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Would you like to inspect the original subtitles? These are the user uploaded subtitles that are being translated: 1 00:00:02,067 --> 00:00:03,233 Laurie: ALL THIS CORRESPONDENCE. 2 00:00:03,300 --> 00:00:04,567 HOW DOES IT PILE UP SO QUICKLY? 3 00:00:04,633 --> 00:00:05,933 I DON'T KNOW. 4 00:00:06,000 --> 00:00:09,067 INVESTMENT PROPOSALS, BUSINESS VENTURES. 5 00:00:09,133 --> 00:00:10,933 I'M TIRED OF PAINTING LANDSCAPES. 6 00:00:11,000 --> 00:00:12,700 HERE'S THE ONE I WAS TELLING YOU ABOUT: 7 00:00:12,767 --> 00:00:14,700 THE INDOOR FOOD REFRIGERATION SYSTEM. 8 00:00:14,767 --> 00:00:17,100 REMEMBER? THE AIR-TIGHT CABINET 9 00:00:17,167 --> 00:00:20,333 -THAT HELPS PRESERVE FOOD? -SOUNDS GOOD. 10 00:00:20,400 --> 00:00:22,367 THE MORE I THINK ABOUT IT, THE BETTER THE IDEA SOUNDS. 11 00:00:25,333 --> 00:00:26,433 PERHAPS I SHOULD PAINT A STILL LIFE. 12 00:00:26,500 --> 00:00:28,067 THEY'RE ASKING FOR SHORT-TERM CAPITAL 13 00:00:28,133 --> 00:00:29,300 TO HELP GENERATE A PROTOTYPE. 14 00:00:29,367 --> 00:00:31,300 WELL, THERE'S RISK OF COURSE, 15 00:00:31,367 --> 00:00:33,300 BUT I THINK THE POSITIVE OUTWEIGHS THE NEGATIVE, 16 00:00:33,367 --> 00:00:36,300 DON'T YOU THINK? ABSOLUTELY. 17 00:00:36,367 --> 00:00:38,300 MAYBE A BOWL OF FRUIT OR SOME FLOWERS. 18 00:00:38,367 --> 00:00:40,333 I'M GOING TO WIRE HIM RIGHT AWAY. 19 00:00:40,400 --> 00:00:42,967 IF THIS PROJECT IS AS SUCCESSFUL 20 00:00:43,033 --> 00:00:44,533 AS I THINK IT COULD BE... 21 00:00:44,600 --> 00:00:47,267 ONE OF BESS'S FIGURINES, SITTING ON HER NIGHT TABLE. 22 00:00:47,333 --> 00:00:49,133 IT'S PERFECT, ISN'T IT? 23 00:00:50,700 --> 00:00:52,667 YES. PERFECT. 24 00:01:00,067 --> 00:01:02,100 Franz: THE MINUTEMEN GATHERED RIGHT HERE. 25 00:01:02,167 --> 00:01:05,067 ORDINARY CITIZENS OF CONCORD, BANDING TOGETHER, 26 00:01:05,067 --> 00:01:06,967 -UNITED IN THEIR... -IS THIS GONNA BE ON THE TEST? 27 00:01:07,067 --> 00:01:08,967 JUST LISTEN, TOMMY. 28 00:01:09,067 --> 00:01:10,700 IMAGINE A SPRING DAY, APRIL 19, 1775... 29 00:01:10,767 --> 00:01:12,633 OH, WAIT. DO WE NEED TO KNOW DATES? 30 00:01:12,700 --> 00:01:14,433 YES, BUT FOR NOW... Emil: WE DO? 31 00:01:14,500 --> 00:01:17,133 BUT YOU TOLD US NOT TO BRING OUR PENCILS AND PAPER. 32 00:01:17,200 --> 00:01:18,667 Franz: WILL ALL OF YOU JUST STOP? 33 00:01:18,733 --> 00:01:20,300 DON'T YOU UNDERSTAND? 34 00:01:20,367 --> 00:01:21,967 WE'RE LUCKY ENOUGH TO WALK THROUGH A TOWN 35 00:01:22,067 --> 00:01:23,933 WHERE SO MANY GREAT THINGS HAPPENED. 36 00:01:24,067 --> 00:01:24,967 Woman: BACK OFF, I SAID. I'M WORKIN'. 37 00:01:25,067 --> 00:01:26,067 YOU'RE ALWAYS WORKIN'. 38 00:01:26,067 --> 00:01:28,067 YEAH, YA OUGHTA TRY IT SOMETIMES, 39 00:01:28,067 --> 00:01:29,267 'STEAD OF ALWAYS GETTING IN MY WAY. 40 00:01:29,333 --> 00:01:31,200 THIS IS WHERE HISTORY WAS MADE. 41 00:01:31,267 --> 00:01:33,200 "THE SHOT HEARD 'ROUND THE WORLD". 42 00:01:33,267 --> 00:01:34,367 Man: I GOT A BETTER IDEA. 43 00:01:34,433 --> 00:01:36,267 HOW 'BOUT YOU AND I GO UPSTAIRS, HUH? 44 00:01:36,333 --> 00:01:37,267 Woman: YOU BETTER MIND YOUR MANNERS 45 00:01:37,333 --> 00:01:38,400 IF YA KNOW WHAT'S GOOD FOR YOU. 46 00:01:38,467 --> 00:01:40,433 [ Suggestive chuckle ] 47 00:01:40,500 --> 00:01:42,100 Man: GOT A FEELIN' YOU'D BE GOOD FOR ME. 48 00:01:42,167 --> 00:01:43,333 OF COURSE IN 1775... Man: 'LEAST THAT'S WHAT I HEAR. 49 00:01:43,400 --> 00:01:44,933 Franz: ...THIS HOTEL WASN'T HERE. 50 00:01:45,067 --> 00:01:45,933 INSTEAD IT WAS A... 51 00:01:47,067 --> 00:01:47,933 Nan: [ Shriek ] 52 00:01:49,067 --> 00:01:50,400 OH! I'M SO SORRY. 53 00:01:50,467 --> 00:01:52,967 IT... IT... IT... IT'S ALL RIGHT. 54 00:01:53,067 --> 00:01:54,133 IT'S ALL RIGHT. IT'S NOT ALL RIGHT. 55 00:01:54,200 --> 00:01:55,067 YOU'RE WET. YOU'RE... 56 00:01:55,067 --> 00:01:57,700 YOU'RE VERY WET. 57 00:01:57,767 --> 00:01:58,933 I'M AWARE OF THAT. 58 00:01:59,067 --> 00:02:01,067 Children: [ Laughing ] 59 00:02:06,067 --> 00:02:09,333 Amy: THE REASON I CAME OVER EARLY WAS SO WE COULD TALK AND HAVE TEA. 60 00:02:09,400 --> 00:02:12,333 AMY, I CAN'T. I HAVE CHORES TO DO. 61 00:02:12,400 --> 00:02:15,367 DOES THAT SMELL FRESH TO YOU? JO! 62 00:02:15,433 --> 00:02:19,300 UGH, WE COULD REALLY USE ONE OF THOSE REFRIGERATION CABINETS ABOUT NOW. 63 00:02:19,367 --> 00:02:21,300 IT WOULD KEEP THESE VEGETABLES FRESH IN THE WARM WEATHER. 64 00:02:21,367 --> 00:02:23,933 REFRIGERATION CABINET? YEAH. 65 00:02:24,067 --> 00:02:25,267 THAT NEW INVENTION THAT YOU AND LAURIE ARE INVESTING IN. 66 00:02:25,333 --> 00:02:27,100 WHAT? 67 00:02:27,167 --> 00:02:28,433 WELL, DIDN'T HE TELL YOU? 68 00:02:28,500 --> 00:02:31,100 NO. WHEN DID HE TELL YOU? 69 00:02:31,167 --> 00:02:33,300 I DON'T KNOW, THE OTHER DAY. 70 00:02:33,367 --> 00:02:35,067 WHY WOULD LAURIE GO AND INVEST IN SOMETHING 71 00:02:35,133 --> 00:02:37,067 WITHOUT CONSULTING ME FIRST? 72 00:02:37,100 --> 00:02:39,367 I MEAN, I AM HIS WIFE. 73 00:02:39,433 --> 00:02:42,333 I THINK I SHOULD HAVE SOME SAY IN HOW WE SPEND OUR MONEY. 74 00:02:42,400 --> 00:02:45,133 I'M SURE HE INTENDS TO TELL YOU, AMY. 75 00:02:45,200 --> 00:02:47,133 PROBABLY JUST SLIPPED HIS MIND. 76 00:02:49,167 --> 00:02:50,167 HE SHOULD HAVE TOLD ME. 77 00:02:52,367 --> 00:02:53,967 [ * ] 78 00:03:03,133 --> 00:03:09,133 [ * ] 79 00:03:27,167 --> 00:03:32,167 [ * ] 80 00:03:54,533 --> 00:03:57,200 Bess: REMEMBER HOW MUCH TROUBLE I HAD WITH ARITHMETIC? 81 00:03:57,267 --> 00:03:59,433 REMEMBER? BESS, YOU WERE NEAR TEARS. 82 00:03:59,500 --> 00:04:01,400 WELL, LOOK! 83 00:04:01,467 --> 00:04:03,633 100? 84 00:04:03,700 --> 00:04:05,367 SORRY I'M LATE. 85 00:04:05,433 --> 00:04:07,600 WE DID SAY 5:00. 86 00:04:07,667 --> 00:04:10,400 I SUPPOSE IT SLIPPED YOUR MIND. 87 00:04:10,467 --> 00:04:12,467 UM, FATHER, LOOK HOW I DID ON MY TEST. 88 00:04:15,400 --> 00:04:16,633 BESS, THAT'S WONDERFUL. 89 00:04:16,700 --> 00:04:18,567 Jo: ISN'T SHE DOING BEAUTIFULLY? 90 00:04:18,633 --> 00:04:20,333 OH, DID YOU SHOW THEM YOUR STORY? 91 00:04:20,400 --> 00:04:21,933 THE ONE THAT YOU WROTE ABOUT YOUR TRIP TO EUROPE? 92 00:04:22,067 --> 00:04:23,333 OH, NO. IT'S ALL ABOUT PARIS. 93 00:04:23,400 --> 00:04:24,433 I'LL BE RIGHT BACK. 94 00:04:27,433 --> 00:04:30,333 LAURIE, WHY DIDN'T YOU TELL ME 95 00:04:30,400 --> 00:04:32,700 ABOUT THE REFRIGERATION CABINET THAT YOU INVESTED IN? 96 00:04:32,767 --> 00:04:35,933 YES, LAURIE, REGALE HER. 97 00:04:36,067 --> 00:04:37,933 WELL, I ALREADY DID. 98 00:04:38,067 --> 00:04:40,700 WHEN? THE OTHER DAY. 99 00:04:40,767 --> 00:04:42,567 REMEMBER? WE WERE IN THE PARLOR? 100 00:04:42,633 --> 00:04:45,333 YOU WERE TALKING TO ME ABOUT THE LANDSCAPE YOU'RE PAINTING. 101 00:04:45,400 --> 00:04:47,067 I'M NOT PAINTING A LANDSCAPE, LAURIE. 102 00:04:47,133 --> 00:04:48,933 I'M PAINTING A STILL LIFE. 103 00:04:49,067 --> 00:04:50,500 WEREN'T YOU LISTENING TO ME? 104 00:04:50,567 --> 00:04:52,600 WELL, WEREN'T YOU LISTENING TO ME? 105 00:04:52,667 --> 00:04:54,467 YOU KNOW, I THINK I SMELL DINNER? 