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Would you like to inspect the original subtitles? These are the user uploaded subtitles that are being translated: 1 00:00:00,000 --> 00:00:12,760 All right. Hey everyone. I wanted to, there's some questions about color of temperature, 2 00:00:12,760 --> 00:00:22,360 so I wanted to do just a quick video explaining a little bit further. So yeah, this is, it's 3 00:00:22,360 --> 00:00:32,640 a complicated thing. It's hard to explain in words. And for me, first couple classes 4 00:00:32,640 --> 00:00:39,920 that I took where they talked about this, I didn't get it. It took me, it wasn't until 5 00:00:39,920 --> 00:00:50,280 like years later, maybe like a year or two, maybe three years later, where I felt like 6 00:00:50,280 --> 00:01:01,920 I really started to understand it. But one of those breakthrough moments for me was when 7 00:01:01,920 --> 00:01:14,200 Mark Bojus explained it in a way. He explained it in a very, very simple, easy to understand 8 00:01:14,200 --> 00:01:24,080 way. So this is Mark Bojus. He's very similar to Richard Schmidt. I think Mark studied from 9 00:01:24,080 --> 00:01:35,200 Richard a long time ago. So that's why there's some similarities there. But yeah, let me 10 00:01:35,200 --> 00:01:42,560 kind of go through what I learned from Mark and how I understand it. So here's a couple 11 00:01:42,560 --> 00:01:49,360 paintings. I actually have a giant print of this one. So I'm always looking at it like 12 00:01:49,360 --> 00:01:59,640 in my room. But yeah, color temperature is, you know, you can't say that, you know, if 13 00:01:59,640 --> 00:02:06,160 I pick a random color here, I can't say that this, this is always a warm color, or this 14 00:02:06,160 --> 00:02:13,740 is always a warm color, or this is always a cool color, because you could put this color 15 00:02:13,740 --> 00:02:18,680 next to another color that makes it feel warm, or you could put next to a different color 16 00:02:18,680 --> 00:02:30,280 that makes it feel cool. So part of the reason why this week, we're doing limited palettes, 17 00:02:30,280 --> 00:02:33,960 you know, both these paintings, they have a limited palette, they're not, they're not 18 00:02:33,960 --> 00:02:42,560 putting every color in the rainbow in there. So, so this is like a baby step into understanding 19 00:02:42,560 --> 00:02:50,280 temperature. So we're not over over complicating things, we're not trying to have tons of color 20 00:02:50,280 --> 00:03:03,280 relationships, where we're simplifying things so you can easily see. If I just zoom in, 21 00:03:03,280 --> 00:03:15,080 we'll just look at this little part of the hill here. The hill we have both in both these 22 00:03:15,080 --> 00:03:24,960 images that they're kind of overcast, this is the easiest kind of lighting to see is 23 00:03:24,960 --> 00:03:33,880 to understand these color temperature ideas, because we just have the, like the ambient 24 00:03:33,880 --> 00:03:47,160 cloudy neutral lighting, kind of evenly hitting everything from, you know, from one one direction. 25 00:03:47,160 --> 00:04:08,260 So we have the hill here. And then we have shadow areas in this hill. So that's basically 26 00:04:08,260 --> 00:04:19,360 what's what's happening. So if you, if we like, this is a 3D image, we have the geometry, 27 00:04:19,360 --> 00:04:40,740 something like that. So things like this line would go here and then it would go in, you 28 00:04:40,740 --> 00:04:54,900 know, like that. So, these parts here that are the dark blue, these parts, these are, 29 00:04:54,900 --> 00:05:00,500 I'm painting them pink now, these, these parts are the deep shadows that aren't going to 30 00:05:00,500 --> 00:05:13,820 be affected by that neutral ambient light. Okay, so we understand the form of this. Now 31 00:05:13,820 --> 00:05:27,620 let's look at what's happening to the colors. We just pick some of these colors. Just randomly 32 00:05:27,620 --> 00:05:41,300 picking some, picking some on the light on that light side. Remember, here, this is where 33 00:05:41,300 --> 00:05:49,140 we're getting the light. So I'm picking those those colors. Now, let's look up here. Let's 34 00:05:49,140 --> 00:06:02,140 see where this color lands. We're kind of like in the middle here. We're in this middle 35 00:06:02,140 --> 00:06:09,700 section, all these colors seem to be in this kind of zone. Okay, so let's go back here. 36 00:06:09,700 --> 00:06:35,500 Let's see what these colors do. These are these dark colors that are in these deep shadows. 37 00:06:35,500 --> 00:06:49,540 Okay, so these are not being hit by light. So remember these, they're all in this middle 38 00:06:49,540 --> 00:06:57,620 zone. Now let's look at these. This, they obviously get really dark, but they jumped 39 00:06:57,620 --> 00:07:09,260 up in saturation. All these colors are, are now here in saturation. Let's look at what 40 00:07:09,260 --> 00:07:15,580 happens to the hue. The hue is a little bit more of this orangey yellow. When we go to 41 00:07:15,580 --> 00:07:25,860 the shadows, they go deep red orange. So we go from here to here. It's a subtle shift, 42 00:07:25,860 --> 00:07:38,740 but with seeing this, we can see and understand the color, the temperature shift. We go from 43 00:07:38,740 --> 00:07:57,540 cool to warm. And we know why, because we have a cool, neutral atmosphere coming down 44 00:07:57,540 --> 00:08:03,820 and affecting these colors where it can't affect these colors, because these are in 45 00:08:03,820 --> 00:08:10,840 like the deep crevices. Remember this plane goes from here to here, so that that atmosphere 46 00:08:10,840 --> 00:08:26,980 isn't going to get in here. Yeah, so that's, that's the basics of color temperature. So 47 00:08:26,980 --> 00:08:32,620 this is like, like the simple idea, but you can, you can take this idea and this is why 48 00:08:32,620 --> 00:08:43,380 in the lesson, we went through master paintings and we, we analyze the colors and just seeing 49 00:08:43,380 --> 00:08:49,380 these relationships, like an understanding this relationship here. Now, I can take that 50 00:08:49,380 --> 00:09:00,140 and apply it to a photo study or something like my own creative work. So the more of 51 00:09:00,140 --> 00:09:05,700 these you do, the more you're expanding your knowledge of color temperature and your, your 52 00:09:05,700 --> 00:09:15,140 color, you're broadening your color like vocabulary. So then you'll have more, more of these colors 53 00:09:15,140 --> 00:09:24,140 to use. And you could go through this whole whole painting and pick out like this color, 54 00:09:24,140 --> 00:09:35,540 very deep, saturated, dark, and now compared to these. And we will look at the saturated 55 00:09:35,540 --> 00:09:44,500 these colors are, look how cool they are. Saturation doesn't always mean warm, warmer. 56 00:09:44,500 --> 00:09:51,480 Like we saw what happened here. The colors went from like yellow to red, and that gave 57 00:09:51,480 --> 00:10:02,920 us that hue, that hue difference, that temperature difference. So it's really about the feeling 58 00:10:02,920 --> 00:10:16,340 you have to feel. This color feels warmer. This color feels cooler. And why is that? 59 00:10:16,340 --> 00:10:24,640 I know this is a difficult topic. It's like, complicated. It's kind of complicated when 60 00:10:24,640 --> 00:10:30,800 you're not used to thinking about color this way. But yeah, we'll continue to talk about 61 00:10:30,800 --> 00:10:36,800 it and feel free to ask questions. Awesome. Thank you. 62 00:10:36,800 --> 00:10:42,780 [ Silence ] 7529

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