggles, and some trail mix. 316 00:11:12,260 --> 00:11:14,180 - Come on. 317 00:11:14,170 --> 00:11:17,630 [Andre sighs] 318 00:11:17,640 --> 00:11:19,100 [door slams] - Mm. 319 00:11:19,100 --> 00:11:21,310 - Good God. - Could not have been louder. 320 00:11:23,100 --> 00:11:25,600 Well, looks like we've got first watch. 321 00:11:25,600 --> 00:11:28,440 - Fine by me. [phone chimes] 322 00:11:28,440 --> 00:11:30,440 - [groans] 323 00:11:30,440 --> 00:11:32,110 My client who Griddys in grocery stores 324 00:11:32,110 --> 00:11:33,820 wants me to take him to Kroger. 325 00:11:33,820 --> 00:11:35,450 - [chuckles] He can't take a bus? 326 00:11:35,450 --> 00:11:37,540 - No, he got permanently banned 327 00:11:37,530 --> 00:11:39,910 for Griddying too close to the bus driver. 328 00:11:39,910 --> 00:11:41,290 I just--I'm not gonna text back. 329 00:11:41,280 --> 00:11:42,820 I can't deal with this right now. 330 00:11:42,830 --> 00:11:44,540 - You can't do that. You're his manager, no? 331 00:11:44,540 --> 00:11:45,790 - On paper. 332 00:11:45,790 --> 00:11:47,380 I just thought being a manager 333 00:11:47,370 --> 00:11:49,410 would be more than handling travel arrangements 334 00:11:49,420 --> 00:11:51,590 and tracking Cameo residuals. 335 00:11:51,590 --> 00:11:53,260 - You don't want to be a manager, do you? 336 00:11:53,250 --> 00:11:56,670 - I do. I just want to be more than a manager, you know? 337 00:11:56,670 --> 00:11:58,840 When I first got into this, I was so focused 338 00:11:58,840 --> 00:12:01,380 on getting clients that I wasn't focused on their work, 339 00:12:01,390 --> 00:12:03,310 until I saw The Squid's art. 340 00:12:03,310 --> 00:12:05,650 So I'm gonna make sure that The Squid is everywhere, 341 00:12:05,640 --> 00:12:07,600 and then I'm gonna show my dad to prove to him 342 00:12:07,600 --> 00:12:09,520 that he was wrong for not believing in me. 343 00:12:09,520 --> 00:12:12,230 - Hmm. - It's gonna fix everything. 344 00:12:12,230 --> 00:12:13,980 - For you? 345 00:12:13,980 --> 00:12:16,150 I hope that's not your pitch. 346 00:12:16,150 --> 00:12:18,690 - ? Make it rain, yeah, I make it snow ? 347 00:12:18,700 --> 00:12:21,700 ? If you want the best, better add the zeroes ? 348 00:12:21,700 --> 00:12:24,290 ? I get the bread, yeah, I get the dough ? 349 00:12:24,290 --> 00:12:27,040 ? Stacking up the bills underneath my pillow ? 350 00:12:27,040 --> 00:12:29,960 ? Tooth Fairy lit, one for the money... ? 351 00:12:29,960 --> 00:12:32,340 - Okay, okay, okay. We're good. We're in the clear. 352 00:12:32,340 --> 00:12:35,890 Nobody from our personal or professional lives. 353 00:12:35,880 --> 00:12:37,550 No Rebecca. 354 00:12:37,550 --> 00:12:39,760 - Maybe she's in the back somewhere. 355 00:12:39,760 --> 00:12:41,180 - Yo, y'all trying to party? 356 00:12:41,180 --> 00:12:42,720 - No, we're fine, but thank you. 357 00:12:42,720 --> 00:12:44,010 - I would love to party with you, yes. 358 00:12:44,010 --> 00:12:45,220 - No. - What? 359 00:12:45,220 --> 00:12:46,550 - Never go for the first dancer. 