106 00:04:54,533 --> 00:04:56,300 OBVIOUSLY YOU WEREN'T PAYING ANY ATTENTION, OTHERWISE YOU... 107 00:04:56,367 --> 00:04:57,967 WELL, OBVIOUSLY YOU WEREN'T PAYING ANY ATTENTION EITHER. 108 00:04:58,067 --> 00:04:59,867 I COULD BARELY GET A RESPONSE FROM YOU 109 00:05:00,067 --> 00:05:03,100 WHEN I TOLD YOU ABOUT THE STILL LIFE THAT I WAS GOING TO PAINT. 110 00:05:03,167 --> 00:05:05,367 YOU KNOW, I DO SMELL DINNER. 111 00:05:05,433 --> 00:05:07,667 WELL, FORGIVE ME IF I DIDN'T SUMMON UP THE APPROPRIATE ENTHUSIASM. 112 00:05:07,733 --> 00:05:11,067 I DON'T WANT YOUR ENTHUSIASM IF IT HAS TO BE SUMMONED. 113 00:05:11,133 --> 00:05:12,567 I HAVE AN IDEA. WHY DON'T WE SIT DOWN, 114 00:05:12,633 --> 00:05:14,533 AND WE'LL DISCUSS THE REFRIGERATION CABINET 115 00:05:14,600 --> 00:05:17,067 AND THE STILL LIFE PAINTING OVER DINNER? 116 00:05:17,100 --> 00:05:18,567 OKAY? 117 00:05:22,367 --> 00:05:24,067 [ * ] 118 00:05:32,600 --> 00:05:34,500 FRANZ, WE'RE CHOOSING TEAMS TO PLAY BALL, 119 00:05:34,567 --> 00:05:36,700 AND WE'RE ONE PERSON SHORT. DO YOU MIND? 120 00:05:36,767 --> 00:05:38,300 WHAT? KNOCKING. 121 00:05:38,367 --> 00:05:40,067 SORRY. 122 00:05:43,733 --> 00:05:44,933 [ Knocking on door ] 123 00:05:45,067 --> 00:05:46,700 COME IN. SO YOU WANNA PLAY BALL WITH US? 124 00:05:46,767 --> 00:05:47,533 I CAN'T. I'M BUSY. 125 00:05:47,600 --> 00:05:49,267 DOIN' WHAT? 126 00:05:49,333 --> 00:05:50,700 SHAVING. 127 00:05:50,767 --> 00:05:52,500 [ Giggling ] SHAVING WHAT? 128 00:05:52,567 --> 00:05:54,533 [ Sigh ] OUT! 129 00:05:54,600 --> 00:05:56,533 [ Giggling ] 130 00:05:58,400 --> 00:06:05,600 [ * ] 131 00:06:05,667 --> 00:06:07,267 OH, I'LL GET THE MAIL. 132 00:06:07,333 --> 00:06:08,567 NICK WANTS ME TO CHECK FOR THOSE HINGES. 133 00:06:08,633 --> 00:06:11,533 THEN COME RIGHT BACK. I NEED HELP WITH THIS LIST. 134 00:06:11,600 --> 00:06:12,933 Man: I SAID NO MORE CREDIT. 135 00:06:13,067 --> 00:06:14,700 YOU'LL HAVE TO PUT SOMETHING BACK. 136 00:06:14,767 --> 00:06:16,533 I CAN'T DO THAT, MR. GERSON. 137 00:06:16,600 --> 00:06:20,067 SURE YOU CAN. UH, HOW ABOUT THIS FLOUR? 138 00:06:20,067 --> 00:06:21,367 WELL, HOW DO YOU EXPECT ME 139 00:06:21,433 --> 00:06:23,267 TO BAKE A CHOCOLATE CAKE WITHOUT ANY FLOUR? 140 00:06:23,333 --> 00:06:24,933 THAT'S YOUR PROBLEM, MISS MacGREGOR, 141 00:06:25,067 --> 00:06:26,933 UNLESS YOU HAVE ANOTHER 35 CENTS. 142 00:06:27,067 --> 00:06:28,700 YOU KNOW THAT I GET PAID ON FRIDAYS. 143 00:06:28,767 --> 00:06:30,567 THEN COME BACK ON FRIDAY AND BUY IT. 144 00:06:30,633 --> 00:06:32,133 NO. THAT'S TOO LATE. 145 00:06:32,200 --> 00:06:33,433 MY BROTHER'S BIRTHDAY IS TOMORROW. 146 00:06:33,500 --> 00:06:36,300 -LET GO! -BUT HE WANTS A CHOCOLATE CAKE. 147 00:06:36,367 --> 00:06:38,333 OH! OH-H. 148 00:06:38,400 --> 00:06:40,600 OH, MY! 149 00:06:40,667 --> 00:06:41,600 NOW LOOK WHAT YOU'VE DONE. 150 00:06:41,667 --> 00:06:43,233 IT WAS AN ACCIDENT. 151 00:06:43,300 --> 00:06:44,533 ARE YOU ALL RIGHT? I... YEAH, YEAH, YEAH... 152 00:06:44,600 --> 00:06:45,533 HERE. HERE, LET ME DO THAT. 153 00:06:45,600 --> 00:06:46,933 NO, PLEASE. I... 154 00:06:47,067 --> 00:06:48,300 NO, I... I'LL JUST WIPE... 155 00:06:48,367 --> 00:06:50,500 OH. 156 00:06:50,567 --> 00:06:52,533 OH, NO. WHAT? 157 00:06:52,600 --> 00:06:54,633 WELL THE... THE, UH... THE... THE GLASS POPPED OUT. 158 00:06:54,700 --> 00:06:56,367 GIVE ME THAT. 159 00:06:57,567 --> 00:06:59,667 DIDN'T I...? 160 00:06:59,733 --> 00:07:03,400 OH! WELL, HOW ARE YOU? HELLO. 161 00:07:03,467 --> 00:07:05,933 HELLO? OH, YOU MUST THINK I'M SO AWFUL 162 00:07:06,067 --> 00:07:08,667 AND CLUMSY AND RUDE. 163 00:07:08,733 --> 00:07:11,700 I MUST. OH... WELL... 164 00:07:11,767 --> 00:07:14,133 OF COURSE YOU WOULD, 165 00:07:14,200 --> 00:07:16,133 CONSIDERIN' YOU JUST, UH, DRIED OFF FROM THE LAST OCCASION, 166 00:07:16,200 --> 00:07:19,133 AND HERE I... WELL, THIS SHOULD... 167 00:07:19,200 --> 00:07:21,100 THIS SHOULD JUST BRUSH RIGHT OFF. HONESTLY. 168 00:07:21,167 --> 00:07:22,700 THAT'S... THAT'S NOT NECESSARY. 169 00:07:22,767 --> 00:07:25,700 WELL, I'M ALMOST DONE. D... DON'T! 170 00:07:25,767 --> 00:07:27,133 I MEAN, THANK YOU. 171 00:07:27,200 --> 00:07:29,100 WELL, DON'T THANK ME. I... 172 00:07:29,167 --> 00:07:31,067 NO, IT'S JUST, UH... 173 00:07:31,133 --> 00:07:33,067 NOT ANOTHER THING, UM... 174 00:07:33,133 --> 00:07:34,967 BECAUSE I... UH... BYE. 175 00:07:39,767 --> 00:07:41,500 YOU ALL RIGHT, FRANZ? 176 00:07:41,567 --> 00:07:43,500 SORRY, I... 177 00:07:43,567 --> 00:07:44,500 JUST... 178 00:07:44,567 --> 00:07:49,967 [ * ] 179 00:07:50,067 --> 00:07:52,133 Dan: AND FRANZ, HE WAS JUST STANDIN' THERE, 180 00:07:52,200 --> 00:07:53,600 MINDIN' HIS OWN BUSINESS, 181 00:07:53,667 --> 00:07:56,067 WHEN WHACK! 182 00:07:56,067 --> 00:07:57,600 THAT SACK OF FLOUR EXPLODED ALL OVER HIM. 183 00:07:57,667 --> 00:08:00,200 IT WAS GREAT. 184 00:08:00,267 --> 00:08:02,300 YEAH. SHE REALLY GOT YOU GOOD, FRANZ. 185 00:08:02,367 --> 00:08:04,967 YES. YES, SHE DID. 186 00:08:05,067 --> 00:08:06,067 Nan: THAT MAKES TWICE. 187 00:08:06,100 --> 00:08:07,167 Franz: I KNOW. 188 00:08:07,233 --> 00:08:09,067 THAT GIRL, SHE'S SO... 189 00:08:11,067 --> 00:08:13,067 -PRETTY? -YES. I MEAN NO. 190 00:08:13,100 --> 00:08:15,200 NO, SHE'S... SHE'S... SHE'S INFURIATING. 191 00:08:15,267 --> 00:08:18,233 EXASPERATING. ALWAYS MAKING A SCENE. 192 00:08:18,300 --> 00:08:19,633 HMM, MAYBE YOU SHOULD STEER CLEAR OF HER THEN. 193 00:08:19,700 --> 00:08:22,200 ABSOLUTELY. 194 00:08:22,267 --> 00:08:23,633 THAT GIRL'S NOTHING BUT TROUBLE. 195 00:08:25,100 --> 00:08:26,067 I KINDA LIKED HER. 196 00:08:26,100 --> 00:08:28,067 YEAH, ME TOO. 197 00:08:28,067 --> 00:08:29,367 OBVIOUSLY SO DOES FRANZ. 198 00:08:31,300 --> 00:08:33,100 COMIN' THROUGH LOUD AND CLEAR. 199 00:08:35,100 --> 00:08:37,067 BUT HE JUST SAID SHE WAS NOTHIN' BUT TROUBLE. 200 00:08:37,100 --> 00:08:39,267 THE GOOD KIND OF TROUBLE. 201 00:08:39,333 --> 00:08:41,300 HUH? 202 00:08:41,367 --> 00:08:42,367 ANOTHER FEW YEARS, NAN. 203 00:08:42,433 --> 00:08:44,600 YOU'LL UNDERSTAND. 204 00:08:46,233 --> 00:08:48,067 Nan: [ Heavy sigh ] 205 00:08:48,133 --> 00:08:49,567 [ * ] 206 00:08:58,067 --> 00:09:00,067 [ * ] 207 00:09:05,067 --> 00:09:07,200 DISTANT? HOW? 208 00:09:07,267 --> 00:09:08,933 Amy: WHEN LAURIE AND I TALK NOW, 209 00:09:09,067 --> 00:09:11,533 WE TALK, BUT WE DON'T LISTEN. 210 00:09:11,600 --> 00:09:13,333 NOT REALLY. 211 00:09:13,400 --> 00:09:15,333 YOU HEARD US, JO. LAST NIGHT. 212 00:09:15,400 --> 00:09:17,300 WELL, THAT WAS ONE INSTANCE. 213 00:09:17,367 --> 00:09:19,567 I KNOW. BUT IT STARTED ME THINKING. 214 00:09:19,633 --> 00:09:23,633 AND I REALIZE THAT THIS KIND OF THING HAS BEEN HAPPENING A LOT LATELY. 215 00:09:23,700 --> 00:09:26,600 THERE'S A CERTAIN... 