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1
00:00:01,460 --> 00:00:04,090
- ? Hard work,
yeah, dedication ?
2
00:00:04,090 --> 00:00:06,300
? Know I'm great,
it ain't no debating ?
3
00:00:06,300 --> 00:00:08,180
? Always know
the people waiting ?
4
00:00:08,180 --> 00:00:09,680
[alarm dinging]
5
00:00:09,680 --> 00:00:11,890
? Ran it up just to make
a statement ?
6
00:00:11,890 --> 00:00:13,810
? Hard work,
yeah, dedication ?
7
00:00:13,810 --> 00:00:15,690
- I thought that me
and this sign would be
8
00:00:15,680 --> 00:00:18,430
somewhere more permanent,
but business has changed.
9
00:00:18,440 --> 00:00:21,110
I thought I handled talent
like Zaara and Annika.
10
00:00:21,100 --> 00:00:25,150
But what I really handle
is inspiration.
11
00:00:25,150 --> 00:00:27,530
Sure, my dad isn't sold
on the plan,
12
00:00:27,530 --> 00:00:30,370
but Dad hasn't seen
my new roster of clients--
13
00:00:30,360 --> 00:00:33,400
like Deanna,
a TikToker who's huge
14
00:00:33,410 --> 00:00:36,540
in the vegan celiac community.
15
00:00:36,540 --> 00:00:39,790
What is more inspiring than
a working digestive system?
16
00:00:41,290 --> 00:00:43,330
Or Magnus,
a motivational speaker
17
00:00:43,340 --> 00:00:46,010
who's conveniently taken
a vow of silence.
18
00:00:46,000 --> 00:00:48,630
And I'm not just his manager.
[phone chimes]
19
00:00:48,630 --> 00:00:51,340
- ? Ran it up just
to make a statement ?
20
00:00:51,340 --> 00:00:54,010
- Hmm.
21
00:00:54,010 --> 00:00:55,930
I'm also his client.
22
00:00:55,930 --> 00:00:57,640
It's all
in the mission statement.
23
00:00:57,640 --> 00:00:59,060
Get, period.
24
00:00:59,060 --> 00:01:00,730
The, period.
25
00:01:00,730 --> 00:01:02,360
Bag, period.
26
00:01:02,350 --> 00:01:04,230
So, if you've got a talent--
27
00:01:04,230 --> 00:01:06,770
or better yet, a following--
come through.
28
00:01:06,780 --> 00:01:09,120
And, yeah, 2,000 coffee sleeves
29
00:01:09,110 --> 00:01:10,950
sure did put a dent
in my profits,
30
00:01:10,950 --> 00:01:12,450
but it's like they always say--
31
00:01:12,450 --> 00:01:15,620
inspiration is always
right around the corner.
32
00:01:15,620 --> 00:01:18,080
[indistinct chatter,
camera shutters clicking]
33
00:01:18,080 --> 00:01:20,790
- Oh, my God,
it's the new Squid drop.
34
00:01:20,790 --> 00:01:23,040
- The Squid strikes again.
35
00:01:23,040 --> 00:01:24,750
- I hear The Squid's going
to Art Basel.
36
00:01:24,750 --> 00:01:27,460
- Oh, my God, Malia Obama just
reposted my Squid photo.
37
00:01:27,460 --> 00:01:29,210
So did Complex.
38
00:01:29,210 --> 00:01:32,170
[ethereal synth music]
39
00:01:32,180 --> 00:01:34,560
- Wow.
40
00:01:34,550 --> 00:01:37,720
Who's The Squid?
41
00:01:37,720 --> 00:01:40,010
And are they seeking
representation?
42
00:01:41,640 --> 00:01:43,810
both: ? Watch out, world ?
43
00:01:43,810 --> 00:01:45,310
? I'm grown now ?
44
00:01:45,310 --> 00:01:47,020
? I'm grown ?
45
00:01:47,020 --> 00:01:49,190
- ? Learn something new
every day ?
46
00:01:49,190 --> 00:01:52,110
? I don't know
so I'ma feel my way ?
47
00:01:52,110 --> 00:01:54,650
? Got the weight of the world
on me ?
48
00:01:54,660 --> 00:01:55,700
? But no regrets ?
49
00:01:55,700 --> 00:01:57,660
? This is what I say ?
50
00:01:57,660 --> 00:01:59,620
both: ? Watch out, world ?
51
00:01:59,620 --> 00:02:00,710
? I'm grown now ?
52
00:02:00,700 --> 00:02:02,120
? I'm grown ?
53
00:02:02,120 --> 00:02:03,790
- ? You can't tell me
nothin' ?
54
00:02:03,790 --> 00:02:06,920
both:
? My heartbeat is so loud ?
55
00:02:06,920 --> 00:02:08,460
? ?
56
00:02:08,460 --> 00:02:12,050
? Mama, look, I'm grown now ?
57
00:02:12,050 --> 00:02:13,510
? I'm grown ?
58
00:02:13,510 --> 00:02:15,850
? ?
59
00:02:15,840 --> 00:02:18,800
[plucky string music]
60
00:02:18,810 --> 00:02:21,270
[door opens and closes]
61
00:02:21,270 --> 00:02:23,480
- Guys, I think
I found my next client
62
00:02:23,480 --> 00:02:24,980
who's gonna make me
a ton of money
63
00:02:24,980 --> 00:02:27,190
and get me a nice office
I can rub in my dad's face.
64
00:02:27,190 --> 00:02:29,280
- Hold on, brother--it's
a staring contest going on.
65
00:02:29,270 --> 00:02:30,810
- Oh.
66
00:02:30,820 --> 00:02:32,490
- All right, fellas.
I call draw,
67
00:02:32,490 --> 00:02:34,410
because I lost interest
five minutes ago.
68
00:02:34,400 --> 00:02:36,740
- Yes! I'm undefeated.
69
00:02:36,740 --> 00:02:38,410
My eyes stay moist.
70
00:02:38,410 --> 00:02:41,370
- Guys, I'm going to manage...
71
00:02:41,370 --> 00:02:42,540
The Squid.
72
00:02:42,540 --> 00:02:43,880
- What's The Squid?
73
00:02:43,870 --> 00:02:45,330
- I got this, Andre.
74
00:02:45,330 --> 00:02:47,040
See, squids are
ocean-dwelling creatures.
75
00:02:47,040 --> 00:02:49,210
They're like
a mixed-race octopus.