360 00:12:46,560 --> 00:12:48,060 If they approach, it's not worth it. 361 00:12:48,060 --> 00:12:49,230 - Fine. Fine. Fine! 362 00:12:49,230 --> 00:12:50,150 All right, well, all this searching 363 00:12:50,140 --> 00:12:51,480 has got me hungry, dog. 364 00:12:51,480 --> 00:12:53,860 So I'm gonna come over here. - Do your thing. 365 00:12:53,860 --> 00:12:55,650 - All right, Doug-y boy, you go get yourself a lap dance, 366 00:12:55,650 --> 00:12:57,320 while me and this shrimp scampi and scrambled eggs-- 367 00:12:57,320 --> 00:12:58,780 we're gonna stay on the lookout for Rebecca. 368 00:12:58,780 --> 00:13:00,160 - I love a dance, man, 369 00:13:00,150 --> 00:13:01,820 especially when I have no one to go home to. 370 00:13:01,820 --> 00:13:03,450 - Well, there's plenty of shrimp in the sea. 371 00:13:03,450 --> 00:13:04,990 It should be easy. 372 00:13:04,990 --> 00:13:07,240 - Bro, like, look at this Asian one right here, right? 373 00:13:07,250 --> 00:13:08,630 - Love her. I love her. 374 00:13:08,620 --> 00:13:09,960 - Gorgeous. - Nice. 375 00:13:09,960 --> 00:13:11,250 - But she's not Black. - [inhales sharply] 376 00:13:11,250 --> 00:13:12,290 - I like to keep it in the Black community. 377 00:13:12,290 --> 00:13:13,960 - Who you telling? I only buy Black. 378 00:13:13,960 --> 00:13:15,670 - ? Money, money, money, money, money, money ? 379 00:13:15,670 --> 00:13:17,210 - ? You heard? ? 380 00:13:17,210 --> 00:13:18,670 - ? Money, money, money... ? 381 00:13:18,670 --> 00:13:20,420 - Oh, she's gorgeous. - Yeah, she is. 382 00:13:21,840 --> 00:13:23,880 Oh. She looks like Edie. 383 00:13:23,890 --> 00:13:25,270 - A little bit. - [sighs] Damn. 384 00:13:25,260 --> 00:13:26,760 - ? For a dollar? ? 385 00:13:26,760 --> 00:13:28,180 ? You'll do all this for a dollar? ? 386 00:13:28,180 --> 00:13:31,020 ? ? 387 00:13:31,020 --> 00:13:32,650 - She's probably married, too. 388 00:13:32,650 --> 00:13:35,240 - She's got a lot of tattoos of men's names on her arm. 389 00:13:35,230 --> 00:13:36,570 You got room for one more? 390 00:13:36,570 --> 00:13:38,360 - Go for it. - Okay. 391 00:13:38,360 --> 00:13:41,070 - ? Lickety split, banana Ice cream sundae ? 392 00:13:41,070 --> 00:13:43,200 - You sure you don't want any shrimp? 393 00:13:43,200 --> 00:13:44,950 - Absolutely not. 394 00:13:44,950 --> 00:13:47,540 - Hey, Doug. I've been waiting for you. 395 00:13:47,540 --> 00:13:49,750 - Rebecca. We've been looking for you so long, 396 00:13:49,750 --> 00:13:51,330 they restarted the playlist. 397 00:13:51,330 --> 00:13:53,420 - Oh, we have a celeb who practically lives back there. 398 00:13:53,420 --> 00:13:54,550 - Mm. - Okay. 399 00:13:54,540 --> 00:13:56,420 - Don't ask who, 'cause I can't say, 400 00:13:56,420 --> 00:13:58,130 but his name rhymes with James Harden. 401 00:13:58,130 --> 00:14:00,590 - Okay. - So what's bothering you? 402 00:14:00,590 --> 00:14:02,840 - Wait, how does she know? Wait, you were right. 403 00:14:02,840 --> 00:14:04,550 She knows that we need help. Are you psychic? 