216 00:09:26,667 --> 00:09:28,067 I DON'T KNOW... 217 00:09:29,667 --> 00:09:31,400 LACK OF INTEREST. 218 00:09:31,467 --> 00:09:34,067 Meg: OH, AMY, 219 00:09:34,067 --> 00:09:37,967 ALL RELATIONSHIPS EXPERIENCE A LITTLE LULL NOW AND AGAIN. 220 00:09:38,067 --> 00:09:39,600 DO YOU AND EDWARD? 221 00:09:40,667 --> 00:09:43,200 WELL, NO. 222 00:09:43,267 --> 00:09:45,667 BUT OUR RELATIONSHIP IS VERY NEW. 223 00:09:45,733 --> 00:09:48,700 WE STILL HAVE SO MUCH LEFT TO DISCOVER ABOUT ONE ANOTHER. 224 00:09:48,767 --> 00:09:52,700 WHAT IF LAURIE AND I HAVE ALREADY DISCOVERED EVERYTHING ABOUT EACH OTHER? 225 00:09:52,767 --> 00:09:55,433 WHAT IF THERE'S NOTHING LEFT TO KNOW? 226 00:09:55,500 --> 00:09:57,433 OH, AMY, DON'T BE SO DRAMATIC. 227 00:09:57,500 --> 00:09:58,333 I'M NOT, MEG. 228 00:10:00,367 --> 00:10:02,300 I JUST FEEL AS IF WE'RE DRIFTING APART. 229 00:10:02,367 --> 00:10:05,033 Jo: AMY, 230 00:10:05,100 --> 00:10:07,067 I REMEMBER FRITZ AND I... 231 00:10:07,133 --> 00:10:10,600 WE USED TO GET SO CAUGHT UP IN THE ROUTINE OF OUR LIVES, 232 00:10:10,667 --> 00:10:13,067 THAT WE WOULD HAVE TO STOP AND REMIND OURSELVES 233 00:10:13,133 --> 00:10:14,467 TO APPRECIATE EACH ANOTHER. 234 00:10:14,533 --> 00:10:15,400 Meg: YES, MAYBE THAT'S ALL YOU NEED. 235 00:10:15,467 --> 00:10:17,567 A REMINDER. 236 00:10:17,633 --> 00:10:19,033 YOU THINK SO? 237 00:10:19,100 --> 00:10:21,000 Jo: JUST TALK TO LAURIE. 238 00:10:21,067 --> 00:10:22,667 GET THINGS OUT IN THE OPEN. 239 00:10:22,733 --> 00:10:24,067 AND YOU NEVER KNOW. 240 00:10:24,133 --> 00:10:25,667 LAURIE MAY NOT EVEN SHARE YOUR DOUBTS. 241 00:10:29,033 --> 00:10:30,400 I'LL TALK TO HIM TONIGHT. 242 00:10:30,467 --> 00:10:37,100 [ * ] 243 00:10:40,567 --> 00:10:43,600 IT'S A SHOCK, ISN'T IT? 244 00:10:43,667 --> 00:10:45,667 THE 100 THAT BESS GOT ON HER ARITHMETIC TEST. 245 00:10:45,733 --> 00:10:48,633 SHE'S BECOMING A REGULAR MATHEMATICIAN. 246 00:10:50,700 --> 00:10:52,033 HOW ABOUT THAT STORY SHE WROTE? 247 00:10:52,100 --> 00:10:56,100 I KNOW. SO DESCRIPTIVE AND ELOQUENT. 248 00:10:59,067 --> 00:11:01,167 IT FELT LIKE WE WERE IN PARIS ALL OVER AGAIN. 249 00:11:08,467 --> 00:11:10,367 LAURIE? 250 00:11:10,433 --> 00:11:12,067 HMMM? 251 00:11:12,067 --> 00:11:13,133 I KNOW THIS WILL SOUND SILLY. 252 00:11:13,200 --> 00:11:15,667 I'M SURE I'M OVERREACTING. 253 00:11:15,733 --> 00:11:19,400 IT'S JUST THAT I'VE BEEN FEELING LATELY... 254 00:11:19,467 --> 00:11:21,300 WHAT IS IT? 255 00:11:25,067 --> 00:11:26,633 THINGS DON'T SEEM AS... 256 00:11:26,700 --> 00:11:29,333 EASY BETWEEN US ANYMORE. 257 00:11:31,667 --> 00:11:33,167 NO. THEY DON'T. 258 00:11:37,133 --> 00:11:40,433 BUT THAT'S NOT TO SAY THAT THINGS AREN'T WONDERFUL. 259 00:11:40,500 --> 00:11:43,967 I MEAN, ANY COUPLE MARRIED OVER 14 YEARS 260 00:11:44,067 --> 00:11:45,633 IS BOUND TO EXPERIENCE A LITTLE... 261 00:11:47,467 --> 00:11:48,400 LULL? 262 00:11:48,467 --> 00:11:51,067 A LULL. 263 00:11:51,067 --> 00:11:53,067 THAT'S THE PERFECT WORD FOR IT. 264 00:11:53,100 --> 00:11:54,667 WE'RE EXPERIENCING A LULL. 265 00:11:58,067 --> 00:11:59,533 AND THAT DOESN'T BOTHER YOU? 266 00:11:59,600 --> 00:12:01,500 BOTHER ME? 267 00:12:01,567 --> 00:12:02,700 NO. 268 00:12:02,767 --> 00:12:05,233 BECAUSE I KNOW... 269 00:12:05,300 --> 00:12:07,967 I MEAN I'M SURE THIS IS JUST TEMPORARY. 270 00:12:09,767 --> 00:12:11,067 IT'LL PASS. 271 00:12:14,733 --> 00:12:16,067 IT WILL PASS, WON'T IT? 272 00:12:18,733 --> 00:12:20,500 IT'LL PASS. 273 00:12:20,567 --> 00:12:21,967 ABSOLUTELY. 274 00:12:22,067 --> 00:12:28,067 [ * ] 275 00:12:31,567 --> 00:12:32,533 [ Chuckling ] THANK YOU. 276 00:12:32,600 --> 00:12:34,333 THANK YOU FOR COMING. 277 00:12:34,400 --> 00:12:37,367 [ Mixed chatter ] 278 00:12:39,567 --> 00:12:41,400 WELL, THAT WAS TOO LONG. 279 00:12:41,467 --> 00:12:43,133 YEAH, THANKS, NAN, FOR SNORIN'. 280 00:12:43,200 --> 00:12:44,467 EVERYONE TURNED AROUND AND THOUGHT IT WAS ME. 281 00:12:44,533 --> 00:12:47,333 WELL, I WAS JUST HAVIN' THE BEST DREAM 282 00:12:47,400 --> 00:12:50,067 ABOUT THE BIG FISH I'M GONNA CATCH. 283 00:12:50,067 --> 00:12:52,233 WELL, IT HAD TO BE A DREAM, 284 00:12:52,300 --> 00:12:54,933 'CAUSE EVERYONE KNOWS I'M GONNA CATCH THE BIGGEST FISH TODAY. 285 00:12:55,067 --> 00:12:57,067 BESS, FISHING? 286 00:12:57,100 --> 00:12:59,067 I DIDN'T KNOW YOU'D DEVELOPED SUCH AN INTEREST. 287 00:12:59,067 --> 00:13:01,233 OH. WELL, IT'S BECOME KIND OF A TRADITION. 288 00:13:01,300 --> 00:13:05,067 WE HAVE THIS LITTLE FRIENDLY COMPETITION EVERY SUNDAY. 289 00:13:05,067 --> 00:13:07,233 BUT WE THOUGHT YOU'D SPEND THE DAY WITH US. 290 00:13:07,300 --> 00:13:10,200 OH. WELL, I JUST ASSUMED THAT... 291 00:13:10,267 --> 00:13:12,233 SUNDAY'S OUR CHANCE TO BE TOGETHER. 292 00:13:12,300 --> 00:13:15,067 BUT YOU JUST HAD DINNER WITH ME THE OTHER NIGHT AT PLUMFIELD. 293 00:13:15,100 --> 00:13:17,967 I KNOW, BUT WE'VE SCHEDULED SUCH A LOVELY AFTERNOON, 294 00:13:18,067 --> 00:13:19,067 JUST THE THREE OF US. 295 00:13:23,067 --> 00:13:25,933 WELL, I GUESS THE FISH CAN WAIT. 296 00:13:26,067 --> 00:13:26,933 Laurie: WONDERFUL. 297 00:13:27,067 --> 00:13:28,067 GUESS I WIN BY DEFAULT. 298 00:13:30,233 --> 00:13:32,067 HELLO. I WAS JUST WONDERING, 299 00:13:32,067 --> 00:13:35,567 UM... HAVE YOU TALKED TO HIM? 300 00:13:35,633 --> 00:13:38,133 OH. YES. 301 00:13:38,200 --> 00:13:40,533 I FEEL SO MUCH BETTER NOW THAT WE'VE DISCUSSED EVERYTHING. 302 00:13:40,600 --> 00:13:43,067 SEE? YOU JUST NEEDED TO GET EVERYTHING OUT IN THE OPEN. 303 00:13:43,067 --> 00:13:45,967 ABSOLUTELY. YOU WERE RIGHT. 304 00:13:46,067 --> 00:13:47,067 SO YOU AND LAURIE... 305 00:13:47,067 --> 00:13:49,167 WE'RE FINE, JO. 306 00:13:49,233 --> 00:13:50,600 WE'RE JUST... IN A LITTLE LULL. 307 00:13:50,667 --> 00:13:52,700 IT'LL PASS. 308 00:13:57,067 --> 00:13:58,967 Woman: FRANZ! 309 00:14:05,667 --> 00:14:06,600 THAT'S HER. 310 00:14:06,667 --> 00:14:09,133 WHO? 311 00:14:09,200 --> 00:14:10,433 THE ONE WHO DUMPED FLOUR ON FRANZ. 312 00:14:10,500 --> 00:14:11,967 HOW DID YOU KNOW MY NAME? 313 00:14:12,067 --> 00:14:14,067 MR. GERSON TOLD ME. HERE. 314 00:14:15,400 --> 00:14:16,600 IT'S A CAKE. 315 00:14:16,667 --> 00:14:19,167 OH. 316 00:14:19,233 --> 00:14:20,467 YOU'RE NOT GOING TO THROW IT AT ME? 317 00:14:20,533 --> 00:14:22,067 NO, SILLY. I BAKED IT FOR YOU, 318 00:14:22,067 --> 00:14:25,167 TO MAKE UP FOR ALL THAT MESS. 319 00:14:25,233 --> 00:14:27,167 THAT'S NICE. YOU SHOULDN'T HAVE GONE TO THE TROUBLE. 320 00:14:27,233 --> 00:14:28,500 OH, NO TROUBLE. I WAS ALREADY BAKING ONE FOR MY BROTHER, 321 00:14:28,567 --> 00:14:30,600 SO I JUST DOUBLED THE RECIPE. 322 00:14:30,667 --> 00:14:34,067 -SO YOU GOT THE FLOUR AFTER ALL. -OH, SURE. 323 00:14:34,067 --> 00:14:35,700 OLD GERSON MAKES A FUSS NOW AND THEN, 324 00:14:35,767 --> 00:14:37,433 BUT HE KNOWS I PAY UP WHEN I CAN. 325 00:14:37,500 --> 00:14:39,367 Franz: YES, MR. GERSON LIKES TO MAKE A FUSS. 326 00:14:43,567 --> 00:14:45,933 HELLO. JO, UM... 327 00:14:46,067 --> 00:14:47,967 WE WERE... I MEAN, THIS IS... 328 00:14:48,067 --> 00:14:49,067 UH... ISABEL MacGREGOR. 