Original subtitles

It is customary to use color limiting in Pixel Art

Remove the most necessary minimum

This allows the drawing to express cleanly and neatly

The main rule from which you can

Start

is to take one or two colors for smoothing

No more

And also to write Everything manually without using tools like brushes

Will protect you from mistakes at first pores

Let me demonstrate How we can apply anti-aliasing in practice

Anti-aliasing occurs at the junction of two colors

The first step we need to choose the main two colors

Which we will smooth

One of the colors can be background

A 2 just a spot on it

Hello Or maybe just lines on background

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Or several colors on one color background

Choose for yourself in general

Now to add anti-aliasing to all this

We must, based on the two colors already available,

Choose an intermediate

one For example, if we have black and white colors

We need gray

It will act as a smoothing color

How do you again, you see

Now I'm adding anti-aliasing, I don't make a row of a bunch of colors and I don't create some kind of Gradient The

maximum row is a row of 2.000

This is the only thing I allow myself to

Do not call back and not make the picture small

Often when creating anti-aliasing people make

Such a mistake

They

For example

Want change one of the primary colors

Changes it Anti-

aliasing leaves the same As

it was originally

And in the end it turns out that it does not smooth, but rather acts as a stroke

In fact, it does not perform its anti-aliasing functions

Therefore, in this case, we need to choose a different color

Somewhere between those colors that we have already selected

The main thing here is just to understand that anti-aliasing is a cross between two colors

It will not be possible to change the primary colors without changing the anti-aliasing between them

Let's now change the color of these spots and see

Why can we add anti-aliasing if they are colored

Let's take red and blue

In this case, our situation is more complicated.

Than grammatical colors

But it all works pretty much the same way

We will have to

Choose something in between but now it’s already difficult for light ones And also a kid

If we want to smooth out the red and blue colors we can choose fioretta for this

What color

Should we choose an intermediate one

We we can determine by the color wheel or just a color tape in a graphic editor

For example

Green

We can bring to red through orange

But it is worth considering that all combinations can perfectly suit each other and go

And not all countries

Ideally performs the role of smoothing Despite the fact that they are intermediate

For example

, if we do

Smoothing between green

Light and

Red

-Violet color This

can start to get out of the picture, that is, the smoothing itself is out of place And

the catch here is that

Purple is colder than both green and red smoothing I sit with purple smoothing it turns out so that It is not dependent on other colors Hue a Pulls too much attention In general, As you can see The presence of Light Already requires more More consideration of different nuances

But after practice, it becomes

clear on an intuitive level

In principle

When drawing, you can do without anti-aliasing and use it

Whether or not you decide

However, the principles that are involved in creating anti-aliasing

Is comprehensive

Used

Including within the whole picture