404 00:14:04,550 --> 00:14:07,890 - No, you're just the only guys in here eating warm shrimp. 405 00:14:07,890 --> 00:14:09,560 - Step into my office. - Okay. 406 00:14:09,560 --> 00:14:11,520 - And leave the plate, Bubba Gump. 407 00:14:11,520 --> 00:14:13,440 - ? Money, money, money ? 408 00:14:15,190 --> 00:14:16,690 - [snoring] 409 00:14:16,690 --> 00:14:19,030 [phone chimes] 410 00:14:19,030 --> 00:14:21,320 - Hello, my celiac kings and queens. 411 00:14:21,320 --> 00:14:23,200 You've been asking, so here it is-- 412 00:14:23,200 --> 00:14:26,540 part 12 of my kale-salad series. 413 00:14:26,530 --> 00:14:27,990 [musical chime] 414 00:14:27,990 --> 00:14:30,280 - Oh, my God. Enough with the kale. 415 00:14:30,290 --> 00:14:34,380 [phones chiming, vibrating] Ooh! Ooh! 416 00:14:34,370 --> 00:14:36,040 - Squid! - They're here! 417 00:14:36,040 --> 00:14:37,920 - Man, they're not here. 418 00:14:37,920 --> 00:14:40,300 - Yo, The Squid hit another location. 419 00:14:40,300 --> 00:14:41,380 - What? 420 00:14:41,380 --> 00:14:43,130 Somewhere we know? 421 00:14:43,130 --> 00:14:46,340 - Yeah. We're pretty familiar. 422 00:14:46,340 --> 00:14:47,760 [indistinct chatter] 423 00:14:47,760 --> 00:14:49,180 Can they move out the way? 424 00:14:49,180 --> 00:14:51,220 [horn honks] 425 00:14:51,220 --> 00:14:54,180 [dramatic music] 426 00:14:54,190 --> 00:14:55,360 ? ? 427 00:14:55,350 --> 00:14:56,770 - Whoa. 428 00:14:56,770 --> 00:14:58,560 Well, I guess you were right about Wright 429 00:14:58,560 --> 00:15:01,730 but wrong about Wright. 430 00:15:01,730 --> 00:15:04,860 Right? 431 00:15:04,860 --> 00:15:08,490 - Whoever The Squid is, they're [bleep] with me. 432 00:15:12,540 --> 00:15:14,040 - Hold on. 433 00:15:14,040 --> 00:15:17,040 This piece couldn't possibly be The Squid's work. 434 00:15:17,040 --> 00:15:19,000 - Yo, maybe it's bedtime, fam. 435 00:15:19,000 --> 00:15:20,500 - No. No, no, no, no. Look. 436 00:15:20,500 --> 00:15:22,790 - The brush strokes are discordant. 437 00:15:22,800 --> 00:15:24,640 This is shoddy work. 438 00:15:24,630 --> 00:15:26,760 The Squid's style is very intentional. 439 00:15:26,760 --> 00:15:29,890 Every color glows with inspiration. 440 00:15:29,890 --> 00:15:31,140 - "Glows"? 441 00:15:31,140 --> 00:15:32,980 - Yeah. 442 00:15:32,970 --> 00:15:35,390 The Squid's work speaks to me 443 00:15:35,390 --> 00:15:37,980 in a language I just can't describe. 444 00:15:37,980 --> 00:15:41,530 It inspires me to slow down and breathe, 445 00:15:41,520 --> 00:15:44,820 smile, cry... 446 00:15:44,820 --> 00:15:47,110 live. 447 00:15:47,110 --> 00:15:50,320 This doesn't make me feel any of that. 448 00:15:50,320 --> 00:15:51,740 - Mm. 449 00:15:51,740 --> 00:15:53,660 - This isn't The Squid's work. 450 00:15:53,660 --> 00:15:56,040 Boys, I think we have an impostor on our hands. 451 00:15:56,040 --> 00:15:58,880 - Mm. - Uh, I got to be honest... 452 00:15:58,880 --> 00:16:01,420 I have no idea what's going on. 453 00:16:01,420 --> 00:16:03,880 - ? You ain't ready for this, ah ? 454 00:16:03,880 --> 00:16:05,380 ? Wait till I give you that... ? 