329 00:14:49,067 --> 00:14:51,067 ISABEL MacGREGOR. MRS. JO. BHAER. 330 00:14:51,100 --> 00:14:53,067 IT'S A PLEASURE. I'VE HEARD SO MUCH ABOUT YOU. 331 00:14:53,067 --> 00:14:55,067 OH, I CAN ONLY IMAGINE. 332 00:14:55,100 --> 00:14:58,067 I BEEN CAUSIN' POOR FRANZ SO MUCH TROUBLE. 333 00:14:58,067 --> 00:15:01,067 WELL, I'M SURE HE HASN'T MINDED MUCH, 334 00:15:01,067 --> 00:15:03,067 NOW HAVE YOU? 335 00:15:03,100 --> 00:15:04,667 NO. NO. NOT TOO MUCH. 336 00:15:08,467 --> 00:15:11,400 Asia: WELL, I DON'T CARE WHAT IT LOOKS LIKE, 337 00:15:11,467 --> 00:15:12,967 YOU'LL NEVER SEE ME PASSIN' UP A PIECE OF CHOCOLATE CAKE. 338 00:15:13,067 --> 00:15:15,200 I'M WITH YOU, ASIA. 339 00:15:15,267 --> 00:15:17,500 IT WAS VERY THOUGHTFUL OF MISS MacGREGOR, DON'T YOU THINK? 340 00:15:17,567 --> 00:15:21,067 I SUPPOSE. 341 00:15:21,067 --> 00:15:22,667 OH, WELL IT'S THE LEAST SHE COULD DO AFTER WHAT I HEARD; 342 00:15:22,733 --> 00:15:25,067 THROWIN' ALL THAT FLOUR AND WATER ON YA. 343 00:15:25,067 --> 00:15:26,567 SHE DOES HAVE SPIRIT. 344 00:15:26,633 --> 00:15:28,067 YES. 345 00:15:28,100 --> 00:15:32,200 A SPARK. A CERTAIN VIBRANCY. 346 00:15:32,267 --> 00:15:34,067 MAYBE YOU SHOULD THINK ABOUT COURTING HER. 347 00:15:34,100 --> 00:15:36,233 All three: WHAT? 348 00:15:36,300 --> 00:15:39,067 WELL, HE IS OF COURTING AGE, AFTER ALL. 349 00:15:39,133 --> 00:15:42,200 BUT... THAT... THAT DOESN'T MEAN THAT... 350 00:15:42,267 --> 00:15:44,067 WELL, AND SHE DID BAKE YOU THIS CAKE. 351 00:15:44,100 --> 00:15:46,333 SHE OBVIOUSLY THINKS VERY HIGHLY OF YOU. 352 00:15:46,400 --> 00:15:48,067 Asia: NOW, JO, STOP PRESSURING HIM. 353 00:15:48,067 --> 00:15:49,067 Jo: I'M NOT PRESSURING HIM. 354 00:15:49,133 --> 00:15:50,633 I'M REALLY NOT INTERESTED. 355 00:15:52,200 --> 00:15:53,267 NOT INTERESTED?! 356 00:15:53,333 --> 00:15:55,067 REALLY? YES. 357 00:15:55,100 --> 00:15:56,267 I'M NOT INTERESTED. 358 00:15:56,333 --> 00:15:57,933 THE WAY YOU WERE STANDING THERE, GAPING AT HER? 359 00:15:58,067 --> 00:16:00,133 HUH. GAPING? YES, FRANZ, 360 00:16:00,200 --> 00:16:02,167 YOUR JAW WAS HANGING OPEN. 361 00:16:02,233 --> 00:16:04,300 YOU COULD BARELY SPEAK. 362 00:16:04,367 --> 00:16:06,067 WELL, SHE... SHE HARDLY GIVES ME THE CHANCE. 363 00:16:06,100 --> 00:16:08,400 I KNOW WHAT THAT'S LIKE. 364 00:16:08,467 --> 00:16:10,533 SHE'S TOO IMPETUOUS AND STRONG-WILLED. 365 00:16:10,600 --> 00:16:12,367 AND LOUD. THIS... 366 00:16:12,433 --> 00:16:14,100 WE'RE TOO DIFFERENT. THIS IS SILLY. 367 00:16:14,167 --> 00:16:16,500 Asia: WELL, DIFFERENCES ARE GOOD SOMETIMES. 368 00:16:16,567 --> 00:16:18,600 YOU KNOW WHAT THEY SAY: 369 00:16:18,667 --> 00:16:20,467 "OPPOSITES ATTRACT." 370 00:16:20,533 --> 00:16:23,300 "THEY" DON'T KNOW WHAT THEY'RE TALKING ABOUT. 371 00:16:23,367 --> 00:16:25,267 I STILL THINK THAT YOU... I AM NOT COURTING 372 00:16:25,333 --> 00:16:26,467 ISABEL MacGREGOR. 373 00:16:26,533 --> 00:16:28,300 AND THAT'S THE END OF IT. 374 00:16:28,367 --> 00:16:30,500 LET'S JUST ENJOY OUR CAKE. 375 00:16:30,567 --> 00:16:33,400 [ * ] 376 00:16:46,133 --> 00:16:47,067 AUNT JO? 377 00:16:48,167 --> 00:16:50,533 BESS? 378 00:16:50,600 --> 00:16:52,200 WHAT ARE YOU DOING, SWEETHEART? YOU SHOULD BE IN BED. 379 00:16:52,267 --> 00:16:55,200 I KNOW. I JUST COULDN'T SLEEP. 380 00:16:55,267 --> 00:16:57,167 YOU COULDN'T SLEEP? 381 00:16:57,233 --> 00:16:58,933 OH, I'M NOT SICK OR ANYTHING. 382 00:16:59,067 --> 00:17:01,067 I, UM... 383 00:17:01,133 --> 00:17:05,133 WELL... 384 00:17:05,200 --> 00:17:06,067 WHY DON'T YOU COME IN? 385 00:17:12,267 --> 00:17:14,200 TELL ME. WHAT'S WRONG? 386 00:17:14,267 --> 00:17:15,300 IT'S MY PARENTS. 387 00:17:15,367 --> 00:17:18,200 DID SOMETHING HAPPEN TODAY? 388 00:17:18,267 --> 00:17:21,600 NO. NOTHING IN PARTICULAR. 389 00:17:21,667 --> 00:17:24,400 THEY'VE JUST BEEN ACTING SO STRANGE LATELY. 390 00:17:24,467 --> 00:17:26,467 THEY SEEM SO TENSE. 391 00:17:26,533 --> 00:17:29,600 WELL, YOUR FATHER HAS BEEN WORKING AWFULLY HARD LATELY. 392 00:17:29,667 --> 00:17:32,167 NO. I MEAN WITH EACH OTHER. 393 00:17:34,200 --> 00:17:35,600 IT'S SO STRANGE BECAUSE THEY SEEM 394 00:17:35,667 --> 00:17:38,233 TO BE TRYING SO HARD TO SEEM HAPPY, 395 00:17:38,300 --> 00:17:41,433 BUT UNDERNEATH, I KNOW SOMETHING'S WRONG. 396 00:17:41,500 --> 00:17:44,233 I CAN FEEL IT. 397 00:17:44,300 --> 00:17:46,200 DO YOU KNOW WHAT IT IS? 398 00:17:46,267 --> 00:17:49,067 BESS, I WOULDN'T WORRY ABOUT THIS. 399 00:17:49,067 --> 00:17:51,167 MARRIED COUPLES, THEY... 400 00:17:51,233 --> 00:17:54,067 THEY GO THROUGH OFF DAYS. 401 00:17:57,233 --> 00:17:59,067 THIS WILL PASS. 402 00:17:59,100 --> 00:18:02,067 [ Whispering ] RIGHT. 403 00:18:02,100 --> 00:18:04,533 [ * ] 404 00:18:11,767 --> 00:18:14,067 [ * ] 405 00:18:18,167 --> 00:18:19,600 HELLO. 406 00:18:21,100 --> 00:18:22,300 HELLO. 407 00:18:27,100 --> 00:18:28,300 OH, EXCUSE ME. 408 00:18:45,067 --> 00:18:46,167 DID YOU FORGET SOMETHING? 409 00:18:47,533 --> 00:18:49,500 UH, NO, I... I JUST, UH... 410 00:18:49,567 --> 00:18:50,567 I, UH... 411 00:18:50,633 --> 00:18:53,233 JUST TAKING A STROLL? 412 00:18:53,300 --> 00:18:55,067 YES. I MEAN, UH... 413 00:18:55,100 --> 00:18:57,233 NO, I, UH... 414 00:18:57,300 --> 00:18:59,067 SO THIS IS WHERE YOU WORK? 415 00:18:59,067 --> 00:19:00,200 [ Sigh ] YES. 416 00:19:00,267 --> 00:19:02,133 THIS IS THE GRAND PALACE. 417 00:19:04,267 --> 00:19:05,300 IT'S... IT'S NICE. 418 00:19:08,267 --> 00:19:10,233 NICE PAINT AND, UH... 419 00:19:10,300 --> 00:19:13,067 THE WINDOWS ARE EXCEPTIONALLY CLEAN. 420 00:19:13,067 --> 00:19:15,067 REALLY SPARKLING. 421 00:19:15,067 --> 00:19:16,700 WELL, THANK YOU. 422 00:19:16,767 --> 00:19:18,400 IT'S FUNNY HOW YOU CAN WALK THROUGH TOWN 423 00:19:18,467 --> 00:19:20,200 ALL THE TIME AND NOT EVEN NOTICE. 424 00:19:20,267 --> 00:19:21,300 WELL, I'M PLEASED YOU DID. 425 00:19:23,500 --> 00:19:25,067 ISABEL? 426 00:19:27,067 --> 00:19:28,367 YES, FRANZ? 427 00:19:30,600 --> 00:19:32,967 C-COULD YOU, UM...? 428 00:19:33,067 --> 00:19:34,133 UM, COULD WE...? 429 00:19:40,333 --> 00:19:41,467 WOULD YOU DO ME THE HONOR 430 00:19:41,533 --> 00:19:43,233 OF ACCOMPANYING ME ON A CARRIAGE RIDE? 431 00:19:43,300 --> 00:19:45,433 PERHAPS WE COULD ENJOY A PICNIC... YES. 432 00:19:48,100 --> 00:19:50,233 SAY AGAIN? 433 00:19:50,300 --> 00:19:51,233 I SAID, YES, FRANZ. 434 00:19:51,300 --> 00:19:53,167 TO YOUR VERY SWEET INVITATION. 435 00:19:55,067 --> 00:19:56,300 YES. 436 00:19:58,100 --> 00:19:59,400 ALL RIGHT. 437 00:19:59,467 --> 00:20:04,000 WELL, UH, I'LL... I'LL SEE YOU SOON. 438 00:20:04,067 --> 00:20:05,233 UH, L-LATER, 439 00:20:05,300 --> 00:20:06,500 UH, MISS... UH... 440 00:20:08,067 --> 00:20:09,533 BYE. 441 00:20:09,600 --> 00:20:11,567 [ * ] 442 00:20:17,000 --> 00:20:18,967 I WAS LOOKING FOR A REASON TO COME BY AND TALK TO YOU, 443 00:20:19,033 --> 00:20:20,667 LAURIE, YOU NEVER NEED AN EXCUSE. 