76
00:02:49,210 --> 00:02:51,090
- [sighs]
77
00:02:51,090 --> 00:02:52,930
If you guys are wondering
why I'm getting advice
78
00:02:52,920 --> 00:02:55,170
from these three billy goats
instead of my A-team,
79
00:02:55,180 --> 00:02:57,140
aka The Girlies,
80
00:02:57,140 --> 00:02:59,060
they actually have lives.
81
00:02:59,050 --> 00:03:00,590
No. No.
82
00:03:00,600 --> 00:03:03,060
The Squid is a street artist
who recently inked
83
00:03:03,060 --> 00:03:05,310
the Business School building.
- Ah.
84
00:03:05,310 --> 00:03:07,730
The anonymous Cal U artist.
- Yes.
85
00:03:07,730 --> 00:03:09,900
- They're going by "The Squid"?
- Yeah.
86
00:03:09,900 --> 00:03:13,320
- Yeah. The Squid is their tag.
Their identity is unknown.
87
00:03:13,320 --> 00:03:15,070
- Wait, but how do you make
money off of graffiti?
88
00:03:15,070 --> 00:03:16,280
- Well, a ton
of prominent artists
89
00:03:16,280 --> 00:03:17,530
got their start in graffiti.
90
00:03:17,530 --> 00:03:19,410
I think The Squid
has the potential
91
00:03:19,410 --> 00:03:21,580
to become the next Banksy.
92
00:03:21,580 --> 00:03:25,670
I could manage the next Banksy.
93
00:03:25,660 --> 00:03:28,450
I could be a cultivator
of taste worldwide.
94
00:03:28,460 --> 00:03:32,170
I could be like the--
the DJ Khaled of the art world.
95
00:03:32,170 --> 00:03:33,710
[imitating DJ Khaled]
Another one.
96
00:03:33,710 --> 00:03:37,340
- Alas, what happens when
an unstoppable manager meets
97
00:03:37,340 --> 00:03:39,090
an unknowable force?
98
00:03:39,090 --> 00:03:40,550
- Mm. That's deep.
99
00:03:40,550 --> 00:03:42,180
- Cole, are you The Squid?
100
00:03:42,180 --> 00:03:44,270
- Well, that doesn't make
sense, considering the fact
101
00:03:44,270 --> 00:03:46,860
that you just told me
they exist.
102
00:03:46,850 --> 00:03:49,100
- Yeah, I mean, The Squid
is clearly white--
103
00:03:49,100 --> 00:03:51,270
you know, damaging
public property and all.
104
00:03:51,270 --> 00:03:52,730
- Mm.
- Mm-hmm.
105
00:03:52,730 --> 00:03:54,770
- And they got to be a woman.
- What?
106
00:03:54,780 --> 00:03:57,320
- I-I can't elaborate for fear
of sounding sexist.
107
00:03:57,320 --> 00:03:59,410
- This is the teamwork
we need, though,
108
00:03:59,410 --> 00:04:02,200
if we're gonna find The Squid,
so let's keep it up, boys.
109
00:04:02,200 --> 00:04:04,370
Let's put our heads together.
- Hey, guys, I'm all-in.
110
00:04:04,370 --> 00:04:06,120
You know I love a good mystery,
all right?
111
00:04:06,120 --> 00:04:07,540
I don't know
if you guys know this,
112
00:04:07,540 --> 00:04:09,290
but I actually read
every Agatha Christie book,
113
00:04:09,290 --> 00:04:11,750
even the original
racist versions.
114
00:04:11,750 --> 00:04:14,920
She would hate me,
but I love her.
115
00:04:14,920 --> 00:04:17,010
- Then it's settled.
Let's go find this white lady!
116
00:04:17,010 --> 00:04:18,300
- Let's do it.
- Let's do it!
117
00:04:18,300 --> 00:04:19,630
- Any ideas?
Where are we looking first?
118
00:04:19,630 --> 00:04:21,220
- Ah.
- Starbucks.
119
00:04:21,220 --> 00:04:23,010
- Let's just go with it.
- Starbucks.
120
00:04:23,010 --> 00:04:24,890
- That's a good place to go.
121
00:04:24,890 --> 00:04:26,350
- When is Svetlana
gonna realize
122
00:04:26,350 --> 00:04:28,020
Brett only does that
when he's drinking?
123
00:04:28,020 --> 00:04:30,480
- She's blind to the red flags.
That's the point of the show.
124
00:04:30,480 --> 00:04:31,940
- Ah, you're right.
125
00:04:31,940 --> 00:04:33,530
You've done it again,
"Blind Drink Love: Kosovo."
126
00:04:33,520 --> 00:04:35,190
You have done it again.
127
00:04:35,190 --> 00:04:38,150
- Brother, I, uh, do appreciate
you having me hibernate here
128
00:04:38,150 --> 00:04:40,190
in my post-Sloane breakup era.
129
00:04:40,200 --> 00:04:41,530
It's triggering, man.
130
00:04:41,530 --> 00:04:43,570
All I see are women, bikes,
131
00:04:43,580 --> 00:04:45,170
and the men
that could be married
132
00:04:45,160 --> 00:04:46,580
to the woman that I'm dating.
133
00:04:46,580 --> 00:04:48,420
Except for Edie.
I know she's not married.
134
00:04:48,410 --> 00:04:50,290
- You do?
- Mm-hmm. Yeah.
135
00:04:50,290 --> 00:04:51,960
I blew my paycheck
on a private doxxer
136
00:04:51,960 --> 00:04:53,920
for my friends, family,
and acquaintances.
137
00:04:53,920 --> 00:04:55,840
That's how I knew that
Andre wasn't living here.
138
00:04:55,840 --> 00:04:57,300
- Mm-mm.
- Are y'all good?
139
00:04:57,300 --> 00:04:59,800
- Uh, you'll have to ask him.
140
00:04:59,800 --> 00:05:03,220
Also, as for Edie, she won't be
hanging for a few days.
141
00:05:03,220 --> 00:05:05,180
Why, you ask?
Is she traveling?
142
00:05:05,180 --> 00:05:07,060
Work retreat?
Medical procedure?
143
00:05:07,060 --> 00:05:08,810
Essence Fest?
Who's to say?
144
00:05:08,810 --> 00:05:10,770
- Man, why is it that
we're always up in one place
145
00:05:10,770 --> 00:05:12,310
and then down in another?
146
00:05:12,310 --> 00:05:14,400
You know, it's like I'm making
strides in business,
147
00:05:14,400 --> 00:05:16,320
and then as soon
as that happens, boom,
148
00:05:16,320 --> 00:05:18,530
Sloane has this sneaky link
of a husband she lives with.
