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All right. Hey everyone. I wanted to, there's some questions about color of temperature,
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so I wanted to do just a quick video explaining a little bit further. So yeah, this is, it's
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a complicated thing. It's hard to explain in words. And for me, first couple classes
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that I took where they talked about this, I didn't get it. It took me, it wasn't until
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like years later, maybe like a year or two, maybe three years later, where I felt like
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I really started to understand it. But one of those breakthrough moments for me was when
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Mark Bojus explained it in a way. He explained it in a very, very simple, easy to understand
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way. So this is Mark Bojus. He's very similar to Richard Schmidt. I think Mark studied from
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Richard a long time ago. So that's why there's some similarities there. But yeah, let me
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kind of go through what I learned from Mark and how I understand it. So here's a couple
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paintings. I actually have a giant print of this one. So I'm always looking at it like
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in my room. But yeah, color temperature is, you know, you can't say that, you know, if
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I pick a random color here, I can't say that this, this is always a warm color, or this
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is always a warm color, or this is always a cool color, because you could put this color
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next to another color that makes it feel warm, or you could put next to a different color
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that makes it feel cool. So part of the reason why this week, we're doing limited palettes,
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you know, both these paintings, they have a limited palette, they're not, they're not
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putting every color in the rainbow in there. So, so this is like a baby step into understanding
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temperature. So we're not over over complicating things, we're not trying to have tons of color
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relationships, where we're simplifying things so you can easily see. If I just zoom in,
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we'll just look at this little part of the hill here. The hill we have both in both these
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images that they're kind of overcast, this is the easiest kind of lighting to see is
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to understand these color temperature ideas, because we just have the, like the ambient
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cloudy neutral lighting, kind of evenly hitting everything from, you know, from one one direction.
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So we have the hill here. And then we have shadow areas in this hill. So that's basically
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what's what's happening. So if you, if we like, this is a 3D image, we have the geometry,
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something like that. So things like this line would go here and then it would go in, you
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know, like that. So, these parts here that are the dark blue, these parts, these are,
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I'm painting them pink now, these, these parts are the deep shadows that aren't going to
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be affected by that neutral ambient light. Okay, so we understand the form of this. Now
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let's look at what's happening to the colors. We just pick some of these colors. Just randomly
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picking some, picking some on the light on that light side. Remember, here, this is where
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we're getting the light. So I'm picking those those colors. Now, let's look up here. Let's
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see where this color lands. We're kind of like in the middle here. We're in this middle
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section, all these colors seem to be in this kind of zone. Okay, so let's go back here.
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Let's see what these colors do. These are these dark colors that are in these deep shadows.
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Okay, so these are not being hit by light. So remember these, they're all in this middle
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zone. Now let's look at these. This, they obviously get really dark, but they jumped
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up in saturation. All these colors are, are now here in saturation. Let's look at what
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happens to the hue. The hue is a little bit more of this orangey yellow. When we go to
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the shadows, they go deep red orange. So we go from here to here. It's a subtle shift,
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but with seeing this, we can see and understand the color, the temperature shift. We go from
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cool to warm. And we know why, because we have a cool, neutral atmosphere coming down
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and affecting these colors where it can't affect these colors, because these are in
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like the deep crevices. Remember this plane goes from here to here, so that that atmosphere
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isn't going to get in here. Yeah, so that's, that's the basics of color temperature. So
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this is like, like the simple idea, but you can, you can take this idea and this is why
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in the lesson, we went through master paintings and we, we analyze the colors and just seeing
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these relationships, like an understanding this relationship here. Now, I can take that
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and apply it to a photo study or something like my own creative work. So the more of
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these you do, the more you're expanding your knowledge of color temperature and your, your
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color, you're broadening your color like vocabulary. So then you'll have more, more of these colors
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to use. And you could go through this whole whole painting and pick out like this color,
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very deep, saturated, dark, and now compared to these. And we will look at the saturated
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these colors are, look how cool they are. Saturation doesn't always mean warm, warmer.
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Like we saw what happened here. The colors went from like yellow to red, and that gave
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us that hue, that hue difference, that temperature difference. So it's really about the feeling
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you have to feel. This color feels warmer. This color feels cooler. And why is that?
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I know this is a difficult topic. It's like, complicated. It's kind of complicated when
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you're not used to thinking about color this way. But yeah, we'll continue to talk about
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it and feel free to ask questions. Awesome. Thank you.
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[ Silence ]
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