444 00:20:20,733 --> 00:20:21,533 I'M GLAD THAT YOU CAME BY. 445 00:20:24,233 --> 00:20:26,033 I'M SURE AMY'S SPOKEN TO YOU ABOUT OUR DIFFICULTIES. 446 00:20:26,100 --> 00:20:27,600 YES. SHE HAS. 447 00:20:29,667 --> 00:20:31,100 LAURIE, 448 00:20:31,167 --> 00:20:33,367 BESS IS AWARE OF IT TOO. 449 00:20:33,433 --> 00:20:37,467 SHE CAME TO ME LAST NIGHT, DISTRAUGHT. 450 00:20:37,533 --> 00:20:40,467 SHE SAID THAT SHE SENSED A STRAIN BETWEEN THE TWO OF YOU YESTERDAY. 451 00:20:42,433 --> 00:20:44,133 [ Sigh ] I'M NOT SURPRISED. 452 00:20:48,100 --> 00:20:49,367 I SPOKE WITH AMY AND SHE SAID 453 00:20:49,433 --> 00:20:52,467 THAT THE TWO OF YOU HAD CLEARED THINGS UP. 454 00:20:52,533 --> 00:20:53,500 WE DID... 455 00:20:55,433 --> 00:20:58,233 SORT OF. [ Sigh ] 456 00:20:58,300 --> 00:21:01,067 WE BOTH FEEL A CERTAIN DISTANCE IN OUR MARRIAGE. 457 00:21:03,367 --> 00:21:04,567 AND? 458 00:21:06,567 --> 00:21:09,333 Laurie: WELL, I'VE BEEN THINKING ABOUT IT. 459 00:21:09,400 --> 00:21:11,300 I FINALLY REALIZED WHEN IT ALL STARTED. 460 00:21:11,367 --> 00:21:13,700 IT WAS WHEN BESS FIRST MOVED HERE TO PLUMFIELD. 461 00:21:13,767 --> 00:21:15,500 LAURIE, OF COURSE THERE'S GOING TO BE A BIT OF ADJUSTMENT, 462 00:21:15,567 --> 00:21:17,367 WHEN A CHILD LEAVES THE HOME. 463 00:21:17,433 --> 00:21:19,067 Laurie: IT'S MORE THAN THAT, JO. 464 00:21:19,067 --> 00:21:23,533 IT SEEMS SO EMPTY AT HOME WITHOUT HER. 465 00:21:23,600 --> 00:21:25,967 THE ONLY TIME AMY AND I SEEM TO CONNECT NOW 466 00:21:26,067 --> 00:21:27,933 IS WHEN WE'RE TALKING ABOUT BESS 467 00:21:28,067 --> 00:21:30,200 OR WHEN BESS IS WITH US OR... 468 00:21:30,267 --> 00:21:32,700 THE TWO OF YOU HAVE SO MUCH TO OFFER EACH OTHER. 469 00:21:32,767 --> 00:21:34,067 I'M NOT SO SURE ANYMORE. 470 00:21:36,067 --> 00:21:38,633 WE'VE ALWAYS BEEN A SURPRISING MATCH, YOU KNOW THAT. 471 00:21:38,700 --> 00:21:42,567 AT FIRST THAT WAS PART OF THE ATTRACTION. 472 00:21:44,667 --> 00:21:47,967 I REMEMBER WHEN WE BEGAN COURTING IN... IN PARIS, 473 00:21:48,067 --> 00:21:52,600 EVERYTHING WAS FRESH AND ROMANTIC AND EXCITING. 474 00:21:54,767 --> 00:21:56,700 WE FELL IN LOVE QUICKLY, 475 00:21:56,767 --> 00:21:59,900 MARRIED QUICKLY, HAD BESS QUICKLY. 476 00:22:00,067 --> 00:22:02,600 WE WERE THE INSTANT FAMILY AND THAT... 477 00:22:02,667 --> 00:22:05,067 THAT WAS WONDERFUL. 478 00:22:05,133 --> 00:22:07,600 NOW BESS IS LIVING HERE, 479 00:22:07,667 --> 00:22:09,467 AND IT'S THE FIRST TIME 480 00:22:09,533 --> 00:22:13,067 THAT AMY AND I HAVE EVER REALLY BEEN ALONE TOGETHER. 481 00:22:16,067 --> 00:22:17,067 I CAN'T HELP WONDERING. 482 00:22:18,400 --> 00:22:20,600 I MEAN... 483 00:22:20,667 --> 00:22:24,967 IS BESS THE ONLY THING WE HAVE IN COMMON NOW? 484 00:22:25,067 --> 00:22:28,333 DID WE EVER HAVE ANYTHING IN COMMON? 485 00:22:28,400 --> 00:22:30,700 I MEAN, TELL ME, JO, 486 00:22:30,767 --> 00:22:33,600 IS THERE A REASON FOR AMY AND I TO STAY TOGETHER? 487 00:22:40,367 --> 00:22:45,333 [ * ] 488 00:22:45,400 --> 00:22:47,367 GOIN' SOMEWHERE? 489 00:22:47,433 --> 00:22:49,367 [ Sigh ] WHAT DO YOU WANT, NAN? 490 00:22:49,433 --> 00:22:51,400 WELL... 491 00:22:51,467 --> 00:22:53,233 WHEN YOU GAVE US THAT ASSIGNMENT, 492 00:22:53,300 --> 00:22:54,567 YOU SAID, "500 WORDS", 493 00:22:54,633 --> 00:22:58,633 YOU MEANT 500 WORDS APPROXIMATELY, RIGHT? 494 00:22:58,700 --> 00:23:02,067 'CAUSE I'VE GOT THE FEELIN' MINE MIGHT BE A LITTLE SHORT. 495 00:23:04,400 --> 00:23:05,400 HOW SHORT? 496 00:23:05,467 --> 00:23:07,700 OH, 400 OR SO. 497 00:23:07,767 --> 00:23:10,367 GIVE OR TAKE 100. 498 00:23:10,433 --> 00:23:12,567 KEEP WRITING. 499 00:23:12,633 --> 00:23:15,133 -WHERE'RE YA GOIN'? -WHO SAYS I'M GOING ANYWHERE. 500 00:23:15,200 --> 00:23:17,400 WELL, YOU BEEN STANDING IN FRONT OF THAT MIRROR NOW FOR 10 MINUTES. 501 00:23:17,467 --> 00:23:19,133 10 MINUTES? 502 00:23:19,200 --> 00:23:21,133 HAVE YOU BEEN STANDING THERE THE WHOLE TIME? 503 00:23:21,200 --> 00:23:22,633 YOU'RE GOIN' TO SEE THAT GIRL, AREN'T YA? 504 00:23:22,700 --> 00:23:24,967 THAT ISABEL. 505 00:23:25,067 --> 00:23:27,267 YOU ARE, AREN'T YA? 506 00:23:27,333 --> 00:23:29,100 C'MON, FRANZ, WHERE'RE YA TAKIN' HER? 507 00:23:29,167 --> 00:23:30,300 LOOK, IT'S REALLY NONE OF YOUR CONCERN. 508 00:23:30,367 --> 00:23:33,067 WELL, I'M NOT CONCERNED. I JUST WANNA KNOW. 509 00:23:33,100 --> 00:23:36,067 [ Sigh ] NAN. WHERE'RE YA TAKIN' HER? 510 00:23:36,067 --> 00:23:37,600 IF... IF I TELL YOU, DO YOU PROMISE TO LEAVE? 511 00:23:37,667 --> 00:23:39,333 YES, I PROMISE. 512 00:23:39,400 --> 00:23:42,067 [ Sigh ] WELL, WE'RE GOING ON A CARRIAGE RIDE, 513 00:23:42,100 --> 00:23:44,067 FOLLOWED BY A PICNIC. 514 00:23:44,133 --> 00:23:45,300 -SOUNDS GOOD. -YOU SEE, 515 00:23:45,367 --> 00:23:47,067 THERE'S THIS POETRY READING IN THE PARK. 516 00:23:47,100 --> 00:23:49,467 AND I THOUGHT MAYBE WE COULD... WAIT. BACK UP. 517 00:23:49,533 --> 00:23:52,400 DID YOU SAY, "POETRY READING"? 518 00:23:52,467 --> 00:23:55,500 -YES. WHAT'S WRONG WITH THAT? -WELL, FRANZ, 519 00:23:55,567 --> 00:23:56,567 YOU MIGHT AS WELL BE TAKIN' HER TO SCHOOL. 520 00:23:56,633 --> 00:23:58,067 GOODBYE, NAN. 521 00:23:59,633 --> 00:24:01,633 FINE. BUT IF YA ASK ME, 522 00:24:01,700 --> 00:24:02,667 A GIRL LIKE THAT IS NOT GONNA BE INTERESTED IN POETRY. 523 00:24:02,733 --> 00:24:05,600 AND WHAT MAKES YOU SO SURE? 524 00:24:05,667 --> 00:24:09,233 'CAUSE SHE'S NOT THE POETRY TYPE. 525 00:24:09,300 --> 00:24:11,600 SHE'S MORE LIKE... 526 00:24:11,667 --> 00:24:14,067 WELL, MORE LIKE ME. 527 00:24:14,133 --> 00:24:15,633 YOU OUGHTA TAKE HER OUT INTO THE COUNTRYSIDE, 528 00:24:15,700 --> 00:24:17,667 AND DO SOMETHIN' FUN. 529 00:24:17,733 --> 00:24:21,067 FUN? YEAH. 530 00:24:21,100 --> 00:24:22,667 AND ANYTHING IS BETTER THAN A POETRY READING. 531 00:24:22,733 --> 00:24:24,600 TRUST ME. 532 00:24:24,667 --> 00:24:27,367 [ * ] 533 00:24:29,767 --> 00:24:31,067 Franz: ARE YOU COMFORTABLE? 534 00:24:31,133 --> 00:24:32,300 Isabel: COULDN'T BE BETTER. 535 00:24:34,133 --> 00:24:36,267 YOU BETTER MOVE ASIDE THOUGH. 536 00:24:36,333 --> 00:24:37,333 WHY'S THAT? 537 00:24:37,400 --> 00:24:39,067 THERE'S A TURTLE DOWN HERE. 538 00:24:39,133 --> 00:24:40,700 AND I THINK HE WANTS TO PASS US. 539 00:24:44,067 --> 00:24:46,100 WELL, IT'S A WINDING ROAD. 540 00:24:46,167 --> 00:24:48,067 YOU NEVER KNOW WHAT'S COMING AROUND THE BEND. 541 00:24:48,133 --> 00:24:50,700 MMM. KINDA MAKES IT MORE INTERESTING THOUGH, DON'T YA THINK? 542 00:24:51,767 --> 00:24:54,067 YA MIND? 543 00:24:54,100 --> 00:24:54,733 WHAT... WHAT ARE YOU...? 544 00:24:54,800 --> 00:24:56,700 UH... UH... 545 00:25:00,567 --> 00:25:01,933 WHAT ARE YOU...? 546 00:25:02,067 --> 00:25:03,467 LOOK, UH... ISABEL, COME ON NOW. 547 00:25:03,533 --> 00:25:04,933 IT'S FUN. 548 00:25:05,067 --> 00:25:06,300 NO, IT'S NOT BECAUSE... 