149
00:05:18,530 --> 00:05:20,410
- I think you might be the
sneaky link in that situation,
150
00:05:20,400 --> 00:05:21,940
but please continue.
151
00:05:21,950 --> 00:05:23,740
- We're not side pieces.
We're entr�es.
152
00:05:23,740 --> 00:05:25,370
Put some respect on our names.
153
00:05:25,370 --> 00:05:26,960
I really don't know
what got into me, man.
154
00:05:26,950 --> 00:05:28,990
Why would I give
Sloane's son a bike?
155
00:05:29,000 --> 00:05:31,250
What is the universe trying
to tell me?
156
00:05:31,250 --> 00:05:32,710
- I wish the universe
would tell me anything
157
00:05:32,710 --> 00:05:34,170
about my relationship
with Edie.
158
00:05:34,170 --> 00:05:37,090
Is it even a relationship,
or am I just a Costco sample?
159
00:05:37,090 --> 00:05:39,090
Because, yeah, sure,
you eat it because it's free,
160
00:05:39,090 --> 00:05:40,840
but you're never really gonna
buy bulk poutine.
161
00:05:40,840 --> 00:05:42,130
Know what I mean?
- Okay. Enough.
162
00:05:42,130 --> 00:05:43,840
This is like the blind
leading the blind,
163
00:05:43,840 --> 00:05:45,970
and we're not--we're not going
down this road again.
164
00:05:45,970 --> 00:05:48,680
We need professional help,
and I have it.
165
00:05:48,680 --> 00:05:50,390
There's an exotic dancer--
166
00:05:50,390 --> 00:05:52,560
Not like that.
- Oh.
167
00:05:52,560 --> 00:05:53,940
- Kind of like that, actually.
- Okay.
168
00:05:53,940 --> 00:05:55,610
- But she gives
the best advice.
169
00:05:55,610 --> 00:05:57,240
Bro, she started off dancing
'cause she wanted
170
00:05:57,230 --> 00:05:58,860
to pay for her
psych studies, yeah?
171
00:05:58,860 --> 00:06:00,610
And then she realized
she would make more money
172
00:06:00,610 --> 00:06:02,650
just asking men
about their past traumas
173
00:06:02,650 --> 00:06:04,490
while dancing to "Pony."
- Simultaneously?
174
00:06:04,490 --> 00:06:06,240
- Yes. Absolutely.
- Interesting.
175
00:06:06,240 --> 00:06:08,280
- If we need to find what's
next, we need to find Destiny.
176
00:06:08,290 --> 00:06:09,670
- Destiny--that's her name?
177
00:06:09,660 --> 00:06:11,120
That's a little on the nose,
don't you think?
178
00:06:11,120 --> 00:06:12,750
- No, her name's actually
Rebecca.
179
00:06:12,750 --> 00:06:14,630
- Oh, okay. When do we leave?
- Tomorrow.
180
00:06:14,620 --> 00:06:16,790
I mean, as far as I know,
she does not dance on Fridays.
181
00:06:16,790 --> 00:06:18,380
- But isn't Friday,
like, a big night?
182
00:06:18,380 --> 00:06:19,380
- It's Shabbat.
183
00:06:19,380 --> 00:06:20,670
- Ah.
- Mm-hmm.
184
00:06:20,670 --> 00:06:21,920
- With four sets of eyes,
185
00:06:21,920 --> 00:06:23,670
we can spread out
and look for evidence.
186
00:06:23,680 --> 00:06:25,470
- You know, a good
Agatha Christie trope
187
00:06:25,470 --> 00:06:27,390
is that the answer
is right there,
188
00:06:27,390 --> 00:06:29,350
often overlooked.
- Exactly.
189
00:06:29,350 --> 00:06:31,190
So we're looking
for paint chips, trash,
190
00:06:31,180 --> 00:06:33,020
eyewitness testimonies,
191
00:06:33,020 --> 00:06:34,520
"Law & Order" style.
192
00:06:36,400 --> 00:06:38,440
I can't believe
the university would paint
193
00:06:38,440 --> 00:06:40,440
over a Squid original.
194
00:06:40,440 --> 00:06:44,190
- As they come,
so they must go.
195
00:06:44,200 --> 00:06:46,540
- Ho, ho, ho, ho, ho, ho, ho.
- You can't do this.
196
00:06:46,530 --> 00:06:48,120
This could be worth
millions one day.
197
00:06:48,120 --> 00:06:50,210
- Oh, yeah. So were my
baseball cards as a kid, okay?
198
00:06:50,200 --> 00:06:51,740
But here I am.
199
00:06:51,750 --> 00:06:53,540
- Hey, man, just 'cause
you don't have taste
200
00:06:53,540 --> 00:06:55,250
or a keen eye
for alternative art
201
00:06:55,250 --> 00:06:56,380
doesn't make this trash.
202
00:06:56,370 --> 00:06:57,830
And what's next?
203
00:06:57,830 --> 00:06:59,920
- You've heard of those famous
criminal profilers, hmm?
204
00:06:59,920 --> 00:07:02,670
"Mindhunter," chick
from "Silence of the Lambs"?
205
00:07:02,670 --> 00:07:04,550
Yeah?
Well, that's gonna be me, okay?
206
00:07:04,550 --> 00:07:06,300
But with The Squid.
207
00:07:06,300 --> 00:07:08,550
Uh, but not in a--
not in a murderer-y way.
208
00:07:08,550 --> 00:07:11,010
And with the phone cameras,
the geotagging,
209
00:07:11,010 --> 00:07:13,720
and all that
digital footprint nonsense,
210
00:07:13,730 --> 00:07:15,020
we're getting close.
211
00:07:15,020 --> 00:07:16,610
You better believe
we're getting close.
212
00:07:16,600 --> 00:07:19,440
- Wow. You're intense.
- Mm-hmm.
213
00:07:19,440 --> 00:07:21,780
These days, no one can stay
anonymous for long.
214
00:07:21,780 --> 00:07:23,700
See you soon, Squid.
215
00:07:23,690 --> 00:07:25,570
- Hey, yo,
who is he talking to?
216
00:07:25,570 --> 00:07:27,990
- Shit!
I have to find The Squid
217
00:07:27,990 --> 00:07:29,910
before this weirdly
motivated security guard
218
00:07:29,910 --> 00:07:32,000
deep-fries them like calamari.