455 00:16:05,380 --> 00:16:06,920 - She's treating me like a simp. 456 00:16:06,920 --> 00:16:08,420 - I'm just mad that I'm being so manipulatable. 457 00:16:08,430 --> 00:16:10,180 - Whoa, whoa, Doug. The floor lights up. 458 00:16:10,180 --> 00:16:12,470 - It sounds like you two are at a crossroads. 459 00:16:12,470 --> 00:16:14,350 So... 460 00:16:14,350 --> 00:16:18,270 which way will you go? 461 00:16:18,270 --> 00:16:20,770 - Uh, which--whichever way you think we should go. 462 00:16:20,770 --> 00:16:22,610 - Song's over. 463 00:16:22,610 --> 00:16:24,450 - Oh, God. - [grunting] 464 00:16:24,440 --> 00:16:25,690 - I need to know what to do next. 465 00:16:25,690 --> 00:16:27,110 She's got to tell me which way to go. 466 00:16:27,110 --> 00:16:28,780 - Bro, we've already done 13 songs, 467 00:16:28,780 --> 00:16:30,740 and at the end of every one, she says the same thing. 468 00:16:30,740 --> 00:16:32,370 It's like advice "Inception." 469 00:16:32,370 --> 00:16:34,040 - You're right. 470 00:16:34,040 --> 00:16:36,040 This room is the crossroads, and the only way to go is out. 471 00:16:36,040 --> 00:16:37,370 We got to leave. - Let's go, man. 472 00:16:37,370 --> 00:16:39,000 - [chuckles] You guys are sweet, 473 00:16:39,000 --> 00:16:40,710 so this next one's on the house. 474 00:16:40,710 --> 00:16:42,300 both: Okay. - We can stay. 475 00:16:42,290 --> 00:16:44,080 - Plus, the Grizzlies are in town on Tuesday, 476 00:16:44,090 --> 00:16:46,010 and one visit from their backcourt 477 00:16:46,010 --> 00:16:47,760 will pay off my Land Rover. 478 00:16:47,760 --> 00:16:49,720 - ? Let me tell you one thing ? 479 00:16:49,720 --> 00:16:52,140 - I'm gonna be candid, okay? - That's exactly what we need. 480 00:16:52,140 --> 00:16:53,230 - Yeah? 481 00:16:53,220 --> 00:16:55,140 Aaron. - Yes, ma'am? 482 00:16:55,140 --> 00:16:57,020 - What would happen if you got handsy with me 483 00:16:57,020 --> 00:16:58,270 in this strip club? 484 00:16:58,270 --> 00:16:59,810 - I-I think the security guards 485 00:16:59,810 --> 00:17:01,600 and bouncers would throw me out Jazzy Jeff style. 486 00:17:01,600 --> 00:17:03,640 - Mm. And how do you know that? 487 00:17:03,650 --> 00:17:05,070 - Well, I know that because they have house rules 488 00:17:05,070 --> 00:17:06,660 located on each wall. 489 00:17:06,650 --> 00:17:09,360 - Your problem is, you agreed to the rules with Edie, 490 00:17:09,360 --> 00:17:11,860 but you keep expecting something different to happen. 491 00:17:11,860 --> 00:17:13,150 - What's wrong with me? 492 00:17:13,160 --> 00:17:15,250 - If you don't accept the situation as is, 493 00:17:15,240 --> 00:17:18,280 you're gonna keep getting hurt. - [gasps] Ooh. Okay. 494 00:17:18,290 --> 00:17:20,790 You're saying be more like the door and less like Jazzy Jeff. 495 00:17:20,790 --> 00:17:23,210 - Yeah. - Me. Do me next, please? 