549 00:25:07,567 --> 00:25:09,233 COME ON, ISABEL. 550 00:25:11,733 --> 00:25:12,700 Franz: A CARRIAGE! 551 00:25:14,267 --> 00:25:15,967 THERE'S ROOM. 552 00:25:16,067 --> 00:25:17,067 -THERE'S ROOM. -PULL OVER. 553 00:25:17,133 --> 00:25:18,067 -PULL OVER. -THERE'S ROOM. 554 00:25:18,133 --> 00:25:19,633 THERE'S NO ROOM. 555 00:25:19,700 --> 00:25:20,667 THERE'S NO ROOM. 556 00:25:20,733 --> 00:25:22,433 Driver: OUT OF THE WAY! 557 00:25:22,500 --> 00:25:24,500 [ Whinnying of horses ] 558 00:25:27,767 --> 00:25:28,567 [ Whinnying of horse ] 559 00:25:30,767 --> 00:25:31,933 Both: [ Gasping ] 560 00:25:32,067 --> 00:25:34,100 NOW THAT WAS CLOSE. 561 00:25:34,167 --> 00:25:34,933 [ Laugh of exhilaration ] 562 00:25:35,067 --> 00:25:36,700 INDEED. 563 00:25:36,767 --> 00:25:37,933 IT WAS... 564 00:25:38,067 --> 00:25:39,067 THRILLING. 565 00:25:41,133 --> 00:25:44,067 9... 10... 566 00:25:44,133 --> 00:25:47,067 11... 12. 567 00:25:47,100 --> 00:25:49,067 THAT SHOULD BE ENOUGH. 568 00:25:49,067 --> 00:25:50,067 THANK YOU. 569 00:25:50,133 --> 00:25:52,267 OH, DAN, WAIT. TWO MORE. 570 00:25:52,333 --> 00:25:54,967 AMY AND LAURIE ARE COMING TONIGHT. 571 00:25:55,067 --> 00:25:57,067 THANKS. 572 00:25:57,133 --> 00:25:58,533 ARE THEY EATING HERE AGAIN? 573 00:26:00,333 --> 00:26:03,300 -OF COURSE. -OF COURSE THEY'RE WELCOME. 574 00:26:03,367 --> 00:26:06,267 BUT IT SEEMS THOSE TWO HAVE BEEN EATING HERE A LOT LATELY. 575 00:26:06,333 --> 00:26:07,600 Bess: THEY HAVE, HAVEN'T THEY? 576 00:26:09,100 --> 00:26:10,600 Jo: BESS... 577 00:26:10,667 --> 00:26:12,133 EXCUSE ME. 578 00:26:13,200 --> 00:26:16,233 Bess: AUNT JO, 579 00:26:16,300 --> 00:26:19,233 I KNOW WHY MY PARENTS HAVE BEEN EATING AT PLUMFIELD A LOT LATELY. 580 00:26:19,300 --> 00:26:22,067 IT'S BECAUSE THEY DON'T WANT TO SPEND TIME ALONE TOGETHER. 581 00:26:22,133 --> 00:26:23,067 OH, BESS, THAT'S NOT TRUE. 582 00:26:23,100 --> 00:26:24,967 -YOUR PARENTS... -YES, IT IS. 583 00:26:25,067 --> 00:26:28,100 I OVERHEARD YOU AND MY FATHER TALKING YESTERDAY. 584 00:26:32,133 --> 00:26:34,100 YOUR PARENTS ARE GOING THROUGH A DIFFICULT TIME RIGHT NOW, BESS. 585 00:26:34,167 --> 00:26:35,133 IT'S TRUE. 586 00:26:37,133 --> 00:26:39,300 BUT THEY'LL WORK THROUGH IT. 587 00:26:39,367 --> 00:26:42,100 THEY JUST NEED TO REMEMBER WHY THEIR MARRIAGE IS SO SPECIAL, 588 00:26:42,167 --> 00:26:45,300 AND WHY THE TWO OF THEM BELONG TOGETHER. 589 00:26:45,367 --> 00:26:48,133 WELL, I THINK I HAVE AN IDEA TO HELP THEM REMEMBER. 590 00:26:48,200 --> 00:26:50,233 BUT I'M GOING TO NEED EVERYONE'S HELP... 591 00:26:50,300 --> 00:26:52,133 INCLUDING YOU. 592 00:26:55,133 --> 00:26:56,367 Isabel: I'M SORRY, FRANZ. 593 00:26:56,433 --> 00:26:59,133 I SURE DIDN'T MEAN TO BREAK ANYTHING. 594 00:26:59,200 --> 00:27:00,633 DON'T WORRY. NICK'LL FIX IT. 595 00:27:00,700 --> 00:27:02,167 NICK? 596 00:27:02,233 --> 00:27:03,400 OUR CARETAKER. 597 00:27:03,467 --> 00:27:05,100 I'LL JUST RIDE BACK TO PLUMFIELD AND... 598 00:27:05,167 --> 00:27:06,567 NO, WE DON'T NEED ANYBODY'S HELP. 599 00:27:06,633 --> 00:27:09,500 I'VE FIXED WAGONS WORSE THAN THIS BEFORE. 600 00:27:09,567 --> 00:27:12,067 YOU'RE GOING TO FIX IT? 601 00:27:12,067 --> 00:27:13,167 OF COURSE. 602 00:27:17,100 --> 00:27:18,133 ALL RIGHT. 603 00:27:34,133 --> 00:27:36,067 HELLO, JO. HELLO. 604 00:27:36,133 --> 00:27:38,267 Laurie: SWEETHEART. 605 00:27:38,333 --> 00:27:40,067 [ In French ] BONJOUR, MAMAN, PAPA. 606 00:27:40,133 --> 00:27:42,233 C'EST FANTASTIQUE DE VOUS VOIR. 607 00:27:42,300 --> 00:27:44,067 MY, HOW SOPHISTICATED. 608 00:27:44,133 --> 00:27:46,167 FRENCH LESSONS TODAY? 609 00:27:46,233 --> 00:27:49,067 LES ETUDES? JE NE COMPRENDS PAS. 610 00:27:49,100 --> 00:27:51,067 BIENVENUE A PARIS, MADAME. 611 00:27:51,100 --> 00:27:52,067 MERCI. 612 00:27:52,133 --> 00:27:53,133 HI. 613 00:27:55,100 --> 00:27:57,067 UH, I MEAN... 614 00:27:57,100 --> 00:27:59,067 BONJOUR. 615 00:27:59,067 --> 00:28:00,067 BONJOUR. 616 00:28:00,100 --> 00:28:01,633 ENTREZ, S'IL VOUS PLAIT. 617 00:28:09,333 --> 00:28:11,300 [ Mispronounced French with English accent ] BON-JUROR. 618 00:28:11,367 --> 00:28:14,567 [ Mispronounced French with English accent ] UM... LES FLEURS... 619 00:28:14,633 --> 00:28:15,667 POUR LA DAME. 620 00:28:19,133 --> 00:28:21,433 [ Trying French ] BEANED... BEANEDVENUE. 621 00:28:30,100 --> 00:28:31,200 WHAT'S ALL THIS? 622 00:28:31,267 --> 00:28:32,500 IT'S FOR YOU. 623 00:28:32,567 --> 00:28:33,967 [ * ] 624 00:28:43,133 --> 00:28:45,400 IT WAS REMARKABLE HOW YOU FIXED THAT WAGON. 625 00:28:45,467 --> 00:28:49,133 OH. WELL, I COULDN'T HAVE DONE IT WITHOUT YOU. 626 00:28:49,200 --> 00:28:51,300 ALL I DID WAS HAND YOU MY SUSPENDERS. 627 00:28:51,367 --> 00:28:53,933 EXACTLY. WITHOUT THEM, I WOULDN'T HAVE BEEN ABLE TO FIX IT. 628 00:28:56,233 --> 00:28:58,933 OH, I... I PUT A LOT OF PEPPER IN MY POTATO SALAD. 629 00:28:59,067 --> 00:28:59,700 I LIKE THEM SPICY. 630 00:28:59,767 --> 00:29:01,067 ME TOO. 631 00:29:07,133 --> 00:29:08,500 [ Clearing throat ] MARVELOUS. 632 00:29:10,067 --> 00:29:12,133 MARVELOUS? 633 00:29:12,200 --> 00:29:13,967 YOU KNOW, I'VE NEVER BEEN OUT WITH ANYONE... 634 00:29:15,767 --> 00:29:17,467 SO POLITE BEFORE. 635 00:29:22,200 --> 00:29:24,067 IT'S LUCKY WE CRASHED HERE. 636 00:29:24,133 --> 00:29:26,400 IT'S SO BEAUTIFUL. 637 00:29:26,467 --> 00:29:27,433 INDEED. 638 00:29:29,167 --> 00:29:31,300 I MEAN, YES. 639 00:29:33,767 --> 00:29:35,133 IT SORT OF RECALLS 640 00:29:35,200 --> 00:29:37,533 A LEWIS CARROLL PASTORAL SETTING, 641 00:29:37,600 --> 00:29:39,133 DON'T YOU THINK? 642 00:29:40,200 --> 00:29:41,667 UH... 643 00:29:41,733 --> 00:29:44,133 I WOULDN'T KNOW. 644 00:29:44,200 --> 00:29:46,067 HAVEN'T YOU READ "THROUGH THE LOOKING GLASS"? 645 00:29:48,167 --> 00:29:51,067 IT'S WONDERFUL. YOU SHOULD. 646 00:29:51,100 --> 00:29:52,933 OH, WELL, I DON'T.... I DON'T GET MUCH TIME FOR READING REALLY. 647 00:29:53,067 --> 00:29:55,067 [ Clearing throat ] 648 00:29:55,100 --> 00:29:57,100 "MIDDLEMARCH" IS A GREAT NOVEL. 649 00:29:57,167 --> 00:29:58,067 I JUST FINISHED READING THAT. 650 00:29:59,767 --> 00:30:01,133 NEVER HEARD OF IT. 651 00:30:01,200 --> 00:30:03,933 IT'S BY GEORGE ELIOT. 652 00:30:04,000 --> 00:30:04,633 DON'T KNOW HIM EITHER. 653 00:30:04,700 --> 00:30:06,433 HER. 654 00:30:06,500 --> 00:30:08,100 WHO? 655 00:30:08,167 --> 00:30:09,567 GEORGE ELIOT. THAT'S A WOMAN. 656 00:30:09,633 --> 00:30:11,000 NAMED GEORGE? 657 00:30:11,067 --> 00:30:13,967 WELL, IT'S A PSEUDONYM. 658 00:30:14,033 --> 00:30:16,667 LOOK, FRANZ, YOU KNOW, YOU DON'T HAVE TO MAKE FUN OF ME. 659 00:30:16,733 --> 00:30:18,200 WHAT? I MEAN, I... 660 00:30:18,267 --> 00:30:20,700 I DON'T KNOW ABOUT BOOKS OR... OR SUIT-O-NIMS 661 00:30:20,767 --> 00:30:22,333 OR WOMEN NAMED GEORGE. 662 00:30:22,400 --> 00:30:24,333 I DIDN'T GET PROPER SCHOOLING. 