219
00:07:36,460 --> 00:07:40,050
- When inspiration strikes,
it's important to strike back
220
00:07:40,040 --> 00:07:42,960
before it's taken from you
or arrested.
221
00:07:42,960 --> 00:07:44,800
- Bro, have you slept?
222
00:07:44,800 --> 00:07:46,680
- I'll sleep when
The Squid is safe
223
00:07:46,680 --> 00:07:49,470
in the Andre Johnson
Entertainment aquarium.
224
00:07:49,470 --> 00:07:51,930
- Yeah, but if Cal U finds
The Squid, won't that help you?
225
00:07:53,600 --> 00:07:55,390
- No. What?
226
00:07:55,390 --> 00:07:57,020
If Cal U knows
who The Squid is,
227
00:07:57,020 --> 00:07:58,730
then everybody knows
who The Squid is,
228
00:07:58,730 --> 00:08:01,070
and then the value
of the art decreases
229
00:08:01,060 --> 00:08:02,600
because everyone knows
who the artist is.
230
00:08:02,610 --> 00:08:04,740
I am protecting
The Squid's identity
231
00:08:04,730 --> 00:08:06,360
so that I can protect my bag.
232
00:08:06,360 --> 00:08:07,780
- [softly] All right.
233
00:08:07,780 --> 00:08:09,780
- Squid has dropped
a new piece every night
234
00:08:09,780 --> 00:08:11,570
for the past week.
235
00:08:11,570 --> 00:08:13,410
They keep getting taken down
immediately.
236
00:08:13,410 --> 00:08:15,410
But thanks to
the FindTheSquid subreddit--
237
00:08:15,410 --> 00:08:17,580
- Wait. Hold--
They already have a subreddit?
238
00:08:17,580 --> 00:08:19,830
Mine's been pending since 2014.
239
00:08:19,830 --> 00:08:22,830
- Yes, and fans are posting
theories and locations
240
00:08:22,840 --> 00:08:25,340
on where they think
The Squid is gonna drop next.
241
00:08:25,340 --> 00:08:27,680
- Wait, but what about
the camera footage?
242
00:08:27,670 --> 00:08:30,210
- No. There's no footage.
243
00:08:30,220 --> 00:08:32,810
The Squid keeps posting
in blind spots.
244
00:08:32,800 --> 00:08:34,890
Whoever they are,
they are brilliant.
245
00:08:34,890 --> 00:08:37,600
You just know there's a deeper
message behind all of it.
246
00:08:37,600 --> 00:08:39,480
- Brother, this looks like
a lot of work.
247
00:08:39,480 --> 00:08:41,730
Wouldn't it just be easier
to stick with the influencers
248
00:08:41,730 --> 00:08:43,770
you've been working with?
- No.
249
00:08:43,770 --> 00:08:45,440
Influencers make pennies
in comparison
250
00:08:45,440 --> 00:08:47,190
to what I have planned
for The Squid.
251
00:08:47,190 --> 00:08:49,400
- And, uh,
what is that exactly?
252
00:08:49,400 --> 00:08:52,070
- A bigger canvas, longevity.
253
00:08:52,070 --> 00:08:54,240
Why look for what's
at the end of the rainbow
254
00:08:54,240 --> 00:08:55,870
when The Squid is the rainbow?
255
00:08:55,870 --> 00:08:57,870
You know, Banksy
doesn't have to do deals
256
00:08:57,870 --> 00:08:59,500
with energy-drink companies.
257
00:08:59,500 --> 00:09:04,050
His last piece of art sold
for $25.4 million.
258
00:09:04,040 --> 00:09:05,170
- That's a lot.
- Hold up.
259
00:09:05,170 --> 00:09:07,550
[dramatic music]
260
00:09:07,550 --> 00:09:09,260
[cat meows]
261
00:09:09,260 --> 00:09:11,300
What are we looking for?
What am I missing?
262
00:09:11,300 --> 00:09:13,680
? ?
263
00:09:13,680 --> 00:09:15,310
The buildings.
264
00:09:15,310 --> 00:09:22,230
? ?
265
00:09:24,440 --> 00:09:25,940
- Oh, oh.
[indistinct chatter]
266
00:09:25,940 --> 00:09:28,030
- They're yours.
- Partridge.
267
00:09:28,030 --> 00:09:30,070
Bam.
Yes. Yes. Yes. Yes.
268
00:09:30,070 --> 00:09:31,820
Straight to Lepore.
269
00:09:31,820 --> 00:09:34,360
What are we cooking with,
good-lookin'?
270
00:09:34,370 --> 00:09:36,920
Lepore to Enoch.
271
00:09:36,910 --> 00:09:39,790
And you are Kudus.
272
00:09:39,790 --> 00:09:41,170
- He's gonna get them
like this.
273
00:09:41,160 --> 00:09:44,370
- Partridge, Lepore,
Enoch, Kudus.
274
00:09:44,380 --> 00:09:48,640
Partridge, Lepore,
Enoch, Kudus.
275
00:09:48,630 --> 00:09:49,920
- What does that mean?
276
00:09:49,920 --> 00:09:52,090
? ?
277
00:09:52,090 --> 00:09:54,430
- I know where The Squid's
gonna strike next.
278
00:09:54,430 --> 00:09:56,470
A new building is
being dedicated
279
00:09:56,470 --> 00:09:58,060
in Derek Wright's name.
280
00:09:58,060 --> 00:09:59,350
I'll explain in the car.
281
00:09:59,350 --> 00:10:01,480
[hip-hop music]
282
00:10:01,480 --> 00:10:03,570
- I thought this was
where Rebecca worked,
283
00:10:03,560 --> 00:10:05,100
but at least the bouncer
was cool enough
284
00:10:05,100 --> 00:10:06,690
to tell us where
she transferred to.
285
00:10:06,690 --> 00:10:09,900
- Yeah, he told us that
after we paid the cover charge.
286
00:10:09,900 --> 00:10:11,900
Here's what I think
we should do.
287
00:10:11,900 --> 00:10:13,860
We go back inside for
investigation purposes only,
288
00:10:13,860 --> 00:10:15,570
just to make sure we're headed
in the right direction.
289
00:10:15,570 --> 00:10:17,070
I had a great OJ in there,
so let's just go back in.
290
00:10:17,080 --> 00:10:18,540
- Professor Jackson?
- Huh?
291
00:10:18,540 --> 00:10:19,790
- Or we can go right now.
292
00:10:19,790 --> 00:10:23,380
- Our Uber's probably still
right there.