496 00:17:23,210 --> 00:17:24,590 - She wasn't done. She wasn't--Hey. 497 00:17:24,590 --> 00:17:25,970 She wasn't done with me yet. 498 00:17:25,960 --> 00:17:28,000 - You need to accept that what happened with Sloane 499 00:17:28,010 --> 00:17:29,760 has nothing to do with you. 500 00:17:29,760 --> 00:17:32,600 Grieving can look like anger in a lot of men. 501 00:17:32,590 --> 00:17:33,840 - Mm-hmm. 502 00:17:33,840 --> 00:17:35,590 - And you need to release your grief... 503 00:17:35,600 --> 00:17:36,810 - Oh. 504 00:17:36,810 --> 00:17:38,560 - Not anger... 505 00:17:38,560 --> 00:17:42,770 and get closure however you can. 506 00:17:42,770 --> 00:17:44,610 Session's over. 507 00:17:44,610 --> 00:17:46,280 That'll be two grand. 508 00:17:46,270 --> 00:17:48,690 - And I'll just have to accept that feelings aren't facts. 509 00:17:48,690 --> 00:17:51,570 - Okay, is the tattoo located on your lower back-- 510 00:17:51,570 --> 00:17:53,070 is that the QR code for your Venmo, or-- 511 00:17:53,070 --> 00:17:54,570 - Oh, yeah, it sure is. 512 00:17:54,570 --> 00:17:56,950 - I'll just--thank you. 513 00:17:56,950 --> 00:17:59,040 - And who--who should I make this out to? 514 00:17:59,040 --> 00:18:01,290 - Oh, Rebecca Shapiro is fine. 515 00:18:01,290 --> 00:18:03,250 ? ? 516 00:18:03,250 --> 00:18:05,250 - I can't believe that crazy security guard 517 00:18:05,250 --> 00:18:08,000 ended up being the fake Squid. 518 00:18:08,000 --> 00:18:10,130 He must have lost himself in the search. 519 00:18:11,880 --> 00:18:13,510 You don't want to help? 520 00:18:13,510 --> 00:18:16,430 - Uh, I'm helping a different way. 521 00:18:16,430 --> 00:18:17,930 But I got a new clue. 522 00:18:17,930 --> 00:18:20,470 - You can toss that. I'm done. 523 00:18:20,470 --> 00:18:23,180 I'm sorry that I kept you guys awake with all this craziness. 524 00:18:23,190 --> 00:18:25,190 - Trust me... 525 00:18:25,190 --> 00:18:27,530 you're gonna want to see this. 526 00:18:27,520 --> 00:18:30,480 [soft synth music] 527 00:18:30,480 --> 00:18:34,360 ? ? 528 00:18:34,360 --> 00:18:35,860 - You're The Squid. 529 00:18:35,870 --> 00:18:38,790 - No, I'm Cole... 530 00:18:38,780 --> 00:18:40,990 who is The Squid, so... 531 00:18:41,000 --> 00:18:43,090 yeah, I guess I am The Squid. 532 00:18:43,080 --> 00:18:44,960 - What? Then--then why did you deny it 533 00:18:44,960 --> 00:18:46,960 when I asked you if you were The Squid? 534 00:18:46,960 --> 00:18:49,420 - No, I didn't. Look, you're not crazy. 535 00:18:49,420 --> 00:18:51,710 I was gonna hit the Derek Wright building, 536 00:18:51,710 --> 00:18:53,130 but you didn't catch me because-- 537 00:18:53,130 --> 00:18:54,840 - You were there the whole time. 538 00:18:54,840 --> 00:18:57,840 Overlooked, in plain sight. 539 00:18:57,850 --> 00:18:59,270 Wow. 540 00:18:59,260 --> 00:19:01,430 What made you want to reveal yourself now? 541 00:19:01,430 --> 00:19:04,430 - You weren't trying to expose or exploit The Squid. 542 00:19:04,440 --> 00:19:06,650 You were trying to protect and preserve the art 543 00:19:06,650 --> 00:19:08,900 and the artist. 544 00:19:08,900 --> 00:19:12,450 I got so worried it was just all about money. 