663 00:30:24,400 --> 00:30:26,400 ISABEL, I KNOW. I... I WASN'T MAKING FUN OF YOU. 664 00:30:31,000 --> 00:30:33,100 I JUST... 665 00:30:33,167 --> 00:30:34,333 I JUST GOT NERVOUS, THAT'S ALL. 666 00:30:34,400 --> 00:30:36,167 NERVOUS? 667 00:30:36,233 --> 00:30:37,033 WHY? 668 00:30:38,700 --> 00:30:41,433 BECAUSE I DON'T KNOW WHAT TO SAY ALL THE TIME. 669 00:30:41,500 --> 00:30:43,967 AND I KNOW I'M NOT THE MOST INTERESTING PERSON. 670 00:30:45,467 --> 00:30:47,233 YOU'RE VERY INTERESTING. 671 00:30:47,300 --> 00:30:48,967 NOT LIKE YOU. 672 00:30:49,033 --> 00:30:51,300 YOU'RE SO CONFIDENT AND OUTSPOKEN. 673 00:30:51,367 --> 00:30:54,600 YOU MUST BE USED TO BOYS WHO ARE THE SAME AND... 674 00:30:57,033 --> 00:30:58,600 I'M JUST NOT THAT... 675 00:30:58,667 --> 00:31:00,533 BOLD. 676 00:31:00,600 --> 00:31:02,067 YOU ARE A GENTLEMAN. 677 00:31:03,633 --> 00:31:08,267 YOU'RE SWEET AND... AND YOU'RE KIND. 678 00:31:08,333 --> 00:31:11,067 AND THAT'S WHY I LIKE BEING WITH YOU. 679 00:31:16,333 --> 00:31:18,100 I LIKE BEING WITH YOU TOO. 680 00:31:24,267 --> 00:31:27,067 [ Violin * ] 681 00:31:34,300 --> 00:31:36,500 OH, DAN, WAIT. ALL RIGHT, I WANT YOU TO SAY: 682 00:31:36,567 --> 00:31:39,233 VOUDRIEZ-VOUS PLUS DE VIN, MADAME ET MONSIEUR? 683 00:31:39,300 --> 00:31:41,233 I CAN'T REMEMBER ALL THAT. 684 00:31:41,300 --> 00:31:42,267 OF COURSE YOU CAN. 685 00:31:42,333 --> 00:31:44,233 BUT I FEEL STUPID. 686 00:31:44,300 --> 00:31:45,133 PLEASE, DAN. 687 00:31:49,333 --> 00:31:50,133 THANK YOU. 688 00:31:55,300 --> 00:31:57,133 [ Trying hard ] UH, VOODERS PLOO... 689 00:32:01,300 --> 00:32:02,100 MORE WINE? 690 00:32:03,367 --> 00:32:04,133 YES. 691 00:32:10,367 --> 00:32:13,133 ASIA, ALL RIGHT, I WANT YOU... I KNOW. I KNOW. 692 00:32:21,333 --> 00:32:22,300 Asia: LE POULET. 693 00:32:22,367 --> 00:32:24,067 C'EST MAGNIFIQUE, MADAME. 694 00:32:24,100 --> 00:32:25,133 MM-HMM. 695 00:32:31,600 --> 00:32:33,133 [ * ] 696 00:32:39,400 --> 00:32:41,267 THEY'RE STARTING TO REMEMBER ALREADY. 697 00:32:41,333 --> 00:32:42,700 [ * ] 698 00:32:45,067 --> 00:32:47,567 I ENJOYED THE CARROTS. 699 00:32:53,400 --> 00:32:54,400 WHOA. 700 00:32:57,700 --> 00:33:00,233 I WISH YOU DIDN'T HAVE TO WORK THIS AFTERNOON. 701 00:33:00,300 --> 00:33:02,133 I KNOW, ME TOO. 702 00:33:10,300 --> 00:33:12,200 [ Giggling ] 703 00:33:12,267 --> 00:33:14,200 I HAD A FINE TIME TODAY. THANK YOU. 704 00:33:14,267 --> 00:33:16,067 THANK YOU. PERHAPS WE COULD... 705 00:33:18,300 --> 00:33:19,233 YOU WERE SAYING? 706 00:33:19,300 --> 00:33:21,400 [ Clearing throat ] 707 00:33:21,467 --> 00:33:23,233 UM, I HOPE THE TWO OF US CAN, UH... 708 00:33:25,267 --> 00:33:27,467 Women: [ Snickering ] 709 00:33:27,533 --> 00:33:30,067 IT'S WHAT HAPPENS WHEN YA FIX A WAGON. 710 00:33:35,300 --> 00:33:37,600 UM, I... I... I SHOULD GET GOING. 711 00:33:39,300 --> 00:33:41,067 YES, YOU SHOULD. 712 00:33:44,333 --> 00:33:46,100 -ISABEL... -THANK YOU FOR THE PICNIC. 713 00:33:46,167 --> 00:33:48,233 I HAD A WONDERFUL TIME. 714 00:33:48,300 --> 00:33:49,100 GOODBYE. 715 00:33:52,300 --> 00:33:53,100 [ door slams ] 716 00:34:02,367 --> 00:34:04,267 ALL THIS TROUBLE TO TRANSPORT US BACK TO FRANCE. 717 00:34:04,333 --> 00:34:06,267 IT'S BEEN DELIGHTFUL, BESS. 718 00:34:06,333 --> 00:34:08,467 BUT WHY? 719 00:34:08,533 --> 00:34:11,967 PARIS, THAT'S WHERE YOU TWO FIRST FELL IN LOVE, ISN'T IT? 720 00:34:12,067 --> 00:34:14,467 -YES. -AND I THOUGHT 721 00:34:14,533 --> 00:34:16,267 YOU'D LIKE TO REMEMBER THAT OLD FEELING, 722 00:34:16,333 --> 00:34:19,067 OF LOVING EACH OTHER LIKE YOU FIRST DID. 723 00:34:20,400 --> 00:34:22,433 UNFORTUNATELY SOME OF OUR FRENCH ACCENTS 724 00:34:22,500 --> 00:34:25,067 MADE SURE THAT YOU NEVER LEFT MASSACHUSETTS. 725 00:34:25,067 --> 00:34:26,233 LET ME GET SOME OF THESE DISHES. 726 00:34:26,300 --> 00:34:27,633 THANK YOU, JO. 727 00:34:29,300 --> 00:34:31,200 ANYWAYS, UH, DON'T MIND ME. 728 00:34:31,267 --> 00:34:32,267 GO AHEAD AND TALK. 729 00:34:32,333 --> 00:34:34,567 ALL RIGHT. 730 00:34:34,633 --> 00:34:37,967 WELL, WE CERTAINLY DO LOVE PARIS, DON'T WE? 731 00:34:38,067 --> 00:34:41,533 YES. THERE'S DEFINITELY A MAGIC ABOUT THAT CITY. 732 00:34:41,600 --> 00:34:43,333 AND YOU'VE CERTAINLY MANAGED TO CAPTURE THAT MAGIC, SWEETHEART. 733 00:34:43,400 --> 00:34:46,100 -THANK YOU. -YES, BESS, PLEASE STAY... 734 00:34:47,433 --> 00:34:49,167 AND TELL US 735 00:34:49,233 --> 00:34:50,633 HOW YOU PLANNED SUCH A WONDERFUL TREAT. 736 00:34:53,600 --> 00:34:56,100 WELL, I GUESS I CAN STAY FOR A BIT. 737 00:34:58,600 --> 00:35:01,400 I TOLD AUNT JO ABOUT THE IDEA, 738 00:35:01,467 --> 00:35:02,567 AND SHE THOUGHT IT WAS VERY LOVELY 739 00:35:02,633 --> 00:35:05,100 SO HERE WE ARE. 740 00:35:15,200 --> 00:35:17,167 I'M SORRY, BESS. 741 00:35:18,567 --> 00:35:21,133 I KNOW WHAT YOU WERE HOPING FOR. 742 00:35:23,400 --> 00:35:26,333 I WAS SILLY TO THINK IT WOULD MAKE A DIFFERENCE. 743 00:35:26,400 --> 00:35:28,167 I MEAN, ONE LUNCH CAN'T CHANGE EVERYTHING. 744 00:35:30,067 --> 00:35:32,300 THAT'S RIGHT. 745 00:35:32,367 --> 00:35:35,167 I HAVE TO BE WITH THEM, ALL THE TIME, AUNT JO. 746 00:35:37,100 --> 00:35:38,067 BESS, THAT ISN'T THE ANSWER. 747 00:35:38,067 --> 00:35:39,400 I'M LEAVING PLUMFIELD. 748 00:35:39,467 --> 00:35:42,167 WHAT? 749 00:35:44,200 --> 00:35:46,300 I'VE MADE MY DECISION. 750 00:35:46,367 --> 00:35:48,133 I MEAN, MY PARENTS NEED ME, AUNT JO. 751 00:35:48,200 --> 00:35:50,167 I HAVE TO MOVE HOME WITH THEM. 752 00:35:52,167 --> 00:35:53,433 [ Sigh ] 753 00:35:53,500 --> 00:35:55,167 I'M SORRY. 754 00:36:02,233 --> 00:36:04,333 SO YOU'RE LEAVING JUST LIKE THAT. 755 00:36:04,400 --> 00:36:08,100 IT'S NOT LIKE I HAVE A CHOICE, NAN. 756 00:36:08,167 --> 00:36:12,067 WELL, YES, YOU DO. YOU CAN STAY. 757 00:36:12,133 --> 00:36:14,067 LET YOUR PARENTS FIGHT IT OUT BY THEMSELVES. 758 00:36:14,100 --> 00:36:16,133 MY PARENTS ARE NOT FIGHTING. 759 00:36:16,200 --> 00:36:19,133 THEY'RE JUST NOT VERY HAPPY WITH EACH OTHER RIGHT NOW. 760 00:36:19,200 --> 00:36:21,067 AND YA THINK HAVIN' YOU AROUND'LL CAUSE SOME SORT OF PARTY? 761 00:36:24,733 --> 00:36:25,967 I'M SORRY. 762 00:36:27,767 --> 00:36:29,433 IT'S JUST... 763 00:36:31,600 --> 00:36:33,700 WELL, I'M KIND OF GONNA... 764 00:36:35,700 --> 00:36:37,633 YOU KNOW. 765 00:36:37,700 --> 00:36:39,133 YEAH. ME TOO. 766 00:36:51,533 --> 00:36:53,667 THERE, THAT OUGHTA DO IT. 767 00:36:53,733 --> 00:36:54,933 GOOD MORNING, NICK. 768 00:36:55,067 --> 00:36:55,967 I DIDN'T SEE YOU THERE. 769 00:37:04,233 --> 00:37:06,067 EVERYTHING ALL RIGHT, FRANZ? 770 00:37:06,133 --> 00:37:08,933 YES. YES. FINE. 771 00:37:12,767 --> 00:37:15,067 UH, NICK, UH... 772 00:37:15,133 --> 00:37:16,467 I DON'T WANT TO MAKE A BIG FUSS ABOUT IT 773 00:37:16,533 --> 00:37:19,067 IN FRONT OF EVERYONE, BUT... 774 00:37:19,133 --> 00:37:20,367 I TOOK ISABEL ON A PICNIC. 775 00:37:20,433 --> 00:37:22,500 YOU DID? 776 00:37:22,567 --> 00:37:23,533 HOW'D IT GO? 777 00:37:23,600 --> 00:37:25,067 OH, IT WAS SPLENDID. 