293
00:10:23,370 --> 00:10:25,330
[distant siren wailing]
294
00:10:25,330 --> 00:10:27,870
- Every building The Squid
has hit so far was funded
295
00:10:27,880 --> 00:10:29,840
by an exploitative capitalist.
296
00:10:29,840 --> 00:10:32,680
Thurman used child labor.
297
00:10:32,670 --> 00:10:34,880
Kudus manipulated the markets.
298
00:10:34,880 --> 00:10:38,090
And Derek Wright
is just the worst.
299
00:10:38,100 --> 00:10:41,100
- I tell you, that's some
darn good detective work.
300
00:10:41,100 --> 00:10:43,560
Agatha Christie
would have been so proud.
301
00:10:43,560 --> 00:10:45,520
I mean,
a little conflicted, but--
302
00:10:45,520 --> 00:10:47,230
- Yeah.
- So proud.
303
00:10:47,230 --> 00:10:48,940
- Dawg, 5-0 is everywhere.
304
00:10:48,940 --> 00:10:51,110
[tense music]
305
00:10:51,110 --> 00:10:53,240
- Bro, you sure
The Squid would risk it?
306
00:10:53,240 --> 00:10:54,780
- If I know The Squid--
307
00:10:54,780 --> 00:10:56,780
and after the last 24 hours,
I feel like I do--
308
00:10:56,780 --> 00:10:58,820
they're close by.
309
00:10:58,830 --> 00:11:01,210
- Damn, we've been out here
all day.
310
00:11:01,200 --> 00:11:02,990
Hey, yo,
you know, we should go get
311
00:11:03,000 --> 00:11:04,420
some hold-us-over snacks,
you know?
312
00:11:04,410 --> 00:11:05,830
- Oh, smart.
- Yeah.
313
00:11:05,830 --> 00:11:07,830
- Yo, there's
an army-surplus store nearby.
314
00:11:07,830 --> 00:11:09,620
- Word.
- They got some face paint,
315
00:11:09,630 --> 00:11:12,260
night-vision goggles,
and some trail mix.
316
00:11:12,260 --> 00:11:14,180
- Come on.
317
00:11:14,170 --> 00:11:17,630
[Andre sighs]
318
00:11:17,640 --> 00:11:19,100
[door slams]
- Mm.
319
00:11:19,100 --> 00:11:21,310
- Good God.
- Could not have been louder.
320
00:11:23,100 --> 00:11:25,600
Well, looks like we've got
first watch.
321
00:11:25,600 --> 00:11:28,440
- Fine by me.
[phone chimes]
322
00:11:28,440 --> 00:11:30,440
- [groans]
323
00:11:30,440 --> 00:11:32,110
My client who Griddys
in grocery stores
324
00:11:32,110 --> 00:11:33,820
wants me to take him
to Kroger.
325
00:11:33,820 --> 00:11:35,450
- [chuckles]
He can't take a bus?
326
00:11:35,450 --> 00:11:37,540
- No, he got permanently banned
327
00:11:37,530 --> 00:11:39,910
for Griddying too close
to the bus driver.
328
00:11:39,910 --> 00:11:41,290
I just--I'm not gonna
text back.
329
00:11:41,280 --> 00:11:42,820
I can't deal
with this right now.
330
00:11:42,830 --> 00:11:44,540
- You can't do that.
You're his manager, no?
331
00:11:44,540 --> 00:11:45,790
- On paper.
332
00:11:45,790 --> 00:11:47,380
I just thought
being a manager
333
00:11:47,370 --> 00:11:49,410
would be more than handling
travel arrangements
334
00:11:49,420 --> 00:11:51,590
and tracking Cameo residuals.
335
00:11:51,590 --> 00:11:53,260
- You don't want
to be a manager, do you?
336
00:11:53,250 --> 00:11:56,670
- I do. I just want to be more
than a manager, you know?
337
00:11:56,670 --> 00:11:58,840
When I first got into this,
I was so focused
338
00:11:58,840 --> 00:12:01,380
on getting clients that
I wasn't focused on their work,
339
00:12:01,390 --> 00:12:03,310
until I saw The Squid's art.
340
00:12:03,310 --> 00:12:05,650
So I'm gonna make sure
that The Squid is everywhere,
341
00:12:05,640 --> 00:12:07,600
and then I'm gonna show my dad
to prove to him
342
00:12:07,600 --> 00:12:09,520
that he was wrong
for not believing in me.
343
00:12:09,520 --> 00:12:12,230
- Hmm.
- It's gonna fix everything.
344
00:12:12,230 --> 00:12:13,980
- For you?
345
00:12:13,980 --> 00:12:16,150
I hope that's not your pitch.
346
00:12:16,150 --> 00:12:18,690
- ? Make it rain, yeah,
I make it snow ?
347
00:12:18,700 --> 00:12:21,700
? If you want the best,
better add the zeroes ?
348
00:12:21,700 --> 00:12:24,290
? I get the bread, yeah,
I get the dough ?
349
00:12:24,290 --> 00:12:27,040
? Stacking up the bills
underneath my pillow ?
350
00:12:27,040 --> 00:12:29,960
? Tooth Fairy lit,
one for the money... ?
351
00:12:29,960 --> 00:12:32,340
- Okay, okay, okay.
We're good. We're in the clear.
352
00:12:32,340 --> 00:12:35,890
Nobody from our personal
or professional lives.
353
00:12:35,880 --> 00:12:37,550
No Rebecca.
354
00:12:37,550 --> 00:12:39,760
- Maybe she's in the back
somewhere.
355
00:12:39,760 --> 00:12:41,180
- Yo, y'all trying to party?
356
00:12:41,180 --> 00:12:42,720
- No, we're fine,
but thank you.
357
00:12:42,720 --> 00:12:44,010
- I would love to party
with you, yes.
358
00:12:44,010 --> 00:12:45,220
- No.
- What?
359
00:12:45,220 --> 00:12:46,550
- Never go
for the first dancer.
360
00:12:46,560 --> 00:12:48,060
If they approach,
it's not worth it.
361
00:12:48,060 --> 00:12:49,230
- Fine. Fine. Fine!
362
00:12:49,230 --> 00:12:50,150
All right, well,
all this searching
363
00:12:50,140 --> 00:12:51,480
has got me hungry, dog.
364
00:12:51,480 --> 00:12:53,860
So I'm gonna come over here.
- Do your thing.