545 00:19:12,440 --> 00:19:15,490 When you saw my work, then I knew you saw me. 546 00:19:15,490 --> 00:19:16,990 - I feel you. 547 00:19:16,990 --> 00:19:18,780 You know what? I'm gonna-- I'm gonna keep quiet. 548 00:19:18,780 --> 00:19:20,410 I know you don't want a manager, 549 00:19:20,410 --> 00:19:22,200 and I know that you just, you know-- 550 00:19:22,200 --> 00:19:23,740 you don't want to sell out. 551 00:19:23,750 --> 00:19:25,670 - You're right. I don't want to sell out. 552 00:19:25,660 --> 00:19:27,120 - Yeah. 553 00:19:27,120 --> 00:19:28,830 - But I do want to buy in. 554 00:19:28,830 --> 00:19:30,710 - Cole, I'm running on fumes here. 555 00:19:30,710 --> 00:19:32,340 Can you just tell me what you mean? 556 00:19:32,340 --> 00:19:34,010 - All right, look, 557 00:19:34,010 --> 00:19:36,600 we both found something new we weren't expecting today. 558 00:19:36,590 --> 00:19:38,680 You found clarity, 559 00:19:38,680 --> 00:19:40,220 and I found a manager. 560 00:19:41,890 --> 00:19:44,730 - Wait, you want me to represent you? 561 00:19:44,730 --> 00:19:48,030 - I'll consider it on a handshake agreement. 562 00:19:48,020 --> 00:19:50,480 - That-- [chuckles] 563 00:19:50,480 --> 00:19:52,730 You never know when inspiration 564 00:19:52,730 --> 00:19:55,610 is going to find you... 565 00:19:55,610 --> 00:19:58,530 or how long it will take to track down inspiration 566 00:19:58,530 --> 00:20:03,160 and embark on a mutually beneficial relationship. 567 00:20:03,160 --> 00:20:06,250 But trust me--you'll know it when you see it. 568 00:20:06,250 --> 00:20:09,130 And if you're lucky, maybe it'll see you, too. 569 00:20:12,130 --> 00:20:13,460 - We did it! 570 00:20:13,460 --> 00:20:15,880 Yeah! Stole a bike from a child. 571 00:20:15,880 --> 00:20:18,430 - Not something I'm proud of. - Oh, no, I'm proud. 572 00:20:18,430 --> 00:20:19,560 You know why? - Why? 573 00:20:19,550 --> 00:20:20,970 - Closure. 574 00:20:20,970 --> 00:20:23,470 - Hey, well, look, man, petty theft or not, 575 00:20:23,470 --> 00:20:25,470 there's no one else I'd rather run out of money 576 00:20:25,470 --> 00:20:26,970 and walk through the L.A. streets with. 577 00:20:26,980 --> 00:20:28,310 - I do agree. 578 00:20:28,310 --> 00:20:30,150 Once this blister on my foot heals, 579 00:20:30,150 --> 00:20:31,900 I'll be able to fully appreciate this moment. 580 00:20:31,900 --> 00:20:34,070 And even after all the shit that we went through, 581 00:20:34,070 --> 00:20:36,280 I'm glad I did it with you. - Same. Love you, man. 582 00:20:36,280 --> 00:20:37,820 - Love you, too, man. 583 00:20:37,820 --> 00:20:39,530 - It would have been a lot cheaper, though, 584 00:20:39,530 --> 00:20:41,320 to remember that before we spent a mortgage 585 00:20:41,320 --> 00:20:43,360 on strip club therapy. - Eh. 586 00:20:43,370 --> 00:20:46,500 But then we wouldn't have had this great idea. 587 00:20:46,500 --> 00:20:48,040 - [yawning] You're right. 588 00:20:48,040 --> 00:20:50,000 You're right. - Closure. 589 00:20:50,050 --> 00:20:54,600 Repair and Synchronization by Easy Subtitles Synchronizer 1.0.0.0 43319

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