778 00:37:25,133 --> 00:37:26,333 I MEAN, I'VE NEVER FELT SO... 779 00:37:29,200 --> 00:37:31,700 BUT YOU KNOW, OUR... OUR PERSONALITIES, OUR BACKGROUNDS... 780 00:37:31,767 --> 00:37:33,467 WE'RE A TERRIBLE MATCH. 781 00:37:34,733 --> 00:37:36,100 ARE YA? 782 00:37:36,167 --> 00:37:37,700 WELL, YES, ANYONE CAN SEE THAT. 783 00:37:37,767 --> 00:37:40,100 IT'S OBVIOUS. 784 00:37:40,167 --> 00:37:41,967 SO YOU DON'T WANT TO SEE HER ANYMORE? 785 00:37:44,200 --> 00:37:47,133 WELL, I... I JUST THINK IT'S IMPORTANT 786 00:37:47,200 --> 00:37:49,700 FOR COUPLES TO HAVE THINGS IN COMMON, THAT'S ALL. 787 00:37:52,567 --> 00:37:55,067 DON'T YOU? 788 00:37:55,100 --> 00:37:56,433 WELL, I SUPPOSE IT HELPS, 789 00:37:56,500 --> 00:38:01,067 BUT THE QUESTION YOU GOTTA ASK YOURSELF IS THIS: 790 00:38:01,100 --> 00:38:02,933 ARE YOU HAPPIER WITH THIS GIRL 791 00:38:03,067 --> 00:38:04,367 OR WITHOUT HER? 792 00:38:12,100 --> 00:38:13,067 SHE'S DETERMINED TO MOVE HOME. 793 00:38:13,100 --> 00:38:15,267 SHE'S PACKING RIGHT NOW. WHY? 794 00:38:15,333 --> 00:38:18,067 BECAUSE SHE THINKS IT'S THE ONLY THING THAT WILL HELP. 795 00:38:18,100 --> 00:38:20,067 MAYBE IT IS. 796 00:38:20,100 --> 00:38:21,233 HOW CAN YOU BE SO SELFISH? 797 00:38:21,300 --> 00:38:24,167 JO... YOU CAN'T BURDEN BESS WITH THIS. 798 00:38:24,233 --> 00:38:25,567 THIS IS YOUR PROBLEM TO SOLVE. 799 00:38:27,333 --> 00:38:29,233 NOW, I UNDERSTAND THAT YOU ARE BOTH 800 00:38:29,300 --> 00:38:31,133 HAVING A HARD TIME RIGHT NOW, 801 00:38:31,200 --> 00:38:33,500 AND I WILL DO ANYTHING THAT I CAN TO HELP YOU. 802 00:38:33,567 --> 00:38:37,267 BUT IF BESS IS TRULY THE ONLY THING 803 00:38:37,333 --> 00:38:40,200 KEEPING YOUR MARRIAGE TOGETHER, 804 00:38:40,267 --> 00:38:43,200 THEN BRINGING HER HOME TO MAKE THINGS FEEL RIGHT AGAIN 805 00:38:43,267 --> 00:38:44,567 IS ONLY GOING TO BE AS MAKE-BELIEVE 806 00:38:44,633 --> 00:38:47,067 AS THE DAY YOU SPENT YESTERDAY IN PARIS. 807 00:38:54,067 --> 00:38:56,067 Isabel: 9, 10, 11, 808 00:38:56,067 --> 00:38:57,067 AND 27 CENTS. 809 00:38:57,100 --> 00:38:59,067 THAT SETTLES IT. 810 00:38:59,067 --> 00:39:01,200 Mr. Gerson: UNTIL NEXT WEEK. 811 00:39:01,267 --> 00:39:03,133 AS ALWAYS, A PLEASURE DOING BUSINESS WITH YOU. 812 00:39:05,100 --> 00:39:06,700 FRANZ. ISABEL, 813 00:39:06,767 --> 00:39:08,533 I'VE BEEN LOOKING ALL OVER FOR YOU. 814 00:39:08,600 --> 00:39:11,233 -IS THAT SO? -YEAH, I JUST WENT TO THE HOTEL. 815 00:39:11,300 --> 00:39:13,200 THE MANAGER TOLD ME WHERE TO FIND YOU. 816 00:39:13,267 --> 00:39:15,067 WELL, HE'LL BE EXPECTING ME BACK. 817 00:39:15,100 --> 00:39:17,233 WAIT, ISABEL. 818 00:39:17,300 --> 00:39:19,167 LOOK, I KNOW I BEHAVED BADLY THE OTHER DAY. 819 00:39:19,233 --> 00:39:20,333 I DON'T NEED AN EXPLANATION. 820 00:39:20,400 --> 00:39:22,167 BUT YOU DESERVE AN APOLOGY. 821 00:39:22,233 --> 00:39:24,267 I'M SORRY. 822 00:39:24,333 --> 00:39:27,067 ISABEL, JUST GIVE ME A MOMENT OF YOUR TIME, PLEASE. 823 00:39:29,100 --> 00:39:30,567 [ Sigh ] 824 00:39:30,633 --> 00:39:31,567 GO ON. 825 00:39:35,067 --> 00:39:37,267 LOOK, I KNOW THAT PEOPLE ARE GOING TO LOOK AT US 826 00:39:37,333 --> 00:39:40,367 AND THEY'RE GOING TO SAY, "WHAT AN ODD COMBINATION." 827 00:39:40,433 --> 00:39:43,667 YOU, YOU'RE SO FULL OF FIRE AND SPIRIT, 828 00:39:43,733 --> 00:39:46,433 AND ME, I HAVEN'T SEEN MUCH LIFE OUTSIDE THE CLASSROOM. 829 00:39:49,367 --> 00:39:50,567 BUT I ALSO KNOW... 830 00:39:52,100 --> 00:39:54,267 THAT... 831 00:39:54,333 --> 00:39:56,200 EVER SINCE YOU SPILLED WATER ON ME THAT DAY, 832 00:39:56,267 --> 00:39:59,067 I HAVEN'T BEEN ABLE TO STOP THINKING ABOUT YOU. 833 00:40:01,067 --> 00:40:02,967 ISABEL, WHEN I'M WITH YOU, I... 834 00:40:03,033 --> 00:40:04,700 I FEEL SO HAPPY 835 00:40:04,767 --> 00:40:05,967 AND ALIVE. 836 00:40:09,667 --> 00:40:12,533 AND I GUESS I JUST WANT TO MAKE YOU HAPPY TOO. 837 00:40:17,267 --> 00:40:20,000 BUT WHAT HAPPENS THE NEXT TIME SOME FOLKS START WHISPERING 838 00:40:20,067 --> 00:40:21,600 OR LOOKING AT US FUNNY? 839 00:40:21,667 --> 00:40:23,333 I DON'T CARE. 840 00:40:23,400 --> 00:40:25,100 I DON'T CARE WHAT PEOPLE THINK ANYMORE. 841 00:40:28,300 --> 00:40:31,033 I INTEND TO COURT MISS ISABEL MacGREGOR! 842 00:40:33,333 --> 00:40:36,067 AND NO ONE HAD BETTER HAVE AN UNKIND WORD TO SAY ABOUT IT. 843 00:40:42,067 --> 00:40:44,200 WHY, FRANZ BHAER, 844 00:40:44,267 --> 00:40:46,500 MUST YOU ALWAYS MAKE SUCH A SCENE? 845 00:40:46,567 --> 00:40:48,700 [ * ] 846 00:40:58,100 --> 00:41:00,933 OH, FATHER AND MOTHER, 847 00:41:01,067 --> 00:41:02,400 I'M SO GLAD YOU CAME. 848 00:41:02,467 --> 00:41:05,067 BESS... 849 00:41:05,100 --> 00:41:09,067 IT TOOK A WHILE, BUT I MANAGED TO SQUEEZE EVERYTHING IN. 850 00:41:09,067 --> 00:41:10,467 SWEETHEART, WE'RE NOT TAKING YOU HOME. 851 00:41:10,533 --> 00:41:12,533 BUT I WANT TO GO. 852 00:41:12,600 --> 00:41:15,067 NO. BUT, FATHER, 853 00:41:15,100 --> 00:41:17,667 I GAVE IT A TRY AS I PROMISED, 854 00:41:17,733 --> 00:41:19,367 AND I'M REALLY NOT ENJOYING MYSELF. 855 00:41:24,600 --> 00:41:26,467 WE APPRECIATE WHAT YOU'RE TRYING TO DO... 856 00:41:26,533 --> 00:41:27,533 YOU DON'T UNDERSTAND. 857 00:41:27,600 --> 00:41:30,567 I'M NOT TRYING TO DO ANYTHING. 858 00:41:30,633 --> 00:41:32,400 BESS, WE DON'T WANT TO PRETEND ANYMORE. 859 00:41:35,767 --> 00:41:38,067 THE DIFFICULTIES YOUR MOTHER AND I ARE HAVING, 860 00:41:38,067 --> 00:41:39,667 WE WILL DEAL WITH THEM. 861 00:41:39,733 --> 00:41:42,067 WORK THEM OUT. 862 00:41:42,133 --> 00:41:43,700 AND YOU NEED TO STAY HERE WITH YOUR FRIENDS, 863 00:41:43,767 --> 00:41:46,467 AND CONTINUE YOUR STUDIES. 864 00:41:46,533 --> 00:41:48,333 YOU'RE DOING SO WELL. 865 00:41:50,067 --> 00:41:52,367 AND WE ARE BOTH SO PROUD OF YOU. 866 00:41:52,433 --> 00:41:55,133 BUT I JUST DON'T UNDERSTAND. 867 00:41:58,500 --> 00:42:01,067 I'M NOT SURE THAT WE UNDERSTAND EITHER. 868 00:42:02,567 --> 00:42:06,533 BUT I DO THINK THAT YOUR FATHER AND I 869 00:42:06,600 --> 00:42:10,067 NEED TO SPEND SOME TIME ALONE TOGETHER... 870 00:42:10,100 --> 00:42:11,700 TO GET TO KNOW EACH OTHER AGAIN. 871 00:42:13,467 --> 00:42:16,167 BUT YOU GUYS STILL LOVE EACH OTHER, RIGHT? 872 00:42:21,467 --> 00:42:23,200 YES. 873 00:42:23,267 --> 00:42:25,667 VERY MUCH. 874 00:42:25,733 --> 00:42:28,233 [ * ] 875 00:42:34,600 --> 00:42:40,600 [ * ] 876 00:43:28,633 --> 00:43:30,433 [ * ] 877 00:43:38,633 --> 00:43:44,633 [ * ] 878 00:43:55,067 --> 00:43:56,533 UH, I DIDN'T MEAN TO INTERRUPT. 879 00:43:56,600 --> 00:43:57,600 I DON'T MIND. 880 00:44:02,667 --> 00:44:05,067 THOSE COLORS, 881 00:44:05,100 --> 00:44:06,967 YOU WOULDN'T THINK SO AT FIRST BUT THEY, UH... 882 00:44:07,067 --> 00:44:08,567 THEY DO COMPLEMENT EACH OTHER BEAUTIFULLY. 883 00:44:08,633 --> 00:44:12,700 YES, AND THEY FIND A LOVELY BALANCE SOMEHOW, 884 00:44:12,767 --> 00:44:14,500 WHEN YOU SEE THEM SIDE-BY-SIDE. 885 00:44:14,567 --> 00:44:16,267 [ * ] 60816

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