365
00:12:53,860 --> 00:12:55,650
- All right, Doug-y boy, you go
get yourself a lap dance,
366
00:12:55,650 --> 00:12:57,320
while me and this shrimp scampi
and scrambled eggs--
367
00:12:57,320 --> 00:12:58,780
we're gonna stay on the lookout
for Rebecca.
368
00:12:58,780 --> 00:13:00,160
- I love a dance, man,
369
00:13:00,150 --> 00:13:01,820
especially when I have no one
to go home to.
370
00:13:01,820 --> 00:13:03,450
- Well, there's plenty
of shrimp in the sea.
371
00:13:03,450 --> 00:13:04,990
It should be easy.
372
00:13:04,990 --> 00:13:07,240
- Bro, like, look at this
Asian one right here, right?
373
00:13:07,250 --> 00:13:08,630
- Love her.
I love her.
374
00:13:08,620 --> 00:13:09,960
- Gorgeous.
- Nice.
375
00:13:09,960 --> 00:13:11,250
- But she's not Black.
- [inhales sharply]
376
00:13:11,250 --> 00:13:12,290
- I like to keep it
in the Black community.
377
00:13:12,290 --> 00:13:13,960
- Who you telling?
I only buy Black.
378
00:13:13,960 --> 00:13:15,670
- ? Money, money, money,
money, money, money ?
379
00:13:15,670 --> 00:13:17,210
- ? You heard? ?
380
00:13:17,210 --> 00:13:18,670
- ? Money, money, money... ?
381
00:13:18,670 --> 00:13:20,420
- Oh, she's gorgeous.
- Yeah, she is.
382
00:13:21,840 --> 00:13:23,880
Oh. She looks like Edie.
383
00:13:23,890 --> 00:13:25,270
- A little bit.
- [sighs] Damn.
384
00:13:25,260 --> 00:13:26,760
- ? For a dollar? ?
385
00:13:26,760 --> 00:13:28,180
? You'll do all this
for a dollar? ?
386
00:13:28,180 --> 00:13:31,020
? ?
387
00:13:31,020 --> 00:13:32,650
- She's probably married, too.
388
00:13:32,650 --> 00:13:35,240
- She's got a lot of tattoos
of men's names on her arm.
389
00:13:35,230 --> 00:13:36,570
You got room for one more?
390
00:13:36,570 --> 00:13:38,360
- Go for it.
- Okay.
391
00:13:38,360 --> 00:13:41,070
- ? Lickety split,
banana Ice cream sundae ?
392
00:13:41,070 --> 00:13:43,200
- You sure you
don't want any shrimp?
393
00:13:43,200 --> 00:13:44,950
- Absolutely not.
394
00:13:44,950 --> 00:13:47,540
- Hey, Doug.
I've been waiting for you.
395
00:13:47,540 --> 00:13:49,750
- Rebecca. We've been looking
for you so long,
396
00:13:49,750 --> 00:13:51,330
they restarted the playlist.
397
00:13:51,330 --> 00:13:53,420
- Oh, we have a celeb who
practically lives back there.
398
00:13:53,420 --> 00:13:54,550
- Mm.
- Okay.
399
00:13:54,540 --> 00:13:56,420
- Don't ask who,
'cause I can't say,
400
00:13:56,420 --> 00:13:58,130
but his name rhymes
with James Harden.
401
00:13:58,130 --> 00:14:00,590
- Okay.
- So what's bothering you?
402
00:14:00,590 --> 00:14:02,840
- Wait, how does she know?
Wait, you were right.
403
00:14:02,840 --> 00:14:04,550
She knows that we need help.
Are you psychic?
404
00:14:04,550 --> 00:14:07,890
- No, you're just the only guys
in here eating warm shrimp.
405
00:14:07,890 --> 00:14:09,560
- Step into my office.
- Okay.
406
00:14:09,560 --> 00:14:11,520
- And leave the plate,
Bubba Gump.
407
00:14:11,520 --> 00:14:13,440
- ? Money, money, money ?
408
00:14:15,190 --> 00:14:16,690
- [snoring]
409
00:14:16,690 --> 00:14:19,030
[phone chimes]
410
00:14:19,030 --> 00:14:21,320
- Hello, my celiac
kings and queens.
411
00:14:21,320 --> 00:14:23,200
You've been asking,
so here it is--
412
00:14:23,200 --> 00:14:26,540
part 12 of my
kale-salad series.
413
00:14:26,530 --> 00:14:27,990
[musical chime]
414
00:14:27,990 --> 00:14:30,280
- Oh, my God.
Enough with the kale.
415
00:14:30,290 --> 00:14:34,380
[phones chiming, vibrating]
Ooh! Ooh!
416
00:14:34,370 --> 00:14:36,040
- Squid!
- They're here!
417
00:14:36,040 --> 00:14:37,920
- Man, they're not here.
418
00:14:37,920 --> 00:14:40,300
- Yo, The Squid hit
another location.
419
00:14:40,300 --> 00:14:41,380
- What?
420
00:14:41,380 --> 00:14:43,130
Somewhere we know?
421
00:14:43,130 --> 00:14:46,340
- Yeah. We're pretty familiar.
422
00:14:46,340 --> 00:14:47,760
[indistinct chatter]
423
00:14:47,760 --> 00:14:49,180
Can they move out the way?
424
00:14:49,180 --> 00:14:51,220
[horn honks]
425
00:14:51,220 --> 00:14:54,180
[dramatic music]
426
00:14:54,190 --> 00:14:55,360
? ?
427
00:14:55,350 --> 00:14:56,770
- Whoa.
428
00:14:56,770 --> 00:14:58,560
Well, I guess you were right
about Wright
429
00:14:58,560 --> 00:15:01,730
but wrong about Wright.
430
00:15:01,730 --> 00:15:04,860
Right?
431
00:15:04,860 --> 00:15:08,490
- Whoever The Squid is,
they're [bleep] with me.
432
00:15:12,540 --> 00:15:14,040
- Hold on.
433
00:15:14,040 --> 00:15:17,040
This piece couldn't possibly
be The Squid's work.
434
00:15:17,040 --> 00:15:19,000
- Yo, maybe it's bedtime, fam.
435
00:15:19,000 --> 00:15:20,500
- No. No, no, no, no. Look.
436
00:15:20,500 --> 00:15:22,790
- The brush strokes
are discordant.
437
00:15:22,800 --> 00:15:24,640
This is shoddy work.
438
00:15:24,630 --> 00:15:26,760
The Squid's style
is very intentional.
439
00:15:26,760 --> 00:15:29,890
Every color glows
with inspiration.
440
00:15:29,890 --> 00:15:31,140
- "Glows"?
441
00:15:31,140 --> 00:15:32,980
- Yeah.
442
00:15:32,970 --> 00:15:35,390
The Squid's work speaks to me
443
00:15:35,390 --> 00:15:37,980
in a language
I just can't describe.
444
00:15:37,980 --> 00:15:41,530
It inspires me to slow down
and breathe,
445
00:15:41,520 --> 00:15:44,820
smile, cry...
446
00:15:44,820 --> 00:15:47,110
live.
447
00:15:47,110 --> 00:15:50,320
This doesn't make me feel
any of that.
448
00:15:50,320 --> 00:15:51,740
- Mm.
449
00:15:51,740 --> 00:15:53,660
- This isn't The Squid's work.
450
00:15:53,660 --> 00:15:56,040
Boys, I think we have
an impostor on our hands.
451
00:15:56,040 --> 00:15:58,880
- Mm.
- Uh, I got to be honest...
452
00:15:58,880 --> 00:16:01,420
I have no idea what's going on.
453
00:16:01,420 --> 00:16:03,880
- ? You ain't ready
for this, ah ?
454
00:16:03,880 --> 00:16:05,380
? Wait till
I give you that... ?
455
00:16:05,380 --> 00:16:06,920
- She's treating me
like a simp.
456
00:16:06,920 --> 00:16:08,420
- I'm just mad that I'm being
so manipulatable.
457
00:16:08,430 --> 00:16:10,180
- Whoa, whoa, Doug.
The floor lights up.
458
00:16:10,180 --> 00:16:12,470
- It sounds like you two are
at a crossroads.
459
00:16:12,470 --> 00:16:14,350
So...
460
00:16:14,350 --> 00:16:18,270
which way will you go?
461
00:16:18,270 --> 00:16:20,770
- Uh, which--whichever way
you think we should go.
462
00:16:20,770 --> 00:16:22,610
- Song's over.
463
00:16:22,610 --> 00:16:24,450
- Oh, God.
- [grunting]
464
00:16:24,440 --> 00:16:25,690
- I need to know
what to do next.
465
00:16:25,690 --> 00:16:27,110
She's got to tell me
which way to go.
466
00:16:27,110 --> 00:16:28,780
- Bro, we've already done
13 songs,
467
00:16:28,780 --> 00:16:30,740
and at the end of every one,
she says the same thing.
468
00:16:30,740 --> 00:16:32,370
It's like advice "Inception."
469
00:16:32,370 --> 00:16:34,040
- You're right.
470
00:16:34,040 --> 00:16:36,040
This room is the crossroads,
and the only way to go is out.
471
00:16:36,040 --> 00:16:37,370
We got to leave.
- Let's go, man.
472
00:16:37,370 --> 00:16:39,000
- [chuckles]
You guys are sweet,
473
00:16:39,000 --> 00:16:40,710
so this next one's
on the house.
474
00:16:40,710 --> 00:16:42,300
both: Okay.
- We can stay.
475
00:16:42,290 --> 00:16:44,080
- Plus, the Grizzlies are
in town on Tuesday,
476
00:16:44,090 --> 00:16:46,010
and one visit
from their backcourt
477
00:16:46,010 --> 00:16:47,760
will pay off my Land Rover.
478
00:16:47,760 --> 00:16:49,720
- ? Let me tell you
one thing ?
479
00:16:49,720 --> 00:16:52,140
- I'm gonna be candid, okay?
- That's exactly what we need.
480
00:16:52,140 --> 00:16:53,230
- Yeah?
481
00:16:53,220 --> 00:16:55,140
Aaron.
- Yes, ma'am?
482
00:16:55,140 --> 00:16:57,020
- What would happen
if you got handsy with me
483
00:16:57,020 --> 00:16:58,270
in this strip club?
484
00:16:58,270 --> 00:16:59,810
- I-I think the security guards
485
00:16:59,810 --> 00:17:01,600
and bouncers would throw me
out Jazzy Jeff style.
486
00:17:01,600 --> 00:17:03,640
- Mm.
And how do you know that?
487
00:17:03,650 --> 00:17:05,070
- Well, I know that because
they have house rules
488
00:17:05,070 --> 00:17:06,660
located on each wall.
489
00:17:06,650 --> 00:17:09,360
- Your problem is, you agreed
to the rules with Edie,
490
00:17:09,360 --> 00:17:11,860
but you keep expecting
something different to happen.
491
00:17:11,860 --> 00:17:13,150
- What's wrong with me?
492
00:17:13,160 --> 00:17:15,250
- If you don't accept
the situation as is,
493
00:17:15,240 --> 00:17:18,280
you're gonna keep getting hurt.
- [gasps] Ooh. Okay.
494
00:17:18,290 --> 00:17:20,790
You're saying be more like the
door and less like Jazzy Jeff.
495
00:17:20,790 --> 00:17:23,210
- Yeah.
- Me. Do me next, please?
496
00:17:23,210 --> 00:17:24,590
- She wasn't done.
She wasn't--Hey.
497
00:17:24,590 --> 00:17:25,970
She wasn't done with me yet.
498
00:17:25,960 --> 00:17:28,000
- You need to accept that
what happened with Sloane
499
00:17:28,010 --> 00:17:29,760
has nothing to do with you.
500
00:17:29,760 --> 00:17:32,600
Grieving can look like anger
in a lot of men.
501
00:17:32,590 --> 00:17:33,840
- Mm-hmm.
502
00:17:33,840 --> 00:17:35,590
- And you need to release
your grief...
503
00:17:35,600 --> 00:17:36,810
- Oh.
504
00:17:36,810 --> 00:17:38,560
- Not anger...
505
00:17:38,560 --> 00:17:42,770
and get closure
however you can.
506
00:17:42,770 --> 00:17:44,610
Session's over.
507
00:17:44,610 --> 00:17:46,280
That'll be two grand.
508
00:17:46,270 --> 00:17:48,690
- And I'll just have to accept
that feelings aren't facts.
509
00:17:48,690 --> 00:17:51,570
- Okay, is the tattoo located
on your lower back--
510
00:17:51,570 --> 00:17:53,070
is that the QR code
for your Venmo, or--
511
00:17:53,070 --> 00:17:54,570
- Oh, yeah, it sure is.
512
00:17:54,570 --> 00:17:56,950
- I'll just--thank you.
513
00:17:56,950 --> 00:17:59,040
- And who--who should
I make this out to?
514
00:17:59,040 --> 00:18:01,290
- Oh, Rebecca Shapiro is fine.
515
00:18:01,290 --> 00:18:03,250
? ?
516
00:18:03,250 --> 00:18:05,250
- I can't believe
that crazy security guard
517
00:18:05,250 --> 00:18:08,000
ended up being the fake Squid.
518
00:18:08,000 --> 00:18:10,130
He must have lost himself
in the search.
519
00:18:11,880 --> 00:18:13,510
You don't want to help?
520
00:18:13,510 --> 00:18:16,430
- Uh, I'm helping
a different way.
521
00:18:16,430 --> 00:18:17,930
But I got a new clue.
522
00:18:17,930 --> 00:18:20,470
- You can toss that.
I'm done.
523
00:18:20,470 --> 00:18:23,180
I'm sorry that I kept you guys
awake with all this craziness.
524
00:18:23,190 --> 00:18:25,190
- Trust me...
525
00:18:25,190 --> 00:18:27,530
you're gonna want to see this.
526
00:18:27,520 --> 00:18:30,480
[soft synth music]
527
00:18:30,480 --> 00:18:34,360
? ?
528
00:18:34,360 --> 00:18:35,860
- You're The Squid.
529
00:18:35,870 --> 00:18:38,790
- No, I'm Cole...
530
00:18:38,780 --> 00:18:40,990
who is The Squid, so...
531
00:18:41,000 --> 00:18:43,090
yeah, I guess I am The Squid.
532
00:18:43,080 --> 00:18:44,960
- What? Then--then
why did you deny it
533
00:18:44,960 --> 00:18:46,960
when I asked you
if you were The Squid?
534
00:18:46,960 --> 00:18:49,420
- No, I didn't.
Look, you're not crazy.
535
00:18:49,420 --> 00:18:51,710
I was gonna hit
the Derek Wright building,
536
00:18:51,710 --> 00:18:53,130
but you didn't catch me
because--
537
00:18:53,130 --> 00:18:54,840
- You were there
the whole time.
538
00:18:54,840 --> 00:18:57,840
Overlooked, in plain sight.
539
00:18:57,850 --> 00:18:59,270
Wow.
540
00:18:59,260 --> 00:19:01,430
What made you want
to reveal yourself now?
541
00:19:01,430 --> 00:19:04,430
- You weren't trying to expose
or exploit The Squid.
542
00:19:04,440 --> 00:19:06,650
You were trying to protect
and preserve the art
543
00:19:06,650 --> 00:19:08,900
and the artist.
544
00:19:08,900 --> 00:19:12,450
I got so worried
it was just all about money.
545
00:19:12,440 --> 00:19:15,490
When you saw my work,
then I knew you saw me.
546
00:19:15,490 --> 00:19:16,990
- I feel you.
547
00:19:16,990 --> 00:19:18,780
You know what? I'm gonna--
I'm gonna keep quiet.
548
00:19:18,780 --> 00:19:20,410
I know you don't want
a manager,
549
00:19:20,410 --> 00:19:22,200
and I know that you just,
you know--
550
00:19:22,200 --> 00:19:23,740
you don't want to sell out.
551
00:19:23,750 --> 00:19:25,670
- You're right.
I don't want to sell out.
552
00:19:25,660 --> 00:19:27,120
- Yeah.
553
00:19:27,120 --> 00:19:28,830
- But I do want to buy in.
554
00:19:28,830 --> 00:19:30,710
- Cole, I'm running
on fumes here.
555
00:19:30,710 --> 00:19:32,340
Can you just tell me
what you mean?
556
00:19:32,340 --> 00:19:34,010
- All right, look,
557
00:19:34,010 --> 00:19:36,600
we both found something new
we weren't expecting today.
558
00:19:36,590 --> 00:19:38,680
You found clarity,
559
00:19:38,680 --> 00:19:40,220
and I found a manager.
560
00:19:41,890 --> 00:19:44,730
- Wait, you want me
to represent you?
561
00:19:44,730 --> 00:19:48,030
- I'll consider it
on a handshake agreement.
562
00:19:48,020 --> 00:19:50,480
- That--
[chuckles]
563
00:19:50,480 --> 00:19:52,730
You never know
when inspiration
564
00:19:52,730 --> 00:19:55,610
is going to find you...
565
00:19:55,610 --> 00:19:58,530
or how long it will take
to track down inspiration
566
00:19:58,530 --> 00:20:03,160
and embark on a mutually
beneficial relationship.
567
00:20:03,160 --> 00:20:06,250
But trust me--you'll know it
when you see it.
568
00:20:06,250 --> 00:20:09,130
And if you're lucky,
maybe it'll see you, too.
569
00:20:12,130 --> 00:20:13,460
- We did it!
570
00:20:13,460 --> 00:20:15,880
Yeah!
Stole a bike from a child.
571
00:20:15,880 --> 00:20:18,430
- Not something I'm proud of.
- Oh, no, I'm proud.
572
00:20:18,430 --> 00:20:19,560
You know why?
- Why?
573
00:20:19,550 --> 00:20:20,970
- Closure.
574
00:20:20,970 --> 00:20:23,470
- Hey, well, look, man,
petty theft or not,
575
00:20:23,470 --> 00:20:25,470
there's no one else
I'd rather run out of money
576
00:20:25,470 --> 00:20:26,970
and walk through
the L.A. streets with.
577
00:20:26,980 --> 00:20:28,310
- I do agree.
578
00:20:28,310 --> 00:20:30,150
Once this blister
on my foot heals,
579
00:20:30,150 --> 00:20:31,900
I'll be able to fully
appreciate this moment.
580
00:20:31,900 --> 00:20:34,070
And even after all the shit
that we went through,
581
00:20:34,070 --> 00:20:36,280
I'm glad I did it with you.
- Same. Love you, man.
582
00:20:36,280 --> 00:20:37,820
- Love you, too, man.
583
00:20:37,820 --> 00:20:39,530
- It would have been
a lot cheaper, though,
584
00:20:39,530 --> 00:20:41,320
to remember that
before we spent a mortgage
585
00:20:41,320 --> 00:20:43,360
on strip club therapy.
- Eh.
586
00:20:43,370 --> 00:20:46,500
But then we wouldn't have
had this great idea.
587
00:20:46,500 --> 00:20:48,040
- [yawning] You're right.
588
00:20:48,040 --> 00:20:50,000
You're right.
- Closure.
589
00:20:50,050 --> 00:20:54,600
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